Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1988-02-13.sbd.walker-scotton.miller.85908.sbeok.flac16
1988-02-13Henry J. Kaiser Auditorium
85908flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation
gd1988-02-13.sbd.walker-scotton.miller.102929.flac16
1988-02-13Henry J Kaiser Convention Center
102929flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Adobe Audition v1.5 -> FLAC/16; This is a re-master of shnid=85908; All Transfers and Mastering By Charlie Miller
gd1988-02-13.sen441.andrewf.96634.flac16
1988-02-13Henry J. Kaiser Auditorium
96634flac16; OTS AUD: Sennheiser MD-441's > patched thru one Sony D5 > Sony WM-D6C > Maxell MX-90's with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Taped and transferred by Andrew F.
gd1988-02-13.aud.schoepsCMC3.miller.14952.shnf
1988-02-13Henry J. Kaiser Auditorium
14952Schoeps CMC3/MK41>Dat>CD; Seeded to etree by Charlie Miller
gd88-02-13.aud.wiley.15126.sbeok.shnf
1988-02-13Henry J Kaiser Convention Center
15126Schoeps CMC3/MK41>Dat>CDR ; Via Charlie Miller, Re Seeded by T. Wiley ; NOTE: This is a fix copy of Charlie Miller's seed.
gd88-02-13.sbd.hinko.24292.sbeok.shnf
1988-02-13Henry J Kaiser Convention Center
24292SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
gd1988-02-14.sbd.walker-scotton.miller.85909.sbeok.flac16
1988-02-14Henry J. Kaiser Auditorium
85909flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd88-02-14.sbd.hinko.24995.sbeok.shnf
1988-02-14Henry J Kaiser Convention Center
24995SBD > MC > DAT > CD > EAC > SHN; except for Mighty Quinn, this is from the DSBD source; No cut at beginning of China Cat; EAC/SHN by Darryl Hinko
gd1988-02-14.nak300.andrewf.96635.flac16
1988-02-14Henry J. Kaiser Auditorium
96635flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony WM-D6C > Maxell MX-90's with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Taped and transferred by Andrew F.
gd1988-02-14.aud.schoepsCMC3.miller.14953.shnf
1988-02-14Henry J. Kaiser Auditorium
14953Schoeps CMC3/MK41>Dat>CD; Seeded to etree by Charlie Miller
gd88-02-14.aud.wiley.15202.sbeok.shnf
1988-02-14Henry J Kaiser Convention Center
15202Schoeps CMC3/MK41>DAT>CDR ; Via Charlie Miller ; Re Seeded by T. Wiley ; Please Note this is a fixed copy of Charlie Miller's seed.
gd88-02-14.sbd.patched.miller.23533.sbeok.shnf
1988-02-14Henry J Kaiser Convention Center
23533Source 1: SBD>Master Cassette>CD>EAC>Samplitude>SHN Source 2: SBD>Dat>ZA2>Sound Forge>SHN (Terrapin, Miracle to End Of Show) Patches: Schoeps CMC3/MK41>Dat>Sound Forge>CD>EAC>SHN (Start Of China Cat)
gd1988-02-14.sbd.walker-scotton.miller.103110.flac16
1988-02-14Henry J Kaiser Convention Center
103110flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Adobe Audition v1.5 -> FLAC/16; This is a re-master of shnid=85909; All Transfers and Mastering By Charlie Miller
gd1988-02-16.sbd.walker-scotton.miller.88400.sbeok.flac16
1988-02-16Henry J. Kaiser Auditorium
88400flac16; SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1988-02-16.nak300.andrewf.96636.flac16
1988-02-16Henry J. Kaiser Auditorium
96636flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony WM-D6C > Maxell MX-90's with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Taped and transferred by Andrew F.
gd1988-02-16.aud.schoepsCMC3.miller.14954.shnf
1988-02-16Henry J. Kaiser Auditorium
14954Schoeps CMC3/MK41>Dat>CD; Seeded to etree by Charlie Miller
gd88-02-16.aud.wiley.15477.sbeok.shnf
1988-02-16Henry J. Kaiser Convention Center
15477Schoeps CMC3/MK41>DAT>CDR ; Via Charlie Miller ; Re Seeded by T. Wiley ; Please Note this is a fixed copy of Charlie Miller's seed.
gd88-02-16.sbd.hinko.24672.sbeok.shnf
1988-02-16Henry J. Kaiser Convention Center
24672SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
gd1988-02-16.sbd.walker-scotton.miller.103111.flac16
1988-02-16Henry J. Kaiser Convention Center
103111flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Adobe Audition v1.5 -. FLAC/16; This is a re-master of shnid=88400; All Transfers and Mastering By Charlie Miller
gd1988-02-17.sbd.hinko.24764.sbeok.shnf
1988-02-17Henry J. Kaiser Auditorium
24764SBD > MC > DAT > CD >EAC > SHN; EAC/SHN by Darryl Hinko
gd1988-02-17.aud.schoepsCMC3.miller.14955.shnf
1988-02-17Henry J. Kaiser Auditorium
14955Schoeps CMC3/MK41>Dat>CD; Seeded to etree by Charlie Miller
gd1988-02-17.nak300.andrewf.96637.flac16
1988-02-17Henry J. Kaiser Auditorium
96637flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony WM-D6C > Maxell MX-90's with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644.
gd88-02-17.aud.wiley.16113.sbeok.shnf
1988-02-17Henry J. Kaiser Convention Center
16113Schoeps CMC3/MK41>DAT>CDR ; Via Charlie Miller ; Re Seeded by T. Wiley ; Please Note this is a fixed copy of Charlie Miller's seed.
gd88-02-17.sbd.hinko.18297.sbeok.shnf
1988-02-17Henry J. Kaiser Convention Center
18297SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko
gd1988-03-12.156441.dsbd.miller.flac1644
1988-03-12Civic Auditorium
156441flac1644 Recording Info: SBD > DAT > PCM Transfer Info: PCM (Sony SL-HF860D) > Sony PCM-601ESD > Behringer Ultramatch Pro (16-bit/44.1k) > Tascam SS-CDR200 > Samplitude Pro X6 Suite > FLAC/16
gd1988-03-12.138189.bammies.fm.flac1644
1988-03-12Civic Auditorium
138189flac16; Source: KFOG-FM > Cassette (compilation tape of GD-related highlights, marked 3rd Gen) kindly provided from the collection of DL; Transfer: TDK SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 04/2017
gd1988-03-16.136272.aud.bernstein.flac1644
1988-03-16Henry J. Kaiser Convention Center
136272flac16; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016
gd1988-03-16.141950.UltraMatrix.sbd.cm.miller.flac1644
1988-03-16Henry J. Kaiser Convention Center
141950flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller
gd88-03-16.sbd.willy.8864.sbeok.shnf
1988-03-16Henry J Kaiser Convention Center
8864SB>DAT>CDR>EAC>CDR; via Peter Gallagher; Seeded to etree by Willy
gd1988-03-16.nak700.yamaguchi.russjcan.102670.flac16
1988-03-16Henry J Kaiser Convention Center
102670flac 16 Source: Nak 700>dbx II>D5 40 ft dfc MAC>NakCR-3A>HD>Audacity>CDwave>TLH
gd1988-03-16.mtx.seamons.113434.flac16
1988-03-16Henry J Kaiser Convention Center
113434flac16: Matrix by Jubal H. Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
gd1988-03-16.141645.fob.cmc4-mk4.weber-small.mattes.miller.clugston.flac1644
1988-03-16Henry J. Kaiser Convention Center
141645flac16; Source Info: Master (FOB) Audience PCM; Schoeps CMC4/MK4 (ORTF) > Oade P/S > Sony PCM-F1 > PCM Clone (Sony SL-2000); Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1988-03-16.141899.sbd.miller.flac2496
1988-03-16Henry J. Kaiser Convention Center
141899flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller
gd1988-03-17.sbd.miller.91156.sbeok.flac16
1988-03-17Henry J. Kaiser Auditorium
91156flac16; Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
gd1988-03-17.sbd.unknown.13602.sbeok.shnf
1988-03-17Henry J. Kaiser Auditorium
13602Master (SBD) DAT>DATS>CDR>EAC>SHN; Seeded to etree by robertwstephens
gd88-03-17.sbd.samaritano.21297.sbeok.shnf
1988-03-17Henry J Kaiser Convention Center
21297Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano
gd1988-03-17.141952.UltraMatrix.sbd.cm.miller.flac1644
1988-03-17Henry J. Kaiser Convention Center
141952flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-03-17.141919.sbd.miller.flac2496
1988-03-17Henry J. Kaiser Convention Center
141919flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-03-17.141884.ultramatrix.pcm.dalton.miller.clugston.flac1644
1988-03-17Henry J. Kaiser Convention Center
141884flac16; Source Info: Master UltraMatrix PCM > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1988-03-18.sbd.miller.91157.sbeok.flac16
1988-03-18Henry J. Kaiser Auditorium
91157flac16; Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
gd88-03-18.sbd.samaritano.21298.sbeok.shnf
1988-03-18Henry J Kaiser Convention Center
21298Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano
gd1988-03-18.141953.UltraMatrix.sbd.cm.miller.flac1644
1988-03-18Henry J. Kaiser Convention Center
141953flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-03-18.141920.sbd.miller.flac2496
1988-03-18Henry J. Kaiser Convention Center
141920flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-03-18.sbd.willy.7989.sbeok.shnf
1988-03-18Henry J. Kaiser Auditorium
7989SBD>DAT>CD; via Kevin Gills; Seeded to etree by Willy
gd1988-03-24.140259.sen-me80.alabama-bob.flac1644
1988-03-24The Omni
140259flac16; AUD: Sennheiser ME-80's > Keith L's lead deck > Sony TC-D5M > Maxell XLII-S 90's, OTS recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017
gd1988-03-24.140261.sbd.miller.flac2496
1988-03-24The Omni
140261flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-03-24.148852.fob.senn.me80.hessberg.miller.clugston.flac1648
1988-03-24The Omni
148852flac16/48; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1988-03-24.148853.fob.senn.me80.hessberg.miller.clugston.flac2496
1988-03-24The Omni
148853flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd88-03-24.aud.wood.9540.sbeok.shnf
1988-03-24The Omni
9540AUD> ?? > Cass x2 > WAV > SHN; via Grant Wood
gd88-03-24.sbd.willy.15127.sbeok.shnf
1988-03-24The Omni
15127SBD>MC>DAT>CDR (Healy Matrix) Eac(secure with proper offsets) >cool edit pro > shntool >cdwav> shn by Ernie Dodd & Willy
gd1988-03-24.140327.UltraMatrix.sbd.cm.miller.flac1644
1988-03-24The Omni
140327flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-03-26.senn.grabski.33950.sbeok.flac16
1988-03-26Hampton Coliseum
33950flac16; Source: Sennheiser ME-80's (taper section) > Sony TCD5M > Sony D-6 TDK MAX Master Cassette Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Recorded and transferred by Dean Grabski
gd1988-03-26.134379.nakcm100.lynn.datbrad.flac16
1988-03-26Hampton Coliseum
134379flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY-PAS)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn
gd1988-03-26.144486.sennme-80.porter.carbonetta.sirmick.flac2496
1988-03-26Hampton Coliseum
144486flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019
gd1988-03-26.147992.fm.hessberg.miller.clugston.flac1648
1988-03-26Hampton Coliseum
147992flac16/48kHz; Source Info: Michael Hessberg's Master In-House FM Cassettes; Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1988-03-26.147993.fm.hessberg.miller.clugston.flac2496
1988-03-26Hampton Coliseum
147993flac24; Source Info: Michael Hessberg's Master In-House FM Cassettes; Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1988-03-26.152469.set2-aud-unknown-onemoreshot.shnf
1988-03-26Hampton Coliseum
152469Set 2 only: Audience cassette master > burned to standalone Pioneer burner > ripped with DAC > shinned with MKW.
gd1988-03-26.mtx.tobin.95488.flac16
1988-03-26Coliseum
95488flac16; Matrix 4 Source Mix - SBD1:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller (shnid 91158) SBD2:Matrix Analog Cass Master-> DAT-> CDR, via Peter Braverman (shnid=7164) AUD1: Sennheiser ME-80's (taper section) > Sony TCD5M > Sony D-6 TDK MAX Master Cassette Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Recorded and transferred by Dean Grabski (shnid 33950) AUD2: 1st or 2nd generation VHS supplied by Dan Sisler (no shnid) - matrix mixing by Kevin Tobin
gd88-03-26.sbd.braverman.7164.sbefail.shnf
1988-03-26Hampton Coliseum
7164Matrix Analog Cass Master-> DAT-> CDR, via Peter Braverman
gd1988-03-26.nak100.pasternak.mallick.107820.flac16
1988-03-26Hampton Coliseum
107820flac16; Master: OTS Nakamichi CM100/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors
gd1988-03-26.113740.SBD.flac16
1988-03-26Hampton Coliseum
113740flac16; SBD Analog Cass Master-> DAT-> CDR -> ? -> FLAC
gd1988-03-26.144485.sennme-80.porter.carbonetta.sirmick.flac1644
1988-03-26Hampton Coliseum
144485flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick January 2019
gd1988-03-26.141311.UltraMatrix.sbd.miller.flac1644
1988-03-26Hampton Coliseum
141311flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-03-26.155945.mtx.tobin.flac24
1988-03-26Hampton Coliseum
155945flac24; Matrix 2 Source Mix - SBD (shnid = 141142) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 144486) Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 - matrix mixing by Kevin Tobin
gd1988-03-26.155946.mtx.tobin.flac16
1988-03-26Hampton Coliseum
155946flac16; Matrix 2 Source Mix - SBD (shnid = 141142) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 144486) Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 - matrix mixing by Kevin Tobin
gd1988-03-26.155947.dts.tobin.flac16
1988-03-26Hampton Coliseum
155947DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141142) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 144486) Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 - dts mixing by Kevin Tobin
gd1988-03-26.155948.5-1.tobin.flac1648
1988-03-26Hampton Coliseum
155948flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141142) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 144486) Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 - surround mixing by Kevin Tobin
gd1988-03-26.set2.nak.cohen.106000.sbeok.flac16
1988-03-26Hampton Coliseum
106000flac16; Set 2 only Recorded by Dave Cohen 2 Nakamichi CM100/CP4s 1 Nakamichi CM300/CP1 Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B in OTS.Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
gd1988-03-26.141142.sbd.miller.flac2496
1988-03-26Hampton Coliseum
141142flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-03-26.142502.WeberSmall.Garrett.Mattes.Donaldson.Ammons.Noel.t-flac1644
1988-03-26Hampton Coliseum
142502flac16; Sean Weber-Small and Baird Garret FOB Recording: Schoeps CMC3 omni #3 > spaced/aimed > PCM(2); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Flac 16/44
gd1988-03-26.nak.cohen.106049.sbeok.flac16
1988-03-26Hampton Coliseum
106049flac16; Recorded by Dave Cohen 2 Nakamichi CM100/CP4s 1 Nakamichi CM300/CP1 Nakamichi 550 w/Dolby B in OTS.Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
gd1988-03-26.mtx.dts.tobin.95931.flac16
1988-03-26Coliseum
95931DTS-Audio-CD 5.1 Mix; SBD1: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 (shnid 91158) SBD2: Matrix Analog Cass Master-> DAT-> CDR, (shnid=7164) AUD1: Sennheiser ME-80's (taper section) > Sony TCD5M > Sony D-6 TDK MAX Master Cassette Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Recorded and transferred by Dean Grabski (shnid 33950) AUD2: 1st or 2nd generation VHS supplied by Dan Sisler (no shnid) - dts mixing by Kevin Tobin
gd1988-03-27.schoeps.unknown.gotfob.88250.sbeok.flac16
1988-03-27Hampton Coliseum
88250flac16; Source: FOB > Schoeps Cmc3 + omni #3 > Dat @ 44.1k Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 5.0 > Cd Wave > FLAC
gd1988-03-27.144487.sennme-80.porter.carbonetta.sirmick.flac1644
1988-03-27Hampton Coliseum
144487flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - Taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick January 2019
gd1988-03-27.144488.sennme-80.porter.carbonetta.sirmick.flac2496
1988-03-27Hampton Coliseum
144488flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019
gd1988-03-27.147998.fm.hessberg.miller.clugston.flac1648
1988-03-27Hampton Coliseum
147998flac16/48kHz; Source Info: Michael Hessberg's Master In-House FM Cassettes; Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1988-03-27.147999.fm.hessberg.miller.clugston.flac2496
1988-03-27Hampton Coliseum
147999flac24; Source Info: Michael Hessberg's Master In-House FM Cassettes; Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1988-03-27.152856.mtx.tobin.flac16
1988-03-27Hampton Coliseum
152856flac16; Matrix 2 Source Mix - SBD (shnid = 141213) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 144488) Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 - matrix mixing by Kevin Tobin
