Identifiers for Grateful Dead
1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
| Archive Identifier | |
|---|---|
| Date | Venue |
| Source | |
| gd90-02-25.schoeps.wiley.11805.sbeok.shnf | |
| 1990-02-25 | Oakland-Alameda County Coliseum |
| 11805 | AUD(Schoeps CMC 44?s)>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley |
| gd90-02-25.set2-sbd.white.13142.sbeok.shnf | |
| 1990-02-25 | Oakland-Alameda County Coliseum |
| 13142 | Set 2; SBD with patches from Schoeps AUD; Lineage: SBD> DAT> CASS> DAT> CDR; via Patrick White |
| gd1990-02-25.135154.schoepsCMC421.bltz.sbeok.flac1644 | |
| 1990-02-25 | Oakland-Alameda County Coliseum |
| 135154 | flac16; Source: Schoeps CMC 421 Sub Cardioids, ORTF, SV-250 DAT, FOB -> NAK 682 ZX/Sony Metal-SR/100 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; further processing: .flac2496 to .wav2496 (TLH) to .wav1644 (r8brain, very high) to .flac1644 (THL, level 8, fix SBEs); Recorded by: Richard Berner and Friends |
| gd1990-02-25.135099.bltz.flac2496 | |
| 1990-02-25 | Oakland-Alameda County Coliseum |
| 135099 | flac24; Source: Schoeps CMC 421 Sub Cardioids, ORTF, SV-250 DAT, FOB -> NAK 682 ZX/Sony Metal-SR/100 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Recorded by: Richard Berner and Friends |
| gd1990-02-25.117754.daweez.d5scott.Neumann.flac16 | |
| 1990-02-25 | Oakland-Alameda County Coliseum |
| 117754 | flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
| gd1990-02-25.sbd.hinko.29345.sbeok.flacf | |
| 1990-02-25 | Oakland-Alameda County Coliseum |
| 29345 | flac16; SBD > DAT > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko |
| gd1990-02-25.141870.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648 | |
| 1990-02-25 | Oakland-Alameda County Coliseum |
| 141870 | flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes |
| gd1990-02-25.Nak300CP4.Fitzy.Keo.125809.Flac2496 | |
| 1990-02-25 | Oakland-Alameda County Coliseum |
| 125809 | flac24; Master Audience Recorded By M.L./Keo, Transfer By Keo; Master Tapes Shared By Fitzy (His Deck/Tapes); Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell MX-100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1990-02-25.Nak300CP4.Fitzy.Keo.125810.Flac1644 | |
| 1990-02-25 | Oakland-Alameda County Coliseum |
| 125810 | flac16; Master Audience Recorded BY M.L./Keo, Transfer By Keo; Master Tapes Shared By Fitzy (His Deck/Tapes); Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell MX-100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1990-02-25.150674.UltraMatrix.sbd.cm.miller.flac16 | |
| 1990-02-25 | Oakland-Alameda County Coliseum |
| 150674 | flac16; Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-XG); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
| gd1990-02-25.130975.cmc44.fob.katzeff.mattes.flac16 | |
| 1990-02-25 | Oakland-Alameda County Coliseum |
| 130975 | flac16; Source: FOB Master Recording by Ted Mattes and Rick Katzeff using Schoeps CMC4/MK4> Oade> sv-255> clone(1:1); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (amplified set1 3.9/amplified set2 4.7)> 16/44> CDWave (tracking)> TLH (SBE/Flac16 (level 8)/ffp); Transfer completed August 15, 2014 by jwpetty |
| gd90-02-26.sbd.shakedown.451.sbeok.shnf | |
| 1990-02-26 | Oakland-Alameda County Coliseum |
| 451 | SBD > CM> DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; via shakedown@canada.com; note revision in txt file for d1t8 |
| gd1990-02-26.137905.mtx.photoleon.t-flac16 | |
| 1990-02-26 | Oakland-Alameda County Coliseum |
| 137905 | flac16/48kHz; 2 source matrix by PhotoLeon using Audacity 2.0.6; Source 1: [shnid: 451] SBD > DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; and Source 2: Digital Audience Recording by Rick Katzeff and Ted Mattes using Schoeps CMC 44> ? (presumed oade)> (presumed sv-250/255); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (fades)> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5); Audacity: Alligned -> Labeled -> DC offset removed & normalized -> flac 16/48; tags & checksums created in xACT |
| gd1990-02-26.137963.dbx.hale.flac16 | |
| 1990-02-26 | Oakland-Alameda County Coliseum |
| 137963 | flac16; Source: (2)Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH; this source contains two versions: a complete version and a slightly edited version that fits on two CDs (for that one person that still burns CDs) |
| gd1990-02-26.141871.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648 | |
| 1990-02-26 | Oakland-Alameda County Coliseum |
| 141871 | flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes |
| gd1990-02-26.131004.cmc44.fob.mattes.katzeff.flac16 | |
| 1990-02-26 | Oakland-Alameda County Coliseum |
| 131004 | flac16; Digital Audience Recording by Rick Katzeff and Ted Mattes using Schoeps CMC 44> ? (presumed oade)> (presumed sv-250/255); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (fades)> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5) |
| gd1990-02-26.sbd.unknown.16946.shnf | |
| 1990-02-26 | Oakland-Alameda County Coliseum Arena |
| 16946 | Snbd > Dat> cdr >Dat > sblive > cd wave > mkw Audio tools > Shn; Unknown seeder |
| gd90-02-27.sbd.ladner.8569.sbeok.shnf | |
| 1990-02-27 | Oakland-Alameda County Coliseum |
| 8569 | SBD > DAT > CDR > WAV > SHNv3; DAE (EAC)> tracking/ boundary (CDWAV/SHNTOOL)> SHN(MKWACT) > FTP via neo_levo |
| gd1990-02-27.fob.senn421.alabamabob.andrewf.93955.sbeok.flac16 | |
| 1990-02-27 | Oakland-Alameda County Coliseum Arena |
| 93955 | flac16; FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA (1st Set), TDK MA-XG (2nd Set), with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. |
| gd1990-02-27.Set1.Nak300CP4.Fitzy.Keo.125838.Flac2496 | |
| 1990-02-27 | Oakland-Alameda County Coliseum |
| 125838 | flac24; Set One Master Audience Recorded BY M.L./Keo Master Tapes Shared By Fitzy (His Deck/Tapes); Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1990-02-27.Set1.Nak300CP4.Fitzy.Keo.125839.Flac1644 | |
| 1990-02-27 | Oakland-Alameda County Coliseum |
| 125839 | flac16; Set One Master Audience Recorded BY M.L./Keo Master Tapes Shared By Fitzy (His Deck/Tapes); Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1990-02-27.131005.cmc44.fob.mattes.katzeff.flac16 | |
| 1990-02-27 | Oakland-Alameda County Coliseum |
| 131005 | flac16; FOB Digital Audience Recording by Ted Mattes & Rick Katzeff using Schoeps CMC 44's> ? (presumed Oade p/s)> ? (presumed SV-250/255)> L. Deal clone; Transfer: Fosex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5) |
| gd1990-02-27.141872.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648 | |
| 1990-02-27 | Oakland-Alameda County Coliseum |
| 141872 | flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes |
| gd1990-02-27.141692.sbd.miller.flac1648 | |
| 1990-02-27 | Oakland-Alameda County Coliseum |
| 141692 | flac16/48kHz; Recording Info: Ultra Matrix SBD > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller |
| gd90-03-14.sbd.ladner.8466.sbeok.shnf | |
| 1990-03-14 | Capital Centre |
| 8466 | sbd>mc>dats>Soundforge 4.5>CD; via Tom E; Hosted by candyman.etree.org |
| gd1990-03-14.Nak300CP4.Fitzy.Keo.125851.Flac2496 | |
| 1990-03-14 | Capital Centre |
| 125851 | flac24; Master Audience Recorded by Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1990-03-14.Nak300CP4.Fitzy.Keo.125852.Flac1644 | |
| 1990-03-14 | Capital Centre |
| 125852 | flac16; Master Audience Recorded by Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1990-03-14.140959.sbd.miller.flac2496 | |
| 1990-03-14 | Capital Centre |
| 140959 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1990-03-14.140969.UltraMatrix.sbd.cm.miller.flac1644 | |
| 1990-03-14 | Capital Centre |
| 140969 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1990-03-14.142544.OTS.Schoeps.Mattes.Miller.Noel.t-flac1648 | |
| 1990-03-14 | Capital Centre |
| 142544 | flac16/48kHz; Ted Mattes Recording: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: 1st row Tapers Section; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |
| gd1990-03-14.senn.hubbard.cpb.83778.flac16 | |
| 1990-03-14 | Capital Centre |
| 83778 | flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck |
| gd1990-03-14.AUD.LaPorte.116030.Flac16 | |
| 1990-03-14 | Capital Centre |
| 116030 | flac16; Unknown Mic > Unknown Deck > Marantz PMD 430 Tapers Section Floor section 128, row FF, seat 1; Master Cassettes > SB Audigy > Adobe Audition @24bit/44.1Khz Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, 16bit. CDwave: tracking Trader's little Helper: md5, ffp, flac |
| gd1990-03-14.149324.OTS.Schoeps.Mattes.Miller.Noel.reMaster.142544.t-flac1648 | |
| 1990-03-14 | Capital Centre |
| 149324 | flac16/48kHz; reMaster of shnid 142544; Source info: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: 1st row Tapers Section; Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes |
| gd1990-03-14.nak300.juteau.116746.flac | |
| 1990-03-14 | Capital Centre |
| 116746 | flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster |
| gd1990-03-15.sbd.miller.105690.flac16 | |
| 1990-03-15 | Capital Centre |
| 105690 | flac16; Recording Info:SBD -> Cassette Master (TDK SA90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
| gd1990-03-15.28293.sbeok.shnf | |
| 1990-03-15 | Capital Centre |
| 28293 | Nak 300's > Sony D-5 (w/dolby B)> Maxell MX cass, Taper's section recorded by Boyd McHugh; Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks, Transfer by Dave Hanscom; CDWav> EAC> shn by Bzl |
