Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1980-01-01.145954.waddell.flac1644
1980-01-01Unknown
145954flac16/44.1khz Provided by Jason Chastain as Side A and Side B. No further lineage is known. Restored by Jamie Waddell
gd1980-01-13.158145.gems.flac2496
1980-01-13Oakland-Alameda County Coliseum
158145flac2496 Recording info: Maxell MX90 cassette from Bear via Jamie Waddell
Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > FLAC24

Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred (Nov 2021) and mastered by Jim Blackwood
Speed/pitch adjusted by Jason Chastain
Minor repairs, track, FLAC, and pack by Steve Gravel
gd1980-01-13.158146.gems.flac1648
1980-01-13Oakland-Alameda County Coliseum
158146flac1648 Recording info: Maxell MX90 cassette from Bear via Jamie Waddell
Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > FLAC24

Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred (Nov 2021) and mastered by Jim Blackwood
Speed/pitch adjusted by Jason Chastain
Minor repairs, track, FLAC, and pack by Steve Gravel
gd80-01-13.sbd.popi.6145.sbeok.shnf
1980-01-13Oakland-Alameda County Coliseum
6145sbd> mr> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT
gd1980-01-13.sbd.miller.106517.flac16
1980-01-13Oakland-Alameda County Coliseum
106517flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1980-01-13.BEAR.gems.110680.flac16
1980-01-13Oakland-Alameda County Coliseum
110680flac16; Recorded by BEAR. Transferred by Jim Blackwood at 32 bit 88.2 kHz Edited and Mastered by Jamie Waddell Weiss Saracon for 16 bit 44.1 kHz conversion
gd80-03-30.glassberg.barbella.4740.sbeok.shnf
1980-03-30Capitol Theater
4740Recording by Barry Glassberg: nak 700 > sony tc d5m fob tascam 112 > sony pcm r-500 > hhb cdr-850, taper Barry G.; nonseeking shns via Steve Barbella to CDead
gd80-03-30.sbd.miller.27752.sbeok.flacf
1980-03-30Capitol Theater
27752flac16; SBD> Cassette Master> Dat, plus patch from FOB Nak 700> Cass; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
gd1980-03-30.sbd.miller.92666.sbeok.flac16
1980-03-30Capitol Theatre
92666flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 & v10.1 -> Adobe Audition v1.5 -> FLAC
gd1980-03-30.fob.glassberg.motb-0082.96015.flac24
1980-03-30Capitol Theatre
96015flac24; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0082
gd1980-03-30.mtx.motb.96455.flac16
1980-03-30Capitol Theatre
96455flac16; MTX; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe Sbd Source: 27752 flac16; SBD> Cassette Master> Dat, plus patch from FOB Nak 700> Cass; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
gd1980-03-30.fob.glassberg.motb-0082.96014.flac16
1980-03-30Capitol Theatre
96014flac16; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0082
gd80-03-31.senn.barbella.4741.sbeok.shnf
1980-03-31Capitol Theater
4741Recording by Rob Eaton: sennnheiser 421 > nak 550 fob analog mastering AND analog to digital by rob eaton; dat > cd was sony pcm r-700 > hhb cdr-800; nonseeking shns via Steve Barbella to CDead; some cuts and missing songs (see info file)
gd1980-03-31.151345.senn421.eaton.miller.flac2496
1980-03-31Capitol Theater
151345flac24/96khz Recording Info: (FOB) Sennheiser 421 > Cassette Master (Nakamichi 550) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k)
gd80-04-01.sbd.bertha-ashley.26178.sbeok.shnf
1980-04-01Capitol Theater
26178Bertha remaster of Charlie Miller's previous seed, by Jay Ashley
gd1980-04-01.fob.glassberg.motb-0076.96452.flac16
1980-04-01Capitol Theatre
96452flac16; FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 x x Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >>MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe
gd1980-04-01.fob.glassberg.motb-0076.96453.flac24
1980-04-01Capitol Theatre
96453flac16/96; MOTB.0076; FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe
gd1980-04-01.152610.sbd.miller.flac1644
1980-04-01Capitol Theater
152610flac16/44.1khz Recording Info: SBD > Cassette Master > DAT (44.1k)
Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/16
gd80-04-01.sbd.miller.12386.sbeok.shnf
1980-04-01Capitol Theater
12386mixed sources: SBD> Rm> Dat> Sonic Solutions> CD> EAC> SHN, SBD> Rm> Cass> Dat> CD> Cool Edit Pro> CD> EAC> SHN, and AUD> Cm> Dat> CD> EAC> SHN; edited, converted, seeded by Charlie Miller
gd80-04-01.glassberg.barbella.4742.sbeok.shnf
1980-04-01Capitol Theater
4742Recording by Barry Glassberg: nak 700 > sony tc d5m fob tascam 112 > sony pcm r-500 > hhb cdr-850, taper Barry G.; nonseeking shns via Steve Barbella to CDead
gd1980-04-01.sbd.willy.9670.sbeok.shnf
1980-04-01Capitol Theatre
9670SBD>MC>??>CDR; 35 seconds of He's Gone and the Other One, as well as the Shakedown encore are provided by an audience source; See info file for details; via Paul B; Seeded to etree by Willy
gd1980-04-01.mtx.motb.96454.flac16
1980-04-01Capitol Theatre
96454flac16; MTX; FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe SBD Source: Miller's - 12386
gd1980-04-05.aud.wise.minches.119040.flac16
1980-04-05NBC Studios
119040flac16; Recorded by Jim Wise; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > 16/44.1 wav encoding; Wav > TLH (level 8) > flac + metadata B. Proctor 2/19/12
gd1980-04-28.fob-nak700.dank.4993.sbeok.shnf
1980-04-28Boutwell Auditorium
4993Recording by Barry Glassberg: QC courtesy dankseeds, of Jamie's shns as listed in info file; FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)> Sony R500 @44.1; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII CD>SHN: EAC (see info file)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; non-dank version may also circulate, but with different md5s; upgrade in circulation
gd1980-04-28.fob.glassberg.motb.0040.88858.sbeok.flac16
1980-04-28Boutwell Auditorium
88858flac16 Recording by Barry Glassberg: MOTB Release: 0040 16/44.1 Source: Master Audience Recording [1st Row Loge, DFC] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe
gd1980-04-28.fob.glassberg.motb.0040.88906.sbeok.flac24
1980-04-28Boutwell Auditorium
88906flac24 Recording by Barry Glassberg: MOTB Release: 0040 24/96 Source: Master Audience Recording [1st Row Loge, DFC] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe
gd80-04-28.fob-nak700.non-dank.3402.sbeok.shnf
1980-04-28Boutwell Auditorium
3402Recording by Barry Glassberg: non-dank version, with differing md5s; FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)> Sony R500 @44.1; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII CD>SHN: EAC (see info file)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch> additional step(s) (reDAE, reSHN?) by unIDed person; to abgd and etree; upgrade in circulation
gd1980-04-28.128382.naks.mason.flac16
1980-04-28Boutwell Auditorium
128382flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
gd1980-04-28.fob.sonyecm990.morris.99886.sbeok.flac16
1980-04-28Boutwell Auditorium
99886flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009
gd1980-04-29.nak700.glassburg.lutch.3403.shnf
1980-04-29Fox Theatre
3403Recording by Barry Glassberg; possible reshn or reDAE (in d1) by unIDed person, of Jamie's version: FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; upgrade in circulation
gd1980-04-29.157080.aud.hicks-fong.flac1644
1980-04-29Fox Theater
157080flac1644; Source: Handheld deck (mono) > Maxell XLII's, concert recording by John Hicks & Dennis Fong. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2022
gd1980-04-29.SonyECM250.walker-scotton.miller.88872.sbeok.flac16
1980-04-29Fox Theater
88872flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1980-04-29.fob.glassberg.motb.0041.88772.sbeok.flac16
1980-04-29Fox Theatre
88772flac16 Recording by Barry Glassberg; MOTB Release: 0041 16/44.1 Source: Master Audience Recording [Loge, Row AA, Seat 101] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky
gd1980-04-29.fob.glassberg.motb.0041.88864.sbeok.flac24
1980-04-29Fox Theater
88864flac24 Recording by Barry Glassberg; MOTB Release: 0041 24/96 Source: Master Audience Recording [Loge, Row AA, Seat 101] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky
gd80-04-29.glassberg.lutch.5455.sbeok.shnf
1980-04-29Fox Theater
5455Recording by Barry Glassberg: QC courtesy dankseeds, of Jamie's original version, note d1 md5s: FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; alternate version may also be in circ; note dankseeds certified as of 1/8/02 ; upgrade in circulation
gd1980-04-29.sonyecm990.morris.99887.flac16
1980-04-29Fox Theatre
99887flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009
gd1980-05-01.fob.glassberg.motb-0084.96313.flac16
1980-05-01Greensboro Coliseum
96313flac16; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
gd1980-05-01.fob.glassberg.motb-0084.96316.flac24
1980-05-01Greensboro Coliseum
96316flac24; MAC = 2 x Maxell XLII C90, Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DFF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB0084
gd1980-05-01.aud.morris.106612.flac24
1980-05-01Greensboro Coliseum
106612flac24; 1st Set: Shure mics; 2nd Set: Beyer mics (unknown models) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded from the floor by Bob Morris.
gd1980-05-01.aud.morris.99951.sbeok.flac16
1980-05-01Greensboro Coliseum
99951flac16; 1st Set: Shure mics; 2nd Set: Beyer mics (unknown models) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009
gd80-05-01.glassberg.lutch.5917.sbeok.shnf
1980-05-01Greensboro Coliseum
5917Recording by Barry Glassberg; FOB (Nakamichi 700)> Master Cassette (Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; d2 tracked for 80 min; QC courtesy dankseeds; see info file for listening notes etc
gd1980-05-01.155931.akg.flac2448
1980-05-01Greensboro Coliseum
155931flac2448; Source: AKG-414's (mid-side configuration) > Sony TC-D5 > Maxell UDXLII's, set up at the soundboard, recording by the GD crew. Transfer: MAC > Nakamichi CR-5A (Dolby-B) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2022
gd1980-05-01.128684.naks.mason.flac16
1980-05-01Greensboro Coliseum
128684flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
gd1980-05-02.SonyECM250.walker-scotton.miller.88873.sbeok.flac16
1980-05-02Hampton Coliseum
88873flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1980-05-02.aud.morris.106613.flac24
1980-05-02Hampton Coliseum
106613flac24; (FOB) Beyer mics (unknown model) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 Recorded FOB from the floor by Bob Morris; Upgrade in circulation
gd1980-05-02.155991.s2.akg.flac2448
1980-05-02Hampton Coliseum
155991flac2448; 2nd Set; Source: AKG-414's (mid-side configuration) > Sony TC-D5 > Maxell UDXLII, set up at the soundboard, recording by the GD crew. Transfer: MAC > Nakamichi CR-5A (Dolby-B) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2022
gd1980-05-02.beyer.morris.cleanup.111142.flac24
1980-05-02Hampton Coliseum
111142flac24; (FOB) Beyer mics (unknown model) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0; Recorded FOB from the floor by Bob Morris
gd1980-05-02.128686.naks.masom.flac16
1980-05-02Hampton Coliseum
128686flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
gd1980-05-02.fob.beyer.morris.99952.sbefail.flac16
1980-05-02Hampton Coliseum
99952flac16; (FOB) Beyer mics (unknown model) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009
gd80-05-02.hance-wise.3202.sbeok.shnf
1980-05-02Hampton Coliseum
3202Recordings by John Hance and Jim Wise: Mixed Source AUD: FOB (NAK 700 (set 1, John Hance) & AKG 1000E (set 2, Jim Wise))> Master Cassette (Sony TC-D5); Master Cassette (Nakamichi Dragon)> A/D Conversion via Sony R700> COAX to ZA2> Soundforge> MASTER CDR> EAC in Secure Mode> Soundforge> CD WAV> SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD> SHN by Jamie Lutch; via Tim L. to etrade offer; QC courtesy dankseeds; see info file for listening notes etc
gd1980-05-02.128515.stankiewicz.flac2496
1980-05-02Hampton Coliseum
128515flac24; Beyer M-160>Nakamichi 550; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded in the "Sweet Spot"; Recorded and transfered By Richie Stankiewicz
gd1980-05-02.fob.glassberg.motb-0085.96450.flac16
1980-05-02Hampton Coliseum
96450flac16; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0085
gd1980-05-02.fob.glassberg.motb-0085.96451.flac24
1980-05-02Hampton Coliseum
96451flac24; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0085
gd1980-05-04.nak700.glassberg.motb.fix-96585.96925.flac24
1980-05-04Baltimore Civic Center
96925flac24; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037 (This source fixes the flaws in the previous MOTB seed.)
gd1980-05-04.aud.morris.106081.flac16
1980-05-04Baltimore Civic Center
106081flac16; Nakamichi shotgun x2 (CM-300?) > Cassette Master (Marantz Superscope CD320>Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Patched w/ shnid 11768 Nak 300's using Soundforge 9.0; Recorded by Bob Morris
gd1980-05-04.aud.morris.106622.flac24
1980-05-04Baltimore Civic Center
106622flac24; Nakamichi shotgun x2 (CM-300?) > Cassette Master (Marantz Superscope CD320>Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96kHz) > Soundforge 9.0 Encore recorded with Charlie Connor's Sony ECM-990 stereo mic. Recorded by Bob Morris
gd80-05-04.naks.munder.11768.sbeok.shnf
1980-05-04Baltimore Civic Center
11768Nak 300's>MC>DAT>CD; via Paul B; Seeded to etree by Willy
gd1980-05-04.akg1000.118912.wise.minches.flac24
1980-05-04Baltimore Civic Center
118912flac24; 2 AKG-1000E> Sony D-5; Recorded by Jim Wise; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
gd1980-05-04.128688.naks.mason.flac16
1980-05-04Baltimore Civic Center
128688flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
gd1980-05-04.nak.morris.99953.sbefail.flac16
1980-05-04Baltimore Civic Center
99953flac16; Recorded by Bob Morris Nakamichi shotguns>Marantz Superscope CD320>Maxell XLII Nak Transfer: DR-1>Korg MR-1000>Audiogate>16/44>cdwav by Bob Morris, June, 2009
gd1980-05-04.nak700.glassberg.motb.fix-96584.96910.flac16
1980-05-04Baltimore Civic Center
96910flac16; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037 (This source fixes the flaws in the previous MOTB seed.)
gd1980-05-04.aud.glassberg.motb-0037.96584.flac16
1980-05-04Baltimore Civic Center
96584flac16; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037. A fixed version now circulates
gd1980-05-06.aud.morris-patch.111027.sbeok.flac16
1980-05-06Rec Hall, Penn State U
111027flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor; Recorded by Bob Morris. Transfer (6/09) & edit / patch (9/10) by Bob Morris
gd1980-05-06.157536.senn441.senn421.blend.eaton.miller.clugston.flac1648
1980-05-06Recreation Hall, Pennsylvania State University
157536flac16 48kHz Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550; Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 Mastered by Scott Clugston
gd1980-05-06.157537.senn441.senn421.blend.eaton.miller.clugston.flac2496
1980-05-06Recreation Hall, Pennsylvania State University
157537flac24 96kHz Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550; Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 Mastered by Scott Clugston
gd1980-05-06.sonyecm990.morris.99954.sbeok.flac16
1980-05-06Recreation Hall - Penn State University
99954flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded by Bob Morris; transferred & mastered by Bob Morris, June, 2009; Patched upgrade in circulation
gd80-05-06.senn.kaplan.6691.sbeok.shnf
1980-05-06Rec Hall, Penn State U
6691Recording by Rob Eaton: Sennnheiser 421 > Nak 550 fob analog; mastering and analog to digital by Rob Eaton; dat > cd: sony pcm r-700 > hhb cdr-800; via Seth Kaplan, Steve Barbella
gd80-05-06.unknown.popi.5075.sbeok.shnf
1980-05-06Rec Hall, Penn State U
5075Unknown Audience Recording: ??> cassette> wav> shn; playback: Sony es> soundblasterlive platinum> cooledit> cdwave editor> MKWact; A>D conversion, shn, seeded By Popi n. Feeldz; missing encore
gd1980-05-07.152801.senn.blend.eaton.miller.clugston.flac1648
1980-05-07Barton Hall, Cornell University
152801flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
gd1980-05-07.152802.senn.blend.eaton.miller.clugston.flac2496
1980-05-07Barton Hall, Cornell University
152802flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
gd1980-05-07.118940.nak700.wise.minches.flac24
1980-05-07Barton Hall
118940flac24; Recorded by Jim Wise; 2 Nakamichi CM-700s with shotguns> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
gd80-05-07.naks.clugston.3294.sbeok.shnf
1980-05-07Barton Hall, Cornell U
3294Master Audience Cassette; Nakamichi CM700 + Nakamichi CM300 blend> Sony TC-D5M > DAT > CDR; CD Mastering> EAC> SHN by Scott Clugston
gd80-05-07.sbd.miller.26349.sbeok.shnf
1980-05-07Barton Hall, Cornell U
26349SBD> Cassette Master> Reel> Dat> CD> EAC> SHN; Converted By Charlie Miller
gd1980-05-07.fob.sonyecm999.morris.100242.flac16
1980-05-07Barton Hall - Cornell University
100242flac16; Source: (fob) Sony Ecm-990 Stereo Mic > Cassette Master (marantz Superscope Cd320 maxell Udxlii); Cassette Master (nakamichi Dr-1) > Korg Mr-1000 (1-bit 5.6mhz) > Audiogate (1-bit 5.6mhz > 16-bit 44.1khz) > Cdwav (edits); Recorded by Bob Morris w/ thanks to Sam R and Charlie Connor
gd1980-05-07.128832.naks.mason.flac16
1980-05-07Barton Hall
128832flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
gd1980-05-08.152803.senn.blend.eaton.miller.clugston.flac1648
1980-05-08Glens Falls Civic Center
152803flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
gd1980-05-08.152804.senn.blend.eaton.miller.clugston.flac2496
1980-05-08Glens Falls Civic Center
152804flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
gd80-05-08.sbd.carman.15034.sbeok.shnf
1980-05-08Glens Falls Civic Center
15034Master Soundboard Cassette > Cassette > DAT> CDR (Primary Source) patched with the Jim Wise audience source: Recorded by Jim Wise (via Jeff Hellman), 2 Nak 700s + Nak 300 blend>Sony TC-D5: AUD>MC>DAT>CDR>EAC>mkwACT>SHN; Patched by R.Carman
