Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd94-02-25.aud.ladner.15096.sbeok.shnf
1994-02-25Oakland-Alameda County Coliseum
15096Source: FOB (unknown mics) > DAT > Tascam DA-20 > Harmon Kardon stand alone burner >Tascam CDRW700 > Toast Audio Extractor (overlap) > SHN. THIS IS NOT A RE-EXTRACTION - the original SHNs had sector boundary errors on the last track of each disc, were not seekable (also minor), and the d2>d3 transition was not seamless (minor again). These issues have been resolved and the show tracked on 2 discs instead of 3 (minus the previously included "filler").
gd1994-02-25.156420.sbd.miller.flac2448
1994-02-25Oakland-Alameda County Coliseum
156420flac2448 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24
gd1994-02-25.aud.ramler-seff.1381.shnf
1994-02-25Oakland-Alameda County Coliseum Stadium
1381FOB (unknown mics) > DAT; Transfer: Tascam DA-20 > Harmon Kardon stand alone burner >Tascam CDRW700 > Toast Audio Extractor (overlap) > SHN; SHNed and seeded by Jon Seff, from Mark Ramler's CDs; with 3/27/94 filler
gd1994-02-25.141174.mk4.ebel.flac1644
1994-02-25Oakland-Alameda County Coliseum
141174flac16/44.1 Source Info: Schoeps MK 4->Reutelhuber P/S-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd1994-02-25.156489.sbd.cm.miller.t.flac1644
1994-02-25Oakland-Alameda County Coliseum
156489flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 156420 2448 > 1644.1
gd94-02-26.neumann.miller.18095.sbeok.shnf
1994-02-26Oakland-Alameda County Coliseum
18095Neumann KM84 -> Dat(48k) via Charlie Miller
gd1994-02-26.156421.s1.sbd.miller.flac2448
1994-02-26Oakland-Alameda County Coliseum
156421flac2448 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
gd1994-02-26.141175.cmc5-mk4.ebel.flac1644
1994-02-26Oakland-Alameda County Coliseum
141175flac16/44.1 Source Info: Schoeps CMC 5 MK 4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd1994-02-26.141611.FOB.Neumann.Porter.Ammons.Noel.t-flac1648
1994-02-26Oakland-Alameda County Coliseum
141611flac16/48kHz; FOB recording by Kyle Porter: Neumann KM54 reconditioned tube mics, in hat > Custom PS > Spectra Sonics pre Amp > Apogee AD500 converter > Sony TCD-D7; Transfer by John Ammons: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
gd1994-02-26.156490.s1.sbd.cm.miller.t.flac1644
1994-02-26Oakland-Alameda County Coliseum
156490flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156421 2448 > 1644.1
gd94-02-27.aud.wankelsworth.12097.sbeok.shnf
1994-02-27Oakland-Alameda County Coliseum
12097AUD (mics unknown)>DAT>CDR; via H. Wankleswurth; Seeded to etree by candyman
gd94-02-27.sbd.stephens.5972.sbeok.shnf
1994-02-27Oakland-Alameda County Coliseum
5972DSBD> CM(?)> DAT; Tascam DA-20mkII > SBLive! > CDWAV > MKW; DAT > WAV > SHN: Dan Stephens; upload by Scott Thompson; see notes in info file
gd1994-02-27.mtx.tetzeli.32637.flac16
1994-02-27Oakland-Alameda County Coliseum Stadium
32637Matrix (SBD/AUD mixdown), done in Cool Edit Pro, transition between discs 2 and 3 is seamless by Bill Tetzeli
gd1994-02-27.141375.s2.FOB.Neumann.Porter.Ammons.Noel.t-flac1648
1994-02-27Oakland-Alameda County Coliseum
141375flac16/48kHz; Set 2 FOB recording by Kyle Porter: Neumann KM54 tube mics, in hat > Custom PS > Dennon DAT deck; Transfer by John Ammons; DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
gd1994-02-27.mtx.tetzeli.fix-32637.92803.reflac.flac16
1994-02-27Oakland-Alameda County Coliseum Stadium
92803flac16; Fixed version of Matrix (SBD/AUD mixdown) by Bill Tetzeli (shnid 32637). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1994-02-27.141176.cmc5-mk4.ebel.flac1644
1994-02-27Oakland-Alameda County Coliseum
141176flac16/44.1 Source Info: Schoeps CMC 5 MK 4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd94-03-04.sbd.kidder.8330.sbeok.shnf
1994-03-04Desert Sky Pavilion
8330DSBD --> DAT --> CDR; via Charlie Kidder
gd1994-03-04.schoepsMK4.litzenberger.89172.sbeok.flac16
1994-03-04Desert Sky Pavilion
89172flac16; Source:Schoeps MK4's>Rbox>Sony TCD-D10PROII FOB Transfer: DAT Master>Sony TCD-D10PROII>M-Audio Audiophile 192>Wavelab 5(Fades & Sample Rate Conversion to 16/44.1)>CDWAV>FLAC Recorded and Transferred By Keith Litzenberger
gd1994-03-04.152011.sbd.latvala.flac16
1994-03-04Desert Sky Pavilion
152011SBD > DAT 44.1 kHz
DATs provided to KXCI's Dead Air program by Dick Latvala for broadcast in April of 1999.
Fresh transfer and mastering by Jim Blackwood
Sony R-500 to Tascam DA-3000 [2020]
gd1994-03-04.AKG451.Darby.119517.Flac1648
1994-03-04Desert Sky Pavilion
119517flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
gd1994-03-04.AKG451.Darby.119518.Flac1644
1994-03-04Desert Sky Pavilion
119518flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd94-03-05.sbd.kidder.8331.sbeok.shnf
1994-03-05Desert Sky Pavilion
8331DSBD --> DAT --> CDR; via Charlie Kidder
gd1994-03-05.152012.sbd.latvala.flac16
1994-03-05Desert Sky Pavilion
152012SBD > DAT 44.1 kHz
DATs provided to KXCI's Dead Air program by Dick Latvala for broadcast in April of 1999.
Fresh transfer and mastering by Jim Blackwood
Sony R-500 to Tascam DA-3000 [2020]
gd1994-03-05.113694.NeumannKMF4.daweez.d5scott.flac16
1994-03-05Desert Sky Pavilion
113694flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1994-03-05.AKG451.Darby.119532.Flac1648
1994-03-05Desert Sky Pavilion
119532flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
gd1994-03-05.AKG451.Darby.119533.Flac1644
1994-03-05Desert Sky Pavilion
119533flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd94-03-06.sbd.kidder.8332.sbeok.shnf
1994-03-06Desert Sky Pavilion
8332DSBD --> DAT --> CDR; via Charlie Kidder
gd1994-03-06.152013.sbd.latvala.flac16
1994-03-06Desert Sky Pavilion
152013SBD > DAT 44.1 kHz
DATs provided to KXCI's Dead Air program by Dick Latvala for broadcast in April of 1999.
Fresh transfer and mastering by Jim Blackwood
Sony R-500 to Tascam DA-3000 [2020]
gd1994-03-06.schoepsMK4.litzenberger.89190.sbeok.flac16
1994-03-06Desert Sky Pavilion
89190flac16; Source:Schoeps MK4's>Rbox>Sony TCD-D10PROII FOB Transfer: DAT Master>Sony TCD-D10PROII>M-Audio Audiophile 192>Wavelab 5(Fades & Sample Rate Conversion to 16/44.1)>CDWAV>FLAC Recorded and Transferred By Keith Litzenberger
gd1994-03-06.AKG451.Darby.119559.Flac1644
1994-03-06Desert Sky Pavilion
119559flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1) and Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1994-03-06.AKG451.Darby.119560.Flac1648-2448
1994-03-06Desert Sky Pavilion
119560flac16/48kHz & flac24; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1); Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
gd94-03-16.sbd.ladner.7778.sbeok.shnf
1994-03-16Rosemont Horizon
7778SBD> Dat> Sonic Solutions> CDR> WAV> SHNv3; This is an upgrade from the previously seeded SHN of this show w/o the digistatic in Scarlet>Fire and also a SBD of the encore. seeded by C. Ladner via candyman with thanks to C. Miller; also to abgd via Charlie Connor; tracked for 2x80
gd1994-03-16.sbd.3D.567.shnf
1994-03-16Rosemont Horizon
567DSBD->DAT-> DAP-1> Digital in through a Digital Audio Labs Card digital I/O> Computer->CD->SHN; downsampled set one only from 48KHz to 44.1KHz with Cool Edit Pro 1.1; encore patched from AUD; d1t3 ~6-9 min, d1t4 ~4 min, SBD probs; DAT tracking probs ~11 min into set II, smoothed; via 3D; note 11/00, apparently recirculating with different d2 md5s (d2alt, poss reextraction?)
gd1994-03-16.140065.fob-mk4.ebel.flac1644
1994-03-16Rosemont Horizon
140065flac16/44 Source Info: FOB Schoeps MK4-> Reutelhuber P/S-> DAT Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd1994-03-16.139174.sbd.miller.flac1644
1994-03-16Rosemont Horizon
139174flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700/44.1k); Transfer Info: Dat Master (Panasonic SV-3800) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
gd94-03-17.sbd.ladner.8023.sbeok.shnf
1994-03-17Rosemont Horizon
8023SBD > DAT > CDR > EAC > SHNv3; DAE (EAC)> boundary checking (SHNTOOL)> SHN (MKWACT) via neo_levo. seeded via candyman, also to abgd via Charlie Connor
gd1994-03-17.140066.ots-akg460.ebel.flac1644
1994-03-17Rosemont Horizon
140066flac16/44 Source Info: TS AKG 460->DAT Transfer Info: DAT (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel
gd94-03-18.aud.braverman.13930.sbeok.shnf
1994-03-18Rosemont Horizon
13930Source: Audience (presumably DAT) Lineage: ?> Cassette> CD> SHN; Overall, a rather poor recording, though its the only available source after extensive searching.