gd1988-03-27.152857.dts.tobin.flac16
1988-03-27Hampton Coliseum
152857DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141213) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 144488) Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 - dts mixing by Kevin Tobin
gd1988-03-27.152858.5-1.tobin.flac1648
1988-03-27Hampton Coliseum
152858flac16/48kHz; 5.1 LPCM Surround Sound (48k) -SBD (shnid = 141213) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 144488) Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 - surround mixing by Kevin Tobin
gd1988-03-27.ifm.grabski.34202.flac16
1988-03-27Hampton Coliseum
34202flac16; Source: in house FM > unknown 'boom box' > Sony TCD5M > Sony WM-D6C TDK MA-X master cassettes Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 recorded and transferred by Dean Grabski
gd1988-03-27.141213.sbd.miller.flac2496
1988-03-27Hampton Coliseum
141213flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd88-03-27.sbd.jerugim.406.shnf
1988-03-27Hampton Coliseum
406SBD (Matrix)> DAT> CD> EAC> [retracking of d1 w/ SF, no other alteration]> SHN; known flaws: end of Let it Grow is missing - the last minute, but the jam does not get cut; via Adam Jerugim; listener reports additional skip or splice in Scarlet Begonias d2t3; note patched version now in circulation
gd1988-03-27.nak100.pasternak.mallick.107907.flac16
1988-03-27Hampton Coliseum
107907flac16; Master: OTS Nakamichi CM100/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
gd1988-03-27.140806.s2.FOB.Schoeps.Gastwirt.Miller.Noel.t-flac.1644
1988-03-27Hampton Coliseum
140806flac16; Set 2 Source; unknown taper: Schoeps Cmc3 + omni #3 > Dat @ 44.1k (FOB); Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered by Joe Noel in Audacity > flac 16/44; Checksum & tags created in xACT
gd88-03-27.matrix.braverman.17262.sbeok.shnf
1988-03-27Hampton Coliseum
17262Updated Source info: In-House FM > Ultramatrix (SBD/AUD mix). Lineage: DAT (Panasonic 3800)> CD (HHBCDR800)> EAC> SHN via Peter Braverman
gd1988-03-27.141312.UltraMatrix.sbd.miller.flac1644
1988-03-27Hampton Coliseum
141312flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-03-28.ifm.grabski.34203.sbeok.flac16
1988-03-28Hampton Coliseum
34203flac16; Source: in house FM > unknown receiver > Sony TCD5M > Sony WM-D6C TDK MA-X master cassettes Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 recorded and transferred by Dean Grabski
gd1988-03-28.132732.datbrad-lynn.flac16
1988-03-28Hampton Coliseum
132732flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY-PAS)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
gd1988-03-28.144489.sennme-80.porter.carbonetta.sirmick.flac1644
1988-03-28Hampton Coliseum
144489flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick January 2019
gd1988-03-28.144490.sennme-80.porter.carbonetta.sirmick.flac2496
1988-03-28Hampton Coliseum
144490flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019
gd1988-03-28.152934.PandP-aud.tobin.flac16
1988-03-28Hampton Coliseum
152934flac16; Patched & Pitch Corrected Audience - (original shnid = 119008) Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - pitch correction and patches by Kevin Tobin
gd1988-03-28.152935.mtx.tobin.flac16
1988-03-28Hampton Coliseum
152935flac16; Matrix 2 Source Mix - SBD (shnid = 141215) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 119008) Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - matrix mixing by Kevin Tobin
gd1988-03-28.152936.dts.tobin.flac16
1988-03-28Hampton Coliseum
152936DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141215) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 119008) Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - dts mixing by Kevin Tobin
gd1988-03-28.152937.5-1.tobin.flac1648
1988-03-28Hampton Coliseum
152937flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141215) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 119008) Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - surround mixing by Kevin Tobin
gd1988-03-28.156408.S2-FOB-Schoeps-PCM-Master-Mattes-Anon-Noel.t-flac16
1988-03-28Hampton Coliseum
156408Recording Info: (fob) Schoeps Mk3 Omni's Spread > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) > Pcm Transfer Info: Pcm > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Don Crandall, Chris Huron & Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 07, 2021
gd1988-03-28.132751.roberts.C38B.Flac16
1988-03-28Hampton Coliseum
132751flac16; Source: Sony C38B > TCD5M; Conversion: TCD5M > PMD660 > Cdwave > TLH > Foobar2000; Recorded by Stan Roberts
gd88-03-28.sbd-matrix.9977.sbeok.shnf
1988-03-28Hampton Coliseum
9977IN House FM>Sony D-5>MC>DAT>CDR; via Paul B; Seeded to etree by Brad Ingle
gd1988-03-28.141215.sbd.miller.flac2496
1988-03-28Hampton Coliseum
141215flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-03-28.151271.fm.hessberg.miller.clugston.flac1648
1988-03-28Hampton Coliseum
151271flac16/48khz Source Info: Michael Hessberg's Master In-House FM Cassettes; unknown receiver > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1988-03-28.151272.fm.hessberg.miller.clugston.flac2496
1988-03-28Hampton Coliseum
151272flac24/96khz Source Info: Michael Hessberg's Master In-House FM Cassettes; unknown receiver > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1988-03-30.beyer.connor.30515.sbeok.flac16
1988-03-30Brendan Byrne Arena
30515Beyer Dynamic M88's>Sony TCD5M (CM - 1st Maxell MX90; 2nd Sony Metal ES 90) Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Recorded and digitally mastered by Charlie Connor
gd1988-03-30.ifm.grabski.83821.sbeok.flac16
1988-03-30Meadowlands Arena
83821flac16; Source: Internal FM broadcast > Unknown portable receiver > Sony TC-D5M > Sony WM-D6C Transfer: Master cassette > Nakamichi CR-2A > Apogee Mini-Me (24/48)> EGO-SYS WT2496 > Sound Forge 8.0 > CDWAVE 1.95.1 > FLAC frontend 1.7.1 Transferred by Dean Grabski 3-31-07
gd1988-03-30.nak300.pasternak.andrewf.89813.sbeok.flac16
1988-03-30Brendan Byrne Arena
89813flac16; AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. February 2008.
gd1988-03-30.Nak300CP4.Fitzy.Keo.124809.Flac1644
1988-03-30Meadowlands Arena
124809flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1988-03-30.145753.sennme80.porter.cabononetta.sirmick.flac24
1988-03-30Meadowlands Arena
145753flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick March 2019
gd88-03-30.sbd.lai.408.sbefail.shnf
1988-03-30Meadowlands Arena
408SBD; via Mike Lai; note had circulated without set 1 (aka d1) at first
gd1988-03-30.140341.sbd.miller.flac2496
1988-03-30Meadowlands Arena
140341flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-03-30.140378.UltraMatrix.sbd.cm.miller.flac1644
1988-03-30Meadowlands Arena
140378flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-03-30.145752.sennme80.porter.cabononetta.sirmick.flac16
1988-03-30Meadowlands Arena
145752flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; editerd and mastered SIRMick March 2019
gd1988-03-30.Nak300CP4.Fitzy.Keo.124808.Flac2496
1988-03-30Meadowlands Arena
124808flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
gd88-03-31.beyerM88.connor.30748.sbeok.flacf
1988-03-31Meadowlands Arena
30748Recording Info: Taper's Section 110 row 9, seat 9> Beyer Dynamic M88's> Sony TCD5M (CM - 1 st set Maxell MX90;2nd set Sony Metal ES90) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Recorded and digitally transferred by Charlie Connor
gd1988-03-31.nak300.pasternak.andrewf.90802.sbeok.flac16
1988-03-31Brendan Byrne Arena
90802flac16; AUD: Nakamichi CM300/CP4's > patched thru one deck > Marantz PMD-420 > Maxell MX-90's w/Dolby B, set up front row of OTS. Taped by Jon Pasternak. Transfer: MAC > Nakamichi DR-8 (Dolby B) > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. March 2008.
