Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1973-00-00.wotfroughmixes.samaritano.97924.flac16
1973-01-01Wake Of The Flood Sessions
97924flac16; Lineage: Unknown Studio Recording -> Sonic Solutions -> CD Transfer: CD -> EAC ->FLAC by Joe Samaritano
gd73-02-09.sbd.allred.9888.sbeok.shnf
1973-02-09Roscoe Maples Pavilion, Stanford U.
9888SBD> MR> R> DAT> CD; Show SHNed by Bob Allred; md5 / shn renaming and txt file by Patrick Hitt, who notes that "slightly different edit times indicate a different dat source or editor" than previous shn set
gd73-02-09.sbd.bertha-fink.14939.sbeok.shnf
1973-02-09Roscoe Maples Pavilion, Stanford U.
14939S : MR > R > DAT > SS > CDR > DAW (Bertha) > CDA > SHN > COOL EDIT PRO > SHN; See info file for 'additional edit' notes from seeder Alan Fink.
gd1973-02-09.141001.sbd.14939-spdcor.flac1644
1973-02-09Roscoe Maples Pavilion, Stanford
141001flac16; SBD>>MR>>REEL>>DAT>>SS>>CDR>>DAW(Bertha)>>CDA>>SHN>>COOL EDIT PRO>>SHN; Speed-corrected using Celemony Capstan done for each track individually; Reencoded to flac (level 8); SBE's fixed using Trader's Little Helper
gd1973-02-09.150166.sbd.miller.flac1644
1973-02-09Roscoe Maples Pavilion
150166flac16; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (44.1k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller
gd73-02-15.sbd.hall.1580.sbeok.shnf
1973-02-15Dane County Coliseum
gd1973-02-15.150175.sbd-fixed.miller.flac1648
1973-02-15Dane County Coliseum
150175flac16/48kHz; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (Panasonic SV-3800/48k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC
gd1973-02-15.aud.partial.124195.flac
1973-02-15Dane County Coliseum
124195flac16; two channel mono MAC> ? > normal bias cassettes> Harmon Kardon TD 302, Heads aligned to each tape side> Zoom H2 @16/44.1> SD card> PC> edited and tracked with wavpad> flac level 8 and checksums with traderslittlehelper
gd1973-02-15.124360.mtx.dusborne.flac16
1973-02-15Dane County Coliseum
124360flac16; 2 Source Matrix by dusborne; Soundboard (shnid:1580): MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD and Audience (shnid:124195): two channel mono MAC> ? > normal bias cassettes (see notes) Two 60 minute and one 90 minute mid 70's vintage Memorex cassettes, Cassettes> Harmon Kardon TD 302, Heads aligned to each tape side> Zoom H2 @16/44.1> SD card> PC> edited and tracked with wavpad> flac level 8 and checksums with traders little helper
gd1973-02-15.134029.sbd.menke-lee-smith.flac16
1973-02-15Dane County Coliseum
134029flac16; Recording Info: SBD MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith
gd1973-02-15.134028.sbd.menke-lee-smith.flac24
1973-02-15Dane County Coliseum
134028flac24; Recording Info: SBD MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith
gd1973-02-15.sbd.hall.1580.shnf
1973-02-15Dane County Coliseum
1580MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD; upgrade relative to previous shn copies; includes soundcheck and most of encores; via Mike Hall; tracked for 2x74 + 1x80 (with alternate tracking suggestion)
gd73-02-17.sbd.carman.11771.sbeok.shnf
1973-02-17St. Paul Auditorium
11771SBD:MR> PCM> DAT> CD; retracking etc of previous shn set, by Randy Carman
gd1973-02-17.150300.sbd.miller.flac1648
1973-02-17St. Paul Auditorium
150300flac16/48kHz; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (Panasonic SV-3800/48k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC
gd1973-02-17.sbd.ashley-field.32875.sbeok.flac16
1973-02-17St. Paul Auditorium
32875flac16; SBD > MR > PCM > DAT > CDA > WAV > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 32580
gd73-02-19.set2sbd.fink.15589.sbeok.shnf
1973-02-19International Amphitheatre
15589SBD : MC > C > DAT > SS > CDR > EAC > SHN Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. Thanks to Paul B. for the seeds. Seeded to etree on 3/2/03
gd73-02-21.sbd.hamilton.165.sbeok.shnf
1973-02-21Assembly Hall, University of Illinois
165complete; MR > DAT > 1 cass > DAT > CDR 3x; via G. Hamilton; see info file for misc flaws, esp d1; 4-disc set with 2/22
gd1973-02-21.sbd.miller.111120.flac16
1973-02-21Assembly Hall, University Of Illinois
111120flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
gd73-02-22.pset2-sbd.carman.12215.sbeok.shnf
1973-02-22Assembly Hall, U. of Il.
12215reworking of previous shn set, by Randy Carman (see notes in info file)
gd1973-02-22.sbd.miller.111169.flac16
1973-02-22Assembly Hall, University Of Illinois
111169flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1973-02-22.sbd.elliot.10963.sbeok.shnf
1973-02-22Assembly Hall - University Of Illinois
10963Partial; According to Deadlists this is missing the 4 songs after Playin' in Set 1, and Around from Set 2; See info file for details; SBD:MR>Cas>DAT>CD; Seeded to etree by Julian Elliot
gd1973-02-22.sbd.hamilton.166.shnf
1973-02-22Assembly Hall, University of Illinois
166sets 1p,2; MR > DAT > 1 cass> DAT > CDR 3x; via G. Hamilton; see info file for misc flaws,
gd73-02-24.pset1-sbd.sly.16051.sbeok.shnf
1973-02-24University of Iowa
16051Partial Set I - Last four songs SBD> MR> DAT> CDR by Sly_Wow Thanks to Raoul Duke
gd73-02-24.sbd.elliot.11929.sbeok.shnf
1973-02-24Fieldhouse, University of Iowa
11929Single track jam segment; see info file for details; SBD>?>GDH CD; seeded to etree by Jools
gd1973-02-24.142031.aud.owen.berger.flac1644
1973-02-24UI Field House, University Of Iowa
142031flac16; partial source: aud cassette master; taped by Mark Owen; sears & robuck deck, floor, 100’ from stage; nakamichi dragon > benchmark adc1 @ 24/96> adobe audition cc > fission > xACT flac 16/44.1; transferred by Rob Berger
gd73-02-26.sbd.kaplan.1208.sbeok.shnf
1973-02-26Pershing Municipal Auditorium
1208S:MR > cassette > DAT > CDR > EAC > SHN; EAC/SHN by Seth Kaplan; upload by Greg Hamilton; note D3t02 (Eyes): splice @ 3:25
gd73-02-28.sbd.weiner.15386.sbeok.shnf
1973-02-28Salt Palace
15386Multiple sources SBMR via Noah Weiner and David Gans encoded by Noah Weiner (see info file for details). Upgrade to previous copies with complete EOTW & AWBYGN.
gd1973-02-28.143133.s2.partial.gastwirt.sirmick.miller.flac1648
1973-02-28Salt Palace
143133flac16/48kHz; Source: SBD > MR > Cas >Dat (48k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 >wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16
gd73-03-15.aud.vernon.13468.sbeok.shnf
1973-03-15Nassau Coliseum
13468Source (~complete): Unknown AUD > ? cdr via JackeySack, converted by Matt Vernon
gd73-03-15.sbd.cotsman.14035.sbeok.shnf
1973-03-15Nassau Coliseum
14035composite source 1: AUD>??>CD>EAC>SHN source 2: SBD>MR>C>D>CD>EAC>SHN via JackeySack, Matt Vernon, and Paul Hartman edits/encoding by JCotsman
gd1973-03-15.136652.sbd.reelmaster.cassette.dat.sirmick.flac16
1973-03-15Nassau Coliseum
136652flac16; Source: Soundboard > Reel Master > Cassette > DAT (48k)
gd1973-03-15.151902.SonyStereo.ECM.Moskal.t.flac16
1973-03-15Nassau Veterans Memorial Coliseum
151902 flac16 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette (Circa 1984) Transfer/Flac Conversion 02-27-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac
gd73-03-16.sbd.cribbs.19141.sbeok.shnf
1973-03-16Nassau Coliseum
19141Fixed composite sbd version (based on shnid = 167) by Sean Cribbs. See info file for details.
