Identifiers for Grateful Dead
1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
Archive Identifier | |
---|---|
Date | Venue |
Source | |
gd72-01-02.sbd.eD.8709.sbeok.shnf | |
1972-01-02 | Winterland Arena |
8709 | updated lineage: SBD> Reel Master> Reel> CD> Sonic Solutions Workstation> CD; via Charlie Miller; Seeded to etree by eD |
gd1972-03-01.152205.OMSNRoughMixes.studio.bershaw.flac16 | |
1972-03-01 | Alembic Studios |
152205 | flac16/44 Source: Alan Bershaw's low generation cassette (Maxell UDXL2 with Dolby B) Transfer: Maxell UDXL2 with Dolby B (Nakamichi Dragon playback with Dolby B) > Lexicon Lambda > Logic 1644.1 (tracking only) > wav > xAct (sbe correction) > FLAC |
gd72-03-05.aud.miller.20704.sbeok.shnf | |
1972-03-05 | Winterland Arena |
20704 | AUD -> ? -> Reel (Mono) -> DAT -> WAV -> SHN Taper, mic, and deck unkown. Analog > DAT by Neil Sturtevant. DAT > SHN & final edits by Charlie Miller. Added to etree by Noah Weiner |
gd72-03-05.sbd.miller.20739.sbeok.shnf | |
1972-03-05 | Winterland Arena |
20739 | SBD -> ?m -> Cass -> Cass -> Cass -> Cass -> Dat -> SHN Patched w/AUD -> ? -> Reel (Mono) -> Dat -> Samplitude -> SHN via Charlie Miller; upgrade now in circulation |
gd1972-03-05.sbd.miller.103282.flac16 | |
1972-03-05 | Winterland Arena |
103282 | flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1972-03-05.sbd.jools.12152.sbeok.shnf | |
1972-03-05 | Winterland Arena |
12152 | Partial 1st set and complete 2nd set; See info file for details and 'cuts'; sbd>cass>cass>cass>dat>cd; Seeded to etree by Jools |
gd1972-03-21.136670.sbd.sirmick.flac16 | |
1972-03-21 | Academy Of Music |
136670 | flac16; Source: sbd > cassette master > dat(48k) |
gd1972-03-21.sbd.miller.92395.sbeok.flac16 | |
1972-03-21 | Academy of Music |
92395 | flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat/0 (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
gd72-03-21.sbd-disk1.samaritano.15041.sbeok.shnf | |
1972-03-21 | Academy of Music |
15041 | Master Soundboard Reel (2 track)->Dat->Dat-> Sonic Solutions->CD->EAC->SHN CD->EAC->SHN Done By Joe Samaritano; samaritano@adelphia.net, 2/5/03 |
gd72-03-21.sbd.vernon.9331.sbeok.shnf | |
1972-03-21 | Academy of Music |
9331 | Set 2; SBD>MR>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon |
gd1972-03-21.set2-sbd.Samaritano.32370.sbeok.flac16 | |
1972-03-21 | Academy of Music |
32370 | flac16; Master Soundboard Reel (2 track)->Dat->Dat-> Sonic Solutions->CD EAC, Re-track, and FLAC by Joe Samaritano |
gd1972-03-22.132726.sbd.miller.flac16 | |
1972-03-22 | Academy of Music |
132726 | flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1972-03-22.136682.sbd.sirmick.flac1648 | |
1972-03-22 | Academy of Music |
136682 | flac16; Source: sbd > master reel > dat (48k) |
gd72-03-22.aud.partial.19142.sbeok.shnf | |
1972-03-22 | Academy of Music |
19142 | Partial Audience Recording via David Hollister. Lineage: A:?>Cass>Reel>CD>EAC>SHN |
gd1972-03-23.136683.sbd.sirmick.flac1648 | |
1972-03-23 | Academy of Music |
136683 | flac16; Source: sbd > master reel > dat (48k) |
gd1972-03-23.sbd.miller.bertha.100298.dvda | |
1972-03-23 | Academy of Music |
100298 | DVD-VA: (Video Audio) Bertha Remaster of the Master Reel source: SBD>>MR>>DAT>>FLAC>>DAW(Bertha)>>Audio DVD; audio only - no video |
gd72-03-23.sbd.goodbear.137.sbefail.shnf | |
1972-03-23 | Academy of Music |
137 | set II; Gans Betty; Source: ?>Jim Wise BBD (Betty Board)> Gans CD> Goodbear's Gans CD clone> SHN; via Teddy Goodbear to abgd, ~10/16; etreed ~10/29; more info; note slight buzz & a touch of hiss |
gd1972-03-23.sbd.miller.100000.sbeok.flac16 | |
1972-03-23 | Academy of Music |
100000 | flac16;Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info:Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1972-03-23.sbd.cantor-gans.field.20676.shnf | |
1972-03-23 | Academy of Music |
20676 | Lineage: Betty Board > Gans CD > CD > DAE > SHN SBEs fixed and seeking added with SHNTool. New MD5 generated with MD5Sum. By Gary Field (dark_hollow@comcast.net). No other changes made. |
gd1972-03-25.137695.s1partial.lee.hance.sirmick.sbeok.flac16 | |
1972-03-25 | Academy of Music |
137695 | flac16; Source: Audience recording > Sony S95 > Sony TC-124S > cassette Maxell UDXLII (1st gen); Recorded by Ken and Judy Lee; Transfer: cassette > Tascam 112MKII (No Dolby) > Korg MR 2000S DFF DSD @ 5.6 MHz > Audiogate > wave @ 24/88.2; Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac16; edited and mastered SIRMick |
gd1972-03-25.137696.s1partial.lee.hance.sirmick.sbeok.flac24 | |
1972-03-25 | Academy of Music |
137696 | flac24; Source: Audience recording > Sony S95 > Sony TC-124S > cassette Maxell UDXLII (1st gen); Recorded by Ken and Judy Lee; Transfer: cassette > Tascam 112MKII (No Dolby) > Korg MR 2000S DFF DSD @ 5.6 MHz > Audiogate > wave @ 24/88.2; Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick |
gd1972-03-25.136684.sbd.sirmick.flac1648 | |
1972-03-25 | Academy of Music |
136684 | flac16; Source: sbd > master reel > dat (48k) |
gd72-03-25.aud.hanno.8838.sbeok.shnf | |
1972-03-25 | Academy of Music |
8838 | AUD composite- see notes in info file; via Hanno Bunjes, with thanks to Uli Teute |
gd1972-03-25.133592.sbd.miller.flac1644 | |
1972-03-25 | Academy of Music |
133592 | flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller |
gd1972-03-25.133593.sbd.miller.flac1648 | |
1972-03-25 | Academy of Music |
133593 | flac16/48kHz; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller |
gd1972-03-25.aud.hanno.horner.22094.sbeok.shnf | |
1972-03-25 | Academy of Music |
22094 | Multiple Sources -- see info file, same as shn ID 8838, but SBE's in d1t11, d1t14, and d2t10 fixed with shntool and new md5's generated |
gd1972-03-26.136689.sbd.sirmick.flac1648 | |
1972-03-26 | Academy of Music |
136689 | flac16/48kHz; Source: sbd > master reel > dat (48k) |
gd72-03-26.aud.hanno.15413.sbeok.shnf | |
1972-03-26 | Academy of Music |
15413 | AUD C/3 > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes |
gd1972-03-27.135871.sbd.miller.flac48 | |
1972-03-27 | Academy of Music |
135871 | flac16/48kHz; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller |
gd72-03-27.aud.hanno.15816.sbeok.shnf | |
1972-03-27 | Academy of Music |
15816 | AUD C/? > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes |
gd1972-03-27.132366.sbd.miller.flac16 | |
1972-03-27 | Academy of Music |
132366 | flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1972-03-28.132729.sbd.miller.flac16 | |
1972-03-28 | Academy of Music |
132729 | flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd72-03-28.aud.hanno.15414.sbeok.shnf | |
1972-03-28 | Academy of Music |
15414 | AUD C/5 > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes |
gd1972-03-28.aud.teute-bunjes.sirmick.24536.shnf | |
1972-03-28 | Academy of Music |
24536 | source: aud C/5 > soundforge > cdr > shn > wav > shn You might wonder why I would bother to remaster this show since the sound on it is so bad. Well firstly, I like a challenge, secondly I had the time but most of all, it's a great show. This recording had serious deficiencies as can be seen from the original notes below. It is now listenable for most of the show but problems remain. Purists will probably not like the way that I have re-mastered this but needs must! |
gd72-04-07.aud.sirmick.31329.sbeok.flacf | |
1972-04-07 | Wembley Empire Pool |
31329 | flac16; source: mac (2 sources) > c > cdr + M? > low-gen reel > cdr > ??? > wav > shn > wav > flac; remaster of shnid 6161 by SIRMick |
gd72-04-07.aud.hanno.6161.sbeok.shnf | |
1972-04-07 | Wembley Empire Pool |
6161 | 2 AUD sources: MR> C> CDR + M?> low-gen reel> CDR (see info file); mastered by Hanno Bunjes from compilation tape by Uli Teute; Hanno's notes |
gd72-04-08.sbd.giles-jeffm.2534.sbeok.shnf | |
1972-04-08 | Wembley Empire Pool |
2534 | SBD> MR (16 track)> DAT> [Disc 3 only: SS]> Sound Forge 4.5>CDR; remastering by Bill Giles, with disc 3 work by David Gans; EAC> SHN by Jeff M.; see detailed notes in info file |
gd1972-04-08.sbd.hamilton.2185.sbeok.shnf | |
1972-04-08 | Wembley Empire Pool |
2185 | SBD; Discs 1 and 2: MR > DAT > CD > EAC > SHN; Disc 3: MR > DAT > Sonic Solutions > CD > EAC > SHN; Extraction, retracking of discs 1 and 2, and SHN encoding by G.S. Hamilton, from Seth Kaplan's copy; d3 is identical to previously circulated shn; note 1/01: cleaned version of this now in shn |
gd1972-04-08.sbd.miller.83714.sbeok.flac16 | |
1972-04-08 | Wembley Empire Pool |
83714 | flac16; Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller |
gd1972-04-08.sbd.pset2.koucky.83143.flac16 | |
1972-04-08 | Wembley Empire Pool |
83143 | flac16; partial Set 2, SBD Reels > DAT ? Transfer: Panasonic SV-3700 > M-Audio 2496 > Wavelab 5.0 (L3 multimaximizer, crossfades) > CD WAVE > FLAC Transfers, Remastering February 24, 2007 by Bill Koucky |
gd72-04-11.sbd.giles.12186.sbeok.shnf | |
1972-04-11 | Newcastle City Hall |
12186 | remastered by Bill Giles - source is SBD MC>D>CD>SoundForge>CD See info file for flaws & Bill's mastering notes |
gd1972-04-11.sbd.jackson.smith.94377.sbeok.flac16 | |
1972-04-11 | Newcastle City Hall |
94377 | flac16; Source: SBD Lineage: MR(recorded by Rex Jackson)>R(JG)>R(WB)>CD transfer info:Maxell UD XL reel tape @ 3 3/4 ips>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring)>LYNX ONE soundcard>Wavelab 5.0(dithered to 20/44)>CD. |
gd1972-04-11.sbd.thecore.4640.shnf | |
1972-04-11 | Newcastle City Hall |
4640 | SBD> MC> D> CD> SHN; some Soundforge editing; see info file for flaw notes; via thecore |
gd72-04-14.sbd.hurwitt.8828.sbeok.shnf | |
1972-04-14 | Tivoli Theater |
8828 | SBD>mR>C>D>CD; See info file for various patches; via Jack Warner; Jim Powell; seeded to etree by Greg Hurwitt |
gd72-04-14.aud.vernon.23662.sbeok.shnf | |
1972-04-14 | Tivoli Theater |
23662 | Aud (unknown mics), Unknown via Dave Minor encoded by Matt Vernon |
gd1972-04-14.136980.mtx.dusborne.flac16 | |
1972-04-14 | Tivoli Theater |
136980 | flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:76006), Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k)Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC; Bert Slany: Speed Correction.flac -> Adobe Audition 1.5 -> pitch/speed correction* -> flac -> TraLiHe -> sbe's fixed; Audience (shnid:23662), Source: Aud (unknown mics) Lineage: Unknown |
gd1972-04-14.sbd.ashley-field.34931.sbeok.flac16 | |
1972-04-14 | Tivolis Koncertsal |
34931 | flac16; SBD > MR (16 Track) > Dat > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a ReSampler (High Quality) > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 34552 |
gd1972-04-14.sbd.miller-repitched.76006.flac16 | |
1972-04-14 | Tivolis Koncertsal |
76006 | flac16 This is a pitch/speed fixed version of shn id 34552 The lineage is extended as follows: SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC -> Adobe Audition 1.5 -> pitch/speed correction* -> flac -> TraLiHe -> sbe's fixed |
gd1972-04-14.sbd.miller.34552.sbeok.flac16 | |
1972-04-14 | Tivolis Koncertsal |
34552 | flac16; SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC; Transfers and Mastering By Charlie Miller |
gd1972-04-14.sbd.sacks.140.shnf | |
1972-04-14 | Tivolis Koncertsal |
140 | MSR> Cass> DATs> CDRs (not the previously circulating FM version); via D. Sacks; note silence track is presumably to mark set break midway through d2; note info file here updated to reflect reel splice d1t8-9; see flaw notes in public comments |
gd72-04-16.sbd.pset1.hanno.19861.sbeok.shnf | |
1972-04-16 | Stakladen, Aarhus University |
19861 | set 1 from a slightly better sounding cassette source; via Uli Teute and Hanno Bunjes |
gd1972-04-16.pset2-sbd.vernon.9196.sbeok.shnf | |
1972-04-16 | Aarhus University |
9196 | Partial set 2; SBD>MR>??>CDR; via Raoul Duke; Seeded to etree by Matt Vernon |
gd72-04-16.sbd.miller.18103.sbeok.shnf | |
1972-04-16 | Stakladen, Aarhus University |
18103 | Set 1: SBD>Rm>?>Cass>Sound Forge>SHN Set 2: SBD>Rm>Dat>Sonic Solutions>CD>EAC>Samplitude>SHN Set 2 Conversion and Editing By Charlie Miller |
gd1972-04-16.sbd.schnell-sweeney-cotsman.10528.shnf | |
1972-04-16 | Aarhus University |
10528 | Partial set 1 & 2; Mixed SBD sources; SBD>MR>?>C>Sound Forge>SHN; SBD>MR>D>CD>EAC>SHN; See info file for 'caveat'; via Walter Schnell, Mark Sweeney; Seeded to etree by J. Cotsman |
gd1972-04-17.136685.sbd.sirmick.flac1648 | |
1972-04-17 | Tivoli Concert Hall |
136685 | flac16/48kHz; Source: sbd > 14" 16 track Master Reel @15ips > DAT (48k) |
gd72-04-17.sbd.vernon.9390.sbeok.shnf | |
1972-04-17 | Tivoli Gardens |
9390 | SBD>??>French TV Broadcast>C>DAT>CDR; Several missing tracks, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon |
gd1972-04-17.sbd.GEMS.33802.sbeok.flac16 | |
1972-04-17 | Tivolis Koncertsal |
33802 | flac16; SBD>16 track 2" MR>DAT4x>Delta Dio 2496>Soundforge>WAV>Cd Wave Editor>Flac |
gd1972-04-17.sbd.ashley-field.34032.sbeok.flac16 | |
1972-04-17 | Tivolis Koncertsal |
34032 | flac16; SBD > MR (16Track) > DAT > WAV > CDA > Wav > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); remaster of shn id 33802 |
gd1972-04-17.sbd.sirmick.34224.flac16 | |
1972-04-17 | Tivolis Koncertsal |
34224 | flac16; source: sbd > 16 track 2" MR>DAT4x > Delta Dio 2496 > Soundforge > wav > Cd Wave Editor > flac > wav > flac This is a further clean up of shn id 33802, which incorporates those already made on shn id 34302 |
gd72-04-21.fm.vernon.9380.sbeok.shnf | |
1972-04-21 | Beat Club |
9380 | SBD>FM>MR>PCM>DAT>CDR; Including soundcheck, missing 3 songs, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon |
gd1972-04-21.116404.sbd.berger.sndchk.flac16 | |
1972-04-21 | Beat Club |
116404 | Source: SBD -> ? (Remaster of shinid 9380 soundcheck portion). Transfer: CDR>EAC>Adobe Audition 2.0 pitch adjusted +78 cents>CD Wave>FLAC. Seeded by Rob Berger. |
gd72-04-24.sbd-aud.cotsman.16332.sbeok.shnf | |
1972-04-24 | Rheinhalle |
16332 | source 1: AUD>MR>C>D>CD>EAC>SHN source 2: SBD>??>D>CD>EAC>SHN via Jeff Cook & Chuck Kiefe edits/encoding by JCotsman |
gd72-04-26.sbd.vernon.12849.sbeok.shnf | |
1972-04-26 | Jahrhundert Halle |
12849 | Source : SBD > ? > CE2K (minor cleanup) > mkwact > SHN(seekable) This is an upgrade to the previous shn set via Matt Vernon |
gd1972-04-29.sbd.miller.125888.flac16 | |
1972-04-29 | Musikhalle |
125888 | flac16; Recording Info: SBD -> Master Reel (14 inch 16 track Master Reels @ 15ips) -> Dat (44.1k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1972-04-29.mtx.sirmick.98401.flac16 | |
1972-04-29 | Musikhalle |
98401 | flac16; Matrix SBD Source: SBD > MR > ?? > DAT > CDR with Aud Patch Source: MR* > cass > SB Live! > wav > shn > CD-R. shnid 32877 (* believed to be Uher Reel Machine at 4.75 cm/sec) and Aud Source: MR* > 2 reels > cass > SB Live! > wav > shn > CD-R. shnid 5250 (* believed to be Uher Reel Machine at 4.75 cm/sec) |
gd72-04-29.aud.vernon.5250.sbeok.shnf | |
1972-04-29 | Musikhalle |
5250 | AUD MR (poss. Uher Reel Machine at 4.75 cm/sec)> 2 reels> cass> SB Live!> .wav> .shn> CD-R; EAC > SHN (seekable) by Matt Vernon from eurodead.net seed disks |
gd72-04-29.matrix.vernon.17025.sbeok.shnf | |
1972-04-29 | Musikhalle |
17025 | SBD/AUD Matrix of the Set 2 Jam via Matt Vernon from etree aud and sbd sources |
gd72-04-29.sbd.vernon.17026.sbeok.shnf | |
1972-04-29 | Musikhalle |
17026 | SBD>MR>??>DAT>CDR via Raoul Duke. Pitched and patched with etree audience source and shn encoded by Matt Vernon. |
gd1972-04-29.141886.aud.wolsander.dalton.miller.sirmick.flac1644 | |
1972-04-29 | Musikhalle |
141886 | flac16; Source: Unknown mics > Uher 4400 > Master Reel > PCM > DAT (44.1k) - Taped by Wolsander* and provided by Tim Dalton; Tansfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick May 2018 |
gd1972-04-29.126010.mtx.dusborne.flac16 | |
1972-04-29 | Musikhalle |
126010 | flac16; 2 Source Matrix by dusborne; Soundboard (shinid:125888) Recording Info: SBD -> Master Reel (14 inch 16 track Master Reels @ 15ips) -> Dat (44.1k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; and Audience (shinid:5250) Source: MR*> 2 reels> cass>SB Live!>.wav>.shn>CD-R. seed disks provided by eurodead.net; SHN Conversion by mvernon54@home.com |
gd1972-04-29.sbd.cousinit.18523.sbeok.shnf | |
1972-04-29 | Musikhalle |
18523 | SBD Source: MSR*>R>R>C>DAT>WAV>SHN (* Possibly Monitor Board See Notes Below); AUD Patch Source: MR*>cass>SB Live!>.wav>.shn>CD-R. (* Believed to be Uher Reel Machine at 4.75 cm/sec); AUD seed disks provided by eurodead.net; SBD seed by Cousinit; SBD C>SHN Conversion by Cousinit; AUD SHN Conversion by mvernon54@home.com |
gd1972-04-29.sbd.sirmick.32877.sbeok.flac16 | |
1972-04-29 | Musikhalle |
32877 | This is a remaster of shnid 17026 by Sir Mick |
gd1972-05-03.139539.sbd.16.track.reels.miller.clugston.flac16 | |
1972-05-03 | Olympia Theater |
139539 | flac16; Recording Info: SBD -> 16 Track Master Reels (purportedly Healy's rough mix)-> DAT; Transfer Info: DAT(Sony R500)-> Tascam DA-3000-> Adobe Audition 3.0-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston |
gd72-05-03.sbd.masse.142.sbeok.shnf | |
1972-05-03 | Olympia Theater |
142 | SBD > multitrack 2" MR > rough mix by J. Norman/D. Latvala> DAT > CDR > EAC > shn;?? Extraction, shortening, and uploading by Mike Masse; note "honeymoon theft" source: China-Rider, Jed spliced in from E72 album (they were snipped from master reel) |
gd72-05-03.sbd.samaritano.21923.sbeok.shnf | |
1972-05-03 | Olympia Theater |
21923 | Soundboard> Master Reel (multi-track)> DAT x 5. DAT> ZA2> .wav> mkw> SHN. DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano; note: channel problems fixed by Joe in reseed- get that version instead |
gd1972-05-03.sbd.masse.6453.sbeok.shnf | |
1972-05-03 | L'Olympia |
6453 | possible reDAE/reshn by unIDed person of previous shn set- md5s do not match; same info file with added note; noted at gdlive |
gd1972-05-03.sbd.samaritano.29082.sbeok.flac16 | |
1972-05-03 | L'Olympia |
29082 | flac16; fixed fly away channel problem on SHNid=21923. Soundboard->Master Reel (multi-track)->DAT x 5. DAT->Audiophile 2496->Samplitude v7.02 Professional->FLAC. Transfer and FLAC by Joe Samaritano |
gd1972-05-04.152824.sbd.miller.sbeok.t-flac24 | |
1972-05-04 | Olympia Theater |
152824 | FLAC 2496 Recording Info:
SBD -> (16 Track) Master Reel -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
gd72-05-04.sbd.hamilton.143.sbeok.shnf | |
1972-05-04 | Olympia Theater |
143 | SBD > reel > DAT > CDR; via J. Serafin, C. Gannon; extraction, .shn by G.S. Hamilton; note d1t12 1:33-1:43 digi-noise; Casey Jones beginning cut (on master?) |
gd1972-05-04.141434.partial.sbd.betty.lubar.dalton.miller.sirmick.flac1644 | |
1972-05-04 | Olympia Theater |
141434 | flac16; Source: sbd cassette master > pcm (Sony L-750ESX-HFB beta tape) - Recorded by Betty Cantor. From the collection Of Tim Dalton and given to him by Harvey Lubar; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav >Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick March 2017 |
gd1972-05-04.sbd.miller.77294.sbeok.flac16 | |
1972-05-04 | L'Olympia |
77294 | flac16; SBD -> (16 Track) Master Reel -> Dat All Transfers and Mastering By Charlie Miller |
gd1972-05-04.sbd.set1.samaritano.20562.sbeok.shnf | |
1972-05-04 | L'Olympia |
20562 | *Set 1 Only* Soundboard->Master Reel->PCM->DAT x ?; DAT->ZA2->Soundforge->.wav->mkw->SHN. Includes in between song tuning and banter that other sources have edited out. DAT seed, transfer, and SHN by Joe Samaritano. |
gd72-05-07.sbd-aud.clugston.9193.sbeok.shnf | |
1972-05-07 | Bickershaw Festival |
9193 | Discs 1 & 2 are a compilation of multiple Audience sources; Discs 3 & 4 are supplied from a Master Soundboard Reel > DAT source; There is a 5th disc which contains the NRPS set; Seeded by Scott Clugston |
gd1972-05-07.133598.sbd.set1.miller.flac16 | |
1972-05-07 | Bickershaw Festival |
133598 | flac16/48kHz; Set 1 Recording Info: SBD -> Master Reel (10 inch - 1/2 track) -> Dat/48k; Transfer Info: Dat -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller |
gd1972-05-07.155550.aud.sirmick.flac16 | |
1972-05-07 | Bickershaw Festival |
155550 | flac16 This has been compiled from three different sources but I only know one of the tapers. The two unknown sources have been used for Set I and Simon Phillips' master for the whole of Set II edited and mastered SIRMick February 2022 |
gd1972-05-07.140896.sbd.2p.betty.pcm.dalton.miller.clugston.flac1644 | |
1972-05-07 | Bickershaw Festival |
140896 | flac16; Partial Set 2 Source Info: Betty's Master Soundboard Reel > PCM > PCM (14-bit)(Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd72-05-10.sbd.kaplan.1582.sbeok.shnf | |
1972-05-10 | Concertgebouw |
1582 | S:MR > Cassette > DAT > CDR > SHN; Extraction and SHN encoding by Seth Kaplan; upload by Greg Hamilton; known flaw: Bertha fades in |
gd1972-05-11.sbd.giles.3830.shnf | |
1972-05-11 | Rotterdam Civic Hall |
3830 | d1,2: SBD> MR> C> DAT> CDR> EAC> SHN; d3,4: SBD> MR> ??> FM> ??> CDR> editing> CDR> EAC> SHN; via Tony Gardner with thanks to Paul B.; Remastered by Bill Giles (see info file for his comments) |
gd72-05-11.sbd.ashley-bertha.7364.sbefail.shnf | |
1972-05-11 | Rotterdam Civic Hall |
7364 | Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>SHN |
gd72-05-11.sbd.samaritano.9357.sbeok.shnf | |
1972-05-11 | Rotterdam Civic Hall |
9357 | 10" MR@7.5ips->DAT>CDR; Note This seed does not have the splice in IKYR and it includes OMSN. Shn'ed & uploaded to fungus by Joe Samaritano 12/29/01; Seeded to abgd via Charlie Connor 01/02. |
gd72-05-13.psbd.miller.21725.sbeok.shnf | |
1972-05-13 | Lille Fairgrounds |
21725 | SBD -> Rm -> Dat -> CD -> EAC -> SHN (1 Disc Audio / 1 Disc SHN); Converted To SHN BY Charlie Miller |
gd72-05-13.sbd.ladner.3457.sbeok.shnf | |
1972-05-13 | Lille Fairgrounds |
3457 | sbd > mr > cass > dat > cda > eac > shn v3; via Chris Ladner to vine and etree; encore missing |
gd1972-05-16.141754.fm.set1.dalton.miller.clugston.flac1644 | |
1972-05-16 | Theatre Hall |
141754 | flac16; Set 1 Source Info: Radio Luxembourg FM Broadcast > 1st generation Reel > PCM > Dat (16 bit/44.1 kHz); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 > dBpoweramp > Adobe Audition 3.0 > TLH flac16 |
gd1972-05-16.sbd.23825.sbeok.shnf | |
1972-05-16 | Theatre Hall |
23825 | Source: SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN Apparently, d1t06 is from etree seed 7089 and the rest of the show is from 10353. Seeded to Etree via Tol. |
gd72-05-16.sbd.unknown.10353.sbeok.shnf | |
1972-05-16 | Radio Luxembourg |
10353 | Shntool fix of previous sbd/reel source; SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN |
gd1972-05-16.sbd.brown.77980.flac16 | |
1972-05-16 | Theatre Hall |
77980 | flac16; CD "Dead de luxe", Live in Luxembourg "European Bootleg" Source: Soundboard Transfer: CDR>EAC>Wave>Flac Frontend (Level 6)>Flac16 Transfered by: Scott Brown |
gd1972-05-16.sbd.unknown.7089.sbefail.shnf | |
1972-05-16 | Theatre Hall |
7089 | SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN; Initial DAT Transfer via Panasonic 3700 DAT-> Tascam 122mkII (MX-S Cassette)-> Fostex D5-> Sony 59ES DAT-> DAT-Heads Tree Summer '96-> Sony D7-> Audiophile 2496 Soundcard@48kHz. Editing via Cool Edit: Normalized to 99; 44.1kHzSample rate conversion @ 350 quality; pitch correction: 102 ratio stretch. Tracks inserted via CDWave and SHN conversion via mkwACT; d1 tracked for 80 min |
gd1972-05-18.sbd.miller.79057.sbeok.flac16 | |
1972-05-18 | Kongressaal - Deutsches Museum |
79057 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC |
gd1972-05-18.sdb.lai.146.sbefail.shnf | |
1972-05-18 | Kongressaal, Deutsches Museum |
146 | MSR> ?> dat> cdr; via Mike Lai; see public comments for flaw notes |
gd72-05-18.sbd.unicorn.2266.sbeok.shnf | |
1972-05-18 | Kongressaal Deutsches Museum |
2266 | MSR> ?> dat> cdr; Repaired version of previous shn set; See info file for details; via Mike (Unicorn) to abgd; Note- md5's/txt from shn set hosted on tol.etree.org added 4-27-03 |
gd1972-05-18.sbd.smith.94581.sbeok.flac16 | |
1972-05-18 | Kongressaal - Deutsches Museum |
94581 | flac16; source info: Master Soundboard Reel (Rex Jackson) > Reel (Jerry Garcia)> Reel (Will Boswell) @ 3 3/4 ips) > CD; CDs copied in EAC and Repairs and Adjustments in Wavelab 6.0 on the **GEMS* Edit Station by Jamie Waddell |
gd1972-05-23.sbd.cribbs.32863.sbeok.flac16 | |
1972-05-23 | Strand Lyceum |
32863 | flac16; Set 2 partial; MSR>C>DAT>CD; EAC>WAV>FLAC by Sean Cribbs, from Lemieux source |
gd1972-05-23.sbd.unknown.16089.shnf | |
1972-05-23 | Strand Lyceum |
16089 | Another shn set claiming this lineage "lineage unknown, but believed to be 10" 2-track reel master>1 cassette generation>DAT> 1 cassette generation > circulation listed at www.resourcesfortraders.com" with different md5's than prior etree seeds with this info file |
gd1972-05-23.sbd.lai.2581.shnf | |
1972-05-23 | Strand Lyceum |
2581 | partial; sdb> MR> PCM> CD; via Mike Lai |
gd72-05-23.sbd.cribbs.17700.sbeok.shnf | |
1972-05-23 | The Strand Lyceum |
17700 | MSR>C>DAT>CD>EAC>WAV>SHN via Andy Lemieux encoded by Sean Cribbs |
gd72-05-23.sbd.unicorn.16750.sbeok.shnf | |
1972-05-23 | The Strand Lyceum |
16750 | Lineage (most likely):10" 2-track RM > C > D > C speed corrected, complete 4 disk version via Unicorn |
gd1972-05-23.sbd.jackson.smith-GEMS.97816.flac16 | |
1972-05-23 | Strand Lyceum |
97816 | flac16; 2 track soundboard recording Transferred by Matt Smith Reels > Apogee Mini ME 24/96 > Apogee Mini DAC(monitoring) > Wavelab 5.0(dithered to 16/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station in Wavelab 6.1 with UA DSP FLAC Level8 in TLH MetaData in Tag and Rename |
gd1972-05-24.aud.jones.macdonald.sirmick.24068.sbeok.shnf | |
1972-05-24 | Strand Lyceum |
24068 | source: aud: mono crappy Pye cassette recorder with hand-held mike > ampex R2R > cdr > eac > cep > cdwav > shn; taped by Chris Jones; transferred (untracked) to CDR by Graham Harper; Remastered by SirMick |
gd72-05-24.jones.macdonald.5920.sbeok.shnf | |
1972-05-24 | The Strand Lyceum |
5920 | AUD: mono crappy Pye cassette recorder with hand-held mike > Ampex R2R > CD-R > EAC > CEP > CDWAV > .shn & CD-R; Original recording by Chris Jones. Transferred (untracked) to CDR by Graham Harper; EAC> all subsequent modification by Alasdair Macdonald; see extensive notes in info file; d1 tracked for 80 min |
gd1972-05-24.pye-jones.harper-sirmick.87027.flac16 | |
1972-05-24 | The Lyceum |
87027 | flac16; source : aud > Pye mono cassette recorder (crappy model) with hand-held mike > mac transfer : mac > ampex R2R > cdr > eac > cep > cdwav > shn taped by Chris Jones transferred (untracked) to CDR by Graham Harper. Remastered by Sir Mick from the raw wav files. |
gd1972-05-25.sbd.d1t3-fix.cribbs.26355.sbeok.shnf | |
1972-05-25 | The Strand Lyceum |
26335 | fix of d1t3 Dark Star in previous shn set to remove redundant material, by Sean Cribbs |
gd1972-05-25.sbd.miller.87682.sbeok.flac16 | |
1972-05-25 | Strand Lyceum |
87682 | flac16; Recording Info: SBD -> Master Reel 10 inch reels recorded at 7.5 ips (1/2 track) -> Apogee AD500 -> Dat/0 (48k) Transfer Info: Dat/0 (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
gd72-05-25.psbd.hamilton.147.sbeok.shnf | |
1972-05-25 | The Strand Lyceum |
147 | set 2 partial; MSBDR > 2 casstte gens > DAT > CDR > EAC > SHN; Dick cass leak; u/l via G. Hamilton; note fits on 1 shn disc w/ 6/24/73 disc; update: redundant material in Dark Star, patch of d1t3 circulates |
gd1972-05-26.sbd.smith.94452.sbeok.flac16 | |
1972-05-26 | Strand Lyceum |
94452 | flac16; Source: Soundboard Lineage: MR(film crew feed) at 7 1/2 i.p.s.>R at 7 1/2 i.p.s (Don Wolfe) >CD transfer info:Maxell UD XL reel tape>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring)>LYNX ONE soundcard>Wavelab 5.0(dithered to 20/44)>CD by Matt Smith |
gd1972-05-26.sbd.mvernon.5931.shnf | |
1972-05-26 | Strand Lyceum |
5931 | Master SBD reel > DAT > CD-R >EAC > CDR; D2T7 some music lost at start; splices in Sugaree, Dew; to etree via Matt Vernon; passes shntool check |
gd1972-05-26.sbd.waddell.89641.sbeok.flac16 | |
1972-05-26 | The Strand Lyceum |
89641 | flac16; SBD Reel > DAT > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 All editing and mastering by Jamie Waddell on the GEMS Edit Station. Trac'ed Cdwave,Flac'ed TLH level 8 |
gd72-05-26.sbd.hollister.12758.sbeok.shnf | |
1972-05-26 | The Strand Lyceum |
12758 | S:MR> DATx5> CD, including patches (see info file for specifics; transfer by David Hollister; reported "superior to all circulating copies" |
gd72-06-17.aud.hanno.16470.sbeok.shnf | |
1972-06-17 | Hollywood Bowl |
16470 | set 1,2p; AUD C/?; pitch corrected; via Hanno Bunjes, Uli Teute and Carsten Baumann |
gd1972-06-17.shure-sony.melton.115839.flac16 | |
1972-06-17 | Hollywood Bowl |
115839 | flac16; Recorded from Box 52 which is just left of center. Recorded with a Sony Cassette recorder with Shure Microphone attached. This recording was transferred directly to digital using Audacity; Taped by: David Melton |
gd72-07-16.sbd-aud.cotsman.11258.sbeok.shnf | |
1972-07-16 | Dillon Stadium |
11258 | source 1: SBD>MR>C>D>CD>EAC>SHN source 2: AUD>?>SHN the audience recording supplies: --all of disc 1, --on disc 2, the final portion of Me & My Uncle through to the end of Sing Me Back Home; See info file for details; via Glenn Gillis and Paul B; Seeded to etree by Tim O'Connel & J. Cotsman |
gd1972-07-18.sbd.lai.3348.shnf | |
1972-07-18 | Rossevelt Stadium |
3348 | sdb> master reel> reel> pcm> cdr; via Mike Lai |
gd72-07-18.aud.weiner.5916.sbefail.shnf | |
1972-07-18 | Roosevelt Stadium |
5916 | AUD MC> ?> R> D> SHN> CDR, with change to A:MC> ?> C> D source toward end; A > D transfer by Noah Weiner; via Audience Devotional Tree |
gd72-07-18.sbd.cribbs.9067.sbeok.shn | |
1972-07-18 | Roosevelt Stadium |
9067 | SBD with Aud Patches (missing OMSN), see info file for details; via David Hollister; Seeded to etree by Sean Cribbs |
gd1972-07-18.sbd.miller.32878.flac16 | |
1972-07-18 | Roosevelt Stadium |
32878 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1972-07-18.sbd.unknown.9097.shnf | |
1972-07-18 | Roosevelt Stadium |
9097 | sdb>>master reel>>reel>>pcm>>cdr; Likely a re-eac of the original Lai seed; Unknown seeder |
gd1972-07-18.127703.mtx.dusborne.flac16 | |
1972-07-18 | Roosevelt Stadium |
127703 | flac16; 2 Source Matrix by Dusborne; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v7.02 -> Cool Edit Pro v2.0 -> FLAC; and AUDMC>?>R>D>SHN>CDR |
gd72-07-21.sbd.cotsman.9246.sbeok.shnf | |
1972-07-21 | Paramount Northwest Theater |
9246 | SBD> MR> CX3(?)> D> CD> EAC> SHN; edits (pitch corrected, normalized), encoding, vined by J. Cotsman, with thanks to Mark Sweeney |
gd1972-07-21.148725.sbd.bear.dalton.miller.clugston.flac1648 | |
1972-07-21 | Paramount Northwest Theater |
148725 | flac16/48kHz; Source Info: Bear's Master Soundboard Cassettes > 1st generation Cassettes > 2nd generation Cassettes > Tim Dalton's Dat (16/48); Transfer Info: Dat (Sony PCM-R500) (16/48) > Tascam DA-3000 (16/48)> Adobe Audition CC 2019 > TLH flac1648 |
gd1972-07-22.sbd.miller.94112.sbeok.flac16 | |
1972-07-22 | Paramount Northwest Theatre |
94112 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller |
gd1972-07-22.141760.sbd.betty.pcm.dalton.miller.clugston.updated.flac1644 | |
1972-07-22 | Paramount Northwest Theater |
141760 | flac16; Recording Info: Betty's 7" 2-track Master Soundboard Reels > PCM (Sony beta HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this is a fixed version of source ID 141122 |
gd1972-07-22.aud.jems.106930.flac16 | |
1972-07-22 | Paramount Northwest Theater |
106930 | flac16; Source: Audience Lineage: Master Reels @ full track mono>Tandberg Model 11>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic Taped and Transferred By: JEMS |
gd1972-07-22.141122.sbd.betty.pcm.composite.dalton.miller.clugston.flac1644 | |
1972-07-22 | Paramount Northwest Theater |
141122 | flac16; Recording Info: Betty's 7" 2-track Master Soundboard Reels > PCM (Sony beta HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; Fixed version in circulation |
gd72-07-22.sbd.vernon.13562.sbeok.shnf | |
1972-07-22 | Paramount Northwest Theater |
13562 | SBD MR>PCM>D>CD via Hanno |
gd1972-07-22.sbd.GEMS.86726.flac16 | |
1972-07-22 | Paramount Theater |
86726 | flac16; Sound Board Master Reel>DAT 16/48 > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav |
gd1972-07-25.sbd.miller.124017.flac16 | |
1972-07-25 | Paramount Theater |
124017 | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd72-07-25.sbd.cotsman.7046.sbeok.shnf | |
1972-07-25 | Paramount Theater |
7046 | SBD> MR> C> D> CD> EAC> SHN; encoding, vined by J. Cotsman; with thanks to Mark Sweeney |
gd1972-07-26.sbd-patched.long.34803.flac16 | |
1972-07-26 | Paramount Theater |
34803 | flac16; MR > PCM > DAT > CD > EAC > SHN with patches from MSR > DAT > ZA2 > CDR x2; Fix of shn id 8957 by Andrew Long |
gd1972-07-26.sbd.GEMS.87034.flac16 | |
1972-07-26 | Paramount Theater |
87034 | flac16; Lineage: (from DAT J-Card) MR -> DAT (the DAT is 16-bit; 44.1kHz which could indicate MR->PCM->DAT) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0 - Transferred January 18, 2007 Mastering By Jamie Waddell on the GEMS Edit Station. Trac'ed cdwave,Flac'ed TLH level 8 |
gd72-07-26.sbd.clugston.1411.sbeok.shnf | |
1972-07-26 | Paramount Theater |
1411 | nearly complete; updated info: Master Soundboard Reel > PCM> DAT > ZA2 > CDR x2; DAT seed via Jeff Tiedrich, original DAT>CD transfer by David Hollister; subsequent CD remastering and SHN by Scott Clugston; see info file and pub comments for notes |
gd72-07-26.sbd.popi.8957.sbeok.shnf | |
1972-07-26 | Paramount Theatre |
8957 | Variation of original Kaplan seed; Filler removed, and He's Gone added; See info file for details; MR > PCM > DAT > CD > EAC > SHN; via Popi |
gd1972-08-12.sbd.gems.104168.flac24 | |
1972-08-12 | Sacramento Memorial Auditorium |
104168 | flac24; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Apogee DAC> Apogee Mini Me Wavelab 5.0 @ 24 bit 96kHz Transferred by Matt Smith Fall 2009 Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for Pow-r3 Dither MetaData with Tag and Rename TLH for FLAC Level 8 |
gd72-08-12.sbd.hamilton.3327.sbeok.shnf | |
1972-08-12 | Sacramento Memorial Auditorium |
3327 | SBD Reel master > DAT > CDR > EAC > SHN; seed via Seth Kaplan; Retracked (Cool Edit/CDWav) by G.S. Hamilton; see info file for listening notes |
gd1972-08-12.139783.sbd.boswell.smith.clugston.flac1644 | |
1972-08-12 | Sacramento Memorial Auditorium |
139783 | flac16; Source Info: 7" Master Soundboard Reels @7.5ips 1/2trk > Garcia's reel @ 3.75 ips > Will Boswell's reel @ 3.75 ips (Maxell UDXL); Transfer Info: Technics RS1506 > Tascam DA-3000 > Adobe Audition > TLH flac2496 |
gd1972-08-12.139784.sbd.boswell.smith.clugston.flac2496 | |
1972-08-12 | Sacramento Memorial Auditorium |
139784 | flac24; Source Info: 7" Master Soundboard Reels @7.5ips 1/2trk > Garcia's reel @ 3.75 ips > Will Boswell's reel @ 3.75 ips (Maxell UDXL); Transfer Info: Technics RS1506 > Tascam DA-3000 > Adobe Audition > TLH flac2496 |
gd1972-08-12.127465.sbd.boswell.smith.flac16 | |
1972-08-12 | Memorial Auditorium |
127465 | flac16; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Transferred by Matt Smith March 2014 |
gd1972-08-12.127433.sbd.boswell.smith.flac24 | |
1972-08-12 | Memorial Auditorium |
127433 | flac24; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Transferred by Matt Smith March 2014; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair 1960s era Telefunken tubes > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC |
gd1972-08-12.sbd.smith.gems.105132.flac16 | |
1972-08-12 | Sacramento Memorial Auditorium |
105132 | flac16; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Apogee DAC> Apogee Mini Me > Wavelab 5.0 @ 24 bit 96kHz Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1kHz tracked in CDWAV Tag&Rename for Meta_Data TLH for FLAC Level 8 by Patrick White (wharfratpat@shnflac.net) |
gd1972-08-20.sbd.miller.32789.sbeok.flac16 | |
1972-08-20 | San Jose Civic Auditorium |
32789 | flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller |
gd1972-08-20.pset1.sbd.jim.14988.shnf | |
1972-08-20 | San Jose Civic Auditorium |
14988 | Set 1 SBD; source SBD>?>CDR>WAV>CE2k (*Serious* cleanup)>SHN; Missing Bertha; see notes |
gd1972-08-20.sbd.miller.83733.flac16 | |
1972-08-20 | San Jose Civic Auditorium |
83733 | flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller |
gd1972-08-20.sony-schiappacasse.minches.82716.flac16 | |
1972-08-20 | San Jose Civic Auditorium |
82716 | flac16; Recording by Olaf Schiappacasse (using Gene Taback's equipment): Master Audience Cassette; Sony TC-124 with Sony Stereo Mic (Pacific Stereo Cassettes) Transfer and FLAC encoding by David Minches: Master cassettes played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (96Mhz/24 bit)> HD Editing performed in Adobe Audition; L3 Multimaximizer>Waves Z-Noise; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded |
gd72-08-20.sbd.cotsman.16335.sbeok.shnf | |
1972-08-20 | San Jose Civic Auditorium |
16335 | SBD>MC>R>C>C>C>D>CD>EAC>SHN (?) see notes on lineage via Chuck Kiefe edits/encoding by Jeff Cotsman |
gd1972-08-21.139581.sbd.miller.sirmick.fixed.flac16 | |
1972-08-21 | Berkeley Community Theater |
139581 | flac16; Source: SBD > Master Reels @ 7.5ips (10 Inch half-track ) > PCM > DAT (44.1k) - Recorded by Betty Cantor-Jackson, provided by Charlie Miller; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017; the original version of this had pitch correction incorrectly applied |
gd1972-08-21.139581.sbd.miller.sirmick.flac16 | |
1972-08-21 | Berkeley Community Theater |
gd72-08-21.sbd.hamilton.150.sbeok.shnf | |
1972-08-21 | Berkeley Community Theater |
150 | S:MR > PCM > DAT > CD > EAC > SHN; via D. Hollister, G. Hamilton; see info file for list of minor flaws |
gd1972-08-22.sbd.miller.27780.shnf | |
1972-08-22 | Berkeley Community Theatre |
27780 | mixed sources: Set 1: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> Apogee AD500> Master Dat (Panasonic SV3800/48k); Set 2: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> PCM> Dat> CD; Transferred and Edited (see cleanup notes) by Charlie Miller |
gd72-08-22.sbd.cotsman.11472.sbeok.shnf | |
1972-08-22 | Berkeley Community Theater |
11472 | SBD>MR>?>CD>EAC>SHN: (low gen); (set 1) SBD>MR>PCM>D>CD>EAC>SHN: (set 2); Missing first 3 1/2 songs; See info file for details; via Mike Dolgushkin & Seth Kaplan; Seeded to etree by J. Cotsman |
gd1972-08-22.sbd.kaplan.7285.shnf | |
1972-08-22 | Berkeley Community Theatre |
7285 | 2nd Set; S:MR > PCM > DAT > CDR > EAC > SHN via Seth Kaplan; NFA end cuts off; passes shntool check |
gd1972-08-24.sbd.unknown.151.shnf | |
1972-08-24 | Berkeley Community Theatre |
151 | SBD> ?> DAT> CDR> SHN; d3t5,6 duplic fixed 5/24; note d1t1 only 4 sec |
gd72-08-24.sbd.miller.18093.sbeok.shnf | |
1972-08-24 | Berkeley Community Theater |
18093 | SBD>Rm>Dat(48k) with missing songs patched from SBD>Rm>Cass>Cass>Cass>Dat>Samplitude>SHN via Charlie Miller |
gd1972-08-24.156469.sbd.anon.gems.flac16 | |
1972-08-24 | Berkeley Community Theater |
156469 | flac16 Source: Master SBD Reel > DAT from ANON Mastered by Jamie Waddell and Jim Blackwood Pitch correction by Jason Chastain Listening assistance, track, FLAC, and pack by Steve Gravel |
gd72-08-25.sbd.8474.unknown.sbeok.shnf | |
1972-08-25 | Berkeley Community Theater |
8474 | Partial Set 1: SBD> MR> PCM> DAT; Partial Set 2: FMSBD> ??? |
gd72-08-25.sbd.partial.deibert.12751.sbefail.shnf | |
1972-08-25 | Berkeley Community Theater |
12751 | set 1 partial; 7" Betty Board Reel > PCM501ES analog out > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert); some Soundforge editing (see notes) |
gd1972-08-25.sbd.miller.bertha.94218.flac16 | |
1972-08-25 | Berkeley Community Theater |
94218 | flac16; Bertha Remaster of the Master Reel Source: SBD>>MR>>DAT>>FLAC>>DAW(Bertha)>>Audio DVD>>FLAC |
gd1972-08-25.sbd.miller.92840.sbeok.flac16 | |
1972-08-25 | Berkeley Community Theatre |
92840 | flac16; Recording Info:SBD -> Master Reel -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1972-08-25.sbd.miller.bertha.93888.dvda | |
1972-08-25 | Berkeley Community Theatre |
93888 | DVD-VA; (Video-Audio) SBD>>MR>>DAT>>FLAC>>DAW(Bertha)>>Audio DVD; Bertha Remaster of the Master Reel Source (Audio only - no video) |
gd1972-08-27.sbd.kaplan-hamilton.152.shnf | |
1972-08-27 | Old Renaissance Faire Grounds |
152 | SBD MR> DAT> CDR> EAC> SHN; via S. Kaplan, G. Hamilton; known flaws: sound system disortion/buzziness at places; d1t7 d/o @ 11:14; d2t6 discontinuity @ 3:36, static @ 5:07; note least-flawed of several versions assayed (no clicks/pops in Dark Star); 12/00 update: an upgrade version is now circulating |
gd72-08-27.sbd.bertha-ashley.21619.sbeok.shnf | |
1972-08-27 | Old Renaissance Faire Grounds |
21619 | Bertha Remaster of the Braverman/Dank 16 track source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A (Between songs from the two-track master reels) |
gd1972-08-27.sbd.latvala-eaton-lutch-dankseed.4682.shnf | |
1972-08-27 | Old Renaissance Faire Grounds |
4682 | SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; see info file for details, fixes and flaw notes; note most banter edited out; Reel>DAT transfer by Dick Latvala; DAT clone supplied by Rob Eaton; DAT>SHN by Jamie Lutch; QC courtesy dankseeds |
gd1972-08-27.sbd.serafin.8045.sbefail.shnf | |
1972-08-27 | Old Renaissance Faire Grounds |
8045 | SBD > 4-TRACK RTR @ 7.5 i.p.s. > PCM> (PCM) > D > SSSB; via Jay Serafin to gdlive; see info file for extensive notes |
gd72-08-27.sbd.braverman.16582.sbefail.shnf | |
1972-08-27 | Old Renaissance Faire Grounds |
16582 | SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; Banter between songs from the two-track master reels: S:MR> DAT> SS> CD> EAC> SHN; dankseed |
gd72-08-27.sbd.orf.3328.sbeok.shnf | |
1972-08-27 | Old Renaissance Faire Grounds |
3328 | SBD-> two-track MR-> DAT-> Sonic Solutions-> CDR-> EAC-> Sound Forge Edit (analog pop removal using pencil tool)-> Sound Forge Pitch Shift (antialias filter followed by pitch shift of +19 cents); stemming from David Gans seed, via Adam Jerugim to Leigh Orf, who fixed up (see details in info file); d3 trackd for 80 min; note previous shn sets have been Betty Board sourced- this is not |
gd72-09-03.sbd.new.hanno.20168.sbeok.shnf | |
1972-09-03 | Folsom Field, U of Colorado |
20168 | Composite aud/sbd - entire show speed corrected, static removed; includes encore. via Carsten Baumann and Hanno Bunjes |
gd1972-09-03.sbd.steinhaus-bunjes-teute.cotsman.13563.shnf | |
1972-09-03 | Folsom Field - University of Colorado |
13563 | primary source: SBD>MR>C>D>CD>EAC>SHN (provides most of sets 2 and 3); secondary source: AUD>?>C>CD>EAC>SHN (provides all of set 1 plus patches in sets 2 and 3); aud source is pretty weak (see caveat); Thanks to John Steinhaus, Uli Teute, and Hanno Bunjes |
gd1972-09-03.sbd.gems.101143.flac16 | |
1972-09-03 | Folsom Field, U of Colorado |
101143 | flac16; Composite sources: MR>cass, MR>cass>cass and multi generation sources; transfers were TascamMKII >Korg MR1000 at 1bit/5.6mHZ and cass> Apogee Mini Me>apogeeDAC>LynxOne at 24/96 PCM WAV; all edits and mastering by Jamie Waddell on the **GEMS** Edit Station at 32bitfloat/88.2kHz Weiss Saracon for SRC and POW-r3 dither to 16 bit/44.1 kHz |
gd1972-09-03.aud-composite-12627-20168.teute-bunjes.92805.shnf | |
1972-09-03 | Folsom Field - University of Colorado |
92805 | Unknown aud composite of shnid's 12627 and 20168. |
gd1972-09-03.sbd.greenberg.powell.18779.shnf | |
1972-09-03 | Folsom Field, University of Colorado |
18779 | Composite aud/sbd coordinated by Jim Powell. Patches and final mastering: Dave Greenberg Special thanks to Jack Warner, Hugh Barroll and Steve Fukawa, encoded by Matt Vernon |
gd1972-09-09.aud.sirmick.32036.flac16 | |
1972-09-09 | Hollywood Palladium |
32036 | flac16; Main source: mac > cass (u/k gen) > wav > flac > wav > flac transfer: nak dr3 > audacity > cdwav. Second source: sbd: mr> dat > cdr > shn > wav > flac via SirMick |
gd1972-09-09.sbd.miller.105458.flac16 | |
1972-09-09 | Hollywood Palladium |
105458 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Cool Edit Pro v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd72-09-09.aud.unknown.30991.sbeok.flacf | |
1972-09-09 | Hollywood Palladium |
30991 | flac16; Lineage: AUD MR> Cassette (unknown gen) > WAV > FLAC Transfer: NAK DR3 > AUDACITY > CDWAV |
gd72-09-09.aud.pitch-corrected.zeb.31949.sbeok.flacf | |
1972-09-09 | Hollywood Palladium |
31949 | flac16; AUD MR> Cassette (unknown gen) > WAV > FLAC speed-corrected of prior seed ; by Zeb |
gd72-09-09.sbd.popi.14086.sbeok.shnf | |
1972-09-09 | Hollywood Palladium |
14086 | Sbd: MR>DAT>CDR>SHN Audio discs provided by Dyer O' Connor eac>mkw>shn by popi n. feeldz |
gd1972-09-09.mtx.seamons.bertrando.103311.flac16 | |
1972-09-09 | Hollywood Palladium |
103311 | flac16; Matrix by Hunter Seamons using Final Cut Pro Pitch correction, normalization, and EQ work by Rob Bertrando |
gd1972-09-09.149457.sbd.boswell.smith.miller.clugston.flac1648 | |
1972-09-09 | Hollywood Palladium |
149457 | flac16/48kHz; Source Info: Master Soundboard Cassettes (Uher deck) > Will Boswell's 1st generation reels @3.75 ips; Transfer Info: 1st generation reels (Technics 1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1972-09-09.149458.sbd.boswell.smith.miller.clugston.flac2496 | |
1972-09-09 | Hollywood Palladium |
149458 | flac24; Source Info: Master Soundboard Cassettes (Uher deck) > Will Boswell's 1st generation reels @3.75 ips; Transfer Info: 1st generation reels (Technics 1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 |
gd1972-09-09.133002.sbd.boswell-smith.flac24 | |
1972-09-09 | Hollywood Palladium |
133002 | flac24; Recording Info: MC (Uher deck) > Will Boswell's reel @3.75 ips reel; Transfer Info: Technics 1506 > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith April, 2015 |
gd1972-09-09.133001.sbd.boswell-smith.flac16 | |
1972-09-09 | Hollywood Palladium |
133001 | flac16; Recording Info: MC (Uher deck) > Will Boswell's reel @3.75 ips reel; Transfer Info: Technics 1506 > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith, April 2015 |
gd72-09-10.sbd.patched.greenberg-powell.22793.sbeok.shnf | |
1972-09-10 | Hollywood Palladium |
22793 | MSR>C>CD patched with MSR>C>D>C>D; Patches & remaster by Dave Greenberg. |
gd1972-09-10.sbd.vernon.5680.sbeok.shnf | |
1972-09-10 | Hollywood Palladium |
5680 | SBD > [MR > C > DAT(s) ??] > CDR(s) > EAC > SHN > SHNTOOL (fix sector boundaries by sets) > mkwact (seekable); via Mike Lai, Matt Vernon; boundary fixed version of previous shn set |
gd1972-09-10.136690.sbd.bruno.flac16 | |
1972-09-10 | Hollywood Palladium |
136690 | flac16; Soundboard Master-Reel > Reel (1st gen) > DAT 2x (44.1 kHz) |
gd72-09-10.sbd.winters.17690.sbeok.shnf | |
1972-09-10 | Hollywood Palladium |
17690 | SBD> MR> Cassette> DAT> CD> EAC> CoolEdit2000> SHN; EAC, CoolEdit 2000, CDWave, MKW, & shntool by D.Winters; reportedly has flaws fixed realtive to previous versions. |
gd1972-09-10.sbd.lai.5679.shnf | |
1972-09-10 | Hollywood Palladium |
5679 | sdb; via Mike Lai; note boundary-fixed version of this shn set also circulates |
gd1972-09-15.aud-degen.sirmick.31990.flac16 | |
1972-09-15 | Boston Music Hall |
31990 | flac16; this is a remaster by SirMick of shnid 7924. Source 1: MAC > Reel > Cassette > DAT > CD Recorded by Bill Degen from balcony front row. Source 2: MAC > ? > DAT (supplied by Dave Minor) > CD provides additional patch and missing material |
gd1972-09-15.133998.sbd.miller.flac16 | |
1972-09-15 | Music Hall |
133998 | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd72-09-15.degen.weiner.7924.sbeok.shnf | |
1972-09-15 | Boston Music Hall |
7924 | MAC > Reel > Cassette > DAT > CD; Lower quality aud provides many patches, see info file for details; via Noah Weiner; Jack Warner; Seeded to etree by Matt Vernon |
gd72-09-15.psdb.kaplan.8046.sbeok.shnf | |
1972-09-15 | Boston Music Hall |
8046 | partial set 2; SBD: MR > cassette > DAT > CD > SHN; SHNed by Seth Kaplan; via G.S. Hamilton to BUDD |
gd1972-09-16.matrix.sb20.chappell.77442.flac16 | |
1972-09-16 | Boston Music Hall |
77442 | flac 16; Sick Bits Vol. 20 - SBD/AUD Matrix: SBD (shnid=6683) + AUD (shnid=12932); edited, mixed and converted by Chris Chappell |
gd72-09-16.degen.weiner.12932.sbeok.shnf | |
1972-09-16 | Boston Music Hall |
12932 | AUDMC > C > DAT > CD > SHN recorded by Bill Degen from orchestra seats mic and deck unknown. A > D & shn conversion by Noah Weiner |
gd72-09-16.psbd.unknown.6683.sbeok.shnf | |
1972-09-16 | Boston Music Hall |
6683 | partial; 7" SBDMR > Cass > DAT > CDn > EAC > SHN; via Matt Vernon? |
gd72-09-16.sbd.cotsman.9247.sbeok.shnf | |
1972-09-16 | Boston Music Hall |
9247 | mixed source (AUD>MC>) and (SBD>MR>) C> D> CD> EAC> SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Mark Sweeney and unIDed patcher |
gd1972-09-17.aud-wolfson.minches.28165.shnf | |
1972-09-17 | Baltimore Civic Center |
28165 | Audience Recording (taper Cary Wolfson) > Cassette > DAT > SHN; Extraction and SHN encoding by David Minches |
gd72-09-17.sbd.hamilton.154.sbeok.shnf | |
1972-09-17 | Baltimore Civic Center |
154 | SBDMR > Cass > DAT > SonicSolutions > CD > EAC > SHN; Extraction and SHN encoding by G.S. Hamilton, from D. Hollister seed; known flaws: Missing Saturday Night; small digi-snit during UJB; update: show is now DP23- go buy it |
gd1972-09-19.152468.s1-s2p.aud.flac2448 | |
1972-09-19 | Roosevelt Stadium |
152468 | flac2448; s1-s2p; Source: Unknown mono AUD via the collection of Rich Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2021 |
gd1972-09-19.154185.aud.deal.smith.clugston.flac16 | |
1972-09-19 | Roosevelt Stadium |
154185 | flac16/44 Source Info: Ed Deal's Master Audience Cassettes (Sony C-90); Unknown equipment Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini-Me (24-bit/96k) > WaveLab (16-bit/44.1k) > Adobe Audition CC 2022 > TLH flac16 |
gd72-09-19.aud.cotsman.12075.sbeok.shnf | |
1972-09-19 | Roosevelt Stadium |
12075 | AUD>MC>?>D>CD; Many songs are clipped due to taper conservation, though almost all such cuts are minor; See info file for details; via Paul Hartman; Seeded to etree by JCotsman |
gd1972-09-21.152463.aud.lamarre.vernon.sirmick.flac16 | |
1972-09-21 | The Spectrum |
152463 | flac16/44 Source: uknown audience cassette from the collection pf Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick May 2021 |
gd1972-09-21.152464.aud.lamarre.vernon.sirmick.flac24 | |
1972-09-21 | The Spectrum |
152464 | flac24/96 Source: unknown audience cassette from the collection of Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac24 edited and mastered SIRMick May 2021 |
gd1972-09-21.138083.sbd.mitchell-flaschner.flac1644 | |
1972-09-21 | The Spectrum |
138083 | flac16 SBD > Reel > DAT; DAT(c) @ 44.1kHz > Tascam DA-20 > Tascam DR-680 MKII > Canare Coax > Samplitude Pro X3 Suite (Build 35) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; DAT provided by Dave Flaschner; Transfer & edits by Jeff Mitchell |
gd72-09-21.sbd.masse.7296.sbeok.shnf | |
1972-09-21 | The Spectrum |
7296 | SBD > reel > DAT > CDR > EAC > shn; via Mike Masse; see flaw notes in info file; a clean-up of d1t11 also circulates; see public comments for details |
gd1972-09-21.150281.sbd.miller.flac1644 | |
1972-09-21 | The Spectrum |
150281 | flac16; Recording Info: SBD > Master Reel (7-inch 7.5ips 1/2trk) > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller |
gd1972-09-23.135287.sbd.jeffm.restore.droncit.flac16 | |
1972-09-23 | Palace Theater |
135287 | flac16; Source: SBD>MR>Cass>DAT>CDR>EAC>SHN; This is a flac encoded & tagged restoration of shnid 2201; Restoration done with Diamond Cut Forensics 10 (beta1 through RC3) |
gd72-09-23.sbd.jeffm.2201.sbeok.shnf | |
1972-09-23 | Palace Theater |
2201 | SBD> MR> Cass> DAT> CDR> EAC> SHN; via Jeff M.; see listening notes in revised info file |
gd1972-09-23.sbd.130728.MrBill.flac16 | |
1972-09-23 | Palace Theater |
130728 | flac16; Recording Info: SBD > MR > C > DAT > CDR > SHN; Transfer Info: SHN > WAV > Sound Forge 10 > TLH > FLAC; Sonically enhanced, remastered, retracked upgrade of shnid 2201; Mastered and tracked by Bill Guarneri, July 25, 2014 |
gd1972-09-24.aud.berger.99860.flac16 | |
1972-09-24 | Palace Theatre |
99860 | flac16; source: aud; lineage: aud>?>7" reel @ 3.75 ips, no nr technics rs-1506>hd-p2 24/96> hd>cd wave>adobe 2.0 16/44>flac |
gd72-09-24.sbd.jeffm.2202.sbeok.shnf | |
1972-09-24 | Palace Theater |
2202 | SBD> MR> CASS> DAT> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes |
gd1972-09-24.sbd.130758.MrBill.flac16 | |
1972-09-24 | Palace Theater |
130758 | flac16; Recording Info: SBD > MR > ? > C > DAT > SHN; Transfer Info: SHN > TLH > WAV > Sound Forge 10 > TLH > FLAC; Tracked, patched and mastered by Bill Guarneri, July 28, 2014 |
gd1972-09-26.partial-sbd-patched.powell-ladner.25281.shnf | |
1972-09-26 | Stanley Theatre |
25281 | Splice upgrade (d1t7,d3t1) to previous source Splice source: MAC > Cx > DAT > WAV >SHN; Cassette> DAT transfer by J.Powell: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II; DAT> WAV> SHN transfer by C.Ladner: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)> sector boundaries confirmed (shntool) > SHN (mkwact). |
gd1972-09-26.sbd.unknown.sbexx.16755.shnf | |
1972-09-26 | Stanley Theatre |
16755 | SBD > MR > DAT(48kHz) > za2 > CD; See user comments for flaw notes |
gd1972-09-26.136691.sbd.bruno.flac16 | |
1972-09-26 | Stanley Theatre |
136691 | flac16 Soundboard Master-Reel > Reel (1st gen) > DAT (44.1 kHz) |
gd72-09-26.sbd.unknown.156.sbeok.shnf | |
1972-09-26 | Stanley Theatre |
156 | SBD Reel> unknown dat gens> digital noise reduction> 3dat gens> za/2 48-41; for flaws see revised info file; note next night 9/27/72 is available as Dick's Picks 11- go buy it |
gd72-09-26.sbd.wier.19198.sbeok.shnf | |
1972-09-26 | Stanley Theatre |
19198 | Cleaned up disc 3 of previous SBD by Charles Wier; d1 & d2 are unchanged. See text file for details. |
gd72-09-27.sbd.vernon.18106.sbeok.shnf | |
1972-09-27 | Stanley Theatre |
18106 | SBD Reel>Reel>PCM>DAT from "People's Choice tree" via Jeff Blaney, encoded by Matt Vernon |
gd1972-09-28.sbd.bertha.34162.sbeok.shnf | |
1972-09-28 | Stanley Theatre |
34162 | SBD>>MR>>DAT>>CDA>>WAV>>SHN>>FLAC>>DAW(Bertha)>>SHN/CDA - Sound A- UNK.AUD>>CASS>>???>>DAT>>WAV>>FLAC - Sound D Bertha Remaster of the patched master reel source Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com. Completed on December 12, 2004. http://www.deadacated.com/BerthaRemasters.htm |
gd1972-09-28.sbd.bertha.ashley.27584.sbefail.shnf | |
1972-09-28 | Stanley Theatre |
27584 | SBD> MR> DAT> CDA> WAV> SHN> FLAC> DAW (Bertha)> SHN/CDA patched with UNK.AUD> CASS> ???> DAT> WAV> FLAC; Bertha Remaster of shn ID 26933 |
gd1972-09-28.sbd.miller.94268.sbeok.flac16 | |
1972-09-28 | Stanley Theatre |
94268 | flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1972-09-28.110020.sbd.BEAR.gem.flac16 | |
1972-09-28 | Stanley Theatre |
110020 | flac16; Bear's Cassette Copies Nakamichi Dr-1 > Lynx Studio Interface at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1 kHz Transfered and Lightly Mastered by Jamie Waddell |
gd1972-09-28.136692.sbd.sirmick.flac16 | |
1972-09-28 | Stanley Theatre |
136692 | flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1k) |
gd1972-09-28.sbd.lai.157.sbeok.shnf | |
1972-09-28 | Stanley Theatre |
157 | set 2; master reel> pcm> dat> cdr; via M. Lai; note previous night 9/27/72 is available as Dick's Picks 11- go buy it |
gd1972-09-28.aud.berger.99843.sbeok.flac16 | |
1972-09-28 | Stanley Theatre |
99843 | flac16; source: aud; lineage: aud>?>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac |
gd72-09-28.sbd.bill.12657.sbeok.shnf | |
1972-09-28 | Stanley Theatre |
12657 | SBD (probably sbd>mr>dat>cdr) Seeded by Bill from Monterey to clone.etree.org 9/02 any setlist help send to nick@burgis.org |
gd72-09-28.sbd-patched.chrisl.26933.sbeok.flacf | |
1972-09-28 | Stanley Theatre |
26933 | flac16; Primary Source: SBD> MR> DAT> CDR> WAV> SHN; patches and missing track from Unknown audience > C > ? > DAT >WAV > FLAC (level 8); AUD material courtesy Uli Teute via Jim Powell; via Chris Ladner? |
gd1972-09-30.sbd.clugston.8184.sbeok.shnf | |
1972-09-30 | American University |
8184 | Master 7" Soundboard Reels @ 7 1/2 ips > Cassette > DAT> CDR; CD Mastering by Scott Clugston; EAC'ed / SHN'ed by Scott Clugston to abgd via Wyatt Earp |
gd72-09-30.sbd.unknown.5681.sbeok.shnf | |
1972-09-30 | American University |
5681 | SB> MR> Cassette> DAT> CD; except OMSN SB> MR>cass(2)> DAT> CD; CD> cleanup> SHN; see info file for fixes and flaw notes; via Matt Vernon |
gd1972-10-02.sbd.gans.miller.112864.flac16 | |
1972-10-02 | Springfield Civic Center |
112864 | flac16; Recording Info:SBD -> Master Reel -> Dat -> Data DVD; Transfer Info: Data DVD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd72-10-02.sbd.lai.158.sbefail.shnf | |
1972-10-02 | Springfield Civic Center |
158 | master reel sdb> cass> dat> cdr; via M. Lai; listeners report hiss level sounds closer to 2 cass gens |
gd1972-10-09.sbd.130494.MrBill.flac16 | |
1972-10-09 | Winterland Arena |
130494 | flac16; Recording Info: SBD > MR > C > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC |
gd72-10-09.sbd.vernon.5249.sbeok.shnf | |
1972-10-09 | Winterland Arena |
5249 | SBD > MR > C > DAT > CDR; EAC > Cool Edit (remove some pops, see info file) > SHN (seekable); SHN Conversion by Matt Vernon from Paul B. seed discs |
gd72-10-17.sbd.sacks.2219.sbeok.shnf | |
1972-10-17 | Fox Theatre |
2219 | MSR> C> DATs> CDRs> EAC> SHN; via Darrin Sacks, from Jack Warner's seed; previously uncirculated |
gd1972-10-18.3393.sbd.lai.shnf | |
1972-10-18 | Fox Theater |
3393 | MR> Cass> DAT> CD; via Mike Lai with thanks to Lu Khachigian II |
gd1972-10-18.sbd.matera.123571.sbeok.flac16 | |
1972-10-18 | Fox Theatre |
123571 | flac16; Unknown SBD source (probably shnid 7295) CD > wav > cool edit 2000 > flac |
gd72-10-18.sbd.weir.7295.sbeok.shnf | |
1972-10-18 | Fox Theatre |
7295 | SBD > MR > Cass > DAT > CDR; see flaw notes in info file; Note- d2 fix now circulates via Charles Weir; See info file for details |
gd1972-10-18.132378.sbd.miller.flac16 | |
1972-10-18 | Fox Theatre |
132378 | flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1972-10-18.139725.sbd.miller.sirmick.remaster.flac16 | |
1972-10-18 | Fox Theatre |
139725 | flac16; Recording Info: SBD > Master Reel > Dat; Transfer Info: Dat > Samplitude Professional v10.22 > FLAC; All Transfers and Mastering By Charlie Miller; edited and remastered SIRMick November 2017 |
gd72-10-19.sbd.des.4506.sbeok.shnf | |
1972-10-19 | Fox Theatre |
4506 | SBD > MR > Cass > DAT > CDR; via DES; cuts into Promised |
gd1972-10-21.set2-partial.sbd.rbbert.fix-94410.94453.flac16 | |
1972-10-21 | Vanderbilt University |
94453 | flac16; SBD -> Master Reel -> Dat -> CD -> -> Samplitude Professional v10.1 -> FLAC -> Remastering -> FLAC; remastered version of the Charlie Miller seed |
gd1972-10-21.set2-partial.sbd.miller.94409.sbeok.flac16 | |
1972-10-21 | Vanderbilt University |
94409 | flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1972-10-21.122342.sbd-pset2.rbbert.dan-fix.flac16 | |
1972-10-21 | Vanderbilt University |
122342 | flac16; SBD -> Master Reel -> Dat -> CD -> DC8; Reworked version of shnID 94453 |
gd1972-10-21.122383.sbd-pset2.nr.rbbert.dan-fix.flac16 | |
1972-10-21 | Vanderbilt University |
122383 | flac16; SBD -> Master Reel -> Dat -> CD -> DC8; this version uses noise reduction; see info file for details |
gd72-10-23.aud.cotsman.10914.sbeok.shnf | |
1972-10-23 | Milwaukee Performing Arts Center |
10914 | AUD>MR>?>D>CD; See info file for 'warning'; via Paul Hartman; seeded to etree by J. Cotsman |
gd1972-10-23.sonyecm250.unknown.miller.98958.sbeok.flac16 | |
1972-10-23 | Performing Arts Center |
98958 | flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-124/BASF Normal Bias 120 Min Tapes); Transfer Info: Cassette Master (Nakamichi Dragon) -> Dat -> CD; Mastering Info:CD -> Samplitude Professional v10.2 -> Adobe Audition v1.5 -> FLAC; All Mastering By Charlie Miller |
gd1972-10-24.sonyecm250.unknown.miller.97614.sbeok.flac16 | |
1972-10-24 | Performing Arts Center |
97614 | flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-153/BASF Normal Bias 120 Min Tapes) Transfer Info: Cassette Master (Nakamichi Dragon) -> Dat -> CD Mastering Info: CD -> Samplitude Professional v10.2 -> Adobe Audition v1.5 -> FLAC; All Mastering By Charlie Miller |
gd1972-10-24.sbd.gems.105842.flac16 | |
1972-10-24 | Milwaukee Performing Arts Center |
105842 | flac16; A Dick Latvala SBD DAT Transfer is Apogee DAT > Tascam DA-20 > s/pdif > Lynx2 Studio Reference Interface > Wavelab 6.01 at 16 BIT 48Khz Weiss-Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz Tracked in CDWAV Tag&Rename for Meta_Data TLH for FLAC Level 8 by Patrick White |
gd1972-10-24.sbd.miller.106018.flac16 | |
1972-10-24 | Milwaukee Performing Arts Center |
106018 | flac16; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd72-10-24.pset2-sbd.hamilton.159.sbeok.shnf | |
1972-10-24 | Milwaukee Performing Arts Center |
159 | Set 2, Truckin' through Johnny B. Goode; MR > 1 cass. > DAT > CDR 2x; DAE/.shn conversion by G. Hamilton |
gd1972-10-26.sbd.miller.32717.sbeok.flac16 | |
1972-10-26 | Music Hall |
32717 | flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller |
gd1972-10-26.sbd-set2.clugston.3117.shnf | |
1972-10-26 | Music Hall |
3117 | set 2; Master Soundboard Reel > Cassette > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston; reported best circulating copy as of 2/01 |
gd72-10-26.sbd.miller.15113.sbeok.shnf | |
1972-10-26 | Cincinnati Music Hall |
15113 | SBD -> Rm -> Cass -> Cass -> Dat -> Samplitude -> SHN (1 Disc SHN / 2 Discs Audio); Seeded to etree by Charlie Miller |
gd72-10-27.sbd-aud.cotsman.10286.sbeok.shnf | |
1972-10-27 | Veterans' Memorial Hall |
10286 | Set 1: SBD>?>C>SHN; Set 2: AUD>MR>C>D>CD; See info file for 'warning'; via Paul Hartman, Chris Masciangelo; Seeded to etree by J. Cotsman |
gd72-10-27.sbd-aud.cousinit.19630.sbeok.shnf | |
1972-10-27 | Veterans' Memorial Hall |
19630 | Sources: SBD(a) Source: MSR>R>C>DAT>WAV>SHN SBD(b) Source: MSR>Many Gens??>C>DAT>WAV>SHN AUD Source: MAR>C>D>CD>EAC>SHN SBD conversions by Cousinit AUD portion from previously circulating shn set from Paul Hartman edited/encoded by J. Cotsman |
gd72-10-27.set1-sbd.hanno.18849.sbeok.shnf | |
1972-10-27 | Veterans' Memorial Hall |
18849 | SBD C/? upgrade of first set; via Hanno Bunjes and Uli Teute |
gd72-10-28.sbd.ashley-bertha.20405.sbeok.shnf | |
1972-10-28 | Cleveland Public Hall |
20405 | Bertha Remaster of the Master Cassette source SBD>>MC>>DAT>>CDA>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B Ampex C-90 cassette master |
gd1972-10-28.sbd.partial.11653.shnf | |
1972-10-28 | Cleveland Public Hall |
11653 | Partial; 2 songs; See info file for details; SBD>MR>D>Sonic Solutions>CD |
gd72-10-28.sbd.cotsman.20301.sbeok.shnf | |
1972-10-28 | Cleveland Public Hall |
20301 | Complete SBD>MC>D>CD>EAC>SHN Ampex C-90 cassette master via King Bee and Andy Lemieux, encoding etc. by Cotsman |
gd1972-10-28.sbd.finney.160.shnf | |
1972-10-28 | Cleveland Public Hall |
160 | filler on Seastones disc; Dark Star/Philo Stomp; via D. Finney |
gd72-10-30.aud.cotsman.10915.sbeok.shnf | |
1972-10-30 | Ford Auditorium |
10915 | AUD>MR>C>C>C>D>CD; via John Steinhaus; Seeded to etree by J. Cotsman |
gd72-11-12.sbd.cotsman.9771.sbeok.shnf | |
1972-11-12 | Soldiers' and Sailors' Memorial Hall |
9771 | SBD>MC>C>D>CD; This recording has 'mix problems'; See info file for details; via Mark Sweeney; Seeded to etree by J. Cotsman |
gd1972-11-13.aud.owsley.gems.105812.flac16 | |
1972-11-13 | Soldiers and Sailors Memorial Hall |
105812 | flac16; Dick's copy of Owsley's AUD; Transfer is Apogeee DAT > Tascan DA-20 > s/pdif > Lynx2 Studio Reference Interface > Wavelab 6.01 at 16 BIT 48Khz Weiss-Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz TLH Flac Level 8 Tag & Rename for Meta-Data SBE FREE |
gd1972-11-13.aud.cotsman.7518.sbefail.shnf | |
1972-11-13 | Soldier's And Sailors Memorial Hall |
7518 | partial; AUD> MR> C> D> CD> EAC> SHN; via J. Cotsman, with thanks to Jeff Cook; see notes in info file |
gd72-11-13.aud.hanno.10089.sbeok.shnf | |
1972-11-13 | Soldiers and Sailors Memorial Hall |
10089 | master #1: AUD MR>C>D>CD recorded by Bear (//Playing through Casey Jones// is all that circulates from this source) master #2: low generation AUD (supplies the rest of the show); via Uli and Julian; Seeded to etree by Hanno B |
gd72-11-13.aud.vernon.17416.sbeok.shnf | |
1972-11-13 | Soldiers and Sailors Memorial Hall |
17416 | AUD(unknown mics) > C(x3) > Nak > Fostex D5 A/D @ 44.1 > CD by Kevin Weil, encoded by Matt Vernon. Note this aud will appeal chiefly to completists and audience tape collectors. It is almost complete except for tape flips and includes more between song banter/crowd than the other sources already circulating. |
gd1972-11-14.sbd.cotsman.11615.shnf | |
1972-11-14 | Oklahoma City Music Hall |
11615 | SBD>MC>C>D>CD>EAC>SHN (?); May be a MC; See info file for details and flaw notes; via Jeff Cook, Matt Vernon, & Raoul Duke; Seeded to etree by J. Cotsman |
gd72-11-14.sbd.miller.22024.sbeok.shnf | |
1972-11-14 | Oklahoma City Music Hall |
22024 | Recording Info: Source One: SBD -> Master Reel -> Cassette x 3 -> Dat (d1t01 -> d2t09) Source Two: SBD -> Master Reel -> Cassette -> Dat (d2t10 -> d3t07) Transfer Info: Dat (Sony R500) -> M-Audio Dio 2448 -> Samplitude v6.0 -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers By Charlie Miller charliemiller87@earthlink.net 1/30/04 Notes: --I forgot to make shn's off of my Dats which is why I had to use EAC. --This is a new conversion since the last one was missing GSET. |
gd1972-11-15.sbd.set2.miller.91760.sbeok.flac16 | |
1972-11-15 | Oklahoma City Music Hall |
91760 | flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller |
gd1972-11-15.sbd.miller.110631.flac16 | |
1972-11-15 | Civic Center Music Hall |
110631 | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1972-11-15.112616.sbd.bertha.dvda | |
1972-11-15 | Oklahoma City Music Hall |
112616 | DVD Audio; Video Format-Audio Only: Bertha Remaster of the Master Reel source; SBD>>MR>>DAT>>WAV>>FLAC>>DAW(Bertha)>>Audio DVD; audio only - no video |
gd72-11-15.psbd.cotsman.10916.sbeok.shnf | |
1972-11-15 | Oklahoma City Music Hall |
10916 | Partial; SBD>MR>C>C>C>D>CD; Pitch corrected; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon & J. Cotsman |
gd1972-11-17.sbd.lai.1185.shnf | |
1972-11-17 | Century II Convention Hall |
1185 | sdb> reel master> cassette> dat> cdr; via Mike Lai; note Jeff Tiedrich reports this is more likely MR> C> C> DAT |
gd72-11-17.sbd.warner.15982.sbeok.shnf | |
1972-11-17 | Century II Convention Hall |
15982 | Master Soundboard Reel > Cassette > DAT > CR > EAC > WAV > SHN; with patches Master Audience Cassette > ? > Cassette > CD; Upgrade to existing SHN copy |
gd1972-11-18.123077.sbd.miller.flac16 | |
1972-11-18 | Hofheinz Pavilion |
123077 | flac16; Set 2 Recording Info: SBD -> Master Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1972-11-18.sbd-set2.lai.9182.shnf | |
1972-11-18 | Hofheinz Pavilion - University of Houston |
9182 | set 2 (listed as d2,d3); Owsley MC> ?> D> CD; via Mike Lai with thanks to Wayne Gucwa |
gd72-11-18.set2-sbd.cotsman.9002.sbeok.shnf | |
1972-11-18 | Hofheinz Pavilion |
9002 | 2nd set only; SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to John Steinhaus |
gd1972-11-19.sbd.lai.3910.sbefail.shnf | |
1972-11-19 | Hofheinz Pavilion - University of Houston |
3910 | SBD; sound adjustments during Bertha, minor digi-noise at the end of Jack Straw; Transferred and seeded to etree by Mike Lai, from Bruce Fried DAT |
gd1972-11-19.142329.sbd.dalton.miller.sirmick.fixed.flac1644 | |
1972-11-19 | Hofheinz Pavilion |
142329 | flac16; Source: SBD > Master Reel > 1st Gen Reel > DAT (44.1k) - Provided by Tim Dalton; Lineage: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac16; edited and mastered SIRMick June 2018; the original version of this source was missing s2t13 |
gd1972-11-19.123578.sbd.gans-miller.flac16 | |
1972-11-19 | Hofheinz Pavilion |
123578 | flac16; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; This is a cleaned up version of source ID 122783 |
gd1972-11-19.132969.sbd.menke-lee-smith.flac16 | |
1972-11-19 | Hofheinz Pavilion |
132969 | flac16; Recording Info: SBD > Master Reel > Revox A77(Menke) > A77(Pat Lee) > Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC |
gd1972-11-19.132970.sbd.menke-lee-smith.flac24 | |
1972-11-19 | Hofheinz Pavilion |
132970 | flac24; Recording Info: SBD > Master Reel > Revox A77(Menke) > A77(Pat Lee) > Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC |
gd72-11-19.sbd.winters.17705.sbeok.shnf | |
1972-11-19 | Hofheinz Pavilion |
17705 | Source: SBD>MR>Reel>Reel>DAT>CD>EAC>WAV>CoolEdit2000>SHN (Note that there is speculation that this source may contain only one reel generation.) Cool Edit 200 was used to correct various flaws from previously circulating versions. |
gd1972-11-19.122783.sbd.miller-gans.flac16 | |
1972-11-19 | Hofheinz Pavilion |
122783 | flac16; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; Upgrade in circulation |
gd1972-11-19.122784.sbd.miller-gans.flac24 | |
1972-11-19 | Hofheinz Pavilion |
122784 | flac24; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; Upgrade in circulation |
gd1972-11-22.141188.sbd.menke.lee.smith.miller.clugston.flac1644 | |
1972-11-22 | Austin Municipal Auditorium |
141188 | flac16; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels (dolby b decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1972-11-22.141189.sbd.menke.lee.smith.miller.clugston.flac2496 | |
1972-11-22 | Austin Municipal Auditorium |
141189 | flac24; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels (dolby b decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 |
gd1972-11-22.115730.sbd.miller.flac16 | |
1972-11-22 | Austin Municipal Auditorium |
115730 | flac16; Recording Info: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd72-11-22.sbd.lai.4081.sbeok.shnf | |
1972-11-22 | Austin Municipal Auditorium |
4081 | sdb> master reel> dat> cdr; via Mike Lai from Bruce Fried DAT; missing Promised; d2 tracked for 80 min |
gd1972-11-22.sbd.fixed.miller.115765.flac16 | |
1972-11-22 | Austin Municipal Auditorium |
115765 | flac16; Recording Info: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC. fix of shnid 115730 |
gd1972-11-24.141266.sbd.menke.lee.smith.miller.clugston.flac1644 | |
1972-11-24 | Dallas Memorial Auditorium |
141266 | flac16; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels @ 3.75 ips (dolby decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1972-11-24.141267.sbd.menke.lee.smith.miller.clugston.flac2496 | |
1972-11-24 | Dallas Memorial Auditorium |
141267 | flac24; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels @ 3.75 ips (dolby decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 |
gd72-11-24.sbd.gardner.5288.sbeok.shnf | |
1972-11-24 | Dallas Memorial Auditorium |
5288 | SBD> MR> DAT> CDR> EAC> SHN; tracked for 2x80; splice in China Cat; seeded by Tony Gardner, from Paul B. discs |
gd1972-11-26.152827.sbd-remaster.acetboy.flac1644 | |
1972-11-26 | San Antonio Civic Auditorium |
152827 | flac16/44 a remaster of shn #9248 with short patches from shn #123022 by acetboy 2021-07-07 |
gd1972-11-26.123022.sbd.flac | |
1972-11-26 | San Antonio Civic Auditorium |
123022 | flac16; Unknown SBD version of Dark Star > Bobby McGee; this alternate version has no cut in Dark Star, but is slightly hissier than the previous version |
gd72-11-26.sbd.cotsman.9248.sbeok.shnf | |
1972-11-26 | San Antonio Civic Auditorium |
9248 | SBD> MR> (set 1 ?; set 2 C)> D> CD> EAC>SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Paul B. |