gd1988-03-31.140737.schoeps.cmc3.mk41.mattes.miller.clugston.flac1644
1988-03-31Meadowlands Arena
140737flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (1st row center, OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
gd88-03-31.fm.miller.25528.sbeok.shnf
1988-03-31Meadowlands Arena
25528Recording Info: In House FM -> Cassette Master -> Dat -> CD -> Samplitude v7.02 Professional -> SHN via Charlie Miller
gd1988-03-31.140279.sbd.miller.flac2496
1988-03-31Meadowlands Arena
140279flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd88-03-31.sbd.unknown.8137.sbeok.shnf
1988-03-31Meadowlands Arena
8137SBD; see flaw notes in info file; via unknown seeder to furthurnet
gd1988-03-31.138890.FOB.Schoeps.Bryant.Gastwirt.Miller.Noel.t-flac.16
1988-03-31Meadowlands Arena
138890flac16; Robert Bryant (patched out of Oade Bros.) Schoeps > CMC4 > MK41 > PCM > DAT (FOB); Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered by Joe Noel in Audacity > flac 16/44; Checksum & tags created in xACT
gd1988-03-31.140328.UltraMatrix.sbd.cm.miller.flac1644
1988-03-31Meadowlands Arena
140328flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-03-31.146218.sennme-80.porter.carbonetta.sirmick.flac16
1988-03-31Meadowlands Arena
146218flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick May 2019
gd1988-03-31.146219.sennme-80.porter.carbonetta.sirmick.flac24
1988-03-31Meadowlands Arena
146219flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick May 2019
gd1988-04-01.ihfm.andrewf.89939.sbeok.flac16
1988-04-01Brendan Byrne Arena
89939flac16; Source: SBD > In-house FM-mix > Sony SRF-4 FM receiver > Sony TC-D5M > Maxell MX-90's, w/no Dolby. Recorded inside the show, from OTS area. Transfer: MFC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
gd1988-04-01.nak300.pasternak.andrewf.90921.sbeok.flac16
1988-04-01Brendan Byrne Arena
90921flac16; AUD Set One: Nakamichi CM300/CP4's > patched thru two decks > Marantz PMD-420, front row of OTS. AUD Set Two: Nakamichi CM100/CP4's > patched thru two decks > Marantz PMD-420, set up inside the fenced soundboard area. Taped onto Maxell MX-90's, with Dolby B. Taped by Jon Pasternak. Transfer: MAC > Nakamichi DR-8 (Dolby B) > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. March 2008
gd1988-04-01.Nak300CP4.Fitzy.Keo.124798.Flac1644
1988-04-01Meadowlands Arena
124798flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1988-04-01.Nak300CP4.Fitzy.Keo.124797.Flac2496
1988-04-01Meadowlands Arena
124797flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1988-04-01.140934.bk411.schoeps.cmc3.mk41.mattes.miller.clugston.flac1644
1988-04-01Meadowlands Arena
140934flac16; Recording Info: 1st Set: Master Audience PCM; B&K 4011 mics (1st row center, OTS)> Sony Dat > PCM (Sony PCM-F1); 2nd Set: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (1st row center, OTS); Transfer Info: 1st Set: 1st gen PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16; 2nd Set: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude > Adobe Audition 3.0 > TLH flac16
gd88-04-01.sbd-matrix.braverman.11264.sbeok.shnf
1988-04-01Meadowlands Arena
11264Source: Ultramatrix (SBD/AUD mix) Lineage: DAT> ?> CD> SHN; via Raul; Seeded to etree by Peter Braverman
gd88-04-01.set1-sbd.miller-samaritano.22309.sbeok.shnf
1988-04-01Meadowlands Arena
22309*Set 1 Only*
Soundboard (Healy Ultra Box)->DAT Master->DAT. DAT->ZA2->Soundforge(recording)->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano. De-popping by Charlie Miller
gd1988-04-01.140394.UltraMatrix.sbd.cm.miller.flac1644
1988-04-01Meadowlands Arena
140394flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-04-01.140343.sbd.miller.flac2496
1988-04-01Meadowlands Arena
140343flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-04-01.147042.sennme80.porter.carbonetta.sirmick.flac16
1988-04-01Meadowlands Arena
147042flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16
gd1988-04-01.147043.sennme80.porter.carbonetta.sirmick.flac24
1988-04-01Meadowlands Arena
147043flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24
gd1988-04-01.124839.AT835.laurentis.flac16
1988-04-01Meadowlands Arena
124839flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Taper Section 2,Row-J,Seat-16
gd1988-04-03.nak300.carpenter.andrewf.89986.sbeok.flac16
1988-04-03Civic Center
89986flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008
gd1988-04-03.109056.nakcm300-pasternak.mallick.flac16
1988-04-03Hartford Civic Center
109056flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Front row OTS by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
gd1988-04-03.153796.ultramatrix.miller.flac2496
1988-04-03Hartford Civic Center
153796flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
gd1988-04-03.153797.cmc4-mk41.oade-bryant-gastwirt.miller.flac1644
1988-04-03Hartford Civic Center
153797flac16/44 Recording Info: (FOB) Schoeps CMC4/MK41 (Oade Brothers) > PCM Master (Robert Bryant) > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC/16
gd88-04-03.sbd.painoman.9628.sbeok.shnf
1988-04-03Hartford Civic Center
9628SBD>?>CD (Possible Matrix); via Ankh-af-na-khonsu; Seeded to etree by PainoMan
gd1988-04-03.154410.UltraMatrix.sbd.cm.miller.t.flac16
1988-04-03Hartford Civic Center
154410flac1644; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 153796 2496 > 1644
gd1988-04-04.aud.koucky.gmb.86913.sbeok.flac16
1988-04-04Hartford Civic Center
86913flac16; Source: Tapers section, Sennheiser ME88s > Sony D5. Master Analog Cassettes Maxell MX90 Type IV cassettes. Taped by B.Koucky. Transfer: MAC playback on azimuth adjusted Nakamich CR-7A > Lynx RCA-XLR cables > Lunatec V3 (96KHz) > AES/EBU digital out > LynxTwo Soundcard, Pro-mode Sync > recorded to harddrive with Wavelab 5 as 24 bit/96 KHz PCM WAV > Waves Z-Noise and Ozone 3 > MBIT+ > 16/44.1 > CDWAV 1.9 > FLAC (level 8). Transfer and mastering by Chris L.
gd1988-04-04.nak300.carpenter.andrewf.89996.sbeok.flac16
1988-04-04Hartford Civic Center
89996flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008.
gd1988-04-04.138756.FOB.Schoeps.Bryant.Gastwirt.Miller.Noel.t-flac16
1988-04-04Hartford Civic Center
138756flac16; Recorded by Robert Bryant FOB (patched out of Oade Brothers) Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > flac 16/44; Checksum & tags created in xACT
gd1988-04-04.152203.sbd.miller-voss-pearson-healy.flac2496
1988-04-04Hartford Civic Center
152203flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DFF 1-bit/5.6MHz > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
gd1988-04-04.152576.UltraMatrix.sbd.cm.miller.t.flac16
1988-04-04Hartford Civic Center
152576flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DFF 1-bit/5.6MHz > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152203 24 -> 16 @ 44.1
gd88-04-04.sbd.painoman.10072.sbeok.shnf
1988-04-04Hartford Civic Center
10072SBD>Cassette Master>DAT>CD (Possible Matrix); with two d/o's patched from a SBD>MC source; See info file for details; via Ankh-af-na-khonsu; Seeded to etree by PainoMan (updated lineage; had been labeled SBD>DAT>CD)
gd1988-04-05.nak300.carpenter.andrewf.90054.sbeok.flac16
1988-04-05Hartford Civic Center
90054flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008.
gd1988-04-05.140284.sbd.miller.flac2496
1988-04-05Hartford Civic Center
140284flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-04-05.138196.Schoeps.Ammons.set2.t-flac16
1988-04-05Hartford Civic Center
138196flac16/48kHz; Set 2 Unknown taper: Schoeps CMC54 at 110 degrees ORTF > Neumann PS > Sony D10 Pro; mics on 8 foot stand 1st row behind soundboard; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac, & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
gd88-04-05.aud.painoman.10073.sbeok.shnf
1988-04-05Hartford Civic Center
10073AUD>PCM>CD (Possible Matrix, Healy-FM or one damn good audience recording!); via Ankh-af-na-khonsu; Seeded to etree by PainoMan
gd1988-04-05.109167.nakcm300-pasternak.mallick.flac16
1988-04-05Hartford Civic Center
109167flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
gd1988-04-05.140331.UltraMatrix.sbd.cm.miller.flac1644
1988-04-05Hartford Civic Center
140331flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-04-07.nak300.carpenter.andrewf.90340.sbeok.flac16
1988-04-07The Centrum
90340flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008.
gd1988-04-07.125775.AT835.flac16
1988-04-07The Centrum
125775flac16; Taper: M. Laurentus; Taper Section 101, Row B, Seat 8; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
gd1988-04-07.127683.FM.flac16
1988-04-07The Centrum
127683flac16; WCUW Worcester 91.3 FM stereo broadcast > reciever > Teac 3340 reel recorder (3.3/4 ips) > Maxell UD 7" master reel > (1st set copied to 1g reel) > played on Akai GX-77 into soundforge (wav) > flac (sb's aligned)
gd1988-04-07.156054.ultramatrix.miller.flac2496
1988-04-07The Centrum
156054flac2495 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
gd1988-04-07.141711.mtx.tobin.flac1644
1988-04-07The Centrum
141711flac16; Matrix 2 Source Mix - SBD (shnid = 91163)Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 90340) AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. - matrix mixing by Kevin Tobin
gd1988-04-07.141712.dts.tobin.flac1644
1988-04-07The Centrum
141712DTS-Audio-CD 5.1 Mix; SBD (shnid = 91163)Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 90340) AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. - dts mixing by Kevin Tobin
gd1988-04-07.141713.5-1.tobin.flac1648
1988-04-07The Centrum
141713flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 91163)Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 90340) AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. - surround mixing by Kevin Tobin; Fixed version in circulation
gd1988-04-07.142015.5-1.tobin.flac1648
1988-04-07The Centrum
142015flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 91163)Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 90340) AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. - surround mixing by Kevin Tobin
gd88-04-07.pre-fm.hinko.17684.sbeok.shnf
1988-04-07The Centrum
17684Pre-FM > MR > VHS > DAT > CD > EAC > SHN (seekable) Via Darryl Hinko
gd1988-04-07.137382.cmc5.mk4v.flac1644
1988-04-07The Centrum
137382flac16; Schoeps CMC5 w/ MK4V; DAT(c) @ 44.1 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (align on sector boundaries, flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell
gd1988-04-07.aud.morris.106062.sbeok.flac16
1988-04-07The Centrum
106062flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/TDK MA 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Taper Section 101, Row CC, Seat 9 by Bob Morris
gd1988-04-07.125776.FM.flac16
1988-04-07The Centrum
125776flac16; Taper: M. Laurentus; In House FM- FM Reciever -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
gd1988-04-08.nak300.carpenter.andrewf.90465.sbeok.flac16
1988-04-08The Centrum
90465flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008.
gd1988-04-08.nakcm304.suraci.mike.82599.sbeok.flac16
1988-04-08The Centrum
82599flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and Mike E Transfer and upload by Tony Suraci
gd1988-04-08.127693.FM.flac16
1988-04-08The Centrum
127693flac16; WCUW Worcester 91.3 FM stereo broadcast > reciever > Teac 3340 reel recorder (3.3/4 ips) > Maxell UD 7" master reel > played on Akai GX-77 into soundforge (wav) > flac (sb's aligned)
gd1988-04-08.142253.schoeps.cmc4.mk41.mattes.miller.clugston.flac1644
1988-04-08The Centrum
142253flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK41 mics, ortf (1st row center, OTS, directly behind soundboard); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
gd1988-04-08.156055.ultramatrix.miller.flac2496
1988-04-08The Centrum
156055flac2495 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
gd88-04-08.fm.willy.15128.sbeok.shnf
1988-04-08The Centrum
15128In-House FM>PCM>Dat>CD via Mike Murray; encoded by Willy
gd1988-04-08.140489.prefm.lamarre.berger.flac1644
1988-04-08The Centrum
140489flac16; source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy; lineage: pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger
gd1988-04-08.nak300.morris.crazyfingers.106590.flac16
1988-04-08The Centrum
106590flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/TDK MA 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded from Taper Section 101, Row CC, Seat 15 by Bob Morris
gd88-04-09.pre-fm.braverman.15098.sbeok.shnf
1988-04-09The Centrum
15098pre-FM Master Reel> VHS (PCM)> DAT> CD> SHN via Skip Jenkins, encoded by Peter Braverman
gd1988-04-09.nak300.carpenter.andrewf.90487.sbeok.flac16
1988-04-09The Centrum
90487flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008.
gd1988-04-09.dts.tobin.91632.flac
1988-04-09The Centrum
91632DTS-Audio-CD 5.1 Mix; Audio Source Information SBD1 (shnid=91241) Recording Info: SBD -> Cassette Master (TDK SA-X90), SBD2 (shnid=15098) - only used for patches Source: Pre-FM broadcast Lineage: Master Reel> VHS (PCM)> DAT> CD> SHN, and AUD (shnid=90487) (Set 1 Right channel and all of set 2 both channels) Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter - dts mixed by Kevin Tobin
gd1988-04-09.127694.FM.set2.flac16
1988-04-09The Centrum
127694flac16; Set 2 lineage: WCUW Worcester 91.3 FM stereo broadcast > reciever > Teac 3340 reel recorder (3.3/4 ips) > Maxell UD 7" master reel > played on Akai GX-77 into soundforge (wav) > flac (sb's aligned)
gd1988-04-09.156056.ultramatrix.miller.flac2496
1988-04-09The Centrum
156056flac2495 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
gd1988-04-09.156419.prefm.lamarre.miller.flac2496
1988-04-09The Centrum
156419flac2496 Recording Info: Pre-FM (WCUW-FM) > Reel Master > VHS HiFi (Scott SVR330S); Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
gd1988-04-09.111691.daweez.d5scott.NeumannKMF4.flac16
1988-04-09The Centrum
111691Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones - 13th row-center > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1988-04-09.nakcm304.suraci.mike.82671.sbeok.flac16
1988-04-09The Centrum
82671flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and Mike E. Transfer and upload by Tony Suraci
gd1988-04-09.140395.prefm.lamarre.berger.flac2496
1988-04-09The Centrum
140395flac24; source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy; lineage: pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger
gd1988-04-09.140490.prefm.lamarre.berger.flac1644
1988-04-09The Centrum
140490flac16; source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy; lineage: pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger
gd1988-04-09.nak300.morris.crazyfingers.106589.flac16
1988-04-09The Centrum
106589flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/TDK MA 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Taper Section 101, Row CC, Seat 14 by Bob Morris
gd88-04-11.sbd.bennett.10157.sbeok.shnf
1988-04-11Joe Louis Arena
10157reEAC, reshn of previous shn set (see info), via Jim Bennett; SBD > In house FM broadcast > MC > CDR > EAC > CDWave > MKWAct > CDR (> EAC > CDWave > MKWAct)
gd1988-04-11.141859.sbd.miller.flac2496
1988-04-11Joe Louis Arena
141859flac24; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-04-11.141881.sbd.cm.miller.flac1644
1988-04-11Joe Louis Arena
141881flac16; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-04-11.aud.Holtz.Naks.116466.flac16
1988-04-11Joe Louis Arena
116466flac16; Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-5 (Maxell XL-IIS 90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Greg Holtz; Transfers, edits, track/FLAC by Greg Holtz
gd1988-04-13.nak100.holtz.LMPP.95753.sbeok.flac16
1988-04-13Rosemont Horizon
95753flac16; Source: Aud > Nak CM-100's CP-4 shotgun caps > Sony D-5 > MAC Transfer: MAC > Nak CR-5A > Tascam HD-p2 > 24/96 wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > CD Wave > TLH > Flac
gd1988-04-13.Senn421.Darby.120447.Flac1644
1988-04-13Rosemont Horizon
120447flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/Section 2, Row 44, Seat 3/6 Feet High)> Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1988-04-13.156074.ultramatrix.miller.flac2496
1988-04-13Rosemont Horizon
156074flac2496 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
gd1988-04-13.Senn421.Darby.120446.Flac2448
1988-04-13Rosemont Horizon
120446flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/Section 2, Row 44, Seat 3/6 Feet High)> Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
gd88-04-13.sbd-matrix.braverman.16748.sbeok.shnf
1988-04-13Rosemont Horizon
16748Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette> ?> DAT> CD> SHN (?) Listener reports multiple analog generations.
