Identifiers for Grateful Dead
1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
Archive Identifier | |
---|---|
Date | Venue |
Source | |
gd1976-04-20.141357.sbd.rehearsal.pcm.dalton.miller.clugston.flac1644 | |
1976-04-20 | Mickey's Barn |
141357 | flac16; Source Info: Soundboard > ? > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd76-05-2x.sbd.vernon.9769.sbeok.shnf | |
1976-05-28 | Le Club Front Studios |
9769 | Studio Rehersal Tapes; SBD>?>CD; Actually a compilation of material recorded on 5-28,29,30-76; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon |
gd1976-05-28.rehearsals.gems.82947.flac16 | |
1976-05-28 | Unknown Venue |
82947 | flac16; Lineage R2 > D Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 by Jamie Waddell (compilation of material recorded on 5-28,29,30-76; See info file for details) |
gd1976-06-03.mtx.seamons.ht06.123898.flac16 | |
1976-06-03 | Paramount Theatre |
123898 | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 and FLAC16 > AIFF > Final Cut w/EQ > Soundtrack Pro for some click removal in AUD > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging) |
gd1976-06-03.139643.sbd.betty.pcm.kreider.miller.clugston.fixed.flac16 | |
1976-06-03 | Paramount Theatre |
139643 | flac16; Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Wav(16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; the original source had the channels swapped in "Samson & Delilah" thru "It Must Have Been the Roses", as well as "The Wheel" |
gd1976-06-03.mtx.seamons.91912.sbeok.shnf | |
1976-06-03 | Paramount Theatre |
91912 | MATRIX MIX: SBD/AUD (About 60%/40%): SBD: Bertha Remaster of the Master Reel Source and AUD: MC > DAT > WAV > SHN Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008 |
gd1976-06-03.123608.sbd.miller.flac24 | |
1976-06-03 | Paramount Theatre |
123608 | flac24; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1976-06-03.sbd.seamons.fix-20004.86745.sbeok.shnf | |
1976-06-03 | Paramount Theatre |
86745 | SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN Pitch correction of shn id 20004 by Hunter Seamons using Final Cut Pro (8/10/07) |
gd1976-06-03.sbd.unknown.7555.sbefail.shnf | |
1976-06-03 | Paramount Theatre |
7555 | last 2 songs missing; MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR; noted at gdlive |
gd76-06-03.aud.vernon.7825.sbeok.shnf | |
1976-06-03 | Paramount Theatre |
7825 | Complete; unknown aud > ? > DAT >; via Dale Shepherd; Matt Vernon. [Dolby decoded version added 7/2003] |
gd76-06-03.lee.weiner.14263.sbeok.shnf | |
1976-06-03 | Paramount Theatre |
14263 | AUDMC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on |
gd76-06-03.sbd.bertha-ashley.20004.sbeok.shnf | |
1976-06-03 | Paramount Theatre |
20004 | SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included. |
gd76-06-03.sbd.serafin.7719.sbeok.shnf | |
1976-06-03 | Paramount Theatre |
7719 | SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; reseed with encores also circulates; upgrade in circulation |
gd1976-06-03.148567.fob.sony.ecm18n.lee.smith.clugston.flac1648 | |
1976-06-03 | Paramount Theatre |
148567 | flac16/48kHz; Source Info: Pat Lee's Master (FOB) Audience Cassettes; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120); Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1976-06-03.148568.fob.sony.ecm18n.lee.smith.clugston.flac2496 | |
1976-06-03 | Paramount Theatre |
148568 | flac24; Source Info: Pat Lee's Master (FOB) Audience Cassettes ; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120); Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1976-06-03.sbd.bertha.17266.shnf | |
1976-06-03 | Paramount Theater |
17266 | Bertha Remaster of the Master Reel/Reel source. SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA - Sound A+ ; upgrade in circulation |
gd1976-06-03.123607.sbd.miller.flac16 | |
1976-06-03 | Paramount Theatre |
123607 | flac16; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1976-06-03.aud.berger.99910.flac16 | |
1976-06-03 | Paramount Theatre |
99910 | flac16; aud 1st gen reel; unknown equipment/taper; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac |
gd1976-06-04.143136.partial.cm.sbd.miller.flac1644 | |
1976-06-04 | Paramount Theatre |
143136 | flac16; Partial Show Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller this files is 16 bit @ 44.1 |
gd1976-06-04.153709.sbd.martin.smith.clugston.flac1648 | |
1976-06-04 | Paramount Theatre |
153709 | flac16/48 Source Info: Mickey Hart's Master Soundboard Cassettes w/dolby B (Sony TC-152SD) > Steve Martin's 1st generation reels @ 3 3/4 ips Transfer Info: Master Cassettes (Sony TC-D5M) > 1st generation reels (Pioneer RT707 @ 3 3/4 ips); 1st generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 |
gd1976-06-04.153710.sbd.martin.smith.clugston.flac2496 | |
1976-06-04 | Paramount Theatre |
153710 | flac24/96 Source Info: Mickey Hart's Master Soundboard Cassettes w/dolby B (Sony TC-152SD) > Steve Martin's 1st generation reels @ 3 3/4 ips Transfer Info: Master Cassettes (Sony TC-D5M) > 1st generation reels (Pioneer RT707 @ 3 3/4 ips); 1st generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 |
gd76-06-04.sbd.cotsman.9797.sbeok.shnf | |
1976-06-04 | Paramount Theatre |
9797 | SBD>MR>?>D>CD; With aud patches for several songs; See info file for details; via Jeff Cook, Jon Miller, Matt Vernon, & Raoul Duke; Seeded to etree by J. Cotsman |
gd1976-06-04.157429.aud.motb.0189.flac16 | |
1976-06-04 | Paramount Theatre |
157429 | flac1644Analog Audience Source: ECM 280 mics Front row Loge on 152SD Medium Stock Brands: MAC = Maxell UD c 120's Analog Sound Preservation: MAC > Nak Dragon -> Audio Techica ATM 400 Line Amp/ Mixer-> Korg at 5.6 mhz |
gd1976-06-04.143064.set1-pset2.sbd.miller.flac2496 | |
1976-06-04 | Paramount Theatre |
143064 | flac24; Partial Show Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
gd1976-06-09.152189.s1-s2p.aud.petrunis.flac2448 | |
1976-06-09 | Music Hall |
152189 | flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK SD C90 & C120 (normal bias). Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2021 |
gd1976-06-09.156991.mtx.seamons.ht141.flac16 | |
1976-06-09 | Music Hall |
156991 | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 95399 & 99064. |
gd1976-06-09.sbd-set2.cohen.12207.shnf | |
1976-06-09 | Boston Music Hall |
12207 | set 2; SBD> RM> DAT> sonic solutions> CDR, with Beginning of "St. Stephen" spliced in from unknown audience source; Extracted with Toast Audio Extractor & Plexwriter 4/12 and converted to SHN; via Art Cohen |
gd76-06-09.hopkins.vernon.5982.sbeok.shnf | |
1976-06-09 | Boston Music Hall |
5982 | FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes. |
gd76-06-09.set1-sbd.cotsman.12382.sbeok.shnf | |
1976-06-09 | Boston Music Hall |
12382 | set 1 SBD>MR>R>D>CD>EAC>SHN with patches from AUD>MC>D>CD>EAC>SHN by J. Cotsman |
gd76-06-09.set2-sbd.gardner.5426.sbeok.shnf | |
1976-06-09 | Boston Music Hall |
5426 | set 2; SBD> MR> DAT> SS> CDR> EAC> SHN; via Tony Gardner, from Paul B. seed discs |
gd76-06-09.matrix.chappell.29323.sbeok.flac16 | |
1976-06-09 | Boston Music Hall |
29323 | flac16; SBD/AUD Matrix of 3 previously circulated seeds (SBD I - SHN ID# 12382, SBD II - SHN ID# 5426, AUD - SHN ID #5982); prepared by Chris Chappell |
gd1976-06-09.sbd.miller.95399.sbeok.flac16 | |
1976-06-09 | Boston Music Hall |
95399 | flac16; Recording Info: Set 1: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; Set 2: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1976-06-10.mtx.dts.tobin.85004.sbeok.flac16 | |
1976-06-10 | Boston Music Hall |
85004 | DTS Audio 5.1; SBD (shnid 82891) SBD Master Reel -> PCM -> Dat (44.1k) + AUD shnid 18425 Recorded by Jerry Moore; AKG 200Es> Sony TC-153 - dts mixing by Kevin Tobin |