| gd1990-03-15.AUD.LaPorte.115935.Flac16 | |
| 1990-03-15 | Capital Centre |
| 115935 | flac16; Unknown Mic > Unknown Deck > Marantz PMD 430 Tapers Section Floor section 128, row FF, seat 12; Master Cassettes > SB Audigy(line in) > Adobe Audition @24bit/44.1Khz. Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, 16bit. CDwave: tracking. Trader's little Helper: md5, ffp, flacs |
| gd1990-03-15.Nak300CP4.Fitzy.Keo.125871.Flac2496 | |
| 1990-03-15 | Capital Centre |
| 125871 | flac24; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1990-03-15.Nak300CP4.Fitzy.Keo.125872.Flac1644 | |
| 1990-03-15 | Capital Centre |
| 125872 | flac16; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1990-03-15.140983.sbd.miller.flac2496 | |
| 1990-03-15 | Capital Centre |
| 140983 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1990-03-15.140985.UltraMatrix.sbd.cm.miller.flac1644 | |
| 1990-03-15 | Capital Centre |
| 140985 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1990-03-15.142545.OTS.Schoeps.Mattes.Miller.Noel.t-flac1648 | |
| 1990-03-15 | Capital Centre |
| 142545 | flac16/48kHz; Ted Mattes Master Recording: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: 1st row Tapers Section stand @ 8.5ft; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |
| gd1990-03-15.149325.OTS.Schoeps.Mattes.Miller.Noel.reMaster.142545.t-flac1648 | |
| 1990-03-15 | Capital Centre |
| 149325 | flac16/48kHz; reMaster of shnid 142545; Source info: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: 1st row Tapers Section; Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes |
| gd90-03-16.sbd.willy.5227.sbeok.shnf | |
| 1990-03-16 | Capital Centre |
| 5227 | sbd > ? > cdr > eac > shn; 2 cuts in each BTW, Blow Away; Estimated declicked by unIDed person (md5s shown for pre and post-edited- see info file); via Willy from Andrew Wigdahl seed discs; filler on d3 |
| gd1990-03-16.mtx.hansokolow.fix-96549.97023.flac16 | |
| 1990-03-16 | Capital Centre |
| 97023 | flac16; matrix of SBD: shnid=85201 and AUD: shnid=91782 by hansokolow using ProTools |
| gd1990-03-16.nak300.juteau.116749.flac | |
| 1990-03-16 | Capital Centre |
| 116749 | flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster |
| gd1990-03-16.140993.sbd.miller.flac2496 | |
| 1990-03-16 | Capital Centre |
| 140993 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1990-03-16.141000.UltraMatrix.sbd.cm.miller.flac1644 | |
| 1990-03-16 | Capital Centre |
| 141000 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1990-03-16.142546.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648 | |
| 1990-03-16 | Capital Centre |
| 142546 | flac16/48kHz; Ted Mattes Master Recording: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: FOB, set I; sec 2; row s. Set II sec 2; row t; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |
| gd1990-03-16.Nak300CP4.Fitzy.Keo.125873.Flac2496 | |
| 1990-03-16 | Capital Centre |
| 125873 | flac24; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1990-03-16.Nak300CP4.Fitzy.Keo.125874.Flac1644 | |
| 1990-03-16 | Capital Centre |
| 125874 | flac16; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1990-03-16.132661.dts.tobin.flac16 | |
| 1990-03-16 | Capital Centre |
| 132661 | DTS-Audio-CD 5.1 Mix; SBD (shn id 85201) Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.1.1 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shn id 116749) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - dts mixing by Kevin Tobin |
| gd1990-03-16.138312.FOB.Schoeps.Katzeff.Mattes.Ammons.t-flac16 | |
| 1990-03-16 | Capital Centre |
| 138312 | flac16/48kHz; Rick Katzeff and Ted Mattes recording; Set 1: CMC34 @110 ORTF > SV250 OTS; Set 2: CMC44 @110 ORTF > Oade PS > SV250 FOB; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: T,F & P Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT |
| gd1990-03-16.neumann.mchugh.hanscom.32135.flac16 | |
| 1990-03-16 | Capital Centre |
| 32135 | flac16; Aud MC > CDR > EAC > CD Wave > .flac |
| gd1990-03-16.139176.FOB.Schoeps.Mattes.Katzeff.Ammons.Noel..t-flac16 | |
| 1990-03-16 | Capital Centre |
| 139176 | flac16/48kHz; Rick Katzeff & Ted Mattes (FOB) Recording; Schoeps CMC44 @110 ORTF > Oade PS > SV250 FOB; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT |
| gd1990-03-16.149326.FOB.Schoeps.Mattes.Miller.Noel.reMaster.142546.t-flac1648 | |
| 1990-03-16 | Capital Centre |
| 149326 | flac16/48kHz; eMaster of shnid 142546; Source: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: FOB, set I; sec 2; row s. Set II sec 2; row t; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes |
| gd1990-03-16.132660.mtx.tobin.flac16 | |
| 1990-03-16 | Capital Centre |
| 132660 | flac16; Matrix 2 source mix - SBD (shn id 85201) Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.1.1 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shn id 116749) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - matrix mixing by Kevin Tobin |
| gd1990-03-16.aud.unknown.91782.flac16 | |
| 1990-03-16 | Capital Centre |
| 91782 | flac16; Unknown Microphones > Unknown Deck > Marantz PMD 430 Tapers Section Floor section 128, row GG, seat 15 Master Cassettes > SB Audigy > Adobe Audition @24bit/44.1Khz Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, 16bit. CDwave: tracking Trader's little Helper: md5, ffp, flacs Recorded by Chris LaPorte |
| gd90-03-18.sbd.huck.9364.sbeok.shnf | |
| 1990-03-18 | Hartford Civic Center |
| 9364 | Hartford Civic Center SBD feed to HCN studios via ISDN > HCN Master Reel > DAT(Sony ES)recorded/(Tascam DA20mkII) playback>Pioneer PDR 555>CDR; Some aud splices, see info file for details; via David Huck, Matt Fuggi, & Michael Dixon (splicing and tracking) |
| gd1990-03-18.139225.sbd.miller.truck-mix.flac | |
| 1990-03-18 | Hartford Civic Center |
| 139225 | flac16; Recording Info: SBD (Recording Mix) > Dat Master > PCM (Sony Beta L-750); Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16 |
| gd1990-03-18.139667.mtx.photoLeon.LL.t-flac16 | |
| 1990-03-18 | Hartford Civic Center |
| 139667 | flac16; Three source matrix created in Audacity |
| gd1990-03-18.138118.Katzeff.Mattes.Ammons.SchoepsCMC34.fob.t-flac16 | |
| 1990-03-18 | Hartford Civic Center |
| 138118 | flac16; Ted Mattes/Rick Katzeff FOB recording: Schoeps CMC34 at 110 degrees ORTF on Schoeps t-bar > Panasonic SV250 (phase corrected); John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 44K > Wave; Joe Noel Edits, T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT |
| gd1990-03-18.125608.Nak300s-Senn441s.Fitzy.Keo.Flac1644 | |
| 1990-03-18 | Hartford Civic Center |
| 125608 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Maxell MX 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1990-03-18.141913.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648 | |
| 1990-03-18 | Hartford Civic Center |
| 141913 | flac16/48kHz; Ted Mattes Recording (FOB): Schoeps CMC4 MK4 > DAT (Panasonic SV250); Location: Sec 2 Row t Seat 8; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 |
| gd1990-03-18.149480.ultramatrix.sbd.pearson-healy.miller.flac2496 | |
| 1990-03-18 | Hartford Civic Center |
| 149480 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
| gd1990-03-18.149332.FOB.Schoeps.Mattes.Miller.Noel.reMaster.t-flac1648 | |
| 1990-03-18 | Hartford Civic Center |
| 149332 | flac16/48kHz; reMaster of shnid 141913; Source: (FOB) Schoeps CMC4 MK4 > DAT (Panasonic SV250); Location: Sec 2 Row t Seat 8; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Master Digital Audience Recording by Ted Mattes |
| gd1990-03-18.149785.UltraMatrix.sbd.cm.miller.flac16 | |
| 1990-03-18 | Hartford Civic Center |
| 149785 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
| gd90-03-19.prefm-sbd.sacks.1526.sbeok.shnf | |
| 1990-03-19 | Hartford Civic Center |
| 1526 | updated source: Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN; source CDs from Kirby (Chalupa) Bell/Bob Fishman, eac>shn by Darrin Sacks; see info file for flaw notes |
| gd1990-03-19.mtx.hansokolow.97024.flac16 | |
| 1990-03-19 | Civic Center |
| 97024 | flac16; matrix of SBD: shnid=1526 and AUD: shnid=94400 by hansokolow using ProTools |
| gd1990-03-19.sennME80.wklitz.94400.flac16 | |
| 1990-03-19 | Civic Center |
| 94400 | flac16; Sennheiser ME-80's>Technics SV-MD1 (2nd row Taper's Section) DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger |
| gd1990-03-19.sbd.sacks.tetzeli.fix-1526.34777.reflac.flac16 | |
| 1990-03-19 | Hartford Civic Center |
| 34777 | flac16; Seamless fix of shn id 1526 - Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN -> WAV -> FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
| gd1990-03-19.149504.ultramatrix.sbd.pearson-healy.miller.flac2496 | |
| 1990-03-19 | Hartford Civic Center |
| 149504 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
| gd1990-03-19.149701.UltraMatrix.sbd.cm.miller.flac16 | |
| 1990-03-19 | Hartford Civic Center |
| 149701 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
| gd1990-03-19.141914.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648 | |
| 1990-03-19 | Hartford Civic Center |
| 141914 | flac16/48kHz; Ted Mattes Recording (FOB): Schoeps CMC4 MK4 > DAT (Panasonic SV250); Location: Sec 2 Row p Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 |
| gd1990-03-19.14933.FOB.Schoeps.Mattes.Miller.Noel.reMaster.t-flac1648 | |
| 1990-03-19 | Hartford Civic Center |
| 149333 | flac16/48kHz; reMaster of shnid 141914; Source: (FOB) Schoeps CMC4 MK4 > DAT (Panasonic SV250); Location: Sec 2 Row p Seat 7; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Master Digital Audience Recording by Ted Mattes |
