Identifiers for Grateful Dead
1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
Archive Identifier | |
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Date | Venue |
Source | |
gd86-02-08.sbd.ladner.20724.sbeok.shnf | |
1986-02-08 | Henry J. Kaiser Convention Center |
20724 | Source: SBD>MC>PCM>CDR>WAV>SHNv3 via neo_levo/candyman FTP |
gd1986-02-08.142380.mtx.tobin.flac1644 | |
1986-02-08 | Henry J. Kaiser Convention Center |
142380 | flac16; Matrix 2 Source Mix - SBD (shnid = 106033) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140205) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - matrix mixing by Kevin Tobin |
gd1986-02-08.142381.dts.tobin.flac1644 | |
1986-02-08 | Henry J. Kaiser Convention Center |
142381 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 106033) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140205) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - dts mixing by Kevin Tobin |
gd1986-02-08.142388.5-1.tobin.flac1648 | |
1986-02-08 | Henry J. Kaiser Convention Center |
142388 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 106033) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140205) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - surround mixing by Kevin Tobin |
gd1986-02-08.sbd.walker.scotton.miller.106033.flac16 | |
1986-02-08 | Henry J. Kaiser Convention Center |
106033 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd86-02-08.beyer.connor.2987.sbeok.shnf | |
1986-02-08 | Henry J. Kaiser Convention Center |
2987 | AUD> Beyer Dynamic M88's> Sony TCD5M (CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); Both Analog & Digital Mastering by Charlie Connor: seeded to abgd.hs |
gd1986-02-08.140205.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644 | |
1986-02-08 | Henry J. Kaiser Convention Center |
140205 | flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 |
gd1986-02-08.sbd.miller.32541.flac16 | |
1986-02-08 | Henry J. Kaiser Convention Center |
32541 | flac16; SBD -> Cassette Master (TDK MA-R90) Transferred and Edited By Charlie Miller |
gd86-02-09.sbd.clugston.7543.sbeok.shnf | |
1986-02-09 | Henry J. Kaiser Convention Center |
7543 | Master Soundboard Cassette > CDR, disc 2 runs 74:25, CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston, posted to abgd via Charlie Connor |
gd1986-02-09.Set2.Senn421.Darby.119375.Flac2448 | |
1986-02-09 | Henry J. Kaiser Convention Center |
119375 | flac24; Set 2 Only Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/6 Feet LOC First Row Of Balcony)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
gd1986-02-09.Set2.Senn421.Darby.119376.Flac1644 | |
1986-02-09 | Henry J. Kaiser Convention Center |
119376 | flac16; Set 2 Only Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/6 Feet LOC First Row Of Balcony)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1986-02-09.138522.mtx.tobin.flac16 | |
1986-02-09 | Henry J. Kaiser Convention Center |
138522 | flac16; Matrix 2 Source Mix - SBD (shnid = 106119)Recording Info:SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 74135) Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > Sony DTC 2000ES > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (8) - matrix mixing by Kevin Tobin |
gd1986-02-09.138523.dts.tobin.flac16 | |
1986-02-09 | Henry J. Kaiser Convention Center |
138523 | DTS-Audio-CD 5.1 Mix: SBD (shnid = 106119) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 74135) Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > Sony DTC 2000ES > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (8) - dts mixing by Kevin Tobin |
gd1986-02-09.138525.5-1.tobin.flac1648 | |
1986-02-09 | Henry J. Kaiser Convention Center |
138525 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) SBD (shnid = 106119) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 74135) Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > Sony DTC 2000ES > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (8) - mixing by Kevin Tobin |
gd1986-02-09.140206.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644 | |
1986-02-09 | Henry J. Kaiser Convention Center |
140206 | flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 |
gd1986-02-09.sbd.walker-scotton.miller.106119.flac16 | |
1986-02-09 | Henry J. Kaiser Convention Center |
106119 | flac16; Recording Info:SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd86-02-11.sbd.munder.11716.sbeok.shnf | |
1986-02-11 | Henry J. Kaiser Convention Center |
11716 | Updated Source Info: SBD> Cassette Master DAT> CD; Seeded to etree by Willy; note see user comments re pre-emphasis (or not) |
gd1986-02-11.Senn421.Darby.119363.Flac2448 | |
1986-02-11 | Henry J. Kaiser Convention Center |
119363 | flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/front Row Of Balcony/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
gd1986-02-11.mtx.seamons.117797.flac16 | |
1986-02-11 | Henry J. Kaiser Convention Center |
117797 | flac16; Matrix of SBD (shnid=117263) and AUD (shnid=74961) by Jubal H. Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging) |
gd1986-02-11.mtx.seamons.117798.flac24 | |
1986-02-11 | Henry J. Kaiser Convention Center |
117798 | flac24; 24 Bit Matrix at 96 kHz Rate of SBD (shnid=117263) and AUD (shnid=74961) by Jubal H. Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut w/EQ > AIFF tracking via Audacity > FLAC24 via xACT w/meta-tagging) |
gd1986-02-11.Senn421.Darby.119364.Flac1644 | |
1986-02-11 | Henry J. Kaiser Convention Center |
119364 | flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/front Row Of Balcony/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo |
gd1986-02-11.135519.sbd.set2-pcm.miller.flac16 | |
1986-02-11 | Henry J. Kaiser Convention Center |
135519 | flac16; Set 2 Recording Info: SBD -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1986-02-11.sbd.walker.scotton.miller.117261.flac16 | |
1986-02-11 | Henry J. Kaiser Convention Center |
117261 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1986-02-11.sbd.walker.scotton.miller.117263.flac24 | |
1986-02-11 | Henry J. Kaiser Convention Center |
117263 | flac24; Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1986-02-12.Senn421.Darby.119373.Flac2448 | |
1986-02-12 | Henry J. Kaiser Convention Center |
119373 | flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
gd1986-02-12.Senn421.Darby.119374.Flac1644 | |
1986-02-12 | Henry J. Kaiser Convention Center |
119374 | flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd86-02-12.beyer.connor.3302.sbeok.shnf | |
1986-02-12 | Henry J. Kaiser Convention Center |
3302 | AUD> Beyer Dynamic M88's> Sony TCD5M (CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav v1.6 (tracking only)> SHNv3 (MKW ACT); taped, transferred and seeded to abgd by Charlie Connor; includes Nevilles set as d1; d3 tracked for 80 min |
gd1986-02-12.sbd.miller.81517.flac16 | |
1986-02-12 | Henry J. Kaiser Convention Center |
81517 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 |
gd86-02-14.sbd.miller.11625.sbeok.shnf | |
1986-02-14 | Henry J. Kaiser Convention Center |
11625 | SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD; via David Gans; RE-Seeded to etree by Charlie Miller with 'simple bass lift'; See info file for details |
gd1986-02-14.sbd.lai.382.shnf | |
1986-02-14 | Henry J. Kaiser Center |
382 | SBD; via M. Lai; note d2t7 5:58? (Wharf Rat) reportedly skips back for a 1:27 repeat; fix up by 5/5/00; upgrade in circulation |
gd1986-02-14.150566.mtx.seamons.ht123.flac16 | |
1986-02-14 | Henry J. Kaiser Convention Center |
150566 | flac16; Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > EQ using Final Cut > Mix and sync using Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 142427 & 140227. |
gd1986-02-14.Senn421.Darby.119391.Flac2448 | |
1986-02-14 | Henry J. Kaiser Convention Center |
119391 | flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
gd1986-02-14.Senn421.Darby.119392.Flac1644 | |
1986-02-14 | Henry J. Kaiser Convention Center |
119392 | flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo |
gd1986-02-14.sbd.gans.miller.10921.shnf | |
1986-02-14 | Henry J. Kaiser Convention Center |
10921 | SBD> PCM> Dat> Samplitude> Cool Edit Pro> CD; via David Gans; Seeded to etree by Charlie Miller |
gd86-02-14.beyerM88.connor.29477.sbeok.flacf | |
1986-02-14 | Henry J. Kaiser Convention Center |
29477 | Primary Source:Recording Info: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's); Secondary Source: SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD (shn id 11625); The secondary source covers patches in the last 17 seconds of dt05(drums); the first 4:13 of d2t06 (space), and the first 6 seconds of d2t10 (Brokedown Palace: Recorded, Transferred, Patched and Tracked by Charlie Connor |
gd1986-02-14.140227.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644 | |
1986-02-14 | Henry J. Kaiser Convention Center |
140227 | flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 |
gd1986-02-14.142427.sbd.pcm.miller.flac1644 | |
1986-02-14 | Henry J. Kaiser Convention Center |
142427 | flac16; Recording Info: SBD > PCM (Vault Master) > Dat Clone (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller |
gd1986-03-19.151705.Mouth.AKG.Master.Cassette.Mance.Rogers.Noel.t-flac2496 | |
1986-03-19 | Hampton Coliseum |
151705 | flac24/96khz Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96 Recording by Kenny Mance. Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel. February 02, 2021. |
gd1986-03-19.151949.Mouth.AKG.Master.Cassette.Mance.Rogers.Noel.t-flac16 | |
1986-03-19 | Hampton Coliseum |
151949 | flac16/44 Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96 Recording by Kenny Mance Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 02, 2021. Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021 |
gd1986-03-19.151976.Mouth.AKG.Mance.Rogers.Noel.fixed.151705.t-flac.2496 | |
1986-03-19 | Hampton Coliseum |
151976 | flac24/96 This is a fixed version of shnid 151705. Original release had channels reversed. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by Kenny Mance. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 02, 2021. |
gd1986-03-19.156021.beyer-m201.holbrook.flac1644 | |
1986-03-19 | Hampton Coliseum |
156021 | flac1644 Source: MAUD CA Microphones: set 1: AKG c422 cardioid's (X-Y at 90') head level|AKG B18 set 2: Beyer M201 XY head level Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd D5M in line) Location: approximately 40 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Sean Murtha, Gary Steel, Kyle Holbrook, Tom Pinney, John Hance Transferred: Kyle Holbrook |
gd1986-03-19.156022.beyer-m201.holbrook.flac2448 | |
1986-03-19 | Hampton Coliseum |
156022 | flac2448 Source: MAUD CA Microphones: set 1: AKG c422 cardioid's (X-Y at 90') head level|AKG B18 set 2: Beyer M201 XY head level Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd D5M in line) Location: approximately 40 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Sean Murtha, Gary Steel, Kyle Holbrook, Tom Pinney, John Hance Transferred: Kyle Holbrook |
gd1986-03-19.s1.sbd.barletta-sirmick.109838.sbeok.flac16 | |
1986-03-19 | Hampton Coliseum |
109838 | flac16; Set 1 only, Source: unknown soundboard * Lineage: cass > Denon DRR-730 > Sony RCD-W10 > cdr > eac > wav > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > CD Wave > TLH > Flac 16 |
gd1986-03-19.151154.senn.me80.hessberg.miller.clugston.flac1648 | |
1986-03-19 | Hampton Coliseum |
151154 | flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1986-03-19.151155.senn.me80.hessberg.miller.clugston.flac2496 | |
1986-03-19 | Hampton Coliseum |
151155 | flac24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1986-03-19.147516.mtx.tobin.flac16 | |
1986-03-19 | Hampton Coliseum |
147516 | flac16; Matrix 2 Audience Source Mix - AUD1 (shnid = 132686) OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M (Fuji Metal); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD + AUD2 (shnid = 140272) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - matrix mixing by Kevin Tobin |
gd1986-03-19.147517.dts.tobin.flac16 | |
1986-03-19 | Hampton Coliseum |
147517 | DTS-Audio-CD 5.1 Mix; - AUD1 (shnid = 132686) OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M (Fuji Metal); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD + AUD2 (shnid = 140272) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - dts mixing by Kevin Tobin |
gd1986-03-19.147518.5-1.tobin.flac1648 | |
1986-03-19 | Hampton Coliseum |
147518 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - AUD1 (shnid = 132686) OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M (Fuji Metal); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD + AUD2 (shnid = 140272) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - surround mixing by Kevin Tobin |
gd1986-03-19.senn.441.me80.buyers.118517.flac16 | |
1986-03-19 | Hampton Coliseum |
118517 | flac16; Sennheiser 441 + Sennheiser ME80-> 4 channel mic preamp/mixer, (mixer unknown)-> analog stereo out-> Technics RS-B68R home deck; Config/Location: ORTF behind board OTS (~20' behind board); Transfer: Metal Master TDK cassette>JVC TD-V661 3 head>Technics RS-B68R>unbalanced RCA analog inputs of Egosys Waveterminal 2496 record/tracked with CDWave @ 44.1>Macbook>Sound Studio 3.6(normalize peak, +gain)>xACT 2.15(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Unknown; Patch taped and transferred by: Mike Buyers; Processing and seeded by: Lenny Stubbe |
gd86-03-19.sony.lai.3905.sbefail.shnf | |
1986-03-19 | Hampton Coliseum |
3905 | aud> sony mics> cassette master> cdr; via Mike Lai |
gd1986-03-19.s1.sbd.barletta-sirmick.109882.sbeok.flac16 | |
1986-03-19 | Hampton Coliseum |
109882 | flac16; Set 1 ONLY; Source: unknown soundboard * Lineage: cass > Denon DRR-730 > Sony RCD-W10 > cdr > eac > wav > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > CD Wave > TLH > Flac 16 |
gd1986-03-19.140272.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644 | |
1986-03-19 | Hampton Coliseum |
140272 | flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 |
gd1986-03-19.127512.chasingwilma.flac24 | |
1986-03-19 | Hampton Coliseum |
127512 | flac24; source: (2) beyers 160> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd86-03-20.sbd-matrix.munder.8098.sbeok.shnf | |
1986-03-20 | Hampton Coliseum |
8098 | Updated Source info: Unknown Audience Recording (Had been marked: Matrix SBD>MC>C>CD) Some minor digi-noise noted; See txt for details; via Jim Skinner; Seeded to etree by Willy |
gd1986-03-20.127513.chasingwilma.flac24 | |
1986-03-20 | Hampton Coliseum |
127513 | flac24; source: (2) akg shotguns> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1986-03-20.156023.beyer-m201.holbrook.flac1644 | |
1986-03-20 | Hampton Coliseum |
156023 | flac1644 Source: MAUD CA Microphones: Beyer M201 XY head level Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd D5M in line) Location: approximately 40 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Sean Murtha, Gary Steel?, Mike Davis, Kenny Davis, Kyle Holbrook?, Tom Pinney, John Hance Transferred: Kyle Holbrook |
gd1986-03-20.156024.beyer-m201.holbrook.flac2448 | |
1986-03-20 | Hampton Coliseum |
156024 | flac2448 Source: MAUD CA Microphones: Beyer M201 XY head level Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd D5M in line) Location: approximately 40 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Sean Murtha, Gary Steel?, Mike Davis, Kenny Davis, Kyle Holbrook?, Tom Pinney, John Hance Transferred: Kyle Holbrook |
gd1986-03-20.151196.senn.me80.hessberg.miller.clugston.flac1648 | |
1986-03-20 | Hampton Coliseum |
151196 | flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1986-03-20.151197.senn.me80.hessberg.miller.clugston.flac2496 | |
1986-03-20 | Hampton Coliseum |
151197 | flac24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1986-03-20.sbd.fishman.107321.flac16 | |
1986-03-20 | Hampton Coliseum |
107321 | flac16; Updated source info: Unknown Audience Source Respeed Processing: SHN>FLAC>WAV>Cool Edit Pro Processing>FLAC (Had been marked: Matrix SBD>MC>C>CD>SHN> Respeed Processing: SHN>FLAC>WAV>Cool Edit Pro Processing>FLAC) |
gd86-03-20.sony.lai.3906.sbeok.shnf | |
1986-03-20 | Hampton Coliseum |
3906 | aud> sony mics> cassette master> cdr; via Mike Lai; reportedly may circulate with or without Comes a Time, possibly from 3/31/86, as filler (d1t10) |
gd1986-03-20.140273.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644 | |
1986-03-20 | Hampton Coliseum |
140273 | flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 |
gd86-03-21.set1-sbd.munder.8453.sbeok.shnf | |
1986-03-21 | Hampton Coliseum |
8453 | 1st set only; Updated lineage: Unknown Audience recording (Had been marked: Matrix SBD>MC>C>CD); via Jim Skinner; Seeded to etree by Willy |
gd1986-03-21.beyerm160.d5scott.107555.flac16 | |
1986-03-21 | Hampton Coliseum |
107555 | flac16; source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files |
gd1986-03-21.127531.chasingwilma.flac24 | |
1986-03-21 | Hampton Coliseum |
127531 | flac24; source: (2) beyers 160> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1986-03-21.156025.beyer-m201.holbrook.flac1644 | |
1986-03-21 | Hampton Coliseum |
156025 | flac1644 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel?, Kyle Holbrook?, Tom Pinney Transfer by: Kyle Holbrook |
gd1986-03-21.156026.beyer-m201.holbrook.flac2448 | |
1986-03-21 | Hampton Coliseum |
156026 | flac2448 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel?, Kyle Holbrook?, Tom Pinney Transfer by: Kyle Holbrook |
gd1986-03-21.151198.senn.me80.hessberg.miller.clugston.flac1648 | |
1986-03-21 | Hampton Coliseum |
151198 | flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1986-03-21.151199.senn.me80.hessberg.miller.clugston.flac2496 | |
1986-03-21 | Hampton Coliseum |
151199 | flac24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1986-03-21.142491.mtx.tobin.flac1644 | |
1986-03-21 | Hampton Coliseum |
142491 | flac16; Matrix 2 Source Mix - SBD (shnid = 142450) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 107555) source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files - matrix mixing by Kevin Tobin |
gd1986-03-21.142492.dts.tobin.flac1644 | |
1986-03-21 | Hampton Coliseum |
142492 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 142450) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 107555) source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files - dts mixing by Kevin Tobin |
gd1986-03-21.142493.5-1.tobin.flac1648 | |
1986-03-21 | Hampton Coliseum |
142493 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 142450) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 107555) source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files - surround mixing by Kevin Tobin |
gd86-03-21.naks.munder.5178.sbeok.shnf | |
1986-03-21 | Hampton Coliseum |
5178 | Nakamichi 300 with Shotguns, Marantz PMD-430; Transfer: Nakamichi BR3 -> Cool Edit 2000 -> Shn; see info file for flaw notes; via Willy |
gd1986-03-21.140274.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644 | |
1986-03-21 | Hampton Coliseum |
140274 | flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 |
gd1986-03-21.142450.sbd.miller.flac1648 | |
1986-03-21 | Hampton Coliseum |
142450 | flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k |
gd1986-03-23.127536.chasingwilma.flac24 | |
1986-03-23 | The Spectrum |
127536 | flac24; source: schoeps CMC 44> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1986-03-23.133873.cmc34-fob.deemph.flac16 | |
1986-03-23 | The Spectrum |
133873 | flac16; FOB Schoeps CMC3s/MK4s>PCM>DAT; Transfer: DAT>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by Unknown; de-emphasis version of source ID 132708 using xACT 2.34 by chillwig |
gd1986-03-23.133940.sbd.set2partial.andrewf.flac1644 | |
1986-03-23 | The Spectrum |
133940 | flac16; Partial Set 2 Source: SBD > ? > Cassette. Transfer: Hitachi ME-Metal > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Andrew F. 08/2015 |
gd1986-03-23.148872.senn441.mattes.miller.clugston.flac1648 | |
1986-03-23 | The Spectrum |
148872 | flac16/48kHz; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1986-03-23.148873.senn441.mattes.miller.clugston.flac2496 | |
1986-03-23 | The Spectrum |
148873 | flac24; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1986-03-23.156622.senn.me80.hessberg.miller.clugston.flac1648 | |
1986-03-23 | The Spectrum |
156622 | flac1648 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1986-03-23.156623.senn.me80.hessberg.miller.clugston.flac2496 | |
1986-03-23 | The Spectrum |
156623 | flac2496 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1986-03-23.nak300.mandel.79565.shnf | |
1986-03-23 | The Spectrum |
79565 | Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools. Taped & Transfered by Brian Mandel |
gd1986-03-23.nak300.damico.87649.flac16 | |
1986-03-23 | The Spectrum |
87649 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend |
gd1986-03-23.142392.sbd.miller.flac1648 | |
1986-03-23 | The Spectrum |
142392 | flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k |
gd1986-03-23.111956.beyer-senn.daweez.d5scott.flac16 | |
1986-03-23 | The Spectrum |
111956 | flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (up front-center) > Nak MX100 w/2001 > Sony TC-D5M (dolby off) - master analog cassettes; Transfer: Sony TC-D5M (original record deck-dolby off) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd86-03-23.senn.unknown.15203.sbeok.shnf | |
1986-03-23 | The Spectrum |
15203 | MAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's) > wav > shn |
gd1986-03-23.nakcm304.suraci.sbeok.79879.flac16 | |
1986-03-23 | The Spectrum |
79879 | flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci |
gd1986-03-23.132708.fob-schoeps.datbrad.flac16 | |
1986-03-23 | The Spectrum |
132708 | flac16; FOB Schoeps CMC3s/MK4s>PCM>DAT; Transfer: DAT>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by Unknown; CDRs provided by Mark Lynn; Conversion to wav>flac by DATBRAD |
gd1986-03-23.156076.beyerm201-murtha.holbrook.flac1644 | |
1986-03-23 | The Spectrum |
156076 | flac1644 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: 1st Gen AUDCA Maxell MX90 No NR [KH; SM master] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney |
gd1986-03-23.156077.beyerm201-murtha.holbrook.flac2448 | |
1986-03-23 | The Spectrum |
156077 | flac2448 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: 1st Gen AUDCA Maxell MX90 No NR [KH; SM master] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney |
gd1986-03-23.141998.fob.oade.schoeps.cmc4.mk41.wise.miller.clugston.flac1644 | |
1986-03-23 | The Spectrum |
141998 | flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 |
gd1986-03-23.145702.mtx.tobin.flac16 | |
1986-03-23 | The Spectrum |
145702 | flac16; Matrix 2 Source Mix - SBD (shnid = 142392) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 141998) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - matrix mixing by Kevin Tobin |
gd1986-03-23.145703.dts.tobin.flac16 | |
1986-03-23 | The Spectrum |
145703 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 142392) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 141998) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - dts mixing by Kevin Tobin |
gd1986-03-23.145705.5-1.tobin.flac1648 | |
1986-03-23 | The Spectrum |
145705 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 142392) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 141998) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - surround mixing by Kevin Tobin |
gd1986-03-23.nak100.holtz.jaz.102167.flac16 | |
1986-03-23 | The Spectrum |
102167 | flac16; Taper: Greg Holtz Source: Nakamichi cm 100's w/shotguns -> Sony TC-D5 Transfer: By (JAZ) Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8 |
gd86-03-24.cirella.kerbel.5570.sbeok.shnf | |
1986-03-24 | The Spectrum |
gd86-03-24.naks.braverman.16746.sbeok.shnf | |
1986-03-24 | The Spectrum |
16746 | Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN This is a new seed, with sector boundary errors fixed but otherwise no changes, April 2003. (Peter Braverman) |
gd86-03-24.schoeps.nawrocki.17890.sbeok.shnf | |
1986-03-24 | The Spectrum |
17890 | Source: Schoeps CMC 4's/MK 4's > Sony D5 > DA-P1 > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT The between track crowd noise in the first set was edited out on the source discs. I used crossfades to make this as fluid as possible. Thanks to Mark McCue for the source discs. EAC'd/Seeded by Doug Nawrocki |
gd1986-03-24.nak300.damico.87655.flac16 | |
1986-03-24 | The Spectrum |
87655 | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend |
gd1986-03-24.fob.beyerm160.d5scott.107413.flac16 | |
1986-03-24 | The Spectrum |
107413 | flac16; source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files |
gd1986-03-24.139772.set2.FOB.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac1644 | |
1986-03-24 | The Spectrum |
139772 | flac16; Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT |
gd86-03-24.sbd.miller.22783.sbeok.shnf | |
1986-03-24 | The Spectrum |
22783 | Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller |
gd1986-03-24.148732.mtx.tobin.flac16 | |
1986-03-24 | The Spectrum |
148732 | flac16; Matrix 3 Source Mix - SBD (shnid = 22783) Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller + AUD1 (shnid = 79610) (Set 1 Only) Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools + AUD2 (shnid = 139772) (Set 2 Only) Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT - matrix mixing by Kevin Tobin |
gd1986-03-24.148733.dts.tobin.flac16 | |
1986-03-24 | The Spectrum |
148733 | flac16; DTS-Audio-CD 5.1 Mix SBD (shnid = 22783) Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller + AUD1 (shnid = 79610) (Set 1 Only) Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools + AUD2 (shnid = 139772) (Set 2 Only) Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT - dts mixing by Kevin Tobin |
gd1986-03-24.148734.5-1.tobin.flac1648 | |
1986-03-24 | The Spectrum |
148734 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 22783) Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller + AUD1 (shnid = 79610) (Set 1 Only) Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools + AUD2 (shnid = 139772) (Set 2 Only) Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT - surround mixing by Kevin Tobin |
gd1986-03-24.fob.thompson.motb-0073.92275.flac16 | |
1986-03-24 | The Spectrum |
92275 | flac16; 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] |
gd1986-03-24.fob.thompson.motb-0073.92276.flac24 | |
1986-03-24 | The Spectrum |
92276 | flac24; 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] |
gd1986-03-24.nak300.pasternak.102654.flac16 | |
1986-03-24 | The Spectrum |
102654 | flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick; recorded by Jon Pasternak |
gd1986-03-24.fob.schoeps.lochner.gems.103442.flac16 | |
1986-03-24 | The Spectrum |
103442 | flac16; FOB recording By Tony Lochner Schoeps CMC-441 60 degrees AUD>PCM-F1/SL-2000 Betamax>F1 Copy>F1 Copy Transferred media is Sony PRO-X L-500, master and intermediate copy unknown Mic power supply unknown, probably Doug Oade 18V supply Transfer: Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 at 24/44.1 Mike Grace Fall2009 Editing-Mastering:Jamie Waddell on GEMS Edit Station. Weiss=Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither FLACLevel8 |
gd1986-03-24.nak300.mandel.79610.shnf | |
1986-03-24 | The Spectrum |
79610 | Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools |
gd1986-03-24.156078.beyerm201-murtha.holbrook.flac1644 | |
1986-03-24 | The Spectrum |
156078 | flac1644 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby, third deck in line Location: 45 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel Transfer by: Kyle Holbrook |
gd1986-03-24.156079.beyerm201-murtha.holbrook.flac2448 | |
1986-03-24 | The Spectrum |
156079 | flac2448 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby, third deck in line Location: 45 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel Transfer by: Kyle Holbrook |
gd1986-03-24.151214.km84i.hecht-lipton-fleck-scheuner.miller.flac1644 | |
1986-03-24 | The Spectrum |
151214 | Recording Info: (FOB) Neumann KM84i > PCM Master (Sony PCM F1/SL2000) > PCM Clone Transfer Info: PCM Clone (Sony SL-HF860D) > Sony PCM-601ESD > Behringer Ultramatch Pro (16-bit/44.1k) > Tascam SS-CDR200 > Samplitude Pro X5 Suite > FLAC/16 |
gd1986-03-24.127535.chasingwilma.flac24 | |
1986-03-24 | The Spectrum |
127535 | flac24; source: schoeps CMC 44> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1986-03-24.nak100.holtz.jaz.102168.flac16 | |
1986-03-24 | The Spectrum |
102168 | flac16; Taper: Greg Holtz Source: 2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5 Transfer: By (JAZ) Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8 (note: This source originally circulated with a corrupt track 02.) |
gd1986-03-24.nak300.porter.braverman.7480.shnf | |
1986-03-24 | The Spectrum |
7480 | Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN; via Peter Braverman; upgrade in circulation |
gd86-03-25.sbd.braverman-munder.9880.sbeok.shnf | |
1986-03-25 | The Spectrum |
9880 | Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start |
gd1986-03-25.nakcm304.suraci.sbeok.79901.flac16 | |
1986-03-25 | The Spectrum |
79901 | flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci |
gd1986-03-25.139773.FOB.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac1644 | |
1986-03-25 | The Spectrum |
139773 | flac16; Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK4's > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT |
gd1986-03-25.nak300.pasternak.mallick.105580.flac16 | |
1986-03-25 | The Spectrum |
105580 | flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD front row of taper's section behind soundboard by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick |
gd1986-03-25.117825.BeyerM160.d5scott.flac16 | |
1986-03-25 | The Spectrum |
117825 | flac16; Source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1986-03-25.senn441.mccue.ford.111954.sbeok.flac16 | |
1986-03-25 | The Spectrum |
111954 | flac16; MAC; (FOB) Sennheiser 441 > Sony D5 > Maxell XLII-S 90(Set I) Maxell MA-R 90(Set II); Taped by Mark McCue; Transferred, Edited and Mastered by Alex Ford |
gd86-03-25.beyer.connor.3188.sbeok.shnf | |
1986-03-25 | The Spectrum |
3188 | AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor; flip in Don't Ease, no other flaws noted; d2 tracked for 80 min |
gd1986-03-25.nak300.mandel.80002.shnf | |
1986-03-25 | The Spectrum |
80002 | Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel |
gd1986-03-25.156080.beyerm201-murtha.holbrook.flac1644 | |
1986-03-25 | The Spectrum |
156080 | flac1644 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney |
gd1986-03-25.156081.beyerm201-murtha.holbrook.flac2448 | |
1986-03-25 | The Spectrum |
156081 | flac2448 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney |
gd1986-03-25.145624.5-1.tobin.flac1648 | |
1986-03-25 | The Spectrum |
145624 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN + AUD (shnid = 3188) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - surround mixing by Kevin Tobin |
gd1986-03-25.145618.PandP-sbd.tobin.flac16 | |
1986-03-25 | The Spectrum |
145618 | flac16; Patched & Pitch Corrected Soundboard - SBD (original shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start - pitch correction and patches by Kevin Tobin |
gd1986-03-25.145619.PandP-aud.tobin.flac16 | |
1986-03-25 | The Spectrum |
145619 | flac16; Patched & Pitch Corrected Audience - AUD (original shnid = 3118) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - pitch correction and patches by Kevin Tobin |
gd1986-03-25.145620.mtx.tobin.flac16 | |
1986-03-25 | The Spectrum |
145620 | flac16; Matrix 2 Source Mix - SBD (shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN + AUD (shnid = 3188) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - matrix mixing by Kevin Tobin |
gd1986-03-25.145623.dts.tobin.flac16 | |
1986-03-25 | The Spectrum |
145623 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN + AUD (shnid = 3188) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - dts mixing by Kevin Tobin |
gd1986-03-25.151098.senn441.mattes.miller.clugston.flac1648 | |
1986-03-25 | The Spectrum |
151098 | flac16/48khz Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1986-03-25.151099.senn441.mattes.miller.clugston.flac2496 | |
1986-03-25 | The Spectrum |
151099 | flac24/96khz Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1986-03-25.127540.chasingwilma.flac24 | |
1986-03-25 | The Spectrum |
127540 | flac24; source: nakamichi 700> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1986-03-25.nak100.holtz.jaz.102169.flac16 | |
1986-03-25 | The Spectrum |
102169 | flac16; Taper: Greg Holtz Source: 2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5 Transfer: By (JAZ) Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8 |
gd86-03-27.neumann-hogan.fixed.24029.sbeok.shnf | |
1986-03-27 | Cumberland County Civic Center |
24029 | Source: FOB(CENTER)>AUD>MC>CDR Neumann U87's>Uher CR240>Maxell XLII 90 Cass. Master>Marantz Pro CDR 500 Paul Hogan recording. Note: Original seed (shnid#5003) was TAO. Someone fixed it and uploaded it to TOL in 3/03. |
gd1986-03-27.127543.chasingwilma.flac24 | |
1986-03-27 | Cumberland County Civic Center |
127543 | flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1986-03-27.139324.FOB.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac16 | |
1986-03-27 | Cumberland County Civic Center |
139324 | flac16; Schoeps CMC4/MK4 > Oade pcm > Bryant pcm patch > Gastwirt dat (cloned from Bryant pcm); Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT |
gd1986-03-27.141048.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644 | |
1986-03-27 | Cumberland County Civic Center |
141048 | flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 |
gd1986-03-27.156130.akgc422.davis-holbrook.flac1644 | |
1986-03-27 | Cumberland County Civic Center |
156130 | flac1644 Microphones: set 1 Beyer m201 (hypercardioid) XY 90º set 2 AKG 422 XY fig 8's > Nakamichi 550 > Recorder: Sony TC-D5M No Dolby Maxell MX90 x 2 Location: 40 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: s1: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel, Greg Martens Transfer by: Kyle Holbrook |
gd1986-03-27.156131.akgc422.davis-holbrook.flac2448 | |
1986-03-27 | Cumberland County Civic Center |
156131 | flac2496 Microphones: AKG 422 XY fig 8's > Nakamichi 550 > Recorder: Sony TC-D5M No Dolby Maxell MX90 x 2 Location: 40 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: s1: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel, Greg Martens Transfer by: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP |
gd1986-03-27.beyerm88.pinney.russjcan.107068.flac16 | |
1986-03-27 | Cumberland County Civic Center |
107068 | flac16; Beyer M-88's XY 90w/D5 40 feet away,5 feet high,center Mac>NakCR-3A>AudigySE>Audacity>CDwave>TLH; Recorded by Tom Pinney Transferred by Russ Cansler |
gd1986-03-27.121600.sbd.miller.flac16 | |
1986-03-27 | Cumberland County Civic Center |
121600 | flac16; SBD -> Cassette Master -> Reel -> Dat -> ? -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd86-03-27.sbd.miller.26347.sbeok.shnf | |
1986-03-27 | Cumberland County Civic Center |
26347 | SBD> Cassette Master> Reel> Dat> ?> Dat> CD -> EAC> SHN; plus AUD patch from (FOB) Neumann U87> Cassette Master> CD, using Samplitude v7.02 Professional; SHN Conversion and Patch By Charlie Miller; Upgrade in circulation |
gd1986-03-27.139468.FOB.SennME80.Hessberg.Miller.Noel.t-flac24 | |
1986-03-27 | Cumberland County Civic Center |
139468 | flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT |
gd86-03-28.neumann-hogan.hogan.5004.sbeok.shnf | |
1986-03-28 | Cumberland County Civic Center |
5004 | FOB (Center)> AUD> MC> CDR Neumann U87's> Uher CR240> Maxell XLII 90 Cass. Master> Marantz Pro CDR 500; Paul Hogan Recording; EAC/SHN by Charles Hogan |
gd1986-03-28.139325.FOB.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac16 | |
1986-03-28 | Cumberland County Civic Center |
139325 | flac16; Schoeps CMC4/MK4 > Oade pcm > Bryant pcm patch > Gastwirt dat (cloned from Bryant pcm); Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT |
gd1986-03-28.141049.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644 | |
1986-03-28 | Cumberland County Civic Center |
141049 | flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 |
gd1986-03-28.156132.akgc422.davis-holbrook.flac1644 | |
1986-03-28 | Cumberland County Civic Center |
156132 | flac1644 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; DFC Transfer: s1: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP |
gd1986-03-28.156133.akgc422.davis-holbrook.flac2448 | |
1986-03-28 | Cumberland County Civic Center |
156133 | flac2496 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; DFC Transfer: s1: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP |
gd1986-03-28.139469.FOB.SennME80.Hessberg.Miller.Noel.t-flac24 | |
1986-03-28 | Cumberland County Civic Center |
139469 | flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT |
gd1986-03-28.127544.chasingwilma.flac24 | |
1986-03-28 | Cumberland County Civic Center |
127544 | flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1986-03-28.sbd-set2.browning.31603.flac16 | |
1986-03-28 | Cumberland County Civic Center |
31603 | flac16; Updated Lineage: SBD (Tascam322 to Marantz CDR500) > Cx? > CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC Frontend |
gd86-03-30.nak300.braverman.10076.sbeok.shnf | |
1986-03-30 | Providence Civic Center |
10076 | Nak 300/Sony D5> Nakamichi BX-300> CD; via Stephen B. Porter; Seeded to etree by Peter Braverman |
gd86-03-30.fob-schoeps.miller.25526.sbeok.shnf | |
1986-03-30 | Providence Civic Center |
25526 | Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller |
gd1986-03-30.nak300.pasternak.mallick.103229.flac16 | |
1986-03-30 | Providence Civic Center |
103229 | flac16; Master: Nakamichi CM300\'s/CP4\'s>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick |
gd1986-03-30.141050.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644 | |
1986-03-30 | Providence Civic Center |
141050 | flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 |
gd1986-03-30.142406.sbd.miller.flac1648 | |
1986-03-30 | Providence Civic Center |
142406 | flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k |
gd1986-03-30.139470.FOB.SennME80.Hessberg.Miller.Noel.t-flac24 | |
1986-03-30 | Providence Civic Center |
139470 | flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT |
gd1986-03-30.139523.FOB.Schoeps-cmc4-mk41.oade.bryant.miller.sirmick.flac16 | |
1986-03-30 | Providence Civic Center |
139523 | flac16; Source: FOB recording > Schoeps cmc4 mk41 > pcm > dat (44.1k) - recorded by Robert Bryant (patched out of the Oades) and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick 10/07/2017 |
gd1986-03-30.127545.chasingwilma.flac24 | |
1986-03-30 | Providence Civic Center |
127545 | flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1986-03-30.nak300.damico.87741.flac16 | |
1986-03-30 | Providence Civic Center |
87741 | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend |
gd1986-03-30.sbd.walker-scotton.miller.106110.flac16 | |
1986-03-30 | Providence Civic Center |
106110 | flac16; Recording Info: SBD -> ? -> 2nd Gen Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd86-03-31.aud.eD.13463.sbeok.shnf | |
1986-03-31 | Providence Civic Center |
13463 | AUD>MC>CDR; via Mr.Benson; seedeD |
gd86-03-31.fob-schoeps-pasternak.miller.25527.sbeok.shnf | |
1986-03-31 | Providence Civic Center |
25527 | Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info:Nakamichi 300/CP4 -> Master Cassette (Marantz PMD430) -> CD (Tascam CDRW5000) -> EAC -> Cool Edit Pro v1.2 -> SHN (Taped By Jon Pasternak) via Charlie Miller; the origianal seed for this source had a flaw in d2t06; Upgrade in circulation |
gd1986-03-31.nakcm304.suraci.sbeok.79912.flac16 | |
1986-03-31 | Providence Civic Center |
79912 | flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: *OTS Floor Sec 7 Row C, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci |
gd1986-03-31.127568.chasingwilma.nak300-441.flac24 | |
1986-03-31 | Providence Civic Center |
127568 | flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc;conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1986-03-31.122001.schoeps.pasternak.miller.flac16 | |
1986-03-31 | Providence Civic Center |
122001 | flac16; Recording Info: (FOB) Schoeps -> PCM -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> SHN -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Recorded By Jon Pasternak |
gd1986-03-31.141051.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644 | |
1986-03-31 | Providence Civic Center |
141051 | flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 |
gd1986-03-31.139471.FOB.SennME80.Hessberg.Miller.Noel.t-flac24 | |
1986-03-31 | Providence Civic Center |
139471 | flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT |
gd1986-03-31.142429.sbd.miller.flac1648 | |
1986-03-31 | Providence Civic Center |
142429 | flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k |
gd1986-03-31.127552.chasingwilma.flac24 | |
1986-03-31 | Providence Civic Center |
127552 | flac24; source: (3) atm 11> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1986-03-31.sbd.walker-scotton.miller.106111.flac16 | |
1986-03-31 | Providence Civic Center |
106111 | flac16; Recording Info: SBD -> ? -> 2nd Gen Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1986-03-31.nak300.pasternak.mallick.102337.flac16 | |
1986-03-31 | Providence Civic Center |
102337 | flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick |
gd86-04-01.naks-porter.braverman.7342.sbefixed.shnf | |
1986-04-01 | Providence Civic Center |
7342 | Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN; via Stephen B. Porter; Peter Braverman. [Note: Original shn set had sbe's on all tracks - a sbe-fixed-by set- version also circulates] |
gd86-04-01.sony.mattman.17810.sbeok.shnf | |
1986-04-01 | Providence Civic Center |
17810 | Unknown Sony Mics> Sony TC-D5> Maxell Metal Cassette; Transfer: Nakamichi DR-10> Monster Analog cables> Tascam CD-RW700 Burner; Edit: EAC (IOMEGA CDRW9602EXT-B, Secure with C2, accurate stream, NO disable cache, Read offset correction = -147)> CE2K> SHNTOOL> mkwACT; via mattman |
gd1986-04-01.nakcm304.suraci.sbeok.79925.flac16 | |
1986-04-01 | Providence Civic Center |
79925 | flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: *OTS Floor Sec 7 Row F, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci |
gd1986-04-01.nak300.damico.88016.flac16 | |
1986-04-01 | Providence Civic Center |
88016 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend |
gd1986-04-01.127676.chasingwilma.nak300-441.flac24 | |
1986-04-01 | Providence Civic Center |
127676 | flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd86-04-01.fob-schoeps.miller.25529.sbeok.shnf | |
1986-04-01 | Providence Civic Center |
25529 | Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info: Nakamichi 300/CP4 -> Master Cassette (Sony D5) -> CD via Charlie Miller |
gd1986-04-01.senn441.carpenter.andrewf.101103.flac24 | |
1986-04-01 | Providence Civic Center |
101103 | flac24; AUD: Sennheiser MD-441's > Sony TC-D5M > Maxell MX-90's, no Dolby, next to the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. |
gd1986-04-01.senn441.carpenter.andrewf.101104.flac16 | |
1986-04-01 | Providence Civic Center |
101104 | flac16; AUD: Sennheiser MD-441's > Sony TC-D5M > Maxell MX-90's, no Dolby, next to the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. |
gd1986-04-01.141052.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644 | |
1986-04-01 | Providence Civic Center |
141052 | flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 |
gd1986-04-01.139472.FOB.SennME80.Hessberg.Miller.Noel.t-flac24 | |
1986-04-01 | Providence Civic Center |
139472 | flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT |
gd1986-04-01.142452.sbd.miller.flac1648 | |
1986-04-01 | Providence Civic Center |
142452 | flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k |
gd1986-04-01.127553.chasingwilma.flac24 | |
1986-04-01 | Providence Civic Center |
127553 | flac24; source: (3) atm 11> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1986-04-01.sbd.walker-scotton.miller.106114.flac16 | |
1986-04-01 | Providence Civic Center |
106114 | flac16; Recording Info: SBD -> ? -> 2nd Gen Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd86-04-03.sbd.samaritano.18509.sbeok.shnf | |
1986-04-03 | Hartford Civic Center |
18509 | Vault PCM Master->10 inch reels at 15 ips->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Michael P. Weitzman Transfer and SHN by Joe Samaritano |
gd1986-04-03.nak300.damico.88022.flac16 | |
1986-04-03 | Hartford Civic Center |
88022 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend |
gd1986-04-03.148581.neumann.km84i.hecht.miller.clugston.flac1648 | |
1986-04-03 | Hartford Civic Center |
148581 | flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1986-04-03.148582.neumann.km84i.hecht.miller.clugston.flac2496 | |
1986-04-03 | Hartford Civic Center |
148582 | flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 |
gd1986-04-03.156235.akg-c422.davis-murtha-holbrook.flac1644 | |
1986-04-03 | Hartford Civic Center |
156235 | flac1644 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 50 feet from stage; DFC Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This AKG c422 recording dedicated to our brother Kenny Davis |
gd1986-04-03.156236.akg-c422.davis-murtha-holbrook.flac2448 | |
1986-04-03 | Hartford Civic Center |
156236 | flac2448 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 50 feet from stage; DFC Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This AKG c422 recording dedicated to our brother Kenny Davis |
gd1986-04-03.nak300.barfield-lane.103357.flac24 | |
1986-04-03 | Hartford Civic Center |
103357 | flac24; source: nak 300/cp4 (@ board, 12') > tcd5m (tdk mar 90 +dolby) transfer: master cassette > tcd5m (orig recorder +dolby) > minime (24/96) > sd744t > audacity > xact (flac24) recorded: david lane/david barfield transferred/seeded: david barfield |
gd1986-04-03.sbd.jeffm.2789.sbeok.shnf | |
1986-04-03 | Hartford Civic Center |
2789 | SBD> Master Cassette> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M. |
gd1986-04-03.nak300.mandel.86824.shnf | |
1986-04-03 | Hartford Civic Center |
86824 | Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Location: 10Flor Sec 8 Row N Seat 3 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Taped & Transfered by Brian Mandel |
gd1986-04-03.142699.sbd.miller.patched.flac2496 | |
1986-04-03 | Hartford Civic Center |
142699 | flac24; Recording Info: PCM Master > Neve 8068 Console > Reel (Studer A80/10in 7.5ips 1/2trk); Transfer Info: Reel > Pro Tools (24-bit/96k) > WAV; Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; This is a patched version of shnid=142690 |
gd1986-04-03.142712.sbd.miller.flac1644 | |
1986-04-03 | Hartford Civic Center |
142712 | flac16; Recording Info: PCM Master > Neve 8068 Console > Reel (Studer A80/10in 7.5ips 1/2trk); Transfer Info: Reel > Pro Tools (24-bit/96k) > WAV; Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; This is 142699 24 -> 16 |
gd1986-04-03.142690.sbd.miller.flac2496 | |
1986-04-03 | Hartford Civic Center |
142690 | flac24; Recording Info: PCM Master > Neve 8068 Console > Reel (Studer A80/10in 7.5ips 1/2trk); Transfer Info: Reel > Pro Tools (24-bit/96k) > WAV; Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; fixed version in circulation |
gd86-04-04.aud.eD.13464.sbeok.shnf | |
1986-04-04 | Hartford Civic Center |
13464 | AUD>MC>CDR; via Mr.Benson; seedeD |
gd86-04-04.BeyerM88s.connor.29580.sbeok.flacf | |
1986-04-04 | Hartford Civic Center |
29580 | Recording Info: Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA-R60 1st set; MA-R90 2nd set)Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Recorded, Transferred, Patched and Tracked by Charlie Connor |
gd1986-04-04.nakcm304.suraci.sbeok.79986.flac16 | |
1986-04-04 | Hartford Civic Center |
79986 | flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: *OTS Floor Sec 8 Row F, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci |
gd1986-04-04.nak300.damico.88106.flac16 | |
1986-04-04 | Hartford Civic Center |
88106 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend |
gd1986-04-04.148583.neumann.km84i.hecht.miller.clugston.flac1648 | |
1986-04-04 | Hartford Civic Center |
148583 | flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1986-04-04.148584.neumann.km84i.hecht.miller.clugston.flac2496 | |
1986-04-04 | Hartford Civic Center |
148584 | flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 |
gd1986-04-04.156237.akg-c422.davis-murtha-holbrook.flac1644 | |
1986-04-04 | Hartford Civic Center |
156237 | flac1644 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (first in line) Location: approximately 75 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook |
gd1986-04-04.156238.akg-c422.davis-murtha-holbrook.flac2448 | |
1986-04-04 | Hartford Civic Center |
156238 | flac2448 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (first in line) Location: approximately 75 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook |
gd1986-04-04.aud.akg.108472.flac16 | |
1986-04-04 | Hartford Civic Center |
108472 | flac16; AKG C-422>D5; AUD Master Cassettes (2-Maxell MX90)>NAK 1.5>wav>flac16 (Traders Little Helper) Type I - No Dolby - No Normalization or mastering of any kind |
gd1986-04-04.nak300.pasternak.mallick.103228.flac16 | |
1986-04-04 | Hartford Civic Center |
103228 | flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick |
gd1986-04-04.nak300.mandel.87246.shnf | |
1986-04-04 | Hartford Covoc Center |
87246 | Source: Nakamichi 300 Shotguns CP4's & Sony TCD5M. Location: 10Flor Sec 8 Row M Seat 4 Transfered:Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn. Taped and transfered by Brian Mandel |
gd86-04-12.schoeps.eD.13465.sbeok.shnf | |
1986-04-12 | Irvine Meadows |
13465 | AUD>MC>DAT>CDR; Schoeps CMC44?s; via Joe Brown; seedeD |
gd1986-04-12.148777.fob.neumann.km84i.hecht.miller.clugston.flac1648 | |
1986-04-12 | Irvine Meadows |
148777 | flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1986-04-12.148778.fob.neumann.km84i.hecht.miller.clugston.flac2496 | |
1986-04-12 | Irvine Meadows |
148778 | flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 |
gd1986-04-12.151149.aud.lohr.vernon.flac1648 | |
1986-04-12 | Irvine Meadows |
151149 | flac16/48khz Source : Nak mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp 1648 |
gd1986-04-12.151150.aud.lohr.vernon.flac2496 | |
1986-04-12 | Irvine Meadows |
151150 | flac24/96khz Source : Nak mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) |
gd86-04-13.schoeps.eD.13513.sbeok.shnf | |
1986-04-13 | Irvine Meadows |
13513 | AUD>MC>DAT>CDR; Schoeps CMC34?s; via Annie Beauneu; seedeD |
gd1986-04-13.148866.fob.neumann.km84i.hecht.miller.clugston.flac1648 | |
1986-04-13 | Irvine Meadows |
148866 | flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1986-04-13.148867.fob.neumann.km84i.hecht.miller.clugston.flac2496 | |
1986-04-13 | Irvine Meadows |
148867 | flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 |
gd1986-04-13.151151.aud.lohr.vernon.flac2496 | |
1986-04-13 | Irvine Meadows |
151151 | flac24/96khz Source : Nak mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) |
gd1986-04-13.151152.aud.lohr.vernon.flac1648 | |
1986-04-13 | Irvine Meadows |
151152 | flac16/48khz Source : Nak mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp 1648 |
gd1986-04-13.Senn421.Darby.119475.Flac2448 | |
1986-04-13 | Irvine Meadows |
119475 | flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/Loge Row 6 Row FF Seat 617/6 Feet High)> Sony TC D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
gd1986-04-13.Senn421.Darby.119476.Flac1644 | |
1986-04-13 | Irvine Meadows |
119476 | flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/Loge Row 6 Row FF Seat 617/6 Feet High)> Sony TC D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1986-04-13.sbd.walker-scotton.miller.81647.flac16 | |
1986-04-13 | Irvine Meadows Amphitheatre |
81647 | flac16; SBD -> Cassette Master -> Cassette -> Cassette; All Transfers and Mastering By Charlie Miller |
gd1986-04-18.140188.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644 | |
1986-04-18 | Berkeley Community Theater |
140188 | flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 |
gd1986-04-18.Senn421.Darby.119487.Flac2448 | |
1986-04-18 | Berkeley Community Theater |
119487 | flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
gd1986-04-18.Senn421.Darby.119488.Flac1644 | |
1986-04-18 | Berkeley Community Theater |
119488 | flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1986-04-18.sbd.miller.34762.sbeok.flac16 | |
1986-04-18 | Berkeley Community Theatre |
34762 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller |
gd1986-04-18.sbd.schulz.flowmaster.24365.sbeok.shnf | |
1986-04-18 | Berkeley Community Theatre |
24365 | unknown SBD; upgrade in circulation |
gd1986-04-18.117300.nak300.wright.flac16 | |
1986-04-18 | Berkeley Community Theater |
117300 | flac16; nak300>cp4>Sony D5 OTS 9ft master tapes >hhb830 cd 16/44.1; taped/transferred by Doug Wright; DAE>TLH Flac 8 seeded by c. cage |
gd1986-04-18.sbd-pcm.miller.34748.flac16 | |
1986-04-18 | Berkeley Community Theatre |
34748 | flac16; Recording Info: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC All Transfers and Mastering By David Gans Converted To FLAC By Charlie Miller |
gd1986-04-18.schoeps.crandel.32059.flac16 | |
1986-04-18 | Berkeley Community Theatre |
32059 | flac16; Don Crandel's PCM, Schoeps, FOB > ? > CDR > EAC to transfer the CDR's to WAV > Trader's Little Helper v.1.0.0.72 for SBE-OK, checksums, and lossless compression to FLAC |
gd86-04-19.sbd.candyman.8568.sbeok.shnf | |
1986-04-19 | Berkeley Community Theater |
8568 | SBD> MC> DAT> CDR> WAV> SHN; DAE (EAC)> d/o repair (sound forge 5)> tracking (cdwav> boundary check (shntool)> SHN (mkwact)> FTP via neo_levo |
gd1986-04-19.Senn421.Darby.116408.Flac2448 | |
1986-04-19 | Berkeley Community Theater |
116408 | flac24; Taper Mike Darby; Master Audience Sennheiser MD421's(PAS/Sec CTR Row NN Seat 19/6ft)> Sony TC-D5M (Maxell MX); Original Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking,Fades,FLAC8); Tracks Re-Named,MetaData Tagging With AudiGate Software |
gd1986-04-19.Senn421.Darby.116409.Flac1644 | |
1986-04-19 | Berkeley Community Theater |
116409 | flac16; Taper Mike Darby; Master Audience Sennheiser MD421's(PAS/Sec CTR Row NN Seat 19/6ft)> Sony TC-D5M (Maxell MX); Original Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking,Fades,FLAC8); Tracks Re-Named,MetaData Tagging With AudiGate Software; Dithered With Korg Aqua To 16/44; SBE's Checked All OK |
gd1986-04-19.140200.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644 | |
1986-04-19 | Berkeley Community Theater |
140200 | flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 |
gd1986-04-19.sbd-pcm.miller.34764.flac16 | |
1986-04-19 | Berkeley Community Theatre |
34764 | flac16; Recording Info: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC All Transfers and Mastering By David Gans |
gd1986-04-19.sbd.miller.34419.flac16 | |
1986-04-19 | Berkeley Community Theatre |
34419 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
gd1986-04-19.sbd.miller.tetzeli.fix-34764.82049.flac16 | |
1986-04-19 | Berkeley Community Theatre |
82049 | flac16; Patched tracks of the SBD -> PCM source (shn id 34764) |
gd86-04-21.sbd.jeffm.1857.sbeok.shnf | |
1986-04-21 | Berkeley Community Theater |
1857 | SBD> Master Cassette> DAT> CDR> EAC> SHN; via Jeff M. |
gd1986-04-21.Senn421.Darby.116431.Flac2448 | |
1986-04-21 | Berkeley Community Theater |
116431 | flac24; Taper Mike Darby; Master Audience Sennheiser MD421's(PAS/Sec CTR Row LL Seat 21/6ft)> Sony TC-D5M (Maxell MX); Original Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking,Fades,FLAC8); Tracks Re-Named,MetaData Tagging With AudiGate Software |
gd1986-04-21.Senn421.Darby.116432.Flac1644 | |
1986-04-21 | Berkeley Community Theater |
116432 | flac16; Taper Mike Darby; Master Audience Sennheiser MD421's(PAS/Sec CTR Row LL Seat 21/6ft)> Sony TC-D5M (Maxell MX); Original Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking,Fades,FLAC8); Tracks Re-Named,MetaData Tagging With AudiGate Software; SBE's Checked/Fixed With Trader's Little Helper |
gd1986-04-21.140223.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644 | |
1986-04-21 | Berkeley Community Theater |
140223 | flac16; Source Info: (FOB) Schoeps CMC4/MK41 (110 degree ORTF)> Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 |
gd1986-04-21.sbd-pcm.miller.34766.flac16 | |
1986-04-21 | Berkeley Community Theatre |
34766 | flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: SBD -> PCM -> Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By David Gans and Charlie Miller |
gd1986-04-21.sbd.miller.34765.flac16 | |
1986-04-21 | Berkeley Community Theatre |
34765 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller |
gd86-04-22.aud.eD.13583.sbeok.shnf | |
1986-04-22 | Berkeley Community Theater |
13583 | AUD>PCM>DAT>CDR; via Johanna; seedeD |
gd1986-04-22.Senn421sNak300CP4s.Darby.119492.Flac2448 | |
1986-04-22 | Berkeley Community Theater |
119492 | flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4 Shotguns; (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
gd1986-04-22.Senn421sNak300CP4s.Darby.119493.Flac1644 | |
1986-04-22 | Berkeley Community Theater |
119493 | flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4 Shotguns; (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1986-04-22.140245.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644 | |
1986-04-22 | Berkeley Community Theater |
140245 | flac16; Source Info: (FOB) Schoeps CMC4/MK41 (110 degree ORTF)> Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 |
gd1986-04-22.sbd-pcm.miller.34768.flac16 | |
1986-04-22 | Berkeley Community Theatre |
34768 | flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: SBD -> PCM -> Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By David Gans and Charlie Miller |
gd1986-04-22.sbd.miller.34767.flac16 | |
1986-04-22 | Berkeley Community Theatre |
34767 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller |
gd86-05-03.beyer.cronk.9626.sbeok.shnf | |
1986-05-03 | Cal Expo |
9626 | Beyer M88s>PCM>metal cass>CDR; via Drew Berry; Seeded to etree by jimmy cronk |
gd86-05-03.sbd.hinko.18375.sbeok.shnf | |
1986-05-03 | Cal Expo |
18375 | SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko |
gd1986-05-03.135008.chasingwilma.flac24 | |
1986-05-03 | Cal Expo |
135008 | flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate |
gd1986-05-03.Set1.Senn421sNak300CP4s.Darby.119543.Flac2448 | |
1986-05-03 | Cal Expo |
119543 | flac24; Set 1 Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4s> (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M,Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48>HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
gd1986-05-03.Set1.Senn421sNak300CP4s.Darby.119544.Flac1644 | |
1986-05-03 | Cal Expo |
119544 | flac16; Set 1 Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4s> (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M,Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48>HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1986-05-03.sbd.miller.81516.flac16 | |
1986-05-03 | Cal Expo Amphitheatre |
81516 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 |
gd86-05-04.sbd.miller.12088.sbeok.shnf | |
1986-05-04 | Cal Expo Amphitheatre |
12088 | SBD -> PCM -> ? -> Cass (DBX) -> Dat; Seeded to etree by Charlie Miller |
gd86-05-04.schoeps.eD.15234.sbeok.shnf | |
1986-05-04 | Cal Expo Amphitheatre |
15234 | AUD>PCM>DAT>CDR; Schoeps CMC-441's>Sony PCM-F1; Thanks to Billie Jean; seedeD |
gd1986-05-04.148868.neumann.km84i.hecht.miller.clugston.flac1648 | |
1986-05-04 | Cal Expo Amphitheatre |
148868 | flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1986-05-04.148869.neumann.km84i.hecht.miller.clugston.flac2496 | |
1986-05-04 | Cal Expo Amphitheatre |
148869 | flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 |
gd1986-05-04.148638.neumann.km84i.hecht.miller.clugston.flac1648 | |
1986-05-04 | Cal Expo Amphitheatre |
148638 | flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1986-05-04.148639.neumann.km84i.hecht.miller.clugston.flac2496 | |
1986-05-04 | Cal Expo Amphitheatre |
148639 | flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 |
gd1986-05-04.Senn421sNak300CP4s.Darby.119546.Flac1644 | |
1986-05-04 | Cal Expo Amphitheatre |
119546 | flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4s> (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M,Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48>HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1986-05-04.sbd.miller.81603.flac16 | |
1986-05-04 | Cal Expo Amphitheatre |
81603 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
gd86-05-10.aud.eD.13817.sbeok.shnf | |
1986-05-10 | Frost Amphitheatre |
13817 | AUD>MC*>DAT>CDR; via Abraham & Isaac; seedeD |
gd1986-05-10.135047.chasingwilma.flac24 | |
1986-05-10 | Frost Amphitheatre |
135047 | flac24; lineage: schoeps cmc 44 fob> tcd-d5> tcd-d5>mc sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8 |
gd1986-05-10.148864.neumann.km84i.hecht.miller.clugston.flac1648 | |
1986-05-10 | Frost Amphitheatre |
148864 | flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1986-05-10.148865.neumann.km84i.hecht.miller.clugston.flac2496 | |
1986-05-10 | Frost Amphitheatre |
148865 | flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 |
gd1986-05-10.156608.nakomni.holbrook.flac16 | |
1986-05-10 | Frost Ampitheater |
156608 | flac1644 1GEN AUDCA Microphones: Jaime Poris custom mics: Nakamichi capsules customized, attached to plexiglass plates spread 20 feet apart > dbx 224|customized > Dolby decode side of patch bay > Recorder: Sony TC-D5M no NR Maxell MX90 Location: OTS- ~150 feet from stage spread 20 feet apart Original transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, Aaron; patched out of Poris/Olness custom rig Transferred & Processed by Kyle Holbrook |
gd1986-05-10.156609.nakomni.holbrook.flac24 | |
1986-05-10 | Frost Ampitheater |
156609 | flac2448 1GEN AUDCA Microphones: Jaime Poris custom mics: Nakamichi capsules customized, attached to plexiglass plates spread 20 feet apart > dbx 224|customized > Dolby decode side of patch bay > Recorder: Sony TC-D5M no NR Maxell MX90 Location: OTS- ~150 feet from stage spread 20 feet apart Original transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, Aaron; patched out of Poris/Olness custom rig Transferred & Processed by Kyle Holbrook |
gd1986-05-10.140256.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644 | |
1986-05-10 | Frost Amphitheatre |
140256 | flac16; Source Info: (FOB) Schoeps CMC4/MK41 (120 degree ORTF)> Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 |
gd1986-05-10.sbd.walker-scotton.miller.81625.flac16 | |
1986-05-10 | Frost Amphitheatre - Stanford University |
81625 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
gd86-05-11.beyer.connor.2317.sbeok.shnf | |
1986-05-11 | Frost Amphitheatre |
2317 | AUD> Beyer Dynamic M88's> D5 (CM)> Nak MR2 (Playback)> Panasonic 3700 (ADC only, no DAT stage)> ZA2> Sound Forge (crossfading over tape flips only)> CDRx1> EAC> SHN; taped by Charlie Connor; A>D conversion by Stephen Agan; via Charlie Connor to abgd; see alternate tracking suggestions in info file |
gd86-05-11.sbd.gardner.8115.sbeok.shnf | |
1986-05-11 | Frost Amphitheatre |
8115 | SBD>MC>DAT>CDR (Additional Cass generations?); via Tony Gardner |
gd1986-05-11.135048.chasingwilma.flac24 | |
1986-05-11 | Frost Amphitheatre |
135048 | flac24; lineage: schoeps cmc 44 fob> tcd-d5> tcd-d5>mc sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8 |
gd1986-05-11.140257.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644 | |
1986-05-11 | Frost Amphitheatre |
140257 | flac16; Source Info: (FOB) Schoeps CMC4/MK41 (120 degree ORTF)> Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 |
gd1986-05-11.156610.nakomni.holbrook.flac16 | |
1986-05-11 | Frost Ampitheater |
156610 | flac1644 1GEN AUDCA speed corrected 2.25% usig Audacity Microphones: Jaime Poris custom mics: Nakamichi capsules customized, attached to plexiglass plates spread 20 feet apart > dbx 224|customized > Dolby decode side of patch bay > Recorder: Sony TC-D5M no NR Maxell MX90 Location: OTS- ~150 feet from stage spread 20 feet apart Original transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, John Hance, Aaron; patched out of Poris/Olness rig Transferred & Processed by Kyle Holbrook |
gd1986-05-11.156611.nakomni.holbrook.flac24 | |
1986-05-11 | Frost Ampitheater |
156611 | flac2448 1GEN AUDCA speed corrected 2.25% usig Audacity Microphones: Jaime Poris custom mics: Nakamichi capsules customized, attached to plexiglass plates spread 20 feet apart > dbx 224|customized > Dolby decode side of patch bay > Recorder: Sony TC-D5M no NR Maxell MX90 Location: OTS- ~150 feet from stage spread 20 feet apart Original transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, John Hance, Aaron; patched out of Poris/Olness rig Transferred & Processed by Kyle Holbrook |
gd86-05-11.sbd.hinko.26557.sbeok.flacf | |
1986-05-11 | Frost Amphitheatre |
26557 | flac16; SBD > MC > C > DAT > CD > EAC > FLAC; inlcuding AUD patches from previous Beyer source; EAC/FLAC by Darryl Hinko, from David Feldstein's source discs |
gd1986-05-11.sbd.walker-scotton.miller.81626.flac16 | |
1986-05-11 | Frost Amphitheatre - Stanford University |
81626 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
gd86-06-20.aud.eD.15243.sbeok.shnf | |
1986-06-20 | Greek Theatre, University Of California |
15243 | AUD>MC>DAT>CDR; Senn 441>Sony TC-D5; Thanks to the Plowman; seedeD |
gd1986-06-20.151706.Mouth.AKG.Master.Cassette.Set2.JFK.Rogers.Noel.t-flac2496 | |
1986-06-20 | Greek Theatre |
151706 | flac24/96khz Set 2 Only. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes. Location: 3rd, 4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96. Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 04, 2021. |
gd1986-06-20.151950.Mouth.AKG.Master.Cassette.Set2.JFK.Rogers.Noel.t-flac16 | |
1986-06-20 | Greek Theatre |
151950 | Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 3rd/4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96 Recording by JFK Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 04, 2021 Patch info: - shnid 22023 (Schoeps CMC442, Oade) supplies - s2t07; 00:20 - 00:28 - s2t11; all Notes: - Thanks to JFK for recording the show. - Thanks to Craig Rogers for supplying the source & the transfer. - Thanks to everyone involved with the patch source. - This source has been pitch corrected. - UJB had 3 minor left channel d/o's repaired with the right channel - This is an Uher Archive production. - uherarchive@live.com - Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021 |
gd1986-06-20.151977.set2.Mouth.AKG.JFK.Rogers.Noel.fixed.151706.t-flac2496 | |
1986-06-20 | Greek Theater |
151977 | flac24/96 Set 2 Only. This is a fixed version of shnid 151706. Original release had channels reversed. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 04, 2021. |
gd1986-06-20.152063.Mouth.AKG.Master.Cassette.s2.JFK.Rogers.Noel.t-flac1648 | |
1986-06-20 | Greek Theatre, University Of California |
152063 | flac16/48 version of i.d. 151977. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 04, 2021. |
gd1986-06-20.156950.akgc422.davis-holbrook.flac1644 | |
1986-06-20 | Greek Theatre, University Of California |
156950 | flac1644 Source: 1GEN CA Microphones: AKG c422 "omnioid" (X-Y at 90')|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 20 feet from stage handheld Transfer: Nakamichi CR-5A> Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Tom Pinney, Aaron, John Hance Transferred: Kyle Holbrook |
gd1986-06-20.156951.akgc422.davis-holbrook.flac2448 | |
1986-06-20 | Greek Theatre, University Of California |
156951 | flac2448 Source: 1GEN CA Microphones: AKG c422 "omnioid" (X-Y at 90')|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 20 feet from stage handheld Transfer: Nakamichi CR-5A> Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Tom Pinney, Aaron, John Hance Transferred: Kyle Holbrook |
gd86-06-20.sbd.hinko.23591.sbeok.shnf | |
1986-06-20 | Greek Theatre, U. Of California |
23591 | SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko |
gd1986-06-20.126349.akg.flac24 | |
1986-06-20 | Greek Theatre, U. Of California |
126349 | flac24; Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460 Preis CK61 Caps > Uher 240; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row DFC Behind Soundboard |
gd1986-06-20.126350.akg.flac16 | |
1986-06-20 | Greek Theatre, U. Of California |
126350 | flac16; Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460 Preis CK61 Caps > Uher 240; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row DFC Behind Soundboard |
gd86-06-20.aud-cmc42.oade_dsp.22935.sbeok.flacf | |
1986-06-20 | Greek Theatre, U. Of California |
22935 | Sean Webber-Small Recording -- Spaced (8') Schoeps CMC42s->m118>MOD PCM-1 Transfer: Sony PCM-601ESD > Terratec EWX2496 card > DAW > DSP by Doug Oade tracked (cdwave) and re-flac'ed by Darrin Sacks |
gd1986-06-20.AKG414.Darby.117826.Flac2448 | |
1986-06-20 | Greek Theatre, U. Of California |
117826 | flac24; Master Audience Recorded By Mr. Darby; AKGC414B-ULS (Cardoid/DIN/DFC/Last Row OTS/6 Feet High)> Sony PCM-F1 (RCA Out)>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo |
gd1986-06-20.AKG414.Darby.117827.Flac1644 | |
1986-06-20 | Greek Theatre, U. Of California |
117827 | flac16; Master Audience Recorded By Mr. Darby; AKGC414B-ULS (Cardoid/DIN/DFC/Last Row OTS/6 Feet High)> Sony PCM-F1 (RCA Out)>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software |
gd1986-06-20.sbd.walker-scotton.miller.81645.flac16 | |
1986-06-20 | Greek Theatre - University of California |
81645 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
gd1986-06-20.138908.aud.lamarre.berger.flac16 | |
1986-06-20 | Greek Theatre, U. Of California |
138908 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 |
gd1986-06-20.138909.aud.lamarre.berger.flac24 | |
1986-06-20 | Greek Theatre, U. Of California |
138909 | flac24; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 |
gd1986-06-20.148476.neumann.km84i.hecht.miller.clugston.flac1648 | |
1986-06-20 | Greek Theatre, University Of California |
148476 | flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1986-06-20.148477.neumann.km84i.hecht.miller.clugston.flac2496 | |
1986-06-20 | Greek Theatre, University Of California |
148477 | flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 |
gd86-06-21.sbd.brame.15406.sbeok.shnf | |
1986-06-21 | Greek Theatre, U. Of California |
15406 | MSC>DAT>CDR>SHN; Discs from Andy L. DAE and SHN (Seekable) by tbrame |