Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1976-04-20.141357.sbd.rehearsal.pcm.dalton.miller.clugston.flac1644
1976-04-20Mickey's Barn
141357flac16; Source Info: Soundboard > ? > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd76-05-2x.sbd.vernon.9769.sbeok.shnf
1976-05-28Le Club Front Studios
9769Studio Rehersal Tapes; SBD>?>CD; Actually a compilation of material recorded on 5-28,29,30-76; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon
gd1976-05-28.rehearsals.gems.82947.flac16
1976-05-28Unknown Venue
82947flac16; Lineage R2 > D Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 by Jamie Waddell (compilation of material recorded on 5-28,29,30-76; See info file for details)
gd1976-06-03.mtx.seamons.ht06.123898.flac16
1976-06-03Paramount Theatre
123898flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 and FLAC16 > AIFF > Final Cut w/EQ > Soundtrack Pro for some click removal in AUD > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging)
gd1976-06-03.139643.sbd.betty.pcm.kreider.miller.clugston.fixed.flac16
1976-06-03Paramount Theatre
139643flac16; Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Wav(16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; the original source had the channels swapped in "Samson & Delilah" thru "It Must Have Been the Roses", as well as "The Wheel"
gd1976-06-03.mtx.seamons.91912.sbeok.shnf
1976-06-03Paramount Theatre
91912MATRIX MIX: SBD/AUD (About 60%/40%): SBD: Bertha Remaster of the Master Reel Source and AUD: MC > DAT > WAV > SHN Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008
gd1976-06-03.123608.sbd.miller.flac24
1976-06-03Paramount Theatre
123608flac24; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
gd1976-06-03.sbd.seamons.fix-20004.86745.sbeok.shnf
1976-06-03Paramount Theatre
86745SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN Pitch correction of shn id 20004 by Hunter Seamons using Final Cut Pro (8/10/07)
gd1976-06-03.sbd.unknown.7555.sbefail.shnf
1976-06-03Paramount Theatre
7555last 2 songs missing; MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR; noted at gdlive
gd76-06-03.aud.vernon.7825.sbeok.shnf
1976-06-03Paramount Theatre
7825Complete; unknown aud > ? > DAT >; via Dale Shepherd; Matt Vernon. [Dolby decoded version added 7/2003]
gd76-06-03.lee.weiner.14263.sbeok.shnf
1976-06-03Paramount Theatre
14263AUDMC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on
gd76-06-03.sbd.bertha-ashley.20004.sbeok.shnf
1976-06-03Paramount Theatre
20004SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included.
gd76-06-03.sbd.serafin.7719.sbeok.shnf
1976-06-03Paramount Theatre
7719SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; reseed with encores also circulates; upgrade in circulation
gd1976-06-03.148567.fob.sony.ecm18n.lee.smith.clugston.flac1648
1976-06-03Paramount Theatre
148567flac16/48kHz; Source Info: Pat Lee's Master (FOB) Audience Cassettes; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120); Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1976-06-03.148568.fob.sony.ecm18n.lee.smith.clugston.flac2496
1976-06-03Paramount Theatre
148568flac24; Source Info: Pat Lee's Master (FOB) Audience Cassettes ; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120); Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1976-06-03.sbd.bertha.17266.shnf
1976-06-03Paramount Theater
17266Bertha Remaster of the Master Reel/Reel source. SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA - Sound A+ ; upgrade in circulation
gd1976-06-03.123607.sbd.miller.flac16
1976-06-03Paramount Theatre
123607flac16; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1976-06-03.aud.berger.99910.flac16
1976-06-03Paramount Theatre
99910flac16; aud 1st gen reel; unknown equipment/taper; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac
gd1976-06-04.143136.partial.cm.sbd.miller.flac1644
1976-06-04Paramount Theatre
143136flac16; Partial Show Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller this files is 16 bit @ 44.1
gd1976-06-04.153709.sbd.martin.smith.clugston.flac1648
1976-06-04Paramount Theatre
153709flac16/48 Source Info: Mickey Hart's Master Soundboard Cassettes w/dolby B (Sony TC-152SD) > Steve Martin's 1st generation reels @ 3 3/4 ips Transfer Info: Master Cassettes (Sony TC-D5M) > 1st generation reels (Pioneer RT707 @ 3 3/4 ips); 1st generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
gd1976-06-04.153710.sbd.martin.smith.clugston.flac2496
1976-06-04Paramount Theatre
153710flac24/96 Source Info: Mickey Hart's Master Soundboard Cassettes w/dolby B (Sony TC-152SD) > Steve Martin's 1st generation reels @ 3 3/4 ips Transfer Info: Master Cassettes (Sony TC-D5M) > 1st generation reels (Pioneer RT707 @ 3 3/4 ips); 1st generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
gd76-06-04.sbd.cotsman.9797.sbeok.shnf
1976-06-04Paramount Theatre
9797SBD>MR>?>D>CD; With aud patches for several songs; See info file for details; via Jeff Cook, Jon Miller, Matt Vernon, & Raoul Duke; Seeded to etree by J. Cotsman
gd1976-06-04.157429.aud.motb.0189.flac16
1976-06-04Paramount Theatre
157429flac1644Analog Audience Source: ECM 280 mics Front row Loge on 152SD Medium Stock Brands: MAC = Maxell UD c 120's Analog Sound Preservation: MAC > Nak Dragon -> Audio Techica ATM 400 Line Amp/ Mixer-> Korg at 5.6 mhz
gd1976-06-04.143064.set1-pset2.sbd.miller.flac2496
1976-06-04Paramount Theatre
143064flac24; Partial Show Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd1976-06-09.152189.s1-s2p.aud.petrunis.flac2448
1976-06-09Music Hall
152189flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK SD C90 & C120 (normal bias). Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2021
gd1976-06-09.156991.mtx.seamons.ht141.flac16
1976-06-09Music Hall
156991flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 95399 & 99064.
gd1976-06-09.sbd-set2.cohen.12207.shnf
1976-06-09Boston Music Hall
12207set 2; SBD> RM> DAT> sonic solutions> CDR, with Beginning of "St. Stephen" spliced in from unknown audience source; Extracted with Toast Audio Extractor & Plexwriter 4/12 and converted to SHN; via Art Cohen
gd76-06-09.hopkins.vernon.5982.sbeok.shnf
1976-06-09Boston Music Hall
5982FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes.
gd76-06-09.set1-sbd.cotsman.12382.sbeok.shnf
1976-06-09Boston Music Hall
12382set 1 SBD>MR>R>D>CD>EAC>SHN with patches from AUD>MC>D>CD>EAC>SHN by J. Cotsman
gd76-06-09.set2-sbd.gardner.5426.sbeok.shnf
1976-06-09Boston Music Hall
5426set 2; SBD> MR> DAT> SS> CDR> EAC> SHN; via Tony Gardner, from Paul B. seed discs
gd76-06-09.matrix.chappell.29323.sbeok.flac16
1976-06-09Boston Music Hall
29323flac16; SBD/AUD Matrix of 3 previously circulated seeds (SBD I - SHN ID# 12382, SBD II - SHN ID# 5426, AUD - SHN ID #5982); prepared by Chris Chappell
gd1976-06-09.sbd.miller.95399.sbeok.flac16
1976-06-09Boston Music Hall
95399flac16; Recording Info: Set 1: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; Set 2: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1976-06-10.mtx.dts.tobin.85004.sbeok.flac16
1976-06-10Boston Music Hall
85004DTS Audio 5.1; SBD (shnid 82891) SBD Master Reel -> PCM -> Dat (44.1k) + AUD shnid 18425 Recorded by Jerry Moore; AKG 200Es> Sony TC-153 - dts mixing by Kevin Tobin
gd1976-06-10.143003.akg1000.warburton.smith.sirmick.flac2496
1976-06-10Music Hall
143003flac24; Source: AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of log; Transfer: MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick August 2018
gd1976-06-10.matrix.tobin.84985.sbeok.flac16
1976-06-10Boston Music Hall
84985flac16; Matrix 2 Source Mix - SBD (shnid 82891) + AUD (shnid 18425) by Kevin Tobin
gd1976-06-10.sbd.gems.82921.flac16
1976-06-10Boston Music Hall
82921flac16; Source Info: SBD Master Reel -> PCM -> Dat (44.1k) Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 and Ozone. Dithered L2 Type-1 Ultra by Jamie Waddell
gd76-06-10.hopkins.vernon.5918.sbeok.shnf
1976-06-10Boston Music Hall
5918FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min.