gd1994-03-18.140067.fob-akg451.ebel.flac1644
1994-03-18Rosemont Horizon
140067flac16/44 Source Info: FOB AKG 451 -> Koro P/S-> Panasonic SV255-> DAT Transfer Info: DAT (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel
gd94-03-20.schoeps.ladner.15464.sbeok.shnf
1994-03-20Richfield Coliseum
15464Source: AUD (SchoepsCMC34>Oade>SV255) > DAT > CDR > WAV > SHN; via M.Ratliff; Seeded to etree by neo_levo
gd1994-03-20.110567.bk.schmit.sbeok.flac16
1994-03-20Richfield Coliseum
110567flac16; Set 1 Source: (handheld/ORTF/110^/DFC/FOB/17th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
gd1994-03-20.111373.set2bk4011.schmit.mallick.flac16
1994-03-20Richfield Coliseum
111373flac16; Set 2 only Master: B&K 4011s > Neumann BS48i-2 > TCD-D3 Mics handheld, ORTF/110^, DFC in the 17th row by Alan Schmit; Conversion: Tascam DA-20>Microtrack 24/96>WAV>Sound Studio 2.2.4>xACT 2.05>FLAC by Dave Mallick
gd94-03-21.sbd.ladner.6258.sbeok.shnf
1994-03-21Richfield Coliseum
6258SBD > DAT > CDR > SHNv3; via johnathan miller, candyman
gd1994-03-21.158160.sbd.miller.flac2496
1994-03-21Richfield Coliseum
158160flac2448 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 3.0 > Samplitude Pro X6 Suite > FLAC/24
gd1994-03-21.110568.bk.schmit.sbeok.flac16
1994-03-21Richfield Coliseum
110568flac16; Source: (handheld/ORTF/110^/DFC/FOB/18th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
gd1994-03-21.140296.set2.dsbd.wise.miller.clugston.flac1644
1994-03-21Richfield Coliseum
140296flac16; Set 2 Recording Info: Master Soundboard Dat > Dat; Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 > Adobe Audition 3.0> TLH flac16; Mastered by Scott Clugston
gd1994-03-21.125739.mtx.eichorn.sbeok.t-flac16
1994-03-21Richfield Coliseum
125739flac16; Matrix of Source 1: SBD > DAT > CDR > SHNv3 and Source 2: AUD Source (handheld/ORTF/110^/DFC/FOB/18th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; matrix by Roger Eichorn
gd94-03-23.sbd-aud.herman.13793.sbeok.shnf
1994-03-23Nassau Coliseum
13793Set 1: SBD DAT>WAV>CE>CDWAV>SHN Set 2: AUD DAT ( Nakamichi CM300's w/Cp4 shotguns>Denon DTR- 80P)>WAV>CE>CDWAV>SHN submitted by M.Walker via Steve Herman
gd94-03-23.naks.ladner.14257.shnf
1994-03-23Nassau Coliseum
14257Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP.
gd1994-03-23.124020.sbd.partial.nawrocki.flacf
1994-03-23Nassau Coliseum
124020flac16; All Set 1 & Partial Set 2 Source: SBD > DAT > CDR > EAC > FLAC; EAC'd/FLAC'd by Doug Nawrocki
gd1994-03-23.140153.OTS.s1.Schoeps.Gastwirt.Miller.Noel.t-flac1648
1994-03-23Nassau Coliseum
140153flac16/48kHz; Set 1 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
gd1994-03-23.139365.sbd.ebel.flac1644
1994-03-23Nassau Coliseum
139365flac16 44.1khz Source Info: Soundboard-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel
gd94-03-24.naks.ladner.14258.sbeok.shnf
1994-03-24Nassau Coliseum
14258Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP.
gd1994-03-24.140154.OTS.s1.Schoeps.Gastwirt.Miller.Noel.t-flac1648
1994-03-24Nassau Coliseum
140154flac16/48kHz; Set 1 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
gd94-03-25.naks.ladner.14189.sbeok.shnf
1994-03-25Nassau Coliseum
14189Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3 via JABUZZ420 encoding by Candyman
gd1994-03-25.150672.BK4010.Flaschner.flac1648
1994-03-25Nassau Coliseum
150672flac16/48kHz; Source: B&K 4010 > Beyer MV-100; Patch Taper Sony D7 @ 16/48: David Flaschner Transfer: DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > xACT(FLAC/TAG)
gd1994-03-25.140155.OTS.s1.Schoeps.Gastwirt.Miller.Noel.t-flac1648
1994-03-25Nassau Coliseum
140155flac16/48kHz; Set 1 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
gd94-03-27.naks.ladner.14260.sbeok.shnf
1994-03-27Nassau Coliseum
14260Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP.
gd94-03-27.sbd.miller.20926.sbeok.shnf
1994-03-27Nassau Coliseum
20926Recording Info: SBD -> Dat (Vault Master) -> Sonic Solutions -> CD -> Eac -> SHN; Patched and SHN'd By Charlie Miller
gd1994-03-17.139336.akgc391.cohen-lee.flac1644
1994-03-27Rosemont Horizon
139336flac16 44.1khz Source: AKG C391 ORTF in first row OTS 8 foot stand > Teac DAP20 @ 16/48. Transfer: DAT Master>Lynx Studio 1>Wavelab 3.0. Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Recorded by Dave Cohen and Justin Lee. Transfer by Dave Cohen 2010.
gd1994-03-27.daud.unLDed.4851.shnf
1994-03-27Nassau Coliseum
4851mixed sources: DAUD from bootleg CD "Headin' East", DSBD (see info); via unIDed seeder
gd94-03-28.aud-sbd.unknown.17263.sbeok.shnf
1994-03-28Nassau Coliseum
17263Shntool fixed version of Set 1 unknown DAUD source, Set 2 DSBD, d2t04 (drums) FM>DAT.
gd94-03-28.naks.neo_levo.14261.sbeok.shnf
1994-03-28Nassau Coliseum
14261Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP.
gd1994-03-28.137898.set2.sbd.larson.shnf
1994-03-28Nassau Coliseum
137898Set 2 Source: SBD:D>ZA2>CD or SHN
gd1994-03-28.140156.OTS.Schoeps.Gastwirt.Miller.Noel.t-flac1648
1994-03-28Nassau Coliseum
140156flac16/48kHz; Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
gd94-03-30.sbd.miller.14832.sbeok.shnf
1994-03-30The Omni
14832Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN Transfered By Charlie Miller.
gd1994-03-30.110956.bk.schmit.sbeok.flac16
1994-03-30The Omni
110956flac16; Source: (ORTF/110^/DFC/FOB/16th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
gd1994-03-30.sbd.larson.3621.shnf
1994-03-30The Omni
3621SBD: DAT> ZA2> Samplitude2496> CDR> EAC> SHN; via Tony Gardner with thanks to Chris Larson; encore missing
gd94-03-31.sbd.miller.14833.sbeok.shnf
1994-03-31The Omni
14833Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN Encore Is Missing (I Fought The Law) Transfered By Charlie Miller.
gd1994-03-31.110955.bk.schmit.sbeok.flac16
1994-03-31The Omni
110955flac16; Source: (ORTF/110^/DFC/FOB/17th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
gd1994-03-31.sbd.chaser.tetzeli.fix-10930.34841.reflac.flac16
1994-03-31The Omni
34841flac16; Seamless fix of shn id 10930. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd94-04-01.sbd.miller.14834.sbeok.shnf
1994-04-01The Omni
14834Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) ->Prodif Plus ->Samplitude v6.0 ->SHN Transfered By Charlie Miller encore from FOB source.
gd1994-04-01.110954.bk.schmit.sbeok.flac16
1994-04-01The Omni
110954flac16; Set 2 Only; Source: (ORTF/110^/DFC/FOB/17th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
gd1994-04-01.119748.NAK300.Cage.sbeok.flac1644
1994-04-01The Omni
119748flac16; nak300>cp4>2ch mixer>sony d7 16/44.1; OTS 2nd row dfc 12ft. DIN dat(m)> hhb830 cd>cdwave>tlh flac 8; t&s by c. cage
gd1994-04-01.AudUnk.White.Keo.116723.Flac2496
1994-04-01The Omni
116723flac24; First Generation Cassttes Unknown Mics/Deck,Unknown Original Transfer Info; Tapes From White,Transfer By Keo; Tapes:Maxell XLII 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
gd1994-04-01.sbd.leonard.1210.shnf
1994-04-01The Omni
1210DSBD> DAT> CD> CD> SHN (Boot CD Rip); Seeded by: Brian Leonard; see misc flaw notes in info file
gd1994-04-01.142364.sbd.gastwirt.miller.sirmick.flac1644
1994-04-01The Omni
142364flac16; Source: SBD > dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/48> iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac16; edited and mastered SIRMick June 2018
gd1994-04-01.AudUnk.White.Keo.116722.Flac1644
1994-04-01The Omni
116722flac16; First Generation Cassttes Unknown Mics/Deck,Unknown Original Transfer Info; Tapes From White,Transfer By Keo; Tapes:Maxell XLII 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
gd94-04-04.sbd.ladner.11502.sbeok.shnf
1994-04-04Sports Arena
11502SBD>DAT>Cassette>DAT>CDRx2; New eac of original seed discs; See info file for details; via Mick McGinnis; Seeded to etree by chris L
gd1994-04-04.141426.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648
1994-04-04Sports Arena
141426flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
gd1994-04-04.156443.sbd.miller.flac2448
1994-04-04Sports Arena
156443flac2448 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
gd1994-04-04.141248.OTS-SonyCS38b.ebel.flac1644
1994-04-04Sports Arena
141248flac16/44.1 Source Info: OTS Sony CS-38b-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel.
gd1994-04-04.nak300.rickers.davis.105813.flac16
1994-04-04Sports Arena
105813flac16; source: [ots] Nakamichi cm300/cp4 -> Sony D8 [16/48]. recorded by: Trew Rickers; transfer: dat [m] -> Tascam DA20 mkII -> R-44 -> CD Wave 1.98 -> Wavelab 5.01a [fades/Resampler 192] -> FLAC [8]. transfer: Chris Davis [02/02/10]
gd1994-04-04.156491.sbd.cm.miller.t.flac1644
1994-04-04Sports Arena
156491flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156443 2448 > 1644.1
gd94-04-06.schoeps.ladner.10311.sbeok.shnf
1994-04-06Miami Arena
10311FOB-AUD(Schoeps MK4>SV250)>DAT>CDR; via Paul; Seeded to etree by Chris L
gd94-04-06.sndchk.sbd.miller.13110.sbeok.shnf
1994-04-06Miami Arena
13110Soundcheck; SBD>Dat>MiniDisc>Behringer UltraMatch SRC2000>Dio2448>Cool Edit Pro>SHN; Seeded to etree by Charlie Miller
gd1994-04-06.141427.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648
1994-04-06Miami Arena
141427flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
gd94-04-06.set1-fob.set2-sbd.miller.28358.sbeok.flacf
1994-04-06Miami Arena
28358flac16; mixed sources, incl soundcheck: Set 1: (FOB) Schoeps MK4> Dat> CD, Set 2: SBD> Dat> CD, Encore: (FOB) Schoeps MK4> Dat> CD, Soundcheck: SBD> Dat> MiniDisc> Cool Edit Pro> CD; Transfer: WAV> Samplitude Professional v8.0> FLAC; Transferred and Edited By Charlie Miller
gd94-04-07.dsbd.hinko.20187.sbeok.shnf
1994-04-07Miami Arena
20187DSBD > CD > EAC > SHN; Liberty supplied by the FOB-AUD(Schoeps MK4>SV250)>DAT>CDR source; EAC/SHN by Darryl Hinko
gd94-04-07.schoeps.ladner.10313.sbeok.shnf
1994-04-07Miami Arena
10313FOB-AUD(Schoeps MK4>SV250)>DAT>CDR; via Paul; Seeded to etree by Chris L
gd1994-04-07.141428.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648
1994-04-07Miami Arena
141428flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
gd1994-04-07.141695.schoeps.flac1648
1994-04-07Miami Arena
141695flac16/48kHz; Taped by aka TW from about the 15th row; FOB/Schoeps Mics and Dat>Clone to me> File cloned in Microtrack using a Tascam Dat deck>Goldwave tracking> TLH8; Fixed version in circulation
gd1994-04-07.141885.schoeps.flac1644
1994-04-07Miami Arena
141885flac16; Taped by aka TW from about the 15th row; FOB/Schoeps Mics and Dat>Clone to me>File cloned in Microtrack using a Tascam Dat deck>Goldwave tracking>TLH8; The original upload had speed problems
gd94-04-08.schoeps.ladner.10503.sbeok.shnf
1994-04-08Miami Arena
10503AUD(Schoeps CMC521?s)>DAT>CDR; via Paul; Seeded to etree by Chris L
gd1994-04-08.139358.sbd.set2.ebel.flac1644
1994-04-08Miami Arena
139358flac16 44.1khz Set 2 Only. Source: Soundboard->Cassette->DAT Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel
gd94-06-08.neumann.ladner.10065.sbeok.shnf
1994-06-08Cal Expo
10065AUD (KM 140?s)>DAT>CDR; via PB; Seeded to etree by neo_levo
gd1994-06-08.Nak300CP4.Baker.Keo.117197.Flac2496
1994-06-08Cal Expo
117197flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Dolby B; Taper Mr. Baker,Transfer By Keo; Tapes:Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Dolby B Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
gd94-06-09.schoeps.ladner.10066.sbeok.shnf
1994-06-09Cal Expo
10066Schoeps CMC 54's >DAT>CDR; via Paul B; Seeded to etree by neo_levo
gd1994-06-09.119146.sonicDSM1sx.d5scott.flac16
1994-06-09Cal Expo Amphitheatre
119146flac16; Source: 2 Sonic Studio DSM-1S/x microphones (up front & center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd94-06-10.neumann.ladner.10067.sbeok.shnf
1994-06-10Cal Expo
10067AUD(KM 140?s)>DAT>CDR; via Paul B; Seeded to etree by neo_levo
gd1994-06-10.141214.FOB.Schoeps.Clark.Miller.Noel.t-flac1648
1994-06-10Cal Expo
141214flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48
gd94-06-13.schoeps.pujol.8239.sbeok.shnf
1994-06-13Memorial Stadium
8239Schoeps CMC441s FOB > DAT > PC > WAV > SHN; Seeded to etree by Marc Pujol
gd1994-06-13.137718.sbd.pset2.flac1644
1994-06-13Memorial Stadium
137718flac16; Partial Set 2 Source: SBD > ? > DAT > CDR; CDR (TaiyoYuden 80m japan) > EAC (secure, 100% quality) > Audacity (edits, fades, levels) > CDWav (tracking) > TLH (FLAC - level 8); Conversion by Chris Mrachek
gd1994-06-13.152516.akg.fob.gibian-larson.flac1644
1994-06-13Memorial Stadium
152516flac16/44 Source: AKG(fob):D Transfer: Samplitude Project>Cool Edit>CDWAV>EZCD>CD-r Tapes provided by Paul Gibian Transfer by Chris Larson (exploregon@gmail.com)
gd1994-06-13.141203.FOB.Schoeps.Clarke.Miller.Noel.t-flac1648
1994-06-13Memorial Stadium
141203flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48
gd1994-06-13.145371.nak300.anastas.flac24
1994-06-13Memorial Stadium
145371flac24; Source - Nakamichi CM300 > DAT; Transfer - TDK DAT master > Tascam DA30 (16/48kHz) > SPDIF > Sound Devices USBPre1.5 > Wavelab6 (32 bit) > CD Wave Editor > FLAC24; master DAT tape from the collection of John Anastas; Patched out of unknown taper and source deck
gd1994-06-13.145463.nak300.anastas.flac16
1994-06-13Memorial Stadium
145463flac16; Source - Nakamichi CM300 > DAT; Transfer - TDK DAT master > Tascam DA30 (16/48kHz) > SPDIF > Sound Devices USBPre1.5 > Wavelab6 (32 bit) > CD Wave Editor > FLAC24; master DAT tape from the collection of John Anastas; Patched out of unknown taper and source deck This file set is 16 bit @ 44.1
gd94-06-14.sbd.larson.12523.sbeok.shnf
1994-06-14Memorial Stadium
12523SBD>DAT>CD; Seeded to etree by Chris Larson
gd1994-06-14.156587.sbd.miller.flac2448
1994-06-14Memorial Stadium
156587flac2448 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
gd1994-06-14.157162.sbd.cm.miller.t.flac1644
1994-06-14Memorial Stadium
157162flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 156587 2448 -> 1644
gd1994-06-14.141204.FOB.Schoeps.Clarke.Miller.Noel.t-flac1648
1994-06-14Memorial Stadium
141204flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48
gd1994-06-14.sbd.unknown.8710.shnf
1994-06-14Memorial Stadium
8710S:D>C>D>CD; Unknown Seeder; Liberty cuts
gd94-06-17.nak700.ladner.9774.sbeok.shnf
1994-06-17Autzen Stadium, U. of Oregon
9774AUD (Nak700's)>DAT>CDR; via Paul B; Seeded to etree by neo_levo/candyman
gd1994-06-17.145696.senn441.flac1648
1994-06-17Autzen Stadium, U. of Oregon
145696flac16/48kHz; Source - Sennheiser 441 > DAT > patch DAT; Transfer - patch DAT master > Tascam DA30 > Spdif > SD USBPre1.5 > Wavelab6 (16/48kHz) > CD Wave Editor > FLAC
gd94-06-18.sbd.ladner.12098.sbeok.shnf
1994-06-18Autzen Stadium, U. of Oregon
12098SBD>?>DAT>CDR; via Paul; Seeded to etree by C. Ladner
gd1994-06-18.149181.sbd.graves.flac1648
1994-06-18Autzen Stadium, U. Of Oregon
149181flac16/48kHz; Source: SBD; Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC; Taper: Unknown; Transferred & Seeded by Bill Graves
gd1994-06-18.141201.FOB.Schoeps.Clarke.Miller.Noel.t-flac1648
1994-06-18Autzen Stadium, U. of Oregon
141201flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48
gd1994-06-18.119174.neumannKMF4.daweez.d5scott.flac16
1994-06-18Autzen Stadium
119174flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1994-06-18.Nak300-baker.keo.109217.flac1644
1994-06-18Autzen Stadium, U. of Oregon
109217flac16; Master Audience Nakamachi CM300/CP4 Shotguns>Sony D-5/Dolby B Tapes:Sony Metal Select 90's Transfer by Keo: Nakamichi MR-1>Dolby B>Korg MR-1000 @ 1 Bit/5.6mHz Tracking/Sample Rate Conversion with AudioGate software to 32 Bit Float/96kHz Dithering with Korg Aqua to 16/44
gd1994-06-18.145949.aud.williams.bandrofcheck.flac16f
1994-06-18Autzen Stadium, U. of Oregon
145949flac16; Sony D6 -> MAC > Sony TCM-TE425 (azumth adjed) -> Sound Blaster Audigy 4! > Sound Forge 5.0 > CD Wav -> flac16; Tape flips and dead spots > crossfaded using Sound Forge 5.0; SBEs fixed using TLH.; Recorded by Primo Williams xfer Charles Bandrofcheck
gd1994-06-18.Nak300-baker.keo.109218.flac2496
1994-06-18Autzen Stadium, U. of Oregon
109218flac24; Master Audience Nakamachi CM300/CP4 Shotguns>Sony D-5/Dolby B Tapes:Sony Metal Select 90's Transfer by Keo: Nakamichi MR-1>Dolby B>Korg MR-1000 @ 1 Bit/5.6mHz Tracking/Sample Rate Conversion with AudioGate software to 24 Bit/96kHz no dithering
gd94-06-19.nak100.pujol.8240.sbeok.shnf
1994-06-19Autzen Stadium, U. of Oregon
8240FOB / Nak 100/CP1 cardioids > DAT > PC > WAV > SHN; Seeded to etree by Marc Pujol
gd94-06-19.sbd.larson.12524.sbeok.shnf
1994-06-19Autzen Stadium, U. of Oregon
12524Source: S:DAT>CDR Transfer: Panasonic sv3700>ZA2>Wavelab 3.03>CDWav>shn; Seeded to etree by Chris Larson
gd94-06-24.sturtevant.cribbs.13443.sbeok.shnf
1994-06-24Sam Boyd Silver Bowl, U.N.L.V.