gd1988-04-13.156479.UltraMatrix.sbd.cm.miller.t.flac1644
1988-04-13Rosemont Horizon
156479flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156074 2496 > 1644.1
gd1988-04-14.Senn421sAKG112.Darby.120456.Flac1644
1988-04-14Rosemont Horizon
120456flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s + AKG D112 (PAS/Section 2, Row 44, Seat 3/6 Feet High)> Nakamichi 550>Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1988-04-14.156075.ultramatrix.miller.flac2496
1988-04-14Rosemont Horizon
156075flac2496 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
gd88-04-14.sbd-patched.hinko.26283.sbeok.shnf
1988-04-14Rosemont Horizon
26283SBD (Matrix) > MC > C > DAT > CD > EAC > SHN; includes patch from AUD source; EAC/SHN (nonseeking) by Darryl Hinko
gd1988-04-14.Senn421sAKG112.Darby.120455.Flac2448
1988-04-14Rosemont Horizon
120455flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s + AKG D112 (PAS/Section 2, Row 44, Seat 3/6 Feet High)> Nakamichi 550>Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
gd88-04-14.aud.willy.15824.sbeok.shnf
1988-04-14Rosemont Horizon
15824AUD>MC*>DAT>CD; *The MC is 'probable' but unconfirmed; Entire show pitch corrected; The mix is a bit 'hot' at times, most noticeably in Jerry's vocals and in the first set; via Paul B; Seeded to etree by Willy
gd1988-04-14.156481.UltraMatrix.sbd.cm.miller.t.flac1644
1988-04-14Rosemont Horizon
156481flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156075 2496 > 1644.1
gd1988-04-15.sbd.miller.92263.sbeok.flac16
1988-04-15Rosemont Horizon
92263flac16 Recording Info:SBD -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1988-04-15.NeumannKMI84.Gert.Darby.120481.Flac2448
1988-04-15Rosemont Horizon
120481flac2448; Master Audience Recorded By Mr. Allen And Mr. Darby; Neumann KMI 84s (X/Y/Section 2, Row 40, Seat 3/6 Feet High)> Unknown Phantom Power Supply> Marantz PMD-430>Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
gd1988-04-15.NeumannKMI84.Gert.Darby.120482.Flac1644
1988-04-15Rosemont Horizon
120482flac16; Master Audience Recorded By Mr. Allen And Mr. Darby; Neumann KMI 84s (X/Y/Section 2, Row 40, Seat 3/6 Feet High)> Unknown Phantom Power Supply> Marantz PMD-430>Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1988-04-15.156057.ultramatrix.miller.flac2496
1988-04-15Rosemont Horizon
156057flac2496 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
gd88-04-15.sbd.zei.2020.sbeok.shnf
1988-04-15Rosemont Horizon
2020SBD> Cass master?-> pre-FM cdr-> EAC-> Gans voiceover removed> shn; via John Zei; see John's comments in info file; Drums cuts into Space
gd1988-04-15.nak100.holtz.LMPP.95824.sbeok.flac16
1988-04-15Rosemont Horizon
95824flac16; Source: Aud > Nak CM-100's CP-4 shotgun caps > Sony D-5 > MAC (except #) Transfer: MAC > Nak CR-5A > Tascam HD-p2 > 24/96 wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > CD Wave > TLH > Flac
gd1988-04-15.156486.UltraMatrix.sbd.cm.miller.t.flac1644
1988-04-15Rosemont Horizon
156486flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 156057 2496 > 1644.1
gd1988-04-22.137944.dbx.hale.flac16
1988-04-22Irvine Meadows
137944flac16; Source: (2)Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH
gd1988-04-22.152289.ultramatrix.miller.flac2496
1988-04-22Irvine Meadows
152289flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
gd1988-04-22.152577.UltraMatrix.sbd.cm.miller.t.flac16
1988-04-22Irvine Meadows
152577flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 152289 24 -> 16 @ 44.1
gd1988-04-22.140442.senn-816.alabama-bob.flac2448
1988-04-22Irvine Meadows
140442flac24; AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2017
gd88-04-22.aud.wiley.16070.sbeok.shnf
1988-04-22Irvine Meadows
16070AUD(unknown mics/deck)> PCM> DAT> CDR; Via Paul G.; Seeded to Etree by T. Wiley
gd88-04-22.sbd-matrix.hinko.26818.sbeok.flacf
1988-04-22Irvine Meadows
26818flac16; SBD (Matrix) > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
gd1988-04-22.140443.senn-816.alabama-bob.flac1644
1988-04-22Irvine Meadows
140443flac16; AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017
gd1988-04-22.151101.aud.lohr.vernon.flac1648
1988-04-22Irvine Meadows
151101flac16/48khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
gd1988-04-22.151102.aud.lohr.vernon.flac2496
1988-04-22Irvine Meadows
151102flac24/96khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
gd1988-04-23.152337.ultramatrix.miller.flac2496
1988-04-23Irvine Meadows
152337FLAC 24 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
gd1988-04-23.152578.UltraMatrix.sbd.cm.miller.t.flac16
1988-04-23Irvine Meadows
152578flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 152337 24 -> 16 @ 44.1
gd1988-04-23.142254.fob.schoeps.cmc4.mk41.mattes.miller.clugston.flac1644
1988-04-23Irvine Meadows
142254flac16; Recording Info: Ted Mattes' Master (FOB) Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK41 mics, ORTF; Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
gd88-04-23.sbd.hinko.28710.sbeok.flacf
1988-04-23Irvine Meadows
28710flac16; SBD (Matrix) > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
gd88-04-23.aud-fob.leeds.16924.sbeok.shnf
1988-04-23Irvine Meadows
16924FOB-AUD> PCM> DAT> CDR> EAC> WAVE LAB> CD WAVE> MKW> SHN (Seekable); Converted and seeded to etree by Steven Leeds, with thanks to Paul B.
gd88-04-23.set2.sbd-matrix.braverman.18117.sbeok.shnf
1988-04-23Irvine Meadows
18117Set 2 Ultramatrix (SBD/AUD mix) Lineage: Master cassette> DAT> CD> EAC> SHN> CD> SHN via Peter Braverman
gd1988-04-23.140379.senn-816.alabama-bob.flac2448
1988-04-23Irvine Meadows
140379flac24; AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, FOB recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2017
gd1988-04-23.140380.senn-816.alabama-bob.flac1644
1988-04-23Irvine Meadows
140380flac16; AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, FOB recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017
gd1988-04-23.151103.aud.lohr.vernon.flac1648
1988-04-23Irvine Meadows
151103flac16/48khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
gd1988-04-23.151104.aud.lohr.vernon.flac2496
1988-04-23Irvine Meadows
151104flac24/96khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
gd1988-04-24.152480.ultramatrix.miller.flac2496
1988-04-24Irvine Meadows
152480flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
gd1988-04-24.152579.UltraMatrix.sbd.cm.miller.t.flac16
1988-04-24Irvine Meadows
152579flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 152480 24 -> 16 @ 44.1
gd88-04-24.sbd.hinko.31976.sbeok.flacf
1988-04-24Irvine Meadows
31976flac16; SBD (Matrix) > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
gd88-04-24.aud-fob.leeds.16887.sbeok.shnf
1988-04-24Irvine Meadows
16887FOB-AUD> PCM> DAT> CDR; EAC> WAVE LAB> CD WAVE> MKW> SHN (Seekable); Converted and seeded to etree by Steven Leeds, with thanks to Paul B.
gd1988-04-24.151105.aud.lohr.vernon.flac1648
1988-04-24Irvine Meadows
151105flac16/48khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
gd1988-04-24.151106.aud.lohr.vernon.flac2496
1988-04-24Irvine Meadows
151106flac24/96khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
gd88-04-30.prefm.lai.3394.sbeok.shnf
1988-04-30Frost Amphitheatre
3394Pre-FM> Reel> Cassette> cdr; via Biff Blond, Mike Lai
gd1988-04-30.145595.fob.nak700.anon.noel.t-flac16
1988-04-30Frost Amphitheatre
145595flac16; Lineage: Nakamichi 700 cardioids front of board -> tcd5m (master) -> Korg mr1000 (1 bit, 5.6 Mhz) -> render in AudioGate to 24 bits 48 khz sampling; Mastered by Joe Noel, Flac > Audacity > Flac. April 26, 2018; This file set is 16 bit @ 44.1
gd88-04-30.matrix.lemon2.4664.sbeok.shnf
1988-04-30Frost Amphitheatre
4664Healy Ultramatrix; via lemon2 with thanks to childo
gd1988-04-30.141810.FOB.NAK.Anon.Noel.t-flac2496
1988-04-30Frost Amphitheatre
141810flac24; Lineage: Nakamichi 700 cardioids front of board -> tcd5m (master) -> Korg mr1000 (1 bit, 5.6 Mhz) -> render in AudioGate to 24 bits 48 khz sampling
gd1988-04-30.141865.sbd.miller.flac2496
1988-04-30Frost Amphitheatre
141865flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-04-30.141889.UltraMatrix.cm.sbd.miller.flac1644
1988-04-30Frost Amphitheatre
141889flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-04-30.151107.aud.lohr.vernon.flac1648
1988-04-30Frost Amphitheatre
151107flac16/48khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
gd1988-04-30.151108.aud.lohr.vernon.flac2496
1988-04-30Frost Amphitheatre
151108flac24/96khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
gd1988-04-30.ec7.bowen.118630.flac16
1988-04-30Frost Amphitheatre
118630flac16; Source: (OTS/LOC) Superscope EC-7's [near coicident/cardioids] > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/transferred: Jeff Bowen; Extraction/seed: Brad Foster
gd1988-05-01.145596.fob.nak700.anon.noel.t-flac16
1988-05-01Frost Amphitheatre
145596flac16; Lineage: Nakamichi 700 cardioids front of board -> tcd5m (master) -> Korg mr1000 (1 bit, 5.6 Mhz) -> render in AudioGate to 24 bits 48 khz sampling; Mastered by Joe Noel, Flac > Audacity > Flac, April 27, 2018; This file set is 16 bit @ 44.1
gd88-05-01.sbd.jerugim.2206.sbefail.shnf
1988-05-01Frost Amphitheatre
2206DSBD->DAT Master->DAT Clone; DAT-> CD-> EAC-> CDWave-> SHN conversion and seeded by Adam Jerugim
gd1988-05-01.ec7.bowen.foster.118671.flac16
1988-05-01Frost Amphitheatre
118671flac16; Source: (OTS/LOC) Superscope EC-7's [near coicident/cardioids] > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/transferred: Jeff Bowen; Extraction/seed: Brad Foster
gd1988-05-01.141811.FOB.NAK.Anon.Noel.t-flac2496
1988-05-01Frost Amphitheatre
141811flac24; Lineage: Nakamichi 700 cardioids front of board -> tcd5m (master) -> Korg mr1000 (1 bit, 5.6 Mhz) -> render in AudioGate to 24 bits 48 khz sampling
gd88-06-01.sbd.munder.20606.sbeok.shnf
1988-06-01Unknown
20606"The Inn By The Sea" tape; This tape was left in a room occupied by The Grateful Dead at "The Inn By The Sea," Cape Elizabeth, Maine when they were doing the July 2 and 3, 1988 at Oxford Plains, Maine; Recorded at Club Front?; SBD>DAT>CT>CD>EAC>SHN; shn(1)>cda(1)
gd1988-06-17.aud.holtz.nak100s.112317.flac16
1988-06-17Metropolitan Sports Center
112317flac16; Recorded, transferred, tracked and FLACd by Greg Holtz; Field Equipment: Nakamichi CM100 CP-4 shotgun caps > D-5; Transfer: MAC > Cassette 1st gen > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > TLH > FLAC
gd88-06-17.aud.goetz.19544.sbeok.shnf
1988-06-17Metropolitan Sports Center
19544UNKNOWN AUD>?>CDR>WAV>SHN; Shn converted with Mkw by Robert Goetz (winterland121072@yahoo.com)
gd88-06-17.set2.sennheiser.ladner.19286.sbeok.shnf
1988-06-17Metropolitan Sports Center
19286AUD(likely sennheiser)>?>CDR>WAV>SHN. SHN encoding via C.Ladner.
gd1988-06-19.senn421.zaleski.ford.107564.flac16
1988-06-19Alpine Valley Music Theatre
107564flac16; Sennheiser 421s> Sony D5> Sony D5> MAC> 1st gen cassettes Maxell XLII (Set I) and Maxell XLII-S (Set II). Taped by Lucien Zaleski. Transferred, Edited and Mastered by Alex Ford.
gd1988-06-19.151200.ultramatrix.repatched.miller.flac2496
1988-06-19Alpine Valley Music Theatre
151200flac24/96 Patched version of: Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 (1 DVD FLAC)
gd1988-06-19.151602.UltraMatrix.sbd.1stGen.repatched.voss.miller.t.flac16
1988-06-19Alpine Valley Music Theatre
151602flac16/44.1khz Patched version of: Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 (1 DVD FLAC) - 151200 24 -> 16 @ 44.1
gd1988-06-19.111252.daweez.NeumannKMF4.d5scott.flac16
1988-06-19Alpine Valley Music Theatre
111252flac16; Source: 2 Neumann KMF4 microphones-20th row > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
gd1988-06-19.151045.ultramatrix.miller.flac2496
1988-06-19Alpine Valley Music Theatre
151045flac24/96khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
gd1988-06-19.sbd.miller.95920.sbeok.flac16
1988-06-19Alpine Valley Music Theatre
95920flac16; Recording Info:SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Transfer Info:Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd88-06-19.sennheiser.ladner.17267.sbeok.shnf
1988-06-19Alpine Valley Music Theatre
17267Source: AUD(Senn 441's)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN. Taper: Craig Camus. CDR source via Todd Norman. SHN encoding/FTP transmission via Chris Ladner/candyman FTP.
gd1988-06-19.127250.shureSM57.chuckm.flac16
1988-06-19Alpine Valley Music Theatre
127250flac16; Source (AUD): Shure SM57 (PAS, front row OTS, center, 7' up) > Sony WM-D6C (Maxell MX 90 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase (pre and post set fades, edit for tape flips, balance channels, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
gd1988-06-19.set2.119123.akg451.darby.flac24
1988-06-19Alpine Valley Music Theatre
119123flac24; Set 2 Only Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAc8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
gd1988-06-19.set2.119124.akg451.darby.flac16
1988-06-19Alpine Valley Music Theatre
119124flac16; Set 2 Only Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAc8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo
gd1988-06-20.151410.ultramatrix.miller.flac2496
1988-06-20Alpine Valley Music Theatre
151410 flac24/48khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
gd1988-06-20.sbd.miller.119380.flac16
1988-06-20Alpine Valley Music Theatre
119380flac16; Recording Info: SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1988-06-20.151614.UltraMatrix.sbd.1stGen.voss.miller.t.flac16
1988-06-20Alpine Valley Music Theatre
151614flac16/44khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151410 24 -> 16 @ 44.1
gd1988-06-20.123452.sbd.miller.flac16
1988-06-20Alpine Valley Music Theatre
123452flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Set 2: SBD -> Cassette Master -> ? -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1988-06-20.119067.akg451.darby.flac24
1988-06-20Alpine Valley Music Theatre
119067flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tapes, Maxell MX Set 1,TDK MA-X Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAc8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
gd1988-06-20.119068.akg451.darby.flac16
1988-06-20Alpine Valley Music Theatre
119068flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tapes, Maxell MX Set 1,TDK MA-X Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAc8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo
gd88-06-20.sennheiser.ladner.17269.sbeok.shnf
1988-06-20Alpine Valley Music Theatre
17269Source: AUD(Senn 441's)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN. Taper: Craig Camus. CDR source via Todd Norman. SHN encoding/FTP transmission via Chris Ladner/candyman FTP.
