Identifiers for Grateful Dead
1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
| Archive Identifier | |
|---|---|
| Date | Venue |
| Source | |
| gd92-02-13.sbd.rehearsal.samaritano.17404.sbeok.shnf | |
| 1992-02-13 | Club Front |
| 17404 | DSBD->CD->EAC->SHN by Joe Samaritano Studio Rehearsal of So Many Roads |
| gd92-02-21.smr-rehersal.8189.sbeok.shnf | |
| 1992-02-21 | Club Front Studio |
| 8189 | Seeded to abgd by Doo Dah Man; Note original files contained an SFV integrity file. Md5 was created from the original shns and provided to the etree db here. |
| gd1992-02-22.fob.young-marcus.gems.77722.sbeok.flac16 | |
| 1992-02-22 | Oakland-Alameda County Coliseum |
| 77722 | flac16; FOB Digital Audience Set 1: B&K 4011 (ORTF) Hand Held -> Canare Cable -> Neumann Supply -> Modified Sony D10 Pro Jamie Young Rig) Set 2: Schoeps CMC34 -> Panasonic sv250 (Marcus Rig) |
| gd1992-02-22.150344.FOB.Schoeps.Buick.Noel.t-1648 | |
| 1992-02-22 | Oakland-Alameda County Coliseum |
| 150344 | flac16/48kHz; Recording: Schoeps MK4 CMC3mod (ORTF, FOB) > MIT shotgun XLR > TAO-Oadie > MIT shotgun XLR > Panasonic SV250mod > Master DAT (16bit48kHz) on-stand (6020); Transfer: Master DAT > Panasonic SV3800 > S-PDIF(16bit48kHz) > Edirol-R4 > WAV 48-16; Master Digital FOB Recording & Transfer by Marcus Buick; Edited & Mastered using Adobe Audition by Joe Noel. June 28, 2020 |
| gd1992-02-22.117851.BeyerM160.d5scott.flac16 | |
| 1992-02-22 | Oakland-Alameda County Coliseum |
| 117851 | flac16; Source: 2 Beyer M160 microphones - up front/center > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
| gd1992-02-22.138245.schoeps-cmc4-mk21.gastwirt.miller.sirmick.sbeok.flac16 | |
| 1992-02-22 | Oakland-Alameda County Coliseum |
| 138245 | flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk21 > Oade modified Panasonic SV-255 > Dat (48k); Fob recording by Rick Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16/48; edited and mastered SIRMick May 2017 |
| gd92-02-22.sbd.gardner.9981.sbeok.shnf | |
| 1992-02-22 | Oakland-Alameda County Coliseum |
| 9981 | SBD>MC>C>DAT>CDR; via Paul; Seeded to etree bt Tony G |
| gd1992-02-22.149848.sbd.miller.flac2496 | |
| 1992-02-22 | Oakland-Alameda County Coliseum |
| 149848 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 |
| gd1992-02-22.sbd.walker-scotton.miller.96395.sbeok.flac16 | |
| 1992-02-22 | Oakland Coliseum Arena |
| 96395 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
| gd1992-02-22.150007.sbd.cm.miller.flac16 | |
| 1992-02-22 | Oakland-Alameda County Coliseum |
| 150007 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
| gd1992-02-23.149262.fob.BK4011.ebel.varnum.x.flac1648 | |
| 1992-02-23 | Oakland-Alameda County Coliseum |
| 149262 | flac16/48kHz; Source Info: FOB B&K 4011-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel |
| gd1992-02-23.150345.FOB.Schoeps.Buick.Noel.t-1648 | |
| 1992-02-23 | Oakland-Alameda County Coliseum |
| 150345 | flac16/48kHz; Recording: Schoeps MK4 CMC3mod (ORTF, FOB)> MIT shotgun XLR > TAO-Oadie > MIT shotgun XLR > Panasonic SV250mod > Master DAT (16bit48kHz) on-stand (6020); Transfer: Master DAT > Panasonic SV3800 > S-PDIF(16bit48kHz) > Edirol-R4 > WAV 48-16; Master Digital FOB Recording & Transfer by Marcus Buick; Edited & Mastered using Adobe Audition by Joe Noel July 05 |
| gd1992-02-23.138164.schoepscmc4mk21.gastwirt.miller.sirmick.sbeok.flac16 | |
| 1992-02-23 | Oakland-Alameda County Coliseum |
| 138164 | flac16; Source: Audience recording > Schoeps cmc4 mk21 > Oade modified Panasonic SV-255 > Dat (48k); Fob recording by Rick Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfer by Charlie Miller; edited and mastered SIRMick April 2017 |
| gd92-02-23.schoeps.gardner.9982.sbeok.shnf | |
| 1992-02-23 | Oakland-Alameda County Coliseum |
| 9982 | AUD>DAT>CDR (Schoeps CMC 34?s); via Paul; Seeded to etree by Tony G |
| gd1992-02-23.149829.sbd.miller.flac2496 | |
| 1992-02-23 | Oakland-Alameda County Coliseum |
| 149829 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 |
| gd1992-02-23.set2.sbd.walker-scotton.miller.96396.sbeok.flac16 | |
| 1992-02-23 | Oakland Coliseum Arena |
| 96396 | flac16; Set 2 Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
| gd1992-02-23.149263.fob.Sennheiser421.ebel.varnum.flac1648 | |
| 1992-02-23 | Oakland-Alameda County Coliseum |
| 149263 | flac16/48kHz; Source Info: FOB Sennheiser 421-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel |
| gd1992-02-23.150012.sbd.cm.miller.flac16 | |
| 1992-02-23 | Oakland-Alameda County Coliseum |
| 150012 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
| gd1992-02-23.AKG451.Darby.119789.Flac2448 | |
| 1992-02-23 | Oakland-Alameda County Coliseum |
| 119789 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tape Set 1:Maxell MX-S,Set 2:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
| gd1992-02-23.AKG451.Darby.119790.Flac1644 | |
| 1992-02-23 | Oakland-Alameda County Coliseum |
| 119790 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tape Set 1:Maxell MX-S,Set 2:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1992-02-24.150346.FOB.BK4011.Darrian.Young.Buick.Noel.t-1648 | |
| 1992-02-24 | Oakland-Alameda County Coliseum |
| 150346 | flac16/48kHz; Source: BK 4011 > Sony D10mod > Master DAT > DAT clone 16bit-48kHz; Transfer: DAT clone > Panasonic SV3800 > S-PDIF(16bit48kHz) > Edirol-R4 > WAV 16-48; Master Digital FOB Recording by Tom Darrian & Jamie Young;Transfer by Marcus Buick; Edited & Mastered using Adobe Audition by Joe Noel July 05, 2020. |
| gd1992-02-24.AKG451.Darby.119799.Flac1644 | |
| 1992-02-24 | Oakland-Alameda County Coliseum |
| 119799 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tape Set 1:Maxell MX-S,Set 2:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1992-02-24.117852.BeyerM160.d5scott.flac16 | |
| 1992-02-24 | Oakland-Alameda County Coliseum |
| 117852 | flac16; Source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
| gd92-02-24.bk.pettus.17680.sbeok.shnf | |
| 1992-02-24 | Oakland-Alameda County Coliseum |
| 17680 | B&K 4011> Neumann PS> Sony D10ProII, FOB, Stand D> CD: Tascam DA-P20> HHb-850> EAC> CDWAV> SHN via Roy Earl Pettus |
| gd92-02-24.set2-sbd.gardner.9983.sbeok.shnf | |
| 1992-02-24 | Oakland-Alameda County Coliseum |
| 9983 | 2nd Set; SBD>MC>C>DAT>CDR; Missing encore, last song cuts; via Paul; Seeded to etree by Tony G |
| gd1992-02-24.149849.sbd.miller.flac2496 | |
| 1992-02-24 | Oakland-Alameda County Coliseum |
| 149849 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-02-24.149850.set2.dsbd.miller.flac1644 | |
| 1992-02-24 | Oakland-Alameda County Coliseum |
| 149850 | flac16; Recording Info: SBD > DAT (44.1k); Transfer Info: DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller |
| gd1992-02-24.sbd.walker-scotton.miller.96397.sbeok.flac16 | |
| 1992-02-24 | Oakland Coliseum Arena |
| 96397 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
| gd1992-02-24.140814.FOB.SBD.Composite.Gastwirt.Miler.Noel.t-flac1648 | |
| 1992-02-24 | Oakland-Alameda County Coliseum |
| 140814 | flac16/48kHz; Set I - B&K 4011 > DAT (unknown taper* - FOB); Set II - Soundboard > DAT (Dan Healy mix); Both sets transferred by Charlie Miller: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT |
| gd1992-02-24.150023.sbd.cm.miller.flac16 | |
| 1992-02-24 | Oakland-Alameda County Coliseum |
| 150023 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
| gd1992-02-24.AKG451.Darby.119798.Flac2448 | |
| 1992-02-24 | Oakland-Alameda County Coliseum |
| 119798 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tape Set 1:Maxell MX-S,Set 2:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging By Keo |
| gd1992-03-01.sennme80.wklitz.97712.flac16 | |
| 1992-03-01 | The Omni |
| 97712 | flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC |
| gd1992-03-01.nak300.carpenter.andrewf.92617.sbeok.flac16 | |
| 1992-03-01 | The Omni |
| 92617 | OTS AUD: Nakamichi CM-300's with CP-4 shotguns > Sony TC-D5M > Maxell MX-S 90/100, with no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. |
| gd1992-03-01.140287.sbd.cm.miller.flac1644 | |
| 1992-03-01 | The Omni |
| 140287 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-01.nak300.rickers.davis.105618.flac16 | |
| 1992-03-01 | The Omni |
| 105618 | flac16; source: [ots] Nakamichi cm300/cp4 -> Sony D8 [16/48]. recorded by: Trew Rickers; transfer: dat [m] -> Tascam DA20 mkII -> R-44 -> CD Wave 1.98 -> Wavelab 5.01a [fades/Resampler 192] -> FLAC [8]. transfer: Chris Davis [1/22/10] |
| gd92-03-01.schoeps.gardner.4736.sbeok.shnf | |
| 1992-03-01 | The Omni |
| 4736 | Schoeps CMC3/MK4> Oade M118> Panasonic SV-250 FOB; via Tony Gardner |
| gd1992-03-01.140221.sbd.miller.flac2496 | |
| 1992-03-01 | The Omni |
| 140221 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-02.140255.sbd.miller.flac2496 | |
| 1992-03-02 | The Omni |
| 140255 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-02.140297.sbd.cm.miller.flac1644 | |
| 1992-03-02 | The Omni |
| 140297 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-02.nak300.rickers.davis.105675.flac16 | |
| 1992-03-02 | The Omni |
| 105675 | flac16; source: [ots] Nakamichi cm300/cp4 -> Sony D8 [16/48]. recorded by: Trew Rickers; transfer: dat [m] -> Tascam DA20 mkII -> R-44 -> CD Wave 1.98 -> Wavelab 5.01a [fades/Resampler 192] -> FLAC [8]. transfer: Chris Davis [1/26/10] |
| gd92-03-02.schoeps.gardner.4737.sbeok.shnf | |
| 1992-03-02 | The Omni |
| 4737 | Schoeps CMC3/MK4> Oade M118> Panasonic SV-250 FOB; via Tony Gardner |
| gd1992-03-02.schoeps.andrewf.92748.sbeok.flac1648 | |
| 1992-03-02 | The Omni |
| 92748 | flac16/48; AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, next to lighting board area, stage right. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. |
| gd1992-03-02.schoeps.andrewf.92749.sbeok.flac16 | |
| 1992-03-02 | The Omni |
| 92749 | flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, next to lighting board area, stage right. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC. Taped and transferred by Andrew F. |
| gd1992-03-03.140251.sbd.miller.flac2496 | |
| 1992-03-03 | The Omni |
| 140251 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-03.140298.sbd.cm.miller.flac1644 | |
| 1992-03-03 | The Omni |
| 140298 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd92-03-03.schoeps.gardner.9471.sbeok.shnf | |
| 1992-03-03 | The Omni |
| 9471 | AUD>DAT>CDR (Schoeps CMC 34?s); via Paul; Seeded to etree by Tony G |
| gd1992-03-03.nak300.carpenter.andrewf.92897.flac16 | |
| 1992-03-03 | The Omni |
| 92897 | flac16; OTS AUD: Nakamichi CM-300's with CP-4 shotguns > Sony TC-D5M > Maxell MX-S 90/100, with no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. |
| gd1992-03-05.140253.sbd.miller.flac2496 | |
| 1992-03-05 | Hampton Coliseum |
| 140253 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-05.140299.sbd.cm.miller.flac1644 | |
| 1992-03-05 | Hampton Coliseum |
| 140299 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd92-03-05.sbd.lutton.5240.sbeok.shnf | |
| 1992-03-05 | Hampton Coliseum |
| 5240 | SBD> DAT> ?> CD> EAC> SHN; EAC> SHN by Ben Luton; small dropout d3t4 5:56 ; upgrade in circulation |
| gd92-03-05.bk4011.keyser.25729.sbefail.flac16 | |
| 1992-03-05 | Hampton Coliseum |
| 25729 | B&K4011's ORTF FOB On Stand (6 - 7 feet high) >Neumann BS48i-2 Supply> Modified Sony D10 Pro (Modified by Bob Katz) Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410>Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC |
| gd92-03-05.sbd.hinko.27422.sbeok.flacf | |
| 1992-03-05 | Hampton Coliseum |
| 27422 | SBD > DAT > C > DAT > CD > EAC > FLAC; includes patching from B&K4011's ORTF FOB; EAC/FLAC by Darryl Hinko |
| gd1992-03-05.148533.Sennheiser421.ebel.flac1648 | |
| 1992-03-05 | Hampton Coliseum |
| 148535 | flac16/48kHz; Source Info: Sennheiser 421-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel |
| gd1992-03-06.schoeps.andrewf.85418.flac1648 | |
| 1992-03-06 | Hampton Coliseum |
| 85418 | flac16/48; FOB AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown mic power & lead dat deck > Coax SPDIF > Casio DA-7 > Sony DT-Dat tape. FOB aprx 30-feet from stage, mics handheld at aprx 5-1/2 feet. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. |
| gd1992-03-06.140254.sbd.miller.flac2496 | |
| 1992-03-06 | Hampton Coliseum |
| 140254 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-06.140300.sbd.cm.miller.flac1644 | |
| 1992-03-06 | Hampton Coliseum |
| 140300 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd92-03-06.nak700.gardner.9472.sbeok.shnf | |
| 1992-03-06 | Hampton Coliseum |
| 9472 | AUD>DAT>CDR (Nak 700?s>Sony D-3); via Paul; seeded to etree by Tony G |
| gd1992-03-06.fob.schoeps.andrewf.85420.sbeok.flac16 | |
| 1992-03-06 | Hampton Coliseum |
| 85420 | flac16; FOB AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown mic power & lead dat deck > Coax SPDIF > Casio DA-7 > Sony DT-Dat tape. FOB aprx 30-feet from stage, mics handheld at aprx 5-1/2 feet. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F. |
| gd1992-03-06.148536.fob.BK4011.ebel.flac1648 | |
| 1992-03-06 | Hampton Coliseum |
| 148536 | flac16/48kHz; Source Info: B&K 4011-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel |
| gd1992-03-06.131577.sbd.healy.wise.flac1648 | |
| 1992-03-06 | Hampton Coliseum |
| 131577 | flac16/48kHz; DAT soundboard master > Cassette; Cassette > DAT via Nakamichi Dragon to Sony PCM R-500 DAT 48khz; Digital Transfer and FLAC encoding by Jim Wise: October 2014; DAT played back on a Sony PCM R-500-> Digital Audio Labs Carddeluxe-> WAV [16/48]; Adobe Audition 3.0- FLAC encoding; Digital Transfer and FLAC encoding by Jim Wise: October 2014 |
| gd1992-03-08.Nak300CP4.Floater.Keo.113040.Flac1644 | |
| 1992-03-08 | Capital Centre |
| 113040 | flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes:Maxell MX-S 100's Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper |
| gd1992-03-08.Nak300CP4.Floater.Keo.113039.Flac2496 | |
| 1992-03-08 | Capital Centre |
| 113039 | flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes:Maxell MX-S 100's Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz |
| gd1992-03-08.nak300.bleich-sirmick.111091.sbeok.flac16 | |
| 1992-03-08 | Capital Centre |
| 111091 | flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Lineage: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich |
| gd1992-03-08.141705.sbd.cm.miller.flac1644 | |
| 1992-03-08 | Capital Centre |
| 141705 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-08.148229.BK4011.ebel.flac16 | |
| 1992-03-08 | Capital Centre |
| 148229 | flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel |
| gd1992-03-08.148230.nak300CP4.ebel.flac2496 | |
| 1992-03-08 | Capital Centre |
| 148230 | flac24; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel |
| gd92-03-08.sbd.fink.14083.sbeok.shnf | |
| 1992-03-08 | Capital Centre |
| 14083 | S : MC > D > CDR; see info file for edit notes; via Paul B; Tony G; Alan Fink |
| gd1992-03-08.141627.sbd.miller.flac2496 | |
| 1992-03-08 | Capital Centre |
| 141627 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd92-03-09.sbd.braverman.9755.sbeok.shnf | |
| 1992-03-09 | Capitol Centre |
| 9755 | SBD> DAT> C> PCM> DAT> CD; via Rob Harrison; Seeded to etree by Peter Braverman; Shntool fix by Tony G |
| gd1992-03-09.Nak300CP4.Floater.Keo.115700.Flac2496 | |
| 1992-03-09 | Capital Centre |
| 115700 | flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Sony D6(Patched); Tapes From Floater,Transfer By Keo; Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz |
| gd1992-03-09.Nak300CP4.Floater.Keo.115701.Flac1644 | |
| 1992-03-09 | Capital Centre |
| 115701 | flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Sony D6(Patched); Tapes From Floater,Transfer By Keo; Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper |
| gd1992-03-09.148231.nak300CP4.ebel.flac2496 | |
| 1992-03-09 | Capital Centre |
| 148231 | flac24; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel |
| gd1992-03-09.148232.BK4011.ebel.flac16 | |
| 1992-03-09 | Capital Centre |
| 148232 | flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel |
| gd1992-03-09.sbd.8110.sbefail.shnf | |
| 1992-03-09 | Capital Centre |
| 8110 | Soundboard -> DAT -> Cassette -> PCM -> DAT; upgrade in circulation |