13443Audience recording by Neil Sturtevant Senn K3U mics w/ ME80 capsules > Master DAT (deck model unknown). DAT > CD transfer by Neil Sturtevant (untracked). Subsequent Extraction (EAC), tracking (CD Wave) and SHN conversion (mkwACT) by Sean Cribbs
gd1994-06-24.fob.schoeps.byron.dauria.97302.flac16
1994-06-24Sam Boyd Silver Bowl
97302flac16/48; Source:Scheops CMC5/MK4->Sonosax SX-M2->ApogeeD1000??->Sony D10 Transfer:Tascam DA-20mkII->Edirol R-44->Cd Wave->FlacFrontend Taped by Eliot Byron Transered and uploaded by Frank D'Auria
gd94-06-25.sbd.walker.16471.sbeok.shnf
1994-06-25Sam Boyd Silver Bowl, U.N.L.V.
16471complete; SBD> DAT> CDR> EAC> WAV> CE> CDWAV> SHN; with Shoe Fits from previous seed; See info file for details
gd1994-06-25.111610.Nak300CP4.Baker.Keo.GEMS.Flac1644
1994-06-25Sam Boyd Silver Bowl, U.N.L.V.
111610flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell XLII-s 100,100; Transfer Info:Nakamichi MR-1>Dolby B>Korg MR-1000 @ 1 Bit/5.6MHz Metadata added with AudioGate software SBE's Checked/Fixed with Trader's Little Helper Editing and Mastering by Jamie Waddell on the GEMS Edit Station at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1kHz conversion
gd94-06-26.sbd.ladner.14943.sbeok.shnf
1994-06-26Sam Boyd Silver Bowl, U.N.L.V.
14943Source: SBD > CASSETTE > DAT @48k Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) Transferred, SHNed and seeded by Jon Seff (jon@seff.net). This represents the SHNTOOL FIXED and STRIPPED version of the previous seed which had sector boundary errors on all tracks and noncanonical headers on the first disc. Distributed via candyman FTP.
gd1994-06-26.138699.sbd.miller.flac1644
1994-06-26Sam Boyd Silver Bowl
138699flac16; Recording Info: SBD > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
gd1994-06-26.fob.schoeps.byron.dauria.106225.flac16
1994-06-26Sam Boyd Silver Bowl, U.N.L.V.
106225flac16; Schoeps CMC5 MK4->Sonosax SX-M2->Sony D10 Pro ->Tascam DA20 MKII->Edirol R44->SD->PC->Audacity->CD Wave Editor->Flac Frontend
gd94-07-01.sbd.ladner.9369.sbeok.shnf
1994-07-01Shoreline Amphitheatre
9369SBD>DAT>CDR; via p'bo; neo_levo/candyman FTP
gd94-07-02.sbd.stevens.10980.sbeok.shnf
1994-07-02Shoreline Amphitheatre
10980DSBD > DAT; DAT > WAV > SHN: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV v1.71 > MKW, by Dan Stephens (dms@well.com)
gd1994-07-02.sbd.ladner.3988.shnf
1994-07-02Shoreline Amphitheatre
3988sbd > dat > cdr > eac > shnv3; via C. Ladner
gd94-07-03.sbd.stevens.11691.sbeok.shnf
1994-07-03Shoreline Amphitheatre
11691DSBD > DAT; DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV v1.71 > MKW Audio Compression Tool v0.96f
gd1994-07-03.dsbd.ladner.8067.shnf
1994-07-03Shoreline Amphitheatre
8067DSBD > DAT > CDR > WAV > SHNv3; liberated bootleg, partially repaired (see notes); via neo_levo; tracked for 2x80
gd1994-07-03.118758.NeumannKMF4.daweez.d5scott.flac16
1994-07-03Shoreline Amphitheatre
118758flac16; Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd94-07-13.sbd.georges.17029.sbeok.shnf
1994-07-13Franklin County Airport
17029M:D>SHN digital transfer via: Da-p1 > zoltrix Nightengale 48 > 44.1 via CoolEdit2k > tracked with CDWAV via Nick Georges. Note, this version has different md5s than the original but its directly from Nick's server...
gd94-07-13.wankelswurth.10384.sbeok.shnf
1994-07-13Franklin County Airport
10384AKG-460-CKIX>Sony D-7>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo
gd1994-07-13.nak300.bleich.sirmick.103630.flac16
1994-07-13Franklin County Airport
103630flac16; Source: Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac (Maxell XLII C90 x 2) Lineage: mac > Nakamichi BX-125E > EMU 0202 > Wavelab 6 > wav 24/96 > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > Cd Wave > TLH > flac 16 taped by John Bleich, OTS just right of the soundboard
gd1994-07-13.107916.nak300.pasternak-mallick.flac16
1994-07-13Franklin County Airport
107916flac16; Master: OTS Nakamichi CM300/cp4's>Sony TC-D5M>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
gd1994-07-13.147694.schoepsCMC5MK21.ebel.flac16
1994-07-13Franklin County Airport
147694flac16; Source Info: FOB Schoeps CMC5 Mk 21-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
gd1994-07-13.135271.aud.fob.berger.flac16
1994-07-13Franklin County Airport
135271flac16; source: FOB daud master taped by Doug Lamarre; Sanken COS-11BP lavalier mics (Dan Liff’s r.i.p.) > Denon DTR-80P 30’ in front of soundboard; transferred & seeded by Rob Berger 2/2016
gd1994-07-13.135272.aud.fob.berger.flac1648
1994-07-13Franklin County Airport
135272flac16/48kHz; source: FOB daud master taped by Doug Lamarre; Sanken COS-11BP lavalier mics (Dan Liff’s r.i.p.) > Denon DTR-80P 30’ in front of soundboard; transferred & seeded by Rob Berger 2/2016
gd94-07-16.ams.wiley.7461.sbeok.shnf
1994-07-16Robert F. Kennedy Stadium
7461FOB AMS ST250 (ambisonic) >Modified Sony D10 pro2 > DAT > Tascam CDR 700; via Tim Wiley
gd1994-07-16.147683.schoepsCMC5MK4.ebel.flac16
1994-07-16Robert F. Kennedy Stadium
147683flac16; Source Info: FOB Schoeps CMC5 Mk 4->Oade P/S->Panasonic SV255->DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
gd1994-07-16.fob.ams-st250.keyser.28741.flac16
1994-07-16RFK Stadium
28741flac16; Recorded By Ron Keyser using his AMS ST250 on a Stand FOB, DFC> Modified Sony D10 Pro II.