gd80-05-08.wise.vernon.13189.sbeok.shnf
1980-05-08Glens Falls Civic Center
13189Updated lineage: Recording by Jim Wise: 3 nak 700's with cpu capsules at the sbd >Nak 550 taped by Jim Wise via Raoul Duke and the Miami SHN Machine
gd1980-05-08.sbd.clugston.7538.shnf
1980-05-08Glen Falls Civic Center
7538Master Soundboard Cassette > Cassette > DAT> CDR; via Scott Clugston; patched upgrade in circulation
gd1980-05-08.nak700.wise.miller.100401.flac16
1980-05-08Glens Falls Civic Center
100401flac16; Recording Info: (3) Nakamichi CM700 Shotguns -> Namakmichi 550 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
gd1980-05-08.119061.nak700.wise.flac24
1980-05-08Glens Falls Civic Center
119061flac24; Recorded by Jim Wise; 2 Nakamichi CM-700s with shotguns> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
gd1980-05-08.120093.nak700.dyche.flac16
1980-05-08Glens Falls Civic Center
120093flac16; 3-Nak 700 Shotguns > Superscope CD-320 > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche
gd1980-05-08.fob.sonyecm999.morris.100243.flac16
1980-05-08Glens Falls Civic Center
100243flac16; Source: (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320 Maxell UDXLI);Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit 5.6MHz) >Audiogate 1-bit 5.6MHz > 16-bit 44.1KHz) > cdwav (edits); Recorded from Section 103, Row P, Seat 14 by Bob Morris with thanks to Sam R and Charlie Connor
gd1980-05-10.nak700.rolfe.minches.98724.flac16
1980-05-10Hartford Civic Center
98724flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Recorded right beside the soundboard on the left side Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
gd1980-05-10.nak300.friend.andrewf.107543.flac24
1980-05-10Hartford Civic Center
107543flac24; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 05/2010
gd1980-05-10.nak300.friend.andrewf.107544.flac16
1980-05-10Hartford Civic Center
107544flac16; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2010
gd1980-05-10.110830.fob.nak700.glassberg.motb0161.flac16
1980-05-10Hartford Civic Center
110830flac16; 2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry Glassberg
gd1980-05-10.110832.fob.nak700.glassberg.motb0161.flac24
1980-05-10Hartford Civic Center
110832flac24; 2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry Glassberg
gd1980-05-10.152805.senn.blend.eaton.miller.clugston.flac1648
1980-05-10Hartford Civic Center
152805flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
gd1980-05-10.152806.senn.blend.eaton.miller.clugston.flac2496
1980-05-10Hartford Civic Center
152806flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
gd1980-05-10.aud.willy.7559.sbeok.shnf
1980-05-10Hartford Civic Center
7559Recording by Steve Rolfe: Nak 700's (was listed as Nak 300's) > Sony D5; Seeded to etree by Willy; upgrade in circulation
gd1980-05-10.aud.wise.83063.sbeok.flac16
1980-05-10Hartford Civic Center
83063flac16; Recording by Jim Wise: AUD Source: Three Nakamichi CM-300\'s > patched thru Nakamichi 550 > Sony TC-D5. Mics on a stand, next to the soundboard. Taped and transferred (MAC > CDR) by Jim Wise. Transfer: MAC > CD (likely equipment: Nakamichi Dragon > HHB CDR burner). CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC, by Andrew F
gd1980-05-10.set2.sbd.miller.91938.sbeok.flac16
1980-05-10Hartford Civic Center
91938flac16; Set 2 only, Recording Info: SBD -> Cassette Master -> Dat -> Sound Forge -> WAV; Transfer Info: WAV -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC
gd1980-05-10.nak700.wise.miller.100402.flac16
1980-05-10Hartford Civic Center
100402flac16; Recording Info: (3) Nakamichi CM700 Shotguns -> Namakmichi 550 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
gd1980-05-10.132517.aud.nak700.flac24
1980-05-10Hartford Civic Center
132517flac24; Cassette Audience Master recorded By Jim Wise (patched out of Jeff Hellman); Nakamichi CM-700 Electret Condenser Microphones w/ CP-4 Shotgun Capsules-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded Maxell UD-XL11 C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
gd1980-05-10.132518.aud.nak700.flac16
1980-05-10Hartford Civic Center
132518flac16/48kHz; Cassette Audience Master recorded By Jim Wise (patched out of Jeff Hellman); Nakamichi CM-700 Electret Condenser Microphones w/ CP-4 Shotgun Capsules-Sony TC D-5 Cassette Recorder; Location @ Sound Board; Analog to Digital: Dolby B Decoded Maxell UD-XL11 C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)Tagging(Tag & Re-name)Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
gd80-05-10.rolfe.vernon.18158.sbeok.shnf
1980-05-10Hartford Civic Center
18158Recording by Steve Rolfe: Nak 700's > Sony D5 Master Cassette recorded by Steve Rolfe from "right beside the soundboard on the left side" AUDMC > DAT > wav(48K) > Cool Edit > CDWAV > mkwact > SHN(seekable) via Dave Minor, converted and shn'd by Marc Pujol and Matt Vernon
gd1980-05-10.fob.sonyecm999.morris.100248.flac16
1980-05-10Hartford Civic Center
100248flac16; Source:(FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Section B, Row R, Seat 12 by Bob Morris with thanks to Sam R and Charlie Connor
gd1980-05-11.152440.beyer201-prescott.holbrook.flac1644
1980-05-11Cumberland County Civic Center
152440flac16/44 Microphones: Beyer M201c (worn in hat??) Recorder: Sony TC-D5 Maxell UDXLII no nr This Copy: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
gd1980-05-11.152441.beyer201-prescott.holbrook.flac2448
1980-05-11Cumberland County Civic Center
152441flac24/48 Recording Information: Microphones: Beyer M201c worn in hat Recorder: Sony TC-D5 Maxell UDXLII no nr This Copy: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
gd1980-05-11.156568.fob.nak.cm700.cm.wagner.miller.t.flac1644
1980-05-11Cumberland County Civic Center
156568flac1644 Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156013 2496 > 1644.1
gd80-05-11.sbd.nawrocki.13087.sbeok.shnf
1980-05-11Cumberland County Civic Center
13087Original SBD> C (Dick's master)> C (Dick copied for Patrick)> DAT> CDR with patches from the etree Nak 300's> Sony D5>master cassette>DAT(3) source; see info file for details; patching done by Doug Nawrocki; upgrade in circulation
gd1980-05-11.aud.willy.7539.sbeok.shnf
1980-05-11Cumberland County Civic Center
7539Nak 300's>Sony D5>master cassette>DAT(3); Transfer by Frank Venezia; via JD Foltz; Seeded to etree by Willy; Note- d2t09 does not exist, this was a mistake in naming the files, the show is complete as is.
gd1980-05-11.aud.morris.106615.flac24
1980-05-11Cumberland County Civic Center
106615flac24; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLI Disc 1 & 2; UDXLII Disc 3) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Tape flip in Space patched (0:17-0:40) w/ ID 97523 Nak 700s. Recorded FOB from floor by Bob Morris.
gd1980-05-11.mtx.dusborne.126880.flac16
1980-05-11Cumberland County Civic Center
126880flac16; 2 Source Matrix By Dave Usborne;soundboard (shnid:89577); Transfers and Mastering By Charlie Miller;Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; Audience (shnid:98929);Recorded by Steve Rolfe;2 Nak 700s> Sony TC-D5;Transfer and FLAC encoding by David Minches:Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
gd1980-05-11.156013.nak700.wagner.miller.flac24
1980-05-11Cumberland County Civic Center
156013flac2496 Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5/Maxell UDXLII-C90)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
gd80-05-11.rolfe.pujol-vernon.19266.sbeok.shnf
1980-05-11Cumberland County Civic Center
19266Recording by Steve Rolfe: Nak 700's > Sony D5 recorded by Steve Rolfe from FOB left center about 40 feet from stage via David Minor, conversion and encoding by Marc Pujol and Matt Vernon
gd1980-05-11.sbd.terrapinstation.12259.sbeok.shnf
1980-05-11Cumberland County Civic Center
12259SBD> C (Dick's master)> C (Dick copied for Patrick)> DAT> CDR> EAC> SHN V.3 except for Brokedown, which is from an unknown AUD source; EAC and SHN'ed by terrapinstation ; patched upgrade in circulation
gd1980-05-11.fob.glassberg.motb-0052.97523.flac24
1980-05-11Cumberland County Civic Center
97523flac24; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC>> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Audience Source: FOB Master Cassettes (MAC) Taped By: Barry Glassberg
gd1980-05-11.fob.sonyecm990.morris.100250.flac16
1980-05-11Cumberland County Civic Center
100250flac16; Source: (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLI Disc 1 & 2; UDXLII Disc 3); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor
gd1980-05-11.nak700.rolfe.minches.98929.flac16
1980-05-11Cumberland County Civic Center
98929flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding; Thanks to Joe B. Jones for pitch correction.
gd1980-05-12.sbd.miller.92239.sbeok.flac16
1980-05-12Boston Garden
92239flac16 Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; this source has a patch in a cut in d2t09 of the previous Miller source (source ID 91931)
gd1980-05-12.157940.nak700.wagner.miller.clugston.flac1648
1980-05-12Boston Garden
157940flac1648 Source Info: Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
gd1980-05-12.157941.nak700.wagner.miller.clugston.flac2496
1980-05-12Boston Garden
157941flac2496 Source Info: Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
gd1980-05-12.sbd.miller.91931.sbeok.flac16
1980-05-12Boston Garden
91931flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation
gd1980-05-12.nak300.friend.andrewf.107021.flac24
1980-05-12Boston Garden
107021flac24; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand, set up in center of upper balcony behind the stage, mics pointed at rear-facing P.A. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Re-shelled > Nakamichi DR-8 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 04/2010
gd1980-05-12.nak300.friend.andrewf.107022.flac16
1980-05-12Boston Garden
107022flac16; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand, set up in center of upper balcony behind the stage, mics pointed at rear-facing P.A. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Re-shelled > Nakamichi DR-8 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 04/2010
gd80-05-12.rolfe.weiner.5922.sbeok.shnf
1980-05-12Boston Garden
5922Recording by Steve Rolfe: Nak 700's > Sony TC158 Master Cassette, recorded by Steve Rolfe, front row balcony; A>D by Noah Weiner: AudMC > DAT > Soundforge normalizing and editing > CDWAV > SHN; via Audience Devotional Tree; tracked for 2x80
gd1980-05-12.sonyecm990.morris.100251.flac16
1980-05-12Boston Garden
100251flac16; Source: Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor
gd1980-05-12.mtx.sirmick.127287.sbeok.flac16
1980-05-12Boston Garden
127287flac16; Matrix 70% sbd/30% aud; Soundboard source: SBD > Cassette Master > Reel > Dat (48k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Professional v10.02 > Cool Edit Pro v2.0 > FLAC; All Transfers and Mastering By Charlie Miller and Audience source: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand, set up in center of upper balcony behind the stage, mics pointed at rear-facing P.A. Taped by Tim Friend. Transfer: MAC > Re-shelled > Nakamichi DR-8 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 16; Transfer by Andrew F.
gd1980-05-14.150723.fob.nak700.wagner.clugston.miller.flac16
1980-05-14Nassau Veterans Memorial Coliseum
150723FLAC 1644 Recording Info: FOB Nakamichi CM700 > Cassette Master (Maxell UDXLII)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition > Samplitude Pro X5 Suite > WAV (24-bit/96k)
2496 > 1644 using Wavelab 10.0 (resample, MBit+ dither)
Recorded by Bob Wagner
Mastered by Scott Clugston and Charlie Miller
gd1980-05-14.150724.fob.nak700.wagner.clugston.miller.flac24
1980-05-14Nassau Veterans Memorial Coliseum
150724FLAC 2496 Recording Info: FOB Nakamichi CM700 > Cassette Master (Maxell UDXLII)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition > Samplitude Pro X5 Suite > WAV (24-bit/96k)
Recorded by Bob Wagner
Mastered by Scott Clugston and Charlie Miller
gd1980-05-14.125962.naks.wise.minches.flac2496
1980-05-14Nassau Coliseum
125962flac24; Recording by Jim Wise: Master Audience Cassette; 2 Nakamichi 700's with 1 Nakamichi 300 Blend> Nak 550> Sony D-5 at the SBD; Transfer and FLAC encoding by David Minches: October 25 2013; Master played back on: Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding
gd80-05-14.sbd.clugston.3295.sbeok.shnf
1980-05-14Nassau Coliseum
3295Master Soundboard Cassette > Reel to Reel > DAT > CDR; CD Mastering> EAC> SHN by Scott Clugston
gd1980-05-14.111136.aud.glassberg.motb-0163.flac16
1980-05-14Nassau Coliseum
111136flac16; Analog Audience Source: FOB Master Cassettes (MAC); Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5 >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > ? > flac/16; Taped By: Barry Glassberg
gd1980-05-14.aud.morris.111028.sbeok.flac16
1980-05-14Nassau Coliseum
111028flac16; Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor; Recorded by Bob Morris (from a not-so-good location -- sorry)
gd1980-05-14.141890.sbd.nixon.clugston.flac1644
1980-05-14Nassau Coliseum
141890flac16; Source Info: Master Soundboard Cassettes > Reel to Reel > Dat > HHB-CDR 850 > EAC > Cool Edit Pro; This is a remaster of shnid 3295 from 2001
gd1980-05-14.thru.05-16.fm.kbfh.34685.sbeok.flac16
1980-05-14Nassau Veterans Memorial Coliseum
34685flac16; FM broadcast > cassette (TDK SA-90) > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, checksums and FLAC compression) > FLAC
gd1980-05-15.150725.fob.nak700.wagner.clugston.miller.flac16
1980-05-15Nassau Veterans Memorial Coliseum
150725FLAC 1644 Recording Info: FOB Nakamichi CM700 > Cassette Master (Maxell UDXLII)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition > Samplitude Pro X5 Suite > WAV (24-bit/96k)
Tracking & 2496 > 1644: Wavelab 10.0 (resample, MBit+ dither)
Recorded by Bob Wagner
Mastered by Scott Clugston and Charlie Miller
gd80-05-15.aud.schlissel.12790.sbeok.shnf
1980-05-15Nassau Coliseum
12790AUD> MC> DAT> CDR; via Alan Schlissel, with thanks to Paul B
gd1980-05-15.aud.long.34721.sbeok.sbeok.flac16
1980-05-15Nassau Veterans Memorial Coliseum
34721flac16; AUD Source: AUD MC > DAT > CDR > EAC > Cool Edit 2K > CDWave > SHN FM Patches: FM > CASS > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH > FLAC Edit: SHN > WAV > WaveMerge > Sound Forge > CDWave > FLAC (level 8)
gd1980-05-15.fob.glassberg.motb-0097.103182.flac16
1980-05-15Nassau Coliseum
103182flac16;Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> 16/44.1
gd1980-05-15.fob.glassberg.motb-0097.103183.flac24
1980-05-15Nassau Coliseum
103183flac24;Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Adam Egert
gd1980-05-15.16.144274.fm.kbfh.beckwith.smith.miller.clugston.flac1648
1980-05-15Nassau Veterans Memorial Coliseum
144274flac16/48kHz; FM Broadcast (King Biscuit Flower Hour); 7" Reel @ 3.75 ips; Transfer Info: 7" 3.75 ips reel (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1980-05-15.16.144275.fm.kbfh.beckwith.smith.miller.clugston.flac2496
1980-05-15Nassau Veterans Memorial Coliseum
144275flac24; FM Broadcast (King Biscuit Flower Hour); 7" Reel @ 3.75 ips; Transfer Info: 7" 3.75 ips reel (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496
gd1980-05-15.150726.fob.nak700.wagner.miller.clugston.flac24
1980-05-15Nassau Veterans Memorial Coliseum
150726FLAC 2496 Recording Info: FOB Nakamichi CM700 > Cassette Master (Maxell UDXLII)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition > Samplitude Pro X5 Suite > WAV (24-bit/96k)
Recorded by Bob Wagner
Mastered by Scott Clugston and Charlie Miller
gd1980-05-15.sbd.cantor.miller.93426.sbeok.flac16
1980-05-15Nassau Veterans Memorial Coliseum
93426flac16; Recording Info:SBD -> Cassette Master -> Dat (48k); Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1980-05-16.126104.ecm280.wise.minches.flac2496
1980-05-16Nassau Coliseum
126104flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sony ECM-280s > Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo])Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding
gd1980-05-16.nak300.cousinit.100160.flac16
1980-05-16Nassau Veterans Memorial Coliseum
100160flac16; Source: 3 Nak 300's > NAK550 Lineage: MAUD>C>WAV>FLAC
gd1980-05-16.111170.fob.glassberg.motb-0164.flac16
1980-05-16Nassau Coliseum
111170flac16; Source: FOB Audience Recording Media: MAC = Maxell UDXLII; Lineage: 2 x Nakamichi CM700 w/ EQ 26th Row Center> Sony TC-D5 (dolby encode) Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] > ? > flac16; Taped by: Barry Glassberg
gd80-05-16.sbd.clugston.7472.sbeok.shnf
1980-05-16Nassau Coliseum
7472Master Soundboard Cassette > Cassette > DAT> CDR; via Scott Clugston
gd1980-05-16.sbd.clugston.hempel.89473.sbeok.flac16
1980-05-16Nassau Veterans Memorial Coliseum
89473flac16; Source 1: Master Soundboard Cassette > Cassette > DAT> CDR (shnid 7472) Supplies whole show up to half way through D3T5 Source 2: Recording: FM broadcast > cassette (TDK SA-90). Transfer: Cassette > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH > FLAC (shnid 34685) Supplies d3t7 Source 3: Unknown nth generation audience cassette > Sony TC-KE500S > TheCard > CoolEdit > shntool > FLAC Supplies end of D3T5 and all of D3T6 Seeded by Thomas Hempel 10-Jan-2008
gd80-05-29.pset1-set2.nak300.braveman.25993.sbeok.shnf
1980-05-29Des Moines Civic Center
25993sets 1p,2; Nak 300, FOB right center of stage> Nak 550 > DAT, taper unknown; Transfer: DATs (48) > Sony 60ES > M-Audio Audiophile USB > CDWAV > Golwave minor edits and resampling > CDWAV tracking > mkwACT SHN; transfer by Joshua Braveman
gd1980-05-29.152534.aud.gems.flac2496
1980-05-29Des Moines Civic Center
152534FLAC2496 Source Info: Roughly 10th row FOB master audience tapes from an Anonymous Benefactor, actual gear lost to the fog of memory
Transfer Info: Transferred at 24 bit 96 kHz.
Speed Correction by Jason Chastain
Critical Listening and Track FLAC, Pack by Steven Gravel
Mastering by Jamie Waddell
FLAC Level 8 at 24 bit 96kHz
gd1980-05-29.152539.aud.gems.flac1648
1980-05-29Des Moines Civic Center
152539FLAC1648 Source Info: Roughly 10th row FOB master audience tapes from an Anonymous Benefactor, actual gear lost to the fog of memory
Transfer Info: Transferred at 24 bit 96 kHz.