| gd1992-03-09.141629.sbd.miller.flac2496 | |
| 1992-03-09 | Capital Centre |
| 141629 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-09.141716.sbd.cm.miller.flac1644 | |
| 1992-03-09 | Capital Centre |
| 141716 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-09.141719.akg.alabama-bob.flac2448 | |
| 1992-03-09 | Capital Centre |
| 141719 | flac24; OTS AUD: AKG-568's > lead decks(s) > Sony TC-D5 > Maxell XLII's, recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2018 |
| gd1992-03-09.141720.akg.alabama-bob.flac1644 | |
| 1992-03-09 | Capital Centre |
| 141720 | flac16; OTS AUD: AKG-568's > lead decks(s) > Sony TC-D5 > Maxell XLII's, recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2018 |
| gd1992-03-09.BEAR.gems.112438.flac24 | |
| 1992-03-09 | Capital Centre |
| 112438 | flac24; SBD Master Casettes >> 24BIT 88.2kHz; All Transfers and Mastering by Jim Blackwood and Jamie Waddell |
| gd1992-03-11.127220.sony.aud.flac16 | |
| 1992-03-11 | Nassau Coliseum |
| 127220 | flac16; Partial Show, Source: Sony condenser mics (2 channel) > Sony WM cassette deck; Config/Location: 20' from Garcia/in the hat FOB 7th and 3rd row center; Transfer: (master cassette) Nakamichi DR-1>Sound Devices 722 (24/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> WavEditor 1.5.7 (iZotope Resampler, MBIT+ Dither)> xACT 2.25(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Scott M.; Transferred and seeded by: Lenny Stubbe |
| gd1992-03-11.Nak300-baker.keo.109265.flac1644 | |
| 1992-03-11 | Nassau Coliseum |
| 109265 | flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D-6 Tapes Maxell MX-s 90,100; Transfer Nakamichi MR-1 Cassette Deck>Dolby B>Korg MR 1000 @ 1 Bit/5.6mHz Tracking/Sample Rate Conversion with AudioGate software to 32 Bit Float/96kHz Dithered with Korg Aqua to 16/44 |
| gd1992-03-11.138278.schoeps-cmc4-mk21.gastwirt.miller.sirmick.sbeok.flac16 | |
| 1992-03-11 | Nassau Coliseum |
| 138278 | flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk21 > Oade modified Panasonic SV-255 > Dat (48k); Fob recording by Rick Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16/48; edited and mastered SIRMick May 2017 |
| gd1992-03-11.138279.mtx.sirmick.sbeok.flac16 | |
| 1992-03-11 | Nassau Coliseum |
| 138279 | flac16; Matrix: 60/40; soundboard - shnid 9398, seeded by Tony Gardner and audience - shnid 138278, taped by Rich Gastwirt; edited and mastered SIRMick May 2017 |
| gd1992-03-11.135166.bltz.flac2496 | |
| 1992-03-11 | Nassau Coliseum |
| 135166 | flac24; Source: Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MX-S 90 (Set II MX-S 100) -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24 |
| gd92-03-11.sbd.gardner.9398.sbeok.shnf | |
| 1992-03-11 | Nassau Coliseum |
| 9398 | SBD>DAT>CDR (probable cassette gen); Seeded to etree by Tony G |
| gd1992-03-11.141616.sbd.miller.flac2496 | |
| 1992-03-11 | Nassau Coliseum |
| 141616 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-11.141717.sbd.cm.miller.flac1644 | |
| 1992-03-11 | Nassau Coliseum |
| 141717 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-11.148349.fob.BK4011.ebel.flac16 | |
| 1992-03-11 | Nassau Coliseum |
| 148349 | flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel |
| gd1992-03-11.127219.sony.aud.flac24 | |
| 1992-03-11 | Nassau Coliseum |
| 127219 | flac24; Partial Show, Source: Sony condenser mics (2 channel) > Sony WM cassette deck; Config/Location: 20' from Garcia/in the hat FOB 7th and 3rd row center; Transfer: (master cassette) Nakamichi DR-1>Sound Devices 722 (24/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.25(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Scott M.; Transferred and seeded by: Lenny Stubbe |
| gd1992-03-12.schoeps.andrewf.86703.flac1648 | |
| 1992-03-12 | Nassau Veterans Memorial Coliseum |
| 86703 | flac16/48; AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS, left side (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. |
| gd1992-03-12.142173.OST.schoeps-cmc4-mk4-ortf.gastwirt.miller.sirmick.flac1648 | |
| 1992-03-12 | Nassau Coliseum |
| 142173 | flac16/48kHz; Source: Schoeps cmc4 mk4(ortf) > Oade modified Panasonic SV-255 > Dat (48k) 0- Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick June 2018 |
| gd92-03-12.schoeps.gardner.9476.sbeok.shnf | |
| 1992-03-12 | Nassau Coliseum |
| 9476 | ACM>DAT>CDR (Schoeps CMC4); via Paul; Seeded to etree by Tony G |
| gd1992-03-12.schoeps.andrewf.86704.sbeok.flac16 | |
| 1992-03-12 | Nassau Coliseum |
| 86704 | flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS, left side (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1 kHz) > TLH > FLAC. Taped and transferred by Andrew F. |
| gd1992-03-12.141617.sbd.miller.flac2496 | |
| 1992-03-12 | Nassau Coliseum |
| 141617 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-12.141718.sbd.cm.miller.flac1644 | |
| 1992-03-12 | Nassau Coliseum |
| 141718 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-12.148350.fob.schoeps34.ebel.flac16 | |
| 1992-03-12 | Nassau Coliseum |
| 148350 | flac16; Source Info: FOB Schoeps CMC3 Mk4-> Oade P/S-> Panasonic SV255-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel |
| gd1992-03-12.135463.Nak300CP4.Baker.Keo.Flac2496 | |
| 1992-03-12 | Nassau Coliseum |
| 135463 | flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6,Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1992-03-12.135464.Nak300CP4.Baker.Keo.Flac1644 | |
| 1992-03-12 | Nassau Coliseum |
| 135464 | flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6,Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1992-03-13.134996.bltz.flac2496 | |
| 1992-03-13 | Nassau Coliseum |
| 134996 | flac24; Source: Nakamichi CM-300s/2-Mic, CP-1 Cardioids, ORTF -> Sony Walkman Pro, Maxell MX-S 100 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 |
| gd1992-03-13.137748.aud.lamarre.berger.flac16 | |
| 1992-03-13 | Nassau Coliseum |
| 137748 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger |
| gd1992-03-13.137749.aud.lamarre.berger.flac24 | |
| 1992-03-13 | Nassau Coliseum |
| 137749 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96> fission> adobe audition cc> xACT flac; transferred - Rob Berger |
| gd92-03-13.nak700.gardner.9477.sbeok.shnf | |
| 1992-03-13 | Nassau Coliseum |
| 9477 | ACM>DAT>CDR (Nak 700?s>Sony D-3); via Paul; Seeded to etree by Tony G |
| gd1992-03-13.139621.Schoeps-cmc4-mk4-ortf.gastwirt.miller.sirmick.flac1648 | |
| 1992-03-13 | Nassau Coliseum |
| 139621 | flac16/48kHz; Source: Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > Dat (48k) - Taped by Rich Gastwirt from 1st row tapers section; Transfer: Set I - Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Set II - Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; editerd and mastered SIRMick October 2017 |
| gd1992-03-13.141618.sbd.miller.flac2496 | |
| 1992-03-13 | Nassau Coliseum |
| 141618 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-13.141721.sbd.cm.miller.flac1644 | |
| 1992-03-13 | Nassau Coliseum |
| 141721 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-13.148351.fob.BK4011.ebel.flac16 | |
| 1992-03-13 | Nassau Coliseum |
| 148351 | flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel |
| gd1992-03-16.schoeps.andrewf.85338.flac1648 | |
| 1992-03-16 | The Spectrum |
| 85338 | flac 16-48kHz; Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS: Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. |
| gd1992-03-16.mtx.tobin.122020.flac16 | |
| 1992-03-16 | The Spectrum |
| 122020 | flac16; Matrix 3 Source Mix - SBD (shn id 13571)SBD->DAT->?->Cas->CD->EAC->SHN via Dan + AUD1 (shn id 85338)Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS: Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. + AUD2 (no shn id) Audience recording from Video soundtrack - matrix mixing by Kevin Tobin |
| gd1992-03-16.156985.5-1.tobin.flac1648 | |
| 1992-03-16 | The Spectrum |
| 156985 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 138163) Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 85338) Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS: Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - surround mixing by Kevin Tobin |
| gd1992-03-16.147757.nak300.Boedicker.flac1644 | |
| 1992-03-16 | The Spectrum |
| 147757 | flac16; Source:Nakamichi 300 Mics W/CP1 Cardioids>Sony WM-D6C Cassette Master>2 Maxell Metal Cassette Master Tapes (Sony MX-90 Minute 1st Set, MX-S 100 Minute Tape 2nd Set)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)> Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector BoundariesAligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section |
| gd1992-03-16.148530.fob.BK4011.ebel.fixed.flac16 | |
| 1992-03-16 | The Spectrum |
| 148530 | flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD; Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel; Note: This Version Fixes Digital Noise on source ID 148408 during Corrina |
| gd1992-03-16.149240.fob.bk4011.ebel.fixed.flac16 | |
| 1992-03-16 | The Spectrum |
| 149240 | flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel; This Version Fixes Digital Noise on source ID 148530during Scarlet Begonias |
| gd1992-03-16.138167.sbd.miller.sbeok.flac16 | |
| 1992-03-16 | The Spectrum |
| 138167 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is shnid 138163 24 > 16 |
| gd1992-03-16.138163.sbd.miller.flac24 | |
| 1992-03-16 | The Spectrum |
| 138163 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd92-03-16.sbd.13571.sbefail.shnf | |
| 1992-03-16 | The Spectrum |
| 13571 | SBD->DAT->?->Cas->CD->EAC->SHN via Dan |
| gd1992-03-16.schoeps.andrewf.85423.sbeok.flac16 | |
| 1992-03-16 | The Spectrum |
| 85423 | flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F. |
| gd1992-03-16.upg-sbd.tobin.122021.flac16 | |
| 1992-03-16 | The Spectrum |
| 122021 | flac16; SBD->DAT->?->Cas->CD->EAC->SHN via Dan - patched and speed corrected version of shnid 13571 by Kevin Tobin |
| gd1992-03-16.139653.fob.akg.414.wise.miller.clugston.flac1648 | |
| 1992-03-16 | The Spectrum |
| 139653 | flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT> AKG 414 > Sony D10 Pro II; Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Transfer by Charlie Miller; Mastered by Scott Clugston |
| gd1992-03-16.148408.fob.BK4011.ebel.flac16 | |
| 1992-03-16 | The Spectrum |
| 148408 | flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel |
| gd1992-03-16.dts.tobin.122040.flac16 | |
| 1992-03-16 | The Spectrum |
| 122040 | DTS-Audio-CD 5.1 Mix SBD (shn id 13571)SBD->DAT->?->Cas->CD->EAC->SHN via Dan + AUD1 (shn id 85338)Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS: Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. + AUD2 (no shn id) Audience recording from Video soundtrack - dts mixing by Kevin Tobin |
| gd1992-03-17.148367.boedicker.flac16 | |
| 1992-03-17 | The Spectrum |
| 148367 | flac16; Source: Nakamichi 300 Mics W/CP1 Cardioids>Sony WM-D6C Cassette Master>2 Maxell Metal Cassette Master Tapes (Sony MX-90 Minute 1st Set, MX-S 100 Minute Tape 2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section |
| gd1992-03-17.155639.aud.pp-tobin.flac16 | |
| 1992-03-17 | The Spectrum |
| 155639 | flac16; Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project |
| gd1992-03-17.155640.mtx.tobin.flac16 | |
| 1992-03-17 | The Spectrum |
| 155640 | flac16; Matrix 2 Source Mix - SBD (shnid = 141827) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155639) Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project - matrix mixing by Kevin Tobin |
| gd1992-03-17.155641.dts.tobin.flac16 | |
| 1992-03-17 | The Spectrum |
| 155641 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141827) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155639) Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project - dts mixing by Kevin Tobin |
| gd1992-03-17.155642.5-1.tobin.flac1648 | |
| 1992-03-17 | The Spectrum |
| 155642 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141827) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155639) Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project - surround mixing by Kevin Tobin |
| gd1992-03-17.Nak300CP4.Baker.Keo.126960.Flac2496 | |
| 1992-03-17 | The Spectrum |
| 126960 | flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony WM-D6; Set 1 Tape:Maxel MX-S 90, Set 2 Tape:TDK MA-110; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1992-03-17.Nak300CP4.Baker.Keo.126961.flac16 | |
| 1992-03-17 | The Spectrum |
| 126961 | flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony WM-D6; Set 1 Tape:Maxel MX-S 90, Set 2 Tape:TDK MA-110; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd92-03-17.nak300-horvath.dodd.16052.sbeok.shnf | |
| 1992-03-17 | The Spectrum |
| 16052 | Nak 300 > Sony d-5 > cass master > cdr; Eac > cool edit pro > shntool > cdwav > shnv3; Taped and discs kindly provided by Mark Horvath; eac > shn (secure with proper offsets) by Ernie Dodd |
| gd1992-03-17.140843.sbd.cm.miller.flac1644 | |
| 1992-03-17 | The Spectrum |
| 140843 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-17.139654.fob.akg.414.wise.miller.clugston.flac1648 | |
| 1992-03-17 | The Spectrum |
| 139654 | flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT> AKG 414 > Sony D10 Pro II; Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Transfer by Charlie Miller; Mastered by Scott Clugston |
| gd1992-03-17.140827.sbd.miller.flac2496 | |
| 1992-03-17 | The Spectrum |
| 140827 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-17.148409.fob.BK4011.ebel.flac16 | |
| 1992-03-17 | The Spectrum |
| 148409 | flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel |
| gd1992-03-18.148368.boedicker.flac16 | |
| 1992-03-18 | The Spectrum |
| 148368 | flac16; Source: Nakamichi 300 Mics W/CP1 Cardioids>Sony WM-D6C Cassette Master>2 Maxell Metal Cassette Master Tapes (Sony MX-90 Minute 1st Set, MX-S 100 Minute Tape 2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)> Cd Wav Editor>Traders Little Helper>Flac Level 8 Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section |
| gd1992-03-18.111290.nak300.bleich-sirmick.sbeok.flac16 | |
| 1992-03-18 | The Spectrum |
| 111290 | flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich |
| gd1992-03-18.141800.sbd.cm.miller.flac1644 | |
| 1992-03-18 | The Spectrum |
| 141800 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd92-03-18.akg460.gardner.9756.sbeok.shnf | |
| 1992-03-18 | The Spectrum |
| 9756 | AUD>DAT>CDR (AKG460b/CK8's); via Paul; Seeded to etree by Tony G |
| gd1992-03-18.nak300.carpenter.andrewf.90077.sbeok.flac16 | |
| 1992-03-18 | The Spectrum |
| 90077 | flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. |
| gd1992-03-18.139655.fob.akg.414.wise.miller.clugston.flac1648 | |
| 1992-03-18 | The Spectrum |
| 139655 | flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT> AKG 414 > Sony D10 Pro II; Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Transfer by Charlie Miller; Mastered by Scott Clugston |
| gd1992-03-18.141628.sbd.miller.flac2496 | |
| 1992-03-18 | The Spectrum |
| 141628 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-18.148410.fob.BK4011.ebel.flac16 | |
| 1992-03-18 | The Spectrum |
| 148410 | flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel |
| gd1992-03-20.sennME80.wklitz.96171.flac16 | |
| 1992-03-20 | Copps Coliseum |
| 96171 | flac16; Recording Info: Sennheiser ME-80's>Technics SV-MD1; Transfer Info: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC; Recorded & Processed By Keith Litzenberger |
| gd1992-03-20.149301.nak300CP4.ebel.flac2496 | |
| 1992-03-20 | Copps Coliseum |
| 149301 | flac24; Source Info: TS Nakamichi CM-300 CP4-> Casio DA-2 DAT-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel |
| gd1992-03-20.mtx.seamons.95208.sbeok.flac16 | |
| 1992-03-20 | Copps Coliseum |
| 95208 | flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
| gd1992-03-20.149525.fob.set2.BK4011.brennecke.varnum.ebel.flac1648 | |
| 1992-03-20 | Copps Coliseum |
| 149525 | flac16/48kHz; Set 2 Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT; Taped By Clay Brennecke; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) |
| gd1992-03-20.141806.sbd.miller.flac1644 | |
| 1992-03-20 | Copps Coliseum |
| 141806 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd92-03-20.sbd.gardner.9757.sbeok.shnf | |