gd1994-07-16.nak300.bleich.LMPP.97192.sbeok.flac16
1994-07-16RFK Stadium
97192flac16; Source: aud > Nak 300's with shotgun caps > Sony WM-D6 > mac taped from section 120, row 6, seat 11 Transfer: mac > Nak CR-5A > EMU 1212M > wav 24/96 > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > CDWave > TLH > flac16
gd94-07-17.ams.wankelswurth.10540.sbeok.shnf
1994-07-17Robert F. Kennedy Stadium
10540AMS-S250?s(ambisonic)>Sony D-10 pro 2>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo
gd1994-07-17.147684.schoepsCMC5MK4.ebel.flac16
1994-07-17Robert F. Kennedy Stadium
147684flac16; Source Info: FOB Schoeps CMC5 Mk 4->Oade P/S->Panasonic SV255->DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
gd1994-07-17.152517.Senn.tom-roger-larson.flac1644
1994-07-17Robert F. Kennedy Stadium
152517flac16/44 Source: A(ts):D Sennheiser Stereo Mic Transfer: DAT(48kHz)>ZA2(S/PDIF)>Wavelab 3.03>wav or shn Tapes provided by Tom and Roger Conversion by Chris Larson (gdvault@gmail.com) 2/1/2002
gd1994-07-17.schoeps.wklitz-cubby-carrioncrow.91363.flac16
1994-07-17RFK Stadium
91363flac16; Schoeps MK4's>Rbox>Sony TCD-D10PROII FOB DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC Recorded By Keith Litzenberger, Ace Cubby, Carrion Crow and Others
gd94-07-19.sbd.carr.8476.sbeok.shnf
1994-07-19Deer Creek Music Center
8476DSBd>?>CDR; Seeded to etree by Dan Carr
gd1994-07-19.AT815A.unknown.larson.28163.shnf
1994-07-19Deer Creek Music Center
28163AudioTechnica 815A Shotguns> Panasonic SV250(48kHz); Transfer: DAT> ZA2(S/PDIF)> samplitude2496> CD-r; Transfer by Chris Larson, with thanks to Tom, Roger
gd1994-07-19.se2.akg460.flaschner.davis.91140.flac16
1994-07-19Deer Creek Music Center
91140flac16; Set 2 only, (OTS) AKG 460b/ck61 -> custom pre-amp -> D-7 -> dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner. transfer: Chris Davis (3/31/08)
gd1994-07-19.nak300.bleich.GEMS.92433.flac16
1994-07-19Deer Creek Music Center
92433flac16; Nak 300's > D6 > MAC > DR-3 > EMU 1212M > 24/96 wave > wavelab 5 > plugins > r8brain > 32/44.1 wave > wavelab 5 (tracked) > L3 > 16/44.1 wave > flac16 (TLH lvl 8)
gd1994-07-19.sbd.carr.tetzeli.fix-8476.35164.reflac.flac16
1994-07-19Deer Creek Music Center
35164flac16; Fix of shn id 8476 - DSBD>?>CDR>EAC>WAV>SHNv3. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1994-07-19.146695.fob.schoepsMK4.ebel.flac16
1994-07-19Deer Creek Music Center
147695flac16; Source Info: FOB Schoeps NK 4-> Reutelhuber P/S-> DAT; Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped & Transfers by Pete Ebel
gd94-07-20.sbd.darkstar.12596.sbeok.shnf
1994-07-20Deer Creek Music Center
12596SBD> DAT> WAV> CDR> WAV> SHN; via darkstar13311
gd1994-07-20.AT815A.unknown.larson.31805.shnf
1994-07-20Deer Creek Music Center
31805Source: A: Audio Technica 815a Shotguns>Panasonic sv250 (48kHz) Transfer: DAT>ZA2(S/PDIF)>Wavelab3.03>CD-r Transfer by Chris Larson
gd1994-07-20.fob.schoeps.jones.89561.flac16
1994-07-20Deer Creek Music Center
89561flac16; Schoeps MK4's>Rbox>Sony TCD-D10PRO (mod) FOB Transfer: DAT MASTER>Tascam DA-30>Sony TCD-D10PRO (mod) DAT CLONE>Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC Recorded By Roger Jones
gd1994-07-20.139713.beyercmc101.ebel.flac1644
1994-07-20Deer Creek Music Center
139713flac16/44.1 Source Info: TS Beyer CMC 101 (Omni's)-> Casio DA-7-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel
gd1994-07-20.140083.FOB.unknown.Gastwirt.Miller.Noel.t-flac1648
1994-07-20Deer Creek Music Center
140083flac16/48kHz; taper & equipment unknown: (FOB) AUD > Dat (48k); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
gd1994-07-20.nak300.bleich-sirmick.119553.sbeok.flac16
1994-07-20Deer Creek Music Center
119553flac16; Source: Audience Recording > Nakamichi 300's with CP-4 caps > Sony WMD-6 > MAC; Transfer: MAC > Sony WMD-6 > Edirol R-09HR > wav 24/48; Lineage: wav 24/48 > Adobe Audtion 1.5 > Wavelab 6 (with iZoptope Ozone 5 Advanced) > iZotope RX 2 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; Taped and transferred by John Bleich
gd94-07-21.aud.ladner.12099.sbeok.shnf
1994-07-21Deer Creek Music Center
12099AUD (mic unk) >DAT>CD; via Paul; Seeded to etree by candyman
gd94-07-21.sbd.ladner.12322.sbeok.shnf
1994-07-21Deer Creek Music Center
12322Shntool fix (by Chris Ladner) of previous Braverman seed; See info file for details; SBD>?>DAT>CD
gd1994-07-21.akg460.flaschner.davis.91155.flac16
1994-07-21Deer Creek Music Center
91155flac16; (OTS) AKG 460b/ck61 -> custom pre-amp -> D-7 -> dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner. transfer: Chris Davis (4/2/08)
gd1994-07-21.aud.unknown.larson.31804.shnf
1994-07-21Deer Creek Music Center
31804Source: A:D(48kHz) no mic info Transfer: D>ZA2>Samplitude2496>CD-r Transfer by Chris Larson
gd1994-07-21.fob.shure.unknown.nawrocki.18144.shnf
1994-07-21Deer Creek Music Center
18144Source: FOB Shure BG 4.0's > D7 > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT EAC'd... By Doug Nawrocki
gd1994-07-21.112808.bk.schmit.sbeok.flac16
1994-07-21Deer Creek Music Center
112808flac16; Source: (ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro > DAT(m); Transfer: DAT(m) > Tascam DA-20mkII > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
gd1994-07-21.139714.beyercmc101.ebel.flac1644
1994-07-21Deer Creek Music Center
139714flac16/44.1 Source Info: TS Beyer CMC 101 (Omni's)-> Casio DA-7-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel
gd1994-07-21.nak-PZM.holtz.91838.flac16
1994-07-21Deer Creek Music Center
91838flac16; Taper: Greg Holtz Source: Nakamichi Cm300's with Cp-4 guns/PZM 30D's mix-> D3 DAT Transfer: (BY JAZ) DAT master-> Sony PCM R-300-> COAX-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Mastering Software-> Traders Little Helper flac8
gd1994-07-21.nak300.76309.shnf
1994-07-21Deer Creek Music Center
76309Source: Nak 300's/cp4's > D7 Transfer: DA-P1 > Phillips CDR870 > EAC > CDWave > mkwACT
gd94-07-23.sbd.fishman.14839.sbeok.shnf
1994-07-23Soldier Field
14839DSBD>D>CD>SHN Transcription from DAT and Encoding by JR Fishman
gd1994-07-23.fob.schoeps.buller.574.shnf
1994-07-23Soldier Field
574FOB (15th Row) Schoeps (Unknown Model) > DAT; via Tim Buller
gd1994-07-23.sbd.burns.14853.sbeok.flac16
1994-07-23Soldier Field
14853flac16; SBD Monitor Mix > DAT @ 48k - Transfer: D8 > Dio 2448 > Soundforge 5.0 (48k > 44.1k) > CDWav > FLAC Frontend > .flac; missing Encore patched from FOB [15th Row] Schoeps (Unknown Model) > DAT; Transferred by: Ryan Burns
gd1994-07-23.147691.schoepsCMC5MK4.ebel.flac1648
1994-07-23Soldier Field
147691flac16/48kHz; Source Info: FOB Schoeps CMC5 Mk 4-> Aerco P/S-> Panasonic SV255-> DAT; Location Sec B, Row 22, seat 30; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
gd94-07-24.aud.candyman.10087.sbeok.shnf
1994-07-24Soldier Field
10087AUD (mic unk.)>DAT>CDR; via Paul B; Seeded to etree by neo_levo
gd1994-07-24.112820.bk.schmit.sbeok.flac16
1994-07-24Soldier Field
112820flac16; Source: (ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro > DAT(m); Transfer: DAT(m) > Tascam DA-20mkII > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
gd1994-07-24.akgc391.cohen.lee.119591.flac16
1994-07-24Soldier Field
119591flac16; AKG C391 ORTF in hat FOB 18th row Left Center>Teac DAP20 @ 16/48; DAT Master>Lynx Studio 1>Wavelab 3.0; Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Recorded by Dave Cohen and Justin Lee
gd1994-07-24.147692.schoepsCMC5MK4.ebel.flac1648
1994-07-24Soldier Field
147692flac16/48kHz; Source Info: FOB Schoeps CMC5 Mk 4-> Aerco P/S-> Panasonic SV255-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
gd94-07-26.smith.ladner.10225.sbeok.shnf
1994-07-26Riverport Amphitheatre
10225Chase Smith recording, Shure BG-40?s>Sony D-7>DAT>CDR; via Paul; seeded to etree by neo_levo
gd1994-07-26.139978.s2.sbd.miller.flac1644
1994-07-26Riverport Amphitheatre
139978flac16; Recording Info: SBD > Dat (Panasonic SV-3700/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
gd1994-07-26.snchk.fm-sbd.koucky.91255.flac16
1994-07-26Riverport Amphitheater
91255flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: Waves X-Noise, iZotope Ozone 3 EQ and Nomad LM-662 in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky
gd1994-07-26.AKG451.Darby.119446.Flac1644
1994-07-26Riverport Amphitheatre
119446flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1994-07-26.124310.C38B.roberts.flac16
1994-07-26Riverport Amphitheatre
124310flac16; Source: Sony C38B > SV-250; Conversion: DAP-1 > PMD661 > Audactiy (normalize and dither) > CDwave > TLH; Recorded by Stan Roberts
gd1994-07-26.AKG451.Darby.119445.Flac1648
1994-07-26Riverport Amphitheatre
119445flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
gd1994-07-26.139723.beyercmc101.ebel.flac1644
1994-07-26Riverport Amphitheatre
139723flac16/44.1khz Source Info: TS Beyer CMC 101 (Omni's)-> Casio DA-7-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel
gd94-07-27.shure-smith.vernon.8725.sbeok.shnf
1994-07-27Riverport Amphitheatre
8725Shure BG-40/Sony D-7 recorded by Chase Smith > ? > CDR; via Mike Rodriguez; Seeded to etree by Matt Vernon
gd1994-07-27.AKG451.Darby.119473.Flac1648
1994-07-27Riverport Amphitheatre
119473flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
gd1994-07-27.AKG451.Darby.119474.Flac1644
1994-07-27Riverport Amphitheatre
119474flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1994-07-27.124311.C38B.roberts.flac16
1994-07-27Riverport Amphitheatre
124311flac16; Source: Sony C38B > SV-250; Conversion: DAP-1 > PMD661 > Audactiy (normalize and dither) > CDwave > TLH; Recorded by Stan Roberts
gd1994-07-27.139724.beyercmc101.ebel.flac1644
1994-07-27Riverport Amphitheatre
139724flac16/44.1 Source Info: TS Beyer CMC 101 (Omni's)-> Casio DA-7-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel
gd94-07-29.schoeps.dipietro.4078.sbeok.shnf
1994-07-29Buckeye Lake Music Center
4078Schoeps mk4 (12' spread FOB) > DAT; DAT3@44.1> Tascam DA-30mkII> SBL spdif> SoundForge 4.5> wav> MKW> shn; unknown taper- uploaded by C.DiPietro; note both regular and fixed d1 md5s were submitted to db but no further details were provided
gd94-07-29.fob-beyer.miller.25582.sbeok.shnf
1994-07-29Buckeye Lake Music Center
25582Recording Info: (FOB) Beyer M101 (Omni) -> Dat (Casio DA-7) -> CD -> EAC -> SHN via Charlie Miller
gd1994-07-29.schoeps.evans-gross.GEMS.91193.flac16
1994-07-29Buckeye Lake Music Center
91193flac16; Taper: Todd Evans & Adam Gross Equipment: Schoeps Omnis (on stands spaced 10ft apart) -> Schoeps Active Cables -> Schoeps CMC 3 Mic Body -> Monster M1000 Cable -> Oade Supply -> Monster M1000 Jumper -> Panasonic sv255 Transfer: DAT Master> TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 by Todd Evans All editing and mastering by Jamie Waddell on the GEMS Edit Station. Trac'ed Cdwave,Flac'ed Flac Frontend level 8
gd1994-07-29.110975.bk.schmit.sbeok.flac16
1994-07-29Buckeye Lake Music Center
110975flac16; Source: (ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
gd94-07-31.sbd.runyon.2593.sbefail.shnf
1994-07-31The Palace
2593DSBD> CDR> EAC> SHN; via Chase Runyon to sativa; not seekable?
