Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1979-00-00.gthroughmixes.samaritano.97925.flac16
1979-01-01Go to Heaven Sessions - Betty Cantor's Rough Mixes
97925flac16; Lineage: Unknown Studio Recording -> Sonic Solutions -> CD Transfer: CD -> EAC -> FLAC by Joe Samaritano
gd79-01-05.naks.wiley.17342.sbeok.shnf
1979-01-05The Spectrum
17342Taper Unknown: Nakamichi 300/CP1 -> Cm -> Cass -> Dat(48k)Dat (Sony R500) -> Prodif plus -> Samplitude v6.0 -> SHN ; SHN>WAV>Shntool(join)>ADWS>CD WAV>Shntool(Check/fix)>SHN(seekable)-NO DAE ; Via Charlie Miller ; remastered and seeded by T. Wiley
gd1979-01-05.156053.sony54p.wagner.miller.flac24
1979-01-05The Spectrum
156053flac2406 Recording Info: (FOB) Sony 54P > Cassette Master (Sony TC-158SD/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
gd79-01-07.aud.vernon.16467.sbeok.shnf
1979-01-07Madison Square Garden
16467AUD> MC> DAT> CDR; via Raoul Duke, encoded by Matt Vernon
gd1979-01-07.nak300-wagner.miller.87739.flac16
1979-01-07Madison Square Garden
87739flac16; Recording by Bob Wagner: Nakamichi 300/CP1 -> Cassette Master (Maxell UDXL-II/Sony TC-158) (Set 2 has a Sennheiser 441 mixed in) All Transfers and Mastering By Charlie Miller
gd79-01-08.gatto.glyde.10283.sbeok.shnf
1979-01-08Madison Square Garden
10283Recording by Keith Gatto: Nak 300's>MC>DAT>CD; via Paul; Seeded to etree by Glyde (updated lineage; had been marked Shure SM57's)
gd1979-01-08.nak300-wagner.miller.87657.flac16
1979-01-08Madison Square Garden
87657flac16; Recording by Robert Wagner: Nakamichi 300/CP1 -> Cassette Master (Maxell UDXL-II/Sony TC-158) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd79-01-10.gatto.kempka.307.sbeok.shnf
1979-01-10Nassau Coliseum
307Recording by Keith Gatto: FOB made with Nak 300's and Sony TC-158 > DAT > Soundforge > CDR > Cdparanoia > SHN; Master Cassette was played back on a Nak Dragon > Sony PCM R-700 for the A > D; via R. Donnelly, J. Kempka.
gd1979-01-10.157156.fob.3MicMix.wagner.miller.flac2496
1979-01-10Nassau Veterans Memorial Coliseum
157156flac2496 Recording Info: (FOB) (2)Sony 54P + (1)Sennheiser 441 > Namakichi 550 > Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
gd1979-01-10.157175.fob.3MicMix.wagner.miller.t.flac1644
1979-01-10Nassau Veterans Memorial Coliseum
157175flac1644; Recording Info: (FOB) (2)Sony 54P + (1)Sennheiser 441 > Namakichi 550 > Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 157156 2496 -> 1644.1
gd1979-01-10.sony-senn.wagner.miller.113114.flac16
1979-01-10Nassau Coliseum
113114flac16;Recording Info:(FOB) Sony 54P + (1) Sennheiser 441 -> Namakichi 550 -> Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded By Bob Wagner. upgrade of shnid# 77328
gd1979-01-10.125491.aud.cooper.berger.flac24
1979-01-10Nassau Coliseum
125491flac24; source: aud cassette master taped by Jim Cooper; sony ecm22p's > sony tc-158sd, dolby b; set I, end of II: TDK SA-C90's, set II: Maxell UDXLII-C90; nak dragon/b > benchmark adc1 24/96 > hd-p2 > adobe audition cs6 > flac; transferred & seeded by Rob Berger 2013
gd1979-01-10.sony-senn.wagner.minches.35023.shnf
1979-01-10Nassau Veterans Memorial Coliseum
35023Recording by Bob Wagner: Master Audience Cassette; 2 Sony ECM-4 Ps w/ Senn 421 blend> Sony 158 Transfer and SHN encoding by David Minches: Master played back on Nak Dragon> Egosys Waveterminal 2496>Art DI/O>Cool Edit 2000> SHN encoding > SHN Note: d3t02 is will not play or decompress to .wav; d3t03 is missing. upgrade now in circulation .
gd1979-01-10.125490.aud.cooper.berger.flac16
1979-01-10Nassau Coliseum
125490flac16; source: aud cassette master taped by Jim Cooper; sony ecm22p's > sony tc-158sd, dolby bset I, end of II: TDK SA-C90's, set II: Maxell UDXLII-C90; nak dragon/b > benchmark adc1 24/96 > hd-p2 > adobe audition cs6 > 16/44.1 > flac; transferred & seeded by Rob Berger 2013
gd1979-01-10.sony.senn.wagner.miller.113446.flac24
1979-01-10Nassau Coliseum
113446flac24;Recording Info:(FOB) Sony 54P + (1) Sennheiser 441 -> Namakichi 550 -> Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded By Bob Wagner
gd79-01-11.gatto.kempka.308.sbeok.shnf
1979-01-11Nassau Coliseum
308Recording by Keith Gatto: FOB (Nak 300's > Sony TC-158 )Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Master Cassette was played back on a Nak Dragon > Sony PCM R-700 for the A > D; via R. Donnelly for, J. Kempka
gd1979-01-11.sbd.miller.102430.flac16
1979-01-11Nassau Coliseum
102430flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; upgrade in circulation
gd1979-01-11.sbd.miller.fix-102430.102446.flac16
1979-01-11Nassau Coliseum
102446flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; This version has a fixed He's Gone; All Mastering By Charlie Miller
gd1979-01-11.132250.aud.fob.nak-300.flac16
1979-01-11Nassau Veterans Memorial Coliseum
132250flac16/48kHz; Cassette Audience Master Recorded By Dr Keith J. Gatto; Nakamichi CM-300 Electret Condenser Microphones -Sony TCD 158 Cassette Recorder Location @ FOB; Analog to Digital Transfer by Keith Gatto: Cassette Master played back on Sony TC-158 SD to a "Unknown Model" DAT deck @ 48KHz (circa 1991); Original zero gen DAT played back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-32 bit float 48KHz WAV; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); Digital Transfer,Editing & Processing performed in the 32 bit float digital domain By JW
gd1979-01-11.125492.aud.cooper.berger.flac16
1979-01-11Nassau Veterans Memorial Coliseum
125492flac16; source: aud cassette master taped by Jim Cooper; sony ecm22p's > sony tc-158sd, dolby b; set I, end of II: TDK SA-C90's, set II: Maxell UDXLII-C90; nak dragon/b > benchmark adc1 24/96 > hd-p2 > adobe audition cs6 16/44.1 > flac; transferred & seeded by Rob Berger 2013
gd1979-01-11.125493.aud.cooper.berger.flac24
1979-01-11Nassau Veterans Memorial Coliseum
125493flac24; source: aud cassette master taped by Jim Cooper; sony ecm22p's > sony tc-158sd, dolby b; set I, end of II: TDK SA-C90's, set II: Maxell UDXLII-C90; nak dragon/b > benchmark adc1 24/96 > hd-p2 > adobe audition cs6 > flac; transferred & seeded by Rob Berger 2013
gd79-01-12.claridge.kempka.309.sbeok.shnf
1979-01-12The Spectrum
309Recording by E. Claridge: Split 30' on the balcony with Sony ECM-280 mics > Sony TC158: Transfer: FOB Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Digital Remaster by J. Wise; via R. Donnelly, J. Kempka
gd1979-01-12.132217.aud.wise-claridge.fob.sony.ecm-280.flac16
1979-01-12The Spectrum
132217flac16/48kHz; Cassette Audience Master Recorded 12'th Row FOB Dead Center by Eddie Claridge & Jim Wise; Sony ECM 280 Cardioid Condenser Microphones-Stand Mounted-Sony TC 158 Cassette Recorder; Analog-Digital Transfer: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Sony PCM R-700 DAT @ 48 kHz (original A-D by J.W. circa 1991); DAT Master played back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-16 bit 48KHz WAV; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-tagging(Tag & Re-name)By J.W. :November 2014
gd1979-01-12.152537.s2-unknown-onemoreshot.shnf
1979-01-12The Spectrum
152537Unknown audience recording - set 2 only; downloaded from a.b.gd 01/03;
gd79-01-14.nak300.wiley-miller.18460.sbeok.shnf
1979-01-14Utica Memorial Coliseum
18460Taper unknown: (FOB) Nakamichi 300/CP1 -> Cm -> Cass -> Cass -> Cass -> Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN > WAV>Shntool(join)>ADWS>CD WAV>Shntool(check)>SHN(seekable) ; Via Charlie Miller ; Remastered by T. Wiley 07/16/2003.
gd79-01-15.rolfe.wise-cohen.310.sbeok.shnf
1979-01-15Springfield Civic Center
310Recording by Steve Rolfe: Nakamichi 300's w/Cardoid Capsules (one mic was pointed at the PA (left or right) and the other at the drums)> Master Audience Cassette > Sony TC158 > DAT > (J. Wise's 10dB noise reduction, bass boost @ 125Hz)> Tascam DA302 > HHB 850> Soundforge > CDR> 1 CD> Mac Plextor/ Toast> SHN; via A. Cohen; ; upgrade now in circulation.
