Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1984-01-20.154034.mtx.photoleon.flac166
1984-01-20Carrier Dome, Syracuse U
154034flac16/44 A Photoleon Matrix: (fob) Nakamichi 100 Shotguns > Master Cassette + Sbd > Pcm Master > Dat > Dat. Fob Recorded By Anon. Sbd Provided By Rob Eaton & Dick Latvala. Matrix Created By Joe Noel June 21, 2021
gd84-xx-xx.sbd.samaritano.16613.sbeok.shnf
1984-02-211984 Studio Material
16613demos and rehearsals; Master Cassette Soundboard-> DAT-> Sonic Solutions-> CD-> EAC-> SHN; CD-> EAC-> SHN Done by Joe Samaritano from Gans seed; part of the KPFA Marathon broadcast on 2/22/2003 by David Gans
gd1984-03-28.sonyecm.andrewf.cohen.28296.sbeok.shnf
1984-03-28Marin County Veterans Auditorium
282962 Sony ECM 939LT stereo microphones > Marantz PMD 340, TDK AD-X90 cassettes with Dolby B, 8' stand 2nd set, 6.5' 1st set, ~20th row center just behind soundboard, Recorded by AndrewF; A-D transfer: master cassette > Nakamichi Dragon (Dolby B) > HHB CDR 830plus > EAC > Sound Forge 5.0 > CD Wave Editor 1.71 > WAV > SHN by Anne Cohen; drums are cut
gd1984-03-28.148337.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648
1984-03-28Marin County Veterans Auditorium
148337flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1984-03-28.148338.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496
1984-03-28Marin County Veterans Auditorium
148338flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd84-03-28p.aud.dodd.16665.sbeok.shnf
1984-03-28Marin County Veterans Auditorium
16665unknown aud > cass > cd Discs kindly provided by Mark Horvath Eac > cool edit pro > shntool > cdwav > shnv3 by Ernie Dodd Partial 2nd set Only
gd1984-03-28.109259.beyer-senn.daweez.D5scott.flac16
1984-03-28Marin County Veterans Auditorium
109259flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd84-03-28.fob-faintych.miller.27303.sbeok.shnf
1984-03-28Marin County Veterans Auditorium
27303(FOB/20th Row) Sony ECM 939LT> Cassette Master (Marantz PMD430); Transfer Info: Cassette Master (Nak Dragon/Dolby B)> CD (HHb CDr 830Plus)> EAC> Sound Forge 5.0> SHN; Recorded By Andrew Faintych; Transferred By Anne Cohen; Converted By Charlie Miller; Drums Are Cut
gd1984-03-29.sbd.walker-scotton.miller.32515.sbeok.flac16
1984-03-29Marin County Veterans Auditorium
32515flac16; SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transferred and Edited By Charlie Miller
gd1984-03-29.sonyecm.andrewf.29645.sbeok.flac16
1984-03-29Marin County Veterans Auditorium
29645flac16; Recording: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck Taped onto TDK AD-X normal bias tape, with Dolby on Set up two rows behind soundboard, and eight seats to the right Mics raised aprx seven and a half feet on a tent pole Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC Soundforge used for fades and some minor repairs (see notes) CD-Wave for Track ID's, and FLAC Frontend for lossless compression Verified and repaired SBE's with Traders Little Helper program
gd1984-03-29.3micSonyTCD5M.D5scott.109112.flac16
1984-03-29Marin County Veterans Auditorium
109112flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes - TDK MA-R90's transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-03-29.148306.2nd.set.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648
1984-03-29Marin County Veterans Auditorium
148306flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1984-03-29.148307.2nd.set.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496
1984-03-29Marin County Veterans Auditorium
148307flac24; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd84-03-29.sbd.10559.sbeok.shnf
1984-03-29Marin County Veterans Auditorium
10559Rex Foundation Benefit; Soundboard > ??? > CDR; Jerry's guitar is low in the mix at times; Seeded to etree by David Angelini; upgrade in circulation
gd1984-03-29.sbd.walker-scotton.miller.106071.flac16
1984-03-29Marin County Veterans Auditorium
106071flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1984-03-31.148339.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648
1984-03-31Marin County Veterans Auditorium
148339flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1984-03-31.148340.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496
1984-03-31Marin County Veterans Auditorium
148340flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd84-03-31.sbd.lai.2576.sbefail.shnf
1984-03-31Marin County Veterans Auditorium
2576SBD; via Mike Lai; upgrade in circulation
gd84-03-31.sbd.nawrocki.14078.sbeok.shnf
1984-03-31Marin County Veterans Auditorium
14078Source: SBD > MC > DAT > CDR > EAC > Cool Edit Pro 2.0* > CDWave > mkwACT EAC'd/Pitch Corrected/SHN'd by Doug Nawrocki Source kindly provided by Vojo; upgrade in circulation
gd1984-03-31.sony220t.keshavan.miller.98823.sbeok.flac16
1984-03-31Marin Veterans Memorial Auditorium
98823flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Rango Keshavan
gd1984-03-31.nak301.mikeg-suraci.79468.sbeok.flac16
1984-03-31Marin County Civic Center
79468flac16; Source: *Nakamichi CM301's>Sony D5M>Sony D5M Location: FOB/Stand at 6 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G
gd1984-03-31.sbd.walker-scotton.miller.105821.flac16
1984-03-31Marin County Veterans Auditorium
105821flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1984-03-31.111289.beyer-senn-nubar.d5scott.flac16
1984-03-31Marin County Veterans Auditorium
111289flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1984-04-01.152073.beyerm88.holbrook.flac1644
1984-04-01Cumberland County Civic Center
152073flac16/44 Source: 1st Gen AUDCA: Beyer M88's XY > Marantz PMD430 w dbx > Maxell MX 90s No Dolby -lead deck Location: 50 feet from stage DFC, shoulder height Original Transfer: Marantz PMD430 dbx on > Sony TCD5M no nr Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, Chris Kidwell, JJ Hance, Sean Murtha, Gary Steel, Eric Britt
gd1984-04-01.nak304.mikeg-suraci.79458.sbeok.flac16
1984-04-01Marin County Civic Center
79458flac16; Source: *Nakamichi CM304's>Sony D5M>Sony D5M Location: ^At SBD/Stand at 7 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G
gd84-04-01.sbd.serafin.7366.sbeok.shnf
1984-04-01Marin County Veterans Auditorium
7366Master Soundboard Casette>PCM>DAT>DAT>Serafin Studios>CDR>EAC>SHN; upgrade in circulation
gd1984-04-01.sbd.walker-scotton.miller.105822.flac16
1984-04-01Marin County Veterans Auditorium
105822flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1984-04-01.111291.beyer-senn.nubar.d5scott.flac16
1984-04-01Marin County Veterans Auditorium
111291flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1984-04-04.152459.sbd.pcm.miller.flac1644
1984-04-04Providence Civic Center
152459flac16/44 Recording Info: SBD > PCM Master (Sony Betamax) > DAT Clone (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC-16 All Transfers and Mastering by Charlie Miller. March 27, 2021.