gd1994-07-31.sbd.runyon-johnson.2752.sbeok.shnf
1994-07-31The Palace
2752DSBD> CDR> EAC> SHN; seeded by Chase Runyon, reshn for seeking by Carl Johnson
gd1994-07-31.neumann.laporte.91974.sbeok.flac16
1994-07-31The Palace
91974flac16; Tapers Section Lower level, section 120b, row JJJ, seat 3 Neumann skm 100/AK50's > Unknown deck > Marantz PMD 430 Master Cassettes > SB Audigy > Adobe Audition @24bit/48khz. Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, 16bit/44khz. CDwave: Tracking. Trader's little Helper: md5, ffp, flacs Recorded by Chris LaPorte
gd94-08-01.neumann.nawrocki.12522.sbeok.shnf
1994-08-01The Palace
12522Neumann TLM 170i's (cardioid) > Modified D10 pro II. Transfer: DA-P1 > Audiophile 2496 > Sound Forge 6 (48 > 44.1 on 4 w/anti alias) > CDWave > mkwACT by Doug Nawrocki
gd94-08-01.set2-sbd.georges.1026.sbeok.shnf
1994-08-01The Palace
1026set 2; DSBD> CD> EAC; via Nick Georges; md5s listed as d2,d3; shns dated as "94-01-08"
gd1994-08-01.schoeps.wklitz.96433.flac16
1994-08-01The Palace
96433flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
gd1994-08-01.141177.Icmc5-mk4.IIFOB-mk4.ebel.flac1644
1994-08-01The Palace
141177flac16/44.1 Source Info: Set #1: TS? Schoeps CMC5 Mk4->Oade P/S-> Sony D10 Pro II-> DAT Set #2: FOB Schoeps MK4-> Reutelhuber P/S-> DAT (Ace Cubby) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd94-08-03.aud.unknown.8728.sbeok.shnf
1994-08-03Giants Stadium
8728AUD>DAT>CDR; Unknown seeder
gd94-08-03.fob-schoeps.sisler-pujol.20291.sbeok.shnf
1994-08-03Giants Stadium
20291Taper: Dan Sisler Source: FOB 25th row/center > Schoeps cmc5/mk4 > Sonosax > Sony d10 > digi out > Sony d7 @44.1 Clone: Master DAT/Master D7 > Sony PCM-R500 by Dan Sisler DAT to SHN: Dan's 1x clone > Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 > CDwave > SHN (seekable) by Marc Pujol
gd1994-08-03.fob.schoepsCMC54.travitz-litz.85704.flac1648
1994-08-03Giants Stadium
85704flac16/48; Schoeps CMC54's>Aerco>Sony TCD-D10PROII, FOB (@15th Row Center) Recorded By Travitz & Keith Litzenberger Transferred to WAV By Watson WAV>FLAC Conversion & Upload by Keith Litzenberger Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC
gd94-08-04.akg.wiley.8729.sbefail.shnf
1994-08-04Giants Stadium
8729DAUD (AKG 460's) >DAT> CDR> EAC (secure)> Cool Edit Pro> CD; Seeded to etree by Tim W
gd1994-08-04.147726.schoepsCMC5MK21.ebel.flac16
1994-08-04Giants Stadium
147726flac16; Source Info: FOB Schoeps CMC5 Mk 21-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
gd94-09-16.akg.seff.2642.sbeok.shnf
1994-09-16Shoreline Amphitheatre
2642AKG C61 Tube mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); via Jon Seff
gd1994-09-16.136859.set2.sbd.miller.flac16
1994-09-16Shoreline Amphitheatre
136859flac16; Set 2 Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller
gd1994-09-16.141688.OTS.s2.Neumann.Silberman.Ammons.Noel.t-flac1648
1994-09-16Shoreline Amphitheatre
141688flac16/48kHz; Set 2 Jeff Silberman Digital Recording; Neumann U89 > StellaDAT > DAT (mics spaced 40', front row, OTS); John Ammons Transfer; DAT clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
gd94-09-17.sbd.ladner.10068.sbeok.shnf
1994-09-17Shoreline Amphitheatre
10068SBD>DAT>C>DAT>CDR; via Paul B; Seeded to etree by neo_levo
gd94-09-18.nak300.ladner.10069.sbeok.shnf
1994-09-18Shoreline Amphitheatre
10069AUD (Nak 300?s)>Aiwa DAT>CDR; via Paul B; Seeded to etree by neo_levo
gd1994-09-18.nak300.bowen.116926.flac16
1994-09-18Shoreline Amphitheatre
116926flac16; Source: Nakamichi cm300/cp1's > Sony TCD-D10; Lineage: DAT/M > DA-30 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster
gd1994-09-18.147727.aud.unknown.ebel.flac16
1994-09-18Shoreline Amphitheatre
147727flac16; Source Info: Unknown Microphones-> DAT; Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped & Transfers by Pete Ebel
gd1994-09-18.136849.sbd.miller.flac16
1994-09-18Shoreline Amphitheatre
136849flac16; Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat (48k); Set 2: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller
gd1994-09-18.136849.sbd.miller.flac16
1994-09-18Shoreline Amphitheatre
136849flac16; Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat (48k); Set 2: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller
gd94-09-27.pnb.pujol.14021.sbeok.shnf
1994-09-27Boston Garden
14021PNB Microphones FOB via Dave Minor, shn conversion Marc Pujol
gd1994-09-27.akg460.flaschner.sobel.83082.flac16
1994-09-27Boston Garden
83082flac16; AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.95.1 > FLAC v1.1.3 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
gd1994-09-27.aud.unknown.georges.10182.shnf
1994-09-27Boston Garden
10182unknown DAUD source; Seeded to etree by Nick Georges
gd1994-09-27.nak300.unknown.wiley.8480.shnf
1994-09-27Boston Garden
8480DAUD Nakamichi 300(2) + cp 4> D-7> DAT> CDR; Seeded to etree by Tim Wiley; seekable
gd1994-09-27.140240.FOB.s2.Schoeps.Gastwirt.Miller.Noel.t-flac1648
1994-09-27Boston Garden
140240flac16/48kHz; Set 2 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
gd1994-09-27.136852.sbd.miller.flac1648
1994-09-27Boston Garden
136852flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
gd1994-09-27.150128.sennme88.ragosa.miller.sirmick.flac1648
1994-09-27Boston Garden
150128flac16/48kHz; Source: Sennheiser ME 88's > Sony Sony TCD-D7 > Dat Master (48k)- Recorded from OST (mics on pole) by Dan Ragosa; Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48; edited and mastered SIRMick June 2020
gd94-09-28.pmb.pujol.14945.sbeok.shnf
1994-09-28Boston Garden
14945PMB Microphones FOB via Dave Minor> D7> R300> RMEdigi96/8pad> SF6.0> CDWav> mkw> shn conversion by Marc Pujol
gd1994-09-28.152489.senn-me88.rogosa.miller.sirmick.flac1648
1994-09-28Boston Garden
152489Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa.
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller.
Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48
edited and mastered SIRMick May 2021
gd1994-09-28.akg460.flaschner.sobel.83238.flac16
1994-09-28Boston Garden
83238flac16; AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.95.1 > FLAC v1.1.3 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
gd1994-09-28.aud.unknown.georges.10183.shnf
1994-09-28Boston Garden
10183unknown DAUD source; Seeded to etree by Nick Georges
gd1994-09-28.136872.sbd.miller.flac16
1994-09-28Boston Garden
136872flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd94-09-29.pmb.pujol.15078.sbeok.shnf
1994-09-29Boston Garden
15078PMB Microphones (German)(1) > Sony D7 @48k taped by Dave Minor, encoded by Marc Pujol
gd94-09-29.sbd.larson.12100.sbeok.shnf
1994-09-29Boston Garden
12100Dsbd>D>C>D>CD; Seeded to etree by Chris Larson
gd1994-09-29.152490.senn-me88.rogosa.miller.sirmick.flac1648
1994-09-29Boston Garden
152490Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa.
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller.
Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48
edited and mastered SIRMick May 2021
gd1994-09-29.akg460.flaschner.sobel.83297.flac16
1994-09-29Boston Garden
83297flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 > Sony D7 (@ 48kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner and Tom McMinn; Transferred by Jason Sobel
gd1994-09-29.aud.unknown.georges.10184.shnf
1994-09-29Boston Garden
10184unknown DAUD source; Seeded to etree by Nick Georges
gd1994-09-29.fob.schoeps.carrioncrow-cubby.sobel.84947.flac16
1994-09-29Boston Garden
84947flac16; (FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > r8brain v1.9 (resample to 44.1 kHz) > WaveLab 5.01b (fades) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Carrion Crow and Ace Cubby; Transferred by Jason Sobel
gd1994-09-29.140241.FOB.s2.Schoeps.Gastwirt.Miller.Noel.t-flac1648
1994-09-29Boston Garden
140241flac16/48kHz; Set 2 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: DAT > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
gd1994-09-29.sbd.unknown.1815.shnf
1994-09-29Boston Garden
1815Updated Lineage notes 12-10-00 M:D> dick latvala's cass> D> cooledit> cdwav> shn; Nick Georges' notes: my bad...my dat came labled as dsbd. some new clues came up suggesting the above lineage. Still, clean as a whistle!
gd1994-09-29.fob.schoeps.crow-cubby.sobel.96403.flac1648
1994-09-29Boston Garden
96403flac16/48; (FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz) Taped by Carrion Crow and Ace Cubby Transferred by Jason Sobel: Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > .wav
gd1994-09-29.125635.mtx.eichorn.sbeok.t-flac16
1994-09-29Boston Garden
125635flac16; Matrix Source 1: Dsbd>D>C>D>CD, Source 2: (FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz); Transfer: Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > .wav and Source 3: Taper Dave Minor; Source: PMB Microphones (German)(1) > Sony D7 @ 48k; Transfer 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 highest setting with anti-alias filter) > CDWav (splits) > mkw > shn (seekable)
gd94-10-01.pmb.pujol.15079.sbeok.shnf
1994-10-01Boston Garden
15079PMB Microphones (German)(1) FOB> Sony D7 @48k taped by Dave Minor, encoding by Marc Pujol
gd94-10-01.sbd.ashley-bertha.14869.sbeok.shnf
1994-10-01Boston Garden
14869Bertha Remaster of Master DAT source SBD>DAT>CDA>SHN>DAW(Bertha)>CDA>SHN, via Jay Ashley, seeded to Etree by Hub Spencer
gd94-10-01.sbd.gorinsky.4671.sbeok.shnf
1994-10-01Boston Garden
4671SBD> Dat> CDR (Pre-Fm GDH Discs) > CDR > EAC (Secure Mode, Test and Copy) > SHN; EAC, SHN extraction and etree seeding done by Gerald Gorinsky; with thanks to Charlie Miller and Lee Umstead
gd1994-10-01.sbd.nick.1025.shnf
1994-10-01Boston Garden
1025SBD> unknown analog? > DAT> CD> EAC; ripped and seeded by Nick Georges; note updated source based on pub comment
gd1994-10-01.153204.senn-me88.rogosa.miller.sirmick.flac1648
1994-10-01Boston Garden
153204flac16/48 Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 editerd and mastered SIRMick September 2021
gd1994-10-01.akg460.flaschner.sobel.83671.flac16
1994-10-01Boston Garden
83671flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 > Sony D7 (@ 48kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz, patch) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner and Tom McMinn; Transferred by Jason Sobel
gd1994-10-01.fob.schoeps.evans-gross.GEMS.77223.flac16
1994-10-01Boston Garden
77223flac16; Digital FOB DFC Audience Recorded by Todd Evans & Adam Gross Floor Section CC; Row 21; Seat 6 Patced in Adobe Audtion 1.5 w/ shnid 15079, aud source; remastered in wavlab(see notes), SRC 48 to 44.1 using r8brain pro: min phasing, prevent clipping enabled, normalize peak dBFS not enabled dithered wavlab UV22HR,tracked in wavlab, Flac Level 8 with Flacfrontend
gd1994-10-01.sbd.gorinsky-miller.31992.sbeok.shnf
1994-10-01Boston Garden
31992Txt-file is exactly the same as for shnid=4671 - but MD5s doesn't match that one, or anything else in the db.
gd1994-10-01.140242.FOB.Schoeps.Gastwirt.Miller.Noel.t-flac1648
1994-10-01Boston Garden
140242flac16/48kHz; Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
gd1994-10-01.141436.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648
1994-10-01Boston Garden
141436flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
gd1994-10-01.132503.nak300.andrewf.flac1644
1994-10-01Boston Garden
132503flac16; AUD: Nakamichi CM300/CP4 shotguns > Casio DA-7 > TDK DC4 DAT. Mics on 7-foot stand, end of floor, center & straight back by the hockey wall. Transfer: MAD > Sony TC-D8 > Optical out > Edirol FA-66 > Wavelab 1648 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. 02/2015
gd1994-10-01.mtx.seamons.95066.sbeok.flac16
1994-10-01Boston Garden
95066flac16; Matrix by Hunter Seamons using Soundtrack/Final Cut Pro(SHN>AIFF>Soundtrack>Final Cut>WAV>FLAC)
gd1994-10-01.150116.dsbd.miller.flac1644
1994-10-01Boston Garden
150116flac16; Recording Info: SBD > DAT Master > DAT Clone (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
gd94-10-02.pmb.pujol.15111.sbeok.shnf
1994-10-02Boston Garden
15111PMB Microphones FOB> Sony D7 @48k via Dave Minor, encoding Marc Pujol
gd1994-10-02.akg460.flaschner.sobel.84028.flac16
1994-10-02Boston Garden
84028flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 > Sony D7 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz, patches) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner and Tom McMinn; Transferred by Jason Sobel
gd1994-10-02.fob.unknown.georges.10223.shnf
1994-10-02Boston Garden
10223Unknown Schoeps audience recording > DAT > CD; Seeded to etree by Nick Georges
gd1994-10-02.132486.nak300.andrewf.flac1644
1994-10-02Boston Garden
132486flac16; AUD: Nakamichi CM300/CP4 shotguns > Casio DA-7 > TDK DC4 DAT. Mics on 7-foot stand, end of floor, center & straight back by the hockey wall. Transfer: MAD > Sony TC-D8 > Optical out > Edirol FA-66 > Wavelab 1648 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. 02/2015
gd1994-10-02.140243.FOB.Schoeps.Gastwirt.Miller.Noel.t-flac1648
1994-10-02Boston Garden
140243flac16/48kHz; Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
gd1994-10-02.141437.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648
1994-10-02Boston Garden
141437flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
gd1994-10-02.154277.sennme88.rogosa.miller.sirmick.flac1648
1994-10-02Boston Garden
154277flac16/48 Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick Novwmber 2021
gd1994-10-02.136875.sbd.miller.flac
1994-10-02Boston Garden
136875flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48; All Transfers and Mastering By Charlie Miller
gd94-10-03.pmb.pujol.15112.sbeok.shnf
1994-10-03Boston Garden
15112PMB Microphones FOB> Sony D7 @48k via Dave Minor, encoding Marc Pujol
gd1994-10-03.aud.unknown.2520.shnf
1994-10-03Boston Garden
2520unknown audience> bootleg cd (The Dead In Bloom)> eac> shn; via Bill Stube or David Doumani?; can be tracked for 2x80
gd1994-10-03.akg460.flaschner.sobel.84388.flac16
1994-10-03Boston Garden
84388flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 > Sony D7 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz, patches) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner and Tom McMinn; Transferred by Jason Sobel
gd1994-10-03.fob.schoeps.unknown.10224.shnf
1994-10-03Boston Garden
10224FOB Schoeps mk4>Rutthueber>DAT; Unknown seeder