gd76-06-10.moore.minches.18425.sbeok.shnf
1976-06-10Boston Music Hall
18425Recorded by Jerry Moore; AKG 200Es> Sony TC-153, close to stage in orchestra mics hand held. AUDMC > DAT by Mark Cohen. DAT > SHN by David Minches.
gd76-06-10.sbd.miller.14264.sbeok.shnf
1976-06-10Boston Music Hall
14264SBD -> Rm -> PCM -> Dat -> Prodif Plus -> Samplitude v6.0 -> SHN via Charlie Miller
gd76-06-10.warburton.minches.18426.sbeok.shnf
1976-06-10Boston Music Hall
18426Recorded by Jimmy Warburton AKG 1000Es> Sony TC-152. Reel -> DAT conversion by Mark Cohen. DAT -> SHN conversion by David Minches.
gd1976-06-10.unk.dunahee-stube.237.shnf
1976-06-10Boston Music Hall
237??? > CD > EAC > SHN; via S. Dunahee, W. Stube; known flaws: clicks removed with SF: d1 2:41.707, d2 43:50.421; cut 10 seconds of silence/weird static in d1t01 starting 7:36; d/o's d1t03 2:13-2:24, d1t07 9:38-9:46, d/o into staticky fade in d2t04 5:06-5:10; upgrade in circulation
gd1976-06-10.141690.sbd.miller.flac1644
1976-06-10Music Hall
141690flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
gd1976-06-10.145134.akg1000.warburton.smith.sirmick.flac1644
1976-06-10Music Hall
145134flac16; Source: AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of log; Transfer: MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick August 2018; This file set is 16 bit @ 44.1
gd1976-06-11.141702.sbd.miller.flac1644
1976-06-11Music Hall
141702flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; the original version of this source had an error in Looks Like Rain (track 08); Fixed Version in circulation
gd76-06-11.hopkins.vernon.5919.sbeok.shnf
1976-06-11Boston Music Hall
5919FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades/sbd splice with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min.
gd76-06-11.moore.minches.18387.sbeok.shnf
1976-06-11Boston Music Hall
18387Recorded by Jerry Moore; AKG 200Es> Sony TC-153, mics split along front of loge. AUDMC > DAT conversion by Mark Cohen, DAT > SHN conversion by David Minches
gd76-06-11.sbd.jmason.7824.sbeok.shnf
1976-06-11Boston Music Hall
7824MR>DAT>DAT Clone @ 44.1 kHz (Tascam DA20)>SBLive Platinum SPDIF In>WAV Edit (Sound Forge)>SHN (mkw audio compression tool)>CDR (HP 8200); via GDLive [Note: An sbe-fixed-by-set version also circulates]
gd1976-06-11.139552.sbd.betty.gastwirt.miller.clugston.flac1648
1976-06-11Music Hall
139552flac16/48kHz; Source Info: Betty's Master Soundboard Reels > PCM > DAT (16/48); Transfer Info: DAT (Sony R500 16/48)> Tascam DA-3000 16/48 > Adobe Audition> TLH flac1648; Transferred by Charlie Miller; Mastered by Scott Clugston
gd1976-06-11.141709.sbd.miller.fixed.flac1644
1976-06-11Music Hall
141709flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; Fixed numerous flaws from previous source
gd1976-06-11.sbd.mccartj.238.sbeok.shnf
1976-06-11Boston Music Hall
238SBD> ?> liberated bootleg; via Alan McCarty
gd1976-06-11.sbd.unknown.22803.sbeok.shnf
1976-06-11Boston Music Hall
22803SBD of unknown lineage, claims to be an A+ improvement over previous SBDs in circulation. Available at www.gdlive.com
gd1976-06-12.fm.sbd.moore.berger.100328.flac16
1976-06-12Boston Music Hall
100328flac16; Source: FM Reel Master taped by Jerry Moore Sony TC-755 reel/Teac AN-180 dolby unit Maxell UD 35-180 tape; lineage: WBCN simulcast>10.5" reels @ 7.5 ips, dolby b Technics RS1506>Teac AN-180>HD-P2 24/96>hd>cd wave 16/44>flac transferred & seeded by Rob Berger 7/27/09
gd1976-06-12.110456.akg.warburton.berger.flac16
1976-06-12Music Hall
110456flac16; aud 1st gen reel, akg d1000e's>sony tc-152, taped by Jimmy Warburton, transfer by Rob Berger
gd76-06-12.fm.wren.5556.sbeok.shnf
1976-06-12Boston Music Hall
5556SBD> FM(WBCN)> MR(7.5ips); Conversion: Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN; Taped by Peter Wrenn, Seeded by Stephen Wrenn; to etree via Doug Moog; Wheel from unknown AUD; see notes in info file
gd76-06-12.hopkins.vernon.5983.sbeok.shnf
1976-06-12Boston Music Hall
5983FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d3 tracked for 80 min.
gd1976-06-12.143168.fm.warburton.smith.miller.clugston.flac1648
1976-06-12Music Hall
143168flac16/48kHz; FM Broadcast; Master Reel to Reel > Jim Warburton's 1st generation 7" reels @ 3 3/4 ips Transfer Info: 1st generation reels (baked)(Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1976-06-12.143169.fm.warburton.smith.miller.clugston.flac2496
1976-06-12Music Hall
143169flac24; FM Broadcast; Master Reel to Reel > Jim Warburton's 1st generation 7" reels @ 3 3/4 ips Transfer Info: 1st generation reels (baked) Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496
gd1976-06-12.143166.fob.akg.d1000e.warburton.smith.miller.clugston.flac1648
1976-06-12Music Hall
143166flac16/48kHz; Jim Warburton's (FOB)(1st row, center) Master Audience Cassettes; AKG D1000E mics > Sony TC-152 > 1st generation 7" reels @ 3 3/4 ips Transfer Info:1st generation reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1976-06-12.143167.fob.akg.d1000e.warburton.smith.miller.clugston.flac2496
1976-06-12Music Hall
143167flac24; Jim Warburton's (FOB) (1st row, center) Master Audience Cassettes; AKG D1000E mics > Sony TC-152 > 1st generation 7" reels @ 3 3/4 ips Transfer Info:1st generation reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496
gd1976-06-12.132933.mtx.nicksmix.flac16
1976-06-12Music Hall
132933flac16; Matrix Mix of Shnid 100328 (FM) and Shnid 110456 (AUD)
gd1976-06-12.aud.digitalrbb.miller.111783.flac16
1976-06-12Music Hall
111783flac16; Recording Info: Stereo Microphone -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller
gd1976-06-14.set-2.sbd.sirmick.78433.sbeok.flac16
1976-06-14Beacon Theatre
78433flac16; Set 2 only - source: betty > pcm x 2 > dat conversion: - M-1 > 7-pin optical > Co2 > SB Live - CDwav Record and Index - FLAC - ShnTool
gd1976-06-14.128772.mtx.dusborne.flac16
1976-06-14Beacon Theatre
128772flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:82308) Betty Board MR > PCM > DAT; Transfer: SBD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect and Audience (shnid:10917) Source: Sony TC 153 Sony SCM 99A Mikes > Cassette x 2 > DAT > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw
gd1976-06-14.sbd.bettycantor.gems.82308.flac16
1976-06-14Beacon Theatre
82308flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell
gd1976-06-14.sbd.hollister.13966.sbeok.shnf
1976-06-14Beacon Theatre
gd76-06-14.sbd.hollister.22804.sbeok.shnf
1976-06-14Beacon Theatre
22804S:MR>PCM>DAT>CD>EAC>SHN Note: This shn set was modified by replacing the incomplete encore at end of disk 3 with the complete encore (previously on end of disk 2) and removing it from end disk 2
gd76-06-14.sony.vernon.10917.sbeok.shnf
1976-06-14Beacon Theatre
10917 Sony TC 153 Sony SCM 99A Mikes > Cassette x 2; See info file for transfer notes; via Dave Minor and Dale Shepherd; Seeded to etree by Matt Vernon
gd1976-06-14.sbd.orf.240.shnf
1976-06-14Beacon Theatre
240SBD Reels> D> CD-R ; via Leigh Orf; caution: d2 t2,4 may be switched?; note md5s here were submitted 7/2001, not sure if originals- see pub comments; upgrade in circulation
gd1976-06-14.143026.sbd.betty.composite.dalton.miller.clugston.flac1644
1976-06-14Beacon Theatre
143026flac16; Source Info: Primary Source: Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM > Dat (16-bit/44.1k); Secondary Source: Betty's 7" two track Master Soundboard Reel @ 7 1/2 ips > PCM (16-bit/44.1k); Transfer Info: Primary Source: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/44.1k) > Adobe Audition 3.01 > TLH flac16; Secondary Source: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16
gd1976-06-15.130335.mtx.dusborne.flac16
1976-06-15Beacon Theatre