gd1984-04-06.nak301.dalessandro-suraci.77310.sbeok.flac16
1984-04-06Aladdin Theater
77310flac16; Source: Nakamichi CM300*(with CP1 Card caps)>Sony TCD-5M Location: FOB/Right Center Orch. Sec. 1 Row M/Stand at 6-7 Feet Transfer: Sony D5M>Sound Device 722@24/96>Adobe Aud. 2.0> 16 bit>Cdwav>flac16. Tapers: Tony Suraci and Eugene D'alessandro
gd84-04-06.sbd.willy.10159.sbeok.shnf
1984-04-06Aladdin Theater
10159SBD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
gd1984-04-06.109232.beyer-senn-daweez.D5scott.flac16
1984-04-06Aladdin Theater
109232flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (13th row-center) > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-04-06.148570.sbd.clugston.flac16
1984-04-06Aladdin Theater
148570flac16; Source Info: Master Soundboard Cassettes; Sony D6 (dolby C) > Dat > PCM; Transfer Info: PCM (unknown equipment) > .wav 16/44.1 > Adobe Audition 2019 > TLH > flac16
gd1984-04-07.146012.sbd.GEMS.flac1648
1984-04-07Irvine Meadows
146012flac16/48kHz; Soundboard Master from The Knudsen Collection at Lossless Legs; Nakamichi CR-7A -> Sound Devices MixPre-3M
gd1984-04-07.108618.Beyer-DaWeez.D5scott.flac16
1984-04-07Irvine Meadows
108618flac16; source: 3 Beyer M160's > Nak100 > Sony TC-D5M - 17th Row Center - analog master cassettes - TDK MA-R90's transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-04-07.135528.sbd-pc.miller.flac16
1984-04-07Irvine Meadows
135528flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD (shnid=13816); Transfer Info: CD -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC; All Patching and Remastering By Charlie Miller
gd84-04-07.sbd.dodd.13816.sbeok.shnf
1984-04-07Irvine Meadows
13816sbd>MC>Dat>cd Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd
gd1988-04-08.140413.prefm.lamarre.berger.flac2496
1984-04-08The Centrum
140413flac24; source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy; lineage: pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger
gd1984-04-13.149109.mke2002.kidwell.holbrook.flac1644
1984-04-13Hampton Coliseum
149109flac 16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook) Transferred by Kyle Holbrook
gd1984-04-13.149110.mke2002.kidwell.holbrook.flac2448
1984-04-13Hampton Coliseum
149110flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook) Transferred by Kyle Holbrook
gd1984-04-13.109288.beyer-senn.daweez.D5scott.flac16
1984-04-13Hampton Coliseum
109288flac16; source: 3 Beyer M160's (up front) > custom made blend box> Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-04-13.126039.beyer_m160.scarletdog.flac16
1984-04-13Hampton Coliseum
126039flac16; Master: 2 Beter M-160s and Sony TC-D5m; 2nd deck in line after another D5; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670
gd1984-04-13.155212.u87.eaton.miller.flac24
1984-04-13Hampton Coliseum
155212FLAC 2496 Recording Info: (FOB) Neumann U87 > Cassette Master (Nakamichi 550)
Transfer Info: Master Cassettes (Nakamichi Dragon) > Avid Mbox Pro > Pro Tools 12 (WAV 24-bit/96k)
Mastering Info: WAV > Samplitude Pro X6 Suite > FLAC/24
gd1984-04-13.157541.aud.carpenter.flac2448
1984-04-13Hampton Coliseum
157541flac2448 Lineage: unknown mics -> Marantz pdm360 - no dolby Maxell XL-IIS 90s-> Nakamichi CR3a -> M-Audio 192-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, flac, checksums. taped and transferred by Ted Carpenter
gd1984-04-13.sbd.miller.102499.flac16
1984-04-13Hampton Coliseum
102499flac16;Recording Info:SBD -> Cassette Master -> Cassette -> Dat (Panasonic SV3800/48k); Transfer Info:Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1984-04-13.nak300.mccue.casey.ford.123178.sbeok.flac16
1984-04-13Hampton Coliseum
123178flac16; MAC; Nakamichi 300's(w/shotguns) > Sony D5 > Sony D6 (master) > 2 x Maxell XLII 90; Location/Info: center, directly behind SBD, 10-12 feet high; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@ 24/88.2)> Lynx AES16e> WaveLab 7.2.1> .wav @ 24/88.2> Crystal Resampler> Apogee UV22HR> .wav @16/44.1> xACT(encoding/tracking/meta tagging)> flac16 (level eight); Tapers: Mark McCue and Kurt Casey; Transfer, editing and mastering: Alex Ford
gd1984-04-13.122974.chasingwilma.flac24
1984-04-13Hampton Coliseum
122974flac24; source: (3) audio technica atm 11 fob>tcm-d-5; conversion: sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit
gd84-04-13.aud-neumann.pj.1521.sbeok.shnf
1984-04-13Hampton Coliseum
1521Neumann U-87 mics > Sony D6 cass > Dat > CDR; via PJ to abgd; includes alternate tracking suggestion for 2 discs
gd84-04-13.fob-eaton.21130.sbeok.shnf
1984-04-13Hampton Coliseum
21130Rob Eaton FOB Center (Neumann U89)>Sony TC-D5>DAT>CDR>EAC>SHN
gd1984-04-13.neumann-u87.eaton.miller.90470.sbeok.flac16
1984-04-13Hampton Coliseum
90470flac16; Recording Info: (FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
gd1984-04-13.132771.Sennheiser-holbrook.flac16
1984-04-13Hampton Coliseum
132771flac16; Source:Sennheiser MKE2002 Binaurals mounted on fake head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi LX-5 >ESI Juli@ at 24/48> Wavelab >FLAC; Recorded by executive crew (SM,CK (owner of MKE2002s),TP,KH); Transferred by Kyle Holbrook
gd1984-04-13.132772.Sennheiser-holbrook.flac24
1984-04-13Hampton Coliseum
132772flac24; Source:Sennheiser MKE2002 Binaurals mounted on fake head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi LX-5 >ESI Juli@ at 24/48> Wavelab >FLAC; Recorded by executive crew (SM,CK (owner of MKE2002s),TP,KH); Transferred by Kyle Holbrook
gd1984-04-13.137369.set2.mk41.oade.bryant.miller.flac16
1984-04-13Hampton Coliseum
137369flac16; Set 2 Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Robert Bryant 24bit > 16bit with r8brain
gd1984-04-13.155699.fob.neumann.U87.cm.eaton.miller.t.flac16
1984-04-13Hampton Coliseum
155699FLAC 16/44 Recording Info: (FOB) Neumann U87 > Cassette Master (Nakamichi 550) Transfer Info: Master Cassettes (Nakamichi Dragon) > Avid Mbox Pro > Pro Tools 12 (WAV 24-bit/96k) Mastering Info: WAV > Samplitude Pro X6 Suite > FLAC/24 This is 155212 2496 > 1644
gd1984-04-13.154377.fob.senn441.lamarre.miller.clugston.flac1648
1984-04-13Hampton Coliseum
154377flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1984-04-13.154378.fob.senn441.lamarre.miller.clugston.flac2496
1984-04-13Hampton Coliseum
154378flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1984-04-14.139327.fob.schoeps.mk41.oade.bryant.miller.clugston.flac1644
1984-04-14Hampton Coliseum
139327flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/16
gd1984-04-14.139328.fob.schoeps.mk41.oade.bryant.miller.clugston.flac2496
1984-04-14Hampton Coliseum
139328flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
gd1984-04-14.149111.mke2002.holbrook.flac1644
1984-04-14Hampton Coliseum
149111flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook) Transferred by Kyle Holbrook
gd1984-04-14.149112.mke2002.holbrook.flac2448
1984-04-14Hampton Coliseum
149112flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook) Transferred by Kyle Holbrook
gd1984-04-14.senn441.koucky.ladner.34901.sbeok.flac16
1984-04-14
34901flac16; Source: FOB Sennheiser 441s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on cleaned/demagged Nakamich DR-2 > Presonus Firebox preamp/A-D > firewire > 2 GHz P4 PC - XP Pro > Wavelab 5, recorded as 24 bit/96 KHz WAV > rendered to 16 bit/44.1 KHz WAV using Waves L3 Multimaximizer, hi res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8). Transfer and editing by C.Ladner
gd1984-04-14.109331.beyer-senn.daweez.D5scott.flac16
1984-04-14Hampton Coliseum
109331flac16; source: 2 Beyer M160's & 1 Sennheiser 421 Microphones (up front) > Nak MX100 w/2001> Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-04-14.123023.chasingwilma.flac24
1984-04-14Hampton Coliseum
123023flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
gd1984-04-14.154427.fob.senn441.lamarre.miller.clugston.flac1648
1984-04-14Hampton Coliseum
154427flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1984-04-14.154428.fob.senn441.lamarre.miller.clugston.flac2496
1984-04-14Hampton Coliseum
154428flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1984-04-14.157542.aud.carpenter.flac2448
1984-04-14Hampton Coliseum
157542flac2448 Lineage: unknown mics -> Marantz pdm360 ( no dolby )-> Maxell XL-IIS 90s-> Nakamichi CR3a -> M-Audio 192-6-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, flac, checksums. taped and transferred by Ted Carpenter
gd84-04-14.neumann.pj.1562.sbeok.shnf
1984-04-14Hampton Coliseum
1562Neumann U-87 mics > Sony D-6 > DAT > CDR; d2 is 80 min; via PJ to abgd; (thanks to Trip Bates for txt/md5 here)
gd1984-04-14.149490.beyerm201.holbrook.flac1644
1984-04-14Hampton Coliseum
149490flac16/44.1khz Source: MAUD CA: Beyer M201's XY 60 feet from stage >Sony TCD5M > s1 Sony Metallic90; s2:TDK MA c90 No Dolby Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook, Mike Yacavone, Olvy Johnson) Transferred by Kyle Holbrook
gd1984-04-14.149491.beyerm201.holbrook.flac2448
1984-04-14Hampton Coliseum
149491flac24/48khz Source: MAUD CA: Beyer M201's XY 60 feet from stage >Sony TCD5M > s1 Sony Metallic90; s2:TDK MA c90 No Dolby Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook, Mike Yacavone, Olvy Johnson) Transferred by Kyle Holbrook
gd1984-04-14.neumann-u87.eaton.miller.90595.sbeok.flac16
1984-04-14Hampton Coliseum
90595flac16; Recording Info: (FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
gd1984-04-14.sbd.walker.scotton.miller.105836.flac16
1984-04-14Hampton Coliseum
105836flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Dolby B/Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1984-04-14.148457.fob.senn.441.koucky.miller.clugston.flac1648
1984-04-14Hampton Coliseum
148457flac16/48kHz; Source Info: Bill Koucky's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5 (Maxell MX90) (2nd deck in line, in the pit); Transfer Info: Master Cassettes (Nakamichi DR-1) > Edirol UA-5 24/96 > WaveLab 6.01 24/96 > Adobe Audition 24/96 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1984-04-14.148458.fob.senn.441.koucky.miller.clugston.flac2496
1984-04-14Hampton Coliseum
148458flac24; Source Info: Bill Koucky's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5 (Maxell MX90) (2nd deck in line, in the pit); Transfer Info: Master Cassettes (Nakamichi DR-1) > Edirol UA-5 24/96 > WaveLab 6.01 24/96 > Adobe Audition 24/96 > TLH flac2496
gd1984-04-16.133031.Nak100CP4.Hill.Keo.Flac1644
1984-04-16Community War Memorial Auditorium
133031flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1984-04-16.133032.Nak100CP4.Hill.Keo.Flac2496
1984-04-16Community War Memorial Auditorium
133032flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1984-04-16.137003.sbd.miller.flac1648
1984-04-16Community War Memorial Auditorium
137003flac16/48kHz; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam DA-3000 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
gd1984-04-16.141021.nak300.ackerman.miller.clugston.flac1644
1984-04-16Community War Memorial Auditorium
141021flac16; Source Info: Ray Ackerman's Master Audience Cassettes ; 2 x Nakamichi 300/CP4 + 1 x Nakamichi 300/CP1 center fill > unknown mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkii)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96; 24-bit > 16-bit via dBpoweramp
gd1984-04-16.141022.nak300.ackerman.miller.clugston.flac2496
1984-04-16Community War Memorial Auditorium
141022flac24; Source Info: Ray Ackerman's Master Audience Cassettes ; 2 x Nakamichi 300/CP4 + 1 x Nakamichi 300/CP1 center fill > unknown mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkii)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96
gd1984-04-16.149113.mke2002.holbrook.flac1644
1984-04-16Community War Memorial Auditorium
149113flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage ROC >Sony TCD5M > Maxell Metal 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
gd1984-04-16.149114.mke2002.holbrook.flac2448
1984-04-16Community War Memorial Auditorium
149114flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage ROC >Sony TCD5M > Maxell Metal 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
gd1984-04-16.154453.fob.senn441.lamarre.miller.clugston.flac1648
1984-04-16Community War Memorial Auditorium
154453flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1984-04-16.154454.fob.senn441.lamarre.miller.clugston.flac2496
1984-04-16Community War Memorial Auditorium
154454flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1984-04-16.senn441.koucky.ladner.32884.sbeok.flac16
1984-04-16Rochester War Memorial
32884flac16; Source: FOB Sennheiser 441s > Sony D5. Patched out of Steve Adleman's D5>D5 at the show. Transfer: MAC playback on Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs extracted with EAC to WAV > FLAC. Originally recorded to analog MAC and transferred to digital realm by B.Koucky. Editing/remastering: All editing with Wavelab 5 (Level fluctuations adjusted using gain function > Tape pauses between tracks during the first set & tape flips smoothed with crossfades > Waves L3 Multimaximizer at -1.1 dB threshold, ceiling -0.1 dB with hi res CD rendering > CDWAV 1.9 > FLAC (level 5) > bt.etree.org by C.Ladner.
gd1984-04-16.109343.beyer-seee-daweez.D5scott.flac16
1984-04-16Community War Memorial Auditorium
109343flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (12th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-04-16.nak300.morris.113880.flac24
1984-04-16Community War Memorial Auditorium
113880flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
gd1984-04-16.149492.beyerm201.holbrook.flac1644
1984-04-16Community War Memorial Auditorium
149492flac16/44.1khz Recording Information: Source: MAUD CA: Beyer M201's (Hypercardioid) 75 feet from stage DFC >Sony TCD5M > s1:TDK MA90; s2:TDK MA-R90 No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
gd1984-04-16.149493.beyerm201.holbrook.flac2448
1984-04-16Community War Memorial Auditorium
149493flac24/48khz Recording Information: Source: MAUD CA: Beyer M201's (Hypercardioid) 75 feet from stage DFC >Sony TCD5M > s1:TDK MA90; s2:TDK MA-R90 No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
gd84-04-16.neumann.1298.sbeok.shnf
1984-04-16Community War Memorial Auditorium
1298Neumann U-87 > Sony d-6 >dat >cdr; d2 tracked for 80 min; posted to abgd
gd1984-04-16.fob.nak300.morris.crazyfingers.106621.flac16
1984-04-16Community War Memorial Auditorium
106621flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded FOB by Bob Morris
gd1984-04-17.123129.chasingwilma.flac24
1984-04-17Niagara Falls Convention Center
123129flac24; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
gd1984-04-17.133028.Nak100CP4.Hill.Keo.Flac2496
1984-04-17Niagara Falls Convention Center
133028flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1984-04-17.139329.fob.schoeps.mk41.oade.bryant.miller.clugston.flac1644
1984-04-17Niagara Falls Convention Center
139329flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/16
gd1984-04-17.149172.mke2002.holbrook.flac1644
1984-04-17Niagara Falls Convention Center
149172flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
gd1984-04-17.149173.mke2002.holbrook.flac2448
1984-04-17Niagara Falls Convention Center
149173flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
gd1984-04-17.109346.beyer-senn.daweez.D5scott.flac16
1984-04-17Niagara Falls Convention Center
109346flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (way up front) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-04-17.nak300.morris.113881.flac24
1984-04-17Niagara Falls Convention Center
113881flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
gd1984-04-17.139330.fob.schoeps.mk41.oade.bryant.miller.clugston.flac2496
1984-04-17Niagara Falls Convention Center
139330flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
gd1984-04-17.145332.nak300.barfield.lane.t-flac16
1984-04-17Niagara Falls Convention Center
145332flac16; source: ots 12’ > nak 300 > tcd5m > master = tdk ma90 +dolby > master via tascam 122 mk ii > apogee rosetta 200 > (24/96) > audacity (normalize, tracks, fades); recorded: david barfield + david lane; transfer-seeded: barfield; This file set is 16 bit @ 44.1
gd1984-04-17.fob.at-nak300.jtjames.96460.flac16
1984-04-17Niagra Falls Convention Center
96460flac16; ATII/Nak 300 FOB ud>?>CDR>EAC>SHN > ? > FLAC
gd1984-04-17.aud.morris.107548.sbeok.flac16
1984-04-17Niagara Falls Convention Center
107548flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
gd1984-04-17.149494.beyerm201.holbrook.flac1644
1984-04-17Niagara Falls Convention Center
149494flac16/44.1khz Recording Information: Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
gd1984-04-17.149495.beyerm201.holbrook.flac2448
1984-04-17Niagara Falls Convention Center
149495flac24/48khz Recording Information: Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
gd1984-04-17.133027.Nak100CP4.Hill.Keo.Flac1644
1984-04-17Niagara Falls Convention Center
133027flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd84-04-17.nak.james.8460.sbeok.shnf
1984-04-17Niagara Falls Convention Center
8460FOB Nak 300>?>CDR; Seeded to etree by JT James
gd1984-04-17.neumann-u87.eaton.miller.90543.sbeok.flac16
1984-04-17Niagra Falls Convention Center
90543flac16; Recording Info: (FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
gd1984-04-17.141837.NAK.Blend.Ackerman.Miller.Noel.t-flac2496
1984-04-17Niagara Falls Convention Center
141837flac24; Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
gd1984-04-17.140463.ma90.flac2496
1984-04-17Niagara Falls Convention Center
140463flac24; source: ots 12’ > nak 300 > tcd5m > master = tdk ma90 +dolby > master via tascam 122 mk ii > apogee rosetta 200 > (24/96) > audacity (normalize, tracks, fades) > xact (tags, ffp, md5); recorded: david barfield + david lane; transfer-seeded: barfield
gd1984-04-17.145264.nak.senn..blend.ackerman.miller.noel.t-flac1644
1984-04-17Niagara Falls Convention Center
145264flac16; Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1
gd1984-04-17.nak300.friend-morrone.127260.flac2448
1984-04-17Niagara Falls Convention Center
127260flac24; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2014
gd1984-04-17.nak300.friend-morrone.127261.flac1644
1984-04-17Niagara Falls Convention Center
127261flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2014
gd1984-04-19.099667
1984-04-19Philadelphia Civic Center
99667flac16; Source: (fob) Nakamichi CM300/CP4->Sony D-5M (Dolby B encoded)->TDK MA90 (x2)->Sony D-5M (Dolby B decoded) ->Korg MR-1000 (1Bit/5.6MHz)->AudioGate->16/44.1 wav->Soundforge 8.0->flac; Tapers: Dave Barfield and Dave Lane; Transferred and seeded by M. Watson
gd1984-04-19.139331.fob.schoeps.mk41.oade.bryant.miller.clugston.flac1644
1984-04-19Philadelphia Civic Center
139331flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/16
gd1984-04-19.139332.fob.schoeps.mk41.oade.bryant.miller.clugston.flac2496
1984-04-19Philadelphia Civic Center
139332flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
gd1984-04-19.154718.fob.senn441.lamarre.miller.clugston.flac1648
1984-04-19Philadelphia Civic Center
154718flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row O, seat 15); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
gd1984-04-19.154719.fob.senn441.lamarre.miller.clugston.flac2496
1984-04-19Philadelphia Civic Center
154719flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row O, seat 15); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
gd84-04-19.sbd.miller.27892.sbeok.flacf
1984-04-19Philadelphia Civic Center
27892flac16; SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC; Converted and Edited By Charlie Miller
gd1984-04-19.109352.senn-beyer-daweez.D5scott.flac16
1984-04-19Philadelphia Civic Center
109352flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (12th row-center) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-04-19.sbd.miller.118658.flac16
1984-04-19Philadelphia Civic Center
118658flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (SV3800/48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1984-04-19.132979.Senn421s-Nak300s.Hill.Keo.Flac1644
1984-04-19Philadelphia Civic Center
132979flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Sennheiser 421's (X-Y Cross) And 2 Nakamichi CM300/CP4 Shotguns (Spread) > Unknown Mixer > Sony D5, Tapes:Maxell UDXLII - 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1984-04-19.132980.Senn421s-Nak300s.Hill.Keo.Flac2496
1984-04-19Philadelphia Civic Center
132980flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Sennheiser 421's (X-Y Cross) And 2 Nakamichi CM300/CP4 Shotguns (Spread) > Unknown Mixer > Sony D5, Tapes:Maxell UDXLII - 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1984-04-19.142045.FOB.Senn.PCM.Silberman.Mattes.Miller.Noel.t-flac1644
1984-04-19Philadelphia Civic Center
142045flac16; Jeff Silberman (FOB/15th row) Recording: Sennheiser 441's > PCM (Technics SV-100 14bit); Charlie Miller Transfer: from Ted's clone of Jeff's master > Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
gd1984-04-19.149496.beyerm201.holbrook.flac1644
1984-04-19Philadelphia Civic Center
149496flac16/44.1khz Recording Information: Source 1: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Source 2: 2 Beyer M160 (hypercardioid)& 1 Sennheiser 421 (hypercardioid)> Nakamichi MX100 mixer > Sony TCD5M Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
gd1984-04-19.149497.beyerm201.holbrook.flac2448
1984-04-19Philadelphia Civic Center
149497flac24/48khz Recording Information: Source 1: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Source 2: 2 Beyer M160 (hypercardioid)& 1 Sennheiser 421 (hypercardioid)> Nakamichi MX100 mixer > Sony TCD5M Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
gd84-04-19.aud.willy.14013.sbeok.shnf
1984-04-19Philadelphia Civic Center
14013AUD>MC>CD; via Paul B; Seeded to etree by Willy
gd84-04-19.sbd.19598.sbeok.shnf
1984-04-19Philadelphia Civic Center
19598Sbd > Cassette Master > Cassette > Dat x 2 > CDR > SHN; Seeded to FurthurNET; upgrade in circulation
gd1984-04-19.139155.FOB.Senn.Silberman.Gastwirt.Miller.Noel.t-flac16
1984-04-19Philadelphia Civic Center
139155flac16; Jeff Silberman (FOB) Recording: Sennheiser 441's > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/44
gd1984-04-19.135776.aud.lamarre.berger.flac16
1984-04-19Philadelphia Civic Center
135776flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell mx90’s, dolby b, FOB, section 102 Row O; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berge
gd84-04-20.sbd.miller.27775.sbeok.flacf
1984-04-20Philadelphia Civic Center
27775flac16; SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC; Converted and Edited By Charlie Miller (note: a fixed fileset was circulated to correct a flaw in d2t02; additionally this source originally circulated tracked for 2 discs. The info below reflects the best available version of this source.)
gd1984-04-20.139333.fob.schoeps.mk41.set1.oade.bryant.miller.clugston.flac1644
1984-04-20Philadelphia Civic Center
139333flac16; Set 1 Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/16
gd1984-04-20.139334.fob.schoeps.mk41.set1.oade.bryant.miller.clugston.flac2496
1984-04-20Philadelphia Civic Center
139334flac24 Set 1 Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
gd1984-04-20.141518.s2.Nak300.Senn421.Blend.Ackerman.Miller.Noel.t-flac1696
1984-04-20Philadelphia Civic Center
141518flac16/96kHz; Set 2 Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info; Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; Fixed version in circulation
gd1984-04-20.141519.s2.Nak300.Senn421.Blend.Ackerman.Miller.Noel.fix.t-flac2496
1984-04-20Philadelphia Civic Center
141519flac24; Set 2 Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
gd1984-04-20.sbd.miller.103432.flac16
1984-04-20Philadelphia Civic Center
103432flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (SV3800/48k) -> WAV; Transfer Info: WAV -> Samplitude v7.02 Professional -> Cool Edit Pro v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1984-04-20.109353.beyer-senn-daweez.D5scott.flac16
1984-04-20Philadelphia Civic Center
109353flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (14th row-center) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-04-20.120265.akg.dyche.flac16
1984-04-20Philadelphia Civic Center
120265flac16; AKG 224's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche
gd1984-04-20.149498.beyerm201.holbrook.flac1644
1984-04-20Philadelphia Civic Center
149498flac16/44.1khz Recording Information: ** This is a 16 bit fileset ** Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
gd1984-04-20.149499.beyerm201.holbrook.flac2448
1984-04-20Philadelphia Civic Center
149499flac24/48khz Recording Information: Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
gd84-04-20.sbd.clugston.11873.sbefail.shnf
1984-04-20Philadelphia Civic Center
11873Master Soundboard Cassette > Cassette > CDR; CD Mastering, Shn'ed and Seeded by Scott Clugston; also to abgd via Charlie Connor; upgrade in circulation
gd84-04-20.senn.fishman.7854.sbeok.shnf
1984-04-20Philadelphia Civic Center
7854Source Senn 441 > PCM Digital Audience (up-front) > DAT (SV3700) > DAT (Fostex D10) > CDR (Single WAV) > CDR-WAV (wav splits) > SHN (via MKWACT); via JR Fishman
gd1984-04-20.154736.fob.senn441.lamarre.miller.clugston.flac1648
1984-04-20Philadelphia Civic Center
154736flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
gd1984-04-20.154737.fob.senn441.lamarre.miller.clugston.flac2496
1984-04-20Philadelphia Civic Center
154737flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
gd1984-04-20.139156.FOB.Senn.Silberman.Gastwirt.Miller.Noel.t-flac16
1984-04-20Philadelphia Civic Center
139156flac16; Jeff Silberman (FOB) Recording: Sennheiser 441's > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/44
gd1984-04-20.144957.s2.nak300-senn421.ackerman.miller.noel.t-flac1644
1984-04-20Philadelphia Civic Center
144957flac16; Set 2 Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1
gd1984-04-20.149750.mke2002.holbrook.flac1644
1984-04-20Philadelphia Civic Center
149750flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 45 feet from stage ROC (13th row) >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from second deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
gd1984-04-20.149751.mke2002.holbrook.flac2448
1984-04-20Philadelphia Civic Center
149751flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 45 feet from stage ROC (13th row) >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from second deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
gd1984-04-20.135799.aud.lamarre.berger.flac24
1984-04-20Philadelphia Civic Center
135799flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
gd1984-04-20.135800.aud.lamarre.berger.flac16
1984-04-20Philadelphia Civic Center
135800flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 xACT flac; transferred and seeded by Rob Berger
gd1984-04-21.109391.beyer-senn-daweez.D5scott.flac16
1984-04-21Philadelphia Civic Center
109391flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (14th row-center) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-04-21.132913.Nak300CP4.Hill.Keo.Flac2496
1984-04-21Philadelphia Civic Center
132913flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1984-04-21.137271.mtx.tobin.flac16
1984-04-21Philadelphia Civic Center
137271flac16; Matrix 2 Source Mix - SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - matrix mixing by Kevin Tobin
gd1984-04-21.148828.fob.schoeps.cmc4.mk41.bryant.miller.clugston.flac1648
1984-04-21Philadelphia Civic Center
148828flac16/48kHz; Source Info: Robert Bryant's Master (FOB) Audience Cassettes; Schoeps CMC4 MK41 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1984-04-21.148829.fob.schoeps.cmc4.mk41.bryant.miller.clugston.flac2496
1984-04-21Philadelphia Civic Center
148829flac24; Source Info: Robert Bryant's Master (FOB) Audience Cassettes; Schoeps CMC4 MK41 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1984-04-21.nak300.morris.113882.flac24
1984-04-21Philadelphia Civic Center
113882flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
gd1984-04-21.132912.Nak300CP4.Hill.Keo.Flac1644
1984-04-21Philadelphia Civic Center
132912flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1984-04-21.u87.eaton-silberman.10035.sbeok.shnf
1984-04-21Philadelphia Civic Center
10035Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes
gd1984-04-21.136794.Aud.ficca.flac16
1984-04-21Philadelphia Civic Center
136794flac16; Source: AUD FOB 2 Beyer 160s->sony TCD5M->Sony CDR-W66->EAC->cdwave->CD
gd1984-04-21.137272.dts.tobin.flac16
1984-04-21Philadelphia Civic Center
137272DTS-Audio-CD 5.1 Mix: SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - matrix mixing by Kevin Tobin
gd1984-04-21.137273.5-1.tobin.flac1648
1984-04-21Philadelphia Civic Center
137273flac16/48kHz: 5.1 LPCM Surround Sound (48k) - SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - mixing by Kevin Tobin
gd1984-04-21.141117.nak300.senn421.blend.ackerman.miller.clugston.flac2496
1984-04-21Philadelphia Civic Center
141117flac24; Source Info: Rob Ackerman's Master Audience Cassettes; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkII)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96
gd1984-04-21.141118.nak300.senn421.blend.ackerman.miller.clugston.flac1644
1984-04-21Philadelphia Civic Center
141118flac16; Source Info: Rob Ackerman's Master Audience Cassettes; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkII)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96; 24-bit > 16-bit via dBpoweramp
gd1984-04-21.149500.beyerm201.holbrook.flac1644
1984-04-21Philadelphia Civic Center
149500flac16/44.1khz Recording Information: ** This is a 16 bit fileset ** Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
gd1984-04-21.149501.beyerm201.holbrook.flac2448
1984-04-21Philadelphia Civic Center
149501flac24/48khz Recording Information: Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
gd84-04-21.neumann.nawrocki.18253.sbeok.shnf
1984-04-21Philadelphia Civic Center
18253Patched Eaton/Silberman FOB (17th Row Split 30 feet) Neumann U87's via Doug Nawrocki
gd1984-04-21.154847.fob.senn441.lamarre.miller.clugston.flac2496
1984-04-21Philadelphia Civic Center
154847FLAC 2496 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M
Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
gd1984-04-21.154848.fob.senn441.lamarre.miller.clugston.flac1648
1984-04-21Philadelphia Civic Center
154848FLAC 1648 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M
Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
gd1984-04-21.137247.sbd.miller.flac1648
1984-04-21Philadelphia Civic Center
137247flac16/48kHz; Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
gd1984-04-21.137380.schoeps.flac1644
1984-04-21Philadelphia Civic Center
137380flac16; FOB; Schoeps (no other info given); DAT(c) @ 44.1 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (align on sector boundaries, flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell
gd1984-04-21.135804.aud.lamarre.berger.flac16
1984-04-21Philadelphia Civic Center
135804flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
gd1984-04-21.135805.aud.lamarre.berger.flac24
1984-04-21Philadelphia Civic Center
135805flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac;transferred and seeded by Rob Berger
gd1984-04-23.109416.beyer-senn-daweez.D5scott.flac16
1984-04-23Veterans' Memorial Coliseum
109416flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-04-23.149174.mke2002.holbrook.flac1644
1984-04-23Veterans' Memorial Coliseum
149174flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals worn on head 60-70 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
gd1984-04-23.149175.mke2002.holbrook.flac2448
1984-04-23Veterans' Memorial Coliseum
149175flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals worn on head 60-70 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
gd84-04-23.atm.willy.14563.sbeok.shnf
1984-04-23Veterans' Memorial Coliseum
14563Mark Horvath FOB ATM2?s>Sony TC-D5>MC>CDR; Muddy recording; 2nd set more so than the 1st; via Paul B; Seeded to etree by Willy
gd1984-04-23.132886.Nak100CP4.Hill.Keo.Flac2496
1984-04-23Veterans' Memorial Coliseum
132886flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1984-04-23.132885.Nak100CP4.Hill.Keo.Flac1644
1984-04-23Veterans' Memorial Coliseum
132885flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1984-04-23.149581.beyerm201s.holbrook.flac1644
1984-04-23Veterans' Memorial Coliseum
149581flac16/44.1khz Source: MAUD CA: Beyer M201 hypercardioid XY 90' 60-70 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
gd1984-04-23.149582.beyerm201s.holbrook.flac2448
1984-04-23Veterans' Memorial Coliseum
149582flac24/48khz Recording Information: Source: MAUD CA: Beyer M201 hypercardioid XY 90' 60-70 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
gd1984-04-23.155349.senn441.lamarre.miller.clugston.flac1648
1984-04-23Veterans' Memorial Coliseum
155349flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
gd1984-04-23.155350.senn441.lamarre.miller.clugston.flac2496
1984-04-23Veterans' Memorial Coliseum
155350flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
gd1984-04-23.123463.chasingwilma.flac24
1984-04-23Veterans' Memorial Coliseum
123463flac24; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
gd84-04-23.set2-sbd.miller.14949.sbeok.shnf
1984-04-23Veterans' Memorial Coliseum
149492nd set only; SBD -> Cm -> Reel -> Dat -> CD; Seeded to etree by Charlie Miller; upgrade in circulation
gd84-04-23-s1.sbd.unknown.31147.sbeok.flacf
1984-04-23Veterans' Memorial Coliseum
31147flac16; First Set - Soundboard (unknown lineage) Transfer: Cassette > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > TLH (to verify SBE-OK & make checksums) > CD-Wave (for Track-ID's) > FLAC Frontend (for lossless compression); upgrade in circulation
gd1984-04-23.s2.nak300.friend-morrone.126316.flac1644
1984-04-23Veterans' Memorial Coliseum
126316flac16; 2nd set only. AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, lower arena riser, straight back, first rows off the floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2013
gd1984-04-24.149586.beyerm201.holbrook.flac1644
1984-04-24Veterans' Memorial Coliseum
149586flac16/44.1khz Source: MAUD CA: Beyer M201's (Hypercardioid) 45 feet from stage 6'high DFC >Sony TCD5M > TDK MA90; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook
gd1984-04-24.149587.beyerm201.holbrook.flac2448
1984-04-24Veterans' Memorial Coliseum
149587flac24/48khz Source: MAUD CA: Beyer M201's (Hypercardioid) 45 feet from stage 6'high DFC >Sony TCD5M > TDK MA90; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook, Gary Steele
gd1984-04-24.149939.mke2002.holbrook.flac1644
1984-04-24Veterans' Memorial Coliseum
149939flac16/44.1khz Source: MAUD CA: Sennheiser mke2002 Binaural on dummy head 45 feet from stage 6'high DFC >Sony TCD5M > Sony TCD6M Maxell XLIIS90; No Dolby - Master copy from second deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
gd1984-04-24.149940.mke2002.holbrook.flac2448
1984-04-24Veterans' Memorial Coliseum
149940flac24/48khz Source: MAUD CA: Sennheiser mke2002 Binaural on dummy head 45 feet from stage 6'high DFC >Sony TCD5M > Sony TCD6M Maxell XLIIS90; No Dolby - Master copy from second deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
gd1984-04-24.109423.beyer-senn-daweez.D5scott.flac16
1984-04-24Veterans' Memorial Coliseum
109423flac16; source: 3 Beyer M160 microphones (13th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd84-04-24.aud.willy.14564.sbeok.shnf
1984-04-24Veterans' Memorial Coliseum
14564Set 1; AUD (Nak300's)>MC>DAT>CDR Set 2; Mark Horvath FOB ATM2?s> Sony TC-D5>MC>CDR; Set 2 is 'muddy'; via Paul B; Seeded to etree by Willy
gd1984-04-24.fob.gidley.92518.sbeok.flac16
1984-04-24New Haven Coliseum
92518flac16; FOB AUD: Patched from unknown mics and lead decks > Marantz PMD-340 > Maxell XLII 90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, June 2008. Transfer by Andrew F.
gd1984-04-24.nak300.friend-morrone.126230.flac2448
1984-04-24Veterans' Memorial Coliseum
126230flac24; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, lower arena riser, straight back, first rows off the floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24 bit) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 11/2013
gd1984-04-24.nak300.friend-morrone.126231.flac1644
1984-04-24Veterans' Memorial Coliseum
126231flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, lower arena riser, straight back, first rows off the floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2013
gd1984-04-24.155620.senn441.lamarre.miller.clugston.flac1648
1984-04-24Veterans' Memorial Coliseum
155620flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
gd1984-04-24.155621.senn441.lamarre.miller.clugston.flac2496
1984-04-24Veterans' Memorial Coliseum
155621flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
gd1984-04-26.149635.beyerm201mke2002.holbrook.flac2448
1984-04-26Providence Civic Center
149635flac24/48khz Source: set 1: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 50 feet from stage DFC >Sony TCD6M > TDK MA 90s No Dolby - Master copy from 2nd deck run by SM. set 2: MAUD CA: Beyer M201's (Hypercardioid) 50 feet from stage 6'high DFC >Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
gd1984-04-26.149636.beyerm201mke2002.holbrook.flac1644
1984-04-26Providence Civic Center
149636flac16/44.1khz Source: set 1: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 50 feet from stage DFC >Sony TCD6M > TDK MA 90s No Dolby - Master copy from 2nd deck run by SM. set 2: MAUD CA: Beyer M201's (Hypercardioid) 50 feet from stage 6'high DFC >Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
gd1984-04-26.fob.gidley.92429.sbeok.flac16
1984-04-26Providence Civic Center
92429flac16; FOB AUD: Patched from unknown mics and lead decks > Marantz PMD-340 > Maxell XLII-S 90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F.
gd1984-04-26.mtx.seamons.fix.92297.sbeok.flac16
1984-04-26Providence Civic Center
92297flac16; MATRIX MIX: SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>Soundtrack>WAV>SHN) May 10, 2008 Remastered June 14, 2008. Cleaned up version of the previous Seamons matrix source
gd84-04-26.sbd.pj.4770.sbeok.shnf
1984-04-26Providence Civic Center
4770Master Soundboard Cassette > Cassette > DAT > CDR
gd1984-04-26.135838.aud.lamarre.berger.flac16
1984-04-26Providence Civic Center
135838flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, sec 1, row g; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger
gd1984-04-26.135839.aud.lamarre.berger.flac24
1984-04-26Providence Civic Center
135839flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, sec 1, row g; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
gd1984-04-26.155745.fob.senn441.lamarre.miller.clugston.flac1648
1984-04-26Providence Civic Center
155745flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics (section 5, row G, seta10) > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
gd1984-04-26.155746.fob.senn441.lamarre.miller.clugston.flac2496
1984-04-26Providence Civic Center
155746flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics (section 5, row G, seta10) > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
gd1984-04-26.nak300.friend-morrone.125165.flac2448
1984-04-26Providence Civic Center
125165flac24; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor just to left (stage right) of soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24 bit) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 07/2013
gd1984-04-26.nak300.friend-morrone.125166.flac1644
1984-04-26Providence Civic Center
125166flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor just to left (stage right) of soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 07/2013
gd1984-04-26.123621.chasingwilma.flac24
1984-04-26Providence Civic Center
123621flac24; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
gd1984-04-26.109441.beyer-senn-daweez.D5scott.flac16
1984-04-26Providence Civic Center
109441flac16; source: 2 Sennheiser 441's & 1 Beyer M160 microphones (15th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on)- analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-04-26.149897.mke2002.holbrook.flac1644
1984-04-26Providence Civic Center
149897flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 50 feet from stage DFC >Sony TCD6M > TDK MA 90s x2.5 No Dolby - Master copy from 2nd deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
gd1984-04-26.149898.mke2002.holbrook.flac2448
1984-04-26Providence Civic Center
149898flac24/48khz Recording Information: Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 50 feet from stage DFC >Sony TCD6M > TDK MA 90s x2.5 No Dolby - Master copy from 2nd deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
gd1984-04-26.125778.3sennheiser441.scarletdog.flac16
1984-04-26Providence Civic Center
125778flac16; Master: 3 Sennhesier 441s/Yamaha MM10 Mic Mixer and Sony TC-D5m Cassette Master; 16th Row on Phil's side; 1st deck out of mic mixer; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670
gd1984-04-26.mtx.seamons.91809.sbeok.shnf
1984-04-26Providence Civic Center
91809MATRIX MIX: SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN); fixed upgrade of this source now circulates here
gd1984-04-26.sbd.miller.91432.sbeok.flac16
1984-04-26Providence Civic Center
91432flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1984-04-27.nak300.friend-morrone.124956.flac1644
1984-04-27Providence Civic Center
124956flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor just to left (stage right) of soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 07/2013
gd1984-04-27.135908.aud.lamarre.berger.flac16
1984-04-27Providence Civic Center
135908flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, section 2 row S; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger
gd1984-04-27.135909.aud.lamarre.berger.flac24
1984-04-27Providence Civic Center
135909flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, section 2 row S; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
gd1984-04-27.149651.beyerm201.holbrook.flac1644
1984-04-27Providence Civic Center
149651flac16/44.1khz Recording Information:*** This is a 16 bit fileset *** Source: MAUD CA: Beyer M201's (Hypercardioid) 50 feet from stage 6'high DFC >Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
gd1984-04-27.149652.beyerm201.holbrook.flac2448
1984-04-27Providence Civic Center
149652flac24/48khz Recording Information: Source: MAUD CA: Beyer M201's (Hypercardioid) 50 feet from stage 6'high DFC >Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
gd1984-04-27.149951.mke2002.holbrook.flac1644
1984-04-27Providence Civic Center
149951flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > TDK MA 90 No Dolby -second deck inline run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
gd1984-04-27.149952.mke2002.holbrook.flac2448
1984-04-27Providence Civic Center
149952flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > TDK MA 90 No Dolby -second deck inline run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
gd1984-04-27.132605.Senn441sNak300CP4s.Hill.Keo.Flac1644
1984-04-27Providence Civic Center
132605flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Sennheiser 421's (X-Y Cross) And 2 Nakamichi CM300/CP4 Shotguns (Spread) > Unknown Mixer > Sony D5, Tapes:Set 1 Maxell UDXLII - 90, Set 2 TDK MA - 90, Tapes Labelled:Master - Ross; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1984-04-27.132606.Senn441s-Nak300CP4s.Hill.Keo.Flac2496
1984-04-27Providence Civic Center
132606flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Sennheiser 421's (X-Y Cross) And 2 Nakamichi CM300/CP4 Shotguns (Spread) > Unknown Mixer > Sony D5, Tapes:Set 1 Maxell UDXLII - 90, Set 2 TDK MA - 90, Tapes Labelled:Master - Ross; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1984-04-27.155815.fob.senn441.lamarre.miller.clugston.flac
1984-04-27Providence Civic Center
155815flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics (section 2, row S, seat 7) > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
gd1984-04-27.155816.fob.senn441.lamarre.miller.clugston.flac2496
1984-04-27Providence Civic Center
155816flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics (section 2, row S, seat 7) > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
gd84-04-27.aud-sbd.pj.3158.sbeok.shnf
1984-04-27Providence Civic Center
3158mixed source: 1st set - Neumann > D6 > DAT > CDR > EAC > WAV > SHN, 2nd set - MSbd> Cass > DAT > CDR > EAC > WAV > SHN; to abgd.hs by PJ
gd1984-04-27.123721.chasingwilma.flac24
1984-04-27Providence Civic Center
123721flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
gd1984-04-27.nak300.friend-morrone.124955.flac2448
1984-04-27Providence Civic Center
124955flac24; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor just to left (stage right) of soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24 bit) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 07/2013
gd1984-04-27.109471.beyer-see-daweez.D5scott.flac16
1984-04-27Providence Civic Center
109471flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on)- analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-04-27.125779.3sennheiser441.scarletdog.flac16
1984-04-27Providence Civic Center
125779flac16; Master: 3 Sennhesier 441s/Yamaha MM10 Mic Mixer and Sony TC-D5m Cassette Master; 16th Row on Phil's side; 1st deck out of mic mixer; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670
gd1984-04-29.123815.chasingwilma.flac24
1984-04-29Nassau Coliseum
123815flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
gd1984-04-29.140355.fob.sbd.composite.eaton.miller.clugston.flac1648
1984-04-29Nassau Coliseum
140355flac1648; 1st Set: Rob Eaton's (FOB) Master Audience Cassette; Neumann U-87 mics > Sony TC-D5M (21st Row, DFC)> Panasonic SV-3800 16/48; 2nd Set: Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
gd1984-04-29.109481.beyer-senn-daweez.D5scott.flac16
1984-04-29Nassau Coliseum
109481flac16; source: 2 Beyer M160 & 1 Sennheiser 421 mic's (17th row-center) > Nak100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-04-29.149678.beyerm201.holbrook.flac1644
1984-04-29Nassau Coliseum
149678flac16/44.1khz Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
gd1984-04-29.149679.beyerm201.holbrook.flac2448
1984-04-29Nassau Coliseum
149679flac24/48khz Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
gd1984-04-29.149683.mke2002.holbrook.flac1644
1984-04-29Nassau Coliseum
149683flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 90 feet from stage DFC (1st row 2nd section)>Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Patch source: MAUD CA Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
gd1984-04-29.149684.mke2002.holbrook.flac2448
1984-04-29Nassau Coliseum
149684flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 90 feet from stage DFC (1st row 2nd section)>Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Patch source: MAUD CA Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
gd1984-04-29.senn421.pauline.miller.91146.sbeok.flac16
1984-04-29Nassau Veterans Memorial Coliseum
91146flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5M/Maxell XLIIS-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller Recorded By Rick Pauline
gd1984-04-29.125853.crown_pzm.scarletdog.flac16
1984-04-29Nassau Coliseum
125853flac16; Set 2 only; Master: 2 Crown PZM-315 Microphones and Sony TC-D5m Cassette Master microphones spread about 20 feet behind stage, obstructed view seating; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670
gd84-04-29.beyer.miller.15390.sbeok.shnf
1984-04-29Nassau Coliseum
15390(FOB/14th Row) 3 Beyer M160's -> Cm -> Sound Forge -> CD -> EAC -> SHN; Converted to SHN By Charlie Miller
gd1984-04-30.senn441.koucky.ladner.34687.sbeok.flac16
1984-04-30
34687flac16; Source: FOB/Row 11 Sennheiser 441s > Sony D5 > Maxell MX90 Type IV Cassettes (Master Audience Cassette). Taped by Bill "whynotus" Koucky. Transfer/Mastering: MAC playback on Nakamichi DR-2 cassette deck > gold RCAs > Audiophile 24/96-Pentium IV PC > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered using Waves XNoise (learn mode) and L3 Multimaximizer, rendered to 16 bit/44.1 KHz WAV using hi-res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8)
gd1984-04-30.123922.chasingwilma.flac24
1984-04-30Nassau Coliseum
123922flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
gd1984-04-30.140354.fob.sbd.composite.eaton.miller.clugston.flac1648
1984-04-30Nassau Coliseum
140354flac1648 Set 1: (FOB) Neumann U-87 mics > Sony TC-D5M (21st Row, DFC)> Panasonic SV-3800 16/48; Set 2: Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac164
gd1984-04-30.149176.mke2002.holbrook.flac1644
1984-04-30Nassau Veterans Memorial Coliseum
149176flac16/44.1khz Source: 1st Gen AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby -lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
gd1984-04-30.149177.mke2002.holbrook.flac2448
1984-04-30Nassau Veterans Memorial Coliseum
149177flac24/48khz Source: 1st Gen AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby -lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
gd1984-04-30.149692.beyerm201.holbrook.flac1644
1984-04-30Nassau Coliseum
149692flac16/44.1khz Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
gd1984-04-30.149695.beyerm201.holbrook.flac2448
1984-04-30Nassau Coliseum
149695flac24/48khz Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
gd1984-04-30.149982.mke2002.holbrook.flac1644
1984-04-30Nassau Coliseum
149982flac16/44.1khz Recording Information: ** This is a 16 bit fileset ** Source: Master AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLIIS 90 s2:TDK MA 90 No Dolby -second deck inline run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
gd1984-04-30.149983.mke2002.holbrook.flac2448
1984-04-30Nassau Coliseum
149983flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLIIS 90 s2:TDK MA 90 No Dolby -second deck inline run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
gd84-04-30.senn.lai.5302.sbeok.shnf
1984-04-30Nassau Coliseum
5302aud> senn 441> cassette master> cdr; via Mike Lai with thanks to Alan Powell
gd1984-04-30.109497.beyer-senn-daweez.D5scott.flac16
1984-04-30Nassau Coliseum
109497flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (17th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-04-30.senn421.pauline.miller.91165.sbeok.flac16
1984-04-30Nassau Veterans Memorial Coliseum
91165flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5M/Maxell XLIIS-90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1984-05-06.152043.nak700.severson.miller.clugston.flac1648
1984-05-06Silva Hall, Hult Center
152043flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1984-05-06.152044.nak700.severson.miller.clugston.flac2496
1984-05-06Silva Hall, Hult Center
152044flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1984-05-06.sbd.walker-scotton.miller.77302.sbeok.flac16
1984-05-06
77302flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
gd1984-05-06.sbd.walker-scotton.miller.107138.flac16
1984-05-06Silva Hall, Hult Center
107138flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd84-05-06.sbd.hinko.18638.sbeok.shnf
1984-05-06Silva Hall, Hult Center
18638SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko; upgrade in circulation
gd1984-05-07.152056.nak700.severson.miller.clugston.flac1648
1984-05-07Silva Hall, Hult Center
152056flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1984-05-07.152057.nak700.severson.miller.clugston.flac2496
1984-05-07Silva Hall, Hult Center
152057flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd84-05-07.sbd.lai.350.sbefail.shnf
1984-05-07Silva Hall, Hult Center
350SBD> Cass> DAT> cdr; via Chris Vinci, Mike Lai; upgrade in circulation
gd1984-05-07.sbd.SIRMick.88850.sbeok.flac16
1984-05-07Silva Hall - Hult Center for the Performing Arts
88850flac16; source: sbd >dat x 2 > wav > shnn > wav > flac; upgrade in circulation
gd1984-05-07.set2.senn441.andrewf.105436.flac16
1984-05-07Silva Hall, Hult Center
105436flac16; Set 2 Only. Sennheiser 441's > patched thru unknown decks > Toshiba KTR2 Walkman. Recorded in the mezzanine. 1st Gen cassette transferred. Transfer: Maxell XLII > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F.
gd1984-05-07.sbd.fix.walker-scotton.miller.96343.sbeok.flac16
1984-05-07Silva Hall - Hult Center for the Performing Arts
96343flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; this source fixes a flaw in the previous source.
gd1984-05-08.134627.mtx.seamons.ht109.flac16
1984-05-08Silva Hall, Hult Center
134627flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
gd1984-05-08.152058.nak700.severson.miller.clugston.flac1648
1984-05-08Silva Hall, Hult Center
152058flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1984-05-08.152059.nak700.severson.miller.clugston.flac2496
1984-05-08Silva Hall, Hult Center
152059flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1984-05-08.set2.aud-morris.bennett-bontempo.12521.shnf
1984-05-08Silva Hall, Hult Center for the Performing Arts
12521Set 2 only; (Mics?)>Sony D5>Master AUD Cassette>Cassette>WAV (CDWav)>SHN (MKWAct); Taped by Dave Morris, seeded by Jim Bennett and Brian Bontempo
gd1984-05-08.sbd.walker-scotton.miller.77312.sbeok.flac16
1984-05-08
77312flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
gd84-05-08.sbd.lai.2573.sbefail.shnf
1984-05-08Silva Hall, Hult Center
2573SBD> MR> C> DAT> CDR; transfer by Mike Lai from Bruce Fried seed; upgrade in circulation
gd1984-05-08.134517.sbd.miller.flac16
1984-05-08Silva Hall, Hult Center
134517flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1984-06-09.151073.fob.nak700.wagner.miller.clugston.flac1648
1984-06-09Cal Expo
151073flac16/48khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1984-06-09.151074.fob.nak700.wagner.miller.clugston.flac2496
1984-06-09Cal Expo
151074flac24/96khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd84-06-09.nak.willy.14565.sbeok.shnf
1984-06-09Cal Expo
14565AUD (Nak 700?s)>MC>DAT>CD; Missing encore; via Paul B; Seeded to etree by Willy
gd84-06-09.sbd.hinko.18251.sbeok.shnf
1984-06-09Cal Expo
18251SBD > MC > DAT > CD > EAC > SHN via Darryl Hinko; upgrade in circulation
gd84-06-09.set1-sbd.miller.14950.sbeok.shnf
1984-06-09Cal Expo
149501st set only; Lineage: SBD -> Cm -> Dat -> MiniDisc -> Samplitude -> CD Recording Info: SBD -> Cm -> Dat; Note- Deal is patched from an aud source; See info file for details; upgrade in circulation
gd1984-06-09.sbd.walker-scotton.miller.77322.sbeok.flac16
1984-06-09
77322flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
gd1984-06-09.sbd.walker-scotton.miller.106006.flac16
1984-06-09Cal Expo
106006flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1984-06-09.148187.beyerm88.holbrook.flac1644
1984-06-09Cal Expo
148187flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 40 feet from stage head height Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
gd1984-06-09.148188.beyerm88.holbrook.flac2448
1984-06-09Cal Expo
148188flac24/48 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 40 feet from stage head height Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
gd1984-06-10.beyerm160.quirk.perez.32366.sbeok.flac16
1984-06-10Cal Expo Amphitheatre
32366FOB: 2Beyer M160s>D5>MC>CDR>EAC>FLAC
gd1984-06-10.sbd.walker-scotton.miller.77323.sbeok.flac16
1984-06-10Cal Expo Amphitheatre
77323flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
gd84-06-10.sbd.willy.10163.sbeok.shnf
1984-06-10Cal Expo
10163SBD>MC>C>DAT>CDR; Stranger & Brokedown cut in, see info file for details; via Paul B; seeded to etree by Willy; upgrade in circulation
gd1984-06-10.148189.beyerm88.holbrook.flac1644
1984-06-10Cal Expo
148189flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 40 feet from stage head height Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
gd1984-06-10.148190.beyerm88.holbrook.flac2448
1984-06-10Cal Expo
148190flac24/48 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 40 feet from stage head height Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
gd1984-06-12.140181.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac1644
1984-06-12Red Rocks Ampitheatre
140181flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp
gd1984-06-12.140182.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac2496
1984-06-12Red Rocks Ampitheatre
140182flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
gd1984-06-12.147344.mke2002.holbrook.flac2448
1984-06-12Red Rocks Ampitheatre
147344flac24/48khz Recording Information: Source: MAUD CA|Sennheiser MKE2002 Binaurals on Kyle's Head set 1; dummy head set 2 > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
gd1984-06-12.147368.mke2002.holbrook.flac1648
1984-06-12Red Rocks Ampitheatre
147368 flac16/48khz Recording Information: Source: MAUD CA|Sennheiser MKE2002 Binaurals on Kyle's Head set 1; dummy head set 2 > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
gd1984-06-12.148387.akg.d330bt.senn421.hecht.miller.clugston.flac1648
1984-06-12Red Rocks Amphitheatre
148387flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1984-06-12.148388.akg.d330bt.senn421.hecht.miller.clugston.flac2496
1984-06-12Red Rocks Amphitheatre
148388flac24; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1984-06-12.nakcm304-mikeg-suraci.suraci.78162.flac16
1984-06-12Red Rocks Amphitheater
78162flac16; Source: *Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: *Mike G. and Tony Suraci. Transfer and upload by Tony Suraci
gd1984-06-12.148191.beyerm88.holbrook.flac1644
1984-06-12Red Rocks Amphitheatre
148191flac16/44 Recording Information: MAUD CA: Beyer M88 cardiod XY > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook
gd1984-06-12.148192.beyerm88.holbrook.flac2448
1984-06-12Red Rocks Amphitheatre
148192flac24/48 Recording Information: MAUD CA: Beyer M88 cardiod XY > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook
gd1984-06-13.140183.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac1644
1984-06-13Red Rocks Ampitheatre
140183flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp
gd1984-06-13.140184.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac2496
1984-06-13Red Rocks Ampitheatre
140184flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
gd1984-06-13.148389.2nd.set.akg.d330bt.senn421.hecht.miller.clugston.flac1648
1984-06-13Red Rocks Amphitheatre
148389flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1984-06-13.148390.2nd.set.akg.d330bt.senn421.hecht.miller.clugston.flac2496
1984-06-13Red Rocks Amphitheatre
148390flac24; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1984-06-13.nakcm304-mikeg-suraci.suraci.78363.flac16
1984-06-13Red Rocks Amphitheater
78363flac16; Source: *Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: *Mike G. and Tony S
gd84-06-13.sbd.ladner.11263.sbeok.shnf
1984-06-13Red Rocks Amphitheatre
11263SBD>PCM>DAT>CDR; via Rick M; Seeded to etree by Chris L
gd1984-06-13.148193.beyerm88.holbrook.flac1644
1984-06-13Red Rocks Amphitheatre
148193flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M|maxell MX90 x2 no NR ***[Hell in A Bucket from first generation same source] Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook, Sean Murtha, Chris Kidwell Transferred: Kyle Holbrook
gd1984-06-13.148194.beyerm88.holbrook.flac2448
1984-06-13Red Rocks Amphitheatre
148194flac24/48khz MAUD CA: Beyer M88's XY > Sony TCD5M|maxell MX90 x2 no NR ***[Hell in A Bucket from first generation same source] Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook, Sean Murtha, Chris Kidwell Transferred: Kyle Holbrook
gd1984-06-13.135955.sbd.cm.remaster.flac16
1984-06-13Red Rocks Ampitheatre
135955flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD -> SHN -> WAV; Transfer Info: WAV -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC