Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd82-01-01.sbd.hanno.19808.sbeok.shnf
1982-01-01Mickey's ranch studio
19808studio recording by Mickey Hart, Barry Melton, Bill Graham and others - 'The Bugs' - unreleased radio play. from 3rd gen cassette via Hanno Bunjes, Uli Teute
gd1982-02-16.149912.aud.tompkins.flac1644
1982-02-16Warfield Theater
149912flac16; Source: Unknown mics > Sony TC-D5 > Maxell XLIIS 90's; Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz; Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged; Transferred by Andrew F. 05/2020
gd1982-02-16.149928.s1.aud.schley.flac2448
1982-02-16Warfield Theater
149928flac24; Set One & Encore: AUD: Unknown mics > Sony TC-D5 > Maxell MX-90, FOB recording by Brian Schley; Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged; Transferred by Andrew F. 05/2020
gd82-02-16.aud.set1.braverman-vernon.19267.sbeok.shnf
1982-02-16Warfield Theater
19267Set 1 and Encore Audience (unknown mics) via Barry Bryson. C > WAV conversion by Peter Braverman, encoded by Matt Vernon
gd82-02-16.martin.warner.19502.sbeok.shnf
1982-02-16Warfield Theater
19502MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape, about 20 feet in front of the soundboard) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
gd1982-02-16.111364.nak300.hoey.flac16
1982-02-16Warfield Theater
111364flac16: Recorded, Transferred and Mastered by N. Hoey 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(Maxell UDXL-IIS 90) (lower loge) Nakamichi Dragon (Dolby B decoded) > RME PAD 96(A/D conversion) > Apple G4 (Peak editing) > Xact (SBE Fixed version seeded 01/08/2011.)
gd82-02-17.aud-martin.warner.21916.sbeok.flacf
1982-02-17Warfield Theater
21916MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding (flac 1.1.0, compression level 8)
gd82-02-17.sbd-patched.warner.23221.sbeok.shnf
1982-02-17Warfield Theater
23221Main source: MSC>DAT>CD (/shn_downloadtxt.php?shnid=15033) Patch source: Steven Martin's MAC>DAT>CD (/shninfo_detail.php?shnid=21916) via Sean Cribbs
gd82-02-17.sbd.braverman.15033.sbeok.shnf
1982-02-17Warfield Theater
15033Source: SBD Lineage: Master Cassette> DAT> CD> SHN; Seeded by Peter Braverman
gd1982-02-17.138012.mtx.seamons.ht111.flac16
1982-02-17Warfield Theater
138012flac16; Matrix of SBD (shnid=112408) and AUD (shnid=21916) by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
gd1982-02-17.111448.nak300.hoey.flac16
1982-02-17Warfield Theater
111448flac16; Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(Maxell UDXL-IIS 90) (Lower Loge Section 3 Row AA Seats 3-7) Nakamichi Dragon (Dolby B decoded) > TC Electronics Konnekt8 (A/D conversion)(transferred @ 88.2/24-resampled to 44.1k/dithered to 16 bit) > Apple OS X 10.5.8 (Peak 6 editing-resampling-dithering) > Xact (SBE Fixed version seeded 01/10/2011.)
gd1982-02-17.144621.fob.nak700.streeter.miller.clugston.flac1648
1982-02-17Warfield Theater
144621flac16/48kHz; Frank Streeter's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M (TDK SA-90); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1982-02-17.144622.fob.nak700.streeter.miller.clugston.flac2496
1982-02-17Warfield Theater
144622flac24; Frank Streeter's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M (TDK SA-90); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496
gd1982-02-17.sbd.miller.112408.flac16
1982-02-17Warfield Theater
112408flac16;Recording Info:Set 1: SBD -> Cassette Master (TDK MA-R90); Set 2: SBD -> Cassette Master -> Cassette (Dolby C); Transfer Info:Set 1: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> FLAC/16; Set 2: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1982-02-19.151131.aud.lohr.vernon.flac1648
1982-02-19Golden Hall, Community Concourse
151131flac16/48khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
gd1982-02-19.151132.aud.lohr.vernon.flac2496
1982-02-19Golden Hall, Community Concourse
151132flac24/96khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
gd1982-02-19.156326.beyer.tompkins.flac2448
1982-02-19Golden Hall, Community Concourse
156326flac2448; Source: BeyerDynamic mics > Sony TC-D5M > Maxell-MX. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022
gd1982-02-19.fob.sonyecm220t.keshavan.miller.94395.sbeok.flac16
1982-02-19Golden Hall - San Diego Community Concourse
94395flac16; Recording Info: (FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller
gd82-02-19.sony-unk.willy.13570.sbeok.shnf
1982-02-19Golden Hall, Community Concourse
13570Sony ECM200T>SonyTCD5>C>NakDR1>PCM> PC>CoolEditBass Boost>DAT>CDR via Rick Martin, encoding by Willy, The Miami SHn Machine
gd82-02-19.nak700_martin.warner.28382.sbeok.flacf
1982-02-19Golden Hall, Community Concourse
28382flac16; MAC (Recorded by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); A > D by Steven Martin, EAC> FLAC by Jack Warner
gd82-02-19.sony-rango.unknown.28732.shnf
1982-02-19Golden Hall, Community Concourse
28732Recorded by Rango Keshavan 6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B On Playback by Rango Keshavan Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cable > Turtle Beach Montego II Digital I/O card > PC (CDWav used to record and break up tracks)
gd1982-02-19.136426.nak300.schley.flac1644
1982-02-19Golden Hall, Community Concourse
136426flac 16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal. FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015
gd1982-02-19.149019.fob.nak700.severson.miller.clugston.flac1648
1982-02-19Golden Hall, Community Concourse
149019flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (55' from stage, 10' right of center, section 201, row 10, seat 4); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1982-02-19.149020.fob.nak700.severson.miller.clugston.flac2496
1982-02-19Golden Hall, Community Concourse
149020flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (55' from stage, 10' right of center, section 201, row 10, seat 4); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
gd1982-02-20.151133.aud.lohr.vernon.flac1648
1982-02-20Golden Hall, Community Concourse
151133flac16/48khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
gd1982-02-20.151134.aud.lohr.vernon.flac2496
1982-02-20Golden Hall, Community Concourse
151134flac24/96khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
gd82-02-20.aud.willy.13613.sbeok.shnf
1982-02-20Golden Hall, Community Concourse
13613AUD>MC>DAT>CD; via Scott Shindell; seeded to etree by Willy
gd82-02-20.set2.aud-reutelhuber.miller.23823.sbeok.shnf
1982-02-20Golden Hall, Community Concourse
23823Recording by Rango Keshevan: Nakamichi 300/CP4 -> Cassette Master (Sony TCD5M / Hitachi ME C90 Metal Tape). Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> Samplitude v7.02 Professional -> SHN Transfered By Bill Reutelhuber Tracked and Edited By Charlie Miller
gd82-02-20.sony-rango.unknown.28778.shnf
1982-02-20Golden Hall, Community Concourse
28778Recorded by Rango Keshavan 6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B On Playback by Rango Keshavan Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cable > Turtle Beach Montego II Digital I/O card > PC (CDWav used to record and break up tracks)
gd1982-02-20.149021.fob.nak700.severson.miller.clugston.flac1648
1982-02-20Golden Hall, Community Concourse
149021flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (50' from stage, 5' right of center, section 201, row 11, seat 5); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1982-02-20.149022.fob.nak700.severson.miller.clugston.flac2496
1982-02-20Golden Hall, Community Concourse
149022flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (50' from stage, 5' right of center, section 201, row 11, seat 5); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
gd1982-02-20.137590.s1.nak300.schley.flac2448
1982-02-20Golden Hall, Community Concourse
137590flac24; Set 1 AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2017
gd1982-02-20.137591.s1.nak300.schley.flac1644
1982-02-20Golden Hall, Community Concourse
137591flac16; Set 1 AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017
gd1982-02-20.fob.sonyecm220t.keshavan.miller.94410.sbeok.flac16
1982-02-20Golden Hall - San Diego Community Concourse
94410flac16; Recording Info: (FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller
gd1982-02-21.148007.sbd.miller.clugston.flac16
1982-02-21Pauley Pavilion, UCLA
148007flac16; Source Info: Master Soundboard Cassette > Cassette > Dat (16/44.1); Transfer Info: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Sound Devices 744T (wav 16/44)> Adobe Audition CC 2019 > TLH flac16
gd1982-02-21.151135.aud.lohr.vernon.flac1648
1982-02-21Pauley Pavilion, UCLA
151135flac16/48khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
gd1982-02-21.151136.aud.lohr.vernon.flac2496
1982-02-21Pauley Pavilion, UCLA
151136flac24/96khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
gd1982-02-21.155433.ohr-tcd5m.flac16
1982-02-21Pauley Pavilion, UCLA
155433flac16/44 Master Cassettes recorded by Ohr Weinberg: 2 unknown microphones (don't remember) -> Sony TC-D5M (Maxell MX-90 Cassettes with Dolby B) Transfer: Anne Cohen: AD Transfer - Master cassettes played on Nakamichi Dragon -> HHB CDR-800 -> EAC -> CD Ohr: CD > EAC >WAV > FLAC
gd1982-02-21.149023.fob.nak700.severson.miller.clugston.flac1648
1982-02-21Pauley Pavilion, UCLA
149023flac16/48; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (20' left of center, 35-40' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1982-02-21.149024.fob.nak700.severson.miller.clugston.flac2496
1982-02-21Pauley Pavilion, UCLA
149024flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (20' left of center, 35-40' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
gd82-02-21.sbd.dodd.16247.sbeok.shnf
1982-02-21Pauley Pavilion, UCLA
16247Sbd> cassette > dat> cdr> Eac > cool edit pro > shntool > cdwav > shnv3; eac > shnv3 (secure with proper offsets) by Ernie Dodd; Discs kindly provided by Mark Horvath
gd1982-02-21.144729.set2.beyer.tompkins.flac2448
1982-02-21Pauley Pavilion, UCLA
144729flac24; 2nd set only; Source: BeyerDynamic M88's > Sony TC-D5M > Maxell XLIIS. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2019
gd1982-02-21.154098.2nd.set.nak304.vita.miller.clugston.flac1648
1982-02-21Pauley Pavilion, UCLA
154098flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5 (Maxell XLII-S 90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1982-02-21.154099.2nd.set.nak304.vita.miller.clugston.flac2496
1982-02-21Pauley Pavilion, UCLA
154099flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5 (Maxell XLII-S 90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1982-03-13.149033.fob.nak700.severson.miller.clugston.flac2496
1982-03-13Reno Centennial Coliseum
149033flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (+3db bass boost) > Mixer > Sony D5 (60' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
gd1982-03-13.s2.sbd.digitalrbb.miller.112858.flac16
1982-03-13Reno Centennial Coliseum
112858flac16 set2; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC
gd82-03-13.martin.warner.21918.sbeok.flacf
1982-03-13Reno Centennial Coliseum
21918MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding (flac 1.1.0, compression level 8) via Jack Warner
gd82-03-13.set2-neumann.vernon.18983.sbeok.shnf
1982-03-13Reno Centennial Coliseum
18983Set 2 Neumann M-25?s via Raoul Duke encoded by Matt Vernon
gd1982-03-13.134012.nak300.schley.flac2448
1982-03-13Reno Centennial Coliseum
134012flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2015
gd1982-03-13.134013.nak300.schley.flac1644
1982-03-13Reno Centennial Coliseum
134013flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015
gd1982-03-13.154365.senn421.vita.miller.clugston.flac1648
1982-03-13Reno Centennial Coliseum
154365flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5 (Maxell XLII C90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1982-03-13.154366.senn421.vita.miller.clugston.flac2496
1982-03-13Reno Centennial Coliseum
154366flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5 (Maxell XLII C90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1982-03-14.147055.beyer.tompkins.flac2448
1982-03-14Recreation Hall, UC Davis
147055flac24; Source: FOB Beyers M88's > Sony TC-D5M > Maxell XLIIS. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2019
gd1982-03-14.133984.nak300.schley.flac2448
1982-03-14Recreation Hall, UC Davis
133984flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLIIS (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2015
gd1982-03-14.156432.sbd.eaton.miller.clugston.flac1648
1982-03-14Recreation Hall, UC Davis
156432flac1648 Source Info: Master Soundboard Cassettes (Sony D6) Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
gd1982-03-14.156433.sbd.eaton.miller.clugston.flac2496
1982-03-14Recreation Hall, UC Davis
156433flac2496 Source Info: Master Soundboard Cassettes (Sony D6) Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
gd82-03-14.sbd.clugston.7220.sbeok.shnf
1982-03-14Recreation Hall, UC Davis
7220Master Soundboard Cassette > Reel to Reel > DAT > CDR; CD Mastering, SHN'ed by Scott Clugston; d1 tracked for 80 min
gd1982-03-14.133985.nak300.schley.flac1644
1982-03-14Recreation Hall, UC Davis
133985flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLIIS (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015
gd1982-03-14.sbd.clugston.24457.sbeok.shnf
1982-03-14Recreation Hall - University of California
24457Source: Master Soundboard Cassette > Reel to Reel > DAT > CDR; same as 7220 with sector boundary errors fixed.
gd1982-03-14.139382.sbd.flac16
1982-03-14Recreation Hall, UC Davis
139382flac16; Recording Info: SBD > Reel Master > Cassette > Dat 44.1k; Transfer Info: Dat Sony PCM-R500 > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/44.1k; Transfer By Charlie Miller; Speed correction by Jason Chastain in Adobe CC; Mastering by Jamie Waddell in Wavelab 7.2.1; FLAC8 16 bit 44.1 kHz SBE Free
gd1982-03-14.149034.fob.nak700.severson.miller.clugston.x.flac1648
1982-03-14Recreation Hall, UC Davis
149034flac16/48kHz; Source Info: 1st Set: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center -3db) L/R 95 degrees, center down 20 degrees > Mixer (equal balance) > Sony D5M (30' from stage, row L, seat 8); 2nd Set: Mark Severson's Master (FOB) Audience Cassettes; 2 x Nakamichi 700 cardioids (left/right), 1 x Nakamichi 700 omni (center, -6db), L/R 80 degrees, center up 10 degrees > Mixer (equal balance) Sony D5M (30' from stage, row L, seat 8); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1982-03-14.149035.fob.nak700.severson.miller.clugston.x.flac2496
1982-03-14Recreation Hall University of California Davis
149035flac24; Source Info: 1st Set: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center -3db) L/R 95 degrees, center down 20 degrees > Mixer (equal balance) > Sony D5M (30' from stage, row L, seat 8); 2nd Set: Mark Severson's Master (FOB) Audience Cassettes; 2 x Nakamichi 700 cardioids (left/right), 1 x Nakamichi 700 omni (center, -6db), L/R 80 degrees, center up 10 degrees > Mixer (equal balance) Sony D5M (30' from stage, row L, seat 8); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
gd1982-04-02.sbd.tetzeli.clugston-fix.34846.sbeok.shnf
1982-04-02Cameron Indoor Stadium, Duke U.
34846MSC>C>DAT>CD>EAC>SHN - Seamless fix of shn id 7221 via Bill Tetzeli
gd1982-04-02.154425.beyer.m160.beyer.m88.blend.vita.miller.clugston.flac1648
1982-04-02Cameron Indoor Stadium Duke University
154425flac16/48 Source Info: Master Audience Cassettes; (2) Beyer M160 + (1) Beyer M88 blend > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX 90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1982-04-02.154426.beyer.m160.beyer.m88.blend.vita.miller.clugston.flac2496
1982-04-02Cameron Indoor Stadium Duke University
154426flac24/96 Source Info: Master Audience Cassettes; (2) Beyer M160 + (1) Beyer M88 blend > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX 90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd82-04-02.sbd.clugston.7221.sbeok.shnf
1982-04-02Cameron Indoor Stadium, Duke U
7221Master Soundboard Cassette > Cassette > DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; upgrade in circulation
gd1982-04-02.aud.nak700.110597.flac1644
1982-04-02Cameron Indoor Stadium, Duke U
110597flac16; AUD Source: Nakamichi CM-700's > Sony TC-D5. Low Gen (1st or 2nd) copy, provided by Tim Friend. Transfer: Maxell XLIIs > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2010
gd1982-04-02.132146.MAC.flac16
1982-04-02Cameron Indoor Stadium, Duke U
132146flac16; NAK deck > 2 90 minute UDXL II cassette masters, REC from centered seats behind the stage. Tascam 322 > Marantz CDR 510 > CDR > EAC > WAV > CD WAV Editor > Flac 8; Upgrade in circulation
gd1982-04-02.135561.nak300.schley.flac2448
1982-04-02Cameron Indoor Stadium, Duke U
135561flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Hitachi ME Metal C-90s, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2016
gd1982-04-02.135562.nak300.schley.flac1644
1982-04-02Cameron Indoor Stadium, Duke U
135562flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Hitachi ME Metal C-90s, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016
gd1982-04-02.nak700.wagner.miller.112822.flac16
1982-04-02Cameron Indoor Stadium, Duke U
112822flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony TC-D5M/Maxell XLIIS/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller
gd1982-04-02.sbd.129029.MrBill.flac16
1982-04-02Cameron Indoor Stadium, Duke U
129029flac16; Recording Info: SBD > MC > C > ? > ? > DAT > CDR; Transfer Info: CDR > WAV > Sound Forge 10 > TLH > FLAC
gd1982-04-03.140074.nak300.craigl.flac1644
1982-04-03The Scope
140074flac16; AUD: Nakamichi CM300/CP4 shotguns > lead deck (?) > Sony TC-D5 > Maxell XLII 90's, recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017
gd1982-04-03.150384.beyer.tompkins.flac2448
1982-04-03The Scope
150384flac24; Source: FOB Beyers mics > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2020
gd82-04-03.sennheiser.fishman.23824.sbeok.shnf
1982-04-03The Scope
23824Up Front Audience, Sennheiser 441 Microphones > Cassette Master > DAT (via Fostex D-10 Playback) > CD-R (hhb 800 Standalone) > EAC 0.9 > WAV > CDRWAV (for track recutting)>SHN (via MKWACT) via Fishman
gd82-04-03.aud.snyder.5314.sbeok.shnf
1982-04-03The Scope
5314AUD?> Bootleg CD> EAC> SHN; "liberated" by Justin Snyder
gd1982-04-03.142851.sbd.cm.miller.flac1644
1982-04-03The Scope
142851flac16; Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; this is 142815 24 -> 16 at 44.1
gd1982-04-03.sbd.miller.96069.sbeok.flac16
1982-04-03Scope
96069flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1982-04-03.142815.sbd.miller.flac2496
1982-04-03The Scope
142815flac24; Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd82-04-05.sennheiser.willy.13612.sbeok.shnf
1982-04-05The Spectrum
13612(FOB, 4th Row) Senn 441>Cm>Dat>CD; via Charlie Miller; Seeded to etree by Willy
gd1982-04-05.nak700.wagner.miller.90496.sbeok.flac16
1982-04-05The Spectrum
90496flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1982-04-05.147439.aud.flac2448
1982-04-05The Spectrum
147439flac24; Source: AUD (unknown gear) > MAC > 1st-Gen cassette via Richie & Rip. Transfer: Maxell XLII-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2019
gd82-04-06.sbd-patched.wiley.16785.sbeok.shnf
1982-04-06The Spectrum
16785Main Source: SBD(unknown lineage)>SHN(Mike Lai Seed) ; Patch Source: AUD/FOB>CM>DAT>CDR>EAC>SHN ; Remastering/Seeded by T. Wiley 4/23/03
gd1982-04-06.143370.sbd.mtx.wise.miller.clugston.mdmilhausen.flac1644
1982-04-06The Spectrum
143370flac16; Matrix: SBD -> Cassette Master -> Dat +2db added to SBD source and Jim Wise's Master (FOB) Audience Cassettes
gd82-04-06.aud.dipietro.16768.sbeok.shnf
1982-04-06The Spectrum
16768AUD/fob cm>dat>cdr>eac>shn extraction and conversion by cdipietro
gd1982-04-06.nak700.wagner.miller.90469.sbeok.flac16
1982-04-06The Spectrum
90469flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1982-04-06.sbd.miller.105237.flac16
1982-04-06The Spectrum
105237flac16;Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1982-04-06.143050.fob.nak700.wise.miller.clugston.flac1648
1982-04-06The Spectrum
143050flac16/48kHz; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Bob Wagner's Sony TC-D5M > Jim's Sony TC-D5M (Maxell UDXLII-C90)Transfer Info:Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1982-04-06.143051.fob.nak700.wise.miller.clugston.flac2496
1982-04-06The Spectrum
143051flac24; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Bob Wagner's Sony TC-D5M > Jim's Sony TC-D5M (Maxell UDXLII-C90) Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
gd1982-04-08.fob.vita.motb-0103.102213.flac16
1982-04-08Onongada County War Memorial
102213flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog Lineage: Sennheiser 421 > Sony TC-D5M > MAC Analog Sound Preservation: MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Jim Vita Transfer By: John Steinthal Mastering By: Bill Koucky
gd1982-04-08.fob.vita.motb-0103.102214.flac24
1982-04-08Onongada County War Memorial
102214flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog Lineage: Sennheiser 421 > Sony TC-D5M > MAC Analog Sound Preservation: MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Jim Vita Transfer By: John Steinthal Mastering By: Bill Koucky
gd1982-04-08.152455.nak300ad2k-prescott.holbrook.flac1644
1982-04-08Onongada County War Memorial
152455flac16/44 Source: 1st Gen AUDCA:Nakamichi 300 shotguns > Sony TC-D5M 2nd deck in line Maxell UDXLII 90's Location:10 feet behind SBD, LOC (left side of the audience/stage right) Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott & Chuck Sussman Transfer by: Kyle Holbrook
gd1982-04-08.152456.nak300ad2k-prescott.holbrook.flac2448
1982-04-08Onongada County War Memorial
152456flac24/48 Microphones: Nakamichi 300 shotguns Recorder:Sony TC-D5M 2nd deck in line Location:10 feet behind SBD, LOC (left side of the audience/stage right) This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott & Chuck Sussman Transfer by: Kyle Holbrook
gd1982-04-08.senn421.wise.vernon.8475.sbeok.shnf
1982-04-08Onondaga Auditorium
8475Jim Wise sennheiser 421 mics; via DNC Feb 2002 Vine; seeded to etree by Matt Vernon
gd82-04-08.fob-senn421.miller.14543.sbeok.shnf
1982-04-08Onongada County War Memorial
14543(FOB) Senn 421 -> Cm (sony D5/Dolby B)-> Dat -> Behringer UltraMatch SRC 2000 -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD; Dat -> CD Transfer done by Charlie Miller
gd1982-04-08.136854.m160-senn421.streeter.miller.flac24
1982-04-08Onongada County War Memorial
136854flac24; Recording Info: (2) Beyer M160's + (1) Sennheiser 421 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); Recorded By Frank Streeter; Transferred and Mastered By Charlie Miller
gd1982-04-08.137071.m160-senn421.miller.flac16
1982-04-08Onongada County War Memorial
137071flac16; Recording Info: (2) Beyer M160's + (1) Sennheiser 421 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; Recorded By Frank Streeter; Transferred and Mastered By Charlie Miller
gd1982-04-08.140785.nak300.barfield.lane.flac2496
1982-04-08Onongada County War Memorial
140785flac24; source: nak 300 (3 rows fob,lc, 7’) > tcd5m > udxlii +dolby > master > tascam 122 mkii -dolby > rosetta200 > audacity (levels, normalize, tracks, fades) > flac24/96 > xact (tags, checksums); recorded: david barfield + david lane; transferred/seeded: barfield
gd1982-04-08.nak700.dyche.103280.flac16
1982-04-08Onongada County War Memorial
103280flac16; Nak 700's > Bass Box > TCD-5M Digitized 24/48 > Sound Forge 7.0 > CD wave > Flac.16
gd1982-04-08.set2.sbd.miller.109567.flac16
1982-04-08Onongada County War Memorial
109567flac16; Set 2 Only Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1982-04-09.144605.aud.lamarre.berger.fixed.flac2444
1982-04-09Community War Memorial Auditorium
144605flac24/44.1khz; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger 2019; fixed version circulated 01/17/2019
gd1982-04-09.152457.beyer201-prescott.holbrook.flac1644
1982-04-09Community War Memorial Auditorium
152457flac16/44 Microphones: Beyer m201's in hat Recorder: Sony TCD5 no dolby Location: 40' from stacks in 100's reserved RT of SBD (about 12 feet above floor.) This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
gd1982-04-09.152458.beyer201-prescott.holbrook.flac2448
1982-04-09Community War Memorial Auditorium
152458flac24/48 Microphones: Beyer m201's in hat Recorder: Sony TCD5 no dolby Location: 40' from stacks in 100's reserved RT of SBD (about 12 feet above floor.) This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
gd1982-04-09.sbd.miller.107054.flac16
1982-04-09Community War Memorial Auditorium
107054flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1982-04-09.155210.senn421.vita.miller.clugston.flac1648
1982-04-09Community War Memorial Auditorium
155210flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLIIS 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1982-04-09.155211.senn421.vita.miller.clugston.flac2496
1982-04-09Community War Memorial Auditorium
155211flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLIIS 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd82-04-09.fobsenn441-eaton.sacks.28204.sbeok.shnf
1982-04-09Community War Memorial Auditorium
28204FOB Rob Eaton Recording Senn 441's>Nak 550>DAT>CDRs>EAC>SHN (seekable). This is the same as shn id 10918 with undocumented changes to d3t05.
gd1982-04-09.136855.m160.streeter-miller.flac24
1982-04-09Community War Memorial Auditorium
136855flac24; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); Recorded By Frank Streeter; Transferred and Mastered By Charlie Miller
gd1982-04-09.137074.m160.miller.flac16
1982-04-09Community War Memorial Auditorium
137074flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); Recorded By Frank Streeter; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; Transferred and Mastered By Charlie Miller
gd1982-04-09.senn441-eaton.sacks.10918.shnf
1982-04-09Community War Memorial Auditorium
10918Rob Eaton FOB Senn 441's>Nak 550>DAT>CDR; via Mike McCarthy; seeded to etree by Darrin Sacks
gd1982-04-09.fob.vita.motb-0098.105524.flac16
1982-04-09Community War Memorial Auditorium
105524flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog Lineage: Sennheiser 421 > Sony TC-D5M > MAC Analog Sound Preservation: MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Jim Vita Transfer By: John Steinthal Mastering By: Bill Koucky; MOTB Release: 0098 16/44.1
gd1982-04-09.nak700.dyche.103245.flac16
1982-04-09Community War Memorial Auditorium
103245flac16;Nak 700's > Bass Box> Digitized 24/48 > Sound Forge 7 > CD Wave > Flac 16 Recorded and seeded by David Dyche
gd1982-04-09.137581.nak300.craigl.flac2448
1982-04-09Community War Memorial Auditorium
137581flac24; AUD: Nakamichi CM300/CP4 shotguns > lead deck (?) > Sony TC-D5 > Maxell XLII 90's, recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2017
gd1982-04-09.137582.nak300.craigl.flac1644
1982-04-09Community War Memorial Auditorium
137582flac16; AUD: Nakamichi CM300/CP4 shotguns > lead deck (?) > Sony TC-D5 > Maxell XLII 90's, recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017
gd1982-04-09.144605.aud.lamarre.berger.flac1644
1982-04-09Community War Memorial Auditorium
gd1982-04-09.144606.aud.lamarre.berger.flac2496
1982-04-09Community War Memorial Auditorium
144606flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger 2019
gd1982-04-11.144611.aud.lamarre.berger.flac2444
1982-04-11Nassau Coliseum
144611flac24/44.1khz; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger; fixed version circulated 01/17/2019
gd1982-04-11.144612.aud.lamarre.berger.flac2496
1982-04-11Nassau Coliseum
144612flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd1982-04-11.nak300.morrone.114002.flac1644
1982-04-11Nassau Coliseum
114002flac16; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 06/2011
gd1982-04-11.137976.mtx.dusborne.flac16
1982-04-11Nassau Coliseum
137976flac16; 2 source matrix by Dusborne; Soundboard (shnid:108852), SBD -> Cassette Master -> Reel -> Dat (48k),Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.1 -> FLAC and Audience (shnid:114002), AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged
gd82-04-11.fob-senn421-wise.sacks.6959.sbefail.shnf
1982-04-11Nassau Coliseum
6959Jim Wise - (9th row - center) Senn 421's > Sony TC D5 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1) >EAC >SHN (tracking with CDWAV); encore sourced from a beyer m160 > d5 master made at the sbd; d1 tracked for 80 min; via Darrin Sacks
gd1982-04-11.nak300.morris.102037.sbeok.flac16
1982-04-11Nassau Coliseum
102037flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris
gd1982-04-11.sbd.miller.108852.flac16
1982-04-11Nassau Coliseum
108852flac16;Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1982-04-11.155626.set2.beyer.m88.vita.miller.clugston.flac1648
1982-04-11Nassau Coliseum
155626flac16/48 Source Info: Master Audience Cassettes; Beyer M88 mics > unknown deck; Jim Vita's 1st generation cassette (Maxell XLIIS 90) Transfer Info: 1st generation cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1982-04-11.155627.set2.beyer.m88.vita.miller.clugston.flac2496
1982-04-11Nassau Coliseum
155627flac24/96 Source Info: Master Audience Cassettes; Beyer M88 mics > unknown deck; Jim Vita's 1st generation cassette (Maxell XLIIS 90) Transfer Info: 1st generation cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1982-04-12.144613.aud.lamarre.berger.flac1644
1982-04-12Nassau Coliseum
144613flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd1982-04-12.144614.aud.lamarre.berger.flac2496
1982-04-12Nassau Coliseum
144614flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd82-04-12.aud.glyde.9508.sbeok.shnf
1982-04-12Nassau Coliseum
9508AUD>MC>DAT>CDR; via Paul; Seeded to etree by Glyde
gd1982-04-12.nak300.morrone.113824.flac2448
1982-04-12Nassau Coliseum
113824flac24; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 05/2011
gd1982-04-12.137410.aud.schley.flac2448
1982-04-12Nassau Coliseum
137410flac24; AUD: Unknown mics (likely Beyers) > lead deck > Sony TC-D5M > Maxell XLII's, FOB recording by Brian Schley. Transfer: Set 1 (1982 1st-gen) and Set 2 (MAC) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2016
gd1982-04-12.137411.aud.schley.flac1644
1982-04-12Nassau Coliseum
137411flac16; AUD: Unknown mics (likely Beyers) > lead deck > Sony TC-D5M > Maxell XLII's, FOB recording by Brian Schley. Transfer: Set 1 (1982 1st-gen) and Set 2 (MAC) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2016
gd1982-04-12.138011.mtx.dusborne.flac16
1982-04-12Nassau Coliseum
138011flac16; 2 source matrix by Dusborne;Soundboard (shnid:95638), Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k),Transfer Info:Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 ->FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; amd Audience (shnid:113826), AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Joe Morrone; Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644
gd1982-04-12.nak300.morrone.113826.flac1644
1982-04-12Nassau Coliseum
113826flac16; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2011
gd1982-04-12.141257.fob.beyer.m160.streeter.miller.clugston.flac1644
1982-04-12Nassau Coliseum
141257flac16; Source Info: Frank Streeter's Master FOB Audience Cassettes; Beyer M160 mics > Sony D5; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24/96)> Adobe Audition 3.0 (.wav 24/96) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1982-04-12.141258.fob.beyer.m160.streeter.miller.clugston.flac2496
1982-04-12Nassau Coliseum
141258flac24; Source Info: Frank Streeter's Master FOB Audience Cassettes; Beyer M160 mics > Sony D5; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24/96)> Adobe Audition 3.0 (.wav 24/96) > TLH flac2496
gd1982-04-12.sbd.miller.95638.sbeok.flac16
1982-04-12Nassau Veterans Memorial Coliseum
95638flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; pitch corrected version of of shn id 32014
gd1982-04-14.144617.aud.lamarre.berger.flac1644
1982-04-14Glens Falls Civic Center
144617flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd1982-04-14.137552.m160.streeter.miller.flac16
1982-04-14Glens Falls Civic Center
137552flac16; Recording Info: (FOB) Beyer M160 > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded By Frank Streeter, 24bit > 16bit with r8brain
gd1982-04-14.157599.s1.schley.flac2448
1982-04-14Glens Falls Civic Center
157599flac2448; 1st Set; AUD: Beyers M160's > (lead deck?) > Sony TC-D5 > Maxell XL-II, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2022
gd82-04-14.sbd.braverman.7629.sbeok.shnf
1982-04-14Glens Falls Civic Center
7629SBD MC>Cass>DAT>CDR; via Peter Braverman
gd1982-04-14.137550.m160.streeter.miller.flac24
1982-04-14Glens Falls Civic Center
137550flac24; Recording Info: (FOB) Beyer M160 > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded By Frank Streeter
gd82-04-14.senn-weinberg.cohen.26234.sbeok.shnf
1982-04-14Glens Falls Civic Center
26234Recording by Ohr Weinberg: 2 Sennheiser MD421's > Sony TC-D5M 10th row (sec 102 row J seat 3) 7-8' stand, Maxell MX90 cassettes with Dolby B; A>D transfer by Anne Cohen: Master Cassette > Nakamichi Dragon (Modified by Stephen Sank) with Dolby B > HHB CDR 830plus > EAC > Sound Forge 5.0 (tape flip splice) > CD Wave Editor 1.71 > WAV > SHN, or > FLAC
gd1982-04-14.dts.griesman.76504.sbeok.flac
1982-04-14Glens Falls Civic Center
76504DTS Audio 5.1; dts version: SBD - MC > Cass > DAT > CDR and AUD - MAC > CD > WAV > SHN - dts mixed by pls
gd1982-04-14.mtx.griesman.30206.sbeok.flac16
1982-04-14Glens Falls Civic Center
30206flac16; Matrix of Soundboard and audience recording by Ohr Weinberg via PLS.
gd1982-04-14.155628.senn421.vita.miller.clugston.flac1648
1982-04-14Glens Falls Civic Center
155628flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1982-04-14.155629.senn421.vita.miller.clugston.flac2496
1982-04-14Glens Falls Civic Center
155629flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1982-04-14.144618.aud.lamarre.berger.flac2496
1982-04-14Glens Falls Civic Center
144618flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd1982-04-15.144633.aud.lamarre.berger.flac24
1982-04-15Providence Civic Center
144633flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger 2019
gd1982-04-15.144634.aud.lamarre.berger.flac16
1982-04-15Providence Civic Center
144634flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger 2019
gd82-04-15.nak700.glyde.11930.sbeok.shnf
1982-04-15Providence Civic Center
11930AUD(NAK 700's)>MC>DAT>CD; via Paul; Seeded to etree by Glyde. Taped by Dean Grabski
gd1982-04-15.155618.senn421.vita.miller.clugston.flac1648
1982-04-15Providence Civic Center
155618flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1982-04-15.155619.senn421.vita.miller.clugston.flac2496
1982-04-15Providence Civic Center
155619flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII-S) Transfer Info: Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1982-04-17.141100.set2.sbd.pcm.dalton.miller.clugston.flac1644
1982-04-17Hartford Civic Center
141100flac16; Set 2 Source Info: Vault Master Soundboard PCM > PCM (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1982-04-17.151688.mtx.dusborne.flac16
1982-04-17Hartford Civic Center
151688flac16; 2 Source Matrix by Dusborne; Soundboard(shnid:146324)Recording Info: SBD > PCM Master (Sony PCM-F1/Maxell HG-T120 VHS),Transfer Info:PCM Master (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro >Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X4 Suite > FLAC/16,All Transfers and Mastering by Charlie Miller;Audience(shnid:137573)Recording Info:(FOB) Beyer M160 > Cassette Master (Sony TC-D5M/TDK MA-C90)Transfer Info:Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 All Transfers and Mastering By Charlie Miller
gd1982-04-17.aud.dennisc.andrewf.76142.sbeok.flac16
1982-04-17Hartford Civic Center
76142flac16; AUD: Unknown mics (possibly Shure) > Nakamichi 550 (likely) tape deck > Maxell UDXL-II 90's, with Dolby off. Set up in Section 114, Row R, Seat 9 (Brent's side). Taped by Dennis C. (See note below.) Transfer: MAC > Sony TC-D5M (Dolby off) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-Fix, Checksums, FLAC compression) > FLAC by Andrew F.
gd1982-04-17.137573.m160.streeter.miller.flac24
1982-04-17Hartford Civic Center
137573flac24; Recording Info: (FOB) Beyer M160 > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded By Frank Streeter
gd1982-04-17.137574.m160.streeter.miller.flac16
1982-04-17Hartford Civic Center
137574flac16; Recording Info: (FOB) Beyer M160 > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded By Frank Streeter; Source ID 137573 24bit > 16bit with r8brain
gd1982-04-17.144637.aud.lamarre.berger.flac24
1982-04-17Hartford Civic Center
144637flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd1982-04-17.144638.aud.lamarre.berger.flac16
1982-04-17Hartford Civic Center
144638flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd1982-04-17.146324.dsbd.miller.flac1644
1982-04-17Hartford Civic Center
146324flac16; Recording Info: SBD > PCM Master (Sony PCM-F1/Maxell HG-T120 VHS); Transfer Info: PCM Master (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
gd82-04-17.sbd.bertha-ashley.23933.sbeok.shnf
1982-04-17Hartford Civic Center
23933Bertha Remaster of unknown Soundboard source (*)SBD>>???>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN
gd82-04-17.set2-sbd.nayfield.332.sbeok.shnf
1982-04-17Hartford Civic Center
332set II; SBD> PCM> C> DAT> ZA2 downsampling> CDR; conversion: second half of the set was normalized because the levels were lower; known flaws: some mic crackle in shakedown, and a few clicks and pops- but does not have the bad diginoise in Sailor et al that's present on another widely circ copy; room for filler on each disc; via R. Nayfield
gd1982-04-17.nak300.morrone.115651.flac1644
1982-04-17Hartford Civic Center
115651flac16; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 08/2011
gd82-04-18.nak700-cohen.wise.14487.sbeok.shnf
1982-04-18Hartford Civic Center
14487FOB Nak 700's taped by Mark Cohen, MAC to CDR transfer by Jim Wise using Nak Dragon > HHB cdr 800 > cdr, EAC > wav > shn by Don Chase
gd1982-04-18.beyerm160.unknown.andrewf.82487.sbeok.flac16
1982-04-18Hartford Civic Center
82487flac16; AUD Source: Beyers M160's > Sony TC-D5, near the Sbd. Transfer: MAC > CDR from Jim Wise. CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC
gd1982-04-18.nak700.glassberg.78984.sbeok.flac16
1982-04-18Hartford Civic Center
78984flac16; Recording by Barry Glassberg FOB-Nak 700's > Sony D5. Transfer:Aud > mastercassette > DAT > CDR > EAC > Flac-level8
gd1982-04-18.144652.aud.lamarre.berger.flac24
1982-04-18Hartford Civic Center
144652flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd1982-04-18.144653.aud.lamarre.berger.flac16
1982-04-18Hartford Civic Center
144653flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd82-04-18.sbd.miller.18116.sbeok.shnf
1982-04-18Hartford Civic Center
18116SBD -> Cm -> PCM -> Dat(48k) via Charlie Miller
gd1982-04-18.nak300.morris.102038.sbeok.flac16
1982-04-18Hartford Civic Center
102038flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris
gd1982-04-18.mtx.seamons.107090.flac16
1982-04-18Hartford Civic Center
107090flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
gd1982-04-18.155702.senn421.vita.miller.clugston.flac1648
1982-04-18Hartford Civic Center
155702flac16/48 Source Info: Jim Vita's Master Audience Cassettes ; Sennheiser 421 mics > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2020 > TLH flac2496
gd1982-04-18.155703.senn421.vita.miller.clugston.flac2496
1982-04-18Hartford Civic Center
155703flac24/96 Source Info: Jim Vita's Master Audience Cassettes ; Sennheiser 421 mics > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2020 > TLH flac2496
gd1982-04-19.dts.tobin.89354.sbeok.flac16
1982-04-19Baltimore Civic Center
89354flac16; DTS Audio 5.1; SBD (shn id 89313) MAC > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV + AUD (shn id 19420) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD - matrix mixing by Kevin Tobin
gd1982-04-19.nak700.martin.patched.89371.sbeok.flac16
1982-04-19Baltimore Civic Center
89371flac16; MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) - original shnid 19420 - audio patches by Kevin Tobin
gd1982-04-19.mtx.tobin.89389.flac24
1982-04-19Baltimore Civic Center
89389flac24; Matrix 2 Source Mix - SBD (shn id 89313) MAC > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV + AUD (shn id 19420) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD - matrix mixing by Kevin Tobin
gd1982-04-19.sbd.tobin.89384.flac24
1982-04-19Baltimore Civic Center
89384flac24; SBD Master Cassette > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV
gd1982-04-19.mtx.tobin.89314.sbeok.flac16
1982-04-19Baltimore Civic Center
89314flac16; Matrix 2 Source Mix - SBD (shn id 89313) MAC > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV + AUD (shn id 19420) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD - matrix mixing by Kevin Tobin
gd1982-04-19.sbd.tobin.89313.sbeok.flac16
1982-04-19Baltimore Civic Center
89313flac16;SBD Master Cassette > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV
gd1982-04-19.sbd.clugston.28291.sbeok.shnf
1982-04-19Baltimore Civic Center
28291same as shn id 2316 with an undocumented change to d2t05; Master Soundboard Cassette > Cassette > DAT > CDR EAC'ed/SHN'ed by Scott Clugston
gd82-04-19.aud-martin.warner.19420.sbeok.shnf
1982-04-19Baltimore Civic Center
19420MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) ; upgrade in circulation
gd1982-04-19.144567.sbd.healy.streeter.smith.miller.clugston.flac1648
1982-04-19Baltimore Civic Center
144567flac16/48kHz; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1982-04-19.144568.sbd.healy.streeter.smith.miller.clugston.flac2496
1982-04-19Baltimore Civic Center
144568flac24; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1982-04-19.sbd.clugston.2316.shnf
1982-04-19Baltimore Civic Center
2316Master Soundboard Cassette > Cassette > DAT > CDR; EAC'ed/SHN'ed by Scott Clugston; via David Warren to abgd
gd1982-04-19.155354.ohr-ecm23f-tcd5m.flac16
1982-04-19Baltimore Civic Center
155354Master Audience Cassettes - recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Sony TC-D5M Cassette Deck (1st & 2nd Sets: Maxell XLII-S 90 Cassettes), Dolby B Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR830Plus > CD Ohr : CD > EAC > WAV > FLAC
gd1982-05-21.sbd.miller.96310.sbeok.flac16
1982-05-21Greek Theatre - University of California
96310flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation.
gd1982-05-21.nak300.Hoey.122438.flac24
1982-05-21Greek Theatre, U. Of California
122438flac24; Recorded. transferred and edited by N. Hoey; 2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(TDK MA C-90); Nakamichi Dragon (Dolby B decoded) > Apogee Mini Me (A/D 96/24 [soft limiting OFF] ) > OSX Peak 7 (editing) > xACT 1st 3 songs not recorded and are missing on this source
gd1982-05-21.132100.mtx.dusborne.flac16
1982-05-21Greek Theatre, U. Of California
132100flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:96330) SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; CD -> Samplitude Professional v10.1 -> FLAC and Audience (shnid:109334) (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90); Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/16
gd1982-05-21.149236.nak700.severson.miller.clugston.flac1648
1982-05-21Greek Theatre, University Of California
149236flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M (50' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1982-05-21.149237.nak700.severson.miller.clugston.flac2496
1982-05-21Greek Theatre, University Of California
149237flac24; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M (50' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
gd1982-05-21.nak700.wagner.miller.109334.flac16
1982-05-21Greek Theatre, U. Of California
109334flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/16; Recorded By Bob Wagner ; All Transfers and Mastering By Charlie Miller
gd1982-05-21.156060.senn421.vita.miller.clugston.flac1648
1982-05-21Greek Theatre, University Of California
156060flac1648 Source Info: Master Audience Cassettes; Sennheiser 421 mics > Unknown deck > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1982-05-21.156061.senn421.vita.miller.clugston.flac2496
1982-05-21Greek Theatre, University Of California
156061flac2496 Source Info: Master Audience Cassettes; Sennheiser 421 mics > Unknown deck > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1982-05-21.156363.s1.tompkins.flac2448
1982-05-21Greek Theatre, University Of California
156363flac2448; 1st Set; Source: Sennheiser MD-421's > Sony TC-D5M > Maxell-MX. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022
gd82-05-21.sbd.gorinsky.5041.sbeok.shnf
1982-05-21Greek Theatre, U. Of California
5041sbd master cassette > DAT > CDR > EAC > SHN; via Gerald Gorinsky with thanks to Kevin Gills, Mark Perini; see info file for flaw notes
gd1982-05-21.sbd.fix.miller.96330.sbeok.flac16
1982-05-21Greek Theatre - University of California
96330flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Pro fessional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes a flaw in the previous source.
gd1982-05-22.mtx.seamons.101450.sbeok.flac16
1982-05-22Greek Theatre, U. Of California
101450flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
gd1982-05-22.152509.aud-unknown-complete-onemoreshot.flacf
1982-05-22Greek Theatre, University Of California
152509flac16/44 Unknown FOB Audience source > ? > CD > EAC > FLAC
gd1982-05-22.fob.unknown.81059.sbeok.flac16
1982-05-22Greek Theatre - University of California
81059flac16; Unknown FOB Audience source > ? > CD > EAC > FLAC
gd1982-05-22.sbd-set2.mtownsend.gems.82532.sbeok.flac16
1982-05-22Greek Theatre - University of California
82532flac16; Set 2 only - SBD -> MSC -> PCM -> DAT(x2) Transfer: Panasonic SV-3800 -> Optical out -> FW 410. Recorded in Samplitude v.8.01 (24/48) Re-Mastered: Wavelab v.5. -> CD Wave -> FlacFrontend Level 8 -> check sums via. TLH via M.Townshend/GEMS
gd1982-05-22.nak700.wagner.miller.109335.flac16
1982-05-22Greek Theatre, Univ. of California
109335flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller
gd1982-05-22.nak700.wagner.miller.109336.flac24
1982-05-22Greek Theatre, Univ. of California
109336flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/24; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller
gd82-05-22.sbd.gorinsky.5215.sbeok.shnf
1982-05-22Greek Theatre, U. Of California
5215soundboard -> master cassette > DAT > CDR > CDR > EAC > SHN; EAC, SHN, etreed by Gerald Gorinsky, with thanks to Kevin Gills and Mark Perini
gd1982-05-22.nak300.unknown.101328.sbefail.flac16
1982-05-22Greek Theatre, U. Of California
101328flac16; 2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(FOB on stand)(Maxell UDXL-IIS 90) Playback, Editing, Preparation info: Nakamichi Dragon (Dolby B decoded) > Panasonic SV 3700 DAT (A/D conversion 44.1)(HP data cartridge) > Apple G4 (RME interface)(Peak 5 editing) > Xact. Recorded, transferred and mastering by N. Hoey
gd1982-05-22.156108.2nd.set.beyer.m160.vita.miller.clugston.flac1648
1982-05-22Greek Theatre, University Of California
156108flac1648 Set 2 only. Source Info: Master Audience Cassettes; Beyer M160 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1982-05-22.156109.2nd.set.beyer.m160.vita.miller.clugston.flac2496
1982-05-22Greek Theatre, University Of California
156109flac2496 Set 2 only. Source Info: Master Audience Cassettes; Beyer M160 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1982-05-22.sbd.miller.96331.sbeok.flac16
1982-05-22Greek Theatre - University of California
96331flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1982-05-23.mtx.seamons.102124.sbeok.flac16
1982-05-23Greek Theatre, U. Of California
102124flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
gd82-05-23.sbd.gorinsky.5058.sbeok.shnf
1982-05-23Greek Theatre, U. Of California
5058sbd -> Master cassette > DAT > CDR> CDR > EAC (secure mode) > SHN; EAC, SHN , upload by Gerald Gorinsky, with thanks to Kevin Gills, Mark Perini
gd1982-05-23.nak300.unknown.101955.sbefail.flac16
1982-05-23Greek Theatre, U. Of California
101955flac16; 2 Nakamichi CM 300 mics > SONY TC D-5m(Dolby B)(TDK AD-X 90 set 1)(Maxell UDXLII-S, MX 90 set 2) Plybck: Nakamichi Dragon (Dolby B decoded) > Apple G4(RME DIGI PAD 96 A/D conversion 44.1k)(PEAK editing) > Xact
gd1982-05-23.135249.aud.schley.flac1644
1982-05-23Greek Theatre, U. of California
135249flac16; AUD: Unknown mics (possibly handheld Naks) > unknown lead deck > Sony TC-D5M > Maxell MX-90's, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2016
gd1982-05-23.156110.senn421.vita.miller.clugston.flac1648
1982-05-23Greek Theatre, University Of California
156110flac1648 Source Info: Master Audience Cassettes; Sennheiser 421 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1982-05-23.156111.senn421.vita.miller.clugston.flac2496
1982-05-23Greek Theatre, University Of California
156111flac2496 Source Info: Master Audience Cassettes; Sennheiser 421 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1982-05-23.sbd.miller.96332.sbeok.flac16
1982-05-23Greek Theatre - University of California
96332flac16;Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1982-05-23.nak700.wagner.miller.109969.flac16
1982-05-23Greek Theatre, Univ. of California
109969flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller
gd1982-05-28.130200.aud.tobin.flac16
1982-05-28Moscone Convention Center
130200flac16; (original shnid = 87547) 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8) - pitch correction and patches by Kevin Tobin
gd1982-05-28.dts.tobin.130202.flac16
1982-05-28Moscone Convention Center
130202DTS-Audio-CD 5.1 Mix; SBD (shnid=11362) Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner + AUD1 (shn id 87547) 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8) + AUD2 (shnid=10974) Partial Set 1, complete Set 2; Source: 1st gen analog Nakamichi 300 shotguns > Sony D-5 Transfer: Nakamichi DR-3 > Apogee AD-1000 > EGO-SYS WT2496 (soundcard) > Soundforge 4.5 > CDWAVE > Mkwact; Seeded to etree by dgrabski@efn.org + VID (no shn id) video used for patching and time correction - dts mixing by Kevin Tobin
gd1982-05-28.mtx.tobin.130201.flac16
1982-05-28Moscone Convention Center
130201flac16; Matrix 4 Source Mix - SBD (shnid=11362) Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner + AUD1 (shn id 87547) 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8) + AUD2 (shnid=10974) Partial Set 1, complete Set 2; Source: 1st gen analog Nakamichi 300 shotguns > Sony D-5 Transfer: Nakamichi DR-3 > Apogee AD-1000 > EGO-SYS WT2496 (soundcard) > Soundforge 4.5 > CDWAVE > Mkwact; Seeded to etree by dgrabski@efn.org + VID (no shn id) video used for patching and time correction - matrix mixing by Kevin Tobin
gd1982-05-28.sbd.tobin.130199.flac16
1982-05-28Moscone Convention Center
130199flac16; (original shnid = 11362) SBD:Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner - pitch correction and patches by Kevin Tobin
gd1982-05-28.136997.nak300.schley.flac2448
1982-05-28Moscone Convention Center
136997flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Sony UCXS-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2016
gd1982-05-28.136998.nak300.schley.flac1644
1982-05-28Moscone Convention Center
136998flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Sony UCXS-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2016
gd82-05-28.nak300.dgrabski.10974.sbefail.shnf
1982-05-28Moscone Convention Center
10974Partial Set 1, complete Set 2; Source: 1st gen analog Nakamichi 300 shotguns > Sony D-5 Transfer: Nakamichi DR-3 > Apogee AD-1000 > EGO-SYS WT2496 (soundcard) > Soundforge 4.5 > CDWAVE > Mkwact; Seeded to etree by dgrabski@efn.org
gd82-05-28.sbd.skinner.11362.sbeok.shnf
1982-05-28Moscone Convention Center
11362SBD:Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner
gd1982-05-28.senn441.unknown.87547.sbeok.flac16
1982-05-28Moscone Convention Center
87547flac16; 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8).
