Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1970-00-00.125545.studio.sbd.moore-berger.flac16
1970-01-01Studio Takes
125545source: cassette Jerry Moore's copy maxell mx90, dolby b lineage: unknown, please read notes nak dragon/b > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 > flac transferred & seeded by Rob Berger Nov. 2012
gd70-workingmans-outtakes.sbd.7319.sbeok.shnf
1970-01-01Studio- Workingman's Dead Outtakes
7319studio MR> ?> C> SF> CDR; includes repeat of some material with EQ, Dolby A
gd1970-01-01.studio.smith.91324.sbeok.flac16
1970-01-01Studio
91324flac16; studio sessions transfer and mastering by matt smith soundboard > master reel > Kidd Candelario dub > will boswell 7 1/2 ips reel > Apogee 24/96 (dithered to 16/44 via Wavelab 5.0) > CD
gd1970-01-01.154490.sbd.gems.flac16
1970-01-01Unknown
154490flac16 Source: Restoration of SHNID 017271 Thanks to Joe Jupille and Andy Lemiuex for the original source
Transfer: MSR > Reel > PCM > DAT > CDR > EAC > SHN
gd1970-01-02.137375.sbd.wise.sirmick.sbeok.flac16
1970-01-02Fillmore East (show b- Late?)
137375flac16; Soundboard > 7 1/2' Reel Master @ 7.5 ips (Recorded By Bear on a Sony 770 Reel Deck) > 1st gen (TDK SAX-100 cassette) from Dick Latvala (Master Reel Playback on a Technics 1506 Reel to Reel > Tascam 122 MK111 Cassette Deck No dolby) > Analog to Digital (Cassettes played back on Nakamichi Dragon > Sony PCM-R700 DAT @ 44.1 by Jim Wise 1998); Edited and mastered SIRMIck
gd70-01-02.early-late.sbd.cotsman.18120.sbeok.shnf
1970-01-02Fillmore East (Early and Late Shows)
18120complete early/late shows; SBD> MR> C> D> CD> EAC> SHN with aud patch; Thanks to A. Lemiex, Uli & Hanno
gd70-01-02.late.sbd.hanno.12624.sbefail.shnf
1970-01-02Fillmore East (Late Show)
12624likely early show, had been marked late show; SBD plus AUD patches; via Hanno Bunjes, Uli Teute
gd70-01-02.partial-early.sbd.86.sbefail.shnf
1970-01-02Fillmore East (Late Show)
86late show, partial; SBD-> MR-> DAT (x)-> CDR (x)-> EAC; via S. Windsor abgd; via D. Sacks to etree 12/15; cut in end of Dark Star/ beginning St. Stephen from reel change
gd1970-01-03.137559.sbd.miller.flac1648
1970-01-03Fillmore East (Early Show)
137559flac16/48kHz; Early & Late Show Recording Info: SBD > Master Reel > Cassette > Dat (48k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
gd70-01-03.sbd.ret.19440.sbeok.shnf
1970-01-03Fillmore East (Early and partial Late Show)
19440improvements on previous seed: Sound improved on d1t02, by Bill Giles; SBE's corrected; seeded by RET
gd1970-01-03.sbd.gmb.97743.flac16
1970-01-03Fillmore East
97743flac16; Source: Soundboard Master Reels > DAT Master [44.1] Transfer: Panasonic SV-3700 > UA-5 > USB > WaveLab Mastering in WaveLab with iZotope Ozone 4 > CD Wave > TLH > Flac Transfer and Mastering Bill Koucky March 6, 2009, Green Mountain Bros.
gd1970-01-03.138811.late.sbd.gastwirt.miller.sirmick.sbeok.flac16
1970-01-03Fillmore East (Late Show)
138811flac16/48kHz; Source: sbd > 1st gen reel > dat (48k); provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; transferred by Charlie Miller; Lineage: iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick July 2017
gd1970-01-03.sbd.lai.6642.sbefail.shnf
1970-01-03Fillmore East
6642early and late; SBD > MR > DAT > C > DAT > CDR; via Mike Lai, with thanks to Wayne Gucwa; info file by Jeff Hannan
gd1970-01-10.sbd.sirmick.89175.sbeok.flac16
1970-01-10Community Concourse
89175flac16; source: MR > R1 >RX (purported 2nd gen) transfer: RX (purported 2nd gen) > Technics RS-1506 > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > wav [24/96]
gd1970-01-10.127228.sbd.miller.flac16
1970-01-10Golden Hall
127228flac16; Recording Info: SBD -> Master Reel -> Reel (Maxell UD 35 @7.5ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-Dac -> Wavelab 5 -> FLAC/16; Mastering Info: FLAC/24 -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller
gd1970-01-10.127227.sbd.miller.flac24
1970-01-10Golden Hall
127227flac24; Recording Info: SBD -> Master Reel -> Reel (Maxell UD 35 @7.5ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-Dac -> Wavelab 5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller
gd70-01-10.sbd.clugston.6663.sbeok.shnf
1970-01-10Golden Hall
6663Master Soundboard Reel > Reel to Reel > DAT> CDR; CD Mastering by Scott Clugston; to abgd
gd1970-01-10.sbd.hollister.17345.shnf
1970-01-10Golden Hall - San Diego Community Concourse
17345Lineage: S:MR>DAT>CD ; pitch shifted down 48.4 centones using SoundForge 4.5 and reburned by David Hollister.
