Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd72-01-02.sbd.eD.8709.sbeok.shnf
1972-01-02Winterland Arena
8709updated lineage: SBD> Reel Master> Reel> CD> Sonic Solutions Workstation> CD; via Charlie Miller; Seeded to etree by eD
gd1972-03-01.152205.OMSNRoughMixes.studio.bershaw.flac16
1972-03-01Alembic Studios
152205flac16/44 Source: Alan Bershaw's low generation cassette (Maxell UDXL2 with Dolby B) Transfer: Maxell UDXL2 with Dolby B (Nakamichi Dragon playback with Dolby B) > Lexicon Lambda > Logic 1644.1 (tracking only) > wav > xAct (sbe correction) > FLAC
gd72-03-05.aud.miller.20704.sbeok.shnf
1972-03-05Winterland Arena
20704AUD -> ? -> Reel (Mono) -> DAT -> WAV -> SHN Taper, mic, and deck unkown. Analog > DAT by Neil Sturtevant. DAT > SHN & final edits by Charlie Miller. Added to etree by Noah Weiner
gd72-03-05.sbd.miller.20739.sbeok.shnf
1972-03-05Winterland Arena
20739SBD -> ?m -> Cass -> Cass -> Cass -> Cass -> Dat -> SHN Patched w/AUD -> ? -> Reel (Mono) -> Dat -> Samplitude -> SHN via Charlie Miller; upgrade now in circulation
gd1972-03-05.sbd.miller.103282.flac16
1972-03-05Winterland Arena
103282flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1972-03-05.sbd.jools.12152.sbeok.shnf
1972-03-05Winterland Arena
12152Partial 1st set and complete 2nd set; See info file for details and 'cuts'; sbd>cass>cass>cass>dat>cd; Seeded to etree by Jools
gd1972-03-21.136670.sbd.sirmick.flac16
1972-03-21Academy Of Music
136670flac16; Source: sbd > cassette master > dat(48k)
gd1972-03-21.sbd.miller.92395.sbeok.flac16
1972-03-21Academy of Music
92395flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat/0 (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
gd72-03-21.sbd-disk1.samaritano.15041.sbeok.shnf
1972-03-21Academy of Music
15041Master Soundboard Reel (2 track)->Dat->Dat-> Sonic Solutions->CD->EAC->SHN CD->EAC->SHN Done By Joe Samaritano; samaritano@adelphia.net, 2/5/03
gd72-03-21.sbd.vernon.9331.sbeok.shnf
1972-03-21Academy of Music
9331Set 2; SBD>MR>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon
gd1972-03-21.set2-sbd.Samaritano.32370.sbeok.flac16
1972-03-21Academy of Music
32370flac16; Master Soundboard Reel (2 track)->Dat->Dat-> Sonic Solutions->CD EAC, Re-track, and FLAC by Joe Samaritano
gd1972-03-22.132726.sbd.miller.flac16
1972-03-22Academy of Music
132726flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1972-03-22.136682.sbd.sirmick.flac1648
1972-03-22Academy of Music
136682flac16; Source: sbd > master reel > dat (48k)
gd72-03-22.aud.partial.19142.sbeok.shnf
1972-03-22Academy of Music
19142Partial Audience Recording via David Hollister. Lineage: A:?>Cass>Reel>CD>EAC>SHN
gd1972-03-23.136683.sbd.sirmick.flac1648
1972-03-23Academy of Music
136683flac16; Source: sbd > master reel > dat (48k)
gd1972-03-23.sbd.miller.bertha.100298.dvda
1972-03-23Academy of Music
100298DVD-VA: (Video Audio) Bertha Remaster of the Master Reel source: SBD>>MR>>DAT>>FLAC>>DAW(Bertha)>>Audio DVD; audio only - no video
gd72-03-23.sbd.goodbear.137.sbefail.shnf
1972-03-23Academy of Music
137set II; Gans Betty; Source: ?>Jim Wise BBD (Betty Board)> Gans CD> Goodbear's Gans CD clone> SHN; via Teddy Goodbear to abgd, ~10/16; etreed ~10/29; more info; note slight buzz & a touch of hiss
gd1972-03-23.sbd.miller.100000.sbeok.flac16
1972-03-23Academy of Music
100000flac16;Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info:Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1972-03-23.sbd.cantor-gans.field.20676.shnf
1972-03-23Academy of Music
20676Lineage: Betty Board > Gans CD > CD > DAE > SHN SBEs fixed and seeking added with SHNTool. New MD5 generated with MD5Sum. By Gary Field (dark_hollow@comcast.net). No other changes made.
gd1972-03-25.137695.s1partial.lee.hance.sirmick.sbeok.flac16
1972-03-25Academy of Music
137695flac16; Source: Audience recording > Sony S95 > Sony TC-124S > cassette Maxell UDXLII (1st gen); Recorded by Ken and Judy Lee; Transfer: cassette > Tascam 112MKII (No Dolby) > Korg MR 2000S DFF DSD @ 5.6 MHz > Audiogate > wave @ 24/88.2; Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac16; edited and mastered SIRMick
gd1972-03-25.137696.s1partial.lee.hance.sirmick.sbeok.flac24
1972-03-25Academy of Music
137696flac24; Source: Audience recording > Sony S95 > Sony TC-124S > cassette Maxell UDXLII (1st gen); Recorded by Ken and Judy Lee; Transfer: cassette > Tascam 112MKII (No Dolby) > Korg MR 2000S DFF DSD @ 5.6 MHz > Audiogate > wave @ 24/88.2; Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick
gd1972-03-25.136684.sbd.sirmick.flac1648
1972-03-25Academy of Music
136684flac16; Source: sbd > master reel > dat (48k)
gd72-03-25.aud.hanno.8838.sbeok.shnf
1972-03-25Academy of Music
8838AUD composite- see notes in info file; via Hanno Bunjes, with thanks to Uli Teute
gd1972-03-25.133592.sbd.miller.flac1644
1972-03-25Academy of Music
133592flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller
gd1972-03-25.133593.sbd.miller.flac1648
1972-03-25Academy of Music
133593flac16/48kHz; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
gd1972-03-25.aud.hanno.horner.22094.sbeok.shnf
1972-03-25Academy of Music
22094Multiple Sources -- see info file, same as shn ID 8838, but SBE's in d1t11, d1t14, and d2t10 fixed with shntool and new md5's generated
gd1972-03-26.136689.sbd.sirmick.flac1648
1972-03-26Academy of Music
136689flac16/48kHz; Source: sbd > master reel > dat (48k)
gd72-03-26.aud.hanno.15413.sbeok.shnf
1972-03-26Academy of Music
15413AUD C/3 > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes
gd1972-03-27.135871.sbd.miller.flac48
1972-03-27Academy of Music
135871flac16/48kHz; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
gd72-03-27.aud.hanno.15816.sbeok.shnf
1972-03-27Academy of Music
15816AUD C/? > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes
gd1972-03-27.132366.sbd.miller.flac16
1972-03-27Academy of Music
132366flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1972-03-28.132729.sbd.miller.flac16
1972-03-28Academy of Music
132729flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd72-03-28.aud.hanno.15414.sbeok.shnf
1972-03-28Academy of Music
15414AUD C/5 > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes
gd1972-03-28.aud.teute-bunjes.sirmick.24536.shnf
1972-03-28Academy of Music
24536source: aud C/5 > soundforge > cdr > shn > wav > shn You might wonder why I would bother to remaster this show since the sound on it is so bad. Well firstly, I like a challenge, secondly I had the time but most of all, it's a great show. This recording had serious deficiencies as can be seen from the original notes below. It is now listenable for most of the show but problems remain. Purists will probably not like the way that I have re-mastered this but needs must!
gd72-04-07.aud.sirmick.31329.sbeok.flacf
1972-04-07Wembley Empire Pool
31329flac16; source: mac (2 sources) > c > cdr + M? > low-gen reel > cdr > ??? > wav > shn > wav > flac; remaster of shnid 6161 by SIRMick
gd72-04-07.aud.hanno.6161.sbeok.shnf
1972-04-07Wembley Empire Pool
61612 AUD sources: MR> C> CDR + M?> low-gen reel> CDR (see info file); mastered by Hanno Bunjes from compilation tape by Uli Teute; Hanno's notes
gd72-04-08.sbd.giles-jeffm.2534.sbeok.shnf
1972-04-08Wembley Empire Pool
2534SBD> MR (16 track)> DAT> [Disc 3 only: SS]> Sound Forge 4.5>CDR; remastering by Bill Giles, with disc 3 work by David Gans; EAC> SHN by Jeff M.; see detailed notes in info file
gd1972-04-08.sbd.hamilton.2185.sbeok.shnf
1972-04-08Wembley Empire Pool
2185SBD; Discs 1 and 2: MR > DAT > CD > EAC > SHN; Disc 3: MR > DAT > Sonic Solutions > CD > EAC > SHN; Extraction, retracking of discs 1 and 2, and SHN encoding by G.S. Hamilton, from Seth Kaplan's copy; d3 is identical to previously circulated shn; note 1/01: cleaned version of this now in shn
gd1972-04-08.sbd.miller.83714.sbeok.flac16
1972-04-08Wembley Empire Pool
83714flac16; Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
gd1972-04-08.sbd.pset2.koucky.83143.flac16
1972-04-08Wembley Empire Pool
83143flac16; partial Set 2, SBD Reels > DAT ? Transfer: Panasonic SV-3700 > M-Audio 2496 > Wavelab 5.0 (L3 multimaximizer, crossfades) > CD WAVE > FLAC Transfers, Remastering February 24, 2007 by Bill Koucky
gd72-04-11.sbd.giles.12186.sbeok.shnf
1972-04-11Newcastle City Hall
12186remastered by Bill Giles - source is SBD MC>D>CD>SoundForge>CD See info file for flaws & Bill's mastering notes
gd1972-04-11.sbd.jackson.smith.94377.sbeok.flac16
1972-04-11Newcastle City Hall
94377flac16; Source: SBD Lineage: MR(recorded by Rex Jackson)>R(JG)>R(WB)>CD transfer info:Maxell UD XL reel tape @ 3 3/4 ips>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring)>LYNX ONE soundcard>Wavelab 5.0(dithered to 20/44)>CD.
gd1972-04-11.sbd.thecore.4640.shnf
1972-04-11Newcastle City Hall
4640SBD> MC> D> CD> SHN; some Soundforge editing; see info file for flaw notes; via thecore
gd72-04-14.sbd.hurwitt.8828.sbeok.shnf
1972-04-14Tivoli Theater
8828SBD>mR>C>D>CD; See info file for various patches; via Jack Warner; Jim Powell; seeded to etree by Greg Hurwitt
gd72-04-14.aud.vernon.23662.sbeok.shnf
1972-04-14Tivoli Theater
23662Aud (unknown mics), Unknown via Dave Minor encoded by Matt Vernon
gd1972-04-14.136980.mtx.dusborne.flac16
1972-04-14Tivoli Theater
136980flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:76006), Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k)Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC; Bert Slany: Speed Correction.flac -> Adobe Audition 1.5 -> pitch/speed correction* -> flac -> TraLiHe -> sbe's fixed; Audience (shnid:23662), Source: Aud (unknown mics) Lineage: Unknown
gd1972-04-14.sbd.ashley-field.34931.sbeok.flac16
1972-04-14Tivolis Koncertsal
34931flac16; SBD > MR (16 Track) > Dat > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a ReSampler (High Quality) > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 34552
gd1972-04-14.sbd.miller-repitched.76006.flac16
1972-04-14Tivolis Koncertsal
76006flac16 This is a pitch/speed fixed version of shn id 34552 The lineage is extended as follows: SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC -> Adobe Audition 1.5 -> pitch/speed correction* -> flac -> TraLiHe -> sbe's fixed
gd1972-04-14.sbd.miller.34552.sbeok.flac16
1972-04-14Tivolis Koncertsal
34552flac16; SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC; Transfers and Mastering By Charlie Miller
gd1972-04-14.sbd.sacks.140.shnf
1972-04-14Tivolis Koncertsal
140MSR> Cass> DATs> CDRs (not the previously circulating FM version); via D. Sacks; note silence track is presumably to mark set break midway through d2; note info file here updated to reflect reel splice d1t8-9; see flaw notes in public comments
gd72-04-16.sbd.pset1.hanno.19861.sbeok.shnf
1972-04-16Stakladen, Aarhus University
19861set 1 from a slightly better sounding cassette source; via Uli Teute and Hanno Bunjes
gd1972-04-16.pset2-sbd.vernon.9196.sbeok.shnf
1972-04-16Aarhus University
9196Partial set 2; SBD>MR>??>CDR; via Raoul Duke; Seeded to etree by Matt Vernon
gd72-04-16.sbd.miller.18103.sbeok.shnf
1972-04-16Stakladen, Aarhus University
18103Set 1: SBD>Rm>?>Cass>Sound Forge>SHN Set 2: SBD>Rm>Dat>Sonic Solutions>CD>EAC>Samplitude>SHN Set 2 Conversion and Editing By Charlie Miller
gd1972-04-16.sbd.schnell-sweeney-cotsman.10528.shnf
1972-04-16Aarhus University
10528Partial set 1 & 2; Mixed SBD sources; SBD>MR>?>C>Sound Forge>SHN; SBD>MR>D>CD>EAC>SHN; See info file for 'caveat'; via Walter Schnell, Mark Sweeney; Seeded to etree by J. Cotsman
gd1972-04-17.136685.sbd.sirmick.flac1648
1972-04-17Tivoli Concert Hall
136685flac16/48kHz; Source: sbd > 14" 16 track Master Reel @15ips > DAT (48k)
gd72-04-17.sbd.vernon.9390.sbeok.shnf
1972-04-17Tivoli Gardens
9390SBD>??>French TV Broadcast>C>DAT>CDR; Several missing tracks, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon
gd1972-04-17.sbd.GEMS.33802.sbeok.flac16
1972-04-17Tivolis Koncertsal
33802flac16; SBD>16 track 2" MR>DAT4x>Delta Dio 2496>Soundforge>WAV>Cd Wave Editor>Flac
gd1972-04-17.sbd.ashley-field.34032.sbeok.flac16
1972-04-17Tivolis Koncertsal
34032flac16; SBD > MR (16Track) > DAT > WAV > CDA > Wav > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); remaster of shn id 33802
gd1972-04-17.sbd.sirmick.34224.flac16
1972-04-17Tivolis Koncertsal
34224flac16; source: sbd > 16 track 2" MR>DAT4x > Delta Dio 2496 > Soundforge > wav > Cd Wave Editor > flac > wav > flac This is a further clean up of shn id 33802, which incorporates those already made on shn id 34302
gd72-04-21.fm.vernon.9380.sbeok.shnf
1972-04-21Beat Club
9380SBD>FM>MR>PCM>DAT>CDR; Including soundcheck, missing 3 songs, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon
gd1972-04-21.116404.sbd.berger.sndchk.flac16
1972-04-21Beat Club
116404Source: SBD -> ? (Remaster of shinid 9380 soundcheck portion). Transfer: CDR>EAC>Adobe Audition 2.0 pitch adjusted +78 cents>CD Wave>FLAC. Seeded by Rob Berger.
gd72-04-24.sbd-aud.cotsman.16332.sbeok.shnf
1972-04-24Rheinhalle
16332source 1: AUD>MR>C>D>CD>EAC>SHN source 2: SBD>??>D>CD>EAC>SHN via Jeff Cook & Chuck Kiefe edits/encoding by JCotsman
gd72-04-26.sbd.vernon.12849.sbeok.shnf
1972-04-26Jahrhundert Halle
12849Source : SBD > ? > CE2K (minor cleanup) > mkwact > SHN(seekable) This is an upgrade to the previous shn set via Matt Vernon
gd1972-04-29.sbd.miller.125888.flac16
1972-04-29Musikhalle
125888flac16; Recording Info: SBD -> Master Reel (14 inch 16 track Master Reels @ 15ips) -> Dat (44.1k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1972-04-29.mtx.sirmick.98401.flac16
1972-04-29Musikhalle
98401flac16; Matrix SBD Source: SBD > MR > ?? > DAT > CDR with Aud Patch Source: MR* > cass > SB Live! > wav > shn > CD-R. shnid 32877 (* believed to be Uher Reel Machine at 4.75 cm/sec) and Aud Source: MR* > 2 reels > cass > SB Live! > wav > shn > CD-R. shnid 5250 (* believed to be Uher Reel Machine at 4.75 cm/sec)
gd72-04-29.aud.vernon.5250.sbeok.shnf
1972-04-29Musikhalle
5250AUD MR (poss. Uher Reel Machine at 4.75 cm/sec)> 2 reels> cass> SB Live!> .wav> .shn> CD-R; EAC > SHN (seekable) by Matt Vernon from eurodead.net seed disks
gd72-04-29.matrix.vernon.17025.sbeok.shnf
1972-04-29Musikhalle
17025SBD/AUD Matrix of the Set 2 Jam via Matt Vernon from etree aud and sbd sources
gd72-04-29.sbd.vernon.17026.sbeok.shnf
1972-04-29Musikhalle
17026SBD>MR>??>DAT>CDR via Raoul Duke. Pitched and patched with etree audience source and shn encoded by Matt Vernon.
gd1972-04-29.141886.aud.wolsander.dalton.miller.sirmick.flac1644
1972-04-29Musikhalle
141886flac16; Source: Unknown mics > Uher 4400 > Master Reel > PCM > DAT (44.1k) - Taped by Wolsander* and provided by Tim Dalton; Tansfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick May 2018
gd1972-04-29.126010.mtx.dusborne.flac16
1972-04-29Musikhalle
126010flac16; 2 Source Matrix by dusborne; Soundboard (shinid:125888) Recording Info: SBD -> Master Reel (14 inch 16 track Master Reels @ 15ips) -> Dat (44.1k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; and Audience (shinid:5250) Source: MR*> 2 reels> cass>SB Live!>.wav>.shn>CD-R. seed disks provided by eurodead.net; SHN Conversion by mvernon54@home.com
gd1972-04-29.sbd.cousinit.18523.sbeok.shnf
1972-04-29Musikhalle
18523SBD Source: MSR*>R>R>C>DAT>WAV>SHN (* Possibly Monitor Board See Notes Below); AUD Patch Source: MR*>cass>SB Live!>.wav>.shn>CD-R. (* Believed to be Uher Reel Machine at 4.75 cm/sec); AUD seed disks provided by eurodead.net; SBD seed by Cousinit; SBD C>SHN Conversion by Cousinit; AUD SHN Conversion by mvernon54@home.com
gd1972-04-29.sbd.sirmick.32877.sbeok.flac16
1972-04-29Musikhalle
32877This is a remaster of shnid 17026 by Sir Mick
gd1972-05-03.139539.sbd.16.track.reels.miller.clugston.flac16
1972-05-03Olympia Theater
139539flac16; Recording Info: SBD -> 16 Track Master Reels (purportedly Healy's rough mix)-> DAT; Transfer Info: DAT(Sony R500)-> Tascam DA-3000-> Adobe Audition 3.0-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston
gd72-05-03.sbd.masse.142.sbeok.shnf
1972-05-03Olympia Theater
142SBD > multitrack 2" MR > rough mix by J. Norman/D. Latvala> DAT > CDR > EAC > shn;?? Extraction, shortening, and uploading by Mike Masse; note "honeymoon theft" source: China-Rider, Jed spliced in from E72 album (they were snipped from master reel)
gd72-05-03.sbd.samaritano.21923.sbeok.shnf
1972-05-03Olympia Theater
21923Soundboard> Master Reel (multi-track)> DAT x 5. DAT> ZA2> .wav> mkw> SHN. DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano; note: channel problems fixed by Joe in reseed- get that version instead
gd1972-05-03.sbd.masse.6453.sbeok.shnf
1972-05-03L'Olympia
6453possible reDAE/reshn by unIDed person of previous shn set- md5s do not match; same info file with added note; noted at gdlive
gd1972-05-03.sbd.samaritano.29082.sbeok.flac16
1972-05-03L'Olympia
29082flac16; fixed fly away channel problem on SHNid=21923. Soundboard->Master Reel (multi-track)->DAT x 5. DAT->Audiophile 2496->Samplitude v7.02 Professional->FLAC. Transfer and FLAC by Joe Samaritano
gd1972-05-04.152824.sbd.miller.sbeok.t-flac24
1972-05-04Olympia Theater
152824FLAC 2496 Recording Info: SBD -> (16 Track) Master Reel -> Dat
Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
gd72-05-04.sbd.hamilton.143.sbeok.shnf
1972-05-04Olympia Theater
143SBD > reel > DAT > CDR; via J. Serafin, C. Gannon; extraction, .shn by G.S. Hamilton; note d1t12 1:33-1:43 digi-noise; Casey Jones beginning cut (on master?)
gd1972-05-04.141434.partial.sbd.betty.lubar.dalton.miller.sirmick.flac1644
1972-05-04Olympia Theater
141434flac16; Source: sbd cassette master > pcm (Sony L-750ESX-HFB beta tape) - Recorded by Betty Cantor. From the collection Of Tim Dalton and given to him by Harvey Lubar; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav >Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick March 2017
gd1972-05-04.sbd.miller.77294.sbeok.flac16
1972-05-04L'Olympia
77294flac16; SBD -> (16 Track) Master Reel -> Dat All Transfers and Mastering By Charlie Miller
gd1972-05-04.sbd.set1.samaritano.20562.sbeok.shnf
1972-05-04L'Olympia
20562*Set 1 Only* Soundboard->Master Reel->PCM->DAT x ?; DAT->ZA2->Soundforge->.wav->mkw->SHN. Includes in between song tuning and banter that other sources have edited out. DAT seed, transfer, and SHN by Joe Samaritano.
gd72-05-07.sbd-aud.clugston.9193.sbeok.shnf
1972-05-07Bickershaw Festival
9193Discs 1 & 2 are a compilation of multiple Audience sources; Discs 3 & 4 are supplied from a Master Soundboard Reel > DAT source; There is a 5th disc which contains the NRPS set; Seeded by Scott Clugston
gd1972-05-07.133598.sbd.set1.miller.flac16
1972-05-07Bickershaw Festival
133598flac16/48kHz; Set 1 Recording Info: SBD -> Master Reel (10 inch - 1/2 track) -> Dat/48k; Transfer Info: Dat -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
gd1972-05-07.155550.aud.sirmick.flac16
1972-05-07Bickershaw Festival
155550flac16 This has been compiled from three different sources but I only know one of the tapers. The two unknown sources have been used for Set I and Simon Phillips' master for the whole of Set II edited and mastered SIRMick February 2022
gd1972-05-07.140896.sbd.2p.betty.pcm.dalton.miller.clugston.flac1644
1972-05-07Bickershaw Festival
140896flac16; Partial Set 2 Source Info: Betty's Master Soundboard Reel > PCM > PCM (14-bit)(Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd72-05-10.sbd.kaplan.1582.sbeok.shnf
1972-05-10Concertgebouw
1582S:MR > Cassette > DAT > CDR > SHN; Extraction and SHN encoding by Seth Kaplan; upload by Greg Hamilton; known flaw: Bertha fades in
gd1972-05-11.sbd.giles.3830.shnf
1972-05-11Rotterdam Civic Hall
3830d1,2: SBD> MR> C> DAT> CDR> EAC> SHN; d3,4: SBD> MR> ??> FM> ??> CDR> editing> CDR> EAC> SHN; via Tony Gardner with thanks to Paul B.; Remastered by Bill Giles (see info file for his comments)
gd72-05-11.sbd.ashley-bertha.7364.sbefail.shnf
1972-05-11Rotterdam Civic Hall
7364Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>SHN
gd72-05-11.sbd.samaritano.9357.sbeok.shnf
1972-05-11Rotterdam Civic Hall
935710" MR@7.5ips->DAT>CDR; Note This seed does not have the splice in IKYR and it includes OMSN. Shn'ed & uploaded to fungus by Joe Samaritano 12/29/01; Seeded to abgd via Charlie Connor 01/02.
gd72-05-13.psbd.miller.21725.sbeok.shnf
1972-05-13Lille Fairgrounds
21725SBD -> Rm -> Dat -> CD -> EAC -> SHN (1 Disc Audio / 1 Disc SHN); Converted To SHN BY Charlie Miller
gd72-05-13.sbd.ladner.3457.sbeok.shnf
1972-05-13Lille Fairgrounds
3457sbd > mr > cass > dat > cda > eac > shn v3; via Chris Ladner to vine and etree; encore missing
gd1972-05-16.141754.fm.set1.dalton.miller.clugston.flac1644
1972-05-16Theatre Hall
141754flac16; Set 1 Source Info: Radio Luxembourg FM Broadcast > 1st generation Reel > PCM > Dat (16 bit/44.1 kHz); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 > dBpoweramp > Adobe Audition 3.0 > TLH flac16
gd1972-05-16.sbd.23825.sbeok.shnf
1972-05-16Theatre Hall
23825Source: SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN Apparently, d1t06 is from etree seed 7089 and the rest of the show is from 10353. Seeded to Etree via Tol.
gd72-05-16.sbd.unknown.10353.sbeok.shnf
1972-05-16Radio Luxembourg
10353Shntool fix of previous sbd/reel source; SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN
gd1972-05-16.sbd.brown.77980.flac16
1972-05-16Theatre Hall
77980flac16; CD "Dead de luxe", Live in Luxembourg "European Bootleg" Source: Soundboard Transfer: CDR>EAC>Wave>Flac Frontend (Level 6)>Flac16 Transfered by: Scott Brown
gd1972-05-16.sbd.unknown.7089.sbefail.shnf
1972-05-16Theatre Hall
7089SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN; Initial DAT Transfer via Panasonic 3700 DAT-> Tascam 122mkII (MX-S Cassette)-> Fostex D5-> Sony 59ES DAT-> DAT-Heads Tree Summer '96-> Sony D7-> Audiophile 2496 Soundcard@48kHz. Editing via Cool Edit: Normalized to 99; 44.1kHzSample rate conversion @ 350 quality; pitch correction: 102 ratio stretch. Tracks inserted via CDWave and SHN conversion via mkwACT; d1 tracked for 80 min
gd1972-05-18.sbd.miller.79057.sbeok.flac16
1972-05-18Kongressaal - Deutsches Museum
79057flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC
gd1972-05-18.sdb.lai.146.sbefail.shnf
1972-05-18Kongressaal, Deutsches Museum
146MSR> ?> dat> cdr; via Mike Lai; see public comments for flaw notes
gd72-05-18.sbd.unicorn.2266.sbeok.shnf
1972-05-18Kongressaal Deutsches Museum
2266MSR> ?> dat> cdr; Repaired version of previous shn set; See info file for details; via Mike (Unicorn) to abgd; Note- md5's/txt from shn set hosted on tol.etree.org added 4-27-03
gd1972-05-18.sbd.smith.94581.sbeok.flac16
1972-05-18Kongressaal - Deutsches Museum
94581flac16; source info: Master Soundboard Reel (Rex Jackson) > Reel (Jerry Garcia)> Reel (Will Boswell) @ 3 3/4 ips) > CD; CDs copied in EAC and Repairs and Adjustments in Wavelab 6.0 on the **GEMS* Edit Station by Jamie Waddell
gd1972-05-23.sbd.cribbs.32863.sbeok.flac16
1972-05-23Strand Lyceum
32863flac16; Set 2 partial; MSR>C>DAT>CD; EAC>WAV>FLAC by Sean Cribbs, from Lemieux source
gd1972-05-23.sbd.unknown.16089.shnf
1972-05-23Strand Lyceum
16089Another shn set claiming this lineage "lineage unknown, but believed to be 10" 2-track reel master>1 cassette generation>DAT> 1 cassette generation > circulation listed at www.resourcesfortraders.com" with different md5's than prior etree seeds with this info file
gd1972-05-23.sbd.lai.2581.shnf
1972-05-23Strand Lyceum
2581partial; sdb> MR> PCM> CD; via Mike Lai
gd72-05-23.sbd.cribbs.17700.sbeok.shnf
1972-05-23The Strand Lyceum
17700MSR>C>DAT>CD>EAC>WAV>SHN via Andy Lemieux encoded by Sean Cribbs
gd72-05-23.sbd.unicorn.16750.sbeok.shnf
1972-05-23The Strand Lyceum
16750Lineage (most likely):10" 2-track RM > C > D > C speed corrected, complete 4 disk version via Unicorn
gd1972-05-23.sbd.jackson.smith-GEMS.97816.flac16
1972-05-23Strand Lyceum
97816flac16; 2 track soundboard recording Transferred by Matt Smith Reels > Apogee Mini ME 24/96 > Apogee Mini DAC(monitoring) > Wavelab 5.0(dithered to 16/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station in Wavelab 6.1 with UA DSP FLAC Level8 in TLH MetaData in Tag and Rename
gd1972-05-24.aud.jones.macdonald.sirmick.24068.sbeok.shnf
1972-05-24Strand Lyceum
24068source: aud: mono crappy Pye cassette recorder with hand-held mike > ampex R2R > cdr > eac > cep > cdwav > shn; taped by Chris Jones; transferred (untracked) to CDR by Graham Harper; Remastered by SirMick
gd72-05-24.jones.macdonald.5920.sbeok.shnf
1972-05-24The Strand Lyceum
5920AUD: mono crappy Pye cassette recorder with hand-held mike > Ampex R2R > CD-R > EAC > CEP > CDWAV > .shn & CD-R; Original recording by Chris Jones. Transferred (untracked) to CDR by Graham Harper; EAC> all subsequent modification by Alasdair Macdonald; see extensive notes in info file; d1 tracked for 80 min
gd1972-05-24.pye-jones.harper-sirmick.87027.flac16
1972-05-24The Lyceum
87027flac16; source : aud > Pye mono cassette recorder (crappy model) with hand-held mike > mac transfer : mac > ampex R2R > cdr > eac > cep > cdwav > shn taped by Chris Jones transferred (untracked) to CDR by Graham Harper. Remastered by Sir Mick from the raw wav files.
gd1972-05-25.sbd.d1t3-fix.cribbs.26355.sbeok.shnf
1972-05-25The Strand Lyceum
26335fix of d1t3 Dark Star in previous shn set to remove redundant material, by Sean Cribbs
gd1972-05-25.sbd.miller.87682.sbeok.flac16
1972-05-25Strand Lyceum
87682flac16; Recording Info: SBD -> Master Reel 10 inch reels recorded at 7.5 ips (1/2 track) -> Apogee AD500 -> Dat/0 (48k) Transfer Info: Dat/0 (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller
gd72-05-25.psbd.hamilton.147.sbeok.shnf
1972-05-25The Strand Lyceum
147set 2 partial; MSBDR > 2 casstte gens > DAT > CDR > EAC > SHN; Dick cass leak; u/l via G. Hamilton; note fits on 1 shn disc w/ 6/24/73 disc; update: redundant material in Dark Star, patch of d1t3 circulates
gd1972-05-26.sbd.smith.94452.sbeok.flac16
1972-05-26Strand Lyceum
94452flac16; Source: Soundboard Lineage: MR(film crew feed) at 7 1/2 i.p.s.>R at 7 1/2 i.p.s (Don Wolfe) >CD transfer info:Maxell UD XL reel tape>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring)>LYNX ONE soundcard>Wavelab 5.0(dithered to 20/44)>CD by Matt Smith
gd1972-05-26.sbd.mvernon.5931.shnf
1972-05-26Strand Lyceum
5931Master SBD reel > DAT > CD-R >EAC > CDR; D2T7 some music lost at start; splices in Sugaree, Dew; to etree via Matt Vernon; passes shntool check
gd1972-05-26.sbd.waddell.89641.sbeok.flac16
1972-05-26The Strand Lyceum
89641flac16; SBD Reel > DAT > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 All editing and mastering by Jamie Waddell on the GEMS Edit Station. Trac'ed Cdwave,Flac'ed TLH level 8
gd72-05-26.sbd.hollister.12758.sbeok.shnf
1972-05-26The Strand Lyceum
12758S:MR> DATx5> CD, including patches (see info file for specifics; transfer by David Hollister; reported "superior to all circulating copies"
gd72-06-17.aud.hanno.16470.sbeok.shnf
1972-06-17Hollywood Bowl
16470set 1,2p; AUD C/?; pitch corrected; via Hanno Bunjes, Uli Teute and Carsten Baumann
gd1972-06-17.shure-sony.melton.115839.flac16
1972-06-17Hollywood Bowl
115839flac16; Recorded from Box 52 which is just left of center. Recorded with a Sony Cassette recorder with Shure Microphone attached. This recording was transferred directly to digital using Audacity; Taped by: David Melton
gd72-07-16.sbd-aud.cotsman.11258.sbeok.shnf
1972-07-16Dillon Stadium
11258source 1: SBD>MR>C>D>CD>EAC>SHN source 2: AUD>?>SHN the audience recording supplies: --all of disc 1, --on disc 2, the final portion of Me & My Uncle through to the end of Sing Me Back Home; See info file for details; via Glenn Gillis and Paul B; Seeded to etree by Tim O'Connel & J. Cotsman
gd1972-07-18.sbd.lai.3348.shnf
1972-07-18Rossevelt Stadium
3348sdb> master reel> reel> pcm> cdr; via Mike Lai
gd72-07-18.aud.weiner.5916.sbefail.shnf
1972-07-18Roosevelt Stadium
5916AUD MC> ?> R> D> SHN> CDR, with change to A:MC> ?> C> D source toward end; A > D transfer by Noah Weiner; via Audience Devotional Tree
gd72-07-18.sbd.cribbs.9067.sbeok.shn
1972-07-18Roosevelt Stadium
9067SBD with Aud Patches (missing OMSN), see info file for details; via David Hollister; Seeded to etree by Sean Cribbs
gd1972-07-18.sbd.miller.32878.flac16
1972-07-18Roosevelt Stadium
32878flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1972-07-18.sbd.unknown.9097.shnf
1972-07-18Roosevelt Stadium
9097sdb>>master reel>>reel>>pcm>>cdr; Likely a re-eac of the original Lai seed; Unknown seeder
gd1972-07-18.127703.mtx.dusborne.flac16
1972-07-18Roosevelt Stadium
127703flac16; 2 Source Matrix by Dusborne; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v7.02 -> Cool Edit Pro v2.0 -> FLAC; and AUDMC>?>R>D>SHN>CDR
gd72-07-21.sbd.cotsman.9246.sbeok.shnf
1972-07-21Paramount Northwest Theater
9246SBD> MR> CX3(?)> D> CD> EAC> SHN; edits (pitch corrected, normalized), encoding, vined by J. Cotsman, with thanks to Mark Sweeney
gd1972-07-21.148725.sbd.bear.dalton.miller.clugston.flac1648
1972-07-21Paramount Northwest Theater
148725flac16/48kHz; Source Info: Bear's Master Soundboard Cassettes > 1st generation Cassettes > 2nd generation Cassettes > Tim Dalton's Dat (16/48); Transfer Info: Dat (Sony PCM-R500) (16/48) > Tascam DA-3000 (16/48)> Adobe Audition CC 2019 > TLH flac1648
gd1972-07-22.sbd.miller.94112.sbeok.flac16
1972-07-22Paramount Northwest Theatre
94112flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller
gd1972-07-22.141760.sbd.betty.pcm.dalton.miller.clugston.updated.flac1644
1972-07-22Paramount Northwest Theater
141760flac16; Recording Info: Betty's 7" 2-track Master Soundboard Reels > PCM (Sony beta HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this is a fixed version of source ID 141122
gd1972-07-22.aud.jems.106930.flac16
1972-07-22Paramount Northwest Theater
106930flac16; Source: Audience Lineage: Master Reels @ full track mono>Tandberg Model 11>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic Taped and Transferred By: JEMS
gd1972-07-22.141122.sbd.betty.pcm.composite.dalton.miller.clugston.flac1644
1972-07-22Paramount Northwest Theater
141122flac16; Recording Info: Betty's 7" 2-track Master Soundboard Reels > PCM (Sony beta HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; Fixed version in circulation
gd72-07-22.sbd.vernon.13562.sbeok.shnf
1972-07-22Paramount Northwest Theater
13562SBD MR>PCM>D>CD via Hanno
gd1972-07-22.sbd.GEMS.86726.flac16
1972-07-22Paramount Theater
86726flac16; Sound Board Master Reel>DAT 16/48 > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav
gd1972-07-25.sbd.miller.124017.flac16
1972-07-25Paramount Theater
124017flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd72-07-25.sbd.cotsman.7046.sbeok.shnf
1972-07-25Paramount Theater
7046SBD> MR> C> D> CD> EAC> SHN; encoding, vined by J. Cotsman; with thanks to Mark Sweeney
gd1972-07-26.sbd-patched.long.34803.flac16
1972-07-26Paramount Theater
34803flac16; MR > PCM > DAT > CD > EAC > SHN with patches from MSR > DAT > ZA2 > CDR x2; Fix of shn id 8957 by Andrew Long
gd1972-07-26.sbd.GEMS.87034.flac16
1972-07-26Paramount Theater
87034flac16; Lineage: (from DAT J-Card) MR -> DAT (the DAT is 16-bit; 44.1kHz which could indicate MR->PCM->DAT) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0 - Transferred January 18, 2007 Mastering By Jamie Waddell on the GEMS Edit Station. Trac'ed cdwave,Flac'ed TLH level 8
gd72-07-26.sbd.clugston.1411.sbeok.shnf
1972-07-26Paramount Theater
1411nearly complete; updated info: Master Soundboard Reel > PCM> DAT > ZA2 > CDR x2; DAT seed via Jeff Tiedrich, original DAT>CD transfer by David Hollister; subsequent CD remastering and SHN by Scott Clugston; see info file and pub comments for notes
gd72-07-26.sbd.popi.8957.sbeok.shnf
1972-07-26Paramount Theatre
8957Variation of original Kaplan seed; Filler removed, and He's Gone added; See info file for details; MR > PCM > DAT > CD > EAC > SHN; via Popi
gd1972-08-12.sbd.gems.104168.flac24
1972-08-12Sacramento Memorial Auditorium
104168flac24; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Apogee DAC> Apogee Mini Me Wavelab 5.0 @ 24 bit 96kHz Transferred by Matt Smith Fall 2009 Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for Pow-r3 Dither MetaData with Tag and Rename TLH for FLAC Level 8
gd72-08-12.sbd.hamilton.3327.sbeok.shnf
1972-08-12Sacramento Memorial Auditorium
3327SBD Reel master > DAT > CDR > EAC > SHN; seed via Seth Kaplan; Retracked (Cool Edit/CDWav) by G.S. Hamilton; see info file for listening notes
gd1972-08-12.139783.sbd.boswell.smith.clugston.flac1644
1972-08-12Sacramento Memorial Auditorium
139783flac16; Source Info: 7" Master Soundboard Reels @7.5ips 1/2trk > Garcia's reel @ 3.75 ips > Will Boswell's reel @ 3.75 ips (Maxell UDXL); Transfer Info: Technics RS1506 > Tascam DA-3000 > Adobe Audition > TLH flac2496
gd1972-08-12.139784.sbd.boswell.smith.clugston.flac2496
1972-08-12Sacramento Memorial Auditorium
139784flac24; Source Info: 7" Master Soundboard Reels @7.5ips 1/2trk > Garcia's reel @ 3.75 ips > Will Boswell's reel @ 3.75 ips (Maxell UDXL); Transfer Info: Technics RS1506 > Tascam DA-3000 > Adobe Audition > TLH flac2496
gd1972-08-12.127465.sbd.boswell.smith.flac16
1972-08-12Memorial Auditorium
127465flac16; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Transferred by Matt Smith March 2014
gd1972-08-12.127433.sbd.boswell.smith.flac24
1972-08-12Memorial Auditorium
127433flac24; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Transferred by Matt Smith March 2014; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair 1960s era Telefunken tubes > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
gd1972-08-12.sbd.smith.gems.105132.flac16
1972-08-12Sacramento Memorial Auditorium
105132flac16; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Apogee DAC> Apogee Mini Me > Wavelab 5.0 @ 24 bit 96kHz Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1kHz tracked in CDWAV Tag&Rename for Meta_Data TLH for FLAC Level 8 by Patrick White (wharfratpat@shnflac.net)
gd1972-08-20.sbd.miller.32789.sbeok.flac16
1972-08-20San Jose Civic Auditorium
32789flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
gd1972-08-20.pset1.sbd.jim.14988.shnf
1972-08-20San Jose Civic Auditorium
14988Set 1 SBD; source SBD>?>CDR>WAV>CE2k (*Serious* cleanup)>SHN; Missing Bertha; see notes
gd1972-08-20.sbd.miller.83733.flac16
1972-08-20San Jose Civic Auditorium
83733flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
gd1972-08-20.sony-schiappacasse.minches.82716.flac16
1972-08-20San Jose Civic Auditorium
82716flac16; Recording by Olaf Schiappacasse (using Gene Taback's equipment): Master Audience Cassette; Sony TC-124 with Sony Stereo Mic (Pacific Stereo Cassettes) Transfer and FLAC encoding by David Minches: Master cassettes played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (96Mhz/24 bit)> HD Editing performed in Adobe Audition; L3 Multimaximizer>Waves Z-Noise; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded
gd72-08-20.sbd.cotsman.16335.sbeok.shnf
1972-08-20San Jose Civic Auditorium
16335SBD>MC>R>C>C>C>D>CD>EAC>SHN (?) see notes on lineage via Chuck Kiefe edits/encoding by Jeff Cotsman
gd1972-08-21.139581.sbd.miller.sirmick.fixed.flac16
1972-08-21Berkeley Community Theater
139581flac16; Source: SBD > Master Reels @ 7.5ips (10 Inch half-track ) > PCM > DAT (44.1k) - Recorded by Betty Cantor-Jackson, provided by Charlie Miller; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017; the original version of this had pitch correction incorrectly applied
gd1972-08-21.139581.sbd.miller.sirmick.flac16
1972-08-21Berkeley Community Theater
gd72-08-21.sbd.hamilton.150.sbeok.shnf
1972-08-21Berkeley Community Theater
150S:MR > PCM > DAT > CD > EAC > SHN; via D. Hollister, G. Hamilton; see info file for list of minor flaws
gd1972-08-22.sbd.miller.27780.shnf
1972-08-22Berkeley Community Theatre
27780mixed sources: Set 1: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> Apogee AD500> Master Dat (Panasonic SV3800/48k); Set 2: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> PCM> Dat> CD; Transferred and Edited (see cleanup notes) by Charlie Miller
gd72-08-22.sbd.cotsman.11472.sbeok.shnf
1972-08-22Berkeley Community Theater
11472SBD>MR>?>CD>EAC>SHN: (low gen); (set 1) SBD>MR>PCM>D>CD>EAC>SHN: (set 2); Missing first 3 1/2 songs; See info file for details; via Mike Dolgushkin & Seth Kaplan; Seeded to etree by J. Cotsman
gd1972-08-22.sbd.kaplan.7285.shnf
1972-08-22Berkeley Community Theatre
72852nd Set; S:MR > PCM > DAT > CDR > EAC > SHN via Seth Kaplan; NFA end cuts off; passes shntool check
gd1972-08-24.sbd.unknown.151.shnf
1972-08-24Berkeley Community Theatre
151SBD> ?> DAT> CDR> SHN; d3t5,6 duplic fixed 5/24; note d1t1 only 4 sec
gd72-08-24.sbd.miller.18093.sbeok.shnf
1972-08-24Berkeley Community Theater
18093SBD>Rm>Dat(48k) with missing songs patched from SBD>Rm>Cass>Cass>Cass>Dat>Samplitude>SHN via Charlie Miller
gd1972-08-24.156469.sbd.anon.gems.flac16
1972-08-24Berkeley Community Theater
156469flac16 Source: Master SBD Reel > DAT from ANON
Mastered by Jamie Waddell and Jim Blackwood
Pitch correction by Jason Chastain
Listening assistance, track, FLAC, and pack by Steve Gravel
gd72-08-25.sbd.8474.unknown.sbeok.shnf
1972-08-25Berkeley Community Theater
8474Partial Set 1: SBD> MR> PCM> DAT; Partial Set 2: FMSBD> ???
gd72-08-25.sbd.partial.deibert.12751.sbefail.shnf
1972-08-25Berkeley Community Theater
12751set 1 partial; 7" Betty Board Reel > PCM501ES analog out > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert); some Soundforge editing (see notes)
gd1972-08-25.sbd.miller.bertha.94218.flac16
1972-08-25Berkeley Community Theater
94218flac16; Bertha Remaster of the Master Reel Source: SBD>>MR>>DAT>>FLAC>>DAW(Bertha)>>Audio DVD>>FLAC
gd1972-08-25.sbd.miller.92840.sbeok.flac16
1972-08-25Berkeley Community Theatre
92840flac16; Recording Info:SBD -> Master Reel -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1972-08-25.sbd.miller.bertha.93888.dvda
1972-08-25Berkeley Community Theatre
93888DVD-VA; (Video-Audio) SBD>>MR>>DAT>>FLAC>>DAW(Bertha)>>Audio DVD; Bertha Remaster of the Master Reel Source (Audio only - no video)
gd1972-08-27.sbd.kaplan-hamilton.152.shnf
1972-08-27Old Renaissance Faire Grounds
152SBD MR> DAT> CDR> EAC> SHN; via S. Kaplan, G. Hamilton; known flaws: sound system disortion/buzziness at places; d1t7 d/o @ 11:14; d2t6 discontinuity @ 3:36, static @ 5:07; note least-flawed of several versions assayed (no clicks/pops in Dark Star); 12/00 update: an upgrade version is now circulating
gd72-08-27.sbd.bertha-ashley.21619.sbeok.shnf
1972-08-27Old Renaissance Faire Grounds
21619Bertha Remaster of the Braverman/Dank 16 track source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A (Between songs from the two-track master reels)
gd1972-08-27.sbd.latvala-eaton-lutch-dankseed.4682.shnf
1972-08-27Old Renaissance Faire Grounds
4682SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; see info file for details, fixes and flaw notes; note most banter edited out; Reel>DAT transfer by Dick Latvala; DAT clone supplied by Rob Eaton; DAT>SHN by Jamie Lutch; QC courtesy dankseeds
gd1972-08-27.sbd.serafin.8045.sbefail.shnf
1972-08-27Old Renaissance Faire Grounds
8045SBD > 4-TRACK RTR @ 7.5 i.p.s. > PCM> (PCM) > D > SSSB; via Jay Serafin to gdlive; see info file for extensive notes
gd72-08-27.sbd.braverman.16582.sbefail.shnf
1972-08-27Old Renaissance Faire Grounds
16582SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; Banter between songs from the two-track master reels: S:MR> DAT> SS> CD> EAC> SHN; dankseed
gd72-08-27.sbd.orf.3328.sbeok.shnf
1972-08-27Old Renaissance Faire Grounds
3328SBD-> two-track MR-> DAT-> Sonic Solutions-> CDR-> EAC-> Sound Forge Edit (analog pop removal using pencil tool)-> Sound Forge Pitch Shift (antialias filter followed by pitch shift of +19 cents); stemming from David Gans seed, via Adam Jerugim to Leigh Orf, who fixed up (see details in info file); d3 trackd for 80 min; note previous shn sets have been Betty Board sourced- this is not
gd72-09-03.sbd.new.hanno.20168.sbeok.shnf
1972-09-03Folsom Field, U of Colorado
20168Composite aud/sbd - entire show speed corrected, static removed; includes encore. via Carsten Baumann and Hanno Bunjes
gd1972-09-03.sbd.steinhaus-bunjes-teute.cotsman.13563.shnf
1972-09-03Folsom Field - University of Colorado
13563primary source: SBD>MR>C>D>CD>EAC>SHN (provides most of sets 2 and 3); secondary source: AUD>?>C>CD>EAC>SHN (provides all of set 1 plus patches in sets 2 and 3); aud source is pretty weak (see caveat); Thanks to John Steinhaus, Uli Teute, and Hanno Bunjes
gd1972-09-03.sbd.gems.101143.flac16
1972-09-03Folsom Field, U of Colorado
101143flac16; Composite sources: MR>cass, MR>cass>cass and multi generation sources; transfers were TascamMKII >Korg MR1000 at 1bit/5.6mHZ and cass> Apogee Mini Me>apogeeDAC>LynxOne at 24/96 PCM WAV; all edits and mastering by Jamie Waddell on the **GEMS** Edit Station at 32bitfloat/88.2kHz Weiss Saracon for SRC and POW-r3 dither to 16 bit/44.1 kHz
gd1972-09-03.aud-composite-12627-20168.teute-bunjes.92805.shnf
1972-09-03Folsom Field - University of Colorado
92805Unknown aud composite of shnid's 12627 and 20168.
gd1972-09-03.sbd.greenberg.powell.18779.shnf
1972-09-03Folsom Field, University of Colorado
18779Composite aud/sbd coordinated by Jim Powell. Patches and final mastering: Dave Greenberg Special thanks to Jack Warner, Hugh Barroll and Steve Fukawa, encoded by Matt Vernon
gd1972-09-09.aud.sirmick.32036.flac16
1972-09-09Hollywood Palladium
32036flac16; Main source: mac > cass (u/k gen) > wav > flac > wav > flac transfer: nak dr3 > audacity > cdwav. Second source: sbd: mr> dat > cdr > shn > wav > flac via SirMick
gd1972-09-09.sbd.miller.105458.flac16
1972-09-09Hollywood Palladium
105458flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Cool Edit Pro v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller
gd72-09-09.aud.unknown.30991.sbeok.flacf
1972-09-09Hollywood Palladium
30991flac16; Lineage: AUD MR> Cassette (unknown gen) > WAV > FLAC Transfer: NAK DR3 > AUDACITY > CDWAV
gd72-09-09.aud.pitch-corrected.zeb.31949.sbeok.flacf
1972-09-09Hollywood Palladium
31949flac16; AUD MR> Cassette (unknown gen) > WAV > FLAC speed-corrected of prior seed ; by Zeb
gd72-09-09.sbd.popi.14086.sbeok.shnf
1972-09-09Hollywood Palladium
14086Sbd: MR>DAT>CDR>SHN Audio discs provided by Dyer O' Connor eac>mkw>shn by popi n. feeldz
gd1972-09-09.mtx.seamons.bertrando.103311.flac16
1972-09-09Hollywood Palladium
103311flac16; Matrix by Hunter Seamons using Final Cut Pro Pitch correction, normalization, and EQ work by Rob Bertrando
gd1972-09-09.149457.sbd.boswell.smith.miller.clugston.flac1648
1972-09-09Hollywood Palladium
149457flac16/48kHz; Source Info: Master Soundboard Cassettes (Uher deck) > Will Boswell's 1st generation reels @3.75 ips; Transfer Info: 1st generation reels (Technics 1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1972-09-09.149458.sbd.boswell.smith.miller.clugston.flac2496
1972-09-09Hollywood Palladium
149458flac24; Source Info: Master Soundboard Cassettes (Uher deck) > Will Boswell's 1st generation reels @3.75 ips; Transfer Info: 1st generation reels (Technics 1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1972-09-09.133002.sbd.boswell-smith.flac24
1972-09-09Hollywood Palladium
133002flac24; Recording Info: MC (Uher deck) > Will Boswell's reel @3.75 ips reel; Transfer Info: Technics 1506 > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith April, 2015
gd1972-09-09.133001.sbd.boswell-smith.flac16
1972-09-09Hollywood Palladium
133001flac16; Recording Info: MC (Uher deck) > Will Boswell's reel @3.75 ips reel; Transfer Info: Technics 1506 > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith, April 2015
gd72-09-10.sbd.patched.greenberg-powell.22793.sbeok.shnf
1972-09-10Hollywood Palladium
22793MSR>C>CD patched with MSR>C>D>C>D; Patches & remaster by Dave Greenberg.
gd1972-09-10.sbd.vernon.5680.sbeok.shnf
1972-09-10Hollywood Palladium
5680SBD > [MR > C > DAT(s) ??] > CDR(s) > EAC > SHN > SHNTOOL (fix sector boundaries by sets) > mkwact (seekable); via Mike Lai, Matt Vernon; boundary fixed version of previous shn set
gd1972-09-10.136690.sbd.bruno.flac16
1972-09-10Hollywood Palladium
136690flac16; Soundboard Master-Reel > Reel (1st gen) > DAT 2x (44.1 kHz)
gd72-09-10.sbd.winters.17690.sbeok.shnf
1972-09-10Hollywood Palladium
17690SBD> MR> Cassette> DAT> CD> EAC> CoolEdit2000> SHN; EAC, CoolEdit 2000, CDWave, MKW, & shntool by D.Winters; reportedly has flaws fixed realtive to previous versions.
gd1972-09-10.sbd.lai.5679.shnf
1972-09-10Hollywood Palladium
5679sdb; via Mike Lai; note boundary-fixed version of this shn set also circulates
gd1972-09-15.aud-degen.sirmick.31990.flac16
1972-09-15Boston Music Hall
31990flac16; this is a remaster by SirMick of shnid 7924. Source 1: MAC > Reel > Cassette > DAT > CD Recorded by Bill Degen from balcony front row. Source 2: MAC > ? > DAT (supplied by Dave Minor) > CD provides additional patch and missing material
gd1972-09-15.133998.sbd.miller.flac16
1972-09-15Music Hall
133998flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd72-09-15.degen.weiner.7924.sbeok.shnf
1972-09-15Boston Music Hall
7924MAC > Reel > Cassette > DAT > CD; Lower quality aud provides many patches, see info file for details; via Noah Weiner; Jack Warner; Seeded to etree by Matt Vernon
gd72-09-15.psdb.kaplan.8046.sbeok.shnf
1972-09-15Boston Music Hall
8046partial set 2; SBD: MR > cassette > DAT > CD > SHN; SHNed by Seth Kaplan; via G.S. Hamilton to BUDD
gd1972-09-16.matrix.sb20.chappell.77442.flac16
1972-09-16Boston Music Hall
77442flac 16; Sick Bits Vol. 20 - SBD/AUD Matrix: SBD (shnid=6683) + AUD (shnid=12932); edited, mixed and converted by Chris Chappell
gd72-09-16.degen.weiner.12932.sbeok.shnf
1972-09-16Boston Music Hall
12932AUDMC > C > DAT > CD > SHN recorded by Bill Degen from orchestra seats mic and deck unknown. A > D & shn conversion by Noah Weiner
gd72-09-16.psbd.unknown.6683.sbeok.shnf
1972-09-16Boston Music Hall
6683partial; 7" SBDMR > Cass > DAT > CDn > EAC > SHN; via Matt Vernon?
gd72-09-16.sbd.cotsman.9247.sbeok.shnf
1972-09-16Boston Music Hall
9247mixed source (AUD>MC>) and (SBD>MR>) C> D> CD> EAC> SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Mark Sweeney and unIDed patcher
gd1972-09-17.aud-wolfson.minches.28165.shnf
1972-09-17Baltimore Civic Center
28165Audience Recording (taper Cary Wolfson) > Cassette > DAT > SHN; Extraction and SHN encoding by David Minches
gd72-09-17.sbd.hamilton.154.sbeok.shnf
1972-09-17Baltimore Civic Center
154SBDMR > Cass > DAT > SonicSolutions > CD > EAC > SHN; Extraction and SHN encoding by G.S. Hamilton, from D. Hollister seed; known flaws: Missing Saturday Night; small digi-snit during UJB; update: show is now DP23- go buy it
gd1972-09-19.152468.s1-s2p.aud.flac2448
1972-09-19Roosevelt Stadium
152468flac2448; s1-s2p; Source: Unknown mono AUD via the collection of Rich Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2021
gd1972-09-19.154185.aud.deal.smith.clugston.flac16
1972-09-19Roosevelt Stadium
154185flac16/44 Source Info: Ed Deal's Master Audience Cassettes (Sony C-90); Unknown equipment Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini-Me (24-bit/96k) > WaveLab (16-bit/44.1k) > Adobe Audition CC 2022 > TLH flac16
gd72-09-19.aud.cotsman.12075.sbeok.shnf
1972-09-19Roosevelt Stadium
12075AUD>MC>?>D>CD; Many songs are clipped due to taper conservation, though almost all such cuts are minor; See info file for details; via Paul Hartman; Seeded to etree by JCotsman
gd1972-09-21.152463.aud.lamarre.vernon.sirmick.flac16
1972-09-21The Spectrum
152463flac16/44 Source: uknown audience cassette from the collection pf Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick May 2021
gd1972-09-21.152464.aud.lamarre.vernon.sirmick.flac24
1972-09-21The Spectrum
152464flac24/96 Source: unknown audience cassette from the collection of Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac24 edited and mastered SIRMick May 2021
gd1972-09-21.138083.sbd.mitchell-flaschner.flac1644
1972-09-21The Spectrum
138083flac16 SBD > Reel > DAT; DAT(c) @ 44.1kHz > Tascam DA-20 > Tascam DR-680 MKII > Canare Coax > Samplitude Pro X3 Suite (Build 35) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; DAT provided by Dave Flaschner; Transfer & edits by Jeff Mitchell
gd72-09-21.sbd.masse.7296.sbeok.shnf
1972-09-21The Spectrum
7296SBD > reel > DAT > CDR > EAC > shn; via Mike Masse; see flaw notes in info file; a clean-up of d1t11 also circulates; see public comments for details
gd1972-09-21.150281.sbd.miller.flac1644
1972-09-21The Spectrum
150281flac16; Recording Info: SBD > Master Reel (7-inch 7.5ips 1/2trk) > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller
gd1972-09-23.135287.sbd.jeffm.restore.droncit.flac16
1972-09-23Palace Theater
135287flac16; Source: SBD>MR>Cass>DAT>CDR>EAC>SHN; This is a flac encoded & tagged restoration of shnid 2201; Restoration done with Diamond Cut Forensics 10 (beta1 through RC3)
gd72-09-23.sbd.jeffm.2201.sbeok.shnf
1972-09-23Palace Theater
2201SBD> MR> Cass> DAT> CDR> EAC> SHN; via Jeff M.; see listening notes in revised info file
gd1972-09-23.sbd.130728.MrBill.flac16
1972-09-23Palace Theater
130728flac16; Recording Info: SBD > MR > C > DAT > CDR > SHN; Transfer Info: SHN > WAV > Sound Forge 10 > TLH > FLAC; Sonically enhanced, remastered, retracked upgrade of shnid 2201; Mastered and tracked by Bill Guarneri, July 25, 2014
gd1972-09-24.aud.berger.99860.flac16
1972-09-24Palace Theatre
99860flac16; source: aud; lineage: aud>?>7" reel @ 3.75 ips, no nr technics rs-1506>hd-p2 24/96> hd>cd wave>adobe 2.0 16/44>flac
gd72-09-24.sbd.jeffm.2202.sbeok.shnf
1972-09-24Palace Theater
2202SBD> MR> CASS> DAT> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes
gd1972-09-24.sbd.130758.MrBill.flac16
1972-09-24Palace Theater
130758flac16; Recording Info: SBD > MR > ? > C > DAT > SHN; Transfer Info: SHN > TLH > WAV > Sound Forge 10 > TLH > FLAC; Tracked, patched and mastered by Bill Guarneri, July 28, 2014
gd1972-09-26.partial-sbd-patched.powell-ladner.25281.shnf
1972-09-26Stanley Theatre
25281Splice upgrade (d1t7,d3t1) to previous source
Splice source: MAC > Cx > DAT > WAV >SHN; Cassette> DAT transfer by J.Powell: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II; DAT> WAV> SHN transfer by C.Ladner: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)> sector boundaries confirmed (shntool) > SHN (mkwact).
gd1972-09-26.sbd.unknown.sbexx.16755.shnf
1972-09-26Stanley Theatre
16755SBD > MR > DAT(48kHz) > za2 > CD; See user comments for flaw notes
gd1972-09-26.136691.sbd.bruno.flac16
1972-09-26Stanley Theatre
136691flac16 Soundboard Master-Reel > Reel (1st gen) > DAT (44.1 kHz)
gd72-09-26.sbd.unknown.156.sbeok.shnf
1972-09-26Stanley Theatre
156SBD Reel> unknown dat gens> digital noise reduction> 3dat gens> za/2 48-41; for flaws see revised info file; note next night 9/27/72 is available as Dick's Picks 11- go buy it
gd72-09-26.sbd.wier.19198.sbeok.shnf
1972-09-26Stanley Theatre
19198Cleaned up disc 3 of previous SBD by Charles Wier; d1 & d2 are unchanged. See text file for details.
gd72-09-27.sbd.vernon.18106.sbeok.shnf
1972-09-27Stanley Theatre
18106SBD Reel>Reel>PCM>DAT from "People's Choice tree" via Jeff Blaney, encoded by Matt Vernon
gd1972-09-28.sbd.bertha.34162.sbeok.shnf
1972-09-28Stanley Theatre
34162SBD>>MR>>DAT>>CDA>>WAV>>SHN>>FLAC>>DAW(Bertha)>>SHN/CDA - Sound A- UNK.AUD>>CASS>>???>>DAT>>WAV>>FLAC - Sound D Bertha Remaster of the patched master reel source Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com. Completed on December 12, 2004. http://www.deadacated.com/BerthaRemasters.htm
gd1972-09-28.sbd.bertha.ashley.27584.sbefail.shnf
1972-09-28Stanley Theatre
27584SBD> MR> DAT> CDA> WAV> SHN> FLAC> DAW (Bertha)> SHN/CDA patched with UNK.AUD> CASS> ???> DAT> WAV> FLAC; Bertha Remaster of shn ID 26933
gd1972-09-28.sbd.miller.94268.sbeok.flac16
1972-09-28Stanley Theatre
94268flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1972-09-28.110020.sbd.BEAR.gem.flac16
1972-09-28Stanley Theatre
110020flac16; Bear's Cassette Copies Nakamichi Dr-1 > Lynx Studio Interface at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1 kHz Transfered and Lightly Mastered by Jamie Waddell
gd1972-09-28.136692.sbd.sirmick.flac16
1972-09-28Stanley Theatre
136692flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1k)
gd1972-09-28.sbd.lai.157.sbeok.shnf
1972-09-28Stanley Theatre
157set 2; master reel> pcm> dat> cdr; via M. Lai; note previous night 9/27/72 is available as Dick's Picks 11- go buy it
gd1972-09-28.aud.berger.99843.sbeok.flac16
1972-09-28Stanley Theatre
99843flac16; source: aud; lineage: aud>?>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac
gd72-09-28.sbd.bill.12657.sbeok.shnf
1972-09-28Stanley Theatre
12657SBD (probably sbd>mr>dat>cdr) Seeded by Bill from Monterey to clone.etree.org 9/02 any setlist help send to nick@burgis.org
gd72-09-28.sbd-patched.chrisl.26933.sbeok.flacf
1972-09-28Stanley Theatre
26933flac16; Primary Source: SBD> MR> DAT> CDR> WAV> SHN; patches and missing track from Unknown audience > C > ? > DAT >WAV > FLAC (level 8); AUD material courtesy Uli Teute via Jim Powell; via Chris Ladner?
gd1972-09-30.sbd.clugston.8184.sbeok.shnf
1972-09-30American University
8184Master 7" Soundboard Reels @ 7 1/2 ips > Cassette > DAT> CDR; CD Mastering by Scott Clugston; EAC'ed / SHN'ed by Scott Clugston to abgd via Wyatt Earp
gd72-09-30.sbd.unknown.5681.sbeok.shnf
1972-09-30American University
5681SB> MR> Cassette> DAT> CD; except OMSN SB> MR>cass(2)> DAT> CD; CD> cleanup> SHN; see info file for fixes and flaw notes; via Matt Vernon
gd1972-10-02.sbd.gans.miller.112864.flac16
1972-10-02Springfield Civic Center
112864flac16; Recording Info:SBD -> Master Reel -> Dat -> Data DVD; Transfer Info: Data DVD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd72-10-02.sbd.lai.158.sbefail.shnf
1972-10-02Springfield Civic Center
158master reel sdb> cass> dat> cdr; via M. Lai; listeners report hiss level sounds closer to 2 cass gens
gd1972-10-09.sbd.130494.MrBill.flac16
1972-10-09Winterland Arena
130494flac16; Recording Info: SBD > MR > C > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC
gd72-10-09.sbd.vernon.5249.sbeok.shnf
1972-10-09Winterland Arena
5249SBD > MR > C > DAT > CDR; EAC > Cool Edit (remove some pops, see info file) > SHN (seekable); SHN Conversion by Matt Vernon from Paul B. seed discs
gd72-10-17.sbd.sacks.2219.sbeok.shnf
1972-10-17Fox Theatre
2219MSR> C> DATs> CDRs> EAC> SHN; via Darrin Sacks, from Jack Warner's seed; previously uncirculated
gd1972-10-18.3393.sbd.lai.shnf
1972-10-18Fox Theater
3393MR> Cass> DAT> CD; via Mike Lai with thanks to Lu Khachigian II
gd1972-10-18.sbd.matera.123571.sbeok.flac16
1972-10-18Fox Theatre
123571flac16; Unknown SBD source (probably shnid 7295) CD > wav > cool edit 2000 > flac
gd72-10-18.sbd.weir.7295.sbeok.shnf
1972-10-18Fox Theatre
7295SBD > MR > Cass > DAT > CDR; see flaw notes in info file; Note- d2 fix now circulates via Charles Weir; See info file for details
gd1972-10-18.132378.sbd.miller.flac16
1972-10-18Fox Theatre
132378flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1972-10-18.139725.sbd.miller.sirmick.remaster.flac16
1972-10-18Fox Theatre
139725flac16; Recording Info: SBD > Master Reel > Dat; Transfer Info: Dat > Samplitude Professional v10.22 > FLAC; All Transfers and Mastering By Charlie Miller; edited and remastered SIRMick November 2017
gd72-10-19.sbd.des.4506.sbeok.shnf
1972-10-19Fox Theatre
4506SBD > MR > Cass > DAT > CDR; via DES; cuts into Promised
gd1972-10-21.set2-partial.sbd.rbbert.fix-94410.94453.flac16
1972-10-21Vanderbilt University
94453flac16; SBD -> Master Reel -> Dat -> CD -> -> Samplitude Professional v10.1 -> FLAC -> Remastering -> FLAC; remastered version of the Charlie Miller seed
gd1972-10-21.set2-partial.sbd.miller.94409.sbeok.flac16
1972-10-21Vanderbilt University
94409flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1972-10-21.122342.sbd-pset2.rbbert.dan-fix.flac16
1972-10-21Vanderbilt University
122342flac16; SBD -> Master Reel -> Dat -> CD -> DC8; Reworked version of shnID 94453
gd1972-10-21.122383.sbd-pset2.nr.rbbert.dan-fix.flac16
1972-10-21Vanderbilt University
122383flac16; SBD -> Master Reel -> Dat -> CD -> DC8; this version uses noise reduction; see info file for details
gd72-10-23.aud.cotsman.10914.sbeok.shnf
1972-10-23Milwaukee Performing Arts Center
10914AUD>MR>?>D>CD; See info file for 'warning'; via Paul Hartman; seeded to etree by J. Cotsman
gd1972-10-23.sonyecm250.unknown.miller.98958.sbeok.flac16
1972-10-23Performing Arts Center
98958flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-124/BASF Normal Bias 120 Min Tapes); Transfer Info: Cassette Master (Nakamichi Dragon) -> Dat -> CD; Mastering Info:CD -> Samplitude Professional v10.2 -> Adobe Audition v1.5 -> FLAC; All Mastering By Charlie Miller
gd1972-10-24.sonyecm250.unknown.miller.97614.sbeok.flac16
1972-10-24Performing Arts Center
97614flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-153/BASF Normal Bias 120 Min Tapes) Transfer Info: Cassette Master (Nakamichi Dragon) -> Dat -> CD Mastering Info: CD -> Samplitude Professional v10.2 -> Adobe Audition v1.5 -> FLAC; All Mastering By Charlie Miller
gd1972-10-24.sbd.gems.105842.flac16
1972-10-24Milwaukee Performing Arts Center
105842flac16; A Dick Latvala SBD DAT Transfer is Apogee DAT > Tascam DA-20 > s/pdif > Lynx2 Studio Reference Interface > Wavelab 6.01 at 16 BIT 48Khz Weiss-Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz Tracked in CDWAV Tag&Rename for Meta_Data TLH for FLAC Level 8 by Patrick White
gd1972-10-24.sbd.miller.106018.flac16
1972-10-24Milwaukee Performing Arts Center
106018flac16; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
gd72-10-24.pset2-sbd.hamilton.159.sbeok.shnf
1972-10-24Milwaukee Performing Arts Center
159Set 2, Truckin' through Johnny B. Goode; MR > 1 cass. > DAT > CDR 2x; DAE/.shn conversion by G. Hamilton
gd1972-10-26.sbd.miller.32717.sbeok.flac16
1972-10-26Music Hall
32717flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
gd1972-10-26.sbd-set2.clugston.3117.shnf
1972-10-26Music Hall
3117set 2; Master Soundboard Reel > Cassette > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston; reported best circulating copy as of 2/01
gd72-10-26.sbd.miller.15113.sbeok.shnf
1972-10-26Cincinnati Music Hall
15113SBD -> Rm -> Cass -> Cass -> Dat -> Samplitude -> SHN (1 Disc SHN / 2 Discs Audio); Seeded to etree by Charlie Miller
gd72-10-27.sbd-aud.cotsman.10286.sbeok.shnf
1972-10-27Veterans' Memorial Hall
10286Set 1: SBD>?>C>SHN; Set 2: AUD>MR>C>D>CD; See info file for 'warning'; via Paul Hartman, Chris Masciangelo; Seeded to etree by J. Cotsman
gd72-10-27.sbd-aud.cousinit.19630.sbeok.shnf
1972-10-27Veterans' Memorial Hall
19630Sources: SBD(a) Source: MSR>R>C>DAT>WAV>SHN SBD(b) Source: MSR>Many Gens??>C>DAT>WAV>SHN AUD Source: MAR>C>D>CD>EAC>SHN SBD conversions by Cousinit AUD portion from previously circulating shn set from Paul Hartman edited/encoded by J. Cotsman
gd72-10-27.set1-sbd.hanno.18849.sbeok.shnf
1972-10-27Veterans' Memorial Hall
18849SBD C/? upgrade of first set; via Hanno Bunjes and Uli Teute
gd72-10-28.sbd.ashley-bertha.20405.sbeok.shnf
1972-10-28Cleveland Public Hall
20405Bertha Remaster of the Master Cassette source SBD>>MC>>DAT>>CDA>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B Ampex C-90 cassette master
gd1972-10-28.sbd.partial.11653.shnf
1972-10-28Cleveland Public Hall
11653Partial; 2 songs; See info file for details; SBD>MR>D>Sonic Solutions>CD
gd72-10-28.sbd.cotsman.20301.sbeok.shnf
1972-10-28Cleveland Public Hall
20301Complete SBD>MC>D>CD>EAC>SHN Ampex C-90 cassette master via King Bee and Andy Lemieux, encoding etc. by Cotsman
gd1972-10-28.sbd.finney.160.shnf
1972-10-28Cleveland Public Hall
160filler on Seastones disc; Dark Star/Philo Stomp; via D. Finney
gd72-10-30.aud.cotsman.10915.sbeok.shnf
1972-10-30Ford Auditorium
10915AUD>MR>C>C>C>D>CD; via John Steinhaus; Seeded to etree by J. Cotsman
gd72-11-12.sbd.cotsman.9771.sbeok.shnf
1972-11-12Soldiers' and Sailors' Memorial Hall
9771SBD>MC>C>D>CD; This recording has 'mix problems'; See info file for details; via Mark Sweeney; Seeded to etree by J. Cotsman
gd1972-11-13.aud.owsley.gems.105812.flac16
1972-11-13Soldiers and Sailors Memorial Hall
105812flac16; Dick's copy of Owsley's AUD; Transfer is Apogeee DAT > Tascan DA-20 > s/pdif > Lynx2 Studio Reference Interface > Wavelab 6.01 at 16 BIT 48Khz Weiss-Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz TLH Flac Level 8 Tag & Rename for Meta-Data SBE FREE
gd1972-11-13.aud.cotsman.7518.sbefail.shnf
1972-11-13Soldier's And Sailors Memorial Hall
7518partial; AUD> MR> C> D> CD> EAC> SHN; via J. Cotsman, with thanks to Jeff Cook; see notes in info file
gd72-11-13.aud.hanno.10089.sbeok.shnf
1972-11-13Soldiers and Sailors Memorial Hall
10089master #1: AUD MR>C>D>CD recorded by Bear (//Playing through Casey Jones// is all that circulates from this source) master #2: low generation AUD (supplies the rest of the show); via Uli and Julian; Seeded to etree by Hanno B
gd72-11-13.aud.vernon.17416.sbeok.shnf
1972-11-13Soldiers and Sailors Memorial Hall
17416AUD(unknown mics) > C(x3) > Nak > Fostex D5 A/D @ 44.1 > CD by Kevin Weil, encoded by Matt Vernon. Note this aud will appeal chiefly to completists and audience tape collectors. It is almost complete except for tape flips and includes more between song banter/crowd than the other sources already circulating.
gd1972-11-14.sbd.cotsman.11615.shnf
1972-11-14Oklahoma City Music Hall
11615SBD>MC>C>D>CD>EAC>SHN (?); May be a MC; See info file for details and flaw notes; via Jeff Cook, Matt Vernon, & Raoul Duke; Seeded to etree by J. Cotsman
gd72-11-14.sbd.miller.22024.sbeok.shnf
1972-11-14Oklahoma City Music Hall
22024Recording Info: Source One: SBD -> Master Reel -> Cassette x 3 -> Dat (d1t01 -> d2t09) Source Two: SBD -> Master Reel -> Cassette -> Dat (d2t10 -> d3t07) Transfer Info: Dat (Sony R500) -> M-Audio Dio 2448 -> Samplitude v6.0 -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers By Charlie Miller charliemiller87@earthlink.net 1/30/04 Notes: --I forgot to make shn's off of my Dats which is why I had to use EAC. --This is a new conversion since the last one was missing GSET.
gd1972-11-15.sbd.set2.miller.91760.sbeok.flac16
1972-11-15Oklahoma City Music Hall
91760flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller
gd1972-11-15.sbd.miller.110631.flac16
1972-11-15Civic Center Music Hall
110631flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1972-11-15.112616.sbd.bertha.dvda
1972-11-15Oklahoma City Music Hall
112616DVD Audio; Video Format-Audio Only: Bertha Remaster of the Master Reel source; SBD>>MR>>DAT>>WAV>>FLAC>>DAW(Bertha)>>Audio DVD; audio only - no video
gd72-11-15.psbd.cotsman.10916.sbeok.shnf
1972-11-15Oklahoma City Music Hall
10916Partial; SBD>MR>C>C>C>D>CD; Pitch corrected; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon & J. Cotsman
gd1972-11-17.sbd.lai.1185.shnf
1972-11-17Century II Convention Hall
1185sdb> reel master> cassette> dat> cdr; via Mike Lai; note Jeff Tiedrich reports this is more likely MR> C> C> DAT
gd72-11-17.sbd.warner.15982.sbeok.shnf
1972-11-17Century II Convention Hall
15982Master Soundboard Reel > Cassette > DAT > CR > EAC > WAV > SHN; with patches Master Audience Cassette > ? > Cassette > CD; Upgrade to existing SHN copy
gd1972-11-18.123077.sbd.miller.flac16
1972-11-18Hofheinz Pavilion
123077flac16; Set 2 Recording Info: SBD -> Master Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1972-11-18.sbd-set2.lai.9182.shnf
1972-11-18Hofheinz Pavilion - University of Houston
9182set 2 (listed as d2,d3); Owsley MC> ?> D> CD; via Mike Lai with thanks to Wayne Gucwa
gd72-11-18.set2-sbd.cotsman.9002.sbeok.shnf
1972-11-18Hofheinz Pavilion
90022nd set only; SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to John Steinhaus
gd1972-11-19.sbd.lai.3910.sbefail.shnf
1972-11-19Hofheinz Pavilion - University of Houston
3910SBD; sound adjustments during Bertha, minor digi-noise at the end of Jack Straw; Transferred and seeded to etree by Mike Lai, from Bruce Fried DAT
gd1972-11-19.142329.sbd.dalton.miller.sirmick.fixed.flac1644
1972-11-19Hofheinz Pavilion
142329flac16; Source: SBD > Master Reel > 1st Gen Reel > DAT (44.1k) - Provided by Tim Dalton; Lineage: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac16; edited and mastered SIRMick June 2018; the original version of this source was missing s2t13
gd1972-11-19.123578.sbd.gans-miller.flac16
1972-11-19Hofheinz Pavilion
123578flac16; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; This is a cleaned up version of source ID 122783
gd1972-11-19.132969.sbd.menke-lee-smith.flac16
1972-11-19Hofheinz Pavilion
132969flac16; Recording Info: SBD > Master Reel > Revox A77(Menke) > A77(Pat Lee) > Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
gd1972-11-19.132970.sbd.menke-lee-smith.flac24
1972-11-19Hofheinz Pavilion
132970flac24; Recording Info: SBD > Master Reel > Revox A77(Menke) > A77(Pat Lee) > Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
gd72-11-19.sbd.winters.17705.sbeok.shnf
1972-11-19Hofheinz Pavilion
17705Source: SBD>MR>Reel>Reel>DAT>CD>EAC>WAV>CoolEdit2000>SHN (Note that there is speculation that this source may contain only one reel generation.) Cool Edit 200 was used to correct various flaws from previously circulating versions.
gd1972-11-19.122783.sbd.miller-gans.flac16
1972-11-19Hofheinz Pavilion
122783flac16; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; Upgrade in circulation
gd1972-11-19.122784.sbd.miller-gans.flac24
1972-11-19Hofheinz Pavilion
122784flac24; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; Upgrade in circulation
gd1972-11-22.141188.sbd.menke.lee.smith.miller.clugston.flac1644
1972-11-22Austin Municipal Auditorium
141188flac16; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels (dolby b decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1972-11-22.141189.sbd.menke.lee.smith.miller.clugston.flac2496
1972-11-22Austin Municipal Auditorium
141189flac24; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels (dolby b decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
gd1972-11-22.115730.sbd.miller.flac16
1972-11-22Austin Municipal Auditorium
115730flac16; Recording Info: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd72-11-22.sbd.lai.4081.sbeok.shnf
1972-11-22Austin Municipal Auditorium
4081sdb> master reel> dat> cdr; via Mike Lai from Bruce Fried DAT; missing Promised; d2 tracked for 80 min
gd1972-11-22.sbd.fixed.miller.115765.flac16
1972-11-22Austin Municipal Auditorium
115765flac16; Recording Info: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC. fix of shnid 115730
gd1972-11-24.141266.sbd.menke.lee.smith.miller.clugston.flac1644
1972-11-24Dallas Memorial Auditorium
141266flac16; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels @ 3.75 ips (dolby decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1972-11-24.141267.sbd.menke.lee.smith.miller.clugston.flac2496
1972-11-24Dallas Memorial Auditorium
141267flac24; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels @ 3.75 ips (dolby decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
gd72-11-24.sbd.gardner.5288.sbeok.shnf
1972-11-24Dallas Memorial Auditorium
5288SBD> MR> DAT> CDR> EAC> SHN; tracked for 2x80; splice in China Cat; seeded by Tony Gardner, from Paul B. discs
gd1972-11-26.152827.sbd-remaster.acetboy.flac1644
1972-11-26San Antonio Civic Auditorium
152827flac16/44 a remaster of shn #9248 with short patches from shn #123022 by acetboy 2021-07-07
gd1972-11-26.123022.sbd.flac
1972-11-26San Antonio Civic Auditorium
123022flac16; Unknown SBD version of Dark Star > Bobby McGee; this alternate version has no cut in Dark Star, but is slightly hissier than the previous version
gd72-11-26.sbd.cotsman.9248.sbeok.shnf
1972-11-26San Antonio Civic Auditorium
9248SBD> MR> (set 1 ?; set 2 C)> D> CD> EAC>SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Paul B.