Grateful Dead
Madison Square Garden
New York, NY
September 8, 1991

DTS-Audio-CD 5.1 Mix - 3 Source Mix

Set 1 - Disc 1
01 [01:41] Crowd & Tuning
02 [06:38] Touch of Grey 
03 [05:32] Greatest Story 
04 [08:48] Loser
05 [09:24] Minglewood Blues
06 [07:23] Candyman
07 [05:25] Big River >
08 [09:25] Maggie's Farm
09 [09:27] Row Jimmy
10 [14:14] Let it Grow
TT [78:03]

Set 2 - Disc 2
01 [01:05] Crowd & Tuning
02 [07:59] Samson & Delilah  
03 [14:22] Eyes of the World > 
04 [07:17] Saint of Circumstance >
05 [09:02] Dark Star Jam >
06 [12:02] Drums >
TT [51:51]

Set 2 - Disc 3
01 [07:08] Space >
02 [09:38] The Other One >
03 [10:09] Wharf Rat >
04 [08:50] Good Lovin'
  Encore: 
05 [05:35] Attics of My Life 
TT [41:24]

Full Show
TT [2hrs:51min:14.575sec]

---------------------------------------------------------

Source Info

SBD (shnID = 75772)
DSBD > DAT > CDA 
Cleaned up copy of shnID=1069 by Darryl Hinko 
I cut out some repeat material between d2t06 Drums and d3t01 Space,
the discs are now seamless.  (Also: Removal of many, many pops.)
shnID=1069 Seeded by jashley@deadacated.com

AUD1 (shnID = 96398)
FOB Digital Audience Recording
The James Young & Clay Brennecke FOB Vault - clayb@fobdfc.com
Lineage: Master DAT
Recording Equipment: B&K 4011 110 ORTF > Neumann BS 48i-2 > 
Modified Sony TCD D-10 Pro  
Recording Location: FOB 
Set 1 Hand Held, Row R, Off Center
Set 2 On Stand, Row R, On Aisle 
Recorded By: James Young and Clay Brennecke
Transfer: 16/48k DAT Master > TASCAM DA-20 (SPDIF out) > 
LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 
by Todd Evans (todd@bluedakota.com) November 9, 2008 
Editing and Mastering: Jamie Waddell (shnflac@gmail.com)
Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither 
Encoding by Dazed64. Tracked in CDwave, FLAC Frontend level 8
Tag & Rename for FLAC Meta-Tagging.

AUD2 (shnID = 98392)
Sennheiser ME-80's > Technics SV-MD1 from OTS
DAT Master > Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 
(Fades, Sample Rate Conversion)>CDWAV>FLAC
Recorded & Transferred By Keith Litzenberger

---------------------------------------------------------

Special Thanks

Many thanks to James Young and Clay Brennecke for their wonderful
recording.  Also thanks to Keith Litzenberger for his excellent
recoding as well.  Thanks to Jay Ashley and Darryl Hinko for their
transfer and mastering/editing on the SBD source.  And thanks to 
both Jamie Waddell and Todd Evens for their pristine transfers and 
excellent editing/mastering on the FOB. 

---------------------------------------------------------

Notes on the Source Material

SBD (shnID = 75772)
This is another strange 1991 SBD.  Let me explain.  Quite a few 
digital SBD's for the 1991 year are in circulation.  I am sure 
some of you have noticed a sorta strange sound quality to them.  
What makes them sound they way they do is unknown to me.  I'd 
call them too digital.  They tip-toe along the edge of blurry.  
If I had to guess I would think a portable DAT deck was being fed 
an analog signal into the line in.  And although the levels were 
set appropriately the deck was overloaded by 'too hot' a feed 
from the SBD.  

AUD1 (shnID = 96398)
Nice and well balanced FOB.  This upfront FOB grabs quite a bit
of the sound but not as much atmosphere as you'd like for making
a matrix mix. However, this does help the sterile, straight SBD
out quite a bit.  While it doesn't completely fix the strange
"digitally" sound of the SBD it does help quite a bit.

AUD2 (shnID = 98392)
Another great sounding AUD.  I love it when multiple source can be 
used to make a 5.1 and a stereo matrix.  This doubles the options 
for the multichannel mixdown and also allows for more flexibility 
in the 5.1.  Not just the standard SBD front and AUD in the rear.  
This also allows me to do high rez mixdown for each of the 6 
channels as well as a high rez stereo mixdown of all 3 sources.

---------------------------------------------------------

Tech Notes


FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch both of the sources.  SF8.0 was used for the EQ setting
for the CTR and LFE channels. SF8.0was used to perform the hard 
limiting on the LFE channel.  Surcode CD Pro DTS was used to 
encode to DTS.   This incorporates 6 channels of DTS encoded 
16/44 wave files.          
- Mixed by dan@am-dig.com
- ISO created 05-MAY-2009    
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear, slim, double CD case.

---------------------------------------------------------

DVD-Audio Info

Front
Left Channel SBD + AUD2 Matrix
Right Channel SBD + AUD2 Matrix

Center
Mono Mix -5db SBD + AUD1 Matrix DEQ'd

Surround
Left Channel AUD1 + AUD2 Matrix -3db
Right Channel AUD1 + AUD2 Matrix -3db

Sub/LFE
Mono Mix SBD + AUD1 Matrix DEQ'd + Hard Limiting -.07db

---------------------------------------------------------

Multitrack Mixdown 5.1 Surround

Front
75772_SBD -1db
98392_AUD2 -10db

CTR (mono mix)
75772_SBD -1db
98392_AUD2 -10db

CTR (mono mix)
75772_SBD -1db
98392_AUD2 -10db

Rear
96398_AUD1 -4db
98392_AUD2 -10db

---------------------------------------------------------

Notes

d2t11 Gradual volume raised on Attics to +3db

---------------------------------------------------------

Lineup

Jerry Garcia (guitar, vocals)
Bob Weir (guitar, vocals)
Phil Lesh (bass)
Vince Welnick (keyboards, vocals)
Bruce Hornsby (grand piano, according, vocals)
Mickey Hart (drums, percussions)
Bill Kreutzmann (drums, percussions)

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio.  While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD.  To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.

---------------------------------------------------------

Additional Formats

This show is available in the following formats:

1. The SBD both AUD sources listed above at 16/44
2. CD-Audio Stereo SBD+AUD1+AUD2 Matrix Mix at 16/44
3. CD-Audio 5.1 Surround Sound DTS-Audio-CD at 16/44
4. DVD-Audio Stereo SBD+AUD1+AUD2 Matrix Mix at 24/48
5. DVD-Audio 5.1 Surround Sound at 24/48 (6 channel x 24/48)

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