gd73-03-16.sbd.hamilton-jackson.167.14770.sbefail.shnf
1973-03-16Nassau Coliseum
14770fixup by Seth Jackson of 5 tracks from the previous shn set
gd1973-03-16.152003.SonyStereo.ECM.Moskal.t.flac16
1973-03-16Nassau Veterans Memorial Coliseum
152003flac16/44 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette (Circa 1984) Transfer/Flac Conversion 03-01-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac
gd1973-03-18.145158.ecm270.menke.sirmick.flac1644
1973-03-18Winterland Arena
145158flac16; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; 141163 24 > 16
gd73-03-19.sbd.elliot.9987.sbeok.shnf
1973-03-19Nassau Coliseum
9987Playin', plus most of set 2; SBD:MR>Cas>Cas>DAT>CD; Seeded to etree by Jools
gd1973-03-19.sonyecm.moskal.97417.flac16
1973-03-19Nassau Veterans Memorial Coliseum
97417flac16; Taper Gerry Moskal Sony Stereo ECM x 2 -->SONY TCD126 Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/editing//flac Conversion: Brian Mandel Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac
gd1973-03-19.partial.aud.danh.97506.flac16
1973-03-19Nassau Veterans Memorial Coliseum
97506flac16; Taper: Dan H. Location: Slightly too close to stage Transfer/editing/flac conversion: Dan McDonald Unknown Mic, Unknown Cassette recorder (mono) ->Master Cassette -> 24bit/96kHz wav -> slight edit (fade-in, out, azimuth adjustment, and slight level changes for crowd noise) -> 16-bit, 44.1 khz wav (triangular noise dither)
gd1973-03-19.sbd.123987.miller.flac16
1973-03-19Nassau Veterans Memorial Coliseum
123987flac16; Recording Info: SBD -> Master Reel -> Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2.1 -> Adobe Audition CS6 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1973-03-19.141298.sbd.miller.patched.flac2496
1973-03-19Nassau Veterans Memorial Coliseum
141298flac24/96 Recording Info: SBD > Master Reels > Dat (16-bit/44.1k) > upsampled to 24-bit/96k;
Mastering Info: WAV > Samplitude Pro X3 Suite > FLAC/24; Master Reel Transferred by Rob Eaton; All Mastering By Charlie Miller; the original version of this source had a 2 second dropout in track 16 (Playing In The Band)
gd1973-03-19.141309.patched.sbd.mr.miller.flac1644
1973-03-19Nassau Veterans Memorial Coliseum
141309flac16; Recording Info: SBD > Master Reels > Dat (16-bit/44.1k) > upsampled to 24-bit/96k; Mastering Info: WAV > Samplitude Pro X3 Suite > FLAC/24; Master Reel Transferred by Rob Eaton; All Mastering By Charlie Miller; the original version of this source had a 2 second dropout in thrack 16 (Playing In The Band)
gd73-03-21.sbd.cotsman.5072.sbeok.shnf
1973-03-21Utica Memorial Auditorium
5072SBD> MR> ?> D> CD> SHN; shn EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Krakowka; see listening notes in info file
gd1973-03-21.152018.aud.ryan.miller.clugston.flac1648
1973-03-21Utica Memorial Auditorium
152018flac16/48 Source Info: Kevin Ryan's Audience source of unknown provenance; low gen Cassette (Maxell UDXL-II) Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
gd1973-03-21.152019.aud.ryan.miller.clugston.flac2496
1973-03-21Utica Memorial Auditorium
152019flac24/96 Source Info: Kevin Ryan's Audience source of unknown provenance; low gen Cassette (Maxell UDXL-II) Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
gd1973-03-21.152103.aud.lamarre.vernon.sirmick.flac16
1973-03-21Utica Memorial Auditorium
152103 flac16/44 Source: Audience Cassette (low gen) - from the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick March 2021
gd1973-03-21.152104.aud.lamarre.vernon.sirmick.flac24
1973-03-21Utica Memorial Auditorium
152104 flac24/96 Source: Audience Cassette (low gen) - from the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced edited and mastered SIRMick March 2021
gd73-03-21.sbd.miller.29263.sbeok.flac
1973-03-21Utica Memorial Auditorium
29263Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller Notes:I originally transferred my Dat back in 2000. At that time, I only made Audio discs. Someone asked me to circulate this source since the circulating source has NR applied to it. My source DOES NOT have any NR applied to it. I made these FLAC's off of my Master Audio Discs. Enjoy...cm
gd73-03-22.sbd.sacks.1822.sbeok.shnf
1973-03-22Utica Memorial Auditorium
1822MSR> DATs> CDRx1> EAC> SHN; via Darrin Sacks
gd73-03-24.sbd.hamilton.1216.sbeok.shnf
1973-03-24The Spectrum
1216S:MR > cassette > DAT > CDR; note updated source info- actually only 1 cass gen, not 2; via Mike Bryan, Greg Hamilton; see info file for listening notes
gd73-03-24.sbd.bertha-ashley.25508.sbeok.shnf
1973-03-24The Spectrum
25508SBD>>MR>>CASS>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN
gd1973-03-24.139595.sbd.betty.composite.miller.clugston.flac16
1973-03-24The Spectrum
139595flac16; Primary Source: Betty's 10" MSR -> PCM -> DAT supplies the 2nd Set; Secondary Sources: MSR -> C -> DAT (gd73-03-24.sbd.hamilton.shnid1216) supplies the majority of the 1st set; Betty's 10" MSR -> PCM -> S/PDIF out -> disk -> digital noise reduction w/Sound Forge 6.0 (shnid83407) supplies from 7:38 of "Here Comes Sunshine" (t15)thru the end of the 1st Set; Transfer Info: DAT -> Sony PCM R500-> Tascam DA-3000-> Adobe Audition 3.0-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston
gd73-03-26.sbd.miller-ashley.1373.sbeok.shnf
1973-03-26Baltimore Civic Center
1373SBD> MR> DAT> CDA> CDA> EAC> SHN; via Charlie Miller, Jay Ashley; note info file updated 9/13; see pub comments for flaw notes
gd73-03-28.aud-nourse.weiner.16886.sbeok.shnf
1973-03-28Springfield Civic Center
16886AudMC > R > DAT > WAV > SHN; taper: Andy Nourse - equipment unknown; via Noah Weiner; see background in txt
gd73-03-28.sbd-aud.cotsman.11473.sbeok.shnf
1973-03-28Springfield Civic Center
11473Discs 1&2; AUD>MC>R>D>CD; Disc 3; SBD>MR>D>CD; Seeded to etree by J Cotsman
gd1973-03-28.beyer.backstrom.miller.75138.flac24
1973-03-28Civic Center
75138flac24; Recording Info: Beyer Mics -> Cassette Master Transfer Info: Cassette Master -> Apogee MiniMe -> Samplitude Professional 8.01 -> FLAC/24 All Transfers and Mastering By Charlie Miller
gd1973-03-28.mtx.dts.tobin.86896.sbeok.flac16
1973-03-28Springfield Civic Center Arena
86896DTS Audio 5.1; SBD (shn id 86459) SBD -> Master Reel -> Dat (44.1k) + AUD (shn id 74682) Beyer Mics -> Cassette Master - dts mixing by Kevin Tobin
gd73-03-30.sbd-aud.cotsman.11616.sbeok.shnf
1973-03-30Rochester Community War Memorial
11616AUD>MR>?>CD (disc 1); SBD>MR>C>D>CD (remainder); See info file for details; via Paul Hartman & Michael Dixon; Seeded to etree by J. Cotsman
gd73-03-31.sbd.yerys.2237.sbeok.shnf
1973-03-31Buffalo Memorial Auditorium
2237Master Soundboard Reel > Cassette > DAT > CD-R; via Morgan Evans, Ben Yerys; see info file for listening notes; note some offbeat tracking
gd73-04-02.sbd.ashley-bertha.22246.sbeok.shnf
1973-04-02Boston Garden
22246Bertha remaster of the Master Reel Soundboard source. SBD>>MR>>DAT>>SS>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+
gd73-04-02.sbd.miller.17346.sbeok.shnf
1973-04-02Boston Garden
17346SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat. Transfer Info: Dat -> Sonic Solutions -> CD (David Gans' Master Discs) -> EAC (Secure) -> SHN. CD -> SHN Conversion Done By Charlie Miller. Purports to avoid the drop outs present on the previous shn set for this source.
gd1973-04-02.sbd.hamilton.00169.sbeok.shnf
1973-04-02Boston Garden
169complete, with qualitative change in sound partway through; MSR > Cassette > DAT > CD (unknown gens) > DAE > SHN; mix problems in d1t1, bit of distortion in a few places, esp d1t2; brief dropout at d2t6 2:39; cut d3t1 11:46; via A. Cohen, G. Hamilton
gd1973-04-02.sbd.kfpa.16176.sbeok.shnf
1973-04-02Boston Garden
16176Master 7.5 ips 2 Track reel> DAT> DAT> SONIC SOLUTIONS> CD> CD > EAC[secure] > SHN
gd1973-04-02.sbd.yerys.00170.sbeok.shnf
1973-04-02Boston Garden
170mSR > cassette > DAT > CDR; via B. Yerys
gd73-05-13.sbd.minches.7270.sbeok.shnf
1973-05-13Des Moines State Fairgrounds
7270Complete; d1,2,3,5-SBD : MR > R > DAT > CDR via Paul B.; d4-SBD : MR > ? > DAT > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN via David Minches
gd73-05-13.sbd.powell-ladner.24997.sbeok.shnf
1973-05-13Des Moines State Fairgrounds
24997Source: MSR>R>?>C>DAT>WAV>SHN except for 4th disc/end of second set which is from previously circulated SHN set (see below).
gd1973-05-13.sbd.partial.smith.miller.100239.sbeok.flac16
1973-05-13Iowa State Fairgrounds
100239flac16; Set 3 Recording Info:SBD -> Master Reel -> Dat -> CD -> EAC -> FLAC; EAC -> FLAC conversion By Charlie Miller; fixed version now in circulation
gd1973-05-13.set3.sbd.fix.smith.miller.100302.flac16
1973-05-13Iowa State Fairgrounds
100302flac16; Set 3 Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version of source ID 100239
gd73-05-20.aud.weiner.gdADT.5915.sbefail.shnf
1973-05-20Stadium, U.C Santa Barbara
5915AUD (Sony Condenser): MC> R> C> DAT> HD> SHN> CD; see notes in info file; via Audience Devotional Tree
gd73-05-20.sbd.weiner-warner.19564.sbeok.shnf
1973-05-20Stadium, U.C Santa Barbara
195647" Master Reels at 7.5ips half-track > Panasonic SV-3700 DAT > Panasonic SV-3800 DAT > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
gd73-05-20.set3-sbd.cribbs.16531.sbeok.shnf
1973-05-20Stadium, U.C Santa Barbara
16531Set 3 only; MSR> C> DAT> CD; edits, Aud patch from prior shn set; edits by Sean Cribbs
gd1973-05-20.124567.mtx.dusborne.flac16
1973-05-20Stadium, U.C Santa Barbara
124567flac16; 2 Source Matrix by dusborne Soundboard (shinid:86905) Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat -> CD; Transfer Info: CD -> EAC -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:5915) MC>R>C>DAT>HD>SHN>CD
gd73-05-20.sbd-patched.schlissel.24495.sbeok.shnf
1973-05-20Stadium, U.C Santa Barbara
24495Patched Eyes with AUD source. Replaced AUD patch in Eyes with SBD source.
gd73-05-26.sbd.cribbs.17076.sbeok.shnf
1973-05-26Kezar Stadium
17076MSR>DAT>CD>EAC>WAV>SHN CD>EAC>WAV>SHN by Sean Cribbs 4/19/2003
gd1973-05-26.147312.aud.taback.flac16
1973-05-26Kezar Stadium
147312flac16; Recording by Gene Taback: Master Audience Cassette; Sony TC-124 with Sony Stereo Mic; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard> HD; Editing performed in Adobe Audition; Flac Encoded
gd1973-05-26.154514.s2p-s3p.aud.flac1644
1973-05-26Kezar Stadium
154514flac1644; Partial; Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged.
gd1973-05-26.154515.s2p-s3p.mtx.flac1644
1973-05-26Kezar Stadium
154515flac1644; Partial; Sources: Matrix of SBD ID-83438 & AUD ID-154514. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged.
gd1973-05-26.sdb.datsit.7798.sbeok.shnf
1973-05-26Kezar Stadium
7798Re-eac of previous shn set; Betty Board SBD> Reel> PCM> DAT> Digi I/O> wav; via "Datsit, Other1 and Ripple"; note some low levels, brief d/o's; Row Jimmy splice
gd1973-05-26.150710.SBD.BettyBoard.Anon.Noel.t-flac16
1973-05-26Kezar Stadium
gd1973-05-26.150710.SBD.BettyBoard.Anon.Noel.fixed.t-flac16
1973-05-26Kezar Stadium
150710flac16; Source: SBD Reel Master > PCM > PCM; Transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered (Adobe Audition) by Joe Noel; original version had flaws
gd1973-05-26.sbd.cantor.diebert.83438.sbeok.flac16
1973-05-26Kezar Stadium
83438flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES (Beta HiFi) ( @ 44.055 kHz) > PCM501ES analog out > analog in Fostex D5 ( @ 48kHz) > Fostex D5 optical S/PDIF out (Jace's tape) > Sound Forge 5.0 > wav/shn Transferred by Tim Deibert 12-15-01
gd1973-05-26.sbd.miller.patched.83535.flac16
1973-05-26Kezar Stadium
83535flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
gd73-06-09.sbd.hollister.172.sbeok.shnf
1973-06-09Robert F. Kennedy Stadium
172SBD MR > cassette> DAT > CD > EAC > SHN, except Promised Land, Half Step, and Sugar Mag are S:MR > PCM > cassette > DAT > CD > EAC > SHN, and Patch in Box of Rain (very small) from 2nd source; via D. Hollister, G. Hamilton; 8/16 note formerly error in info file at this site, and possibly distributed with show- cass gen in main portion of show had been omitted, (although info file at Hamiltons' CDR list has apparently always been correct)- sorry!
gd73-06-09.partial.aud.weiner.gdADT25.22790.sbeok.shnf
1973-06-09Robert F. Kennedy Stadium
22790AUDMR > DAT > SHN - Recorded by Adam Grow with an Electro-Voice RE-15 super cardioid dynamic microphone > Nagra III Reel to Reel deck at 7.5 ips. Added to etree by Noah Weiner
gd1973-06-09.130939.mtx.dusborne.flac16
1973-06-09Robert F. Kennedy Stadium
130939flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:000172) S:MR > cassette > DAT > CD > EAC > SHN > TLH > flac; Extraction and SHN encoding by G.S. Hamilton and Audience (shnid:120959) Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform; Lineage: transferred professionally by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag; fixed version in circulation
gd1973-06-09.131169.mtx.fix.dusborne.flac16
1973-06-09Robert F. Kennedy Stadium
131169flac16; Fix of 2 Source Matrix (130939) by Dusborne; Soundboard (shnid:000172) S:MR > cassette > DAT > CD > EAC > SHN > TLH > flac; Extraction and SHN encoding by G.S. Hamilton and Audience (shnid:120959) Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform; Lineage: transferred professionally by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag
gd1973-06-09.sbd.patched.barry.93475.sbeok.shnf
1973-06-09RFK Stadium
93475Source: SBD (shn ID 172) with AUD patch by Monte Barry. Upgrade now in circulation.
gd1973-06-09.120958.barry.smith.AUD-fob.flac1644
1973-06-09Robert F. Kennedy Stadium
120958flac16 Source: taped by Monte Barry, Sony TC 2850SD portable stereo cassette recorder, Sony ECM 99 single-point stereo mic, mic is hand-held on mic-stand shaft, with arm raised up, FOB center infield, between sbd platform and stage platform; Lineage:transferred by Matt Smith, remastered by Monte Barry (some flaws remain) MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > 16/44 > TLH > SBEs fixed > CD Tag
gd1973-06-09.sbd.barry.patched-172.93677.shnf
1973-06-09RFK Stadium
93677Original SBD Source (shnid = 172); Monte Barry patched Sugar Magnolia w/his AUD source (shnid = 91236). (This is a pitch corrected version of the previous patched SBD source.)
gd1973-06-09.sonytc.monte-barry.91236.flac16
1973-06-09RFK Stadium
91236flac16; Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft, w/arm raised up FOB center infield, between sbd platform and stage platform Lineage: MR cassette > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry; Upgrade in circulation
gd1973-06-10.partial.fob.gadsden.89681.sbeok.flac16
1973-06-10RFK Stadium
89681flac16; partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant
gd1973-06-10.sbd.miller.89640.sbeok.flac16
1973-06-10RFK Stadium
89640flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. A fixed version now circulates
gd73-06-10.sbd.hollister.174.sbeok.shnf
1973-06-10Robert F. Kennedy Stadium
174SBD MR (10'' reels)> DAT > CD > EAC > SHN; via David Hollister, G.S. Hamilton; known flaws: d2t01 (Bird Song: very brief tape waver @ 2:44, 2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54, d4t06 (GDTRFB): reel flip/splice @ 6:42; not noted on original info file: sounds like loose cord to board: d1t09 (The Race Is On) 1:33, 1:34, 1:36, 1:44; d1t2 BIODTL begining cut; reportedly "best version available"
gd1973-06-10.aud.barry-gadsden.tobin.90796.flac16
1973-06-10RFK Stadium
90796flac16; Composite Audience - AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - mixing\speed correction by Kevin Tobin
gd1973-06-10.dts.tobin.90794.flac
1973-06-10RFK Stadium
90794DTS Audio 5.1; SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin
gd1973-06-10.fob.barry.90351.flac16
1973-06-10RFK Stadium
90351flac16; Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry
gd1973-06-10.mtx.tobin.90771.flac16
1973-06-10RFK Stadium
90771flac16; Matrix 3 Source Mix - SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin
gd1973-06-10.sbd.miller.fix-89640.89730.flac16
1973-06-10RFK Stadium
89730flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. This is a fixed version of shn id 89640
gd1973-06-10.sbd.miller.tobin.patched-89730.90979.flac16
1973-06-10RFK Stadium
90979flac16; Original SBD (shnid = 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC patched and speed corrected
gd1973-06-10.121030.barry.smith.AUD-fob.flac16
1973-06-10Robert F. Kennedy Stadium
121030flac16; taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder > Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag
gd1973-06-10.121031.barry.smith.AUD-fob.flac2496
1973-06-10Robert F. Kennedy Stadium
121031flac24; Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
gd1973-06-22.sbd-monitor-mix.pantagruel.85957.flac16
1973-06-22Pacific Coliseum
85957flac16; partial set 1: Lineage: Master cassette > reel @ 3.75 ips > cassette > HD Encoding: CDWave > flac frontend > flac Taped by: ? Transfered by: Pantagruel; reportedly fixed some flaws in the previous SBD source.
gd1973-06-22.mtx.seamons.92375.sbeok.flac16
1973-06-22P.N.E. Coliseum
92375flac16; SBD/AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
gd73-06-22.aud.weiner.gdADT19.16889.sbeok.shnf
1973-06-22P.N.E. Coliseum
16889AUDMC > Reel > Reel > CD > DAT > WAV > SHN recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60). A > D by Matt Williams and Noah Weiner, encoded by Noah Weiner
gd73-06-22.sbd.cribbs.17270.sbeok.shnf
1973-06-22P.N.E. Coliseum
17270composite: MSR> PCM> DAT> CD> EAC> WAV> SHN for Bertha> Other One//; MAC> R> R> CD> DAT> WAV> SHN for patches, JGB (see notes); MSR> C> DAT> CD> EAC> WAV> SHN for //Other One> end of set 2; EAC> CEP2K edits> encoding by Sean Cribbs
gd1973-06-22.140868.sbd.pcm.composite.dalton.miller.clugston.flac1644
1973-06-22P.N.E. Coliseum
140868flac16; Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; the original source had a dropout in track 22 (Black Peter); Fixed version in circulation
gd1973-06-22.140892.sbd.pcm.composite.dalton.miller.clugston.fixv2.flac1644
1973-06-22P.N.E. Coliseum
140892flac16; Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this source is a fix of the two previous flawed sources circulated by Scott Clugston; there is another Fixed version of this source in circulation
gd1973-06-22.140897.sbd.pcm.composite.dalton.miller.clugston.fixv3.flac1644
1973-06-22P.N.E. Coliseum
140897flac16; Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this source fixes the flaws in the three circulating Clugston sources: source ID 140868 and source ID 140892; this version includes a fix in track 11, Jack Straw
gd1973-06-22.sbd.clugston.5850.sbeok.shnf
1973-06-22P.N.E. Coliseum
5850Master Sounbdoard Reel > PCM > DAT > CDR and likely MSR> C> D> CD, plus AUD patches from 2 sources; d4 tracked for 80 min; some crackle; CD Mastering, EAC'ed / SHN'ed by Scott Clugston
gd1973-06-22.sbd.cribbs.88347.flac16
1973-06-22P.N.E. Coliseum
88347flac16; Main source MSR>PCM>DAT>CD>EAC>WAV; re-patched and re-tracked version of shn id 17270. See info file for details
gd1973-06-22.sbd.miller.88526.sbeok.flac16
1973-06-22P.N.E. Coliseum
88526flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
gd1973-06-24.sbd.miller.99852.sbeok.flac16
1973-06-24Memorial Coliseum
99852flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
gd73-06-24.sbd.cotsman.12828.sbeok.shnf
1973-06-24Portland Memorial Coliseum
12828partials of both sets; set 1: SBD> ?>C> CD> EAC> SHN (unknown analog generations); set 2: SBD> MR> C> D> CD> EAC> SHN, edited from previous shn set; the first set is a degraded SBD; Thanks to S. Milewski, G. Hamilton; edits/encoding by JCotsman
gd1973-06-26.aud-amick.williams-smith.115571.flac16
1973-06-26Seattle Center Arena
115571flac16; Recorded by Don Amick; Lineage: MAC(Sony TC-126)>R@7.5 ips.(Don's edited copy)>R@3.3/4 ips(Matt Williams reel)>FLAC
gd73-06-26.aud.weiner.gdADT14.14673.sbeok.shnf
1973-06-26Seattle Center Arena
14673AUDMC > Reel > Reel > DAT > WAV > SHN. Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-152 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D and shn encoding by Noah Weiner
gd73-06-26.sbd.cotsman.12076.sbeok.shnf
1973-06-26Seattle Center Arena
12076Complete; SBD>MR>C>D>CD patched with: AUD>MR>C>D>CD; Slight pitch correction; See info file for details; Seeded to etree by Mark Sweeney & Chuck Gannon
gd1973-06-26.mtx.seamons.100024.sbeok.flac16
1973-06-26Seattle Center Arena
100024flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) July 4, 2009
gd1973-06-26.aud.jems.105840.flac16
1973-06-26Seattle Center Coliseum
105840flac16:Taped and Transferred By: JEMS; Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic; Lineage: Master Reels @ full track mono>Tandberg Model 11>>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac. Originally seeded at Dime-A-Dozen ~ 2/4/2010
gd1973-06-26.sbd.GoodBear.80602.flac16
1973-06-26Seattle Center Arena
80602flac 16 Sources: 1 - SBD>MR>C1 (Latvalla?)>GoodBear DAT>5/2000 edit by GoodBear>CD>EAC 11/2006 (slight hiss reduction & remove all remaining Bertha diginoise in CoolEdit Pro)>FLAC 11/2006; 2 - SBD>MR>C1 (Latvalla?)>DAT>CD>"12076">Teddy slight hiss reduction & retracking in 11/2006>FLAC; 3 - AUDMC>Reel>Reel>DAT>WAV>SHN (from "12076")>GoodBear heavy edit>FLAC
gd73-06-29.sbd.cotsman.11617.sbeok.shnf
1973-06-29Universal Amphitheatre
11617Partial; SBD>MR>R>D>CD; Missing first 11 songs and Around and Casey Jones; via Mark Sweeney; Seeded to etree by JCotsman
gd1973-06-30.aud.sirmick.85816.sbeok.flac16
1973-06-30Universal Amphitheatre
85816flac16; remaster of shn id 6019: AudMR > R > DAT
gd1973-06-30.aud.weiner.99703.sbeok.flac16
1973-06-30Universal Amphitheatre
99703flac16; AudMR(C?) > ? > DAT > WAV > FLAC : Alternate copy originating from same original master recording as source ID 6019. Transferred by Noah Weiner
gd1973-06-30.130557.aud.boswell-smith.flac24
1973-06-30Universal Amphitheatre
130557flac24; Audience Source Tape: Reel dubbed in 1979 by Will Boswell (3 3/4ips) from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
gd1973-06-30.130561.aud.boswell-smith.flac16
1973-06-30Universal Amphitheatre
130561flac16; Audience Source Tape: Reel dubbed in 1979 by Will Boswell (3 3/4ips) from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
gd73-06-30.aud.weiner.gdADT.6019.sbefail.shnf
1973-06-30Universal Amphitheatre
6019AudMR > R > DAT > WAV > SHN; A > D transfer by Noah Weiner; d1 tracked for 80 min; see info file for notes; via Audience Devotional Tree
gd73-06-30.sbd.Jerugim.177.sbefail.shnf
1973-06-30Universal Amphitheatre
177SBD> ?> DAT> CD> EAC> SHN; (note Tiedrich's site lists a circulating? SBD> reel master> 1 reel gen> DAT> 1 cass gen> DAT> circulation); Known Flaws: Some digi-noise beginning d1t1, Reel flip middle d1t6,? Reel flip beginnning d3t2; via A. Jerugim; note "E2 USB" is not listed in databases as an encore- may be filler? (has 2 drummers?)- thanks to J. Grimes for alert
gd1973-06-30.sbd.128248.flac16
1973-06-30Universal Amphitheatre
128248flac16; SBD > ? > DAT > CD; CD > Sound Forge 10 > flac; Upgrade to existing source SBD 19903
gd1973-06-30.sbd.baker.19903.shnf
1973-06-30Universal Amphitheatre
19903SBD>?>DAT>CD>EAC>SHN patched with AudMR>R>DAT>WAV>SHN. This is a patched and re-tracked version of the previously circulating soundboard source.