gd1976-06-10.143003.akg1000.warburton.smith.sirmick.flac2496 | |
1976-06-10 | Music Hall |
143003 | flac24; Source: AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of log; Transfer: MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick August 2018 |
gd1976-06-10.matrix.tobin.84985.sbeok.flac16 | |
1976-06-10 | Boston Music Hall |
84985 | flac16; Matrix 2 Source Mix - SBD (shnid 82891) + AUD (shnid 18425) by Kevin Tobin |
gd1976-06-10.sbd.gems.82921.flac16 | |
1976-06-10 | Boston Music Hall |
82921 | flac16; Source Info: SBD Master Reel -> PCM -> Dat (44.1k) Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 and Ozone. Dithered L2 Type-1 Ultra by Jamie Waddell |
gd76-06-10.hopkins.vernon.5918.sbeok.shnf | |
1976-06-10 | Boston Music Hall |
5918 | FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min. |
gd76-06-10.moore.minches.18425.sbeok.shnf | |
1976-06-10 | Boston Music Hall |
18425 | Recorded by Jerry Moore; AKG 200Es> Sony TC-153, close to stage in orchestra mics hand held. AUDMC > DAT by Mark Cohen. DAT > SHN by David Minches. |
gd76-06-10.sbd.miller.14264.sbeok.shnf | |
1976-06-10 | Boston Music Hall |
14264 | SBD -> Rm -> PCM -> Dat -> Prodif Plus -> Samplitude v6.0 -> SHN via Charlie Miller |
gd76-06-10.warburton.minches.18426.sbeok.shnf | |
1976-06-10 | Boston Music Hall |
18426 | Recorded by Jimmy Warburton AKG 1000Es> Sony TC-152. Reel -> DAT conversion by Mark Cohen. DAT -> SHN conversion by David Minches. |
gd1976-06-10.unk.dunahee-stube.237.shnf | |
1976-06-10 | Boston Music Hall |
237 | ??? > CD > EAC > SHN; via S. Dunahee, W. Stube; known flaws: clicks removed with SF: d1 2:41.707, d2 43:50.421; cut 10 seconds of silence/weird static in d1t01 starting 7:36; d/o's d1t03 2:13-2:24, d1t07 9:38-9:46, d/o into staticky fade in d2t04 5:06-5:10; upgrade in circulation |
gd1976-06-10.141690.sbd.miller.flac1644 | |
1976-06-10 | Music Hall |
141690 | flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller |
gd1976-06-10.145134.akg1000.warburton.smith.sirmick.flac1644 | |
1976-06-10 | Music Hall |
145134 | flac16; Source: AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of log; Transfer: MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick August 2018; This file set is 16 bit @ 44.1 |
gd1976-06-11.141702.sbd.miller.flac1644 | |
1976-06-11 | Music Hall |
141702 | flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; the original version of this source had an error in Looks Like Rain (track 08); Fixed Version in circulation |
gd76-06-11.hopkins.vernon.5919.sbeok.shnf | |
1976-06-11 | Boston Music Hall |
5919 | FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades/sbd splice with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min. |
gd76-06-11.moore.minches.18387.sbeok.shnf | |
1976-06-11 | Boston Music Hall |
18387 | Recorded by Jerry Moore; AKG 200Es> Sony TC-153, mics split along front of loge. AUDMC > DAT conversion by Mark Cohen, DAT > SHN conversion by David Minches |
gd76-06-11.sbd.jmason.7824.sbeok.shnf | |
1976-06-11 | Boston Music Hall |
7824 | MR>DAT>DAT Clone @ 44.1 kHz (Tascam DA20)>SBLive Platinum SPDIF In>WAV Edit (Sound Forge)>SHN (mkw audio compression tool)>CDR (HP 8200); via GDLive [Note: An sbe-fixed-by-set version also circulates] |
gd1976-06-11.139552.sbd.betty.gastwirt.miller.clugston.flac1648 | |
1976-06-11 | Music Hall |
139552 | flac16/48kHz; Source Info: Betty's Master Soundboard Reels > PCM > DAT (16/48); Transfer Info: DAT (Sony R500 16/48)> Tascam DA-3000 16/48 > Adobe Audition> TLH flac1648; Transferred by Charlie Miller; Mastered by Scott Clugston |
gd1976-06-11.141709.sbd.miller.fixed.flac1644 | |
1976-06-11 | Music Hall |
141709 | flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; Fixed numerous flaws from previous source |
gd1976-06-11.sbd.mccartj.238.sbeok.shnf | |
1976-06-11 | Boston Music Hall |
238 | SBD> ?> liberated bootleg; via Alan McCarty |
gd1976-06-11.sbd.unknown.22803.sbeok.shnf | |
1976-06-11 | Boston Music Hall |
22803 | SBD of unknown lineage, claims to be an A+ improvement over previous SBDs in circulation. Available at www.gdlive.com |
gd1976-06-12.fm.sbd.moore.berger.100328.flac16 | |
1976-06-12 | Boston Music Hall |
100328 | flac16; Source: FM Reel Master taped by Jerry Moore Sony TC-755 reel/Teac AN-180 dolby unit Maxell UD 35-180 tape; lineage: WBCN simulcast>10.5" reels @ 7.5 ips, dolby b Technics RS1506>Teac AN-180>HD-P2 24/96>hd>cd wave 16/44>flac transferred & seeded by Rob Berger 7/27/09 |
gd1976-06-12.110456.akg.warburton.berger.flac16 | |
1976-06-12 | Music Hall |
110456 | flac16; aud 1st gen reel, akg d1000e's>sony tc-152, taped by Jimmy Warburton, transfer by Rob Berger |
gd76-06-12.fm.wren.5556.sbeok.shnf | |
1976-06-12 | Boston Music Hall |
5556 | SBD> FM(WBCN)> MR(7.5ips); Conversion: Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN; Taped by Peter Wrenn, Seeded by Stephen Wrenn; to etree via Doug Moog; Wheel from unknown AUD; see notes in info file |
gd76-06-12.hopkins.vernon.5983.sbeok.shnf | |
1976-06-12 | Boston Music Hall |
5983 | FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d3 tracked for 80 min. |
gd1976-06-12.143168.fm.warburton.smith.miller.clugston.flac1648 | |
1976-06-12 | Music Hall |
143168 | flac16/48kHz; FM Broadcast; Master Reel to Reel > Jim Warburton's 1st generation 7" reels @ 3 3/4 ips Transfer Info: 1st generation reels (baked)(Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1976-06-12.143169.fm.warburton.smith.miller.clugston.flac2496 | |
1976-06-12 | Music Hall |
143169 | flac24; FM Broadcast; Master Reel to Reel > Jim Warburton's 1st generation 7" reels @ 3 3/4 ips Transfer Info: 1st generation reels (baked) Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496 |
gd1976-06-12.143166.fob.akg.d1000e.warburton.smith.miller.clugston.flac1648 | |
1976-06-12 | Music Hall |
143166 | flac16/48kHz; Jim Warburton's (FOB)(1st row, center) Master Audience Cassettes; AKG D1000E mics > Sony TC-152 > 1st generation 7" reels @ 3 3/4 ips Transfer Info:1st generation reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1976-06-12.143167.fob.akg.d1000e.warburton.smith.miller.clugston.flac2496 | |
1976-06-12 | Music Hall |
143167 | flac24; Jim Warburton's (FOB) (1st row, center) Master Audience Cassettes; AKG D1000E mics > Sony TC-152 > 1st generation 7" reels @ 3 3/4 ips Transfer Info:1st generation reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496 |
gd1976-06-12.132933.mtx.nicksmix.flac16 | |
1976-06-12 | Music Hall |
132933 | flac16; Matrix Mix of Shnid 100328 (FM) and Shnid 110456 (AUD) |
gd1976-06-12.aud.digitalrbb.miller.111783.flac16 | |
1976-06-12 | Music Hall |
111783 | flac16; Recording Info: Stereo Microphone -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller |
gd1976-06-14.set-2.sbd.sirmick.78433.sbeok.flac16 | |
1976-06-14 | Beacon Theatre |
78433 | flac16; Set 2 only - source: betty > pcm x 2 > dat conversion: - M-1 > 7-pin optical > Co2 > SB Live - CDwav Record and Index - FLAC - ShnTool |
gd1976-06-14.128772.mtx.dusborne.flac16 | |
1976-06-14 | Beacon Theatre |
128772 | flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:82308) Betty Board MR > PCM > DAT; Transfer: SBD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect and Audience (shnid:10917) Source: Sony TC 153 Sony SCM 99A Mikes > Cassette x 2 > DAT > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw |
gd1976-06-14.sbd.bettycantor.gems.82308.flac16 | |
1976-06-14 | Beacon Theatre |
82308 | flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell |
gd1976-06-14.sbd.hollister.13966.sbeok.shnf | |
1976-06-14 | Beacon Theatre |
gd76-06-14.sbd.hollister.22804.sbeok.shnf | |
1976-06-14 | Beacon Theatre |
22804 | S:MR>PCM>DAT>CD>EAC>SHN Note: This shn set was modified by replacing the incomplete encore at end of disk 3 with the complete encore (previously on end of disk 2) and removing it from end disk 2 |
gd76-06-14.sony.vernon.10917.sbeok.shnf | |
1976-06-14 | Beacon Theatre |
10917 | Sony TC 153 Sony SCM 99A Mikes > Cassette x 2; See info file for transfer notes; via Dave Minor and Dale Shepherd; Seeded to etree by Matt Vernon |
gd1976-06-14.sbd.orf.240.shnf | |
1976-06-14 | Beacon Theatre |
240 | SBD Reels> D> CD-R ; via Leigh Orf; caution: d2 t2,4 may be switched?; note md5s here were submitted 7/2001, not sure if originals- see pub comments; upgrade in circulation |
gd1976-06-14.143026.sbd.betty.composite.dalton.miller.clugston.flac1644 | |
1976-06-14 | Beacon Theatre |
143026 | flac16; Source Info: Primary Source: Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM > Dat (16-bit/44.1k); Secondary Source: Betty's 7" two track Master Soundboard Reel @ 7 1/2 ips > PCM (16-bit/44.1k); Transfer Info: Primary Source: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/44.1k) > Adobe Audition 3.01 > TLH flac16; Secondary Source: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16 |
gd1976-06-15.130335.mtx.dusborne.flac16 | |
1976-06-15 | Beacon Theatre |
130335 | flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:110148) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC and Audience (shnid:10307) Source: Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; DAT clone > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw |
gd1976-06-15.143119.sbd.betty.dalton.clugston.miller.flac1644 | |
1976-06-15 | Beacon Theater |
143119 | flac16; Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16 |
gd1976-06-15.sbd.miller.110148.flac16 | |
1976-06-15 | Beacon Theatre |
110148 | flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1976-06-15.sbd.cantor.gmb.96088.flac16 | |
1976-06-15 | Beacon Theatre |
96088 | flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz; Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac; Transfer and mastering by Bill Koucky |
gd1976-06-15.sbd.unknown.8323.shnf | |
1976-06-15 | Beacon Theatre |
8323 | SBD>DAT(s)>Tascam DA-20MKII>WaveTerminal 2596> CDWave>SHN; See txt file for details on splices; to abgd via BUG |
gd76-06-15.sbd.bertha-ashley.8732.sbeok.shnf | |
1976-06-15 | Beacon Theatre |
8732 | Jay Ashley (Bertha) remaster of original reel source; SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD |
gd76-06-15.sbd.kempa.241.sbeok.shnf | |
1976-06-15 | Beacon Theatre |
241 | SBD > Master Reel > PCM > DAT; Transfer:? DAT > WAV (via TB Fiji S/PDIF) > SHN; via Andy Gustin, Jeff Kempka; see info file and pub comments for flaw notes |
gd76-06-15.sony.vernon.10307.sbeok.shnf | |
1976-06-15 | Beacon Theatre |
10307 | Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; See info file for transfer details; via Dale Shepherd, Dave Minor; Seeded to etree by Matt Vernon |
gd1976-06-17.mtx.seamons.91861.sbeok.shnf | |
1976-06-17 | Capitol Theatre |
91861 | MATRIX MIX: SBD/AUD (About 60%/40%) by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>SHN) |
gd1976-06-17.helpslipfranks.mtx.seamons.123027.flac16 | |
1976-06-17 | Capitol Theater |
123027 | flac16; Partial 3 song Matrix by Hunter Seamons; Soundboard recording by Betty Cantor-Jackson; Audience recording transferred by Dale Shepherd; note: The seeder's comments indicate that this is a different transfer than his previous matrix source |
gd1976-06-17.sbd.miller.80739.sbeok.flac16 | |
1976-06-17 | Capitol Theatre |
80739 | flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller |
gd76-06-17.sony.vernon.10178.sbeok.shnf | |
1976-06-17 | Capitol Theater |
10178 | Sony TC 153 Sony ECM 99A Mikes Master Cassette > Reel > DAT; via Dave Minor, Raoul Duke; Transfer by Dale Shepherd; Seeded to etree by Matt Vernon |
gd1976-06-18.ds-outtakes.sbd.miller.92266.sbeok.flac16 | |
1976-06-18 | Capitol Theatre |
92266 | flac16; Recording Info: SBD -> Master Reel Transfer Info: Apogee AD500 -> DAT -> Samplitude -> CD -> FLAC; All Transfers and Mastering By Charlie Miller (Download Series outtakes) |
gd1976-06-18.155902.ecm99.warburton.miller.flac2496 | |
1976-06-18 | Capitol Theater |
155902 | flac2496 Recording Info: (FOB) Sony ECM-99 > Cassette Master (Sony TC-152) > Cassette (Maxell UDXLI-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 |
gd76-06-18.warburton.vernon.14449.sbeok.shnf | |
1976-06-18 | Capitol Theater |
14449 | Sony ECM 99's > Sony TC-152 MC > Teac 2300 @ 3.75 ips Reel > Reel played back on Akai GX-4000D > Teac AN-80 Dolby B Noise Reduction Unit > ART DI/O A/D Convertor > Hard Drive > CD. Taper: Jimmy Warburton,30-35 rows right center. A/D Transfer, editing and tracking by David Minches, shn encoding Matt Vernon |
gd1976-06-18.aud.jackson.13052.shnf | |
1976-06-18 | Capitol Theatre |
13052 | Aud3> CDR> EAC> Pristine Sounds NR> SHN; SHN'd and seeded by Seth Jackson to abgd |
gd1976-06-18.aud.vernon.9796.sbeok.shnf | |
1976-06-18 | Capitol Theatre |
9796 | AUDCM>C>DAT>CDR; via Raoul Duke and Dave Minor; Seeded to etree by Matt Vernon; upgrade in circulation |
gd1976-06-19.143174.pre-fm.gastwirt.sirmick.miller.flac1644 | |
1976-06-19 | Capitol Theater |
143174 | flac16; Source: Pre-FM Master Reel (WNEW) > PCM > DAT (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave >Flac 16; edited and mastered SIRMick September 2018 |
gd1976-06-19.143275.fm.glassberg.warburton.smith.sirmick.flac2496 | |
1976-06-19 | Capitol Theater |
143275 | flac24; Source: WNEW FM > Teac A3300 7.5 ips Dolby > Master Reel (Scotch Classic 3600 10,5) > Teac A3300 > Reel 1 @3.75 ips (Maxell UD35-90) - Recorded by Barry Glassberg, Jimmy Warburton's copy; Transfer. Reel 1 > Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018 |
gd76-06-19.prefm.unknown.12077.sbeok.shnf | |
1976-06-19 | Capitol Theater |
12077 | PRE-FM; SBD master reel > DAT > CD (x2); Unknown seeder |
gd1976-06-19.prefm.nickspicks.10186.shnf | |
1976-06-19 | Capitol Theatre |
10186 | PRE-FM SBD master reel > DAT > CD (x2) > EAC (secure) > SHN (non seekable) |
gd1976-06-19.fm-sbd.seff.1859.sbeok.shnf | |
1976-06-19 | Capitol Theatre |
1859 | FM > ? > DAT; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > SHN; via Jon Seff |
gd1976-06-19.aud.digitalrbb.miller.111875.flac16 | |
1976-06-19 | Capitol Theater |
111875 | flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller |
gd1976-06-19.mtx.seamons.121140.flac16 | |
1976-06-19 | Capitol Theater |
121140 | flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) |
gd1976-06-19.145155.fm.glassberg.warburton.smith.sirmick.flac1644 | |
1976-06-19 | Capitol Theatre |
145155 | flac16; Source: WNEW FM > Teac A3300 7.5 ips Dolby > Master Reel (Scotch Classic 3600 10,5) > Teac A3300 > Reel 1 @3.75 ips (Maxell UD35-90) - Recorded by Barry Glassberg, Jimmy Warburton's copy; Transfer. Reel 1 > Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018; This file set is 16 bit @ 44.1 |
gd1976-06-19.encore-only.fm.cousinit.23024.shnf | |
1976-06-19 | Capitol Theatre |
23024 | Source: FM>MC>DAT>WAV>SHN via Cousinit |
gd76-06-21.aud.vernon.6679.sbeok.shnf | |
1976-06-21 | Tower Theatre |
6679 | Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson |
gd1976-06-21.sbd.digitalrbb.miller.112191.flac16 | |
1976-06-21 | The Tower Theatre |
112191 | flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation |
gd1976-06-21.mtx.seamons.121045.flac16 | |
1976-06-21 | The Tower Theatre |
121045 | flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) |
gd1976-06-22.sbd.digitalrbb.miller.112218.flac16 | |
1976-06-22 | The Tower Theatre |
112218 | flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1976-06-22.akg.moore.berger-minches.99093.flac16 | |
1976-06-22 | Tower Theatre |
99093 | flac16; Source: audience 1st generation reel; AKG D1000es>sony tc-152sd cassette Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips) Transfer by Rob Berger 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 Editing, downsampling and FLAC encoding by David Minches |
gd1976-06-22.aud.digitalrbb.miller.112789.flac16 | |
1976-06-22 | The Tower Theatre |
112789 | flac16; Recording Info: Unknown Mics -> Master Cassette (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller |
gd76-06-22.aud.vernon.6680.sbeok.shnf | |
1976-06-22 | Tower Theatre |
6680 | Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson |
gd1976-06-23.aud.vernon.6681.sbeok.shnf | |
1976-06-23 | Tower Theater |
6681 | Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min |
gd1976-06-23.aud.miller.95321.sbeok.flac16 | |
1976-06-23 | Tower Theatre |
95321 | flac16; Recording Info: Unknown Mics -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd76-06-23.moore.vernon.15534.sbeok.shnf | |
1976-06-23 | Tower Theatre |
15534 | AudMC > HD > WAV > SHN Recorded by Jerry Moore from 1st row loge, w/ a pretty good spread on mikes with 2 hand held Sony ECM-33Ps > Sony TC-152 deck with Dolby B ON. Analog > Digital transfer David Minches, encoded by Matt Vernon |
gd1976-06-24.135606.mtx.dusborne.flac16 | |
1976-06-24 | The Tower Theatre |
135606 | flac16; 3 source matrix by Dusborne; Soundboard 1(Shnid:011937) set 1, WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN; Soundboard 2(Shnid:14498) set 2, Source: SBD>MR>DAT>CDR, Conversion/Edit/Seeded to Etree by T. Wiley 01/14/2003; Audience (Shnid:76290), Source: [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact,eac, Cool Edit's, shns done by mvernon54@attbi.com,- Mixed by kevtobin@yahoo.com |
gd1976-06-24.aud.digitalrbb.miller.112290.flac16 | |
1976-06-24 | The Tower Theatre |
112290 | flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; All Mastering By Charlie Miller |
gd76-06-24.aud.vernon.6682.sbeok.shnf | |
1976-06-24 | Tower Theatre |
6682 | Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min |
gd76-06-24.fm.unknown.11937.sbeok.shnf | |
1976-06-24 | Tower Theatre |
11937 | WMMR FM Broadcast > RTR > DAT > CD-R; via Jonathan Miller; Seeded to etree by Dave Backus |
gd76-06-24.set2-sbd.wiley.14498.sbeok.shnf | |
1976-06-24 | Tower Theatre |
14498 | Set 2 only ; SBD>MR>DAT>CDR ; Via PT. ; Seeded to etree by T. Wiley |
gd76-06-24.sbd.dudeman.25478.sbeok.shnf | |
1976-06-24 | Tower Theatre |
25478 | Note: This is a remastered version of the 2 prior seeds by Dave Bachkus and Tim Wiley. Source one (Set 1 only) : WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN ; Source two (Set 2 only) : SBD>MR>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) ; Remastering : SHN>WAV>Steinberg Mastering Edition Enhanced>Nuendo2>SHN ; seeded by dudeman 08/25/2004 |
gd1976-06-24.140031.sbd.digitalbrb.miller.sirmick.flac1644 | |
1976-06-24 | The Tower Theatre |
140031 | flac16; Source: Soundboard > Nakamichi 350 > Cassette Master > Dat (44k); Transfer: Master Cassette > Nakamichi CR-7A > Apogee Ensemble > Peak > AIFF - Transferred By Digitalrbb; Lineage : AIFF > Samplitude Professional v10.1 > FLAC > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017 |
gd1976-06-24.mtx.dts.tobin.76286.flac16 | |
1976-06-24 | Tower Theatre |
76286 | DTS Audio 5.1 Mix; SBD:(Set 1)WMMR FM Broadcast > RTR > DAT > CD-R & (Set 2)SBD>MR>DAT>CDR; AUD:Shure mics> Sony TC-152 master cassette > dat's > cdr's ; mixed by ktobin |
gd1976-06-24.mtx.tobin.87163.sbeok.flac16 | |
1976-06-24 | Tower Theatre |
87163 | flac16; Matrix 3 Source Mix - SBD Set 1 (shn id 25478) WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN + SBD Set 2 (shn id 14498) SBD>MR>DAT>CDR>EAC + AUD (shn id 6682) [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC - matrix mixing by Kevin Tobin |
gd1976-06-24.shure.tobin.76290.sbeok.flac16 | |
1976-06-24 | Tower Theatre |
76290 | flac16; Pitch corrected version of shn id 6682 - Shure mics> Sony TC-152 master cassette > dat's > cdr's; fixed by ktobin |
gd1976-06-26.156062.akg.weidner.wagner.miller.flac2448 | |
1976-06-26 | Auditorium Theatre |
156062 | flac2448 Recording Info: AKG D200E > Cassette Master (Sony TC-153SD) > Cassette (TDK SA-C90/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 |
gd1976-06-26.s2.aud.digitalrbb.miller.112790.flac16 | |
1976-06-26 | Auditorium Theatre |
112790 | flac16; Set 2, Recording Info: Unknown Mics -> Master Cassette (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller |
gd76-06-26.aud.vernon.7340.sbeok.shnf | |
1976-06-26 | Auditorium Theatre |
7340 | Aud > ??? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); via Matt Vernon |
gd1976-06-26.mtx.seamons.95355.sbeok.flac16 | |
1976-06-26 | Auditorium Theatre |
95355 | flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
gd1976-06-26.sbd.miller.95306.sbeok.flac16 | |
1976-06-26 | Auditorium Theatre |
95306 | flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1976-06-26.147302.s2.unk-aud.flac1644 | |
1976-06-26 | Auditorium Theatre |
147302 | flac16; 2nd set; Source: Lo-fi mono AUD of unknown lineage > ? > cassette. Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 |
gd1976-06-27.aud.moore.berger-minches.98796.flac16 | |
1976-06-27 | Auditorium Theatre |
98796 | flac16; Source: audience 1st generation reel (Jerry Moore's reel) Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips) Transfer by Rob Berger 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 Editing, downsampling and FLAC encoding by David Minches Thanks to Joe B. Jones for pitch correction |
gd1976-06-27.sbd.digitalrbb.miller.112295.flac16 | |
1976-06-27 | Auditorium Theatre |
112295 | flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Mastering By Charlie Miller |
gd76-06-27.aud.vernon.7341.sbeok.shnf | |
1976-06-27 | Auditorium Theatre |
7341 | aud > ?? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); via Matt Vernon |
gd1976-06-28.aud.unknown.vernon.9776.shnf | |
1976-06-28 | Auditorium Theatre |
9776 | AUDMR > ? > DAT > SHN with patches from the Weiner seed; See info file for details; via Dale Shepherd; Seeded to etree by Matt Vernon |
gd1976-06-28.sbd.digitalrbb.miller.112296.flac16 | |
1976-06-28 | Auditorium Theatre |
112296 | flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Mastering By Charlie Miller |
gd76-06-28.shure.minches.18388.sbeok.shnf | |
1976-06-28 | Auditorium Theatre |
18388 | Recorded with Shure 545s> Nak 550 via Bob Wagner. Lineage: AUDMC > Reel > WAV > SHN conversion by David Minches. |
gd1976-06-28.mtx.seamons.112676.flac16 | |
1976-06-28 | Auditorium Theatre |
112676 | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) |
gd1976-06-28.aud.digitalrbb.miller.112417.flac16 | |
1976-06-28 | Auditorium Theatre |
112417 | flac16;Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; All Mastering By Charlie Miller |
gd1976-06-29.sbd.unknown.2594.shnf | |
1976-06-29 | Auditorium Theatre |
2594 | CD (Left In The Vaults Vol. 1) -> EAC-> SHN; liberated bootleg?; note all tracks are labelled as 10/29/77, but this date is 6/29/76, as marked within info file; noted 1/01 at gdlive |
gd1976-06-29.sbd.bertha.ashley.86216.dvdf | |
1976-06-29 | Auditorium Theatre |
86216 | DVD VA; (Video format, audio only) SBD>>MR>>PCM(Analog)>>DAT>>CDA>>SHN>>DAW(Bertha)>>Audio DVD; Bertha remaster of the Master Reel Betty Board source shn id 1812; audio only, no video |
gd76-06-29.sbd.parrillo.1812.sbeok.shnf | |
1976-06-29 | Auditorium Theatre |
1812 | 7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN; via Jeff Tiedrich, David Hollister, Mike (Dank Star) Parrillo, Andy Gustin; with interleaved reel splices for completeness |
gd76-06-29.sbd.bertha.31144.sbeok.flacf | |
1976-06-29 | Auditorium Theatre |
31144 | flac16; SBD>>MR > PCM(Analog) > DAT > CDA > SHN > DAW(Bertha) > Audio DVD files > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > wav > downsampled to 44.1 wav with Wave Lab v.5.00a > SBEs fixed with shntool v.2.0.3 > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 |