| 1992-03-20 | Copps Coliseum |
| 9757 | SBD>DAT>CDR; Missing Brown Eyed Women; via Paul; Seeded to etree by Tony G |
| gd1992-03-20.fob.schoeps.gems.76478.sbeok.flac16 | |
| 1992-03-20 | Copps Coliseum |
| 76478 | flac16; FOB Digital Audience - 13th Row Center Schoeps CMC34 Cardiod (110 degrees ORTF) -> Oade Supply -> Panasonic 2v255; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav; Edited Adobe Audition 1.5 Dithered 48/44.1 w/gaussian noise and aslight noise-shaping in r8brain v1.9 Tracked in CDWav Flac Level8 in TLH |
| gd1992-03-20.141785.sbd.miller.flac2496 | |
| 1992-03-20 | Copps Coliseum |
| 141785 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-20.sonicstudios.schmit.mallick.116465.flac16 | |
| 1992-03-20 | Copps Coliseum |
| 116465 | flac16; Master: Sonic Studios DSM-6>Sony TCD-D5M by Alan Schmit, 15th row center; Conversion: Cass(m)>Onkyo TA-6711>Tascam DA-20 (A/D)>Microtrack 24/96>WAV WAV>Sound Studio 2.2.4>xACT 2.13>FLAC by Dave Mallick |
| gd1992-03-21.149302.set2.nak300CP4.ebel.flac2496 | |
| 1992-03-21 | Copps Coliseum |
| 149302 | flac24; Set 2 Source Info: TS Nakamichi CM-300 CP4-> Casio DA-2 DAT-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel |
| gd1992-03-21.116108.naks.Boeditaper.flac16 | |
| 1992-03-21 | Copps Coliseum |
| 116108 | flac16; Source:Sony D6 Cassette Master(Dolby B On)>Nakamichi 300 Mics W/CP1 Cardioids>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped In Official Taper Section |
| gd1992-03-21.149526.fob.set1.BK4011.brennecke.varnum.ebel.flac1648 | |
| 1992-03-21 | Copps Coliseum |
| 149526 | flac16/48kHz; Set 1 Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT; Taped By Clay Brennecke; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); this is the same source used in SHN ID #116405 minus the Cassette generation |
| gd1992-03-21.sennme80.wklitz.97542.flac16 | |
| 1992-03-21 | Copps Coliseum |
| 97542 | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades/Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger |
| gd1992-03-21.116405.bk.schmit.mallick.flac16 | |
| 1992-03-21 | Copps Coliseum |
| 116405 | flac16; Set 1 and partial Set 2 Master: B&K 4011's>Sony D10 Pro>D5 by Alan Schmit, 14th row center, patched out of Clay Brennecke; Conversion: Cass(m)>Onkyo TA-6711>Tascam DA-20 (A/D)>Microtrack 24/96>WAV WAV>Sound Studio 2.2.4>xACT 2.13>FLAC; by Dave Mallick |
| gd1992-03-21.141807.sbd.cm.miller.flac1644 | |
| 1992-03-21 | Copps Coliseum |
| 141807 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd92-03-21.sbd.braverman.17696.sbeok.shnf | |
| 1992-03-21 | Copps Coliseum |
| 17696 | SBD DAT master > cass (suspected) > DAT > CD (mine) > EAC > SHN via Peter Braverman |
| gd92-03-21.schoeps.nawrocki.11268.sbeok.shnf | |
| 1992-03-21 | Copps Coliseum |
| 11268 | Schoeps CMC 34's > PCM > DAT > CDR; via Dave DiMartino; Seeded to etree by Doug Nawrocki |
| gd1992-03-21.fob.schoeps.evens.gems.76484.sbefail.flac16 | |
| 1992-03-21 | Copps Coliseum |
| 76484 | flac16; FOB Digital Audience - 13th Row Center Schoeps CMC34 Cardiod (110 degrees ORTF) -> Oade Supply -> Panasonic 2v255; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav; tracked in CDWav/48k output *Re-Sampled to 44.1k via r8brain @ Highest Quality settings.* Flac Level 8 in TLH |
| gd1992-03-21.141786.sbd.miller.flac2496 | |
| 1992-03-21 | Copps Coliseum |
| 141786 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-23.116458.sonicstudios.schmit.mallick.flac16 | |
| 1992-03-23 | Copps Coliseum |
| 116458 | flac16; Master: Sonic Studios DSM-6>Sony TCD-D5M by Alan Schmit, 16th row center; Conversion: Cass(m)>Onkyo TA-6711>Tascam DA-20 (A/D)>Microtrack 24/96>WAV WAV>Sound Studio 2.2.4>xACT 2.13>FLAC by Dave Mallick |
| gd1992-03-23.141808.sbd.cm.miller.flac1644 | |
| 1992-03-23 | The Palace |
| 141808 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd92-03-23.sbd.zei.541.sbeok.shnf | |
| 1992-03-23 | The Palace |
| 541 | SBD> D->CDR-> EAC> SHN; Ripped by John Zei |
| gd1992-03-23.141787.sbd.miller.flac2496 | |
| 1992-03-23 | The Palace |
| 141787 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-23.148316.akg460.ebel.flac16 | |
| 1992-03-23 | The Palace |
| 148316 | flac16; Source Info: FOB AKG 460-> Oade P/S-> Panasonic SV255-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel |
| gd1992-03-23.148319.nak300CP4.ebel.flac2496 | |
| 1992-03-23 | The Palace |
| 148319 | flac24; Source Info: TS Nakamichi CM-300 CP4-> Casio DA-2 DAT-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel |
| gd1992-03-24.116616.sonicstudios.schmit.mallick.flac16 | |
| 1992-03-24 | The Palace |
| 116616 | flac16; Master: Sonic Studios DSM-6>Sony TCD-D5M by Alan Schmit, 16th row center; Conversion: Cass(m)>Onkyo TA-6711>Tascam DA-20 (A/D)>Microtrack 24/96>WAV WAV>Sound Studio 2.2.4>xACT 2.13>FLAC by Dave Mallick |
| gd1992-03-24.141809.sbd.cm.miller.flac1644 | |
| 1992-03-24 | The Palace |
| 141809 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-24.sbd.unknown.17024.shnf | |
| 1992-03-24 | The Palace |
| 17024 | SBD>DAT>CASS>DAT>CD. dat > cd via stand alone CD-R; CDs (first gen) > EAC > SHN Note: These are a second EAC from the same source disks by Nick George but the md5's are different from his first shn set circulated. |
| gd1992-03-24.141788.sbd.miller.flac2496 | |
| 1992-03-24 | The Palace |
| 141788 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-03-24.148322.akg460.ebel.flac16 | |
| 1992-03-24 | The Palace |
| 148322 | flac16; Source Info: FOB AKG 460-> Oade P/S-> Panasonic SV255-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel |
| gd1992-03-24.148323.nak300CP4.ebel.flac2496 | |
| 1992-03-24 | The Palace |
| 148323 | flac24; Source Info: TS Nakamichi CM-300 CP4-> Casio DA-2 DAT-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel |
| gd1992-05-19.akg460.swayne.86251.flac1648 | |
| 1992-05-19 | Cal Expo Amphitheatre |
| 86251 | flac16/48; AKG 460/CK8s (25-foot split) > Tascam DA-P20; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) Tapers: Scott Swayne and Carl S. Transfer by Scott Swayne |
| gd1992-05-19.sbd.miller.92286.sbeok.flac16 | |
| 1992-05-19 | Cal Expo Amphitheatre |
| 92286 | flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller |
| gd1992-05-19.AKG451.Darby.119814.Flac2448 | |
| 1992-05-19 | Cal Expo |
| 119814 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
| gd1992-05-19.AKG451.Darby.119815.Flac1644 | |
| 1992-05-19 | Cal Expo |
| 119815 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1992-05-19.150040.sbd.miller.flac2496 | |
| 1992-05-19 | Cal Expo |
| 150040 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
| gd92-05-19.sbd.wiley.7856.sbefail.shnf | |
| 1992-05-19 | Cal Expo |
| 7856 | SBD> DAT> CDR; 2nd encore patched w/ SBD> CM> CDR; via Paul Bottiglio; Tim Wiley; upgrade in circulation |
| gd1992-05-19.akg.swayne.86238.sbeok.flac16 | |
| 1992-05-19 | Cal Expo |
| 86238 | flac16; AKG 460/CK8s (25-foot split) > Tascam DA-P20; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) Tapers: Scott Swayne and Carl S. Transfer by Scott Swayne |
| gd1992-05-19.sbd.wiley.20003.sbeok.shnf | |
| 1992-05-19 | Cal Expo |
| 20003 | Source A:SBD>DAT>CDR>EAC>Cool Edit>SHN Source B:SBD>CM>CDR>EAC>Cool Edit>SHN shntool fix of Wiley seed with patched encore |
| gd1992-05-19.150294.sbd.cm.miller.flac16 | |
| 1992-05-19 | Cal Expo |
| 150294 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
| gd1992-05-19.118736.NeumannKMF4.daweez.d5scott.flac16 | |
| 1992-05-19 | Cal Expo |
| 118736 | flac16; Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
| gd1992-05-20.akg460.swayne.86455.flac1648 | |
| 1992-05-20 | Cal Expo Amphitheatre |
| 86455 | flac16/48; Field: AKG 460/CK8s (25-foot split) > Tascam DA-P20 ; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) Tapers: Scott Swayne and Carl S. |
| gd1992-05-20.sbd.miller.92387.sbeok.flac16 | |
| 1992-05-20 | Cal Expo Amphitheatre |
| 92387 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
| gd92-05-20.sbd.wiley.16580.sbeok.shnf | |
| 1992-05-20 | Cal Expo |
| 16580 | Please NOTE this is a fixed copy of the original SHN set ; SBD>DAT>C>DAT>CDR ; See info file for details; Seeded By T. Wiley |