Speed Correction by Jason Chastain
Critical Listening and Track FLAC, Pack by Steven Gravel
Mastering by Jamie Waddell
16 Bit 48 kHz FLAC Level 8 from 24 Bit 96 kHz source via Izotope RX8 with MBIT+ dither
gd1980-05-29.152540.sbd.s2.patched.gems.flac1644
1980-05-29Des Moines Civic Center
152540FLAC1644 Source Info: Taper's Section Set Two SBD MP3 patched with GEMS AUD Source ID 152534
Transfer Info: Transferred at 16 bit 44.1 kHz
Mastering by Jamie Waddell
FLAC Level 8
gd80-05-29.aud.vernon.14836.sbeok.shnf
1980-05-29Des Moines Civic Center
14836Source: A:C:C:D > CDR via David Minches, shn encoding Matt Vernon
gd1980-05-30.sbd.miller.92217.sbeok.flac16
1980-05-30Milwaukee Auditorium
92217flac16 Recording Info:Set 1: SBD -> ? -> 5th Gen Cassette Set 2: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info:Set 1: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) ->Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16; Set 2: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC/16; Set 1 Transferred By Charlie Miller; Set 2 Transferred By Rob Eaton; All Mastering By Charlie Miller
gd1980-05-30.set2.sbd.miller.91932.sbeok.flac16
1980-05-30Milwaukee Auditorium
91932flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
gd80-05-30.aud.vernon.14837.sbeok.shnf
1980-05-30Milwaukee Auditorium
14837Source: A:C:C:D > CDR via David Minches shn encoding Matt Vernon
gd1980-05-30.128381.naks.mason.flac16
1980-05-30Milwaukee Auditorium
128381flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
gd1980-05-31.set2.sbd.miller.91763.sbeok.flac16
1980-05-31Metropolitan Sports Center
91763flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
gd80-05-31.aud.munder.11927.sbeok.shnf
1980-05-31Metropolitan Sports Center
11927AUD>MC>DAT>CD; via Paul B; Seeded to etree by Willy
gd1980-06-01.136477.interviews.harrison.unknown.phillips.flac16
1980-06-01Unknown
136477Hank Harrison - 'Dead Archives' Interviews from the 1960s and 1970s, assembled and introduced by Hank Harrison in 1980 (who makes reference to it as being a C60 cassette). Maxell SA-C60 (unknown gen) > Audacity > Goldwave (boost volume in places) > FLAC
gd1980-06-05.aud.morris.106616.flac24
1980-06-05Compton Terrace Amphitheatre
106616flac24; (FOB) Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLI) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded FOB by Bob Morris. Transfer (Jul 09) and 24/96 edit/patch (Dec 09) by Bob Morris.
gd80-06-05.senn421.jeffm.4663.sbeok.shnf
1980-06-05Compton Terrace Amphitheatre
4663FOB (Sennheiser 421's)> Master Cassette> DAT> CDR> EAC> SHN; Processed with DCArt Millenium software; DAE (EAC) and SHN Encoding by Jeff M.; tracked for 2x80; missing encore
gd1980-06-05.141902.s2.sbd.cm.miller.flac1644
1980-06-05Compton Terrace Amphitheatre
141902flac16; Set 2 Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd1980-06-05.fob.sonyecm990.morris.100252.flac16
1980-06-05Compton Terrace Amphitheatre
100252flac16; Source: (FOB) Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLI); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor
gd1980-06-05.141714.s2.sbd.miller.flac2496
1980-06-05Compton Terrace Amphitheatre
141714flac24; Set 2 Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd1980-06-07.128414.naks.mason.flac16
1980-06-07Folsom Field, U. of Colorado
128414flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
gd1980-06-07.157131.aud.tompkins.flac2448
1980-06-07Folsom Field, University Of Colorado
157131flac2448; Source: Unknown mics & deck > Maxell XLII's (low-gen or possible master) via Richie & Rip. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 06/2022
gd1980-06-07.142841.set1.aud.sterry.beckwith.miller.clugston.flac2496
1980-06-07Folsom Field, U. of Colorado
142841flac24; Set 1 Recording Info: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII-90); Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496
gd1980-06-07.142842.set1.aud.sterry.beckwith.miller.clugston.flac1648
1980-06-07Folsom Field, U. of Colorado
142842flac16/48kHz; Set 1 Recording Info: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII-90); Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1980-06-07.144748.nak700.severson.miller.clugston.flac2496
1980-06-07Folsom Field, University Of Colorado
144748flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (pole mounted at the soundboard)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd80-06-07.aud.sirmick.31348.sbeok.flacf
1980-06-07Folsom Field
31348flac16; mac > 1st gen cass > cdr > eac > flac; tapes provided by Jeff "Mr Tapes" Maas (1980); transfer by Paul "ESPN" Epstein (2005); via SIRMick
gd80-06-07.aud.munder.11533.sbeok.shnf
1980-06-07Folsom Field, U. of Colorado
11533Aud>?>CD; Distortion throughout post drums segment; via Tom G; Seeded to etree by Willy
gd1980-06-07.155700.akg.se5.wiseman.miller.clugston.flac1648
1980-06-07Folsom Field, University Of Colorado
155700flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd1980-06-07.155701.akg.se5.wiseman.miller.clugston.flac2496
1980-06-07Folsom Field, University Of Colorado
155701flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd1980-06-07.SonyECM250.walker-scotton-miller.88451.sbeok.flac16
1980-06-07Folsom Field
88451flac16;Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXLII-C90) All Transfers and Mastering By Charlie Miller
gd1980-06-07.sonyecm990.morris.100253.flac16
1980-06-07Folsom Field - University of Colorado
100253flac16; Source: Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII except d3t01-d3t12: UDXLI); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor
gd1980-06-07.144747.nak700.severson.miller.clugston.flac1648
1980-06-07Folsom Field, University Of Colorado
144747flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (pole mounted at the soundboard)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1980-06-08.128415.naks.mason.flac16
1980-06-08Folsom Field, U. of Colorado
128415flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
gd1980-06-08.152600.senn.blend.eaton.miller.clugston.flac1648
1980-06-08Folsom Field, University Of Colorado
152600flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496
gd1980-06-08.152601.senn.blend.eaton.miller.clugston.flac2496
1980-06-08Folsom Field, University Of Colorado
152601flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496
gd1980-06-08.142843.set2.aud.sterry.beckwith.miller.clugston.flac2496
1980-06-08Folsom Field, U. of Colorado
142843flac24; Set 2 Recording Info: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII-90); Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496
gd1980-06-08.142844.set2.aud.sterry.beckwith.miller.clugston.flac1648
1980-06-08Folsom Field, U. of Colorado
142844flac16/48kHz; Set 2 Recording Info: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII-90); Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1980-06-08.SonyECM250.walker-scotton.miller.88452.sbeok.flac16
1980-06-08Folsom Field, University of Colorado
88452flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXLII-C90) All Transfers and Mastering By Charlie Miller
gd1980-06-08.155741.akg.se5.wiseman.miller.clugston.flac2496
1980-06-08Folsom Field, University Of Colorado
155741FLAC 2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXL-II 90, except for Feel Like A Stranger and Ship Of Fools TDK SA 90)
Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd1980-06-08.155742.akg.se5.wiseman.miller.clugston.flac1648
1980-06-08Folsom Field, University Of Colorado
155742FLAC 1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXL-II 90, except for Feel Like A Stranger and Ship Of Fools TDK SA 90)
Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd1980-06-08.senn421.clugston.7563.sbeok.shnf
1980-06-08Folsom Field, University of Colorado
7563Master Audience Cassette; Sennheiser 421 mics > Sony D5> DAT> CDR, CD Mastering by Scott Clugston, EAC'ed / SHN'ed by Scott Clugston, Posted to abgd via Charlie Connor
gd80-06-08.eaton.tome.7193.sbefail.shnf
1980-06-08Folsom Field, U. of Colorado
7193Recording by Rob Eaton: FOB Senn 421's> Nak 550 Cm> DAT> CD> EAC> Soundforge4> SHN; Recorded By Rob Eaton; includes alternate AUD patches (see info for notes and flaws); stemming from DNC tree Round 9 (1/01); via Tome
gd1980-06-08.sonyecm990.morris.100260.flac16
1980-06-08Folsom Field - University of Colorado
100260flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
gd1980-06-08.144749.nak700.severson.miller.clugston.flac1648
1980-06-08Folsom Field, University Of Colorado
144749flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (pole mounted at the soundboard)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1980-06-08.144750.nak700.severson.miller.clugston.flac2496
1980-06-08Folsom Field, University Of Colorado
144750flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (pole mounted at the soundboard)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd80-06-12.set2.akgse5.clugston.7007.sbeok.shnf
1980-06-12Portland Memorial Coliseum
7007set 2; Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; Shn'ed by Scott Clugston
gd80-06-12.aud.willy.11361.sbeok.shnf
1980-06-12Portland Memorial Coliseum
11361AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
gd1980-06-12.141805.sbd.miller.flac1644
1980-06-12Portland Memorial Coliseum
141805flac16; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp
gd1980-06-12.141798.sbd.miller.flac2496
1980-06-12Portland Memorial Coliseum
141798flac24; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd1980-06-12.sonyecm990.morris.100261.flac16
1980-06-12Memorial Coliseum
100261flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from the left-side riser by Bob Morris
gd1980-06-12.150005.sbd.phasefix.miller.flac2496
1980-06-12Portland Memorial Coliseum
150005flac24; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This fixes the out of phase left channel on source ID 141798
gd1980-06-12.150233.sbd.cm.miller.flac16
1980-06-12Portland Memorial Coliseum
150233flac16; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This fixes the out of phase left channel on source ID 141798, this file set is 16 bit @ 44.1
gd1980-06-12.fob.menke.motb-0108.104967.flac16
1980-06-12Portland Memorial Coliseum
104967flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x Nakamichi cm700 >> Sony TC-D5  >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> WAV [16/44.1] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0108 16/44.1
gd80-06-13.akg.clugston.7196.sbeok.shnf
1980-06-13Seattle Center Coliseum
7196Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; CD Mastering, Shn'ed by Scott Clugston
gd1980-06-13.144767.fob.nak700.severson.miller.clugston.flac1648
1980-06-13Seattle Center Arena
144767flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (DFC, mounted on pole 35' from stage) > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1980-06-13.144768.fob.nak700.severson.miller.clugston.flac2496
1980-06-13Seattle Center Arena
144768flac24; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (DFC, mounted on pole 35' from stage) > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1980-06-13.155743.akg.se5.wiseman.miller.clugston.flac1648
1980-06-13Seattle Center Arena
155743flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA 90, except Sugar Magnolia and Alabama Getaway-Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd1980-06-13.155744.akg.se5.wiseman.miller.clugston.flac2496
1980-06-13Seattle Center Arena
155744flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA 90, except Sugar Magnolia and Alabama Getaway-Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd1980-06-13.fob.sonyecm990.morris.100259.flac16
1980-06-13Seattle Center Coliseum
100259flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII except: d3t03-d3t08 UDXLI) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded "extreme fob" at the stage barricade, center, by Bob Morris
gd1980-06-13.aud.severson.minches.91220.flac1644
1980-06-13Seattle Center Coliseum
91220flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 45' from stage Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
gd1980-06-14.aud.morris.106617.flac24
1980-06-14Spokane Coliseum
106617flac24; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded by Bob Morris. Transfer (Jul 09) and edit/patch (Dec 09) by Bob Morris.