| gd1990-03-19.Nak300sSenn441s.Fitzy.Keo.125628.Flac2496 | |
| 1990-03-19 | Hartford Civic Center |
| 125628 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Set 1, Maxell MX 90 Set 2, Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1990-03-19.Nak300sSenn441s.Fitzy.Keo.125629.Flac1644 | |
| 1990-03-19 | Hartford Civic Center |
| 125629 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Set 1, Maxell MX 90 Set 2, Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd90-03-21.1355.schoeps.nawrocki.shnf | |
| 1990-03-21 | Copps Coliseum |
| 1355 | FOB Schoeps CMC44's > DAT > CD; Transfer: DVD > Optical cable > Phillips CDR870(CDDA) > EAC > CE2k > CDWAV > Shorten32 (see info file for notes); seeded by Doug Nawrocki |
| gd1990-03-21.mtx.hansokolow.96638.flac16 | |
| 1990-03-21 | Copps Coliseum |
| 96638 | flac16; matrix of SBD: shnid=5307 and DAUD: shnid=1355 by hansokolow using ProTools |
| gd1990-03-21.152791.3-Source-MTX.photoLeon.t-flac16 | |
| 1990-03-21 | Copps Coliseum |
| 152791 | A Photoleon Matrix (fob) Schoeps Cmc5 Mmk4 > Master Dat + (ots) Akg 460b Ck63 Uls > Master Dat + Sbd > Cassette Master Schoeps Recording By Ted Mattes Akg Recording By Ray Ackerman Sbd Shared By Charlie Miller Matrix Created By Joe Noel May 13, 2021 |
| gd1990-03-21.156422.UltraMatrix.sbd.cm.miller.t.flac1644 | |
| 1990-03-21 | Copps Coliseum |
| 156422 | flac1644 Recording Info Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156194 2496 > 1644.1 |
| gd1990-03-21.156790.mtx.tobin.flac24 | |
| 1990-03-21 | Copps Coliseum |
| 156790 | flac24; Matrix 2 Source Mix - SBD (shn id 156194) Recording Info Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 + AUD (shn id 148534) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - matrix mixing by Kevin Tobin |
| gd1990-03-21.156791.mtx.tobin.flac16 | |
| 1990-03-21 | Copps Coliseum |
| 156791 | flac16; Matrix 2 Source Mix - SBD (shn id 156194) Recording Info Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 + AUD (shn id 148534) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - matrix mixing by Kevin Tobin |
| gd1990-03-21.156792.dts.tobin.flac16 | |
| 1990-03-21 | Copps Coliseum |
| 156792 | DTS-Audio-CD 5.1 Mix; - SBD (shn id 156194) Recording Info Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 + AUD (shn id 148534) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - dts mixing by Kevin Tobin |
| gd1990-03-21.156794.5-1.tobin.flac1648 | |
| 1990-03-21 | Copps Coliseum |
| 156794 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - |
| gd1990-03-21.sbd.miller.107870.flac16 | |
| 1990-03-21 | Copps Coliseum |
| 107870 | flac16; Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
| gd1990-03-21.156194.ultramatrix.miller.flac2496 | |
| 1990-03-21 | Copps Coliseum |
| 156194 | flac2496 Recording Info Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 |
| gd1990-03-21.141930.OTS.Schoeps.Mattes.Miller.Noel.t-flac1648 | |
| 1990-03-21 | Copps Coliseum |
| 141930 | flac16/48kHz; Ted Mattes Recording: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: 1st row Tapers Section; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |
| gd1990-03-21.138583.FOB.Schoeps.Ammons.Noel.t-flac16 | |
| 1990-03-21 | Copps Coliseum |
| 138583 | flac16/48kHz; Taper unknown; Set I: Schoeps CMC54 (ORTF) > Aerco PS > Panasonic SV250; FOB Row L; Set II: Schoeps CMC44 (ORTF) > Panasonic SV250; FOB 23rd Row; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: T,F & P Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT |
| gd1990-03-21.141111.OTS.AKG.Akerman.Miller.Noel.t-flac1648 | |
| 1990-03-21 | Copps Coliseum |
| 141111 | flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS> AKG B18 phantom power unit> Panasonic SV250> DAT (OTS); Transfer info: Tascam DA 30 mkii> Microtrack ii> wavelab 5> WAV 16/48 |
| gd1990-03-21.148534.nak300.CP4.ebel.flac2496 | |
| 1990-03-21 | Copps Coliseum |
| 148534 | flac24; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel |
| gd1990-03-21.149412.FOB.Schoeps.Mattes.Miller.Noel.reMaster.t-flac1648 | |
| 1990-03-21 | Copps Coliseum |
| 149412 | flac16/48kHz; a reMaster of shnid 141930; Source: (FOB) Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes |
| gd1990-03-21.aud.gidley.91767.sbeok.flac16 | |
| 1990-03-21 | Copps Coliseum |
| 91767 | flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F. |
| gd90-03-22.sbd-matrix.aj.453.sbefail.shnf | |
| 1990-03-22 | Copps Coliseum |
| 453 | SBD (Matrix)> DAT> CD> EAC> [retracking of d2 w/ SF, no other alteration]> SHN; via Adam Jerugim; known flaws: 1 sec d/o d2t7 @0:17 |
| gd90-03-22.sbd.bertha-ashley.21433.sbeok.shnf | |
| 1990-03-22 | Copps Coliseum |
| 21433 | Bertha Remaster of the Master Cassette source; SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN |
| gd90-03-22.schoeps.dankseeds.7460.sbeok.shnf | |
| 1990-03-22 | Copps Coliseum |
| 7460 | Schoeps CMC54 (ORTF, 19th row) > Aerco PS > DAT @ 48kHz; via Dankseeds |
| gd1990-03-22.125881.mk4.fixed.flac16 | |
| 1990-03-22 | Copps Coliseum |
| 125881 | flac16; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)>Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8); Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe |
| gd1990-03-22.139224.sbd.miller.truck-mix.flac | |
| 1990-03-22 | Copps Coliseum |
| 139224 | flac16; Recording Info: SBD (Recording Mix) > Dat Master > PCM (Sony Beta L-750); Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16 |
| gd1990-03-22.152792.3-Source-MTX.photoLeon.t-flac16 | |
| 1990-03-22 | Copps Coliseum |
| 152792 | A Photoleon Matrix (fob) Schoeps Cmc5 Mmk4 > Master Dat + (ots) Akg 460b Ck63 Uls > Master Dat + Sbd > Master Dat > Pcm Schoeps Recording By Ted Mattes Akg Recording By Ray Ackerman Sbd Recording By John Cutler Matrix Created By Joe Noel May 16, 2021 |
| gd1990-03-22.157157.5-1.tobin.flac1648 | |
| 1990-03-22 | Copps Coliseum |
| 157157 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 156195) Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24. + AUD (shnid = 125880) Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe - surround mixing by Kevin Tobin |
| gd1990-03-22.125880.mk4.fixed.48khz.flac16 | |
| 1990-03-22 | Copps Coliseum |
| 125880 | flac16/48kHz; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe |
| gd1990-03-22.156423.UltraMatrix.sbd.cm.miller.t.flac1644 | |
| 1990-03-22 | Copps Coliseum |
| 156423 | flac1644: Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156195 2496 > 1644.1 |
| gd1990-03-22.141112.OTS.AKG.Akerman.Miller.Noel.t-flac1648 | |
| 1990-03-22 | Copps Coliseum |
| 141112 | flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 |
| gd1990-03-22.mtx.seamons.113144.flac16 | |
| 1990-03-22 | Copps Coliseum |
| 113144 | flac16:Matrix by Jubal Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) |
| gd1990-03-22.sbd.miller.107871.flac16 | |
| 1990-03-22 | Copps Coliseum |
| 107871 | flac16; Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
| gd1990-03-22.111464.unknown.sbd.shnf | |
| 1990-03-22 | Copps Coliseum |
| 111464 | Soundboard Unknown>CD>EAC>WAV>SHN (This source was submitted to Etree with the alt-md5; the seed of this source did not match the alt-md5 on d1t7. A new shn-md5 was created.) |
| gd1990-03-22.156195.ultramatrix.miller.flac2496 | |
| 1990-03-22 | Copps Coliseum |
| 156195 | flac2496Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 |
| gd1990-03-22.143170.FOB.Schoeps.Mattes.Miller.Noel.REMASTER.t-flac1648 | |
| 1990-03-22 | Copps Coliseum |
| 143170 | flac16/48kHz; Ted Mattes Recording: Schoeps CMC5 MK4 > DAT 48k (Panasonic SV-250); Location: row 23 seat 10; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Remaster notes: The right channel was inverted, that has been corrected; The levels were on the timid side, each track has been normalized |
| gd1990-03-22.141931.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648 | |
| 1990-03-22 | Copps Coliseum |
| 141931 | flac16/48kHz; Ted Mattes Recording: Schoeps CMC5 MK4 > DAT 48k (Panasonic SV-250); Location: row 23 seat 10; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Fixed version in circulation |
| gd1990-03-22.149413.FOB.Schoeps.Mattes.Miller.Noel.reMaster.t-flac1648 | |
| 1990-03-22 | Copps Coliseum |
| 149413 | flac16/48kHz; reMaster of shnid 143170; Source: (FOB) Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes |
| gd90-03-24.sbd.harrell.12791.sbeok.shnf | |
| 1990-03-24 | Knickerbocker Arena |
| 12791 | SBD > Dat x 3 > CDR > SHN; via drgseeds with thanks to Bob Harrell |
| gd90-03-24.schoeps.wiley.11806.sbeok.shnf | |
| 1990-03-24 | Knickerbocker Arena |
| 11806 | AUD(Schoeps CMC 421?s)>DAT>CDR; See info file for flaw notes; via Paul B; Seeded to Etree by T. Wiley |
| gd1990-03-24.sennME80.wklitz.94287.flac1648 | |
| 1990-03-24 | Knickerbocker Arena |
| 94287 | flac16/48; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger |
| gd1990-03-24.sennME80.wklitz.94288.flac16 | |
| 1990-03-24 | Knickerbocker Arena |
| 94288 | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger |
| gd1990-03-24.147572.senn441.boedicker.flac1644 | |
| 1990-03-24 | Knickerbocker Arena |
| 147572 | flac16; Source:Sennheiser 441 Mics>Sony TC-D5M Cassteet Deck (Lead Deck)>Sony Wm-D6C Cassette Deck>TDK Ma-90 And TDK; Ma-100 Metal Cassette Master Tapes (One For each Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8, Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section |