gd1979-01-15.nak300.rolfe.miller.90095.sbeok.flac16
1979-01-15Springfield Civic Center Arena
90095flac16; Recording by Steve Rolfe :(FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1979-01-15.nak300.rolfe.miller.90100.flac24
1979-01-15Springfield Civic Center Arena
90100flac24; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC/24 All Transfers and Mastering By Charlie Miller
gd1979-01-15.111592.mtx.chappell.sb32.flac16
1979-01-15Springfield Civic Center
111592flac16; Sick Bits Vol. 32 - matrix by Chris Chappell; Source: SBD: (shnid 102389) via Charlie Miller; AUD: (shnid 90095) recorded by Steve Rolfe via Charlie Miller
gd1979-01-15.nak300-rolfe.keshevan-wise.4669.shnf
1979-01-15Springfield Civic Center
4669Recording by Steve Rolfe: Nakamichi 300's w/Cardoid Capsules > Master Audience Cassette > Sony TC158; Played back on a Nak DR1 > Sony PCMR500 DAT with SBM ON @ 48KHz > (done by Rango Keshavan); Soundforge (noise reduction, bass boost) > CDR (done by Jim Wise) > EAC > SHN; see info file for additional details;; upgrade now in circulation.
gd1979-01-15.147805.1st.set.2partial.fob.shure.sm57.sublette.miller.clugston.flac1648
1979-01-15Springfield Civic Center
147805flac16/48kHz; 1st Set, 2nd Set partial Recording Info: Kathy Sublette's Master (FOB)Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1979-01-15.147806.1st.set.2partial.fob.shure.sm57.sublette.miller.clugston.flac2496
1979-01-15Springfield Civic Center
147806flac24; 1st Set, 2nd Set partial Recording Info: Kathy Sublette's Master (FOB)Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1979-01-15.all.aud-rolfe.127556.flac1644
1979-01-15Springfield Civic Center
127556flac16; Recorded by Steve Rolfe: Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B); Section 61 Row S Seat 7; Transfer and masteringg by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 6.0> FLAC encoding
gd1979-01-15.sbd.miller.102389.flac16
1979-01-15Springfield Civic Center
102389flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; All Mastering By Charlie Miller
gd79-01-17.rolfe.pujol-vernon.12200.sbeok.shnf
1979-01-17Veterans' Memorial Coliseum
12200Updated lineage: Recording by Steve Rolfe:TEAC PC-10 with nak 300 mic's pole-mounted fob; via Dave Minor; seeded to etree by Marc Pujol & Matt Vernon (had been marked as Nak 700 mics); upgrade now in circulation.
gd1979-01-17.sbd.miller.102443.flac16
1979-01-17Veterans' Memorial Coliseum
102443flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller
gd1979-01-17.nakcm300-glassberg.egert.sirmick.motb23.83831.flac16
1979-01-17New Haven Coliseum
83831flac16; Recording by Barry Glassberg: Source: Audience FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick
gd1979-01-17.sbd.mhg.77208.flac16
1979-01-17Veterans Memorial Coliseum
77208flac16; SBD: MC > EQ > CDR > EAC > SHN > > FLAC patched w/ shn id 1220;; upgrade now in circulation.
gd79-01-18.rolfe.vernon.17175.sbeok.shnf
1979-01-18Providence Civic Center
17175Updated lineage: Recording by Steve Rolfe: TEAC PC-10 with nak 300 mic's fob encoded by Matt Vernon (had been marked nak 700 mics)
gd79-01-18.senn.fishman.13058.sbeok.shnf
1979-01-18Providence Civic Center
13058Source: FOB AUD Master Cassette > DAT >CD-R > SHN. Mikes are allegedly Sennheiser 441's via Fishman
gd1979-01-18.nak300.rolfe.miller.100209.sbeok.flac16
1979-01-18Providence Civic Center
100209flac16; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Maxell UDXLI/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Steve Rolfe
gd1979-01-18.nak300.rolfe.miller.100210.flac24
1979-01-18Providence Civic Center
100210flac24; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Maxell UDXLI/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Steve Rolfe
gd1979-01-18.sbd.miller.102444.flac16
1979-01-18Providence Civic Center
102444flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller
gd1979-01-18.sbd.miller.fix-102444.103186.flac16
1979-01-18Providence Civic Center
103186flac16; SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; This is an upgrade/fix to source ID 102444
gd1979-01-18.akg-shure.friend.andrewf.106899.flac24
1979-01-18Providence Civic Center
106899flac24; FOB AUD: AKG D200E (left mic) plus Shure Dynamic (right mic) > Sony TC-153SD > Maxell UD-XLII 90's. Mics on stand, set up FOB floor "dead center" Sec 5 Row H, taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > TLH > FLAC 2496 Tagged. Transfer by Andrew F. 03/2010
gd1979-01-18.akg-shure.friend.andrewf.106900.flac16
1979-01-18Providence Civic Center
106900flac16; FOB AUD: AKG D200E (left mic) plus Shure Dynamic (right mic) > Sony TC-153SD > Maxell UD-XLII 90's. Mics on stand, set up FOB floor "dead center" Sec 5 Row H, taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 03/2010
gd79-01-20.naks.moore.12575.sbeok.shnf
1979-01-20Shea's Buffalo Theater
12575AUDMC > DAT > CD Recorded by Jerry Moore, NAK 700's > Sony TC-D5M from the 6th row center, mics very high up on pole. A > D by Mark Cohen - EAC > SHN by Noah Weiner. A previous digitization of this show was found to have digital errors (clicks and ticks), thus the redo;; upgrade now in circulation.
gd1979-01-20.fob.nak700.moore.miller.99385.sbeok.flac16
1979-01-20Shea's Theatre
99385flac16; Recording Info: (FOB/6th Row) Nakamichi 700 (Sony D5/Dolby B) -> Cassette Master -> Dat -> CD -> FLAC Transfer Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; Recorded By Jerry Moore; All Transfers and Mastering By Charlie Miller; This is a remaster of source ID 86374
gd1979-01-20.aud.claridge.wise.312.sbeok.shnf
1979-01-20Shea's Theater
312Recording by Eddie Claridge: FOB (Split 30' on the balcony with Sony ECM-280 mics > Sony tc158) Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Digital Remaster by Jim Wise; via Robert Donnelly, Jeff Kempka
gd1979-01-20.110977.nak700-moore.berger.flac24
1979-01-20Shea's Buffalo Theater
110977flac24; source: aud cassette master taped by Jerry Moore from 6th row center; lineage: aud>nak 700's>sony d5 or tc-153; tdk sa-90's, dolby b; transfer: nak dragon/b>hd-p2 24/96>hard drive> adobe audition 2.0 (levels, edits)>cd wave>tlh flac level 8; transferred & seeded by Rob Berger
gd1979-01-20.nak700.moore.bertha.100025.flac16
1979-01-20Shea's Theatre
100025flac16; AUD>>MC>>DAT>>CDA>>FLAC>>DAW(Bertha)>>FLAC; Bertha Remaster of Jerry Moore's Master Cassette source (shn ID 99385)
gd1979-01-20.nak700.moore.miller.19413.sbeok.shnf
1979-01-20Shea's Theater
19413updated source info: AUDMC > DAT > CD Recorded by Jerry Moore, NAK 700's > Sony TC-D5M from the 6th row center, mics very high up on pole>PCM>Dat>Samplitude>Cool Edit Pro>CD Transfer Info: Sony R500>Prodif Plus>Samplitude 2496 v6.0>Cool Edit Pro v2.0>SHN via Charlie Miller : upgrade now in circulation .
gd1979-01-20.nak700-moore.berger-tallmadge.86374.flac16
1979-01-20Shea's Theater
86374flac16; source: aud cassette master Nak 700's>Sony d5 w/dolby, 6th row center taped by Jerry Moore lineage: c.m.>dat>cdr>eac>cd wave>flac (c.m. played back w/correct eq setting...) transfered '99/encoded by Rob Berger tracked by Johnny(rider) Tallmadge
gd1979-01-20.124861.eywood.flac16
1979-01-20Shea's Buffalo Theater
124861flac16; Source: FOB Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; Recorded by Eddie Claridge. Split 30' on the balcony with Sony ECM-280 mics > Sony tc158; EQ'd and turned up the volume with hard limiting, balancing the channels; noise reduction using the hiss from the beginning of disc 1 as a sample; numerous cuts between songs crossfaded to smooth out the flow
gd79-01-21.aud.cole.19083.sbeok.shnf
1979-01-21Masonic Temple
19083Source: Unknown AUD>?>SHN. Editing: SHN>WAV>CE2K>CDWAVE>shntool>mkwACT. Edited & seeded to etree by MattMan.
gd79-02-03.aud.set1.warner.19414.sbeok.shnf
1979-02-03Market Square Arena
19414Set One only MAC (Unknown equipment) > Unknown analog generations > Cassette > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
gd79-02-03.set2-nak.clugston.7116.sbeok.shnf
1979-02-03Market Square Arena
7116set 2; Master FOB Audience Cassette; Nakamichi CM700 mics > Nakamichi 550 cassette deck> DAT > CDR; CD Mastering, EAC\'ed / SHN\'ed by Scott Clugston
gd1979-02-03.set1.sbd.miller.102445.flac16
1979-02-03Market Square Arena
102445flac16; Set 1 only, Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; upgrade in circulation
gd1979-02-03.set1.sbd.fixed-102851.miller.102876.flac16
1979-02-03Market Square Arena
102876flac16; **set 1 Only** Recording Info:SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; This is an upgrade/fix to source ID 102851
gd1979-02-03.set1.sbd.miller.102851.flac16
1979-02-03Market Square Arena
102851flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; This is an upgrade to source ID 102455 (added patches); upgrade in circulation
gd79-02-04.nak700.glyde.18888.sbeok.shnf
1979-02-04Dane County Coliseum
18888Set 2 Nak 700's>MC>DAT>CDR>EAC>SHN
gd1979-02-04.154716.aud.clugston.flac1648
1979-02-04Dane County Coliseum
154716flac16/48 Source Info: Master Audience Cassettes; Unknown Equipment > 1st generation cassettes > .wav 2496 Transfer Info: Unknown
gd1979-02-04.154717.aud.clugston.flac2496
1979-02-04Dane County Coliseum
154717flac24/96 Source Info: Master Audience Cassettes; Unknown Equipment > 1st generation cassettes > .wav 2496 Transfer Info: Unknown
gd79-02-04.set1-fob-nak700.miller.32016.sbeok.flacf
1979-02-04Dane County Coliseum
32016flac16; Set 1 only: Recording Info: (FOB) Nakamichi 700 -> Cassette Master -> 4th Gen Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC
gd79-02-07.sbd.cotsman.13879.sbeok.shnf
1979-02-07SIU Arena, U of Southern Illinois
13879SBD>??>C>CD>EAC>SHN (low gen); incomplete; portions of both sets; Thanks to Joey Browning; edits/encoding by JCotsman
gd1979-02-07.set1-sbd.andrewf.86941.flac16
1979-02-07SIU Arena, University Of Souther Illinois
86941flac16; Set 1 only, Lineage: SBD > ? > Cassette Transfer: Maxell XL-II > Nakamichi BX-125 > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Aug 2007, by Andrew F.
gd79-02-09.aud-nak.glyde.13848.sbeok.shnf
1979-02-09Soldiers' and Sailors' Memorial Hall
138483 Nak CM-300's>Nak 550>MC>R>CDR>EAC>SHN; Seeded to etree by Glyde
gd1979-02-09.144051.aud.unknown.gagne.smith.miller.clugston.flac2496
1979-02-09Soldiers & Sailors Memorial Hall
144051flac24; Source Info: Audience Master (unknown equipment)> ?? > 7" reel @ 3.75ips (Maxell XL135-90B); Transfer Info: 7" reel @ 3.75 ips (Akai GX-636) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496
gd1979-02-09.144050.aud.unknown.gagne.smith.miller.clugston.flac1648
1979-02-09Soldiers & Sailors Memorial Hall
144050flac16/48kHz; Source Info: Audience Master (unknown equipment)> ?? > 7" reel @ 3.75ips (Maxell XL135-90B); Transfer Info: 7" reel @ 3.75 ips (Akai GX-636) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd79-02-10.aud.glyde.13849.sbeok.shnf
1979-02-10Soldiers' and Sailors' Memorial Hall
13849AUD>MC>DAT>CDR>EAC>SHN; Seeded to etree by Glyde
gd1979-02-10.set2.sbd.miller.97352.sbeok.flac16
1979-02-10Soldier's And Sailors Memorial Hall
97352flac16; **Set 2 Only-Soundboard** Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1979-02-10.sonyecm250.walker-scotton.miller.fix.97354.sbeok.flac16
1979-02-10Soldier's And Sailors Memorial Hall
97354flac16; Recording Info: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> Adobe Audition v1.5 -> FLAC/16; Recording by Joani Walker; All Transfers and Mastering By Charlie Miller
gd1979-02-10.151506.aud.sndchk.Hance.Beacon.flac2488
1979-02-10Soldiers' and Sailors' Memorial Hall
151506flac24/88.2khz Audience Sound check from John Hance, Joe Beacon
gd1979-02-10.sonyecm.walker-scotton-miller.82239.flac16
1979-02-10Soldier's and Sailors Memorial Auditorium
82239flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source)
gd1979-02-10.sonyecm250.walker-scotton-miller.82238.flac16
1979-02-10Soldier's And Sailors Memorial Hall
82238flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source)
gd79-02-11.naks.vernon.16468.sbeok.shnf
1979-02-11Kiel Auditorium
16468AUD (3 Nak CM-300?s >Nak 550) > MC > R > CDR; via Raoul Duke, encoded by Matt Vernon
gd1979-02-11.155704.aud.remaster.acetboy.flac16
1979-02-11Kiel Auditorium
155704flac16/44 remaster was created from the shn #16468 by acetboy
gd79-02-17.sbd.kempka.313.sbefail.shnf
1979-02-17Oakland-Alameda County Coliseum
313SBD > Reel > DAT > TB Fiji (S/PDIF) > WAV > SHN; Source DAT via T. Buller from Family Tree Batch #6; transfer by J. Kempka; some splices from source DAT cleaned up : upgrade now in circulation.
gd1979-02-17.sbd.scotton-miller.88123.flac16
1979-02-17Oakland Coliseum Arena
88123flac16; Recording Info: SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
gd1979-02-17.fob.menke.motb-0110.105240.flac16
1979-02-17Oakland-Alameda County Coliseum
105240flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
gd1979-02-17.dts.mtx.tobin.105608.flac16
1979-02-17Oakland-Alameda County Coliseum
105608flac16; DTS-Audio-CD 5.1 Mix; SBD (shn id 88123) SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shn id 105241) flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - dts mixing by Kevin Tobin
gd1979-02-17.mtx.tobin.105619.flac16
1979-02-17Oakland-Alameda County Coliseum
105619flac16; Matrix 2 Source Mix - SBD (shn id 88123) SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shn id 105241) flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - matrix mixing by Kevin Tobin
gd1979-02-17.sbd.patched.tobin.105606.flac16
1979-02-17Oakland-Alameda County Coliseum
105606flac16; SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC - pitch correction and patches by Kevin Tobin (update of source ID 88123)
gd1979-02-17.145262.sbd.troy.smith.miller.clugston.flac1648
1979-02-17Oakland-Alameda County Coliseum
145262flac16/48kHz; Master Soundboard Cassettes > 1st generation reels > Sandy Troy's 2nd generation reels @ 3.75 ips; Transfer Info: 2nd generation reels > Technics RS-1506 > Apogee Mini Me (.wav 2496)> Mini DAC > Adobe Audition CC 2109 > TLH flac2496; 24-bit > 16-bit via dBpweramp
gd1979-02-17.145263.sbd.troy.smith.miller.clugston.flac2496
1979-02-17Oakland-Alameda County Coliseum
145263flac24; Master Soundboard Cassettes > 1st generation reels > Sandy Troy's 2nd generation reels @ 3.75 ips; Transfer Info: 2nd generation reels > Technics RS-1506 > Apogee Mini Me (.wav 2496)> Mini DAC > Adobe Audition CC 2109 > TLH flac2496
gd1979-02-17.150800.mtx.dusborne.flac16
1979-02-17Oakland-Alameda County Coliseum
150800flac16; 2 Source Matrix of Soundboard shnid: 88123 Recording Info: SBD -> Master Reel -> ? -> Dat -> CD and Audience shnid:105240 FOB Master Cassettes (MAC); Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC; Matrix by dusborne
gd79-04-16.studio.clugston.3121.sbeok.shnf
1979-04-16Studio Rehersal, Club Front
3121Master Soundboard Cassette > ?Cassette? > DAT > CDR; see info file for source speculation and listening notes; cuts smoothed; CD Mastering, EAC> SHN by Scott Clugston
gd1979-04-16.157228.sbd.gems.flac1648
1979-04-16Studio Rehersal, Club Front
157228flac1648 Source: Master Cassette > DAT at 16/48 (with possible extra cassette generation)
Speed Correction by Jason Chastain
2022 DAT Transfer and Mastering by Jim Blackwood
Track, FLAC, and Pack by Steve Gravel
gd1979-04-16.sbd-greider.ladner.4163.shnf
1979-04-16Unknown studio
4163sbd> mr> dat> cd; DAE (EAC) by Chris Ladner, from Bear Greider seed; hosted by tol
gd79-04-22.sbd.bennett.12001.sbeok.shnf
1979-04-22Spartan Stadium, San Jose State U
12001Complete; Mixed sbd sources; Set 1 Source: SBD>?>C>C>WAV>SHN Set 2 Source: SBD MC>C>DAT>CDR>WAV>SHN; See info file for details; via Dave Morris, Jeffrey Smith; Seeded to etree by Jim Bennett
gd1979-04-22.148569.sbd.composite.clugston.flac16
1979-04-22Spartan Stadium, San Jose State University
148569This is a soundboard composite of Brian Schley's (shnid134401) 1st Set soundboard source, the Bennett/Morris/Smith 2nd set soundboard source (shnid12001), as well as the 2nd set partial Betty board (fresh DSD transfer from Tim Dalton's PCM source)
gd1979-04-22.set2-partial.sbd.deibert.12895.sbeok.shnf
1979-04-22Spartan Stadium, San Jose State
12895Partial Set 2; WBOTB-CD Source: master reel > PCM-1 > DAT-1 > SHN; See info file for further details; Seeded to etree by Tim Deibert
gd1979-04-22.148708.2p.betty.pcm.dalton.miller.clugston.flac16
1979-04-22Spartan Stadium, San Jose State University
148708flac16; Source Info: Betty's 7" Master Soundboard Ree1s > PCM > PCM; Transfer Info: Tim Dalton's PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe CC 2019 > TLH flac16
gd1979-04-22.137822.mtx.dusborne.flac16
1979-04-22Spartan Stadium, San Jose State U
137822flac16; 4 source matrix by dusborne; Soundboard Set 1 (shnid:134401) Source: SBD > ? > Cassette,Transfer: XLII (c.1981) > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644; Soundboard Set 2 (shnid:12001) SBD MC> C> DAT> CDR> WAV> SHN; Audience 1 (shnid:91346), Recorded by Mark Severson; 2 Sony ECM-270s> Sony TC-D5 (2 Maxell UD XL-IIs + 1 TDK SA-90)Mics mounted on 2 poles, 3'-5' apart; 20' in front of sound board, Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0>(dither/downsample)> FLAC; Audience 2 (shnid:105309),Taped By: Rhineheart Holwein, Transfer By: Bob Menke; Mastering By: Derek McCabe,Analog Lineage: 2 x AKG d2243 >> Sony TC-D5 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
gd1979-04-22.fob.holwein.menke.motb.0116.105309.flac16
1979-04-22Spartan Stadium, San Jose State U
105309flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG d2243 >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rhineheart Holwein
gd1979-04-22.145139.fob.sony.ecm270.severson.miller.clugston.flac1648
1979-04-22Spartan Stadium, San Jose State University
145139flac16/48kHz; Mark Severson's Master (FOB)Audience Cassette ; Sony ECM-270 mics (DFC, split, mounted on poles 5' apart, 20' in front of soundboard) > Sony TC-158SD (2 x Maxell UDXLII, 1 x TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1979-04-22.145140.fob.sony.ecm270.severson.miller.clugston.flac2496
1979-04-22Spartan Stadium, San Jose State University
145140flac24; Mark Severson's Master (FOB)Audience Cassette ; Sony ECM-270 mics (DFC, split, mounted on poles 5' apart, 20' in front of soundboard) > Sony TC-158SD (2 x Maxell UDXLII, 1 x TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1979-04-22.aud.severson.minches.91346.flac1644
1979-04-22Spartan Stadium - San Jose State University
91346flac16; Recorded by Mark Severson; 2 Sony ECM-270s> Sony TC-D5 (2 Maxell UD XL-IIs + 1 TDK SA-90) Mics mounted on 2 poles, 3'-5' apart; 20' in front of sound board Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
gd79-05-03.glassberg.vernon.18870.sbeok.shnf
1979-05-03Charlotte Coliseum
18870Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon; upgrade now in circulation.
gd1979-05-03.sonyECM250.walker-scotton.miller.88851.flac16
1979-05-03Charlotte Coliseum
88851flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1979-05-03.nak700.glassberg.motb.83674.sbeok.flac16
1979-05-03Charlotte Coliseum
83674flac16; Recording by Barry Glassberg: MOTB 0024:Source: Audience FOB Recording, 60 Feet back, DFC, 9 foot pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM700's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky
gd79-05-04.glassberg.vernon.18878.sbeok.shnf
1979-05-04Hampton Coliseum
18878Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon; upgrade now in circulation.
gd1979-05-04.nak700.glassberg.motb.84825.sbeok.flac16
1979-05-04Hampton Coliseum
84825flac16; Recording by Barry Glassberg: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Tascam HD-P2 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick
gd1979-05-04.nak700.jeffm.3824.shnf
1979-05-04Hampton Coliseum
3824Recording by Barry Glassberg: FOB Nakamichi 700's> Sony D5> Master Cassette> DAT> CDR> EAC> SHN; DAE(EAC) and SHN Encoding by Jeff M.: upgrade now in circulation.
gd1979-05-04.147822.akg.stankiewicz.flac1644
1979-05-04Hampton Coliseum
147822flac16; Source: AKG-222E x2 > Nakamichi 550, FOB recording by Richie Stankiewicz. Transfer: Back-up tapes (1st or 2nd gen) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2019
gd1979-05-04.sonyecm.walker-scotton-miller.89120.flac16
1979-05-04Hampton Coliseum
89120flac16; Recording by Joani Walker: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd79-05-05.glassberg.vernon.18871.sbeok.shnf
1979-05-05Baltimore Civic Center
18871Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon
gd79-05-05.psbd.jools.12377.sbeok.shnf
1979-05-05Baltimore Civic Center
12377presumed to be:SBD:MC>Cas>DAT>CD via Jools from GANS GDH Disc : upgrade now in circulation.
gd1979-05-05.sbd.miller.fishmanj-repitch.78748.flac16
1979-05-05Baltimore Civic Center
78748flac16; Pitch and tempo adjusted version of soundboard shn id 34577 by fishmanj using Cool Edit 2000 and Adobe Audition correcting speed by 3%
gd1979-05-05.123001.mtx.dusborne.flac.16
1979-05-05Baltimore Civic Center
123001flac16; Matrix with Soundboard (shnid:78748): Original Miller FLACs>WAV>Cool Edit 2k (using Pitch->Stretch functions correcting speed by 3%. Used Glassberg audience as baseline)>FLAC and Audience (shnid:89056): Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16
gd1979-05-05.sbd.miller.34557.flac16
1979-05-05Civic Center
34557flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC: upgrade now in circulation.
gd1979-05-05.sonyecm.walker-scotton-miller.89056.flac16
1979-05-05Civic Center
89056flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd79-05-07.glassberg.vernon.18877.sbeok.shnf
1979-05-07Allan Kirby Field House, Lafayette College
18877Recording by Barry Glassberg: Nak CM700, Sony 158SD . A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon
gd1979-05-07.nak700.glassburg.clugston.8216.shnf
1979-05-07Allan Kirby Field House - Lafayette College
8216Recording by Barry Glassberg: Master Audience Cassette; Nakamichi CM700 mics>Sony TC-158> DAT> CDR; Seeded to etree by Scott Clugston : upgrade now in circulation.
gd1979-05-07.139631.sbd.miller.flac1648
1979-05-07Allan Kirby Field House, Lafayette College
139631flac16/48kHz; Recording Info: SBD > Cassette Master > Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller
gd1979-05-07.139635.aud.unk.flac1644
1979-05-07Allan Kirby Field House, Lafayette College
139635flac16; AUD: Unknown taper & gear > Low-gen tapes, kindly provided from the collection of Craig L. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2017
gd79-05-08.glassberg.vernon.18876.sbeok.shnf
1979-05-08Rec Hall, Penn State U
18876Recording by Barry Glassberg: Nak CM700, Sony 158SD . A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon: upgrade now in circulation.
gd1979-05-08.nak700.glassberg.motb.87806.sbeok.flac24
1979-05-08Recreation Hall -- Penn State University
87806flac24; Recording by Barry Glassberg: MOTB Release: 0028 24/96 Source: Audience FOB Recording, Right Center Soundboard Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: J. Waddell
gd1979-05-08.nak700.willy.11552.shnf
1979-05-08Recreation Hall - Penn State University
11552Recording by Barry Glassberg: Nak 700's>Sony D5>MC>DAT>CDR; Seeded to etree by Willy: upgrade now in circulation.
gd1979-05-08.152209.2nd.set.senn.blend.eaton.miller.clugston.flac1648
1979-05-08Recreation Hall, Penn State University
152209flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
gd1979-05-08.152210.2nd.set.senn.blend.eaton.miller.clugston.flac2496
1979-05-08Recreation Hall, Penn State University
152210flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
gd1979-05-08.nakcm700-glassberg.egert-waddell.motb0028.87517.flac16
1979-05-08Recreation Hall - Penn State University
87517flac16 Recording by Barry Glassberg: MOTB Release: 0028 16/44.1 Source: Audience FOB Recording, Right Center Soundboard Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: J. Waddell
gd1979-05-08.147827.shure.sm57.sublette.miller.clugston.flac1648
1979-05-08Recreation Hall, Penn State University
147827flac16/48kHz; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1979-05-08.147828.shure.sm57.sublette.miller.clugston.flac2496
1979-05-08Recreation Hall, Penn State University
147828flac24; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd79-05-09.glassberg.vernon.18875.sbeok.shnf
1979-05-09Broome County Arena
18875Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon: upgrade now in circulation.
gd79-05-09.naks.seff.4881.sbefixed.shnf
1979-05-09Broome County Arena
4881FOB Naks > Teac PC-10 (cassette master) > DAT x2; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (tracking, downsampling [Set II only]) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; flips after Minglewood and Drums [Note: A sbe fixed version also circulates]
gd1979-05-09.nak700.glassberg.motb.85421.sbeok.flac16
1979-05-09Broome County Arena
85421flac16; Recording by Barry Glassberg: Source: Audience FOB Recording, 50ft. DFC, Hand-Held Nak CM700's Media: Maxell UD-XLII 90 min. Lineage 1: Nakamichi CM700's > Sony 158SD > MAC > Sony 158SD > C1 Lineage 2: Nakamichi CM700's > Sony 158SD > MAC Transfer 1: C1 > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Transfer 2: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky
gd1979-05-09.147829.fob.2nd.Set.shure.sm57.sublette.miller.clugston.flac1648
1979-05-09Broome County Arena
147829flac16/48kHz; 2nd Set Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1979-05-09.147830.fob.2nd.Set.shure.sm57.sublette.miller.clugston.flac2496
1979-05-09Broome County Arena
147830flac24; 2nd Set Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd79-05-11.gato.vernon.19268.sbeok.shnf
1979-05-11Billerica Forum
19268Recording by Keith Gatto via Mark Cohen encoded by Matt Vernon
gd79-05-11.sony.gustin.314.sbeok.shnf
1979-05-11Billerica Forum
314FOB Sony ECM 280's > cassette master > 48k DAT; Transfer: DA20 mkII > Audiowerk2 > Waveburner > Peak > Jam > Plex 8/2/20 (on-the-fly card resampling); via A. Gustin
gd79-05-12.glassberg.vernon.18874.sbeok.shnf
1979-05-12Alumni Stadium, U. Mass.
18874Recording by Barry Glassberg: Nak CM700, Sony 158SD . A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon: upgrade now in circulation.
gd1979-05-12.nak700.glassburg.willy.10345.shnf
1979-05-12Alumni Stadium - University of Massachusetts
10345Recording by Barry Glassberg: Nak CM700s> MC>DAT>CD; via Paul B; Seeded to etree by Willy: upgrade now in circulation.
gd1979-05-12.nakcm300-glassberg.egert-sirmick.motb0034.85220.flac16
1979-05-12Alumni Stadium - University of Massachusetts
85220flac16; Recording by Barry Glassberg: MOTB 0034: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM300's > Sony 158SD > MAC 50ft. DFC Hand-Held Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick
gd1979-05-12.151040.nak300.gatto.hance.flac1644
1979-05-12Alumni Stadium, University Of Massachusetts
151040flac16/44.1khz Source: Audience FOB Recording Lineage: Nakamichi CM300's > Sony 158SD Hand-Held Transfer: MAC > Dat@44.1( K. Goto) Taped by: K. Gotto Transfer: MAC > Dat@44.1( K. Gotto) rebuilt Dat(taken Apart to Slice) Transfer Sony M1 analogue out > Edirol R09hr@24/88.2 > Wavelab6 > OzoneRx7A > Ozone6A > R8brain > CDWave
gd1979-05-12.set2.nak300.friend.andrewf.106433.flac24
1979-05-12Alumni Stadium, University of Massachusetts
106433flac24; Set 2, FOB AUD: 3x Nakamichi CM-300's > Nakamichi 550 (lead deck) > Sony TC-153SD (Tim's deck) > Maxell UD-XLII's. Set up FOB center aprx sixty feet from stage. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > TLH > FLAC 2496 Tagged. Transfer by Andrew F. 03/2010
gd1979-05-12.set2.nak300.friend.andrewf.106434.flac16
1979-05-12Alumni Stadium, University of Massachusetts
106434flac16; Set 2, FOB AUD: 3x Nakamichi CM-300's > Nakamichi 550 (lead deck) > Sony TC-153SD (Tim's deck) > Maxell UD-XLII's. Set up FOB center aprx sixty feet from stage. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 03/2010
gd79-05-13.glassberg.vernon.18873.sbeok.shnf
1979-05-13Cumberland County Civic Center
18873Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon : upgrade now in circulation.
gd1979-05-13.nak700.glassberg.motb.88261.sbeok.flac24
1979-05-13Cumberland County Civic Center
88261flac24 Recording by Barry Glassberg: MOTB Release: 0036 24/96 Source: Audience FOB Recording Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: Andy Foust
gd1979-05-13.nak700.glassberg.motb.87854.sbeok.flac16
1979-05-13Cumberland County Civic Center
87854flac16; Recording by Barry Glassberg: MotB Release: 0036 16/44.1 Source: Audience FOB Recording Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: Andy Foust
gd1979-05-13.nak700.glassberg.8037.sbeok.shnf
1979-05-13Cumberland County Civic Center
8037Recording by Barry Glassberg: Nak CM 700 > Sony TCD-D5 > DAT > CD; via JR Fishman : upgrade now in circulation (note: this source also circulates without the filler tracks)
gd1979-05-13.127354.aud.stankiewicz.wienman.flac24
1979-05-13Cumberland County Civic Center
127354flac24; First Set Nakamichi 550>AKG 222e; Second set Nakamichi 550>Sen 441; First Set MAC>Nakamichi 1000II>Sound Device USBPre2; Second set 1st Gen>Nakamichi 1000II>Sound Devices USBPre2; Various patches made with Barry Glassbergs recording; First set Recorded by Richie Stankiewicz; Second set Recorded By Dave Wienman; All transfered by Richie Stankiewicz
gd79-06-28.hollwein.munder.11159.sbeok.shnf
1979-06-28Sacramento Memorial Auditorium
11159Recording by Reinhardt Hollwein: Sony ECM>Sony-158>Cass>Reel>CD; 'Minor' static/distortion in spots; All Over Now, Fire, Samson, Ship, NFA, Peter; via David Minches & Paul B; Seeded to etree by Willy
gd79-06-28.sbd.set2.jools.19514.sbeok.shnf
1979-06-28Sacramento Memorial Auditorium
19514Set 2; SBD:MR> Cassettes x?> Pioneer 509 >CD; via Jools
gd79-06-30.senn.munder.10346.sbeok.shnf
1979-06-30Portland International Speedway
10346Senn. 441's>MC>DAT>CD; via Paul B; Seeded to etree by Willy
gd1979-06-30.152215.senn.blend.eaton.miiller.clugston.flac1648
1979-06-30Portland International Speedway
152215flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
gd1979-06-30.152216.senn.blend.eaton.miiller.clugston.flac2496
1979-06-30Portland International Speedway
152216flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
gd1979-06-30.senn.eaton.miller.94386.sbeok.flac16
1979-06-30Portland International Raceway
94386flac16; Recording Info: (2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k); Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; Taped By Rob Eaton; All Transfers and Mastering By Charlie Miller
gd1979-06-30.sonyecm.severson.minches.90694.sbeok.flac16
1979-06-30Portland International Raceway
90694flac16; Recorded by Mark Severson; 2 Sony ECM-270s on pole 40' from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
gd1979-06-30.145141.fob.sony.ecm270.severson.miller.clugston.flac1648
1979-06-30Portland International Speedway
145141flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly right of center, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpowweramp
gd1979-06-30.145142.fob.sony.ecm270.severson.miller.clugston.flac2496
1979-06-30Portland International Speedway
145142flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly right of center, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd79-07-01.sbd.barrick.315.sbeok.shnf
1979-07-01Seattle Center Coliseum
315no source info; via D. Barrick; d3 now tracked out; update 7/00: listener Joe Doss reports that this sounds like a SBD, and Rob Bertrando points out that a SMC> VHS HiFi> R> D version circulates- one might infer that this is that version; see flaw notes in public comment section;; upgrade now in circulation
gd1979-07-01.mtx.seamons.95742.sbeok.flac16
1979-07-01Seattle Center Coliseum
95742flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
gd1979-07-01.141414.sbd.troy.smith.miller.clugston.flac1644
1979-07-01Seattle Center Coliseum
141414flac16; Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp
gd1979-07-01.sonyecm.severson.minches.90696.sbeok.flac16
1979-07-01Seattle Center Coliseum
90696flac16; Recorded by Mark Severson; 2 Sony ECM-270s on pole 35' from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
gd1979-07-01.sbd.miller.93433.sbeok.flac16
1979-07-01Seattle Center Coliseum
93433flac16; Recording Info:SBD -> Cassette Master -> Cassette -> PCM -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1979-07-01.156180.5-1.tobin.flac1648
1979-07-01Seattle Center Coliseum
156180flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shn id 141415) Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 + AUD (shn id 145358) Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 - surround mixing by Kevin Tobin
gd1979-07-01.fob.nak700.menke.motb-0112.105210.flac16
1979-07-01Seattle Center Coliseum
105210flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x Nak CM 700's >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
gd1979-07-01.141412.akg.d224e.holhwein.lee.smith.miller.clugston.flac1644
1979-07-01Seattle Center Coliseum
141412flac16; Recording Info: Reinhart Holhwein's Master Audience Cassettes; AKG D224E mics > Sony TC-158 > Pat Lee's 1st generation Reels; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp
gd1979-07-01.141413.akg.d224e.holhwein.lee.smith.miller.clugston.flac2496
1979-07-01Seattle Center Coliseum
141413flac24; Recording Info: Reinhart Holhwein's Master Audience Cassettes; AKG D224E mics > Sony TC-158 > Pat Lee's 1st generation Reels; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
gd1979-07-01.141415.sbd.troy.smith.miller.clugston.flac2496
1979-07-01Seattle Center Coliseum
141415flac24; Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
gd1979-07-01.145357.fob.sony.ecm270.severson.miller.clugston.flac1648
1979-07-01Seattle Center Coliseum
145357flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1979-07-01.145358.fob.sony.ecm270.severson.miller.clugston.flac2496
1979-07-01Seattle Center Coliseum
145358flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1979-07-11.153601.gth-outtakes.flyingM.flac1644
1979-07-11Studio Rehersal, Club Front
153601flac16/44 From the collection of John Musgrave Source: Studio > ? > Akai GX650DB @ 3 3/4 ips using Dolby B (most likely?) Transfer: Revox B77 > Korg MR2000-s @ 1 bit 5.6 MHz DSD (November 2020) AudioGate (24-96) > iZotope RX8 advanced > Goody * > Korg Aqua (16-44) > TLH Goody Lineage: Speed/Pitch-adjustments using Adobe Audition -M-
gd1979-07-11.153602.gth-outtakes.flyingM.flac2496
1979-07-11Studio Rehersal, Club Front
153602flac24/96 From the collection of John Musgrave A bit hissy but the Dolby decoding muffled this something awful so no Dolby on playback. Source: Studio > ? > Akai GX650DB @ 3 3/4 ips using Dolby B (most likely?) Transfer: Revox B77 > Korg MR2000-s @ 1 bit 5.6 MHz DSD (November 2020) AudioGate (24-96) > iZotope RX8 advanced > Goody * > TLH Goody Lineage: Speed/Pitch-adjustments using Adobe Audition -M-
gd79-08-04.sbd.munder.9578.sbeok.shnf
1979-08-04Oakland Auditorium Arena
9578SBD>MC>C>DAT>CDR; Missing Jack Straw; via Paul B; Seeded to etree by Willy;; upgrade now in circulation
gd1979-08-04.sonyecm.severson.minches.90699.sbeok.flac16
1979-08-04Oakland Auditorium
90699flac16; Recorded by Mark Severson; 2 Sony ECM-270s on pole 40' from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
gd1979-08-04.144160.sbd.dalton.miller.clugston.flac1644
1979-08-04Oakland Auditorium Arena
144160flac16/44.1khz Source Info: Master Soundboard Cassettes > Cassette > PCM > Dat (16-bit/44.1k) Transfer Info: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16
gd1979-08-04.sbd.munder.tetzeli.fix-9578.34259.sbeok.shnf
1979-08-04Oakland Auditorium Arena
34259Fix of soundboard shn id 9578 (sbd) by Bill Tetzeli - see info file for details
gd1979-08-04.148940.fob.sony.ecm270.severson.miller.clugston.flac1648
1979-08-04Oakland Auditorium Arena
148940flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, right center, held shoulder high, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1979-08-04.148941.fob.sony.ecm270.severson.miller.clugston.flac2496
1979-08-04Oakland Auditorium Arena
148941flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, right center, held shoulder high, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd79-08-05.sbd.munder.9579.sbeok.shnf
1979-08-05Oakland Auditorium Arena
9579SBD>MC>C>DAT>CDR; Some cuts, see info file for details; via Paul B; Seeded to etree by Willy; Note- Fixed versions of d1t09 & d1t10 now circ, courtesy of PainoMan. The 'splice' in Althea was found to be a skip and was fixed, and shntool fixed the resulting sbe for the remaining tracks on d1; 'original' and 'fixed' md5's are listed here
gd1979-08-05.mtx.menke.motb-0100.98716.flac16
1979-08-05Oakland Auditorium
98716flac16; Matrix Analog Audience Source: Aud Master Cassettes (MAC) Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe and Soundboard Source: gd79-08-05.sbd.munder.9579.sbeok.shnf
gd1979-08-05.nak700.menke.motb-0099.98714.flac16
1979-08-05Oakland Auditorium
98714flac16; Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXLII 90 Analog Lineage: Nak CM 700s => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
gd1979-08-05.mtx.menke.motb-0100.98717.flac24
1979-08-05Oakland Auditorium
98717flac24; Matrix Analog Audience Source: Aud Master Cassettes (MAC) Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe and Soundboard Source: gd79-08-05.sbd.munder.9579.sbeok.shnf
gd1979-08-05.nak700.menke.motb-0099.98715.flac24
1979-08-05Oakland Auditorium
98715flac24; Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXLII 90 Analog Lineage: Nak CM 700s => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
gd1979-08-05.148942.fob.sony.ecm270.severson.miller.clugston.flac1648
1979-08-05Oakland Auditorium Arena
148942flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, held shoulder high, DFC, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1979-08-05.148943.fob.sony.ecm270.severson.miller.clugston.flac2496
1979-08-05Oakland Auditorium Arena
148943flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, held shoulder high, DFC, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd79-08-12.sbd.clugston.9288.sbeok.shnf
1979-08-12Red Rocks Amphitheatre
9288Master Soundboard Cassette > Reel to Reel > PCM > CDR; CD Mastering, Eac'ed & Shn'ed by Scott Clugston; to fungus & abgd via Charlie Connor;; upgrade now in circulation
gd1979-08-12.157083.aud.hicks-fong.flac1644
1979-08-12Red Rocks Ampitheatre
157083flac1644; Source: Handheld deck (mono) > MAC > 1st-Gen back-up tapes, concert recording by John Hicks & Dennis Fong. Transfer: Maxell XLII's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2022
gd1979-08-12.fob.nak700.menke.motb-0137.107166.flac16
1979-08-12Red Rocks Ampitheatre
107166flac16; Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXLII 90 Analog Lineage: Nak CM 700s => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke
gd1979-08-12.sbd.130347.MrBill.flac16
1979-08-12Red Rocks Ampitheatre
130347flac16; Recording Info: SBD > MC > R > PCM > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC
gd1979-08-12.sbd.clugston.tetzeli.fix-9288.35038.reflac.flac16
1979-08-12Red Rocks Ampitheater
35038flac16; Seamless fix of soundboard shn id 9288 - MSC>R>PCM>CD>EAC>SHN>WAV>FLAC by Bil Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1979-08-12.145471.sony.ecm270.severson.miller.clugston.flac1648
1979-08-12Red Rocks Amphitheatre
145471flac16/kHz48; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (row 13, seats 68 & 69 - 1st set held head high, 2nd set mounted on pole)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 126-bit via dBpoweramp
gd1979-08-12.145472.sony.ecm270.severson.miller.clugston.flac2496
1979-08-12Red Rocks Amphitheatre
145472flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (row 13, seats 68 & 69 - 1st set held head high, 2nd set mounted on pole)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1979-08-12.aud.cousinit.97683.flac16
1979-08-12Red Rocks Amphitheatre
97683flac16; Master AUD>C>C>WAV>FLAC
gd79-08-13.sbd.clugston.9289.sbeok.shnf
1979-08-13McNichols Sports Arena
9289Sources: Primary: Master Soundboard Cassette > Reel to Reel > PCM > CDR; Sedondary Source: Master Audience Cassette; Nakamichi CM700 mics > 1 Reel to Reel gen > DAT > CDR Aud source supplies portions of "Friend of the Devil", "MInglewood Blues" , "Tuning / Announcements" , and "I Need A Miracle" ;Patching / CD Re-Mastering, EAC'ed / SHN'ed by Scott Clugston; to fungus and abgd via Charlie Connor
gd1979-08-13.mtx.seamons.123208.flac16
1979-08-13McNichols Sports Arena
123208flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
gd1979-08-13.set1-sbd.miller.87271.flac16
1979-08-13McNichols Arena
87271flac16; Set 1 only: SBD -> Cassette Master -> Dat/0 (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
gd1979-08-13.154845.akg.5se.wiseman.miller.clugston.flac2496
1979-08-13McNichols Sports Arena
154845FLAC 2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd1979-08-13.154846.akg.5se.wiseman.miller.clugston.flac1648
1979-08-13McNichols Sports Arena
154846FLAC 1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd1979-08-13.nak700.goetz.33583.sbeok.flac16
1979-08-13McNichols Arena
33583Master Audience Cassette; Nakamichi CM700 mics > Sony TC-158 cassette deck > Revox Reel to Reel (DBX encoded) > DBX decoded > DAT > CDR > Flac (unknown taper at this time); "Phil's Big Night!"; converted 01 April 2006 by winterland121072@yahoo.com
gd79-08-14.aud.munder.9563.sbeok.shnf
1979-08-14McNichols Sports Arena
9563FOB-AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
gd1979-08-14.senn.eaton.miller.93047.sbeok.flac16
1979-08-14McNichols Arena
93047flac16;Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k) Recorded by Rob Eaton; Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1979-08-14.152251.senn.blend.eaton.miller.clugston.flac1648
1979-08-14McNichols Sports Arena
152251flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
gd1979-08-14.152252.senn.blend.eaton.miller.clugston.flac2496
1979-08-14McNichols Sports Arena
152252flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
gd1979-08-14.s2.sbd.walker.scotton.miller.119949.flac16
1979-08-14McNichols Sports Arena
119949flac16; Partial Set 2 Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1979-08-14.sbd.walker-scotton-miller.32500.flac16
1979-08-14McNichols Arena
32500flac16; SBD -> Cassette Master -> Cassette Transferred and Edited By Charlie Miller
gd79-08-31.nak.glyde.9973.sbeok.shnf
1979-08-31Glens Falls Civic Center
9973AUD(Nak 300's)>MC>DAT>CDR; via Paul; Seeded to etree by Glyde
gd1979-08-31.sbd.miller.92924.sbeok.flac16
1979-08-31Glens Falls Civic Center
92924flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1979-08-31.partial.aud.stankiewicz.129030.flac1644
1979-08-31Glens Falls Civic Center
129030flac16; AUD: Set One, AKG D222E's > Nakamichi 550; Set Two, Nak 300's > Nakamichi 550. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 05/2014.
gd1979-08-31.135775.mtx.dusborne.flac16
1979-08-31Glens Falls Civic Center
135775flac16; 2 source matrix by dusborne; Soundboard (shnid:92924), Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k),Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 ->Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller; Audience (shnid:9973)AUD(Nak 300?s)>MC>DAT>CDR>EAC>SHN
gd79-09-01.aud.10363.sbeok.shnf
1979-09-01Holleder Memorial Stadium
10363AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
gd79-09-01.sbd.dodd.18898.sbeok.shnf
1979-09-01Holleder Memorial Stadium
18898master SBD cassette (Dolby B) > cassette (Dolby C) > TC 2000 @ 24 bits > HHb 830 Patched wtih AUD>MC>DAT>CDR. Encoding and patching Ernie Dodd. SBD source from David Gans via Zeb Weber.
gd1979-09-01.nak700.wagner.miller.119964.flac24
1979-09-01Holleder Memorial Stadium
119964flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5M/Maxell UDXLII); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner
gd1979-09-01.145174.fob.nak700.wagner.miller.sirmick.flac1644
1979-09-01Holleder Memorial Stadium
145174flac16; Source: (FOB) Nakamichi 700 > Sony D5M Cassette Master (Maxell UDXLII) - taped by Bob Wagner; Transfer: Cassette > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24 edited and mastered SIRMick 2017; This file set is 16 bit @ 44.1
gd1979-09-01.nak700.wagner.miller.119965.flac16
1979-09-01Holleder Memorial Stadium
119965flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5M/Maxell UDXLII); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner
gd1979-09-01.sbd.123742.miller.flac16
1979-09-01Holleder Memorial Stadium
123742flac16; Recording Info: SBD -> Cassette Master (Dolby B) -> Cassette (Dolby C) -> TC2000 EQ (24bit) -> Sonic Solutions -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1979-09-01.akg.stankiewicz.125463.flac2496
1979-09-01Holleder Memorial Stadium
125463flac24; AUD: 2x AKG D222E > Nakamichi 550, FOB center aprx 20 feet from the stage. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. August 2013.
gd1979-09-01.akg.stankiewicz.125464.flac1644
1979-09-01Holleder Memorial Stadium
125464flac16; AUD: 2x AKG D222E > Nakamichi 550, FOB center aprx 20 feet from the stage. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. August 2013.
gd1979-09-01.139488.fob-nak700.wagner.miller.sirmick.flac24
1979-09-01Holleder Memorial Stadium
139488flac24; Source: (FOB) Nakamichi 700 > Sony D5M Cassette Master (Maxell UDXLII) - taped by Bob Wagner; Transfer: Cassette > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24 edited and mastered SIRMick 2017
gd79-09-02.rolfe.munder.10364.sbeok.shnf
1979-09-02Augusta Civic Center
10364Recording by Steve Rolfe: Nak700's > D5: MC>DAT>CDR; via Paul B; Seeded to etree by Willy
gd1979-09-02.153100.speed.fixed.149508.nak300.fob.flac16
1979-09-02Augusta Civic Center
153100Source: Nakamichi 300 cardioids > Sony D5 Location: FOB speed-pitch correction : original flacs > Wav > Magix Music Studio > TLH > Flac 8 sidewindersf 2021
gd1979-09-02.121942.nak700.wagner.miller.flac16
1979-09-02Augusta Civic Center
121942flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner
gd1979-09-02.127920.stankiewicz.flac2496
1979-09-02Augusta Civic Center
127920flac24; Set 2 Source AKG D-222e> Nakamichi 550; Recorded and transfered By Richie stankiewicz; Recorded 18th row left ctr; Transfer MAC>Nakamichi 1000II> USBPre2
gd1979-09-02.149508.naks300.flac1644
1979-09-02Augusta Civic Center
149508flac16; Source: Nakamichi 300 cardioids > Sony D5 > ? > FLAC; Location: FOB
gd1979-09-02.145183.fob.nak700.wagner.miller.sirmick.flac1644
1979-09-02Augusta Civic Center
145183flac16; Source: (FOB) Nakamichi 700 > Sony TC-D5M > Cassette Master (Maxell UDXL-II) - Recorded by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz - Conversion by Charlie Miller: DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017; This file set is 16 bit 44.1
gd1979-09-02.147836.fob.shure.sm57.sublette.miller.clugston.flac1648
1979-09-02Augusta Civic Center
147836flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1979-09-02.147837.fob.shure.sm57.sublette.miller.clugston.flac2496
1979-09-02Augusta Civic Center
147837flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1979-09-02.151041.nak300.fob.gotto.hance.flac1644
1979-09-02Augusta Civic Center
151041flac16/44.1khz Recorded by Keith Gatto Nak 300s> Sony TC-158 location: FOB Keith transferred his cassettes to Dat 16/44.1 *Dat clone playback Sony M-1(analogue out) > Edirol R09HR @ 24/88.2 Wav WaveLab 6 > Ozone RX4A > Ozone6A > R8brainPro
gd1979-09-02.139738.nak700.wagner.miller.sirmick.flac2496
1979-09-02Augusta Civic Center
139738flac16; Source: (FOB) Nakamichi 700 > Sony TC-D5M > Cassette Master (Maxell UDXL-II) - Recorded by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz - Conversion by Charlie Miller: DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017
gd1979-09-02.147685.mtx.seamons.ht117.flac16
1979-09-02Augusta Civic Center
147685flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
gd79-09-04.glassberg.unknown.8379.sbeok.shnf
1979-09-04Madison Square Garden
8379Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org
gd1979-09-04.151988.fob.nak700.cm.wagner.miller.t.flac16
1979-09-04Madison Square Garden
151988flac16/44.1khz Recording Info: (FOB/14th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151636 24 > 16 @ 44.1
gd1979-09-04.156348.senn441.senn421.blend.eaton.miller.clugston.flac1648
1979-09-04Madison Square Garden
156348flac1648 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
gd1979-09-04.156349.senn441.senn421.blend.eaton.miller.clugston.flac2496
1979-09-04Madison Square Garden
156349flac2496 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
gd1979-09-04.nak700.glassberg.wise.117776.flac1644
1979-09-04Madison Square Garden
117776flac16; Nakamichi 700s > Sony TC-158, 14th row recording by Barry Glassberg. Transferred MAC > CDR by Jim Wise (c2000) CDR > EAC > TLH > FLAC 1644 tagged (Dec 2011)
gd1979-09-04.sbd.miller.79747.flac16
1979-09-04Madison Square Garden
79747flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
gd1979-09-04.127491.set1.nak1000.stankiewicz.flac2496
1979-09-04Madison Square Garden
127491flac24; Set 1 Recorded 6th row right center; Nakamichi 550 AKG D-222e; Transfer Nakamichi 1000II>Sound Devices USBPre2; Recorded and transfered by Richie Stankiewicz
gd79-09-05.glassberg.unknown.8457.sbeok.shnf
1979-09-05Madison Square Garden
8457Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org
gd79-09-05.sbd.clugston.9453.sbeok.shnf
1979-09-05Madison Square Garden
9453Sources: Primary Source;Master Soundboard Cassette > Reel to Reel > PCM > CDR; Secondary source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700's; Secondary source supplies "Loser", "Promised Land", patches in "Scarlet Begonias", "Estimated Prophet", "Eyes of theWorld", "Black Peter", "Bertha". Both the Soundboard and Audience sources are missing the begining of "Mississippi Half-step"; Patching/CD Mastering by Scott Clugston; also to abgd via Charlie Connor : upgrade now in circulation.
gd1979-09-05.mtx.seamons.ht63.110829.flac16
1979-09-05Madison Square Garden
110829flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16)
gd1979-09-05.151831.nak700.wagner.miller.flac24
1979-09-05Madison Square Garden
151831flac24/96 Recording Info: (FOB/11th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
gd1979-09-05.151987.fob.nak700.cm.wagner.miller.t..flac16
1979-09-05Madison Square Garden
151987flac16/44.1khz Recording Info: (FOB/11th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - 151831 24 > 16 @ 44.1
gd1979-09-05.156350.senn441.senn421.blend.eaton.miller.clugston.flac1648
1979-09-05Madison Square Garden
156350flac1648 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
gd1979-09-05.156351.senn441.senn421.blend.eaton.miller.clugston.flac2496
1979-09-05Madison Square Garden
156351flac2496 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
gd1979-09-05.sbd.miller.79748.flac16
1979-09-05Madison Square Garden
79748flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
gd1979-09-05.mtx.seamons.102476.sbeok.flac16
1979-09-05Madison Square Garden
102476flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
gd1979-09-05.nak700.glassberg.wise.2484.shnf
1979-09-05Madison Square Garden
2484Recording by Barry Glassberg: Nak 700's> Sony TC-158> DAT> ZA-2> CDR> EAC> SHN; A>D Transfer by Jim Wise from Barry Glassberg Master; EAC> SHN> upload by Mike 'Dank Star' Parrillo
gd79-09-06.glassberg.unknown.8458.sbeok.shnf
1979-09-06Madison Square Garden
8458Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org
gd79-09-06.sbd.clugston.9454.sbeok.shnf
1979-09-06Madison Square Garden
9454Sources: Primary Source; Master Soundboard Cassette > Reel to Reel > PCM > CDR; Secondary Source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700's; Secondary source supplies a patch in "Easy to Love You" (d2t03) from 1:14 thru 1:41; Patching/CD Mastering by Scott Clugston; Also to abgd via Charlie Connor : upgrade now in circulation.
gd1979-09-06.151783.SonyStereo.ECM.Moskal.t.flac16
1979-09-06Madison Square Garden
151783flac16 Source: Sony Stereo ECM -->SONY TCD126
Location: PA behind Stage
Transfer: Master Cassette Transfer->RR ->Cassette
Transfer/Flac Conversion by Brian Mandel - Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave
CD Wave Editor -> TLP->Flac Taper: Gerry Moskal
gd1979-09-06.151832.nak700.wagner.miller.flac24
1979-09-06Madison Square Garden
151832flac24/96 Recording Info: (FOB/14th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
gd1979-09-06.151985.nak700.wagner.miller.t.flac16
1979-09-06Madison Square Garden
151985flac16/44 Recording Info: (FOB/14th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151832 24 > 16 @ 44.1
gd1979-09-06.152718.aud-partial.petrunis.flac2448
1979-09-06Madison Square Garden
152718flac2448; Partial AUD; Source: Mono Sony hand-held recorder (model unknown) > TDK-AD (normal bias) cassettes. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 06/2021
gd1979-09-06.sbd.miller.79749.flac16
1979-09-06Madison Square Garden
79749flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
gd1979-09-06.156436.senn441.senn421.blend.eaton.miller.clugston.flac1648
1979-09-06Madison Square Garden
156436flac1648 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
gd1979-09-06.156437.senn441.senn421.blend.eaton.miller.clugston.flac2496
1979-09-06Madison Square Garden
156437flac2496 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
gd1979-09-06.sbd.clugston.tetzeli.fix-9454.35218.sbeok.flac16
1979-09-06Madison Square Garden
35218flac16; Seamless fix of shn id 9454 - Master Soundboard Cassette > Reel to Reel > PCM > CDR > EAC > SHN > WAV > FLAC : upgrade now in circulation.
gd79-10-24.rolfe.vernon-pujol.19589.sbeok.shnf
1979-10-24Springfield Civic Center
19589Recording by Steve Rolfe: Sony D5 w/ nak 700's Lineage: AUDMC > DAT > WAV(48K) > SHN AUDMC > DAT by David Minor. DAT > WAV transfer by Marc Pujol. SHN encoding by Matt Vernon
gd79-10-24.senn.munder.13298.sbeok.shnf
1979-10-24Springfield Civic Center
13298AUD(Senn 421's>Nak 350)>MC>DAT>CD; via Craig Reimer; seeded to etree by Willy
gd1979-10-24.152428.senn.blend.eaton.miller.clugston.flac1648
1979-10-24Springfield Civic Center
152428flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496
gd1979-10-24.152429.senn.blend.eaton.miller.clugston.flac2496
1979-10-24Springfield Civic Center
152429flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496
gd1979-10-24.sbd.miller.97440.sbeok.flac16
1979-10-24Springfield Civic Center Arena
97440flac16; Set 2 only, Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller
gd1979-10-24.145372.fob.nak700.rolfe.miller.clugston.flac1648
1979-10-24Niagara Falls Convention Center
145372flac16/48kHz; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1979-10-24.145373.fob.nak700.rolfe.miller.clugston.flac2496
1979-10-24Springfield Civic Center
145373flac24; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1979-10-24.148162.s1.sbd.flac16
1979-10-24Springfield Civic Center
148162flac16; Set 1 lineage: SBD > ? > FLAC
gd1979-10-24.senn.eaton.miller.93142.sbeok.flac16
1979-10-24Springfield Civic Center Arena
93142flac16; Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k)-Recorded by Rob Eaton;Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd79-10-25.sbd.set2.fishman.21271.sbefail.shnf
1979-10-25Veterans' Memorial Coliseum
21271Set 2 : SBD>Cassette Master>Cassette>DAT>CD (HHB 800 Pro Deck)>EAC .93b>SHN Transferred from DAT to CD-r (1998). Transcribed to SHN 11/28/2003 . JR Fishman : upgrade now in circulation.
gd1979-10-25.aud-set1.sbd-set2.miller.22311.shnf
1979-10-25New Haven Coliseum
22311Recording Info: Set 1: Nakamichi 700 -> Cassette Master -> Dat (Recorded By Steve Rolfe) Set 2: SBD -> Master Cassette (Sony TCD5M/Maxell UDXL II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Set 1: Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> Samplitude v7.02 Professional -> SHN Set 2: Master Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) : upgrade now in circulation.
gd1979-10-25.152435.senn.blend.eaton.miller.clugston.flac1648
1979-10-25Veterans Memorial Coliseum
152435flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496
gd1979-10-25.152436.senn.blend.eaton.miller.clugston.flac2496
1979-10-25Veterans Memorial Coliseum
152436flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496
gd1979-10-25.145460.fob.nak700.rolfe.miller.clugston.flac2496
1979-10-25Veterans' Memorial Coliseum
145460flac24; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1979-10-25.sbd-set2.goodwin.4627.sbefail.shnf
1979-10-25New Haven Coliseum
4627Set 2 SBD > Cass (Dolby S) > Nak DR-3 (playback) > RME 96/8 PST > SHN
gd1979-10-25.senn.eaton.miller.93143.sbeok.flac16
1979-10-25New Haven Coliseum
93143flac16; Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k)-Recorded by Rob Eaton;Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1979-10-25.145459.fob.nak700.rolfe.miller.clugston.flac1648
1979-10-25Veterans' Memorial Coliseum
145459flac16/48kHz; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd79-10-27.aud-rolfe.warner.19416.sbeok.shnf
1979-10-27Cape Cod Coliseum
19416Recording by Steve Rolfe: MAC(Nakamichi CM-700 mics > Sony TC-158) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
gd79-10-27.sbd.clugston.13980.sbeok.shnf
1979-10-27Cape Cod Coliseum
13980Master Soundboard Cassette > Cass > DAT > CD; Patches made with Audience recording mastered by Steve Rolfe (Nak CM300 > Sony TC-158); See info file for details; via Scott Clugston; Seeded to etree by Steve Barbella : upgrade now in circulation.
gd1979-10-27.mtx.groves.sbeok.92049.flac16
1979-10-27Cape Cod Coliseum
92049flac16; SBD and Audience Matrix Mix of about a 60% SBD to 40% Audience.
gd1979-10-27.145461.fob.nak700.rolfe.miller.clugston.flac1648
1979-10-27Cape Cod Coliseum
145461flac16/48kHz; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1979-10-27.145462.fob.nak700.rolfe.miller.clugston.flac2496
1979-10-27Cape Cod Coliseum
145462flac24; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1979-10-27.aud.davew.120367.sbeok.flac16
1979-10-27Cape Cod Coliseum
120367flac16; Sennheiser 441's > Nakamichi 550 > CM > C1 > C2 (TDK SA-C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9 > CD Wave Editor > Trader's Little Helper > Flac16; Transfer, edit/patch, and pitch correction by Bob Morris, May 2012.
gd79-10-27.sbd.miller.29490.sbeok.flacf
1979-10-27Cape Cod Coliseum
29490flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller ( upgrade now in circulation).
gd1979-10-27.sbd.abbdull.317.shnf
1979-10-27Cape Cod Coliseum
317SBD> [?]> DAT (D. DiProsa)> TB Montego Digi i/o (44.1)> .wav> .shn; transfer by A. Walton; see pub comments for listening notes : upgrade now in circulation.
gd1979-10-27.sbd.fix.miller.98561.flac16
1979-10-27Cape Cod Coliseum
98561flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC;All Transfers and Mastering By Charlie Miller; ( upgrade now in circulation).
gd1979-10-27.mtx.seamons.105234.flac16
1979-10-27Cape Cod Coliseum
105234flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
gd1979-10-27.nak300.friend.109777.flac1644
1979-10-27Cape Cod Coliseum
109777flac16; AUD: 3x Nakamichi CM-300's > Nakamichi 550 (lead deck) > Sony TC-153SD (Tim's deck) > Maxell UD-XLII 90's. Set up behind the soundboard. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 09/2010
gd1979-10-27.sbd.miller.98950.sbeok.flac16
1979-10-27Cape Cod Coliseum
98950flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller (This is a fix of shnid=29411, 29490 and 98561.)
gd1979-10-27.145664.akgD222e.stankiewicz.flac16
1979-10-27Cape Cod Coliseum
145664flac16; Recorded 14th row left center; Nakamichi 550>AKG D222e; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded and transfered by Richie Stankiewicz; 16bit, 44.1khz file set
gd1979-10-27.127550.nak500.stankiewicz.flac2496
1979-10-27Cape Cod Coliseum
127550flac24; Recorded 14th row left center; Nakamichi 550>AKG D222e; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded and transfered by Richie Stankiewicz
gd79-10-28.rolfe.vernon-pujol.19590.sbeok.shnf
1979-10-28Cape Cod Coliseum
19590Recording by Steve Rolfe: Sony D5 w/ nak 700's Lineage: AUDMC > DAT > WAV(48K) > SHN AUDMC > DAT by David Minor. DAT > WAV transfer by Marc Pujol. SHN encoding by Matt Vernon
gd79-10-28.sbd-aud.braverman.7602.sbeok.shnf
1979-10-28Cape Cod Coliseum
7602SBD : MC > R > DAT > CDR Beginning through Ship of Fools courtesy of Jim Wise AUD : MC ( NAK 700's > TC-158 by Steve Rolfe) > DAT > CDR Playin' through end of show From Peter Teitelbaum; via Peter Braverman : upgrade now in circulation.
gd79-10-28.sbd.miller.30655.sbeok.flacf
1979-10-28Cape Cod Coliseum
30655flac16; SBD -> Master Cassette -> Reel -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation
gd1979-10-28.nak300.morrone.113747.flac2448
1979-10-28Cape Cod Coliseum
113747flac24; AUD: 3x Nakamichi CM300/CP1's > patched thru Nakamichi 550 > Sony TC-153SD > Maxell UDXLII's, set up directly behind the soundboard, taped by Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F.
gd1979-10-28.nak300.morrone.113748.flac1644
1979-10-28Cape Cod Coliseum
113748flac16; AUD: 3x Nakamichi CM300/CP1's > patched thru Nakamichi 550 > Sony TC-153SD > Maxell UDXLII's, set up directly behind the soundboard, taped by Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2011
gd1979-10-28.145464.fob.nak700.rolfe.miller.clugston.flac1648
1979-10-28Cape Cod Coliseum
145464flac16/48kHz; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1979-10-28.145465.fob.nak700.rolfe.miller.clugston.flac2496
1979-10-28Cape Cod Coliseum
145465flac24; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1979-10-28.sbd.miller.105434.flac16
1979-10-28Cape Cod Coliseum
105434flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional 10.22 -> Adobe Audition v1.5 -> FLAC; Transferred and Edited By Charlie Miller; This is a re-master of source ID 30655
gd79-10-31.sbd-aud.shephard.9372.sbefail.shnf
1979-10-31Nassau Coliseum
9372D1 (set 1) SBD> MR> C> DAT> CD; D2 (set 2a) SBD> MR> Dick Latvala's Cass> DAT> CD; D3 (set 2b) AUDMC (Nak 700's> Sony TC158)> DAT> CD; Seeded to etree by Dave Shepard, w/ thanks to Chuck Reynolds; also to abgd : upgrade now in circulation.
gd1979-10-31.151882.nak100.eaton.miller.flac2496
1979-10-31Nassau Veterans Memorial Coliseum
151882flac24/96 Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) Additional Mastering Info: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
gd1979-10-31.151982.fob.nak100.cm.eaton.miller.flac16
1979-10-31Nassau Veterans Memorial Coliseum,
151982flac16/44 Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) Additional Mastering Info: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151882 24 > 16 @ 44.1
gd1979-10-31.aud.glassberg.motb.87523.sbeok.flac24
1979-10-31Nassau Veterans Memorial Coliseum
87523flac24; Recording by Barry Glassberg: MOTB Release: 0039 24/96 Source: Audience At SBD Recording Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM-700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick
gd1979-10-31.sbd-bertha.ashley.17360.shnf
1979-10-31Nassau Coliseum
17360Set1: SBD>>MC>>REEL>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A- Set2: SBD>>MC>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A- Last 20 minutes of show: MAC(Nak 700's)>>SonyTC-158>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B
gd1979-10-31.pset2.sbd.macdonald.7921.shnf
1979-10-31Nassau Coliseum
7921Partial 2nd Set; SB> MR> Dick Latvala's cass> DAT> CD> EAC> CDWAV> .shn & CD-R; via Alasdair Macdonald : upgrade now in circulation.
gd1979-10-31.sonyECM.moskal.mandel.96606.flac16
1979-10-31Nassau Veterans Memorial Coliseum
96606flac16; Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: unknown Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/flac Conversion Brian Mandel Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac
gd79-10-31.sbd.miller.29410.sbeok.flacf
1979-10-31Nassau Coliseum
29410flac16; Set 1: SBD -> Cassette Master -> Reel -> Dat -> CD Set 2: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller
gd1979-10-31.nakcm700-glassberg.motb39.egert-sirmick.86239.flac16
1979-10-31Nassau Veterans Memorial Coliseum
86239flac16; Recording by Barry Glassberg: MOTB 0039: Source: Audience At SBD Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TCD5 > MAC 50ft. DFC Hand-Held Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick
gd1979-10-31.mtx.groves.91040.sbeok.flac16
1979-10-31Nassau Veterans Memorial Coliseum
91040flac16; SBD and Audience Matrix Mix
gd79-11-01.sbd.clugston.5586.sbeok.shnf
1979-11-01Nassau Coliseum
5586Master Soundboard Cassette, played back via Nakamichi DR-3> RME 96/8 PST > Harddrive > SHN; with patches from Master Soundboard Cassette > Cassette > Hi-Fi VHS> CDR, and Master Audience Cassette; Nakamichi CM300 mics > Nakamichi 550 > CDR sources (see info file); Patching / CD Mastering, SHN'ed by Scott Clugston, with thanks to Don Goodwin for new source; d1 tracked for 80 min : upgrade now in circulation
gd1979-11-01.sbd.miller.78301.flac16
1979-11-01Nassau Veterans Memorial Coliseum
78301flac16; Recording Info: SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Master Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; This is a repatch of shn id 23445 & shn id 77363