gd1976-06-29.s2.sbd.miller.113556.flac16 | |
1976-06-29 | Auditorium Theatre |
113556 | flac16; Set 2 Recording Info: SBD -> Cassette Master (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller |
gd1976-06-29.139633.sbd.betty.gastwirt.miller.clugston.flac16 | |
1976-06-29 | Auditorium Theatre |
139633 | flac16; Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM > DAT; Transfer Info: DAT(Sony PCM-R500)-> Tascam DA-3000-> Adobe Audition-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston |
gd1976-06-29.149860.BettyBoard.Anon.Noel.t-flac16 | |
1976-06-29 | Auditorium Theatre |
149860 | flac16; Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44 |
gd1976-06-29.aud.digitalrbb.miller.112407.flac16 | |
1976-06-29 | Auditorium Theatre |
112407 | flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; All Mastering By Charlie Miller |
gd1976-07-12.sbd.unknown.10362.sbeok.shnf | |
1976-07-12 | Orpheum Theater |
10362 | Includes Soundcheck; Soundcheck, SBD>VHS Master>DAT>CDR; Disc 1 SBD>MR>R>R>R>DAT>CDR; Disc 2 SBD>MR>DAT>Sonic Solutions>CDR; Disc 3 SBD>MR>DAT>Sonic Solutions>CDR; |
gd1976-07-12.150572.sbd.miller.flac2448 | |
1976-07-12 | Orpheum Theatre |
150572 | flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell XLII/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC (24-bit/48k); except Soundcheck: SBD > VHS > DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC |
gd1976-07-12.114455.mtx.flac16 | |
1976-07-12 | Orpheum Theater |
114455 | flac16/44 AUD SOURCE: Analog Audience Source: Aud Master Cassettes (MAC) Analog Lineage: Sony ECM 270's => Sony TC-152SD >> MAC MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke SBD SOURCE: SHN # 10362 Matrix & Mastering By: Derek McCabe |
gd76-07-12.menke.minches.18508.sbeok.shnf | |
1976-07-12 | Orpheum Theatre |
18508 | Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN. DAT > SHN conversion by David Minches. |
gd76-07-12.sbd.aj.7771.sbeok.shnf | |
1976-07-12 | Orpheum Theatre |
7771 | Soundcheck - SBD-> Master VHS-> DAT-> CD; Set One - SBD-> RM-> Reel-> Reel-> Reel-> DAT-> CD; Set Two - SBD-> RM-> DAT-> Sonic Solutions-> CD; Tennessee Jed from Set One patched from Bob Menke's Aud Recording AUD->RM->DAT->CDCD->EAC (in secure mode)-> SHN conversion by AJ; with thanks to Charlie Miller, David Gans; shn branch of KPFA tree |
gd1976-07-12.123474.ecm270.menke.miller.flac16 | |
1976-07-12 | Orpheum Theatre |
123474 | flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller |
gd1976-07-12.113813.ecm270.menke.flac16 | |
1976-07-12 | Orpheum Theater |
113813 | flac16; Sony ECM 270's => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] |
gd1976-07-13.150753.sbd.miller.fixed.flac2448 | |
1976-07-13 | Orpheum Theatre |
150753 | flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; the original version has a dropout in s1t05 |
gd1976-07-13.150754.sbd.miller.fixed.flac1644 | |
1976-07-13 | Orpheum Theatre |
150754 | flac16; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k), This file set is 16 bit @ 44.1; the original version has a dropout in s1t05 |
gd1976-07-13.150754.sbd.miller.flac1644 | |
1976-07-13 | Orpheum Theatre |
gd1976-07-13.150847.sbd.v2.miller.flac2496 | |
1976-07-13 | Orpheum Theatre |
150847 | flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; All Transfers and Mastering by Charlie Miller; This is from a different source tape than source ID 150753 |
gd1976-07-13.150867.sbd.v2.dolby.miller.flac2496 | |
1976-07-13 | Orpheum Theatre |
150867 | flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; This is a Dolby decoded version of source ID 150847 |
gd1976-07-13.150958.SBD.reMaster.Ackerman.Noel.t-flac1644 | |
1976-07-13 | Orpheum Theatre |
150958 | flac16/44.1khz reMaster of shnid 150867 by Ray Ackerman & Joe Noel Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 (1 DVD FLAC) Patch Info: Sony ECM-270 > Cassette Master > DAT (shnid=123475) supplies: Crazy Fingers (13:44-14:07) The Music Never Stopped (0:19-1:07) Saint Stephen (9:02-9:43) Transfer & Mastering by Charlie Miller November 11, 2020 Notes: -- This is a Dolby decoded version of shnid=150847 -- Thanks to Dennis Koda for the cassettes -- Thanks to Bob Menke for the patch source -- Thanks to Joe B. Jones for the pitch correction settings - Dither info: WAV (24-bit/48k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Nov 27, 2020 |
gd1976-07-13.152150.sbd.1stGen.miller.version2.t.flac16 | |
1976-07-13 | Orpheum Theatre |
152150 | flac16/44 ; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; All Transfers and Mastering by Charlie Miller - 150847 24 -> 16 @ 44.1 |
gd1976-07-13.152157.sbd.1stGen.miller.version2-dolby-decoded.t.flac16 | |
1976-07-13 | Orpheum Theatre |
152157 | flac16/44 ; Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 - 150867 24 -> 16 @ 44.1 |
gd1976-07-13.123475.ecm270.menke.miller.flac16 | |
1976-07-13 | Orpheum Theatre |
123475 | flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller |
gd1976-07-13.150753.sbd.koda.miller.flac2496 | |
1976-07-13 | Orpheum Theatre |
gd76-07-13.menke.minches.18427.sbeok.shnf | |
1976-07-13 | Orpheum Theatre |
18427 | Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN. DAT > SHN conversion by David Minches. |
gd76-07-13.sbd.ashley-bertha.9978.sbeok.shnf | |
1976-07-13 | Orpheum Theatre |
9978 | Jay Ashley (Bertha) Remaster of Multi-Gen Reel source; SBD>>MR>>Reel>>Reel>>Reel>>Dat>>CDA>>DAW(Bertha)>>CDA |
gd76-07-13.sbd.vernon.18480.sbeok.shnf | |
1976-07-13 | Orpheum Theatre |
18480 | MSR>?(1st or 2nd gen.Cass.)> CDR with AUD Patch source: MAC w/ Sony ECM 270s>Reel>DAT>CDR via Andy Lemieux, encoded by Matt Vernon |
gd1976-07-13.150948.SBD.reMaster.Ackerman.Noel.t-flac2448 | |
1976-07-13 | Orpheum Theatre |
150948 | flac24/48khz reMaster of shnid 150867 by Ray Ackerman & Joe Noel Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 |
gd1976-07-13.157454.mtx.motb.0199.flac16 | |
1976-07-13 | Orpheum Theatre |
157454 | flac1644 Analog Soundboard Source: gd76-07-13.18480.sbd.vernon.flac16 Analog Audience Source #1: ECM 280's 152 - center balcony Medium Stock Brands #1: MAC = TDK SA c90's Analog Audience Source #2: Sony 152 ECM 280's - fob floor Medium Stock Brands #2: MAC = Maxell UD C120 (2 of em) Analog Sound Preservation : MAC > Nak DR-1 > Korg at 5.6 mhz AUD Source #1 Taped By: Bob Menke AUD Source #2 Taped By: Reinhart Hohlwein Transfer By: Bob Menke Matrix & Mastering By: Derek McCabe |
gd1976-07-14.153042.sbd.koda.miller.flac2496 | |
1976-07-14 | Orpheum Theatre |
153042 | SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 |
gd1976-07-14.sbd.miller.backus.11938.shnf | |
1976-07-14 | Orpheum Theatre |
11938 | SBD MR > ??? > CD-R; via Jonathan Miller; Seeded to etree by Dave Backus; upgrade in circulation |
gd1976-07-14.123476.ecm270.menke.miller.flac16 | |
1976-07-14 | Orpheum Theatre |
123476 | flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller |
gd76-07-14.menke.vernon.18159.sbeok.shnf | |
1976-07-14 | Orpheum Theatre |
18159 | MAR > Reels > DAT > CD recorded by Bob Menke with Sony ECM-280 mics into a Sony TC-152. Patch Source: SBD>MR>C>DAT>CDR. Thanks to David Minches for the disks and Jeff Cotsman for the pitch corrections. Encoding and patching by Matt Vernon. |
gd76-07-14.sbd.vernon.18594.sbeok.shnf | |
1976-07-14 | Orpheum Theatre |
18594 | SBD>MR>C>DAT>CDR patched with the Bob Menke audience recording via Raoul Duke encoding/patching by Matt Vernon |
gd1976-07-14.154388.sbd.1gen.miller.t.flac16 | |
1976-07-14 | Orpheum Theatre |
154388 | flac1644; SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 - This is 153042 2448 > 1644 |
gd1976-07-16.123477.ecm270.menke.miller.flac16 | |
1976-07-16 | Orpheum Theatre |
123477 | flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller |
gd76-07-16.menke.cribbs.16943.sbeok.shnf | |
1976-07-16 | Orpheum Theatre |
16943 | Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony; MAC > DAT > CD, except U.S. Blues encore, which is MAC > R > DAT > CD (Menke could not locate his master recording of the encore when this new transfer was done). EAC> WAV> SHN by Sean Cribbs |
gd76-07-16.set1aud-set2sbd.miller.23569.sbeok.shnf | |
1976-07-16 | Orpheum Theatre |
23569 | Set 1 Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152) -> Dat -> CD -> EAC -> SHN (Recorded by Bob Menke)Same md5's as prior seed; Set 2 Recording Info: SBD -> Master Reel -> Master Dat (44.1k)Transfer Info: Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Transferred and Patched By Charlie Miller; See txt file for patch detail |
gd1976-07-16.aud.menke.10377.sbeok.shnf | |
1976-07-16 | Orpheum Theatre |
10377 | Sony ECM 280 Sony TC-152 Cm (update: taped by Bob Menke using Dr. Rob Bertrando's mics - Front of Balcony) > R > C > DAT; via Dave Minor, Dale Shepherd; Seeded to etree by Matt Vernon |
gd1976-07-16.fob.sonyECM180.menke.ashley-bertha.8666.sbeok.shnf | |
1976-07-16 | Orpheum Theatre |
8666 | AUD : MC (FOBalcony SonyECM-180 > SonyTC-152 -update: taped by Bob Menke using Rob Bertrando's mics) > R > DAT > DAW (Bertha by Jay Ashley) > CD |
gd1976-07-16.mtx.dan.28042.sbeok.flac16 | |
1976-07-16 | Orpheum Theatre |
28042 | flac16; SBD + AUD Matrix Mix (50% SBD/50% AUD), seeded by Dan |
gd1976-07-16.mtx.dts.dan.30698.flac16 | |
1976-07-16 | Orpheum Theatre |
30698 | Set 2 DTS-Audio-CD 5.1 Mix via Dan |
gd1976-07-16.set-2.sbd.bertha-ashley.27488.sbeok.shnf | |
1976-07-16 | Orpheum Theatre |
27488 | Bertha remaster of Set 2 of Charlie Miller's seed; SBD> MR> DAT> SHN> DAW(Bertha)> CDA/SHN; note parens in filenames |
gd1976-07-17.mtx.chappell.sb25.95734.flac16 | |
1976-07-17 | Orpheum Theatre |
95734 | flac16; Sick Bits Vol. 25 - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=34708) + AUD (shnid=18389). Matrixed by Chris Chappell. |
gd1976-07-17.141966.ecm270.menke-miller.flac1644 | |
1976-07-17 | Orpheum Theatre |
141966 | flac Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC (3 Discs Audio / 1 DVD FLAC) Recorded By Bob Menke All Transfers and Mastering By Charlie Miller |
gd76-07-17.menke.minches.18389.sbeok.shnf | |
1976-07-17 | Orpheum Theatre |
18389 | Recorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN via David Minches |
gd76-07-17.sbd.unknown.243.sbeok.shnf | |
1976-07-17 | Orpheum Theatre |
243 | SBD: Master Reel > DAT > CD (possible "new leak"?); Eyes has a 45-second AUD splice, and 2 sec repeat at 3:30 (is that the splice point?); via J. Fricker |
gd1976-07-17.157427.mtx.motb.0201.flac16 | |
1976-07-17 | Orpheum Theatre |
157427 | flac1644 Analog Soundboard Source: gd76-07-17.sbd.34708 Analog Audience Source: ECM 280's 152 Medium Stock Brands: MAC = TDK SA c90's Analog Sound Preservation: MAC > Nak DR-1 > Korg at 5.6 mhz |
gd1976-07-17.sbd.fricker-fix.tetzeli.34708.sbefail.flac16 | |
1976-07-17 | Orpheum Theatre |
34708 | Fix of shn id 243 - patch in Eyes of the World smoothed out (MSR>DAT>CD>EAC>SHN) |
gd1976-07-17.mtx.chappell-bertrando.91827.sbeok.flac16 | |
1976-07-17 | Orpheum Theatre |
91827 | flac16; Matrix: SBD Source: shnid=34708; AUD Source: shnid=18389 : Matrix created by Chris Chappell. Final matrix seed discs provided by Rob Betrando. EAC > FLAC by Noah Weiner (May 2008) |
gd1976-07-18.150187.pre-fm.miller.flac1644 | |
1976-07-18 | Orpheum Theatre |
150187 | flac16; Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller |
gd1976-07-18.150770.remastered.miller.flac1644 | |
1976-07-18 | Orpheum Theatre |
150770 | flac16; Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; This is a remastered version of source ID 150187 (fixes previous issues) |
gd1976-07-18.pre-fm.kbfh.berger.107832.flac16 | |
1976-07-18 | Orpheum Theater |
107833 | flac24; source: Pre FM 7" 1/2 track reel @ 7.5 ips, no nr Michael Schuncke's DIR broadcast reels, transfer by Rob Berger |
gd1976-07-18.pre-fm.kbfh.berger.107833.flac24 | |
1976-07-18 | Orpheum Theater |
gd76-07-18.sbd.ferguson.244.sbeok.shnf | |
1976-07-18 | Orpheum Theatre |
244 | SBD > ??? > CDR > CDR > SHN (via EAC and mkwACT); via M. Ferguson; no digiflaws, some amplifier hum, "dead air" spaces cut |
gd76-07-18.sbd.bertha.14838.sbeok.shnf | |
1976-07-18 | Orpheum Theatre |
14838 | S : PreFM > MR > PCM > DAT > CDA > DAW (Bertha) > CDA - d1t01 and d3 S : FM > R > DAT > CDA > DAW (Bertha) > CDA - d1t02-d2t07 Bertha Remaster by jashley@deadacated.com Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. |
gd1976-08-02.132697.aud.gatto.wise.flac16 | |
1976-08-02 | Colt Park |
132697 | flac16; Cassette Audience Master recorded By Keith Gatto; Shure SM 94 microphones-Sony TC 152sd Cassette Recorder; Analog to Digital:Cassette Masters played back on Sony TC 152sd-DAT; Transfer by Keith Gatto; DAT-CD JW; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6); CD-WAV-FLAC(dBpoweramp music converter)-Tagging(Tag & Re-name) by Jim Wise |
gd1976-08-02.152092.aud.petrunis.andrewf.flac2448 | |
1976-08-02 | Colt Park |
152092 | flac2448 ; Source: Mono Sony hand-held recorder (model unknown) > Memorex MRX-2 C90's (normal bias). Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2021 |
gd1976-08-02.141900.SonyECM99A.warburton.lee.smith.sirmick.fixed.flac2496 | |
1976-08-02 | Colt Park |
141900 | flac24; Source: Sony ECM 99A > Sony TC 152 > Cassette Master > reel - Recorded by Jimmy Warburton and provided by Pat Lee; Transfer: Baked reel > Technics 1506 > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; the original files were 16 bit/ 96kHz; please don't circulate those files |
gd76-08-02.gatto.aj.245.sbeok.shnf | |
1976-08-02 | Colt Park |
245 | K. Gatto's AUD (Sony tc-152 cassette> DAT> CD); seed via J. Wise, T. OConnell et al; EAC, shn, upload by A. Jerugim |
gd1976-08-02.141900.SonyECM99A.warburton.lee.smith.sirmick.flac1696 | |
1976-08-02 | Colt Park |
gd1976-08-02.145157.sony.ecm99a.warburton.lee.smith.sirmick.flac1644 | |
1976-08-02 | Colt Park |
145157 | flac16; Source: Sony ECM 99A > Sony TC 152 > Cassette Master > reel - Recorded by Jimmy Warburton and provided by Pat Lee; Transfer: Baked reel > Technics 1506 > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; 24 > 16 by Norm |
gd1976-08-02.fob.singer.motb-1.81456.sbeok.flac16 | |
1976-08-02 | Colt Park |
81456 | flac16; Source: Audience FOB Recording Media: Maxell UD-XL1 C90 Master Tapes Lineage: MAC? (we can't for sure indicate that this is a master cassette, this might be a 1st gen copy) > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak 24/96 wav > FLAC > WAV > See Editing notes Taped by: E. Singer Transfer by: Derek McCabe Mastered by: SIRMick |
gd1976-08-02.fob.singer.motb-1.81971.sbeok.flac24 | |
1976-08-02 | Colt Park |
81971 | flac24/96; Taper: E. Singer Source: FOB (mics ??? either Senn441s or AKG ???) Uher CR-134 > Maxell UD-XL1 C90min. Lineage: Transfer: MAC > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak (24/96 WAV) by D.McCabe. Mastering: SIRMick |
gd1976-08-04.127240.mtx.tobin.flac16 | |
1976-08-04 | Roosevelt Stadium |
127240 | flac16; Matrix 3 Source Mix - SBD (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin + AUD1 (shn id 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon + VID (no shn id) used for patching and timing reference - matrix mixing by Kevin Tobin |
gd1976-08-04.127249.upg-sbd.tobin.flac16 | |
1976-08-04 | Roosevelt Stadium |
127249 | flac16; (original shn 35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford - pitch correction and patches by Kevin Tobin |
gd1976-08-04.127254.dts.tobin.flac16 | |
1976-08-04 | Roosevelt Stadium |
127254 | DTS-Audio-CD 5.1 Mix; Matrix 3 Source Mix - SBD (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin + AUD1 (shn id 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon + VID (no shn id) used for patching and timing reference - matrix mixing by Kevin Tobin |
gd1976-08-04.upg-aud.tobin.127248.flac16 | |
1976-08-04 | Roosevelt Stadium |
127248 | flac16; (original shnid = 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon - pitch correction and patches by Kevin Tobin |
gd1976-08-04.152165.aud.petrunis.af.flac2448 | |
1976-08-04 | Roosevelt Stadium |
152165 | flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK-SD (normal bias) back-up tapes. Concert recording by Rich Petrunis. Transfer: 1st-gen > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2021 |
gd1976-08-04.sbd.berger.99697.flac24 | |
1976-08-04 | Roosevelt Stadium |
99697 | flac24; source: sbd 2nd gen reel; lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe>flac |
gd1976-08-04.sbd.berger.99698.flac16 | |
1976-08-04 | Roosevelt Stadium |
99698 | flac16; source: sbd 2nd gen reel; lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe 16/44>flac |
gd76-08-04.jones.vernon.12078.sbeok.shnf | |
1976-08-04 | Roosevelt Stadium |
12078 | Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon |
gd76-08-04.sbd.cotsman.12830.sbeok.shnf | |
1976-08-04 | Roosevelt Stadium |
12830 | SBD> MR> C> D> CD> EAC> SHN; with patches from AUD> MC> D> CD> EAC> SHN; see info file for details; Thanks to Chuck Gannon, Matt Vernon, and David Backus; edits/encoding by JCotsman |
gd1976-08-04.sbd.backus.6677.shnf | |
1976-08-04 | Roosevelt Stadium |
6677 | MSR-> C-> DAT-> CDR-> EAC-> SHN V.3; via Dave of Terrapin Station FTP; see info file for flaw notes; upgrade in circulation |
gd1976-08-04.120684.mtx.dusborne.flac16 | |
1976-08-04 | Roosevelt Stadium |
120684 | flac16; 2 source matrix: Soundboard (shnid=99697) lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe>flac transferred & seeded by Rob Berger 6/22/09 and Audience (shnid=12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore Transfer: CDR > EAC (secure) > Cool Edit (minor fixup) > mkwact(seekable) Patch Source (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN (Tape Flips Patched w/(FOB) Shure Mics>Cm>Dat>CD) (parts of set 1 patched from video soundtrack) from Charlie Miller via Patrick Clifford Matrix by dusborne using Sound Forge Pro 10.0 and Audacity 2.0 06-11-2012 |
gd1976-08-04.145268.5-1.tobin.flac1648 | |
1976-08-04 | Roosevelt Stadium |
145268 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin + AUD1 (shn id 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon + VID (no shn id) used for patching and timing reference - surround mixing by Kevin Tobin |
gd1976-08-04.sbd.miller-tobin.35171.flac | |
1976-08-04 | Roosevelt Stadium |
35171 | flac16; SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin |
gd1976-08-26.140933.studio.bershaw.flac1644 | |
1976-08-26 | Club Front Studio |
140933 | flac16; source/lineage: studio reel -> ? -> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda -> Logic Pro -> wav -> xAct -> flac |
gd76-09-23.sbd.backus.14687.sbeok.shnf | |
1976-09-23 | Cameron Indoor Stadium, Duke U |
14687 | Primary source - SBD: Cm-> C-> Cx2-> DAT-> CDR->EAC->SHN Aud patch sources: AUD: Cm->?-> C-> DAT-> CDR. DAE and shn encoding done by D.Backus |
gd1976-09-24.147381.aud-unk.flac1644 | |
1976-09-24 | College Of William & Mary Hall |
147381 | flac16; Source: AUD of unknown lineage > lo-gen cassette via Richie & Rip. Transfer: BASF Pro-II Chrome (c.1977/78) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2019 |
gd76-09-24.aud.unknown.16901.sbeok.shnf | |
1976-09-24 | William and Mary College Hall |
16901 | AUD Reel > 48kDATs > midiman delta dio 2496 > cooledit2000 > wav >shn |
gd1976-09-25.147662.aud.jones.flac1644 | |
1976-09-25 | Capital Centre |
147662 | flac16; AUD; Presumed source: Shure SM-57's > Sony TC-158SD, concert recording by Scott Jones, MAC > C > C (2nd Gen, c.1978) cassettes via Lee Maddex. Transfering: 2007; Maxell XLII-90's > JVC TD-W309 > Tascam CDRW-700 > CDR. 2019: CDR > EAC > Wavelab > CD-Wave > FLAC 1644 tagged. |
gd1976-09-25.148826.shure.sm57.sublette.miller.clugston.flac1648 | |
1976-09-25 | Capital Centre |
148826 | flac16/48kHz; Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1976-09-25.148827.shure.sm57.sublette.miller.clugston.flac2496 | |
1976-09-25 | Capital Centre |
148827 | flac24; Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2019 > TLH flac2496 |
gd1976-09-25.sbd.vernon.10511.shnf | |
1976-09-25 | Capital Centre |
10511 | Dick's Picks 20 leftovers: 9/25/76 Its All Over Now, plus 9/28/76 Bertha; SBD > MR > ? > CDR> EAC (secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable); via Matt Vernon with thanks to Raoul Duke |
gd76-09-25.sbd.aj.246.sbefail.shnf | |
1976-09-25 | Capital Centre |
246 | SBDMR> CASS/1> DAT> CD> EAC> SHN; via A. Jerugim; known flaws: 1 sec distortion d3t3 6:22; Sunshine Daydream cuts @0:27; 4/26 update- error in d1- reseeded ~4/27; this date later released as part of Dick's Picks 20 |
gd76-09-27.aud.parrillo.3821.sbeok.shnf | |
1976-09-27 | Community War Memorial Auditorium |
3821 | Sony ECM-33Ps> Sony TC-152 (Cass. master)> DAT> CDR> EAC> Sound Forge (no sound processing)> SHN; via Mike "dankstar" Parrillo; to etree and abgd; update- not taped by Jerry Moore |
gd1976-09-28.set2.aud.unknown.andrewf.100071.flac16 | |
1976-09-28 | Onondaga County War Memorial |
100071 | flac16; Set 2 only Source: AUD of unknown lineage, Transfer: TDK SA-90 (c1979) > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F. |
gd1976-09-28.sbd.vernon.10512.shnf | |
1976-09-28 | Onondaga County War Memorial |
10512 | Dick's Picks 20 leftovers: 9/25/76 Its All Over Now, plus 9/28/76 Bertha; SBD > MR > ? > CDR> EAC (secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable); via Matt Vernon with thanks to Raoul Duke |
gd76-09-28.aud.vernon.14356.sbeok.shnf | |
1976-09-28 | Onongada County War Memorial |
14356 | Source: Unknown aud (FOB) via Dave Minor patched with SBD. DAT > SHN transfer by Dale Shepherd, shn encoding, pitch correction and patching by Matt vernon |
gd76-09-28.sbd.vernon.14355.sbeok.shnf | |
1976-09-28 | Onongada County War Memorial |
14355 | Source: SBD > ? > SHN > Cool Edit(see notes) > CDWAV > mkwact(seekable). shn encoding and patching (unkown FOB aud)by Matt Vernon |
gd1976-09-30.137537.mtx.dusborne.flac16 | |
1976-09-30 | Mershon Auditorium, OSU |
137537 | flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:030225+018107), Disc 1 & 3 lineage: (30225) SBD > MR > DAT > CD > EAC > SHN, Disc 2 Lineage:(18107) SBD > Rm > Dat > Sonic Solutions>CD > EAC > SHN; Audience (shnid:11939) FOB - AUD master cass > Cass > DAT > CD > EAC > SHN |
gd1976-09-30.sbd.18107.shnf | |
1976-09-30 | Mershon Auditorium, OSU |
18107 | Partial Set 1,2 SBD>Rm>Dat>Sonic Solutions>CD>EAC>SHN via Charlie Miller |
gd76-09-30.fob-patched.unknown.11939.sbeok.shnf | |
1976-09-30 | Mershon Auditorium, OSU |
11939 | FOB - AUD master cass > Cass > DAT > CD; Scarlet from: SBD master reel > PCM > cass > CD; See info file for details; via Jonathan Miller; Seeded to etree by Dave Backus |
gd1976-10-01.sbd.miller.112800.flac16 | |
1976-10-01 | Market Square Arena |
112800 | flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1976-10-01.aud.unknown.118467.flac2496 | |
1976-10-01 | Market Square Arena |
118467 | flac24; SRC: Unknown AUD (likely FOB); Lineage: Nakamichi DR-1 > Tascam HD-P2 > 24 bit/96 khz WAV > FLAC |
gd1976-10-01.aud.unknown.118468.flac16 | |
1976-10-01 | Market Square Arena |
118468 | flac16; SRC: Unknown AUD (likely FOB) > C; Lineage: Nakamichi DR-1 > Tascam HD-P2 > 24 bit/96 khz WAV > minor editing (see below) > downsampling in r8brain Pro to 44.1 khz > dithered using Ozone 3 plugin (MBIT+) > exported to 16 bit in Samplitude 11 Producer > FLAC |
gd76-10-01.moore.weiner.14558.sbeok.shnf | |
1976-10-01 | Market Square Arena |
14558 | AudMC > DAT > WAV > SHN -- Recorded by Jerry Moore about 20 rows from the stage on center axis with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON. |
gd1976-10-01.sbd.miller.111819.flac16 | |
1976-10-01 | Market Square Arena |
111819 | flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; Transferred and Mastered by David Gans; Re-tracked and converted to FLAC By Charlie Miller |
gd1976-10-01.137657.mtx.dusborne.flac16 | |
1976-10-01 | Market Square Arena |
137657 | flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:112800), Recording Info: SBD -> Master Reel -> Dat -> CD,Transfer Info:CD -> Samplitude Professional v11.2 -> FLAC, All Transfers and Mastering By Charlie Miller; Audience (shnid:118467), SRC: Unknown AUD (likely FOB),Lineage: Nakamichi DR-1 >Tascam HD-P2 > 24 bit/96 khz WAV > FLAC |
gd1976-10-02.134416.aud.moore.weiner.droncit.flac16 | |
1976-10-02 | Riverfront Arena |
134416 | flac16; restored version of source ID 14560: AudMC > DAT > WAV > SHN; Recorded by Jerry Moore on the left side, maybe a third of the way out from the stage and two thirds in front of center court, about 20 rows off the floor with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON;multi-filter with a paragraphic equalizer, three virtual valve amplifers, one dynamic noise filter in enhancer mode and a spectral filter for final equalization; see info file for details |
gd76-10-02.moore.weiner.14560.sbeok.shnf | |
1976-10-02 | Riverfront Arena |
14560 | AudMC > DAT > WAV > SHN taped by Jerry Moore with 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON. A>D and shn encoding by Noah Weiner. |
gd1976-10-03.set2.sbd.jim.12829.shnf | |
1976-10-03 | Cobo Arena |
12829 | set2; SBD> MR> C> DAT> CDR> WAV> SHN; EAC/SHN by jim; upgrade in circulation |
gd1976-10-03.121945.s2.sbd.miller.flac16 | |
1976-10-03 | Cobo Arena |
121945 | flac16; Set 2 Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascm SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd76-10-03.aud.weiner.19415.sbeok.shnf | |
1976-10-03 | Cobo Arena |
19415 | SET ONE: AUD > ? > CD > EAC > SHN edits/encoding by JCotsman. Taken from this version. SET TWO: AUD > ? > CASS > DAT > WAV > SHN A > D by Noah Weiner - August, 2003. Added to etree by Noah Weiner. |
gd76-10-03.sbd-aud.cotsman.12832.sbeok.shnf | |
1976-10-03 | Cobo Arena |
12832 | complete; 1st set: AUD> ?> CD> EAC> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; with patches in second set from the audience recording as well as an FM SBD; Thanks to Jeff Cook, Doug Moog; edits/encoding by JCotsman |
gd1976-10-09.sbd.unknown.249.sbeok.shnf | |
1976-10-09 | Oakland-Alameda County Coliseum |
249 | partial; S:GDH PreFM DAT> ZA2> DartPro32 de-hiss w/ 2.7 gain> CD> EAC> SHN; No noise reduction on disc 2; via D. Hollister, J. Ayers; w/ 5/1/70 filler; etreed 3/24/00; 5/1/70 filler |
gd76-10-09.aud.vernon.10179.sbeok.shnf | |
1976-10-09 | Oakland-Alameda County Coliseum |
10179 | Unknown aud > ? > DAT; via Dave Minor; Transfer by Marc Pujol; Seeded to etree by Matt Vernon |
gd76-10-09.set2-sbd.miller.12519.sbeok.shnf | |
1976-10-09 | Oakland-Alameda County Coliseum |
12519 | Set 2; SBD>Rm>Dat>Sonic Solutions>CD; Seeded to etree by Charlie Miller |
gd1976-10-09.aud.falanga.berger.99002.flac24 | |
1976-10-09 | Oakland-Alameda County Coliseum Stadium |
99002 | flac24; master taped by Louis Falanga on a sony tc-152sd lineage: MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac agfa reel baked/transferred/seeded by Rob Berger |
gd1976-10-09.aud.falanga.berger.99003.flac16 | |
1976-10-09 | Oakland-Alameda County Coliseum Stadium |
99003 | flac16; master taped by Louis Falanga on a sony tc-152sd lineage: MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 16/44>flac agfa reel baked/transferred/seeded by Rob Berger |
gd1976-10-10.155807.sony-ecm-220-ecm-280.holwein.sirmick.remaster.flac16 | |
1976-10-10 | Oakland-Alameda County Coliseum |
155807 | flac16/44 Source: Sony ECM-220 + Sony ECM-280 > Sony TC-15 > Master Audio Casstte - Recorded by Reinhardt Hollwein Lineage: Master Audio Casstte > DAT > CD > EAC (secure) > Cool Edit (minor fixes) > mkwact (seekable) > shn Additional Lineage: Decoded SHN > Wav > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 16 edited and remastered SIRMick February 2022 |
gd76-10-10.hollwein.vernon.11670.sbeok.shnf | |
1976-10-10 | Oakland-Alameda County Coliseum |
11670 | Reinhardt Hollwein Sony ECM-220 + Sony ECM-280>Sony TC-15; via JackySack; Seeded to etree by Matt Vernon |
gd76-10-10.sbd.clugston.3381.sbeok.shnf | |
1976-10-10 | Oakland-Alameda County Coliseum |
3381 | Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; tracked for 2x80 |
gd1976-10-10.155765.aud.wizardo.miller.flac1644 | |
1976-10-10 | Oakland-Alameda County Coliseum |
155765 | Recording Info:
(FOB) Unknown Mics > Cassette Master (Uher Deck)
Mastering Info: WAV (16-bit/44.1k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/16 |
gd1976-10-14.143276.set2.sbd.goodbear.shnf | |
1976-10-14 | Shrine Auditorium |
143276 | SBD MR > C1 > DAT |
gd76-10-14.bertrando.vernon.12079.sbeok.shnf | |
1976-10-14 | Shrine Auditorium |
12079 | Source: MAC>R>D > ? > D, Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152; via Dave Minor; Dat transfer by Marc Pujol; Seeded to etree by Matt Vernon |
gd76-10-14.sbd.cotsman.12614.sbeok.shnf | |
1976-10-14 | Shrine Auditorium |
12614 | composite and patched: AUD> MC> R> D> ?> D> CD> EAC> SHN (Bertrando recording) plus SBD> MR> D> CD> EAC> SHN; see notes; via Jeff Cotsman |
gd1976-10-14.157426.aud.motb.0240.flac16 | |
1976-10-14 | Shrine Auditorium |
157426 | Flac16: Analog Audience Source: Sony ECM 270 Microphones -> Sony TC 152SD Medium Stock Brands: Nakamichi CRO-2 tapes X 3 Analog Sound Preservation: MAC -> CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg MR 2000 at 5.6 mhz Recorded by: Bob Menke, Transferred by: Bob Menke, Mastering by: Derek McCabe |
gd76-10-15.bertrando.vernon.11655.sbeok.shnf | |
1976-10-15 | Shrine Auditorium |
11655 | Source: Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152 Lineage: MAC>D>CD; via JackySack; Seeded to etree by Matt Vernon |
gd76-10-15.sbd.sacks.251.sbefail.shnf | |
1976-10-15 | Shrine Auditorium |
251 | MSR> DATs> CDRs> EAC> SHN; via D. Sacks; Flaws: Slight digi-static at beginning of Might as well; Mama Tried Cut at beginning; reel flip at @ 2:18 in Lazy Lightning; Splice @ 2:00 in Samson |
gd1976-10-15.fob.sonyecm270.menke.motb-0125.105824.flac16 | |
1976-10-15 | Shrine Auditorium |
105824 | flac16; Sony ECM 270's >> Sony TC 152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe |
gd1976-12-31.152247.aud.petrunis.flac2448 | |
1976-12-31 | Cow Palace |
152247 | flac2448; Source: Mono Sony hand-held recorder (model unknown) > 3x TDK SD C90's (normal bias). Concert recording by Rich Petrunis, standing center floor about 30 feet out from the stage. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2021 |
gd76-12-31.preFM.warner.18524.20760.sbeok.shnf | |
1976-12-31 | Cow Palace |
20760 | Lineage: PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) - Fixed (pops removed) version of disk 3 of Jack Warner's "prefm" shn via Dave Winters Check the .md5s for d3t03 to see whether you have this seed or #18524. May circulate as either disc 3 solo with a short "Note added 9/1/2003", or as three discs, which is a combination of Source # 18524 and d3 from this source |
gd1976-12-31.fm.hollister.15114.shnf | |
1976-12-31 | Cow Palace |
15114 | Lineage: FM MR>SBM-1>CD>Cool Edit Pro>CD Circulating on Furthur in Feb. 2003; upgrade in circulation |