| gd1990-03-24.dts.32075.shnf | |
| 1990-03-24 | Knickerbocker Arena |
| 32075 | DTS-Audio-CD 5.1; Mix of SBD - SBD: DAT x 3 > CDR > SHN and AUD - FOB: Schoeps CMC 421 > DAT > CDR |
| gd1990-03-24.125389.nak.cm300.cp4.48khz.flac16 | |
| 1990-03-24 | Knickerbocker Arena |
| 125389 | flac16/48kHz; Source: Nakamichi CM300/CP4 > Panasonic SV250 (48 khz); Location: OTS; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Dr. Stan Lobitz; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe |
| gd1990-03-24.127119.mtx.dusborne.flac16 | |
| 1990-03-24 | Knickerbocker Arena |
| 127119 | flac16; 3 Source Matrix by dusborne; Soundboard (shnid:107873) Recording Info: SBD -> Cassette Master (TDK SA90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Audience (shnid:011806) Source: AUD(Schoeps CMC 421’s)>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) Conversion/Edit/Seeded to Etree by T. Wiley 8/29/2002 and Audience (shnid:125389) Source: Nakamichi CM300/CP4 > Panasonic SV250 (48 khz) Location: OTS Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8 ) Taped by: Dr. Stan Lobitz; Transferred and seeded by: Lenny Stubbe |
| gd1990-03-24.156367.UltraMatrix.sbd.cm.miller.flac2496 | |
| 1990-03-24 | Knickerbocker Arena |
| 156367 | flac2496 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 |
| gd1990-03-24.156426.UltraMatrix.sbd.cm.miller.t.flac1644 | |
| 1990-03-24 | Knickerbocker Arena |
| 156426 | flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156367 2496 > 1644.1 |
| gd90-03-24.fob-schoeps-mattes.miller.28387.sbeok.shnf | |
| 1990-03-24 | Knickerbocker Arena |
| 28387 | FOB Schoeps CMC5/MK21> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Ted Mattes; Transferred By Charlie Miller |
| gd1990-03-24.141113.OTS.AKG.Akerman.Miller.Noel.t-flac1648 | |
| 1990-03-24 | Knickerbocker Arena |
| 141113 | flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 |
| gd1990-03-24.142989.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648 | |
| 1990-03-24 | Knickerbocker Arena |
| 142989 | flac16/48kHz; Ted Mattes Master DAT Recording (FOB): Schoeps CMC5 MK21 (ORTF) > DAT (Panasonic SV-250); Location: Sec 5 Row Q Seat 7/8; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |
| gd1990-03-24.sbd.miller.107873.flac16 | |
| 1990-03-24 | Knickerbocker Arena |
| 107873 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
| gd1990-03-24.125390.nak-cm300.cp4.flac16 | |
| 1990-03-24 | Knickerbocker Arena |
| 125390 | flac16; Source: Nakamichi CM300/CP4 > Panasonic SV250 (48 khz); Location: OTS; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Dr. Stan Lobitz; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe |
| gd1990-03-24.aud.gildey.91828.sbeok.flac16 | |
| 1990-03-24 | Knickerbocker Arena |
| 91828 | flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F. |
| gd90-03-25.sbd.gorinsky.8506.sbeok.shnf | |
| 1990-03-25 | Knickerbocker Arena |
| 8506 | 24 track SBD MR> Healy 2 track Mixdown> C> DAT> CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky |
| gd1990-03-25.127157.mtx.dusborne.flac16 | |
| 1990-03-25 | Knickerbocker Arena |
| 127157 | flac16; 2 Source Matrix by dusborne; Soundboard (shnid:87347) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller and Audience (shnid:114260) Recorded By Floater,Transfer By Keo; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes Maxell XLII-90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz |
| gd1990-03-25.149394.FOB.Schoeps.Mattes.Miller.Noel.reMaster.t-flac1648 | |
| 1990-03-25 | Knickerbocker Arena |
| 149394 | flac16/48kHz; reMaster of shnid 142990; Source: (FOB) Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location: unknown; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes |
| gd1990-03-25.150565.ots.senn441.boedicker.flac16 | |
| 1990-03-25 | Knickerbocker Arena |
| 150565 | flac16; Source: Sennheiser 441 Mics>SOny WM-D6C Cassette Master>2 TDK MA-90 Minute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section |
| gd1990-03-25.Nak300CP4.Floater.Keo.114260.Flac1644 | |
| 1990-03-25 | Knickerbocker Arena |
| 114260 | flac16; Recorded By Floater,Transfer By Keo; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Tapes Maxell XLII-90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper |
| gd1990-03-25.143188.FOB-Schoeps.Mattes-Miller-Noel.REMASTER.t-flac1648 | |
| 1990-03-25 | Knickerbocker Arena |
| 143188 | flac16/48kHz; Ted Mattes Master DAT Recording (FOB): Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location unknown; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Remaster Notes: The right channel was inverted, that has been corrected; The levels were on the timid side, each track has been normalized |
| gd90-03-25.fob-schoeps-mattes.miller.28389.sbeok.shnf | |
| 1990-03-25 | Knickerbocker Arena |
| 28389 | FOB Schoeps CMC4/MK21> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Ted Mattes; Transferred By Charlie Miller; Fixed version now in circulation |
| gd1990-03-25.aud.gidley.91879.sbeok.flac16 | |
| 1990-03-25 | Knickerbocker Arena |
| 91879 | flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F. |
| gd1990-03-25.AKG451.Berger.Currier.Keo.120859.Flac2496 | |
| 1990-03-25 | Knickerbocker Arena |
| 120859 | flac24; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1990-03-25.141114.OTS.AKG.Akerman.Miller.Noel.t-flac1648 | |
| 1990-03-25 | Knickerbocker Arena |
| 141114 | flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 |
| gd1990-03-25.142990.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648 | |
| 1990-03-25 | Knickerbocker Arena |
| 142990 | flac16/48kHz; Ted Mattes DAT Recording (FOB): Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location unknown; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Fixed version in circulation |
| gd1990-03-25.AKG451.Berger.Currier.Keo.120858.Flac1644 | |
| 1990-03-25 | Knickerbocker Arena |
| 120858 | flac16; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1990-03-25.Nak300CP4.Floater.Keo.114256.Flac2496 | |
| 1990-03-25 | Knickerbocker Arena |
| 114256 | flac24; Recorded By Floater,Transfer By Keo; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Tapes Maxell XLII-90,100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz; No Dithering With These Files |
| gd1990-03-25.132707.28389-fix.mattes.miller.flac16 | |
| 1990-03-25 | Knickerbocker Arena |
| 132707 | flac16; Recording Info: (FOB) Schoeps CMC4/MK21 -> Oade Cap Coupled Supply -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master); Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Recorded By Ted Mattes; fix of source ID 28389 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC |
| gd1990-03-25.135267.sbd-pc.miller.flac16 | |
| 1990-03-25 | Knickerbocker Arena |
| 135267 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> Adobe Audition CS6 -> FLAC/16; All Transfers And Mastering By Charlie Miller; This is a pitch corrected version of source ID 87347 |
| gd1990-03-25.sbd.hollister.7508.shnf | |
| 1990-03-25 | Knickerbocker Arena |
| 7508 | SBD>24 Track Mixdown>DAT>C>PCM>FC/DD2496>CD; via David Hollister; Brian Voelz |
| gd90-03-26.sbd.gorinsky.8508.sbeok.shnf | |
| 1990-03-26 | Knickerbocker Arena |
| 8508 | 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky; Note- portions of the show appear on Dozin' at the Knick- go buy it |
| gd1990-03-26.133045.122541-fix.mattes.48khz.flac16 | |
| 1990-03-26 | Knickerbocker Arena |
| 133045 | flac16/48kHz; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; this is a fixed version of source ID 122541 |
| gd1990-03-26.149395.FOB.Schoeps.Mattes.Miller.Noel.reMaster.t-flac1648 | |
| 1990-03-26 | Knickerbocker Arena |
| 149395 | flac16/48kHz; reMaster of shnid 142991; Source: (FOB) Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location: Sec 5 Row E Seat 7; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes |
| gd1990-03-26.sennME80.wklitz.94411.flac16 | |
| 1990-03-26 | Knickerbocker Arena |
| 94411 | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger |
| gd1990-03-26.122541.mk21.48khz.flac16 | |
| 1990-03-26 | Knickerbocker Arena |
| 122541 | flac16/48kHz; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Fixed version in circulation |
| gd1990-03-26.122542.mk21.sbeok.flac16 | |
| 1990-03-26 | Knickerbocker Arena |
| 122542 | flac16; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe |
| gd1990-03-26.aud.gidley.91916.sbeok.flac16 | |
| 1990-03-26 | Knickerbocker Arena |
| 91916 | flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F. |
| gd1990-03-26.141115.OTS.AKG.Akerman.Miller.Noel.t-flac1648 | |
| 1990-03-26 | Knickerbocker Arena |
| 141115 | flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 |
| gd1990-03-26.142991.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648 | |
| 1990-03-26 | Knickerbocker Arena |
| 142991 | flac16/48kHz; Ted Mattes Master DAT Recording (FOB): Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location: Sec 5 Row E Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |
| gd1990-03-26.AKG451.Berger.Currier.Keo.120942.Flac2496 | |
| 1990-03-26 | Knickerbocker Arena |
| 120942 | flac24; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1990-03-26.AKG451.Berger.Currier.Keo.120943.Flac1644 | |
| 1990-03-26 | Knickerbocker Arena |
| 120943 | flac16; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1990-03-26.135063.bltz.flac2496 | |
| 1990-03-26 | Knickerbocker Arena |
| 135063 | flac24; First set, Set II Victim, and, after China -> Rider: Richard Berner's B&K 4011's, 110 degrees ORTF, hand-held @ 5' high, Prolink -> Neumann Power Supply -> D10, 26th Row Center, FOB -> DAT Master, Apogee 701/BETA -> NAK 682 ZX -> Sony Metal-SR/90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; China -> Rider: Schoeps CMC 421 Sub Cardioids, 100 degrees, 1 row in front of soundboard, about 4 seats right |
| gd1990-03-26.sbd.griesman.6697.sbeok.shnf | |
| 1990-03-26 | Knickerbocker Arena |
| 6697 | SBD> ?> CD; EAC> SHN by Randy Griesman; note portions of the show appear on Dozin' at the Knick- go buy it |
| gd1990-03-26.FM.richp.Keo.112093.Flac2496 | |
| 1990-03-26 | Knickerbocker Arena |
| 112093 | flac24; FM Broadcast (WPYX)Albany,NY>HIFI VHS>1St Generation Cassette Taper Rich P.,Transfer By Keo Original Equipment/VHS Tape/Cassette Transfer Unknown Transferred With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz |
| gd1990-03-26.135497.sbd.miller.flac16 | |
| 1990-03-26 | Knickerbocker Arena |
| 135497 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> Adobe Audition CS6 -> FLAC/16; This is a pitch corrected version of source ID 87350; All Transfers And Mastering By Charlie Miller |
| gd1990-03-26.sbd.hollister.7509.shnf | |
| 1990-03-26 | Knickerbocker Arena |
| 7509 | SBD> 24 Track Mixdown> DAT> C> PCM> FC/DD2496> CD; via David Hollister; Brian Voelz; note portions of the show appear on Dozin' at the Knick- go buy it |
| gd1990-03-26.127210.mtx.dusborne.flac16 | |
| 1990-03-26 | Knickerbocker Arena |
| 127210 | flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:087350) Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller and Audience (shnid:094411) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER > Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 (Fades & Sample Rate Conversion) > CDWAV > FLAC; Recorded, Transferred & Uploaded By Keith Litzenberger |
| gd1990-03-26.FM.richp.Keo.112092.Flac1644 | |
| 1990-03-26 | Knickerbocker Arena |
| 112092 | flac16; FM Broadcast (WPYX)Albany,NY>HIFI VHS>1St Generation Cassette Taper Rich P.,Transfer By Keo Original Equipment/VHS Tape/Cassette Transfer Unknown; Transferred With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper |
| gd90-03-28.sbd.gorinsky.8510.sbeok.shnf | |
| 1990-03-28 | Nassau Coliseum |
| 8510 | 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky |
| gd1990-03-28.149443.FOB.Schoeps.Mattes.Miller.Noel.reMaster.t-flac1648 | |
| 1990-03-28 | Nassau Coliseum |
| 149443 | flac16/48kHz; reMaster of shnid 141954; Source: Schoeps CMC4 MK4 (ORTF) > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 24 Seat 8/9; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes |
| gd1990-03-28.Senn441.Fitzy.Keo.126837.Flac2496 | |
| 1990-03-28 | Nassau Coliseum |
| 126837 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes Maxell MX-90s; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1990-03-28.Senn441.Fitzy.Keo.126838.Flac1644 | |
| 1990-03-28 | Nassau Coliseum |
| 126838 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes Maxell MX-90s; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1990-03-28.132872.mtx.bhp.flac16 | |
| 1990-03-28 | Nassau Coliseum |
| 132872 | flac16; Matrix 2 Source Mix - SBD (shnid=87643) Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller + AUD (shn id 87701) AUD (Changed mics between sets). Set One: Nakamichi CM-300's with CP-4 shotguns. Set Two: Sennheiser MD-441's. Mics > Sony TC-D5M > Maxell MX 90/100 tape, with no Dolby. Mics on 7-foot stands, in front row of OTS. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Wav > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - matrix mixing by Kevin Tobin |
| gd1990-03-28.132873.dts.bhp.flac16 | |
| 1990-03-28 | Nassau Coliseum |
| 132873 | DTS-Audio-CD 5.1 Mix; SBD (shnid=87643) SRecording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller + AUD (shn id 87701) AUD (Changed mics between sets). Set One: Nakamichi CM-300's with CP-4 shotguns. Set Two: Sennheiser MD-441's. Mics > Sony TC-D5M > Maxell MX 90/100 tape, with no Dolby. Mics on 7-foot stands, in front row of OTS. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Wav > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - DTS 5.1 mixing by Kevin Tobin |
| gd1990-03-28.157770.ultramatrix.miller.flac2496 | |
| 1990-03-28 | Nassau Coliseum |
| 157770 | flac2496; Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 |
| gd1990-03-28.132758.hillwig-stubbe.mattes.miller.flac16 | |
| 1990-03-28 | Nassau Coliseum |
| 132758 | flac16; Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) -> Oade Cap Coupled Supply -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Recorded By Ted Mattes; Transferred By Charlie Miller; due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed. Thanks to Craig for discovering this issue and taking the time to fix source ID 28381 |
| gd1990-03-28.135520.sbd-pc.miller.flac16 | |
| 1990-03-28 | Nassau Coliseum |
| 135520 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> Adobe Audition CS6 -> FLAC/16; All Transfers And Mastering By Charlie Miller |
| gd1990-03-28.141954.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648 | |
| 1990-03-28 | Nassau Coliseum |
| 141954 | flac16/48kHz; Ted Mattes Recording: Schoeps CMC4 MK4 (ORTF) > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 24 Seat 8/9; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |
| gd1990-03-28.sbd.nawrocki.3872.sbeok.shnf | |
| 1990-03-28 | Nassau Veterans Memorial Coliseum |
| 3872 | sbd/32 track mix> mc> dat> cdr> shn> wav> addawav> retrack> shnv3; from Steve Wigley CD, first shn by Steve (may not circ?), second shn step (to v3, md5s shown here) by Doug Nawrocki; see flaw notes in info file; note a later re-reshn also in circ |
| gd1990-03-28.sbd.nawrocki.4685.shnf | |
| 1990-03-28 | Nassau Veterans Memorial Coliseum |
| 4685 | SBD 24 Track Mix > Master Cass > Dat > CD-R > SHN > WAV > AddAWave > retracking > shn (single MD5 for entire show) > WAV > shn (with MD5s for each disc); Discs provided by Steve Wigley, original shn by Doug Nawrocki; reshn of previous shn set, by Jan Welch- checksums now differ; see info file for details and flaw notes |
| gd1990-03-28.mtx.dts.haugh.95825.flac16 | |
| 1990-03-28 | Nassau Veterans Memorial Coliseum |
| 95825 | DTS-Audio-CD 5.1 Mix; SBD (ShnID = 87643) Recording Info: SBD > DAT > Cassette Master (TDK MA-R90) and AUD (ShnID = 28381) Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) > Oade Cap Coupled Supply > DAT (Panasonic SV250/48k) > DAT (Cloned From Master) |
| gd1990-03-28.mtx.haugh.95943.flac16 | |
| 1990-03-28 | Nassau Veterans Memorial Coliseum |
| 95943 | flac16; SBD + AUD Matrix: SBD (ShnID = 87643) Recording Info: SBD > DAT > Cassette Master (TDK MA-R90) and AUD (ShnID = 28381) Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) > Oade Cap Coupled Supply > DAT (Panasonic SV250/48k) > DAT (Cloned From Master) |
| gd1990-03-28.sbd.cutler.hollister.7510.sbeok.shnf | |
| 1990-03-28 | Nassau Veterans Memorial Coliseum |
| 7510 | SBD> 24 Track Mixdown> DAT> C> PCM> FC/DD2496> CD; via David Hollister; Brian Voelz |
| gd90-03-29.aud-fob.set2.unknown.1317.sbeok.shnf | |
| 1990-03-29 | Nassau Coliseum |
| 1317 | set 2; FOB> DAT> ?> CDR, mics and taper unknown; reportedly SBD-like; posted by Stephen Agan to abgd, later by Darrin Sacks to etree |
| gd1990-03-29.149419.UltraMatrix.sbd.cm.miller.flac16 | |
| 1990-03-29 | Nassau Coliseum |
| 149419 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller This file set is 16 bit @ 44.1 |
| gd1990-03-29.149396.sbd.ultramatrix.miller.flac24 | |
| 1990-03-29 | Nassau Coliseum |
| 149396 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd90-03-29.sbd.hinko.24996.sbeok.shnf | |
| 1990-03-29 | Nassau Coliseum |
| 24996 | SBD>DAT>CDR; fixed copy of SHNid=3389; encoded by Darryl Hinko |
| gd1990-03-29.123925.mk4.flac16 | |
| 1990-03-29 | Nassau Coliseum |
| 123925 | flac16; Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Upgrade in circulation |
| gd1990-03-29.Senn441.Fitzy.Keo.126846.Flac2496 | |
| 1990-03-29 | Nassau Coliseum |
| 126846 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes: Set 1: Maxell MX-90, Set 2: TDK MA-110; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1990-03-29.Senn441.Fitzy.Keo.126847.Flac1644 | |
| 1990-03-29 | Nassau Coliseum |
| 126847 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M; Tapes: Set 1: Maxell MX-90, Set 2: TDK MA-110; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1990-03-29.127385.mtx.eichorn.flac16 | |
| 1990-03-29 | Nassau Coliseum |
| 127385 | flac16; matrix of shnid=33925 and shnid=91347 by Roger Eichorn (Fresh Legs, vol. 9) |
| gd90-03-29.sbd.nawrocki.3389.sbeok.shnf | |
| 1990-03-29 | Nassau Coliseum |
| 3389 | SBD> DAT> CDR; via Andy Bear Greider, Doug Nawrocki; note reshn version also in circ |
| gd1990-03-29.123924.mk4.48khz.flac16 | |
| 1990-03-29 | Nassau Coliseum |
| 123924 | flac16/48kHz; Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Upgrade in circulation |
| gd1990-03-29.mtx.hansokolow.97118.flac16 | |
| 1990-03-29 | Nassau Veterans Memorial Coliseum |
| 97118 | flac16; matrix of DSBD: shnid=????? and DAUD: shnid=91347 by hansokolow using ProTools |
| gd90-03-29.sbd.miller.26341.sbeok.shnf | |
| 1990-03-29 | Nassau Coliseum |
| 26341 | SBD> Dat> CD; SHN Conversion By Charlie Miller |
| gd1990-03-29.141955.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648 | |
| 1990-03-29 | Nassau Coliseum |
| 141955 | flac16/48kHz; Ted Mattes Recording: Schoeps CMC4 MK21 (ORTF) > Prolink Oade Modified Grace Preamp > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 20 Seat 8/9; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Fixed version in circulation |
| gd1990-03-29.143171.FOB.Schoeps.Mattes.Miller.Noel.REMASTER.t-flac1648 | |
| 1990-03-29 | Nassau Coliseum |
| 143171 | flac16/48kHz; Ted Mattes Recording: Schoeps CMC4 MK21 (ORTF) > Prolink Oade Modified Grace Preamp > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 20 Seat 8/9; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Remaster Notes: The right channel was inverted, that has been corrected; The levels were on the timid side, each track has been normalized |
| gd1990-03-29.123924.fixed.mk4.48khz.flac16 | |
| 1990-03-29 | Nassau Coliseum |
| 124324 | flac16/48kHz; Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Fixed version of source ID 123924 |
| gd1990-03-29.149589.PandP-aud.tobin.flac24 | |
| 1990-03-29 | Nassau Coliseum |
| 149589 | flac24; Patched & Pitch Corrected Audience - (original shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - pitch correction and patches by Kevin Tobin |
| gd1990-03-29.149590.PandP-aud.tobin.flac16 | |
| 1990-03-29 | Nassau Coliseum |
| 149590 | flac16; Patched & Pitch Corrected Audience - (original shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - pitch correction and patches by Kevin Tobin This file set is 16 bit @ 44.1 |
| gd1990-03-29.149591.mtx.tobin.flac24 | |
| 1990-03-29 | Nassau Coliseum |
| 149591 | flac24; Matrix 2 Source Mix - SBD (shnid = 149396) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - matrix mixing by Kevin Tobin |
| gd1990-03-29.149592.mtx.tobin.flac16 | |
| 1990-03-29 | Nassau Coliseum |
| 149592 | flac16; Matrix 2 Source Mix - SBD (shnid = 149396) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - matrix mixing by Kevin Tobin This file set is 16 bit @ 44.1 |
| gd1990-03-29.149593.dts.tobin.flac16 | |
| 1990-03-29 | Nassau Coliseum |
| 149593 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 149396) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - dts mixing by Kevin Tobin |
| gd1990-03-29.149594.5-1.tobin.flac1648 | |
| 1990-03-29 | Nassau Coliseum |
| 149594 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 149396) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - surround mixing by Kevin Tobin |
| gd1990-03-30.sbd.cutler-mix.miller.89173.sbeok.flac16 | |
| 1990-03-30 | Nassau Coliseum |
| 89173 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
| gd1990-03-30.149442.FOB.Schoeps.Mattes.Miller.Noel.reMaster.t-flac1648 | |
| 1990-03-30 | Nassau Coliseum |
| 149442 | flac16/48kHz; reMaster of shnid 141956; Source: Schoeps CMC4 MK4 (ORTF) > Oade Modified Grace Preamp > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 20 Seat 8/9; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes |
| gd1990-03-30.fm.grieder.4687.shnf | |
| 1990-03-30 | Nassau Veterans Memorial Coliseum |
| 4687 | FM> DAT> CDR> SHN by Doug Nawrocki> wav> reshn by Jan Welch; note reshn of previous shn set (see info file)- checksums differ |
| gd1990-03-30.123934.NAK300.tobin.flac16 | |
| 1990-03-30 | Nassau Coliseum |
| 123934 | flac16; MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 |
| gd1990-03-30.dts.tobin.123945.flac16 | |
| 1990-03-30 | Nassau Coliseum |
| 123945 | DTS AUDIO 5.1 - SBD (shn id 89173) SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 123934) MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 - DTS mixing by Kevin Tobin |
| gd1990-03-30.Senn441.Fitzy.Keo.126886.Flac1644 | |
| 1990-03-30 | Nassau Coliseum |
| 126886 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes:Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked with Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd90-03-30.sbd.gorinsky.8511.sbeok.shnf | |
| 1990-03-30 | Nassau Coliseum |
| 8511 | 24 track SBD MR>John Cutler 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky |
| gd1990-03-30.mtx.tobin.123944.flac16 | |
| 1990-03-30 | Nassau Coliseum |
| 123944 | flac16; Matrix 2 Source Mix - SBD (shn id 89173) SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 123934) MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 - matrix mixing by Kevin Tobin |
| gd1990-03-30.141956.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648 | |
| 1990-03-30 | Nassau Coliseum |
| 141956 | flac16; Ted Mattes Recording: Schoeps CMC4 MK4 (ORTF) > Oade Modified Grace Preamp > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 20 Seat 8/9; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |
| gd1990-03-30.sbd.barbella.8366.sbeok.shnf | |
| 1990-03-30 | Nassau Veterans Memorial Coliseum |
| 8366 | 24-track master (presumably ADAT) > 2-track mixdown > DAT > Cass > PCM > CD; Seeded to etree by Steve Barbella |
| gd1990-03-30.138584.BK4011.OTS.unknown.Ammons.Noel.t-flac16 | |
| 1990-03-30 | Nassau Coliseum |
| 138584 | flac16/48kHz; Taper unknown: B&K 4011 (ORTF) > Sony D10Pro, 1st row, center OTS; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT |
| gd1990-03-30.Senn441.Fitzy.Keo.126885.Flac2496 | |
| 1990-03-30 | Nassau Coliseum |
| 126885 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes:Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1990-03-30.fm.greider-nawrocki.3390.sbefail.shnf | |
| 1990-03-30 | Nassau Veterans Memorial Coliseum |
| 3390 | FM>DAT>CDR; via Andy Bear Greider, Doug Nawrocki; note reshn also in circ |
| gd1990-04-01.131204.cmc521.fob.deal.jwpetty.flac16 | |
| 1990-04-01 | The Omni |
| 131204 | flac16; Source info: FOB/Schoeps CMC 521's (hand held/ortf/110°)> Collette active cables> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty |
| gd1990-04-01.145747.ots.senn421.hessberg.miller.noel.t-flac16 | |
| 1990-04-01 | The Omni |
| 145747 | flac16; Recording Info: Sennheiser 421 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel. This file set is 16 bit @ 44,1 |
| gd1990-04-01.149445.s2.FOB.Schoeps.Brotman.Mattes.Miller.Noel.t-flac1648 | |
| 1990-04-01 | The Omni |
| 149445 | flac16/48kHz; Set 2 Source: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Dave Brotman |
| gd90-04-01.aud.gardner.3458.sbeok.shnf | |
| 1990-04-01 | The Omni |
| 3458 | aud MC> DAT> CD-R; Nak 300/CP4's > PMD 420; Alan Wallace, tapers section; via Tony Gardner; note some clipping |
| gd90-04-01.sbd.gorinsky.8512.sbeok.shnf | |
| 1990-04-01 | The Omni |
| 8512 | 24 track SBD MR>John Cutler 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky |
| gd1990-04-01.135535.sbd-pc.miller.flac16 | |
| 1990-04-01 | The Omni |
| 135535 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller; This is a pitch corrected version of source ID 87809 |
| gd1990-04-01.mtx.hansokolow.97203.flac16 | |
| 1990-04-01 | The Omni |
| 97203 | flac16; matrix of SBD: shnid=87809 and AUD: shnid=3458 by hansokolow using ProTools |
| gd1990-04-01.158176.UltraMatrix.sbd.cm.miller.t.flac1644 | |
| 1990-04-01 | The Omni |
| 158176 | flac1644 Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 158174 2496 > 1644 |
| gd1990-04-01.145218.OTS.Senn.Hessberg.Miller.Noel.t-flac2496 | |
| 1990-04-01 | The Omni |
| 145218 | flac24; Recording Info: Sennheiser 421 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel |
| gd1990-04-02.131205.cmc421.fob.katzeff-deal.jwpetty.flac16 | |
| 1990-04-02 | The Omni |
| 131205 | flac16; Source info: FOB/Schoeps CMC 421's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal and Rick Katzeff; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty |
| gd1990-04-02.133276.131205-fix.deal-katzeff.flac16 | |
| 1990-04-02 | The Omni |
| 133276 | flac16; Source info: FOB/Schoeps CMC 421's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal and Rick Katzeff; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio; Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); fix of SHNID 131205 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed |
| gd1990-04-02.137933.dbx.hale.flac16 | |
| 1990-04-02 | The Omni |
| 137933 | flac16; Source: (2)Nak CP-100s w/CP-4 shotgun capsules L & R(tracks 1 & 2) w/(1)Senheiser 441 panned to center(track 3) > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH |
| gd1990-04-02.145749.ots.senn421.hessberg.miller.noel.t-flac16 | |
| 1990-04-02 | The Omni |
| 145749 | flac16; Recording Info: (OTS) Sennheiser ME80 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel. This file set is 16 bit @ 44.1 |
| gd1990-04-02.149446.FOB.Schoeps.Brotman.Mattes.Miller.Noel.reMaster.t-flac1648 | |
| 1990-04-02 | The Omni |
| 149446 | flac16/48kHz; reMaster of shnid 142002; Source: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Dave Brotman |
| gd1990-04-02.152287.ultramatrix.miller.flac2496 | |
| 1990-04-02 | The Omni |
| 152287 | flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
| gd1990-04-02.152510.at815a.tom-roger-larson.flac1644 | |
| 1990-04-02 | The Omni |
| 152510 | flac16/44 Source: A:D AudioTechnica815A shotguns>Panasonic SV-250(48kHz) Transfer: DAT(48kHz)>ZA2(S/PDIF)>Samplitude2496>CD-r Tapes provided by Tom and Roger Transfer by Chris Larson (VegasBobby@gmail.com) |
| gd1990-04-02.154440.UltraMatrix.sbd.cm.miller.t.flac16 | |
| 1990-04-02 | The Omni |
| 154440 | flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152287 2496 > 1644 |
| gd90-04-02.nak.nawrocki.3299.sbeok.shnf | |
| 1990-04-02 | The Omni |
| 3299 | Nak 300's/cp 4's > *Marantz PMD420 (mc) > dat > cdr >eac (range extracted at 100% for retracking) > cdwave > mkwact; Taped by Alan Wallace; Discs provided by Kevin Gills, shn by Doug Nawrocki |