130335flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:110148) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC and Audience (shnid:10307) Source: Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; DAT clone > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw
gd1976-06-15.143119.sbd.betty.dalton.clugston.miller.flac1644
1976-06-15Beacon Theater
143119flac16; Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16
gd1976-06-15.sbd.miller.110148.flac16
1976-06-15Beacon Theatre
110148flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1976-06-15.sbd.cantor.gmb.96088.flac16
1976-06-15Beacon Theatre
96088flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz; Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac; Transfer and mastering by Bill Koucky
gd1976-06-15.sbd.unknown.8323.shnf
1976-06-15Beacon Theatre
8323SBD>DAT(s)>Tascam DA-20MKII>WaveTerminal 2596> CDWave>SHN; See txt file for details on splices; to abgd via BUG
gd76-06-15.sbd.bertha-ashley.8732.sbeok.shnf
1976-06-15Beacon Theatre
8732Jay Ashley (Bertha) remaster of original reel source; SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD
gd76-06-15.sbd.kempa.241.sbeok.shnf
1976-06-15Beacon Theatre
241SBD > Master Reel > PCM > DAT; Transfer:? DAT > WAV (via TB Fiji S/PDIF) > SHN; via Andy Gustin, Jeff Kempka; see info file and pub comments for flaw notes
gd76-06-15.sony.vernon.10307.sbeok.shnf
1976-06-15Beacon Theatre
10307Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; See info file for transfer details; via Dale Shepherd, Dave Minor; Seeded to etree by Matt Vernon
gd1976-06-17.mtx.seamons.91861.sbeok.shnf
1976-06-17Capitol Theatre
91861MATRIX MIX: SBD/AUD (About 60%/40%) by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>SHN)
gd1976-06-17.helpslipfranks.mtx.seamons.123027.flac16
1976-06-17Capitol Theater
123027flac16; Partial 3 song Matrix by Hunter Seamons; Soundboard recording by Betty Cantor-Jackson; Audience recording transferred by Dale Shepherd; note: The seeder's comments indicate that this is a different transfer than his previous matrix source
gd1976-06-17.sbd.miller.80739.sbeok.flac16
1976-06-17Capitol Theatre
80739flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
gd76-06-17.sony.vernon.10178.sbeok.shnf
1976-06-17Capitol Theater
10178 Sony TC 153 Sony ECM 99A Mikes Master Cassette > Reel > DAT; via Dave Minor, Raoul Duke; Transfer by Dale Shepherd; Seeded to etree by Matt Vernon
gd1976-06-18.ds-outtakes.sbd.miller.92266.sbeok.flac16
1976-06-18Capitol Theatre
92266flac16; Recording Info: SBD -> Master Reel Transfer Info: Apogee AD500 -> DAT -> Samplitude -> CD -> FLAC; All Transfers and Mastering By Charlie Miller (Download Series outtakes)
gd1976-06-18.155902.ecm99.warburton.miller.flac2496
1976-06-18Capitol Theater
155902flac2496 Recording Info: (FOB) Sony ECM-99 > Cassette Master (Sony TC-152) > Cassette (Maxell UDXLI-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
gd76-06-18.warburton.vernon.14449.sbeok.shnf
1976-06-18Capitol Theater
14449Sony ECM 99's > Sony TC-152 MC > Teac 2300 @ 3.75 ips Reel > Reel played back on Akai GX-4000D > Teac AN-80 Dolby B Noise Reduction Unit > ART DI/O A/D Convertor > Hard Drive > CD. Taper: Jimmy Warburton,30-35 rows right center. A/D Transfer, editing and tracking by David Minches, shn encoding Matt Vernon
gd1976-06-18.aud.jackson.13052.shnf
1976-06-18Capitol Theatre
13052Aud3> CDR> EAC> Pristine Sounds NR> SHN; SHN'd and seeded by Seth Jackson to abgd
gd1976-06-18.aud.vernon.9796.sbeok.shnf
1976-06-18Capitol Theatre
9796AUDCM>C>DAT>CDR; via Raoul Duke and Dave Minor; Seeded to etree by Matt Vernon; upgrade in circulation
gd1976-06-19.143174.pre-fm.gastwirt.sirmick.miller.flac1644
1976-06-19Capitol Theater
143174flac16; Source: Pre-FM Master Reel (WNEW) > PCM > DAT (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave >Flac 16; edited and mastered SIRMick September 2018
gd1976-06-19.143275.fm.glassberg.warburton.smith.sirmick.flac2496
1976-06-19Capitol Theater
143275flac24; Source: WNEW FM > Teac A3300 7.5 ips Dolby > Master Reel (Scotch Classic 3600 10,5) > Teac A3300 > Reel 1 @3.75 ips (Maxell UD35-90) - Recorded by Barry Glassberg, Jimmy Warburton's copy; Transfer. Reel 1 > Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018
gd76-06-19.prefm.unknown.12077.sbeok.shnf
1976-06-19Capitol Theater
12077PRE-FM; SBD master reel > DAT > CD (x2); Unknown seeder
gd1976-06-19.prefm.nickspicks.10186.shnf
1976-06-19Capitol Theatre
10186PRE-FM SBD master reel > DAT > CD (x2) > EAC (secure) > SHN (non seekable)
gd1976-06-19.fm-sbd.seff.1859.sbeok.shnf
1976-06-19Capitol Theatre
1859FM > ? > DAT; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > SHN; via Jon Seff
gd1976-06-19.aud.digitalrbb.miller.111875.flac16
1976-06-19Capitol Theater
111875flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller
gd1976-06-19.mtx.seamons.121140.flac16
1976-06-19Capitol Theater
121140flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
gd1976-06-19.145155.fm.glassberg.warburton.smith.sirmick.flac1644
1976-06-19Capitol Theatre
145155flac16; Source: WNEW FM > Teac A3300 7.5 ips Dolby > Master Reel (Scotch Classic 3600 10,5) > Teac A3300 > Reel 1 @3.75 ips (Maxell UD35-90) - Recorded by Barry Glassberg, Jimmy Warburton's copy; Transfer. Reel 1 > Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018; This file set is 16 bit @ 44.1
gd1976-06-19.encore-only.fm.cousinit.23024.shnf
1976-06-19Capitol Theatre
23024Source: FM>MC>DAT>WAV>SHN via Cousinit
gd76-06-21.aud.vernon.6679.sbeok.shnf
1976-06-21Tower Theatre
6679Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson
gd1976-06-21.sbd.digitalrbb.miller.112191.flac16
1976-06-21The Tower Theatre
112191flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation
gd1976-06-21.mtx.seamons.121045.flac16
1976-06-21The Tower Theatre
121045flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
gd1976-06-22.sbd.digitalrbb.miller.112218.flac16
1976-06-22The Tower Theatre
112218flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1976-06-22.akg.moore.berger-minches.99093.flac16
1976-06-22Tower Theatre
99093flac16; Source: audience 1st generation reel; AKG D1000es>sony tc-152sd cassette Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips) Transfer by Rob Berger 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 Editing, downsampling and FLAC encoding by David Minches
gd1976-06-22.aud.digitalrbb.miller.112789.flac16
1976-06-22The Tower Theatre
112789flac16; Recording Info: Unknown Mics -> Master Cassette (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller
gd76-06-22.aud.vernon.6680.sbeok.shnf
1976-06-22Tower Theatre
6680Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson
gd1976-06-23.aud.vernon.6681.sbeok.shnf
1976-06-23Tower Theater
6681Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min
gd1976-06-23.aud.miller.95321.sbeok.flac16
1976-06-23Tower Theatre
95321flac16; Recording Info: Unknown Mics -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd76-06-23.moore.vernon.15534.sbeok.shnf
1976-06-23Tower Theatre
15534AudMC > HD > WAV > SHN Recorded by Jerry Moore from 1st row loge, w/ a pretty good spread on mikes with 2 hand held Sony ECM-33Ps > Sony TC-152 deck with Dolby B ON. Analog > Digital transfer David Minches, encoded by Matt Vernon
gd1976-06-24.135606.mtx.dusborne.flac16
1976-06-24The Tower Theatre
135606flac16; 3 source matrix by Dusborne; Soundboard 1(Shnid:011937) set 1, WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN; Soundboard 2(Shnid:14498) set 2, Source: SBD>MR>DAT>CDR, Conversion/Edit/Seeded to Etree by T. Wiley 01/14/2003; Audience (Shnid:76290), Source: [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact,eac, Cool Edit's, shns done by mvernon54@attbi.com,- Mixed by kevtobin@yahoo.com
gd1976-06-24.aud.digitalrbb.miller.112290.flac16
1976-06-24The Tower Theatre
112290flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; All Mastering By Charlie Miller
gd76-06-24.aud.vernon.6682.sbeok.shnf
1976-06-24Tower Theatre
6682Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min
gd76-06-24.fm.unknown.11937.sbeok.shnf
1976-06-24Tower Theatre
11937WMMR FM Broadcast > RTR > DAT > CD-R; via Jonathan Miller; Seeded to etree by Dave Backus
gd76-06-24.set2-sbd.wiley.14498.sbeok.shnf
1976-06-24Tower Theatre
14498Set 2 only ; SBD>MR>DAT>CDR ; Via PT. ; Seeded to etree by T. Wiley
gd76-06-24.sbd.dudeman.25478.sbeok.shnf
1976-06-24Tower Theatre
25478Note: This is a remastered version of the 2 prior seeds by Dave Bachkus and Tim Wiley. Source one (Set 1 only) : WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN ; Source two (Set 2 only) : SBD>MR>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) ; Remastering : SHN>WAV>Steinberg Mastering Edition Enhanced>Nuendo2>SHN ; seeded by dudeman 08/25/2004
gd1976-06-24.140031.sbd.digitalbrb.miller.sirmick.flac1644
1976-06-24The Tower Theatre
140031flac16; Source: Soundboard > Nakamichi 350 > Cassette Master > Dat (44k); Transfer: Master Cassette > Nakamichi CR-7A > Apogee Ensemble > Peak > AIFF - Transferred By Digitalrbb; Lineage : AIFF > Samplitude Professional v10.1 > FLAC > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017
gd1976-06-24.mtx.dts.tobin.76286.flac16
1976-06-24Tower Theatre
76286DTS Audio 5.1 Mix; SBD:(Set 1)WMMR FM Broadcast > RTR > DAT > CD-R & (Set 2)SBD>MR>DAT>CDR; AUD:Shure mics> Sony TC-152 master cassette > dat's > cdr's ; mixed by ktobin
gd1976-06-24.mtx.tobin.87163.sbeok.flac16
1976-06-24Tower Theatre
87163flac16; Matrix 3 Source Mix - SBD Set 1 (shn id 25478) WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN + SBD Set 2 (shn id 14498) SBD>MR>DAT>CDR>EAC + AUD (shn id 6682) [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC - matrix mixing by Kevin Tobin
gd1976-06-24.shure.tobin.76290.sbeok.flac16
1976-06-24Tower Theatre
76290flac16; Pitch corrected version of shn id 6682 - Shure mics> Sony TC-152 master cassette > dat's > cdr's; fixed by ktobin
gd1976-06-26.156062.akg.weidner.wagner.miller.flac2448
1976-06-26Auditorium Theatre
156062flac2448 Recording Info: AKG D200E > Cassette Master (Sony TC-153SD) > Cassette (TDK SA-C90/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24
gd1976-06-26.s2.aud.digitalrbb.miller.112790.flac16
1976-06-26Auditorium Theatre
112790flac16; Set 2, Recording Info: Unknown Mics -> Master Cassette (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller
gd76-06-26.aud.vernon.7340.sbeok.shnf
1976-06-26Auditorium Theatre
7340Aud > ??? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); via Matt Vernon
gd1976-06-26.mtx.seamons.95355.sbeok.flac16
1976-06-26Auditorium Theatre
95355flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
gd1976-06-26.sbd.miller.95306.sbeok.flac16
1976-06-26Auditorium Theatre
95306flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1976-06-26.147302.s2.unk-aud.flac1644
1976-06-26Auditorium Theatre
147302flac16; 2nd set; Source: Lo-fi mono AUD of unknown lineage > ? > cassette. Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644
gd1976-06-27.aud.moore.berger-minches.98796.flac16
1976-06-27Auditorium Theatre
98796flac16; Source: audience 1st generation reel (Jerry Moore's reel) Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips) Transfer by Rob Berger 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 Editing, downsampling and FLAC encoding by David Minches Thanks to Joe B. Jones for pitch correction
gd1976-06-27.sbd.digitalrbb.miller.112295.flac16
1976-06-27Auditorium Theatre
112295flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Mastering By Charlie Miller
gd76-06-27.aud.vernon.7341.sbeok.shnf
1976-06-27Auditorium Theatre
7341aud > ?? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); via Matt Vernon
gd1976-06-28.aud.unknown.vernon.9776.shnf
1976-06-28Auditorium Theatre
9776AUDMR > ? > DAT > SHN with patches from the Weiner seed; See info file for details; via Dale Shepherd; Seeded to etree by Matt Vernon
gd1976-06-28.sbd.digitalrbb.miller.112296.flac16
1976-06-28Auditorium Theatre
112296flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Mastering By Charlie Miller
gd76-06-28.shure.minches.18388.sbeok.shnf
1976-06-28Auditorium Theatre
18388Recorded with Shure 545s> Nak 550 via Bob Wagner. Lineage: AUDMC > Reel > WAV > SHN conversion by David Minches.
gd1976-06-28.mtx.seamons.112676.flac16
1976-06-28Auditorium Theatre
112676flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
gd1976-06-28.aud.digitalrbb.miller.112417.flac16
1976-06-28Auditorium Theatre
112417flac16;Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; All Mastering By Charlie Miller
gd1976-06-29.sbd.unknown.2594.shnf
1976-06-29Auditorium Theatre
2594CD (Left In The Vaults Vol. 1) -> EAC-> SHN; liberated bootleg?; note all tracks are labelled as 10/29/77, but this date is 6/29/76, as marked within info file; noted 1/01 at gdlive
gd1976-06-29.sbd.bertha.ashley.86216.dvdf
1976-06-29Auditorium Theatre
86216DVD VA; (Video format, audio only) SBD>>MR>>PCM(Analog)>>DAT>>CDA>>SHN>>DAW(Bertha)>>Audio DVD; Bertha remaster of the Master Reel Betty Board source shn id 1812; audio only, no video
gd76-06-29.sbd.parrillo.1812.sbeok.shnf
1976-06-29Auditorium Theatre
18127" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN; via Jeff Tiedrich, David Hollister, Mike (Dank Star) Parrillo, Andy Gustin; with interleaved reel splices for completeness
gd76-06-29.sbd.bertha.31144.sbeok.flacf
1976-06-29Auditorium Theatre
31144flac16; SBD>>MR > PCM(Analog) > DAT > CDA > SHN > DAW(Bertha) > Audio DVD files > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > wav > downsampled to 44.1 wav with Wave Lab v.5.00a > SBEs fixed with shntool v.2.0.3 > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2
gd1976-06-29.s2.sbd.miller.113556.flac16
1976-06-29Auditorium Theatre
113556flac16; Set 2 Recording Info: SBD -> Cassette Master (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller
gd1976-06-29.139633.sbd.betty.gastwirt.miller.clugston.flac16
1976-06-29Auditorium Theatre
139633flac16; Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM > DAT; Transfer Info: DAT(Sony PCM-R500)-> Tascam DA-3000-> Adobe Audition-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston
gd1976-06-29.149860.BettyBoard.Anon.Noel.t-flac16
1976-06-29Auditorium Theatre
149860flac16; Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44
gd1976-06-29.aud.digitalrbb.miller.112407.flac16
1976-06-29Auditorium Theatre
112407flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; All Mastering By Charlie Miller
gd1976-07-12.sbd.unknown.10362.sbeok.shnf
1976-07-12Orpheum Theater
10362Includes Soundcheck; Soundcheck, SBD>VHS Master>DAT>CDR; Disc 1 SBD>MR>R>R>R>DAT>CDR; Disc 2 SBD>MR>DAT>Sonic Solutions>CDR; Disc 3 SBD>MR>DAT>Sonic Solutions>CDR;
gd1976-07-12.150572.sbd.miller.flac2448
1976-07-12Orpheum Theatre
150572flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell XLII/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC (24-bit/48k); except Soundcheck: SBD > VHS > DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC
gd1976-07-12.114455.mtx.flac16
1976-07-12Orpheum Theater
114455flac16/44 AUD SOURCE: Analog Audience Source: Aud Master Cassettes (MAC)
Analog Lineage: Sony ECM 270's => Sony TC-152SD >> MAC
MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taped By: Bob Menke
SBD SOURCE: SHN # 10362
Matrix & Mastering By: Derek McCabe
gd76-07-12.menke.minches.18508.sbeok.shnf
1976-07-12Orpheum Theatre
18508Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN. DAT > SHN conversion by David Minches.
gd76-07-12.sbd.aj.7771.sbeok.shnf
1976-07-12Orpheum Theatre
7771Soundcheck - SBD-> Master VHS-> DAT-> CD; Set One - SBD-> RM-> Reel-> Reel-> Reel-> DAT-> CD; Set Two - SBD-> RM-> DAT-> Sonic Solutions-> CD; Tennessee Jed from Set One patched from Bob Menke's Aud Recording AUD->RM->DAT->CDCD->EAC (in secure mode)-> SHN conversion by AJ; with thanks to Charlie Miller, David Gans; shn branch of KPFA tree
gd1976-07-12.123474.ecm270.menke.miller.flac16
1976-07-12Orpheum Theatre
123474flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller
gd1976-07-12.113813.ecm270.menke.flac16
1976-07-12Orpheum Theater
113813flac16; Sony ECM 270's => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
gd1976-07-13.150753.sbd.miller.fixed.flac2448
1976-07-13Orpheum Theatre
150753flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; the original version has a dropout in s1t05
gd1976-07-13.150754.sbd.miller.fixed.flac1644
1976-07-13Orpheum Theatre
150754flac16; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k), This file set is 16 bit @ 44.1; the original version has a dropout in s1t05
gd1976-07-13.150754.sbd.miller.flac1644
1976-07-13Orpheum Theatre
gd1976-07-13.150847.sbd.v2.miller.flac2496
1976-07-13Orpheum Theatre
150847flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; All Transfers and Mastering by Charlie Miller; This is from a different source tape than source ID 150753
gd1976-07-13.150867.sbd.v2.dolby.miller.flac2496
1976-07-13Orpheum Theatre
150867flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; This is a Dolby decoded version of source ID 150847
gd1976-07-13.150958.SBD.reMaster.Ackerman.Noel.t-flac1644
1976-07-13Orpheum Theatre
150958flac16/44.1khz reMaster of shnid 150867 by Ray Ackerman & Joe Noel Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 (1 DVD FLAC) Patch Info: Sony ECM-270 > Cassette Master > DAT (shnid=123475) supplies: Crazy Fingers (13:44-14:07) The Music Never Stopped (0:19-1:07) Saint Stephen (9:02-9:43) Transfer & Mastering by Charlie Miller November 11, 2020 Notes: -- This is a Dolby decoded version of shnid=150847 -- Thanks to Dennis Koda for the cassettes -- Thanks to Bob Menke for the patch source -- Thanks to Joe B. Jones for the pitch correction settings - Dither info: WAV (24-bit/48k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Nov 27, 2020
gd1976-07-13.152150.sbd.1stGen.miller.version2.t.flac16
1976-07-13Orpheum Theatre
152150flac16/44 ; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; All Transfers and Mastering by Charlie Miller - 150847 24 -> 16 @ 44.1
gd1976-07-13.152157.sbd.1stGen.miller.version2-dolby-decoded.t.flac16
1976-07-13Orpheum Theatre
152157flac16/44 ; Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 - 150867 24 -> 16 @ 44.1
gd1976-07-13.123475.ecm270.menke.miller.flac16
1976-07-13Orpheum Theatre
123475flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller
gd1976-07-13.150753.sbd.koda.miller.flac2496
1976-07-13Orpheum Theatre
gd76-07-13.menke.minches.18427.sbeok.shnf
1976-07-13Orpheum Theatre
18427Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN. DAT > SHN conversion by David Minches.
gd76-07-13.sbd.ashley-bertha.9978.sbeok.shnf
1976-07-13Orpheum Theatre
9978Jay Ashley (Bertha) Remaster of Multi-Gen Reel source; SBD>>MR>>Reel>>Reel>>Reel>>Dat>>CDA>>DAW(Bertha)>>CDA
gd76-07-13.sbd.vernon.18480.sbeok.shnf
1976-07-13Orpheum Theatre
18480MSR>?(1st or 2nd gen.Cass.)> CDR with AUD Patch source: MAC w/ Sony ECM 270s>Reel>DAT>CDR via Andy Lemieux, encoded by Matt Vernon
gd1976-07-13.150948.SBD.reMaster.Ackerman.Noel.t-flac2448
1976-07-13Orpheum Theatre
150948flac24/48khz reMaster of shnid 150867 by Ray Ackerman & Joe Noel Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24
gd1976-07-13.157454.mtx.motb.0199.flac16
1976-07-13Orpheum Theatre
157454flac1644 Analog Soundboard Source: gd76-07-13.18480.sbd.vernon.flac16 Analog Audience Source #1: ECM 280's 152 - center balcony Medium Stock Brands #1: MAC = TDK SA c90's Analog Audience Source #2: Sony 152 ECM 280's - fob floor Medium Stock Brands #2: MAC = Maxell UD C120 (2 of em) Analog Sound Preservation : MAC > Nak DR-1 > Korg at 5.6 mhz AUD Source #1 Taped By: Bob Menke AUD Source #2 Taped By: Reinhart Hohlwein Transfer By: Bob Menke Matrix & Mastering By: Derek McCabe
gd1976-07-14.153042.sbd.koda.miller.flac2496
1976-07-14Orpheum Theatre
153042SBD > Cassette Master > Cassette (Maxell UD/Dolby B)
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24
gd1976-07-14.sbd.miller.backus.11938.shnf
1976-07-14Orpheum Theatre
11938SBD MR > ??? > CD-R; via Jonathan Miller; Seeded to etree by Dave Backus; upgrade in circulation
gd1976-07-14.123476.ecm270.menke.miller.flac16
1976-07-14Orpheum Theatre
123476flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller
gd76-07-14.menke.vernon.18159.sbeok.shnf
1976-07-14Orpheum Theatre
18159MAR > Reels > DAT > CD recorded by Bob Menke with Sony ECM-280 mics into a Sony TC-152. Patch Source: SBD>MR>C>DAT>CDR. Thanks to David Minches for the disks and Jeff Cotsman for the pitch corrections. Encoding and patching by Matt Vernon.
gd76-07-14.sbd.vernon.18594.sbeok.shnf
1976-07-14Orpheum Theatre
18594SBD>MR>C>DAT>CDR patched with the Bob Menke audience recording via Raoul Duke encoding/patching by Matt Vernon
gd1976-07-14.154388.sbd.1gen.miller.t.flac16
1976-07-14Orpheum Theatre
154388flac1644; SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 - This is 153042 2448 > 1644
gd1976-07-16.123477.ecm270.menke.miller.flac16
1976-07-16Orpheum Theatre
123477flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller
gd76-07-16.menke.cribbs.16943.sbeok.shnf
1976-07-16Orpheum Theatre
16943Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony; MAC > DAT > CD, except U.S. Blues encore, which is MAC > R > DAT > CD (Menke could not locate his master recording of the encore when this new transfer was done). EAC> WAV> SHN by Sean Cribbs
gd76-07-16.set1aud-set2sbd.miller.23569.sbeok.shnf
1976-07-16Orpheum Theatre
23569Set 1 Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152) -> Dat -> CD -> EAC -> SHN (Recorded by Bob Menke)Same md5's as prior seed; Set 2 Recording Info: SBD -> Master Reel -> Master Dat (44.1k)Transfer Info: Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Transferred and Patched By Charlie Miller; See txt file for patch detail
gd1976-07-16.aud.menke.10377.sbeok.shnf
1976-07-16Orpheum Theatre
10377Sony ECM 280 Sony TC-152 Cm (update: taped by Bob Menke using Dr. Rob Bertrando's mics - Front of Balcony) > R > C > DAT; via Dave Minor, Dale Shepherd; Seeded to etree by Matt Vernon
gd1976-07-16.fob.sonyECM180.menke.ashley-bertha.8666.sbeok.shnf
1976-07-16Orpheum Theatre
8666AUD : MC (FOBalcony SonyECM-180 > SonyTC-152 -update: taped by Bob Menke using Rob Bertrando's mics) > R > DAT > DAW (Bertha by Jay Ashley) > CD
gd1976-07-16.mtx.dan.28042.sbeok.flac16
1976-07-16Orpheum Theatre
28042flac16; SBD + AUD Matrix Mix (50% SBD/50% AUD), seeded by Dan
gd1976-07-16.mtx.dts.dan.30698.flac16
1976-07-16Orpheum Theatre
30698Set 2 DTS-Audio-CD 5.1 Mix via Dan
gd1976-07-16.set-2.sbd.bertha-ashley.27488.sbeok.shnf
1976-07-16Orpheum Theatre
27488Bertha remaster of Set 2 of Charlie Miller's seed; SBD> MR> DAT> SHN> DAW(Bertha)> CDA/SHN; note parens in filenames
gd1976-07-17.mtx.chappell.sb25.95734.flac16
1976-07-17Orpheum Theatre
95734flac16; Sick Bits Vol. 25 - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=34708) + AUD (shnid=18389). Matrixed by Chris Chappell.
gd1976-07-17.141966.ecm270.menke-miller.flac1644
1976-07-17Orpheum Theatre
141966flac Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC (3 Discs Audio / 1 DVD FLAC) Recorded By Bob Menke All Transfers and Mastering By Charlie Miller
gd76-07-17.menke.minches.18389.sbeok.shnf
1976-07-17Orpheum Theatre
18389Recorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN via David Minches
gd76-07-17.sbd.unknown.243.sbeok.shnf
1976-07-17Orpheum Theatre
243SBD: Master Reel > DAT > CD (possible "new leak"?); Eyes has a 45-second AUD splice, and 2 sec repeat at 3:30 (is that the splice point?); via J. Fricker
gd1976-07-17.157427.mtx.motb.0201.flac16
1976-07-17Orpheum Theatre
157427flac1644 Analog Soundboard Source: gd76-07-17.sbd.34708 Analog Audience Source: ECM 280's 152 Medium Stock Brands: MAC = TDK SA c90's Analog Sound Preservation: MAC > Nak DR-1 > Korg at 5.6 mhz
gd1976-07-17.sbd.fricker-fix.tetzeli.34708.sbefail.flac16
1976-07-17Orpheum Theatre
34708Fix of shn id 243 - patch in Eyes of the World smoothed out (MSR>DAT>CD>EAC>SHN)
gd1976-07-17.mtx.chappell-bertrando.91827.sbeok.flac16
1976-07-17Orpheum Theatre
91827flac16; Matrix: SBD Source: shnid=34708; AUD Source: shnid=18389 : Matrix created by Chris Chappell. Final matrix seed discs provided by Rob Betrando. EAC > FLAC by Noah Weiner (May 2008)
gd1976-07-18.150187.pre-fm.miller.flac1644
1976-07-18Orpheum Theatre
150187flac16; Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
gd1976-07-18.150770.remastered.miller.flac1644
1976-07-18Orpheum Theatre
150770flac16; Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; This is a remastered version of source ID 150187 (fixes previous issues)
gd1976-07-18.pre-fm.kbfh.berger.107832.flac16
1976-07-18Orpheum Theater
107833flac24; source: Pre FM 7" 1/2 track reel @ 7.5 ips, no nr Michael Schuncke's DIR broadcast reels, transfer by Rob Berger
gd1976-07-18.pre-fm.kbfh.berger.107833.flac24
1976-07-18Orpheum Theater
gd76-07-18.sbd.ferguson.244.sbeok.shnf
1976-07-18Orpheum Theatre
244SBD > ??? > CDR > CDR > SHN (via EAC and mkwACT); via M. Ferguson; no digiflaws, some amplifier hum, "dead air" spaces cut
gd76-07-18.sbd.bertha.14838.sbeok.shnf
1976-07-18Orpheum Theatre
14838S : PreFM > MR > PCM > DAT > CDA > DAW (Bertha) > CDA - d1t01 and d3 S : FM > R > DAT > CDA > DAW (Bertha) > CDA - d1t02-d2t07 Bertha Remaster by jashley@deadacated.com Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool.
gd1976-08-02.132697.aud.gatto.wise.flac16
1976-08-02Colt Park
132697flac16; Cassette Audience Master recorded By Keith Gatto; Shure SM 94 microphones-Sony TC 152sd Cassette Recorder; Analog to Digital:Cassette Masters played back on Sony TC 152sd-DAT; Transfer by Keith Gatto; DAT-CD JW; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6); CD-WAV-FLAC(dBpoweramp music converter)-Tagging(Tag & Re-name) by Jim Wise
gd1976-08-02.152092.aud.petrunis.andrewf.flac2448
1976-08-02Colt Park
152092flac2448 ; Source: Mono Sony hand-held recorder (model unknown) > Memorex MRX-2 C90's (normal bias). Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2021
gd1976-08-02.141900.SonyECM99A.warburton.lee.smith.sirmick.fixed.flac2496
1976-08-02Colt Park
141900flac24; Source: Sony ECM 99A > Sony TC 152 > Cassette Master > reel - Recorded by Jimmy Warburton and provided by Pat Lee; Transfer: Baked reel > Technics 1506 > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; the original files were 16 bit/ 96kHz; please don't circulate those files
gd76-08-02.gatto.aj.245.sbeok.shnf
1976-08-02Colt Park
245K. Gatto's AUD (Sony tc-152 cassette> DAT> CD); seed via J. Wise, T. OConnell et al; EAC, shn, upload by A. Jerugim
gd1976-08-02.141900.SonyECM99A.warburton.lee.smith.sirmick.flac1696
1976-08-02Colt Park
gd1976-08-02.145157.sony.ecm99a.warburton.lee.smith.sirmick.flac1644
1976-08-02Colt Park
145157flac16; Source: Sony ECM 99A > Sony TC 152 > Cassette Master > reel - Recorded by Jimmy Warburton and provided by Pat Lee; Transfer: Baked reel > Technics 1506 > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; 24 > 16 by Norm
gd1976-08-02.fob.singer.motb-1.81456.sbeok.flac16
1976-08-02Colt Park
81456flac16; Source: Audience FOB Recording Media: Maxell UD-XL1 C90 Master Tapes Lineage: MAC? (we can't for sure indicate that this is a master cassette, this might be a 1st gen copy) > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak 24/96 wav > FLAC > WAV > See Editing notes Taped by: E. Singer Transfer by: Derek McCabe Mastered by: SIRMick
gd1976-08-02.fob.singer.motb-1.81971.sbeok.flac24
1976-08-02Colt Park
81971flac24/96; Taper: E. Singer Source: FOB (mics ??? either Senn441s or AKG ???) Uher CR-134 > Maxell UD-XL1 C90min. Lineage: Transfer: MAC > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak (24/96 WAV) by D.McCabe. Mastering: SIRMick
gd1976-08-04.127240.mtx.tobin.flac16
1976-08-04Roosevelt Stadium
127240flac16; Matrix 3 Source Mix - SBD (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin + AUD1 (shn id 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon + VID (no shn id) used for patching and timing reference - matrix mixing by Kevin Tobin
gd1976-08-04.127249.upg-sbd.tobin.flac16
1976-08-04Roosevelt Stadium
127249flac16; (original shn 35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford - pitch correction and patches by Kevin Tobin
gd1976-08-04.127254.dts.tobin.flac16
1976-08-04Roosevelt Stadium
127254DTS-Audio-CD 5.1 Mix; Matrix 3 Source Mix - SBD (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin + AUD1 (shn id 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon + VID (no shn id) used for patching and timing reference - matrix mixing by Kevin Tobin
gd1976-08-04.upg-aud.tobin.127248.flac16
1976-08-04Roosevelt Stadium
127248flac16; (original shnid = 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon - pitch correction and patches by Kevin Tobin
gd1976-08-04.152165.aud.petrunis.af.flac2448
1976-08-04Roosevelt Stadium
152165flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK-SD (normal bias) back-up tapes. Concert recording by Rich Petrunis. Transfer: 1st-gen > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2021
gd1976-08-04.sbd.berger.99697.flac24
1976-08-04Roosevelt Stadium
99697flac24; source: sbd 2nd gen reel; lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe>flac
gd1976-08-04.sbd.berger.99698.flac16
1976-08-04Roosevelt Stadium
99698flac16; source: sbd 2nd gen reel; lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe 16/44>flac
gd76-08-04.jones.vernon.12078.sbeok.shnf
1976-08-04Roosevelt Stadium
12078Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon
gd76-08-04.sbd.cotsman.12830.sbeok.shnf
1976-08-04Roosevelt Stadium
12830SBD> MR> C> D> CD> EAC> SHN; with patches from AUD> MC> D> CD> EAC> SHN; see info file for details; Thanks to Chuck Gannon, Matt Vernon, and David Backus; edits/encoding by JCotsman
gd1976-08-04.sbd.backus.6677.shnf
1976-08-04Roosevelt Stadium
6677MSR-> C-> DAT-> CDR-> EAC-> SHN V.3; via Dave of Terrapin Station FTP; see info file for flaw notes; upgrade in circulation
gd1976-08-04.120684.mtx.dusborne.flac16
1976-08-04Roosevelt Stadium
120684flac16; 2 source matrix: Soundboard (shnid=99697) lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe>flac transferred & seeded by Rob Berger 6/22/09 and Audience (shnid=12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore Transfer: CDR > EAC (secure) > Cool Edit (minor fixup) > mkwact(seekable) Patch Source (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN (Tape Flips Patched w/(FOB) Shure Mics>Cm>Dat>CD) (parts of set 1 patched from video soundtrack) from Charlie Miller via Patrick Clifford Matrix by dusborne using Sound Forge Pro 10.0 and Audacity 2.0 06-11-2012
gd1976-08-04.145268.5-1.tobin.flac1648
1976-08-04Roosevelt Stadium
145268flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin + AUD1 (shn id 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon + VID (no shn id) used for patching and timing reference - surround mixing by Kevin Tobin
gd1976-08-04.sbd.miller-tobin.35171.flac
1976-08-04Roosevelt Stadium
35171flac16; SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin
gd1976-08-26.140933.studio.bershaw.flac1644
1976-08-26Club Front Studio
140933flac16; source/lineage: studio reel -> ? -> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda -> Logic Pro -> wav -> xAct -> flac
gd76-09-23.sbd.backus.14687.sbeok.shnf
1976-09-23Cameron Indoor Stadium, Duke U
14687Primary source - SBD: Cm-> C-> Cx2-> DAT-> CDR->EAC->SHN Aud patch sources: AUD: Cm->?-> C-> DAT-> CDR. DAE and shn encoding done by D.Backus
gd1976-09-24.147381.aud-unk.flac1644
1976-09-24College Of William & Mary Hall
147381flac16; Source: AUD of unknown lineage > lo-gen cassette via Richie & Rip. Transfer: BASF Pro-II Chrome (c.1977/78) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2019
gd76-09-24.aud.unknown.16901.sbeok.shnf
1976-09-24William and Mary College Hall
16901AUD Reel > 48kDATs > midiman delta dio 2496 > cooledit2000 > wav >shn
gd1976-09-25.147662.aud.jones.flac1644
1976-09-25Capital Centre
147662flac16; AUD; Presumed source: Shure SM-57's > Sony TC-158SD, concert recording by Scott Jones, MAC > C > C (2nd Gen, c.1978) cassettes via Lee Maddex. Transfering: 2007; Maxell XLII-90's > JVC TD-W309 > Tascam CDRW-700 > CDR. 2019: CDR > EAC > Wavelab > CD-Wave > FLAC 1644 tagged.
gd1976-09-25.148826.shure.sm57.sublette.miller.clugston.flac1648
1976-09-25Capital Centre
148826flac16/48kHz; Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1976-09-25.148827.shure.sm57.sublette.miller.clugston.flac2496
1976-09-25Capital Centre
148827flac24; Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2019 > TLH flac2496
gd1976-09-25.sbd.vernon.10511.shnf
1976-09-25Capital Centre
10511Dick's Picks 20 leftovers: 9/25/76 Its All Over Now, plus 9/28/76 Bertha; SBD > MR > ? > CDR> EAC (secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable); via Matt Vernon with thanks to Raoul Duke
gd76-09-25.sbd.aj.246.sbefail.shnf
1976-09-25Capital Centre
246SBDMR> CASS/1> DAT> CD> EAC> SHN; via A. Jerugim; known flaws: 1 sec distortion d3t3 6:22; Sunshine Daydream cuts @0:27; 4/26 update- error in d1- reseeded ~4/27; this date later released as part of Dick's Picks 20
gd76-09-27.aud.parrillo.3821.sbeok.shnf
1976-09-27Community War Memorial Auditorium
3821Sony ECM-33Ps> Sony TC-152 (Cass. master)> DAT> CDR> EAC> Sound Forge (no sound processing)> SHN; via Mike "dankstar" Parrillo; to etree and abgd; update- not taped by Jerry Moore
gd1976-09-28.set2.aud.unknown.andrewf.100071.flac16
1976-09-28Onondaga County War Memorial
100071flac16; Set 2 only Source: AUD of unknown lineage, Transfer: TDK SA-90 (c1979) > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.
gd1976-09-28.sbd.vernon.10512.shnf
1976-09-28Onondaga County War Memorial
10512Dick's Picks 20 leftovers: 9/25/76 Its All Over Now, plus 9/28/76 Bertha; SBD > MR > ? > CDR> EAC (secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable); via Matt Vernon with thanks to Raoul Duke
gd76-09-28.aud.vernon.14356.sbeok.shnf
1976-09-28Onongada County War Memorial
14356Source: Unknown aud (FOB) via Dave Minor patched with SBD. DAT > SHN transfer by Dale Shepherd, shn encoding, pitch correction and patching by Matt vernon
gd76-09-28.sbd.vernon.14355.sbeok.shnf
1976-09-28Onongada County War Memorial
14355Source: SBD > ? > SHN > Cool Edit(see notes) > CDWAV > mkwact(seekable). shn encoding and patching (unkown FOB aud)by Matt Vernon
gd1976-09-30.137537.mtx.dusborne.flac16
1976-09-30Mershon Auditorium, OSU
137537flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:030225+018107), Disc 1 & 3 lineage: (30225) SBD > MR > DAT > CD > EAC > SHN, Disc 2 Lineage:(18107) SBD > Rm > Dat > Sonic Solutions>CD > EAC > SHN; Audience (shnid:11939) FOB - AUD master cass > Cass > DAT > CD > EAC > SHN
gd1976-09-30.sbd.18107.shnf
1976-09-30Mershon Auditorium, OSU
18107Partial Set 1,2 SBD>Rm>Dat>Sonic Solutions>CD>EAC>SHN via Charlie Miller
gd76-09-30.fob-patched.unknown.11939.sbeok.shnf
1976-09-30Mershon Auditorium, OSU
11939FOB - AUD master cass > Cass > DAT > CD; Scarlet from: SBD master reel > PCM > cass > CD; See info file for details; via Jonathan Miller; Seeded to etree by Dave Backus
gd1976-10-01.sbd.miller.112800.flac16
1976-10-01Market Square Arena
112800flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1976-10-01.aud.unknown.118467.flac2496
1976-10-01Market Square Arena
118467flac24; SRC: Unknown AUD (likely FOB); Lineage: Nakamichi DR-1 > Tascam HD-P2 > 24 bit/96 khz WAV > FLAC
gd1976-10-01.aud.unknown.118468.flac16
1976-10-01Market Square Arena
118468flac16; SRC: Unknown AUD (likely FOB) > C; Lineage: Nakamichi DR-1 > Tascam HD-P2 > 24 bit/96 khz WAV > minor editing (see below) > downsampling in r8brain Pro to 44.1 khz > dithered using Ozone 3 plugin (MBIT+) > exported to 16 bit in Samplitude 11 Producer > FLAC
gd76-10-01.moore.weiner.14558.sbeok.shnf
1976-10-01Market Square Arena
14558AudMC > DAT > WAV > SHN -- Recorded by Jerry Moore about 20 rows from the stage on center axis with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON.
gd1976-10-01.sbd.miller.111819.flac16
1976-10-01Market Square Arena
111819flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; Transferred and Mastered by David Gans; Re-tracked and converted to FLAC By Charlie Miller
gd1976-10-01.137657.mtx.dusborne.flac16
1976-10-01Market Square Arena
137657flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:112800), Recording Info: SBD -> Master Reel -> Dat -> CD,Transfer Info:CD -> Samplitude Professional v11.2 -> FLAC, All Transfers and Mastering By Charlie Miller; Audience (shnid:118467), SRC: Unknown AUD (likely FOB),Lineage: Nakamichi DR-1 >Tascam HD-P2 > 24 bit/96 khz WAV > FLAC
gd1976-10-02.134416.aud.moore.weiner.droncit.flac16
1976-10-02Riverfront Arena
134416flac16; restored version of source ID 14560: AudMC > DAT > WAV > SHN; Recorded by Jerry Moore on the left side, maybe a third of the way out from the stage and two thirds in front of center court, about 20 rows off the floor with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON;multi-filter with a paragraphic equalizer, three virtual valve amplifers, one dynamic noise filter in enhancer mode and a spectral filter for final equalization; see info file for details
gd76-10-02.moore.weiner.14560.sbeok.shnf
1976-10-02Riverfront Arena
14560AudMC > DAT > WAV > SHN taped by Jerry Moore with 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON. A>D and shn encoding by Noah Weiner.
gd1976-10-03.set2.sbd.jim.12829.shnf
1976-10-03Cobo Arena
12829set2; SBD> MR> C> DAT> CDR> WAV> SHN; EAC/SHN by jim; upgrade in circulation
gd1976-10-03.121945.s2.sbd.miller.flac16
1976-10-03Cobo Arena
121945flac16; Set 2 Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascm SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd76-10-03.aud.weiner.19415.sbeok.shnf
1976-10-03Cobo Arena
19415SET ONE: AUD > ? > CD > EAC > SHN edits/encoding by JCotsman. Taken from this version. SET TWO: AUD > ? > CASS > DAT > WAV > SHN A > D by Noah Weiner - August, 2003. Added to etree by Noah Weiner.
gd76-10-03.sbd-aud.cotsman.12832.sbeok.shnf
1976-10-03Cobo Arena
12832complete; 1st set: AUD> ?> CD> EAC> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; with patches in second set from the audience recording as well as an FM SBD; Thanks to Jeff Cook, Doug Moog; edits/encoding by JCotsman
gd1976-10-09.sbd.unknown.249.sbeok.shnf
1976-10-09Oakland-Alameda County Coliseum
249partial; S:GDH PreFM DAT> ZA2> DartPro32 de-hiss w/ 2.7 gain> CD> EAC> SHN; No noise reduction on disc 2; via D. Hollister, J. Ayers; w/ 5/1/70 filler; etreed 3/24/00; 5/1/70 filler
gd76-10-09.aud.vernon.10179.sbeok.shnf
1976-10-09Oakland-Alameda County Coliseum
10179Unknown aud > ? > DAT; via Dave Minor; Transfer by Marc Pujol; Seeded to etree by Matt Vernon
gd76-10-09.set2-sbd.miller.12519.sbeok.shnf
1976-10-09Oakland-Alameda County Coliseum
12519Set 2; SBD>Rm>Dat>Sonic Solutions>CD; Seeded to etree by Charlie Miller
gd1976-10-09.aud.falanga.berger.99002.flac24
1976-10-09Oakland-Alameda County Coliseum Stadium
99002flac24; master taped by Louis Falanga on a sony tc-152sd lineage: MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac agfa reel baked/transferred/seeded by Rob Berger
gd1976-10-09.aud.falanga.berger.99003.flac16
1976-10-09Oakland-Alameda County Coliseum Stadium
99003flac16; master taped by Louis Falanga on a sony tc-152sd lineage: MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 16/44>flac agfa reel baked/transferred/seeded by Rob Berger
gd1976-10-10.155807.sony-ecm-220-ecm-280.holwein.sirmick.remaster.flac16
1976-10-10Oakland-Alameda County Coliseum
155807flac16/44 Source: Sony ECM-220 + Sony ECM-280 > Sony TC-15 > Master Audio Casstte - Recorded by Reinhardt Hollwein Lineage: Master Audio Casstte > DAT > CD > EAC (secure) > Cool Edit (minor fixes) > mkwact (seekable) > shn Additional Lineage: Decoded SHN > Wav > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 16 edited and remastered SIRMick February 2022
gd76-10-10.hollwein.vernon.11670.sbeok.shnf
1976-10-10Oakland-Alameda County Coliseum
11670Reinhardt Hollwein Sony ECM-220 + Sony ECM-280>Sony TC-15; via JackySack; Seeded to etree by Matt Vernon
gd76-10-10.sbd.clugston.3381.sbeok.shnf
1976-10-10Oakland-Alameda County Coliseum
3381Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; tracked for 2x80
gd1976-10-10.155765.aud.wizardo.miller.flac1644
1976-10-10Oakland-Alameda County Coliseum
155765Recording Info: (FOB) Unknown Mics > Cassette Master (Uher Deck)
Mastering Info: WAV (16-bit/44.1k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/16
gd1976-10-14.143276.set2.sbd.goodbear.shnf
1976-10-14Shrine Auditorium
143276SBD MR > C1 > DAT
gd76-10-14.bertrando.vernon.12079.sbeok.shnf
1976-10-14Shrine Auditorium
12079Source: MAC>R>D > ? > D, Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152; via Dave Minor; Dat transfer by Marc Pujol; Seeded to etree by Matt Vernon
gd76-10-14.sbd.cotsman.12614.sbeok.shnf
1976-10-14Shrine Auditorium
12614composite and patched: AUD> MC> R> D> ?> D> CD> EAC> SHN (Bertrando recording) plus SBD> MR> D> CD> EAC> SHN; see notes; via Jeff Cotsman
gd1976-10-14.157426.aud.motb.0240.flac16
1976-10-14Shrine Auditorium
157426Flac16: Analog Audience Source: Sony ECM 270 Microphones -> Sony TC 152SD
Medium Stock Brands: Nakamichi CRO-2 tapes X 3
Analog Sound Preservation: MAC -> CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg MR 2000 at 5.6 mhz
Recorded by: Bob Menke, Transferred by: Bob Menke, Mastering by: Derek McCabe
gd76-10-15.bertrando.vernon.11655.sbeok.shnf
1976-10-15Shrine Auditorium
11655Source: Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152 Lineage: MAC>D>CD; via JackySack; Seeded to etree by Matt Vernon
gd76-10-15.sbd.sacks.251.sbefail.shnf
1976-10-15Shrine Auditorium
251MSR> DATs> CDRs> EAC> SHN; via D. Sacks; Flaws: Slight digi-static at beginning of Might as well; Mama Tried Cut at beginning; reel flip at @ 2:18 in Lazy Lightning; Splice @ 2:00 in Samson
gd1976-10-15.fob.sonyecm270.menke.motb-0125.105824.flac16
1976-10-15Shrine Auditorium
105824flac16; Sony ECM 270's >> Sony TC 152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
gd1976-12-31.152247.aud.petrunis.flac2448
1976-12-31Cow Palace
152247flac2448; Source: Mono Sony hand-held recorder (model unknown) > 3x TDK SD C90's (normal bias). Concert recording by Rich Petrunis, standing center floor about 30 feet out from the stage. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2021
gd76-12-31.preFM.warner.18524.20760.sbeok.shnf
1976-12-31Cow Palace
20760Lineage: PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) - Fixed (pops removed) version of disk 3 of Jack Warner's "prefm" shn via Dave Winters
Check the .md5s for d3t03 to see whether you have this seed or #18524.
May circulate as either disc 3 solo with a short "Note added 9/1/2003", or as three discs, which is a combination of Source # 18524 and d3 from this source
gd1976-12-31.fm.hollister.15114.shnf
1976-12-31Cow Palace
15114Lineage: FM MR>SBM-1>CD>Cool Edit Pro>CD
Circulating on Furthur in Feb. 2003; upgrade in circulation