gd1982-05-28.sbd.latvala-lee-smith.131809.flac24
1982-05-28Moscone Convention Center
131809flac24; SBD: It's from a Pat Lee reel, Dick Latvala gave it to him. Maybe MC>R @3 3/4ips?? Maybe one more gen. Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered June 2014 by Matt Smith
gd1982-07-17.152880.beyers.tompkins.flac2448
1982-07-17Ventura County Fairgrounds
152880flac2448; Source: FOB Beyers mics > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021
gd1982-07-17.139532.FOB.Senn.Wise.Gastwirt.Miller.Noel.t-flac16
1982-07-17Ventura County Fairgrounds
139532flac16/48kHz; Jim Wise FOB recording: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) > DAT; Charlie Miller transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/48; Checksum & tags created in xACT
gd82-07-17.sennheiser.willy.8483.sbeok.shnf
1982-07-17Ventura County Fairgrounds
8483Senn 421's>MC>DAT>CDR; Believed to be Jim Wise's recording; Seeded to etree by Willy
gd1982-07-17.nak700.Anon-Severson-Poris.98609.flac16
1982-07-17Ventura County Fairgrounds
98609flac16; 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) 25 foot back, Dead Center > -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D5 > MAC (Dolby B ) > Nak DR-1 > HD-P2 > 24/96 Wave > Wavelab 5 > UAD Plugs > r8brain Pro > izotope ozone mbit + > 16/44.1 Wave > Wavelab (tracking) > TLH (flac lvl8 )
gd1982-07-17.fob.senn421.wise.miller.102494.flac16
1982-07-17Ventura County Fairgrounds
102494flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
gd1982-07-17.fob.nak300.ho.bowen-foster.102172.flac
1982-07-17Ventura County Fairgrounds
102172flac16; Source: (FOB) Nakamichi CM-300s w/CP-4 Shotguns -> Sony WM-D6 -> WM-D6(M-Cass) Lineage: Cass/1 -> HHb CDR 800 PRO via analog i/o Taped by: Jim Ho Transferred by: Jeff Bowen CDR>EAC>TLH(6)>FLAC: Brad Foster (10/25/09)
gd1982-07-18.fob.unknown.vansant.fixed-100203.100727.flac16
1982-07-18Ventura County Fairgrounds
100727flac16; Recording and transfer info: FOB audience recording, taper and equipment unknown Master cassette -> metal cassette x 2 -> CD-R (Sony TC-K717ES -> Marantz CDR500) -> Audacity -> AIFF -> FLAC Pitch adjusted - 1% to match patch source Transferred and mastered by Tom Van Sant; this is a fixed version of source ID 100203
gd82-07-18.fob-senn441-weinberg.unknown.17030.sbeok.shnf
1982-07-18Ventura County Fairgrounds
17030Recording by Ohr Weinberg, FOB w/ two Sennheiser MD-441's (8 1/2' Stand) > Sony TC-D5M (Maxell MX-90 Cassettes w/ Dolby B). A->D (Ohr): Master Cassette > Nakamichi Dragon > HHB CDR 830 Plus > EAC -> CD Wave > Drums Tape Flip Spliced w/ Soundforge 5.0 > MKW ACT > SHN
gd82-07-18.sennheiser.willy.8484.sbeok.shnf
1982-07-18Ventura County Fairgrounds
8484Senn 421's>MC>DAT>CDR; Believed to be Jim Wise recordings; Seeded to etree by Willy
gd1982-07-18.fob.senn421-m160.wise.miller.102501.flac16
1982-07-18Ventura County Fairgrounds
102501flac16; Recording Info: (FOB) (2) Sennheiser 421 + (1) Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
gd1982-07-18.fob.unknown.vansant.100203.flac16
1982-07-18Ventura County Fairgrounds
100203flac16; Recording and transfer info: FOB audience recording, taper and equipment unknown - may have been Dan Healy Master cassette -> metal cassette x 2 -> CD-R (Sony K717ES -> Marantz CDR500) -> Audacity -> FLAC; Pitch adjusted - 1% to match patch source. Transferred and mastered by Tom Van Sant, July 2009; fixed version now in circulation
gd1982-07-18.nak700.Anon-Poris-Severson.98604.flac16
1982-07-18Ventura County Fairgrounds
98604flac16; Source: aud > Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) > -15 db pads > 3 mic mixer Preamp > Patchbay > Sony D5 > MAC (Dolby B) taping position: 25 foot back, Dead Center Lineage: mac > Nak DR-1 > HD-P2 > 24/96 Wave > Adobe Audition > Wavelab (with Izotope Ozone 4 and Algorithmix Pro) > iZotope RX Advanced > 16/44.1 wave > CD Wave > TLH > flac16
gd1982-07-18.146889.FOB.NAK.Anon.Weber-Small.Donaldson.Ammons.Reutlehuber.Noel.t-flac16
1982-07-18Ventura County Fairgrounds
146889flac16; 3 Nakamichi 700s (DBX II) > Master Cassette > PCM (2); Bill Reutelhuber transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Wav 16/44; Edited & Mastered by Joe Noel: Wav > Audacity > Flac 16/44
gd1982-07-18.fob.nak300.ho.bowen-foster.102176.flac
1982-07-18Ventura County Fairgrounds
102176flac16; Source: (FOB) Nakamichi CM-300s w/CP-4 Shotguns -> Sony WM-D6 -> WM-D6(M-Cass) Lineage: Cass/1 -> HHb CDR 800 PRO via analog i/o Taped by: Jim Ho
gd1982-07-25.142278.Severson.WeberSmall.Donaldson.Ammons.Noel.t-flac1644
1982-07-25Compton Terrace Amphitheatre
142278flac16; Marc Severson & Anonymous Recording (FOB): Nakamichi 700s (DBX II) > Master Cassette > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Wav 16/44
gd1982-07-25.156344.senn421.vita.miller.clugston.flac1648
1982-07-25Compton Terrace Amphitheatre
156344flac1648 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1982-07-25.156345.senn421.vita.miller.clugston.flac2496
1982-07-25Compton Terrace Amphitheatre
156345flac2496 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
gd1982-07-25.senn421.vita.minches.80279.sbeok.flac16
1982-07-25Compton Terrace Amphitheatre
80279flac16; Recording by Jim Vita: 2 Sennheiser 421s> Sony D-5 (TDK MA-R) Transfer: Master cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC Transfer and FLAC encoding by David Minches
gd1982-07-25.138608.beyerm201.holbrook.flac1644
1982-07-25Compton Terrace Amphitheatre
138608flac16 44 khz Source: Master Audience Recording: Beyer M 201c Location: 150 feet from stage|40 ft LOC (on axis with LT stack) Lineage - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Transfer: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-7k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
gd1982-07-25.138609.beyerm201.holbrook.flac2448
1982-07-25Compton Terrace Amphitheatre
138609flac24 48khz Source: Master Audience Recording: Beyer M 201c Location: 150 feet from stage|40 ft LOC (on axis with LT stack) Lineage - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Transfer: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-7k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
gd1982-07-25.156387.gardner.suraci.nak300.flac24
1982-07-25Compton Terrace Amphitheatre
156387flac2448; Nakamichi CM304>Sony TCD-5M (Maxell XLllS) > FOB, Stand at 6 feet Taper: >Michael Gardner, edited and uploaded by Tony Suraci
gd1982-07-25.156388.gardner.suraci.nak300.flac16
1982-07-25Compton Terrace Amphitheatre
156388flac16; Nakamichi CM304>Sony TCD-5M (Maxell XLllS) > FOB, Stand at 6 feet Taper: >Michael Gardner, edited and uploaded by Tony Suraci
gd82-07-25.fob.18481.sbeok.shnf
1982-07-25Compton Terrace Amphitheatre
18481Lineage: AUD>?>DAT>CD>EAC>SHN>WAV>CE2K>CDWAVE>SHNTOOL>mkwACT. Source possibly Jim Wise FOB. Editing/Tracking/Seeding by JBGoode & MattMan.
gd1982-07-25.fob.senn421.wise.miller.102502.flac16
1982-07-25Compton Terrace Amphitheatre
102502flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
gd1982-07-25.156497.s2.beyer.tompkins.flac2448
1982-07-25Compton Terrace Amphitheatre
156497flac2448; 2nd set; Source: BeyerDynamic mics > Sony TC-D5M > TDK MA-90. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022
gd1982-07-25.137191.nak300.schley.flac2448
1982-07-25Compton Terrace Amphitheatre
137191flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > TDK-MA (Set 1), Maxell-MX (Set 2), FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2016
gd1982-07-25.137192.nak300.schley.flac1644
1982-07-25Compton Terrace Amphitheatre
137192flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > TDK-MA (Set 1), Maxell-MX (Set 2), FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016
gd1982-07-27.fob.senn421.wise.miller.102570.flac16
1982-07-27Red Rocks Ampitheatre
102570flac16;Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
gd1982-07-27.134383.BeyerM160-Senn421.Streeter.Sturtevant.miller.flac16
1982-07-27Red Rocks Amphitheatre
134383flac16; Recording Info: (FOB) (2)Beyer M160 + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller
gd1982-07-27.134384.BeyerM160-Senn421.Streeter.Sturtevant.miller.flac24bit
1982-07-27Red Rocks Amphitheatre
134384flac24; Recording Info: (FOB) (2)Beyer M160 + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller
gd1982-07-27.138610.beyerm201.holbrook.flac1644
1982-07-27Red Rocks Amphitheatre
138610flac16 44.1khz Source Audience Recording: Beyer M 201c Location: 75 feet from stage|30' LOC Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
gd1982-07-27.138611.holbrook.beyerm201.flac2448
1982-07-27Red Rocks Amphitheatre
138611flac24 48khz Source Audience Recording: Beyer M 201c Location: 75 feet from stage|30' LOC Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
gd1982-07-27.142566.Anon.Severson.Weber-Small.Donaldson.Ammons.Noel.t-flac1644
1982-07-27Red Rocks Amphitheatre
142566flac16; Marc Severson & Anonymous Recording (FOB): Nakamichi 700s > DBX box II > Master Cassette > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Wav 16/44
gd1982-07-27.156434.beyer.m88.vita.miller.clugston.flac1648
1982-07-27Red Rocks Amphitheatre
156434flac1648 Source Info: Master Audience Cassettes; Beyer M88 mics > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX-90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
gd1982-07-27.156435.beyer.m88.vita.miller.clugston.flac2496
1982-07-27Red Rocks Amphitheatre
156435flac2496 Source Info: Master Audience Cassettes; Beyer M88 mics > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX-90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
gd82-07-27.fob-senn421.wise.4705.sbefail.shnf
1982-07-27Red Rocks Amphitheatre
4705Recording by Jim Wise FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression and Upload by Mike "dankstar" Parrillo; note crossfade applied on Drumz tape flip
gd1982-07-27.mtx.sirmick.109780.sbeok.flac16
1982-07-27Red Rocks Ampitheatre
109780flac16; Matrix 60% soundboard/40% audience; sources: 1 - SBD>Cass/1>DAT>HD-P2>Soundforge 6.0>Flac Frontend>FLAC (shnid 78746) Tranfer by Jake Clemens 2 - (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) (shnid 102570) Transfers and Mastering By Charlie Miller
gd1982-07-27.sbd.clemens.78746.sbeok.flac16
1982-07-27Red Rocks Amphitheatre
78746flac16; Source: SBD>Cass/1>DAT>HD-P2>Soundforge 6.0>Flac Frontend>FLAC Tranfer by: Jake Clemens
gd1982-07-27.141510.sbd.pcm.streeter.dalton.miller.clugston.flac1644
1982-07-27Red Rocks Amphitheatre
141510flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1982-07-27.naks.mason.129411.flac16
1982-07-27Red Rocks Ampitheatre
129411flac16 ; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes; Senn 441's>Sony D5>Mason's Nak 550: Transferred on Mason's restored Nak550 properly
gd1982-07-28.fob.senn421.wise.miller.102571.flac16
1982-07-28Red Rocks Ampitheatre
102571flac16;Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
gd1982-07-28.naks.mason.129707.flac16
1982-07-28Red Rocks Ampitheatre
129707flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on crome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak550
gd1982-07-28.138612.beyerm201.holbrook.flac1644
1982-07-28Red Rocks Amphitheatre
138612flac16 44.1khz Source Audience Recording: Beyer M 201c Location: 50 feet from stage|DFC Lineage FOB - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II 90, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
gd1982-07-28.138613.beyerm201.holbrook.flac2448
1982-07-28Red Rocks Amphitheatre
138613flac24 48khz Source Audience Recording: Beyer M 201c Location: 50 feet from stage|DFC Lineage FOB - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II 90, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
gd1982-07-28.142567.Anon.Severson.Weber-Small.Donaldson.Ammons.Noel.t-flac1644
1982-07-28Red Rocks Amphitheatre
142567flac16; Marc Severson & Anonymous Recording (FOB): Nakamichi 700s > DBX box II > Master Cassette > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Wav 16/44
gd82-07-28.fob-senn421.wise.4980.sbefail.shnf
1982-07-28Red Rocks Amphitheatre
4980FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression & Upload by Mike "dankstar" Parrillo; note another version circulates with some different md5s
gd1982-07-28.sbd.browning-feinberg.32707.sbeok.flac16
1982-07-28Red Rocks Amphitheatre
32707flac16; Source: Soundboard of unknown lineage > ? > Cassette. Transfer: Cassettes > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-Fix, Checksums, and FLAC Compression) > FLAC
gd1982-07-29.fob.senn421.wise.miller.102569.flac16
1982-07-29Red Rocks Ampitheatre
102569flac16; Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
gd82-07-29.fob-senn421.wise.4981.sbeok.shnf
1982-07-29Red Rocks Amphitheatre
4981FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression & Upload by Mike "dankstar" Parrillo; ; note another version circulates with some different md5s
gd1982-07-29.naks.mason.129722.flac16
1982-07-29Red Rocks Ampitheatre
129722flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak550
gd1982-07-29.138614.beyerm201.holbrook.flac1644
1982-07-29Red Rocks Amphitheatre
138614flac16 44.1khz Source Audience Recording: Beyer M 201c Location: 110 feet from stage|DFC (1st row behind soundboard) Lineage: Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 All but Minglewood: equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost. set 2 equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
gd1982-07-29.138615.beyerm201.holbrook.flac2428
1982-07-29Red Rocks Amphitheatre
138615flac24 48khz Source Audience Recording: Beyer M 201c Location: 110 feet from stage|DFC (1st row behind soundboard) Lineage: Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 All but Minglewood: equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost. set 2 equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
gd1982-07-29.142568.Anon.Severson.Weber-Small.Donaldson.Ammons.Noel.t-flac1644
1982-07-29Red Rocks Amphitheatre
142568flac16; Marc Severson & Anonymous Recording (FOB): Nakamichi 700s > DBX box II > Master Cassette > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Flac 16/44
gd1982-07-29.156430.beyer.tompkins.flac2448
1982-07-29Red Rocks Amphitheatre
156430flac2448; Source: BeyerDynamic mics > Sony TC-D5M > TDK MA-90s. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022
gd1982-07-29.nak300.morris.102039.sbeok.flac16
1982-07-29Red Rocks Ampitheatre
102039flac16; Nakamichi CM-300 shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris
gd1982-07-29.135524.aud.lamarre.berger.flac16
1982-07-29Red Rocks Amphitheatre
135524flac16; source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell udxl-II90, mx90, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> 16/44.1 > xACT flac; transferred and seeded by Rob Berger
gd1982-07-29.135525.aud.lamarre.berger.flac24
1982-07-29Red Rocks Amphitheatre
135525flac24; source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell udxl-II90, mx90, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
gd1982-07-29.135532.BeyerM160-Senn421.streeter-miller.flac24
1982-07-29Red Rocks Amphitheatre
135532flac24; Recording Info: (FOB) (2)Beyer M160's + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller
gd1982-07-29.135533.BeyerM160-Senn421.streeter-miller.flac16
1982-07-29Red Rocks Amphitheatre
135533flac16; Recording Info: (FOB) (2)Beyer M160's + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller
gd1982-07-31.158062.beyer.m88.vita.miller.clugston.flac1648
1982-07-31Manor Downs
158062flac1648 Source Info: Master Audience Cassettes; Beyer M88 mics > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX-90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
gd1982-07-31.158063.beyer.m88.vita.miller.clugston.flac2496
1982-07-31Manor Downs
158063flac2496 Source Info: Master Audience Cassettes; Beyer M88 mics > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX-90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
gd82-07-31.sbd.martinson.3419.sbeok.shnf
1982-07-31Manor Downs
3419Soundboard> Master Cassette> Cassette> Dat> CDR> EAC> SHN; DAE (EAC) + SHN Encoding by Jeff M.; upgrade in circulation
gd1982-07-31.mtx.chappell.sb11.30625.sbeok.flac16
1982-07-31Manor Downs
30625flac16; SBD/AUD matrix - Sick Bits Vol. 11 (edited/mixed from 2 previously circulating sources: SBD - shnID=3415, AUD - shnID=19017) - prepared by Chris Chappell
gd1982-07-31.138616.beyerm201.holbrook.flac1644
1982-07-31Manor Downs
138616flac16 44.1khz Source Audience Recording: Beyer M 201c Location: 85 feet from stage|DFC (15 feet in front of soundboard) Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
gd1982-07-31.138617.beyerm201.holbrook.flac2448
1982-07-31Manor Downs
138617flac24 48khz Source Audience Recording: Beyer M 201c Location: 85 feet from stage|DFC (15 feet in front of soundboard) Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
gd1982-07-31.156439.gardner.suraci.nak300.flac24
1982-07-31Manor Downs
156439Flac24
Nakamichi CM304>Sony TCD-5M (Maxell XLllS), FOB, Stand at 6 feet*
Nakamichi Cassette Deck 1 (manual azimuth adjust)>Sound Devices Mix Pre 6 @24/48
SD card>Adobe Audition 3.0>CDwav>TLH>flac24
Taper: >Michael Gardner, edited and uploaded by Tony Suraci

http://bt.etree.org/details.php?torrentId=615322
gd1982-07-31.156440.gardner.suraci.nak300.flac16
1982-07-31Manor Downs
156440Flac16
Nakamichi CM304>Sony TCD-5M (Maxell XLllS), FOB, Stand at 6 feet*
Nakamichi Cassette Deck 1 (manual azimuth adjust)>Sound Devices Mix Pre 6 @24/48
SD card>Adobe Audition 3.0>CDwav>TLH>flac16
Taper: >Michael Gardner, edited and uploaded by Tony Suraci

http://bt.etree.org/details.php?torrentId=615323
gd82-07-31.aud-nakcm700.martin.warner.19017.sbeok.shnf
1982-07-31Manor Downs
19017MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
gd82-07-31.sbd.miller.31002.sbeok.flacf
1982-07-31Manor Downs
31002flac16; SBD -> Cassette Master -> Dat (44.1k) Transferred and Edited By Charlie Miller
gd1982-07-31.sbd.jeffm.13310.sbeok.shnf
1982-07-31Manor Downs
13310Lineage: Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN; Cleanup of previous Jeff M seed (by Chris Perkins); See info file for details; upgrade in circulation
gd1982-07-31.141511.sbd.pcm.streeter.dalton.miller.clugston.flac1644
1982-07-31Manor Downs
141511flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1982-07-31.112575.sbd.LATVALA.GEMS.flac16
1982-07-31Manor Downs
112575flac16: Exact "as is" untouched DAT transfers from Dick Latvala Transfered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz
gd1982-08-01.152430.beyer160.flac1644
1982-08-01Zoo Amphitheater
152430flac16/44 2 Beyerm160>Sony TCD5M Master Tape > SHN > CD > EAC > FLAC
gd1982-08-01.nak700.seligman.ford.82883.sbeok.flac16
1982-08-01Zoo Amphitheatre
82883flac16; (FOB) Nakamichi CM-700s > Sony TC-D5M > MC > Cassette x2 Taper: David Seligman Transfer: 2nd GEN Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3 (@24 bit 96 kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer(dither) > 16 bit WAV > CD Wave Editor > TLH > FLAC16. 2nd GEN cassettes provided by Jake Feinberg. Transfer, edits and conversion by Alex Ford 02/26/07.
gd1982-08-01.158149.senn421.vita.miller.clugston.flac1648
1982-08-01Zoo Amphitheater
158149flac1648 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5 (Maxell MX-90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496