gd1973-06-30.sbd.sbvol9.chappell.29753.flac16
1973-06-30Universal Amphitheatre
29753flac16; Sick Bits Vol. 9 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 177, and AUD - SHN ID# 6019); edited and transfered by Chris Chappell
gd1973-07-01.127028.sbd.miller.flac16
1973-07-01Universal Amphitheatre
127028flac16; Recording Info: SBD -> Master Reel -> Sound Devices 744T (24bit/96k); Transfer Info: WAV (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1973-07-01.127232.mtx.seamons.flac16
1973-07-01Universal Amphitheatre
127232flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
gd1973-07-01.fob.kaslow-todd.motb-0055.88608.flac24
1973-07-01Universal Amphitheatre
88608flac24 MOTB Release: 0055 24/96 Source: FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg Transfer by: A. Egert Mastering by: J. Waddell
gd1973-07-01.mtx.dts.tobin.89853.flac16
1973-07-01Universal Amphitheatre
89853DTS Audio 5.1; SBD (shn id 30362) SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA + AUD (shn id 88528) FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg - matrix mixing by Kevin Tobin
gd73-07-01.aud.lai.178.sbefail.shnf
1973-07-01Universal Amphitheatre
178daud> Sony ec M22P mics >Sony 770 MR> R1> DAT> CDR; via M. Lai; note info file lists as 2 CDs but shn set is tracked for 3 CDs
gd1973-07-01.fob.kaslow-todd.motb-0055.88528.flac16
1973-07-01Universal Amphitheatre
88528flac16 MOTB Release: 0055 16/44.1 Source: FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg Transfer by: A. Egert Mastering by: J. Waddell
gd1973-07-01.sbd.mtx.tobin.89848.flac16
1973-07-01Universal Amphitheatre
89848flac16; Matrix 2 Source Mix - SBD (shn id 30362) SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA + AUD (shn id 88528) FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg - matrix mixing by Kevin Tobin
gd1973-07-01.set1.sbd.unknown.30362.sbeok.flac16
1973-07-01Universal Amphitheatre
30362flac16 Source: SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA
gd1973-07-27.152005.moscal.mandel.sonyecm.flac24
1973-07-27Grand Prix Racecourse
152005flac24/44 Taper Gerry Moskal * Sony Stereo ECM ->SONY TCD126 Location: ** Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/editing//flac Conversion Brian Mandel gdplusmore@aol.com Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24 Circulation: 2-19-12
gd73-07-27.siniawsky-smith.weiner-gdADT11.25509.sbeok.shnf
1973-07-27Grand Prix Racecourse
25509Soundcheck: Recording by Jeffrey Siniawsky and Joel Smith front row, 15' from stage, mic attached to top of lean-to tent via Noah Weiner Audience Devotional Tree Round 11 - Note: Soundcheck separated from 7/28/73
gd73-07-27.sbd.miller.27779.sbeok.flacf
1973-07-27Grand Prix Racecourse
27779flac16; SBD> Master Reel (but see note)> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
gd1973-07-27.mtx.seamons.100410.sbeok.flac16
1973-07-27Grand Prix Racecourse
100410flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>Soundtrack>WAV>FLAC)
gd73-07-27.sbd.weiner.180.sbeok.shnf
1973-07-27Grand Prix Racecourse
180no regular info file (covers only); see 2 "history" posts; reported flaws: d2t3 (jam > wharf rat) has pops at 4:37, 9:22, 23:42; see pub comments for other flaw notes; circulated with 7/28/73
gd73-07-27.aud.weiner.gdadt26.26363.sbeok.shnf
1973-07-27Grand Prix Racecourse
26363AudMC stereo> ? > C > DAT > WAV > SHN, unknown taper; A>D by Noah Weiner: Cassette playback on Nakamichi MR-1 > Fostex D5 DAT (A>D only)> Turtle Beach Montego II Digital I/O > Sound Forge(wav edits and track IDs)> SHNTOOL (SBE fix) > MKWAct (shn)
gd1973-07-27.123407.candelario-smith.flac24
1973-07-27Grand Prix Racecourse
123407flac24; Recording Info: Recorded by Kidd at the soundboard - MAR > R > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith
gd1973-07-27.123408.candelario-boswell-smith.flac16
1973-07-27Grand Prix Racecourse
123408flac16; Recording Info: Recorded by Kidd at the soundboard - MAR > R > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith
gd1973-07-27.135381.aud.cooper.berger.flac24
1973-07-27Grand Prix Racecourse
135381flac24; source: aud cassette master; taped by Jim Cooper; sony ecm 22p’s > hitachi trq-222; nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger 3/2016
gd1973-07-27.135383.aud.cooper.berger.flac16
1973-07-27Grand Prix Racecourse
135383flac16; source: aud cassette master; taped by Jim Cooper; sony ecm 22p’s > hitachi trq-222; nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred and seeded by Rob Berger 3/2016
gd1973-07-27.146057.sbd.miller-smith-berger-cloverman.flac1644
1973-07-27Grand Prix Racecourse
146057flac16; Soundboard Recording Info: SBD -> Master Reel -> Dat (48k) edited and patched with aud cassette master taped by Jim Cooper; sony ecm 22p’s > hitachi trq-222 by cloverman using Roxio Sound Editor 2009
gd1973-07-27.aud.pantagruel.28882.sbeok.flac16
1973-07-27Grand Prix Racecourse
28882flac16; Lineage: cassette (unknown gen) > HD Encoding: CDWave > flac frontend > flac Taped by: Unknown Transfered by: Pantagruel
gd1973-07-27.aud.sirmick.87464.flac16
1973-07-27Grand Prix Racecourse
87464flac16; source: aud (unknown gen) > ??? > wav > flac; remaster of shn id 28882
gd1973-07-28.136693.sbd.sirmick.flac16
1973-07-28Grand Prix Racecourse
136693flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (48k)
gd1973-07-28.141306.sbd.eaton.miller.clugston.flac1644
1973-07-28Grand Prix Racecourse
141306flac16; Recording Info: SBD > Master Reels > .wav 24-bit/96k (Master Reels transferred by Rob Eaton); Mastering Info: .wav 24-bit/96k > Adobe Audition 3.0 24/96 > TLH > flac2496; 24-bit > 16-bit via dBpoweramp
gd1973-07-28.141307.sbd.eaton.miller.clugston.flac2496
1973-07-28Grand Prix Racecourse
141307flac24; Recording Info: SBD > Master Reels > .wav 24-bit/96k (Master Reels transferred by Rob Eaton); Mastering Info: .wav 24-bit/96k > Adobe Audition 3.0 24/96 > TLH > flac2496
gd1973-07-28.150454.SBD-AUD.composite.t-flac16
1973-07-28Grand Prix Racecourse
150454flac16; Composite of 1. Source: SBD > Master Reels > DAT (Master Reels transferred by Rob Eaton); Mastering Info: DAT> Adobe Audition 3.0 24/96 > TLH > flac16; 2. Source: sony ecm22p’s > hitachi trq-232 > MAC; taped by Jim Cooper; transfer: nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred by Rob Berger; 3. shnid 14196; Soundboard Master Reel > ? > Cassette > DAT > CDR > SHN; see info file for more details
gd1973-07-28.152004.SonyStereo.ECM.Moskal.t.flac24
1973-07-28Grand Prix Racecourse
152004flac24/44 Taper Gerry Moskal * Sony Stereo ECM ->SONY TCD126 Location: ** Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Circa (1984) 3-04-21 Transfer/editing//flac Conversion Brian Mandel gdplusmore@aol.com Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24 Circulation: 3-04-21
gd1973-07-28.152006.moskal-mandel.sonyecm.flac24
1973-07-28Grand Prix Racecourse
152006flac24/44 Taper Gerry Moskal *
Sony Stereo ECM ->SONY TCD126
Location: **
Transfer: Gerry Moskal
Master Cassette Transfer->RR ->Cassette
Transfer/editing//flac Conversion
Brian Mandel Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24
gd73-07-28.siniawsky-smith.weiner-gdADT11.11474.sbeok.shnf
1973-07-28Grand Prix Racecourse
11474Uher mic > Uher 4000 Report L 5" reels > MacIntosh pre-amp > TEAC 1230 7" reel; via Jeffrey Siniawsky and Joel Smith; Seeded to etree by Noah Weiner. [Note: Circulates with 7/27 Soundcheck which has a separate entry]
gd1973-07-28.aud.weiner.106793.flac24
1973-07-28Grand Prix Racecourse
106793flac24; AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96) Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > FLAC(level 8)
gd1973-07-28.aud.weiner.106794.flac16
1973-07-28Grand Prix Racecourse
106794flac16: AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96) Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > downsampled to 16/44 in r8brain (with dithering) > FLAC(level 8)
gd1973-07-28.135584.aud.cooper.berger.flac24
1973-07-28Grand Prix Racecourse
135584flac24; source: aud cassette master; taped by Jim Cooper; sony ecm22p’s > hitachi trq-232; transfer: nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
gd1973-07-28.135585.aud.cooper.berger.flac16
1973-07-28Grand Prix Racecourse
135585flac16; source: aud cassette master; taped by Jim Cooper; sony ecm22p’s > hitachi trq-232; transfer: nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred and seeded by Rob Berger
gd73-07-28.sbd.weiner.14196.sbeok.shnf
1973-07-28Grand Prix Racecourse
14196Soundboard Master Reel>DAT>CD>SHN, with FM, AUD, and other-source SBD patches. Fits to two .shn discs by placing d1 & d4 .shns on one 80 min. disc, d2 & d3 .shns on another.
gd1973-07-28.141310.aud.motb.0233.flac1644
1973-07-28Grand Prix Racecourse
141310flac16; Analog Audience Source: Sony ECM 270 mic > Sony TC 110 deck; Medium Stock Brands: TDK C120SD; Analog Sound Preservation: MAC > Nak DR-1 > Korg MR-2 2.8mhz > AudioGate 2496 WAV; Recorded by: Louis Falanga; Transferred by: Bob Menke; Mastering by: Derek McCabe
gd1973-07-28.akgd1000e.moore.berger.100612.flac16
1973-07-28Grand Prix Racecourse
100612flac16; taped by Jerry Moore source: aud cassette master, lineage: aud>akg d1000e>sony tc-110, tdk c-120sd cassettes, no nr nak dragon>hd-p2 24/48>hd>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger 8/11/09
gd1973-07-28.sbd.weiner.181.shnf
1973-07-28Grand Prix Racecourse
181no regular info file (covers only); see 2 "history" posts; reported flaw: d2t6 (truckin) has pop at 2:15; see pub comments for other flaw notes; circulated with 7/27/73
gd1973-07-31.133927.aud.moore.berger.flac16
1973-07-31Roosevelt Stadium
133927flac16; source: aud cassette master; taped by Jerry Moore; mastered: AKG 1000e > Sony TC-110; TDK c-120sd’s (re-shelled for transfer); Nakamichi Dragon > Benchmark ADC1 24/96 > Tascam HD-P2, compact flash > Mac > Adobe Audition CC > Flac; transferred and seeded by Rob Berger
gd1973-07-31.133928.aud.moore.berger.flac24
1973-07-31Roosevelt Stadium
133928flac24; source: aud cassette master; taped by Jerry Moore; mastered: AKG 1000e > Sony TC-110 TDK c-120sd’s (re-shelled for transfer); Nakamichi Dragon > Benchmark ADC1 24/96 > Tascam HD-P2, compact flash > Mac > Adobe Audition CC > Flac; transferred and seeded by Rob Berger
gd73-07-31.aud.weiner.gdADT12.12883.sbeok.shnf
1973-07-31Roosevelt Stadium
12883AudMC > DAT > CD > EAC > SHN Recorded by Jerry Moore with AKG 1000 mic > Sony 110 deck. TDK C-120SD master cassettes EAC & SHN transfer by Noah Weiner
gd1973-07-31.121160.barry.smith.AUD-fob.flac1644
1973-07-31Roosevelt Stadium
121160flac16; taped by Monte Barry, Nakamichi 550 portable stereo cassette recorder, taped with Dolby NR on Maxell UD C90 normal bias cassettes, Sony ECM-99 single-point stereo mic, mic is mounted on a 12-foot pole, FOB. Lineage: transferred by Matt Smith, mastered by Monte Barry. MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag
gd1973-07-31.121161.barry.smith.AUD-fob.flac2496
1973-07-31Roosevelt Stadium
121161flac24; taped by Monte Barry, Nakamichi 550 portable stereo cassette recorder, taped with Dolby NR on Maxell UD C90 normal bias cassettes, Sony ECM-99 single-point stereo mic, mic is mounted on a 12-foot pole, FOB. Lineage: transferred by Matt Smith, mastered by Monte Barry. MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
gd1973-07-31.fob-aud.willy.8909.sbeok.shnf
1973-07-31Roosevelt Stadium
8909FOB>CM>C>DAT>CDR; via Greg Weister; seeded to etree by Willy
gd1973-08-01.135886.aud.cooper.berger.flac16
1973-08-01Roosevelt Stadium
135886flac16; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-c90sd’s; nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transfer & seeded by Rob Berger
gd1973-08-01.135887.aud.cooper.berger.flac24
1973-08-01Roosevelt Stadium
135887flac24; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-c90sd’s; nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger
gd1973-08-01.119371.aud.barry.flac
1973-08-01Roosevelt Stadium
119371flac16; Complete show AUD: source - ElectroVoice RE-15 mic > Nakamichi 550 cassette recorder w/ Dolby NR > Maxell UD C90 Chromium Tapes. Taped, transferred, and remastered by Monte Barry. lineage - MR cassette > Nakamichi LX-3 > Lexicon Alpha > 24-bit / 48KHz > USB > Samplitude > 16-bit / 44.1KHz WAV > TLH > Flac-16 SBE fixed > CD Tag.
gd1973-08-01.121129.barry.smith.AUD-fob.flac1644
1973-08-01Roosevelt Stadium
121129flac16; Source: taped and remastered by Monte Barry; Nakamichi 550 portable stereo cassette recorder; taped with Dolby NR on Maxell UD C90 normal bias cassettes Sony ECM-99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up, FOB; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag
gd1973-08-01.113751.wotf.betty.shnf
1973-08-01Record Plant
113751Betty> BCM> DAT> DAT> DIO 2448> SHN
gd1973-08-01.sbd.flac16.wake-of-the-flood-outtakes.flac16
1973-08-01Record Plant
148528flac16; Taper: Betty Cantor; Editing: Joe D'Amico; SBD Master Reels > PCM > VHS Tape; Sony Hifi 4 Head Vhs Player > Sony Pcm 501 > Korg Mr-1000 > Audio Gate > Adobe Audition > Traders Little Helper
gd1973-08-01.sbd.sirmick.patch-12222.92478.sbeok.flac16
1973-08-01Roosevelt Stadium
92478flac16; This is a remaster of shnid 12222 remastered by SIRMick June 2008
gd1973-08-01.aud.weiner.8724.sbeok.shnf
1973-08-01Roosevelt Stadium
8724AudMR > R > DAT > WAV > SHN; via ADT; Seeded to etree by Noah Weiner
gd1973-08-01.112572.aud-moore.berger.flac16
1973-08-01Roosevelt Stadium
112572aud cassette master, akg d1000e>sony tc-110, taped by Jerry Moore, transfer by Rob Berger
gd1973-08-01.123128.mtx.barry.flac
1973-08-01Roosevelt Stadium
123128flac16; matrix of shnid 121129 (source 1) and shnid 92478 (source 2) Monte Barry on Dec 16, 2012
gd1973-08-01.121127.barry.smith.AUD-fob.flac2496
1973-08-01Roosevelt Stadium
121127flac24; Source: taped and remastered by Monte Barry; Nakamichi 550 portable stereo cassette recorder taped with Dolby NR on Maxell UD C90 normal bias cassettes Sony ECM-99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up, FOB; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
gd73-08-01.aud.weiner.gdADT08.9145.sbeok.shnf
1973-08-01Roosevelt Stadium
9145AudMR > C > C > C > CD; Reported upgrade to previous Weiner seed, see info file for details; Seeded to etree by Noah Weiner
gd73-08-01.sbd.cotsman.12222.sbeok.shnf
1973-08-01Roosevelt Stadium
12222complete show from most up to date SBD sources with AUD patches; compiled from S. Kaplan and N. Weiner seeds; source 1: SBD>MR>R>R>D>CD>EAC>SHN; source 2: SBD>MR>C>D>CD>EAC>SHN; source 3: AUD>MR>C>C>C>CD>EAC>SHN; See info file for details; Seeded to etree by JCotsman; With thanks to Alan Schlissel & Jeff Cook
gd73-08-xx.sbd-wotf.davef.2522.sbeok.shnf
1973-08-01Studio- Wake of the Flood Outtakes
2522Wake of Flood outtakes; Betty Cantor reels > PCM > DAT > DIO 2448 > SHN; date(s) (including month) uncertain, this is best guess; via Dave F.
gd1973-08-01.sbd.kaplan.11813.shnf
1973-08-01Roosevelt Stadium
11813Complete; Discs One and Two; SBD>MSR>R2>D>CD; Disc Three; SBD>7.5ips Master Reel>Cassette>20 bit A/D>CDR; See info file for info and tracking notes; Seeded to etree by Seth Kaplan
gd1973-08-01.140895.sbd.wotf-outtakes.dalton.miller.sirmick.flac1644
1973-08-01Record Plant
140895flac16; Source: SBD Master Reels > PCM - Recorded by Betty Cantor and provided by Tim Dalton; Transfer: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k) - Transferred by Charlie Miller; Lineage: Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 edited and mastered SIRMick February 2018
gd1973-08-01.partial.sbd.gans-Jungeblut.182.sbeok.shnf
1973-08-01Roosevelt Stadium
182Soundboard > 7.5ips Master Reel > Cassette > 20 bit A/D > CDR; CD Mastering by D. Gans; EAC and encoding by M. Jungeblut
gd1973-09-07.sbd.goodbear.1126.sbeok.shnf
1973-09-07Nassau Veterans Memorial Coliseum
1126Sbd, Reel M->Cass 1->Dat 0 -> DAT 1(?) -> CD; 7inch Master Reel: 7.5ips 1/2trk->Tascam 122mkIII 1st Gen Cass->DAT 1(?); via Teddy GoodBear to abgd; later to etree; see flaw notes in pub comments
gd73-09-07.aud-moore.weiner.18854.sbeok.shnf
1973-09-07Nassau Coliseum
18854AUDMC > DAT > CD > EAC > SHN: Recorded by Jerry Moore, AKG 1000 mic > Sony 110 deck. TASCAM 112MKII cassette deck (MC playback) > Sony PCM-500 DAT deck > HHB800 stand alone burner (CD) > EAC (secure) > mkwact (SHN). Added to etree by Noah Weiner.
gd73-09-07.sbd.cotsman.19893.sbeok.shnf
1973-09-07Nassau Coliseum
19893SBD>MR>C>D>CD>EAC>SHN; patched with AUD>MC>D>CD>EAC>SHN; sourced from previous seeds
gd1973-09-08.sbd.goodbear.78349.flac16
1973-09-08Nassau Veterans Memorial Coliseum
78349flac16; Reel>Cass1>DAT1 (not widely circulated source)>5/1999? edit (no hiss reduction)>CD>hiss edit w/Cool Edit Pro>FLAC
gd1973-09-08.126029.cooper-berger.flac16
1973-09-08Nassau Coliseum
126029flac16; source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger
gd1973-09-08.upg-sbd.tobin.126071.flac16
1973-09-08Nassau Coliseum
126071flac16; SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wulf:(original shn 183) - pitch correction and patches by Kevin Tobin
gd73-09-08.sbd.wulf.183.sbefail.shnf
1973-09-08Nassau Coliseum
183SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wulf: Tascam DA20> coax> rme digi96 PCI card> centered the waves and edited and smoothed the track boundaries. Only? minor corrections were applied; no crossfading, no hiss or noise reduction; from Honey Vine #14 via T. Wulf, to etree via M. Bolen (who made .md5s)
gd1973-09-11.112220.aud.warburton.berger-patched.flac16
1973-09-11William and Mary College Hall
112220flac16; source: aud; Jimmy Warburton's reel; lineage: aud>?>7" reel @ 3.75 ips, no nr technics rs-1506>hd-p2 24/96>cd wave>adobe audition 2.0>flac; patched/seeded by Rob Berger 2011-03-03
gd1973-09-11.136694.sbd.sirmick.flac16
1973-09-11William and Mary College Hall
136694flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1)
gd1973-09-11.152009.sbd.gems.flac16
1973-09-11College Of William & Mary Hall
152009flac16; Source Information: Master Soundboard Reels to DAT 16 bit 44.1kHz from ANON. Also, a Kind LL member shared uncirculated lo-fi audience tapes to patch a few spots.
Transfer Information: Mastering by Jamie Waddell and Jim Blackwood
Speed corrections by Jason Chastain
Listening assistance and track, FLAC and pack by Steve Gravel
FLAC Level 8 at 16 bit 44.1kHz
gd1973-09-11.120143.mtx.dusborne.flac16
1973-09-11William and Mary College Hall
120143flac16; 2 source matrix: SBD: MR>C1>DAT>Goodbear_Edit>CD (shnid=113051) and Original Audience Source: (shnid=116231) Jimmy Warburton's reel Lineage: AUD>?>7" Reel @ 3.75 ips, No NR Technics RS-1506>hd-p2 24/96>CD Wav>Adobe Audition 2.0>flac Transferred/Seeded by Rob Berger 01.28.2011
gd1973-09-11.113051.sbd.GoodBear.flac16
1973-09-11William and Mary College Hall
113051flac16; SBD:MR>C1>DAT>Edit (see info file)>CD
gd73-09-11.sbd.lanum.184.sbeok.shnf
1973-09-11William and Mary College Hall
184MSR> one cassette gen> DAT> CDR> shn); via George Lanum; see info file and pub comments for flaw notes
gd1973-09-11.111742.aud.berger-warburton.flac16
1973-09-11William and Mary College Hall
111742flac16; source: aud; Jimmy Warburton's reel; lineage: aud>?>7" reel @ 3.75 ips, no nr technics rs-1506>hd-p2 24/96>cd wave>adobe audition 2.0>flac; transferred/seeded by Rob Berger
gd1973-09-11.116231.aud.warburton.berger.cousinit-patched.flac16
1973-09-11William and Mary College Hall
116231flac16; Original source: AUD Jimmy Warburton's reel; Lineage: AUD>?>7" Reel @ 3.75 ips, No NR Technics RS-1506>hd-p2 24/96>CD Wav>Adobe Audition 2.0>flac Transferred/Seeded by Rob Berger; Patch source 1: Lineage: MAUD>?>R>C>WAV>FLAC Transferred and Encoded by Cousinit; Patch source 2: Lineage: Unknown Provided by Micgram
gd1973-09-12.152015.sbd.gems.flac16
1973-09-12College Of William & Mary Hall
152015flac16; Source Information: Master Soundboard Reels to DAT 16 bit 44.1kHz from ANON. Also, a Kind LL member shared uncirculated lo-fi audience tapes to patch a few spots.
Transfer Information: Mastering by Jamie Waddell and Jim Blackwood
Speed corrections by Jason Chastain
Listening assistance and track, FLAC and pack by Steve Gravel
FLAC Level 8 at 16 bit 44.1kHz
gd1973-09-12.sbd.susan.21618.shnf
1973-09-12William And Mary Hall - College Of William And Mary
21618SBD>MR>C>DAT>CD>WAV>SHN encoded by Susan
gd73-09-12.sbd.sly.14010.sbeok.shnf
1973-09-12William and Mary College Hall
14010SBD>MR>C>DAT>CDR most of show (minus Here comes sunshine) by Sly_Wow
gd73-09-15.aud-sbd.cotsman.16174.sbeok.shnf
1973-09-15Providence Civic Center
16174set 1: AUD> M?> C> C> D> SHN; set 2: SBD> MR> D> CD> EAC> SHN; Thanks to Jim Powell, Marc Pujol, and Evan Levy; final edits/encoding by JCotsman
gd1973-09-15.sbd-set2.levy.01077.sbeok.shnf
1973-09-15Providence Civic Center
1077set 2; SBD :Master Reel> DAT> Sonic Solutions workstation> CD> (EAC) WAV> SHN; EAC, tracking, shn and upload by Evan Levy
gd1973-09-17.sbd.sirmick.107542.flac16
1973-09-17Onondaga County War Memorial
107542flac16; Source:MR>C>DAT>DAT provided by Jeff Tiedrich>Andrew Gustin Conversion: DA-40>U2A>CDWave>MkW with seek tables appended Transferred by Tyler Jensen tylerlundby@yahoo.com
gd73-09-17.sbd.cotsman.14473.d3fixed.sbeok.shnf
1973-09-17Onondaga County War Memorial
14473SBD>MR>D>CD>EAC>SHN (all but tracks d1t01-->d1t09)); SBD>MR>C>C>D>CD>EAC>SHN (tracks d1t01-->d1t09); Thanks to Peter Braverman; edits/encoding by JCotsman; Note- Fixed d3 now circulates, see public comments for details
gd1973-09-17.sbd.jensen.10082.sbeok.shnf
1973-09-17Onondaga County War Memorial
10082Source:MSR>C>DAT>DAT Conversion: DA-40>U2A>CDWave>MkW with seek tables appended
gd1973-09-20.sbd.clugston.9845.sbeok.shnf
1973-09-20The Spectrum
9845Partial; Master Soundboard Reel > Reel to Reel > PCM > CDR; CD Re-Mastering, EAC'ed & SHN'ed by Scott Clugston; To fungus and abgd via Charlie Connor
gd73-09-20.aud-sbd.cotsman.11618.sbeok.shnf
1973-09-20The Spectrum
11618Complete; Mixed Aud/SBD sources; See info file for details; via Michael Dixon and Scott Clugston; Seeded to etree by JCotsman
gd1973-09-21.127554.sbd.boswell.smith.flac16
1973-09-21The Spectrum
127554flac16; Lineage is most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriends house done by Will Boswell was done back in the Spring of '79; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
gd1973-09-21.154301.partial.aud.flac1644
1973-09-21The Spectrum
154301flac1644; Partial; Source: Unknown mono Lo-Fi AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021
gd1973-09-21.d3t6.unknown.33567.sbeok.flac16
1973-09-21The Spectrum
33567flac16; analog>cd recorder on stereo>pc>goldwave>flac I used goldwave to only take the pop/clicks out. Casey Jones with Joe Ellis on trumpet and Martin Fierro on saxophone, last song of the 2'nd set right before the encore This is missing from all other copies out there. I got it from the tape I bought years ago.
gd1973-09-21.sbd.lai.4082.sbefail.shnf
1973-09-21The Spectrum
4082SBD; via Mike Lai from Bruce Fried DAT; encore missing
gd1973-09-21.143101.sbd.boswell.sirmick.smith.flac2496
1973-09-21The Spectrum
143101flac24; Source: Most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriend's house done by Will Boswell back in the Spring of '79; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 2; edited and mastered SIRMick September 2018
gd73-09-21.sbd.miller.17410.sbeok.shnf
1973-09-21The Spectrum
17410SBD -> Rm -> Reel -> PCM -> Dat Transfer Info: Dat (Sony R500) -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN via Charlie Miller
gd1973-09-21.145131.sbd.boswell.smith.sirmick.flac1644
1973-09-21The Spectrum
145131flac16; Source: Most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriend's house done by Will Boswell back in the Spring of '79; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick September 2018; This file set is 16 bit @ 44.1
gd1973-09-21.127548.boswell.smith.flac24
1973-09-21The Spectrum
127548flac24; Lineage is most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriends house done by Will Boswell was done back in the Spring of '79; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring > FLAC
gd1973-09-24.sbd.tobin.95740.flac16
1973-09-24Pittsburgh Civic Arena
95740flac16; Mixed SBD\AUD with new sbd material to make a more complete show MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD; CD's supplied by Matt Smith; audio patches by Kevin Tobin
gd1973-09-24.mtx.tobin.95744.flac16
1973-09-24Pittsburgh Civic Arena
95744flac16; Matrix 4 Source Mix - SBD1 (shn id 95740) MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + SBD2 (shn id 5839) Unknown generation soundboard > PCM > DAT > WAV > SHN by Dan Stephens + AUD1 (shn id 95729) MAR>R>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD2\SBD3 (shn id 11620) SBD\AUD compilition by James Cottsman - patches, timing and matrix mixing by Kevin Tobin
gd1973-09-24.aud.GEMS.95729.flac16
1973-09-24Pittsburgh Civic Arena
95729flac16; MAR>R>CD CD's supplied by Matt Smith; Edited and Mastered by Jamie Waddell as a GEMS production; audio patches by Kevin Tobin
gd1973-09-24.128855.aud.candelario.smith.flac24
1973-09-24Civic Arena
128855flac24; Lineage is MAR(w/Harmon Kardon mics @ the board) > R @3 & 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
gd1973-09-24.128997.aud.candelario.smith.flac16
1973-09-24Civic Arena
128997flac16; Lineage is MAR(w/Harmon Kardon mics @ the board) > R @3 & 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
gd1973-09-24.sbd.stephens.5839.shnf
1973-09-24Pittsburgh Civic Arena
5839partial sets 1,2; Unknown gen SBD > PCM > DAT > WAV > SHN DAT > WAV > SHN by Dan Stephens; Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Tool
gd73-09-24.sbd-aud.cotsman.11620.sbeok.shnf
1973-09-24Civic Arena
11620Mixed AUD/SBD sources; See info file for details; via Michael Dixon, Alan Fink, & Dan Stephens; Seeded to etree by JCotsman
gd1973-09-24.150275.sbd.remastered.miller.flac1644
1973-09-24Civic Arena
150275flac16; SBD (shnid=95740) patched with the vault master reel from dead.net taper's section lossy stream; All remastering was done by Charlie Miller
gd1973-09-24.mtx.dts.tobin.95815.flac16
1973-09-24Pittsburgh Civic Arena
95815DTS-Audio-CD 5.1 Mix; - SBD1 (shn id 95740) MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + SBD2 (shn id 5839) Unknown generation soundboard > PCM > DAT > WAV > SHN by Dan Stephens + AUD1 (shn id 95729) MAR>R>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD2\SBD3 (shn id 11620) SBD\AUD compilition by James Cottsman - patches, timing and matrix mixing by Kevin Tobin
gd1973-09-26.aud.tobin.80665.sbeok.flac16
1973-09-26War Memorial
80665flac16; Unknown Audience Lineage provided by Chuck Diliberto transfered by SirMick speed corrected and patched by Kevin Tobin
gd1973-09-26.sbd-repatched.miller.80198.sbeok.flac16
1973-09-26War Memorial
80198flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller. This is a re-patch of the original source (it's a more complete version). On 11/23/2006 a version of this source was circulated without the patches in d1t14 and d2t01.
gd1973-09-26.sbd.matrix-DTS.tobin.80710.flac16
1973-09-26War Memorial
80710DTS Audio 5.1; Mix of SBD: SBD -> Master Reel -> Dat (48k) and AUD:Unknown lineage transferred by SIRMick; mixed by kevtobin
gd1973-09-26.sbd.mtx.tobin.82879.sbeok.flac16
1973-09-26War Memorial
82879flac16; Matrix 2 Source Mix - SBD (shnid 80198) + AUD (shnid 80665) mixed by Kevin Tobin
gd73-09-26.sbd.brame.16155.sbeok.shnf
1973-09-26Community War Memorial Auditorium
16155SBD: Rm > DAT > CD / Patched with unknown AUD > WAV > SHN; DAE(EAC0.9 beta 4)> tracking(cdwav)> SHN (MKWAct.96f)> FTP by Tripp; with thanks to Darryl Hinko, Tommy Brame
gd1973-09-30.154328.aud-composite.flac1644
1973-09-30Rochester Community War Memorial
154328flac1644; Source: Unknown mono AUD, composite source, see notes below. Transfer Source-1: ID-11616 AUD tracks > SHN > TLH > WAV > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Transfer Source-2: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.
gd73-10-19.sbd.nayfield.187.sbeok.shnf
1973-10-19Oklahoma City Fairgrounds Arena
187mR> DAT> CDR; complete; E2 is tracked for d2, but could fit on 80min d3; via JW Norris, R. Nayfield; update 10/23/00: this date is now released as Dick's Picks 19- go buy that
gd1973-10-21.sbd.fishman.8191.sbeok.shnf
1973-10-21Omaha Civic Auditorium
8191MSR->C->D->CD; Some static in spots, see info file for details; via Jeff Fishman; Steve Barbella
gd73-10-21.sbd.miller.17413.sbeok.shnf
1973-10-21Omaha Civic Auditorium
17413SBD -> Rm -> ? -> Dat -> Sound Forge -> CD -> EAC -> SHN Converted By Charlie Miller
gd1973-10-23.sbd.miller.92792.sbeok.flac16
1973-10-23Metropolitan Sports Center
92792flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller
gd73-10-23.partial.sbd.norman.18227.sbeok.shnf
1973-10-23Metropolitan Sports Center
18227partial of set 1 and set 2; source:MR>Dat>cdr using EAC v0.9 prebeta 11 in secure mode to extract, and mkw ver 0.97 beta1 to create shn's conversion to .shn done by Todd Norman norma023@tc.umn.edu
gd73-10-23.sbd.partial.goetz.18899.sbeok.shnf
1973-10-23Metropolitan Sports Center
18899MSR>D>CD via M. Goetz encoded by Morgan Evans. Note: Has additional OMSN (see info file for discussion) compared to previous etree shn sets.
gd1973-10-25.sbd.unknown.9213.sbeok.shnf
1973-10-25Dane County Coliseum
9213Unsure if this is the "best in circ", but it is the most complete. SBD:MR>DAT>CD
gd1973-10-25.set2.sbd.cribbs.188.sbeok.shnf
1973-10-25Dane County Coliseum
188SBD MR> DAT> Sound Forge> CDR; set 2; (shn discs have 10/19/73 filler); a few brief volume drops/noises in Let It Grow; via G. Hamilton; see public comments for a few more flaw notes
gd1973-10-25.set2.sbd.cribbs.34837.sbeok.flac16
1973-10-25Dane County Coliseum
34837flac16; MSR > D > CD > EAC > WAV > CD > EAC > WAV > FLAC; DAE(EAC) of shn id 29668 by Sean Cribbs (note: this source is actually a composite of 2 different shows: material from 10/25/73 patched with material from 11/20/73)
gd1973-10-25.136695.sbd.sirmick.flac16
1973-10-25Dane County Coliseum
136695flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1k)
gd1973-10-25.set2.sbd.cribbs.29668.sbeok.flac16
1973-10-25Dane County Coliseum
29668flac16; Original source: /shninfo_detail.php?shnid=188 MSR>D>CD Disc One patched and re-tracked by Sean Cribbs 7/2003; present source added crossfades at reel splices between Let It Grow and GDTRFB and between OMSN and UJB; removed two spots of static at end of Let It Grow; (note: this source is actually a composite of 2 different shows: material from 10/25/73 patched with material from 11/20/73)
gd73-10-25.sbd.vernon.14451.sbeok.shnf
1973-10-25Dane County Coliseum
14451SBD Master Reel > ? > DAT > CD-R > EAC (secure) > Cool Edit(minor cleanup) > CDWAV > mkwact(seekable) via wi-jams, cleanup and encoding by Matt Vernon.
gd1973-10-25.140863.set2p.sbd.pcm.dalton.miller.clugston.flac1644
1973-10-25Dane County Coliseum
140863flac16; Partial Set 2 Source Info: Master 1/2 track Soundboard Reel @ 15ips (Nagra Reel to Reel) > PCM (14-bit)(Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd73-10-27.sbd.wier.16583.sbeok.shnf
1973-10-27Indianapolis State Fair Coliseum
16583Source: MSR > R > C > D > CD patched with MAC > ? > D Conversion: CDR > EAC > CDWave > CoolEditPro > shntool > mkwACT > SHN (seekable) by Charles Wier From the Deadlists vine
gd1973-10-27.aud.boswell.motb-0141.107323.flac16
1973-10-27Indianapolis State Fair Coliseum
107323flac16; Unknown Mics >> Unknown Deck >> MAC >> Reel 7.5 ips Revox A77 Reel @ 7.5 ips >> Revox A77 >> Akai GX636>Apogee Mini Me(24/96)>Apogee Mini Dac(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>FLAC Taped By: David Boswell
gd1973-10-27.142772.set2p.sbd.eaton.miller.clugston.flac1648
1973-10-27Indianapolis State Fair Coliseum
142772flac16/48kHz; Source Info: Master Soundboard Reels > 2 cassette generations > Dat (16/48k)> Dat (16/48k); Transfer Info: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (16/48k)> Adobe Audition 3.01 > TLH flac1648
gd1973-10-29.150875.sbd.miller.flac1644
1973-10-29Kiel Auditorium
150875flac16 Recording Info: SBD -> Master Reel -> Dat -> WAV
Transfer Info: WAV -> Samplitude Professional v10.2.1 -> FLAC
gd1973-10-29.sbd.kaplan.1070.shnf
1973-10-29Kiel Auditorium
1070Reel master > 1 cassette gen > DAT > CD > SHN; no El Paso, otherwise complete show; via S. Kaplan, G. Hamilton; see info file and pub comments for flaw notes; note anomalies fixed by Darrin for other shn set seemed to be already lacking here- if they really are still present, please let us know
gd1973-10-29.116118.aud.cousinit.flac16
1973-10-29Kiel Auditorium
116118flac16; Taper: Unknown; Source: Unknown Mics and Deck>??>C>WAV>FLAC; Transferred and Encoded by Cousinit
gd1973-10-29.set2.131458.McIlhenny.flac16
1973-10-29Kiel Auditorium
131458flac16; Set 2, Handheld Sony 1 point stereo mic from the 5th and 4th row sometimes standing on chair; Recorderd and transferred by Chaffe McIlhenny; Master cassette>Revox cassette deck to DAT in 1998> to Tascam P2 Flash Card in Oct 2014>Audacity>Traders Little Helper for FLAC Fingerprint creation
gd1973-10-29.131409.mtx.nicksmix.flac16
1973-10-29Kiel Auditorium
131409flac16; Matrix mix of Shnid 32352(sbd) and Shnid 116118(aud)
gd1973-10-29.sbd.miller.32352.sbeok.flac16
1973-10-29Kiel Auditorium
32352flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC
gd73-10-29.sbd.powell-mollman.16817.sbeok.shnf
1973-10-29Kiel Auditorium
16817Source: MSR > C > D > CD patched with AUD Conversion: CD > EAC > WAV > retracking (shntool) > SHN Complete show in SBD w/ AUD patches (including AUD El Paso) via Dave Greenberg and Jim Powell. Retracked from CDA seed of this source circulated 3/2003 (incorporated brief separate crowd tracks into song tracks). Sector boundaries verified w/ shntool.
gd73-10-29.sbd.sacks.1014.sbefail.shnf
1973-10-29Kiel Auditorium
1014MSR> C> DAT> Circulation> EAC> SHN; no El Paso, otherwise complete show; Source disks from Bob Murphy, eac/shn by Darrin Sacks; Analog anomalies between CRS and BIODTL and between Eyes and China Doll digitally removed with Soundforge. Track boundary error between Bertha and GSET automatically corrected by Exact Audio Copy; Bob Murphy reports seed sounds cleaner than corresponding 10/30/73
gd1973-10-30.154414.s1.aud.flac1644
1973-10-30Kiel Auditorium
154414flac1644; 1st Set; Source: Unknown AUD, rescued from ebay with thanks to John Petrunis. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021
gd1973-10-30.sbd.19809.shnf
1973-10-30Kiel Auditorium
19809Reel master > 1 cassette gen > DAT > CD > EAC > SHN. Appears to be a re-extraction of John Merdler seed.
gd1973-10-30.sbd.miller.32367.sbeok.flac16
1973-10-30Kiel Auditorium
32367flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC
gd73-10-30.sbd.hamilton.969.sbeok.shnf
1973-10-30Kiel Auditorium
969Reel master > 1 cassette gen > DAT > CD > EAC > SHN; seed via J. Merdler, DAE>SHN by G.S. Hamilton, retracking of d2 by A. J. Fink; some editing between songs; known flaws: d1t1 split-second cut into beginning, d1t6 cuts at 1:21, d2t1 volume change at 3:39, d3t3 cut/splice at 6:27
gd73-10-30.sbd.powell.16818.sbeok.shnf
1973-10-30Kiel Auditorium
16818Source: MSR > D > PCM > D > CD patched with AUD
Conversion: CD > EAC > WAV > retracking (shntool) > SHN
Complete show with AUD patches via Dave Greenberg and Jim Powell. Retrack of CDA seed circulated 3/2003 to incorporate separate crowd tracks into song tracks. Different lineage from previous seed. Cut to start Me & My Uncle patched w/ AUD, no cut in Mexicali. Does have anomolies in China Cat & Eyes noted in that seed.
gd73-11-01.sbd.cribbs.22795.sbeok.shnf
1973-11-01McGaw Memorial Hall, Northwestern U.
22795[New Version] Set 2 MSR > C> DAT > PCM > DAT > CD (see notes in info file regarding correctness of genealogy) - Subsequent CD extraction (EAC), editing (Cool Edit Pro 2), and SHN encoding (mkwACT) by Sean Cribbs 12/2003
gd1973-11-01.136696.set2.sbd.sirmick.flac16
1973-11-01McGaw Memorial Hall, Northwestern U.
136696flac16; Set 2 Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1k)
gd1973-11-01.sbd.set2.goodbear.80714.flac16
1973-11-01McGaw Memorial Hall - Northwestern University
80714flac16; Set 2 only MR>C1>DAT>SHN (shnid=2178)>CD>EAC>CoolEdit Pro hiss reduction & minor other edits
gd1973-11-01.set2.sbd.seff.15759.shnf
1973-11-01McGaw Memorial Hall - Northwestern University
15759Source: Set 2 MR > C1 > DAT > CD > Toast Audio Extractor (overlap) > WAV > SHN SHNed and seeded by Jon Seff (jon@seff.net)
gd73-11-01.sbd.parrillo.8834.sbeok.shnf
1973-11-01McGaw Memorial Hall, Northwestern U.
88342nd set only; SBDMR> Cass> DAT> CDR> EAC> Soundforge> DePopper> SHN; via Howling Bob; Seeded to etree by Mike Parrillo
gd1973-11-01.sbd-set2.goodbear.2178.shnf
1973-11-01McGaw Memorial Hall, Northwestern University
2178set 2; MR> C1> DAT; via Teddy Goodbear to abgd
gd73-11-09.sbd.kaplan.2657.sbefail.shnf
1973-11-09Winterland Arena
2657SBD> MR> C> DAT> CDR; EAC> SHN by Seth Kaplan; Correct sector boundaries verified using .shntool; First few seconds of Here Comes Sunshine are clipped; Small splice at the start of Eyes of the World, some channel dropouts and a little static on a few tunes
gd73-11-10.sbd.unknown.3290.sbeok.shnf
1973-11-10Winterland Arena
3290MSR> reel > PCM > DAT > CD; see info file for listening notes
gd1973-11-10.140704.set1p.set2p.sbd.pcm.miller.clugston.flac1644
1973-11-10Winterland Arena
140704flac16; Partial Show Source Info: Master Soundboard Reel > PCM; Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16
gd1973-11-11.sbd.gardner.12178.sbeok.shnf
1973-11-11Winterland Arena
12178Shntool fix (by Tony Gardner) of previous Tony Gardner 'patched eyes' seed; See info file for details; Disks 1-2 MSR>Cass>Cass>DATs>CDRs; Disk 3 MSR>Cass>DATs>CDRs; With Eyes patched from MSR>?>DAT>CDR
gd1973-11-11.sbd.pitch-corrected.miller.88485.sbeok.flac16
1973-11-11Winterland Arena
88485flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> Cool Edit Pro v2.01 -> FLAC (Pitch correction of shn id 83318) All Transfers and Mastering By Charlie Miller
gd1973-11-11.sbd.rolfe-miller.83318.sbeok.flac16
1973-11-11Winterland Arena
83318flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
gd1973-11-11.sbd.sacks.1016.sbefail.shnf
1973-11-11Winterland Arena
1016Source: Disks 1-2 MSR> Cass> Cass> DATs> CDRs> EAC> SHN; Disk 3 MSR> Cass> DATs> CDRs> EAC> SHN; via Bob Murphy, Darrin Sacks; see pub comment for flaw note; note apparent upgrade with patch now circulating
gd73-11-11.sbd.schlissel.14105.sbeok.shnf
1973-11-11Winterland Arena
14105Pitch correction applied by Alan Schlissel to patch in Eyes in previous shn set (which itself was a fix of another previous one).
gd1973-11-14.sbd.hollister.14716.sbeok.shnf
1973-11-14San Diego International Sports Arena
14716Lineage: 7" Master Reel > Cassette > CD Transferred, burned, shn'ed, and all by David Hollister
gd1973-11-14.sbd.miller.79049.flac16
1973-11-14San Diego International Sports Arena
79049flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC
gd73-11-14.sbd.vernon.5612.sbeok.shnf
1973-11-14San Diego Sports Arena
5612Updated lineage: SBD > MR > cass > DAT > CD > EAC (secure) > SHN (seekable); EAC> SHN by Matt Vernon, from Eurodead Vine source discs; see tracking suggestions in info file
gd1973-11-17.sbd.patched.bec.22799.flac16
1973-11-17Pauley Pavilion - University of California
22799This is a FLAC composite of different sources that all have cassette/reel flip cuts at various points of the show. See text document for further info.
gd1973-11-17.sbd.ashley.23472.sbefail.shnf
1973-11-17Pauley Pavilion - University of California
23472SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN >>DAW(Bertha)>>CDA/SHN via Jay Ashley
gd1973-11-17.sbd.ashley.fixed.23731.sbeok.shnf
1973-11-17Pauley Pavilion - University of California
23731SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN >>DAW(Bertha)>>CDA/SHN>>shntool shntool used to fix SBE's on 4-12-04, applied separately to first and second set by Tony G (spreaddead@bellsouth.net)
gd1973-11-17.sbd.sirmick.79548.sbeok.flac16
1973-11-17Pauley Pavilion - University of California
79548flac16; source: unknown sbd > ??? > shn > wav > flac
gd73-11-17.sbd.gardner.4749.sbeok.shnf
1973-11-17Pauley Pavilion, UCLA
4749SBD> MR> C> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B.'s discs; Splice between ROR and Playin' (no music affected)
gd73-11-20.wolfson.warner.22879.sbeok.shnf
1973-11-20Denver Coliseum
22879MAC (Taped by Cary Wolfson, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) A > D by David Minches EAC > SHN by Jack Warner (jackmw1ATsbcglobalDOTnet)
gd1973-11-20.sbd-patched.sirmick.76616.sbeok.flac16
1973-11-20Denver Coliseum
76616flac16; main source: S:MR > DAT > CD > EAC > SHN (shnid 1234) patch source: MAC (Taped by Cary Wolfson, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) (shnid 22879)
gd1973-11-20.set2jam.matrix.vernon.83165.flac16
1973-11-20Denver Coliseum
83165flac16; Partial set 2 matrix mix using Cary Wolfson AUD shnid=22879 and sbd shnid=1234 by Matt Vernon
gd73-11-20.sbd.hollister.1234.sbeok.shnf
1973-11-20Denver Coliseum
1234S:MR > DAT > CD > EAC > SHN; via David Hollister, G. S. Hamilton; note UJB may be from different source?; note portions of set 2 on these discs are in "SBD order" vs. "true" order- see public comments for details
gd1973-11-20.144245.sbd.hollister.remaster-01234.clugston.flac1644
1973-11-20Denver Coliseum
144245flac16; This is a pitch corrected, patched and re-mastered version of the source ID 1234 sbd.hollister source: Source Info: Master Soundboard Reels > (most likely Dick's cassettes) > Dat > CD > EAC > SHN to flac via TLH) > Adobe Audition CC 2019
gd1973-11-20.144265.sbd.boswell.smith.miller.clugston.flac1648
1973-11-20Denver Coliseum
144265flac16/48kHz; Master Soundboard Cassettes > Will Boswell's 1st generation Reels @ 3.75 ips There is speculation that there may be an additional cassette generation before Will Boswell's Reels (Garcia's?); This is part of the Debbie Stash; Transfer Info: 1st (possibly 2nd) Generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1973-11-20.144266.sbd.boswell.smith.miller.clugston.flac2496
1973-11-20Denver Coliseum
144266flac24; Master Soundboard Cassettes > Will Boswell's 1st generation Reels @ 3.75 ips; There is speculation that there may be an additional cassette generation before Will Boswell's Reels (Garcia's?). This is part of the Debbie Stash; Transfer Info: 1st (possibly 2nd) Generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496
gd1973-11-20.133392.mtx.dusborne.flac16
1973-11-20Denver Coliseum
133392flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:1234) MR > DAT > CD > EAC > SHN and Audience (shnid:22879) Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
gd73-11-21.finley.warner.22096.sbeok.shnf
1973-11-21Denver Coliseum
22096MAC (Taped by Glen Finley, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
gd73-11-21.sbd-patched.warner.22097.sbeok.shnf
1973-11-21Denver Coliseum
22097MSR > DAT > CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > CDWave v1.71 (tracking) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) Patches: MAC (Taped Taped by Glen Finley, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4)
gd1973-11-21.sbd.miller.88612.sbeok.flac16
1973-11-21Denver Coliseum
88612flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation
gd73-11-21.sbd.barrick.192.sbeok.shnf
1973-11-21Denver Coliseum
192via D. Barrick (hurtsme2); B. Yerys reports digiprobs at d1t1 ~0:42, d1t4 ~1:10, d2t2 ~10:38
gd1973-11-21.sbd.fix.miller.97468.sbeok.flac16
1973-11-21Denver Coliseum
97468flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller (This source fixes swapped channels on source id 88612.)