| gd90-04-02.sbd.dodd.17731.sbeok.shnf | |
| 1990-04-02 | The Omni |
| 17731 | MSC> DAT> Cdr > Eac > cool edit pro > cdwav > shntool > shnv3; Discs kindly provided by Andy Lemieux; Eac > shn by Ernie Dodd; reportedly upgrade relative to previous shn set |
| gd1990-04-02.nak.cohen.106763.flac16 | |
| 1990-04-02 | The Omni |
| 106763 | flac16;Recorded by David Cohen. OTS 8 foot stand (sec. 128 Row CC Seat11) 2 Nakamichi CM300s/ CP4's w/1 Nakamichi CM300/CP2> Nakamichi 550 w/Maxell XLIIS90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November, 2009 |
| gd1990-04-02.mtx.hansokolow.97216.flac16 | |
| 1990-04-02 | The Omni |
| 97216 | flac16; matrix of SBD: shnid=17731 and AUD: shnid=3299 by hansokolow using ProTools |
| gd1990-04-02.sbd.miller.12198.sbeok.shnf | |
| 1990-04-02 | The Omni |
| 12198 | SBD -> ? -> Dat -> Samplitude -> Cool Edit Pro -> SHN. Transfer and editing done by Charlie Miller |
| gd1990-04-02.sbd.miller.13391.sbeok.shnf | |
| 1990-04-02 | The Omni |
| 13391 | SBD -> ? -> Dat -> Samplitude -> Cool Edit Pro -> SHN, same as previous with d1t1 fix |
| gd1990-04-02.143172.FOB.Schoeps.Brotman.Mattes.Miller.Noel.REMASTER.t-flac1648 | |
| 1990-04-02 | The Omni |
| 143172 | flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Remaster Notes: The right channel was inverted, that has been corrected; The levels were on the timid side, each track has been normalized |
| gd1990-04-02.142002.FOB.Schoeps.Brotman.Mattes.Miller.Noel.t-flac1648 | |
| 1990-04-02 | The Omni |
| 142002 | flac16/48kHz; Dave Brotman FOB Recording using Ted mattes' rig: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Fixed version in circulation |
| gd1990-04-02.145219.OTS.Senn.Hessberg.Miller.Noel.t-flac2496 | |
| 1990-04-02 | The Omni |
| 145219 | flac24; Recording Info: (OTS) Sennheiser ME80 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel |
| gd1990-04-03.131206.cmc44.fob.katzeff.jwpetty.flac16 | |
| 1990-04-03 | The Omni |
| 131206 | flac16; Source: FOB by Rick Katzeff using Schoeps CMC 44's> Oade p/s> SV 255> 1:1 clone; DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty |
| gd1990-04-03.133277.131206-fix.deal-katzeff.flac16 | |
| 1990-04-03 | The Omni |
| 133277 | flac16; Source: FOB by Rick Katzeff using Schoeps CMC 44's> Oade p/s> SV 255> 1:1 clone; DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); fix of SHNID 131206 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed |
| gd1990-04-03.145750.ots.senn.me80.hessberg.miller.noel.t-flac16 | |
| 1990-04-03 | The Omni |
| 145750 | flac16; Recording Info: (OTS) Sennheiser ME80 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel. This file set is 16 bit @ 44.1 |
| gd1990-04-03.149447.FOB.Schoeps.Brotman.Mattes.Miller.Noel.reMaster.t-flac1648 | |
| 1990-04-03 | The Omni |
| 149447 | flac16/48kHz; reMaster of shnid 142003; Source: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Dave Brotman |
| gd1990-04-03.152511.at815a.tom-roger-larson.flac1644 | |
| 1990-04-03 | The Omni |
| 152511 | flac16/44 Source: A: Audio Technica 815A Shotguns>Panasonicsv250 Transfer: DAT(48kHz)>ZA2(S/PDIF)>WaveLab 3.03>CD-r Transfer by Chris Larson (nswboogy@easystreet.com) http://www.easystreet.com/~nswboogy |
| gd1990-04-03.142216.FOB.Schoeps.Katzeff.Ammons.Noel.fix.t-flac1648 | |
| 1990-04-03 | The Omni |
| 142216 | flac16/48kHz; Rick Katzeff FOB Recording: Schoeps CMC5 MK21 (@ 100ยบ spaced array) > DAT 48k (Panasonic SV-250). Mics were hand held; John Ammons Transfer from clone of DAT master: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; the original version was missing Promised Land |
| gd90-04-03.nak.gardner.3577.sbeok.shnf | |
| 1990-04-03 | The Omni |
| 3577 | Nak 300/CP4's > PMD 420 by Alan Wallace, tapers section; MC> DAT> CD-R; note first few seconds of Promised Land missing; via Kevin Gills, Tony Gardner |
| gd90-04-03.sbd.hinko.17811.sbeok.shnf | |
| 1990-04-03 | The Omni |
| 17811 | Soundboard Master Cassette > Sonic Solutions @ 24 bits > CD (Sony Super Bit Mapping 2) > EAC > SHN (seekable); via Darryl Hinko with thanks to Dave Sanders; Drums patched and tuning returned to first set from AUD source |
| gd1990-04-03.nak.cohen.106904.flac16 | |
| 1990-04-03 | The Omni |
| 106904 | flac16; Recorded by David Cohen OTS 8 foot stand (sec. 128 Row CC Seat 12) 2 Nakamichi CM300s/ CP4's w/1 Nakamichi CM300/CP2> Nakamichi 550 w/Maxell XLIIS90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. |
| gd1990-04-03.142003.FOB.Schoeps.Brotman.Mattes.Miller.Noel.t-flac1648 | |
| 1990-04-03 | The Omni |
| 142003 | flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |
| gd1990-04-03.145220.OTS.Senn.Hessberg.Miller.Noel.t-flac2496 | |
| 1990-04-03 | The Omni |
| 145220 | flac24; Recording Info: (OTS) Sennheiser ME80 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel |
| gd1990-04-03.135201.bltz.flac24 | |
| 1990-04-03 | The Omni |
| 135201 | flac24; Source: Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MX-S 90 (Set II TDK SA100) -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24 |
| gd1990-05-05.131207.cmc521.fob.deal.jwpetty.flac16 | |
| 1990-05-05 | Cal State Dominguez Hills |
| 131207 | flac16; Source info: Schoeps CMC 521's (110°/ortf/20 yards FOB/hand held)> Collette (active) cables> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty |
| gd1990-05-05.134997.bltz.flac2496 | |
| 1990-05-05 | Cal State Dominguez Hills |
| 134997 | flac24; Source: B&K 4011 Cardioids, ORTF, 5' Tall Stand, front-of-board -> ProLink Cables -> Neumann Power Supply -> DAT TCD-10 -> Beta -> Nak 682ZX -> TDK SAX 90 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 |
| gd1990-05-05.138754.FOB.Schoeps.BK.Katzeff.Berner.Ammons.Noel.t-flac16 | |
| 1990-05-05 | Cal State Dominguez Hills |
| 138754 | flac16/48kHz; Set I - Schoeps CMC34 at 110 degrees ORTF > Panasonic SV250; FOB w/stand recorded by Rick Katzeff; Set II - B&K 4011 at 110 degrees ORTF > Sony D10Pro; FOB w/stand by Rich Berner; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT |
| gd1990-05-05.set1.fob.schoeps.b-and-d.andrewf.97423.flac16 | |
| 1990-05-05 | California State University Dominguez Hills |
| 97423 | flac16; Set 1 only, FOB AUD: Schoeps CMC5/MK2 (omnis) > Panasonic SV255 Dat. Mics 7-foot spread, 20-feet from the stage. MAD > Cassette by Alabama Bob. Taped by the B&D Crew. Transfer: That's CD-90 Metal cassette > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644, by Andrew F. Feb 2009. |
| gd1990-05-05.nak300.lech.116818.flac | |
| 1990-05-05 | Cal State Dominguez Hills |
| 116818 | flac16; Source: (3) Nakamichi cm300 [(2) cp4 Shotgun Capsules + (1) cp3 Super Omni] > Boss BX-4 Mixer > Aiwa HD-X1; Lineage: DAT/M > DAT/1 > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: John Lech; Transferred: Jeff Bowen; Extraction: Brad Foster |
| gd1990-05-05.137021.set1.sbd.miller.flac24 | |
| 1990-05-05 | Cal State Dominguez Hills |
| 137021 | flac24; Set 1 Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); All Transfers and Mastering By Charlie Miller |
| gd1990-05-05.137088.set1.sbd.miller.flac16 | |
| 1990-05-05 | Cal State Dominguez Hills |
| 137088 | flac16; Set 1 Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp; flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller |
| gd1990-05-05.138648.bk4011.french.sbeok.flac16 | |
| 1990-05-05 | Cal State Dominguez Hills |
| 138648 | flac16; Bruel and Kjaer 4011 cardioids as ORTF stereo => Neumann p48v power => Sony TCD-D10 DAT => Sony TC-D5M cassette master (TC-D5M in live recording chain; this analog master is the 24.96 digital master source); From upfront, FOB-DFC; Mics at 6’03â€+ being covered by Mike. Knobs and buttons twiddlin’ by Tom D. |
| gd1990-05-05.138649.fm.french.sbeok.flac16 | |
| 1990-05-05 | Cal State Dominguez Hills |
| 138649 | flac16; This is an FM broadcast, recorded live in the concert venue; KPFK public radio broadcast; The lineage guessing, in part; The FM receiver was a portable “Walkmanâ€-type portable FM rec’vr; patched to my spare deck: Sony WM-D6C; transfer to digital was without any Dolby N.R., regardless of whether or not it was on the master; That transfer was via my Sony TC-D5M -> Tascam DR70D at a 24.96 sampling |
| gd1990-05-05.141275.UltraMatrix.sbd.cm.miller.flac1644 | |
| 1990-05-05 | Cal State Dominguez Hills |
| 141275 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller |
| gd1990-05-05.141262.sbd.miller.flac2496 | |
| 1990-05-05 | Cal State Dominguez Hills |
| 141262 | flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller |
| gd1990-05-05.141939.FOB.Schoeps.BK.Mattes.Miler.Noel.t-flac1648 | |
| 1990-05-05 | Cal State Dominguez Hills |
| 141939 | flac16/48kHz; Ted Mattes Recording (FOB): Set I: Schoeps CMC4 MK4 > Grace preamp > DAT 48k; Set II: B+K 4011 > DAT 48k; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |
| gd1990-05-05.143960.InHouseFM.Dalton-Miller-Noel.t-flac1644 | |
| 1990-05-05 | Cal State Dominguez Hills |
| 143960 | flac16; Tim Dalton Source: In house FM > Dat; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/44; Edited & Mastered in Audacity by Joe Noel |
| gd90-05-05.dsbd.wiley.11660.sbeok.shnf | |
| 1990-05-05 | Cal State Dominguez Hills |
| 11660 | DSBD>DAT>CDR; Encore from FM source; via Paul B; Seeded to Etree by T. Wiley |
| gd1990-05-05.dsbd.nickspicks.4850.shnf | |
| 1990-05-05 | Cal State Dominguez Hills |
| 4850 | DSBD> Cass> DAT> CD> EAC (secure)> MKW-Act seekable SHN encoding by nick@nickspicks.com This show was broadcast over FM. I doubt this is a PRE-FM source though. |
| gd1990-05-06.mtx.hansokolow.97237.flac16 | |
| 1990-05-06 | California State University Dominguez Hills |
| 97237 | flac16; matrix of DSBD: shnid=80278 and DAUD: shnid=7891 by hansokolow using ProTools |
| gd1990-05-06.131208.cmc54.fob.deal.jwpetty.flac16 | |
| 1990-05-06 | Cal State Dominguez Hills |
| 131208 | flac16; Source info: Schoeps CMC 54's (20 yards FOB/on stand)> Collette (active) cables> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to bt.etree on September 3, 2014 by Will Petty |
| gd1990-05-06.111299.NeumannKMF4.daweez.d5scott.flac16 | |
| 1990-05-06 | Cal State Dominguez Hills |
| 111299 | flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
| gd1990-05-06.141276.UltraMatrix.sbd.cm.miller.flac1644 | |
| 1990-05-06 | Cal State Dominguez Hills |
| 141276 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller |
| gd1990-05-06.141263.sbd.miller.flac2496 | |
| 1990-05-06 | Cal State Dominguez Hills |
| 141263 | flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller |
| gd1990-05-06.141940.FOB.Schoeps.BK.Mattes.Miler.Noel.t-flac1648 | |
| 1990-05-06 | Cal State Dominguez Hills |
| 141940 | flac16/48kHz; Ted Mattes Recording (FOB): Set I: Schoeps CMC4 MK2 > Grace preamp > DAT 48k; Set II: B+K 4011 > DAT 48k; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |
| gd90-05-06.sbd.wiley.11661.sbeok.shnf | |
| 1990-05-06 | Cal State Dominguez Hills |
| 11661 | SBD>MC>DAT>CD; via Paul B; Seeded to Etree by T. Wiley |
| gd90-05-06.schoeps-fob.unknown.7891.sbeok.shnf | |
| 1990-05-06 | Cal State Dominguez Hills |
| 7891 | FOB Schoeps CMC44> master audience DAT> DAT> CD> EAC> SHN |
| gd1990-05-06.nak300.lech.116826.flac | |
| 1990-05-06 | Cal State Dominguez Hills |
| 116826 | flac16; Source: (3) Nakamichi cm300 [(2) cp4 Shotgun Capsules + (1) cp3 Super Omni] > Boss BX-4 Mixer > Aiwa HD-X1; Lineage: DAT/M > DAT/1 > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: John Lech; Transferred: Jeff Bowen; Extraction: Brad Foster |
| gd1990-05-06.137861.french-tomD.bk4011.flac1644 | |
| 1990-05-06 | Cal State Dominguez Hills |
| 137861 | flac16 Ambient recording by Tom Tech twiddlin' the knobs (Tom D.), and Mike French covering the mics at 6'6". Bruel and Kjaer B&K 4011 cardioids as ORTF stereo at 6’6â€, Neumann p48v power pack,Sony TCD-D10 DAT 1648 From: FOB/DFC |
| gd1990-06-08.130389.mtx.dusborne.flac16 | |
| 1990-06-08 | Cal Expo |
| 130389 | flac16; 3 Source Matrix by Dusborne Soundboard (shnid:034397) Source: FOB Matrix SBD > DAT > CDR > WAV > SHN, Audience (shnid:095184) FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center. Taped by Alabama Bob and Audience (shnid:111329) Recorded by The Weasel with 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes |
| gd1990-06-08.Nak300CP4.Fitzy.Keo.130418.Flac2496 | |
| 1990-06-08 | Cal Expo |
| 130418 | flac24; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1990-06-08.Nak300CP4.Fitzy.Keo.130419.Flac1644 | |
| 1990-06-08 | Cal Expo |
| 130419 | flac16; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1990-06-08.150333.bk4011-fob.flac16 | |
| 1990-06-08 | Cal Expo |
| 150333 | flac16; Source: B+K 4011 "up front"; Transfer: DAT clone > HHb CDR-830 > EAC > Audacity > WAV > FLAC |
| gd1990-06-08.154441.s2.4mic.mix.cm.miller.t.flac16 | |
| 1990-06-08 | Cal Expo |
| 154441 | flac16/44 Recording Info: 2 x Nakamichi 100/CP4 + 2 x AKG C1000S (Cardioid) > Boss BX-4 > Cassette Master (Sony WM-D6C/Maxell XLII-S100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 153498 2496 > 1644 |
| gd1990-06-08.fob.alabamabob.andrewf.95184.flac16 | |
| 1990-06-08 | Cal Expo Amphitheatre |
| 95184 | flac16; FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC. Transfer by Andrew F. |
| gd1990-06-08.153498.s2.nak104.akg1000s.miller.flac2496 | |
| 1990-06-08 | Cal Expo |
| 153498 | flac24/96 Recording Info: 2 x Nakamichi 100/CP4 + 2 x AKG C1000S (Cardioid) > Boss BX-4 > Cassette Master (Sony WM-D6C/Maxell XLII-S100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 |
| gd90-06-08.sbd-matrix.ladner.6935.sbeok.shnf | |
| 1990-06-08 | Cal Expo |
| 6935 | FOB Matrix SBD > DAT > CDR > WAV > SHN. End of Sugar Magnolia and encore: Schoeps CMC 441's > PCM > SL2000 > DAT > Cass > SHN (Kutick/Adelman); Thanks to C. Miller for the SBD seeds. DAE (EAC) > tracking (cdwave) > boundary checking (shntool) > shn (mkwact) via neo_levo; see flaw notes in info file |
| gd90-06-08.schoeps-fob.georges.9630.sbeok.shnf | |
| 1990-06-08 | Cal Expo |
| 9630 | fob "at the impact zone" 6' stands 6' spaced schoeps omis > Oade pre (presumably m118) > SV250 analog line out>D10 recording by Sean Weber and west coast "tapers fro hell" crew |
| gd1990-06-08.111329.NeumannKMF4.daweez.d5scott.flac16 | |
| 1990-06-08 | Cal Expo |
| 111329 | flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
| gd1990-06-08.147925.sbd.ladner-braverman.flac16 | |
| 1990-06-08 | Cal Expo |
| 147925 | flac16; Source: Matrix SBD > DAT > CDR > WAV > SHN > FLAC (See additional notes.) |
| gd1990-06-08.149702.UltraMatrix.sbd.cm.miller.flac16 | |
| 1990-06-08 | Cal Expo |
| 149702 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
| gd1990-06-08.sennME80.wklitz.94233.flac16 | |
| 1990-06-08 | Cal Expo Amphitheatre |
| 94233 | flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded By Gerry Gordon & Keith Litzenberger Transferred & Uploaded By Keith Litzenberger |
| gd1990-06-08.sbd.miller.tetzeli.fix-6935.34397.sbeok.shnf | |
| 1990-06-08 | Cal Expo Amphitheatre |
| 34397 | FOB Matrix SBD > DAT > CDR > WAV > SHN - Seamless fix of shn id 6935 |
| gd1990-06-08.143343.FOB.Schoeps.Brotman.Miller.Noel.t-flac1648 | |
| 1990-06-08 | Cal Expo |
| 143343 | flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC4/MK2S (Spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |
| gd1990-06-08.149619.ultramatrix.sbd.pearson-healy.miller.flac2496 | |
| 1990-06-08 | Cal Expo |
| 149619 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
| gd1990-06-08.150583.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac2496 | |
| 1990-06-08 | Cal Expo |
| 150583 | flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 10, 2020 |
| gd1990-06-09.sbd.miller.tetzeli.fix-6936.34398.sbeok.shnf | |
| 1990-06-09 | Cal Expo Amphitheatre |
| 34398 | SBD (Matrix) > DAT > CDR > WAV > SHN - Seamless fix of shn id 6936 |
| gd1990-06-09.134549.aud.fobaud.flac16 | |
| 1990-06-09 | Cal Expo |
| 134549 | flac16/48kHz; Recorded by Sean Weber-Small with Schoeps CMC42s (FOB omnis spaced 8' with 5' 11" mic stands) -> Oade Power Supply -> Panasonic SV-250. Transfer from a DAT clone of Sean's Master by FOBAUD: Playback on Tascam DA20 -> Roland SRC-2 -> Mac Mini -> Audacity 2.1 -> WAV @48kHz |
| gd1990-06-09.Nak300CP4.Fitzy.Keo.126538.Flac1644 | |
| 1990-06-09 | Cal Expo |
| 126538 | flac16; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd90-06-09.sbd-matrix.miller-ladner.6936.sbeok.shnf | |
| 1990-06-09 | Cal Expo |
| 6936 | SBD (Matrix) > DAT > CDR > WAV > SHN; with AUD patch at end of encore: Schoeps CMC441s > Sony PCM F1> SL-2000> DAT> Cass> SHN (Ken Adelman). DAE (EAC) > tracking (CDWAV) > boundary checking (SHNTOOL) > SHN (MKWACT) via neo_levo; SBD seed via Charlie Miller |
| gd90-06-09.bk4011.nickspicks.23532.sbeok.flac | |
| 1990-06-09 | Cal Expo |
| 23532 | B&K 4011 110degrees ORTF on the "Mike Stand" 6'4" Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) > DAT master > TAscam DA-20 MKII > Marigo Audio Lab Coax S/PDIF cable > Tascam CDRW700 > CD-R master > Marantz CDR500 dual well cd burner at 1x > 1st gen CD-R copy > EAC in secure mode > FLAC |
| gd1990-06-09.fob.alabamabob.andrewf.95251.flac16 | |
| 1990-06-09 | Cal Expo Amphitheatre |
| 95251 | flac16; FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC. Transfer by Andrew F. |
| gd1990-06-09.111342.NeumannKMF4.daweez.d5scott.flac16 | |
| 1990-06-09 | Cal Expo |
| 111342 | flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
| gd1990-06-09.149721.UltraMatrix.sbd.cm.miller.flac16 | |
| 1990-06-09 | Cal Expo |
| 149721 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller,This file set is 16 bit @ 44.1 |
| gd1990-06-09.142578.FOB.Schoeps.Weber-Small.Mattes.Miler.Noel.t-flac1648 | |
| 1990-06-09 | Cal Expo |
| 142578 | flac16/48kHz; Sean Weber-Small (FOB) Recording: Schoeps CMC4 MK2 > Oade Power Supply > DAT 48k (Panasonic SV-250) mics spaced 8' w/ mic stands @ 5' 11"; Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |
| gd1990-06-09.josephson.miller.88197.sbeok.flac16 | |
| 1990-06-09 | Cal Expo Amphitheatre |
| 88197 | flac16; Source (AUD): Josephson C-640 w/ KA-20 (cardioid) capsules > 5532 differential pre-amp (+21db) > Sony WMD-6C (Dolby C) Microphone configuration: Microphones split approx 30 feet (left and right side of the SBD), 7' up (on stands) Master format: Maxell MX 100 cassettes Transfer: Sony WMD-6C > Lunatec V3 (44.1 kHz, 16 bit, ANSR on) > m-Audio Delta 2496 (SPDIF) > WaveLab Digital editing: Steinberg CuBase (pre and post set fades, blend between d1t07 and d1t08) Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2 Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC) Recorded, processed and distributed by Chuck Miller |
| gd1990-06-09.143344.FOB.Schoeps.Brotman.Miler.Noel.t-flac1648 | |
| 1990-06-09 | Cal Expo |
| 143344 | flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC4/MK2S (Spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |