Identifiers for Grateful Dead
1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
| Archive Identifier | |
|---|---|
| Date | Venue |
| Source | |
| gd91-02-19.sbd.ladner.8574.sbeok.shnf | |
| 1991-02-19 | Oakland-Alameda County Coliseum |
| 8574 | SBD > DAT > Soundforge> CDR > WAV > SHN; DAE(EAC)> SHN (MKWACT), via neo_levo with thanks to Charlie Miller |
| gd1991-02-19.141764.sbd.miller.flac2496 | |
| 1991-02-19 | Oakland-Alameda County Coliseum |
| 141764 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1991-02-19.141847.sbd.cm.miller.flac1644 | |
| 1991-02-19 | Oakland-Alameda County Coliseum |
| 141847 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Fixed version in circulation |
| gd1991-02-19.132350.aud.mattes.petty.flac16 | |
| 1991-02-19 | Oakland-Alameda County Coliseum |
| 132350 | flac16; FOB/Schoeps CMC 34's> Oade p/s> M-1000 cables> SV-255 by Ted Mattes. DAT clone provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on January 27, 2015 by Will Petty |
| gd1991-02-19.141849.sbd.cm.miller.fixed.flac1644 | |
| 1991-02-19 | Oakland-Alameda County Coliseum |
| 141849 | flac16;; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Fixed version of source ID 141847 |
| gd91-02-20.aud.Nak100-CP4.eD.11271.sbeok.shnf | |
| 1991-02-20 | Oakland-Alameda County Coliseum |
| 11271 | Updated source: 2 Nak 100/CP4 + 2 AKG C1000, Front Row Tapers Section> Boss BX4 Mixer> Cassette Master (Sony D6/Dolby B), taped by Charlie Miller; Cass> DAT transfer by Dan Sisler; Dat (Sony R500/SBM On)> CD (Tascam CDRW700) transfer by Charlie Miller; EAC> CDWAV> SHN by eD(efojr), from Paul's seed discs |
| gd1991-02-20.141769.sbd.miller.flac2496 | |
| 1991-02-20 | Oakland-Alameda County Coliseum |
| 141769 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1991-02-20.141851.sbd.cm.miller.flac1644 | |
| 1991-02-20 | Oakland-Alameda County Coliseum |
| 141851 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1991-02-20.138072.BK4011.FOB.Darroch.Ammons.flac1648 | |
| 1991-02-20 | Oakland-Alameda County Coliseum |
| 138072 | flac16/48kHz; Rob Darroch recording [FOB DFC]: Hand held at 110 degrees ORTF on Schoeps T-bar with B&K 4011 > Pro-Link Mic Cables > Modified Neumann PS > Panasonic SV255. Set 1 hand held by Rob, set 2 on stand at 6'2"; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48 |
| gd91-02-20.sbd.hinko.28471.sbeok.flacf | |
| 1991-02-20 | Oakland-Alameda County Coliseum |
| 28471 | flac16; SBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko |
| gd91-02-21.sbd.miller.22308.sbeok.shnf | |
| 1991-02-21 | Oakland-Alameda County Coliseum |
| 22308 | Recording Info: SBD -> Dat Transfer Info: Dat (Sony D8) -> Delta DiO 2496 -> Samplitude 2496 -> SHN 3 Discs Audio / 2 Discs SHN Re-tracked and Normalized with Samplitude v7.02 Professional By Charlie Miller charliemiller87@earthlink.net 2/11/04 |
| gd1991-02-21.141771.sbd.miller.flac2496 | |
| 1991-02-21 | Oakland-Alameda County Coliseum |
| 141771 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1991-02-21.141853.sbd.cm.miller.flac1644 | |
| 1991-02-21 | Oakland-Alameda County Coliseum |
| 141853 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1991-02-21.pzm.russjcan.93842.sbeok.flac16 | |
| 1991-02-21 | Oakland-Alameda County Coliseum Stadium |
| 93842 | flac16; Hat-mounted realistic pzm's with Sony WMD6-C 30 feet,dfc MAC>D6>HD>Audacity>cdwave>TLH |
| gd91-03-17.sbd.munder.8745.sbeok.shnf | |
| 1991-03-17 | Capitol Centre |
| 8745 | SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy |
| gd1991-03-17.149656.sbd.pearson-healy.miller.flac2496 | |
| 1991-03-17 | Capital Centre |
| 149656 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1991-03-17.135338.upg-sbd.tobin.flac16 | |
| 1991-03-17 | Capital Centre |
| 135338 | flac16; (original shnid = 8745) SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy - pitch correction and patches by Kevin Tobin |
| gd1991-03-17.135339.mtx.tobin.flac16 | |
| 1991-03-17 | Capital Centre |
| 135339 | flac16; Matrix 2 Source Mix - SBD (shnid=8745) SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy + AUD (shn id 94062) Master:Sennheiser ME-80's>Technics SV-MD1 OTS Transfer:DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - matrix mixing by Kevin Tobin |
| gd1991-03-17.135340.dts.tobin.flac16 | |
| 1991-03-17 | Capital Centre |
| 135340 | DTS-Audio-CD 5.1 Mix; SBD (shnid=8745) SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy + AUD (shn id 94062) Master:Sennheiser ME-80's>Technics SV-MD1 OTS Transfer:DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - dts mixing by Kevin Tobin |
| gd1991-03-17.135341.5-1.tobin.flac1648 | |
| 1991-03-17 | Capital Centre |
| 135341 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=8745) SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy + AUD (shn id 94062) Master:Sennheiser ME-80's>Technics SV-MD1 OTS Transfer:DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - mixing by Kevin Tobin |
| gd91-03-17.fob-schoeps-metchik.miller.28386.sbeok.shnf | |
| 1991-03-17 | Capitol Centre |
| 28386 | FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Jeff Metchik (sp?); Transferred By Charlie Miller |
| gd91-03-17.sbd.miller.28295.sbeok.flacf | |
| 1991-03-17 | Capitol Centre |
| 28295 | flac16; SBD> Master Dat> Master Cassette (Tascam 122mkIII)> Dat (SV3800/48k); Transfer: Dat> Cool Edit Pro> Samplitude v7.02 Professional> FLAC; Patch Info: Nakamichi 300/CP4 + Neumann KM84> Cassette Master (Sony D5/Maxell MX-S90); Patched and Edited By Charlie Miller |
| gd1991-03-17.149502.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
| 1991-03-17 | Capital Centre |
| 149502 | flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (16/48); Location: Section 2, Row R, Seat 14, DFC; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick |
| gd1991-03-17.149664.sbd.cm.miller.flac16 | |
| 1991-03-17 | Capital Centre |
| 149664 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
| gd1991-03-17.senn-ME80.wklitz.94062.flac16 | |
| 1991-03-17 | Capital Centre |
| 94062 | flac16; Master:Sennheiser ME-80's>Technics SV-MD1 OTS Transfer:DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger (The original source is missing Crazy Finders, d2t05.) |
| gd1991-03-17.nak.cohen.107115.sbeok.flac16 | |
| 1991-03-17 | Capital Centre |
| 107115 | flac16; Recorded by David Cohen Official Taping Section 8 Ft. Stand (Sec. 128, Row C, seat 4) 2 Nakamichi CM300s/ CP4s w/6" diameter plexiglass plates directly behind the rear pickups of the capsules> Nakamichi 550 w/Maxell XLIIS cassette masters Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. |
| gd1991-03-17.132297.Nak300s-Senn441s.JB.Keo.Flac2496 | |
| 1991-03-17 | Capital Centre |
| 132297 | flac24; Master Audience Recorded By J.B., Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-90, Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd91-03-18.aud.ladner.16779.sbeok.shnf | |
| 1991-03-18 | Capital Centre |
| 16779 | AUD (unknown mics) >DAT>Cass (X1)>CDR via D.Duquette. DAE/SHN encoding neo_levo/candyman |
| gd91-03-18.sbd.set2.oconnor.10926.sbeok.shnf | |
| 1991-03-18 | Capital Centre |
| 10926 | 2nd Set; SBD>MC>DAT>CD; via Paul; Seeded to etree by eD(efojr) |
| gd1991-03-18.132302.Nak300s-Senn441s.Baker.Keo.Flac1644 | |
| 1991-03-18 | Capital Centre |
| 132302 | flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D6, Tapes:Maxell MX-90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1991-03-18.nak.cohen.107155.flac16 | |
| 1991-03-18 | Capital Centre |
| 107155 | flac16; Recorded by David Cohen Official Taping Section 8 foot stand (sec. 128 Row B Seat 13) 3 Nakamichi CM300s/CP4s>Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. |
| gd1991-03-18.132303.Nak300s-Senn441s.Baker.Keo.Flac2496 | |
| 1991-03-18 | Capital Centre |
| 132303 | flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D6, Tapes:Maxell MX-90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd91-03-18.sbd.hinko.28162.sbeok.flacf | |
| 1991-03-18 | Capital Centre |
| 28162 | flac16; SBD > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko |
| gd1991-03-18.149503.OTS.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
| 1991-03-18 | Capital Centre |
| 149503 | flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (16/48); Location: first row center, taper’s section; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick |
| gd1991-03-18.149665.sbd.cm.miller.flac16 | |
| 1991-03-18 | Capital Centre |
| 149665 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
| gd1991-03-18.149661.sbd.pearson-healy.miller.flac2496 | |
| 1991-03-18 | Capital Centre |
| 149661 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd91-03-20.sbd.oconnor.11272.sbeok.shnf | |
| 1991-03-20 | Capital Centre |
| 11272 | SBD>DAT>CDR; See info file for 'anomalies'; via Paul; Seeded to etree by eD(efojr) |
| gd1991-03-20.132417.Nak300sSenn441s.Fitzy.Keo.Flac2496 | |
| 1991-03-20 | Capital Centre |
| 132417 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1991-03-20.152131.ultramatrix.miller.flac2496 | |
| 1991-03-20 | Capital Centre |
| 152131 | flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
| gd1991-03-20.mtx.seamons.111794.flac16 | |
| 1991-03-20 | Capital Centre |
| 111794 | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) |
| gd1991-03-20.138740.Schoeps-cmc4-mk4.gastwirt.miller.sirmick.sbeok.flac16 | |
| 1991-03-20 | Capital Centre |
| 138740 | flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017 |
| gd1991-03-20.149506.OTS.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
| 1991-03-20 | Capital Centre |
| 149506 | flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (1648); Location: First Row Center, Taper’s Section; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648 |
| gd1991-03-20.132416.Nak300sSenn441s.Fitzy.Keo.Flac1644 | |
| 1991-03-20 | Capital Centre |
| 132416 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1991-03-20.sbd.miller.93038.sbeok.flac16 | |
| 1991-03-20 | Capital Centre |
| 93038 | flac16; Recording Info:SBD -> Dat -> Cassette Master -> Sound Forge -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
| gd1991-03-20.sbd.miller.fixed-98038.93177.sbeok.flac16 | |
| 1991-03-20 | Capital Centre |
| 93177 | flac16; Recording Info:SBD -> Dat -> Cassette Master -> Sound Forge -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d2t01 of the previous Charlie Miller source.) |
| gd91-03-21.sbd.king.474.sbeok.shnf | |
| 1991-03-21 | Capital Centre |
| 474 | SBD> DAT> ZA2> SHN; slight cut d2t7 ~5:44; via G. King |
| gd1991-03-21.132471.Nak300sSenn441s.Fitzy.Keo.Flac1644 | |
| 1991-03-21 | Capital Centre |
| 132471 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1991-03-21.132472.Nak300sSenn441s.Fitzy.Keo.Flac2496 | |
| 1991-03-21 | Capital Centre |
| 132472 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1991-03-21.nak550.cohen.109365.sbeok.flac16 | |
| 1991-03-21 | Capital Centre |
| 109365 | flac16; Recorded by David Cohen Official Taping Section 8 foot stand (Sec. 128 Row A Seat 4) 2 Nakamichi CM300s/ CP4s w/6" diameter plexiglass plates directly behind the rear pickups of the capsules & 1 Nakamichi CM300/CP1 > Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. |
| gd1991-03-21.149507.OTS.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
| 1991-03-21 | Capital Centre |
| 149507 | flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (1648); Location: first row center, taper’s section; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648 |
| gd1991-03-21.senn-ME80.wklitz.94179.flac16 | |
| 1991-03-21 | Capital Centre |
| 94179 | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC |
| gd1991-03-21.138994.Schoeps-cmc4-mk4.gastwirt.miller.sirmick.sbeok.flac16 | |
| 1991-03-21 | Capital Centre |
| 138994 | flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick August 2017 |
| gd1991-03-21.151341.sbd.miller.flac2496 | |
| 1991-03-21 | Capital Centre |
| 151341 | flac24/96khz Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
| gd91-03-23.schoeps.oconnor.9507.sbeok.shnf | |
| 1991-03-23 | Knickerbocker Arena |
| 9507 | AUD: Schoeps CMC 34?s>DAT; via Paul; Seeded to etree by eD(efojr) |
| gd1991-03-23.133033.Nak300s-Senn441s.Fitzy.Keo.Flac1644 | |
| 1991-03-23 | Knickerbocker Arena |
| 133033 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1991-03-23.133034.Nak300s-Senn441s.Fitzy.Keo.Flac2496 | |
| 1991-03-23 | Knickerbocker Arena |
| 133034 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1991-03-23.149299.FOB.Schoeps.unknown.Ammons.Noel.t-flac1648 | |
| 1991-03-23 | Knickerbocker Arena |
| 149299 | flac16/48kHz; Recording info: (FOB) Schoeps CMC34 @ 110˚ > M1000 Cables > Tao Research PS > Panasonic SV255 > Master DAT > clone; Transfer info: clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 > Wave 48Hz 16bits |
| gd1991-03-23.152177.ultramatrix.miller.flac2496 | |
| 1991-03-23 | Knickerbocker Arena |
| 152177 | flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
| gd1991-03-23.sennME80.wklitz.94366.flac16 | |
| 1991-03-23 | Knickerbocker Arena |
| 94366 | flac16; Sennheiser ME-80's>Technics SV-MD1; DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger |
| gd1991-03-23.145316.nak300-shotgun-omni-mix.dalton.miller.sirmick.flac1648 | |
| 1991-03-23 | Knickerbocker Arena |
| 145316 | flac16/48kHz; Source: Nakamichi 300s (shotgun/omni mix) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick February 2019 |
| gd91-03-24.sbd.ladner.18119.sbeok.shnf | |
| 1991-03-24 | Knickerbocker Arena |
| 18119 | Source: SBD>CM>DAT>Cx>CDR>WAV>SHN Transfer via Ja.Buzz420 (playback on Denon DRM-540 > HHB 830 CDR). SHN and encoding and hosting via neo_levo/candyman FTP |
| gd91-03-24.schoeps.oconnor.12093.sbeok.shnf | |
| 1991-03-24 | Knickerbocker Arena |
| 12093 | AUD> DAT> CDR; Schoeps CMC-421?s>Oade>Panasonic SV-255; via WIlliam-O; Seeded to etree by eD |
| gd1991-03-24.133126.Nak300sSenn441s.Fitzy.Keo.Flac1644 | |
| 1991-03-24 | Knickerbocker Arena |
| 133126 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-s 90 + MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helepr; Metadata Tagging With Tag&Rename |
| gd1991-03-24.133127.Nak300sSenn441s.Fitzy.Keo.Flac2496 | |
| 1991-03-24 | Knickerbocker Arena |
| 133127 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-s 90 + MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1991-03-24.149546.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
| 1991-03-24 | Knickerbocker Arena |
| 149546 | flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110degrees) > Panasonic SV-255 (1648); Location: @ soundboard, section 5, row F, seat 8; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel |
| gd1991-03-24.152197.miller.pearson.healy.flac2496 | |
| 1991-03-24 | Knickerbocker Arena |
| 152197 | flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
| gd91-03-24.sbd.hinko.25274.sbeok.shnf | |
| 1991-03-24 | Knickerbocker Arena |
| 25274 | SBD > MC > DAT > CD > EAC > SHN; Patched with AUD> DAT> CDR; Schoeps CMC-421?s>Oade>Panasonic SV-255; EAC/SHN by Darryl Hinko |
| gd1991-03-24.AKG451.Currier.Keo.122514.Flac2496 | |
| 1991-03-24 | Knickerbocker Arena |
| 122514 | flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1991-03-24.AKG451.Currier.Keo.122515.Flac1644 | |
| 1991-03-24 | Knickerbocker Arena |
| 122515 | flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd91-03-24.fob-schoeps-mahoney-oneill.miller.28388.sbeok.shnf | |
| 1991-03-24 | Knickerbocker Arena |
| 28388 | FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller |
| gd1991-03-24.Nak300CP4.Floater.Keo.115572.Flac2496 | |
| 1991-03-24 | Knickerbocker Arena |
| 115572 | flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6; Tapes Maxell MX-S 90,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz |
| gd1991-03-24.Nak300CP4.Floater.Keo.115573.Flac1644 | |
| 1991-03-24 | Knickerbocker Arena |
| 115573 | flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6; Tapes Maxell MX-S 90,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper |
| gd1991-03-24.137075.sbd.miller.flac24 | |
| 1991-03-24 | Knickerbocker Arena |
| 137075 | flac24; Recording Info: SBD -> Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1991-03-24.137101.sbd.miller.flac16 | |
| 1991-03-24 | Knickerbocker Arena |
| 137101 | flac16; Recording Info: SBD -> Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller |
| gd1991-03-24.sennME80.wkl_taper.97694.flac16 | |
| 1991-03-24 | Knickerbocker Arena |
| 97694 | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC |
| gd91-03-25.sbd.18376.sbeok.shnf | |
| 1991-03-25 | Knickerbocker Arena |
| 18376 | sbd>cass-master>dat>shn |
| gd1991-03-25.149547.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
| 1991-03-25 | Knickerbocker Arena |
| 149547 | flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110degrees) > Panasonic SV-255 (1648); Location: FOB three rows in front of soundboard; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel |
| gd1991-03-25.152198.miller.pearson.healy.flac2496 | |
| 1991-03-25 | Knickerbocker Arena |
| 152198 | flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
| gd1991-03-25.AKG451.Currier.Keo.122506.Flac2496 | |
| 1991-03-25 | Knickerbocker Arena |
| 122506 | flac24; Master Audience Recorded by Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1991-03-25.AKG451.Currier.Keo.122507.Flac1644 | |
| 1991-03-25 | Knickerbocker Arena |
| 122507 | flac16; Master Audience Recorded by Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1991-03-25.146016.nak300-shotgun-omni-mix.dalton.miller.sirmick.flac1648 | |
| 1991-03-25 | Knickerbocker Arena |
| 146016 | flac16/48kHz; Source: Nakamichi 300s (shotgun/omni mix) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick April 2019 |
| gd1991-03-25.senn-me80.wklitz.91972.flac16 | |
| 1991-03-25 | Knickerbocker Arena |
| 91972 | flac16; Source:Sennheiser ME-80's>Techics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger |
| gd1991-03-25.Nak300CP4.Floater.Keo.111859.flac1644 | |
| 1991-03-25 | Knickerbocker Arena |
| 111859 | flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper Floater,Transfer By Keo Tapes: Set 1 Maxell MX-90 set 2 Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With AudioGate Software To 16/44 SBE's Checked/Fixed With Traders Little Helper |
| gd1991-03-25.Nak300CP4.Floater.Keo.111860.flac2496 | |
| 1991-03-25 | Knickerbocker Arena |
| 111860 | flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper Floater,Transfer By Keo Tapes: Set 1 Maxell MX-90 set 2 Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz |
| gd1991-03-25.138814.set2.FOB.Schoeps.Ammons.Noel.t-flac16 | |
| 1991-03-25 | Knickerbocker Arena |
| 138814 | flac16/48kHz; Set 2, unknown taper: Schoeps CMC34 at 110 degrees ORTF > M1000 Cables > Tao Research Power Supply > Panasonic SV255; 3 rows FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edited & Mastered in Audacity, exported > flac 16/48; Checksum & tags created in xACT |
| gd91-03-27.aud.eD.9189.sbeok.shnf | |
| 1991-03-27 | Nassau Coliseum |
| 9189 | AUD>DAT>CDR; Seeded to etree by eD |
| gd91-03-27.sbd.miller.14486.sbeok.shnf | |
| 1991-03-27 | Nassau Coliseum |
| 14486 | Recording Info: SBD -> Cm (Sony D5) -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices USB Pre -> Sony Vaio C1VP -> Samplitude 6.0 -> Cool Edit Pro v2.0 -> SHN; Transfered and Remastered By Charlie Miller; Upgrade in circulation |
| gd1991-03-27.sbd.braverman.9405.shnf | |
| 1991-03-27 | Nassau Veterans Memorial Coliseum |
| 9405 | SBD> Master Cassette > DAT> CD> SHN; Box of Rain from aud patch; via Rob Harrison; Seeded to etree by Peter Braverman |
| gd1991-03-27.152199.miller.pearson.healy.flac2496 | |
| 1991-03-27 | Nassau Veterans Memorial Coliseum |
| 152199 | flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
| gd1991-03-27.146181.neuman-skm150.dalton.miller.sirmick.flac1648 | |
| 1991-03-27 | Nassau Veterans Memorial Coliseum |
| 146181 | flac16/48kHz; (FOB) Neuman SKM150 (90 Deg X-Y) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick April 2019 |
| gd1991-03-27.149559.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
| 1991-03-27 | Nassau Veterans Memorial Coliseum |
| 149559 | flac16/48kHzRecording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (1648); Location: FOB mics hand held, section B1, row 19, seat 8; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648 |
| gd1991-03-27.133607.Nak300s-Senn441s.Fitzy.Keo.Flac1644 | |
| 1991-03-27 | Nassau Veterans Memorial Coliseum |
| 133607 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio shack Mixer > Sony D5,Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1991-03-27.133608.Nak300s-Senn441s.Fitzy.Keo.Flac2496 | |
| 1991-03-27 | Nassau Veterans Memorial Coliseum |
| 133608 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio shack Mixer > Sony D5,Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1991-03-27.120855.sbd.miller.flac16 | |
| 1991-03-27 | Nassau Veterans Memorial Coliseum |
| 120855 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; the original files had errors on d1t05 and d1t10. |
| gd1991-03-27.120857.sbd.miller.flac24 | |
| 1991-03-27 | Nassau Veterans Memorial Coliseum |
| 120857 | flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had errors on d1t05 and d1t10. |
| gd1991-03-27.154474.UltraMatrix.sbd.cm.miller.t.flac16 | |
| 1991-03-27 | Nassau Veterans Memorial Coliseum |
| 154474 | flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152199 2496 > 1644 |
| gd1991-03-27.141407.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648 | |
| 1991-03-27 | Nassau Veterans Memorial Coliseum |
| 141407 | flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 |
| gd1991-03-27.139159.Schoeps-cmc4-mk4-ortf.gastwirt.miller.sirmick.sbeok.flac1648 | |
| 1991-03-27 | Nassau Veterans Memorial Coliseum |
| 139159 | flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k); Recorded by Rich Gastwirt from 1st row OTS Transfer: Set I - Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Set II - Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick August 2017 |
| gd91-03-28.sbd.barbella.7287.sbeok.shnf | |
| 1991-03-28 | Nassau Coliseum |
| 7287 | SBD> DAT> CDR> EAC> SHN (seekable) via Steve Barbella |
| gd1991-03-28.nak300.andrewf.107569.flac16 | |
| 1991-03-28 | Nassau Coliseum |
| 107569 | flac16; AUD: 2x Nakamichi CM300/CP4 shotguns > Casio DA-7 > Maxell DM Dat. Mics on 7-foot stand, front row OTS. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Taped & transferred by Andrew F. 05/2010 |
| gd1991-03-28.146430.neuman-skm150.dalton.miller.sirmick.flac1648 | |
| 1991-03-28 | Nassau Coliseum |
| 146430 | flac16/48khz Source: (FOB) Neuman SKM150 (90 Deg X-Y) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648 edited and mastered SIRMick May 2019 |
| gd1991-03-28.149560.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
| 1991-03-28 | Nassau Veterans Memorial Coliseum |
| 149560 | flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (1648); Location: FOB mics hand held, section B1, row 19, seat 8; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648 |
| gd1991-03-28.142213.sbd.ultramatrix.miller.flac2496 | |
| 1991-03-28 | Nassau Coliseum |
| 142213 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is a fixed version of shnid=142161 |
| gd1991-03-28.142161.sbd.ultramatrix.miller.flac2496 | |
| 1991-03-28 | Nassau Coliseum |
| 142161 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Fixed version in circulation |
| gd1991-03-28.142169.UltraMatrix.sbd.cm.miller.flac1644 | |
| 1991-03-28 | Nassau Coliseum |
| 142169 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1991-03-28.133616.Nak300s-Senn441s.Fitzy.Keo.Flac1644 | |
| 1991-03-28 | Nassau Coliseum |
| 133616 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1991-03-28.133617.Nak300s-Senn441s.Fitzy.Keo.Flac2496 | |
| 1991-03-28 | Nassau Coliseum |
| 133617 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1991-03-28.141408.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648 | |
| 1991-03-28 | Nassau Coliseum |
| 141408 | flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 |
| gd1991-03-28.140091.OTS.Schoeps.Gastwirt.Miller.Noel.t-flac1648 | |
| 1991-03-28 | Nassau Coliseum |
| 140091 | flac16/48kHz; Rich Gastwirt recording: (OTS) Schoeps CMC4 MK4 (ortf)> DAT (Panasonic SV-255); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT |
| gd1991-03-28.142428.UltraMatrix.sbd.cm.miller.flac1644 | |
| 1991-03-28 | Nassau Coliseum |
| 142428 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is a fixed version of shnid=142161 |
| gd91-03-29.sbd.wiley.8232.sbeok.shnf | |
| 1991-03-29 | Nassau Coliseum |
| 8232 | SBD> DAT> Cassette> DAT> Tascam DA-20 MKII> Delta Dio 2496> Cool Edit> CDR; via Rob Harrison; Seeded to etree by Tim Wiley |
| gd1991-03-29.sbd.samouilidis.12757.shnf | |
| 1991-03-29 | Nassau Veterans Memorial Coliseum |
| 12757 | SBD> Cass(1)> DAT> SHN; DAT> SHN conversion done by Leo Samouilidis: DAT> Opcode SonicPort> HD(Cool Edit)> MKW ACT> SHN |
| gd1991-03-29.4MicMixBaker.109110.flac16 | |
| 1991-03-29 | Nassau Coliseum |
| 109110 | flac16; Master Audience Four Mic Mix Nakamichi CM300's/CP4 Sotguns And Sennheiser 441's> unknown Mixer>Sony D-6>--# Patch out of ?--- Tapes:Maxell MX-S 100's Transfer: Nakamichi MR-1>Dolby B>Korg MR 1000 @ 1 Bit/5.6mHz>Sample rate conversion with AudioGate software to 32 bit float/96kHz Wave>Dithered with Korg Aqua to 16/44 |
| gd1991-03-29.149579.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
| 1991-03-29 | Nassau Coliseum |
| 149579 | flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (1648); Location: FOB mics hand held, section B1, row 19, seat 8; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648 |
| gd1991-03-29.141409.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648 | |
| 1991-03-29 | Nassau Coliseum |
| 141409 | flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 |
| gd1991-03-29.142236.sbd.pc.miller.flac2496 | |
| 1991-03-29 | Nassau Coliseum |
| 142236 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This is a pitch corrected (remastered) version of shnid=137079 |
| gd1991-03-29.142237.sbd.ultramatrix.miller.flac2496 | |
| 1991-03-29 | Nassau Coliseum |
| 142237 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
| gd1991-03-29.149815.UltraMatrix.sbd.cm.miller.flac16 | |
| 1991-03-29 | Nassau Coliseum |
| 149815 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1, contains fixed New Speedway Boogie |
| gd1991-03-29.146568.neuman-skm150.dalton.miller.sirmick.flac1648 | |
| 1991-03-29 | Nassau Coliseum |
| 146568 | flac16/48kHz; Source: (FOB) Neuman SKM150 (90 Deg X-Y) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick May 2019 |
| gd1991-03-29.133623.Nak300s-Senn441s.Fitzy.Keo.Flac1644 | |
| 1991-03-29 | Nassau Coliseum |
| 133623 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1991-03-29.133624.Nak300s-Senn441s.Fitzy.Keo.Flac2496 | |
| 1991-03-29 | Nassau Coliseum |
| 133624 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1991-03-29.142430.sbd.cm.miller.flac1644 | |
| 1991-03-29 | Nassau Coliseum |
| 142430 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This is a pitch corrected (remastered) version of shnid=137079 |
| gd1991-03-29.142431.UltraMatrix.sbd.cm.miller.flac1644 | |
| 1991-03-29 | Nassau Coliseum |
| 142431 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
| gd1991-03-29.149075.ultra.fixed.miller.clugston.flac24 | |
| 1991-03-29 | Nassau Veterans Memorial Coliseum |
| 149075 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
| gd1991-03-29.137079.sbd.miller.flac24 | |
| 1991-03-29 | Nassau Coliseum |
| 137079 | flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1991-03-29.137102.sbd.miller.flac16 | |
| 1991-03-29 | Nassau Coliseum |
| 137102 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller |
| gd91-03-31.sbd.perkins.9451.sbeok.shnf | |
| 1991-03-31 | Greensboro Coliseum |
| 9451 | SBD > ?? > EAC > Multiquence > Shn; Seeded by C Perkins with thanks to Chris Luper; see text file for noted flaws.Samson and Eyes appear on Dick's Picks 17, Please support the artist and their commercial releases go buy it |
| gd1991-03-31.149580.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
| 1991-03-31 | Greensboro Coliseum |
| 149580 | flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (1648); Location: FOB mics hand held, center section, row S, seat 9; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648 |
| gd1991-03-31.152200.miller.pearson.healy.flac2496 | |
| 1991-03-31 | Greensboro Coliseum |
| 152200 | flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
| gd1991-03-31.Nak300CP4.Floater.Keo.112999.Flac2496 | |
| 1991-03-31 | Greensboro Coliseum |
| 112999 | flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX-90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96kHz |
| gd1991-03-31.nak300.bleich-sirmick.109862.sbeok.flac16 | |
| 1991-03-31 | Greensboro Coliseum |
| 109862 | flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac Transfer: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped from OTS, and transferred by John Bleich |
| gd1991-03-31.154477.UltraMatrix.sbd.cm.miller.t.flac16 | |
| 1991-03-31 | Greensboro Coliseum |
| 154477 | flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152200 2496 > 1644 |
| gd1991-03-31.mtx.south.99386.flac16 | |
| 1991-03-31 | Greensboro Coliseum |
| 99386 | flac16; Matrix: SBD (shnid=31955) and AUD (shnid=93473); matrix by Joey South (shn and flac>wav>wavelab>wav>cd wave for tracking>flac) |
| gd1991-03-31.sbd.miller.120029.flac16 | |
| 1991-03-31 | Greensboro Coliseum |
| 120029 | flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
| gd91-04-01.sbd.connor.9732.sbeok.shnf | |
| 1991-04-01 | Greensboro Coliseum |
| 9732 | Sources: Primary Source; Jay Serafin's seed SBD>D>A>D>SSSB: Secondary Source:SBD>DAT>CDR (Musicfan's seed to abgd; Secondary Source provides d1t01-t04; the last 5 seconds of d1t07;the last 2:01 of d1t09; CD Remastering by Charlie Connor; Seeded to Fun_Gus and abgd by Charlie Connor |
| gd1991-04-01.137439.sbd.miller.flac24 | |
| 1991-04-01 | Greensboro Coliseum |
| 137439 | flac24; Recording Info: SBD > Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1991-04-01.148613.akg.c522.hessberg.miller.clugston.flac1648 | |
| 1991-04-01 | Greensboro Coliseum |
| 148613 | flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; AKG C522 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
| gd1991-04-01.148614.akg.c522.hessberg.miller.clugston.flac2496 | |
| 1991-04-01 | Greensboro Coliseum |
| 148614 | flac24; Source Info: Michael Hessberg's Master Audience Cassettes; AKG C522 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
| gd1991-04-01.149231.fob.schoeps34.ebelgee.flac1648 | |
| 1991-04-01 | Greensboro Coliseum |
| 149231 | flac16/48kHz; Source Info: FOB Schoeps CMC3 MK4-> Oade P/S/-> Panasonic SV255-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Taped: Believed to be Clay Brennecke & Jamie Young; Transfers by Pete Ebel |
| gd1991-04-01.nak300.bleich-sirmick.109943.sbeok.flac16 | |
| 1991-04-01 | Greensboro Coliseum |
| 109943 | flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac Transfer: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich |
| gd1991-04-01.137352.SBD.PCM.Gans.Minches.Miller.fixed.flac16 | |
| 1991-04-01 | Greensboro Coliseum |
| 137352 | flac16; Recording Info: SBD > Dat Master > PCM; Transfer Info: PCM (Sony SL-HF500) > Sony PCM601-ESD > Omega Fenix HT > Audio Audition 6.0 > FLAC; Mastering Info: FLAC > Samplitude Pro X3 Suite > FLAC; Transferred By David Minches; Mastered By Charlie Miller; the original version had a drop out in Peggy-O; please don't circulate that version |
| gd1991-04-01.149666.UltraMatrix.sbd.cm.miller.flac16 | |
| 1991-04-01 | Greensboro Coliseum |
| 149666 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
| gd1991-04-01.149649.ultramatrix.sbd.miller.flac2496 | |
| 1991-04-01 | Greensboro Coliseum |
| 149649 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1991-04-01.149611.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
| 1991-04-01 | Greensboro Coliseum |
| 149611 | flac16/48kHz; Recording: Schoeps CMC3 MK4s (ORTF) > Panasonic SV-255 (16/48); Location: FOB mics on stand, center section, row U, seat 9; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer by Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel |
| gd1991-04-01.141915.sbd.cm.miller.flac1644 | |
| 1991-04-01 | Greensboro Coliseum |
| 141915 | flac16; Recording Info: SBD > Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd91-04-03.sbd.gardner.4735.sbeok.shnf | |
| 1991-04-03 | The Omni |
| 4735 | sbd> dat> cass(2)> dat> spdif> cdr> eac> shn; via Tony Gardner; Pitch corrected upgrade in circulation |
| gd1991-04-03.151842.ultramatrix.miller.flac2496 | |
| 1991-04-03 | The Omni |
| 151842 | flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
| gd1991-04-03.152010.UltraMatrix.sbd.cm.miller.t.flac16 | |
| 1991-04-03 | The Omni |
| 152010 | flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151842 24 > 16 @ 44.1 |
| gd1991-04-03.sbd.gardner.fix-4735.107083.flac16 | |
| 1991-04-03 | The Omni |
| 107083 | flac16; sbd> dat> cass(2)> dat> spdif> cdr> eac> shn> wav (CE Processing)>flac; Pitch corrected version of source ID 4735 |
| gd1991-04-03.133732.Nak300CP4.Baker.Keo.Flac2496 | |
| 1991-04-03 | The Omni |
| 133732 | flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1991-04-03.nak300.holtz.jaz.103622.flac16 | |
| 1991-04-03 | The Omni |
| 103622 | flac16; Taper: Greg Holtz SOURCE: Front Row OTS, Nakamichi CM-300 w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX-S 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename |
| gd1991-04-03.Nak300CP4.Floater.Keo.112293.Flac1644 | |
| 1991-04-03 | The Omni |
| 112293 | flac16; Master Audience Nakamichi CM300/CP4 Shotguns>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96kHz Dithered/Flacked With Korg Aqua to 16/44 SBE's Checked/Fixed With Trader's Little Helper |
| gd1991-04-03.Nak300CP4.Floater.Keo.112294.Flac2496 | |
| 1991-04-03 | The Omni |
| 112294 | flac24; Master Audience Nakamichi CM300/CP4 Shotguns>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96kHz |
| gd1991-04-03.133733.Nak300CP4.Baker.Keo.Flac1644 | |
| 1991-04-03 | The Omni |
| 133733 | flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd91-04-04.akg.dodd.15548.sbeok.shnf | |
| 1991-04-04 | The Omni |
| 15548 | FOB> AKGc1000s>Sony Cassette D3 > cdr Eac > cool edit > shntool > cdwav >shnv3 Taped by Thomas Larson Discs provided by Chris Adams Eac >shn (secure with proper offsets) by Ernie Dodd |
| gd1991-04-04.138838.FOB.Scheops.S2.Ammons.Noel.t-flac16 | |
| 1991-04-04 | The Omni |
| 138838 | flac16/48kHz; Set 2, unknown taper: Schoeps CMC34 at 100 degrees ORTF > M1000 Cables > Tao Research PS > Panasonic SV255; 7 Rows FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT |
| gd1991-04-04.149626.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
| 1991-04-04 | The Omni |
| 149626 | flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (1648); Location: FOB mics hand held, section 5, row FF, seat 7; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648 |
| gd1991-04-04.152022.ultramatrix.miller.flac2496 | |
| 1991-04-04 | The Omni |
| 152022 | flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
| gd1991-04-04.152093.UltraMatrix.sbd.cm.miller.t.flac16 | |
| 1991-04-04 | The Omni |
| 152093 | flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 152022 24 -> 16 @ 44.1 |
| gd1991-04-04.133809.Senn441.Baker.Keo.Flac1644 | |
| 1991-04-04 | The Omni |
| 133809 | flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Sennheiser 441s > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1991-04-04.133810.Senn441.Baker.Keo.Flac2496 | |
| 1991-04-04 | The Omni |
| 133810 | flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Sennheiser 441s > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1991-04-04.sbd.miller.99240.sbeok.flac16 | |
| 1991-04-04 | The Omni |
| 99240 | flac16; Recording Info:SBD -> Cassette Master -> Cassette (Sony D5/TDK SA90); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
| gd1991-04-04.nak300.holtz.jaz.103623.flac16 | |
| 1991-04-04 | The Omni |
| 103623 | flac16; Taper: Greg Holtz SOURCE: Front Row OTS, Nakamichi CM-300 w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX-S 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename |
| gd1991-04-04.Nak300CP4Senn441.Floater.Keo.112309.Flac2496 | |
| 1991-04-04 | The Omni |
| 112309 | flac24; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441\'s>Radio Shack Mixer>?>Sony D6; Tapes From Floater,Transfer By Keo; Tapes:Maxell MX 90,MX-S 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz |
| gd1991-04-04.Nak300CP4Senn441.Floater.Keo.112310.Flac1644 | |
| 1991-04-04 | The Omni |
| 112310 | flac16; Master Audience Nakamichi CM300 CP4 Shotguns + Sennheiser 441's>Radio Shack Mixer>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,MX-S 100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit 5.6 MHz Tracking Sample Rate Conversion Metadata Tagging With AudioGate Software To 32 Bit Float 96 kHz Dithered Flacked With Korg Aqua To 16 44 SBE's Checked Fixed With Trader's Little Helper |
| gd1991-04-04.140691.s2.OTS.Neumann.Oade.Gastwirt.Miller.Noel.t-flac1648 | |
| 1991-04-04 | The Omni |
| 140691 | flac16/48kHz; Set 2 Oade Brothers Recording: Neumann TLM170 -> DAT (OTS); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT |
| gd91-04-05.sbd.gardner.4162.sbeok.shnf | |
| 1991-04-05 | The Omni |
| 4162 | sbd> ?> cdr> eac> shn; shn by Jay James, hosted by Tony Gardner |
| gd1991-04-05.132572.sbd.healy.latvala.wise.flac16 | |
| 1991-04-05 | The Omni |
| 132572 | flac16/48kHz; DAT sound board master recorded by Dan Healy; DAT x Zero-Cassette x Zero Transfer By Dan Healy using his custom built multi cassette cloning machine nicknamed "The "Gorgon"; Analog Cassette (via Dick Latvala) to DAT Digital-Nakamichi Dragon-Sony PCM R-500 DAT@ 48KHz (circa 1998); DAT play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV; Editing(Adobe Audition 3.0)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name) Jim Wise |
| gd1991-04-05.133955.Nak300s-Senn441s.Baker.Keo.Flac1644 | |
| 1991-04-05 | The Omni |
| 133955 | flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1991-04-05.133956.Nak300s-Senn441s.Baker.Keo.Flac2496 | |
| 1991-04-05 | The Omni |
| 133956 | flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1991-04-05.138839.FOB.Schoeps.S2.Ammons.Noel.t-flac16 | |
| 1991-04-05 | The Omni |
| 138839 | flac16/48kHz; Set 2, unknown taper: Schoeps CMC34 at 100 degrees ORTF > M1000 Cables > Tao Research PS > Panasonic SV255; FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT |
| gd1991-04-05.149628.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
| 1991-04-05 | The Omni |
| 149628 | flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (1648); Location: FOB mics hand held, section 5, row FF, seat 7; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648 |
| gd1991-04-05.152099.ultramatrix.miller.flac2496 | |
| 1991-04-05 | The Omni |
| 152099 | flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
| gd1991-04-05.152171.UltraMatrix.sbd.cm.miller.t.flac16 | |
| 1991-04-05 | The Omni |
| 152171 | flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 152099 24 > 16 @ 44.1 |
| gd1991-04-05.nak300.holtz.jaz.103624.flac16 | |
| 1991-04-05 | The Omni |
| 103624 | flac16; Taper: Greg Holtz SOURCE: Front Row OTS, Nakamichi CM-300 w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX-S 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename |
| gd1991-04-05.112389.Nak300CP4Senn441.Floater.Keo.flac16 | |
| 1991-04-05 | The Omni |
| 112389 | flac16; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441's>RadioShack Mixer>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,MX-S 100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper |
| gd1991-04-05.112390.Nak300CP4Senn441.Floater.Keo.flac24 | |
| 1991-04-05 | The Omni |
| 112390 | flac24; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441's>RadioShack Mixer>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,MX-S 100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96kHz |
| gd1991-04-05.140692.s2.OTS.Neumann.Oade.Gastwirt.Miller.Noel.t-flac1648 | |
| 1991-04-05 | The Omni |
| 140692 | flac16/48kHz; Oade Brothers Recording: Neumann TLM170 -> DAT (OTS); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT |
| gd91-04-07.sbd.neo_levo-ferguson.476.sbeok.shnf | |
| 1991-04-07 | Orlando Arena |
| 476 | SBD > ? > SHN; via M. Ferguson, neo_levo |
| gd1991-04-07.143388.km86.dalton.miller.sirmick.flac1648 | |
| 1991-04-07 | Orlando Arena |
| 143388 | flac16/48kHz; Source: Neuman KM86 Custom 60° X-Y * > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick |
| gd1991-04-07.149622.sbd.cm.miller.flac16 | |
| 1991-04-07 | Orlando Arena |
| 149622 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
| gd1991-04-07.150455.s2.mtx.seamons.flac16 | |
| 1991-04-07 | Orlando Arena |
| 150455 | flac16; Set 2 Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 137081 & 138128. |
| gd1991-04-07.150456.mtx.seamons.ht121.flac16 | |
| 1991-04-07 | Orlando Arena |
| 150456 | flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 137081, 31953 & 138128. |
| gd1991-04-07.149563.sbd.miller.flac2496 | |
| 1991-04-07 | Orlando Arena |
| 149563 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
| gd1991-04-07.138128.SchoepsCMC34.Neumann.KM54.Vasseur.Ammons.t-flac16 | |
| 1991-04-07 | Orlando Arena |
| 138128 | flac16/48kHz; Dan (?) running Bob Melomed's rig (Set I) FOB Schoeps CMC34 110 degrees ORTF on Scheops t-bar > M1000 Cable > Tao Research Power Supply > SV255; 5 Rows FOB; Chuck Vasseur recording (Set II) Neumann KM54 tube mics > Technics SVMD1; 14th Row center; John Ammons Transfer: from his DAT clones of the masters. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Patched, Track'd, Flac'd & Pack'd: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT |
| gd1991-04-07.aud.Holtz.Naks.115109.flac16 | |
| 1991-04-07 | Orlando Arena |
| 115109 | flac16; Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-5 (Maxell MX-S analog cassette tapes) - Front Row OTS; Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Recorded by Greg Holtz; Transfers, edits, track/FLAC by Greg Holtz |
| gd1991-04-07.149826.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
| 1991-04-07 | Orlando Arena |
| 149826 | flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ortf) > Panasonic SV-255 (16/48); Location: FOB mics hand held, section F5, row B, seat 5; Transfer: DAT (Tascam DA-40) > Tascam DA-3000 > Flac 16/48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel |
| gd1991-04-07.137080.set1.sbd.miller.flac24 | |
| 1991-04-07 | Orlando Arena |
| 137080 | flac24; Set 1 Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1991-04-07.137081.sbd.miller.flac16 | |
| 1991-04-07 | Orlando Arena |
| 137081 | flac16; Recording Info: Set 1: SBD -> Cassette Master (TDK SA-X100); Set 2: SBD -> Dat (44.1k); Set 1 Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/16; Set 2 Transfer Info: Dat (Sony R500) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
| gd1991-04-07.sbd.zei.2022.shnf | |
| 1991-04-07 | Orlando Arena |
| 2022 | SBD> D-> cdr-> EAC->shn; Ripped by John Zei |
| gd91-04-08.sbd.ingle.10060.sbeok.shnf | |
| 1991-04-08 | Orlando Arena |
| 10060 | SBD>DAT>C>DAT>CDR; via Paul "Raoul B." Duke; seeded to etree by Brad Ingle |
| gd1991-04-08.143389.km86.dalton.miller.sirmick.flac1648 | |
| 1991-04-08 | Orlando Arena |
| 143389 | flac16/48kHz; Source: Neuman KM86 Custom 60° X-Y * > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick |
| gd1991-04-08.149300.FOB.Schoeps.Unknown.Ammons.Noel.t-flac1648 | |
| 1991-04-08 | Orlando Arena |
| 149300 | flac16/48kHz; Recording info: (FOB) Schoeps CMC34 @ 110˚ > M1000 Cables > Tao Research PS > Panasonic SV255 > Master DAT > clone; Transfer info: clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 > Wave 48Hz 16bits |
| gd1991-04-08.152230.ultramatrix.miller.flac2496 | |
| 1991-04-08 | Orlando Arena |
| 152230 | flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 |
| gd1991-04-08.137100.sbd.miller.flac24 | |
| 1991-04-08 | Orlando Arena |
| 137100 | flac24; Recording Info: SBD -> Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1991-04-08.154478.UltraMatrix.sbd.cm.miller.t.flac16 | |
| 1991-04-08 | Orlando Arena |
| 154478 | flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 152230 2496 > 1644 - This is 152230 2496 > 1644 |
| gd1991-04-08.149657.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
| 1991-04-08 | Orlando Arena |
| 149657 | flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ortf) > Panasonic SV-255 (1648); Location: FOB mics hand held, section F5, row B, seat 6; Transfer: Dat > Sony PCM r500 > Tascam DA-40 > Tascam DA-3000 > Flac 1648 |
| gd1991-04-08.137103.sbd.miller.flac16 | |
| 1991-04-08 | Orlando Arena |
| 137103 | flac16; Recording Info: SBD -> Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller |
| gd1991-04-08.mtx.seamons.95260.sbeok.flac16 | |
| 1991-04-08 | Orlando Arena |
| 95260 | flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
| gd91-04-09.sbd.ingle.10061.sbeok.shnf | |
| 1991-04-09 | Orlando Arena |
| 10061 | SBD>??>DAT>??>CDR (Liberated Bootleg); Missing Masterpiece, NFA & Brokedown; Some distortion throughout; See info file for details; via PBR Duke; Seeded to etree by Brad Ingle |
| gd91-04-09.sbd.miller.25466.sbeok.shnf | |
| 1991-04-09 | Orlando Arena |
| 25466 | Recording Info: SBD -> Master Dat (Panasonic 3700) -> Master Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Master Cassette (Nakamichi CR-7A) -> Dat (Sony R500/48k/SBM On) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller |
| gd1991-04-09.143390.km86.dalton.miller.sirmick.flac1648 | |
| 1991-04-09 | Orlando Arena |
| 143390 | flac16/48kHz;; Source: Neuman KM86 Custom 60° X-Y * > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick |
| gd1991-04-09.152231.s2.sbd.miller.flac1648 | |
| 1991-04-09 | Orlando Arena |
| 152231 | flac16/48 Set 2 Recording Info: SBD > DAT Master (48k) Transfer Info: DAT Master (Sony PCM-R500) > Sound Devies 744T (16-bit/48k) > Samplitude Pro X5 Suite > FLAC |
| gd1991-04-09.152232.sbd.miller.flac2496 | |
| 1991-04-09 | Orlando Arena |
| 152232 | flac24/96 Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
| gd1991-04-09.152233.ultramatrix.miller.flac2496 | |
| 1991-04-09 | Orlando Arena |
| 152233 | flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
| gd1991-04-09.aud.Holtz.Naks.115534.flac16 | |
| 1991-04-09 | Orlando Arena |
| 115534 | flac16; Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-5 (Maxell MX-S analog cassette tapes) - Front Row OTS; Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Recorded by Greg Holtz; Transfers, edits, track/FLAC by Greg Holtz |
| gd1991-04-09.Nak300CP4.Floater.Keo.113168.Flac2496 | |
| 1991-04-09 | Orlando Arena |
| 113168 | flac24: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes:Maxell MX 90,100 Tapes From Floater,Transfer By Keo |
| gd1991-04-09.Nak300CP4.Floater.Keo.113172.Flac1644 | |
| 1991-04-09 | Orlando Arena |
| 113172 | flac16: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes:Maxell MX 90,100 Tapes From Floater,Transfer By Keo |
| gd1991-04-09.154480.UltraMatrix.sbd.cm.miller.t.flac16 | |
| 1991-04-09 | Orlando Arena |
| 154480 | flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152233 2496 > 1644 |
| gd1991-04-09.154481.sbd.cm.miller.t.flac16 | |
| 1991-04-09 | Orlando Arena |
| 154481 | flac16/44 Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152232 2496 > 1644 |
| gd1991-04-09.149658.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
| 1991-04-09 | Orlando Arena |
| 149658 | flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ortf) > Panasonic SV-255 (1648); Location: FOB mics hand held, section F5, row B, seat 6; Transfer: Dat > Sony PCM r500 > Tascam DA-40 > Tascam DA-3000 > Flac 1648 |
| gd1991-04-09.137163.sbd.miller.flac24 | |
| 1991-04-09 | Orlando Arena |
| 137163 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1991-04-09.137171.sbd.miller.flac16 | |
| 1991-04-09 | Orlando Arena |
| 137171 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC/24; All Transfers and Mastering By Charlie Miller; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper. |
| gd91-04-27.sbd.vernon-fink.12018.sbeok.shnf | |
| 1991-04-27 | Sam Boyd Silver Bowl, U.N.L.V. |
| 12018 | SBD material from previous shn set with AUD patches added by Alan J. Fink from eD's first-gen source cass |
| gd1991-04-27.mtx.sirmick.102906.sbeok.flac16 | |
| 1991-04-27 | Sam Boyd Silver Bowl, U.N.L.V. |
| 102906 | flac16; 3 source matrix: a - SBD -> Dat -> Cassette Master -> Dat (48k) (shnid 26332) b - FOB Schoeps CMC 32 Omni (on stands 6' 2" high and spaced 8 feet) > Panasonic sv250 (shnid 93470) c - video soundtrack, 3rd Gen VHS supplied by Donald Buderus and extracted by Awolfoutwest a - 60% both channels, b - 40% left channel, c - 40% right channel |
| gd1991-04-27.112862.NeumannKMF4.daweez.d5scott.flac16 | |
| 1991-04-27 | Sam Boyd Silver Bowl |
| 112862 | flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
| gd1991-04-27.156358.sbd.miller.flac2496 | |
| 1991-04-27 | Sam Boyd Silver Bowl |
| 156358 | flac2496: Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 |
| gd1991-04-27.156404.sbd.cm.miller.t.flac1644 | |
| 1991-04-27 | Sam Boyd Silver Bowl |
| 156404 | flac1644.1: Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156358 2496 > 1644.1 |
| gd91-04-27.sbd.miller.26332.sbeok.flacf | |
| 1991-04-27 | Sam Boyd Silver Bowl, U.N.L.V. |
| 26332 | flac16; 3 source combo: 1: SBD> Dat> Cassette Master> Dat (48k); 2: SBD> Dat> Sonic Solutions> CD; 3: (FOB) Schoeps CMC3/MK2> Dat (48k); Transfer: Dat or CD> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transfers and Editing By Charlie Miller |
| gd1991-04-27.sbd.vernon.6111.shnf | |
| 1991-04-27 | Sam Boyd Silver Bowl |
| 6111 | Purported: SBD> Phil Lesh's cassette master> DAT> CDR; CDR > EAC > mkw > SHN by Matt Vernon, from Tim Wheaton seed discs; see info file for flaw notes |
| gd1991-04-27.AKG451.Darby.118571.Flac2448 | |
| 1991-04-27 | Sam Boyd Silver Bowl |
| 118571 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Sec FFF Row 3 Seat 6/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename |
| gd1991-04-27.AKG451.Darby.118572.Flac1644 | |
| 1991-04-27 | Sam Boyd Silver Bowl |
| 118572 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Sec FFF Row 3 Seat 6/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua T0 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd91-04-28.aud-fob.cole.19161.sbeok.shnf | |
| 1991-04-28 | Sam Boyd Silver Bowl, U.N.L.V. |
| 19161 | Source: FOB MAC (2 beyerm 160 & 1 Sennheiser 421>Sony TCD5M)>?>SHN. Mastering: SHN>WAV>CE2K>SHNTOOL>mkwACT. Mastered & seeded by MattMan. |
| gd91-04-28.neumann.vernon.8196.sbeok.shnf | |
| 1991-04-28 | Sam Boyd Silver Bowl, U.N.L.V. |
| 8196 | FOB Neumann U87's > ? > CDR; via Marcus Thunich; Seeded to etree by Matt Vernon |
| gd91-04-28.sbd.vernon.6112.sbeok.shnf | |
| 1991-04-28 | Sam Boyd Silver Bowl, U.N.L.V. |
| 6112 | Purported: SBD> Phil Lesh's cassette master> DAT> CDR; CDR > EAC > mkw > SHN by Matt Vernon, from Tim Wheaton seed discs; see info file for flaw notes |
| gd1991-04-28.mtx.sirmick.102932.sbeok.flac16 | |
| 1991-04-28 | Sam Boyd Silver Bowl, U.N.L.V. |
| 102932 | flac16; 3 source matrix: a - shnid 92278: Set 1: SBD -> Dat -> Cassette Master -> Dat -> CD, Set 2: SBD -> Dat (44.1k), b - shnid 93469: FOB Digital Audience Recording Recording Equipment: Neumann U89 (on stands 6' 2" high and spaced 8 feet) > Sony D10 Pro Recorded By: James Young c - video soundtrack, 3rd Gen VHS supplied by Donald Buderus and extracted by Awolfoutwest; Mix: a - 60%, b - 20%, c - 20% |
| gd1991-04-28.sbd.miller.92278.sbeok.flac16 | |
| 1991-04-28 | Sam Boyd Silver Bowl |
| 92278 | flac16; Recording Info:Set 1: SBD -> Dat -> Cassette Master -> Dat -> CD; Set 2: SBD -> Dat (44.1k); Transfer Info: Set 1: CD -> Samplitude Professional v10.02 -> FLAC Set 2: Dat -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller |
| gd1991-04-28.at853.lech.116859.flac16 | |
| 1991-04-28 | Sam Boyd Silver Bowl, U.N.L.V. |
| 116859 | flac16; Source: (FOB) AT853a [cardioids/xy] > Panasonic SV-255; Lineage: DAT/M > VHS/1 > HHb 800 > EAC > CDWav > FLAC; Recorded: John Lech; Transferred: Jeff Bowen; Extraction: Brad Foster |
| gd1991-04-28.AKG451.Darby.118631.Flac2448 | |
| 1991-04-28 | Sam Boyd Silver Bowl, U.N.L.V. |
| 118631 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename |
| gd1991-04-28.156366.sbd.miller.flac2496 | |
| 1991-04-28 | Sam Boyd Silver Bowl |
| 156366 | flac2496 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 |
| gd1991-04-28.156406.sbd.cm.miller.t.flac1644 | |
| 1991-04-28 | Sam Boyd Silver Bowl |
| 156406 | flac1644.1: Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156366 2496 > 1644.1 |
| gd1991-04-28.112926.NeumannKMF4.daweez.d5scott.flac16 | |
| 1991-04-28 | Sam Boyd Silver Bowl, U.N.L.V. |
| 112926 | flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
| gd1991-04-28.AKG451.Darby.118632.Flac1644 | |
| 1991-04-28 | Sam Boyd Silver Bowl, U.N.L.V. |
| 118632 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1991-04-28.151049.aud.lohr.vernon.flac1648 | |
| 1991-04-28 | Sam Boyd Silver Bowl, U.N.L.V. |
| 151049 | flac16/48khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 |
| gd1991-04-28.151050.aud.lohr.vernon.flac2496 | |
| 1991-04-28 | Sam Boyd Silver Bowl, U.N.L.V. |
| 151050 | flac24/96khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) |
| gd91-05-03.sbd.ladner.8831.sbeok.shnf | |
| 1991-05-03 | Cal Expo |
| 8831 | Source: SBD > DAT > C > DAT > CDR > WAV > SHN |
| gd1991-05-03.142256.sbd.miller.flac2496 | |
| 1991-05-03 | Cal Expo |
| 142256 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
| gd1991-05-03.113064.daweez.d5scott.NeumannKMF4.flac16 | |
| 1991-05-03 | Cal Expo |
| 113064 | flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
| gd1991-05-03.142435.sbd.miller.flac1644 | |
| 1991-05-03 | Cal Expo |
| 142435 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
| gd1991-05-03.sbd.miller.109233.flac16 | |
| 1991-05-03 | Cal Expo |
| 109233 | flac16; Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat (48k) Set 2: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
| gd91-05-04.sbd.ladner.9117.sbeok.shnf | |
| 1991-05-04 | Cal Expo |
| 9117 | SBD > DAT > C > DAT > CDR; via R. Martin; Seeded to etree by C. Ladner |
| gd1991-05-04.138120.set2.BK4006.Omni.Darroch.Ammons.fob.t-flac16 | |
| 1991-05-04 | Cal Expo |
| 138120 | flac16/48kHz; Set 2 Rob Darroch & John Ammons recording: B&K 4006 Omni's in SASS mount > Hoyt Power Supply > Panasonic SV255; FOB DFC with stand @ 5' 11"; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48 |
| gd1991-05-04.at853.lech.116894.flac16 | |
| 1991-05-04 | Cal Expo |
| 116894 | flac16; Source: (FOB) AT853a [cardioids/xy] > Panasonic SV-255; Lineage: DAT/M > VHS/1 > HHb 800 > EAC > CDWav > FLAC; Recorded: John Lech; Transferred: Jeff Bowen; Extraction: Brad Foster |
| gd1991-05-04.113100.NeumannKMF4.daweez.d5scott.flac16 | |
| 1991-05-04 | Cal Expo |
| 113100 | flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
| gd1991-05-04.nak300.unknown.laporte.98069.flac16 | |
| 1991-05-04 | Cal Expo |
| 98069 | flac16; OTS Nak 300's > unknown DATdeck > DATmaster > Master Analog Cassettes MAC > SBaudigy > Adobe Audition @ 24bit/48khz Adobe Audition: noise reduction, pop/click eliminator, fade in/out, dithered/resampled to 16/44.1 CD wave: Tracking. Trader's little Helper: md5, ffp, flac; transfered by Chris LaPorte |
| gd1991-05-04.150676.sbd.cm.miller.flac16 | |
| 1991-05-04 | Cal Expo |
| 150676 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
| gd1991-05-04.sbd.miller.109234.flac16 | |
| 1991-05-04 | Cal Expo |
| 109234 | flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
| gd91-05-05.sbd.hinko.19181.sbeok.shnf | |
| 1991-05-05 | Cal Expo |
| 19181 | DSBD > CD > EAC > SHN; EAC/SHN by Darryl Hinko |
| gd1991-05-05.140179.schoeps.alabama-bob.flac1644 | |
| 1991-05-05 | Cal Expo |
| 140179 | flac16; AUD: Schoeps CMC4/Hyper-cards (MK41) > Sony TC-D5 (no Dolby) > Maxell XLII-S 90/100, recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017 |
| gd1991-05-05.140123.TS-nak300-cp4.ebel.flac1644 | |
| 1991-05-05 | Cal Expo |
| 140123 | flac16/44.1 Source Info: TS Nak 300 CP-4 (Shotgun)-> DAT Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Early 2000's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. |
| gd1991-05-05.150702.UltraMatrix.sbd.cm.miller.flac16 | |
| 1991-05-05 | Cal Expo |
| 150702 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 32-bit/192k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC (24-bit/96k); All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
| gd91-05-10.sbd.ladner.6257.sbeok.shnf | |
| 1991-05-10 | Shoreline Amphitheatre |
| 6257 | SBD > DAT > CDR > WAV > SHNv3; DAE (EAC) > boundary checking (shntool) > compression (mkwact) via neo_levo, with thanks to C. Miller |
| gd1991-05-10.149676.sbd.cm.miller.flac16 | |
| 1991-05-10 | Shoreline Ampitheatre |
| 149676 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
| gd1991-05-10.138129.SchoepsCMC32.Ammons.t-flac16 | |
| 1991-05-10 | Shoreline Amphitheatre |
| 138129 | flac16/48kHz; John Ammons recording: Schoeps CMC32s > M1000 Cable > Tao Research Power Supply > Panasonic SV255; omni's spaced 8 1/2 feet with 6' 7" stands; Section 202, Row F, Seats 20 & 25 (1st row behind Healy); John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT |
| gd1991-05-10.149670.sbd.pearson-healy.miller.flac2496 | |
| 1991-05-10 | Shoreline Amphitheatre |
| 149670 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd91-05-11.sbd.angello.7638.sbeok.shnf | |
| 1991-05-11 | Shoreline Amphitheatre |
| 7638 | SBD : DAT > C (Latvala) > DAT > CDR; via Tom Angello; d2 tracked for 80 min |
| gd1991-05-11.149686.sbd.pearson-healy.miller.flac2496 | |
| 1991-05-11 | Shoreline Amphitheatre |
| 149686 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24 |
| gd1991-05-11.149697.sbd.cm.miller.flac16 | |
| 1991-05-11 | Shoreline Amphitheatre |
| 149697 | flac16: Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
| gd1991-05-11.111121.NeumannKMF4-daweez.d5scott.flac16 | |
| 1991-05-11 | Shoreline Amphitheatre |
| 111121 | flac16; Source: 2 Neumann KMF4 microphones (20th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files |
| gd1991-05-11.150236.PandP-aud.tobin.flac16 | |
| 1991-05-11 | Shoreline Amphitheatre |
| 150236 | flac16; Patched & Pitch Corrected Audience - (original shnid = 111121) Source: 2 Neumann KMF4 microphones (20th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files - pitch correction and patches by Kevin Tobin |
| gd1991-05-11.150237.mtx.tobin.flac16 | |
| 1991-05-11 | Shoreline Amphitheatre |
| 150237 | flac16; Matrix 2 Source Mix - SBD (shnid = 149686) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24 + AUD (shnid = 111121) Source: 2 Neumann KMF4 microphones (20th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files - matrix mixing by Kevin Tobin |
| gd1991-05-11.150238.dts.tobin.flac16 | |
| 1991-05-11 | Shoreline Amphitheatre |
| 150238 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 149686) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24 + AUD (shnid = 111121) Source: 2 Neumann KMF4 microphones (20th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files - dts mixing by Kevin Tobin |
| gd1991-05-11.150239.5-1.tobin.flac1648 | |
| 1991-05-11 | Shoreline Amphitheatre |
| 150239 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 149686) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24 + AUD (shnid = 111121) Source: 2 Neumann KMF4 microphones (20th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files - surround mixing by Kevin Tobin |
| gd1991-05-11.151051.aud.lohr.vernon.flac1648 | |
| 1991-05-11 | Shoreline Amphitheatre |
| 151051 | flac16/48khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) |
| gd1991-05-11.151052.aud.lohr.vernon.flac2496 | |
| 1991-05-11 | Shoreline Amphitheatre |
| 151052 | flac24/96khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) |
| gd91-05-12.sbd.clugston.7362.sbeok.shnf | |
| 1991-05-12 | Shoreline Amphitheatre |
| 7362 | Master Soundboard Cassette > CDR; via Scott Clugston |
| gd91-05-12.schoeps.oconnor.9402.sbeok.shnf | |
| 1991-05-12 | Shoreline Amphitheatre |
| 9402 | FOB-AUD:Schoeps MK4V>DAT>CDR; via Paul; Seeded to etree by eD(efojr) |
| gd1991-05-12.149691.sbd.pearson-healy.miller.flac2496 | |
| 1991-05-12 | Shoreline Amphitheatre |
| 149691 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24 |
| gd1991-05-12.149700.sbd.cm.miller.flac16 | |
| 1991-05-12 | Shoreline Amphitheatre |
| 149700 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
| gd1991-05-12.111135.NeumannKMF4-daweez.d5scott.flac16 | |
| 1991-05-12 | Shoreline Amphitheatre |
| 111135 | flac16; Source: 2 Neumann KMF4 microphones (15th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files |
| gd1991-05-12.111372.schoeps.nickc.flac16 | |
| 1991-05-12 | Shoreline Amphitheatre |
| 111372 | flac16; Schoeps MK4 w/ RBox 16 Bit 48K. Do not recall DAT use to master this show. Recorded from section 102. Transferred by Nick C using Sony D7>Edirol R-44 via coax digital. Processed using Soundforge 10b, resample, to 16bit 44.1K and split tracks TLH to convert to Flac |
| gd1991-05-12.151053.aud.lohr.vernon.flac1648 | |
| 1991-05-12 | Shoreline Amphitheatre |
| 151053 | flac16/48khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 |
| gd1991-05-12.151054.aud.lohr.vernon.flac2496 | |
| 1991-05-12 | Shoreline Amphitheatre |
| 151054 | flac24/96khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) |
| gd91-06-01.sbd.barbella.6020.sbeok.shnf | |
| 1991-06-01 | Los Angeles Coliseum |
| 6020 | DSBD> Dat> c> Dat> CD> EAC> SHN; via Steve Barbella, with thanks to John Valter, Paul B. |
| gd1991-06-01.151504.millard.JEMS.vol69.flac1644 | |
| 1991-06-01 | Los Angeles Coliseum |
| 151504 | flac16/44.1khz Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 69 1644 Edition Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Nakamichi CR-7A (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX8 > iZotope Ozone 8 > MBIT+ resample to 1644 > Audacity > TLH > FLAC |
| gd1991-06-01.151505.millard.JEMS.vol69.flac2496 | |
| 1991-06-01 | Los Angeles Coliseum |
| 151505 | flac24/96khz Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 68 2496 Edition Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Nakamichi CR-7A (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > FLAC |
| gd1991-06-01.140459.sbd.cm.miller.flac1644 | |
| 1991-06-01 | Los Angeles Coliseum |
| 140459 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1991-06-01.139357.nak300-OTS.ebel.flac1644 | |
| 1991-06-01 | Los Angeles Coliseum |
| 139357 | flac16 44.1khz Source: NAK 300-> DAT (Tapers Section) Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel |
| gd1991-06-01.140453.sbd.miller.flac2496 | |
| 1991-06-01 | Los Angeles Coliseum |
| 140453 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1991-06-01.151055.aud.lohr.vernon.flac1648 | |
| 1991-06-01 | Los Angeles Coliseum |
| 151055 | flac16/48khz Source : AT-815As (near soundboard) > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 |
| gd1991-06-01.151056.aud.lohr.vernon.flac2496 | |
| 1991-06-01 | Los Angeles Coliseum |
| 151056 | flac24/96khz Source : AT-815As (near soundboard) > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) |
| gd91-06-06.dsbd.chastewk.478.sbeok.shnf | |
| 1991-06-06 | Deer Creek Music Center |
| 478 | DSBD -> 48 KHz DAT Read in by Other1: DigiI/O via SGI DAT drive -> shn file -> internet to chastewk -> unshned -> sample rate conversion and normalization with Cooledit 96 -> tracked w/ CD-WAV > SHN |
| gd91-06-06.naks.jamphan.11604.sbeok.shnf | |
| 1991-06-06 | Deer Creek Music Center |
| 11604 | Nakamichi 300 shotguns, back tapers lawn > Sony D-6 (Denon Hd8-100 masters output from same deck) > Sony ES-59 DAT; Seeded to etree by JamPhan |
| gd91-06-06.sbd.miller.18711.sbeok.shnf | |
| 1991-06-06 | Deer Creek Music Center |
| 18711 | Recording Info: SBD -> Dat -> Cm -> Dat Transfer Info: Dat -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude v.60 -> Cool Edit Pro v1.2 -> CD -> EAC (Secure Mode) -> SHN (3 Discs Audio / 2 Discs SHN) All transfers done by Charlie Miller |
| gd1991-06-06.149638.sbd.cm.miller.flac16 | |
| 1991-06-06 | Deer Creek Music Center |
| 149638 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
| gd1991-06-06.149524.sbd.pearson-healy.miller.flac2496 | |
| 1991-06-06 | Deer Creek Music Center |
| 149524 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 |
| gd1991-06-06.140482.TSBeyerCM1010.ebel.flac2496 | |
| 1991-06-06 | Deer Creek Music Center |
| 140482 | flac24 96khz Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel. |
| gd1991-06-06.AKG451.Darby.keo.118713.Flac2448 | |
| 1991-06-06 | Deer Creek Music Center |
| 118713 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
| gd1991-06-06.140234.TS.beyercm101.ebel.flac1644 | |
| 1991-06-06 | Deer Creek Music Center |
| 140234 | flac16/44 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48). This is 24 bit -> 16 bit. Transfers by Pete Ebel |
| gd91-06-07.dsbd.chastewk.480.sbeok.shnf | |
| 1991-06-07 | Deer Creek Music Center |
| 480 | via Other1 and Chas; note d2t4 bad- to be replaced >9/12 |
| gd91-06-07.sbd.miller.18712.sbeok.shnf | |
| 1991-06-07 | Deer Creek Music Center |
| 18712 | Recording Info: SBD -> Dat -> Cm -> Dat Transfer Info: Dat -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude v.60 -> Cool Edit Pro v1.2 ->CD -> EAC (Secure Mode) -> SHN All transfers done by Charlie Miller |
| gd1991-06-07.149420.set1.BK4011.set2.akg460.young.brennecke.ebel.flac1648 | |
| 1991-06-07 | Deer Creek Music Center |
| 149420 | flac16/48kHz; Source Info: Set #1: T/S B&K 4011-> Sony D10 Pro II-> DAT; Clay Brennecke & Jamie Young Recording; Set #2: FOB:AKG C460 w/ CK61 110º ORTF -> Grace Supply -> Master DAT (SHN ID#095640); Recorded By: JC Mahoney; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel |
| gd1991-06-07.149639.sbd.cm.miller.flac16 | |
| 1991-06-07 | Deer Creek Music Center |
| 149639 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
| gd1991-06-07.nak300.rickers.davis.105581.flac16 | |
| 1991-06-07 | Deer Creek Music Center |
| 105581 | flac16; source: [ots] Nakamichi cm300/cp4 -> Sony D8 [16/48]. recorded by: Trew Rickers; transfer: dat [m] -> Tascam DA20 mkII -> R-44 -> CD Wave 1.98 -> Wavelab 5.01a [fades/Resampler 192] -> FLAC [8]. transfer: Chris Davis [1/22/10] |
| gd1991-06-07.140484.TSBeyerCM101.ebel.flac2496 | |
| 1991-06-07 | Deer Creek Music Center |
| 140484 | flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel. |
| gd1991-06-07.140239.TS.beyercm101.ebel.flac1644 | |
| 1991-06-07 | Deer Creek Music Center |
| 140239 | flac16/44 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48). Transfers by Pete Ebel |
| gd1991-06-07.149529.sbd.pearson-healy.miller.flac2496 | |
| 1991-06-07 | Deer Creek Music Center |
| 149529 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 |
| gd1991-06-07.AKG451.Darby.118759.Flac2448 | |
| 1991-06-07 | Deer Creek Music Center |
| 118759 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
| gd1991-06-07.AKG451.Darby.118760.Flac1644 | |
| 1991-06-07 | Deer Creek Music Center |
| 118760 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd91-06-09.sbd.unknown.12756.sbeok.shnf | |
| 1991-06-09 | Buckeye Lake Music Center |
| 12756 | SBD> DAT> CD> SHN; provenance unknown, submitted by user kberry |