Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1977-00-00.125546.tuning.murphy.flac
1977-01-01Various
125546"Tuning '77" - a seamless audio supercut of an entire year of the Grateful Dead tuning their instruments, live on stage. Chronologically sequenced, this remix incorporates every publicly available recording from 1977, examining the divide between audience expectation and performance anxiety. Source: all 1977 recordings from archive.org's collection, as of 12/05/2012.
gd77-02-17.sbd.outtakes.16745.sbeok.shnf
1977-02-17Arista Studios
16745Source:SBD>Master Reel>DAT>CDR>SHN; Terrapin Station and Mars Hotel studio outtakes; DAE(EAC0.9 beta 4)>tracking(CDWAV)>SHN(MKWAct.96f)>FTP via Tripp
gd1977-02-17.145591.Goody-pitch-fix.flac1644
1977-02-17Sound City
145591flac16/44.1khz Goody pitch fix of 145156. dBpoweramp (WAV) > Audition (Pitch Bender, various amounts; edits to smooth transitions) > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000 (tags)
gd1977-02-17.145156.Alternative-Terrapin-Station.acetboy.t-flac1644
1977-02-17Sound City
145156flac16; Derived from the tagged version of source ID 16745; Source:SBD> Master Reel> DAT> CDR> SHN; DAE (EAC0.9 beta 4)> tracking(CDWAV)> SHN (MKWAct.96f)> FTP via Tripp; flac files from internet > xACT > WAV > Pro Tools LE > xACT > flac
gd77-02-20.sbd.moreno.9470.sbeok.shnf
1977-02-20Studio (Terrapin Station Outtakes)
9470Terrapin Station Outtakes; sbd>?>cdr; Seeded to etree by Paul Moreno
gd1977-02-26.sbd.wizard.32009.sbefail.shnf
1977-02-26Swing Auditorium
32009SBD>MR>DAT>CD; Editing and mastering by The Wizard
gd1977-02-26.sbd.steve.253.shnf
1977-02-26Swing Auditorium
253Betty Board; d1 overtime- see G. Hamilton's alternate tracking suggestions; no md5s originally- checksums here are generated from the alt tracking; a few dropouts and reel changes; via Datsit, Other1, Steve; listener Jason Palmer asserts that there may be NR applied to this version?; Dropouts noted: Samson and Delilah @ 1:54; Music Never Stopped @ 2:04; note d1 tracks are in correct order unlike later reshn of this version; upgrade in circulation
gd1977-02-26.151834.BettyBoardDeibertremasterAnonNoelpartialupgradet-flac16
1977-02-26Swing Auditorium
151834 flac16 This is a remaster & partial upgrade to shnid 83283 - Source #1: 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 2-17-2002. Remastered by Joe Noel February 17, 2020 - Source #2: Betty Board > Reel Master > PCM (original) > pcm clone > sony 601esd > spdif digital clone to dat > vx pocket > laptop Playback & dbx decode; laptop > vx pocket spdif out > mytek stereo 96 dac > balanced analog out > dbx150X type I dbx decoder > balanced analog out to mr2000 balanced in, 1 bit recorded > Audiogate WAV 24/48 DAT transferred & provided by anonymous Edited & Mastered using Adobe Audition by Joe Noel February 16, 2020
gd1977-02-26.152023.remaster.partial.upgr.fixed.151834.Betty.Deibert.Anon.Noel.t-flac16
1977-02-26Swing Auditorium
152023Fix Of i.d. 151834. Channels reversed on 151834. This is a remaster & partial upgrade to shnid 83283. Source #1: 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 2-17-2002. Remastered by Joe Noel February 17, 2020 Source #2: Betty Board > Reel Master > PCM (original) > pcm clone > sony 601esd > spdif digital clone to dat > vx pocket > laptop Playback & dbx decode; laptop > vx pocket spdif out > mytek stereo 96 dac > balanced analog out > dbx150X type I dbx decoder > balanced analog out to mr2000 balanced in, 1 bit recorded > Audiogate WAV 24-48 DAT transferred & provided by anonymous. Edited & Mastered using Adobe Audition by Joe Noel. February 16, 2020.
gd1977-02-26.sbd.hamilton.2519.shnf
1977-02-26Swing Auditorium
2519EAC> seeking SHN by anonymous of previous set, with "alternate" tracking, but also with additional error- this shn set has been circulated with d1t2,t3 switched- correctly listed in info file, but with incorrect tracknames as in d1error.md5 here; d1ok.md5 here shows correct track ordering; Dropouts noted: Samson and Delilah @ 1:54; Music Never Stopped @ 2:04; upgrade in circulation
gd1977-02-26.mtx.seamons-bertrando.110037.flac16
1977-02-26Swing Auditorium
110037flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
gd77-02-27.bertrando.vernon.10378.sbeok.shnf
1977-02-27Robertson Gym, UC Santa Barbara
10378Sony ECM-280> Sony TC-153SD ACM> R>DAT> CDR taped by Dr. Rob Bertrando; via Raoul Duke; Seeded to etree by Matt Vernon; Note- d2t06 does not exist, this was merely a naming error and the show is complete as is.
gd1977-02-27.gd1977-02-27.145196.sony.ecm280.bertrando.smith.miller.clugston.flac2496
1977-02-27Robertson Gym University Of California
gd1977-02-27.143884.SonyECM-280.bertrando.warburton.smith.sirmick.flac2496
1977-02-27Robertson Gym, U.C.S.B.
143884flac24; Source: Sony ECM-280s > Sony TC-153SD > Cassette Master > Reel > Reel - Taped by Dr. Rob Bertrando, Jimmy Warburton's copy; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick
gd1977-02-27.143885.SonyECM-280.bertrando.warburton.smith.sirmick.flac1644
1977-02-27Robertson Gym, U.C.S.B.
143885flac16; Source: Sony ECM-280s > Sony TC-153SD > Cassette Master > Reel > Reel - Taped by Dr. Rob Bertrando, Jimmy Warburton's copy; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16; edited and mastered SIRMick November 2018
gd1977-02-27.144911.sbd.miller.flac1644
1977-02-27Robertson Gym, U.C.S.B.
144911flac16; Partial Set 2 Recording Info: SBD > Master Reel (7.5ips 1/2trk) > FLAC; Mastering Info: FLAC > Samplitude Pro X3 Suite > FLAC/16; Transferred by Rob Eaton; Mastered by Charlie Miller
gd1977-02-27.144912.sbd.pc.miller.flac1644
1977-02-27Robertson Gym, U.C.S.B.
144912flac16; Partial Set 2 Pitch Corrected Version Recording Info: SBD > Master Reel (7.5ips 1/2trk) > FLAC; Mastering Info: FLAC > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; Transferred by Rob Eaton; Mastered by Charlie Miller
gd1977-02-27.145195.sony.ecm280.bertrando.smith.miller.clugston.flac1648
1977-02-27Robertson Gym, U.C.S.B.
145195flac16/48kHz; Rob Bertrando's Master Audience Cassettes; Sony ECM-280 mics > Sony TC-153SD > Rob Bertrando's 1st generation reels @ 3.75 ips; Transfer Info: 1st generation reels (Akai GX636)> Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1977-03-01.150848.sbd.flac16
1977-03-01Multiple
150848Every Scarlet-Fire jam from the Spring '77 tour, edited into a seamless mix. *4/25/77 and 4/27/77 not included due to lackluster SBDs.
gd77-03-18.sbd.unknown.254.sbeok.shnf
1977-03-18Winterland Arena
254SBDMR @ 7.5 ips> DAT> CD> EAC> SHN, with AUD patches; AUD portions: Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette> DAT> CD> EAC> SHN; note skip or maybe reel flip d2t2 5:38; d3t3>4 track marker off by ~1:45; d3t5, 'NFA', has an undocumented AUD splice from 14:20 to 15:06
gd1977-03-18.sbd.clugston.254-patch.79098.shnf
1977-03-18Winterland Arena
79098Source info: SBD 1: SBDMR @ 7.5 ips>DAT>CD>EAC>SHN (track 2 and 3) SBD 2: SBD>(unknown analog/digital gens)>CD>EAC>SHN (track 1) AUD: Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette>DAT>CD>EAC>SHN (patch in track 3)
gd1977-03-18.140916.ecm270.menke.sirmick.flac2496
1977-03-18Winterland Arena
140916flac24; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick February 2018; fixed version in circulation
gd1977-03-18.140942.fixed.ecm270.menke.sirmick.flac1644
1977-03-18Winterland Arena
140942flac16; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; fixed version of source ID 140916
gd1977-03-18.140918.ecm270.menke.sirmick.fixed.flac2496
1977-03-18Winterland Arena
140918flac24; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; fixed version of source ID 140916
gd1977-03-18.141388.mtx.seamons.ht114.141388.flac1644
1977-03-18Winterland Arena
141388flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 123285 & 140918.
gd1977-03-18.141163.ecm270.menke.sirmick.revised.flac2496
1977-03-18Winterland Arena
141163flac24; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; pitch corrected version of the two previous fixes
gd1977-03-18.123285.sbd.miller.flac16
1977-03-18Winterland Arena
123285flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Mastering Info: CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1977-03-18.145509.mtx.motb.0222.flac16
1977-03-18Winterland Arena
145509flac16; Analog Audience Source: Sony ECM 270 Microphones > Sony TC 152SD; front row balcony right side; Medium Stock Brands: Maxell UD C90's Cassettes; Analog Sound Preservation: MAC > CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg at 5.6 mhz; Soundboard Source: Source: Recording Info: SBD -> Master Reel -> Dat -> CD; Mastering Info:CD -> Samplitude Professional v11.2.1 -> FLAC; Mastering & Matrix: Derek McCabe
gd77-03-19.sbd.chinacat.255.sbeok.shnf
1977-03-19Winterland Arena
255SBD>MR>DAT>DAT>Sonic Solutions>CDR; original tree and covers; note circ at one site 10/99 w/ problem in d3t5?; note Terrapin has fluttery flaws from master reel
gd1977-03-19.mtx.hansokolow.96856.flac16
1977-03-19Winterland Arena
96856flac16; matrix of SBD: shnid=255 and an uncirculated AUD: shnid=xxxxx by hansokolow using ProTools
gd1977-03-19.152612.sbd.patched.miller.flac1644
1977-03-19Winterland Arena
152612flac16/44 Recording Info: SBD > Reel Master > DAT (44.1k)
Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC
gd1977-03-19.152613.sbd.patched.miller.flac2496
1977-03-19Winterland Arena
152613Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
gd1977-03-19.145510.mtx.motb0224.flac16
1977-03-19Winterland Arena
145510flac16; Analog Audience Source: Sony ECM 270 Microphones > Sony TC 152SD; front row balcony right side; Medium Stock Brands: Maxell UD C90's Cassettes; Analog Sound Preservation: MAC > CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg at 5.6 mhz; Soundboard Source: Source: Recording Info: SBD -> Master Reel -> Dat -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; Mastering & Matrix: Derek McCabe
gd1977-03-19.123190.sbd.miller.flac16
1977-03-19Winterland Arena
123190flac16; Recording Info: SBD -> Master Reel -> Dat -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; Mastered By Charlie Miller
gd1977-03-19.140347.mtx.seamons.ht113.flac1644
1977-03-19Winterland Arena
140347flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 123190 & 139354
gd1977-03-19.139354.soneyecm.ebel.flac1644
1977-03-19Winterland Arena
139354flac16 44.1khz Sony ECM 280 ->Cassette ->DAT. Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel.
gd1977-03-19.154389.s1pt.s2.sbd.cm.miller.t.flac16
1977-03-19Winterland Arena
154389flac1644; Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 152613 2496 > 1644
gd77-03-20.sbd.kempa.257.sbefixed.shnf
1977-03-20Winterland Arena
257SBD > Reel(1) > ?? > DAT > WAV > SHN; Transfer via TB Fiji (S/PDIF) by J. Kempka; DAT seeded by T. Buller; no Terrapin encore on this source; some hiss. [Note: A version circulates with the sbe's fixed on set 1]; upgrade in circulation
gd77-03-20.sbd.miller.25610.sbeok.shnf
1977-03-20Winterland Arena
25610Recording Info: SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Tracked and SHN'd By Charlie Miller
gd1977-03-20.145511.mtx.motb0226.flac16
1977-03-20Winterland Arena
145511flac16; Analog Audience Source: Sony ECM 270 Microphones > Sony TC 152SD; front row balcony right side; Medium Stock Brands: Maxell UD C90's Cassettes; Analog Sound Preservation: MAC > CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg at 5.6 mhz; Soundboard Source: SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN; Mastering & Matrix: Derek McCabe
gd1977-03-20.132365.aud.taback.flac16
1977-03-20Winterland Arena
132365flac16; Partial Recording by Gene Taback center-right balcony toward the front, deck and mics unlabeled and forgotten
gd1977-03-20.aud.unknown.100022.flac16
1977-03-20Winterland Arena
100022flac16; Partial Second Set Audience Tape Unknown Gen TDK Cassette-> SB Audigy-> Audacity-> CD Wav-> Flac
gd1977-03-20.141691.sbd.miller.flac1644
1977-03-20Winterland Arena
141691flac16; Recording Info: SBD > Master Reel (7in 7.5ips 1/2trk dbx) > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; Fixed Version in circulation
gd1977-03-20.141710.sbd.miller.flac1644
1977-03-20Winterland Arena
141710flac16; Recording Info: SBD > Master Reel (7in 7.5ips 1/2trk dbx) > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; Numerous flaws cleaned up
gd77-04-22.sbd.cotsman.10148.sbeok.shnf
1977-04-22The Spectrum
10148Multiple sources; AUD>MC>D>CD; SBD>MR>D>CD; SBD>MR>?>CD; See info file for details; via Matt Vernon, Raoul Duke, & Jools; Seeded to etree by J. Cotsman
gd77-04-22.sony.unknown.8673.sbeok.shnf
1977-04-22The Spectrum
8673FOB Sony ECM99A mics > Sony TC152 > Cass > DAT > CDR; Samson is missing due to a tape flip; Seeded to etree by Dave Luzenske
gd1977-04-22.152296.aud.petrunis.andrewf.flac1644
1977-04-22The Spectrum
152296flac1644; Source: Mono Sony hand-held recorder (model unknown) > Maxell-UD Set 1 & TDK-SD Set 2 (normal bias). Recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2021
gd77-04-23.hopkins.vernon.17178.sbeok.shnf
1977-04-23Springfield Civic Center
17178AUDMC(Sony ECM99A > Sony152TC) > DAT > CD taped by Steve Hopkins via David Minor encoded by Matt Vernon; upgrade in circulation
gd77-04-23.moore.minches.18438.sbeok.shnf
1977-04-23Springfield Civic Center
18438Recorded by Jerry Moore; Sony ECM-33Ps> Sony 153 pole mounted from floor back of center line. AUDMC > SHN by David Minches.
gd1977-04-23.sbd.miller.88401.sbeok.flac16
1977-04-23Springfield Civic Center Arena
88401flac16; SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
gd1977-04-23.sbd.unknown.27421.shnf
1977-04-23Springfield Civic Center Arena
27421unknown provenance, but with same digisnit in Sugaree and patch in Franklin's as a previous set; however, note fewer tracks and nonstandard naming- poss reDAE/reshn of some kind?; upgrade in circulation
gd1977-04-23.sonyECM99a.hopkins.minches.83685.flac16
1977-04-23Springfield Civic Center Arena
83685flac16; Recorded by Steve Hopkins Master Audience Cassette; Sony ECM-99a > Sony TC-152sd with dolby b encoding (see info file for details) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> Adobe Audition > Downsample/Dither> flac encoding > FLAC * Patch source; Recorded by Jerry Moore; Sony ECM-33Ps> Sony TC-152
gd1977-04-23.152692.ecm-99a.warburton.smith.sirmick.flac16
1977-04-23Springfield Civic Center
152692flac16/44 Source: Sony ECM-99a > Sony TC-152 > Master Cassettes - taped by Jimmy Warburton. The microphone was taped to a walking stick and held about 3 feet above my head. 1st transfer: Master Cassettes > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick July 2021
gd1977-04-23.152693.ecm-99a.warburton.smith.sirmick.flac24
1977-04-23Springfield Civic Center
152693flac24/96 Source: Sony ECM-99a > Sony TC-152 > Master Cassettes - taped by Jimmy Warburton. The microphone was taped to a walking stick and held about 3 feet above my head. 1st transfer: Master Cassettes > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > flac24 edited and mastered SIRMick Jun 2021
gd1977-04-23.139535.fob.ecm.99a.hopkins.miller.clugston.flac1648
1977-04-23Springfield Civic Center
139535flac16/48kHz; Recording Info: Steve Hopkins Master FOB Audience Cassette; Sony ECM-99a > Sony TC-152sd > DAT; Transfer Info: Sony PCM-500 16/48-> Tascam DA-3000 16/48 -> Adobe Audition 3.0 > TLH Flac16/48; Transfer by Charlie Miller; Mastered by Scott Clugston
gd1977-04-23.143220.weidner.akg-d200e.miller.flac1644
1977-04-23Springfield Civic Center
143220flac16; Recording Info: (FOB) AKG D200E > Cassette Master (Sony TC-153SD/Maxell UD-C90) > CD Master (Tascam CD-RW700); Transfer Info: CD Master (Tascam SS-CDR200/Pitch +.8%) > Tascam DA-3000 (16-bit/44.1k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; Recorded by Dave Weidner; fixed version in circulation
gd1977-04-23.143265.akgd200e.miller.fixed.flac1644
1977-04-23Springfield Civic Center
143265flac16; Recording Info: (FOB) AKG D200E > Cassette Master (Sony TC-153SD/Maxell UD-C90) > CD Master (Tascam CD-RW700); Transfer Info: CD Master (Tascam SS-CDR200/Pitch +.8%) > Tascam DA-3000 (16-bit/44.1k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; Recorded by Dave Weidner; fixed version of source ID 143220
gd1977-04-23.sbd.aj.gardner.4334.shnf
1977-04-23Springfield Civic Center
4334retrack> SHNv3 of previous SBD/AUD patch shn set, by Tony Gardner; upgrade in circulation
gd1977-04-23.mtx.seamons.97596.sbeok.flac16
1977-04-23Springfield Civic Center Arena
97596flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
gd77-04-25.aud.goodbear.259.sbeok.shnf
1977-04-25Capitol Theater
259AUD, via Teddy Good Bear's tree #1; note reported "unlistenable"
gd77-04-25.sbd.symons.15879.sbeok.shnf
1977-04-25Capitol Theater
15879SBD:MR>?>DAT>CDR; Pitch corrected and de-clicked by Tim Symons; See info file for details
gd1977-04-25.141715.s1.sbd.miller.flac2496
1977-04-25Capitol Theater
141715flac24; Set 1 Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd1977-04-25.141903.s1.sbd.cm.miller.flac1644
1977-04-25Capitol Theater
141903flac16; Set 1 Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd1977-04-25.sbd.130529.MrBill.flac16
1977-04-25Capitol Theater
130529flac16; Recording Info: SBD > R > C> C > C; Transfer Info: C > Nak DR2 > WAV > Sound Forge 10 > TLH > FLAC
gd77-04-26.aud.goodbear.260.sbefail.shnf
1977-04-26Capitol Theater
260AUD, via Teddy Good Bear's tree #1; note quality reported on a par with 4/25 from same source
gd77-04-27.sbd.samaritano.20331.sbefail.shnf
1977-04-27Capitol Theater
20331Pre-FM Master Reel Soundboard->DAT x ?. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Dan Lynch. DAT patch provided by Joe Samaritano. Transfer and SHN by Joe Samaritano
gd1977-04-27.sbd.braverman.7799.shnf
1977-04-27Capitol Theatre
7799sbd(fm)>mr>dat>cd; via Ray Hansen; Peter Braverman ; upgrade in circulation
gd1977-04-27.fm.moore.berger.98429.flac24
1977-04-27Capitol Theatre
98429flac24; source: FM reel master taped by Jerry Moore lineage: wnew simulcast>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac transferred & seeded By Rob Berger
gd1977-04-27.fm.moore.berger.98430.flac16
1977-04-27Capitol Theatre
98430flac16; source: FM reel master taped by Jerry Moore lineage: wnew simulcast>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger
gd77-04-29.moore.unknown.7113.sbeok.shnf
1977-04-29The Palladium
7113AUD MC> D> CDR> SHN; Jerry Moore recording Sony ECM-33P/Sony TC-158; via CDead
gd77-04-30.moore.minches.17952.sbeok.shnf
1977-04-30The Palladium
17952Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge. A>D by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon
gd1977-04-30.sonyECM33p.moore.vernon.4949.sbeok.shnf
1977-04-30The Palladium
4949Sony ECM-33p mics> Sony TC-152 deck, taper Jerry Moore; Conversion: MC> DAT/1> CD> EAC> SHN (mkw with seek tables appended); SHN and upload by Matt Vernon; CDRs supplied by Noah Weiner; see info file for listening notes; upgrade in circulation
gd77-05-01.aud.goodbear.11941.sbeok.shnf
1977-05-01The Palladium
11941Aud Cass master > Reel > PCM > DAT > CD-R > EAC > .SHN: (Loge 1st row AUD center>Cm>Blake Reel (maxell ??? @ 3.75ips) > PCM R500 w/SBM > DAT @ 48 kHz > computer > DAT @ 44.1 kHz or CDRs. Originally taped by Barry Glassberg w/sony ecm 99p's > tc 152 sd deck.); Ending of Samson, 25:47 filler on CD2 & 20:10 filler on CD3 supplied by "Good Bear Source": Panasonic AM/FM Stereo 'boom box like' w/condenser mics) -> cass master -> computer -> CD > EAC > .SHN; See info file for extensive 'mastering' notes; Note- This shn set may circ with the abgd sbd of set 2; via Teddy "Good Bear", Jonathan Miller; Seeded to etree by Dave Backus
gd77-05-01.moore.minches.17953.sbeok.shnf
1977-05-01The Palladium
17953Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge. A>D conversion by David Minches, EAC by Rango Keeshevan, shn encoding Matt Vernon
gd77-05-01.set2-sbd.unknown.4763.sbeok.shnf
1977-05-01The Palladium
4763Set 2; MSR> DAT> CDR> EAC> SHN; via PJ to abgd
gd1977-05-01.set-2.sbd.miller.81739.sbeok.flac16
1977-05-01The Palladium
81739flac16; Set 2 Only, Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
gd1977-05-01set-2.mtx.sirmick.87285.sbeok.flac16
1977-05-01The Palladium
87285flac16; A Mick Bit Matrix, Set 2 sources: 1) Recording Info: SBD > Master Reel > Dat > CD Transfer Info: CD > Samplitude Professional v7.02 > FLAC All Transfers and Mastering By Charlie Miller (shn id 81739) and 2) Source: Sony ECM-33Ps >Sony TC-152 taped by Jerry Moore from first row loge A > D Conversion: Master played back on Nak Dragon > ART D I/O > HD > Cool Edit 2000 > Feurio by David Minches (shn id 17953)
gd1977-05-01.141830.sony.ecm33p.moore.dalton.miller.clugston.flac1644
1977-05-01The Palladium
141830flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1977-05-01.151748.1st.set.shure.sm57.sublette.mattes.miller.clugston.flac1648
1977-05-01The Palladium
151748flac16/48 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496
gd1977-05-01.151749.1st.set.shure.sm57.sublette.mattes.miller.clugston.flac2496
1977-05-01The Palladium
151749flac24/96 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496
gd77-05-03.moore.minches.17954.sbeok.shnf
1977-05-03The Palladium
17954Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge or orchestra row 6 or 8. A>D by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon
gd77-05-03.set1-sbd.miller.21646.sbeok.shnf
1977-05-03The Palladium
21646SBD -> Cm -> ? -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited And SHN'd By Charlie Miller
gd1977-05-03.aud.glassberg.motb.0042.86241.flac16
1977-05-03The Palladium
86241flac16; Source: Audience 1st Row Loge Media: TDK-SA 90 min. Lineage: Sony ECM XXX > Sony TCD5 X> MAC Mics spaced 30ft. Transfer: MAC > Nakamichi DR-1 (deck Guitar Tuned) > Grace Design Lunatec V3 > s/pdif > Tascam HD-P2 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: Derek McCabe
gd1977-05-03.aud.gorinsky.6710.sbeok.shnf
1977-05-03The Palladium
6710AUD> MR> DAT> CDR > EAC (secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky, with thanks to Ron Speer; d1 tracked for 80 min
gd1977-05-03.141831.sony.ecm33p.moore.dalton.miller.clugston.flac1644
1977-05-03The Palladium
141831flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd77-05-04.moore.minches.17686.sbeok.shnf
1977-05-04The Palladium
17686Sony ECM-33Ps> Sony TC-152 taped by Jerry Moore from orchestra row 6 or 8. A>D conversion by David Minches, EAC by Rango Keeshevan, final shn encoding by Matt Vernon
gd77-05-04.sbd.mccarthy.1321.sbefixed.shnf
1977-05-04The Palladium
1321d1: SBD> CASSM?R?> DAT, except for BEW which is SBD> ?> CDR; d2: MASTER REEL> DAT> DAT> CD; via Joe McCarthy to vines; tracked for 2x80; assembled with help from various seeders; see info file for misc flaws and credits. [Note: An sbe-fixed-by-set version also circulates]; upgrade in circulation
gd77-05-04.set1-sbd.minches.17967.sbeok.shnf
1977-05-04The Palladium
17967Set 1 SBD S: MC > C > CDR patched with Jerry Moore audience tape. A>D Conversion and aud patches by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon
gd1977-05-04.set2.mtx.seamons.92159.sbeok.flac16
1977-05-04The Palladium
92159flac16; Set 2, Matrix About 55% SBD/45% AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
gd1977-05-04.mtx.seamons.ht09.99106.flac16
1977-05-04The Palladium
99106flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
gd1977-05-04.sbd.miller.91970.sbeok.flac16
1977-05-04The Palladium
91970flac16; Recording Info:Set 1: SBD -> Master Cassette -> Cassette -> ART DIO -> Cool Edit 2000 -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: FLAC -> Sampltiude Professional v9.02 -> FLAC Set 2: CD -> EAC -> FLAC. All Transfers and Mastering By Charlie Miller
gd1977-05-04.151750.1st.set.shure.sm57.sublette.mattes.miller.clugston.flac1648
1977-05-04The Palladium
151750flac16/48 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496
gd1977-05-04.151751.1st.set.shure.sm57.sublette.mattes.miller.clugston.flac2496
1977-05-04The Palladium
151751flac24/96 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496
gd77-05-05.sbd.stephens.8832.sbeok.shnf
1977-05-05Veterans' Memorial Coliseum
8832Betty Board reel source transferred to DAT by Rob Eaton, then transferred to CD by Dan Stephens; see info file for details
gd1977-05-05.152100.aud.ebel.remaster.of.shnid.139355.clugston.flac16
1977-05-05Veterans Memorial Coliseum
152100flac16/44 Patched, pitch corrected and remastered version of Pete Ebel's shnid 139355
gd1977-05-05.152101.aud.lamarre.miller.clugston.flac1648
1977-05-05Veterans Memorial Coliseum
152101flac16/48 Source Info: Audience source of unknown provenance; Doug Lamarre's 2nd gen cassettes Transfer Info: 2nd generation cassettes(Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
gd1977-05-05.152102.aud.lamarre.miller.clugston.flac2496
1977-05-05Veterans Memorial Coliseum
152102flac24/96 Source Info: Audience source of unknown provenance; Doug Lamarre's 2nd gen cassettes Transfer Info: 2nd generation cassettes(Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
gd1977-05-05.148735.SBD.Betty.Anon.Noel.t-flac2448
1977-05-05Veterans Memorial Coliseum
148735flac24; Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate; Source & Transfer by Anonymous; Edited & Mastered using Adobe Audition by Joe Noel
gd1977-05-05.123485.sbd.miller.flac16
1977-05-05Veterans' Memorial Coliseum
123485flac16; Recording Info: SBD -> Master Reel (DBX-1 Encoded) -> PCM (Sony PCM501ES/44.055k); Transfer Info: PCM (Sony PCM501ES/Analog Out) -> Dat (Panasonic SV-3700/48k) -> Db 924 (96k/24bit) D/A -> Dolby 361 Module w/ DBX K9-22 Cards(DBX Decoded) -> Db 1225 (96k/24bit) A/D -> Db 3000s Noise Shaper (SBM) -> Dat (48k) -> Sound Forge -> CD Wave -> SHN; Mastering Info: SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC; Original Transfer and Mastering By Rob Eaton and Dan Stephens; Remastered By Charlie Miller
gd1977-05-05.sbd.unknown.261.shnf
1977-05-05New Haven Coliseum
261Betty Board; reported flaws: d1: Small digi-snit during Sugaree at 8:53, Drop at 8:19 in T. Jed, Drop at 6:48 in Deal; d2: Snit during Bertha @ 5:29; listener Jason Palmer asserts that there may be NR applied to this version?; upgrade in circulation
gd1977-05-05.sbd.cantor.7725.shnf
1977-05-05New Haven Coliseum
7725Betty Board master reels > dat tascam dap1 > zefiro za2 > soundforge >cdwave > shn; via Troy Wallwork; upgrade in circulation
gd1977-05-05.139355.unk-aud.ebel.flac1644
1977-05-05Veterans' Memorial Coliseum
139355flac16 44.1khz Source: Audience (Mic's ?) ->Cassette ->DAT Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel
gd77-05-07.rolfe.weiner.6021.sbeok.shnf
1977-05-07Boston Garden
6021Sony ECM 33P mic > TC-152 deck, Taper: Steve Rolfe; AudMC > DAT > Soundforge > CDWAV > SHN; A > D transfer by Noah Weiner: AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only); Soundforge was used for normalizing and editing
gd77-05-07.sbd.unknown.262.sbefail.shnf
1977-05-07Boston Garden
262SBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN; USB missing, Around has a couple of uncorrectable blems; (note missing USB- one might infer this stemmed from the WBOTB source distribution- their USB was intended to become filler on a 4/78 show which did not end up getting around)
gd77-05-07.sbd.eaton.wizard.26085.sbeok.shnf
1977-05-07Boston Garden
26085SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard.
gd77-05-07.sbd.bertha-ashley.26361.sbeok.shnf
1977-05-07Boston Garden
26361Bertha Remaster of the Rob Eaton/The Wizard soundboard source: SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN, by Jay Ashley; see pub comments for extended notes
gd1977-05-07.148736.SBD.Betty.Anon.Noel.t-flac2448
1977-05-07Boston Garden
148736flac24; Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate; Source & Transfer by Anonymous; Edited & Mastered using Adobe Audition by Joe Noel
gd1977-05-07.124619.mtx.dusborne.flac16
1977-05-07Boston Garden
124619flac16; 2 Source Matrix by dusborne; Soundboard (shinid:088525) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller and Audience (shnid:6021) audMC > DAT > Soundforge > CDWAV > SHN Taper: Steve Rolfe Sony ECM 33P mic > TC-152 deck A > D transfer by Noah Weiner
gd1977-05-07.sbd.miller.88525.flac16
1977-05-07Boston Garden
88525flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
gd1977-05-07.148755.SBD.Betty.Anon.Noel.fix.t-flac2448
1977-05-07Boston Garden
148755flac24; Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate; Source & Transfer by Anonymous; Edited & Mastered using Adobe Audition by Joe Noel; fix of source ID 148736
gd77-05-08.maizner.hicks.5002.sbeok.shnf
1977-05-08Barton Hall, Cornell University
5002Lineage: -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive by Karen Hicks
gd77-05-08.sbd.hicks.4982.sbeok.shnf
1977-05-08Barton Hall, Cornell University
4982freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin
gd1977-05-08.152379.aud.petrunis.flac2448
1977-05-08Barton Hall, Cornell University
152379flac2448; Source: Mono Sony hand-held recorder (model unknown) > Maxell-LN Set 1 & Maxell-UD Set 2 (normal bias). Recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2021
gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448
1977-05-08Barton Hall, Cornell University
148737flac24; Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48; Edited & Mastered by Joe Noel; WAV > Abobe Audition > Flac 24/48
gd1977-05-08.111493.mtx.seamons.sbeok.flac16
1977-05-08Barton Hall
111493flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from source ID 97274
gd1977-05-08.137571.mtx-2aud.dusborne.flac24
1977-05-08Barton Hall
137571flac24; 2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels transfer:technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson
gd1977-05-08.137572.mtx-2aud.dusborne.flac16
1977-05-08Barton Hall
137572flac16; 2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels transfer:technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson
gd77-05-08.matrix.dan.26857.sbeok.flacf
1977-05-08Barton Hall, Cornell University
26857Matrix based on these sources: Source Info SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN
gd77-05-08.dts.dan.26856.sbeok.flacf
1977-05-08Barton Hall, Cornell University
26856DTS Audio 5.1: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version
gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16
1977-05-08Barton Hall
117026flac16; source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller
gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24
1977-05-08Barton Hall
117027flac24; source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller
gd1977-05-08.134093.aud.cooper.berger.flac24
1977-05-08Barton Hall
134093flac24; source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger
gd1977-05-08.aud.moore.berger.28354.flac16
1977-05-08Barton Hall - Cornell University
28354flac16; MAC> R> CD Audience Recording by Jerry Moore; seeded by clarson; possibly different source CDR> DAE compared to similar-looking shn set; upgrade in circulation
gd1977-05-08.aud.moore.cribbs.28301.shnf
1977-05-08Barton Hall - Cornell University
28301MAC> R> CD; recorded by Jerry Moore: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B ; Transfer by Rob Berger: Sony TC 850> Teac AN-180> Sony SBM1 super bit mapper> Tascam CD-Rw4U (see additional source notes in txt); EAC> WAV> SHN by Sean Cribbs
gd1977-05-08.mtx.dan.29511.flac16
1977-05-08Barton Hall - Cornell University
29511Source Info: "3 Source Matrix Mix, SBD + AUD1 + AUD2"
gd1977-05-08.mtx.dts.dan.30756.flac16
1977-05-08Barton Hall - Cornell University
30756flac16, DTS; complete show; combination of SBD with 2 AUD sources (see notes in txt)
gd1977-05-08.sbd.cantor.sacks.266.shnf
1977-05-08Barton Hall - Cornell University
266w/AUD splices? to patch reel flips: Betty Board Soundboard sections (all but 47 seconds of the show): 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz.; Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES;? PCM501ES analog out > Fostex D5 @ 48 kHz >ZA2>CD; Audience Splices -- Panasonic AM/FM Stereo 'boom box' (w/condenser mics) >? CM (Cassette Masters) > various equalizers & editors > CD (teddy goodbear); EAC extracted and encoded by Darrin Sacks; note number of tracks on discs: 10-7-8; note SBD portion is clear, AUD portion is muddy; reportedly digital error-free; 5/01 note: fixed shn set now in circulation; upgrade in circulation
gd1977-05-08.sbd.cube.87486.flac16
1977-05-08Barton Hall - Cornell University
87486flac16; Set 1 only; partial SBD (1st part of Set 1 Only) Lineage unknown, possibly RR > CD (unknown transfer) > EAC > SHN Originally posted as shn files to abgd-hs by ArtCube 2007-09-26 (The patch in Minglewood is from material performed on 5-7 and Lazy Lightning from 5-25.) Converted to flac by terrapinstation
gd1977-05-08.shure57.stevenson.29303.flac16
1977-05-08Barton Hall - Cornell University
29303flac16; Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC Recording And Transfer:Jeff Stevenson
gd1977-05-08.137569.mtx.dusborne.flac24
1977-05-08Barton Hall
137569flac24; 3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels transfer:technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson
gd1977-05-08.137570.mtx.dusborne.flac16
1977-05-08Barton Hall
137570flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels transfer:technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson
gd1977-05-08.mtx.seamons.97274.sbeok.flac16
1977-05-08Barton Hall - Cornell University
97274flac16; SBD (shnid=4982) and AUD (shnid=29303 Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); Fixed version in circulation
gd77-05-09.aud.maizner.vernon.8036.sbeok.shnf
1977-05-09Buffalo Memorial Auditorium
8036Sony ECM-33Ps > Nak 550>MAC>R>D>CD; Taped by Steve Maizner; via Jack Warner; Seeded to etree by Matt Vernon
gd77-05-09.sbd.connor.8304.sbeok.shnf
1977-05-09Buffalo Memorial Auditorium
8304Sources: Soundboard Source:Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out> Dat @ 48 kHz>Soundforge>Shn: Audience Source:Master Audience Cassette> Sony ecm-33pmics>nak550>reel to reel>cd The audience source supplies patches for the master reel splices at D2T2,TMNS 6:50 - 7:18 and D3T4, NFA 1:43 - 2:10 Seeded via Fungus and abgd by Charlie Connor 3/21/02, with thanks to Joe Samaritano and Scott Clugston
gd1977-05-09.135189.mtx.dusborne.flac16
1977-05-09Buffalo Memorial Auditorium
135189flac16; 2 Source Matrix by Dusborne;Soundboard(shnid:123480)SBD -> Master Reel (DBX-1 Encoded) -> Sony PCM501ES (44.055k),Transfer Info: Sony PCM501ES (Analog Out) -> DBX-1 Decoder> Sony PCM501ES (Analog In) -> Dat (48k/Analog In) -> Sound Forge -> SHN,Mastering Info:SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC,Original Mastering By Charlie Connor Remastered By Charlie Miller;Audience (shnid:008036)Recorded by Steve Maizner Sony ECM-33Ps > Nak 550 Lineage: MAC>R>D>CD source cdr mastering by Jack Warner
gd1977-05-09.sbd.painoman.77462.shnf
1977-05-09Buffalo Memorial Auditorium
77462SBD>REEL>PCM>DAT>CDR>EAC>SHN>Sound Forge>SHN (Seekable)
gd1977-05-09.mtx.seamons.98168.flac16
1977-05-09Buffalo Memorial Auditorium
98168flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
gd1977-05-09.sbd.trick-jason.268.shnf
1977-05-09War Memorial
268S:bReel>P>D>CD; tunings and splice (in Music) edited; via Trick and Jason; note Music d1t10 is missing from one circulating version of the shn set (md5s listed here as d1p); complete md5 with d1t10 is listed here as d1tot; thanks to Patrick Murphy for assistance; upgrade in circulation
gd77-05-11.sbd.barbella.8374.sbeok.shnf
1977-05-11St. Paul Civic Center
8374SBD> Rm> Dat> Sonic Solutions> CD, Patched w/SBD> Rm> Dat> Cass> Dat> CD; via Charlie Miller; Seeded to etree by Steve Barbella; upgrade in circulation
gd1977-05-11.sbd.miller.32305.flac16
1977-05-11St. Paul Civic Center Arena
32305flac16; FIXED SBD -> Master Reel -> Dat (44.1k) Transferred and Edited By Charlie Miller ; upgrade in circulation
gd1977-05-11.151618.aud.lamarre.vernon.sirmick.flac16
1977-05-11St. Paul Civic Center
151618flac16/44 Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre (given to him by Dan Liff dec'd Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick January 2021
gd1977-05-11.151619.aud.lamarre.vernon.sirmick.flac24
1977-05-11St. Paul Civic Center
151619flac24/96 Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre (given to him by Dan Liff dec'd Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res ditor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick January 2021
gd1977-05-11.sbd.yubah.6952.shnf
1977-05-11St. Paul Civic Center Arena
6952master soundboard reel @ 7.5 IPS (baked) > DAT > Cassette > DAT > CD; via yubah, with thanks to Jools; to abgd; upgrade in circulation
gd1977-05-11.sbd.miller.83196.flac16
1977-05-11St. Paul Civic Center Arena
83196flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC Transferred and Edited By Charlie Miller
gd77-05-12.aud.clugston.6484.sbeok.shnf
1977-05-12Auditorium Theatre
6484Updated lineage: Master Audience Cassette > unknown mics/deck> DAT > CDR; fresh transcription of a previously circulating copy (see notes in txt); Re-Mastering by Scott Clugston; missing Cassidy, splice in NFA; d1 tracked for 80 min
gd1977-05-12.shure96.gatto.110253.flac16
1977-05-12Auditorium Theatre
110253flac16; Source: Master Audience cassette> DAT> CDR; Recorded by Keith Gatto; Shure 96s> Sony TC-152; Transfer information unknown
gd77-05-13.sbd.miller.9393.sbeok.shnf
1977-05-13Auditorium Theatre
9393SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; (Post Drums - Fp -> Dat -> CD); Seeded to etree by Charlie Miller
gd1977-05-13.sbd.unknown.6690.sbeok.shnf
1977-05-13Auditorium Theatre
6690Pre-FM > Master Reel > DAT > CD; upgrade in circulation
gd1977-05-13.sbd.ashley.14942.shnf
1977-05-13Auditorium Theatre
14942Bertha Remaster of the Master Reel source. SBD>>MR>>Dat>>CDA>>SS>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A+ Post Drums(Disc 3): PreFM>>???>>Dat>>CDA - Sound B-
gd77-05-15.sbd.gorinsky.7008.sbeok.shnf
1977-05-15St. Louis Arena
7008Sbd MR > ? > CDR > EAC (calibrated, secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Kevin Gills; Lazy lightning beginning cut; upgrade in circulation
gd1977-05-15.aud.maizner.minches.84714.flac16
1977-05-15St. Louis Arena
84714flac16; Master audience cassette> cassette Recording by Steve Maizner: Sony mic> Sony TC-153; Master played back on Sony TC-153> Awia 760? Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding
gd1977-05-15.28916.sbeok.flac16
1977-05-15St. Louis Arena
28916flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller charliemiller87@earthlink.net
gd1977-05-15.mtx.sirmick.91911.sbeok.flac16
1977-05-15St. Louis Arena
91911flac16; Matrix, Sources: 1) Bertha Remaster of the Master Reel source sbd > mr > dat > wav > flac > daw(Bertha) > wav (24/48) > audio dvd > dvd audio ripper > wav > adobe audtion > flac, and 2) Master audience cassette> cassette Recording by Steve Maizner: Sony mic> Sony TC-153; Master played back on Sony TC-153> Awia 760? Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding Matrixed by SIRMick May 2008
gd1977-05-15.aud.maizner.berger.99098.flac24
1977-05-15St. Louis Arena
99098flac24; source: aud 1st gen reel taped by Steve Maizner on a sony tc-153 lineage: mac>10.5" reels @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/48>cd wave>flac
gd1977-05-15.aud.maizner.berger.99099.flac16
1977-05-15St. Louis Arena
99099flac16; source: aud 1st gen reel taped by Steve Maizner on a sony tc-153 lineage: mac>10.5" reels @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/48>cd wave>adobe 16/44>flac
gd1977-05-15.sbd.unknown.18333.shnf
1977-05-15St. Louis Arena
18333SBD MR>??>CDR; different text file and md5s than the other circulating SBD MR>??>CDR; upgrade in circulation
gd1977-05-15.sbd.bertha.31605.sbeok.flac24
1977-05-15St. Louis Arena
31605flac24/48; Bertha Remaster of the Master Reel source source: sbd > mr > dat > wav > flac > daw(Bertha) > wav > audio dvd > dvd audio ripper > wav > adobe audtion > flac Notes: This is a straight rip from the DVD. The flac files have been encoded at 24 bit/48,000 KHz and CANNOT be burned as an audio cd Original Notes with DVD: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com. Completed on April 16, 2005. Although the sound of the original source is very good, the mix is a bit of a kick mix and the low bass was not able to be brought up without having an obtrusively thumping kick. Some compenstation was made in the mid bass frequencies which resulted in a nice balance between the bass and the kick. From the original text file, prior to Bertha Remastering: Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller 4/11/05 Thanks to RjHythloday for making the DVD available. SIRMICK November 2005
gd77-05-17.sbd.weiner.18554.sbeok.shnf
1977-05-17Memorial Coliseum, U of Alabama
18554SBDMR > DAT > CD > EAC > SHN note: Sugar Magnolia encore supplied by AUD source. Added to etree by Noah Weiner
gd1977-05-17.aud.maizner.minches.88771.flac16
1977-05-17Coliseum - University of Alabama
88771flac16; Recording by Steve Maizner: Sony ECM-990s>Sony TC153 Transfer of 1st Generation Cassette Transfer and FLAC encoding by David Minches: 1st Generation Cassette played back on Nakamichi Dragon > Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> HD Editing and downsampling performed in Adobe Audition; Flac Encoded
gd1977-05-17.sbd.leonard.1107.sbeok.shnf
1977-05-17Coliseum - University of Alabama
1107SBD>MR 7" (Baked)> DAT> Cass> DAT> CD; via Chuck Kiefe, Andy Singer, Brian Leonard; note tuning pauses have been shortened in some cases, very slight hiss, encore missing; upgrade in circulation
gd1977-05-17.sbd.stretch.5420.shnf
1977-05-17Memorial Coliseum
5420S:Rm (7" - baked), D, C, D - 1x90Meter (and Potentially 2x60Meter?); CDR>EAC>Shn; missing encore; stemming from 10/00 BUDD tree, via Stretch N to etree; upgrade in circulation
gd1977-05-17.121485.mtx.dusborne.flac16
1977-05-17Memorial Coliseum, U of Alabama
121485flac16; 2 source matrix: Soundboard (shnid=18554): SBDMR > DAT > CD > EAC > SHN and Aud (shnid=88771): Recording by Steve Maizner: Sony ECM-990s>Sony TC153; Transfer of 1st Generation Cassette (Thanks Alan Z.) Transfer and FLAC encoding by David Minches: 1st Generation Cassette played back on Nakamichi Dragon > Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> HD Editing and downsampling performed in Adobe Audition; Flac Encoded
gd77-05-18.sbd.ladner.4618.sbeok.shnf
1977-05-18Fox Theater
4618SBD > MR > DAT > CDR > WAV > SHNv3; DAE: EAC (high n' secure, offset corrected) > shntool (boundaries confirmed) > mkwact > ftp via neo_levo from bear g.'s seed; upgrade in circulation
gd77-05-18.sbd.murphy.5596.sbeok.shnf
1977-05-18Fox Theater
5596SBD > DAT > CDRs > EAC > WAV > SHNv3; EAC and SHNv3 encoding by Patrick Murphy, from Alan Topal seed discs; see info file for flaw notes; upgrade in circulation
gd1977-05-18.sbd.miller.79012.flac16
1977-05-18Fox Theatre
79012flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC
gd77-05-19.sbd.direwolf.3120.sbeok.shnf
1977-05-19Fox Theater
3120Master Reel (7-inch @ 7.5 ips) > CD > EAC > SHN; seed supplied by Jim Wise, DAE and re-tracking by DireWolf
gd1977-05-19.139377.sbd.latvala.miller.sirmick.flac1648
1977-05-19Fox Theater
139377flac16/48kHz; Source: sbd > master reel > dat (48k); from Dick Latvala; Transfer: dat > Sony pcm-r500 > Tascam da-3000 > wav 16/48; transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick September 2017
gd1977-05-19.sbd.bertha.9394.sbeok.shnf
1977-05-19Fox Theatre
9394Jay Ashley (Bertha) Remaster of the Jim Wise Master Reel Source. SBD>>MR>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA
gd1977-05-19.sbd.clugston.2461.sbefail.shnf
1977-05-19Fox Theatre
2461Master Soundboard Reel > Reel to Reel > DAT > CDR; includes patches from 2 alternate SBD sources (see info file for details); mastered by Scott Clugston; to abgd; note info file here is the updated copy; upgrade relative to previous shn set
gd77-05-21.sbd.boyle.271.sbeok.shnf
1977-05-21Lakeland Civic Center
271SBD>reel>DAT>CD-R; TFBT Tree #5; via D. Boyles; (reportedly there may be 2 different .shn versions of this in circulation, 12/99?
gd1977-05-21.157233.partial.aud.lamarre.vernon.sirmick.flac16
1977-05-21Lakeland Civic Center
157233flac1644Source: Unknown audience recording (low gen) from the collection of Doug Lamarre. Transfer: Nakamichi CR-7A #1 (azimuth adjusted, Dolby) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate} > wav 24/96 Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 3 > iZotope RX 9 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick
gd1977-05-21.157234.partial.aud.lamarre.vernon.sirmick.flac24
1977-05-21Lakeland Civic Center
157234flac2496Source: Unknown audience recording (low gen) from the collection of Doug Lamarre. Transfer: Nakamichi CR-7A #1 (azimuth adjusted, Dolby) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate} > wav 24/96 Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 3 > CD Wave > Flac24 editerd and mastered SIRMickj
gd1977-05-21.139573.sbd.gastwirt.miller.sirmick.flac1644
1977-05-21Lakeland Civic Center
139573flac16; Source: sbd > master reel > dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017
gd77-05-22.sbd.dp-leftovers.18803.sbefail.shnf
1977-05-22The Sportatorium
18803SBD>MR>C>D>CD>Toast>SHN
gd1977-05-22.140332.sbd.miller.flac1644
1977-05-22The Sportatorium
140332flac16; Recording Info: SBD > Master Reel > Cassette; Transfer Info: Cassette (Nakamichi BX-300) > Apogee MiniMe > Lynx One > Wavelab 8 > FLAC/24; Maastering Info: FLAC/24 > Samplitude Pro X3 Suite > FLAC/24; Transferred by Matt Smith; Mastered By Charlie Miller
gd1977-05-22.152259.aud.lamarre.vernon.sirmicki.flac16
1977-05-22The Sportatorium
152259flac16/48 Source: uknown audience cassette from the collection of Doug Lamarre Transfer: cassette > Nakamichi CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick April 2021
gd1977-05-22.152260.aud.lamarre.vernon.sirmicki.flac24
1977-05-22The Sportatorium
152260flac24/96 Source: uknown audience cassette from the collection of Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flack24 Edited and mastered SIRMick
gd1977-05-22.152392.mtx.photoleon.flac16
1977-05-22The Sportatorium
152392flac16/44 Matrix created in Adobe Audition by Joe Noel
gd1977-05-22.140278.sbd.miller.flac2496
1977-05-22The Sportatorium
140278flac24; Recording Info: SBD > Master Reel > Cassette; Transfer Info: Cassette (Nakamichi BX-300) > Apogee MiniMe > Lynx One > Wavelab 8 > FLAC/24; Maastering Info: FLAC/24 > Samplitude Pro X3 Suite > FLAC/24; Transferred by Matt Smith; Mastered By Charlie Miller
gd1977-05-22.150935.sbd.master-reel.miller.flac1644
1977-05-22The Sportatorium
150935flac16/44.1khz Recording Info: SBD > Master Reel (7in 7.5ips Half trk) > dbx922 > DAT (Panasonic SV-3700-44.1k) Transfer Info: DAT (Panasonic SV-3800) > Pro Tools > WAV (16-bit-44.1k) Mastering Info: WAV > Samplitude Pro X5 Suite > FLAC16 Transferred by Rob Eaton. Mastered By Charlie Miller. November 22, 2020
gd1977-05-22.sbd.terrapin.dp3-rip.31789.sbeok.shnf
1977-05-22The Sportatorium
31789WBAI 99.5fm > Akai Pro Glass Head Cassette Deck(no dolby nr) > CDR Via Rosoft Audio Tools/Track Spliter at 44,100/16 Bit Stereo
gd77-05-25.sbd.shannon.13399.sbefail.shnf
1977-05-25The Mosque
13399Source: SBD Genealogy: MR > DAT > CDR > SHN > CDR > SHN ; upgrade in circulation George Shannon added 0.80 seconds of material to disk 2 track 3 at 0:05 to fill the gap in the version downloaded from etree. The material used was received in trade and was from the same show but a different source. The tracks were also re-sequenced so they now appear in original show order with the encore at the end. EAC and Soundforge were the tools used.
gd1977-05-25.sbd.hamilton.1071.sbeok.shnf
1977-05-25Mosque
1071SBD MR > DAT > CDR > SHN; via Seth Kaplan, Greg Hamilton; upgrade compared to previously etreed version; note two-beat elision at d2t5-6 track break (see George Shannon's pub comment); upgrade in circulation
gd1977-05-25.sbd.miller.87539.sbeok.flac16
1977-05-25Mosque
87539flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation
gd1977-05-25.sbd.miller.87591.sbeok.flac16
1977-05-25Mosque
87591flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed dropout in d3t02 Wharf Rat of source ID 87539
gd1977-05-25.sbd.shannon.fix-13399.82048.sbeok.flac16
1977-05-25Mosque
82048flac16; Genealogy: MR > DAT > CDR > SHN > CDR > SHN > shntool > FLAC; SBE fix of shn id 13399; upgrade in circulation
gd1977-05-25.aud.lee.minches.107757.flac16
1977-05-25The Mosque
107757flac16; Recorded with Nakamichi CM-300s> Nakamichi 550 (except for Cassidy through Promised Land; recorded with Sony ECM-99> Sony 158) Transfer and FLAC encoding by David Minches: 3rd generation reel played back on Otari MX-5050BII> Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/Pitch Correction by Joe B. Jones. Patching using source SHNID 87591. Thanks to Pat Lee for providing the reel. This is the 16/44.1 version.
gd1977-05-25.147785.fob.shure.sm57.sublette.miller.clugston.flac1648
1977-05-25The Mosque
147785flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1977-05-25.147786.fob.shure.sm57.sublette.miller.clugston.flac2496
1977-05-25The Mosque
147786flac24; Recording Info:Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1977-05-25.dts.tobin.123385.flac16
1977-05-25The Mosque
123385flac16; DTS 5.1 Mix; SBD1 (shn id 87591)Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid 107757) Recorded with Nakamichi CM-300s> Nakamichi 550 (except for Cassidy through Promised Land; recorded with Sony ECM-99> Sony 158) Transfer and FLAC encoding by David Minches: 3rd generation reel played back on Otari MX-5050BII> Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/Pitch Correction by Joe B. Jones. Patching using source SHNID 87591. Thanks to Pat Lee for providing the reel. - dts mixing by Kevin Tobin
gd1977-05-25.mtx.tobin.123381.flac16
1977-05-25The Mosque
123381flac16; Matrix 2 Source Mix - SBD1 (shn id 87591)Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid 107757) Recorded with Nakamichi CM-300s> Nakamichi 550 (except for Cassidy through Promised Land; recorded with Sony ECM-99> Sony 158) Transfer and FLAC encoding by David Minches: 3rd generation reel played back on Otari MX-5050BII> Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/Pitch Correction by Joe B. Jones. Patching using source SHNID 87591. Thanks to Pat Lee for providing the reel. - matrix mixing by Kevin Tobin
gd1977-05-25.upg-aud.tobin.123382.flac16
1977-05-25The Mosque
123382flac16; Recorded with Nakamichi CM-300s> Nakamichi 550 (except for Cassidy through Promised Land; recorded with Sony ECM-99> Sony 158) Transfer and FLAC encoding by David Minches: 3rd generation reel played back on Otari MX-5050BII> Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC - patched version of shnid 107757 by Kevin Tobin
gd77-05-26.aud.vernon.18746.sbeok.shnf
1977-05-26Baltimore Civic Center
18746AUD>MC>DAT>CDR via Raoul Duke encoded by Matt Vernon
gd77-05-26.sbd.sacks.3224.sbeok.shnf
1977-05-26Baltimore Civic Center
3224Soundboard > 7 inch Master Reels @7.5ips 1/2 track -> DAT(s) -> ZA2 -> CDR (x1)-> EAC -> SHN; with AUD patches (and other fixes) by Scott Clugston, using Master Audience Cassette: Sony ECM-33p mics > Sony TC-158 > D source, taped by Jerry Moore; to etree via Darrin Sacks; see info file for details, other comments and credits
gd1977-05-26.aud.wizard.32092.shnf
1977-05-26Baltimore Civic Center
32092AUD>MC>DAT>CDR>EAC>WAV>DC6>WAV Unknown microphones Patch Source: SBD>MSR>DAT>SS>CD>EAC>WAV>DC6>SHN
gd1977-05-26.sbd.ashley-bertha.31291.sbeok.shnf
1977-05-26Baltimore Civic Center
31291SBD>>MR>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN; Bertha remaster of shn id 11614
gd1977-05-26.sbd.serafin.11614.sbefail.shnf
1977-05-26Baltimore Civic Center
11614SBD > 7" RTR half-track recording @ 7.5 i.p.s. 1/2 track > Marin County Mixdown ADAT > SSSB; Seeded to etree by Jay Serafin
gd1977-05-26.sbd.wizard.32302.shnf
1977-05-26Baltimore Civic Center
32302SBD>MSR>DAT>SS>CD>EAC>WAV>DC6>SHN
Source: Bettyboard 7 inch master reel @ 7 ? ips > DAT>SS>CD
Patch Source: AUD>MC>DAT>CDR (contrary to popular belief, Jerry Moore did not record this show)
Editing and Mastering by The Wizard
gd1977-05-26.mtx.chappell.sb30a.97016.flac16
1977-05-26Baltimore Civic Center
97016flac 16; Sick Bits Vol. 30a - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=11614) + AUD (shnid=32092) as well as a patch SBD source (shnid=3224). Matrixed by Chris Chappell.
gd77-05-28.moore.minches.18439.sbeok.shnf
1977-05-28Hartford Civic Center
18439Recorded by Jerry Moore; Sony ECM-33Ps>Sony TC-153 mounted on pole 1st tier of seats off floor. AUDMC > SHN by David Minches.
gd77-05-28.sbd.sacks.4983.sbefail.shnf
1977-05-28Hartford Civic Center
4983Bettyboard 7 inch master reel @ 7 ? ips > DAT (zero gen)> CDR (zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn; with AUD patches from Steve Rolfe's FOB; see info file for details; via Seth Kaplan, Jack Warner, Darrin Sacks, Bob Fishman; d3 tracked for 80 min, can shift encore for 74
gd1977-05-28.aud.wise.goodbear.77267.sbeok.flac16
1977-05-28Hartford Civic Center
77267flac16; For all of Set 1 & from "NFA" to the end of Set 2: Jim Wise used: 2 Sony 54P mics w/ Sennheiser 441 blend mic > Nakamichi 550 cassette deck FOB > reel @ 3 3/4 ips > DAT @ 48kHz > my computer > DAT @ 44.1kHz or CD. For Set 2, "Samson" through "Drums": (Panasonic AM/FM Stereo 'boom box like' w/condenser mics) -> CM (Cassette Masters) -> my computer* -> CD or DAT @ 44.1kHz 1) Sony 3-head cassette deck (TC-K615S) > 10 band equalizer > My computer using "CoolEdit96" see info file for details (note: The originally seeded shn files were seeded c. 1999; those checksums added to this listing June, 2007.)
gd1977-05-28.sbd.ashley-bertha.12827.sbeok.flac16
1977-05-28Hartford Civic Center
12827SBD> DAT> CDA> WAV> DAW (Bertha)> CDA; Seeded by Jay Ashley; despite notes in info file, this is apparently not directly from Seth's shn set- Jay comments, "I extracted the wavs from CDs I received from Charlie Miller, and reassembled them prior to processing." (A flac version of this source was also distributed via bt.etree on 10/18/05 with the following lineage: SBD>MSR>DAT>CD>>SHN>>DAW(Bertha)>>CDA > SHN(non-seekable) > WAV(mkwACT v0.97 beta 1) > FLAC(frontend v1.7.1 at Level 8 with Align on sector boundaries enabled). flac done by Thomas Festa
gd1977-05-28.152419.aud.petrunis.flac2448
1977-05-28Hartford Civic Center
152419flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK-SD/AD (normal bias) back-up tapes. Concert recording by Rich Petrunis. Transfer: 1st-gen > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2021
gd1977-05-28.152476.ecm99a.warburton.smith.sirmick.flac16
1977-05-28Hartford Civic Center
152476flac16/44 Source: Sony ECM 99A > Sony TC 152 > Master Cassette - recorded by Jimmy Warburton from about 70" centre. 1st transfer: Master cassette > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick May 2021
gd1977-05-28.152477.ecm99a.warburton.smith.sirmick.flac24
1977-05-28Hartford Civic Center
152477flac24/96 Source: Sony ECM 99A > Sony TC 152 > Master Cassette - recorded by Jimmy Warburton fron about 70" centre. 1st transfer: Master cassette > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 edited and mastered SIRMick May 2021
gd1977-05-28.mtx.chappell.sb30b.97017.flac16
1977-05-28Hartford Civic Center
97017flac 16; Sick Bits Vol. 30b - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=4983) + AUD (shnid=18439). Matrixed by Chris Chappell.
gd77-05-28.sbd.obv.31952.sbeok.shnf
1977-05-28Hartford Civic Center
31952SBD>MSR>DAT>CD>EAC>SHN>DC6>SHN
gd1977-05-28.141832.sony.ecm33p.moore.dalton.miller.clugston.flac1644
1977-05-28Hartford Civic Center
141832flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd77-06-04.bertrando.goodbear.3417.sbeok.shnf
1977-06-04The Forum
3417Rob Bertrando - FOB akg D224Es > Sony TC-153 cassette > CDR? > Rich Plumb DAT > Teddy GoodBear Computer (no edit) > SHN; to abgd; note track names with punctuated song titles may cause probs for some
gd1977-06-04.fob.menke.motb-0096.97140.flac24
1977-06-04The Forum
97140flac24; 2 x AKG 224E => Sony TC-15XSD >> MAC >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB.0096
gd1977-06-04.fob.menke.motb-0096.97183.flac16
1977-06-04The Forum
97183flac16; 2 x AKG 224E => Sony TC-158SD >> MAC >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB.0096
gd77-06-07.sbd.sacks.1861.sbeok.shnf
1977-06-07Winterland Arena
1861Soundboard -> Vault Reels ->DAT -> David Gans' Sonic Solutions Digital Editing -> CDR -> EAC -> CDR -> EAC -> SHN> unknown steps > shn; note the txt file lists Darrin Sacks as seeder, but md5s do not match his already-circulating shn set; the provenance of this set is therefore unconfirmed- info file and lineage shown here may or may not be correct; upgrade in circulation
gd1977-06-07.141358.akg-d224.troy.miller.smith.sirmick.flac2496
1977-06-07Winterland Arena
141358flac24; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
gd77-06-07.sbd.hollister-bode.24291.sbeok.shnf
1977-06-07Winterland Arena
24291SBD> MR> DAT, plus AUD patches (AKG D220 mics> Tandberg 10X MR taped by Bob Menke and Reinhardt Hollwein> Rob Bertrando's first-gen reel> DAT); DAT> CD transfer, patching by David Hollister; EAC> volume editing> SHN by Keith Bode
gd1977-06-07.144910.akg.d224.bertrando.troy.miller.smith.sirmick.flac1644
1977-06-07Winterland Arena
144910flac16; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018; This file set is 16 bit @ 44.1
gd1977-06-07.mtx.seamons.99001.sbeok.flac16
1977-06-07Winterland Arena
99001flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
gd77-06-08.sbd.clugston.15421.sbeok.shnf
1977-06-08Winterland Arena
15421Master Soundboard Reel > Reel to Reel > PCM> DAT > CDR; Master Audience Cassette > Reel to Reel source supplies various patches see info file for details; Patching/CD Mastering and shn'ed by Scott Clugston; to abgd via Charlie Connor; upgrade in circulation
gd1977-06-08.sbd.parmer.4184.sbefail.shnf
1977-06-08Winterland Arena
4184SBDMR > PCM > DAT > CDR > EAC > SHN> wav> retrack> seeking shn; initial EAC > SHN by Jason Parmer; retracking> seekable shn by Tony Gardner; upgrade in circulation
gd1977-06-08.141359.akg-d224.troy.miller.smith.sirmick.flac2496
1977-06-08Winterland Arena
141359flac24; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick 2018
gd77-06-08.sbd.miller.25621.sbeok.shnf
1977-06-08Winterland Arena
25621Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Profesional -> SHN Transferred and Edited By Charlie Miller
gd77-06-08.bertrando-Hollwein.winters.26342.sbeok.shnf
1977-06-08Winterland Arena
26342AUD> MR> Reel> DAT> CD(s)> EAC> SHN; Recorded by Bob Menke/Reinhardt Hollwein with AKG D224s> Tandberg 10XD; DAT transfer info unknown; EAC (secure, offset corrected)> SHN by D. Winters
gd1977-06-08.144923.akg.d224.bertrando.troy.miller.smith.sirmick.flac1644
1977-06-08Winterland Arena
144923flac16; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick 2018; This file set is 16 bit @ 44.1
gd1977-06-08.mtx.seamons.95361.sbeok.flac16
1977-06-08Winterland Arena
95361flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
gd77-06-09.sbd.murphy.5597.sbefail.shnf
1977-06-09Winterland Arena
5597SBD hybrid source, including encore: retracking of previous shn set with encore patched in from another previous shn set; Patching, retracking, and SHNv3 conversion by Patrick Murphy; see info file for details and flaw notes; upgrade in circulation
gd1977-06-09.sbd.fishman.3869.sbeok.shnf
1977-06-09Winterland Arena
3869SBD> Reel> PCM> DAT> DAT> CD; transfer: Fostex D10> hhb 800 professional stand-alone player; no editing; via Jeff Fishman; reportedly fuller-sounding than previously etreed copies; see flaw notes in info file; no Sunrise; upgrade in circulation
gd1977-06-09.sbd.dauria.3372.shnf
1977-06-09Winterland Arena
3372Master Reels> PCM> DAT> Delta DiO 2496> Sound Forge 4.5> CDWAV> SHN; no phasing probs; via John D'Auria; upgrade in circulation
gd1977-06-09.141360.akg-d224.troy.miller.smith.sirmick.flac2496
1977-06-09Winterland Arena
141360flac24; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
gd1977-06-09.sbd.miller-day.125857.sbeok.flac16
1977-06-09Winterland Arena
125857flac16; Recording Info: Sbd -> Master Reel -> Dat -> Cd; Patch Source: AKG D224 -> Master Reel -> Reel -> DAT -> CD (shnid 26450); Transfer Info - Most Tracks: CD -> EAC -> Samplitude Profesional -> FLAC (shnid 28614); Transfer Info - d2t05: CD -> EAC -> Samplitude Profesional -> FLAC -> WAV -> Peak Dv4 -> WAV -> FLAC; Transfer Info - d3t02 and d3t07: CD -> EAC -> Samplitude Profesional -> FLAC -> WAV -> ProTools LE -> WAV -> FLAC; This is a partial upgrade to shnid 28614 (Charlie Miller's 2005 remaster) with three tracks repaired by Duane Day
gd1977-06-09.28614.sbeok.flac16
1977-06-09Winterland Arena
28614flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Profesional v8.0 -> FLAC Transferred and Edited By Charlie Miller Patch Info: AKG D224 -> Master Reel (Tandberg 10XD) -> Reel -> Dat -> CD
gd1977-06-09.mtx.seamons.98801.sbeok.flac16
1977-06-09Winterland Arena
98801flac16; flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
gd1977-06-09.sbd.john-dauria.1409.shnf
1977-06-09Winterland Arena
1409Master Reels> PCM> DAT> Delta DiO 2496> Sound Forge 4.5> CDWAV> SHN; transfer/shn by John D'Auria; phasing problems from transfer DAT; ; upgrade in circulation
gd1977-06-09.144956.akg.d224.bertrando.troy.miller.smith.sirmick.flac1644
1977-06-09Winterland Arena
144956flac16; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018; This file set is 16 bit @ 44.1
gd77-09-03.sbd.unk.276.sbefixed.shnf
1977-09-03Raceway Park
276Two-track Pre-FM reel > DAT > CD-R, except for encore, which is unknown AUD; note d1t1,2 (intro and Promised) are apparently really from 4/27/77!; this show is now released as Dick's Picks 15- go buy it [Note: An sbe-fixed version circulates.]
gd1977-09-03.131317.mtx.dusborne.flac16
1977-09-03Raceway Park
131317flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:000276) Source: Two-track Pre-FM reel > DAT > CD-R, except for (terrapin), which is unknown AUD and Audience (shnid:91650) 2 Sony ECM 270s> Sony TC-158; Transfer and FLAC encoding by David Minches: Master audience cassette played back on Nak Dragon > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding
gd1977-09-03.aud.102409.flemming.berger.flac24
1977-09-03Raceway Park
102409flac24; aud cassette master, tc-153 taped by Ken Flemming, lineage: tc-153 master, maxell ud-c90's, dolby b nak dragon>hd-p2 24/96>hd>adobe auditon 2.0(levels)>cd wave (tracking)>flactransfer by Rob Berger
gd1977-09-03.aud.102410.flemming.berger.flac16
1977-09-03Raceway Park
102410flac16; aud cassette master, tc-153, taped by Ken Flemming, lineage: tc-153 master, maxell ud-c90's, dolby b nak dragon>hd-p2 24/96>hd>adobe auditon 2.0(levels/resample 16/44.1)>cd wave(tracking)>flactransferred by Rob Berger
gd1977-09-03.aud.stiegler.91230.sbeok.flac16
1977-09-03Raceway Park
91230flac16; AUD: Unknown mics > JVC KD-1636 portable cassette deck > Maxell UD-90's. Recording Location: "I was right in front of a delay stack in center field." Transfer: MAC > unknown playback > Soundforge > CD-Wave > CDR. Concert recording and transfer to CDR by Tim "Sounddawg" Stiegler. CDR > EAC > TLH > FLAC by Andrew F.
gd77-09-28.sbd.connor.10482.sbeok.shnf
1977-09-28Paramount Northwest Theater
10482Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out>Dat @ 48 kHz>Tascam DA-20MKII (playback only)>RME Digi96/8>Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6(tracking only)>SHNv3 (MKW ACT) Source DAT via Joe Samaritano DAT>Shn conversion, ditital editing via Charlie Connor;Seeded to fungus and abgd by Charlie Connor
gd1977-09-28.sbd.cantor.gmb.95952.flac16
1977-09-28Paramount Theatre
95952flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48] Mastering: In WaveLab with Nomad Blue Tube Plugins Rate Conversion with r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky
gd1977-09-28.157428.aud.motb.0229.flac16
1977-09-28Paramount Theater
157428flac1644 Analog Audience Source: AKG D224E Microphones > Sony TC 158SD; front row loge just right of center Medium Stock Brands: Maxell UDXL II Cassettes Analog Sound Peservation: MAC > CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg at 5.6 mhz
gd77-09-29.sbd.cotsman.9003.sbeok.shnf
1977-09-29Paramount Northwest Theater
9003SBD> MR> PCM> PCM> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon. [Note: an alternate md5 file for d3 circulates.]
gd1977-09-29.sbd.cantor.clugston.7289.shnf
1977-09-29Paramount Theatre
7289Betty's Master Soundboard Reels > PCM x2> DAT > CDR; numerous blips, ticks, crackles, glitches believed to be on the master reels; via Scott Clugston
gd1977-09-29.142839.akg.d224e.boswell.smith.miller.clugston.flac2496
1977-09-29Paramount Northwest Theater
142839flac24; Source Info: Master Audience Cassettes; AKG D224E mics > Will Boswell's 1st generation reels @ 3 3/4 ips; Transfer Info: 1st generation reels ((Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496
gd1977-09-29.142840.akg.d224e.boswell.smith.miller.clugston.flac1648
1977-09-29Paramount Northwest Theater
142840flac16/48kHz; Source Info: Master Audience Cassettes; AKG D224E mics > Will Boswell's 1st generation reels @ 3 3/4 ips; Transfer Info: 1st generation reels ((Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1977-09-29.sbd.cantor.gmb.96027.flac16
1977-09-29Paramount Theatre
96027flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz First Reel has no DBX hence MR > P1 > D1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky November 24, 2008
gd77-10-01.sbd.unknown.277.sbeok.shnf
1977-10-01Paramount Theater
277Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation
gd1977-10-01.sbd.cantor.ashley-bertha.10689.sbeok.shnf
1977-10-01Paramount Theatre
10689SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA; Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com
gd1977-10-01.sbd.cantor.gmb.86234.sbeok.flac16
1977-10-01Paramount Theatre
86234flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0
gd1977-10-01.123090.sbd.miller.flac16
1977-10-01Paramount Theater
123090flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
gd1977-10-01.140578.sbd.betty.patched.smith.miller.clugston.flac1644
1977-10-01Paramount Theater
140578flac16; Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston
gd1977-10-01.140589.akg.d224e.smith.miller.clugston.flac1644
1977-10-01Paramount Theater
140589flac16; Sources: 1st Set: Master Audience Cassette (unknown cassette deck); AKG D224E mics; 2nd Set: Master Audience 10" Reels (Sony TC-755)no dolby; AKG D224E mics; Transfer Info: Transfer info is not available
gd77-10-02.sbd.unknown.278.sbeok.shnf
1977-10-02Paramount Theater
278WBOTB tree; Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder > analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz; Casey Jones, brief low-level crackle, poss bad mic; Wharf Rat ~30 sec section of analog tape damage leading to a cut during the song. There is an illegal bootleg available that apparently has no cut in Wharf Rat, but the cut has been edited out and the song is about 30 sec shorter than on the Betty reel. No EQ has been performed. You hear what is on the Betty reels.; note md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 7/99 shn set; upgrade in circulation
gd1977-10-02.sbd.cantor.gmb.86354.sbeok.flac16
1977-10-02Paramount Theatre
86354flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2).
gd1977-10-02.142121.akg.d224e.troy.smith.miller.clugston.flac1648
1977-10-02Paramount Theater
142121flac16/48kHz; Recording Info: Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics; Transfer Info: Master Reels (Technics RS-1506)> Apogee Mini-Me > Apogee Mini DAC (.wav 24-bit/96k) > Adobe Audition 3.0 (24-bit/96k)> TLH flac2496; This is a 16/48 fileset. 24-bit > 16-bit via dBpoweramp
gd1977-10-02.142122.sbd.miller.clugston.patched.flac1644
1977-10-02Paramount Theater
142122flac16/44.1khz Patched soundboard. Recording Info: SBD > Master Reel > PCM > Dat. Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Samplitude Professional v11.2.1 > FLAC. Patch source Sandy Troy AKG D224E.
gd1977-10-02.142120.akg.d224e.troy-smith-miller-clugston.flac2496
1977-10-02Paramount Theatre
142120flac24; Recording Info: Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics; Transfer Info: Master Reels (Technics RS-1506)> Apogee Mini-Me > Apogee Mini DAC (.wav 24-bit/96k) > Adobe Audition 3.0 (24-bit/96k)> TLH flac2496
gd77-10-06.sbd.gorinsky.5804.sbeok.shnf
1977-10-06Activity Center. Arizona State U
5804SBD> MR> C> C> DAT> CDR> EAC> SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky; from Ron Speer seed; upgrade in circulation
gd1977-10-06.fm.kbfh.77476.sbeok.flac16
1977-10-06Activity Center - Arizona State University
77476flac16; FM > C(x2) > Marantz CDR-510 (rec at -0db) > CDR > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, checksums, and FLAC compression) > FLAC
gd1977-10-06.113809.kbfh.fm.tamarkin.flac24
1977-10-06Activity Center. Arizona State U
113809flac24; King Biscuit Flower Hour > WNEW-FM Broadcast > Off The Air Reel Master > M-Audio Transit > Cool Edit @ 24/96 > CD Wave Editor > Traders Little Helper > Flac
gd1977-10-06.sbd.heath.19138.shnf
1977-10-06Activity Center, Arizona State University
19138Source: Reel Master > Cassette > DAT > CD; DAE, SHN encoding by Brian Heath; upgrade in circulation
gd1977-10-06.sbd.unk.101801.shnf
1977-10-06Activity Center, Arizona State University
101801SBD: Unknown Lineage > CDR > MKWACT > SHN
gd1977-10-06.113808.kbfh.fm.tamarkin.flac16
1977-10-06Activity Center. Arizona State U
113808flac16; King Biscuit Flower Hour > WNEW-FM Broadcast > Off The Air Reel Master > M-Audio Transit > Cool Edit @ 24/96 > CD Wave Editor > Cool Edit Dithered To 16/44 > Traders Little Helper > Flac
gd1977-10-06.150656.kbfh.fm.flac1644
1977-10-06Activity Center, Arizona State University
150656flac16; lineage: King Biscuit Flower Hour FM broadcast > Sansui 8 receiver > unknown reel recorder @ 3.3/4 ips > Maxell UD 35-90 7" reel > Teax X-700R > soundforge (16 bit 44.1 khz wav) > flac (sb's aligned)
gd77-10-07.pset2-sbd.kiefe-fiske.1191.sbefixed.shnf
1977-10-07University of New Mexico
1191partial set 2 (all that circ); SBD-> Master Reels-> DAT-> DAT-> Sonic Solutions-> CD-> CD-> SHN; CD seed via David Gans; via Chuck Kiefe and Chuck Fiske to GDH-T offer; hosted at gdlive.com [Note: A sbe-fixed version also circulates]; upgrade in circulation
gd1977-10-07.sbd-set2.miller.79020.sbeok.flac16
1977-10-07University Arena (aka The Pit') - University Of New Mexico
79020flac16; Set 2 only: Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC; upgrade in circulation
gd1977-10-07.sbd-set2.miller.80753.sbeok.flac16
1977-10-07University Arena (aka The Pit') - University Of New Mexico
80753flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
gd77-10-09.sbd.clugston.6954.sbeok.shnf
1977-10-09McNichols Sports Arena
6954Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; see flaw notes in info file; upgrade in circulation
gd1977-10-09.sbd.unknown.3918.sbeok.shnf
1977-10-09McNichols Arena
3918SBD> ?> CDR> EAC> SHN; via Doug Moog?; missing Casey Jones; upgrade in circulation
gd1977-10-09.sbd.miller.88961.sbeok.flac16
1977-10-09McNichols Arena
88961flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
gd1977-10-09.sbd.miller.109972.flac16
1977-10-09McNichols Sports Arena
109972flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1977-10-09.144480.sbd.troy.smith.miller.clugston.flac1648
1977-10-09McNichols Sports Arena
144480flac16/48kHz; Source Info: Sandy Troy's 7" Soundboard Reels @ 3.75 ips (reels were not labeled, except to denote the date & dolby b) Transfer Info: Soundboard Reels (Akai GX-636)> Lamb Labs dolby decoder > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496
gd1977-10-09.144481.sbd.troy.smith.miller.clugston.flac2496
1977-10-09McNichols Sports Arena
144481flac24; Source Info: Sandy Troy's 7" Soundboard Reels @ 3.75 ips (reels were not labeled, except to denote the date & dolby b) Transfer Info: Soundboard Reels (Akai GX-636)> Lamb Labs dolby decoder > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496
gd77-10-11.sbd.cotsman.19290.sbeok.shnf
1977-10-11Lloyd Noble Center, U of Oklahoma
19290SBD>MR>D>C>D>CD>EAC>SHN; with aud patches; via J. Cotsman see info file for flaw notes; Thanks to S. Milewski for updated aud patch; upgrade in circulation
gd1977-10-11.152638.aud.lamarre.vernon.sirmick.flac16
1977-10-11Lloyd Noble Center, University Of Oklahoma
152638flac16/44 Source: Unknown audience cassettes from the collection of by Doug Lamarre. Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick June 2021
gd1977-10-11.152639.aud.lamarre.vernon.sirmick.flac24
1977-10-11Lloyd Noble Center, University Of Oklahoma
152639flac24/96 Source: Unknown udience cassettes from the collection of Doug Lamarre. Each set is from a difference source. Transfer: Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac24 edited and mastered SIRMick June 2021
gd1977-10-11.152829.sbd.miller.flac16
1977-10-11Lloyd Noble Center, University Of Oklahoma
152829flac16/44 Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net October 1, 2007
gd1977-10-11.sbd.bettyborad.19239.sbeok.shnf
1977-10-11Lloyd Noble Center - University of Oklahoma
19239Soundboard Betty MR> D> C> D> CD> SHN DAE[EAC secure mode], SHN encoding[mkw], and upload by Brian Heath; upgrade in circulation
gd1977-10-11.sbd.clemens.32796.sbeok.shnf
1977-10-11Lloyd Noble Center - University of Oklahoma
32796Source: SBD>MR>DAT>WAV>.shn transfer by: Jake Clemens; upgrade in circulation
gd1977-10-11.sbd.miller.87514.sbeok.flac16
1977-10-11Lloyd Noble Center - University of Oklahoma
87514flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
gd1977-10-11.sbd.orf.279.sbeok.shnf
1977-10-11Lloyd Noble Center - University of Oklahoma
279SBD; poss genealogy: Betty MR> D> C1> D> CD> SHN; some hiss or static, poss partly from MR (though note MR>D copies do circ); Dat > wav > shn> orig upload by S. Anderson; post-processing (minor cuts/fades) by L. Orf ; diginoise in NFA; upgrade in circulation
gd77-10-12.sbd.cotsman.19291.sbeok.shnf
1977-10-12Manor Downs
19291SBD>MR>C>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN via J. Cotsman; Thanks to S. Milewski for aud patches
gd1977-10-12.sbd.goodbear.3919.sbefail.shnf
1977-10-12Manor Downs
3919no source listed; "Compendium Crew release"; d2 tracked for 80 min; via Teddy Goodbear to abgd, 5/01 to etree; upgrade in circulation
gd1977-10-12.121616.set2.aud.miller.flac1648
1977-10-12Manor Downs
121616flac16/48kHz; Set 2 Only. Recording Info: Unknown Mics -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/48kHz; All Transfers and Mastering By Charlie Miller
gd77-10-14.sbd.gorinsky.6693.sbeok.shnf
1977-10-14Hofheinz Pavilion
6693SBD>MC>R>DAT>CDR > EAC (secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky; woth thanks to Bill Golden
gd1977-10-14.sbd.miller.110400.flac16
1977-10-14Hofheinz Pavilion
110400flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
gd1977-10-14.sbd.fixed.miller.110419.flac16
1977-10-14Hofheinz Pavilion
110419flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Fix of shnid 110400
gd1977-10-14.sbd.gorinsky.tetzeli.fix-6693.34260.sbeok.shnf
1977-10-14Hofheinz Pavilion - University of Houston
34260Fix of shnid 6693 (sbd) by Bill Tetzeli - see info file for details
gd77-10-15.sbd.cotsman.19154.sbeok.shnf
1977-10-15Moody Coliseum, S.M.U
19154SBD>MC>R>D>CD>EAC>SHN; declicked and pitch corrected
gd1977-10-15.sbd.tobani.fink.6664.sbeok.shnf
1977-10-15Moody Coliseum - Southern Methodist University
6664SBD : MC > R > DAT > CD; via Steve Tobani, Alan J. Fink; upgrade in circulation
gd1977-10-15.144158.s2.aud-unk.flac2448
1977-10-15Moody Coliseum, S.M.U
144158flac24; 2nd Set, Source: AUD of unknown lineage > ? > Cassette, via Richie & Rip; Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 12/2018
gd1977-10-15.sbd.129898.MrBill.flac16
1977-10-15Moody Coliseum, S.M.U
129898flac16; Recording Info: SBD > mc > r > d > CD; Transfer Info: CD > wav > Sound Forge 10 > TLH > flac
gd1977-10-15.137270.mtx.dusborne.flac16
1977-10-15Moody Coliseum, S.M.U
137270flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:19154), SBD>MC>R>D>CD>EAC>SHN and Audience (shnid:125642),Master AUD -> 1st gen Hi-Fi VHS -> wav -> flac
gd1977-10-15.145159.s2.aud.unk.flac1644
1977-10-15Moody Coliseum, S.M.U
145159flac16; 2nd Set, Source: AUD of unknown lineage > ? > Cassette, via Richie & Rip; Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F.; This file set is 16 bit @ 44.1
gd77-10-16.sbd.lai.3350.sbefail.shnf
1977-10-16Assembly Center, Lousiana State U
3350sdb> MR> C> D> CD; via Mike Lai
gd1977-10-16.151787.sbd.patched.clugston.flac16
1977-10-16Assembly Center, Lousiana State University
151787Master Soundboard Reels > Cassette > DAT > CDR
Patched version of SHNID 3350
gd1977-10-16.aud.freezer.86712.sbeok.flac16
1977-10-16Louisiana State U
86712flac16; partial Set 1: Sony CR-O2 C-90 Cassette tape MASTER > JVC TD-W209 cassette playback deck >JVC XL-R5010 stand-alone>cdr (0)>your cdr
gd77-10-28.sbd.munder.8520.sbeok.shnf
1977-10-28Soldiers' and Sailors' Memorial Hall
8520Betty Board>MR>?>CD; via Jens Tilsner; Seeded to etree by Willy
gd1977-10-28.sbd.miller.96159.sbeok.flac16
1977-10-28Soldier's And Sailors Memorial Hall
96159flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1977-10-28.148907.betty-board.anon.noel.t-flac16
1977-10-28Soldiers & Sailors Memorial Hall
148907flac16; Source: Betty SBD > Reel Master > PCM > pcm clone; Transfer: PCM clone > Sony PCM601esd > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44