Identifiers for Grateful Dead
1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
Archive Identifier | |
---|---|
Date | Venue |
Source | |
gd1973-00-00.wotfroughmixes.samaritano.97924.flac16 | |
1973-01-01 | Wake Of The Flood Sessions |
97924 | flac16; Lineage: Unknown Studio Recording -> Sonic Solutions -> CD Transfer: CD -> EAC ->FLAC by Joe Samaritano |
gd73-02-09.sbd.allred.9888.sbeok.shnf | |
1973-02-09 | Roscoe Maples Pavilion, Stanford U. |
9888 | SBD> MR> R> DAT> CD; Show SHNed by Bob Allred; md5 / shn renaming and txt file by Patrick Hitt, who notes that "slightly different edit times indicate a different dat source or editor" than previous shn set |
gd73-02-09.sbd.bertha-fink.14939.sbeok.shnf | |
1973-02-09 | Roscoe Maples Pavilion, Stanford U. |
14939 | S : MR > R > DAT > SS > CDR > DAW (Bertha) > CDA > SHN > COOL EDIT PRO > SHN; See info file for 'additional edit' notes from seeder Alan Fink. |
gd1973-02-09.141001.sbd.14939-spdcor.flac1644 | |
1973-02-09 | Roscoe Maples Pavilion, Stanford |
141001 | flac16; SBD>>MR>>REEL>>DAT>>SS>>CDR>>DAW(Bertha)>>CDA>>SHN>>COOL EDIT PRO>>SHN; Speed-corrected using Celemony Capstan done for each track individually; Reencoded to flac (level 8); SBE's fixed using Trader's Little Helper |
gd1973-02-09.150166.sbd.miller.flac1644 | |
1973-02-09 | Roscoe Maples Pavilion |
150166 | flac16; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (44.1k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller |
gd73-02-15.sbd.hall.1580.sbeok.shnf | |
1973-02-15 | Dane County Coliseum |
gd1973-02-15.150175.sbd-fixed.miller.flac1648 | |
1973-02-15 | Dane County Coliseum |
150175 | flac16/48kHz; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (Panasonic SV-3800/48k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC |
gd1973-02-15.aud.partial.124195.flac | |
1973-02-15 | Dane County Coliseum |
124195 | flac16; two channel mono MAC> ? > normal bias cassettes> Harmon Kardon TD 302, Heads aligned to each tape side> Zoom H2 @16/44.1> SD card> PC> edited and tracked with wavpad> flac level 8 and checksums with traderslittlehelper |
gd1973-02-15.124360.mtx.dusborne.flac16 | |
1973-02-15 | Dane County Coliseum |
124360 | flac16; 2 Source Matrix by dusborne; Soundboard (shnid:1580): MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD and Audience (shnid:124195): two channel mono MAC> ? > normal bias cassettes (see notes) Two 60 minute and one 90 minute mid 70's vintage Memorex cassettes, Cassettes> Harmon Kardon TD 302, Heads aligned to each tape side> Zoom H2 @16/44.1> SD card> PC> edited and tracked with wavpad> flac level 8 and checksums with traders little helper |
gd1973-02-15.134029.sbd.menke-lee-smith.flac16 | |
1973-02-15 | Dane County Coliseum |
134029 | flac16; Recording Info: SBD MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith |
gd1973-02-15.134028.sbd.menke-lee-smith.flac24 | |
1973-02-15 | Dane County Coliseum |
134028 | flac24; Recording Info: SBD MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith |
gd1973-02-15.sbd.hall.1580.shnf | |
1973-02-15 | Dane County Coliseum |
1580 | MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD; upgrade relative to previous shn copies; includes soundcheck and most of encores; via Mike Hall; tracked for 2x74 + 1x80 (with alternate tracking suggestion) |
gd73-02-17.sbd.carman.11771.sbeok.shnf | |
1973-02-17 | St. Paul Auditorium |
11771 | SBD:MR> PCM> DAT> CD; retracking etc of previous shn set, by Randy Carman |
gd1973-02-17.150300.sbd.miller.flac1648 | |
1973-02-17 | St. Paul Auditorium |
150300 | flac16/48kHz; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (Panasonic SV-3800/48k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC |
gd1973-02-17.sbd.ashley-field.32875.sbeok.flac16 | |
1973-02-17 | St. Paul Auditorium |
32875 | flac16; SBD > MR > PCM > DAT > CDA > WAV > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 32580 |
gd73-02-19.set2sbd.fink.15589.sbeok.shnf | |
1973-02-19 | International Amphitheatre |
15589 | SBD : MC > C > DAT > SS > CDR > EAC > SHN Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. Thanks to Paul B. for the seeds. Seeded to etree on 3/2/03 |
gd73-02-21.sbd.hamilton.165.sbeok.shnf | |
1973-02-21 | Assembly Hall, University of Illinois |
165 | complete; MR > DAT > 1 cass > DAT > CDR 3x; via G. Hamilton; see info file for misc flaws, esp d1; 4-disc set with 2/22 |
gd1973-02-21.sbd.miller.111120.flac16 | |
1973-02-21 | Assembly Hall, University Of Illinois |
111120 | flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd73-02-22.pset2-sbd.carman.12215.sbeok.shnf | |
1973-02-22 | Assembly Hall, U. of Il. |
12215 | reworking of previous shn set, by Randy Carman (see notes in info file) |
gd1973-02-22.sbd.miller.111169.flac16 | |
1973-02-22 | Assembly Hall, University Of Illinois |
111169 | flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1973-02-22.sbd.elliot.10963.sbeok.shnf | |
1973-02-22 | Assembly Hall - University Of Illinois |
10963 | Partial; According to Deadlists this is missing the 4 songs after Playin' in Set 1, and Around from Set 2; See info file for details; SBD:MR>Cas>DAT>CD; Seeded to etree by Julian Elliot |
gd1973-02-22.sbd.hamilton.166.shnf | |
1973-02-22 | Assembly Hall, University of Illinois |
166 | sets 1p,2; MR > DAT > 1 cass> DAT > CDR 3x; via G. Hamilton; see info file for misc flaws, |
gd73-02-24.pset1-sbd.sly.16051.sbeok.shnf | |
1973-02-24 | University of Iowa |
16051 | Partial Set I - Last four songs SBD> MR> DAT> CDR by Sly_Wow Thanks to Raoul Duke |
gd73-02-24.sbd.elliot.11929.sbeok.shnf | |
1973-02-24 | Fieldhouse, University of Iowa |
11929 | Single track jam segment; see info file for details; SBD>?>GDH CD; seeded to etree by Jools |
gd1973-02-24.142031.aud.owen.berger.flac1644 | |
1973-02-24 | UI Field House, University Of Iowa |
142031 | flac16; partial source: aud cassette master; taped by Mark Owen; sears & robuck deck, floor, 100’ from stage; nakamichi dragon > benchmark adc1 @ 24/96> adobe audition cc > fission > xACT flac 16/44.1; transferred by Rob Berger |
gd73-02-26.sbd.kaplan.1208.sbeok.shnf | |
1973-02-26 | Pershing Municipal Auditorium |
1208 | S:MR > cassette > DAT > CDR > EAC > SHN; EAC/SHN by Seth Kaplan; upload by Greg Hamilton; note D3t02 (Eyes): splice @ 3:25 |
gd73-02-28.sbd.weiner.15386.sbeok.shnf | |
1973-02-28 | Salt Palace |
15386 | Multiple sources SBMR via Noah Weiner and David Gans encoded by Noah Weiner (see info file for details). Upgrade to previous copies with complete EOTW & AWBYGN. |
gd1973-02-28.143133.s2.partial.gastwirt.sirmick.miller.flac1648 | |
1973-02-28 | Salt Palace |
143133 | flac16/48kHz; Source: SBD > MR > Cas >Dat (48k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 >wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 |
gd73-03-15.aud.vernon.13468.sbeok.shnf | |
1973-03-15 | Nassau Coliseum |
13468 | Source (~complete): Unknown AUD > ? cdr via JackeySack, converted by Matt Vernon |
gd73-03-15.sbd.cotsman.14035.sbeok.shnf | |
1973-03-15 | Nassau Coliseum |
14035 | composite source 1: AUD>??>CD>EAC>SHN source 2: SBD>MR>C>D>CD>EAC>SHN via JackeySack, Matt Vernon, and Paul Hartman edits/encoding by JCotsman |
gd1973-03-15.136652.sbd.reelmaster.cassette.dat.sirmick.flac16 | |
1973-03-15 | Nassau Coliseum |
136652 | flac16; Source: Soundboard > Reel Master > Cassette > DAT (48k) |
gd1973-03-15.151902.SonyStereo.ECM.Moskal.t.flac16 | |
1973-03-15 | Nassau Veterans Memorial Coliseum |
151902 | flac16 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette (Circa 1984) Transfer/Flac Conversion 02-27-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac |
gd73-03-16.sbd.cribbs.19141.sbeok.shnf | |
1973-03-16 | Nassau Coliseum |
19141 | Fixed composite sbd version (based on shnid = 167) by Sean Cribbs. See info file for details. |
gd73-03-16.sbd.hamilton-jackson.167.14770.sbefail.shnf | |
1973-03-16 | Nassau Coliseum |
14770 | fixup by Seth Jackson of 5 tracks from the previous shn set |
gd1973-03-16.152003.SonyStereo.ECM.Moskal.t.flac16 | |
1973-03-16 | Nassau Veterans Memorial Coliseum |
152003 | flac16/44 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette (Circa 1984) Transfer/Flac Conversion 03-01-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac |
gd1973-03-18.145158.ecm270.menke.sirmick.flac1644 | |
1973-03-18 | Winterland Arena |
145158 | flac16; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; 141163 24 > 16 |
gd73-03-19.sbd.elliot.9987.sbeok.shnf | |
1973-03-19 | Nassau Coliseum |
9987 | Playin', plus most of set 2; SBD:MR>Cas>Cas>DAT>CD; Seeded to etree by Jools |
gd1973-03-19.sonyecm.moskal.97417.flac16 | |
1973-03-19 | Nassau Veterans Memorial Coliseum |
97417 | flac16; Taper Gerry Moskal Sony Stereo ECM x 2 -->SONY TCD126 Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/editing//flac Conversion: Brian Mandel Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac |
gd1973-03-19.partial.aud.danh.97506.flac16 | |
1973-03-19 | Nassau Veterans Memorial Coliseum |
97506 | flac16; Taper: Dan H. Location: Slightly too close to stage Transfer/editing/flac conversion: Dan McDonald Unknown Mic, Unknown Cassette recorder (mono) ->Master Cassette -> 24bit/96kHz wav -> slight edit (fade-in, out, azimuth adjustment, and slight level changes for crowd noise) -> 16-bit, 44.1 khz wav (triangular noise dither) |
gd1973-03-19.sbd.123987.miller.flac16 | |
1973-03-19 | Nassau Veterans Memorial Coliseum |
123987 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2.1 -> Adobe Audition CS6 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1973-03-19.141298.sbd.miller.patched.flac2496 | |
1973-03-19 | Nassau Veterans Memorial Coliseum |
141298 | flac24/96 Recording Info: SBD > Master Reels > Dat (16-bit/44.1k) > upsampled to 24-bit/96k; Mastering Info: WAV > Samplitude Pro X3 Suite > FLAC/24; Master Reel Transferred by Rob Eaton; All Mastering By Charlie Miller; the original version of this source had a 2 second dropout in track 16 (Playing In The Band) |
gd1973-03-19.141309.patched.sbd.mr.miller.flac1644 | |
1973-03-19 | Nassau Veterans Memorial Coliseum |
141309 | flac16; Recording Info: SBD > Master Reels > Dat (16-bit/44.1k) > upsampled to 24-bit/96k; Mastering Info: WAV > Samplitude Pro X3 Suite > FLAC/24; Master Reel Transferred by Rob Eaton; All Mastering By Charlie Miller; the original version of this source had a 2 second dropout in thrack 16 (Playing In The Band) |
gd73-03-21.sbd.cotsman.5072.sbeok.shnf | |
1973-03-21 | Utica Memorial Auditorium |
5072 | SBD> MR> ?> D> CD> SHN; shn EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Krakowka; see listening notes in info file |
gd1973-03-21.152018.aud.ryan.miller.clugston.flac1648 | |
1973-03-21 | Utica Memorial Auditorium |
152018 | flac16/48 Source Info: Kevin Ryan's Audience source of unknown provenance; low gen Cassette (Maxell UDXL-II) Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 |
gd1973-03-21.152019.aud.ryan.miller.clugston.flac2496 | |
1973-03-21 | Utica Memorial Auditorium |
152019 | flac24/96 Source Info: Kevin Ryan's Audience source of unknown provenance; low gen Cassette (Maxell UDXL-II) Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 |
gd1973-03-21.152103.aud.lamarre.vernon.sirmick.flac16 | |
1973-03-21 | Utica Memorial Auditorium |
152103 | flac16/44 Source: Audience Cassette (low gen) - from the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick March 2021 |
gd1973-03-21.152104.aud.lamarre.vernon.sirmick.flac24 | |
1973-03-21 | Utica Memorial Auditorium |
152104 | flac24/96 Source: Audience Cassette (low gen) - from the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced edited and mastered SIRMick March 2021 |
gd73-03-21.sbd.miller.29263.sbeok.flac | |
1973-03-21 | Utica Memorial Auditorium |
29263 | Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller Notes:I originally transferred my Dat back in 2000. At that time, I only made Audio discs. Someone asked me to circulate this source since the circulating source has NR applied to it. My source DOES NOT have any NR applied to it. I made these FLAC's off of my Master Audio Discs. Enjoy...cm |
gd73-03-22.sbd.sacks.1822.sbeok.shnf | |
1973-03-22 | Utica Memorial Auditorium |
1822 | MSR> DATs> CDRx1> EAC> SHN; via Darrin Sacks |
gd73-03-24.sbd.hamilton.1216.sbeok.shnf | |
1973-03-24 | The Spectrum |
1216 | S:MR > cassette > DAT > CDR; note updated source info- actually only 1 cass gen, not 2; via Mike Bryan, Greg Hamilton; see info file for listening notes |
gd73-03-24.sbd.bertha-ashley.25508.sbeok.shnf | |
1973-03-24 | The Spectrum |
25508 | SBD>>MR>>CASS>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN |
gd1973-03-24.139595.sbd.betty.composite.miller.clugston.flac16 | |
1973-03-24 | The Spectrum |
139595 | flac16; Primary Source: Betty's 10" MSR -> PCM -> DAT supplies the 2nd Set; Secondary Sources: MSR -> C -> DAT (gd73-03-24.sbd.hamilton.shnid1216) supplies the majority of the 1st set; Betty's 10" MSR -> PCM -> S/PDIF out -> disk -> digital noise reduction w/Sound Forge 6.0 (shnid83407) supplies from 7:38 of "Here Comes Sunshine" (t15)thru the end of the 1st Set; Transfer Info: DAT -> Sony PCM R500-> Tascam DA-3000-> Adobe Audition 3.0-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston |
gd73-03-26.sbd.miller-ashley.1373.sbeok.shnf | |
1973-03-26 | Baltimore Civic Center |
1373 | SBD> MR> DAT> CDA> CDA> EAC> SHN; via Charlie Miller, Jay Ashley; note info file updated 9/13; see pub comments for flaw notes |
gd73-03-28.aud-nourse.weiner.16886.sbeok.shnf | |
1973-03-28 | Springfield Civic Center |
16886 | AudMC > R > DAT > WAV > SHN; taper: Andy Nourse - equipment unknown; via Noah Weiner; see background in txt |
gd73-03-28.sbd-aud.cotsman.11473.sbeok.shnf | |
1973-03-28 | Springfield Civic Center |
11473 | Discs 1&2; AUD>MC>R>D>CD; Disc 3; SBD>MR>D>CD; Seeded to etree by J Cotsman |
gd1973-03-28.beyer.backstrom.miller.75138.flac24 | |
1973-03-28 | Civic Center |
75138 | flac24; Recording Info: Beyer Mics -> Cassette Master Transfer Info: Cassette Master -> Apogee MiniMe -> Samplitude Professional 8.01 -> FLAC/24 All Transfers and Mastering By Charlie Miller |
gd1973-03-28.mtx.dts.tobin.86896.sbeok.flac16 | |
1973-03-28 | Springfield Civic Center Arena |
86896 | DTS Audio 5.1; SBD (shn id 86459) SBD -> Master Reel -> Dat (44.1k) + AUD (shn id 74682) Beyer Mics -> Cassette Master - dts mixing by Kevin Tobin |
gd73-03-30.sbd-aud.cotsman.11616.sbeok.shnf | |
1973-03-30 | Rochester Community War Memorial |
11616 | AUD>MR>?>CD (disc 1); SBD>MR>C>D>CD (remainder); See info file for details; via Paul Hartman & Michael Dixon; Seeded to etree by J. Cotsman |
gd73-03-31.sbd.yerys.2237.sbeok.shnf | |
1973-03-31 | Buffalo Memorial Auditorium |
2237 | Master Soundboard Reel > Cassette > DAT > CD-R; via Morgan Evans, Ben Yerys; see info file for listening notes; note some offbeat tracking |
gd73-04-02.sbd.ashley-bertha.22246.sbeok.shnf | |
1973-04-02 | Boston Garden |
22246 | Bertha remaster of the Master Reel Soundboard source. SBD>>MR>>DAT>>SS>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+ |
gd73-04-02.sbd.miller.17346.sbeok.shnf | |
1973-04-02 | Boston Garden |
17346 | SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat. Transfer Info: Dat -> Sonic Solutions -> CD (David Gans' Master Discs) -> EAC (Secure) -> SHN. CD -> SHN Conversion Done By Charlie Miller. Purports to avoid the drop outs present on the previous shn set for this source. |
gd1973-04-02.sbd.hamilton.00169.sbeok.shnf | |
1973-04-02 | Boston Garden |
169 | complete, with qualitative change in sound partway through; MSR > Cassette > DAT > CD (unknown gens) > DAE > SHN; mix problems in d1t1, bit of distortion in a few places, esp d1t2; brief dropout at d2t6 2:39; cut d3t1 11:46; via A. Cohen, G. Hamilton |
gd1973-04-02.sbd.kfpa.16176.sbeok.shnf | |
1973-04-02 | Boston Garden |
16176 | Master 7.5 ips 2 Track reel> DAT> DAT> SONIC SOLUTIONS> CD> CD > EAC[secure] > SHN |
gd1973-04-02.sbd.yerys.00170.sbeok.shnf | |
1973-04-02 | Boston Garden |
170 | mSR > cassette > DAT > CDR; via B. Yerys |
gd73-05-13.sbd.minches.7270.sbeok.shnf | |
1973-05-13 | Des Moines State Fairgrounds |
7270 | Complete; d1,2,3,5-SBD : MR > R > DAT > CDR via Paul B.; d4-SBD : MR > ? > DAT > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN via David Minches |
gd73-05-13.sbd.powell-ladner.24997.sbeok.shnf | |
1973-05-13 | Des Moines State Fairgrounds |
24997 | Source: MSR>R>?>C>DAT>WAV>SHN except for 4th disc/end of second set which is from previously circulated SHN set (see below). |
gd1973-05-13.sbd.partial.smith.miller.100239.sbeok.flac16 | |
1973-05-13 | Iowa State Fairgrounds |
100239 | flac16; Set 3 Recording Info:SBD -> Master Reel -> Dat -> CD -> EAC -> FLAC; EAC -> FLAC conversion By Charlie Miller; fixed version now in circulation |
gd1973-05-13.set3.sbd.fix.smith.miller.100302.flac16 | |
1973-05-13 | Iowa State Fairgrounds |
100302 | flac16; Set 3 Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version of source ID 100239 |
gd73-05-20.aud.weiner.gdADT.5915.sbefail.shnf | |
1973-05-20 | Stadium, U.C Santa Barbara |
5915 | AUD (Sony Condenser): MC> R> C> DAT> HD> SHN> CD; see notes in info file; via Audience Devotional Tree |
gd73-05-20.sbd.weiner-warner.19564.sbeok.shnf | |
1973-05-20 | Stadium, U.C Santa Barbara |
19564 | 7" Master Reels at 7.5ips half-track > Panasonic SV-3700 DAT > Panasonic SV-3800 DAT > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
gd73-05-20.set3-sbd.cribbs.16531.sbeok.shnf | |
1973-05-20 | Stadium, U.C Santa Barbara |
16531 | Set 3 only; MSR> C> DAT> CD; edits, Aud patch from prior shn set; edits by Sean Cribbs |
gd1973-05-20.124567.mtx.dusborne.flac16 | |
1973-05-20 | Stadium, U.C Santa Barbara |
124567 | flac16; 2 Source Matrix by dusborne Soundboard (shinid:86905) Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat -> CD; Transfer Info: CD -> EAC -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:5915) MC>R>C>DAT>HD>SHN>CD |
gd73-05-20.sbd-patched.schlissel.24495.sbeok.shnf | |
1973-05-20 | Stadium, U.C Santa Barbara |
24495 | Patched Eyes with AUD source. Replaced AUD patch in Eyes with SBD source. |
gd73-05-26.sbd.cribbs.17076.sbeok.shnf | |
1973-05-26 | Kezar Stadium |
17076 | MSR>DAT>CD>EAC>WAV>SHN CD>EAC>WAV>SHN by Sean Cribbs 4/19/2003 |
gd1973-05-26.147312.aud.taback.flac16 | |
1973-05-26 | Kezar Stadium |
147312 | flac16; Recording by Gene Taback: Master Audience Cassette; Sony TC-124 with Sony Stereo Mic; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard> HD; Editing performed in Adobe Audition; Flac Encoded |
gd1973-05-26.154514.s2p-s3p.aud.flac1644 | |
1973-05-26 | Kezar Stadium |
154514 | flac1644; Partial; Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. |
gd1973-05-26.154515.s2p-s3p.mtx.flac1644 | |
1973-05-26 | Kezar Stadium |
154515 | flac1644; Partial; Sources: Matrix of SBD ID-83438 & AUD ID-154514. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged. |
gd1973-05-26.sdb.datsit.7798.sbeok.shnf | |
1973-05-26 | Kezar Stadium |
7798 | Re-eac of previous shn set; Betty Board SBD> Reel> PCM> DAT> Digi I/O> wav; via "Datsit, Other1 and Ripple"; note some low levels, brief d/o's; Row Jimmy splice |
gd1973-05-26.150710.SBD.BettyBoard.Anon.Noel.t-flac16 | |
1973-05-26 | Kezar Stadium |
gd1973-05-26.150710.SBD.BettyBoard.Anon.Noel.fixed.t-flac16 | |
1973-05-26 | Kezar Stadium |
150710 | flac16; Source: SBD Reel Master > PCM > PCM; Transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered (Adobe Audition) by Joe Noel; original version had flaws |
gd1973-05-26.sbd.cantor.diebert.83438.sbeok.flac16 | |
1973-05-26 | Kezar Stadium |
83438 | flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES (Beta HiFi) ( @ 44.055 kHz) > PCM501ES analog out > analog in Fostex D5 ( @ 48kHz) > Fostex D5 optical S/PDIF out (Jace's tape) > Sound Forge 5.0 > wav/shn Transferred by Tim Deibert 12-15-01 |
gd1973-05-26.sbd.miller.patched.83535.flac16 | |
1973-05-26 | Kezar Stadium |
83535 | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller |
gd73-06-09.sbd.hollister.172.sbeok.shnf | |
1973-06-09 | Robert F. Kennedy Stadium |
172 | SBD MR > cassette> DAT > CD > EAC > SHN, except Promised Land, Half Step, and Sugar Mag are S:MR > PCM > cassette > DAT > CD > EAC > SHN, and Patch in Box of Rain (very small) from 2nd source; via D. Hollister, G. Hamilton; 8/16 note formerly error in info file at this site, and possibly distributed with show- cass gen in main portion of show had been omitted, (although info file at Hamiltons' CDR list has apparently always been correct)- sorry! |
gd73-06-09.partial.aud.weiner.gdADT25.22790.sbeok.shnf | |
1973-06-09 | Robert F. Kennedy Stadium |
22790 | AUDMR > DAT > SHN - Recorded by Adam Grow with an Electro-Voice RE-15 super cardioid dynamic microphone > Nagra III Reel to Reel deck at 7.5 ips. Added to etree by Noah Weiner |
gd1973-06-09.130939.mtx.dusborne.flac16 | |
1973-06-09 | Robert F. Kennedy Stadium |
130939 | flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:000172) S:MR > cassette > DAT > CD > EAC > SHN > TLH > flac; Extraction and SHN encoding by G.S. Hamilton and Audience (shnid:120959) Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform; Lineage: transferred professionally by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag; fixed version in circulation |
gd1973-06-09.131169.mtx.fix.dusborne.flac16 | |
1973-06-09 | Robert F. Kennedy Stadium |
131169 | flac16; Fix of 2 Source Matrix (130939) by Dusborne; Soundboard (shnid:000172) S:MR > cassette > DAT > CD > EAC > SHN > TLH > flac; Extraction and SHN encoding by G.S. Hamilton and Audience (shnid:120959) Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform; Lineage: transferred professionally by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag |
gd1973-06-09.sbd.patched.barry.93475.sbeok.shnf | |
1973-06-09 | RFK Stadium |
93475 | Source: SBD (shn ID 172) with AUD patch by Monte Barry. Upgrade now in circulation. |
gd1973-06-09.120958.barry.smith.AUD-fob.flac1644 | |
1973-06-09 | Robert F. Kennedy Stadium |
120958 | flac16 Source: taped by Monte Barry, Sony TC 2850SD portable stereo cassette recorder, Sony ECM 99 single-point stereo mic, mic is hand-held on mic-stand shaft, with arm raised up, FOB center infield, between sbd platform and stage platform; Lineage:transferred by Matt Smith, remastered by Monte Barry (some flaws remain) MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > 16/44 > TLH > SBEs fixed > CD Tag |
gd1973-06-09.sbd.barry.patched-172.93677.shnf | |
1973-06-09 | RFK Stadium |
93677 | Original SBD Source (shnid = 172); Monte Barry patched Sugar Magnolia w/his AUD source (shnid = 91236). (This is a pitch corrected version of the previous patched SBD source.) |
gd1973-06-09.sonytc.monte-barry.91236.flac16 | |
1973-06-09 | RFK Stadium |
91236 | flac16; Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft, w/arm raised up FOB center infield, between sbd platform and stage platform Lineage: MR cassette > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry; Upgrade in circulation |
gd1973-06-10.partial.fob.gadsden.89681.sbeok.flac16 | |
1973-06-10 | RFK Stadium |
89681 | flac16; partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant |
gd1973-06-10.sbd.miller.89640.sbeok.flac16 | |
1973-06-10 | RFK Stadium |
89640 | flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. A fixed version now circulates |
gd73-06-10.sbd.hollister.174.sbeok.shnf | |
1973-06-10 | Robert F. Kennedy Stadium |
174 | SBD MR (10'' reels)> DAT > CD > EAC > SHN; via David Hollister, G.S. Hamilton; known flaws: d2t01 (Bird Song: very brief tape waver @ 2:44, 2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54, d4t06 (GDTRFB): reel flip/splice @ 6:42; not noted on original info file: sounds like loose cord to board: d1t09 (The Race Is On) 1:33, 1:34, 1:36, 1:44; d1t2 BIODTL begining cut; reportedly "best version available" |
gd1973-06-10.aud.barry-gadsden.tobin.90796.flac16 | |
1973-06-10 | RFK Stadium |
90796 | flac16; Composite Audience - AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - mixing\speed correction by Kevin Tobin |
gd1973-06-10.dts.tobin.90794.flac | |
1973-06-10 | RFK Stadium |
90794 | DTS Audio 5.1; SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin |
gd1973-06-10.fob.barry.90351.flac16 | |
1973-06-10 | RFK Stadium |
90351 | flac16; Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry |
gd1973-06-10.mtx.tobin.90771.flac16 | |
1973-06-10 | RFK Stadium |
90771 | flac16; Matrix 3 Source Mix - SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin |
gd1973-06-10.sbd.miller.fix-89640.89730.flac16 | |
1973-06-10 | RFK Stadium |
89730 | flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. This is a fixed version of shn id 89640 |
gd1973-06-10.sbd.miller.tobin.patched-89730.90979.flac16 | |
1973-06-10 | RFK Stadium |
90979 | flac16; Original SBD (shnid = 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC patched and speed corrected |
gd1973-06-10.121030.barry.smith.AUD-fob.flac16 | |
1973-06-10 | Robert F. Kennedy Stadium |
121030 | flac16; taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder > Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag |
gd1973-06-10.121031.barry.smith.AUD-fob.flac2496 | |
1973-06-10 | Robert F. Kennedy Stadium |
121031 | flac24; Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag |
gd1973-06-22.sbd-monitor-mix.pantagruel.85957.flac16 | |
1973-06-22 | Pacific Coliseum |
85957 | flac16; partial set 1: Lineage: Master cassette > reel @ 3.75 ips > cassette > HD Encoding: CDWave > flac frontend > flac Taped by: ? Transfered by: Pantagruel; reportedly fixed some flaws in the previous SBD source. |
gd1973-06-22.mtx.seamons.92375.sbeok.flac16 | |
1973-06-22 | P.N.E. Coliseum |
92375 | flac16; SBD/AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
gd73-06-22.aud.weiner.gdADT19.16889.sbeok.shnf | |
1973-06-22 | P.N.E. Coliseum |
16889 | AUDMC > Reel > Reel > CD > DAT > WAV > SHN recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60). A > D by Matt Williams and Noah Weiner, encoded by Noah Weiner |
gd73-06-22.sbd.cribbs.17270.sbeok.shnf | |
1973-06-22 | P.N.E. Coliseum |
17270 | composite: MSR> PCM> DAT> CD> EAC> WAV> SHN for Bertha> Other One//; MAC> R> R> CD> DAT> WAV> SHN for patches, JGB (see notes); MSR> C> DAT> CD> EAC> WAV> SHN for //Other One> end of set 2; EAC> CEP2K edits> encoding by Sean Cribbs |
gd1973-06-22.140868.sbd.pcm.composite.dalton.miller.clugston.flac1644 | |
1973-06-22 | P.N.E. Coliseum |
140868 | flac16; Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; the original source had a dropout in track 22 (Black Peter); Fixed version in circulation |
gd1973-06-22.140892.sbd.pcm.composite.dalton.miller.clugston.fixv2.flac1644 | |
1973-06-22 | P.N.E. Coliseum |
140892 | flac16; Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this source is a fix of the two previous flawed sources circulated by Scott Clugston; there is another Fixed version of this source in circulation |
gd1973-06-22.140897.sbd.pcm.composite.dalton.miller.clugston.fixv3.flac1644 | |
1973-06-22 | P.N.E. Coliseum |
140897 | flac16; Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this source fixes the flaws in the three circulating Clugston sources: source ID 140868 and source ID 140892; this version includes a fix in track 11, Jack Straw |
gd1973-06-22.sbd.clugston.5850.sbeok.shnf | |
1973-06-22 | P.N.E. Coliseum |
5850 | Master Sounbdoard Reel > PCM > DAT > CDR and likely MSR> C> D> CD, plus AUD patches from 2 sources; d4 tracked for 80 min; some crackle; CD Mastering, EAC'ed / SHN'ed by Scott Clugston |
gd1973-06-22.sbd.cribbs.88347.flac16 | |
1973-06-22 | P.N.E. Coliseum |
88347 | flac16; Main source MSR>PCM>DAT>CD>EAC>WAV; re-patched and re-tracked version of shn id 17270. See info file for details |
gd1973-06-22.sbd.miller.88526.sbeok.flac16 | |
1973-06-22 | P.N.E. Coliseum |
88526 | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller |
gd1973-06-24.sbd.miller.99852.sbeok.flac16 | |
1973-06-24 | Memorial Coliseum |
99852 | flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd73-06-24.sbd.cotsman.12828.sbeok.shnf | |
1973-06-24 | Portland Memorial Coliseum |
12828 | partials of both sets; set 1: SBD> ?>C> CD> EAC> SHN (unknown analog generations); set 2: SBD> MR> C> D> CD> EAC> SHN, edited from previous shn set; the first set is a degraded SBD; Thanks to S. Milewski, G. Hamilton; edits/encoding by JCotsman |
gd1973-06-26.aud-amick.williams-smith.115571.flac16 | |
1973-06-26 | Seattle Center Arena |
115571 | flac16; Recorded by Don Amick; Lineage: MAC(Sony TC-126)>R@7.5 ips.(Don's edited copy)>R@3.3/4 ips(Matt Williams reel)>FLAC |
gd73-06-26.aud.weiner.gdADT14.14673.sbeok.shnf | |
1973-06-26 | Seattle Center Arena |
14673 | AUDMC > Reel > Reel > DAT > WAV > SHN. Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-152 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D and shn encoding by Noah Weiner |
gd73-06-26.sbd.cotsman.12076.sbeok.shnf | |
1973-06-26 | Seattle Center Arena |
12076 | Complete; SBD>MR>C>D>CD patched with: AUD>MR>C>D>CD; Slight pitch correction; See info file for details; Seeded to etree by Mark Sweeney & Chuck Gannon |
gd1973-06-26.mtx.seamons.100024.sbeok.flac16 | |
1973-06-26 | Seattle Center Arena |
100024 | flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) July 4, 2009 |
gd1973-06-26.aud.jems.105840.flac16 | |
1973-06-26 | Seattle Center Coliseum |
105840 | flac16:Taped and Transferred By: JEMS; Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic; Lineage: Master Reels @ full track mono>Tandberg Model 11>>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac. Originally seeded at Dime-A-Dozen ~ 2/4/2010 |
gd1973-06-26.sbd.GoodBear.80602.flac16 | |
1973-06-26 | Seattle Center Arena |
80602 | flac 16 Sources: 1 - SBD>MR>C1 (Latvalla?)>GoodBear DAT>5/2000 edit by GoodBear>CD>EAC 11/2006 (slight hiss reduction & remove all remaining Bertha diginoise in CoolEdit Pro)>FLAC 11/2006; 2 - SBD>MR>C1 (Latvalla?)>DAT>CD>"12076">Teddy slight hiss reduction & retracking in 11/2006>FLAC; 3 - AUDMC>Reel>Reel>DAT>WAV>SHN (from "12076")>GoodBear heavy edit>FLAC |
gd73-06-29.sbd.cotsman.11617.sbeok.shnf | |
1973-06-29 | Universal Amphitheatre |
11617 | Partial; SBD>MR>R>D>CD; Missing first 11 songs and Around and Casey Jones; via Mark Sweeney; Seeded to etree by JCotsman |
gd1973-06-30.aud.sirmick.85816.sbeok.flac16 | |
1973-06-30 | Universal Amphitheatre |
85816 | flac16; remaster of shn id 6019: AudMR > R > DAT |
gd1973-06-30.aud.weiner.99703.sbeok.flac16 | |
1973-06-30 | Universal Amphitheatre |
99703 | flac16; AudMR(C?) > ? > DAT > WAV > FLAC : Alternate copy originating from same original master recording as source ID 6019. Transferred by Noah Weiner |
gd1973-06-30.130557.aud.boswell-smith.flac24 | |
1973-06-30 | Universal Amphitheatre |
130557 | flac24; Audience Source Tape: Reel dubbed in 1979 by Will Boswell (3 3/4ips) from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC |
gd1973-06-30.130561.aud.boswell-smith.flac16 | |
1973-06-30 | Universal Amphitheatre |
130561 | flac16; Audience Source Tape: Reel dubbed in 1979 by Will Boswell (3 3/4ips) from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC |
gd73-06-30.aud.weiner.gdADT.6019.sbefail.shnf | |
1973-06-30 | Universal Amphitheatre |
6019 | AudMR > R > DAT > WAV > SHN; A > D transfer by Noah Weiner; d1 tracked for 80 min; see info file for notes; via Audience Devotional Tree |
gd73-06-30.sbd.Jerugim.177.sbefail.shnf | |
1973-06-30 | Universal Amphitheatre |
177 | SBD> ?> DAT> CD> EAC> SHN; (note Tiedrich's site lists a circulating? SBD> reel master> 1 reel gen> DAT> 1 cass gen> DAT> circulation); Known Flaws: Some digi-noise beginning d1t1, Reel flip middle d1t6,? Reel flip beginnning d3t2; via A. Jerugim; note "E2 USB" is not listed in databases as an encore- may be filler? (has 2 drummers?)- thanks to J. Grimes for alert |
gd1973-06-30.sbd.128248.flac16 | |
1973-06-30 | Universal Amphitheatre |
128248 | flac16; SBD > ? > DAT > CD; CD > Sound Forge 10 > flac; Upgrade to existing source SBD 19903 |
gd1973-06-30.sbd.baker.19903.shnf | |
1973-06-30 | Universal Amphitheatre |
19903 | SBD>?>DAT>CD>EAC>SHN patched with AudMR>R>DAT>WAV>SHN. This is a patched and re-tracked version of the previously circulating soundboard source. |
gd1973-06-30.sbd.sbvol9.chappell.29753.flac16 | |
1973-06-30 | Universal Amphitheatre |
29753 | flac16; Sick Bits Vol. 9 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 177, and AUD - SHN ID# 6019); edited and transfered by Chris Chappell |
gd1973-07-01.127028.sbd.miller.flac16 | |
1973-07-01 | Universal Amphitheatre |
127028 | flac16; Recording Info: SBD -> Master Reel -> Sound Devices 744T (24bit/96k); Transfer Info: WAV (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1973-07-01.127232.mtx.seamons.flac16 | |
1973-07-01 | Universal Amphitheatre |
127232 | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) |
gd1973-07-01.fob.kaslow-todd.motb-0055.88608.flac24 | |
1973-07-01 | Universal Amphitheatre |
88608 | flac24 MOTB Release: 0055 24/96 Source: FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg Transfer by: A. Egert Mastering by: J. Waddell |
gd1973-07-01.mtx.dts.tobin.89853.flac16 | |
1973-07-01 | Universal Amphitheatre |
89853 | DTS Audio 5.1; SBD (shn id 30362) SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA + AUD (shn id 88528) FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg - matrix mixing by Kevin Tobin |
gd73-07-01.aud.lai.178.sbefail.shnf | |
1973-07-01 | Universal Amphitheatre |
178 | daud> Sony ec M22P mics >Sony 770 MR> R1> DAT> CDR; via M. Lai; note info file lists as 2 CDs but shn set is tracked for 3 CDs |
gd1973-07-01.fob.kaslow-todd.motb-0055.88528.flac16 | |
1973-07-01 | Universal Amphitheatre |
88528 | flac16 MOTB Release: 0055 16/44.1 Source: FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg Transfer by: A. Egert Mastering by: J. Waddell |
gd1973-07-01.sbd.mtx.tobin.89848.flac16 | |
1973-07-01 | Universal Amphitheatre |
89848 | flac16; Matrix 2 Source Mix - SBD (shn id 30362) SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA + AUD (shn id 88528) FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg - matrix mixing by Kevin Tobin |
gd1973-07-01.set1.sbd.unknown.30362.sbeok.flac16 | |
1973-07-01 | Universal Amphitheatre |
30362 | flac16 Source: SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA |
gd1973-07-27.152005.moscal.mandel.sonyecm.flac24 | |
1973-07-27 | Grand Prix Racecourse |
152005 | flac24/44 Taper Gerry Moskal * Sony Stereo ECM ->SONY TCD126 Location: ** Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/editing//flac Conversion Brian Mandel gdplusmore@aol.com Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24 Circulation: 2-19-12 |
gd73-07-27.siniawsky-smith.weiner-gdADT11.25509.sbeok.shnf | |
1973-07-27 | Grand Prix Racecourse |
25509 | Soundcheck: Recording by Jeffrey Siniawsky and Joel Smith front row, 15' from stage, mic attached to top of lean-to tent via Noah Weiner Audience Devotional Tree Round 11 - Note: Soundcheck separated from 7/28/73 |
gd73-07-27.sbd.miller.27779.sbeok.flacf | |
1973-07-27 | Grand Prix Racecourse |
27779 | flac16; SBD> Master Reel (but see note)> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller |
gd1973-07-27.mtx.seamons.100410.sbeok.flac16 | |
1973-07-27 | Grand Prix Racecourse |
100410 | flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>Soundtrack>WAV>FLAC) |
gd73-07-27.sbd.weiner.180.sbeok.shnf | |
1973-07-27 | Grand Prix Racecourse |
180 | no regular info file (covers only); see 2 "history" posts; reported flaws: d2t3 (jam > wharf rat) has pops at 4:37, 9:22, 23:42; see pub comments for other flaw notes; circulated with 7/28/73 |
gd73-07-27.aud.weiner.gdadt26.26363.sbeok.shnf | |
1973-07-27 | Grand Prix Racecourse |
26363 | AudMC stereo> ? > C > DAT > WAV > SHN, unknown taper; A>D by Noah Weiner: Cassette playback on Nakamichi MR-1 > Fostex D5 DAT (A>D only)> Turtle Beach Montego II Digital I/O > Sound Forge(wav edits and track IDs)> SHNTOOL (SBE fix) > MKWAct (shn) |
gd1973-07-27.123407.candelario-smith.flac24 | |
1973-07-27 | Grand Prix Racecourse |
123407 | flac24; Recording Info: Recorded by Kidd at the soundboard - MAR > R > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith |
gd1973-07-27.123408.candelario-boswell-smith.flac16 | |
1973-07-27 | Grand Prix Racecourse |
123408 | flac16; Recording Info: Recorded by Kidd at the soundboard - MAR > R > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith |
gd1973-07-27.135381.aud.cooper.berger.flac24 | |
1973-07-27 | Grand Prix Racecourse |
135381 | flac24; source: aud cassette master; taped by Jim Cooper; sony ecm 22p’s > hitachi trq-222; nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger 3/2016 |
gd1973-07-27.135383.aud.cooper.berger.flac16 | |
1973-07-27 | Grand Prix Racecourse |
135383 | flac16; source: aud cassette master; taped by Jim Cooper; sony ecm 22p’s > hitachi trq-222; nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred and seeded by Rob Berger 3/2016 |
gd1973-07-27.146057.sbd.miller-smith-berger-cloverman.flac1644 | |
1973-07-27 | Grand Prix Racecourse |
146057 | flac16; Soundboard Recording Info: SBD -> Master Reel -> Dat (48k) edited and patched with aud cassette master taped by Jim Cooper; sony ecm 22p’s > hitachi trq-222 by cloverman using Roxio Sound Editor 2009 |
gd1973-07-27.aud.pantagruel.28882.sbeok.flac16 | |
1973-07-27 | Grand Prix Racecourse |
28882 | flac16; Lineage: cassette (unknown gen) > HD Encoding: CDWave > flac frontend > flac Taped by: Unknown Transfered by: Pantagruel |
gd1973-07-27.aud.sirmick.87464.flac16 | |
1973-07-27 | Grand Prix Racecourse |
87464 | flac16; source: aud (unknown gen) > ??? > wav > flac; remaster of shn id 28882 |
gd1973-07-28.136693.sbd.sirmick.flac16 | |
1973-07-28 | Grand Prix Racecourse |
136693 | flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (48k) |
gd1973-07-28.141306.sbd.eaton.miller.clugston.flac1644 | |
1973-07-28 | Grand Prix Racecourse |
141306 | flac16; Recording Info: SBD > Master Reels > .wav 24-bit/96k (Master Reels transferred by Rob Eaton); Mastering Info: .wav 24-bit/96k > Adobe Audition 3.0 24/96 > TLH > flac2496; 24-bit > 16-bit via dBpoweramp |
gd1973-07-28.141307.sbd.eaton.miller.clugston.flac2496 | |
1973-07-28 | Grand Prix Racecourse |
141307 | flac24; Recording Info: SBD > Master Reels > .wav 24-bit/96k (Master Reels transferred by Rob Eaton); Mastering Info: .wav 24-bit/96k > Adobe Audition 3.0 24/96 > TLH > flac2496 |
gd1973-07-28.150454.SBD-AUD.composite.t-flac16 | |
1973-07-28 | Grand Prix Racecourse |
150454 | flac16; Composite of 1. Source: SBD > Master Reels > DAT (Master Reels transferred by Rob Eaton); Mastering Info: DAT> Adobe Audition 3.0 24/96 > TLH > flac16; 2. Source: sony ecm22p’s > hitachi trq-232 > MAC; taped by Jim Cooper; transfer: nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred by Rob Berger; 3. shnid 14196; Soundboard Master Reel > ? > Cassette > DAT > CDR > SHN; see info file for more details |
gd1973-07-28.152004.SonyStereo.ECM.Moskal.t.flac24 | |
1973-07-28 | Grand Prix Racecourse |
152004 | flac24/44 Taper Gerry Moskal * Sony Stereo ECM ->SONY TCD126 Location: ** Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Circa (1984) 3-04-21 Transfer/editing//flac Conversion Brian Mandel gdplusmore@aol.com Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24 Circulation: 3-04-21 |
gd1973-07-28.152006.moskal-mandel.sonyecm.flac24 | |
1973-07-28 | Grand Prix Racecourse |
152006 | flac24/44 Taper Gerry Moskal * Sony Stereo ECM ->SONY TCD126 Location: ** Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/editing//flac Conversion Brian Mandel Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24 |
gd73-07-28.siniawsky-smith.weiner-gdADT11.11474.sbeok.shnf | |
1973-07-28 | Grand Prix Racecourse |
11474 | Uher mic > Uher 4000 Report L 5" reels > MacIntosh pre-amp > TEAC 1230 7" reel; via Jeffrey Siniawsky and Joel Smith; Seeded to etree by Noah Weiner. [Note: Circulates with 7/27 Soundcheck which has a separate entry] |
gd1973-07-28.aud.weiner.106793.flac24 | |
1973-07-28 | Grand Prix Racecourse |
106793 | flac24; AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96) Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > FLAC(level 8) |
gd1973-07-28.aud.weiner.106794.flac16 | |
1973-07-28 | Grand Prix Racecourse |
106794 | flac16: AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96) Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > downsampled to 16/44 in r8brain (with dithering) > FLAC(level 8) |
gd1973-07-28.135584.aud.cooper.berger.flac24 | |
1973-07-28 | Grand Prix Racecourse |
135584 | flac24; source: aud cassette master; taped by Jim Cooper; sony ecm22p’s > hitachi trq-232; transfer: nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger |
gd1973-07-28.135585.aud.cooper.berger.flac16 | |
1973-07-28 | Grand Prix Racecourse |
135585 | flac16; source: aud cassette master; taped by Jim Cooper; sony ecm22p’s > hitachi trq-232; transfer: nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred and seeded by Rob Berger |
gd73-07-28.sbd.weiner.14196.sbeok.shnf | |
1973-07-28 | Grand Prix Racecourse |
14196 | Soundboard Master Reel>DAT>CD>SHN, with FM, AUD, and other-source SBD patches. Fits to two .shn discs by placing d1 & d4 .shns on one 80 min. disc, d2 & d3 .shns on another. |
gd1973-07-28.141310.aud.motb.0233.flac1644 | |
1973-07-28 | Grand Prix Racecourse |
141310 | flac16; Analog Audience Source: Sony ECM 270 mic > Sony TC 110 deck; Medium Stock Brands: TDK C120SD; Analog Sound Preservation: MAC > Nak DR-1 > Korg MR-2 2.8mhz > AudioGate 2496 WAV; Recorded by: Louis Falanga; Transferred by: Bob Menke; Mastering by: Derek McCabe |
gd1973-07-28.akgd1000e.moore.berger.100612.flac16 | |
1973-07-28 | Grand Prix Racecourse |
100612 | flac16; taped by Jerry Moore source: aud cassette master, lineage: aud>akg d1000e>sony tc-110, tdk c-120sd cassettes, no nr nak dragon>hd-p2 24/48>hd>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger 8/11/09 |
gd1973-07-28.sbd.weiner.181.shnf | |
1973-07-28 | Grand Prix Racecourse |
181 | no regular info file (covers only); see 2 "history" posts; reported flaw: d2t6 (truckin) has pop at 2:15; see pub comments for other flaw notes; circulated with 7/27/73 |
gd1973-07-31.133927.aud.moore.berger.flac16 | |
1973-07-31 | Roosevelt Stadium |
133927 | flac16; source: aud cassette master; taped by Jerry Moore; mastered: AKG 1000e > Sony TC-110; TDK c-120sd’s (re-shelled for transfer); Nakamichi Dragon > Benchmark ADC1 24/96 > Tascam HD-P2, compact flash > Mac > Adobe Audition CC > Flac; transferred and seeded by Rob Berger |
gd1973-07-31.133928.aud.moore.berger.flac24 | |
1973-07-31 | Roosevelt Stadium |
133928 | flac24; source: aud cassette master; taped by Jerry Moore; mastered: AKG 1000e > Sony TC-110 TDK c-120sd’s (re-shelled for transfer); Nakamichi Dragon > Benchmark ADC1 24/96 > Tascam HD-P2, compact flash > Mac > Adobe Audition CC > Flac; transferred and seeded by Rob Berger |
gd73-07-31.aud.weiner.gdADT12.12883.sbeok.shnf | |
1973-07-31 | Roosevelt Stadium |
12883 | AudMC > DAT > CD > EAC > SHN Recorded by Jerry Moore with AKG 1000 mic > Sony 110 deck. TDK C-120SD master cassettes EAC & SHN transfer by Noah Weiner |
gd1973-07-31.121160.barry.smith.AUD-fob.flac1644 | |
1973-07-31 | Roosevelt Stadium |
121160 | flac16; taped by Monte Barry, Nakamichi 550 portable stereo cassette recorder, taped with Dolby NR on Maxell UD C90 normal bias cassettes, Sony ECM-99 single-point stereo mic, mic is mounted on a 12-foot pole, FOB. Lineage: transferred by Matt Smith, mastered by Monte Barry. MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag |
gd1973-07-31.121161.barry.smith.AUD-fob.flac2496 | |
1973-07-31 | Roosevelt Stadium |
121161 | flac24; taped by Monte Barry, Nakamichi 550 portable stereo cassette recorder, taped with Dolby NR on Maxell UD C90 normal bias cassettes, Sony ECM-99 single-point stereo mic, mic is mounted on a 12-foot pole, FOB. Lineage: transferred by Matt Smith, mastered by Monte Barry. MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag |
gd1973-07-31.fob-aud.willy.8909.sbeok.shnf | |
1973-07-31 | Roosevelt Stadium |
8909 | FOB>CM>C>DAT>CDR; via Greg Weister; seeded to etree by Willy |
gd1973-08-01.135886.aud.cooper.berger.flac16 | |
1973-08-01 | Roosevelt Stadium |
135886 | flac16; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-c90sd’s; nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transfer & seeded by Rob Berger |
gd1973-08-01.135887.aud.cooper.berger.flac24 | |
1973-08-01 | Roosevelt Stadium |
135887 | flac24; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-c90sd’s; nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger |
gd1973-08-01.119371.aud.barry.flac | |
1973-08-01 | Roosevelt Stadium |
119371 | flac16; Complete show AUD: source - ElectroVoice RE-15 mic > Nakamichi 550 cassette recorder w/ Dolby NR > Maxell UD C90 Chromium Tapes. Taped, transferred, and remastered by Monte Barry. lineage - MR cassette > Nakamichi LX-3 > Lexicon Alpha > 24-bit / 48KHz > USB > Samplitude > 16-bit / 44.1KHz WAV > TLH > Flac-16 SBE fixed > CD Tag. |
gd1973-08-01.121129.barry.smith.AUD-fob.flac1644 | |
1973-08-01 | Roosevelt Stadium |
121129 | flac16; Source: taped and remastered by Monte Barry; Nakamichi 550 portable stereo cassette recorder; taped with Dolby NR on Maxell UD C90 normal bias cassettes Sony ECM-99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up, FOB; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag |
gd1973-08-01.113751.wotf.betty.shnf | |
1973-08-01 | Record Plant |
113751 | Betty> BCM> DAT> DAT> DIO 2448> SHN |
gd1973-08-01.sbd.flac16.wake-of-the-flood-outtakes.flac16 | |
1973-08-01 | Record Plant |
148528 | flac16; Taper: Betty Cantor; Editing: Joe D'Amico; SBD Master Reels > PCM > VHS Tape; Sony Hifi 4 Head Vhs Player > Sony Pcm 501 > Korg Mr-1000 > Audio Gate > Adobe Audition > Traders Little Helper |
gd1973-08-01.sbd.sirmick.patch-12222.92478.sbeok.flac16 | |
1973-08-01 | Roosevelt Stadium |
92478 | flac16; This is a remaster of shnid 12222 remastered by SIRMick June 2008 |
gd1973-08-01.aud.weiner.8724.sbeok.shnf | |
1973-08-01 | Roosevelt Stadium |
8724 | AudMR > R > DAT > WAV > SHN; via ADT; Seeded to etree by Noah Weiner |
gd1973-08-01.112572.aud-moore.berger.flac16 | |
1973-08-01 | Roosevelt Stadium |
112572 | aud cassette master, akg d1000e>sony tc-110, taped by Jerry Moore, transfer by Rob Berger |
gd1973-08-01.123128.mtx.barry.flac | |
1973-08-01 | Roosevelt Stadium |
123128 | flac16; matrix of shnid 121129 (source 1) and shnid 92478 (source 2) Monte Barry on Dec 16, 2012 |
gd1973-08-01.121127.barry.smith.AUD-fob.flac2496 | |
1973-08-01 | Roosevelt Stadium |
121127 | flac24; Source: taped and remastered by Monte Barry; Nakamichi 550 portable stereo cassette recorder taped with Dolby NR on Maxell UD C90 normal bias cassettes Sony ECM-99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up, FOB; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag |
gd73-08-01.aud.weiner.gdADT08.9145.sbeok.shnf | |
1973-08-01 | Roosevelt Stadium |
9145 | AudMR > C > C > C > CD; Reported upgrade to previous Weiner seed, see info file for details; Seeded to etree by Noah Weiner |
gd73-08-01.sbd.cotsman.12222.sbeok.shnf | |
1973-08-01 | Roosevelt Stadium |
12222 | complete show from most up to date SBD sources with AUD patches; compiled from S. Kaplan and N. Weiner seeds; source 1: SBD>MR>R>R>D>CD>EAC>SHN; source 2: SBD>MR>C>D>CD>EAC>SHN; source 3: AUD>MR>C>C>C>CD>EAC>SHN; See info file for details; Seeded to etree by JCotsman; With thanks to Alan Schlissel & Jeff Cook |
gd73-08-xx.sbd-wotf.davef.2522.sbeok.shnf | |
1973-08-01 | Studio- Wake of the Flood Outtakes |
2522 | Wake of Flood outtakes; Betty Cantor reels > PCM > DAT > DIO 2448 > SHN; date(s) (including month) uncertain, this is best guess; via Dave F. |
gd1973-08-01.sbd.kaplan.11813.shnf | |
1973-08-01 | Roosevelt Stadium |
11813 | Complete; Discs One and Two; SBD>MSR>R2>D>CD; Disc Three; SBD>7.5ips Master Reel>Cassette>20 bit A/D>CDR; See info file for info and tracking notes; Seeded to etree by Seth Kaplan |
gd1973-08-01.140895.sbd.wotf-outtakes.dalton.miller.sirmick.flac1644 | |
1973-08-01 | Record Plant |
140895 | flac16; Source: SBD Master Reels > PCM - Recorded by Betty Cantor and provided by Tim Dalton; Transfer: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k) - Transferred by Charlie Miller; Lineage: Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 edited and mastered SIRMick February 2018 |
gd1973-08-01.partial.sbd.gans-Jungeblut.182.sbeok.shnf | |
1973-08-01 | Roosevelt Stadium |
182 | Soundboard > 7.5ips Master Reel > Cassette > 20 bit A/D > CDR; CD Mastering by D. Gans; EAC and encoding by M. Jungeblut |
gd1973-09-07.sbd.goodbear.1126.sbeok.shnf | |
1973-09-07 | Nassau Veterans Memorial Coliseum |
1126 | Sbd, Reel M->Cass 1->Dat 0 -> DAT 1(?) -> CD; 7inch Master Reel: 7.5ips 1/2trk->Tascam 122mkIII 1st Gen Cass->DAT 1(?); via Teddy GoodBear to abgd; later to etree; see flaw notes in pub comments |
gd73-09-07.aud-moore.weiner.18854.sbeok.shnf | |
1973-09-07 | Nassau Coliseum |
18854 | AUDMC > DAT > CD > EAC > SHN: Recorded by Jerry Moore, AKG 1000 mic > Sony 110 deck. TASCAM 112MKII cassette deck (MC playback) > Sony PCM-500 DAT deck > HHB800 stand alone burner (CD) > EAC (secure) > mkwact (SHN). Added to etree by Noah Weiner. |
gd73-09-07.sbd.cotsman.19893.sbeok.shnf | |
1973-09-07 | Nassau Coliseum |
19893 | SBD>MR>C>D>CD>EAC>SHN; patched with AUD>MC>D>CD>EAC>SHN; sourced from previous seeds |
gd1973-09-08.sbd.goodbear.78349.flac16 | |
1973-09-08 | Nassau Veterans Memorial Coliseum |
78349 | flac16; Reel>Cass1>DAT1 (not widely circulated source)>5/1999? edit (no hiss reduction)>CD>hiss edit w/Cool Edit Pro>FLAC |
gd1973-09-08.126029.cooper-berger.flac16 | |
1973-09-08 | Nassau Coliseum |
126029 | flac16; source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger |
gd1973-09-08.upg-sbd.tobin.126071.flac16 | |
1973-09-08 | Nassau Coliseum |
126071 | flac16; SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wulf:(original shn 183) - pitch correction and patches by Kevin Tobin |
gd73-09-08.sbd.wulf.183.sbefail.shnf | |
1973-09-08 | Nassau Coliseum |
183 | SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wulf: Tascam DA20> coax> rme digi96 PCI card> centered the waves and edited and smoothed the track boundaries. Only? minor corrections were applied; no crossfading, no hiss or noise reduction; from Honey Vine #14 via T. Wulf, to etree via M. Bolen (who made .md5s) |
gd1973-09-11.112220.aud.warburton.berger-patched.flac16 | |
1973-09-11 | William and Mary College Hall |
112220 | flac16; source: aud; Jimmy Warburton's reel; lineage: aud>?>7" reel @ 3.75 ips, no nr technics rs-1506>hd-p2 24/96>cd wave>adobe audition 2.0>flac; patched/seeded by Rob Berger 2011-03-03 |
gd1973-09-11.136694.sbd.sirmick.flac16 | |
1973-09-11 | William and Mary College Hall |
136694 | flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1) |
gd1973-09-11.152009.sbd.gems.flac16 | |
1973-09-11 | College Of William & Mary Hall |
152009 | flac16; Source Information: Master Soundboard Reels to DAT 16 bit 44.1kHz from ANON. Also, a Kind LL member shared uncirculated lo-fi audience tapes to patch a few spots. Transfer Information: Mastering by Jamie Waddell and Jim Blackwood Speed corrections by Jason Chastain Listening assistance and track, FLAC and pack by Steve Gravel FLAC Level 8 at 16 bit 44.1kHz |
gd1973-09-11.120143.mtx.dusborne.flac16 | |
1973-09-11 | William and Mary College Hall |
120143 | flac16; 2 source matrix: SBD: MR>C1>DAT>Goodbear_Edit>CD (shnid=113051) and Original Audience Source: (shnid=116231) Jimmy Warburton's reel Lineage: AUD>?>7" Reel @ 3.75 ips, No NR Technics RS-1506>hd-p2 24/96>CD Wav>Adobe Audition 2.0>flac Transferred/Seeded by Rob Berger 01.28.2011 |
gd1973-09-11.113051.sbd.GoodBear.flac16 | |
1973-09-11 | William and Mary College Hall |
113051 | flac16; SBD:MR>C1>DAT>Edit (see info file)>CD |
gd73-09-11.sbd.lanum.184.sbeok.shnf | |
1973-09-11 | William and Mary College Hall |
184 | MSR> one cassette gen> DAT> CDR> shn); via George Lanum; see info file and pub comments for flaw notes |
gd1973-09-11.111742.aud.berger-warburton.flac16 | |
1973-09-11 | William and Mary College Hall |
111742 | flac16; source: aud; Jimmy Warburton's reel; lineage: aud>?>7" reel @ 3.75 ips, no nr technics rs-1506>hd-p2 24/96>cd wave>adobe audition 2.0>flac; transferred/seeded by Rob Berger |
gd1973-09-11.116231.aud.warburton.berger.cousinit-patched.flac16 | |
1973-09-11 | William and Mary College Hall |
116231 | flac16; Original source: AUD Jimmy Warburton's reel; Lineage: AUD>?>7" Reel @ 3.75 ips, No NR Technics RS-1506>hd-p2 24/96>CD Wav>Adobe Audition 2.0>flac Transferred/Seeded by Rob Berger; Patch source 1: Lineage: MAUD>?>R>C>WAV>FLAC Transferred and Encoded by Cousinit; Patch source 2: Lineage: Unknown Provided by Micgram |
gd1973-09-12.152015.sbd.gems.flac16 | |
1973-09-12 | College Of William & Mary Hall |
152015 | flac16; Source Information: Master Soundboard Reels to DAT 16 bit 44.1kHz from ANON. Also, a Kind LL member shared uncirculated lo-fi audience tapes to patch a few spots. Transfer Information: Mastering by Jamie Waddell and Jim Blackwood Speed corrections by Jason Chastain Listening assistance and track, FLAC and pack by Steve Gravel FLAC Level 8 at 16 bit 44.1kHz |
gd1973-09-12.sbd.susan.21618.shnf | |
1973-09-12 | William And Mary Hall - College Of William And Mary |
21618 | SBD>MR>C>DAT>CD>WAV>SHN encoded by Susan |
gd73-09-12.sbd.sly.14010.sbeok.shnf | |
1973-09-12 | William and Mary College Hall |
14010 | SBD>MR>C>DAT>CDR most of show (minus Here comes sunshine) by Sly_Wow |
gd73-09-15.aud-sbd.cotsman.16174.sbeok.shnf | |
1973-09-15 | Providence Civic Center |
16174 | set 1: AUD> M?> C> C> D> SHN; set 2: SBD> MR> D> CD> EAC> SHN; Thanks to Jim Powell, Marc Pujol, and Evan Levy; final edits/encoding by JCotsman |
gd1973-09-15.sbd-set2.levy.01077.sbeok.shnf | |
1973-09-15 | Providence Civic Center |
1077 | set 2; SBD :Master Reel> DAT> Sonic Solutions workstation> CD> (EAC) WAV> SHN; EAC, tracking, shn and upload by Evan Levy |
gd1973-09-17.sbd.sirmick.107542.flac16 | |
1973-09-17 | Onondaga County War Memorial |
107542 | flac16; Source:MR>C>DAT>DAT provided by Jeff Tiedrich>Andrew Gustin Conversion: DA-40>U2A>CDWave>MkW with seek tables appended Transferred by Tyler Jensen tylerlundby@yahoo.com |
gd73-09-17.sbd.cotsman.14473.d3fixed.sbeok.shnf | |
1973-09-17 | Onondaga County War Memorial |
14473 | SBD>MR>D>CD>EAC>SHN (all but tracks d1t01-->d1t09)); SBD>MR>C>C>D>CD>EAC>SHN (tracks d1t01-->d1t09); Thanks to Peter Braverman; edits/encoding by JCotsman; Note- Fixed d3 now circulates, see public comments for details |
gd1973-09-17.sbd.jensen.10082.sbeok.shnf | |
1973-09-17 | Onondaga County War Memorial |
10082 | Source:MSR>C>DAT>DAT Conversion: DA-40>U2A>CDWave>MkW with seek tables appended |
gd1973-09-20.sbd.clugston.9845.sbeok.shnf | |
1973-09-20 | The Spectrum |
9845 | Partial; Master Soundboard Reel > Reel to Reel > PCM > CDR; CD Re-Mastering, EAC'ed & SHN'ed by Scott Clugston; To fungus and abgd via Charlie Connor |
gd73-09-20.aud-sbd.cotsman.11618.sbeok.shnf | |
1973-09-20 | The Spectrum |
11618 | Complete; Mixed Aud/SBD sources; See info file for details; via Michael Dixon and Scott Clugston; Seeded to etree by JCotsman |
gd1973-09-21.127554.sbd.boswell.smith.flac16 | |
1973-09-21 | The Spectrum |
127554 | flac16; Lineage is most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriends house done by Will Boswell was done back in the Spring of '79; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC |
gd1973-09-21.154301.partial.aud.flac1644 | |
1973-09-21 | The Spectrum |
154301 | flac1644; Partial; Source: Unknown mono Lo-Fi AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021 |
gd1973-09-21.d3t6.unknown.33567.sbeok.flac16 | |
1973-09-21 | The Spectrum |
33567 | flac16; analog>cd recorder on stereo>pc>goldwave>flac I used goldwave to only take the pop/clicks out. Casey Jones with Joe Ellis on trumpet and Martin Fierro on saxophone, last song of the 2'nd set right before the encore This is missing from all other copies out there. I got it from the tape I bought years ago. |
gd1973-09-21.sbd.lai.4082.sbefail.shnf | |
1973-09-21 | The Spectrum |
4082 | SBD; via Mike Lai from Bruce Fried DAT; encore missing |
gd1973-09-21.143101.sbd.boswell.sirmick.smith.flac2496 | |
1973-09-21 | The Spectrum |
143101 | flac24; Source: Most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriend's house done by Will Boswell back in the Spring of '79; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 2; edited and mastered SIRMick September 2018 |
gd73-09-21.sbd.miller.17410.sbeok.shnf | |
1973-09-21 | The Spectrum |
17410 | SBD -> Rm -> Reel -> PCM -> Dat Transfer Info: Dat (Sony R500) -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN via Charlie Miller |
gd1973-09-21.145131.sbd.boswell.smith.sirmick.flac1644 | |
1973-09-21 | The Spectrum |
145131 | flac16; Source: Most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriend's house done by Will Boswell back in the Spring of '79; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick September 2018; This file set is 16 bit @ 44.1 |
gd1973-09-21.127548.boswell.smith.flac24 | |
1973-09-21 | The Spectrum |
127548 | flac24; Lineage is most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriends house done by Will Boswell was done back in the Spring of '79; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring > FLAC |
gd1973-09-24.sbd.tobin.95740.flac16 | |
1973-09-24 | Pittsburgh Civic Arena |
95740 | flac16; Mixed SBD\AUD with new sbd material to make a more complete show MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD; CD's supplied by Matt Smith; audio patches by Kevin Tobin |
gd1973-09-24.mtx.tobin.95744.flac16 | |
1973-09-24 | Pittsburgh Civic Arena |
95744 | flac16; Matrix 4 Source Mix - SBD1 (shn id 95740) MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + SBD2 (shn id 5839) Unknown generation soundboard > PCM > DAT > WAV > SHN by Dan Stephens + AUD1 (shn id 95729) MAR>R>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD2\SBD3 (shn id 11620) SBD\AUD compilition by James Cottsman - patches, timing and matrix mixing by Kevin Tobin |
gd1973-09-24.aud.GEMS.95729.flac16 | |
1973-09-24 | Pittsburgh Civic Arena |
95729 | flac16; MAR>R>CD CD's supplied by Matt Smith; Edited and Mastered by Jamie Waddell as a GEMS production; audio patches by Kevin Tobin |
gd1973-09-24.128855.aud.candelario.smith.flac24 | |
1973-09-24 | Civic Arena |
128855 | flac24; Lineage is MAR(w/Harmon Kardon mics @ the board) > R @3 & 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC |
gd1973-09-24.128997.aud.candelario.smith.flac16 | |
1973-09-24 | Civic Arena |
128997 | flac16; Lineage is MAR(w/Harmon Kardon mics @ the board) > R @3 & 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC |
gd1973-09-24.sbd.stephens.5839.shnf | |
1973-09-24 | Pittsburgh Civic Arena |
5839 | partial sets 1,2; Unknown gen SBD > PCM > DAT > WAV > SHN DAT > WAV > SHN by Dan Stephens; Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Tool |
gd73-09-24.sbd-aud.cotsman.11620.sbeok.shnf | |
1973-09-24 | Civic Arena |
11620 | Mixed AUD/SBD sources; See info file for details; via Michael Dixon, Alan Fink, & Dan Stephens; Seeded to etree by JCotsman |
gd1973-09-24.150275.sbd.remastered.miller.flac1644 | |
1973-09-24 | Civic Arena |
150275 | flac16; SBD (shnid=95740) patched with the vault master reel from dead.net taper's section lossy stream; All remastering was done by Charlie Miller |
gd1973-09-24.mtx.dts.tobin.95815.flac16 | |
1973-09-24 | Pittsburgh Civic Arena |
95815 | DTS-Audio-CD 5.1 Mix; - SBD1 (shn id 95740) MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + SBD2 (shn id 5839) Unknown generation soundboard > PCM > DAT > WAV > SHN by Dan Stephens + AUD1 (shn id 95729) MAR>R>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD2\SBD3 (shn id 11620) SBD\AUD compilition by James Cottsman - patches, timing and matrix mixing by Kevin Tobin |
gd1973-09-26.aud.tobin.80665.sbeok.flac16 | |
1973-09-26 | War Memorial |
80665 | flac16; Unknown Audience Lineage provided by Chuck Diliberto transfered by SirMick speed corrected and patched by Kevin Tobin |
gd1973-09-26.sbd-repatched.miller.80198.sbeok.flac16 | |
1973-09-26 | War Memorial |
80198 | flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller. This is a re-patch of the original source (it's a more complete version). On 11/23/2006 a version of this source was circulated without the patches in d1t14 and d2t01. |
gd1973-09-26.sbd.matrix-DTS.tobin.80710.flac16 | |
1973-09-26 | War Memorial |
80710 | DTS Audio 5.1; Mix of SBD: SBD -> Master Reel -> Dat (48k) and AUD:Unknown lineage transferred by SIRMick; mixed by kevtobin |
gd1973-09-26.sbd.mtx.tobin.82879.sbeok.flac16 | |
1973-09-26 | War Memorial |
82879 | flac16; Matrix 2 Source Mix - SBD (shnid 80198) + AUD (shnid 80665) mixed by Kevin Tobin |
gd73-09-26.sbd.brame.16155.sbeok.shnf | |
1973-09-26 | Community War Memorial Auditorium |
16155 | SBD: Rm > DAT > CD / Patched with unknown AUD > WAV > SHN; DAE(EAC0.9 beta 4)> tracking(cdwav)> SHN (MKWAct.96f)> FTP by Tripp; with thanks to Darryl Hinko, Tommy Brame |
gd1973-09-30.154328.aud-composite.flac1644 | |
1973-09-30 | Rochester Community War Memorial |
154328 | flac1644; Source: Unknown mono AUD, composite source, see notes below. Transfer Source-1: ID-11616 AUD tracks > SHN > TLH > WAV > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Transfer Source-2: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. |
gd73-10-19.sbd.nayfield.187.sbeok.shnf | |
1973-10-19 | Oklahoma City Fairgrounds Arena |
187 | mR> DAT> CDR; complete; E2 is tracked for d2, but could fit on 80min d3; via JW Norris, R. Nayfield; update 10/23/00: this date is now released as Dick's Picks 19- go buy that |
gd1973-10-21.sbd.fishman.8191.sbeok.shnf | |
1973-10-21 | Omaha Civic Auditorium |
8191 | MSR->C->D->CD; Some static in spots, see info file for details; via Jeff Fishman; Steve Barbella |
gd73-10-21.sbd.miller.17413.sbeok.shnf | |
1973-10-21 | Omaha Civic Auditorium |
17413 | SBD -> Rm -> ? -> Dat -> Sound Forge -> CD -> EAC -> SHN Converted By Charlie Miller |
gd1973-10-23.sbd.miller.92792.sbeok.flac16 | |
1973-10-23 | Metropolitan Sports Center |
92792 | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller |
gd73-10-23.partial.sbd.norman.18227.sbeok.shnf | |
1973-10-23 | Metropolitan Sports Center |
18227 | partial of set 1 and set 2; source:MR>Dat>cdr using EAC v0.9 prebeta 11 in secure mode to extract, and mkw ver 0.97 beta1 to create shn's conversion to .shn done by Todd Norman norma023@tc.umn.edu |
gd73-10-23.sbd.partial.goetz.18899.sbeok.shnf | |
1973-10-23 | Metropolitan Sports Center |
18899 | MSR>D>CD via M. Goetz encoded by Morgan Evans. Note: Has additional OMSN (see info file for discussion) compared to previous etree shn sets. |
gd1973-10-25.sbd.unknown.9213.sbeok.shnf | |
1973-10-25 | Dane County Coliseum |
9213 | Unsure if this is the "best in circ", but it is the most complete. SBD:MR>DAT>CD |
gd1973-10-25.set2.sbd.cribbs.188.sbeok.shnf | |
1973-10-25 | Dane County Coliseum |
188 | SBD MR> DAT> Sound Forge> CDR; set 2; (shn discs have 10/19/73 filler); a few brief volume drops/noises in Let It Grow; via G. Hamilton; see public comments for a few more flaw notes |
gd1973-10-25.set2.sbd.cribbs.34837.sbeok.flac16 | |
1973-10-25 | Dane County Coliseum |
34837 | flac16; MSR > D > CD > EAC > WAV > CD > EAC > WAV > FLAC; DAE(EAC) of shn id 29668 by Sean Cribbs (note: this source is actually a composite of 2 different shows: material from 10/25/73 patched with material from 11/20/73) |
gd1973-10-25.136695.sbd.sirmick.flac16 | |
1973-10-25 | Dane County Coliseum |
136695 | flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1k) |
gd1973-10-25.set2.sbd.cribbs.29668.sbeok.flac16 | |
1973-10-25 | Dane County Coliseum |
29668 | flac16; Original source: /shninfo_detail.php?shnid=188 MSR>D>CD Disc One patched and re-tracked by Sean Cribbs 7/2003; present source added crossfades at reel splices between Let It Grow and GDTRFB and between OMSN and UJB; removed two spots of static at end of Let It Grow; (note: this source is actually a composite of 2 different shows: material from 10/25/73 patched with material from 11/20/73) |
gd73-10-25.sbd.vernon.14451.sbeok.shnf | |
1973-10-25 | Dane County Coliseum |
14451 | SBD Master Reel > ? > DAT > CD-R > EAC (secure) > Cool Edit(minor cleanup) > CDWAV > mkwact(seekable) via wi-jams, cleanup and encoding by Matt Vernon. |
gd1973-10-25.140863.set2p.sbd.pcm.dalton.miller.clugston.flac1644 | |
1973-10-25 | Dane County Coliseum |
140863 | flac16; Partial Set 2 Source Info: Master 1/2 track Soundboard Reel @ 15ips (Nagra Reel to Reel) > PCM (14-bit)(Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd73-10-27.sbd.wier.16583.sbeok.shnf | |
1973-10-27 | Indianapolis State Fair Coliseum |
16583 | Source: MSR > R > C > D > CD patched with MAC > ? > D Conversion: CDR > EAC > CDWave > CoolEditPro > shntool > mkwACT > SHN (seekable) by Charles Wier From the Deadlists vine |
gd1973-10-27.aud.boswell.motb-0141.107323.flac16 | |
1973-10-27 | Indianapolis State Fair Coliseum |
107323 | flac16; Unknown Mics >> Unknown Deck >> MAC >> Reel 7.5 ips Revox A77 Reel @ 7.5 ips >> Revox A77 >> Akai GX636>Apogee Mini Me(24/96)>Apogee Mini Dac(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>FLAC Taped By: David Boswell |
gd1973-10-27.142772.set2p.sbd.eaton.miller.clugston.flac1648 | |
1973-10-27 | Indianapolis State Fair Coliseum |
142772 | flac16/48kHz; Source Info: Master Soundboard Reels > 2 cassette generations > Dat (16/48k)> Dat (16/48k); Transfer Info: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (16/48k)> Adobe Audition 3.01 > TLH flac1648 |
gd1973-10-29.150875.sbd.miller.flac1644 | |
1973-10-29 | Kiel Auditorium |
150875 | flac16 Recording Info: SBD -> Master Reel -> Dat -> WAV Transfer Info: WAV -> Samplitude Professional v10.2.1 -> FLAC |
gd1973-10-29.sbd.kaplan.1070.shnf | |
1973-10-29 | Kiel Auditorium |
1070 | Reel master > 1 cassette gen > DAT > CD > SHN; no El Paso, otherwise complete show; via S. Kaplan, G. Hamilton; see info file and pub comments for flaw notes; note anomalies fixed by Darrin for other shn set seemed to be already lacking here- if they really are still present, please let us know |
gd1973-10-29.116118.aud.cousinit.flac16 | |
1973-10-29 | Kiel Auditorium |
116118 | flac16; Taper: Unknown; Source: Unknown Mics and Deck>??>C>WAV>FLAC; Transferred and Encoded by Cousinit |
gd1973-10-29.set2.131458.McIlhenny.flac16 | |
1973-10-29 | Kiel Auditorium |
131458 | flac16; Set 2, Handheld Sony 1 point stereo mic from the 5th and 4th row sometimes standing on chair; Recorderd and transferred by Chaffe McIlhenny; Master cassette>Revox cassette deck to DAT in 1998> to Tascam P2 Flash Card in Oct 2014>Audacity>Traders Little Helper for FLAC Fingerprint creation |
gd1973-10-29.131409.mtx.nicksmix.flac16 | |
1973-10-29 | Kiel Auditorium |
131409 | flac16; Matrix mix of Shnid 32352(sbd) and Shnid 116118(aud) |
gd1973-10-29.sbd.miller.32352.sbeok.flac16 | |
1973-10-29 | Kiel Auditorium |
32352 | flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC |
gd73-10-29.sbd.powell-mollman.16817.sbeok.shnf | |
1973-10-29 | Kiel Auditorium |
16817 | Source: MSR > C > D > CD patched with AUD Conversion: CD > EAC > WAV > retracking (shntool) > SHN Complete show in SBD w/ AUD patches (including AUD El Paso) via Dave Greenberg and Jim Powell. Retracked from CDA seed of this source circulated 3/2003 (incorporated brief separate crowd tracks into song tracks). Sector boundaries verified w/ shntool. |
gd73-10-29.sbd.sacks.1014.sbefail.shnf | |
1973-10-29 | Kiel Auditorium |
1014 | MSR> C> DAT> Circulation> EAC> SHN; no El Paso, otherwise complete show; Source disks from Bob Murphy, eac/shn by Darrin Sacks; Analog anomalies between CRS and BIODTL and between Eyes and China Doll digitally removed with Soundforge. Track boundary error between Bertha and GSET automatically corrected by Exact Audio Copy; Bob Murphy reports seed sounds cleaner than corresponding 10/30/73 |
gd1973-10-30.154414.s1.aud.flac1644 | |
1973-10-30 | Kiel Auditorium |
154414 | flac1644; 1st Set; Source: Unknown AUD, rescued from ebay with thanks to John Petrunis. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021 |
gd1973-10-30.sbd.19809.shnf | |
1973-10-30 | Kiel Auditorium |
19809 | Reel master > 1 cassette gen > DAT > CD > EAC > SHN. Appears to be a re-extraction of John Merdler seed. |
gd1973-10-30.sbd.miller.32367.sbeok.flac16 | |
1973-10-30 | Kiel Auditorium |
32367 | flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC |
gd73-10-30.sbd.hamilton.969.sbeok.shnf | |
1973-10-30 | Kiel Auditorium |
969 | Reel master > 1 cassette gen > DAT > CD > EAC > SHN; seed via J. Merdler, DAE>SHN by G.S. Hamilton, retracking of d2 by A. J. Fink; some editing between songs; known flaws: d1t1 split-second cut into beginning, d1t6 cuts at 1:21, d2t1 volume change at 3:39, d3t3 cut/splice at 6:27 |
gd73-10-30.sbd.powell.16818.sbeok.shnf | |
1973-10-30 | Kiel Auditorium |
16818 | Source: MSR > D > PCM > D > CD patched with AUD Conversion: CD > EAC > WAV > retracking (shntool) > SHN Complete show with AUD patches via Dave Greenberg and Jim Powell. Retrack of CDA seed circulated 3/2003 to incorporate separate crowd tracks into song tracks. Different lineage from previous seed. Cut to start Me & My Uncle patched w/ AUD, no cut in Mexicali. Does have anomolies in China Cat & Eyes noted in that seed. |
gd73-11-01.sbd.cribbs.22795.sbeok.shnf | |
1973-11-01 | McGaw Memorial Hall, Northwestern U. |
22795 | [New Version] Set 2 MSR > C> DAT > PCM > DAT > CD (see notes in info file regarding correctness of genealogy) - Subsequent CD extraction (EAC), editing (Cool Edit Pro 2), and SHN encoding (mkwACT) by Sean Cribbs 12/2003 |
gd1973-11-01.136696.set2.sbd.sirmick.flac16 | |
1973-11-01 | McGaw Memorial Hall, Northwestern U. |
136696 | flac16; Set 2 Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1k) |
gd1973-11-01.sbd.set2.goodbear.80714.flac16 | |
1973-11-01 | McGaw Memorial Hall - Northwestern University |
80714 | flac16; Set 2 only MR>C1>DAT>SHN (shnid=2178)>CD>EAC>CoolEdit Pro hiss reduction & minor other edits |
gd1973-11-01.set2.sbd.seff.15759.shnf | |
1973-11-01 | McGaw Memorial Hall - Northwestern University |
15759 | Source: Set 2 MR > C1 > DAT > CD > Toast Audio Extractor (overlap) > WAV > SHN SHNed and seeded by Jon Seff (jon@seff.net) |
gd73-11-01.sbd.parrillo.8834.sbeok.shnf | |
1973-11-01 | McGaw Memorial Hall, Northwestern U. |
8834 | 2nd set only; SBDMR> Cass> DAT> CDR> EAC> Soundforge> DePopper> SHN; via Howling Bob; Seeded to etree by Mike Parrillo |
gd1973-11-01.sbd-set2.goodbear.2178.shnf | |
1973-11-01 | McGaw Memorial Hall, Northwestern University |
2178 | set 2; MR> C1> DAT; via Teddy Goodbear to abgd |
gd73-11-09.sbd.kaplan.2657.sbefail.shnf | |
1973-11-09 | Winterland Arena |
2657 | SBD> MR> C> DAT> CDR; EAC> SHN by Seth Kaplan; Correct sector boundaries verified using .shntool; First few seconds of Here Comes Sunshine are clipped; Small splice at the start of Eyes of the World, some channel dropouts and a little static on a few tunes |
gd73-11-10.sbd.unknown.3290.sbeok.shnf | |
1973-11-10 | Winterland Arena |
3290 | MSR> reel > PCM > DAT > CD; see info file for listening notes |
gd1973-11-10.140704.set1p.set2p.sbd.pcm.miller.clugston.flac1644 | |
1973-11-10 | Winterland Arena |
140704 | flac16; Partial Show Source Info: Master Soundboard Reel > PCM; Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 |
gd1973-11-11.sbd.gardner.12178.sbeok.shnf | |
1973-11-11 | Winterland Arena |
12178 | Shntool fix (by Tony Gardner) of previous Tony Gardner 'patched eyes' seed; See info file for details; Disks 1-2 MSR>Cass>Cass>DATs>CDRs; Disk 3 MSR>Cass>DATs>CDRs; With Eyes patched from MSR>?>DAT>CDR |
gd1973-11-11.sbd.pitch-corrected.miller.88485.sbeok.flac16 | |
1973-11-11 | Winterland Arena |
88485 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> Cool Edit Pro v2.01 -> FLAC (Pitch correction of shn id 83318) All Transfers and Mastering By Charlie Miller |
gd1973-11-11.sbd.rolfe-miller.83318.sbeok.flac16 | |
1973-11-11 | Winterland Arena |
83318 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller |
gd1973-11-11.sbd.sacks.1016.sbefail.shnf | |
1973-11-11 | Winterland Arena |
1016 | Source: Disks 1-2 MSR> Cass> Cass> DATs> CDRs> EAC> SHN; Disk 3 MSR> Cass> DATs> CDRs> EAC> SHN; via Bob Murphy, Darrin Sacks; see pub comment for flaw note; note apparent upgrade with patch now circulating |
gd73-11-11.sbd.schlissel.14105.sbeok.shnf | |
1973-11-11 | Winterland Arena |
14105 | Pitch correction applied by Alan Schlissel to patch in Eyes in previous shn set (which itself was a fix of another previous one). |
gd1973-11-14.sbd.hollister.14716.sbeok.shnf | |
1973-11-14 | San Diego International Sports Arena |
14716 | Lineage: 7" Master Reel > Cassette > CD Transferred, burned, shn'ed, and all by David Hollister |
gd1973-11-14.sbd.miller.79049.flac16 | |
1973-11-14 | San Diego International Sports Arena |
79049 | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC |
gd73-11-14.sbd.vernon.5612.sbeok.shnf | |
1973-11-14 | San Diego Sports Arena |
5612 | Updated lineage: SBD > MR > cass > DAT > CD > EAC (secure) > SHN (seekable); EAC> SHN by Matt Vernon, from Eurodead Vine source discs; see tracking suggestions in info file |
gd1973-11-17.sbd.patched.bec.22799.flac16 | |
1973-11-17 | Pauley Pavilion - University of California |
22799 | This is a FLAC composite of different sources that all have cassette/reel flip cuts at various points of the show. See text document for further info. |
gd1973-11-17.sbd.ashley.23472.sbefail.shnf | |
1973-11-17 | Pauley Pavilion - University of California |
23472 | SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN >>DAW(Bertha)>>CDA/SHN via Jay Ashley |
gd1973-11-17.sbd.ashley.fixed.23731.sbeok.shnf | |
1973-11-17 | Pauley Pavilion - University of California |
23731 | SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN >>DAW(Bertha)>>CDA/SHN>>shntool shntool used to fix SBE's on 4-12-04, applied separately to first and second set by Tony G (spreaddead@bellsouth.net) |
gd1973-11-17.sbd.sirmick.79548.sbeok.flac16 | |
1973-11-17 | Pauley Pavilion - University of California |
79548 | flac16; source: unknown sbd > ??? > shn > wav > flac |
gd73-11-17.sbd.gardner.4749.sbeok.shnf | |
1973-11-17 | Pauley Pavilion, UCLA |
4749 | SBD> MR> C> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B.'s discs; Splice between ROR and Playin' (no music affected) |
gd73-11-20.wolfson.warner.22879.sbeok.shnf | |
1973-11-20 | Denver Coliseum |
22879 | MAC (Taped by Cary Wolfson, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) A > D by David Minches EAC > SHN by Jack Warner (jackmw1ATsbcglobalDOTnet) |
gd1973-11-20.sbd-patched.sirmick.76616.sbeok.flac16 | |
1973-11-20 | Denver Coliseum |
76616 | flac16; main source: S:MR > DAT > CD > EAC > SHN (shnid 1234) patch source: MAC (Taped by Cary Wolfson, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) (shnid 22879) |
gd1973-11-20.set2jam.matrix.vernon.83165.flac16 | |
1973-11-20 | Denver Coliseum |
83165 | flac16; Partial set 2 matrix mix using Cary Wolfson AUD shnid=22879 and sbd shnid=1234 by Matt Vernon |
gd73-11-20.sbd.hollister.1234.sbeok.shnf | |
1973-11-20 | Denver Coliseum |
1234 | S:MR > DAT > CD > EAC > SHN; via David Hollister, G. S. Hamilton; note UJB may be from different source?; note portions of set 2 on these discs are in "SBD order" vs. "true" order- see public comments for details |
gd1973-11-20.144245.sbd.hollister.remaster-01234.clugston.flac1644 | |
1973-11-20 | Denver Coliseum |
144245 | flac16; This is a pitch corrected, patched and re-mastered version of the source ID 1234 sbd.hollister source: Source Info: Master Soundboard Reels > (most likely Dick's cassettes) > Dat > CD > EAC > SHN to flac via TLH) > Adobe Audition CC 2019 |
gd1973-11-20.144265.sbd.boswell.smith.miller.clugston.flac1648 | |
1973-11-20 | Denver Coliseum |
144265 | flac16/48kHz; Master Soundboard Cassettes > Will Boswell's 1st generation Reels @ 3.75 ips There is speculation that there may be an additional cassette generation before Will Boswell's Reels (Garcia's?); This is part of the Debbie Stash; Transfer Info: 1st (possibly 2nd) Generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1973-11-20.144266.sbd.boswell.smith.miller.clugston.flac2496 | |
1973-11-20 | Denver Coliseum |
144266 | flac24; Master Soundboard Cassettes > Will Boswell's 1st generation Reels @ 3.75 ips; There is speculation that there may be an additional cassette generation before Will Boswell's Reels (Garcia's?). This is part of the Debbie Stash; Transfer Info: 1st (possibly 2nd) Generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496 |
gd1973-11-20.133392.mtx.dusborne.flac16 | |
1973-11-20 | Denver Coliseum |
133392 | flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:1234) MR > DAT > CD > EAC > SHN and Audience (shnid:22879) Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
gd73-11-21.finley.warner.22096.sbeok.shnf | |
1973-11-21 | Denver Coliseum |
22096 | MAC (Taped by Glen Finley, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
gd73-11-21.sbd-patched.warner.22097.sbeok.shnf | |
1973-11-21 | Denver Coliseum |
22097 | MSR > DAT > CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > CDWave v1.71 (tracking) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) Patches: MAC (Taped Taped by Glen Finley, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) |
gd1973-11-21.sbd.miller.88612.sbeok.flac16 | |
1973-11-21 | Denver Coliseum |
88612 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation |
gd73-11-21.sbd.barrick.192.sbeok.shnf | |
1973-11-21 | Denver Coliseum |
192 | via D. Barrick (hurtsme2); B. Yerys reports digiprobs at d1t1 ~0:42, d1t4 ~1:10, d2t2 ~10:38 |
gd1973-11-21.sbd.fix.miller.97468.sbeok.flac16 | |
1973-11-21 | Denver Coliseum |
97468 | flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller (This source fixes swapped channels on source id 88612.) |