gd1988-06-20.147212.East.Troy.WI.FOB.AKG460.flac16441
1988-06-20Alpine Valley Music Theatre
147212flac16; Source: AKG 460(FOB 20th Row); Transfer: DAT > Sony PCM R300 > Tascam DR680
gd1988-06-20.127251.shureSM57.chuckm.flac16
1988-06-20Alpine Valley Music Theatre
127251flac16; Source (AUD): Shure SM57 (DIN, center, OTS, 7' up) > Sony WM-D6C (Maxell MX 90 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase (pre and post set fades, edit for tape flips, balance channels, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
gd1988-06-22.Set2.AKG451.Darby.119340.Flac2448
1988-06-22Alpine Valley Music Theatre
119340flac24; Set 2 Only Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tape TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
gd1988-06-22.Set2.AKG451.Darby.119341.Flac1644
1988-06-22Alpine Valley Music Theatre
119341flac16; Set 2 Only Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tape TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1988-06-22.s2.sbd.miller.119780.flac16
1988-06-22Alpine Valley Music Theatre
119780flac16; Set 2 Recording Info: SBD -> ? -> Cassette/4; Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd88-06-22.akg.omalley.31633.sbeok.flacf
1988-06-22Alpine Valley Music Theatre
31633flac16; Source: AKG414 > Sony PCM > Tascam Porta 5 w/ Dolby DBX Transfer: Cassette Master > CD > LibParanoia > AIFF > FLAC Taped by: Jim O'Malley
gd1988-06-22.111276.NeumannKMF4.daweez.d5scott.flac16
1988-06-22Alpine Valley Music Theatre
111276flac16; Source: 2 Neumann KMF4 microphones - 7th row > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
gd88-06-22.sennheiser.ladner.17349.sbeok.shnf
1988-06-22Alpine Valley Music Theatre
17349AUD(Senn 441's, Row 16, DFC)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN taped by Craig Camus via Todd Norman encoded by Chris Ladner
gd1988-06-22.127252.shureSM57.chuckm.flac16
1988-06-22Alpine Valley Music Theatre
127252flac16; Source (AUD): Shure SM57 (A/B, 10" spacing, center, OTS, 7' up) > Sony WM-D6C (Maxell MX 90 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase (pre and post set fades, edit for tape flips, balance channels, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
gd88-06-23.dsbd.terrapin-flyer.13051.sbeok.shnf
1988-06-23Alpine Valley Music Theatre
13051yet another DAE/re-SHN of the exisitng DSBD?; posted to abgd by terrapin flyer
gd1988-06-23.akg414.omalley.30114.sbeok.flac16
1988-06-23Alpine Valley Music Theater
30114flac16; Source: AKG414 > PCM > Stereo Line Out > Tascam Port 5 Analog Tape Deck w/ DBX Dolby Transfer: Cassette Master > DAT > CD > LibParanoia > Flac16 Taped by O'Malley
gd1988-06-23.111277.NeumannKMF4.daweez.d5scott.flac16
1988-06-23Alpine Valley Music Theatre
111277flac16; Source: 2 Neumann KMF4 microphones - 11th row > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
gd1988-06-23.142398.sbd.miller.flac1648
1988-06-23Alpine Valley Music Theatre
142398flac16/48kHz; Recording Info: UltraMatrix SBD > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Master by Charlie Miller
gd1988-06-23.AKG451.Darby.119342.Flac2448
1988-06-23Alpine Valley Music Theatre
119342flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tapes Set 1 Maxell-MX, Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
gd1988-06-23.AKG451.Darby.119343.Flac1644
1988-06-23Alpine Valley Music Theatre
119343flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tapes Set 1 Maxell-MX, Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd88-06-23.sennheiser.ladner.17407.sbeok.shnf
1988-06-23Alpine Valley Music Theatre
17407AUD(Senn 441's, Row 16, DFC)>CM (Marantz PMD430)>DAT>CDR>WAV>SHN. Recorded and transferred (CM > DAT > CDR) by Craig Camus. Encoding/edits by Chris Ladner.
gd1988-06-23.127253.shureSM57.chuckm.flac16
1988-06-23Alpine Valley Music Theatre
127253flac16; Source (AUD): Shure SM57 (A/B, 10" spacing, center, OTS, 7' up) > Sony WM-D6C (Maxell MX 90 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase (pre and post set fades, edit for tape flips, balance channels, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
gd1988-06-23.sbd.unknown.9456.shnf
1988-06-23Alpine Valley Music Center
9456Likely eac of original DSBD source
gd88-06-25.schoeps-fob.unknown.8478.sbeok.shnf
1988-06-25Buckeye Lake Music Center
8478Schoeps MK2s fob; Unknown seeder
gd1988-06-25.149261.fob.unkown.ebel.flac1644
1988-06-25Buckeye Lake Music Center
149261flac16; Source Info: FOB Microphones Unknown-> PCM-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
gd1988-06-25.143077.fob.schoeps.mk2s.dalton.miller.clugston.flac1644
1988-06-25Buckeye Lake Music Center
143077flac16; Master (FOB) Audience PCM; Schoeps MK2S split omnis > Tim Dalton's PCM clone (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16
gd1988-06-25.134860.bltz.flac2496
1988-06-25Buckeye Lake Music Center
134860flac24; Source: Nakamichi CM-300s/Shotguns -> Sony Walkman Pro/TDK MA90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
gd1988-06-25.senn421.zaleski-kolodjeski.ford.107387.flac16
1988-06-25Buckeye Lake Music Center
107387flac16; Sennheiser 421s> Sony D5> Sony D5> MAC> 1st Gen cassettes Taped by Lucien Zaleski and Andrew Kolodjeski. Transferred, Edited and Mastered by Alex Ford.
gd1988-06-26.139226.Schoeps-MK2.gastwirt.miller.sirmick.sbeok.flac1648
1988-06-26Civic Arena
139226flac16/48kHz; Source: Audience recording > Schoeps MK2 > PCM > DAT (48k); provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; transferred by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick September 2017
gd1988-06-26.139246.Schoeps-MK2.gastwirt.miller.sirmick.sbeok.flac1648
1988-06-26Civic Arena
139246flac16/48kHz; Source: Audience recording > Schoeps MK2 > PCM > DAT (48k); provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; transferred by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick September 2017
gd1988-06-26.Nak300CP4.Floater.Keo.115733.Flac1644
1988-06-26Civic Arena
115733flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell XL-II 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
gd1988-06-26.Nak300CP4.Floater.Keo.115734.Flac2496
1988-06-26Civic Arena
115734flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell XL-II 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
gd88-06-26.sbd-matrix.nawrocki.5608.sbeok.shnf
1988-06-26Civic Arena
5608SBD/Matrix > Dat > CDR > Sonic Solutions > CDR > EAC > CDWave > mkwACT; extracted/seeded by Doug Nawrocki
gd1988-06-26.mk2.miller.123834.flac16
1988-06-26Civic Arena
123834flac16; Recording Info: (FOB) Schoeps CMC4/MK2 -> PCM -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1988-06-28.fm-mtx.braverman.12187.sbeok.shnf
1988-06-28Saratoga Performing Arts Center
12187FM (matrix): DAT > CD > TrackThief > AIFF > Peak > WAV > SHN > shntool (corrected S.B.problems); Seeded to etree by Peter Braverman with thanks to Doug Nawrocki
gd1988-06-28.sbd.skankweed.7802.shnf
1988-06-28Saratoga Performing Arts Center
7802(pre- FM) SBD> MC> DAT> CDR, EAC'ed/Shn'ed and Posted to abgd by Stephen Agan
gd1988-06-28.134529.sbd.miller.flac24
1988-06-28Saratoga Performing Arts Center
134529flac24; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Tascam 122mkII) -> Focusrite Scarlett -> AIFF (24bit/44.1k); Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; Mastered By Charlie Miller
gd1988-06-28.110953.akg463.ackerman.Taraszki.flac16
1988-06-28Saratoga Performing Arts Center
110953flac16; Source: AKG 460b/ck63uls > AKG B18> Sony TCD5; Conversion: Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16; Recorded by Ray Ackerman; Conversion by Ray Ackerman; Tracks, FLACs, Tags by Craig Taraszki
gd1988-06-28.134530.sbd.miller.flac16
1988-06-28Saratoga Performing Arts Center
134530flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Tascam 122mkII) -> Focusrite Scarlett -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; Mastered By Charlie Miller
gd1988-06-28.132523.Nak100CP4.Seremetcc.Keo.Flac2496
1988-06-28Saratoga Performing Arts Center
132523flac24; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD-8-100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1988-06-28.141703.OTS.AKG.Ackerman.Miller.Noel.t-flac2496
1988-06-28Saratoga Performing Arts Center
141703flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)