| gd92-05-20.set2.schoeps.wiley.8040.sbefail.shnf | |
| 1992-05-20 | Cal Expo |
| 8040 | 2nd Set; AUD (Schoeps MK4's)> DAT> CDR; via Tim Wiley |
| gd1992-05-20.akg.swayne.86454.sbeok.flac16 | |
| 1992-05-20 | Cal Expo |
| 86454 | flac16; Field: AKG 460/CK8s (25-foot split) > Tascam DA-P20 ; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) Tapers: Scott Swayne and Carl S. |
| gd1992-05-20.140700.ultramatrix.sbd.miller.flac2496 | |
| 1992-05-20 | Cal Expo |
| 140700 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-05-20.140816.UltraMatrixSBD.cm.miller.flac1644 | |
| 1992-05-20 | Cal Expo |
| 140816 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-05-20.149280.set1AKG568.set2choepsMK4.ebel.flac16 | |
| 1992-05-20 | Cal Expo |
| 149280 | flac16; Source Info: Set #1: TS AKG 568B-> DAT; Set #2: FOB Schoeps CMC 54-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel |
| gd1992-05-20.AKG451.Darby.119827.Flac2448 | |
| 1992-05-20 | Cal Expo |
| 119827 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
| gd1992-05-20.AKG451.Darby.119829.Flac1644 | |
| 1992-05-20 | Cal Expo |
| 119829 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Ditherd/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1992-05-20.151063.aud.lohr.vernon.flac1648 | |
| 1992-05-20 | Cal Expo |
| 151063 | flac16/48khz Source : Unspecified mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 |
| gd1992-05-20.151064.aud.lohr.vernon.flac2496 | |
| 1992-05-20 | Cal Expo |
| 151064 | flac24/96khz Source : Unspecified mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) |
| gd1992-05-21.akg460.swayne.86281.flac1648 | |
| 1992-05-21 | Cal Expo Amphitheatre |
| 86281 | flac16/48; AKG 460/CK8s (25-foot split) > Tascam DA-P20 ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) |
| gd1992-05-21.sbd.miller.92355.sbeok.flac16 | |
| 1992-05-21 | Cal Expo Amphitheatre |
| 92355 | flac16; Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller |
| gd1992-05-21.150055.sbd.miller.flac2496 | |
| 1992-05-21 | Cal Expo |
| 150055 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
| gd1992-05-21.sbd-fishman.barbella.6955.shnf | |
| 1992-05-21 | Cal Expo Amphitheatre |
| 6955 | Pre FM SBD> DAT> CD-R (single Track) > EAC 0.9 > Cool Edit Pro > CDR Win (for track cuts) > SHN (via MKWACT); see editing notes in info file; via JR Fishman, Steve Barbella; upgrade in circulation |
| gd92-05-21.sbd.fishman.8703.sbefail.shnf | |
| 1992-05-21 | Cal Expo |
| 8703 | Pre-FM DSBD> DAT (48kHz)> DAT> ZA2 (S/PDIF)> Samplitude 2496> CDR; via Tom and Roger; Seeded to etree by Chris Larson |
| gd1992-05-21.akg.swayne.86280.sbeok.flac16 | |
| 1992-05-21 | Cal Expo |
| 86280 | flac16; AKG 460/CK8s (25-foot split) > Tascam DA-P20 ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) |
| gd1992-05-21.150295.sbd.cm.miller.flac16 | |
| 1992-05-21 | Cal Expo |
| 150295 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
| gd1992-05-21.AKG451.Darby.119840.Flac2448 | |
| 1992-05-21 | Cal Expo |
| 119840 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
| gd1992-05-21.AKG451.Darby.119841.Flac1644 | |
| 1992-05-21 | Cal Expo |
| 119841 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1992-05-21.151065.aud.lohr.vernon.flac1648 | |
| 1992-05-21 | Cal Expo |
| 151065 | flac16/48khz Source : AKG 568 (behind soundboard) > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 |
| gd1992-05-21.151066.aud.lohr.vernon.flac2496 | |
| 1992-05-21 | Cal Expo |
| 151066 | flac24/96khz Source : AKG 568 (behind soundboard) > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) |
| gd1992-05-23.150399.sbd.miller.flac2496 | |
| 1992-05-23 | Shoreline Amphitheatre |
| 150399 | flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24 |
| gd1992-05-23.sbd.miller.92271.sbeok.flac16 | |
| 1992-05-23 | Shoreline Amphitheatre |
| 92271 | flac16; Recording Info:SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
| gd92-05-23.akg-tumulo.miller.14835.sbeok.shnf | |
| 1992-05-23 | Shoreline Amphitheatre |
| 14835 | AKG 460/CK8X -> Dat (Sony D3) -> PCM -> Dat (Sony R500/44.1k) recorded by Paul Tumolo, shn conversion Charlie Miller |
| gd1992-05-23.akg.swayne.85245.sbeok.flac1648 | |
| 1992-05-23 | Shoreline Amphitheatre |
| 85245 | flac16/48; Location: OTS Row F center Equipment: AKG 460-CK8's spaced 5' apart -> TEAC DA-P20 Transfer: TASCAM DA-30 (48k)-(S/PDIF)-> Diamond Xtreme Sound Card-> Cool Edit Pro -> CDWave -> FLAC Taped By: Scott Swayne Transfer By: Scott Swayne |
| gd1992-05-23.149285.neumannKM84.ebel.flac16 | |
| 1992-05-23 | Shoreline Ampitheater |
| 149285 | flac16; Source Info: Neumann KM84-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped & Transfers by Pete Ebel |
| gd1992-05-23.150506.sbd.cm.miller.flac16 | |
| 1992-05-23 | Shoreline Amphitheatre |
| 150506 | flac16; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
| gd1992-05-23.151067.aud.lohr.vernon.flac1648 | |
| 1992-05-23 | Shoreline Amphitheatre |
| 151067 | flac16/48khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 |
| gd1992-05-23.151068.aud.lohr.vernon.flac2496 | |
| 1992-05-23 | Shoreline Amphitheatre |
| 151068 | flac24/96khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) |
| gd1992-05-24.150516.sbd.cm.miller.flac16 | |
| 1992-05-24 | Shoreline Amphitheatre |
| 150516 | flac16; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k); All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
| gd1992-05-24.sbd.miller.92272.sbeok.flac16 | |
| 1992-05-24 | Shoreline Amphitheatre |
| 92272 | flac16; Recording Info:SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
| gd1992-05-24.142238.akg460-ck8s.flac1648 | |
| 1992-05-24 | Shoreline Amphitheatre |
| 142238 | flac16/48kHz; source: AKG 460/CK8 microphones>DAT; recorded by Scott Swayne; lineage: DAT clone of master>Tascam DA-20 mkII>S/PDIF> MOTU 2408 mkII>computer>Wavelab (fades only)>CD Wav>TLH>flac1648; xfer/edits: Henry Heikkinen |
| gd1992-05-24.119319.Sennheiser441.d5scott.flac16 | |
| 1992-05-24 | Shoreline Amphitheatre |
| 119319 | flac16; Source: 2 Sennheiser 441 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
| gd92-05-24.sbd.larson.8704.sbeok.shnf | |
| 1992-05-24 | Shoreline Amphitheatre |
| 8704 | SBD> MC> DAT> ZA2 (S/PDIF)> Wavelab3.03> SHN; via Roger and Tom; Seeded to etree by Chris Larson |
| gd1992-05-24.149286.neumannKM84.ebel.flac16 | |
| 1992-05-24 | Shoreline Ampitheater |
| 149286 | flac16; Source Info: Neumann KM84-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped & Transfers by Pete Ebel |
| gd1992-05-24.150425.sbd.miller.flac2496 | |
| 1992-05-24 | Shoreline Amphitheatre |
| 150425 | flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k); All Transfers and Mastering by Charlie Miller |
| gd1992-05-24.151069.aud.lohr.vernon.flac1648 | |
| 1992-05-24 | Shoreline Amphitheatre |
| 151069 | flac16/48khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 |
| gd1992-05-24.151070.aud.lohr.vernon.flac2496 | |
| 1992-05-24 | Shoreline Amphitheatre |
| 151070 | flac24/96khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) |
| gd1992-05-25.150463.sbd.miller.flac2448 | |
| 1992-05-25 | Shoreline Amphitheatre |
| 150463 | flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k) |
| gd1992-05-25.150517.sbd.cm.miller.flac16 | |
| 1992-05-25 | Shoreline Amphitheatre |
| 150517 | flac16; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k). This file set is 16 bit @ 44.1 |
| gd92-05-25.sbd.wiley.16469.sbeok.shnf | |
| 1992-05-25 | Shoreline Amphitheatre |
| 16469 | SBD> DAT> C> DAT> CDR; via Tim Wiley; improvements over prior seed- see notes (pitch and amplitude correction, but no NR) |
| gd1992-05-25.149287.neumannKM84.ebel.flac16 | |
| 1992-05-25 | Shoreline Ampitheater |
| 149287 | flac16; Source Info: Neumann KM84-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped & Transfers by Pete Ebel |
| gd1992-05-25.AKG451.Darby.119932.Flac2448 | |
| 1992-05-25 | Shoreline Amphitheatre |
| 119932 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Loge Section 202 Row H Seat 23/6 Feet High)> Whirlwind Phantoms>Teac DA-P20>Sony TC-D5M,Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
| gd1992-05-25.AKG451.Darby.119933.Flac1644 | |
| 1992-05-25 | Shoreline Amphitheatre |
| 119933 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Loge Section 202 Row H Seat 23/6 Feet High)> Whirlwind Phantoms>Teac DA-P20>Sony TC-D5M,Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1992-05-25.151071.aud.lohr.vernon.flac1648 | |
| 1992-05-25 | Shoreline Amphitheatre |
| 151071 | flac16/48khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 |
| gd1992-05-25.151072.aud.lohr.vernon.flac2496 | |
| 1992-05-25 | Shoreline Amphitheatre |
| 151072 | flac24/96khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) |
| gd1992-05-29.josephsonc-640.chuckm.116446.flac16 | |
| 1992-05-29 | Sam Boyd Silver Bowl, U.N.L.V. |
| 116446 | flac16; Source (AUD): Josephson C-640 w/ KA-20 (cardioid) capsules > 5532 differential pre-amp (+21db) > Sony WMD-6C (Dolby C encoded); Microphone configuration: TS, centered, DIN, 9' up Master format (analog): Maxell MX-S 90 & MX 110 cassettes; Transfer: Sony TC-WE635 (Dolby C decoded) > Tascam DR-680 > SDHC card > (card reader) PC > WaveLab 5 Digital editing: WaveLab 5 (pre and post set fades, speed correction, cassette flips patched with etree source #84998) Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC) Recorded, processed and distributed by Chuck Miller |
| gd92-05-29.akg460.ladner.9990.sbeok.shnf | |
| 1992-05-29 | Sam Boyd Silver Bowl, U.N.L.V. |
| 9990 | AKG 460/ck8x > DAT > CDR; via Charlie Miller; Seeded to etree by neo_levo |
| gd92-05-29.sbd.ladner.21320.sbeok.shnf | |
| 1992-05-29 | Sam Boyd Silver Bowl, U.N.L.V. |
| 21320 | Source: SBD monitor mix>DAT>CDR>WAV>SHN.; upgrade in circulation |
| gd1992-05-29.fob.schoeps.84998.sbeok.flac16 | |
| 1992-05-29 | Sam Boyd Silver Bowl |
| 84998 | flac16; FOB Schoeps MK4s -> Reutelhuber-> sv255 -> (clone) Teac DA-p20 -> Tascam DA-30 -> Diamond xTreme Sound Card -> Cool Edit Pro -> CDWave -> flac |
| gd1992-05-29.sbd.ladner-hinko.35295.sbeok.shnf | |
| 1992-05-29 | Sam Boyd Silver Bowl, U.N.L.V. |
| 35295 | SBD*>DAT>CDR>WAV>SHN; Cleaned up copy of SHNid=21320; Clean up and SHN by Darryl Hinko |
| gd1992-05-29.151084.set2.aud.lohr.vernon.flac1648 | |
| 1992-05-29 | Sam Boyd Silver Bowl, U.N.L.V. |
| 151084 | flac16/48khz Set 2 Only. Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 |
| gd1992-05-29.151085.set2.aud.lohr.vernon.flac2496 | |
| 1992-05-29 | Sam Boyd Silver Bowl, U.N.L.V. |
| 151085 | flac24/96khz Set 2 Only. Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) |
| gd1992-05-29.150037.sbd.miller.flac2496 | |
| 1992-05-29 | Sam Boyd Silver Bowl, U.N.L.V |
| 150037 | flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
| gd1992-05-29.150296.sbd.cm.miller.flac16 | |
| 1992-05-29 | Sam Boyd Silver Bowl, U.N.L.V. |
| 150296 | flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
| gd1992-05-30.1992-05-30.sbd.dts.tobin.75713.sbeok.flac16 | |
| 1992-05-30 | Sam Boyd Silver Bowl |
| 75713 | DTS Audio 5.1; Mix SBD:SBD > DAT > Lucid PCI24 > Gina 2496 > CEP > CDR; AUD:(FOB) Schoeps MK4 > DAT > CDR > WAV > SHN; mixed by ktobin |
| gd1992-05-30.mtx.tobin.83094.sbeok.flac16 | |
| 1992-05-30 | Sam Boyd Silver Bowl |
| 83094 | flac16; Matrix 2 Source Mix - SBD (shnid 75698) + AUD (shnid 10063) mixed by Kevin Tobin |
| gd1992-05-30.sbd.tobin-fixed.76082.sbeok.flac16 | |
| 1992-05-30 | Sam Boyd Silver Bowl |
| 76082 | flac16; SBD > DAT > Lucid PCI24 > Gina 2496 > CEP > CDR > EAC > SHN - Seamless edit of shn id 75698 |
| gd1992-05-30.sbd.tobin.75698.sbeok.flac16 | |
| 1992-05-30 | Sam Boyd Silver Bowl |
| 75698 | flac16; SBD > DAT > Lucid PCI24 > Gina 2496 > CEP > CDR > EAC > SHN; speed corrected version of shn id 8255 (via Charlie Kidder); fix by Kevin Tobin ; upgrade in circulation |
| gd1992-05-30.116403.josephsonc-640.chuckm.flac16 | |
| 1992-05-30 | Sam Boyd Silver Bowl, U.N.L.V. |
| 116403 | flac16; Source (AUD): Josephson C-640 w/ KA-20 (cardioid) capsules > 5532 differential pre-amp (+21db) > Sony WMD-6C (Dolby C encoded); Microphone configuration: TS, centered, NOS, 8' up; Master format(analog): Maxell MX 100 cassettes; Transfer: Sony TC-WE635 (Dolby C decoded) > Tascam DR-680 > SDHC card > (card reader) PC > WaveLab 5; Digital editing: WaveLab 5 (pre and post set fades, speed correction, DC offset removal, cassette flips patched with etree source #10063); Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, processed and distributed by Chuck Miller |
| gd92-05-30.sbd.kidder.8255.sbeok.shnf | |
| 1992-05-30 | Sam Boyd Silver Bowl, U.N.L.V. |
| 8255 | whole show; SBD > DAT > Lucid PCI24 > Gina 2496 > CEP > CDR; CDR> EAC> WAV> MKW> SHN by Charlie Kidder; upgrade in circulation |
| gd92-05-30.schoeps.ladner.10063.sbeok.shnf | |
| 1992-05-30 | Sam Boyd Silver Bowl, U.N.L.V. |
| 10063 | (FOB) Schoeps MK4 > DAT > CDR; via C. M.; Seeded to etree by neo_levo |
| gd1992-05-30.150038.sbd.miller.flac2496 | |
| 1992-05-30 | Sam Boyd Silver Bowl, U.N.L.V |
| 150038 | flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 |
| gd1992-05-30.150297.sbd.cm.miller.flac16 | |
| 1992-05-30 | Sam Boyd Silver Bowl, U.N.L.V. |
| 150297 | flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
| gd1992-05-31.sbd.miller.87281.sbeok.flac16 | |
| 1992-05-31 | Sam Boyd Silver Bowl |
| 87281 | flac16; SBD -> Dat -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony D8) -> Behringer Ultramatch Pro SRC2496 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
| gd1992-05-31.sbd.miller.92388.sbeok.flac16 | |
| 1992-05-31 | Sam Boyd Silver Bowl |
| 92388 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
| gd1992-05-31.sbd.paino.tetzeli.fix-544.34692.reflac.flac16 | |
| 1992-05-31 | Sam Boyd Silver Bowl |
| 34692 | flac16; Seamless fix of shn id 544 - SBD > DAT > SONY D8 (S/PDIF) > HD > SHN > WAV > FLAC; upgrade in circulation. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
| gd1992-05-31.116420.josephsonc-640.chuckm.flac16 | |
| 1992-05-31 | Sam Boyd Silver Bowl |
| 116420 | flac16; Source: Josephson C-640 w/ KA-20 (cardioid) capsules > 5532 differential pre-amp (+21db) > Sony WMD-6C (Dolby C encoded); Transfer: Sony TC-WE635 (Dolby C decoded) > Tascam DR-680 > SDHC card > PC > WaveLab 5 > CD Wave Editor 1.95.1 > Flac Frontend 1.7.1 > Flac; Taped and Transferred by Chuck Miller |
| gd1992-05-31.118794.NeumannKMF4.daweez.d5scott.flac16 | |
| 1992-05-31 | Sam Boyd Silver Bowl |
| 118794 | flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
| gd92-05-31.sbd.paino.544.sbefail.shnf | |
| 1992-05-31 | Sam Boyd Silver Bowl, U.N.L.V. |
| 544 | SBD > DAT > SONY D8 (S/PDIF) > HD > SHN; via Mike Lai; listeners John Florek et al report diginoise d1t8 ~1:50-2:00; upgrade in circulation |
| gd1992-05-31.151086.aud.lohr-vernon.flac1648 | |
| 1992-05-31 | Sam Boyd Silver Bowl, U.N.L.V |
| 151086 | flac16/48khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 |
| gd1992-05-31.151087.aud.lohr.vernon.flac2496 | |
| 1992-05-31 | Sam Boyd Silver Bowl, U.N.L.V. |
| 151087 | flac24/96khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) |
| gd1992-05-31.150039.sbd.miller.flac2496 | |
| 1992-05-31 | Sam Boyd Silver Bowl, U.N.L.V |
| 150039 | flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
| gd1992-05-31.150298.sbd.cm.miller.flac16 | |
| 1992-05-31 | Sam Boyd Silver Bowl, U.N.L.V. |
| 150298 | flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
| gd1992-06-06.137751.aud.lamarre.berger.flac16 | |
| 1992-06-06 | Rich Stadium |
| 137751 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger |
| gd1992-06-06.137752.aud.lamarre.berger.flac24 | |
| 1992-06-06 | Rich Stadium |
| 137752 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger |
| gd1992-06-06.fob.evens.gems.82444.sbeok.flac16 | |
| 1992-06-06 | Rich Stadium |
| 82444 | flac16; MAD Recording - FOB DFC Audience: 1st Two Songs of Set 1 - B&K4011's Balance of Show: Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48 |
| gd1992-06-06.140277.sbd.cm.miller.flac1644 | |
| 1992-06-06 | Rich Stadium |
| 140277 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-06-06.sbd.caroselli.nerman.14042.shnf | |
| 1992-06-06 | Rich Stadium |
| 14042 | Second Set Only SBD>DAT>WAV>CoolEdit>CDWAV>SHN; upgrade in circulation |
| gd1992-06-06.119035.aud.mtx.dak5245.pzm.mullen.flac16 | |
| 1992-06-06 | Rich Stadium |
| 119035 | flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience cassette; Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master cassette(TDK SA-X90)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8) |
| gd1992-06-06.nak300.bleich-sirmick.111171.sbeok.flac16 | |
| 1992-06-06 | Rich Stadium |
| 111171 | flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich |
| gd92-06-06.aud.8242.sbeok.shnf | |
| 1992-06-06 | Rich Stadium |
| 8242 | AUD > CM > DAT > CDR > WAV > SHN;(unk. mic); Unknown seeder |
| gd92-06-06.set2.sbd.herman.16815.sbeok.shnf | |
| 1992-06-06 | Rich Stadium |
| 16815 | set 2 SBD DAT>WAV>CE>CDWAV>CDR & SHN via Steve Herman (previous source but with sbe's fixed and made seekable) encoded by Chris Ladner |
| gd1992-06-06.134942.Nak300CP4.Fitzy-Keo.Flac1644 | |
| 1992-06-06 | Rich Stadium |
| 134942 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1992-06-06.140203.sbd.miller.flac2496 | |
| 1992-06-06 | Rich Stadium |
| 140203 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-06-06.124862.eywood.flac16 | |
| 1992-06-06 | Rich Stadium |
| 124862 | flac16; MAD Recording - FOB DFC Audience; 1st Two Songs of Set 1: B&K4011's; Balance of Show: Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48; Recorded by Todd Evans; Edited by: Jamie Waddell; EQ and hard limiting, as well as reindexing disc 3 done by }{eywood |
| gd1992-06-08.150518.sbd.cm.miller.flac16 | |
| 1992-06-08 | Richfield Coliseum |
| 150518 | flac16; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k), This file set is 16 bit @ 44.1 |
| gd1992-06-08.senn441.mahoney.81791.sbeok.flac16 | |
| 1992-06-08 | Richfield Coliseum |
| 81791 | flac16; Senn 441’s>Sony D-5>Sony D6 > ? > flac Recorded by Mike Mahoney |
| gd1992-06-08.141251.set1.FOB-BK4011.ebel.flac1644 | |
| 1992-06-08 | Richfield Coliseum |
| 141251 | flac16/44.1 Set 1 Only. Source Info: FOB B&K 4011-> DAT (Clay and Jamie?) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel |
| gd92-06-08.sbd.stevens.12561.sbeok.flacf | |
| 1992-06-08 | Richfield Coliseum |
| 12561 | flac16 format; DSBD > DAT > 1C > DAT; Transfer: DAT > WAV > FLAC: Dan Stephens, Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (normalize, 48-44.1, highest accuracy with anti-alias filter) > CDWav v1.71 > FLAC Frontend; (no DAE ; 48k, unmodified FLAC archived and available upon request); upgrade in circulation |
| gd1992-06-08.sbd.miller.89981.sbeok.flac16 | |
| 1992-06-08 | Richfield Coliseum |
| 89981 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
| gd1992-06-08.nak300.bleich-sirmick.111193.sbeok.flac16 | |
| 1992-06-08 | Richfield Coliseum |
| 111193 | flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich |
| gd1992-06-08.150494.sbd.miller.flac2448 | |
| 1992-06-08 | Richfield Coliseum |
| 150494 | flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k) |
| gd1992-06-09.141250.FOB-BK4011.ebel.flac1644 | |
| 1992-06-09 | Richfield Coliseum |
| 141250 | flac16/44.1 Source Info: FOB B&K 4011-> DAT (Clay and Jamie?). Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel |
| gd92-06-09.schoeps-akg.stevens.12574.sbeok.flacf | |
| 1992-06-09 | Richfield Coliseum |
| 12574 | flac16 format; Set I: AUD, FOB Schoeps CMC32's > DAT > PCM > DAT, Set II: AUD, OTS AKG 568's > DAT > PCM > DAT; Transfer: DAT > WAV > FLAC: Dan Stephens: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > CDWav v1.71 > FLAC Frontend (no DAE) |
| gd1992-06-09.sbd.miller.89985.sbeok.flac16 | |
| 1992-06-09 | Richfield Coliseum |
| 89985 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
| gd1992-06-09.nak300.bleich-sirmick.111202.sbeok.flac16 | |
| 1992-06-09 | Richfield Coliseum |
| 111202 | flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich |
| gd1992-06-09.150594.sbd.miller.flac2448 | |
| 1992-06-09 | Richfield Coliseum |
| 150594 | flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k) |
| gd1992-06-09.150703.sbd.cm.miller.flac16 | |
| 1992-06-09 | Richfield Coliseum |
| 150703 | flac16; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k), This file set is 16 bit @ 44.1 |
| gd1992-06-11.152717.sbd.miller.flac2448 | |
| 1992-06-11 | Knickerbocker Arena |
| 152717 | flac24/48 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 |
| gd1992-06-11.nak300.baker-keo.sirmick.110979.sbeok.flac16 | |
| 1992-06-11 | Knickerbocker Arena |
| 110979 | flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo |
| gd1992-06-11.nak300.baker-keo.sirmick.110978.flac24 | |
| 1992-06-11 | Knickerbocker Arena |
| 110978 | flac24; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24 taped by Baker and transferred by Keo |
| gd1992-06-11.nak.boedicker.116122.flac16 | |
| 1992-06-11 | Knickerbocker Arena |
| 116122 | flac16; Source:Sony D6 Cassette Master(Dolby B On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Cd Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped 1st Row Official Tapers Section.Taped By Dave Boedicker |
| gd1992-06-11.149564.set1.fob.BK4011.ebel.flac16 | |
| 1992-06-11 | Knickerbocker Arena |
| 149564 | flac16; Set 1 Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel |
| gd1992-06-11.149565.ts.schoeps34.travitz.ebel.flac16 | |
| 1992-06-11 | Knickerbocker Arena |
| 149565 | flac16; Source Info: TS: Schoeps CMC3 MK4-> Panasonic SV255-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped By Jeff Travitz; Transfers by Pete Ebel |
| gd1992-06-11.137459.nak300.boedicker.flac16 | |
| 1992-06-11 | Knickerbocker Arena |
| 137459 | flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck (Maxell MX-90 Minute Metal Tapes,1st Set,Sony SR-100 Minute Metal Tapes,2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8, Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,1st Row Official Taping Section |
| gd1992-06-11.137754.aud.lamarre.berger.flac16 | |
| 1992-06-11 | Knickerbocker Arena |
| 137754 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger |
| gd1992-06-11.137755.aud.lamarre.berger.flac24 | |
| 1992-06-11 | Knickerbocker Arena |
| 137755 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger |
| gd1992-06-11.nakcm300.andrewf.86035.flac1648 | |
| 1992-06-11 | Knickerbocker Arena |
| 86035 | flac16/48; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (June 2007) by Andrew F. |
| gd92-06-11.aud.vernon.18581.sbeok.shnf | |
| 1992-06-11 | Knickerbocker Arena |
| 18581 | AUD(unknown mics)> DAT > CDR via Raoul Duke encoded by Matt Vernon |
| gd92-06-11.sbd.ladner.8069.sbeok.shnf | |
| 1992-06-11 | Knickerbocker Arena |
| 8069 | sbd> dat> cass> dat> cdr> wav> shnv3; via cozmic chuck, neo_levo; upgrade in circulation |
| gd1992-06-11.sbd.miller.90105.sbeok.flac16 | |
| 1992-06-11 | Knickerbocker Arena |
| 90105 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
| gd1992-06-11.154484.sbd.cm.miller.t.flac16 | |
| 1992-06-11 | Knickerbocker Arena |
| 154484 | flac16/44 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 152717 2496 > 1644 |
| gd1992-06-11.139452.akg568.flac2448 | |
| 1992-06-11 | Knickerbocker Arena |
| 139452 | flac24; AKG 568s -> Oade Power Supply > Casio DA-7 Portable DAT Deck -> Sony PCM-R500 Deck -> Hosa ODL-312 Optical AES/EBU Link -> Audacity on a Macintosh, all digital end-to-end. Front row tapers, center section; Taped by Bob Block, tracked and seeded by bltz |
| gd1992-06-11.134956.Nak300CP4.Fitzy.Keo.Flac1644 | |
| 1992-06-11 | Knickerbocker Arena |
| 134956 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1992-06-11.134957.Nak300CP4.Fitzy.Keo.Flac2496 | |
| 1992-06-11 | Knickerbocker Arena |
| 134957 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1992-06-12.aud.andrewf.86096.flac1648 | |
| 1992-06-12 | Knickerbocker Arena |
| 86096 | flac16/48; Set One: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand in OTS. Set Two: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7, set up in OTS. Cloned Coax SPDIF > Casio DA-7. Transfer: 1st Set MAD & 2nd Set clone > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC |