Identifiers for Grateful Dead
1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
Archive Identifier | |
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Date | Venue |
Source | |
gd1991-06-09.140670.FOB.Schoeps.unknown.Ammons.Noel.t-flac1648 | |
1991-06-09 | Buckeye Lake Music Center |
140670 | flac16/48; taper unknown: FOB Schoeps CMC32s spaced 8 ft > Tao Research PS > M1000 cables > Panasonic SV255 with 6'3" stands; John Ammons Transfer: Tascam DA-20 MKII > Roland SRC-2 > Mac Mini optical input > Audacity 2.1 > WAV @ 48kHz; Edited & mastered in Audacity by Joe Noel: WAV > Flac48 |
gd1991-06-09.150368.FOB.Spaced.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
1991-06-09 | Buckeye Lake Music Center |
150368 | flac16/48kHz; Recording: FOB Schoeps CMC32's spaced 8' > Tao Research PS > M1000 cables > Panasonic SV255mod> Master DAT. Location: FOB on stand @ 6'3"; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 01, 2020 |
gd1991-06-09.128299.mtx.dusborne.flac16 | |
1991-06-09 | Buckeye Lake Music Center |
128299 | flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:012756) SBD>DAT>CD>SHN; Audience (shnid:095641) B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro; DFC Front Row Taper Section; Recorded By: James Young & Clay Brennecke and Audience (shnid:118811) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M; Tapes Sony Metal-ES |
gd1991-06-09.134008.akg414btl-fob-dantepper.flac16 | |
1991-06-09 | Rich Stadium |
134008 | flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper |
gd1991-06-09.140469.TSBeyerCM101.ebel.flac2496 | |
1991-06-09 | Buckeye Lake Music Center |
140469 | flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel. |
gd1991-06-09.138321.sbd.miller.flac24 | |
1991-06-09 | Buckeye Lake Music Center |
138321 | flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1991-06-09.138333.sbd.miller.flac16 | |
1991-06-09 | Buckeye Lake Music Center |
138333 | flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is 138321 24 bit -> 16 bit |
gd1991-06-09.AKG451.Darby.118810.Flac2448 | |
1991-06-09 | Buckeye Lake Music Center |
118810 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
gd1991-06-09.AKG451.Darby.118811.Flac1644 | |
1991-06-09 | Buckeye Lake Music Center |
118811 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1991-06-09.140238.TS.beyercm101.ebel.flac1644 | |
1991-06-09 | Buckeye Lake Music Center |
140238 | flac16/44 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48). This is 24 bit -> 16 bit. Transfers by Pete Ebel. |
gd91-06-11.sbd.james.5609.sbeok.shnf | |
1991-06-11 | Charlotte Coliseum |
5609 | source unknown (likely SBD> CM> DAT> CDR); DAE: CDR> EAC> SHN; Extraction and shorten conversion by JT James; reported upgrade relative to previous shn set |
gd1991-06-11.fob.brennecke-young.GEMS.95642.flac16 | |
1991-06-11 | Charlotte Coliseum |
95642 | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. |
gd1991-06-11.111294.NeumannKMF4.daweez.d5scott.flac16 | |
1991-06-11 | Charlotte Coliseum |
111294 | flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1991-06-11.132802.at835b.cdipietro.flac | |
1991-06-11 | Charlotte Coliseum |
132802 | flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro |
gd1991-06-11.138322.sbd.miller.flac24 | |
1991-06-11 | Charlotte Coliseum |
138322 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1991-06-11.138338.sbd.miller.flac16 | |
1991-06-11 | Charlotte Coliseum |
138338 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 138322 24 bit -> 16 bit |
gd1991-06-11.138343.mtx.sirmick.sbeok.flac16 | |
1991-06-11 | Charlotte Coliseum |
138343 | flac16; Two source matrix: 70% sbd/30% aud with a few level adjustments; sbd: Cassette Master (TDK SA-X100/Tascam Deck); transferred and master by Charlie Miller; Resampled an dithered with iZotope RX 6 Advanced; and aud: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recorded by James Young & Clay Brennecke, transferred by Todd Evans and mastered by Jamie Waddell; matrix created with Adobe Audition 1.5 SIRMick |
gd91-06-12.sbd.oconnor-wier.13266.sbeok.shnf | |
1991-06-12 | Charlotte Coliseum |
13266 | SBD> DAT> CDR (previous shn set) + AUD patch for encore |
gd1991-06-12.fob.brennecke-young.GEMS.95643.flac16 | |
1991-06-12 | Charlotte Coliseum |
95643 | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. |
gd1991-06-12.150369.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
1991-06-12 | Charlotte Coliseum |
150369 | flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ortf) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set 1; Center Orchestra Row R, Seat 7 (hand held); Location: Set 2; Center Orchestra Row R, Seat 7 (on stand); Transfer: Master DAT > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer by Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 02, 2020 |
gd1991-06-12.132803.at835a.cdipietro.flac | |
1991-06-12 | Charlotte Coliseum |
132803 | flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro |
gd1991-06-12.sennME80.wklitz.94310.flac16 | |
1991-06-12 | Charlotte Coliseum |
94310 | flac16; Sennheiser ME-80\'s>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger |
gd1991-06-12.138334.sbd.miller.flac24 | |
1991-06-12 | Charlotte Coliseum |
138334 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1991-06-12.138341.sbd.miller.flac16 | |
1991-06-12 | Charlotte Coliseum |
138341 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138334 24 bit -> 16 bit |
gd91-06-14.sbd.braverman.16816.sbeok.shnf | |
1991-06-14 | Robert F. Kennedy Stadium |
16816 | SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) |
gd1991-06-14.149642.sbd.cm.miller.flac16 | |
1991-06-14 | Robert F. Kennedy Stadium |
149642 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This fie set is 16 bit @ 44.1 |
gd1991-06-14.sennME80.wklitz.94371.flac16 | |
1991-06-14 | RFK Stadium |
94371 | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger |
gd1991-06-14.135771.mtx.tobin.flac16 | |
1991-06-14 | Robert F. Kennedy Stadium |
135771 | flac16; Matrix 2 Source Mix - SBD (shnid=16816) SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) + AUD (shn id 94371) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - matrix mixing by Kevin Tobin |
gd1991-06-14.135774.5-1.tobin.flac1648 | |
1991-06-14 | Robert F. Kennedy Stadium |
135774 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=16816) SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) + AUD (shn id 94371) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - mixing by Kevin Tobin |
gd1991-06-14.mtx.sirmick.100610.sbeok.flac16 | |
1991-06-14 | RFK Stadium |
100610 | flac16; Matrix - Audience source: soundtrack from a low gen, audience shot, VHS, provided by Greyful Dave amd Soundboard source: DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN (shnid16816) seeded by Peter Braverman |
gd1991-06-14.135773.dts.tobin.flac16 | |
1991-06-14 | Robert F. Kennedy Stadium |
135773 | DTS-Audio-CD 5.1 Mix; SBD (shnid=16816) SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) + AUD (shn id 94371) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - DTS mixing by Kevin Tobin |
gd1991-06-14.nak300.bleich-sirmick.111113.sbeok.flac16 | |
1991-06-14 | Robert F. Kennedy Stadium |
111113 | flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Lineage: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition 1.5 > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich |
gd1991-06-14.135770.upg-sbd.tobin.flac16 | |
1991-06-14 | Robert F. Kennedy Stadium |
135770 | flac16; (original shnid = 16816) SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) - pitch correction and patches by Kevin Tobin |
gd1991-06-14.149609.sbd.miller.pearson-healy.flac2496 | |
1991-06-14 | Robert F. Kennedy Stadium |
149609 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
gd91-06-16.sbd.shn.17028.sbeok.shnf | |
1991-06-16 | Giants Stadium |
17028 | Source: DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF |
gd1991-06-16.Nak300CP4Baker.109124.flac16 | |
1991-06-16 | Giants Stadium |
109124 | flac16; Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 |
gd1991-06-16.135891.dts.tobin.flac16 | |
1991-06-16 | Giants Stadium |
135891 | DTS-Audio-CD 5.1 Mix; SBD (shnid=17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF + AUD (shn id 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - DTS mixing by Kevin Tobin |
gd1991-06-16.135888.upg-sbd.tobin.flac16 | |
1991-06-16 | Giants Stadium |
135888 | flac16; (original shnid = 17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF - pitch correction and patches by Kevin Tobin |
gd1991-06-16.135889.upg-aud.tobin.flac16 | |
1991-06-16 | Giants Stadium |
135889 | flac16; (original shnid = 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - pitch correction and patches by Kevin Tobin |
gd1991-06-16.142609.dsbd.dolphinsmile.flac16 | |
1991-06-16 | Giants Stadium |
142609 | flac16; DSDB>clone >File cloned in Microtrack using Tascam Dat deck> Goldwave tracking>tlh8 |
gd1991-06-16.150370.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
1991-06-16 | Giants Stadium |
150370 | flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (SV-255mod) (16-48); Location: FOB, Section B, Row 30, Seat 20 (hand held); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 02, 2020 |
gd1991-06-16.150162.sbd.cm.miller.flac16 | |
1991-06-16 | Giants Stadium |
150162 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd1991-06-16.sbd.gjf.tetzeli.fix-17028.34783.reflac.flac16 | |
1991-06-16 | Giants Stadium |
34783 | flac16; DSBD>DAT>WAV>CD>EAC>SHN>WAV>FLAC - Seamless fix of shn id 17028. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
gd1991-06-16.128625.mtx.dusborne.flac16 | |
1991-06-16 | Giants Stadium |
128625 | flac16; 2 Source Matrix by Dusborne Soundboard (shnid:034783) Seamless fix of shinid=17028 by Bill Tetzeli: Source: DSBD->DAT->Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S and Audience (shnid:122648) Master Audience Recorded By Mr. Currier, Transfer By Keo AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's |
gd1991-06-16.149986.sbd.pearson-healy.miller.flac2496 | |
1991-06-16 | Giants Stadium |
149986 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1991-06-16.134056.bk4011ortf-fob-dantepper.flac16 | |
1991-06-16 | Giants Stadium |
134056 | flac16; Source: B&K 4011 (ORTF) > SONY D10 Pro > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper |
gd1991-06-16.135890.mtx.tobin.flac16 | |
1991-06-16 | Giants Stadium |
135890 | flac16; Matrix 2 Source Mix - SBD (shnid=17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF + AUD (shn id 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - matrix mixing by Kevin Tobin |
gd1991-06-16.135892.5-1.tobin.flac1648 | |
1991-06-16 | Giants Stadium |
135892 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF + AUD (shn id 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - mixing by Kevin Tobin |
gd91-06-17.sbd.gardner.3591.sbeok.shnf | |
1991-06-17 | Giants Stadium |
3591 | sbd> ?> cdr> eac> shn; via Tony Gardner, with thanks to Peter Braverman |
gd91-06-17.sbd.miller.25608.sbeok.shnf | |
1991-06-17 | Giants Stadium |
25608 | SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller; [Note: This is the only circulating source without an analog gen in it.] |
gd1991-06-17.fob.brennecke-young.GEMS.95644.flac16 | |
1991-06-17 | Giants Stadium |
95644 | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. |
gd1991-06-17.150371.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
1991-06-17 | Giants Stadium |
150371 | flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: FOB, Section B, Row 30, Seat 20 (hand held); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 04, 2020 |
gd1991-06-17.484.sbd.shnf | |
1991-06-17 | Giants Stadium |
484 | DSBD> DAT> CDR> SHN; new version d1, 5/18/99; first 1-2 sec of Eyes is missing; note md5s were lacking- ones shown here generated by G.S. Hamilton, for OK shns with the newer d1 |
gd1991-06-17.AKG451.Currier.Keo.122790.Flac2496 | |
1991-06-17 | Giants Stadium |
122790 | flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1991-06-17.AKG451.Currier.Keo.122791.Flac1644 | |
1991-06-17 | Giants Stadium |
122791 | flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1991-06-17.135941.5-1.tobin.flac1648 | |
1991-06-17 | Giants Stadium |
135941 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - mixing by Kevin Tobin |
gd1991-06-17.135942.mtx.tobin.flac16 | |
1991-06-17 | Giants Stadium |
135942 | flac16; Matrix 2 Source Mix - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - matrix mixing by Kevin Tobin |
gd1991-06-17.135943.dts.tobin.flac16 | |
1991-06-17 | Giants Stadium |
135943 | DTS-Audio-CD 5.1 Mix; SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - DTS mixing by Kevin Tobin |
gd1991-06-17.137545.sbd.miller.flac24 | |
1991-06-17 | Giants Stadium |
137545 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1991-06-17.137547.sbd.miller.flac16 | |
1991-06-17 | Giants Stadium |
137547 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 24bit > 16bit with r8brain |
gd1991-06-17.nak300.andrewf.86659.sbeok.flac1648 | |
1991-06-17 | Giants Stadium |
86659 | flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. |
gd1991-06-17.128692.mtx.dusborne.flac16 | |
1991-06-17 | Giants Stadium |
128692 | flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:025608) Recording Info: SBD -> Master Dat (44.1k) -> Dat Clone; Audience (shnid:095644) Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro by James Young & Clay Brennecke; and Audience (shnid:122791) AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's |
gd1991-06-17.150677.sbd.cm.miller.flac16 | |
1991-06-17 | Giants Stadium |
150677 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd1991-06-17.134054.akg414btl-fob-dantepper.flac16 | |
1991-06-17 | Giants Stadium |
134054 | flac16; Source: AKG 414-BTL (hypercard X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper |
gd91-06-19.aud.ladner.19144.sbeok.shnf | |
1991-06-19 | Pine Knob Music Theater |
19144 | Source: AUD (unknown mics) >DAT>CDR>WAV>SHN. SHN encoding via C.Ladner. |
gd91-06-19.sbd.aj.2786.sbeok.shnf | |
1991-06-19 | Pine Knob Music Theater |
2786 | SBD > DAT > Cass > DAT > CD > EAC > CDWav (retrack) > CD; Retracking done by Ivan Kotch; to etree via Adam Jerugim; known flaws: splice during Promised, noise during FOTM (A patched version of d1t08 also circulates as of June, 2010.) |
gd1991-06-19.fob.brennecke-young.GEMS.95645.flac16 | |
1991-06-19 | Pine Knob Music Theatre |
95645 | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. |
gd1991-06-19.149584.sbd.pearson-healy.miller.flac2496 | |
1991-06-19 | Pine Knob Music Theater |
149584 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 |
gd1991-06-19.149645.sbd.cm.miller.flac16 | |
1991-06-19 | Pine Knob Music Theater |
149645 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
gd1991-06-19.150372.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
1991-06-19 | Pine Knob Music Theater |
150372 | flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set I FOB, Section Center, Row O, Seat 18 (hand held);Location: Set II FOB, Section Center, Row O, Seat 18 (on stand @ 6'); Transfer: Dat > Sony PCM r500 > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick. Transfer By Charlie Miller. Edited & Mastered using Adobe Audition by Joe Noel.May 16, 2020 |
gd1991-06-19.109345.sbd.lai.shnf | |
1991-06-19 | Pine Knob Music Theater |
109345 | SBD>CM>DAT>SHN>CD; edited and transferred to cd by michael lai |
gd1991-06-19.Nak300CP4.Baker.Keo.116154.Flac1644 | |
1991-06-19 | Pine Knob Music Theater |
116154 | flac16; Master Audience Nakamichi CM300/CP4 Shotguns SonyD5; Taper Mr. Baker,Tapes From JB's Collection,Transfer By Keo; Tapes Maxell MX-s 90.100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper |
gd1991-06-19.Nak300CP4.Baker.Keo.116153.Flac2496 | |
1991-06-19 | Pine Knob Music Theater |
116153 | flac24; Master Audience Nakamichi CM300/CP4 Shotguns SonyD5; Taper Mr. Baker,Tapes From JB's Collection,Transfer By Keo; Tapes Maxell MX-s 90.100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz |
gd91-06-19.fob-schoeps-mahoney-oneill.miller.28392.sbeok.shnf | |
1991-06-19 | Pine Knob Music Theater |
28392 | FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer : Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller |
gd1991-06-19.138579.sbd.lai-jeh.sbeok.flac16 | |
1991-06-19 | Pine Knob Music Theater |
138579 | flac16; SBD>CM>DAT>SHN>CD; This is a minor remaster of shnid: 109345 |
gd1991-06-19.140452.TSBeyer-CM1010.ebel.flac2496 | |
1991-06-19 | Pine Knob Music Theater |
140452 | flac24/96Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel |
gd91-06-20.aud.ladner.2187.sbeok.shnf | |
1991-06-20 | Pine Knob Music Theater |
2187 | unknown mics > DAT > CDR > EAC x 2 > WAV > SHN3.0; via Chris Ladner, from Marc Laurent's discs; see info file for listening notes |
gd91-06-20.sbd.aj.2787.sbeok.shnf | |
1991-06-20 | Pine Knob Music Theater |
2787 | SBD > DAT > Cass > DAT > CD > EAC, with Audience patch: Unknown DAUD > CD > EAC; All editing done with EAC, CDWave and SoundForge 4.5, by Ivan Kotch; to etree via Adam Jerugim; see info file for notes |
gd1991-06-20.fob.brennecke-young.GEMS.95646.flac16 | |
1991-06-20 | Pine Knob Music Theatre |
95646 | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. |
gd1991-06-20.149585.sbd.pearson-healy.miller.flac2496 | |
1991-06-20 | Pine Knob Music Theater |
149585 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
gd1991-06-20.149646.sbd.cm.miller.flac16 | |
1991-06-20 | Pine Knob Music Theater |
149646 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
gd1991-06-20.150373.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
1991-06-20 | Pine Knob Music Theater |
150373 | flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set 1 FOB, Section Center, Row O, Seat 15 (hand held); Location: Set 2 FOB, Section Center, Row O, Seat 15 (on stand @ 6'); Transfer: Dat > Sony PCM r500 > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 19, 2020 |
gd1991-06-20.140466.TSBeyerCM101.ebel.flac2496 | |
1991-06-20 | Pine Knob Music Theater |
140466 | flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel. |
gd91-06-20.fob-akg-mahoney-oneill.miller.28393.sbeok.shnf | |
1991-06-20 | Pine Knob Music Theater |
28393 | FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller |
gd1991-06-22.sbd.unknown.29057.sbe-fix.flac16 | |
1991-06-22 | Soldier Field |
29057 | This is shn id 485 with undocumented changes. See the comments here for a possible explanation. Via Tol and LMA. |
gd1991-06-22.150374.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
1991-06-22 | Soldier Field |
150374 | flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set 1 FOB, Section B, Row 26, Seat 39 (hand held - two seats off center); Location: Set 2 FOB, Section B, Row 26, Seat 39 (on stand @ 6' - two seats off center); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 19, 2020 |
gd1991-06-22.sbd.gans.miller.112775.flac16 | |
1991-06-22 | Soldier Field |
112775 | flac16; Recording Info: SBD -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1991-06-22.Senn421.Darby.118488.Flac2448 | |
1991-06-22 | Soldier Field |
118488 | flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/Sec J Row 17 Seat 4/6 Feet High)> Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
gd1991-06-22.Senn421.Darby.118489.Flac1644 | |
1991-06-22 | Soldier Field |
118489 | flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/Sec J Row 17 Seat 4/6 Feet High)> Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1991-06-22.150678.sbd.cm.miller.flac16 | |
1991-06-22 | Soldier Field |
150678 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
gd91-06-24.mahoney-akg.unknown.21648.sbeok.shnf | |
1991-06-24 | Sandstone Ampitheatre |
21648 | FOB AKG 460 cardioid > DAT > CD DAT > CD: Panasonic sv3700 > Cool Edit Pro > CD Wave > mkw |
gd91-06-24.sbd.jeff_m.2533.sbeok.shnf | |
1991-06-24 | Sandstone Ampitheatre |
2533 | DSBD> DAT> CDR; EAC> SHN by Jeff M. |
gd1991-06-24.150375.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
1991-06-24 | Sandstone Ampitheatre |
150375 | flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set 1 FOB, Section 3, Row W, Seat 2 (hand held - 5 seats off center); Location: Set 2 FOB, Section 3, Row W, Seat 2 (on stand @ 6'5" - 5 seats off center); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. June 18, 2020 |
gd1991-06-24.sbd.jeffm.tetzeli.fix-2533.35251.reflac.flac16 | |
1991-06-24 | Sandstone Amphitheatre |
35251 | flac16; Fix of shn id 2533 - DSBD>DAT>CDR>WAV>SHN>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
gd1991-06-24.147391.sbd.cm.miller.flac16 | |
1991-06-24 | Sandstone Ampitheatre |
147391 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This file set is 16 bit @ 44.1 |
gd1991-06-24.AKG451.Darby.118933.Flac2448 | |
1991-06-24 | Sandstone Ampitheatre |
118933 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/2nd Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony Tc-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
gd1991-06-24.AKG451.Darby.118934.Flac1644 | |
1991-06-24 | Sandstone Ampitheatre |
118934 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/2nd Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony Tc-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd91-06-24.fob-akg-mahoney-oneill.miller.28394.sbeok.shnf | |
1991-06-24 | Sandstone Ampitheatre |
28394 | FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); plus patch from Schoeps hypercards> custom supply> SV255 section tape; Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill, with patch source by Ed Boardman; Transferred By Charlie Miller |
gd1991-06-24.146590.sbd.miller.flac2496 | |
1991-06-24 | Sandstone Ampitheatre |
146590 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
gd1991-06-24.149327.set1BK4011.set2akg460.ebel.flac16 | |
1991-06-24 | Sandstone Ampitheatre |
149327 | flac16/48kHz; Source Info: Set #1: B&K 4011-> Sony D10 Pro II-> DAT; Set #2: AKG 460 CK 61-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel |
gd1991-06-24.cmc5u_mk4.chuckm.116711.flac16 | |
1991-06-24 | Sandstone Ampitheatre |
116711 | flac16; Schoeps CMC5u/ MK-4 > Panasonic SV 255 > Sony WMD-6C (Dolby C encoded); Microphone configuration: TS, center, ORTF, 10' up Master format (analog): Maxell MX-S 90 & MX 110 cassettes; Transfer: Sony TC-WE635 (Dolby C decoded) > Tascam DR-680 > SDHC card > (card reader) PC > CuBase SX; Digital editing: CuBase SX (pre and post set fades, level correction, WAVES 10 band Paragraphic EQ, WAVES L1 Ultramaximizer (limiting), cassette flips patched with etree source #28394); Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded via analog patch from Richard Wood, processed and distributed by Chuck Miller |
gd91-06-25.sbd.screenwriter.489.sbeok.shnf | |
1991-06-25 | Sandstone Ampitheatre |
489 | DSBD Boot? > CDR > SHN (EAC); 2x80 min;Â liberated KTS bootleg; via screenwriter to abgd 11/99; to etree ~12/3 |
gd1991-06-25.fob.brennecke-young.GEMS.95647.flac16 | |
1991-06-25 | Sandstone Amphitheatre |
95647 | flac16; Lineage: Clone of Master DAT Recording Equipment: AKG C460B/CK61 (ORTF) -> Mike Grace Early Preamp -> Dat Master (Casio DA-7/ 16-bit - 48kHz) Recording Location: FOB Recorded By: JC Mahoney & Dan Oneil Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. |
gd1991-06-25.sbd.nawrocki.15590.shnf | |
1991-06-25 | Sandstone Amphitheatre |
15590 | SBD > DAT > CDR > EAC > Cool Edit Pro 2.0 > mkwACT; fades have been patched; EAC'd/SHN'd by Doug Nawrocki |
gd1991-06-25.123825.nak300.cage.flac16 | |
1991-06-25 | Sandstone Ampitheatre |
123825 | flac16; nak300>cp4>pmd430 no dbx; ots dfc mics@12 ft. pas; cass(m)>hhb830 cds 16/44.1 in 2003; cd>audacity +2.1.cdwave splits tlh flac 8; t&s by c. cage |
gd1991-06-25.150376.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
1991-06-25 | Sandstone Ampitheatre |
150376 | flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (110˚)> Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: FOB, Section 3, Row Y, Seat 3 (hand held); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel.June 18, 2020 |
gd1991-06-25.119017.akg451.darby.flac24 | |
1991-06-25 | Sandstone Ampitheatre |
119017 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/2nd Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony Tc-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
gd1991-06-25.119018.akg451.darby.flac16 | |
1991-06-25 | Sandstone Ampitheatre |
119018 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/2nd Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony Tc-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd91-06-25.sbd.miller.26350.sbeok.shnf | |
1991-06-25 | Sandstone Ampitheatre |
26350 | SBD> Vault Dat> Dat> Dat (44.1k); Transfer: Dat (Tascam DA20)> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> Cool Edit Pro v2.0> SHN; All Transfers and Editing By Charlie Miller; note upgrade compared to prev sources in circ (NOT from liberated bootleg) |
gd91-06-25.fob-akg-mahoney-oneill.miller.28403.sbeok.shnf | |
1991-06-25 | Sandstone Ampitheatre |
28403 | FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller |
gd1991-06-25.149647.sbd.cm.miller.flac16 | |
1991-06-25 | Sandstone Ampitheatre |
149647 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
gd1991-06-25.149530.sbd.pearson-healy.miller.flac2496 | |
1991-06-25 | Sandstone Ampitheatre |
149530 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
gd1991-06-25.cmc5u_mk4.chuckm.116626.flac16 | |
1991-06-25 | Sandstone Ampitheatre |
116626 | flac16; Source (AUD): Schoeps CMC5u/ MK-4 > Panasonic SV 255 > Sony WMD-6C (Dolby C encoded); Microphone configuration: TS, 6' right of center, ORTF, 10' up Master format (analog): Maxell MX-S 90 & MX 110 cassettes; Transfer: Sony TC-WE635 (Dolby C decoded) > Tascam DR-680 > SDHC card > (card reader) PC > WaveLab 5 Digital editing: WaveLab 5 (pre and post set fades, WAVES 10 band Paragraphic EQ, WAVES L1 Ultramaximizer (limiting), remove DC offset, cassette flips patched with etree source #28403); Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded via analog patch from Richard Wood, processed and distributed by Chuck Miller |
gd91-06-28.sbd.miller.11706.sbeok.shnf | |
1991-06-28 | Mile High Stadium |
11706 | SBD> Dat> Samplitude> CD, Seed Supplied By David Gans; Transfer Info: Sony R500> Behringer SRC2000> M-Audio Dio 2448> Compaq 5452, Transfer done by Charlie Miller; Recorded with Samplitude v6.0, Fades done with Cool Edit Pro v1.2, Tracked with CDWave v1.71, SHN'd with MKW v0.97 Beta1 |
gd1991-06-28.119063.akg451.darby.flac24 | |
1991-06-28 | Mile High Stadium |
119063 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename by Keo |
gd1991-06-28.119064.akg451.darby.flac16 | |
1991-06-28 | Mile High Stadium |
119064 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1991-06-28.fob.brennecke-young.GEMS.96359.flac16 | |
1991-06-28 | Mile High Stadium |
96359 | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB - 20th Row - Hand Held Both Sets Recorded By: James Young Transfer: 16 bit – 48kHz DAT > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. |
gd1991-06-28.150679.sbd.cm.miller.flac16 | |
1991-06-28 | Mile High Stadium |
150679 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd91-08-12.sbd.fishman.8109.sbeok.shnf | |
1991-08-12 | Cal Expo |
8109 | Don Pearson Master Cassette > Cassette > D > CD-r; d3 circs w/ filler from 8-13-91 set 1; Same source; via JR Fishman |
gd1991-08-12.150330.sbd.cm.miller.flac16 | |
1991-08-12 | Cal Expo |
150330 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd1991-08-12.143090.FOB.Schoeps.unknown.Dalton.Miller.Noel.t-flac1644 | |
1991-08-12 | Cal Expo |
143090 | flac16; Unknown taper: Schoeps Omni MK2 (spaced 12') > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT > PCM; Charlie Miller Transfer: PCM (Sony SL-10) > Sony PCM601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > FLAC 16/44 |
gd1991-08-12.akg451.darby.119080.flac24 | |
1991-08-12 | Cal Expo Amphitheatre |
119080 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-s Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
gd1991-08-12.akg451.darby.119081.flac16 | |
1991-08-12 | Cal Expo Amphitheatre |
119081 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
gd1991-08-12.137911.sbd.flac16 | |
1991-08-12 | Cal Expo |
137911 | flac16; DAT Master DSBDs, no transfer inf0 > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 |
gd1991-08-12.fob.brennecke-young.GEMS.96371.flac16 | |
1991-08-12 | Cal Expo Amphitheatre |
96371 | flac16; Lineage: Clone from Master DAT Recording Equipment: Schoeps Omni -> Oade Supply -> Panasonic SV-255 Recording Location: FOB, on stands 8 feet hight and mic stands spaced 8.5 feet apart Recorded By: Unknown Transfer: 16 bit – 48kHz DAT > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. |
gd1991-08-12.sbd.hinko.29496.sbeok.flacf | |
1991-08-12 | Cal Expo |
29496 | flac16; SBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko |
gd1991-08-12.daweez.d5scott.NeumannKMF4.113423.flac16 | |
1991-08-12 | Cal Expo |
113423 | Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1991-08-12.148406.fob.schoeps.cmc34.ebel.flac16 | |
1991-08-12 | Cal Expo |
148406 | flac16; Source Info: FOB Schoeps CMC3 MK4-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel |
gd1991-08-12.150299.sbd.miller.flac2496 | |
1991-08-12 | Cal Expo |
150299 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd91-08-13.sbd.oconnor.10927.sbeok.shnf | |
1991-08-13 | Cal Expo |
10927 | SBD>CM>DAT>CDR; via Paul; seeded to etree by eD(efojr) |
gd1991-08-13.150331.sbd.cm.miller.flac16 | |
1991-08-13 | Cal Expo |
150331 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
gd1991-08-13.143088.FOB.Schoeps.unknown.Dalton.Miller.Noel.t-flac1644 | |
1991-08-13 | Cal Expo |
143088 | flac16; unknown taper: Schoeps Omni MK2 (spaced 12') > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT > PCM; Charlie Miller Transfer: PCM (Sony SL-10) > Sony PCM601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > FLAC 16/44 |
gd1991-08-13.150306.sbd.miller.flac2496 | |
1991-08-13 | Cal Expo |
150306 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24 |
gd1991-08-13.137912.sbd.flac16 | |
1991-08-13 | Cal Expo |
137912 | flac16; DAT Master SBDs, no transfer info > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 |
gd1991-08-13.138191.BK4011.Schoeps.fob.Darroch.Ammons.t-flac16 | |
1991-08-13 | Cal Expo |
138191 | flac16/48kHz; 1st set [partial]: B&K 4011's 110 degrees ORTF with Schoeps t-bar > Mod Neumann PS > Panasonic SV255 with stand, recorded by Rob Darroch; 2nd set: Schoeps CMC34 110 degrees ORTF with Schoeps t-bat > Canare Cable > Tao Research PS > Pro-Link jumper cable > Panasonic SV255 hand held at 5'10" by John Ammons; John Ammons Transfer: master DAT > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT |
gd1991-08-13.wklitz.me80.91678.flac | |
1991-08-13 | Cal Expo Amphitheatre |
91678 | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger |
gd1991-08-13.sbd.miller.109241.flac16 | |
1991-08-13 | Cal Expo |
109241 | flac16; Recording Info:SBD -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1991-08-13.113426.NeumannKMF4.daweez.d5scott.flac16 | |
1991-08-13 | Cal Expo |
113426 | flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1991-08-13.148403.fob.BK4011.ebel.flac16 | |
1991-08-13 | Cal Expo |
148403 | flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel |
gd1991-08-13.148404.set1.fob.BK4011.ebel.flac1648 | |
1991-08-13 | Cal Expo |
148404 | flac16/48kHz; Set 1 Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)->SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel |
gd1991-08-13.119111.akg451.darby.flac24 | |
1991-08-13 | Cal Expo Amphitheatre |
119111 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
gd1991-08-13.119112.akg451.darby.flac16 | |
1991-08-13 | Cal Expo Amphitheatre |
119112 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd91-08-14.sbd.oconnor.9798.sbeok.shnf | |
1991-08-14 | Cal Expo |
9798 | SBD>DAT>??>DAT>CDR; via Paul; Seeded to etree by eD(efojr) |
gd1991-08-14.150332.sbd.cm.miller.flac16 | |
1991-08-14 | Cal Expo |
150332 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
gd1991-08-14.sbd.hinko.30073.sbeok.flacf | |
1991-08-14 | Cal Expo |
30073 | flac16; SBD > DAT > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko |
gd1991-08-14.143089.FOB.s2.Schoeps.unknown.Dalton.Miller.Noel.t-flac1644 | |
1991-08-14 | Cal Expo |
143089 | flac16; Set 2 Unknown taper: FOB Schoeps Omni MK2 (spaced 12') > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT > PCM; Charlie Miller Transfer: PCM (Sony SL-10) > Sony PCM601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > FLAC 16/44 |
gd1991-08-14.150320.sbd.miller.flac2496 | |
1991-08-14 | Cal Expo |
150320 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24 |
gd1991-08-14.137920.sbd.flac16 | |
1991-08-14 | Cal Expo |
137920 | flac16; DAT Master SBDs no transfer info > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 |
gd1991-08-14.119122.akg451.darby.flac16 | |
1991-08-14 | Cal Expo Amphitheatre |
119122 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-s Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1991-08-14.113427.NeumannKMF4.daweez.d5scott.flac16 | |
1991-08-14 | Cal Expo |
113427 | Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1991-08-14.148407.fob.BK4011.ebel.flac16 | |
1991-08-14 | Cal Expo |
148407 | flac16; Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel |
gd1991-08-14.119121.akg451.darby.flac24 | |
1991-08-14 | Cal Expo Amphitheatre |
119121 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
gd91-08-16.sbd.17011.sbeok.flac | |
1991-08-16 | Shoreline Amphitheatre |
17011 | Source: SB DAT 48khz low-gen clone Conversion: Sony PCM-1 (7-pin optical) > Zoltrix C-Media CMI8738/C3DX PCI (optical) > Ce2k pro record (48) > Ce2k pro convert sample (44.1, highest quality, pre-post filter) > CDWav > FLAC |
gd91-08-16.sbd.braverman.6676.sbeok.shnf | |
1991-08-16 | Shoreline Amphitheatre |
6676 | SBD:DAT> DAT> SF> WAV> SHN; via J.T. James, Peter Braverman |
gd1991-08-16.137942.dsbd.GEMS.sbeok.flac1648 | |
1991-08-16 | Shoreline Amphitheatre |
137942 | flac16/48kHz; DSBD 16 bit 48kHz DAT; Ampex 467 R-124 Certified Mastering Audio Cassettes [DATs]-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Mastering by Jamie Waddell in Wavelab 7.2.1; Track, FLAC and Pack by Norm |
gd1991-08-16.sbd.nickc.111330.flac16 | |
1991-08-16 | Shoreline Amphitheatre |
111330 | flac16; Updated Source Info: SBD > ? > DAT Clone > FLAC (Had been marked Schoeps MK4 w/ RBox 16 Bit 48K...) |
gd1991-08-16.141274.sbd.miller.flac2496 | |
1991-08-16 | Shoreline Amphitheatre |
141274 | flac24/96 Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller |
gd1991-08-16.141316.sbd.cm.miller.flac1644 | |
1991-08-16 | Shoreline Amphitheatre |
141316 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller |
gd1991-08-16.151057.aud.lohr.vernon.flac1648 | |
1991-08-16 | Shoreline Amphitheatre |
151057 | flac16/48khz Source : Nak CM-100s > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 |
gd1991-08-16.151058.aud.lohr.vernon.flac2496 | |
1991-08-16 | Shoreline Amphitheatre |
151058 | flac24/96khz Source : Nak CM-100s > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) |
gd91-08-17.sbd.josephs.497.sbeok.shnf | |
1991-08-17 | Shoreline Amphitheatre |
497 | SBD -> DAT Master -> DAT Clone -> Tascam DA40 -> (SPDIF)-> SB Live -> SoundForge -> Wav -> Shorten; via J. Josephs, originally named by song, with underscores, apostrophes et al; C. Hannigan renamed and reordered tracks to fit so the encore is at the beginning- see his new info file |
gd1991-08-17.149444.set1.sennheiserME88.set2.BK4003.ebel.flac1648 | |
1991-08-17 | Shoreline Amphitheatre |
149444 | flac16/48kHz; Source Info: Set #1: T/S Sennheiser ME 88->DAT; Set #2: T/S B&K 4003 (Omni Caps)-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel |
gd1991-08-17.141289.sbd.miller.flac2496 | |
1991-08-17 | Shoreline Amphitheatre |
141289 | flac24/96 Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. |
gd1991-08-17.mtx.hansokolow.107826.flac16 | |
1991-08-17 | Shoreline Amphitheatre |
107826 | flac16; Hansokolow matrix of these digital sources: SBD: shnid=20696 // AUD: shnid=94196 (Taped by: Keith Litzenberger) |
gd1991-08-17.141317.sbd.cm.miller.flac1644 | |
1991-08-17 | Shoreline Amphitheatre |
141317 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. |
gd1991-08-17.senn-ME80.wklitz.94196.flac16 | |
1991-08-17 | Shoreline Amphitheatre |
94196 | flac16; Source: Sennheiser ME-80\'s> Technics SV-MD1 (DAT) Lineage: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Taped by: Keith Litzenberger from Section 202 Row E Seat 23 (Front Row Center OTS) Transferred by: Keith Litzenberger |
gd1991-08-17.151059.aud.lohr.vernon.flac1648 | |
1991-08-17 | Shoreline Amphitheatre |
151059 | flac16/48khz Source : Nak CM-100s > Nak 550 > D6 > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 |
gd1991-08-17.151060.aud.lohr.vernon.flac2496 | |
1991-08-17 | Shoreline Amphitheatre |
151060 | flac24/96khz Source : Nak CM-100s > Nak 550 > D6 > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) |
gd91-08-18.sbd.nawrocki.21349.sbeok.shnf | |
1991-08-18 | Shoreline Amphitheatre |
21349 | Source:SB DAT 48khz low-gen clone via kung@steve-behan.com Patch Source: SBD > DAT > ZA2 > CDR > EAC Patched, retracked, shn'd... by Doug Nawrocki |
gd1991-08-18.147507.sbd.miller.flac24 | |
1991-08-18 | Shoreline Amphitheatre |
147507 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This source has a fixed Deal |
gd1991-08-18.149439.BK4003.ebel.flac1648 | |
1991-08-18 | Shoreline Amphitheatre |
149439 | flac16/48kHz; Source Info: T/S B&K 4003 (Omni Caps)-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel |
gd1991-08-18.141295.sbd.miller.flac2496 | |
1991-08-18 | Shoreline Amphitheatre |
141295 | flac24/96 Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. |
gd1991-08-18.mtx.hansokolow.107883.flac16 | |
1991-08-18 | Shoreline Amphitheatre |
107883 | flac16; Matrix by hansokolow of these two sources: DSBD: (shnid=21349) SB DAT 48khz low-gen clone // DAUD: (shnid=94188) Sennheiser ME-80's>Technics SV-MD1; By Keith Litzenberger |
gd1991-08-18.senn-ME80.wklitz.94188.flac16 | |
1991-08-18 | Shoreline Amphitheatre |
94188 | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded,Transferred & Uploaded By Keith Litzenberger |
gd1991-08-18.141326.sbd.cm.miller.flac1644 | |
1991-08-18 | Shoreline Amphitheatre |
141326 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. |
gd1991-08-18.148256.sbd.cm.miller.flac16 | |
1991-08-18 | Shoreline Amphitheatre |
148256 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This source has a fixed Deal (3 static bursts remain @ 7:10, 7:12, 7:18 on aLL know sources), This file set is 16 bit @ 44.1 |
gd1991-08-18.151061.aud.lohr.vernon.flac1648 | |
1991-08-18 | Shoreline Amphitheatre |
151061 | flac16/48khz Source : Unspecified mics > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 |
gd1991-08-18.151062.aud.lohr.vernon.flac2496 | |
1991-08-18 | Shoreline Amphitheatre |
151062 | flac24/96khz Source : Unspecified mics > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) |
gd91-09-04.sbd.gardner.5558.sbeok.shnf | |
1991-09-04 | Richfield Coliseum |
5558 | sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs |
gd1991-09-04.147568.beyerCM101.ebel.flac2448 | |
1991-09-04 | Richfield Coliseum |
147568 | flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Set #1:Maxell XL-II's 90's & Set #2:Maxell XL-II's 100's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48); Transfers by Pete Ebel |
gd1991-09-04.151811.FOB.Schoeps.Master.DAT.ONeill.Mahoney.Noel.t-flac1648 | |
1991-09-04 | Richfield Coliseum |
151811 | flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: Set 1; Row Q (handheld), Set 2; Row Q (stand) Transfer: Master DAT > Tascam DA-20mk2 > coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 27, 2021. Notes: Fresh transfer & processing of shnid 91802. |
gd1991-09-04.149459.fob.BK4011.brennecke.varnum.ebel.flac1648 | |
1991-09-04 | Richfield Coliseum |
149459 | flac16/48kHz; Source Info: FOB B&K 4011-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel |
gd1991-09-04.132810.at835b.cdipietro.flac | |
1991-09-04 | Richfield Coliseum |
132810 | flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro |
gd91-09-04.fob-schoeps-oneill.miller.28404.sbeok.shnf | |
1991-09-04 | Richfield Coliseum |
28404 | Schoeps CMC4/MK4 (FOB/Row Q, ORTF)> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Dan O'Neill; Transferred By Charlie Miller |
gd1991-09-04.sbd.miller.95313.sbeok.flac16 | |
1991-09-04 | Richfield Coliseum |
95313 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1991-09-04.150284.sbd.cm.miller.flac1644 | |
1991-09-04 | Richfield Coliseum |
150284 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
gd1991-09-04.150016.sbd.miller.flac2496 | |
1991-09-04 | Richfield Coliseum |
150016 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24 |
gd1991-09-04.fob.GEMS.91802.flac16 | |
1991-09-04 | Richfield Coliseum |
91802 | flac16; FOB Digital Audience Recording Lineage: DAT Master Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255. Recording Location: FOB DFC … Section 2, Row 17 Recorded By: Dan O'Neil Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. |
gd91-09-05.sbd.gardner.5559.sbeok.shnf | |
1991-09-05 | Richfield Coliseum |
5559 | sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs |
gd1991-09-05.sennME80.wklitz.94300.flac16 | |
1991-09-05 | Richfield Coliseum |
94300 | flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger |
gd1991-09-05.147491.mtx.tobin.flac16 | |
1991-09-05 | Richfield Coliseum |
147491 | flac16; Matrix 2 Source Mix - SBD (shnid = 5559) sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs + AUD (shnid = 138373) Lineage: AKG 414B-ULS>OADE M148>Panasonic SV255>DAT; Playback: Sony PCM-R300>SPDIF>Tascam PMD671 CF 24 48>HD>CDWAV Splits>16.441>TLH FLAC8; Location: FOB TaperSection DFC; Recorded, Transferred and uploaded By Dave D - matrix mixing by Kevin Tobin |
gd1991-09-05.147492.dts.tobin.flac16 | |
1991-09-05 | Richfield Coliseum |
147492 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 5559) sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs + AUD (shnid = 138373) Lineage: AKG 414B-ULS>OADE M148>Panasonic SV255>DAT; Playback: Sony PCM-R300>SPDIF>Tascam PMD671 CF 24 48>HD>CDWAV Splits>16.441>TLH FLAC8; Location: FOB TaperSection DFC; Recorded, Transferred and uploaded By Dave D - dts mixing by Kevin Tobin |
gd1991-09-05.147493.5-1.tobin.flac1648 | |
1991-09-05 | Richfield Coliseum |
147493 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 5559) sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs + AUD (shnid = 138373) Lineage: AKG 414B-ULS>OADE M148>Panasonic SV255>DAT; Playback: Sony PCM-R300>SPDIF>Tascam PMD671 CF 24 48>HD>CDWAV Splits>16.441>TLH FLAC8; Location: FOB TaperSection DFC; Recorded, Transferred and uploaded By Dave D - surround mixing by Kevin Tobin |
gd1991-09-05.147569.beyerCM101.ebel.flac2448 | |
1991-09-05 | Richfield Coliseum |
147569 | flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Set #1:Maxell XL-II's 90's & Set #2:Maxell XL-II's 100's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48); Transfers by Pete Ebel |
gd1991-09-05.151812.FOB.Schoeps.Master.DAT.ONeill.Mahoney.Noel.t-flac1648 | |
1991-09-05 | Richfield Coliseum |
151812 | flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: FOB-DFC; Set 1 Row R, Seat 10 (handheld); Set 2 Row R Seat 10 (stand) Transfer: Master DAT > Tascam DA-20mk2 > coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 28, 2021. Notes: fresh transfer & processing of shnid 91802. |
gd1991-09-05.149460.fob.BK4011.brennecke.varnum.ebel.flac1648 | |
1991-09-05 | Richfield Coliseum |
149460 | flac16/48kHz; Source Info: FOB B&K 4011-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel |
gd1991-09-05.132811.at835b.cdipietro.flac | |
1991-09-05 | Richfield Coliseum |
132811 | flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro |
gd1991-09-05.138373.akg414.flac1644 | |
1991-09-05 | Richfield Coliseum |
138373 | flac16; Lineage: AKG 414B-ULS>OADE M148>Panasonic SV255>DAT; Playback: Sony PCM-R300>SPDIF>Tascam PMD671 CF 24 48>HD>CDWAV Splits>16.441>TLH FLAC8; Location: FOB TaperSection DFC; Recorded, Transferred and uploaded By Dave D |
gd1991-09-05.mtx.sirmick.92785.sbeok.flac16 | |
1991-09-05 | Richfield Coliseum |
92785 | flac16; Matrix sources: (shnid 5559) sbd > dat > c > dat > cdr and (shnid 91803) FOB Digital Audience Recording Matrixed by SIRMick July 2008 |
gd1991-09-05.150285.sbd.cm.miller.flac1644 | |
1991-09-05 | Richfield Coliseum |
150285 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
gd1991-09-05.150030.sbd.miller.flac2496 | |
1991-09-05 | Richfield Coliseum |
150030 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24 |
gd1991-09-05.fob.GEMS.91803.flac16 | |
1991-09-05 | Richfield Coliseum |
91803 | flac16; FOB Digital Audience Recording Lineage: DAT Master Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255. Recording Location: FOB DFC … Section 2, Row 17 Recorded By: Dan O'Neil Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging |
gd91-09-06.sbd.gardner.5560.sbeok.shnf | |
1991-09-06 | Richfield Coliseum |
5560 | sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs |
gd1991-09-06.146570.beyerCM101.ebel.flac2448 | |
1991-09-06 | Richfield Coliseum |
147570 | flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Set #1:Maxell XL-II's 90's & Set #2:Maxell XL-II's 100's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48); Transfers by Pete Ebel |
gd1991-09-06.151813.FOB.Schoeps.Master.DAT.ONeill.Mahoney.Noel.t-flac1648 | |
1991-09-06 | Richfield Coliseum |
151813 | flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k). Location: FOB-DFC. Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 29, 2021. Notes: fresh transfer & processing of shnid 91804. |
gd1991-09-06.132965.mtx.dusborne.flac16 | |
1991-09-06 | Richfield Coliseum |
132965 | flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:095314) SBD -> Dat -> Cassette Master; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16 and Audience (shnid:091804) Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255 6 bit 48kHz DAT Master > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 |
gd1991-09-06.149461.fob.BK4011.brennecke.varnum.ebel.flac1648 | |
1991-09-06 | Richfield Coliseum |
149461 | flac16/48kHz; Source Info: FOB B&K 4011-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel |
gd1991-09-06.149462.TS.Schoeps441.ebel.flac16 | |
1991-09-06 | Richfield Coliseum |
149462 | flac16; Source Info: TS Schoeps CMC 4 Mk41-> Koch P/S-> Panasonic SV255-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel |
gd1991-09-06.132813.at835b.cdipietro.flac | |
1991-09-06 | Richfield Coliseum |
132813 | flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro |
gd1991-09-06.sennME80.wklitz.94234.flac16 | |
1991-09-06 | Richfield Coliseum |
94234 | flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger |
gd91-09-06.fob-schoeps-oneill.miller.28405.sbeok.shnf | |
1991-09-06 | Richfield Coliseum |
28405 | FOB Schoeps CMC4/MK4 (ORTF)> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Dan O'Neill; Transferred By Charlie Miller |
gd1991-09-06.sbd.miller.95314.sbeok.flac16 | |
1991-09-06 | Richfield Coliseum |
95314 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1991-09-06.150286.sbd.cm.miller.flac1644 | |
1991-09-06 | Richfield Coliseum |
150286 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
gd1991-09-06.150031.sbd.miller.flac2496 | |
1991-09-06 | Richfield Coliseum |
150031 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24 |
gd1991-09-06.fob.GEMS.91804.flac16 | |
1991-09-06 | Richfield Coliseum |
91804 | flac16; FOB Digital Audience Recording Lineage: DAT Master Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255. Recording Location: FOB DFC … Section 2, Row 17 Recorded By: Dan O'Neil Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, Tag & Rename for FLAC Meta-Tagging FLAC’d Flac Frontend level 8 |
gd1991-09-08.mtx.haugh.99108.flac16 | |
1991-09-08 | Madison Square Garden |
99108 | flac16; SBD + AUD Matrix Mix - 3 Source Mix: SBD (shnID = 75772), AUD1 (shnID = 96398) and AUD2 (shnID = 98392); 65%-SBD, 20%-AUD1, 15%-AUD2 |
gd1991-09-08.150539.senn-me88.rogosa.miller.sirmick.flac1648 | |
1991-09-08 | Madison Square Garden |
150539 | flac16/48kHz; Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa; Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48; edited and mastered SIRMick August 2020 |
gd1991-09-08.sbd.miller.tetzeli.fix-1069.34661.reflac.flac16 | |
1991-09-08 | Madison Square Garden |
34661 | flac16; DSBD>DAT>CD>WAV>SHN>WAV>FLAC - Seamless fix of shn id 1069, fade tracks added. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
gd1991-09-08.sennme80.litzenberger.98392.flac16 | |
1991-09-08 | Madison Square Garden |
98392 | flac16; Sennheiser ME-80's>Technics SV-MD1 from OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC; Recorded & Transferred By Keith Litzenberger |
gd1991-09-08.dts.mtx.haugh.99074.flac16 | |
1991-09-08 | Madison Square Garden |
99074 | flac16; DTS-Audio-CD 5.1 Mix - 3 Source Mix of SBD (shnID = 75772), AUD1 (shnID = 96398) and AUD2 (shnID = 98392) |
gd1991-09-08.98960.haugh_MLP.dvda | |
1991-09-08 | Madison Square Garden |
98960 | DVD-Audio 5.1; DVD-Audio 5.1 Surround Sound - 3 Source Mix: SBD (shnID = 75772), AUD1 (shnID = 96398) and AUD2 (shnID = 98392) |
gd1991-09-08.fob.brennecke-young.GEMS.96398.flac16 | |
1991-09-08 | Madison Square Garden |
96398 | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Row R, Off Center Set 2 On Stand, Row R, On Aisle Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. |
gd1991-09-08.schoeps.andrewf.88003.flac1648 | |
1991-09-08 | Madison Square Garden |
88003 | flac16/48; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand, back of floor center, directly behind the lighting board. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. |
gd91-09-08.sbd.ashley.1069.sbeok.shnf | |
1991-09-08 | Madison Square Garden |
1069 | DSBD> DAT> CD; via Jay Ashley: see flaw note in pub comments |
gd1991-09-08.sbd.130711.MrBill.flac16 | |
1991-09-08 | Madison Square Garden |
130711 | flac16; Recording Info: DSBD > DAT > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; A fresh transfer of my DAT clone. Upgrade to single source SBD. Transferred, tracked and mastered by Bill Guarneri, July 22, 2014 |
gd1991-09-08.149846.sbd.cm.miller.flac16 | |
1991-09-08 | Madison Square Garden |
149846 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd1991-09-08.149783.sbd.miller.flac2496 | |
1991-09-08 | Madison Square Garden |
149783 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1991-09-08.sbd.unknown.527.shnf | |
1991-09-08 | Madison Square Garden |
527 | dsbd> dat(s)> cd; via A. Kowalski to offer; 1/01 to etree |
gd1991-09-09.150412.sennme88.rogosa.miller.sirmick.flac1648 | |
1991-09-09 | Madison Square Garden |
150412 | flac16/48kHz; Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa; Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48; edited and mastered SIRMick July 2020 |
gd1991-09-09.151920.FOB.Schoeps.Master.DAT.ONeill.Mahoney.Noel.t-flac1648 | |
1991-09-09 | Madison Square Garden |
151920 | flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: FOB; Sec 2, Row V, Seat 3; Set I (handheld), Set II (stand over 6') Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 25, 2021. |
gd1991-09-09.sbd.miller.tetzeli.fix-508.34677.reflac.flac16 | |
1991-09-09 | Madison Square Garden |
34677 | flac16; SBD>>DAT>>CDA>>WAV>>SHN>>WAV>>FLAC - Seamless fix of shn id 508. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
gd1991-09-09.fob.brennecke-young.GEMS.96399.flac16 | |
1991-09-09 | Madison Square Garden |
96399 | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 3, Row S, On Aisle Set 2 On Stand, Section 3, Row V, Seat 2 Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. |
gd91-09-09.sbd.ashley-miller.508.sbeok.shnf | |
1991-09-09 | Madison Square Garden |
508 | DSBD> DAT> CD; via C. Miller, J. Ashley |
gd91-09-09.fob-schoeps-oneill.miller.28851.sbeok.shnf | |
1991-09-09 | Madison Square Garden |
28851 | Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) -> Oade Cap Coupled Supply -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Recorded By Dan O'Neill Transferred By Charlie Miller |
gd1991-09-09.dmtx.hansokolow.110640.flac16 | |
1991-09-09 | Madison Square Garden |
110640 | flac16; This is a matrix of these sources: SBD: shnid=508 (DSBD>>DAT>>CDA) // DAUD: shnid=96399 (Recording Equipment: B&K 4011 110∫ ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro) |
gd1991-09-09.149749.sbd.pearson-healy.miller.flac2496 | |
1991-09-09 | Madison Square Garden |
149749 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1991-09-09.149777.sbd.cm.miller.flac16 | |
1991-09-09 | Madison Square Garden |
149777 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd91-09-10.sbd.sacks.511.sbeok.shnf | |
1991-09-10 | Madison Square Garden |
511 | complete; DSBD> DATs> CDRs> EAC> SHN; via Darrin Sacks |
gd91-09-10.sbd.dan.30755.sbexx.flacf | |
1991-09-10 | Madison Square Garden |
30755 | Source: SBD: DAT(M) > DAT(1) > DAT(2) Transfer: DAT R500 > M-Audio 24/96 > CD Wave > FLAC; FLAC conversion done by dan@am-dig.com |
gd1991-09-10.149650.sbd.cm.miller.flac16 | |
1991-09-10 | Madison Square Garden |
149650 | flac; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd1991-09-10.FOB.Schoeps.Master.DAT.ONeill.Mahoney.Noel.t-flac1648 | |
1991-09-10 | Madison Square Garden |
151921 | flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: FOB; Sec 2, Row V, Seat 3; Set I (handheld), Set II (stand over 6') Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel.January 25, 2021. Notes: Fresh transfer & mastering of shnid 138917. |
gd1991-09-10.157119.dsbd.miller.flac1644 | |
1991-09-10 | Madison Square Garden |
157119 | Recording Info:
SBD > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/16 |
gd1991-09-10.sbd.waddell.89085.sbeok.flac16 | |
1991-09-10 | Madison Square Garden |
89085 | flac16; SBD DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect ->Lynx Two Soundcard (spdif in) -> Wavelab 6.0 |
gd1991-09-10.sbd.sacks.tetzeli.fix-511.34678.reflac.flac16 | |
1991-09-10 | Madison Square Garden |
34678 | flac16; DSBD>DATs>CDRs>EAC>SHN>WAV>FLAC - Seamless fix of shn id 511. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
gd1991-09-10.fob.brennecke-young.GEMS.96422.flac16 | |
1991-09-10 | Madison Square Garden |
96422 | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 2, Row S, Seat 2 Set 2 On Stand, Section 2, Row V, Seat 2 Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8Tag & Rename for FLAC Meta-Tagging. |
gd1991-09-10.dts.mtx.haugh.gems.98701.flac24 | |
1991-09-10 | Madison Square Garden |
98701 | flac24; SBD+AUD Matrix Mix (65%-SBD/35%-AUD) SBD (shnID = 89085) and AUD (shnID = 96422) |
gd1991-09-10.138917.cmc34.flac16 | |
1991-09-10 | Madison Square Garden |
138917 | flac16/48kHz; source: Schoeps cmc34 (FOB) -> Oade P/S -> Panasonic SV-255 (48k); transfer: (DAT master) Sony D8 -> Oade 7-pin/Coax -> Tascam HD-P2 -> wav -> Sound Studio -> xACT -> flac (16/48); recorded by: Dan O'Neill, set 1 handheld, Set 2 stand over 6'; location: Sec 2, Row V, Seat 3 |
gd1991-09-10.149509.sbd.person-healy.miller.flac2496 | |
1991-09-10 | Madison Square Garden |
149509 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1991-09-10.150558.senn-me88.rogosa.miller.sirmick.flac1648 | |
1991-09-10 | Madison Square Garden |
150558 | flac16/48kHz; Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa; Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48; edited and mastered SIRMick |
gd1991-09-10.dts.mtx.haugh.gems.98655.flac16 | |
1991-09-10 | Madison Square Garden |
98655 | DTS-Audio-CD 5.1 Mix; Source Info - SBD (shnID = 89085) and AUD (shnID = 96422) Recorded By: James Young and Clay Brennecke |
gd1991-09-10.Nak300CP4.JB.Keo.117023.Flac2496 | |
1991-09-10 | Madison Square Garden |
117023 | flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Recorded By JB,Transfer By Keo,Tapes From Heaton; Tapes:Maxell Metal Capsule 100,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz |
gd1991-09-10.Nak300CP4.JB.Keo.117024.Flac1644 | |
1991-09-10 | Madison Square Garden |
117024 | flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Recorded By JB,Transfer By Keo,Tapes From Heaton; Tapes:Maxell Metal Capsule 100,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software |
gd1991-09-10.mtx.amdig.gems.98132.flac16 | |
1991-09-10 | Madison Square Garden |
98132 | flac16; Matrix synch completed by Amdig SBD + AUD Matrix from 2 GEMS Source Mix (65%-SBD/35%-AUD) Time sych done in CEPro 2.0 Multitrack matrix mixdown to 24/48 in CEPro 2.0 Final Matrix Matstering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by BlueDakota. Tracked in Wavelab 6.0, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging; Matrix Recordings Created from these GEMS Sources: source ID 89085 - GEMS DSBD (DSBD 16-bit, 44.1kHz Vault DAT Clone) and source ID 96422 - GEMS FOB Aud (Master FOB DAT 16-bit, 48kHz) |
gd1991-09-10.153418.mtx.photoleon.flac1644 | |
1991-09-10 | Madison Square Garden |
153418 | fkac16/44 A Photoleon Matrix Source: Schoeps Cmc34 (ortf) > M1000 Cables > Tao Research Oade Supply > Panasonic Sv255> Master Dat (48k) + (ots) Nak Cm300 Cp4 Shotguns> Cassette + Sbd> Dat(?). Fob Recording By Dan O'neill. Ots Recording By Jb. Sbd Dat Sourced From Todd Evans. Matrix Created By Joe Noel. August 03, 2021 |
gd91-09-12.sbd.roux.516.sbeok.shnf | |
1991-09-12 | Madison Square Garden |
516 | SBD > DAT > CDR > .shn; .via Jon, Adam Roux; (note may have been in abgd before this perhaps?) |
gd1991-09-12.fob.brennecke-young.GEMS.97386.flac16 | |
1991-09-12 | Madison Square Garden |
97386 | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB - Hand Held, Upfront Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging |
gd91-09-12.sbd.hinko.28871.sbeok.shnf | |
1991-09-12 | Madison Square Garden |
28871 | Clean up of SHNid=516; SBD > DAT > CDR > SHN; Cleaned by Darryl Hinko. See notes. |
gd1991-09-12.149847.sbd.cm.miller.flac16 | |
1991-09-12 | Madison Square Garden |
149847 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd1991-09-12.dmtx.hansokolow.110641.flac16 | |
1991-09-12 | Madison Square Garden |
110641 | flac16; This is a matrix of these sources: DSBD: shnid=28871 (soundboard > DAT > CDR > SHN) // DAUD: shnid=97386 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro) |
gd1991-09-12.139651.schoeps-cmc4-mk4.gastwirt.miller.sirmick.flac1648 | |
1991-09-12 | Madison Square Garden |
139651 | flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k) - Recorded by Rick Gastwirt from 1st row OTS; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017 |
gd1991-09-12.149784.sbd.millerflac2496 | |
1991-09-12 | Madison Square Garden |
149784 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd91-09-13.sbd.kowalski.520.sbeok.shnf | |
1991-09-13 | Madison Square Garden |
520 | via A. Kowalski to offer |
gd1991-09-13.147304.FOB.bk4011.dalton.miller.sirmick.flac1648 | |
1991-09-13 | Madison Square Garden |
147304 | flac16/48kHz; Source: (FOB) B&K 4011 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick August 2019 |
gd1991-09-13.150956.senn-me88.rogosa.miller.sirmick.flac1648 | |
1991-09-13 | Madison Square Garden |
150956 | Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and nastered SIRMick November 2020 |
gd91-09-13.sbd.hinko.31244.sbeok.flacf | |
1991-09-13 | Madison Square Garden |
31244 | flac16; DSBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko; No cut in Masterpiece |
gd1991-09-13.sbd.kowalski.tetzeli.fix-520.34679.reflac.flac16 | |
1991-09-13 | Madison Square Garden |
34679 | flac16; DSBD>DAT>CD>WAV>SHN>WAV>FLAC - Seamless fix of shn id 520. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
gd1991-09-13.fob.brennecke-young.GEMS.97387.flac16 | |
1991-09-13 | Madison Square Garden |
97387 | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Hand Held, Upfront Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging |
gd1991-09-13.nak300.bleich-sirmick.111224.sbeok.flac16 | |
1991-09-13 | Madison Square Garden |
111224 | flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich |
gd1991-09-13.nak300.gidley.122120.flac2448 | |
1991-09-13 | Madison Square Garden |
122120 | flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012 |
gd1991-09-13.149851.sbd.cm.miller.flac16 | |
1991-09-13 | Madison Square Garden |
149851 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd1991-09-13.110642.dmtx.hansokolow.flac16 | |
1991-09-13 | Madison Square Garden |
110642 | flac16; This is a matrix of these sources: SBD: shnid=31244 (DSBD > DAT > CD > EAC > FLAC) // DAUD: shnid=97387 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro) |
gd1991-09-13.141921.mtx.photoLeon.t-flac1644 | |
1991-09-13 | Madison Square Garden |
141921 | flac16; Matrix: 1. SHNID 97387 Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro; 2. SHNID 138572 Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k) and 3. SHNID 31244 Source: Source: DSBD > DAT > CD > EAC > FLAC |
gd1991-09-13.138572.Schoeps-cmc4-mk4-ortf.gastwirt.miller.sirmick.sbeok.flac16 | |
1991-09-13 | Madison Square Garden |
138572 | flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k); Recorded by Rich Gastwirt from 1st row OTS; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick June 2017 |
gd1991-09-13.149790.sbd.pearson-healy.miller.flac2496 | |
1991-09-13 | Madison Square Garden |
149790 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd91-09-14.sbd.kowalski.522.sbeok.shnf | |
1991-09-14 | Madison Square Garden |
522 | sbd> dat> cd> eac> shn; via A. Kowalski to GDH-Trading loop, not yet etreed |
gd1991-09-14.nak300.gidley.122035.flac2448 | |
1991-09-14 | Madison Square Garden |
122035 | flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012 |
gd1991-09-14.149977.sbd.miller.flac2496 | |
1991-09-14 | Madison Square Garden |
149977 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1991-09-14.150163.sbd.cm.miller.flac16 | |
1991-09-14 | Madison Square Garden |
150163 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd1991-09-14.fob.brennecke-young.GEMS.97388.flac16 | |
1991-09-14 | Madison Square Garden |
97388 | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging |
gd1991-09-14.nak300.bleich-sirmick.111250.sbeok.flac16 | |
1991-09-14 | Madison Square Garden |
111250 | flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich |
gd1991-09-14.138918.cmc34.flac16 | |
1991-09-14 | Madison Square Garden |
138918 | flac16/48kHz; source: Schoeps cmc34 (FOB) -> Oade P/S -> Panasonic SV-255 (48k); transfer: (DAT master) Sony D8 -> Oade 7-pin/Coax -> Tascam HD-P2 -> wav -> Sound Studio -> xACT -> flac (16/48); recorded by: Dan O'Neill, FOB/DFC |
gd1991-09-14.110643.dmtx.hansokolow.flac16 | |
1991-09-14 | Madison Square Garden |
110643 | flac16; This is a matrix of these sources: SBD: shnid=77789 (SBD -> Dat -> CD) // DAUD: shnid=97388 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro) |
gd1991-09-14.147629.FOB-BK4011.dalton.miller.sirmick.flac1648 | |
1991-09-14 | Madison Square Garden |
147629 | flac16/48kHz; Source: (FOB) B&K 4011 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick |
gd1991-09-14.151340.SennME88.rogosa.miller.sirmick.flac1648 | |
1991-09-14 | Madison Square Garden |
151340 | flac16/48khz Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick January 2021 |
gd91-09-16.bk4011.brennecke-young.4868.sbeok.shnf | |
1991-09-16 | Madison Square Garden |
4868 | FOB B&K 4011 (hand-held, sets recorded from different positions) -> Canari cables -> Neumann Phantom Power ->Sony TCD D10 Pro 2 Modified-> DAT @48k; Transfer: Clone from Master played back through Sony PCM-M1 -> 7pin Coax Out -> Zoltrix Nightingale -> Cooledit 2k (48k->44.1k conversion) -> cdwav (track splitting) -> shorten; recorded by Clay Brennecke and James Young |
gd91-09-16.sbd.kowalski.525.sbeok.shnf | |
1991-09-16 | Madison Square Garden |
525 | sbd> dat> cd> eac> shn; via A. Kowalski to GDH-Trading loop, not yet etreed |
gd1991-09-16.sennME80.wklitz.94246.flac16 | |
1991-09-16 | Madison Square Garden |
94246 | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger |
gd1991-09-16.139795.schoeps-cmc4-mk4-ortf.gastwirt.miller.sirmick.flac1648 | |
1991-09-16 | Madison Square Garden |
139795 | flac16/48kHz; Source: Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k) - Recorded by Rich Gastwirt from 1st row OTS; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017 |
gd1991-09-16.149653.sbd.cm.miller.flac16 | |
1991-09-16 | Madison Square Garden |
149653 | flac; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd1991-09-16.149633.sbd.pearson-healy.miller.flac2496 | |
1991-09-16 | Madison Square Garden |
149633 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1991-09-16.151778.SennME88.rogosa.miller.sirmick.flac1648 | |
1991-09-16 | Madison Square Garden |
151778 | Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick February 2021 |
gd1991-09-16.152918.FOB-Schoeps.Brotman-Metchick-Miller-Noel.t-flac1648 | |
1991-09-16 | Madison Square Garden |
152918 | flac16/48 Recording: Fob Schoeps Cmc3 Mk4’s (ortf)> Tao Research Ps > Mit Cables > Master Dat (panasonic Sv-255mod) (16 Location: Set I Fob, Section 3, Row U, Seat 14 (on Stand @ 6') Location: Set Ii Fob, Section 3, Row U, Seat 14 (on Stand @ 6'5") Transfer: Dat > Tascam Da-40 > Tascam Da-3000 > Flac 16 48 Master Digital Fob Recording By Dave Brotman & Jeff Metchick Transfer By Charlie Miller Edited & Mastered Using Adobe Audition By Joe Noel July 02, 2020 |
gd1991-09-16.mtx.haugh.100910.flac16 | |
1991-09-16 | Madison Square Garden |
100910 | flac16; SBD + AUD Matrix Mix (65%-SBD, 35%-AUD) Source Info: SBD (shnID = 525) > DAT > CD > EAC > SHN and FOB AUD (shnID = 97389) Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Recorded By: James Young and Clay Brennecke |
gd1991-09-16.nak300.gidley.121949.flac2448 | |
1991-09-16 | Madison Square Garden |
121949 | flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012 |
gd1991-09-16.fob.brennecke-young.GEMS.97389.flac16 | |
1991-09-16 | Madison Square Garden |
97389 | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging |
gd1991-09-16.dts.mtx.haugh.100911.flac16 | |
1991-09-16 | Madison Square Garden |
100911 | flac16; DTS-Audio-CD 5.1 Mix of SBD (shnID = 525) > DAT > CD > EAC > SHN and FOB AUD (shnID = 97389) Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Recorded By: James Young and Clay Brennecke |
gd1991-09-16.153419.mtx.photoleon.flac1644 | |
1991-09-16 | Madison Square Garden |
153419 | flac16/44 A Photoleon Matrix: (fob) Schoeps Cmc3 Mk4’s (ortf)> Tao Research Ps > Mit Cables > Master Dat + (ots) Schoeps Cmc4 Mk4> Master Dat + Sbd> Master Cassette. Fob Recording By Dave Brotman & Jeff Metchick. Ots Recording By Rich Gastwirt. Sbd Recording By Don Pearson & Dan Healy Matrix Created By Joe Noel. July 28, 2021 |
gd1991-09-16.135484.sbd.miller.flac16 | |
1991-09-16 | Madison Square Garden |
135484 | flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd91-09-17.sbd.unknown.12847.sbeok.shnf | |
1991-09-17 | Madison Square Garden |
12847 | SBD: DAT> CD> EAC> SHN |
gd1991-09-17.151779.SennME88.rogosa.miller.sirmick.flac1648 | |
1991-09-17 | Madison Square Garden |
151779 | Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick February 2021 |