Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1991-06-09.140670.FOB.Schoeps.unknown.Ammons.Noel.t-flac1648
1991-06-09Buckeye Lake Music Center
140670flac16/48; taper unknown: FOB Schoeps CMC32s spaced 8 ft > Tao Research PS > M1000 cables > Panasonic SV255 with 6'3" stands; John Ammons Transfer: Tascam DA-20 MKII > Roland SRC-2 > Mac Mini optical input > Audacity 2.1 > WAV @ 48kHz; Edited & mastered in Audacity by Joe Noel: WAV > Flac48
gd1991-06-09.150368.FOB.Spaced.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
1991-06-09Buckeye Lake Music Center
150368flac16/48kHz; Recording: FOB Schoeps CMC32's spaced 8' > Tao Research PS > M1000 cables > Panasonic SV255mod> Master DAT. Location: FOB on stand @ 6'3"; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 01, 2020
gd1991-06-09.128299.mtx.dusborne.flac16
1991-06-09Buckeye Lake Music Center
128299flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:012756) SBD>DAT>CD>SHN; Audience (shnid:095641) B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro; DFC Front Row Taper Section; Recorded By: James Young & Clay Brennecke and Audience (shnid:118811) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M; Tapes Sony Metal-ES
gd1991-06-09.134008.akg414btl-fob-dantepper.flac16
1991-06-09Rich Stadium
134008flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
gd1991-06-09.140469.TSBeyerCM101.ebel.flac2496
1991-06-09Buckeye Lake Music Center
140469flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel.
gd1991-06-09.138321.sbd.miller.flac24
1991-06-09Buckeye Lake Music Center
138321flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1991-06-09.138333.sbd.miller.flac16
1991-06-09Buckeye Lake Music Center
138333flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is 138321 24 bit -> 16 bit
gd1991-06-09.AKG451.Darby.118810.Flac2448
1991-06-09Buckeye Lake Music Center
118810flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
gd1991-06-09.AKG451.Darby.118811.Flac1644
1991-06-09Buckeye Lake Music Center
118811flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1991-06-09.140238.TS.beyercm101.ebel.flac1644
1991-06-09Buckeye Lake Music Center
140238flac16/44 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48). This is 24 bit -> 16 bit. Transfers by Pete Ebel.
gd91-06-11.sbd.james.5609.sbeok.shnf
1991-06-11Charlotte Coliseum
5609source unknown (likely SBD> CM> DAT> CDR); DAE: CDR> EAC> SHN; Extraction and shorten conversion by JT James; reported upgrade relative to previous shn set
gd1991-06-11.fob.brennecke-young.GEMS.95642.flac16
1991-06-11Charlotte Coliseum
95642flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
gd1991-06-11.111294.NeumannKMF4.daweez.d5scott.flac16
1991-06-11Charlotte Coliseum
111294flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1991-06-11.132802.at835b.cdipietro.flac
1991-06-11Charlotte Coliseum
132802flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro
gd1991-06-11.138322.sbd.miller.flac24
1991-06-11Charlotte Coliseum
138322flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1991-06-11.138338.sbd.miller.flac16
1991-06-11Charlotte Coliseum
138338flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 138322 24 bit -> 16 bit
gd1991-06-11.138343.mtx.sirmick.sbeok.flac16
1991-06-11Charlotte Coliseum
138343flac16; Two source matrix: 70% sbd/30% aud with a few level adjustments; sbd: Cassette Master (TDK SA-X100/Tascam Deck); transferred and master by Charlie Miller; Resampled an dithered with iZotope RX 6 Advanced; and aud: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recorded by James Young & Clay Brennecke, transferred by Todd Evans and mastered by Jamie Waddell; matrix created with Adobe Audition 1.5 SIRMick
gd91-06-12.sbd.oconnor-wier.13266.sbeok.shnf
1991-06-12Charlotte Coliseum
13266SBD> DAT> CDR (previous shn set) + AUD patch for encore
gd1991-06-12.fob.brennecke-young.GEMS.95643.flac16
1991-06-12Charlotte Coliseum
95643flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
gd1991-06-12.150369.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
1991-06-12Charlotte Coliseum
150369flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ortf) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set 1; Center Orchestra Row R, Seat 7 (hand held); Location: Set 2; Center Orchestra Row R, Seat 7 (on stand); Transfer: Master DAT > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer by Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 02, 2020
gd1991-06-12.132803.at835a.cdipietro.flac
1991-06-12Charlotte Coliseum
132803flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro
gd1991-06-12.sennME80.wklitz.94310.flac16
1991-06-12Charlotte Coliseum
94310flac16; Sennheiser ME-80\'s>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
gd1991-06-12.138334.sbd.miller.flac24
1991-06-12Charlotte Coliseum
138334flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1991-06-12.138341.sbd.miller.flac16
1991-06-12Charlotte Coliseum
138341flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138334 24 bit -> 16 bit
gd91-06-14.sbd.braverman.16816.sbeok.shnf
1991-06-14Robert F. Kennedy Stadium
16816SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV)
gd1991-06-14.149642.sbd.cm.miller.flac16
1991-06-14Robert F. Kennedy Stadium
149642flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This fie set is 16 bit @ 44.1
gd1991-06-14.sennME80.wklitz.94371.flac16
1991-06-14RFK Stadium
94371flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger
gd1991-06-14.135771.mtx.tobin.flac16
1991-06-14Robert F. Kennedy Stadium
135771flac16; Matrix 2 Source Mix - SBD (shnid=16816) SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) + AUD (shn id 94371) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - matrix mixing by Kevin Tobin
gd1991-06-14.135774.5-1.tobin.flac1648
1991-06-14Robert F. Kennedy Stadium
135774flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=16816) SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) + AUD (shn id 94371) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - mixing by Kevin Tobin
gd1991-06-14.mtx.sirmick.100610.sbeok.flac16
1991-06-14RFK Stadium
100610flac16; Matrix - Audience source: soundtrack from a low gen, audience shot, VHS, provided by Greyful Dave amd Soundboard source: DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN (shnid16816) seeded by Peter Braverman
gd1991-06-14.135773.dts.tobin.flac16
1991-06-14Robert F. Kennedy Stadium
135773DTS-Audio-CD 5.1 Mix; SBD (shnid=16816) SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) + AUD (shn id 94371) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - DTS mixing by Kevin Tobin
gd1991-06-14.nak300.bleich-sirmick.111113.sbeok.flac16
1991-06-14Robert F. Kennedy Stadium
111113flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Lineage: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition 1.5 > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich
gd1991-06-14.135770.upg-sbd.tobin.flac16
1991-06-14Robert F. Kennedy Stadium
135770flac16; (original shnid = 16816) SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) - pitch correction and patches by Kevin Tobin
gd1991-06-14.149609.sbd.miller.pearson-healy.flac2496
1991-06-14Robert F. Kennedy Stadium
149609flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd91-06-16.sbd.shn.17028.sbeok.shnf
1991-06-16Giants Stadium
17028Source: DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF
gd1991-06-16.Nak300CP4Baker.109124.flac16
1991-06-16Giants Stadium
109124flac16; Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44
gd1991-06-16.135891.dts.tobin.flac16
1991-06-16Giants Stadium
135891DTS-Audio-CD 5.1 Mix; SBD (shnid=17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF + AUD (shn id 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - DTS mixing by Kevin Tobin
gd1991-06-16.135888.upg-sbd.tobin.flac16
1991-06-16Giants Stadium
135888flac16; (original shnid = 17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF - pitch correction and patches by Kevin Tobin
gd1991-06-16.135889.upg-aud.tobin.flac16
1991-06-16Giants Stadium
135889flac16; (original shnid = 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - pitch correction and patches by Kevin Tobin
gd1991-06-16.142609.dsbd.dolphinsmile.flac16
1991-06-16Giants Stadium
142609flac16; DSDB>clone >File cloned in Microtrack using Tascam Dat deck> Goldwave tracking>tlh8
gd1991-06-16.150370.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
1991-06-16Giants Stadium
150370flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (SV-255mod) (16-48); Location: FOB, Section B, Row 30, Seat 20 (hand held); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 02, 2020
gd1991-06-16.150162.sbd.cm.miller.flac16
1991-06-16Giants Stadium
150162flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1991-06-16.sbd.gjf.tetzeli.fix-17028.34783.reflac.flac16
1991-06-16Giants Stadium
34783flac16; DSBD>DAT>WAV>CD>EAC>SHN>WAV>FLAC - Seamless fix of shn id 17028. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1991-06-16.128625.mtx.dusborne.flac16
1991-06-16Giants Stadium
128625flac16; 2 Source Matrix by Dusborne Soundboard (shnid:034783) Seamless fix of shinid=17028 by Bill Tetzeli: Source: DSBD->DAT->Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S and Audience (shnid:122648) Master Audience Recorded By Mr. Currier, Transfer By Keo AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's
gd1991-06-16.149986.sbd.pearson-healy.miller.flac2496
1991-06-16Giants Stadium
149986flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1991-06-16.134056.bk4011ortf-fob-dantepper.flac16
1991-06-16Giants Stadium
134056flac16; Source: B&K 4011 (ORTF) > SONY D10 Pro > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
gd1991-06-16.135890.mtx.tobin.flac16
1991-06-16Giants Stadium
135890flac16; Matrix 2 Source Mix - SBD (shnid=17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF + AUD (shn id 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - matrix mixing by Kevin Tobin
gd1991-06-16.135892.5-1.tobin.flac1648
1991-06-16Giants Stadium
135892flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF + AUD (shn id 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - mixing by Kevin Tobin
gd91-06-17.sbd.gardner.3591.sbeok.shnf
1991-06-17Giants Stadium
3591sbd> ?> cdr> eac> shn; via Tony Gardner, with thanks to Peter Braverman
gd91-06-17.sbd.miller.25608.sbeok.shnf
1991-06-17Giants Stadium
25608SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller; [Note: This is the only circulating source without an analog gen in it.]
gd1991-06-17.fob.brennecke-young.GEMS.95644.flac16
1991-06-17Giants Stadium
95644flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
gd1991-06-17.150371.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
1991-06-17Giants Stadium
150371flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: FOB, Section B, Row 30, Seat 20 (hand held); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 04, 2020
gd1991-06-17.484.sbd.shnf
1991-06-17Giants Stadium
484DSBD> DAT> CDR> SHN; new version d1, 5/18/99; first 1-2 sec of Eyes is missing; note md5s were lacking- ones shown here generated by G.S. Hamilton, for OK shns with the newer d1
gd1991-06-17.AKG451.Currier.Keo.122790.Flac2496
1991-06-17Giants Stadium
122790flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1991-06-17.AKG451.Currier.Keo.122791.Flac1644
1991-06-17Giants Stadium
122791flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1991-06-17.135941.5-1.tobin.flac1648
1991-06-17Giants Stadium
135941flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - mixing by Kevin Tobin
gd1991-06-17.135942.mtx.tobin.flac16
1991-06-17Giants Stadium
135942flac16; Matrix 2 Source Mix - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - matrix mixing by Kevin Tobin
gd1991-06-17.135943.dts.tobin.flac16
1991-06-17Giants Stadium
135943DTS-Audio-CD 5.1 Mix; SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - DTS mixing by Kevin Tobin
gd1991-06-17.137545.sbd.miller.flac24
1991-06-17Giants Stadium
137545flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1991-06-17.137547.sbd.miller.flac16
1991-06-17Giants Stadium
137547flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 24bit > 16bit with r8brain
gd1991-06-17.nak300.andrewf.86659.sbeok.flac1648
1991-06-17Giants Stadium
86659flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F.
gd1991-06-17.128692.mtx.dusborne.flac16
1991-06-17Giants Stadium
128692flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:025608) Recording Info: SBD -> Master Dat (44.1k) -> Dat Clone; Audience (shnid:095644) Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro by James Young & Clay Brennecke; and Audience (shnid:122791) AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's
gd1991-06-17.150677.sbd.cm.miller.flac16
1991-06-17Giants Stadium
150677flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1991-06-17.134054.akg414btl-fob-dantepper.flac16
1991-06-17Giants Stadium
134054flac16; Source: AKG 414-BTL (hypercard X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
gd91-06-19.aud.ladner.19144.sbeok.shnf
1991-06-19Pine Knob Music Theater
19144Source: AUD (unknown mics) >DAT>CDR>WAV>SHN. SHN encoding via C.Ladner.
gd91-06-19.sbd.aj.2786.sbeok.shnf
1991-06-19Pine Knob Music Theater
2786SBD > DAT > Cass > DAT > CD > EAC > CDWav (retrack) > CD; Retracking done by Ivan Kotch; to etree via Adam Jerugim; known flaws: splice during Promised, noise during FOTM (A patched version of d1t08 also circulates as of June, 2010.)
gd1991-06-19.fob.brennecke-young.GEMS.95645.flac16
1991-06-19Pine Knob Music Theatre
95645flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
gd1991-06-19.149584.sbd.pearson-healy.miller.flac2496
1991-06-19Pine Knob Music Theater
149584flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
gd1991-06-19.149645.sbd.cm.miller.flac16
1991-06-19Pine Knob Music Theater
149645flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
gd1991-06-19.150372.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
1991-06-19Pine Knob Music Theater
150372flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set I FOB, Section Center, Row O, Seat 18 (hand held);Location: Set II FOB, Section Center, Row O, Seat 18 (on stand @ 6'); Transfer: Dat > Sony PCM r500 > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick. Transfer By Charlie Miller. Edited & Mastered using Adobe Audition by Joe Noel.May 16, 2020
gd1991-06-19.109345.sbd.lai.shnf
1991-06-19Pine Knob Music Theater
109345SBD>CM>DAT>SHN>CD; edited and transferred to cd by michael lai
gd1991-06-19.Nak300CP4.Baker.Keo.116154.Flac1644
1991-06-19Pine Knob Music Theater
116154flac16; Master Audience Nakamichi CM300/CP4 Shotguns SonyD5; Taper Mr. Baker,Tapes From JB's Collection,Transfer By Keo; Tapes Maxell MX-s 90.100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
gd1991-06-19.Nak300CP4.Baker.Keo.116153.Flac2496
1991-06-19Pine Knob Music Theater
116153flac24; Master Audience Nakamichi CM300/CP4 Shotguns SonyD5; Taper Mr. Baker,Tapes From JB's Collection,Transfer By Keo; Tapes Maxell MX-s 90.100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
gd91-06-19.fob-schoeps-mahoney-oneill.miller.28392.sbeok.shnf
1991-06-19Pine Knob Music Theater
28392FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer : Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller
gd1991-06-19.138579.sbd.lai-jeh.sbeok.flac16
1991-06-19Pine Knob Music Theater
138579flac16; SBD>CM>DAT>SHN>CD; This is a minor remaster of shnid: 109345
gd1991-06-19.140452.TSBeyer-CM1010.ebel.flac2496
1991-06-19Pine Knob Music Theater
140452flac24/96Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel
gd91-06-20.aud.ladner.2187.sbeok.shnf
1991-06-20Pine Knob Music Theater
2187unknown mics > DAT > CDR > EAC x 2 > WAV > SHN3.0; via Chris Ladner, from Marc Laurent's discs; see info file for listening notes
gd91-06-20.sbd.aj.2787.sbeok.shnf
1991-06-20Pine Knob Music Theater
2787SBD > DAT > Cass > DAT > CD > EAC, with Audience patch: Unknown DAUD > CD > EAC; All editing done with EAC, CDWave and SoundForge 4.5, by Ivan Kotch; to etree via Adam Jerugim; see info file for notes
gd1991-06-20.fob.brennecke-young.GEMS.95646.flac16
1991-06-20Pine Knob Music Theatre
95646flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
gd1991-06-20.149585.sbd.pearson-healy.miller.flac2496
1991-06-20Pine Knob Music Theater
149585flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd1991-06-20.149646.sbd.cm.miller.flac16
1991-06-20Pine Knob Music Theater
149646flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
gd1991-06-20.150373.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
1991-06-20Pine Knob Music Theater
150373flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set 1 FOB, Section Center, Row O, Seat 15 (hand held); Location: Set 2 FOB, Section Center, Row O, Seat 15 (on stand @ 6'); Transfer: Dat > Sony PCM r500 > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 19, 2020
gd1991-06-20.140466.TSBeyerCM101.ebel.flac2496
1991-06-20Pine Knob Music Theater
140466flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel.
gd91-06-20.fob-akg-mahoney-oneill.miller.28393.sbeok.shnf
1991-06-20Pine Knob Music Theater
28393FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller
gd1991-06-22.sbd.unknown.29057.sbe-fix.flac16
1991-06-22Soldier Field
29057This is shn id 485 with undocumented changes. See the comments here for a possible explanation. Via Tol and LMA.
gd1991-06-22.150374.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
1991-06-22Soldier Field
150374flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set 1 FOB, Section B, Row 26, Seat 39 (hand held - two seats off center); Location: Set 2 FOB, Section B, Row 26, Seat 39 (on stand @ 6' - two seats off center); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 19, 2020
gd1991-06-22.sbd.gans.miller.112775.flac16
1991-06-22Soldier Field
112775flac16; Recording Info: SBD -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1991-06-22.Senn421.Darby.118488.Flac2448
1991-06-22Soldier Field
118488flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/Sec J Row 17 Seat 4/6 Feet High)> Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
gd1991-06-22.Senn421.Darby.118489.Flac1644
1991-06-22Soldier Field
118489flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/Sec J Row 17 Seat 4/6 Feet High)> Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1991-06-22.150678.sbd.cm.miller.flac16
1991-06-22Soldier Field
150678flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
gd91-06-24.mahoney-akg.unknown.21648.sbeok.shnf
1991-06-24Sandstone Ampitheatre
21648FOB AKG 460 cardioid > DAT > CD DAT > CD: Panasonic sv3700 > Cool Edit Pro > CD Wave > mkw
gd91-06-24.sbd.jeff_m.2533.sbeok.shnf
1991-06-24Sandstone Ampitheatre
2533DSBD> DAT> CDR; EAC> SHN by Jeff M.
gd1991-06-24.150375.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
1991-06-24Sandstone Ampitheatre
150375flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set 1 FOB, Section 3, Row W, Seat 2 (hand held - 5 seats off center); Location: Set 2 FOB, Section 3, Row W, Seat 2 (on stand @ 6'5" - 5 seats off center); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. June 18, 2020
gd1991-06-24.sbd.jeffm.tetzeli.fix-2533.35251.reflac.flac16
1991-06-24Sandstone Amphitheatre
35251flac16; Fix of shn id 2533 - DSBD>DAT>CDR>WAV>SHN>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1991-06-24.147391.sbd.cm.miller.flac16
1991-06-24Sandstone Ampitheatre
147391flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This file set is 16 bit @ 44.1
gd1991-06-24.AKG451.Darby.118933.Flac2448
1991-06-24Sandstone Ampitheatre
118933flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/2nd Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony Tc-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
gd1991-06-24.AKG451.Darby.118934.Flac1644
1991-06-24Sandstone Ampitheatre
118934flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/2nd Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony Tc-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd91-06-24.fob-akg-mahoney-oneill.miller.28394.sbeok.shnf
1991-06-24Sandstone Ampitheatre
28394FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); plus patch from Schoeps hypercards> custom supply> SV255 section tape; Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill, with patch source by Ed Boardman; Transferred By Charlie Miller
gd1991-06-24.146590.sbd.miller.flac2496
1991-06-24Sandstone Ampitheatre
146590flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd1991-06-24.149327.set1BK4011.set2akg460.ebel.flac16
1991-06-24Sandstone Ampitheatre
149327flac16/48kHz; Source Info: Set #1: B&K 4011-> Sony D10 Pro II-> DAT; Set #2: AKG 460 CK 61-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
gd1991-06-24.cmc5u_mk4.chuckm.116711.flac16
1991-06-24Sandstone Ampitheatre
116711flac16; Schoeps CMC5u/ MK-4 > Panasonic SV 255 > Sony WMD-6C (Dolby C encoded); Microphone configuration: TS, center, ORTF, 10' up Master format (analog): Maxell MX-S 90 & MX 110 cassettes; Transfer: Sony TC-WE635 (Dolby C decoded) > Tascam DR-680 > SDHC card > (card reader) PC > CuBase SX; Digital editing: CuBase SX (pre and post set fades, level correction, WAVES 10 band Paragraphic EQ, WAVES L1 Ultramaximizer (limiting), cassette flips patched with etree source #28394); Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded via analog patch from Richard Wood, processed and distributed by Chuck Miller
gd91-06-25.sbd.screenwriter.489.sbeok.shnf
1991-06-25Sandstone Ampitheatre
489DSBD Boot? > CDR > SHN (EAC); 2x80 min;  liberated KTS bootleg; via screenwriter to abgd 11/99; to etree ~12/3
gd1991-06-25.fob.brennecke-young.GEMS.95647.flac16
1991-06-25Sandstone Amphitheatre
95647flac16; Lineage: Clone of Master DAT Recording Equipment: AKG C460B/CK61 (ORTF) -> Mike Grace Early Preamp -> Dat Master (Casio DA-7/ 16-bit - 48kHz) Recording Location: FOB Recorded By: JC Mahoney & Dan Oneil Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
gd1991-06-25.sbd.nawrocki.15590.shnf
1991-06-25Sandstone Amphitheatre
15590SBD > DAT > CDR > EAC > Cool Edit Pro 2.0 > mkwACT; fades have been patched; EAC'd/SHN'd by Doug Nawrocki
gd1991-06-25.123825.nak300.cage.flac16
1991-06-25Sandstone Ampitheatre
123825flac16; nak300>cp4>pmd430 no dbx; ots dfc mics@12 ft. pas; cass(m)>hhb830 cds 16/44.1 in 2003; cd>audacity +2.1.cdwave splits tlh flac 8; t&s by c. cage
gd1991-06-25.150376.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
1991-06-25Sandstone Ampitheatre
150376flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (110˚)> Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: FOB, Section 3, Row Y, Seat 3 (hand held); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel.June 18, 2020
gd1991-06-25.119017.akg451.darby.flac24
1991-06-25Sandstone Ampitheatre
119017flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/2nd Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony Tc-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
gd1991-06-25.119018.akg451.darby.flac16
1991-06-25Sandstone Ampitheatre
119018flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/2nd Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony Tc-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd91-06-25.sbd.miller.26350.sbeok.shnf
1991-06-25Sandstone Ampitheatre
26350SBD> Vault Dat> Dat> Dat (44.1k); Transfer: Dat (Tascam DA20)> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> Cool Edit Pro v2.0> SHN; All Transfers and Editing By Charlie Miller; note upgrade compared to prev sources in circ (NOT from liberated bootleg)
gd91-06-25.fob-akg-mahoney-oneill.miller.28403.sbeok.shnf
1991-06-25Sandstone Ampitheatre
28403FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller
gd1991-06-25.149647.sbd.cm.miller.flac16
1991-06-25Sandstone Ampitheatre
149647flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
gd1991-06-25.149530.sbd.pearson-healy.miller.flac2496
1991-06-25Sandstone Ampitheatre
149530flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd1991-06-25.cmc5u_mk4.chuckm.116626.flac16
1991-06-25Sandstone Ampitheatre
116626flac16; Source (AUD): Schoeps CMC5u/ MK-4 > Panasonic SV 255 > Sony WMD-6C (Dolby C encoded); Microphone configuration: TS, 6' right of center, ORTF, 10' up Master format (analog): Maxell MX-S 90 & MX 110 cassettes; Transfer: Sony TC-WE635 (Dolby C decoded) > Tascam DR-680 > SDHC card > (card reader) PC > WaveLab 5 Digital editing: WaveLab 5 (pre and post set fades, WAVES 10 band Paragraphic EQ, WAVES L1 Ultramaximizer (limiting), remove DC offset, cassette flips patched with etree source #28403); Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded via analog patch from Richard Wood, processed and distributed by Chuck Miller
gd91-06-28.sbd.miller.11706.sbeok.shnf
1991-06-28Mile High Stadium
11706SBD> Dat> Samplitude> CD, Seed Supplied By David Gans; Transfer Info: Sony R500> Behringer SRC2000> M-Audio Dio 2448> Compaq 5452, Transfer done by Charlie Miller; Recorded with Samplitude v6.0, Fades done with Cool Edit Pro v1.2, Tracked with CDWave v1.71, SHN'd with MKW v0.97 Beta1
gd1991-06-28.119063.akg451.darby.flac24
1991-06-28Mile High Stadium
119063flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename by Keo
gd1991-06-28.119064.akg451.darby.flac16
1991-06-28Mile High Stadium
119064flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1991-06-28.fob.brennecke-young.GEMS.96359.flac16
1991-06-28Mile High Stadium
96359flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB - 20th Row - Hand Held Both Sets Recorded By: James Young Transfer: 16 bit – 48kHz DAT > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
gd1991-06-28.150679.sbd.cm.miller.flac16
1991-06-28Mile High Stadium
150679flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd91-08-12.sbd.fishman.8109.sbeok.shnf
1991-08-12Cal Expo
8109Don Pearson Master Cassette > Cassette > D > CD-r; d3 circs w/ filler from 8-13-91 set 1; Same source; via JR Fishman
gd1991-08-12.150330.sbd.cm.miller.flac16
1991-08-12Cal Expo
150330flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1991-08-12.143090.FOB.Schoeps.unknown.Dalton.Miller.Noel.t-flac1644
1991-08-12Cal Expo
143090flac16; Unknown taper: Schoeps Omni MK2 (spaced 12') > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT > PCM; Charlie Miller Transfer: PCM (Sony SL-10) > Sony PCM601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > FLAC 16/44
gd1991-08-12.akg451.darby.119080.flac24
1991-08-12Cal Expo Amphitheatre
119080flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-s Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
gd1991-08-12.akg451.darby.119081.flac16
1991-08-12Cal Expo Amphitheatre
119081flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
gd1991-08-12.137911.sbd.flac16
1991-08-12Cal Expo
137911flac16; DAT Master DSBDs, no transfer inf0 > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
gd1991-08-12.fob.brennecke-young.GEMS.96371.flac16
1991-08-12Cal Expo Amphitheatre
96371flac16; Lineage: Clone from Master DAT Recording Equipment: Schoeps Omni -> Oade Supply -> Panasonic SV-255 Recording Location: FOB, on stands 8 feet hight and mic stands spaced 8.5 feet apart Recorded By: Unknown Transfer: 16 bit – 48kHz DAT > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
gd1991-08-12.sbd.hinko.29496.sbeok.flacf
1991-08-12Cal Expo
29496flac16; SBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
gd1991-08-12.daweez.d5scott.NeumannKMF4.113423.flac16
1991-08-12Cal Expo
113423Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1991-08-12.148406.fob.schoeps.cmc34.ebel.flac16
1991-08-12Cal Expo
148406flac16; Source Info: FOB Schoeps CMC3 MK4-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
gd1991-08-12.150299.sbd.miller.flac2496
1991-08-12Cal Expo
150299flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd91-08-13.sbd.oconnor.10927.sbeok.shnf
1991-08-13Cal Expo
10927SBD>CM>DAT>CDR; via Paul; seeded to etree by eD(efojr)
gd1991-08-13.150331.sbd.cm.miller.flac16
1991-08-13Cal Expo
150331flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1
gd1991-08-13.143088.FOB.Schoeps.unknown.Dalton.Miller.Noel.t-flac1644
1991-08-13Cal Expo
143088flac16; unknown taper: Schoeps Omni MK2 (spaced 12') > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT > PCM; Charlie Miller Transfer: PCM (Sony SL-10) > Sony PCM601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > FLAC 16/44
gd1991-08-13.150306.sbd.miller.flac2496
1991-08-13Cal Expo
150306flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
gd1991-08-13.137912.sbd.flac16
1991-08-13Cal Expo
137912flac16; DAT Master SBDs, no transfer info > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
gd1991-08-13.138191.BK4011.Schoeps.fob.Darroch.Ammons.t-flac16
1991-08-13Cal Expo
138191flac16/48kHz; 1st set [partial]: B&K 4011's 110 degrees ORTF with Schoeps t-bar > Mod Neumann PS > Panasonic SV255 with stand, recorded by Rob Darroch; 2nd set: Schoeps CMC34 110 degrees ORTF with Schoeps t-bat > Canare Cable > Tao Research PS > Pro-Link jumper cable > Panasonic SV255 hand held at 5'10" by John Ammons; John Ammons Transfer: master DAT > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
gd1991-08-13.wklitz.me80.91678.flac
1991-08-13Cal Expo Amphitheatre
91678flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger
gd1991-08-13.sbd.miller.109241.flac16
1991-08-13Cal Expo
109241flac16; Recording Info:SBD -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1991-08-13.113426.NeumannKMF4.daweez.d5scott.flac16
1991-08-13Cal Expo
113426flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1991-08-13.148403.fob.BK4011.ebel.flac16
1991-08-13Cal Expo
148403flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
gd1991-08-13.148404.set1.fob.BK4011.ebel.flac1648
1991-08-13Cal Expo
148404flac16/48kHz; Set 1 Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)->SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
gd1991-08-13.119111.akg451.darby.flac24
1991-08-13Cal Expo Amphitheatre
119111flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
gd1991-08-13.119112.akg451.darby.flac16
1991-08-13Cal Expo Amphitheatre
119112flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd91-08-14.sbd.oconnor.9798.sbeok.shnf
1991-08-14Cal Expo
9798SBD>DAT>??>DAT>CDR; via Paul; Seeded to etree by eD(efojr)
gd1991-08-14.150332.sbd.cm.miller.flac16
1991-08-14Cal Expo
150332flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1
gd1991-08-14.sbd.hinko.30073.sbeok.flacf
1991-08-14Cal Expo
30073flac16; SBD > DAT > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
gd1991-08-14.143089.FOB.s2.Schoeps.unknown.Dalton.Miller.Noel.t-flac1644
1991-08-14Cal Expo
143089flac16; Set 2 Unknown taper: FOB Schoeps Omni MK2 (spaced 12') > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT > PCM; Charlie Miller Transfer: PCM (Sony SL-10) > Sony PCM601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > FLAC 16/44
gd1991-08-14.150320.sbd.miller.flac2496
1991-08-14Cal Expo
150320flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
gd1991-08-14.137920.sbd.flac16
1991-08-14Cal Expo
137920flac16; DAT Master SBDs no transfer info > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
gd1991-08-14.119122.akg451.darby.flac16
1991-08-14Cal Expo Amphitheatre
119122flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-s Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1991-08-14.113427.NeumannKMF4.daweez.d5scott.flac16
1991-08-14Cal Expo
113427Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1991-08-14.148407.fob.BK4011.ebel.flac16
1991-08-14Cal Expo
148407flac16; Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
gd1991-08-14.119121.akg451.darby.flac24
1991-08-14Cal Expo Amphitheatre
119121flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
gd91-08-16.sbd.17011.sbeok.flac
1991-08-16Shoreline Amphitheatre
17011Source: SB DAT 48khz low-gen clone
Conversion: Sony PCM-1 (7-pin optical) > Zoltrix C-Media CMI8738/C3DX PCI (optical) > Ce2k pro record (48) > Ce2k pro convert sample (44.1, highest quality, pre-post filter) > CDWav > FLAC
gd91-08-16.sbd.braverman.6676.sbeok.shnf
1991-08-16Shoreline Amphitheatre
6676SBD:DAT> DAT> SF> WAV> SHN; via J.T. James, Peter Braverman
gd1991-08-16.137942.dsbd.GEMS.sbeok.flac1648
1991-08-16Shoreline Amphitheatre
137942flac16/48kHz; DSBD 16 bit 48kHz DAT; Ampex 467 R-124 Certified Mastering Audio Cassettes [DATs]-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Mastering by Jamie Waddell in Wavelab 7.2.1; Track, FLAC and Pack by Norm
gd1991-08-16.sbd.nickc.111330.flac16
1991-08-16Shoreline Amphitheatre
111330flac16; Updated Source Info: SBD > ? > DAT Clone > FLAC (Had been marked Schoeps MK4 w/ RBox 16 Bit 48K...)
gd1991-08-16.141274.sbd.miller.flac2496
1991-08-16Shoreline Amphitheatre
141274flac24/96 Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller
gd1991-08-16.141316.sbd.cm.miller.flac1644
1991-08-16Shoreline Amphitheatre
141316flac16; Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller
gd1991-08-16.151057.aud.lohr.vernon.flac1648
1991-08-16Shoreline Amphitheatre
151057flac16/48khz Source : Nak CM-100s > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
gd1991-08-16.151058.aud.lohr.vernon.flac2496
1991-08-16Shoreline Amphitheatre
151058flac24/96khz Source : Nak CM-100s > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
gd91-08-17.sbd.josephs.497.sbeok.shnf
1991-08-17Shoreline Amphitheatre
497SBD -> DAT Master -> DAT Clone -> Tascam DA40 -> (SPDIF)-> SB Live -> SoundForge -> Wav -> Shorten; via J. Josephs, originally named by song, with underscores, apostrophes et al; C. Hannigan renamed and reordered tracks to fit so the encore is at the beginning- see his new info file
gd1991-08-17.149444.set1.sennheiserME88.set2.BK4003.ebel.flac1648
1991-08-17Shoreline Amphitheatre
149444flac16/48kHz; Source Info: Set #1: T/S Sennheiser ME 88->DAT; Set #2: T/S B&K 4003 (Omni Caps)-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
gd1991-08-17.141289.sbd.miller.flac2496
1991-08-17Shoreline Amphitheatre
141289flac24/96 Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller.
gd1991-08-17.mtx.hansokolow.107826.flac16
1991-08-17Shoreline Amphitheatre
107826flac16; Hansokolow matrix of these digital sources: SBD: shnid=20696 // AUD: shnid=94196 (Taped by: Keith Litzenberger)
gd1991-08-17.141317.sbd.cm.miller.flac1644
1991-08-17Shoreline Amphitheatre
141317flac16; Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller.
gd1991-08-17.senn-ME80.wklitz.94196.flac16
1991-08-17Shoreline Amphitheatre
94196flac16; Source: Sennheiser ME-80\'s> Technics SV-MD1 (DAT) Lineage: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Taped by: Keith Litzenberger from Section 202 Row E Seat 23 (Front Row Center OTS) Transferred by: Keith Litzenberger
gd1991-08-17.151059.aud.lohr.vernon.flac1648
1991-08-17Shoreline Amphitheatre
151059flac16/48khz Source : Nak CM-100s > Nak 550 > D6 > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
gd1991-08-17.151060.aud.lohr.vernon.flac2496
1991-08-17Shoreline Amphitheatre
151060flac24/96khz Source : Nak CM-100s > Nak 550 > D6 > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
gd91-08-18.sbd.nawrocki.21349.sbeok.shnf
1991-08-18Shoreline Amphitheatre
21349Source:SB DAT 48khz low-gen clone via kung@steve-behan.com Patch Source: SBD > DAT > ZA2 > CDR > EAC Patched, retracked, shn'd... by Doug Nawrocki
gd1991-08-18.147507.sbd.miller.flac24
1991-08-18Shoreline Amphitheatre
147507flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This source has a fixed Deal
gd1991-08-18.149439.BK4003.ebel.flac1648
1991-08-18Shoreline Amphitheatre
149439flac16/48kHz; Source Info: T/S B&K 4003 (Omni Caps)-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
gd1991-08-18.141295.sbd.miller.flac2496
1991-08-18Shoreline Amphitheatre
141295flac24/96 Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller.
gd1991-08-18.mtx.hansokolow.107883.flac16
1991-08-18Shoreline Amphitheatre
107883flac16; Matrix by hansokolow of these two sources: DSBD: (shnid=21349) SB DAT 48khz low-gen clone // DAUD: (shnid=94188) Sennheiser ME-80's>Technics SV-MD1; By Keith Litzenberger
gd1991-08-18.senn-ME80.wklitz.94188.flac16
1991-08-18Shoreline Amphitheatre
94188flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded,Transferred & Uploaded By Keith Litzenberger
gd1991-08-18.141326.sbd.cm.miller.flac1644
1991-08-18Shoreline Amphitheatre
141326flac16; Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller.
gd1991-08-18.148256.sbd.cm.miller.flac16
1991-08-18Shoreline Amphitheatre
148256flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This source has a fixed Deal (3 static bursts remain @ 7:10, 7:12, 7:18 on aLL know sources), This file set is 16 bit @ 44.1
gd1991-08-18.151061.aud.lohr.vernon.flac1648
1991-08-18Shoreline Amphitheatre
151061flac16/48khz Source : Unspecified mics > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
gd1991-08-18.151062.aud.lohr.vernon.flac2496
1991-08-18Shoreline Amphitheatre
151062flac24/96khz Source : Unspecified mics > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
gd91-09-04.sbd.gardner.5558.sbeok.shnf
1991-09-04Richfield Coliseum
5558sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs
gd1991-09-04.147568.beyerCM101.ebel.flac2448
1991-09-04Richfield Coliseum
147568flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Set #1:Maxell XL-II's 90's & Set #2:Maxell XL-II's 100's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48); Transfers by Pete Ebel
gd1991-09-04.151811.FOB.Schoeps.Master.DAT.ONeill.Mahoney.Noel.t-flac1648
1991-09-04Richfield Coliseum
151811flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: Set 1; Row Q (handheld), Set 2; Row Q (stand) Transfer: Master DAT > Tascam DA-20mk2 > coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 27, 2021. Notes: Fresh transfer & processing of shnid 91802.
gd1991-09-04.149459.fob.BK4011.brennecke.varnum.ebel.flac1648
1991-09-04Richfield Coliseum
149459flac16/48kHz; Source Info: FOB B&K 4011-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
gd1991-09-04.132810.at835b.cdipietro.flac
1991-09-04Richfield Coliseum
132810flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro
gd91-09-04.fob-schoeps-oneill.miller.28404.sbeok.shnf
1991-09-04Richfield Coliseum
28404Schoeps CMC4/MK4 (FOB/Row Q, ORTF)> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Dan O'Neill; Transferred By Charlie Miller
gd1991-09-04.sbd.miller.95313.sbeok.flac16
1991-09-04Richfield Coliseum
95313flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1991-09-04.150284.sbd.cm.miller.flac1644
1991-09-04Richfield Coliseum
150284flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1
gd1991-09-04.150016.sbd.miller.flac2496
1991-09-04Richfield Coliseum
150016flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
gd1991-09-04.fob.GEMS.91802.flac16
1991-09-04Richfield Coliseum
91802flac16; FOB Digital Audience Recording Lineage: DAT Master Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255. Recording Location: FOB DFC … Section 2, Row 17 Recorded By: Dan O'Neil Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
gd91-09-05.sbd.gardner.5559.sbeok.shnf
1991-09-05Richfield Coliseum
5559sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs
gd1991-09-05.sennME80.wklitz.94300.flac16
1991-09-05Richfield Coliseum
94300flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
gd1991-09-05.147491.mtx.tobin.flac16
1991-09-05Richfield Coliseum
147491flac16; Matrix 2 Source Mix - SBD (shnid = 5559) sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs + AUD (shnid = 138373) Lineage: AKG 414B-ULS>OADE M148>Panasonic SV255>DAT; Playback: Sony PCM-R300>SPDIF>Tascam PMD671 CF 24 48>HD>CDWAV Splits>16.441>TLH FLAC8; Location: FOB TaperSection DFC; Recorded, Transferred and uploaded By Dave D - matrix mixing by Kevin Tobin
gd1991-09-05.147492.dts.tobin.flac16
1991-09-05Richfield Coliseum
147492DTS-Audio-CD 5.1 Mix; - SBD (shnid = 5559) sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs + AUD (shnid = 138373) Lineage: AKG 414B-ULS>OADE M148>Panasonic SV255>DAT; Playback: Sony PCM-R300>SPDIF>Tascam PMD671 CF 24 48>HD>CDWAV Splits>16.441>TLH FLAC8; Location: FOB TaperSection DFC; Recorded, Transferred and uploaded By Dave D - dts mixing by Kevin Tobin
gd1991-09-05.147493.5-1.tobin.flac1648
1991-09-05Richfield Coliseum
147493flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 5559) sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs + AUD (shnid = 138373) Lineage: AKG 414B-ULS>OADE M148>Panasonic SV255>DAT; Playback: Sony PCM-R300>SPDIF>Tascam PMD671 CF 24 48>HD>CDWAV Splits>16.441>TLH FLAC8; Location: FOB TaperSection DFC; Recorded, Transferred and uploaded By Dave D - surround mixing by Kevin Tobin
gd1991-09-05.147569.beyerCM101.ebel.flac2448
1991-09-05Richfield Coliseum
147569flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Set #1:Maxell XL-II's 90's & Set #2:Maxell XL-II's 100's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48); Transfers by Pete Ebel
gd1991-09-05.151812.FOB.Schoeps.Master.DAT.ONeill.Mahoney.Noel.t-flac1648
1991-09-05Richfield Coliseum
151812flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: FOB-DFC; Set 1 Row R, Seat 10 (handheld); Set 2 Row R Seat 10 (stand) Transfer: Master DAT > Tascam DA-20mk2 > coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 28, 2021. Notes: fresh transfer & processing of shnid 91802.
gd1991-09-05.149460.fob.BK4011.brennecke.varnum.ebel.flac1648
1991-09-05Richfield Coliseum
149460flac16/48kHz; Source Info: FOB B&K 4011-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
gd1991-09-05.132811.at835b.cdipietro.flac
1991-09-05Richfield Coliseum
132811flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro
gd1991-09-05.138373.akg414.flac1644
1991-09-05Richfield Coliseum
138373flac16; Lineage: AKG 414B-ULS>OADE M148>Panasonic SV255>DAT; Playback: Sony PCM-R300>SPDIF>Tascam PMD671 CF 24 48>HD>CDWAV Splits>16.441>TLH FLAC8; Location: FOB TaperSection DFC; Recorded, Transferred and uploaded By Dave D
gd1991-09-05.mtx.sirmick.92785.sbeok.flac16
1991-09-05Richfield Coliseum
92785flac16; Matrix sources: (shnid 5559) sbd > dat > c > dat > cdr and (shnid 91803) FOB Digital Audience Recording Matrixed by SIRMick July 2008
gd1991-09-05.150285.sbd.cm.miller.flac1644
1991-09-05Richfield Coliseum
150285flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1
gd1991-09-05.150030.sbd.miller.flac2496
1991-09-05Richfield Coliseum
150030flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
gd1991-09-05.fob.GEMS.91803.flac16
1991-09-05Richfield Coliseum
91803flac16; FOB Digital Audience Recording Lineage: DAT Master Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255. Recording Location: FOB DFC … Section 2, Row 17 Recorded By: Dan O'Neil Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
gd91-09-06.sbd.gardner.5560.sbeok.shnf
1991-09-06Richfield Coliseum
5560sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs
gd1991-09-06.146570.beyerCM101.ebel.flac2448
1991-09-06Richfield Coliseum
147570flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Set #1:Maxell XL-II's 90's & Set #2:Maxell XL-II's 100's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48); Transfers by Pete Ebel
gd1991-09-06.151813.FOB.Schoeps.Master.DAT.ONeill.Mahoney.Noel.t-flac1648
1991-09-06Richfield Coliseum
151813flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k). Location: FOB-DFC. Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 29, 2021. Notes: fresh transfer & processing of shnid 91804.
gd1991-09-06.132965.mtx.dusborne.flac16
1991-09-06Richfield Coliseum
132965flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:095314) SBD -> Dat -> Cassette Master; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16 and Audience (shnid:091804) Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255 6 bit 48kHz DAT Master > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0
gd1991-09-06.149461.fob.BK4011.brennecke.varnum.ebel.flac1648
1991-09-06Richfield Coliseum
149461flac16/48kHz; Source Info: FOB B&K 4011-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
gd1991-09-06.149462.TS.Schoeps441.ebel.flac16
1991-09-06Richfield Coliseum
149462flac16; Source Info: TS Schoeps CMC 4 Mk41-> Koch P/S-> Panasonic SV255-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
gd1991-09-06.132813.at835b.cdipietro.flac
1991-09-06Richfield Coliseum
132813flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro
gd1991-09-06.sennME80.wklitz.94234.flac16
1991-09-06Richfield Coliseum
94234flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
gd91-09-06.fob-schoeps-oneill.miller.28405.sbeok.shnf
1991-09-06Richfield Coliseum
28405FOB Schoeps CMC4/MK4 (ORTF)> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Dan O'Neill; Transferred By Charlie Miller
gd1991-09-06.sbd.miller.95314.sbeok.flac16
1991-09-06Richfield Coliseum
95314flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1991-09-06.150286.sbd.cm.miller.flac1644
1991-09-06Richfield Coliseum
150286flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1
gd1991-09-06.150031.sbd.miller.flac2496
1991-09-06Richfield Coliseum
150031flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
gd1991-09-06.fob.GEMS.91804.flac16
1991-09-06Richfield Coliseum
91804flac16; FOB Digital Audience Recording Lineage: DAT Master Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255. Recording Location: FOB DFC … Section 2, Row 17 Recorded By: Dan O'Neil Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, Tag & Rename for FLAC Meta-Tagging FLAC’d Flac Frontend level 8
gd1991-09-08.mtx.haugh.99108.flac16
1991-09-08Madison Square Garden
99108flac16; SBD + AUD Matrix Mix - 3 Source Mix: SBD (shnID = 75772), AUD1 (shnID = 96398) and AUD2 (shnID = 98392); 65%-SBD, 20%-AUD1, 15%-AUD2
gd1991-09-08.150539.senn-me88.rogosa.miller.sirmick.flac1648
1991-09-08Madison Square Garden
150539flac16/48kHz; Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa; Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48; edited and mastered SIRMick August 2020
gd1991-09-08.sbd.miller.tetzeli.fix-1069.34661.reflac.flac16
1991-09-08Madison Square Garden
34661flac16; DSBD>DAT>CD>WAV>SHN>WAV>FLAC - Seamless fix of shn id 1069, fade tracks added. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1991-09-08.sennme80.litzenberger.98392.flac16
1991-09-08Madison Square Garden
98392flac16; Sennheiser ME-80's>Technics SV-MD1 from OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC; Recorded & Transferred By Keith Litzenberger
gd1991-09-08.dts.mtx.haugh.99074.flac16
1991-09-08Madison Square Garden
99074flac16; DTS-Audio-CD 5.1 Mix - 3 Source Mix of SBD (shnID = 75772), AUD1 (shnID = 96398) and AUD2 (shnID = 98392)
gd1991-09-08.98960.haugh_MLP.dvda
1991-09-08Madison Square Garden
98960DVD-Audio 5.1; DVD-Audio 5.1 Surround Sound - 3 Source Mix: SBD (shnID = 75772), AUD1 (shnID = 96398) and AUD2 (shnID = 98392)
gd1991-09-08.fob.brennecke-young.GEMS.96398.flac16
1991-09-08Madison Square Garden
96398flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Row R, Off Center Set 2 On Stand, Row R, On Aisle Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
gd1991-09-08.schoeps.andrewf.88003.flac1648
1991-09-08Madison Square Garden
88003flac16/48; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand, back of floor center, directly behind the lighting board. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
gd91-09-08.sbd.ashley.1069.sbeok.shnf
1991-09-08Madison Square Garden
1069DSBD> DAT> CD; via Jay Ashley: see flaw note in pub comments
gd1991-09-08.sbd.130711.MrBill.flac16
1991-09-08Madison Square Garden
130711flac16; Recording Info: DSBD > DAT > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; A fresh transfer of my DAT clone. Upgrade to single source SBD. Transferred, tracked and mastered by Bill Guarneri, July 22, 2014
gd1991-09-08.149846.sbd.cm.miller.flac16
1991-09-08Madison Square Garden
149846flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1991-09-08.149783.sbd.miller.flac2496
1991-09-08Madison Square Garden
149783flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1991-09-08.sbd.unknown.527.shnf
1991-09-08Madison Square Garden
527dsbd> dat(s)> cd; via A. Kowalski to offer; 1/01 to etree
gd1991-09-09.150412.sennme88.rogosa.miller.sirmick.flac1648
1991-09-09Madison Square Garden
150412flac16/48kHz; Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa; Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48; edited and mastered SIRMick July 2020
gd1991-09-09.151920.FOB.Schoeps.Master.DAT.ONeill.Mahoney.Noel.t-flac1648
1991-09-09Madison Square Garden
151920flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: FOB; Sec 2, Row V, Seat 3; Set I (handheld), Set II (stand over 6') Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 25, 2021.
gd1991-09-09.sbd.miller.tetzeli.fix-508.34677.reflac.flac16
1991-09-09Madison Square Garden
34677flac16; SBD>>DAT>>CDA>>WAV>>SHN>>WAV>>FLAC - Seamless fix of shn id 508. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1991-09-09.fob.brennecke-young.GEMS.96399.flac16
1991-09-09Madison Square Garden
96399flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 3, Row S, On Aisle Set 2 On Stand, Section 3, Row V, Seat 2 Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
gd91-09-09.sbd.ashley-miller.508.sbeok.shnf
1991-09-09Madison Square Garden
508DSBD> DAT> CD; via C. Miller, J. Ashley
gd91-09-09.fob-schoeps-oneill.miller.28851.sbeok.shnf
1991-09-09Madison Square Garden
28851Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) -> Oade Cap Coupled Supply -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Recorded By Dan O'Neill Transferred By Charlie Miller
gd1991-09-09.dmtx.hansokolow.110640.flac16
1991-09-09Madison Square Garden
110640flac16; This is a matrix of these sources: SBD: shnid=508 (DSBD>>DAT>>CDA) // DAUD: shnid=96399 (Recording Equipment: B&K 4011 110∫ ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)
gd1991-09-09.149749.sbd.pearson-healy.miller.flac2496
1991-09-09Madison Square Garden
149749flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1991-09-09.149777.sbd.cm.miller.flac16
1991-09-09Madison Square Garden
149777flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd91-09-10.sbd.sacks.511.sbeok.shnf
1991-09-10Madison Square Garden
511complete; DSBD> DATs> CDRs> EAC> SHN; via Darrin Sacks
gd91-09-10.sbd.dan.30755.sbexx.flacf
1991-09-10Madison Square Garden
30755Source: SBD: DAT(M) > DAT(1) > DAT(2) Transfer: DAT R500 > M-Audio 24/96 > CD Wave > FLAC; FLAC conversion done by dan@am-dig.com
gd1991-09-10.149650.sbd.cm.miller.flac16
1991-09-10Madison Square Garden
149650flac; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1991-09-10.FOB.Schoeps.Master.DAT.ONeill.Mahoney.Noel.t-flac1648
1991-09-10Madison Square Garden
151921flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: FOB; Sec 2, Row V, Seat 3; Set I (handheld), Set II (stand over 6') Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel.January 25, 2021. Notes: Fresh transfer & mastering of shnid 138917.
gd1991-09-10.157119.dsbd.miller.flac1644
1991-09-10Madison Square Garden
157119Recording Info: SBD > DAT (44.1k)
Transfer Info: DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/16
gd1991-09-10.sbd.waddell.89085.sbeok.flac16
1991-09-10Madison Square Garden
89085flac16; SBD DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect ->Lynx Two Soundcard (spdif in) -> Wavelab 6.0
gd1991-09-10.sbd.sacks.tetzeli.fix-511.34678.reflac.flac16
1991-09-10Madison Square Garden
34678flac16; DSBD>DATs>CDRs>EAC>SHN>WAV>FLAC - Seamless fix of shn id 511. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1991-09-10.fob.brennecke-young.GEMS.96422.flac16
1991-09-10Madison Square Garden
96422flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 2, Row S, Seat 2 Set 2 On Stand, Section 2, Row V, Seat 2 Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8Tag & Rename for FLAC Meta-Tagging.
gd1991-09-10.dts.mtx.haugh.gems.98701.flac24
1991-09-10Madison Square Garden
98701flac24; SBD+AUD Matrix Mix (65%-SBD/35%-AUD) SBD (shnID = 89085) and AUD (shnID = 96422)
gd1991-09-10.138917.cmc34.flac16
1991-09-10Madison Square Garden
138917flac16/48kHz; source: Schoeps cmc34 (FOB) -> Oade P/S -> Panasonic SV-255 (48k); transfer: (DAT master) Sony D8 -> Oade 7-pin/Coax -> Tascam HD-P2 -> wav -> Sound Studio -> xACT -> flac (16/48); recorded by: Dan O'Neill, set 1 handheld, Set 2 stand over 6'; location: Sec 2, Row V, Seat 3
gd1991-09-10.149509.sbd.person-healy.miller.flac2496
1991-09-10Madison Square Garden
149509flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1991-09-10.150558.senn-me88.rogosa.miller.sirmick.flac1648
1991-09-10Madison Square Garden
150558flac16/48kHz; Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa; Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48; edited and mastered SIRMick
gd1991-09-10.dts.mtx.haugh.gems.98655.flac16
1991-09-10Madison Square Garden
98655DTS-Audio-CD 5.1 Mix; Source Info - SBD (shnID = 89085) and AUD (shnID = 96422) Recorded By: James Young and Clay Brennecke
gd1991-09-10.Nak300CP4.JB.Keo.117023.Flac2496
1991-09-10Madison Square Garden
117023flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Recorded By JB,Transfer By Keo,Tapes From Heaton; Tapes:Maxell Metal Capsule 100,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
gd1991-09-10.Nak300CP4.JB.Keo.117024.Flac1644
1991-09-10Madison Square Garden
117024flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Recorded By JB,Transfer By Keo,Tapes From Heaton; Tapes:Maxell Metal Capsule 100,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
gd1991-09-10.mtx.amdig.gems.98132.flac16
1991-09-10Madison Square Garden
98132flac16; Matrix synch completed by Amdig SBD + AUD Matrix from 2 GEMS Source Mix (65%-SBD/35%-AUD) Time sych done in CEPro 2.0 Multitrack matrix mixdown to 24/48 in CEPro 2.0 Final Matrix Matstering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by BlueDakota. Tracked in Wavelab 6.0, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging; Matrix Recordings Created from these GEMS Sources: source ID 89085 - GEMS DSBD (DSBD 16-bit, 44.1kHz Vault DAT Clone) and source ID 96422 - GEMS FOB Aud (Master FOB DAT 16-bit, 48kHz)
gd1991-09-10.153418.mtx.photoleon.flac1644
1991-09-10Madison Square Garden
153418fkac16/44 A Photoleon Matrix Source: Schoeps Cmc34 (ortf) > M1000 Cables > Tao Research Oade Supply > Panasonic Sv255> Master Dat (48k) + (ots) Nak Cm300 Cp4 Shotguns> Cassette + Sbd> Dat(?). Fob Recording By Dan O'neill. Ots Recording By Jb. Sbd Dat Sourced From Todd Evans. Matrix Created By Joe Noel. August 03, 2021
gd91-09-12.sbd.roux.516.sbeok.shnf
1991-09-12Madison Square Garden
516SBD > DAT > CDR > .shn; .via Jon, Adam Roux; (note may have been in abgd before this perhaps?)
gd1991-09-12.fob.brennecke-young.GEMS.97386.flac16
1991-09-12Madison Square Garden
97386flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB - Hand Held, Upfront Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
gd91-09-12.sbd.hinko.28871.sbeok.shnf
1991-09-12Madison Square Garden
28871Clean up of SHNid=516; SBD > DAT > CDR > SHN; Cleaned by Darryl Hinko. See notes.
gd1991-09-12.149847.sbd.cm.miller.flac16
1991-09-12Madison Square Garden
149847flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1991-09-12.dmtx.hansokolow.110641.flac16
1991-09-12Madison Square Garden
110641flac16; This is a matrix of these sources: DSBD: shnid=28871 (soundboard > DAT > CDR > SHN) // DAUD: shnid=97386 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)
gd1991-09-12.139651.schoeps-cmc4-mk4.gastwirt.miller.sirmick.flac1648
1991-09-12Madison Square Garden
139651flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k) - Recorded by Rick Gastwirt from 1st row OTS; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017
gd1991-09-12.149784.sbd.millerflac2496
1991-09-12Madison Square Garden
149784flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd91-09-13.sbd.kowalski.520.sbeok.shnf
1991-09-13Madison Square Garden
520via A. Kowalski to offer
gd1991-09-13.147304.FOB.bk4011.dalton.miller.sirmick.flac1648
1991-09-13Madison Square Garden
147304flac16/48kHz; Source: (FOB) B&K 4011 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick August 2019
gd1991-09-13.150956.senn-me88.rogosa.miller.sirmick.flac1648
1991-09-13Madison Square Garden
150956Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and nastered SIRMick November 2020
gd91-09-13.sbd.hinko.31244.sbeok.flacf
1991-09-13Madison Square Garden
31244flac16; DSBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko; No cut in Masterpiece
gd1991-09-13.sbd.kowalski.tetzeli.fix-520.34679.reflac.flac16
1991-09-13Madison Square Garden
34679flac16; DSBD>DAT>CD>WAV>SHN>WAV>FLAC - Seamless fix of shn id 520. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1991-09-13.fob.brennecke-young.GEMS.97387.flac16
1991-09-13Madison Square Garden
97387flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Hand Held, Upfront Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
gd1991-09-13.nak300.bleich-sirmick.111224.sbeok.flac16
1991-09-13Madison Square Garden
111224flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich
gd1991-09-13.nak300.gidley.122120.flac2448
1991-09-13Madison Square Garden
122120flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012
gd1991-09-13.149851.sbd.cm.miller.flac16
1991-09-13Madison Square Garden
149851flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1991-09-13.110642.dmtx.hansokolow.flac16
1991-09-13Madison Square Garden
110642flac16; This is a matrix of these sources: SBD: shnid=31244 (DSBD > DAT > CD > EAC > FLAC) // DAUD: shnid=97387 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)
gd1991-09-13.141921.mtx.photoLeon.t-flac1644
1991-09-13Madison Square Garden
141921flac16; Matrix: 1. SHNID 97387 Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro; 2. SHNID 138572 Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k) and 3. SHNID 31244 Source: Source: DSBD > DAT > CD > EAC > FLAC
gd1991-09-13.138572.Schoeps-cmc4-mk4-ortf.gastwirt.miller.sirmick.sbeok.flac16
1991-09-13Madison Square Garden
138572flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k); Recorded by Rich Gastwirt from 1st row OTS; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick June 2017
gd1991-09-13.149790.sbd.pearson-healy.miller.flac2496
1991-09-13Madison Square Garden
149790flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd91-09-14.sbd.kowalski.522.sbeok.shnf
1991-09-14Madison Square Garden
522sbd> dat> cd> eac> shn; via A. Kowalski to GDH-Trading loop, not yet etreed
gd1991-09-14.nak300.gidley.122035.flac2448
1991-09-14Madison Square Garden
122035flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012
gd1991-09-14.149977.sbd.miller.flac2496
1991-09-14Madison Square Garden
149977flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1991-09-14.150163.sbd.cm.miller.flac16
1991-09-14Madison Square Garden
150163flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1991-09-14.fob.brennecke-young.GEMS.97388.flac16
1991-09-14Madison Square Garden
97388flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
gd1991-09-14.nak300.bleich-sirmick.111250.sbeok.flac16
1991-09-14Madison Square Garden
111250flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich
gd1991-09-14.138918.cmc34.flac16
1991-09-14Madison Square Garden
138918flac16/48kHz; source: Schoeps cmc34 (FOB) -> Oade P/S -> Panasonic SV-255 (48k); transfer: (DAT master) Sony D8 -> Oade 7-pin/Coax -> Tascam HD-P2 -> wav -> Sound Studio -> xACT -> flac (16/48); recorded by: Dan O'Neill, FOB/DFC
gd1991-09-14.110643.dmtx.hansokolow.flac16
1991-09-14Madison Square Garden
110643flac16; This is a matrix of these sources: SBD: shnid=77789 (SBD -> Dat -> CD) // DAUD: shnid=97388 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)
gd1991-09-14.147629.FOB-BK4011.dalton.miller.sirmick.flac1648
1991-09-14Madison Square Garden
147629flac16/48kHz; Source: (FOB) B&K 4011 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick
gd1991-09-14.151340.SennME88.rogosa.miller.sirmick.flac1648
1991-09-14Madison Square Garden
151340flac16/48khz Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick January 2021
gd91-09-16.bk4011.brennecke-young.4868.sbeok.shnf
1991-09-16Madison Square Garden
4868FOB B&K 4011 (hand-held, sets recorded from different positions) -> Canari cables -> Neumann Phantom Power ->Sony TCD D10 Pro 2 Modified-> DAT @48k; Transfer: Clone from Master played back through Sony PCM-M1 -> 7pin Coax Out -> Zoltrix Nightingale -> Cooledit 2k (48k->44.1k conversion) -> cdwav (track splitting) -> shorten; recorded by Clay Brennecke and James Young
gd91-09-16.sbd.kowalski.525.sbeok.shnf
1991-09-16Madison Square Garden
525sbd> dat> cd> eac> shn; via A. Kowalski to GDH-Trading loop, not yet etreed
gd1991-09-16.sennME80.wklitz.94246.flac16
1991-09-16Madison Square Garden
94246flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
gd1991-09-16.139795.schoeps-cmc4-mk4-ortf.gastwirt.miller.sirmick.flac1648
1991-09-16Madison Square Garden
139795flac16/48kHz; Source: Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k) - Recorded by Rich Gastwirt from 1st row OTS; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017
gd1991-09-16.149653.sbd.cm.miller.flac16
1991-09-16Madison Square Garden
149653flac; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1991-09-16.149633.sbd.pearson-healy.miller.flac2496
1991-09-16Madison Square Garden
149633flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1991-09-16.151778.SennME88.rogosa.miller.sirmick.flac1648
1991-09-16Madison Square Garden
151778Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa.
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller.
Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48
edited and mastered SIRMick February 2021
gd1991-09-16.152918.FOB-Schoeps.Brotman-Metchick-Miller-Noel.t-flac1648
1991-09-16Madison Square Garden
152918flac16/48 Recording: Fob Schoeps Cmc3 Mk4’s (ortf)> Tao Research Ps > Mit Cables > Master Dat (panasonic Sv-255mod) (16 Location: Set I Fob, Section 3, Row U, Seat 14 (on Stand @ 6') Location: Set Ii Fob, Section 3, Row U, Seat 14 (on Stand @ 6'5") Transfer: Dat > Tascam Da-40 > Tascam Da-3000 > Flac 16 48 Master Digital Fob Recording By Dave Brotman & Jeff Metchick Transfer By Charlie Miller Edited & Mastered Using Adobe Audition By Joe Noel July 02, 2020
gd1991-09-16.mtx.haugh.100910.flac16
1991-09-16Madison Square Garden
100910flac16; SBD + AUD Matrix Mix (65%-SBD, 35%-AUD) Source Info: SBD (shnID = 525) > DAT > CD > EAC > SHN and FOB AUD (shnID = 97389) Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Recorded By: James Young and Clay Brennecke
gd1991-09-16.nak300.gidley.121949.flac2448
1991-09-16Madison Square Garden
121949flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012
gd1991-09-16.fob.brennecke-young.GEMS.97389.flac16
1991-09-16Madison Square Garden
97389flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
gd1991-09-16.dts.mtx.haugh.100911.flac16
1991-09-16Madison Square Garden
100911flac16; DTS-Audio-CD 5.1 Mix of SBD (shnID = 525) > DAT > CD > EAC > SHN and FOB AUD (shnID = 97389) Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Recorded By: James Young and Clay Brennecke
gd1991-09-16.153419.mtx.photoleon.flac1644
1991-09-16Madison Square Garden
153419flac16/44 A Photoleon Matrix: (fob) Schoeps Cmc3 Mk4’s (ortf)> Tao Research Ps > Mit Cables > Master Dat + (ots) Schoeps Cmc4 Mk4> Master Dat + Sbd> Master Cassette. Fob Recording By Dave Brotman & Jeff Metchick. Ots Recording By Rich Gastwirt. Sbd Recording By Don Pearson & Dan Healy Matrix Created By Joe Noel. July 28, 2021
gd1991-09-16.135484.sbd.miller.flac16
1991-09-16Madison Square Garden
135484flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd91-09-17.sbd.unknown.12847.sbeok.shnf
1991-09-17Madison Square Garden
12847SBD: DAT> CD> EAC> SHN
gd1991-09-17.151779.SennME88.rogosa.miller.sirmick.flac1648
1991-09-17Madison Square Garden
151779Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa.
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller.
Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48
edited and mastered SIRMick February 2021