gd1994-10-03.140244.FOB.Schoeps.Gastwirt.Miller.Noel.t-flac1648
1994-10-03Boston Garden
140244flac16/48kHz; Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
gd1994-10-03.132411.nak300.andrewf.flac1644
1994-10-03Boston Garden
132411flac16; AUD: Nakamichi CM300/CP4 shotguns > Casio DA-7 > TDK DC4 DAT. Mics on 7-foot stand, end of floor, center & straight back by the hockey wall. Transfer: MAD > Sony TC-D8 > Optical out > Edirol FA-66 > Wavelab 1648 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. 02/2015
gd1994-10-03.136890.sbd.miller.flac
1994-10-03Boston Garden
136890flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48; All Transfers and Mastering By Charlie Miller
gd94-10-05.sbd.unknown.6483.sbeok.shnf
1994-10-05The Spectrum
6483SBD> DAT> CDR> Sonic Solutions> CDR
gd94-10-05.sbd.unknown.8030.sbeok.shnf
1994-10-05The Spectrum
8030SBD > DAT > CDR; via Tim Wiley
gd1994-10-05.aud.bleich.sirmick.79258.flac16
1994-10-05The Spectrum
79258flac16; source: aud > WMD-6 with Nak 300 shotguns > mac > wav > flac taped by John Bleich (taper section row 1 seat 19 Section 107) transfer by SIRMick: Sony TC-FX2 > Wavelab > wav 24/48
gd1994-10-05.schoeps.wklitz-jones.85225.flac1648
1994-10-05The Spectrum
85225flac16/48; Schoeps MK4's>Reutelhuber>Sony TCD-D10PROII Recorded From Section 102 Row 13 Seats 11-12 Recorded By Keith Litzenberger & Roger Jones DAT Master played back on Sony TCD-D10PROII>Edirol R-4>WL5 (Fades)>CDWAV>FLAC
gd1994-10-05.124410.C38B.roberts.flac16
1994-10-05The Spectrum
124410flac16/48kHz; Source: Sony C38B > SV-250; Conversion: DAP1 > PMD661 > Audacity (Normalizing and Dither) > CDWave > TLH >foobar2000 (tagging); Recorded by Stan Roberts
gd1994-10-05.151083.dsbd.miller.flac1644
1994-10-05The Spectrum
151083flac16/44.1khz Recording Info: SBD > DAT Master (Panasonic SV-3700/44.1k) > DAT (Panasonic SV-3800) Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16 (3 Discs Audio) All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net
gd94-10-06.nak300.ericb.7743.sbeok.shnf
1994-10-06The Spectrum
7743Nakamichi 300> ?> D7; Transfer: Tascam DAP1> Egosys U2A Waveterminal USB> Soundforge4.5xp> CDWave; via mark & julie lonski; ericB
gd1994-10-06.aud.bleich-sirmick.79554.sbeok.flac16
1994-10-06The Spectrum
79554flac16 source: aud > WMD-6 with Nak 300 shotguns > mac > wav > flac taped by John Bleich (taper section row 1 seat 19 Section 107) transfer by SIRMick: Sony TC-FX2 > Wavelab > wav 24/48
gd1994-10-06.fob.schoeps.byron.dauria.97286.flac16
1994-10-06The Spectrum
97286flac16; Source:Schoeps CMC5/MK4->Sonosax SX-M2->Sony D10 F.O.B. D.F.C. taped by Eliot Byron in the hat worn by Bill R. Transfer and upload by Frank D'Auria
gd1994-10-06.124411.C38B.roberts.flac16
1994-10-06The Spectrum
124411flac16/48kHz; Source: Sony C38B > Pan SV-250; Conversion: DAP-1 > PMD661 > Audacity (normalize and dither) > CDWave > TLH > Foobar2000 (tagging); Recorded By Stan Roberts
gd1994-10-06.akg460.mcminn.davis.95371.flac16
1994-10-06The Spectrum
95371flac16; source: (OTS) AKG 460/ck61 -> custom pre-amp -> Teac DAP-20; recorded by: Tom McMinn, dat provided by: Dave Flaschner. transfer: dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6); transfer: Chris Davis (10/18/08)
gd94-10-07.aud.wiley.7993.sbeok.shnf
1994-10-07The Spectrum
7993DAUD/FOB> Unknown Mics (AKG?) /Deck> DAT@48k> DAT > SF 4.5a> SHN (seekable); Via Aldo Torre; Marc P; Tim W
gd1994-10-07.aud.bleich-sirmick.79019.sbeok.flac16
1994-10-07The Spectrum
79019flac16; source: aud > sony wmd-6 with nak 300 shotguns > mc > wav > cdr > eac > wav > flac taped by John Bleich (row 1 seat 21 Section 107) extraction by Mark Horvath (details not known)
gd1994-10-07.124412.C38B.roberts.flac16
1994-10-07The Spectrum
124412flac16/48kHz; Source: Sony C38B's > SV-250; Conversion: DAP-1 > PMD661 > Audacity (Normalize and Dither) > CDwave > TLH; Recorded by Stan Roberts
gd1994-10-07.schoeps.wklitz-jones.101803.flac16
1994-10-07The Spectrum
101803flac16; Schoeps MK4's>Rbox>Sony TCD-D10PROII; Transfer: Sony TCD-D10PROII>Sound Devices 744t>Soundforge 9 (Fades, Sample Rate conversion to 44.1khz)>CDWAV>FLAC; Recorded By Keith Litzenberger & Roger Jones From Section 104 Row 5
gd1994-10-07.fob.schoeps.byron.dauria.97255.flac16
1994-10-07The Spectrum
97255flac16; Source: Schoeps CMC5/MK4->Sonosax SX-M2 pre-amp->Sony D10 F.O.B. D.F.C Transfer: Tascam DA-20mkII->HHb CDR850->Flac frontend Taped by Eliot Byron in the hat on Bill R. Transfered and Uploaded by Frank D'Auria
gd94-10-09.akg.nawrocki.2619.sbeok.shnf
1994-10-09USAir Arena
2619AKG 460's w/ck61's (cards) > Teac DA-P20 > D10pro > Panasonic SV3700; Transfer: D8 > Montego II > CDWAVE, by Doug Nawrocki; Source via Pete Delgado
gd94-10-09.sbd.braverman.17357.sbeok.shnf
1994-10-09USAir Arena
17357SBD ?> C4> CD> SHN via Billy Schools encoded by Peter Braverman
gd1994-10-09.152158.senn.me88.cm.greenberg.miller.t.flac16
1994-10-09USAir Arena
152158flac16/48khz Recording Info: Sennheiser ME88 > Cassette Master (Marantz PMD430) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) - 151257 24 -> 16 @ 44.1
gd1994-10-09.sbd.miller.34562.sbeok.flac16
1994-10-09USAir Arena
34562flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> ? -> 3rd Gen Cassette Transfer Info: 3rd Gen Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
gd1994-10-09.143134.nak300-cp4.Boedicker.flac1644
1994-10-09USAir Arena
143134flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette DecK>Sony 90 Minute UX Chrome Tape (1st Set), Maxell XL-II-S 100 Minute Tape (2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor> Audacity (To Normalize Recording Levels)>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker, Taper Section, Section 128 Row DD Seat 7
gd1994-10-09.111984.akg.datbrad.flac16
1994-10-09USAir Arena
111984(OTS) AKG460s/CK8s(PAS)>B-18s>FP-11s>DAP20(16/48) Digital transfer: (TCD-D8>PMD670>CF>HDD) MDAT>Wav>Wavelab-6(44.1)>CDWave(splits)>Flac Frontend(Level 6) Recording and transfer by DATBRAD
gd1994-10-09.132783.at835b.cdipietro.flac
1994-10-09USAir Arena
132783flac16; record: Audio Technica AT835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro
gd1994-10-09.147586.schoepsMK4.ebel.flac1644
1994-10-09USAir Arena
147586flac16; Source Info: FOB Schoeps MK4-> Reutelhuber P/S-> DAT (Ace Cubby?); Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
gd1994-10-09.151257.me88.greenberg.miller.flac2448
1994-10-09USAir Arena
151257flac24/48khz Recording Info: Sennheiser ME88 > Cassette Master (Marantz PMD430) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k)
gd94-10-10.sbd.wiley.14198.sbeok.shnf
1994-10-10USAir Arena
14198SBD>DATx2>C>HiFi VHS>?>DAT>Delta Dio2496>SHN(seekable) NO DAE ; Patched Source: Schoeps MK4,AUD>DAT>CDR ; Via Rob Harrison ; Seeded to etree by T. Wiley
gd94-10-10.schoeps.wiley.8042.sbefail.shnf
1994-10-10USAir Arena
8042Schoeps MK4; AUD> DAT> CDR; via Paul B., Tim Wiley
gd1994-10-10.akg460.mcminn.sobel.88861.flac16
1994-10-10USAir Arena
88861flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8); Taped by Tom McMinn; Transferred by Jason Sobel
gd1994-10-10.akg568.unknown.nawrocki.15389.shnf
1994-10-10USAir Arena
15389Source: AKG 568's > DAT > CDR > EAC* > CDWave > mkwACT *Test and Copy and used Add-A-Wave to rejoin tracks for retracking EAC'd/Seeded by Doug Nawrocki Source discs kindly provided by Dave DiMartino Thanks for the dedication to the tunes bro! Updated seed. I patched the d/o in Desolation Row 2:32 - 2:35 with circ'ing sbd source. That's the only md5 signature that changed.
gd1994-10-10.sbd.miller.34563.sbeok.flac16
1994-10-10USAir Arena
34563flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> ? -> 3rd Gen Cassette Transfer Info: 3rd Gen Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
gd1994-10-10.fob.schoeps.byron.dauria.106275.flac16
1994-10-10USAir Arena
106275flac16/48kHz; Source: Schoeps MK4's->Schoeps VMS021b->Sony D10 Pro Transfer: Tascam DA-20 MKII->Edirol R44->SD->PC->Cd Wave Editor->Flac Frontend Taped by Eliot Byron and ?, up front in the hat, FOB
gd1994-10-10.111985.akg.datbrad.flac16
1994-10-10USAir Arena
111985(OTS) AKG460s/CK8s(PAS)>B-18s>FP-11s>DAP20(16/48)
Digital transfer: (TCD-D8>PMD670>CF>HDD)
MDAT>Wav>Wavelab-6(44.1)>CDWave(splits)>Flac Frontend(Level 6)
Recording and transfer by DATBRAD
gd1994-10-10.132785.at835b.cdipietro.flac
1994-10-10USAir Arena
132785flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro