Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1978-01-06.152854.s2.aud.lamarre.vernon.sirmick.flac16
1978-01-06Swing Auditorium
152854flac16/44 Source: unknown audio cassette (low gen) - from the collection of Doug Lamarre. Transfer: Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick July 2021
gd1978-01-06.152855.s2.aud.lamarre.vernon.sirmick.flac24
1978-01-06Swing Auditorium
152855flac24/96 Source: unknown audio cassette (low gen) - from the collection of Doug Lamarre. Transfer: Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > iZotope RX8 Advanced > CD Wave > Flac24 edited and mastered SIRMick July 2021
gd1978-01-06.153175.sbd.menke.sirmick.flac16
1978-01-06Swing Auditorium
153175flac16/44 Source: Sbd > Cassette Master > Cassette (1st gen) Transfer: Cassette (1st gen) > Nakamichi CR7A > PCM > wav 16/44.1 via: Bob Menke Lineage: wav > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > Cd Wave > Flac16 edited and mastered SIRMick August 2021
gd1978-01-06.sbd.wizard.24629.sbeok.shnf
1978-01-06Swing Auditorium
24629SBD: MC>RR>DAT>CD>EAC>DC5>CD Discs From Jools Elliott AUD patches from Noah Weiner AUD: MC>RR>DAT>CD Taper=Bob Menke - Sony ECM280s>Sony TC-158 CD Editing and Mastering by The Wizard - Owenbrothersvault@hotmail.com.
gd78-01-06.sbd.clugston.6953.sbeok.shnf
1978-01-06Swing Auditorium
6953Master Soundboard Cassette > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; d2 tracked for 80 min; upgrade in circulation
gd1978-01-07.152609.sbd.miller.flac1644
1978-01-07Golden Hall, Community Concourse
152609Recording Info: SBD > Cassette Master > DAT > CD
Transfer Info: CD > Samplitude Professional v10.1 > Adobe Audition v1.5 > FLAC
gd1978-01-07.aud.unknown.89474.sbeok.flac16
1978-01-07Golden Hall
89474flac16; Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac
gd1978-01-07.sbd.clugston.7204.sbeok.shnf
1978-01-07Golden Hall - San Diego Community Concourse
7204Master Soundboard Cassette > Reel to Reel > DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; beginning and end cuts; low volume digiwhiz in mingle @ ~2:10; upgrade in circulation
gd78-01-07.sbd.cotsman.17806.sbeok.shnf
1978-01-07Golden Hall, Community Concourse
17806SBD> MC> R> D> CD> EAC> SHN from previous Scot Clugston seed, patched with AUD> ??> CD> EAC> SHN; final edits/encoding by JCotsman
gd1978-01-07.127345.mtx.dusborne.flac16
1978-01-07Golden Hall, Community Concourse
127345flac16; 2 Source Matrix by dusborne; Soundboard (shnid:17806) SBD>MC>R>D>CD>EAC>SHN patched with: AUD>?>CD>EAC>SHN final edits/encoding by JCotsman and Audience (shnid:89474) Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac; Transfer by: Pantagruel
gd1978-01-08.fob.holwein.menke.motb-0094.102349.flac24
1978-01-08Golden Hall, Community Concourse
102349flac24; Analog Audience Source: Master Audience Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0109 24/96 (The original release of this source from 2009-11-03 had errors in the tags.)
gd1978-01-08.153085.sbd.miller.flac1644
1978-01-08Golden Hall, Community Concourse
153085flac16/44 Recording Info: SBD -> Cassette Master -> AIFF
Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC
gd1978-01-08.aud.connor.34854.shnf
1978-01-08Golden Hall - San Diego Community Concourse
34854Aud>C>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Digitally Mastered by Charlie Connor; with Thanks to Lawrence Peryer
gd1978-01-08.fob.holwein.menke.motb-109.102500.flac16
1978-01-08Golden Hall, Community Concourse
102500flac16; Analog Audience Source: Master Audience Cassettes (MAC); Medium Stock Brands: MAC = 3 x Maxell UDXL II; Analog Lineage: 2 x AKG D224E's => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein; Transfer By: Bob Menke; Mastering By: Derek McCabe; MOTB Release: 0109
gd1978-01-08.sbd.clugston.7201.sbefail.shnf
1978-01-08Golden Hall - San Diego Community Concourse
7201Master Soundboard Cassette > Cassette > DAT> CDR, with AUD patch in Other One; CD Mastering / Patching, EAC'ed / SHN'ed by Scott Clugston; with thanks to Lawrence Peryer, Charlie Connor; d1 tracked for 80 min; upgrade in circulation
gd78-01-08.sbd.weiner.14670.sbeok.shnf
1978-01-08Golden Hall, Community Concourse
14670SBDMR > R > PCM > DAT > CD > EAC > SHN note: Jerry had laryngitis on this night and therefore he did not sing. d1t7 - cut in SBD cross faded with AUD/3 from 03:29 to 03:54 d2t5 - cut in SBD cross faded with AUD/3 from 01:00 to 07:12 EAC, SHN and cross fades by Noah Weiner - November, 2002
gd1978-01-10.133618.sbd.miller.flac16
1978-01-10Shrine Auditorium
133618flac16; Recording Info: SBD -> Cassette Master (Dolby B) -> FLAC (24bit/44.1k); Transfer Info: FLAC -> Samplitude Professional v11.1.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; the original files had a flaw in Wharf Rat (d3t02)
gd1978-01-10.133619.sbd.miller.flac24
1978-01-10Shrine Auditorium
133619flac24; Recording Info: SBD -> Cassette Master (Dolby B) -> FLAC (24bit/44.1k); Transfer Info: FLAC -> Samplitude Professional v11.1.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had a flaw in Wharf Rat (d3t02)
gd78-01-10.sbd.cotsman.14523.sbeok.shnf
1978-01-10Shrine Auditorium
14523SBD>MC>?>CD>EAC>SHN; (see lineage info); Thanks to Raoul Duke & Hanno Bunjes; edits/encoding by JCotsman
gd1978-01-10.aud.Rhinotrocity7.motb-0026.95069.flac24
1978-01-10Shrine Auditorium
95069flac24; MAC = 3 x Maxell UDXL II 2 x AKG D224E's => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]
gd1978-01-11.sbd.unknown.12894.sbefail.shnf
1978-01-11Shrine Auditorium
12894SBD master reel > Cass > DAT > CD-R > EAC > .SHN ; upgrade in circulation
gd1978-01-11.aud.unknown.89475.sbeok.flac16
1978-01-11Shrine Auditorium
89475flac16; Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac
gd1978-01-11.mtx.sirmick.92086.sbeok.flac16
1978-01-11Shrine Auditorium
92086flac16; Matrix, Sources used: 1) SBD > MC > R > PCM > D > CD > EAC > SHN and 2) audience recording on a Marantz pro cassette deck, don't recall the model & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac Matrixed by SIRMick
gd1978-01-11.mtx.mccabe.motb0152.110959.flac16
1978-01-11Shrine Auditorium
110959flac16; Matrix: Analog Aud: 2 x AKG D224E >> Sony TC-158SD  >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] and Analog SBD: SBD >> MSC (dolby C) >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16
gd78-01-11.sbd.cotsman.13190.sbeok.shnf
1978-01-11Shrine Auditorium
13190SBD>MC>R>PCM>D>CD>EAC>SHN (??); see comments on lineage; Thanks to Raoul Duke edits/encoding by Matt Vernon & JCotsman
gd78-01-13.sbd.clugston.4629.sbeok.shnf
1978-01-13Arlington Theater
4629Master Soundboard Cassette> Cassette> DAT> CDR> EAC> SHN
gd1978-01-13.fob.akgd224e.holwein.menke.motb-0111.105208.flac16
1978-01-13Arlington Theater
105208flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD  >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe
gd1978-01-13.135501.sbd.miller.flac24
1978-01-13Arlington Theater
135501flac24; Recording Info: SBD -> Cassette Master -> AIFF (24bit/88.2k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller
gd1978-01-14.fob.akgd224e.holwein.motb-0117.105758.flac16
1978-01-14Bakersfield Memorial Auditorium
105758flac16; 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
gd1978-01-14.mtx.holwein.motb-0121.105811.flac16
1978-01-14Bakersfield Memorial Auditorium
105811flac16; MTX 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Soundboard Source: gd78-01-14.sbd.vernon.16114.sbeok.shnf
gd1978-01-14.aud.unknown.lmpp.99092.sbeok.flac16
1978-01-14Bakersfield Civic Auditorium
99092flac16; Source: Unknown Audience recording, believed to be a 3rd gen cass Transfer: cass > Nakamichi DR-1 > Tascam HD-P2 > wav 24/96 > Adobe Audition > Wavelab(with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > Flac16
gd1978-01-14.135521.sbd.miller.flac16
1978-01-14Bakersfield Memorial Auditorium
135521flac16; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller
gd1978-01-14.135522.sbd.miller.flac24
1978-01-14Bakersfield Memorial Auditorium
135522flac24; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller
gd1978-01-14.aud.sirmick.88091.sbeok.flac16
1978-01-14Bakersfield Civic Auditorium
88091flac16; source: aud > ??? > cdr > eac > wav > flac
gd78-01-14.sbd.vernon.16114.sbeok.shnf
1978-01-14Bakersfield Memorial Auditorium
16114SBD> [MR>C ?] >DAT>CDR via Raoul Duke encoded by Matt Vernon
gd1978-01-15.aud.augments-citsman.80954.sbeok.flac16
1978-01-15Selland Arena
80954flac16; AUD>MC>C>D>CD>EAC>SHN>?>FLAC; These are from the same source as the audience portion of shn id 13252. This completes what circulates from that aud.
gd78-01-15.sbd-aud.citsman.13252.sbeok.shnf
1978-01-15Selland Arena
13252mixed source: set 1: SBD> ?> C> SHN (low number of analog gens); set 2: AUD> MC> C> D> CD> EAC> SHN; Thanks to Hanno Bunjes, Chuck Kiefe; final edits/encoding by JCotsman. Additional material from the audience recording used for this source can be found here.
gd78-01-17.sbd.cotsman.14555.sbeok.shnf
1978-01-17Sacramento Memorial Auditorium
14555SBD>MR>C>D>CD>SHN; missing Around & US Blues; Thanks to Raoul Duke; edits/encoding by Matt Vernon & JCotsman
gd1978-01-17.141144.akg.d224e.menke.troy.smith.miller.clugston.flac1644
1978-01-17Sacramento Memorial Auditorium
141144flac16; Source Info: Bob Menke's Master Audience Cassettes; AKG D224E mics > Sony TC-158SD; Sandy Troy's 1st generation 10" reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24-bit to 16-bit via dBpoweramp
gd1978-01-17.141145.akg.d224e.menke.troy.smith.miller.clugston.flac2496
1978-01-17Sacramento Memorial Auditorium
141145flac24; Source Info: Bob Menke's Master Audience Cassettes; AKG D224E mics > Sony TC-158SD; Sandy Troy's 1st generation 10" reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
gd1978-01-17.141146.sbd.patched.vernon.cotsman.clugston.flac1644
1978-01-17Sacramento Memorial Auditorium
141146flac16; Source Info: Master Soundboard Reels > Cassette > Dat > CD > EAC > SHN (shnid 14555); This is a patched and re-mastered version of the shnid14555 soundboard source from Matt Vernon & JCotsman
gd78-01-18.aud-set2.vernon.18656.sbeok.shnf
1978-01-18Stockton Civic Auditorium
18656Set Two AUD>MC>??>DAT>CDR via Raoul Duke encoded by Matt Vernon
gd78-01-18.sbd.cotsman.13101.sbeok.shnf
1978-01-18Stockton Civic Auditorium
13101SBD> MR> ?> D> CD> EAC> SHN; patched with AUD> MC> C> D> CD> EAC> SHN; technical problems with SBD (see caveat); Thanks to Mike Tausig and Jack Warner; edits/encoding by JCotsman
gd1978-01-22.fob.akgd224e.holwein.motb-0086.101436.flac16
1978-01-22McArthur Court, U of Oregon
101436flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert
gd1978-01-22.fob.akgd224e.holwein.motb-0086.101437.flac24
1978-01-22McArthur Court, U of Oregon
101437flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert
gd1978-01-22.mtx.chappell.sb4.28846.flac16
1978-01-22MacArthur Court - University of Oregon
28846flac 16; Please note Info file and md5 changed. SBD/AUD Matrix of 2 previously circulated seeds (SBD - ID #4974 & AUD - ID #2014); prepared by Chris Chappell
gd1978-01-22.sbd-partial.unknown.287.sbeok.shnf
1978-01-22MacArthur Court - University of Oregon
287Source: DNC Close Encounters Tree; SBD> M?> C> PCM> Sound Forge> CD-R> SHN; show is missing some tracks in the middle, but it's the only part of the show that circulates in a clean SBD
gd78-01-22.sbd.popi.4974.sbeok.shnf
1978-01-22McArthur Court, U of Oregon
4974d1,d3: sbd> ??> cd> eac> shn, d2 from previous shn set (see notes in info file); to gdlive, via popi
gd78-01-22.sony.dauria.2014.sbefail.shnf
1978-01-22McArthur Court, U of Oregon
2014Source: Audience FOB Sony TC-640 reel to reel > TCD-D8 Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 see additional notes in info file via John D'Auria
gd1978-01-22.sbd.unknown.31940.shnf
1978-01-22MacArthur Court - University of Oregon
31940flac16; SBD, 1st 4 songs in 2nd set AUD
gd1978-01-30.sbd.miller.32255.sbeok.flac16
1978-01-30Uptown Theater
32255flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller
gd78-01-30.powell.vernon.12437.sbeok.shnf
1978-01-30Uptown Theater
12437Tim Powell recording (Sony ECM-99/Sony TC-152) AUD>MC>R>DAT>CDR via Raoul Duke.
gd1978-01-30.148564.sbd.latvala.wise.miller.clugston.flac16
1978-01-30Uptown Theater
148564flac16; Source Info: Master Soundboard Reel > Dick Latvala's Dat (16/44.1); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> 16/44.1 .wav > Adobe Audition CC 2019 > TLH flac16
gd1978-01-31.sbd.unknown.1807.sbeok.shnf
1978-01-31Uptown Theatre
1807set 2; SBDMR> Cass> DAT> CDR> EAC> SHN; via Mike (Dank Star) Parrillo; upgrade in circulation
gd1978-01-31.123059.sbd.miller.flac16
1978-01-31Uptown Theater
123059flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Mastering By Charlie Miller
gd1978-01-31.mtx.sirmick.101556.sbeok.flac16
1978-01-31Uptown Theater
101556flac16; Matrix: 60 sbd/40 aud. In addition the gain on the sbd was increased by 1 decibel and for the aud reduced by the same amount sbd: SBD > Master Reel > Dat > CD > FLAC (shnid 32256) and aud: AUD > MC > R > CD > EAC > SHN (shnid 17807)
gd1978-01-31.sbd.miller.32256.sbeok.flac16
1978-01-31Uptown Theater
32256flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller
gd78-01-31.aud.cotsman.17807.sbeok.shnf
1978-01-31Uptown Theater
17807AUD> MC> R> CD> EAC> SHN; patched with SBD> MR> C> D> CD> EAC> SHN; Thanks to Jack Warner; edits/encoding by Matt Vernon & JCotsman; note d1t1-7 md5s same as in previous seed, others differ
gd78-01-31.sbd-aud.cotsman.17074.sbeok.shnf
1978-01-31Uptown Theater
17074set 1 mostly AUD>MC>R>CD>EAC>SHN, set 2 SBD>MR>C>D>CD>EAC>SHN with aud patches via Jack Warner and Mike Parrillo encoded/edits by Jeff Cotsman and Matt Vernon; upgrade in circulation
gd1978-02-01.138451.sbd.GEMS.flac16
1978-02-01Uptown Theater
138451flac16; SBD Master Reel > Cassette > DAT; 16 bit 44.1kHz FLAC Level8 SBE Free; Speed Correction and Patching by Jason Chastain in Audition CC; Mastering by Jamie Waddell in Wavelab 7.2.1
gd78-02-01.sbd.parillo.1017.sbeok.shnf
1978-02-01Uptown Theater
1017MSR> C> DATs> CDRs> EAC> SHN; EAC/SHN by Mike (Dank Star) Parrillo; u/l via Darrin Sacks
gd1978-02-01.aud.cousinit.97744.sbefail.flac16
1978-02-01Uptown Theatre
97744flac16; MAC>R>C>WAV>FLAC
gd1978-02-03.132731.sbd.betty-latvala-bertrando.reel.flac16
1978-02-03Dane County Coliseum
132731flac16; Set 2 Only; 7 Inch Half Track Nagra Reel Master @ 7.5 IPS Recorded By Betty; Analog to Digital:By Dick Latvala(Technics 1506 Reel 2 Reel-Sony PCM R-500 DAT @ 44.1KHz; DAT Zero-(DL) > DAT#1 > DAT#2; 100% flat transfer-DAT#2(JW) play back on Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16bit 44.1 KHz; Editing(Adobe Audition CC)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise
gd78-02-03.aud.warner.19465.sbeok.shnf
1978-02-03Dane County Coliseum
19465Master audience cassette (unknown equipment) > PCM > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
gd78-02-03.sbd.set2.samaritano.19464.sbeok.shnf
1978-02-03Dane County Coliseum
19464Set 2 Only: Soundboard->Master Reel->DAT->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano.
gd1978-02-03.139370.sbd.miller.flac1644
1978-02-03Dane County Coliseum
139370flac16; Recording Info: SBD > Master Reel > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller; Six songs from Set 1 are .mp3 sourced
gd1978-02-04.122949.candyman.mtx.seamons.flac16
1978-02-04Milwaukee Auditorium
122949flac16; Partial 1 song Matrix by Hunter Seamons; Soundboard recording by Dan Healy; Audience recording transferred by Raoul Duke
gd1978-02-04.132719.sbd.betty-latvala-bertrando.reel.wise.flac16
1978-02-04Milwaukee Auditorium
132719flac16; Set 2 Only; 7 Inch Half Track Nagra Reel Master @ 7.5 IPS; Recorded By Betty; Analog to Digital:By Dick Latvala(Technics 1506 Reel 2 Reel-Sony PCM R-500 DAT @ 44.1KHZ; DAT Zero-DAT#1 (Rob Bertrando); 100% flat transfer-DAT#2(JW) play back on Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16bit 44.1 KHz; Editing(Adobe Audition CC)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise
gd78-02-04.aud.vernon.12199.sbeok.shnf
1978-02-04Milwaukee Auditorium
12199AUD> MC> R> C> DAT> CDR> EAC> CD; Re-mastered via the Owens?s Brothers Vault. ; via Raoul Duke; Seeded to etree by Matt Vernon
gd1978-02-05.151821.s1.aud.lamarre.vernon.sirmick.flac16
1978-02-05Uni Dome, University Of Northern Iowa
151821flac16 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 16 edited and mastered SIRMick February 2021
gd1978-02-05.151822.s1.aud.lamarre.vernon.sirmick.flac24
1978-02-05Uni Dome, University Of Northern Iowa
151822flac24/96 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick
gd1978-02-05.151837.s2.aud.lamarre.vernon.sirmick.flac16
1978-02-05Uni Dome, University Of Northern Iowa
151837flac16/44 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick February 2021
gd1978-02-05.151838.s2.aud.lamarre.vernon.sirmick.flac24
1978-02-05Uni Dome, University Of Northern Iowa
151838flac24/96 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick February 2021
gd1978-02-05.138384.set2.aud.schley.flac1644
1978-02-05Uni Dome, U of Northern Iowa
138384flac16; Set 2; Source: Unknown FOB AUD (mono) from Brian Schley tape collection; Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2017
gd1978-02-05.123360.mtx.set2.dusborne.flac16
1978-02-05Uni Dome, U of Northern Iowa
123360flac16; Set 2 only; Two source matrix: Soundboard (shnid:19471) Soundboard->Master Reel->DAT->DAT->ZA2->Soundforge->.wav->mkw->SHN and Audience (shnid:19466) Master audience cassette (unknown equipment) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
gd1978-02-05.138311.sbd.GEMS.flac16
1978-02-05Uni Dome, U of Northern Iowa
138311flac16; SBD Master Reel > Cassette > DAT; 16 bit 44.1kHz FLAC Level8 SBE Free; Speed Correction and Patching by Jason Chastain in Audition CC; Mastering by Jamie Waddell in Wavelab 7.2.1
gd78-02-05.aud.set2.warner.19466.sbeok.shnf
1978-02-05Uni Dome, U of Northern Iowa
19466Set Two only Master audience cassette (unknown equipment) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
gd78-02-05.sbd.set2.samaritano.19471.sbeok.shnf
1978-02-05Uni Dome, U of Northern Iowa
19471Set 2 Only: Soundboard->Master Reel->DAT->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. Dat seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano.
gd1978-04-06.mtx.dts.tobin.81767.sbeok.flac16
1978-04-06Curtis Hixon Convention Hall
81767DTS Audio 5.1; Mix of SBD: SBD -> Master Reel -> PCM -> Dat and AUD:Recorded by Bob Wagner; Sony 54Ps> Sony TC-158; mixed by Kevin Tobin
gd1978-04-06.147759.sbd.betty.dalton.miller.sirmick.flac16
1978-04-06Curtis Hixon Convention Hall
147759flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2019
gd1978-04-06.aud.tobin.81494.sbeok.flac16
1978-04-06Curtis Hixon Convention Hall
81494flac16; Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches; patches and speed correction by Kevin Tobin
gd1978-04-06.mtx.miller.wagner.81508.sbeok.flac16
1978-04-06Curtis Hixon Convention Hall
81508flac16; SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD) Mix consisting of SBD - shn id 81307, AUD - shn id 81494
gd1978-04-06.dts-dvdaudio.tobin.82030.dvdf
1978-04-06Curtis Hixon Convention Hall
82030DVD-VA: (Video Audio) 2 audio tracks; 1) SBD + AUD Matrix 2 Source Mix (shnid=81508) & 2) DTS Audio 5.1; Mix of SBD: SBD -> Master Reel -> PCM -> Dat and AUD:Recorded by Bob Wagner; Sony 54Ps> Sony TC-158 (shnid=81767); audio only - no video
gd78-04-06.sbd.unknown.290.sbeok.shnf
1978-04-06Curtis Hixon Convention Hall
290mSR -> PCM -> DAT 48k -> Turtle Beach Fiji Digi I/O -> AFResamp -> wav2cdr -> CDR; upgrade in circulation
gd78-04-06.wagner.minches.18510.sbeok.shnf
1978-04-06Curtis Hixon Convention Center
18510Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches; upgrade in circulation
gd1978-04-06.148068.sony.54p.wagner.miller.clugston.flac1648
1978-04-06Curtis Hixon Convention Hall
148068flac16/48kHz; Source Info: Bob Wagner's Master Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1978-04-06.148069.sony.54p.wagner.miller.clugston.flac2496
1978-04-06Curtis Hixon Convention Hall
148069flac24; Source Info: Bob Wagner's Master Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
gd1978-04-06.140694.sbd.pcm.miller.sirmick.flac1644
1978-04-06Curtis Hixon Convention Hall
140694flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick January 2018
gd1978-04-07.140736.sbd.miller.sirmick.flac1644
1978-04-07The Sportatorium
140736flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick January 2018
gd1978-04-07.148529.sbd.betty.dalton.miller.sirmick.flac16
1978-04-07The Sportatorium
148529flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k); Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick December 2019
gd1978-04-07.150559.BettyBoard.Anon.Noel.t-flac16
1978-04-07The Sportatorium
150559flac16; Source: Betty Cantor’s Master SBD Reel > PCM > PCM; Transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44
gd1978-04-07.sbd.miller.83715.sbeok.flac16
1978-04-07Sportatorium
83715flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
gd78-04-07.sbd.connor.10208.sbeok.shnf
1978-04-07The Sportatorium
102087" Two Track Reel@ 7 1/2 ips>PCM501ES @44.055kHz>PCM analog out>DAT@48kHZ>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6(tracking only)>SHNv3 (MKW ACT; Source DAT via Joe Samaritano; upgrade in circulation DAT>Shn conversion, ditital editing via Charlie Connor;Seeded to fungus and abgd by Charlie Connor
gd1978-04-08.sbd.miller.4088.sbeok.shnf
1978-04-08Veterans Memorial Coliseum
4088SBD> Bettyboard 7" reels @ 7.5ips> PCM> DAT> CDR> SHN; seeded by Katy Miller; upgrade in circulation
gd1978-04-08.140922.sbd.miller.sirmick.flac1644
1978-04-08Veteran's Memorial Coliseum
140922flac16; Source: SBD > Master Rreel > Beta Hifi > Beta Hifi; Transfer: Beta Hifi > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > wav 24/96; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick
gd1978-04-08.147787.shure.sm57.sublette.miller.clugston.flac1648
1978-04-08Veterans Memorial Coliseum
147787flac16/48kHz; Recording Info:Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1978-04-08.147788.shure.sm57.sublette.miller.clugston.flac2496
1978-04-08Veterans Memorial Coliseum
147788flac24; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1978-04-08.148006.sbd.betty.dalton.miller.sirmick.flac16
1978-04-08Veterans Memorial Coliseum
148006flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick November 2019
gd1978-04-08.140789.sbd.miller.sirmick.flac2496
1978-04-08Veteran's Memorial Coliseum
140789flac24; Source: SBD > Master Rreel > Beta Hifi > Beta Hifi; Transfer: Beta Hifi > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > wav 24/96; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick
gd1978-04-08.150560.BettyBoard.Anon.Noel.t-flac16
1978-04-08Veterans Memorial Coliseum
150560flac16; Source: Betty Cantor’s Master SBD Reel > PCM > PCM; Transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44
gd1978-04-08.sbd.betty.wbotb.83404.flac16
1978-04-08Veterans Memorial Coliseum
83404flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > Fostex D5 > optical S/PDIF out (Jace's tape) > disk WBOTB Transferred by Tim Deibert 3-10-02
gd1978-04-08.sbd.miller.83716.sbeok.flac16
1978-04-08Veterans Memorial Coliseum
83716flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
gd78-04-08.sbd.lai.4144.sbefail.shnf
1978-04-08Veteran's Memorial Coliseum
4144SBD; transferred and seeded by Mike Lai, from Bruce Fried DAT; upgrade in circulation
gd1978-04-08.148615.mtx.seamons.ht118.flac16
1978-04-08Veterans Memorial Coliseum
148615flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) of shnid's 148006 & 147787.
gd1978-04-10.sbd.miller.108665.flac16
1978-04-10Fox Theater
108665flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T-> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1978-04-10.senn421.zimmerman.minches.81262.sbeok.flac16
1978-04-10Fox Theatre
81262flac16; Recorded by Alan Zimmerman Master Audience Cassette; 2 Sennheiser 421s (or 441s) + Sony 54P> passed through Nakamichi 550> Teac PC-10 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC * Patches supplied by SB>MR>PCM>DAT>CD (Note: On 12/28/2006 David Minches circulated a fixed version of d3t04 through d3t07)
gd78-04-10.sbd.miller.18098.sbeok.shnf
1978-04-10Fox Theater
18098SBD -> Rm -> PCM -> Dat via Charlie Miller
gd1978-04-10.sbd.dodd.5259.shnf
1978-04-10Fox Theatre
5259Sbd > MR > PCM >Dat > cdr > Eac > wav > shn; Eac > Shnv3 by Ernie Dodd, from Paul B seed discs; see info file for flaw notes; upgrade in circulation
gd1978-04-10.140836.sbd.miller.sirmick.flac1644
1978-04-10Fox Theater
140836flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMickJanuary 2018
gd1978-04-10.148538.betty.dalton.miller.sirmick.flac16
1978-04-10Fox Theater
148538flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k); Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick December 2019
gd1978-04-10.bbd.15782.shnf
1978-04-10Fox Theater
15782Betty Board>?>CD; Unknown seeder; upgrade in circulation
gd1978-04-11.157181.s1.aud.hicks-fong.flac1644
1978-04-11Fox Theater
157181flac1644; 1st Set; Source: Handheld deck (mono) > Maxell XLII, concert recording by John Hicks & Dennis Fong. Transfer: MAC(?) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644. Transferred by Andrew F. 07/2022
gd1978-04-11.sbd.miller.108666.flac16
1978-04-11Fox Theater
108666flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T-> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1978-04-11.141775.sbd.betty.dalton.miller.sirmick.flac1644
1978-04-11Fox Theater
141775flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav >Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2018
gd1978-04-11.sbd.lai.291.sbeok.shnf
1978-04-11Fox Theatre
291SBD> Reel > PCM> DAT> CDR> SHN; note missing last 2 songs- Sugar Magnolia, encore JGB; known flaws: noticable clicking on d1t8, possibly from bad DAE; reel Glitch d/o d2t3 10:56 - 11:00; via M. Lai, C. Vinci; upgrade in circulation
gd1978-04-11.sbd.miller.tetzeli.fix-18099.81257.sbeok.flac16
1978-04-11Fox Theater
81257flac16; SBD -> Rm -> PCM -> Dat - Seamless fix of shn id 18099 via Bill Tetzeli
gd78-04-11.sbd.miller.18099.sbeok.shnf
1978-04-11Fox Theater
18099SBD -> Rm -> PCM -> Dat via Charlie Miller; upgrade in circulation
gd1978-04-11.157654.aud.hicks-fong.flac2448
1978-04-11Fox Theater
157654flac2448; Source: Handheld deck (mono) > Maxell XLII, concert recording by John Hicks & Dennis Fong. Transfer: MAC(?) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2022
gd1978-04-12.134566.mtx.tobin.flac16
1978-04-12Cameron Indoor Stadium
134566flac16; Matrix 2 Source Mix - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
gd1978-04-12.134567.dts.tobin.flac16
1978-04-12Cameron Indoor Stadium
134567DTS-Audio-CD 5.1 Mix; SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin
gd1978-04-12.sbd.fix.miller.107156.flac16
1978-04-12Cameron Indoor Stadium
107156flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; fix of shind 106985
gd1978-04-12.141776.sbd.betty.dalton.miller.sirmick.flac1644
1978-04-12Cameron Indoor Stadium
141776flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2018
gd1978-04-12.sbd.henry.95673.sbefail.shnf
1978-04-12Cameron Indoor Stadium - Duke University
95673SBD>MR>PCM>D>CD>Toast Audio Extractor>Peak>SHN
gd1978-04-12.sbd.miller.106985.flac16
1978-04-12Cameron Indoor Stadium
106985flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
gd1978-04-12.134820.sur5-1.tobin.flac1648
1978-04-12Cameron Indoor Stadium
134820flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - mixing by Kevin Tobin
gd1978-04-12.sbd.serafin.18805.sbeok.shnf
1978-04-12Cameron Indoor Stadium - Duke University
18805SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. > MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified)
gd78-04-12.sbd.ashley-bertha.14085.sbeok.shnf
1978-04-12Cameron Indoor Stadium, Duke U
14085Bertha Remaster of Master Reel source. SBD>>MR>>PCM>>DAT>>CDA(Toast)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+
gd78-04-12.sbd.henry.11476.sbeok.shnf
1978-04-12Cameron Indoor Stadium, Duke U
11476SBD>MR>PCM>D>CD; via Jeff Cotsman; Seeded to etree by J. Henry
gd1978-04-12.sony54p.wagner.miller.105875.flac16
1978-04-12Cameron Indoor Stadium
105875flac16; Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller
gd1978-04-12.148070.fob.sony.54p.wagner.miller.clugston.flac1648
1978-04-12Cameron Indoor Stadium, Duke University
148070flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1978-04-12.148071.fob.sony.54p.wagner.miller.clugston.flac2496
1978-04-12Cameron Indoor Stadium, Duke University
148071flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
gd1978-04-12.149339.BettyBoard.Anon.Noel.t-flac16
1978-04-12Cameron Indoor Stadium, Duke University
149339flac16; Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel
gd1978-04-12.149531.BettyBoard.Anon.Noel.fixed.t-flac16
1978-04-12Cameron Indoor Stadium, Duke University
149531flac16; Source: Betty Cantor’s Master SBD Reel > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; this is a corrected version of source ID 149339
gd1978-04-12.155360.5-1.tobin.flac1648
1978-04-12Cameron Indoor Stadium, Duke University
155360flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
gd1978-04-14.149542.BettyBoard.Anon.Noel.t-flac16
1978-04-14Cassell Coliseum, Virginia Polytechnic
149542flac16; Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel
gd1978-04-14.sbd.miller.83717.sbeok.flac16
1978-04-14Cassell Coliseum - Virginia Polytechnic Institute and State University
83717flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
gd78-04-14.sbd.clugston.7251.sbefail.shnf
1978-04-14Coliseum, Virginia Polytechnic U
7251Betty's 7 inch, 2 track, Master Soundboard Reels> PCM x2> DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; drop out followed by a short digi-snit in JBG ~ 0:28
gd1978-04-14.148291.sbd.betty.dalton.miller.sirmick.flac16
1978-04-14Cassell Coliseum, Virginia Polytechnic
148291flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2019
gd1978-04-14.147789.shure.sm57.sublette.miller.clugston.flac1648
1978-04-14Cassell Coliseum, Virginia Polytechnic
147789flac16/48kHz; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1978-04-14.147790.shure.sm57.sublette.miller.clugston.flac2496
1978-04-14Cassell Coliseum, Virginia Polytechnic
147790flac24; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1978-04-15.149543.BettyBoard.Anon.Noel.t-flac16
1978-04-15William & Mary Hall
149543flac16; Source: Betty Cantor's SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel
gd1978-04-15.152890.partial.aud.petrunis.flac2448
1978-04-15William & Mary Hall
152890flac2448; Partial AUD; Source: Mono Sony hand-held recorder (model unknown) > Maxell-UD (normal bias) cassette. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021
gd1978-04-15.148571.sony.54p.wagner.miller.clugston.flac1648
1978-04-15William & Mary Hall
148571flac16/48kHz; Recording Info: Bob Wagner's Master Audience Cassettes; Sony 54p mics > Sony TC-158; Transfer Info: Cassette Master (Nakamichi CR7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1978-04-15.148572.sony.54p.wagner.miller.clugston.flac2496
1978-04-15William & Mary Hall
148572flac24; Recording Info: Bob Wagner's Master Audience Cassettes; Sony 54p mics > Sony TC-158; Transfer Info: Cassette Master (Nakamichi CR7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1978-04-15.137402.sbd.msc.happyjack.flac24
1978-04-15William and Mary College Hall
137402flac24; Set 2 Source: sbd; All Master tapes [were synced] - on a Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] NO Dolby; Tape Transfer: Sharp RT100 Deck [Master Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; CD Wave Editor to Split Tracks & covert to Flac24 [Level 6]
gd1978-04-15.137403.sbd.msc.happyjack.flac16
1978-04-15William and Mary College Hall
137403flac16; Set 2 Source: sbd; Master tapes [were synced] - on a Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] NO Dolby; Tape Transfer: Sharp RT100 Deck [Master Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor to Split Tracks & covert to Flac16 [Level 6]; TLH to fix SBE
gd1978-04-15.mtx.chappell.sb24.86412.sbeok.flac16
1978-04-15William And Mary Hall - College Of William And Mary
86412flac 16; Sick Bits Vol. 24 - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=33683) + AUD (shnid=18556). Matrixed by Chris Chappell.
gd1978-04-15.sbd.ashley-field.34932.sbeok.flac16
1978-04-15William And Mary Hall - College Of William And Mary
34932flac16; SBD > MR > PCM > DAT > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a ReSampler (High Quality) > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 33683
gd1978-04-15.sbd.miller.33683.sbeok.flac16
1978-04-15William And Mary Hall - College Of William And Mary
33683flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> Samplitude Professional v7.02 -> FLAC
gd78-04-15.sbd.cotsman.7047.sbefail.shnf
1978-04-15William and Mary College Hall
7047SBD> MR> PCM> D> CD> EAC> SHN; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman; missing encore, splice in NFA; upgrade in circulation
gd78-04-15.wagner.minches.18556.sbeok.shnf
1978-04-15William And Mary Hall - College Of William And Mary
18556Recorded by Bob Wagner; Sony 54Ps> Sony TC-158, transferred and encoded by David Minches
gd1978-04-15.147791.fob.shure.sm57.sublette.miller.clugston.flac1648
1978-04-15William & Mary Hall
147791flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1978-04-15.147792.fob.shure.sm57.sublette.miller.clugston.flac2496
1978-04-15William & Mary Hall
147792flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1978-04-15.148442.betty.dalton.miller.sirmick.flac16
1978-04-15William & Mary Hall
148442flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick December 2019
gd1978-04-15.116981.aud.olkon-schuncke.flac16
1978-04-15William and Mary College Hall
116981flac16 Source: (single) Nakamichi CM300 with CP1 cardioid capsule front of board> Nakamichi 550 deck with dolby B on; Transfer: (original) Nak 550 Dolby B on> Apogee Mini-Me @ 16/44> wav; Assembly: AA3 for fades and edits, CDWav for tracks, TLH for Flac7, Foobar for tags; Recorded by Mark Olkon; Transferred and Assembled by Mike Schuncke
gd1978-04-16.148565.sony.54p.wagner.miller.clugston.flac1648
1978-04-16Huntington Civic Center
148565flac16/48kHz; Source Info: Bob Wagner's Master Audience Cassettes; 3 x Sony ECM-54P mics > Sony 158; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1978-04-16.148566.sony.54p.wagner.miller.clugston.flac2496
1978-04-16Huntington Civic Center
148566flac24; Source Info: Bob Wagner's Master Audience Cassettes; 3 x Sony ECM-54P mics > Sony 158; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1978-04-16.149552.BettyBoard.Anon.Noel.t-flac16
1978-04-16Huntington Civic Center
149552flac16; Source: Betty Cantor's SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel
gd1978-04-16.ecm54p.moore.berger.98510.flac16
1978-04-16Huntington Civic Center
98510flac16; source: aud 1st gen reel mastered: (3)sony ecm54p's>nak 550>patch>sony tc-158sd lineage: mac>7" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave> adobe 2.0 16/44>flac transferred & seeded by Rob Berger
gd1978-04-16.sonyecm54P.wagner.minches.98791.flac16
1978-04-16Huntington Civic Center
98791flac16; Recording by Bob Wagner: 3 Sony ECM-54 Ps> Sony 158 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding 16 bit/ 44.1 kHz version
gd1978-04-16.sonyecm54p.berger.98509.flac24
1978-04-16Huntington Civic Center
98509flac24; source: aud 1st gen reel mastered: (3)sony ecm54p's>nak 550>patch>sony tc-158sd lineage: mac>7" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac transferred & seeded by Rob Berger
gd1978-04-16.139240.sbd.ForTheFaithful_KTS528-529.flac1644
1978-04-16Huntington Civic Center
139240flac16 44.1khz Commercial bootleg release; "For The Faithful" Soundboard; Kiss The Stone records KTS 528/529 released 1996 EAC (secure) > Flacfrontend (level 8) 2/2008 by deadtrader
gd1978-04-16.sbd.cantor.motb.81457.sbeok.flac16
1978-04-16Huntington Civic Center
81457flac16; Source: Betty Soundboard Media: master reels Lineage: SBD > Nagra IV (7.5ips) > R1 Nagra IVs > SR1 > Phillips SuperCD 24/28 > Presonus DigiMax 96 > SB Audigy II Pro > HD WAV > Adobe Audition 1.5 > Izotope Ozone 1.5 > Izotope Ozone 3.5 > WAV16 > flac Taped by: Betty Cantor Transfer by: Jim Goldman Mastered by: Jim Goldman
gd78-04-16.sbd.lai.292.sbeok.shnf
1978-04-16Huntington Civic Center
292SBD> Reel > PCM> DAT> CDR> SHN; via Mike Lai, Chris Vinci to etree, via breaker to abgd.hs; note copy a seeded to etree 2/00, copy b seeded to abgd 2/01- these differ by only 1 checksum, d1t12; static for a few seconds at the beginning of Sunshine Daydream; upgrade in circulation
gd1978-04-16.mtx.seamons.98535.flac16
1978-04-16Huntington Civic Center
98535flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
gd1978-04-16.sbd.unknown.20085.shnf
1978-04-16Huntington Civic Center
20085Possible lineage Master reel> PCM>??> DAT> Sonic Solutions>CD via David Gans, encoded by Brooke Hessel for GDH-Trading Tree; upgrade in circulation
gd1978-04-16.148386.betty.dalton.miller.sirmick.fixed.flac16
1978-04-16Huntington Civic Center
148386flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick November 2019
gd1978-04-16.147801.1st.set.fob.shure.sm57.sublette.miller.clugston.flac1648
1978-04-16Huntington Civic Center
147801flac16/48kHz; 1st Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1978-04-16.147802.1st.set.fob.shure.sm57.sublette.miller.clugston.flac2496
1978-04-16Huntington Civic Center
147802flac24; 1st Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd78-04-18.sbd.cotsman.14036.sbeok.shnf
1978-04-18Civic Arena
14036SBD>MC(?)>?>C>CD>EAC>SHN (several analog generations) patched with aud via Joey Browning, Matt Vernon, & Raoul Duke mastered by Jeff Cotsman
gd78-04-18.shure.vernon.12383.sbeok.shnf
1978-04-18Civic Arena
12383Source: Shure SM57s>Sony TC-158 > MAC > DAT > CDR via Rauol Duke. shn encoding Matt Vernon
gd1978-04-18.132410.fob.s2.seaweed.flac16
1978-04-18Civic Arena
132410flac16; Set 2 Source: MAC>XL-IIS>XL-IIS (FOB,2); Transfer: Maxell XL-IIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged
gd1978-04-19.sbd.gans.miller.9121.shnf
1978-04-19Veterans Memorial Auditorium
9121SBD>Rm>CD>David Gans Sonic Solutions>CD; via Charlie Miller; Seeded to etree by Sean Cheadle
gd78-04-19.sbd.murphy.7286.sbeok.shnf
1978-04-19Veterans' Memorial Hall
7286SBD > Master Reel > CD > Sonic Solutions > CD mastered by David Gans; Source shns from Bob Murphy; partial retrack by Darrin Sacks
gd1978-04-21.123212.sbd.miller.flac16
1978-04-21Rupp Arena, Lexington Center
123212flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd78-04-21.sbd.cotsman.10149.sbeok.shnf
1978-04-21Rupp Arena, Lexington Center
10149SBD>MR>C>D>CD; Patched with AUD>MC>R>D>CD; Missing US Blues & most of Dire Wolf; See info file for details; via Jim Ballinger & Jeff Cook; Seeded to etree by J. Cotsman
gd1978-04-21.sbd.miller.97501.sbeok.flac16
1978-04-21Rupp Arena
97501flac16; Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1978-04-22.133786.sbd.miller.flac16
1978-04-22Nashville Municipal Auditorium
133786flac16; Recording Info: Set 1: SBD -> Master Cassette -> Dat (44.1k); Set 2: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Set 1: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; Set 2: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
gd1978-04-22.133792.sbd.miller.flac16
1978-04-22Nashville Municipal Auditorium
133792flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd78-04-22.sony54p.vernon.12384.sbeok.shnf
1978-04-22Nashville Municipal Auditorium
12384Source: Sony 54P's>Nak 550--10th Row; FOB MAC>Cass>DAT>CDR. via Willy shn encoding Matt Vernon
gd1978-04-22.sonyECM250.walker-scotton.miller.92808.flac16
1978-04-22Nashville Municipal Auditorium
92808flac16; Recording Info:Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90);Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller
gd1978-04-22.set1.sbd.miller.97508.sbeok.flac16
1978-04-22Nashville Municipal Auditorium
97508flac16; Set 1 Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1978-04-24.sbd.mccaw.3296.shnf
1978-04-24Horton Field House - Illinois State University
3296MR> ?> R> D> Digi96> Soundforge> CDWAV> SHN; Mike McCaw; see info file for lineage notes; upgrade in circulation
gd1978-04-24.sbd.miller.32899.flac16
1978-04-24Horton Field House
32899flac16; SBD > Cassette Master > Dat > Cassette > Dat > CD > Samplitude Professional v7.02 > FLAC; Transfer and Mastering by Charlie Miller
gd1978-04-24.sbd.miller.97543.sbeok.flac16
1978-04-24Horton Field House - Illinois State University
97543flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd78-04-24.sbd.mattman.20605.sbeok.shnf
1978-04-24Horton Field House, Illinois State U.
20605SBD Master Cass>DAT>Cass>DAT>CD>EAC>SHN. Remastered by Mattman from source discs supplied by David Hollister. ; upgrade in circulation
gd1978-04-24.109177.aud.acetboy.flac16
1978-04-24Horton Field House, Illinois State U.
109177flac16; Recorded on a small mono cassette recorder with built-in Wollensak 402 mic; First Generation Cassette>Tascam130>Pro Tools LE>wav>flac
gd1978-05-05.fob.glassberg.motb.82962.flac16
1978-05-05Thompson Arena - Dartmouth College
82962flac16; Source: FOB Audience Recording (30 Rows Back) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe
gd1978-05-05.sbd.miller.114348.flac16
1978-05-05Thompson Arena, Dartmouth College
114348flac16; Recording Info: SBD -> Reel Master -> Dat -> Data DVD; Transfer Info: Data DVD -> Samplitude Professional v11.2 -> FLAC; This is a remaster of shnid=112180; All Transfers and Mastering By Charlie Miller
gd78-05-05.glassberg.vernon.18655.sbeok.shnf
1978-05-05Thompson Arena, Dartmouth College
18655Source: Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon via Mark Cohen; upgrade in circulation
gd78-05-05.rolfe.vernon.6149.sbeok.shnf
1978-05-05Thompson Arena, Dartmouth College
6149Sony ECM-99A's>Sony TC-152 > Master Audience Cass > DAT's; Taper: Steve Rolfe; dat> sek'd prodif+ card> hard drive> cdwav > shntool (pad zeros @ end of sets to have complete sectors) >mkw (seekable); dat>shn transfer by dale shepherd, from Matt Vernon DAT; see info file for flaw notes
gd1978-05-06.aud.moore.berger.96896.flac16
1978-05-06Patrick Gymnasium - University of Vermont
96896flac16; source: aud cassette master taped by Jerry Moore 3 mics blended through nak 550>sony tc-153sd maxell xlII90 tapes, dolby b lineage: nak dragon>hd-p2 24/48>cd wave>adobe 16/44>flac
gd1978-05-06.aud.moore.berger.96897.flac24
1978-05-06Patrick Gymnasium - University of Vermont
96897flac24; source: aud cassette master taped by Jerry Moore 3 mics blended through nak 550>sony tc-153sd maxell xlII90 tapes, dolby b lineage: nak dragon>hd-p2 24/48>cd wave>flac
gd1978-05-06.set2.aud.unknown.GEMS.92356.flac16
1978-05-06Patrick Gymnasium - University of Vermont
92356flac16; set two partial, Undocumented audience cassette of unknown generations transfered at 24/96 on a tascam112 MKII deck>apogee minime>aes-ebu xlr>Lynx2>wavelab6.0 Mastered on the GEMS Edit Station In Wavelab 6.0 Weiss Saracon Dither to 16/44.1 by Jamie Waddell Trac'ed cdwave,flac'ed flac frontend level 8 Tagged in tag and rename
gd1978-05-06.aud.rumrunners.97071.flac16
1978-05-06Patrick Gymnasium - University of Vermont
97071flac16; Source: aud > unknown gens cassettes playback > pioneer ct-f1000 with dolby > maxell xlII c90; Transfer: same cassette > pioneer ct-f1000 with dolby > sony pcm r700 sbm-1 at 44.1k > delta dio 2496 > cooledit > wav > flac (updated source info; had been marked as sbd)
gd78-05-06.glassberg.vernon.18657.sbeok.shnf
1978-05-06Patrick Gymnasium, U of Vermont
18657Source: Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon via Mark Cohen; upgrade in circulation
gd78-05-06.rolfe.vernon.6711.sbeok.shnf
1978-05-06Patrick Gymnasium, U of Vermont
6711Sony ECM-99A's> Sony TC-152 > Master Audience Cass > DAT's; Dat Tascam DA-P1 > Sek'd Prodif+ card > Sek'd Red Roaster (edits, fades- see txt) > Cdwav (splits) > mkw; Boundaries verified with Shntool; No dae, no eq, no signal processing; Recorded by Steve Rolfe; Dat > shn transfer by Dale Shepherd; Source Dats from Matt Vernon
gd78-05-06.sbd-aud.cotsman.13726.sbeok.shnf
1978-05-06Patrick Gymnasium, U of Vermont
137261st set: SBD>MC>?>CD>EAC>SHN; 2nd set: AUD>MC>D>SHN; probably not more than one analog gen for the sbd portion; Thanks to Alex MacDonald, Dale Shepherd, and Matt Vernon; edits/encoding by JCotsman
gd1978-05-06.fm-partial.97070.flac16
1978-05-06Patrick Gymnasium - University of Vermont
97070flac16; partial; Source: fm > tandberg (probably TCD 310 MkII) with dolby > tdk sa C90; Transfer: same cassette > pioneer ct-f1000 with dolby > sony pcm r700 sbm-1 at 44.1k > delta dio 2496 > cooledit > wav > flac
gd1978-05-07.152545.aud.petrunis.flac1644
1978-05-07Field House, Rensselaer Polytechnic Institute
152545flac1644; Source: Stereo mic & recorder (models unknown) > TDK AD-90's (normal bias) cassettes. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2021
gd78-05-07.glassberg.vernon.18672.sbeok.shnf
1978-05-07Field House, Rensselaer Polytechnic Institute
18672Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal via Mark Cohen SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon; upgrade in circulation
gd78-05-07.sbd.vernon.8327.sbeok.shnf
1978-05-07Field House, Rensselaer Polytechnic Institute
8327SBDMC>PCM>DAT>CD w/Aud MC>DAT>CD; via Jeff Cook; Seeded to etree by Matt Vernon
gd78-05-07.sony.vernon.8763.sbeok.shnf
1978-05-07Field House, Rensselaer Polytechnic Institute
8763MAC(1 Sony ECM-33P + 1 AKG D1000e>Teac PC-10)>DAT; with SBD patches; via Dale Shepherd; seeded to etree by Matt Vernon
gd1978-05-09.147971.fob.shure.sm57.sublette.miller.clugston.flac1648
1978-05-09Onongada County War Memorial
147971flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1978-05-09.147972.fob.shure.sm57.sublette.miller.clugston.flac2496
1978-05-09Onongada County War Memorial
147972flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd78-05-09.sony.vernon.12184.sbeok.shnf
1978-05-09Onongada County War Memorial
12184AUD (Sony 54P's) > MC > DAT > CDR or AUD (Sony 54P's) > MC > C > DAT > CDR; via Raoul Duke; Seeded to etree by Matt Vernon
gd1978-05-09.132774.aud-wise-claridge.flac16
1978-05-09Onongada County War Memorial
132774flac16/48kHz; Cassette Audience Master recorded By Eddie Claridge; Sony ECM 280 Cardioid Condenser Microphones-Stand Mounted-Sony TC 158 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded Cassette Masters played back on Nakamichi Dragon-Sony PCM R-700 DAT (original A-D by J.W.); DAT Master played back on a Sony PCM R-500-Digital Audio Labs Card deluxe-16 bit 48KHz WAV; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise
gd1978-05-10.mtx.dusborne.127408.flac16
1978-05-10Veterans Memorial Coliseum
127408flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:03899) seeded by Mike Lai and Audience (shnid:18753) Set 1: Sony 54-Ps>Sony TCD158>CM>C>D>CD>EAC .093B>WAV>SHN; Set 2: Sony 54-Ps>Sony TCD158>CM>D>CD>EAC .093B>WAV>SHN; Transcribed by JR Fishman
gd78-05-10.aud.fishman.18753.sbeok.shnf
1978-05-10Veterans' Memorial Coliseum
18753Aud, Set 1: Sony 54-Ps>Sony TCD158>CM>C>D>CD>EAC .093B>WAV>SHN Set 2: Sony 54-Ps>Sony TCD158>CM>D>CD>EAC .093B>WAV>SHN Via JR Fishman
gd78-05-10.sbd.lai.3899.sbefail.shnf
1978-05-10Veterans' Memorial Coliseum
3899SBD; via Mike Lai
gd1978-05-10.127485.aud.moore.berger.flac24
1978-05-10Veterans' Memorial Coliseum
127485flac24; source: aud cassette master taped by Jerry Moore; mics uncertain > sony tc-153sd, maxell udxlII's, dolby b; nak dragon/b > benchmark adc1 24/96 > adobe audition cs6 > flac; transferred & seeded by Rob Berger
gd1978-05-10.127486.aud.moore.berger.flac16
1978-05-10Veterans' Memorial Coliseum
127486flac16; source: aud cassette master taped by Jerry Moore; mics uncertain > sony tc-153sd, maxell udxlII's, dolby b; nak dragon/b > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transferred & seeded by Rob Berger
gd78-05-11.aud.vernon.6317.sbeok.shnf
1978-05-11Springfield Civic Center
6317FOB Nak mics > sony d5 > master audience cass > dat's; patches added (see info); dat@48> sek'd prodif+ card (resampled to 44.1)> cd wave> mkw; d1 tracked for 80 min; dat>shn transfer by Dale Shepherd, from Matt Vernon source DATs
gd78-05-11.moore.minches.18658.sbeok.shnf
1978-05-11Springfield Civic Center
18658Recorded by Moore, Maisner, and Spitalny; Nak 700s> Nak 550> Sony TC-152 from the floor just to the right of the center Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT by David Minches
gd78-05-11.sbd.miller.16333.sbeok.shnf
1978-05-11Springfield Civic Center
16333SBD -> Rm -> Cass -> Dat -> CD -> Sonic Solutions -> CD via Charlie Miller
gd1978-05-11.147803.2nd.Set.fob.shure.sm57.sublette.miller.clugston.flac1648
1978-05-11Springfield Civic Center
147803flac16/48kHz 2nd Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158 > Cassette; Transfer Info:1st generation cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1978-05-11.147804.2nd.Set.fob.shure.sm57.sublette.miller.clugston.flac2496
1978-05-11Springfield Civic Center
147804flac24; 2nd Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158 > Cassette; Transfer Info:1st generation cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1978-05-11.127386.mtx.dusborne.flac16
1978-05-11Springfield Civic Center
127386flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:16333) SBD -> Rm -> Cass -> Dat -> CD -> Sonic Solutions -> CD; Audience (shnid:06317) fob audience recording with a sbd patch nak mics > sony d5 > master audience cass > dat's; dat@48>sek'd prodif+ card (resampled to 44.1)>cd wave>mkw; and Audience (shnid:18658) **This source was used for Drums -> Space only Source: Recorded by Moore, Maisner, and Spitalny; Nak 700s> Nak 550> Sony TC-152 from the floor just to the right of the center Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT
gd1978-05-11.sdb.lai.1187.sbefail.shn
1978-05-11Springfield Civic Center Arena
1187sdb> reel master> cassette> dat> cdr; via Mike Lai; upgrade in circulation
gd1978-05-13.aud.unknown.vernon-shephard.7207.shnf
1978-05-13The Spectrum
7207Sony ECM33P7 + AKGD1000E > Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits) > Cdwav > Mkw; Source tapes from Matt Vernon; Dat > shn transfer by Dale Shepherd; see info file for editing and flaw notes; d1 tracked for 80 min; upgrade in circulation
gd1978-05-13.152885.partial.aud.petrunis.flac2448
1978-05-13The Spectrum
152885flac2448; Partial AUD; Source: Mono Sony hand-held recorder (model unknown) > TDK-Audua (normal bias) cassette. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021
gd78-05-13.rolfe.weiner.17406.sbeok.shnf
1978-05-13The Spectrum
17406AudMC > DAT > WAV > SHN. Recorded by Steve Rolfe with two Sony ECM-33P's > Teac PC-10 deck left of center, about the 20th row. A > D and encoding by Noah Weiner.
gd1978-05-14.152506.aud.petrunis.flac2448
1978-05-14Providence Civic Center
152506flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK-AD (normal bias) cassettes. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2021
gd1978-05-14.124932.mtx.dusborne.flac16
1978-05-14Providence Civic Center
124932flac16; 2 source matrix by dusborne; Soundboard (shinid:108996) SBD -> Cassette Master -> Dat -> CD; CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:7639) Sony ECM33P7 + AKGD1000e> Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits*) > Cdwav > Mkw; Boundaries verified with Shntool; No dae, no normalizing, no eq or processing of any kind; Source tapes from Matt Vernon; Dat > shn transfer by Dale Shepherd
gd78-05-14.sony.vernon.7639.sbeok.shnf
1978-05-14Providence Civic Center
7639Sony ECM33P7 + AKGD1000e> Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits*) > Cdwav; via Matt Vernon; Dale Shepherd
gd1978-05-14.sbd.miller.108996.flac16
1978-05-14Providence Civic Center
108996flac16; Recording Info:SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1978-05-16.128380.naks.mason.flac16
1978-05-16Uptown Theater
128380flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
gd78-05-16.akg.weiner.8333.sbeok.shnf
1978-05-16Uptown Theater
8333AKG D202E mics > Sony TC-152; AUDMC > R > DAT > CDWAV; via Noah Weiner
gd1978-05-17.sbd.scotton.miller.109000.flac16
1978-05-17Uptown Theater
109000flac16; Recording Info:SBD -> Cassette Master -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1978-05-17.mtx.seamons.109101.flac16
1978-05-17Uptown Theater
109101flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
gd1978-05-17.aud-jaret.107950.flac1644
1978-05-17Uptown Theater
107950flac16; Recorded by Phil Jaret; JVC M-201 Stereo Microphone> Teac PC-10 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/pitch Correction by Joe B. Jones. The beginning of many songs were clipped and patched with SHNID 8334.
gd1978-05-17.128393.naks.mason.partial.flac16
1978-05-17Uptown Theater
128393flac16; Both Sets Partial; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
gd78-05-17.akg.weiner.8334.sbeok.shnf
1978-05-17Uptown Theater
8334AKG D202E mics > Sony TC-152; AUDMC > R > DAT > CDWAV; via Noah Weiner
gd1978-06-04.sbd.cantor.miller.94407.sbeok.flac16
1978-06-04Campus Stadium - University Of California
94407flac16; Recording Info: SBD (Betty's Recording Mix) -> Master Cassette (Maxell UD C-90) -> Dat (44.1k);Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1978-06-04.156757.aud-unk.flac1644
1978-06-04Campus Stadium, UC Santa Barbara
156757flac1644; Source: Lo-Fi mono AUD from the tape collection of Rich Petrunis. Transfer: Old TDK's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2022
gd1978-06-04.aud.unknown.87090.flac16
1978-06-04Campus Stadium - University Of California
87090flac16; Master audience cassettes> Open Reel (Sony 153>Tandberg 9141) > DAT (Tandberg 9141>Tascam DA-20 @ 44.1kHz)
gd78-06-04.sbd.cotsman.10530.sbeok.shnf
1978-06-04Campus Stadium, UC Santa Barbara
10530SBD>MC>C>D>CD; patched with AUD>MC>R>D>CD; See info file for details; via Raoul Duke and Mike Tausig; Seeded to etree by Matt Vernon & J. Cotsman
gd1978-06-25.152976.sbd.bear.gems.flac2496
1978-06-25Autzen Stadium, University Of Oregon
152976flac2496 Recording Info: Bear's Master Cassette (Set 1) + Bear's Master Reel > Cassette (Set 2)
Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24
Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred and Mastered by Jim Blackwood
Speed Correction by Jason Chastain
gd1978-06-25.152977.sbd.bear.gems.flac1648
1978-06-25Autzen Stadium, University Of Oregon
152977flac1648 Recording Info: Bear's Master Cassette (Set 1) + Bear's Master Reel > Cassette (Set 2)
Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 > RX8 > Flac16
Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred and Mastered by Jim Blackwood
Speed Correction by Jason Chastain
gd1978-06-25.sbd.130649.MrBill.flac16
1978-06-25Autzen Stadium, U. of Oregon
130649flac16; Recording Info: SBD > MC? > ? > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC; Remastered, retracked upgrade of shnid 7048.
gd78-06-25.sbd.cotsman.7048.sbefail.shnf
1978-06-25Autzen Stadium, U. of Oregon
7048SBD> MC> ?> D> CD> EAC> SHN; ; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman; see notes in info file; d2 tracked for 80 min
gd1978-06-25.145143.sony.ecm270.severson.miller.clugston.flac1648
1978-06-25Autzen Stadium, University Of Oregon
145143flac16/48kHz; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1978-06-25.145144.sony.ecm270.severson.miller.clugston.flac2496
1978-06-25Autzen Stadium - University of Oregon
145144flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1978-07-01.sonyecm54p.wagner.minches.97424.flac16
1978-07-01Arrowhead Stadium
97424flac16; Recording by Bob Wagner: Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
gd78-07-01.wagner.unknown.7355.sbeok.shnf
1978-07-01Arrowhead Stadium
7355Robert Wagner Recording: Sony 54p's>Sony TC-158, Aud>MC>Da>Cdr
gd1978-07-03.sonyecm54p.wagner.minches.97601.flac16
1978-07-03St. Paul Civic Center Arena
97601flac16; Recording by Bob Wagner: Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
gd1978-07-03.aud.unknown.120130.sbeok.flac16
1978-07-03St. Paul Civic Center
120130flac16; Low-gen Audience Cassette (Set 1: TDK SA-90; Set 2: Maxell UDXL-II C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (DFF 1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9 (pitch, edit) > CD Wave Editor (track) > Trader's Little Helper (wav > flac) > Flac16; Transfer, edit/patch, pitch correction by Bob Morris, May 2012
gd78-07-03.wagner.7356.sbeok.shnf
1978-07-03St. Paul Civic Center
7356Robert Wagner Recording: Sony 54p's>Sony TC-158, Aud>MC>Da>Cdr
gd78-07-05.sony.wiley.11481.sbeok.shnf
1978-07-05Omaha Civic Auditorium
11481AUD(Sony 54P?s>Sony TC-158)>MC>C>DAT>CD; via Paul B; Seeded to Etree by T. Wiley
gd1978-07-05.sonyecm54p.wagner.97299.flac16
1978-07-05Omaha Civic Auditorium
97299flac16; Recorded by Bob Wagner Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
gd1978-07-07.sbd.jerugim.tetzeli.fix-293.33817.shnf
1978-07-07Red Rocks Amphitheatre
33817Fix of shnid 293 - SBD> MR> PCM > DAT; DAT> CD> EAC> SHN by Bill Tetzeli
gd1978-07-07.mtx.octopusrider.98917.flac16
1978-07-07Red Rocks Amphitheatre
98917flac16; 3-Source SBD/AUD Matrix Mix by OctopusRider
gd1978-07-07.134374.sbd.flac.tetzeli.droncit.flac16
1978-07-07Red Rocks Amphitheatre
134374flac16; Mono Soundboard; lineage from shnid 293 listed as SBD> MR> PCM> DAT, from Betty Board; DAT> CD> EAC> SHN; This is a flac encoded & tagged version of reworked shnid 33817
gd78-07-07.aud.cousinit.18700.sbeok.shnf
1978-07-07Red Rocks Amphitheatre
18700Source: FOB-MAR>C>C>DAT>WAV>SHN SBD Patch MSR>R>C>C>DAT>WAV>SHN Source C>SHN Conversion By Cousinit SBD Patch C>SHN Conversion By Cousinit
gd78-07-07.sbd.jerugim.293.sbeok.shnf
1978-07-07Red Rocks Amphitheatre
293SBD> MR> PCM> DAT, from Betty Board; DAT> CD> EAC> SHN conversion & upload by Adam Jerugim; known flaw: d3t02 d/o @ 10:14; note summary of Jason Palmer's and AJ's reports: This is not in stereo: the same channel is spread over both using a splitter technique. The channel that should contain Keith, half of Jerry, Billy, and possibly some of Phil, is missing; Keith is minimally audible. This the only SBD source available. If you have a superior source, please contact AJ. [Note: A shntool-fixed-by-set version also circulates]. ; upgrade in circulation
gd1978-07-07.157698.aud.hicks-fong.flac2448
1978-07-07Red Rocks Amphitheatre
157698flac2448 Source: Unknown mics & deck (up front) > Maxell XLII's, concert recording by John Hicks & Dennis Fong. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2022
gd1978-07-08.125797.mtx.eichorn.sbeok.t-flac16
1978-07-08Red Rocks Ampitheatre
125797flac16; Matrix from Source 1: SBD (shnid=106070) Recording Info: SBD -> Master Reel -> PCM -> Roland SRC-2 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC and Source 2: AUD (shnid=91766) Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight; matrix by Roger Eichorn; Upgrade in circulation; the seeder has requested that this version be removed from circulation
gd1978-07-08.sbd.hoelter.tetzeli.fix-294.33818.shnf
1978-07-08Red Rocks Amphitheatre
33818Seamless fix of shn id 294 - SBD> [?]> DAT>CDR by Bill Tetzeli
gd1978-07-08.sbd.liberatedboot.88551.sbeok.flac16
1978-07-08Red Rocks Amphitheatre
88551flac16; Source: SBD -> ? -> Bootleg CD "The Great Red Rocks" Transfer: EAC (in secure mode w/proper offsets) -> FLAC Seeded by Matt Carney on 11-17-07 ; upgrade in circulation
gd1978-07-08.126239.mtx-redo.eichorn.sbeok.t-flac16
1978-07-08Red Rocks Ampitheatre
126239flac16; 2 Source Matrix from Source 1: SBD (shnid=106070) Recording Info: SBD -> Master Reel -> PCM -> Roland SRC-2 -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC and Source 2: AUD (shnid=91766) Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 3 x Maxell UD XL II C90; Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Timothy Knight
gd78-07-08.sbd.unknown.294.sbeok.shnf
1978-07-08Red Rocks Amphitheatre
294SBD> [?]> DAT> CDR; via Jeff Hoelter; see pub comments for additional notes. [Note: A shntool-fixed-be-sets version of this source is available]; upgrade in circulation
gd1978-07-08.sbd.miller.106070.flac16
1978-07-08Red Rocks Ampitheatre
106070flac16; Recording Info: SBD -> Master Reel -> PCM -> Roland SRC-2 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
gd78-08-XX.sbd.wiley.11692.sbeok.shnf
1978-08-01Studio (Shakedown Street Rehearsal)
11692SBD> MR> ??> DAT> CDR> EAC (secure)> CD WAV> SHN (seekable); EAC> etree by Tim Wiley; with thanks to Paul B. for source discs
gd78-08-18.sbd.tzuriel.11504.sbeok.shnf
1978-08-18Studio
11504Shakedown Street sessions with Lowell George (Sbd>??>Cdr); Seeded to etree by Tzuriel
gd1978-08-30.158131.aud-partial.hicks-fong.flac2448
1978-08-30Red Rocks Amphitheatre
158131flac2448; Partial AUD; Source: Handheld deck (mono) > MAC > 1st-Gen mix tape, concert recording by John Hicks & Dennis Fong. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2022
gd1978-08-30.s2.sbd.miller.110151.flac16
1978-08-30Red Rocks Ampitheatre
110151flac16; Recording Info: SBD -> Cassette Master (Maxell UDXLI) -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd78-08-30.aud.wiley.11479.sbeok.shnf
1978-08-30Red Rocks Amphitheatre
11479AUD>MC>DAT>CD; Seeded to Etree by T. Wiley
gd78-08-30.set2-sbd.barbella.8038.sbeok.shnf
1978-08-30Red Rocks Amphitheatre
8038set 2; SBD> MC> DAT> CDR; via Charlie Miller; Cozmcchuck; Steve Barbella
gd1978-08-30.145135.sony.ecm270.nak301.severson.miller.clugston.flac1648
1978-08-30Red Rocks Amphitheatre
145135flac16/48kHz; 1st Set: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (row 20, seats 73-75)> Sony TC-158SD (Maxell UDXLII); 2nd Set: Mark Severson's Master Audience Cassettes; Nakamichi 301 mics (row 20, seats 73-75)(patched out of Barry Glassberg) > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1978-08-30.145136.sony.ecm270.nak301.severson.miller.clugston.flac2496
1978-08-30Red Rocks Amphitheatre
145136flac24 1st Set: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (row 20, seats 73-75)> Sony TC-158SD (Maxell UDXLII); 2nd Set: Mark Severson's Master Audience Cassettes; Nakamichi 301 mics (row 20, seats 73-75)(patched out of Barry Glassberg) > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1978-08-31.158061.aud.hicks-fong.flac2448
1978-08-31Red Rocks Amphitheatre
158061flac2448; AUD Source: Handheld deck (mono) > Maxell-XLII, concert recording by John Hicks & Dennis Fong. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2022
gd1978-08-31.sbd.miller.125882.flac16
1978-08-31Red Rocks Ampitheatre
125882flac16; Recording Info: SBD -> Cassette Master (Maxell UDXLI-C90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd78-08-31.aud-sbd.miller.20726.sbeok.shnf
1978-08-31Red Rocks Amphitheatre
20726Lineage: Source 1: AUD>Cm>Dat>CD>EAC>Samplitude v7.02>SHN Source 2: SBD>Rm>PCM>Dat>Samplitude v7.02>SHN All edits and conversions done by Charlie Miller charliemiller87@earthlink.net 11/12/03
gd78-08-31.aud.wiley.11480.sbeok.shnf
1978-08-31Red Rocks Amphitheatre
11480AUD>MC>DAT>CD; via Paul B; Seeded to Etree by T. Wiley
gd1978-08-31.145137.nak301.severson.miller.clugston.flac1648
1978-08-31Red Rocks Amphitheatre
145137flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 301 mics (row 20, seats 77-80)(patched out of Barry Glassberg) > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1978-08-31.145138.nak301.severson.miller.clugston.flac2496
1978-08-31Red Rocks Amphitheatre
145138flac24; Mark Severson's Master Audience Cassettes; Nakamichi 301 mics (row 20, seats 77-80)(patched out of Barry Glassberg) > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1978-09-02.sbd.miller.106818.flac16
1978-09-02Giants Stadium
106818flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1978-09-02.140476.s2.Sony54P.wagner.miller.sirmick.flac1644
1978-09-02Giants Stadium
140476flac16; Set 2 Source: (FOB) Sony 54P > Sony TC-158SD > Cassette Master; taped by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick September 2017
gd1978-09-02.142988.set2.sbd.dalton.miller.clugston.flac1648
1978-09-02Giants Stadium
142988flac16/48kHz; Set 2 Recording Info: Master Soundboard Cassette (Maxell UDXLII)> Cassette (TDK) > Dat 16/48(Panasonic SV-3700)> Dat x3; Transfer Info: Dat (Sony PCM-R500 16/48) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16/48) > Adobe Audition 3.01 > TLH flac1648
gd1978-09-02.s2.sony54p.wagner.miller.124588.flac16
1978-09-02Giants Stadium
124588flac16; Set 2 Recording Info: (FOB) Sony 54P -> Cassette Master (Sony TC-158SD); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by: Bob Wagner; All Transfers and Mastering By Charlie Miller
gd78-09-02.rolfe.weiner.15822.sbeok.shnf
1978-09-02Giants Stadium
15822AUDMC > DAT > WAV > SHN recorded by Steve Rolfe with two Sony EMC-33P mics > Sony TC-152 deck 50-60 feet left center from the stage, converted and encoded by Noah Weiner
gd78-09-02.sbd.jools.7925.sbeok.shnf
1978-09-02Giants Stadium
79251st Set unknown gen reel>CD with some aud patches, see info file for details; 2nd Set SBD:MC>Cas>DAT>CD; via Yubah with thanks to Jools
gd1978-09-02.131868.mtx.dusborne.flac16
1978-09-02Giants Stadium
131868flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:106818) Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC and Audience (shnid:015822) AUDMC > DAT > WAV > SHN; Recorded by Steve Rolfe with two Sony EMC-33P mics > Sony TC-152 deck 50-60 feet left center from the stage
gd1978-09-02.139367.s2.Sony54P.wagner.miller.sirmick.flac24
1978-09-02Giants Stadium
139367flac24; Set 2 Source: (FOB) Sony 54P > Sony TC-158SD > Cassette Master; taped by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick September 2017
gd1978-09-13.136808.sndck.FOB.schall.flac16
1978-09-13Gizah Sound and Light Theater
gd1978-09-13.136808.FOB.sndck.schall.flac16
1978-09-13Gizah Sound and Light Theater
136808flac16; Source: Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; shn CD import > xACT for flac fingerprints and md5 verification > FLAC by Dave Schall
gd78-09-13.sndchk-aud.jim.10155.sbeok.shnf
1978-09-13Gizah Sound and Light Theater
10155soundcheck; Aud Cassette Master -> ?? -> CD; via Jim Bennett
gd78-09-13.sndchk-sbd.wiley.11482.sbeok.shnf
1978-09-13Gizah Sound and Light Theater
11482Soundcheck from night before the shows; SBD>MR>??>CDR; Seeded to Etree by T. Wiley
gd1978-09-14.nak700.unknown.LMPP.94536.flac16
1978-09-14Sphinx Theatre
94536flac16; 2 Nakamichi 700 cardioid mic's, Sony TCM 158 stereo cassette recorder ,1st gen Maxell UDXL 2 cass Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > plugins > flac lvl 8 (tlh)
gd1978-09-14.fob.sonyecm280.porray.motb-0107.103626.flac24
1978-09-14Gizah Sound and Light Theater
103626flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x ECM280 >> Sony TC-158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Eldon Porray Transfer By: Bob Menke Mastering By: Brion Green
gd78-09-14.sbd.miller.22169.sbeok.shnf
1978-09-14Gizah Sound and Light Theater
22169Recording Info: SBD -> Master Reel (2 track) -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN)Transfered By Charlie Miller; upgrade in circulation
gd1978-09-14.sbd.miller.88171.flac16
1978-09-14Sphinx Theatre
88171flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC Transfered By Charlie Miller
gd1978-09-14.fob.sonyecm280.porray.motb-0107.103625.flac16
1978-09-14Gizah Sound and Light Theater
103625flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x ECM280 >> Sony TC-158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Eldon Porray Transfer By: Bob Menke Mastering By: Brion Green
gd78-09-14.aud.dauria.6032.sbeok.shnf
1978-09-14Gizah Sound and Light Theater
6032Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; via John D'Auria; note one less reel gen than previous version
gd1978-09-15.mtx.dts.tobin.88924.sbeok.flac16
1978-09-15Sphinx Theatre
88924DTS Audio 5.1; SBD (shn id 87782) Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC + AUD (shn id 4160) Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 - dts mixing by Kevin Tobin
gd1978-09-15.nak700.unknown.LMPP.94537.flac16
1978-09-15Sphinx Theatre
94537flac16; Source: Audience Recording Lineage: 2 Nakamichi 700 cardioid mic's, Sony TCM 158 stereo cassette recorder ,1st gen Maxell UDXL 2 cass > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave >Edited in Adobe Audition, mastered with iZotope Ozone, noise reduction with iZotope RX Advanced, tracked with CD Wave and flac'd with TLH
gd78-09-15.sbd.miller.21781.sbeok.shnf
1978-09-15Gizah Sound and Light Theater
21781Recording Info: Set One: SBD -> Reel Master (2 track) -> Cass -> Dat -> CD -> EAC -> SHN Set Two: SBD -> Reel Master (10" @ 15 I.P.S. 1/2-track) -> Dat -> CD -> EAC -> SHN Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN All transfers By Charlie Miller; upgrade in circulation
gd1978-09-15.sbd.miller.87782.flac16
1978-09-15Sphinx Theatre
87782flac16; Recording Info: Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
gd1978-09-15.fob.sonyecm280.porray.motb-0138.107304.flac16
1978-09-15Gizah Sound and Light Theater
107304flac16; 2 x Sony ecm 280 mics >> Sony 153sd >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16; Taped By: Eldon Porray
gd78-09-15.aud.dauria.4160.sbeok.shnf
1978-09-15Gizah Sound and Light Theater
4160Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; Transferred and seeded by John D'Auria; d2 tracked for 80 min;see info file for flaw notes