gd1980-06-14.155813.2nd.set.akg.se5.wiseman.miller.clugston.flac1648
1980-06-14Spokane Coliseum
155813flac16/48 Set 2 only. Source Info: Scott Wiseman's Master Audience Cassette; AKG SE-5E mics with CE-1 cardioid capsules (center, behind soundboard, 11' stand) > Sony TC-D5 (TDK SA 90, except One More Saturday Night encore - Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd1980-06-14.155814.2nd.set.akg.se5.wiseman.miller.clugston.flac2496
1980-06-14Spokane Coliseum
155814flac24/96 Set 2 only. Source Info: Scott Wiseman's Master Audience Cassette; AKG SE-5E mics with CE-1 cardioid capsules (center, behind soundboard, 11' stand) > Sony TC-D5 (TDK SA 90, except One More Saturday Night encore - Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd80-06-14.akg.clugston.7198.sbeok.shnf
1980-06-14Spokane Coliseum
7198Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; CD Mastering, Shn'ed by Scott Clugston
gd1980-06-14.144771.fob.nak700.severson.miller.clugston.flac1648
1980-06-14Coliseum
144771flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (DFC, mounted on pole 50' from stage) > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1980-06-14.144772.fob.nak700.severson.miller.clugston.flac2496
1980-06-14Coliseum
144772flac24; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (DFC, mounted on pole 50' from stage) > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1980-06-14.fob.sonyecm990.morris.100258.flac16
1980-06-14Spokane Coliseum
100258flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
gd1980-06-14.aud.severson.minches.91362.flac1644
1980-06-14Spokane Coliseum
91362flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 50' from stage center Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
gd1980-06-19.nak700.severson.minches.89125.flac16
1980-06-19West High Auditorium
89125flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs + 1 Maxell UD XL-I) Recorded from Row M, Seat 12, Left Side Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
gd1980-06-19.153162.mtx.seamons.ht134.flac16
1980-06-19West High Auditorium
153162flac16/44 flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 113300 & 144904.
gd1980-06-19.sbd.miller.113300.flac16
1980-06-19West High Auditorium
113300flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller
gd80-06-19.sbd.munder.10056.sbeok.shnf
1980-06-19West High Auditorium
10056SBD>MC>??>DAT>CDR; via paul B; Seeded to etree by Willy; upgrade in circulation
gd1980-06-19.sbd.miller.80127.sbeok.flac16
1980-06-19West High Auditorium
80127flac16; Recording Info: SBD -> Cassette Master Transfer Info: Cassette Master -> Sonic Solutions -> SBM2 -> CD Mastering Info: CD -> Samplitude Professional v8.01 -> FLAC; upgrade in circulation
gd1980-06-19.144904.nak700.severson.miller.clugston.flac1648
1980-06-19West High Auditorium
144904flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (mounted on pole, Row M, Seat 12, left side) > Sony TC-D5(2 Maxell XLII's, 1 Maxell UDXLI); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1980-06-19.144905.nak700.severson.miller.clugston.flac2496
1980-06-19West High Auditorium
144905flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (mounted on pole, Row M, Seat 12, left side) > Sony TC-D5(2 Maxell XLII's, 1 Maxell UDXLI); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1980-06-19.156396.mtx.photoleon.t-flac16
1980-06-19West High Auditorium
156396Matrix created in Adobe Audition by Joe Noel Source 1; 144904 Source Info: Mark Severson's Master (fob) Audience Cassettes; Nakamichi 700 Mics (mounted On Pole, Row M, Seat 12, Left Side) February 2019 Source 2; 113300 Recording Info: Sbd > Cassette Master > Sonic Solutions > Sbm-2 > Cd
gd1980-06-20.sbd.miller.25469.sbeok.shnf
1980-06-20West High Auditorium
25469Recording Info: SBD -> Cassette Master -> Sonic Solutions (20bit) -> SBM2 (Dithered To 16bit) -> CD (Master Production Discs) -> EAC -> SHN (3 Discs Audio / 2 Discs SHN)Patch Info: Patches in Let It Grow and Drums supplied By AKG 414 -> Cm -> Dat -> CD -> EAC -> SHN via Charlie Miller
gd1980-06-20.sbd.miller.113301.flac16
1980-06-20West High Auditorium
113301flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller
gd80-06-20.akg-claridge-healy.vernon.20205.sbeok.shnf
1980-06-20West High Auditorium
20205Recording by Eddie Claridge at the soundboard patched from Dan Healy. AKG 414 stereo mic -> Sony TC-158 deck via John Gaetzi encoded by Matt Vernon
gd1980-06-20.sbd.miller.bertha.25468.sbeok.shnf
1980-06-20West High Auditorium
25468SBD>>MC>>SS>SBM2>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN via Jay Ashley
gd1980-06-20.sbd.bertha.tetzeli.fix-25468.73846.reflac.flac16
1980-06-20West High Auditorium
73846flac16; SBD > MC > SS > SBM2 > CDA> WAV(EAC) > SHN > DAW(Bertha) > CDA/SHN > CE2k > FLAC [pitch corrected version of shn id 25468 by Bill Tetzeli]. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1980-06-20.sbd.donahue.13532.sbefail.shnf
1980-06-20West High Auditorium
13532both sets; SBD> MC> 1C> WAV (via SBLive)> CDR; Conversion/Editing: SBLive!> COOLEDIT2000 (Noise reduction, tracking at sector boundaries and bass boost)> mkwACT> SHN; via Brian Donohue; see editing notes in info file; upgrade in circulation
gd1980-06-20.mtx.seamons.92783.sbeok.flac16
1980-06-20West High Auditorium
92783flac16; SBD/AUD Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
gd80-06-20.sbd.donohue.17268.sbefixed.shnf
1980-06-20West High Auditorium
17268SBE-fixed version of previous source: Source: SBD>MC>1C>CD-R CONVERSION: SBLIVE>COOLEDIT2000>mkwACT>SHN Mastered, edited, and shn'd from first gen cassette by Brian Donohue, Kodiak, Alaska. ; upgrade in circulation
gd1980-06-20.nak700.severson.minches.89188.flac16
1980-06-20West High Auditorium
89188flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded from Row J, Seat 2, Right Side; 25' from stage Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
gd1980-06-20.144906.fob.nak700.severson.miller.clugston.flac1648
1980-06-20West High Auditorium
144906flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted on pole 25' from stage, right side, Row J Seat 2) > Sony TC-D5 (Maxell XLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1980-06-20.144907.fob.nak700.severson.miller.clugston.flac2496
1980-06-20West High Auditorium
144907flac24; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted on pole 25' from stage, right side, Row J Seat 2) > Sony TC-D5 (Maxell XLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1980-06-20.156397.mtx.photoleon.t-flac16
1980-06-20West High Auditorium
156397Matrix Created In Adobe Audition By Joe Noel March 04, 2022Source 1; 144906 Source Info: Mark Severson's Master (fob) Audience Cassettes; Nakamichi 700 Mics (mounted On Pole 25' From Stage, Right Side, Row J Seat 2) Source 2; 113301 Recording Info: Sbd > Cassette Master > Sonic Solutions > Sbm-2 > Cd
gd1980-06-21.dts.dan.32228.flac16
1980-06-21West High Auditorium
32228flac16; DTS-Audio-CD 5.1 Mix of SBD Cassette Master> Sonic Solutions (20bit) (shn id 27448) and AUD AKG 414 stereo mic -> Sony TC-158 deck (shn id 23531) note: info file now reflects tracking for 80 minutes CDs
gd1980-06-21.sbd.clugston.tetzeli.fix-8639.74407.reflac.flac16
1980-06-21West High Auditorium
74407flac16; Repatched fix of shn id 8639 - Master Soundboard Cassette > Reel To Reel > DAT> CDR by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1980-06-21.sbd.wise.321.sbeok.shnf
1980-06-21West High Auditorium
321SBD -> ?? -> DAT(2) -> CDR; transfer: Sony PCM-M1 -> coaxial SRC -> Marantz CDR630 ->? Astarte CD-Copy 2.0.3 -> AIFF -> SoundApp (WAVE) -> SHN; seed via J. Wise et al; transfer by Dan M.; d1t1, Random digi-noise/distortion for first 45 seconds; d1t6,? Major Splice is on Master; d2t3, 1st Verse is missing; see additional flaw note about d2t7 in pub comments; upgrade in circulation
gd1980-06-21.mtx.seamons.112150.flac16
1980-06-21West High Auditorium
112150flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
gd1980-06-21.sbd.miller.113302.flac16
1980-06-21West High Auditorium
113302flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller
gd80-06-21.sbd.bertha-ashley.27590.sbeok.shnf
1980-06-21West High Auditorium
27590Bertha Remaster of Master Soundboard Cassette Source
gd80-06-21.akg.vernon.23531.sbeok.shnf
1980-06-21West High Auditorium
23531Source: Recorded by Eddie Claridge at the soundboard patched from Dan Healy. AKG 414 stereo mic -> Sony TC-158 deck Lineage: MAC > [DAT?] > CDR (no intermediate cassette generations) Encoding: EAC(secure) > Cool Edit Pro > CDWAV > shntool > mkwact > SHN(seekable) by Matt Vernon via John Gaetzi
gd80-06-21.sbd.clugston.8639.sbeok.shnf
1980-06-21West High Auditorium
8639Sources:Primary Source:Master Soundboard Cassette > Reel To Reel > DAT> CDR; Secondary Source:Master Audience Cassette; AKG 414 mics source supplies the "Announcements/Intro", portions of "Sugaree", "Loser", "Big Railroad Blues" "Drums". Patching/CD Mastering & shn'ed by Scott Clugston; To fungus and abgd via Charlie Connor ; upgrade in circulation
gd1980-06-21.nak700.severson.minches.89214.flac16
1980-06-21West High Auditorium
89214flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded from Row M, Seat 2, Right Center Floor Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
gd1980-06-21.144908.nak700.severson.miller.clugston.flac1648
1980-06-21West High Auditorium
144908flac1648 Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (mounted on pole, right center, Row M Seat 2) > Sony TC-D5 (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1980-06-21.144909.nak700.severson.miller.clugston.flac2496
1980-06-21West High Auditorium
144909flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (mounted on pole, right center, Row M Seat 2) > Sony TC-D5 (Maxell XLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1980-06-21.mtx.dan.28470.sbeok.flac16
1980-06-21West High Auditorium
28470flac16; SBD/AUD Matrix Mix (60%-SBD/40%-AUD) SBD source: Soundboard > Cassette Master > Sonic Solutions (20bit) > Sony SBM2 > Master CD > EAC > FLAC (shn id 27448); AUD source: Source: AKG 414 stereo mic -> Sony TC-158 deck, Taper: Eddie Claridge (shn id 23531). SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. This is a 60% SBD, 40% AUD mix. Mixed by dan@am-dig.com. note: info file now reflects tracking for 80 minutes CDs
gd1980-06-21.mtx.dan.28475.sbeok.flac24
1980-06-21West High Auditorium
28475flac24; DVD-A 24/44 SBD+AUD Matrix Mix - 24 bit version of other Matrix source by Dan.
gd1980-06-21.156398.mtx.photoleon.t-flac16
1980-06-21West High Auditorium
156398Matrix Created In Adobe Audition By Joe Noel Source 1; 144908 Source Info: Mark Severson's Master (fob) Audience Cassettes; Nakamichi 700 Mics (mounted On Pole 25' From Stage, Right Side, Row M Seat 2) > Sony Tc-d5 (maxell Xlii) Source 2; 113302 Recording Info: Sbd > Cassette Master > Sonic Solutions > Sbm-2 > Cd
gd1980-06-20.141724.aud.flac24
1980-06-27West High Auditorium
141724flac24 Analog Audience Source: Nakamichi CM700 > Sony TC D5 > Front Row Loge (Next to Healy & soundboard)
Medium Stock Brands: Maxell UDXL II Cassettes
Analog Sound Preservation: MAC > CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg at 5.6 mhz
gd80-06-29.set2-sbd.munder.10057.sbeok.shnf
1980-06-29Pauley Pavilion, UCLA
100572nd set; SBD>MC>??>DAT>CDR; Missing Sunshine Daydream & US Blues; via Paul B; Seeded to etree by Willy
gd80-06-29.set1-sbd.16438.sbeok.shnf
1980-06-29Pauley Pavilion, UCLA
16438set 1; SBD > ? > C > CDR; via Joey Browning, encoded by Matt Vernon
gd1980-06-29.aud-set2.unknown.29917.sbeok.flac16
1980-06-29Pauley Pavilion - University of California
29917flac16; Unknown Mikes> Sony D5 (Maxel XL2s) (master cassette)> Denon DRW-840G (Maxel XL2s) (1st gen cassette)> sony PCM-R300 (via sony 750es & monster interlink cables) (1st DAT gen) > HD (via CTD8000H-S SGI/Seagate Audio Capable DDS-2 DAT running dat2wav) > cdwav 1.54> converted to .flac w/ dbpowerAMP 11 using FLAC codec 1.1.2)
gd1980-06-29.128523.naks.mason.flac16
1980-06-29Pauley Pavilion, UCLA
128523flac16; Recorded by Mason Taylor; set one master tape; set two first generation safety copy
gd1980-07-01.141396.sbd.pcm.dalton.miller.clugston.flac1644
1980-07-01San Diego Sports Arena
141396flac16; Source Info: Master Soundboard Cassettes > ?? > Reel to Reel > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd80-07-01.sbd.cole.9361.sbeok.shnf
1980-07-01San Diego Sports Arena
9361sbd>?>dat; there are splices from an unknown source at Althea and also for the encore; Seeded to etree by Brian Cole
gd1980-07-01.137885.unk-aud.cc.flac1644
1980-07-01San Diego Sports Arena
137885flac16: unknown audience recording from collection of CC
Transfer: first gen cassette > VHS HiFi > HK CDR2 > FLAC
gd1980-07-01.139308.sbd.moore.berger.flac16
1980-07-01San Diego Sports Arena
139308flac16; source: sbd; Jerry Moore’s 2nd gen cassettes; maxell udxlII90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transfer & seeded by Rob Berger
gd1980-07-01.139309.sbd.moore.berger.flac24
1980-07-01San Diego Sports Arena
139309flac24; source: sbd; Jerry Moore’s 2nd gen cassettes; maxell udxlII90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transfer & seeded by Rob Berger
gd1980-08-16.SonyECM250.walker-scotton.miller.88959.sbeok.flac16
1980-08-16Mississippi River Festival
88959flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd80-08-16.aud.vernon.14044.sbeok.shnf
1980-08-16Mississippi River Festival
14044Source: MAC>DAT>CDR & MAC>Cass. x ?>DAT>CDR via Andy Lemieux shn encoding by Matt Vernon
gd80-08-16.fob-walker.lemieux.20137.sbeok.shnf
1980-08-16Mississippi River Festival
20137Recording by Joani Walker: FOB MAC w/ Sony ECM-250s>Sony TC-158>CDR via Paul Scotton, tracking & tweaking by Scott Clugston, SHN encoding by Andy Lemieux ; upgrade in circulation
gd80-08-17.aud.munder.12107.sbeok.shnf
1980-08-17Kansas City Municipal Auditorium Arena
12107AUD>?>CD; via Paul B; Seeded to etree by Willy
gd1980-08-17.sbd.miller.93037.sbeok.flac16
1980-08-17Kansas City Municipal Auditorium
93037flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1980-08-19.150366.FOB.Nak700.Willy.Lindenbaum.Noel.reMaster.t-flac16
1980-08-19Uptown Theater
150366flac16; Remaster of source ID 8739: FOB Balcony Nak 700's w/shotgun caps > Master Cassette (Sony TC-158) > DAT > CD; Edited & Remastered using Adobe Audition by Joe Noel; see info file for details
gd1980-08-19.151796.aud.flac1644
1980-08-19Uptown Theater
151796Flac1644 Source: Sennheiser MD-421's (1st row balcony) > TC-D5 > MAC > Low-Gen (1st or 2nd) tapes from the collection of Brian Schley.
Transfer: TDK-SA (Set1) & Maxell-XLII (Set2) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged.
Transferred by Andrew F.
gd1980-08-19.sbd.miller.88172.sbeok.flac16
1980-08-19Upltown Theater
88172flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> ? -> Dat (48k) Transfer Info: Set 1: Cassette -> Apogee MiniMe -> Samplitude Professional v9.11 -> FLAC Set 2: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
gd1980-08-19.sbd.unknown.28043.sbeok.shnf
1980-08-19Uptown Theatre
28043set 2p; SBD > Cass(m) > Cass > reel > DAT; conversion: fostex d-5 > zoltrix nightingale > cdwave (resample to 44.1khz, tracking) > shn; upgrade in circulation
gd1980-08-19.naks.mason.partial.131445.flac16
1980-08-19Uptown Theater
131445flac16; Partial; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
gd80-08-19.naks.munder.8739.sbeok.shnf
1980-08-19Uptown Theater
8739Recording by Dougal Donaldson: FOBalcony Nak 700's w/shotgun caps>Sony TC-158 MC>DAT>CD; via Mark Lindenbaum; Seeded to etree by Willy
gd1980-08-19.127497.set1.senn421.stankiewicz.flac2496
1980-08-19Uptown Theater
127497flac24; Set 1 Recorded 1st row balcony Sennheiser 421>Sony TCD-5M>Nak 550; Patched into Neil (aka froggy RIP); transfered by Richie Stankiewicz; 1st Gen>DAT Cakewalk UA-1G
gd1980-08-19.140366.set2.aud.flac1648
1980-08-19Uptown Theater
140366flac16/48kHz; Set 2 Audience Cassette of unknown lineage > PC > Soundforge
gd1980-08-20.147370.s1.sbd.cm.miller.flac16
1980-08-20Uptown Theater
147370flac16; Set 1 Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This fileset is 16 bit at 44.1
gd1980-08-20.147366.s1.sbd.miller.flac24
1980-08-20Uptown Theater
147366flac24; Set 1 Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd1980-08-20.151836.aud.unknown.andrewf.t-flac16
1980-08-20Uptown Theater
151836FLAC 16 ; Source: AUD of unknown lineage > ? > lo-gen cassette via Richie & Rip. Transfer: TDK SA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2020 24/48 -> 16/48 of shnid 149293 via Saracon
gd80-08-20.naks.munder.8740.sbeok.shnf
1980-08-20Uptown Theater
8740Recording by Dougal Donaldson: FOBalcony Nak 700's w/shotgun caps>Sony TC-158 MC>DAT>CD; via Mark Lindenbaum; Seeded to etree by Willy
gd1980-08-20.140367.set2p.aud.flac1644
1980-08-20Uptown Theater
140367flac16; Partial Set 2 Audience Cassette of unknown lineage with fills from Archives .wav files > PC > Soundforge
gd1980-08-21.akg-beyer.stankiewicz.126368.flac2496
1980-08-21Uptown Theater
126368flac24; AUD: 2 AKG D222E + 1 Beyer M160 > Nakamichi 550, Orch 20th row right center. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 12/2013
gd1980-08-21.akg-beyer.stankiewicz.126369.flac1644
1980-08-21Uptown Theater
126369flac16; AUD: 2 AKG D222E + 1 Beyer M160 > Nakamichi 550, Orch 20th row right center. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 12/2013
gd80-08-21.sbd.munder.7913.sbeok.shnf
1980-08-21Uptown Theater
7913SBD>MC>C>DAT>CD; via Scott Shindell; Seeded to etree by Willy
gd1980-08-23.aud.miller.89130.sbeok.flac16
1980-08-23Alpine Valley Music Theater
89130flac16; Recording Info: Unknown Mics -> Cassette Master -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd80-08-23.aud.gillis.11928.sbeok.shnf
1980-08-23Alpine Valley Music Theatre
11928Unknown audience equipment>Cass>CDR; Seeded to etree by Glenn Gillis
gd1980-08-24.128391.naks.mason.flac16
1980-08-24Grand Center
128391flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
gd1980-08-26.sbd.hinko.13815.sbeok.shnf
1980-08-26Cleveland Public Auditorium
13815sbd-> cassette-> unknown digital xfer(s)-> Sonic-> CD-> CD-> EAC-> SHN Note: Beginning gap in Don't Ease Me In patched by David Gans using a piece of the chorus in. This is not a "new" source
gd1980-08-26.aud.barnhama-minches.82166.sbeok.flac16
1980-08-26Public Hall
82166flac16; Recorded by Joel Barnhama Master Audience Cassette; 2 Sennheiser 421s + center mike> Nakamichi 550 (Fuji FX-1) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (24/96)> Adobe Audition > Downsample/Dither> flac encoding > FLAC
gd80-08-26.sbd.willy.9632.sbeok.shnf
1980-08-26Cleveland Public Hall
9632SBD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
gd80-08-26.nak300.millner.106342.flac16
1980-08-26Cleveland Public Auditorium
106342flac16:source: master cassette recorded by Nick Millner Nak 300 mics -> Sony D5 patched out of "Gus from Arkansas" 1st gen cassette: Sony D5 -> unknown cassette recorder this recording: 1st gen cassette p/b in Sony D-5 -> sound card -> CDWav editor -> Wav -> FLAC. Seeded at Dime-A-Dozen ~ 2/26/2010
gd1980-08-27.sbd.miller.92385.sbeok.flac16
1980-08-27Pine Knob Music Theatre
92385flac16; Recording Info:SBD -> Master Cassette -> Cassete -> Dat (48k) -> Pro Tools -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
gd80-08-27.aud.munder.12160.sbeok.shnf
1980-08-27Pine Knob Music Theater
12160AUD>MC>??>DAT>CDR; Multiple analog gens suspected; via Paul B; Seeded to etree by Willy
gd1980-08-27.sbd.miller.123988.flac16
1980-08-27Pine Knob Music Theater
123988flac16; Recording Info: SBD -> Master Cassette -> Dat; Transfer Info: Dat -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1980-08-29.senn421.wise.miller.100390.flac16
1980-08-29The Spectrum
100390flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
gd80-08-29.sbd-aud.munder.10033.sbeok.shnf
1980-08-29The Spectrum
100331st Set; Senn 421's>MC>DAT>CDR 2nd Set; SBD>MC>C>DAT>CDR, with ~1 min of aud patches during Other One & Drums, see info file for details; via Paul B; Seeded to etree by Willy
gd1980-08-29.nak300.morris.102013.flac16
1980-08-29The Spectrum
gd1981-08-30.136728.aud.lamarre.berger.flac16
1980-08-30Compton Terrace Amphitheatre
136728flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; set up left of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
gd80-08-30.set1-sbd.munder.15408.sbeok.shnf
1980-08-30The Spectrum
154081st Set Only; SBD>?>CD; Entire set pitch corrected; via Joey Browning; Seeded to etree by Willy
gd1980-08-30.sbd.munder.tetzeli.fix-8875-15408.34939.reflac.flac16
1980-08-30The Spectrum
34939flac16; Soundboard shn id 15408 and fixed version of shn id 8875 via Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1980-08-30.senn421.wise.miller.100392.flac16
1980-08-30The Spectrum
100392flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
gd1980-08-30.sbd.fishman.fix-34939.107394.flac16
1980-08-30The Spectrum
107394flac16; Set 1 SBD>?>CD Set 2 SBD>MR>DAT>DAT Clone>CDR>FLAC>WAV>Cool Edit Repitch>FLAC (see text file for caveats) (note: This fixed source was originally seeded with a flawed d2t01.)
gd1980-08-30.sbd.miller.110152.flac16
1980-08-30The Spectrum
110152flac16; Recording Info:Set 1: SBD -> Cassette Master -> ? -> CD; Set 2: SBD -> Cassette Master -> Dat -> Sonic Solutions -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd80-08-30.wise.vernon.16039.sbeok.shnf
1980-08-30The Spectrum
16039Recording by Jim Wise: complete; AUD @ Soundboard w/Senn 421's mounted on a pole> Sony TC-D5> CM > Nak Dragon > Sony PCM R-700 > D > HD > SndFge > CDR via Mike McCarthy, encoded by Matt Vernon
gd80-08-30.set2-sbd.munder.8775.sbeok.shnf
1980-08-30The Spectrum
87752nd set only; SBD>MC>DAT>DAT Clone>CDR; via Rich Graboyes; Seeded to etree by Willy (update source info)
gd1980-08-30.s1.127431.sbd.pasternak.flac16
1980-08-30The Spectrum
127431flac16; First Set only. Source: SBD > 3rd Gen cassette (Dolby C) with thanks to Jon Pasternak. Transfer: XLII (Dolby C) > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.
gd80-08-31.senn421-wise.popi.7456.sbeok.shnf
1980-08-31Capital Centre
7456Recording by Jim Wise: Master Audience Cassette > DAT > Hard disk (Sound Forge) > CD; , at the soundboard with Sennheiser 421's; via Popi
gd1980-08-31.aud.braverman.8824.shnf
1980-08-31Capitol Center
8824Audience (unknown equipment -- may be Jim Wise's master); Seeded to etree by Peter Braverman
gd1980-08-31.128509.naks.mason.flac16
1980-08-31Capital Centre
128509flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
gd1980-08-31.aud.cohen.34418.sbeok.flac16
1980-08-31Capitol Center
34418flac16; Recording by Mark Cohen: Master cassette audience>DAT>CD ; Nak 700s> Sony TC-D5
gd1980-08-31.139642.set1-aud.set2-sbd.flac1644
1980-08-31Capital Centre
139642flac16; Recording Info: Set 1: Sennheiser 421 > Cassette Master > SHN (shnid=7456); Set 2: SBD > Cassette Master > Cassette > CD (shnid=26353); Transfer Info: CD > Adobe Audition CC 2015 > Samplitude Professional v11.2.1 > FLAC; All Mastering By Charlie Miller