Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1971-01-21.153406.sbd.partial.martin.smith.clugston.flac1648
1971-01-21Freeborn Hall, University of California
153406flac16/48 Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
gd1971-01-21.153417.sbd.partial.martin.smith.clugston.flac2496
1971-01-21Freeborn Hall, University of California
153417flac24/96 Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
gd1971-01-21.131516.aud.miller.flac24
1971-01-21Freeborn Hall, University of California
131516flac24; Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller
gd1971-01-21.131517.aud.miller.flac16
1971-01-21Freeborn Hall, University of California
131517flac16; Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller
gd1971-01-21.153470.mtx.tobin.flac16
1971-01-21Freeborn Hall, University of California
153470flac16; Matrix 2 Source Mix - SBD (shnid = 153406) Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 + AUD (shnid = 131517) Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller - matrix mixing by Kevin Tobin
gd1971-01-21.153471.dts.tobin.flac16
1971-01-21Freeborn Hall, University of California
153471DTS-Audio-CD 5.1 Mix; - SBD (shnid = 153406) Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 + AUD (shnid = 131517) Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller - dts mixing by Kevin Tobin
gd1971-01-21.153472.5-1.tobin.flac1648
1971-01-21Freeborn Hall, University of California
153472flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 153406) Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 + AUD (shnid = 131517) Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller - surround mixing by Kevin Tobin
gd71-01-22.sbd.cotsman.12592.sbeok.shnf
1971-01-22Lane Community College
12592SBD> (unknown analog gens)> C> CD> EAC> SHN; Walter Schnell analog-> CD conversion; shn encoding Jeff Cotsman
gd71-01-24.sbd.lai.6247.sbefail.shnf
1971-01-24Seattle Center Arena
6247SBD> MR> C> DAT> CDR; Truckin? is missing the opening notes, Good Lovin? reprise cuts at 0:24; via Mike Lai with thanks to Paul B.
gd1971-01-24.150274.sbd.miller.flac1644
1971-01-24Seattle Center Arena
150274flac16; Recording Info: SBD > Master Reel > Cassette > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitide Pro X5 Suite > FLAC
gd1971-02-01.sbd.Studio.Rehearsal.120486.flac16
1971-02-01Unknown
120486flac16; unknown low gen Maxell XLII Cassette>Wav via Teac Stand Alone CD Burner > ? > SBE found - fix (TLH) shift backwards > MD5 + FFP made with (TLH)
gd1971-02-18.132101.flac16
1971-02-18Capitol Theater
132101flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
gd1971-02-18.132136.aud.wgtb.flac16
1971-02-18Capitol Theater
132136flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
gd1971-02-18.143183.sbd.Dolphinsmile.flac1648
1971-02-18Capitol Theater
143183flac16/48kHz; SBD Master Reels>Dat>Clone directly to me via snail mail>file cloned into Microtrack using Tascam Dat deck>Goldwave tracking and removal on one glitch (reel change)>TLH8
gd71-02-18.sbd.orf.107.sbeok.shnf
1971-02-18Capitol Theater
107SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
gd71-02-18.sbd.stephens.6672.sbeok.shnf
1971-02-18Capitol Theater
6672direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
gd1971-02-18.157425.sbd.cantor.martin.smith.sirmick.flac1648
1971-02-18Capitol Theater
157425flac1648 Source: Original transfer Betty Cantor Jackson's Soundboard Master Reels ((7" 1/2 track @ 7 1/2 ips w/ dolby A)) > Sony TCD-D10 Pro DAT (Oade Brothers mod) > DAT (48k) Final transfer: DAT > Sony PCM-2600 > Tascam DA-3000 > wav 16/48 Lineage: wav 16/48 > iZotope RX 9 Advanced > CD Wave > flac 1648 edited and mastered SIRMick July 2022
gd1971-02-18.148238.aud.composite.davis..smith.miller.clugston.flac1648
1971-02-18Capitol Theater
148238flac16/48kHz; Source Info: Source A: Master Audience Cassettes; unknown taper, unknown equipment > 1st generation reels; Source B: Master Audience Cassette; unknown taper, unknown equipment > 1st generation reels; Transfer Info (both sources): 1st generation reels (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (.wav 24/96) > Adobe Audition 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1971-02-18.148239.aud.composite.davis..smith.miller.clugston.flac2496
1971-02-18Capitol Theater
148239flac24; Source Info: Source A: Master Audience Cassettes; unknown taper, unknown equipment > 1st generation reels; Source B: Master Audience Cassette; unknown taper, unknown equipment > 1st generation reels; Transfer Info (both sources): 1st generation reels (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (.wav 24/96) > Adobe Audition 2019 > TLH flac2496
gd1971-02-18.sbd.miller.111793.flac16
1971-02-18Capitol Theater
111793flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1971-02-19.132102.flac16
1971-02-19Capitol Theatre
132102flac16; Partial 1st Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
gd1971-02-19.151881.soundboard.ramrod.miller.flac1644
1971-02-19Capitol Theater
151881flac16/44khz Recording Info: SBD > Master Reel (Sony TC-770/Scotch 7in 1/4 track 7.5ips) Transfer Info: Master Reel (Technics RS-1506) > Sony PCM-R500 (pass through) > Sound Forge > CD Mastering Info: CD > Samplitude Pro X5 Suite > FLAC/16
gd71-02-19.matrix.chappell.31210.sbeok.flacf
1971-02-19Capitol Theatre
31210flac 16; Sick Bits Vol. 13 - SBD/AUD matrix of two previosly circulated sources (SBD - shnid=1029 + AUD - shnid=30230), edited and encoded by Chris Chappell.
gd1971-02-19.sbd.bertha.91849.dvda
1971-02-19Capitol Theater
91849DVD-VA; (Video-Audio) 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > DAW (Bertha)>>Audio DVD; audio only - no video
gd71-02-19.sbd.orf.1029.sbeok.shnf
1971-02-19Capitol Theatre
10297" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine reduced with notch filter (see info file for details and other flaw notes); via WBOTB tree (site includes covers)
gd1971-02-19.aud.Vadnais.30230.flac16
1971-02-19Capitol Theatre
30230flac16; unknown mono audience recording source: 1st gen reel> Teac A-2300SX> RCA out> Audiophile 2496> Wavelab 4.0 lineage: Wavelab 4.0> CD Wave> MKWact> WAV> FLAC recordist unknown transfered and remastered by Clinton Vadnais (cleantone@hotmail.com)
gd1971-02-20.sbd.miller.116617.flac16
1971-02-20Capitol Theater
116617flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
gd71-02-20.sbd.orf.111.sbeok.shnf
1971-02-20Capitol Theater
1117" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
gd1971-02-20.sbd.cantor.orf.6188.shnf
1971-02-20Capitol Theatre
6188likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
gd1971-02-21.123830.cooper-berger.flac16
1971-02-21Capitol Theater
123830flac16; source: aud cassette master; taped by Jim Cooper; two unknown mics > hitachi trq-222 deck tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger; Upgrade in circulation
gd71-02-21.sbd.lunz.1980.sbeok.shnf
1971-02-21Capitol Theater
1980SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different
gd1971-02-23.151502.aud.partial.lamarre.vernon.sirmick.flac16
1971-02-23Capitol Theater
151502flac16/44.1khz Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick January 2021
gd1971-02-23.151503.aud.partial.lamarre.vernon.sirmick.flac24
1971-02-23Capitol Theater
151503flac24/96khz Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick January 2021
gd1971-02-23.sbd.miller.110353.flac16
1971-02-23Capitol Theater
110353flac116; Recording Info:SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
gd71-02-23.sbd.orf.113.sbeok.shnf
1971-02-23Capitol Theater, Portchester NY
113SBD> MR> DAT> SFNR>C D-R; via Leigh Orf; WBOTB source> distortion removed digitally (see notes)
gd1971-02-23.aud.weinberg.moore.berger.98406.flac16
1971-02-23Capitol Theater
98406flac16; Partial Set 2 source: aud 1st gen 7" reel @ 3.75 ips, dolby b mastered on uher reel by Marty Weinberg lineage: aud reel master>reel technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 2.0 16/44>flac
gd1971-02-24.sbd.clevenger.6190.sbefail.shnf
1971-02-24Capitol Theater
6190seekable reshn of other shn set? by Bob Clevenger; may not have gotten into circulation
gd1971-02-24.125171.Weinberg-parish-evans-berger.flac16
1971-02-24Capitol Theater
125171flac16; akg d190e > Uher 4000 5" open reel; reel master > Marantz CD-RW700; aud reel master, taped by Marty Weinberg, transfer by Michael Parish, seeded by Rob Berger
gd71-02-24.sbd.orf.114.sbeok.shnf
1971-02-24Capitol Theater
114via Leigh Orf; WBOTB source > distortion removed digitally (see notes)
gd1971-02-24.140834.sbd.betty.pcm.miller.clugston.flac1644
1971-02-24Capitol Theater
140834flac16; Source Info: Betty's 7" two track Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3> TLH flac16
gd1971-02-24.121065.sbd.miller.digitalrbb.flac16
1971-02-24Capitol Theater
121065flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1971-03-03.149879.sbd.latvala.lee.smith.miller.clugston.flac1648
1971-03-03Fillmore West
149879flac16/48kHz; Source Info: Master Soundboard Reels > Pat Lee's 1st generation reels; Transfer Info: 1st generation reels (Revox A77) > Tascam DA-3000 > dBpoweramp 2496 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1971-03-03.149880.sbd.latvala.lee.smith.miller.clugston.flac2496
1971-03-03Fillmore West
149880flac24; Source Info: Master Soundboard Reels > Pat Lee's 1st generation reels; Transfer Info: 1st generation reels (Revox A77) > Tascam DA-3000 > dBpoweramp 2496 > Adobe Audition CC 2020 > TLH flac2496
gd71-03-03.sbd.lai.6248.sbefail.shnf
1971-03-03Fillmore West
6248SBD> MR> (cass gen?)> DAT> CDR, plus possible patch; see info file for flaw notes; via Mike Lai, with thanks to Paul B.
gd1971-03-03.149685.sbd.gems.flac1644
1971-03-03Fillmore West
149685flac16; Master Soundboard Recording, unknown pedigree; Transfer - Nak BX-300 > Sony 75ES > DAT; Mastering by Jamie Waddell and Jason Chastain
gd1971-03-03.130986.sbd.MrBill.flac16
1971-03-03Fillmore West
130986flac16; Recording Info: SBD > MR > ? > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Upgrade of existing SBD source. First four tracks are stereo, balance of show is 2 track MONO. Transferred, tracked and mastered by Bill Guarneri, August 18, 2014
gd71-03-14.sbd.cole.6115.sbeok.shnf
1971-03-14Camp Randall Field House, University of Wisconsin
6115Sbd> MR> Dat> CD; EAC >CDWav (split)> shn V3 by Brian Cole; parent seed courtesy Jim Oade; some editing in d1t6, d2t1
gd1971-03-14.sbd.130581.MrBill.flac16
1971-03-14Camp Randall Field House, University of Wisconsin
130581flac16; Recording Info: SBD > MR > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC
gd1971-03-18.132491.sbd.mathews.wise.flac16
1971-03-18Fox Theatre
132491flac16; Set 2 Only; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bob Mathews)- Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Sony PCM-R500 DAT Deck @ 44.1KHz); DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)
gd71-03-18.sbd.yerys.1663.sbeok.shnf
1971-03-18Fox Theatre
1663SBD (7") MR> Cass> DAT> CD; via Ben Yerys, M. Wienke
gd1971-03-18.sbd.130560.MrBill.flac16
1971-03-18Fox Theatre
130560flac16; Recording Info: SBD > R > C > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC
gd71-03-20.sbd.barbella.5582.sbeok.shnf
1971-03-20University of Iowa
5582SBD > MR > cass > dat > CD > SHN (seekable); DAT>CD transfer by Mandrake; EAC> shn by Steve Barbella
gd71-03-21.aud.cotsman.12074.sbeok.shnf
1971-03-21Exposition Center
12074AUD>MC>LP>R>CD; Missing Truckin'; See info file for details; via Chuck Kiefe; Seeded to etree by JCotsman
gd71-03-24.sbd.cotsman.9501.sbeok.shnf
1971-03-24Winterland Arena
9501Partial; SBD>MR>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman
gd71-03-24.sbd.miller.25313.flac16
1971-03-24Winterland Arena
25313Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transfered and Edited By Charlie Miller
gd1971-03-24.aud.sirmick.95869.sbeok.flac16
1971-03-24Winterland Arena
95869flac16; Source: unknown aud > cdr > eac > wav > flac
gd71-04-04.aud.cotsman.10358.sbeok.shnf
1971-04-04Manhattan Center
10358AUD>?>C>Sound Forge>SHN; via Walter Schnell; Seeded to etree by J. Cotsman
gd1971-04-04.sbd.miller.110325.flac16
1971-04-04Manhattan Center
110325flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC All Transfers and Mastering By Charlie Miller
gd71-04-05.sbd.stephens.16606.sbeok.shnf
1971-04-05Manhattan Center
166067" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens
gd1971-04-05.sbd.fixed.miller.110185.flac16
1971-04-05Manhattan Center
110185flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; This source is a fix of shnid=110127 (Fixed track mark on d2t04); All Transfers and Mastering By Charlie Miller
gd71-04-05.sbd.ladner.12367.sbeok.shnf
1971-04-05Manhattan Center
12367shntool fix of Orf seed (?- note doesn't jibe with what is know of prev seed), by Chris Ladner
gd1971-04-05.sbd.miller.110127.flac16
1971-04-05Manhattan Center
110127flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
gd1971-04-05.sbd.cantor.gmb.96269.flac16
1971-04-05Manhattan Center
96269flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 6, 2008, Green Mountain Bros.
gd1971-04-05.partial.aud.berger.100052.flac16
1971-04-05Manhattan Center
100052flac16; Partial show source: aud of unknown origin lineage: mono aud>?>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/7/09
gd1971-04-06.152611.sbd.betty.eaton.miller.clugston.flac16
1971-04-06Manhattan Center
152611flac16/44 Betty Cantor-Jackson's Master Soundboard Reels (7" 1/2 track @ 7 1/2 ips w/ dolby A) > Steve Whitaker's Sony PCM-501 (PCM/0); Steve Whitaker's PCM/0 (Sony PCM-601; digital out) > Rob Eaton's Panasonic SV-3700 DAT (16/44.1); Rob Eaton's DAT (16/44.1)(Panasonic SV-3700) > Dolby A361 > Rob Eaton's Panasonic SV-3700 (16/44.1)
Transfer Info: DAT (16/44.1)(Tascam DA-40) > Tascam DA-3000 (16/44.1) > .wav (16/44.1) > Adobe Audition 2020 > TLH flac16
gd71-04-06.sbd.stephens.18735.sbeok.shnf
1971-04-06Manhattan Center
187357" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens
gd1971-04-06.sbd.ifthir.smith.gems.109026.flac24
1971-04-06Manhattan Center
109026flac24; Unknown lineage soundboard reels > Akai GX636>Apogee Mini Me @24bit/96kHz > Apogee mini DAC(monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC by Matt Smith Edited and Mastered by Jamie Waddell on the GEMS Edit Station Weiss-Saracon for Pow-r3 Dither MetaData with Tag and Rename TLH for FLAC Level 8
gd1971-04-06.154656.sbd.betty.martin.smith.clugston.sirmick.flac16
1971-04-06Manhattan Center
154656Source: Original transfer Betty Cantor Jackson;s Master Reels ((7" 1/2 track @ 7 1/2 ips w/ dolby A)) > Sony TCD-D10 Pro DAT (Oade Brothers mod) > DAT (44k)
Final transfer: DAT > Sony PCM-2600 > Tascam DA-3000 > wav 16/44.1
Lineage: wav 16/44.1 > iZotope RX 9 Advanced > CD Wave > flac 16
gd1971-04-07.141029.betty.dalton.miller.sirmick.flac1644
1971-04-07Music Hall
141029flac16; Source: sbd > master reel > pcm > dolby A decoded dat > pcm (Sony beta HG) - recorded by Betty Cantor and provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1 - transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018
gd71-04-07.sbd.orf.119.sbeok.shnf
1971-04-07Boston Music Hall
119Betty Board, details as outlined in Compendium; via Leigh Orf; corrupt d2t7 replaced 3/17; note Phil low/absent in mix
gd1971-04-07.136892.sbd.GEMS.flac16
1971-04-07Music Hall
136892flac16; Soundboard, unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
gd1971-04-07.sbd.cantor.gmb.96225.flac16
1971-04-07Boston Music Hall
96225flac16; Source: Betty Cantor 7" two track reel w@ 7 1/2 ips> PCM501ES @ 44.055 kHz CM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Jace Crouch’s original source WBOTB DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 5, 2008, Green Mountain Bros.
gd1971-04-08.sbd.cantor.gmb.96627.flac16
1971-04-08Boston Music Hall
96627flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky January 1, 2009, Green Mountain Bros.
gd1971-04-08.141099.sbd.betty.pcm.dalton.miller.clugston.flac1644
1971-04-08Music Hall
141099flac16; Source Info: Betty's 7" two track reels @ 7 1/2 ips > PCM (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd71-04-08.sbd.lai.120.sbefail.shnf
1971-04-08Boston Music Hall
120SBD; via Mike Lai; updated info file with tracklist and notes provided by Cosmic Chuck
gd71-04-10.sbd.willy.8674.sbeok.shnf
1971-04-10East Hall, Franklin & Marshall College
8674SBD>MR>C>DAT>CD; via Mark Pfortmiller; Seeded to etree by Willy
gd71-04-12.sbd.miller.31960.sbeok.flacf
1971-04-12Civic Arena
31960flac16; SBD -> Reel Master -> Dat -> Sound Forge -> CD Transferred By Charlie Miller
gd71-04-13.sbd.unknown.32015.sbeok.flacf
1971-04-13Catholic Youth Center
32015flac16; MSR>DAT3x>Delta Dio 2496 soundcard>Soundforge>Flac16
gd71-04-13.s2p.9410.eliot.sbeok.shnf
1971-04-13Catholic Youth Center
9410set 2 partial; Master Soundboard Reel > DAT> CDR
gd1971-04-13.sbd.ashley.82986.dvdf
1971-04-13Catholic Youth Center
82986DVD VA; (Video Audio) SBD>>MR>>DAT>>FLAC>>DAW(Bertha)>>Audio DVD; Bertha remaster of the Master Reel source (shn id 32015); audio only - no video
gd1971-04-14.132733.sbd.matthews.wise-droncit.flac1648
1971-04-14Davis Gymnasium
132733flac16/48kHz; Static reduced, speed corrected, slightly eq'ed & gain normalized version of source ID 132543 (SBD> MR> DAT) by Dan McDonald
gd71-04-14.sbd.lai.6250.sbefail.shnf
1971-04-14Davis Gym, Bucknell University
6250SBD> MR> DAT> CDR; several spots of irreparable reel static; via Mike Lai with thanks to Paul B.; note 4 tracks in d2 had been misnumbered, corrections shown in fixed md5s: 1> 3, 2>4, 3>1, 4>2
gd1971-04-14.sbd.130916.MrBill.flac16
1971-04-14Davis Gymnasium
130916flac16; Recording Info: SBD > MR > ? > DAT > CDR; Transfer Info: CDR > WAV > Sound Forge 10 > TLH > Flac; Cleaned up, retracked, remastered version of shnid 6250. Cleaned up, retracked and mastered by Bill Guarneri, August 9, 2014
gd1971-04-14.132543.sbd.mathews.reel.wise.flac16
1971-04-14Davis Gymnasium
132543flac16/48kHz: 7 Inch 1/4 Track Reel Master @ 7.5 ips (Recorded By Bob Mathews); Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel to Reel-Sony PCM-R500 DAT Deck @ 48KHz); DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/48KHz; Editing (Adobe Audition CC)-Mastering & Processing (iZotope Ozone 6)-FLAC encoding(dBpoweramp)- Tagging(Tag & Re-name)
gd71-04-15.sbd.eD.11652.sbeok.shnf
1971-04-15Allegheny College
11652SBD>MR>DAT>CD; missing 5 songs; See info file for details; via Bill O; Seeded to etree by eD(efojr)
gd71-04-17.sbd.nayfield.121.122.sbeok.shnf
1971-04-17Dillon Gym, Princeton University
121set1; SBD> Reel> ?> DAT> ZA2 (48>44.1)> CD; via R. Nayfield
gd1971-04-17.sbd.sirmick.89031.flac24
1971-04-17Dillon Gym
89031flac24; source: soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate
gd1971-04-17.138033.sbd.unknown.flac1648
1971-04-17Dillon Gym, Princeton University
138033flac16/48kHz; SBD Master Reel originally recorded with analog equipment on a 7 inch, 7.5 i.p.s half-track master reel; Transferred to 16 48 WAV February 2017
gd1971-04-17.dts.mtx.tobin.107385.flac16
1971-04-17Dillon Gym, Princeton University
107385DTS-Audio-CD 5.1 Mix; SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + SBD2 (shn id 122) set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield + AUD1 (no shn id) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - dts mixing by Kevin Tobin
gd1971-04-17.mtx.tobin.107384.flac16
1971-04-17Dillon Gym, Princeton University
107384flac16; Matrix 2 Source Mix - SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + AUD (no shnid) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - matrix mixing by Kevin Tobin
gd1971-04-17.aud.boswell-smith.motb-0136.107075.flac16
1971-04-17Dillon Gym, Princeton University
107075flac16; Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith
gd71-04-18.sbd.fink.7112.sbeok.shnf
1971-04-18Lusk Field House, S.U.C.N.Y
7112SBD : MR > RR > DAT > CD; Extraction, editing and .shn encoding by Alan J. Fink, from John Valter seed; patch in UJB; see info file for additional notes
gd1971-04-18.sbd.130710.MrBill.flac16
1971-04-18Lusk Field House, S.U.C.N.Y
130710flac16; Recording Info: SBD > MR > C > C > C; Transfer Info: C > Nak DR2 > WAV > Sound Forge 10 > TLH > FLAC; This fresh transfer is a nice upgrade over existing sources which are very degraded with loud tape hiss. Transferred, tracked and mastered by Bill Guarneri, July 22, 2014
gd1971-04-21.141116.sbd.pcm.dalton.miller.clugston.flac1644
1971-04-21Rhode Island Auditorium
141116flac16; Source Info: Master Soundboard Reels > 1st generation reels > 2nd generation reels > PCM (Sony HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1971-04-21.sbd.130598.MrBill.flac16
1971-04-21Rhode Island Auditorium
130598Recording Info: SBD > R > DAT >CD; Transfer Info: CD >WAV > Sound Forge 10 > TLH > FLAC; Remastered, retracked version of Source ID 8227
gd1971-04-21.sbd.lai.2578.sbefail.shnf
1971-04-21Rhode Island Auditorium
2578sdb> MR> PCM> CD; via Mike Lai
gd71-04-22.sbd.clugston.2176.sbeok.shnf
1971-04-22Bangor Municipal Auditorium
2176Master Soundboard Reel > DAT > CDR; shn encoded/uploaded by Scott Clugston; to abgd, 11/00 to etree
gd71-04-24.sbd.lai.2579.sbefail.shnf
1971-04-24Wallace Wade Stadium, Duke University
2579sdb> MR> PCM> CD; via Mike Lai; 3/10, Michael Weise provided modified tracking (alt md5s, same checksums) and updated info file
gd1971-04-24.143958.sbd.boswell.smith.miller.clugston.flac1648
1971-04-24Wallace Wade Stadium, Duke University
143958flac16/48kHz; Source Info: Master 7" 1/2 track Soundboard Reels @ 7.5 ips > Will Boswell's Reels > Matt Smith's 2nd generation Reels; Transfer Info: 2nd (possibly 3rd) Generation Reels (Technics RS-1506) > Apogee Mini Me (24-bit/96k) > Adobe Audition 3.01 (24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1971-04-24.143959.sbd.boswell.smith.miller.clugston.flac2496
1971-04-24Wallace Wade Stadium, Duke University
143959flac24; Source Info:Master 7" 1/2 track Soundboard Reels @ 7.5 ips > Will Boswell's Reels > Matt Smith's 2nd generation Reels; Transfer Info: 2nd (possibly 3rd) Generation Reels (Technics RS-1506) > Apogee Mini Me (24-bit/96k) > Adobe Audition 3.01 (24-bit/96k)> TLH flac2496
gd71-04-25.sbd.grote.8761.sbeok.shnf
1971-04-25Fillmore East
8761Partial set 2; sbd>RM>?>DAT>CD; via Charlie Miller; Seeded to etree by Grote
gd1971-04-25.sbd.miller.95625.sbeok.flac16
1971-04-25Fillmore East
95625flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller
gd1971-04-25.sbd.bertha.ashley.96096.dvda
1971-04-25Fillmore East
96096DVD-VA; (Video-Audio) SBD>>MR>>CD>>DAW(Bertha)>>Audio DVD; Bertha Remaster of the Master Reel source (source id 95625) Audio only, no video
gd1971-04-26.143159.sbd.kafer.boswell.smith.sirmick.flac2496
1971-04-26Fillmore East
143159flac24; Source: Master Soundboard Reel 7.5 ips > Reel - Will Boswell's copy Peter Kafer; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered by SIRMick September 2018
gd71-04-26.sbd.murphy.4991.sbefail.shnf
1971-04-26Fillmore East
4991GD: MR> CDR> SHN; NRPS material: MR> C> CDRx?> SHN, note NRPS is newly seeded, date-accurate; via Bill Gadsden, Jim Wise, John Oleynick et al; see info file for additional source and flaw details; to BUDD tree, nycheads; d1,3 tracked for 80 min; Tzuriel's covers
gd1971-04-26.sbd.miller.105814.flac16
1971-04-26Fillmore East
105814flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
gd1971-04-26.sbd.miller.105815.flac24
1971-04-26Fillmore East
105815flac24; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/24; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
gd1971-04-26.113839.sbd.smith.boswell.flac16
1971-04-26Fillmore East
113839Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim>CD Transfered and mastered by Matt Smith 5/11
gd1971-04-26.145130.sbd.kafer.boswell.smith.sirmick.flac1644
1971-04-26Fillmore East
145130flac16; Source: Master Soundboard Rell 7.5 ips > Reel - Will Boswell's copy Peter Kafer; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered by SIRMick September 2018; This file set is 16 bit @ 44.1
gd1971-04-27.sbd.bode-hoffman-merryprankster-stundel.2998.shnf
1971-04-27Fillmore East
2998SBD> MR> R> D> CD; EAC > SHN & upload to Stonebear.etree.org by Abe Stundel; disks came from the Fillmore Tree run on BUDD by Keith Bode. Bode's source disks came from Justin Hoffman who got *his* copies from the Merry Prankster's Tree. Lineage comes from Merry Prankster info; ; note 4 CD best-of-run is available from the Dead
gd1971-04-27.152206.BerthaRoughMixes.studio.bershaw.flac16
1971-04-27Fillmore East
152206flac16/44 Source: Alan Bershaw's low generation cassette (Maxell UDXL2 with Dolby B) Transfer: Maxell UDXL2 with Dolby B (Nakamichi Dragon playback with Dolby B) > Lexicon Lambda > Logic 1644.1 (tracking only) > wav > xAct (sbe correction) > FLAC
gd71-04-27.sbd.murphy.2221.sbeok.shnf
1971-04-27Fillmore East
2221MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; d1,3 are tracked for 80 min; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead
gd1971-04-27.sbd.miller.114461.flac16
1971-04-27Fillmore East
114461flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1971-04-27.sbd.boswell.smith.114094.flac16
1971-04-27Fillmore East
114094flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96 > Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > Flac; Transfered and mastered by Matt Smith
gd1971-04-27.141129.sbd.pcm.lubar.dalton.miller.clugston.flac1644
1971-04-27Fillmore East
141129flac16; Source Info: Master Soundboard Reels > PCM (Sony ESX HiFi/L-750 beta tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1971-04-27.sbd.miller.106562.flac24
1971-04-27Fillmore East
106562flac24; Recording Info Source One: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) Recording Info Source Two: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips) Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two: Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/24; Reels Baked and Transferred By David Gans All Mastering By Charlie Miller
gd71-04-28.sbd.murphy.2248.sbeok.shnf
1971-04-28Fillmore East
2248MSR > (Reel post-Bird Song) >Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead
gd1971-04-28.sbd.gems.102859.flac24
1971-04-28Fillmore East
102859flac24; SBD MR>R@ 7 1/2 ips. Tape stock:Maxell UD35-7 tape. Transfer info:Akai GX636>Apogee Mini Me @24bit/96kHz > Apogee mini DAC(monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC. Edited on the GEMS Edit Station by Jamie Waddell. Pow-r3 Dither in Weiss-Saracon FLAC Level 8 in Trader's Lil Helper Meta-Data with Tag&ReName
gd1971-04-28.126262.sbd.boswell.smith.flac16
1971-04-28Fillmore East
126262flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Truckin thru Bird Song is from a second gen reel. Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Transfered and mastered by Matt Smith
gd1971-04-28.sbd.boswell.smith.114029.flac16
1971-04-28Fillmore East
114029flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > CD FLAC; Transfered and mastered by Matt Smith
gd1971-04-28.sbd.unknown.4332.shnf
1971-04-28Fillmore East
4332MR> R> CDR and MR> CDR; includes NRPS; see info file for listening notes; tracked out same as previous shn set (likely same source), but md5s differ; via vine?
gd1971-04-28.sbd.boswell.smith.114088.flac24
1971-04-28Fillmore East
114088flac24; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0 > FLAC 24 bit; Transfered and mastered by Matt Smith 6/11
gd1971-04-28.sbd.miller.106099.flac16
1971-04-28Fillmore East
106099flac16; Recording Info: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Samplitude Professional v11.03 -> FLAC/16; All Mastering By Charlie Miller
gd1971-04-28.sbd.miller.106100.flac24
1971-04-28Fillmore East
106100flac24; Recording Info: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info: WAV -> Samplitude Professional v11.03 -> FLAC/24; All Mastering By Charlie Miller
gd71-04-29.sbd.frisco.16782.sbeok.shnf
1971-04-29Fillmore East
16782Lineage: (mostly) SB> MR> CD; Refined by Chris Frisco, 20 glitches painstakingly removed without deleting any of the wav; Bird Song patched; See info file for further details; Circ's w/ NRPS opening set
gd1971-04-29.sbd.boswell.smith.114145.flac16
1971-04-29Fillmore East
114145flac16; SBD MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering) > Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > FLAC
gd1971-04-29.sbd.multitracks.miller.114350.flac16
1971-04-29Fillmore East
114350flac16; Recording Info: SBD -> 16 Track Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd71-04-29.weinberg.warner.26568.sbeok.flacf
1971-04-29Fillmore East
26568flac16; Master audience reel (Taped by Marty Weinberg, AKG190E>Uher 400L) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding; A > D by Steven Martin; Tracking and EAC > SHN by Jack Warner
gd1971-04-29.sbd.unknown.126.shnf
1971-04-29Fillmore East
126MR> R> DAT> CDR; note 4 CD best-of-run is available from the Dead
gd1971-04-29.sbd.miller.105926.flac16
1971-04-29Fillmore East
105926flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
gd1971-04-29.mtx.hansokolow.97660.flac16
1971-04-29Fillmore East
97660flac16; matrix of SBD: shnid=33565 and AUD: shnid=26568 by hansokolow using ProTools
gd71-05-29.aud.cotsman.19153.sbeok.shnf
1971-05-29Winterland Arena
19153source 1: AUD>M?>C>CD>EAC>SHN; source 2: AUD>M?>C>D>SHN; see caveat for sound quality; Thanks to Jim Powell and others
gd1971-05-29.sbd.miller.110324.flac16
1971-05-29Winterland Arena
110324flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC (1 Disc Audio / 1 Disc FLAC)
gd1971-05-30.sbd.miller.94119.flac16
1971-05-30Winterland Arena
94119flac16; SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller
gd71-05-30.aud.miller.31968.sbeok.flacf
1971-05-30Winterland Arena
31968flac16; Unknown Mics -> ? -> Cassette -> Dat (44.1k) Transferred and Edited By Charlie Miller
gd71-06-21.sbd.hanno.4643.sbeok.shnf
1971-06-21Chateau d'HerouvilIe
4643SBD MR> ?> D> CD patched with AM MR> R> C> CD, 5% speed correction, by Hanno Bunjes; see info file for notes; to BUDD offer, later to etree
gd1971-06-21.sbd.miller.94356.flac16
1971-06-21Chateau d'Herouville
94356flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1971-07-02.prefm.cribbs.33659.flac16
1971-07-02Fillmore West
33659Pre-FM MSR> DAT> CD?; Transfer: EAC> WAV> FLAC by Sean Cribbs, from Connie Veigh source discs
gd71-07-02.sbd.backus.11798.sbeok.shnf
1971-07-02Fillmore West
11798sdb (suspected FM); via Mike Lai; Sector boundaries fixed, files renamed correctly and txt file cleaned up by Dave Backus
gd1971-07-02.118485.pre-FMwithFMdedication.flac16
1971-07-02Fillmore West
118485flac16; Partial Set 2, FM>Reel>CDR>TLH>FLAC and Pre-FM MSR>DAT>CDR>TLH>FLAC
gd1971-07-02.sbd.unknown.18289.flac16
1971-07-02Fillmore West
18289Source: Master Reel (Pre-FM) > PCM > DAT
Conversion: M-1 > 7-pin optical > Co2 > SB Live > CDwav Record and Index > FLAC (1.1GB)
gd1971-07-31.132730.sbd.miller.flac16
1971-07-31Yale Bowl, Yale University
132730flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
gd71-07-31.winberg.weiner.5678.gdADT05.sbefail.shnf
1971-07-31Yale Bowl, Yale University
5678AKG 190E mic > Uher 4000 Report-L 5" Reel deck, Taper: Marty Weinberg; mixed genealogy: I: AudMR > CD > EAC > WAV > SHN, II: AudMR > C > DAT > CD > EAC > WAV >SHN; final digital version assembled by: Noah Weiner; see info file for details and flaw notes; via Audience Devotional Tree
gd1971-07-31.134686.mtx.dusborne.flac16
1971-07-31Yale Bowl, Yale University
134686flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:132730)SBD -> Master Reel -> CD,CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; Audience (shnid:101438)Sources:I: AudMR > CD > EAC > WAV > SHN,II: AudMR > C > DAT > CD > EAC > WAV > SHN,single AKG 190E mic > Uher 4000 Report-L 5" Reel deck, 1/2 track tapes on a Revox A-700 (tweaked the head azimuth to match the original recording). Signal fed into DigiDesign Pro Tools on a Macintosh with Audio Media III sound card. The only post processing was normalization.
gd1971-08-04.sbd.miller.95308.sbeok.flac16
1971-08-04Terminal Island Correctional Facility
95308flac16; Recording Info:SBD -> Master Reel -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1971-08-05.fob-SonyECM22p.miller.88859.sbeok.flac16
1971-08-05Hollywood Palladium
88859flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
gd1971-08-05.mtx.chappell.97014.flac16
1971-08-05Hollywood Palladium
97014flac 16; Sick Bits Vol. 29a - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=96540) + AUD (shnid=94260) as well as patch AUD sources (shnid=88859 and shnid=9768). Matrixed by Chris Chappell.
gd1971-08-05.137274.sbd.miller.flac24
1971-08-05Hollywood Palladium
137274flac24; Recording Info: SBD -> Master Reel -> FLAC/24; Transfer Info: FLAC/24 -> Samplitude Professional v11.2.1 -> FLAC/24; Mastered By Charlie Miller
gd1971-08-05.137288.sbd.miller.flac16
1971-08-05Hollywood Palladium
137288flac16; Recording Info: SBD -> Master Reel -> FLAC/24; Transfer Info: FLAC/24 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; Mastered By Charlie Miller
gd1971-08-05.147720.fob-sonyecm22p.flegel.miller.kaslow-todd.boswell.smith.sirmick.flac16
1971-08-05Hollywood Pallidium
147720flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> CD; Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC; converted to .wav files bit rate 14H kbps / 44 khz, retracked, tagged and patched in tracks from the Charlie Miller SBD source and the Boswell / Smith / Sirmick AUD source. Increased the volume on patched SBD tracks by 25%. All post work done by Brian Flegel (using Roxio Sound Editor 2009)
gd71-08-05.aud.cotsman.9768.sbeok.shnf
1971-08-05Hollywood Palladium
9768AUD>MR>R>D>CD; via Jeff Krakowka & Jim Hale; Seeded to etree by J. Cotsman
gd1971-08-05.aud.smith.94260.sbeok.flac16
1971-08-05Hollywood Palladium
94260flac16; MR > R > CD > EAC > WAV > FLAC MAR (Harvey Kaslow)* @ 7 1/2 ips. > R @ 7 1/2 ips. (Will Boswell via Rob Bertrando) Maxell UD tape > CD 'loser' was missing on this reel but used Don Wolfe's MAR>R>R @ 3 3/4 ips copy... One of the mics malfunctioned before the second set resulting in a mono recording on set 2 R copied @ 7.5 ips using a Revox A-77>A-77 --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD ** > EAC > WAV (shntool confirms no sbes) > FLAC (TLH)
gd1971-08-05.sbd.miller.96540.sbeok.flac16
1971-08-05Hollywood Palladium
96540flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1971-08-05.141678.SonyECM-22P.kaslow-todd.boswell.smith.sirmick.flac2496
1971-08-05Hollywood Palladium
141678flac24; Source: (FOB) Sony ECM-22P's > Sony 770 > Master Reel > Reel - Recorded by Harvey Kaslow and Craig Todd, provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick
gd1971-08-05.144915.fob.sony.ecm22p.kaslow.todd.boswell.smith.sirmick.flac1644
1971-08-05Hollywood Palladium
144915flac16; Source: (FOB) Sony ECM-22P's > Sony 770 > Master Reel > Reel - Recorded by Harvey Kaslow and Craig Todd, provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; this file set is 16 bit @ 44.1
gd71-08-06.aud.sirmick.30224.sbeok.flacf
1971-08-06Hollywood Palladium
30224source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) Remaster of SHNid=129 by Sir Mick
gd1971-08-06.fob-SonyECM22p.miller.88816.sbeok.flac16
1971-08-06Hollywood Palladium
88816flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> SHN Transfer Info: SHN -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
gd1971-08-06.fob.kaslow.kasper.sirmick.77457.flac16
1971-08-06Hollywood Palladium
77457flac16; fix of the flaws in shn id 30224 source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Harv Kaslow D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) notes: I've been aware for some time that when I originally did the pitch corrction, I didn't get it right on the first 4 tracks. They have now been corrected
gd1971-08-06.mtx.seamons.96668.sbeok.flac16
1971-08-06Hollywood Palladium
96668flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) January 3, 2009
gd1971-08-06.mtx.chappell.97015.flac16
1971-08-06Hollywood Palladium
97015flac 16; Sick Bits Vol. 29b - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=96541) + AUD (shnid=94261) as well as patch AUD source (shnid=88816). Matrixed by Chris Chappell.
gd1971-08-06.dts.tobin.130794.flac16
1971-08-06Hollywood Palladium
130794DTS-Audio-CD 5.1 Mix; SBD (shnid=96541) Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 127690) Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC - dts mixing by Kevin Tobin
gd71-08-06.aud.bertrando.yerys.129.sbeok.shnf
1971-08-06Hollywood Palladium
129updated source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando et al; (info file had given AKG 330 etc); D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro; via Ben Kasper, Ben Yerys
gd1971-08-06.aud.kaslow.smith.94261.flac16
1971-08-06Hollywood Palladium
94261flac16; MR > R > CD > EAC > WAV > FLAC MAR (Harvey Kaslow)* @ 7 1/2 ips. > R @ 7 1/2 ips. (Will Boswell via Rob Bertrando) Maxell UD tape > CD --- R copied @ 7.5 ips using a Revox A-77>A-77 --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD ** > EAC > WAV (shntool confirms no sbes) > FLAC (TLH)
gd1971-08-06.GEMS.Smith.Kaslow-Todd.109430.flac24
1971-08-06Hollywood Palladium
109430flac24; FOB Sony ECM-22P mics New Riders - MAR>R@ 7.5 ips.>DVD; GD - lineage: MAR>R@ 7.5 ips>DVD; Akai GX636 (a rare black model) > Apogee Mini Me @24bit/96kHz > Apogee mini DAC (monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC
gd1971-08-06.aud.wolfe.smith.114390.flac24
1971-08-06Hollywood Palladium
114390flac24; Aud.7.5 ips>R(Don Wolfe) Transfer info:Akai GX636 > Apogee Mini Me @24/96; Transfered and mastered by Matt Smith 6/11
gd1971-08-06.110278.sbd.Bertha.dvda
1971-08-06Hollywood Palladium
110278DVD-VA: (Video Audio) SBD>>MR>>CDA>>FLAC>>DAW(Bertha)>>Audio DVD; Bertha Remaster of the Master Reel Source (audio only, no video)
gd1971-08-06.sbd.miller.96541.sbeok.flac16
1971-08-06Hollywood Palladium
96541flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1971-08-06.mtx.tobin.130793.flac16
1971-08-06Hollywood Palladium
130793flac16; Matrix 2 Source Mix - SBD (shnid=96541) Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 127690) Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC - matrix mixing by Kevin Tobin
gd1971-08-06.127690.aud.kaslow-wolfe-smith.flac24
1971-08-06Hollywood Palladium
127690flac24; Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
gd1971-08-14.sbd.trip.1451.sbeok.shnf
1971-08-14Berkeley Community Theater
1451SBD MR->DAT->CD; to abgd; info courtesy Trip, 9/13/00
gd71-08-14.sbd.ladner.21268.sbeok.shnf
1971-08-14Berkeley Community Theater
21268Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. Original SHNs were nonseekable and were not named according to etree convention. I renamed the files, cleaned up the splice in d1t06, performed a shntool fix to get rid of the resulting sbe, and re-encoded to seekable SHN. - C.Ladner Another installment of TMNSP, 12/03.
gd1971-08-14.sbd.130871.MrBill.flac16
1971-08-14Berkeley Community Theater
130871flac16; Recording Info: SBD > MR > C > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Transferred, tracked and mastered by Bill Guarneri, August 5, 2014
gd1971-08-15.sbd.gustin.131.sbeok.shnf
1971-08-15Berkeley Community Theater
131mSR> cass> DAT> Serafin remaster> CDR; via Andy Gustin; Andy's comments: "not 100% flawless (eg. reel flip in Rider, sporadic anomalies) but they are absolutely worth getting. To my knowledge this is the best that circulates. They do sound amazing."
gd71-08-15.sbd.ladner.21780.sbeok.shnf
1971-08-15Berkeley Community Theater
21780Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. edits by C.Ladner
gd1971-08-15.sbd.130890.MrBill.flac16
1971-08-15Berkeley Community Theater
130890flac16; Recording Info: SBD > MR > C > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Upgrade of existing sources. No shn or CDR in lineage. Transferred, tracked and mastered by Bill Guarneri, August 7, 2014
gd1971-08-21.aud.38f.83307.sbeok.flac16
1971-08-21Mickey Hart's Barn
83307flac16; listed as SBD from John Cipollina's reels > 1st generation reel to reel > revox > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac (this is actually an audience recording)
gd71-08-21.hartjam.aud.17179.sbeok.shnf
1971-08-21Mickey's Barn
17179AUDMC(Sony TC-24 with supplied Sony stereo mic) > Nakamichi Dragon (no Dolby) > Sony D7 DAT > optical digital cable (DTC-700 was the playback unit) through a Zefiro ZA2 soundcard tracked and normalized in Sound Forge. Known as "Mickey's Barn Jam"
gd1971-08-23.sbd.miller.125886.flac16
1971-08-23Auditorium Theatre
125886flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
gd71-08-23.aud.cotsman.9759.sbeok.shnf
1971-08-23Auditorium Theatre
9759AUD>MR>C>R>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman
gd1971-08-26.aud.sirmick.35374.sbeok.flac16
1971-08-26Gaelic Park
35374flac16; Source 1: set 1 and Casey Jones - unknown aud and Source 2: the rest of set 2 - AKG190E > Uher 400L, taped by Marty Weinberg remastered by SIRMick
gd1971-08-26.sbd.fixed.miller-rolfe.32351.sbeok.flac16
1971-08-26Gaelic Park
32351Fixed version of previous file set. Source info same as 32303, but with fix for static in one channel during the last second of d1t12.
gd1971-08-26.sbd.miller-rolfe.32303.flac16
1971-08-26Gaelic Park
32303flac16; SBD -> Master Reel (7in @ 7.5ips 1/2 Track) -> Cassette (Tascam 122mkII) -> Dat (48k) Transferred and Edited By Charlie Miller
gd71-08-26.sbd.dopey.1559.sbeok.shnf
1971-08-26Gaelic Park
1559SDBMR> DAT> WAV> SHN; via Dopey; faded in on reel cut into d2t3; apparently level differences between sets 1 and 2
gd1971-08-26.aud.weinberg.berger.100292.sbeok.flac16
1971-08-26Gaelic Park
100292flac16; taped by Marty Weinberg: akg d190e mic > Uher 4000L; source: aud 1st gen reel lineage: aud 5" reel masters>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96> hd>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger 7/25/09
gd1971-08-26.126297.cooper-berger.flac16
1971-08-26Gaelic Park
126297flac16; source: aud cassette master taped by Jim & Laurie Cooper; 2 unknown mics > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger 2013
gd1971-09-28.151081.KeithGodcheauxRehearsals.GEMS.flac1648
1971-09-28Keith rehearsals
151081flac16/48khz omplied from multiple sources including analog tapes (from the Jeff Knudsen Archive, curated by Tom Markson, and Blackwood archives) as well as existing shn and bootleg cd sources. Regarding accuracy of dates within the sets of rehearsals: this is as-is as it may not all be 100% correct. Cassette source transfers (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Transfers and Mastering by Jim Blackwood Speed Corrections by Jason Chastain Project assistance from Jamison Waddell
gd71-09-29.sbd.cousinit.16891.sbeok.shnf
1971-09-29Studio Rehearsals with Keith Godchaux
16891MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt
gd1971-09-29.unsurpassed-masters-vol4-vol6.116951.flac16
1971-09-29Studio Rehearsals with Keith Godchaux
116951flac16 Bootleg CDs "Unsurpassed Master Vol 4" And "Unsurpassed Master Vol 6" > EAC > Wav > FLAC
gd71-09-30.sbd.cousinit.18109.sbeok.shnf
1971-09-30Studio
18109Studio rehersal with Keith Godchaux MSR>C>DAT>WAV>SHN via Cousinit
gd71-09-xx.sbd.unknown.16897.sbeok.shnf
1971-10-01Studio
16897Studio Rehearsals w/ Keith Godchaux: Compilation of 09/29 & 09/30, and 10/01/71; boot cd (unsurpassed vol 5) -> eac-> wav-> shn; Unknown seeder; note this shn set used to be listed on 10/1/71 but would be better moved here- use this date instead for the comp
gd71-10-01.sbd.rehearsal.cousinit.16896.sbefail.shnf
1971-10-01Studio
16896MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt. [An alternate shn set was seeded by Cousinit since original shns were not archived].
gd71-10-19.orefm.clugston.3301.sbeok.shnf
1971-10-19Northrop Auditorium, U. of Minn.
3301PreFM Soundboard Reels > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston
gd1971-10-19.sbd.miller.114351.flac16
1971-10-19Northrop Auditorium, U. of Minn.
114351flac16; Recording Info: SBD -> Reel Master (7 inch 1/4 track) -> Dat (48k) Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1971-10-21.sbd.bertha-ashley.9622.sbeok.shnf
1971-10-21Auditorium Theatre
9622Jay Ashley (Bertha) remaster of original MR source; SBD>>MR>>Cass>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA
gd71-10-21.sbd.cotsman.5071.sbeok.shnf
1971-10-21Auditorium Theatre
5071SBD> MR> C> D> CD> EAC>S HN; EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Cook; see listening notes in info file
gd1971-10-21.sbd.miller.112086.flac16
1971-10-21Auditorium Theatre
112086flac16; Recording Info:SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1971-10-22.set2.sbd.miller.86728.sbeok.flac16
1971-10-22Auditorium Theatre
86728flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
gd1971-10-22.sbd.gans.miller.112821.flac16
1971-10-22Auditorium Theatre
112821flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1971-10-23.fm.cotsman.10359.sbeok.shnf
1971-10-23Easttown Theatre
10359SBD>FM>?>C>Sound Forge>SHN; via Walter Schnell; Seeded to etree by J. Cotsman
gd71-10-23.fm.sbd.wizard.18666.sbeok.shnf
1971-10-23Easttown Theatre
18666SBD>FM>?>CASS>CD>EAC>DC5>CD Thanks to the Wizard; seedeD
gd71-10-23.fmsbd.hanno.19862.sbeok.shnf
1971-10-23Easttown Theatre
19862FM C/3; via Uli Teute and Hanno Bunjes
gd1971-10-24.sbd.miller.125887.flac16
1971-10-24Eastown Theater
125887flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
gd71-10-24.sbd.clugston.3292.sbeok.shnf
1971-10-24Easttown Theatre
3292Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston
gd71-10-26.sbd.cotsman.9761.sbeok.shnf
1971-10-26The Palestra, U. of Rochester
9761Source 1: (all material on discs 1 & 2) SBD>MR>R>C>D>CD(pre FM) Source 2: (all material on disc 3) SBD>MR>?>D>CD; via Matt Vernon, Raoul Duke, and Jeff Cook; Seeded to etree by J. Cotsman
gd1971-10-27.ashley-bertha.32869.sbeok.flac16
1971-10-27Onondaga War Memorial
32869flac16; SBD > MR > CASS > DAT > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha Remaster of shn id 32668
gd1971-10-27.sbd.miller.32668.sbeok.flac16
1971-10-27Onondaga War Memorial
32668flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
gd71-10-27.fm.cotsman.9503.sbeok.shnf
1971-10-27Onondaga County War Memorial
9503Missing 3 2nd set tracks, see info file for details; SBD>FM>MR>?>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman
gd71-10-29.fm.cotsman.10357.sbeok.shnf
1971-10-29Allan Theater
10357Complete; 1st set: SBD> FM> ?> C> Sound Forge> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; via Walter Schnell, Tony Gardner & Paul B.; Seeded to etree by J. Cotsman
gd71-10-29.sbd.miller.24999.sbeok.shnf
1971-10-29Allan Theater
24999Recording Info: SBD (7inch Master Reels@7.5ips 1/2trk) -> Cass (Tascam 122mkIII) -> Dat (3800/48k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sharp MV10 -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller
gd1971-10-30.137408.fm.GEMS.flac16
1971-10-30Taft Auditorium
137408flac16; Recording of the FM Broadcast on WEBN Cincinnati, DAT provided and transferred by Stuccoholmes, Editing and Mastering by Jamie Waddell in Wavelab 7.1, Critical Listening assitance by John Wenzel. Track, FLAC and Pack by Norm
gd71-10-30.fm.cole.2664.sbeok.shnf
1971-10-30Taft Auditorium
2664FM> Pioneer RT-707 (7" reel @ 19 ips)> CD; Conversion: Kenwood TrueX > EAC > shn v3 (seekable); via Brian Cole
gd71-10-30.prefm.nawrocki.26608.sbeok.shnf
1971-10-30Taft Auditorium
26608mixed sources; primary: Pre-FM MR (1/2 track, 7.5 ips), Transfer: Revox PR99-MKIII > Panasonic SV3800 (48)/Sony 60ES > M-Audio Audiophile USB > CDWave > Goldwave (resample to 44.1 and edits) > CDwave > mkwACT, Primary source supplied by Josh Braveman; Secondary: FM > Pioneer RT-707 (7" reel @ 19 ips) > CD, Conversion: Kenwood TrueX > EAC > shn v3 (seekable); edited (patching, pitch correction, d/o repair) by Doug Nawrocki et al (see notes)
gd1971-10-30.sbd.130823.MrBill.flac16
1971-10-30Taft Auditorium
130823flac16; Updated Recording Info: Pre FM SBD > MR > RR @ 7 1/2 IPS; Transfer Info: RR > 1978 Teac 3440 > WAV > Sound Forge 10 > TLH > FLAC; Transfered, tracked and mastered by Bill Guarneri, August 1, 2014
gd1971-10-31.sbd.miller.79011.sbeok.flac16
1971-10-31Ohio Theatre
79011flac16; Set 1 & Encore: Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC
gd71-10-31.prefm.unknown.16781.sbeok.shnf
1971-10-31Ohio Theatre
16781partial SBD pre-fm GDH Dick Pick's leftovers
gd1971-10-31.142426.sbd.gans.eaton.miller.flac1644
1971-10-31Ohio Theatre
142426flac16; Recording Info: SBD > Master Reel (7in @ 7.5ips 1/2trk) > Dat (Panasonic SV-3700/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
gd71-11-06.sbd.lai.6253.sbefail.shnf
1971-11-06Harding Theater
6253SBD> MR> C> DAT> CDR; note PA problems with the piano throughout show; via Mike Lai, with thanks to Paul B.
gd71-11-07.prefm.kaplan.9570.sbeok.shnf
1971-11-07Harding Theater
9570SBD : Pre-FM Reel > DAT > CD; via Seth Kaplan
gd1971-11-07.155721.remastered.fm.boswell.smith.miller.t.flac16
1971-11-07Harding Theater
155721FLAC 1644 Recording Info: FM > Master Reel (3.75ips) > Reel (3.75ips)
Transfer Info: Reel (Akai GX636) Apogee Mini-Me (24-bit/96k) > FLAC
Mastering Info: FLAC > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Remastered version of shnid=127490
This is 155687 2496 > 1644
gd1971-11-07.155687.remastered.boswell.smith.miller.flac24
1971-11-07Harding Theater
155687flac24/96 Recording Info: FM > Master Reel (3.75ips) > Reel (3.75ips)
Transfer Info: Reel (Akai GX636) Apogee Mini-Me (24-bit/96k) > FLAC
Mastering Info: FLAC > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Remastered version of shnid=127490
gd1971-11-07.127490.fm.boswell.smith.flac24
1971-11-07Harding Theater
127490flac24; Lineage: FM MR @ 3/ 3.4 ips(Peter Kafer???)>R @ 3 & 3/4 ips(Will Boswell); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of 1960s era Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
gd1971-11-07.127503.fm.boswell.smith.flac16
1971-11-07Harding Theater
127503flac16; Lineage: FM MR @ 3/ 3.4 ips(Peter Kafer???)>R @ 3 & 3/4 ips(Will Boswell); Transfer info: Akai GX636 direct tape head output > Telefunken tubes tape pre w/a pair of 1960s era Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
gd71-11-11.sbd.yubah-dodd.8326.sbeok.shnf
1971-11-11Atlanta Municipal Auditorium
8326Sbd>MR>?>Dat>cd; via Yubah, Ernie Dodd
gd1971-11-11.155920.FM.Flegel.flac16
1971-11-11Atlanta Municipal Auditorium
155920flac1644 (Bootleg Tape - from FM broadcast) FM-Cassx?>CD>.wav>flac via Brian Flegel
gd71-11-12.sbd.clugston.4759.sbeok.shnf
1971-11-12San Antonio Civic Auditorium
4759Master Soundboard Reel > Cassette > DAT > CDR
gd1971-11-12.137396.sbd.miller.sirmick.sbeok.flac16
1971-11-12San Antonio Civic Auditorium
137396flac16; Source: Sbd > master reel (vault) > reel (dick latvala) > dat 48k (rob Eaton); Transfer: Dat > Sony R500 > Sound Devices 744T > wav 16/48; transfer by Charlie Miller; Lineage: wav 16/48 > Adobe Audition 3.0.1 > iZotope Ozone 5 Advanced > iZotope RX4 advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; edited and mastered SIRMick
gd1971-11-12.142439.partial.sbd.easton.miller.sirmick.flac1644
1971-11-12San Antonio Civic Auditorium
142439flac16; Partial Set 2 Source: Sbd > Master reel (vault) > Dick's dat (44.1) - Provided by Rob Eaton; Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 advanced > iZotope Ozone 5 Advanced >CD Wave >Flac 16; edited and mastered SIRMick June 2018
gd1971-11-12.sbd.lai.3347.sbefail.shnf
1971-11-12San Antonio Civic Auditorium
3347sdb> master reel> pcm> cdr; via Mike Lai
gd1971-11-12.sbd-set2.miller.14916.sbeok.shnf
1971-11-12San Antonio Civic Auditorium
149162nd set only; S : MC > C > SONIC SOLUTIONS > CDR > EAC > COOL EDIT PRO >CD (patched with SBD : MR > PCM > CDR source); See info file for details; via Charlie Miller; Seeded to etree by Alan J Fink;
gd71-11-14.weir.8738.sbeok.shnf
1971-11-14Texas Christian University
8738Charles Weir fix of original SBD source; including a written txt file
gd71-11-14.sbd.miller.23568.sbeok.shnf
1971-11-14Texas Christian University
23568SBD -> Master Reel (10 inch) -> CD -> Sonic Solutions -> CD -> EAC -> SHN; Converted By Charlie Miller
gd1971-11-14.sbd.lai.6254.sbefail.shnf
1971-11-14Texas Christian University
6254SBD> MR> C> (additional analog gens?)> DAT> CDR; minor background noise from 3:21-3:23 of IKYR; via Mike Lai, with thanks to Paul B.
gd1971-11-15.sbd.set2.jupille.7735.shnf
1971-11-15The Austin Municipal Auditorium
7735partial: "Big Jam" portion; SBD:MR > Cassette > Sonic Solutions > CDR > EAC > SHN; CD mastering by David Gans. Extraction (EAC), re-tracking (CD Wave and WavMerge), and .shn encoding (mkwACT) by Joe Jupille
gd1971-11-15.sbd.unknown.31607.flac16
1971-11-15The Austin Municipal Auditorium
31607flac16; MSR>C>DAT2x>Delta Dio 2496>Soundforge>WAV>FLAC This is from a new single source (seeded 11/15/05)
gd71-11-15.sbd.cotsman.12438.sbeok.shnf
1971-11-15Austin Municipal Auditorium
12438SBD>MR>C>D>CD>EAC>SHN (patched with slightly degraded SBD, also listed with one cassette generation in the lineage); complete show; Thanks to Michael Dixon & Chuck Kiefe; edits/encoding by JCotsman
gd71-11-17.fm.cotsman.10285.sbeok.shnf
1971-11-17Albuquerque Civic Auditorium
10285SBD>FM>MC>C>D>CD; Patched with SBD>FM>MC>?>C>Sound Forge>SHN (higher gen than primary source); See info file for details; via Jeff Cook & Walter Schnell; Seeded to etree by J. Cotsman
gd1971-11-20.sbd.miller.92908.sbeok.flac16
1971-11-20Pauley Pavilion - University of California
92908flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd71-11-20.fm.willy.8806.sbeok.shnf
1971-11-20Pauley Pavilion, UCLA
8806SBD>FM>R>DAT>CDR; via Rick Martin; Seeded to etree by Willy
gd1971-12-01.partial-set2-matrix.vernon.83164.flac16
1971-12-01Boston Music Hall
83164flac16; Partial Set 2 Matrix. Mix Ratio = +3 db sbd (shnid=76424) / -5.5 db aud (shnid=24765) via Matt Vernon
gd1971-12-01.sbd.set2.fixed.miller.76424.flac16
1971-12-01Boston Music Hall
76424flac16; Set 2 Only; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC; All Mastering done By Charlie Miller (This source fixes a flaw in the Big Boss Man on the previous source.)
gd71-12-01.aud.minches-vernon.24765.sbeok.shnf
1971-12-01Boston Music Hall
24765Source: Unknown aud via David Minor. Likely Lineage: AUDMC > C > C > CDR > EAC > Pitch Correction / editing > SHN Pitch correction and general fixup by David Minches. Minor assistance by Matt Vernon
gd71-12-01.set2-sbd.lai.3898.sbefail.shnf
1971-12-01Boston Music Hall
3898set 2; sbd; via Mike Lai
gd1971-12-01.sbd-set2.miller.32304.sbeok.flac16
1971-12-01Boston Music Hall
32304flac16; Recording Info: SBD -> Reel Master -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC; upgrade in circulation
gd1971-12-02.141424.fm.smith.miller.clugston.flac1644
1971-12-02Music Hall
141424flac16; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp
gd1971-12-02.141425.fm.smith.miller.clugston.flac2496
1971-12-02Music Hall
141425flac24; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496
gd71-12-02.sbd.lai.6255.sbeok.shnf
1971-12-02Boston Music Hall
6255SBD> MR> R> DAT> CDR; see info file for flaw notes; via Mike Lai, with thanks to Paul B. (SBE fixed version via SIRMick, January, 2006.)
gd1971-12-02.141202.fm.pcm.dalton.miller.clugston.flac1644
1971-12-02Music Hall
141202flac16; Source Info: FM Broadcast; Unknown Analog Master > 2 cassette generations > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1971-12-02.142970.set2.sbd.eaton.miller.clugston.flac1648
1971-12-02Music Hall
142970flac16/48kHz; Set 2 Source Info: Master Soundboard Reels > Cassette > Dat (16/48); Transfer Info: Dat (Sony PCM-R500)(16/48)> Apogee aes/ebu cable > Tascam DA-3000 (16/48)> Adobe Audition 3.0 (16/48) > TLH flac1648
gd1971-12-02.142968.fm.smith.miller.clugston.pc.flac1648
1971-12-02Music Hall
142968flac16/48kHz; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; 24-bit > 16-bit via dBpoweramp; pitch corrected version of shnid 141424
gd1971-12-02.142969.fm.smith.miller.clugston.pc.flac2496
1971-12-02Music Hall
142969flac24; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; pitch corrected version of shnid 141425
gd71-12-04.sbd.lai.6256.sbefail.shnf
1971-12-04Felt Forum, Madison Square Garden
6256SBD> MR> DAT> C> DAT> CDR; missing JB Goode, Cumberland fades in; via Mike Lai, with thanks to Paul B.; note d2t2,3 had been misnumbered (reversed) intially- md5s for correctly named tracks are now shown here
gd1971-12-04.sbd.fixed.miller.110186.flac16
1971-12-04Felt Forum, Madison Square Garden
110186flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1971-12-04.120948.d190e.weinberg-moore-berger.flac16
1971-12-04Felt Forum, Madison Square Garden
120948flac16: aud reel master>reel>dat, taped by Marty Weinberg, Jerry Moore's copy transferred by Rob Berger
gd1971-12-04.sbd.miller.110128.flac16
1971-12-04Felt Forum, Madison Square Garden
110128flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
gd71-12-05.prefm.miller.3391.sbeok.shnf
1971-12-05Felt Forum, Madison Square Garden
3391Updated lineage: FM > MR > DAT > CD; (had been marked pre-FM) stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; notes: no encore, complete Muddy Water, small cut in Casey Jones, chatter edited; see pub comments for md5 notes
gd1971-12-05.131532.miller.sbd.flac16
1971-12-05Felt Forum, Madison Square Garden
131532flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1971-12-05.147715.sbd.flegel-unknown.flac16
1971-12-05Felt Forum, Madison Square Garden
147715flac16; SOURCE: Pre-FM>MR>DAT>CD>SHN; converted original files (gd1971-12-05.sbd.unknown.18665.sbeok.shnf) to .wav files bit rate 14H kbps / 44 khz, retracked, tagged and fixed every track transitions; All done with crossfades (minus the tracks that naturally segue into each other) and did numerous volume adjustments and little edits
gd1971-12-05.fm.matera.100316.sbeok.flac16
1971-12-05Felt Forum - Madison Square Garden
100316flac16; FM -> Master Reel -> CD -> EAC -> FLAC. This is a complete show and a real nice upgrade from the so-called Pre-FM.
gd1971-12-06.sbd.miller.108425.flac16
1971-12-06Felt Forum, Madison Square Garden
108425flac16; Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
gd71-12-06.sbd.kaplan.2418.sbeok.shnf
1971-12-06Felt Forum, Madison Square Garden
2418MSR> DAT> CD; via Seth Kaplan
gd71-12-07.sbd.miller.3375.sbeok.shnf
1971-12-07Felt Forum, Madison Square Garden
3375SBD> MR @ 10.5 IPS> DAT> CD; stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; note large cut in Casey Jones
gd71-12-09.sbd.kaplan.3345.sbeok.shnf
1971-12-09Fox Theatre
3345MSR> LATVALA C> DAT> CDR; EAC> SHN by Seth Kaplan; upload by Darrin Sacks
gd1971-12-10.sbd.cribbs.85787.flac16
1971-12-10Fox Theater
85787Source: MSR>C>DAT>CD; with FM patch
gd71-12-10.sbd.yerys.1311.sbeok.shnf
1971-12-10Fox Theatre
1311MR> DAT> Latvala's Cassette> D> CDR (slightly updated lineage); EAC/SHN, Ben Yerys; seed via Seth Kaplan, Jared Minkoff
gd1971-12-10.sbd.miler.92392.sbeok.flac16
1971-12-10Fox Theatre
92392flac16; Set 1 Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
gd1971-12-14.sbd.cantor-diebert.23842.sbeok.shnf
1971-12-14Hill Auditorium
238427" BBD reel> PCM501ES(beta)> PCM501ES analog out> Fostex D5 @ optical out 48KHz> HD; DAT-1 > Soundforge 4.5 > WAV/SHN mastering by Tim Deibert; includes Tuning between songs. Same as /shninfo_detail.php?shnid=12763 with SBEs fixed and seektables appended with shntool.
gd1971-12-14.sbd.cantor-orf.133.shnf
1971-12-14Hill Auditorium
133SBD > Master Reel > PCM > DAT x3> CDR > SHN > WAV > Sound Forge Noise Reduction > SHN; 7" two track Betty Cantor Reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz / PCM501ES analog out > Fostex D5 @ 48 kHz; Mastered to CD using a Tascam DA302 > HHB 850; via jeffk; report by L. Orf- NR version lacking fullness relative to orig- more NR discussion
gd1971-12-14.140950.sbd.betty.pcm.dalton.miller.clugston.flac1644
1971-12-14Hill Auditorium
140950flac16; Source Info: Betty's 7" 2-track Master Soundboard Reels > PCM > PCM (14 bit)(Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd71-12-14.sbd.deibert.12763.sbeok.shnf
1971-12-14Hill Auditorium
127637" BBD reel> PCM501ES(beta)> PCM501ES analog out> Fostex D5 @ optical out 48KHz> HD; DAT-1 > Soundforge 4.5 > WAV/SHN mastering by Tim Deibert; includes Tuning between songs
gd1971-12-15.sbd.miller.97718.sbeok.flac16
1971-12-15Hill Auditorium
97718flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd71-12-15.sbd.cotsman.12615.sbeok.shnf
1971-12-15Hill Auditorium
12615both sets, 2 different SBD sources (see notes); via Walter Schnell; encoding and mastering by Jeff Cotsman
gd71-12-15.set1-sbd.harrison.hanno.16464.sbeok.shnf
1971-12-15Hill Auditorium
16464set 1; MR> ?> C> CD, from Hank Harrison cass, presumed lower-gen than previous versions (see notes); via Uli Teute, Hanno Bunjes & Carsten Baumann
gd1971-12-15.149380.sbd.miller.flac2496
1971-12-15Hill Auditorium
149830flac24; Recording Info: SBD > Master Reel > Pro Tools > FLAC/24; Mastering Info: FLAC/24 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
gd1971-12-15.149966.sbd.mr.miller.flac16
1971-12-15Hill Auditorium
149966flac16; Recording Info: SBD > Master Reel > Pro Tools > FLAC/24; Mastering Info: FLAC/24 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
gd71-12-31.fm.lanum.135.sbeok.shnf
1971-12-31Winterland Arena
135FM > Reel > Dat > CDR; via G. Lanum
gd1971-12-31.142687.fm.dalton.miller.sirmick.flac1644
1971-12-31Winterland Arena
142687flac16; Source: KSAN > FM Master reel > cassette > pcm ( Sony ESX HiFi l-750) - Provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2018
gd1971-12-31.141329.fm.dalton.miller.sirmick.flac1644
1971-12-31Winterland Arena
141329flac16; Source: KSAN > FM Master reel > cassette > pcm ( Sony ESX HiFil-750) - Provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick
gd1971-12-31.142681.sbd.miller.flac1648
1971-12-31Winterland Arena
142681flac16/48 Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller; fixed version in circulation
gd1971-12-31.142742.sbd.miller.flac1648
1971-12-31Winterland Arena
142742flac16/48kHz; Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k; this is a fix of shnid=142681