gd1970-01-10.sbd.miller.89281.sbeok.flac16
1970-01-10Golden Hall - San Diego Community Concourse
89281flac16; Recording Info: SBD -> Master Reel -> Reel-> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.0.1 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller
gd1970-01-10.sbd.miller.pitch-corrected.89862.sbeok.flac16
1970-01-10Golden Hall - San Diego Community Concourse
89862flac16; Recording Info: SBD -> Master Reel -> Reel-> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.0.1 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller
gd1970-01-16.140967.sbd.lubar.dalton.miller.sirmick.flac1644
1970-01-16Springer's Inn Portland
140967flac16; Source: sbd > reel master > reel > pcm (sony beta tape ESX-HiFi/L-750) - Given to Tim Dalton by the late Harvey Lubar; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) - transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018
gd70-01-16.sbd.popi.7111.sbeok.shnf
1970-01-16Springer's Inn Portland
7111sbd> ??> cdr> eac> shn; a few cuts (see tracklist); eac>shn by popi n. feeldz, with thanks to Moss Willow
gd70-01-17.sbd.clugston.2220.sbeok.shnf
1970-01-17Oregon State University
2220Master Soundboard Reel > DAT > CDR; via Scott Clugston
gd70-01-17.sbd.cotsman.19283.sbeok.shnf
1970-01-17Oregon State University
19283SBD>MR>D>CD>EAC>SHN; pitch corrected via J. Cotsman
gd70-01-23.sbd.fixed.connor.18153.sbeok.shnf
1970-01-23Honolulu Civic Auditorium
18153Updated lineage: SBD > MASTER REEL > CASS > DAT > CD; Originally posted to abgd via Teddy Goodbear; seeded to fungus and tol with minor editing by Charlie Connor
gd70-01-23.sbd.goodbear.88.sbeok.shnf
1970-01-23Honolulu Civic Auditorium
88updated lineage: SBD > MASTER REEL > CASS > DAT > CD > SHN; via Teddy Goodbear to abgd, later to etree
gd70-01-24.sbd.kaplan.7890.sbeok.shnf
1970-01-24Honolulu Civic Auditorium
7890SBD: Master Reel > cassette > DAT > CD > SHN; T06 (Black Peter): subsecond dropout/splice @ 7:44; T07 (Good Lovin'): cuts right before last verse; via Seth Kaplan, upload by G.S. Hamilton
gd70-01-30.sbd.vernon.10546.sbeok.shnf
1970-01-30The Warehouse
10546SBD>MR>C>DAT>CDR; via Raoul Duke; seeded to etree by Matt Vernon
gd70-01-31.sbd.cotsman.7045.sbefail.shnf
1970-01-31The Warehouse
7045SBD> MR> C> D> CD> EAC> SHN; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman
gd1970-02-01.126275.sbd.lee-smith.flac16
1970-02-01The Warehouse
126275flac16; Lineage: Source 1 SBD > MSR > C > DAT (Biodtl thru O1(7:27); Source 2 MR > Revox A77 > tube pre (O1@7:27 thru Lovelight); Transfer info: Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
gd70-02-01.psbd.cousinit.18121.sbeok.shnf
1970-02-01The Warehouse
18121Partial, Source: SBD>Bill Gadsen Reels>C>DAT>WAV>SHN C>SHN Conversion by Cousinit
gd70-02-01.sbd.kaplan.9629.sbeok.shnf
1970-02-01The Warehouse
9629SBD>MSR>C>DAT>CD; Seeded to etree by Seth Kaplan
gd70-02-02.psbd.cousinit.18122.sbeok.shnf
1970-02-02Fox Theatre
18122Partial, Source: SBD>Bill Gadsen Reels>C>DAT>WAV>SHN C>SHN Conversion by Cousinit
gd70-02-02.sbd.cotsman.17809.sbeok.shnf
1970-02-02Fox Theatre
17809SBD> MR> R> R> PCM> D> CD> EAC> SHN; pitch corrected; edits/encoding by JCotsman
gd70-02-02.sbd.vernon.10374.sbeok.shnf
1970-02-02Fox Theatre
10374SBD>MR>R>R>PCM>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon
gd1970-02-02.partial.sbd.unknown.33334.sbeok.shnf
1970-02-02Fox Theatre
33334SBD> RR> RR> PCM> DAT; Transfer: Tascam DA-20 mkII> SB Audigy> SF 6.0> CDWave>mkwACT> .shn
gd70-02-04.sbd.kaplan.14188.sbeok.shnf
1970-02-04Family Dog at the Great Highway
14188Lineage: MSR>C>D>CD Tracks 2-7 ** - Two added tracks sourced from PBS TV broadcast via Seth Kaplan
gd1970-02-04.sbd.cotsman.12601.shnf
1970-02-04Family Dog at the Great Highway
12601Composite of "crisp" Charlie Miller sbd seed and additional mono tuneage from PBS TV broadcast; via Jeff Cotsman
gd70-02-05.sbd.hanno.9184.sbefail.shnf
1970-02-05Fillmore West
9184SBD MR> C> D> CD + AUD low-gen; more material than previous versions, >80 min including bonus track; pitch correction, EQ, CD mastering by Hanno Bunjes, with thanks to Uli Teute
gd1970-02-05.sbd.bean.3911.sbeok.shnf
1970-02-05Fillmore West
3911SBD> MR> C> D> CD; via Don Bean
gd70-02-06.sbd.bean.3913.sbeok.shnf
1970-02-06Fillmore West
3913SBD> MR> C> D> CD; via Don Bean
gd1970-02-07.sbd.naked_jaybird.3648.sbeok.shnf
1970-02-07Fillmore West
3648SBD> MR> C> D> CD; EAC> SHN by naked_jaybird
gd70-02-07.sbd.hanno.10527.sbefail.shnf
1970-02-07Fillmore West
10527SBD MR>C>D>CD + AUD MC>4C>CD patches; via Uli Teute; Seeded to etree by Hanno Bunjes; Note- This is an eac of the 'same' source discs as the previous Hanno seed; See info file for Hanno's comment
gd1970-02-07.sbd.bean.3912.sbeok.shnf
1970-02-07Fillmore West
3912SBD> MR> C> D> CD; via Don Bean
gd70-02-08.sbd-aud.cotsman.19152.sbeok.shnf
1970-02-08Fillmore West
19152composite: AUD>MC>R>PCM>D>CD>EAC>SHN; SBD>MR>C>D>CD>EAC>SHN; several other sources used as patches; differs from previous seeds as having SBD source for Smokestack & SOTOTW; Thanks to Andy Lemieux
gd70-02-08.sbd-aud.cousinit.18123.sbeok.shnf
1970-02-08Fillmore West
18123AUD Source: MAC>R>C>DAT>WAV>SHN SBDa Source: MSR>R>Cassettes>DAT>WAV>SHN SBDb Source: MSR>R>C>DAT>WAV>SHN C>SHN Conversions By Cousinit
gd70-02-08.sbd-aud.cribbs.17679.sbeok.shnf
1970-02-08Fillmore West
17679MAC> R> PCM> DAT> CD; MSR> C> DAT> CD; MSR> ?> C> DAT> CD (end of Lovelight); Source discs supplied by Andy Lemieux, CD> EAC> WAV> SHN by Sean Cribbs
gd1970-02-11.part.s2.127482.sbd.menke.lee.smith.flac24
1970-02-11Fillmore East
127482flac24; Partial Set 2 Lineage SBD MR - (primary source for disc 2) Technics RS 1506 @7.5 ips > Revox A77(Bob Menke)@7.5 ips > Revox A77 (Pat Lee) @7.5 ips; Transfer info: Akai GX636 direct tape head output > Telefunken Tube tape pre w/a pair of Tesla tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
gd70-02-11.early-late.sbd.sacks.90.sbefail.shnf
1970-02-11Fillmore East
90early and late shows; MSR> DATs> CDRs> EAC> shn; see info file for flaws and notes; shn and u/l by Darrin Sacks; also, Ben Yerys reports UJB encore pops (not sure if from CD or DAT source): 3.23?; 4.35, 5.26??, 5.27??; note d2alt.md5 also shown for a version noted at gdlive 7/01+, having a different d2t3 md5- reason unknown
gd1970-02-11.late-partial.sbd.chester-mande.33335.sbefail.shnf
1970-02-11Fillmore East
33335SBD> RR> RR> DAT (tapers John Chester and Alan Mande recorded this show in the basement of the Fillmore using a Revox reel-to-reel tape deck with 15" reels.)l Transfer: DAT> HD-P2> Sound Forge 6.0> CD Wave> mkwAct> .shn
gd1970-02-11.partial.sbd.greenberg-evans.28402.sbeok.flac16
1970-02-11Fillmore East
28402flac16; late show conclusion; Soundboard (except misc patches as noted): MSR> DAT> CDR> EAC> FLAC; Patched, remastered by Dave Greenberg; DAE> FLAC by Marc Evans; Project coordinated by Jim Powell with a special thanks to DW
gd1970-02-11.sbd.warner.patched.28292.sbeok.flac16
1970-02-11Fillmore East
28292flac16; portions of early and late shows; Master soundboard reels > DAT > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); includes Patch for Dark Star: Master audience tape > ? > DAT > CD; EAC> FLAC by Jack Warner, with thanks to anonymous and Bob Murphy for patch material
gd1970-02-12.sbd.sssb.murphy.5932.sbeok.shnf
1970-02-12Ungano's Night Club
5932SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D > SSSB; EAC (High, Secure) > WAV > SHNv3 by Patrick Murphy, from Jay Serafin seed discs; see Jay's extensive notes; note could really be 2/13/70 early show- see discussion in pub comments
gd1970-02-13.sbd.miller.97613.sbeok.flac16
1970-02-13Fillmore East
97613flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (Fixed version now in circulation)
gd1970-02-13.early.aud.unknown.holmes-Oleynick.109535.sbeok.flac16
1970-02-13Fillmore East (Early Show)
109535flac16; 5th gen aud casette from unknown source > WAV
gd70-02-13.early-late.sbd.cotsman.18114.sbeok.shnf
1970-02-13Fillmore East
18114early and late; mostly from SBD> MR> D> CD> EAC> SHN, with patches from SBD> MR> PCM> D> CD >EAC> SHN and SBD> MR> R> D> CD> EAC> SHN; mastered on 7" reels @ 15ips; encoding by JCotsman, with thanks to Paul Hartman, David Litfin et al
gd1970-02-13.sbd.miller.fix-97613.97639.sbeok.flac16
1970-02-13Fillmore East
97639flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (This sources fixes a flaw in d2t08 of source ID 97613)
gd1970-02-13.early.sbd.gans.2208.sbeok.shnf
1970-02-13Fillmore East
2208early show; Sbd > Master reel >DAT >Sonic Solutions workstation >CDR >EAC >shn; Seeded by David Gans; posted to abgd
gd1970-02-13.early.sbd.murphy.31636.sbeok.flac16
1970-02-13Fillmore East
31636flac16; Early Show Source: SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D >SSSB > EAC (High, secure) > WAV > SHNv3 by Patrick Murphy > ? > .flac
gd1970-02-14.141007.late.show.sbd.pcm.dalton.miller.clugston.flac1644
1970-02-14Fillmore East
gd1970-02-14.141007.late.show.sbd.pcm.dalton.miller.clugston.fixed.flac1644
1970-02-14Fillmore East
141007flac16; Late Show Recording Info: Master Soundboard Reels (recorded by the Fillmore crew from under the stage) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; the original version of this source had a 0:02 digital anomaly in "Uncle John's Band" (t11)
gd70-02-14.early-late.sbd.cotsman.18115.sbeok.shnf
1970-02-14Fillmore East
18115complete early/late shows from: SBD> MR> D> CD> EAC> SHN & SBD> MR> PCM> D> CD> EAC> SHN; TMNSP release, encoding by JCotsman
gd1970-02-14.124495.cooper-berger.flac16
1970-02-14Fillmore East
124495flac16; source: aud cassette master taped by Jim Cooper; hitachi trq-222 deck nak bx-300 > benchmark adc1 > adobe audition cs6 > tlh flac; transferred & seeded by Rob Berger
gd1970-02-14.sbd.miller.97644.flac16
1970-02-14Fillmore East
97644flac16; Recording Info:SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd70-02-23.sbd.vernon.10375.sbeok.shnf
1970-02-23The Auditorium
10375SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon
gd1970-02-27.sbd.miller.28833.sbeok.flac16
1970-02-27Family Dog at the Great Highway
28833flac16; Recording Info: SBD -> Master Reel (7.5ips 1/2trk) -> Dat/0 (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller
gd70-02-27.sbd.clugston.2191.sbeok.shnf
1970-02-27Family Dog at the Great Highway
2191Master Soundboard Reel > Cassette > DAT > CDR; via Scott Clugston to abgd and etree; note includes Casey and Cumberland
gd70-02-28.sbd.cotsman.9377.sbeok.shnf
1970-02-28Family Dog at the Great Highway
9377SBD>MR>C>D>CD; Missing Casey Jones and Uncle John's Band
gd1970-03-01.sbd.ben.91.shnf
1970-03-01Family Dog at the Great Highway
91S:MR> C> D> CDR; not complete show, but all that's available of this version; via Dave Goldstein, Ben Yerys; note reel splice @ 5:29 of King Bee
gd1970-03-01.136666.sbd.sirmick.flac16
1970-03-01Family Dog at the Great Highway
136666flac16; Source: Soundboard > Mater Reel > Dat (44.1k)
gd1970-03-01.132769.sbd.master-reel.kaplan.flac16
1970-03-01Family Dog at the Great Highway
132769flac16; Recording Info: SBD Master Reels -> Dat (Panasonic 3700); Transfer Info: Delta DiO 2496 sound card > HD > CD-R; Mastering Info: HD > CD WAV > Cool Edit > Trader's Little Helper 2.7 > xACT 2.35 FLAC 8; Mastering by Seth Kaplan (alligator69@optonline.net) March 25, 2015
gd70-03-01.sbd.hanno.4641.sbefail.shnf
1970-03-01Family Dog at the Great Highway
4641SBD MR>C>D>CD; patch of circulating SBD with AUD by Hanno Bunjes: 3rd gen cassette > CD > SoundForge (5% speed correction/amplify) > CD; to BUDD offer; Hanno's notes
gd70-03-07.aud.hanno.6156.sbeok.shnf
1970-03-07Civic Auditorium
6156low-gen AUD; shn'ed by Hanno Bunjes, with thanks to Uli Teute for the AUD source; Hanno's notes
gd1970-03-08.sbd.miller.113359.flac16
1970-03-08Star Theatre
113359flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd70-03-08.sbd.9195.sbeok.shnf
1970-03-08Star Theatre
9195SBD MR>C>D>CD; Unknown seeder
gd1970-03-08.sbd.unk.13191.sbeok.shnf
1970-03-08Travelodge Theatre in the Round
13191SBD>?>DAT>CDR uploaded by theotherwayne@yahoo.com
gd1970-03-08.145951.sbd.knudsen.markson.sirmick.flac1648
1970-03-08Star Theatre
145951flac16/48kHz; Source: sbd > ??? > cassette (from The Knudsen Collection at Lossless Legs); Transfer: cassette > Nakamichi CR-7A > TASCAM DA-3000 > wav 24/48 - Transfer by Tom Markson; Lineage: wav 24/48 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/48 >CD Wave > Flac 1648; edited and mastered SIRMick April 2019
gd1970-03-08.145952.sbd.knudsen.markson.sirmick.flac24
1970-03-08Star Theatre
145952flac24; Source: sbd > ??? >cassette (high gen, from The Knudsen Collection at Lossless Legs); Transfer: cassette > Nakamichi CR-7A > TASCAM DA-3000 > wav 24/48 -Transfer by Tom Markson; Lineage: wav 24/38 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick
gd70-03-20.sbd.late.hamilton.14287.sbeok.shnf
1970-03-20Capitol Theater
14287mixed source (SBD> MR> PCM, unknown gen AUD, 2nd gen AUD)> ZA2> CD, mastered by David Hollister; EAC> SHN by G.S. Hamilton with thanks to Brian Voelz
gd70-03-20.sbd.yerys.1315.sbeok.shnf
1970-03-20Capitol Theater
1315S:mR> ?> DAT> CDR; EAC/SHN by Ben Yerys, from Jared Minkoff seed; see info file for misc flaw notes
gd1970-03-21.late.aud.lee.pcrp.21779.shnf
1970-03-21Capitol Theater
21779late show; Cassette Master> Soundforge> cd> SHN; see more details in txt; Port Chester Resurrection Project
gd1970-03-21.late.124148.cooper.flac16
1970-03-21Capitol Theater (Late)
124148flac16; source: AUD Cassette Master taped by Jim Cooper; Hitachi mics > Hitachi trq-222 deck; Nakamichi Dragon > Benchmark ADC1 24/96 > pc > adobe audition 2.0 > cd wave > flac; transfer & mastering by Rob Berger
gd1970-03-21.144383.late.rec3.m-aud.flac1644
1970-03-21Capitol Theater
144383flac16; Late Show; Recording Information: unknown mono reel-to-reel recorder & mike -> master 3" reel-to-reel tapes -> unknown digital transfer, except #14-17 from 1st generation 7 1/2 IPS Maxell UD35-90 reel -> wavs; Playback 2018-12-xx: M & M1 wavs -> Audacity (very little work done... some fades, popmute on clapping in a few places for volume control, minor volume adjustments, pitch (speed) OK on master reel transfers but M1 trax #14-17 used +0.8% fix with single pass after frequency analysis & with pitchpipe verification, no EQ or NR applied) -> CD Wave (track splits) -> Trader's Little Helper
gd70-03-21.early.aud.5315.sbeok.shnf
1970-03-21Capitol Theater
5315early electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes- (although these may not even be true- see user comment); Usher tree shn branch
gd70-03-21.early.lee.pcrp.20184.sbeok.shnf
1970-03-21Capitol Theater
20184early show; Cassette Master> Soundforge> cd> EAC> SHN; Recorded by Ken & Judy Lee on a Sony 124 cassette deck with Sony dynamic mics on a Norelco 120 normal bias tape. Microphones were set up in the balcony with a 20 foot spread; Original tape was baked in "Susie Q", shell replaced and transferred on a Tascam 122mk3 via a Lucid ADA1000 Analog to Digital Converter directly to disc on a Tascam CDRW700 by John Jay Hance.; Cleanup performed by Peter G with Soundforge; EAC performed with correct offsets. SHN conversion with MKWact & retracking done with CD Wave and EAC by Evan Bellaff; Port Chester "Resurrection" Project #2
gd70-03-21.late.aud.5316.sbeok.shnf
1970-03-21Capitol Theater
5316late acoustic, electric-2; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes; Usher tree shn branch
gd1970-03-21.144604.late.sonyf95.remaster.lee.hance.sirmick.flac1644
1970-03-21Capitol Theater
144604flac16; Late Show: Source: Sony F95's > Sony TC124 > Master Cassette - Recorded by Ken and Judy Lee; Lineage: CD > Wavelab 6 > wav 16/44.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; further editing by John Hance and myself; remastered by SIRMick January 2019
gd1970-03-24.136667.sbd.sirmick.flac1648
1970-03-24Pirates World
136667flac16/48kHz; Source: Soundboard > Master Reel > Cassette > Dat (48k)
gd70-03-24.sbd.miller.32054.sbeok.flacf
1970-03-24Pirates World
32054flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC
gd70-03-24.sbd.hollister.2990.sbeok.shnf
1970-03-24Pirates World
2990S:MR> Cass> DAT> Cass> DAT> ZA2> CDWAV> SHN; note differs from previous shn set in fille (8/4/67) and tracking; presumably transferred by David Hollister; see info file for notes; upload by Ben Yerys?
gd1970-04-03.sbd.farnsworth.3862.sbeok.shnf
1970-04-03Field House - University of Cincinnati
3862SBD; Monitor Noise throughout show; noted at gdlive 5/01; via Aaron Farnsworth
gd1970-04-03.sbd.boswell.smith.114569.flac24
1970-04-03Field House, U. of Cincinnati
114569flac24; SBD MR>R>FLAC; Monitor Noise throughout show; tranfer Matt Smith 7/2011
gd1970-04-03.sbd.boswell.smith.114616.flac16
1970-04-03Field House, U. of Cincinnati
114616flac16; SBD MR>R>FLAC; Converted to 16 bit via r8brain high > TLH level 6 flac; tranfer Matt Smith 7/2011
gd1970-04-03.119118.sbd.dan.flac16
1970-04-03Field House, University of Cincinnati
119118flac16; MR>R>FLAC (shnid: 114616) Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable) and a little of the over saturation (analog recorder clipping) on the source.
gd70-04-03.sbd.cotsman.4283.sbefail.shnf
1970-04-03Field House, U. of Cincinnati
4283SBD > ?> bootleg CD> pitch correction and retracking > SHN; see info file for notes; via thecore@core.com
gd1970-04-03.154482.sbd.eaton.miller.sirmick.flac16
1970-04-03Field House, U. of Cincinnati
154482flac16/44 Source: Reel Master (7 inch Master Reel @ 7.5ips 1/2trk) > Cassette >Tascam 122mkIII > Panasonic SV-3700 > DAT (44k) > wav 16/44.1 - All Transfers by Rob Eaton Lineage: wav > Adobe Audition 3 > iZotope RX9 Advanced > CD Wave > Flac 16 edited and mastered SIRMick November 2021
gd1970-04-03.141217.sbd.boswell.smith.sirmick.flac2496
1970-04-03Field House, U. of Cincinnati
141217flac24; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
gd1970-04-03.141224.sbd.boswell.smith.sirmick.flac1644
1970-04-03Field House, U. of Cincinnati
141224flac16; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
gd1970-04-03.144890.sbd.boswell.smith.sirmick.flac1644
1970-04-03Field House, U. of Cincinnati
144890flac16; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
gd1970-04-03.141361.sbd.boswell.smith.sirmick.flac2496
1970-04-03Field House, U. of Cincinnati
141361flac24; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
gd1970-04-09.145715.sbd.aud.wise.cousinit.hanno.joeb.sirmick.flac16
1970-04-09Fillmore West
145715flac16; 1) sbd > Dick's Cassette (start through to "UJB") Transfer: Cassette > Nakamichi Dragon > Sony PCM-R700 > wav 16/44.1 - Transferred by Jim Wise; 2) unknown audience recording (through to "Cryptical Envelopment" shnid 137104 seeded by Cousinit) and 3) unknown audience recording ("NFA > Turn On Your Lovelight shnid 6157, seeded by Hanno Bunjes); Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick March 2019
gd1970-04-09.137104.aud.cousinit.flac16
1970-04-09Fillmore West
137104flac16; Source: Unknown Taper+Equipment>MA>Cass(Unk); Conversion: NAK Dragon>Cass>WAV>FLAC; FLAC encoding via TLH
gd70-04-09.sbd.hanno.6157.sbeok.shnf
1970-04-09Fillmore West
6157complete; SBD MR> C> D> CD + AUD MC> 4C> D> CD; AUD taper Harry Ely; sources assembled by Hanno Bunjes, with thanks to Julian for the SBD and Uli for the AUD; Hanno's notes
gd1970-04-11.136668.sbd.sirmick.flac1644
1970-04-11Fillmore West
136668flac16; Partial Show Source: sbd > Reel Master > Cassette > DAT (44k)
gd1970-04-11.132470.sbd.bear.latvala.wise.flac16
1970-04-11Fillmore West
132470flac16; Partial Set 3; 7 Inch Half Track Reel Master @ 7.5 ips-Recorded by Bear (Reel # 4 Only); 1st Generation Cassettes(TDK SA-X 100's) Transferred By Dick Latvala; (Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No Dolby); Analog to Digital Transfer (Cassettes played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 44.1KHz by Jim Wise); Zero Gen DAT play back on a Sony PCM R-500-Digital Out @ 16/44.1kHz-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing (iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)
gd70-04-11.sbd.cotsman.12072.sbeok.shnf
1970-04-11Fillmore West
12072Partial; 30 min Lovelight and ~2 mins NFA; See info file for details; SBD>MR>C>D>CD; via Chuck Gannon; Seeded to etree by JCotsman
gd1970-04-12.149.50th.anniv.radiobroadcast.91.3FM.KXCI.flac1644
1970-04-12Fillmore West
149554flac16; FM broadcast of source id 3820 Source: SBD for all except Casey Jones through Deep Elem Blues; Small fixes and audio massage by Jamie Waddell; pitch correction by Jason Chastain [100.25%]
gd1970-04-12.143493.aud-Schoolgirl-only.taperchuck3.flac1644
1970-04-12Fillmore West
143493flac16; One song audience > unk gen > xlII 90 dolby C, tape trade Dec 1984
gd70-04-12.sbd.kaplan.3820.sbeok.shnf
1970-04-12Fillmore West
3820combination (SBD Reel master > Sonic Solutions > DAT ) plus (Aud cassette master > PCM > DAT > Sonic Solutions) > CD > EAC > SHN; see info file for notes; seed via Seth Kaplan
gd1970-04-15.132734.sbd.reel.latvala-eaton-wise.flac16
1970-04-15Winterland Arena
132734flac16; Sony 770 7 Inch Half Track Reel Master @ 7.5 ips-(Bob Mathews); DAT x Zero (DL) > DAT x One (RE) > DAT x Two (JW); play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise (note: A fixed version of this source was seeded on 03/28/2015 to address tagging errors. Please don't circulate the original fileset.)
gd70-04-15.sbd.kaplan.14354.sbeok.shnf
1970-04-15Winterland Arena
14354MSR>DAT>CD>EAC>SHN (mkwACT) via Seth Kaplan includes 5 additional songs from a prior seed
gd1970-04-15.sbd.lai.6644.sbefail.shnf
1970-04-15Winterland Arena
6644sdb> Master Reel> Cassette> Dat> CD; via Mike Lai, with thanks to Wayne Gucwa
gd1970-04-24.aud.cotsman.9498.sbefail.shnf
1970-04-24Mammoth Gardens
9498AUD>MC>C>D>CD; via Chuck Gannon; Seeded to etree by J. Cotsman; Note- Original d2 was 'messed up' and scrapped early. Likely it does not circulate.
gd70-04-24.aud.gillis.17685.sbeok.shnf
1970-04-24Mammoth Gardens
17685MAR> Reel> DAT> Cool Edit Pro> CDR (From Gergard S' first gen reels) via Glen Gillis
gd70-04-24.aud.hanno.19531.sbeok.shnf
1970-04-24Mammoth Gardens
19531AUD master C-120 > reel 3.75ips > DAT > CD ; improvement over all circulating copies, via Hanno Bunjes, Uli Teute, Carsten Baumann, Gerhard Schinzel
gd70-04-24.aud.remaster.sirmick.27205.sbeok.shnf
1970-04-24Mammoth Gardens
27205sources: aud master C-120 > reel 3.75ips > dat > cd > eac > shn > wav > shn.This is a re-master of shn id 19531;see txt file for details. Seeded by SirMick (thedarkstar@btinternet.com)December 2004
gd1970-05-01.sbd.gans-miller.85322.sbeok.flac16
1970-05-01Alfred State College
85322flac16; SBD > Rm > Dat > Sonic Solutions > CD > Samplitude > Flac
Seeds provided by David Gans, Remastered by Charlie Miller
gd70-05-01.sbd.clugston.5465.sbeok.shnf
1970-05-01Alfred College
5465Master Soundboard Reel > (reel to reel, for part)> DAT > Sonic Solutions > CDR; EAC'ed / SHN'ed by Scott Clugston
gd1970-05-01.sbd.unknown.93.sbeok.shnf
1970-05-01Alfred College
93partial acoustic; filler on both 3/31/73 and 10/9/76 (qv)
gd1970-05-02.138227.sbd.miller.flac1648
1970-05-02Harpur College
138227flac16/48kHz; Recording Info: SBD > Master Reel (7inch @ 7.5ips 1/2trk) > Dat/48k; Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
gd1970-05-02.sbd.BEAR.gems.108673.flac24
1970-05-02Harpur College
108673flac24; reel> cass > cass Nak Dr-1 > Lynx Studio Interface at 32 bit float / 96 kHz Weiss Saracon for BRC to 24 bit / 96 kHz by Jamie Waddell
gd1970-05-02.sbd-fm-aud.unknown.108955.flac16
1970-05-02Harpur College
108955flac16; Gen 4 SBD Cassettes > SonyTC-W320 > Marantz 510 > CD > EAC > CD Wave Editor > Flac level 8; see info file for details
gd1970-05-02.BEAR.gems.120081.flac16
1970-05-02Harpur College
120081flac16; reel> cass > cass; Nak Dr-1 > Lynx Studio Interface at 32 bit float / 96 kHz Weiss Saracon for BRC to 24 bit / 96 kHz by Jamie Waddell; Resampled from 96 to 44.1 khz in r8brain Pro > dithered in Izotope Ozone 3 (MBIT+, high noise shaping, 16 bit depth, normal dither, DC offset filter on) > exported to 16 bit in Audacity 2.0.0 > FLAC
gd1970-05-02.sbd.remaster.dp8outtake.100007.sbeok.flac16
1970-05-02Harpur College
100007flac16; SBD > 3xcass (maxell XLII), transfer: cassette > Yamaha KX-W282 > Monster digital cable > Yamaha RX-530 > Monster digital cable > JVC XL-R5000 > CDR > EAC (offsets set) > CDWav > Flac (level 8), Dick's Picks 8 Outtake
gd1970-05-03.aud.cotsman.hoey.130667.flac16
1970-05-03Field House, Wesleyan University
130667flac16; Audience cassette master (not sbd as previously thought) > ? > CDr > EAC > Soundforge - editing > shn > aiff (xACT) > flac
gd70-05-03.aud.cotsman.9378.sbeok.shnf
1970-05-03Field House, Wesleyan University
9378AUD>MC>?>C>D>CD; via Jeff Cook; Seeded to etree by J Cotsman
gd70-05-03.aud.goldman-sirmick.20852.sbeok.shnf
1970-05-03Field House, Wesleyan University
20852AUD>MR>?>CD>EAC>SHN. Digital editing by Jim Goldman, wavs provided by, minor editing and retracking SIRMick (The Sugarmegs Restoration Krewe)
gd1970-05-06.sbd.gans-hall.95.shnf
1970-05-06Kresge Plaza, Massachusetts Institute of Technology
95Gans version as for other shn set, SHNed by M. Hall (not sure if this copy got into wide circulation)
gd70-05-06.sbd.gans.94.sbefail.shnf
1970-05-06Kresge Plaza, M.I.T.
94MSR (MIT WMBR Reels) 10", 2-sided, 1/2 Track Mono (no extra reel gen)-> Otari MX 55 2 track (playback) ->  TC 2000 Studio Effects Processor (using only the A->D converter, no effects) ->  Sonic Solutions (at 20 bits resolution) -> mastered to CD using Sony SBM 2  (No DAT generations) -> CD (from Gans) > EAC > SHN; (note updated source details); via E. Polonsky, D. Gans,  R. Keshavan, D. Sacks; note reel splice at China/Rider transition (track boundary at splice)
gd1970-05-06.156178.msr.zootype.flac16
1970-05-06Kresge Plaza, M.I.T.
156178Source: MSR (MIT Reels) > Sonic Solutions Digital Editing (gans) > DATs > CDRs > EAC > SHN; 2022 reseed: SBE repaired in track 04, SHN files re-encoded to FLAC-8: SHN>WAV>FLAC-8
gd1970-05-06.sbd.gmb.95816.flac16
1970-05-06Kresge Plaza - MIT
95816flac16; Source: Master Soundboard Reels 10", 2-sided, 1/2 Track Mono > DAT x 1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with Nomad Factory Plugins Rate Conversion with r8brain to [16bit/44.1 mhz] > TLH > Flac Transfer and Mastering: Bill Koucky, Green Mountain Bros. November 15, 2008 Transfer from Reels to DAT was done in 1994 by Eli Polansky from WMBR MIT Radio Archives for Jim Birkhead, and cloned to Bill Koucky
gd1970-05-06.sbd.gmb.95817.flac24
1970-05-06Kresge Plaza - MIT
95817flac24; Source: Master Soundboard Reels 10", 2-sided, 1/2 Track Mono > DAT x 1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with Nomad Factory Plugins > TLH > Flac Transfer and Mastering: Bill Koucky
gd1970-05-07.141093.aud.weiner.dalton.miller.sirmick.flac1644
1970-05-07Dupont Gymnasium, MIT
gd1970-05-07.aud.sirmick.32276.sbeok.flac16
1970-05-07DuPont Gym - MIT
32276main source: AudMC > ? > 7" R > DAT > HD > SHN Taper, mics, and deck unknown A > D transfer by Noah Weiner - noahbw@home.com This is a remaster of shnid 5439. See text file for full details
gd1970-05-07.141093.aud.weiner.dalton.miller.sirmick.set3-retracked.flac1644
1970-05-07Dupont Gymnasium, MIT
141093flac16; Source: Audience Cassette Master > Reel > PCM (Sony HG) - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred By Charlie Miller; New Riders Of The Purple Sage Source: Audience Cassette Master > ? > 7" Reel > DAT; Transfer: DAT > HD > SHN - Transferred by Noah Weiner; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018; the original version of this source had a tracking error in the set 3 files
gd70-05-07.aud.weiner-gdADT04.5439.sbefail.shnf
1970-05-07Dupont Gymnasium M.I.T.
5439AudMC > ? > 7" R > DAT > HD > SHN; Taper, mics, and deck unknown; A > D transfer by Noah Weiner; almalgam of different sources; pitch corrected; see info file for mastering and flaw notes; via Audience Devotional Tree
gd70-05-08.aud.miller.32056.sbeok.flacf
1970-05-08Farrell Hall (SUNY)
32056flac16; Recording Info: (Stage) Unknown Mic -> Cassettte Master Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
gd70-05-09.sbd.cotsman.9770.sbeok.shnf
1970-05-09Worcester Polytechnic Institute
9770Acoustic; SBD>MR>?>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman
gd1970-05-14.136645.s2.sbd.reelmaster.dat.sirmick.flac16
1970-05-14Meramec Community College
136645flac16; Set 2 Source: Soundboard > Reel Master > DAT (48k)
gd1970-05-14.sbd.warner-evans.28716.sbeok.flac16
1970-05-14Merramec Community College
28716flac16; Source: Soundboard Lineage: MSR> DAT> CDR> EAC> FLAC except * = MSR> DAT> CASS> ?> CASS> DAT> CDR> EAC> FLAC
gd1970-05-14.sbd-electric.clugston.7604.shnf
1970-05-14Merramec Community College
7604Master Soundboard Reel > Cassette > DAT> CDR; via Scott Clugston
gd70-05-14.sbd.cotsman.12439.sbeok.shnf
1970-05-14Meramec Community College
12439SBD>MR>?>D>CD>EAC>SHN (acoustic set); SBD>MR>D>CD>EAC>SHN (electric set); complete show except for Dire Wolf and Cold Jordan, which are probably not on the masters; Thanks to Dan Capshaw and Walter Schnell; edits/encoding by JCotsman
gd1970-05-14.sbd-acoustic.clugston.34165.sbeok.shnf
1970-05-14Merramec Community College
34165Acoustic Set; Source: Soundboard of unspecified provenence; CD Re-Mastering / Shn'ed by Scott Clugston 2/15/03
gd1970-05-15.136574.late.aud.cooper.berger.flac24
1970-05-15Fillmore East (Late Show)
136574flac24; source: aud cassette master; taped by Jimmy Cooper; 2 hitachi mics > hitachi trq-222; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
gd70-05-15.early-late.sbd.97.sbeok.shnf
1970-05-15Fillmore East (Late Show)
97acoustic and electric, early and late, includes NRPS; MR > DAT > ZA2 > CDR, except the NRPS sets which have 2 cass gens; this is apparently the best possible available copy- one fewer cass gen than first etreed version, complete NRPS 2nd set, less hifreq hiss; more details in info file; via D. Hollister, J. Tiedrich, D. Finney. L. Orf; note L. Orf did very minor editing, mostly putting tasteful fades where there were cuts in the original- no NR
gd_nrps70-05-15.sbd.reynolds-kaplan.29473.shnf
1970-05-15Fillmore East (Late Show)
29473New Master Reel transfer: SBD:10" 1/2 track Master Reels @ 7.5 ips>Revox A700 playback deck>Alesis Masterlink ML 9600>CD. No PCM generation in GD/NRPS sets. No analog gens in NRPS sets. Upgrade from previously circulating source. Seeded to etree 5/31/2005 by Chuck Reynolds and Seth Kaplan.
gd70-05-16.aud.cotsman.17027.sbeok.shnf
1970-05-16Temple University
17027AUD>MC>?>C>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; This shn set is derived from the Noah Weiner seed, and following Noah's edits, has been pitch corrected using Sound Forge; edits/encoding by JCotsman
gd70-05-16.aud.weiner.14769.sbeok.shnf
1970-05-16Temple University
14769AUDMC > ? > C > CD/0 > EAC > WAV > SHN via Noah Weiner
gd1970-05-24.135716.sbd.phillips.flac16
1970-05-24Newcastle-Under-Lyme
135716flac16; MSR > CDR > PC > my edits in Goldwave > CDR > FLAC; patched with unknown MR > cassette > PC and with shnid 6481
gd1970-05-24.136669.sbd.sirmick.flac1648
1970-05-24Newcastle-Under-Lyme
136669flac16/48kHz; Source: sbd > reel master > cassette > dat (48k)
gd1970-05-24.aud.6159.bunjes.shnf
1970-05-24Unknown Venue
6159AUD MR> C> D> CD; mastered by Hanno Bunjes; source supplied by Uli Teute; Hanno's notes
gd1970-05-24.136424.sdb.unknown.phillips.flac16
1970-05-24Newcastle-Under-Lyme
136424flac16; Unknown Board MR > Maxell XLII-S90 cassette (unknown generation) > Audacity via soundcard > Goldwave (to increase volume) > FLAC
gd70-05-24.sbd.hanno.6481.sbeok.shnf
1970-05-24Newcastle-Under-Lyme
6481SBD MR> C> D> CD + AUD MR> C> D> CD patches; mastered by Hanno Bunjes, with thanks to Uli for the AUD source; Hanno's notes
gd1970-05-24.135803.sbd.phillips.flac16
1970-05-24Newcastle-Under-Lyme
135803flac16; MSR > CDR > PC > my edits in Goldwave > CDR > FLAC; patched with unknown MR > cassette > PC; further patched with shnid 6481
gd1970-06-04.123799.mtx.olsen.droncit.dusborne.flac16
1970-06-04Fillmore West
123799flac16; Matrix of Soundboard (shnid:119921) sbd > ?? > wav > audacity(snaps,crackles,pops) > wavmerge > cdwav > tlh(flaclevel8) > flac16; conversion by: miogi; Soundboard (shnid:12135) SBD->Rm->Cass->?>Dat>CD>EAC>SHN CD>EAC>SHN done by charlie miller; The entire acoustic set has been matrixed. The last three songs of the electric set have been matrixed with (shnid:123798) Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape.
gd1970-06-04.123798.gdnrps.sonyTC124.olsen.droncit.flat.flac16
1970-06-04Fillmore West
123798flac16; Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape. Lineage via Dan McDonald (droncit@yahoo.com): Master Audience Cassette->Nakamichi BX-1 (modified for flat transfer)-> Tascam DR-07MK2 (24-bit, 96kHz); DC8Forensics was used to apply the NAB curve for normal bias cassettes. Converted to 16-bit, 44.1kHz using 32-bit interpolation and a triangular high pass dither. After the NAB curve in a multifilter I applied a virtual vale and overtone generator for lost harmonics and used a channel blender to blend below 150 Hz to mono to minimize mic handling noise.
gd1970-06-04.119921.sbd.acou.unk.miogi.flac16
1970-06-04Fillmore West
119921flac16; sbd > ?? > wav > audacity(snaps,crackles,pops) > wavmerge > cdwav > tlh(flaclevel8) > flac16
gd70-06-04.sbd.miller.12135.sbeok.shnf
1970-06-04Fillmore West
12135Partial; Last three songs; See info file for details; SBD->Rm->Cass->?>Dat>CD; Seeded to etree by Charlie Miller
gd1970-06-04.132790.sbd.bear-latvala-wise.reel.flac16
1970-06-04Fillmore West
132790flac16; Partial SBD Recording; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bear on a Sony 770 Reel Deck)-1st Generation(TDK SAX-100 cassette)Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No dolby); Analog to Digital(Cassettes on Nakamichi Dragon-Sony PCM-R700 DAT @ 44.1KHz by Jim Wise); DAT X Zero play back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Jim Wise
gd1970-06-05.sbd.bunjes-evans.28653.flac16
1970-06-05Fillmore West
28653flac16; Source: Soundboard (except where patched with low gen AUD as noted) Lineage: MSR> CASS> DAT> CDR> EAC> FLAC
gd1970-06-05.aud-unknown.Tiedrich-Coulter-Oleynick.109847.sbeok.flac16
1970-06-05Fillmore West
109847flac16; Unknown gen cassettes from unknown aud source > WAV; see info file for details
gd70-06-05.sbd.hanno.7589.sbefail.shnf
1970-06-05Fillmore West
7589SBD MR>C>D>CD + AUD patch from low-gen cassette courtesy Uli Teute (see info); via Hanno Bunjes; Hanno's notes
gd1970-06-05.132395.bear.wise.flac16
1970-06-05Fillmore West
132395flac16; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)-1st Generation Cassettes Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no Dolby); Analog to Digital Transfer(Cassettes played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa late 1990's); Zero Gen DAT play back on a Sony PCM R-500-Digital Out @ 16/44.1kHz-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) JW:February 2015
gd1970-06-05.123702.mtx.dusborne.flac16
1970-06-05Fillmore West
123702flac16; Matrix from Soundboard (shnid:28653) (except where patched with low gen AUD as noted) Lineage: MSR> CASS> DAT> CDR> EAC> FLAC and Audience (shnid:109847) Lineage: Source #1: Dire Wolf through New Speedway - unknown gen aud cassette; Source #2: Cold Rain through Mama Tried - unknown gen aud cassette; Source #3: Cryptical through Casey - unknown gen aud cassette
gd1970-06-06.132157.miller.sbd.flac16
1970-06-06Fillmore West
132157flac16 Acoustic Set Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1970-06-06.132487.sbd.bear.latvala.wise.flac16
1970-06-06Fillmore West
132487flac16; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SAX-100's) Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No Dolby); Analog to Digital Transfer(Cassettes played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa late 1990's) Zero Gen DAT play back on a Sony PCM R-500-Digital Out @ 16/44.1kHz-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); Jim Wise
gd1970-06-06.sbd.miller.86951.sbeok.flac16
1970-06-06Fillmore West
86951flac16; Electric Set Only: Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC. All Transfers and Mastering By Charlie Miller.
gd70-06-06.sbd.ashley.2172.sbeok.shnf
1970-06-06Fillmore West
2172electric set; SBD Reel master > cassette > DAT > CD > SHN; Seeded by Jay Ashley; see info file for listening notes
gd70-06-07.sbd.clevenger.fix-98.6185.shnf
1970-06-07Fillmore West
6185shn set from Bob Clevenger ; derived from some other source with edits/changes by Bob
gd1970-06-07.132325.bear.wise.flac16
1970-06-07Fillmore West
132325flac16/48kHz; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SA-X 100's) Taped By Dick Latvala(Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no dolby); Analog to Digital Transfer(Dick's Cassettes played back on Nakamichi Dragon- Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa 1997); DAT play back on a Sony PCM R-500-Analog out-Sony PCM R-700 Analog in @ 48KHz-Digital Audio Labs Carddeluxe-WAV @ 16/48kHz; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name)
gd70-06-07.sbd.hollister.98.sbeok.shnf
1970-06-07Fillmore West
98acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield
gd70-06-13.sbd.hanno.9079.sbefail.shnf
1970-06-13Red Vest
9079Complete; SBD MR> R> D> CD + AUD low-gen; patched by Hanno Bunjes, with thanks to Paul B. and Uli
gd1970-06-21.154086.aud2.flac1648
1970-06-21Pauley Ballroom, U. of California
154086flac1648; AUD said to have been recorded by Harry Ely > unknown transfer to WAV-1648 marked 2nd-Gen > Wavelab (small edits & speed adjust) > CD-Wave > TLH > FLAC 1648 tagged.
gd70-06-21.aud.hanno.6160.sbeok.shnf
1970-06-21Pauley Ballroom, U. of California
6160AUD C/3 > CD; extracted/ shortened by Hanno Buunjes, with thanks to Uli for the AUD tape; Hanno's notes
gd1970-06-24.aud.cooper.coopernicus.32710.flac16
1970-06-24Capitol Theater
32710Audience tape recorded by J.Cooper: Hitachi trq-222 stereo casstte recoder using 2 hitachi mics and a 120 minute tape. Transferred by Coopernicus March 2006: Sony tcd5pro2>dbx223> Sonyrcdw500c MC>EQ>CDR>EAC>FLAC
gd1970-06-24.aud.lai.7467.sbefail.shnf
1970-06-24Capitol Theater
7467late show, plus 7/10/70 mislabled as 6/24 early; reportedly AUD; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa
gd1970-06-24.aud.lee.5339.sbeok.shnf
1970-06-24Capitol Theater
5339late electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes; Usher tree shn branch
gd1970-06-24.late.aud.harlan.9330.sbefail.shnf
1970-06-24Capitol Theater
9330Late Show--Electric Set; center lodge, mics mounted on rails->120-min. Sony cassette audience master-> analog cassette XL II, no dolby->Sony TC D5M DAT->playback on Sony PCM R-700-> HDD via za2->CDR master via CD Architect->EAC->Sound Forge->SHN; via Crazy Jimi; Seeded to etree by Harlan
gd_nrps70-06-24.aud.pcrp5.23062.sbeok.flacf
1970-06-24Capitol Theater
23062early and late shows (see discussion in txt and pub comments); Sony TC124 with unknown Sony dynamic mics
gd1970-06-24.aud.unknown.gadsden-reynolds.100223.flac16
1970-06-24Capitol Theater
100223flac16; Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3&3/4ips) > Alesis Masterlink ML-9600 > CDR > EAC(secure, offset corrected) > Cool Edit Pro > TLH > FLAC16 Analog to Digital by Bill Gadsden, April 2009
gd1970-06-24.145261.late.SonyF95.lee.hance.sirmick.flac1644
1970-06-24Capitol Theater (Late)
145261flac16; Source: Sony F95's > Sony TC124 > Master Cassette - Recorded by Ken and Judy Lee; Transfer: The cassettes were baked, processed and transfered via Tascam 122 MK-III > Lucid ADA1000 > Tascam CDRW 700 (CDR) by John Jay Hance; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 > CD Wave . Flac 16; edited and mastered SIRMick February 2019
gd1970-06-24.124175.cooper.berger.flac16
1970-06-24Capitol Theater (Late)
124175flac16; source: AUD Cassette Master taped by Jim Cooper; Hitachi mics > Hitachi trq-222 deck; Nakamichi Dragon > Benchmark ADC1 24/96 > pc > adobe audition 2.0 > cd wave > flac; transfer & mastering by Rob Berger
gd1970-06-24.late-partial.aud.moore.berger.98880.flac16
1970-06-24Capitol Theatre
98880flac16; Late Show partial source: aud reel lineage: aud>?>7" reel @ 3.75 ips, dolby b; transferred & seeded by Rob Berger; pitch correction by Moose
gd70-07-01.sbd.cotsman.9624.sbeok.shnf
1970-07-01Winnipeg Fairgrounds
9624SBD>?>VHS>CD; assumed to be a portion taken from the raw video footage shot during the Trans Continental Pop Festival Tour across Canada by train; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman
gd70-07-10.aud.cotsman.17351.sbeok.shnf
1970-07-10Fillmore East
17351AUD>MR>CD>EAC>SHN recorded by Marty Weinberg on an Uher 5 inch open reel deck encoding/edits by Jeff Cotsman
gd70-07-11.aud.cotsman.9379.sbefail.shnf
1970-07-11Fillmore East
9379AUD>MC>C>C>D>CD; via Andrew Clarke; Seeded to etree by J. Cotsman
gd1970-07-12.aud.unknown.sirmick.24663.sbefail.shnf
1970-07-12Fillmore East
24663source: aud > ??? > shn > wav > shn via SirMick
gd1970-07-12.aud.composite.130938.flac16
1970-07-12Fillmore East
130938flac16; Combination of the two audience recordings shnid 9379 and shnid 122707; edits were limited to volume, speed, cross-fades at the beginning and end of patches, and such elimination or reduction of drops, static, clicks, and bumps as I could obtain without losing any music; see info files for details
gd1970-07-12.aud.mysteryreel.cloverman.smith.GEMS.108002.flac16
1970-07-12Fillmore East
108002flac16; unknown audience recording; edited and mastered by Jamie Waddell; all transfers and work performed in the 24 bit realm Weiss-Saracon for 16 BIT 44.1kHz; SBE Free, Flac Level 8 with TLH, Meta Data with Tag & Rename
gd1970-07-12.Weinberg.MAR.108156.flac16
1970-07-12Fillmore East
108156flac16; Marty Weinberg's 5" 1/4 track Master Audience Reel>HHb CDR-850>CDR>EAC>CDR>EAC>.WAV>TLH>.FLAC
gd1970-07-12.aud.cooper.122707.flac16
1970-07-12Fillmore East
122707flac16; Jim Cooper's Hitachi TRQ-222 Cassette recording > CDR > WAV > FLAC
gd1970-07-14.sbd.unknown.96628.sbeok.shnf
1970-07-14Euphoria Ballroom
96628sbdmr> dat> cd> shn> cd> ?> shn; this source is possibly derived from source id 1030
gd70-07-14.sbd.cotsman.17815.sbeok.shnf
1970-07-14Euphoria Ballroom
17815both sets; SBD> MR> C> D> CD> EAC> SHN; aud patch for Don't Ease; edits/encoding by JCotsman
gd1970-07-16.set-2.sbd.ed.32575.sbeok.shnf
1970-07-16Euphoria Ballroom
32575Set 2; SBD>MR>?>C>CD>SHN
gd1970-07-16.sbd.miller.32551.sbeok.flac16
1970-07-16Euphoria Ballroom
32551flac16; Recording Info: SBD -> Master Reel -> Cassette -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller
gd70-07-16.sbd.clugston.6485.sbeok.shnf
1970-07-16Euphoria Ballroom
6485partial; Master Soundboard Reel > Cassette > Cassette > CDR; CD Mastering by Scott Clugston; to abgd
gd1970-07-16.140310.sbd-partial.miller.sirmick.flac1644
1970-07-16Euphoria Ballroom
140310flac16; Source: SBD > Master Reel > Cass > CDR; Lineage: CDR > Eac > wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick December 2017
gd1970-07-30.sbd.boswell.smith.114020.flac16
1970-07-30The Matrix
114020flac16; MR(Abrams)>R@ 7.5 ips.(Peter Kafer)>R @ 7.5 ips.(Will Boswell) > CD; Transfered and mastered by Matt Smith 5/11; cd > flac dbpoweramp cd ripper
gd70-07-30.sbd.cotsman.17077.sbeok.shnf
1970-07-30The Matrix
17077SBD>??>CD>EAC>SHN via Chuck Gannon edits/encoding by Jeff Cotsman
gd70-08-05.sbd.jupile.17271.sbeok.shnf
1970-08-05Golden Hall Community Concourse
17271MSR > Reel > PCM > DAT > CDR > EAC > SHN via Andy Lemieux, encoding Joe Jupile
gd1970-08-05.sbd.thecore.4941.sbeok.shnf
1970-08-05Golden Hall - San Diego Community Concourse
4941SBD> MR> PCM> D> CD> EAC> SHN; some normalization and editing with Soundforge; via thecore
gd70-08-17.aud.cotsman.12073.sbeok.shnf
1970-08-17Fillmore West
12073Partial; 2+ songs & date is 'uncertain'; See info file for details; AUD>MC>D>CD; via Chuck Gannon; Seeded to etree by JCotsman
gd1970-08-18.141071.aud.pitch-adjusted.flac1644
1970-08-18Fillmore West
141071flac16; AUD mC> Rx2> DAT> CDR; this new version has been pitch adjusted with the following ratios: acoustic set with a 'slight' sliding time scale/pitch shift of +0.123%; 2) electric set with a sliding time scale/pitch shift of +9.678%; (electric [lower volume level] set has also been amplified by +3.9%)
gd1970-08-18.142414.aud.knudsen.gems.flac2448
1970-08-18Fillmore West
142414flac24; Unknown Audience Cassette > FLAC; Fixed version in circulation
gd1970-08-18.142416.aud.knudsen.gems.flac1648
1970-08-18Fillmore West
142416flac16/48kHz; Unknown Audience Cassette > FLAC
gd70-08-18.aud.yerys.1346.sbeok.shnf
1970-08-18Fillmore West
1346AUD mC> Rx2> DAT> CDR; EAC and SHN'd by Ben Yerys from Jared Minkoff's seed; DAT>CD transfer by Miles Garret
gd1970-08-18.142417.aud.knudsen.gems.FIXED.flac2448
1970-08-18Fillmore West
142417flac24; Unknown Audience Cassette > FLAC
gd1970-08-19.aud.taback.cdjones.81775.sbeok.flac16
1970-08-19Fillmore West
81775flac16; Set 1: AUD>MC>D>FLAC>AIFF>FLAC Set 2: AUD>MC>R>PCM>D>CD>EAC>SHN>AIFF>FLAC
gd1970-08-19.aud.taback.minches.81605.flac16
1970-08-19Fillmore West
81605flac16; Recording by Gene Taback: Master Audience Cassette; Sony TC-124 with Sony Stereo Mic Acoustic Set: Master Electric Set: 1st generation cassette Transfer and FLAC encoding by David Minches: Master/1st generation cassettes played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (96Mhz/24 bit)> HD Editing performed in Adobe Audition; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded
gd70-08-19.aud.cotsman.11797.sbeok.shnf
1970-08-19Fillmore West
11797AUD>MC>R>PCM>D>CD; Missing several songs; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon & JCotsman
gd70-08-30.fm.jupile.12762.sbeok.shnf
1970-08-30KQED Studios
12762Master FM Reel (Taped by Michael Parrish, Sony TC-366 Reel to Reel using "Concert" polyester tape) > 3 CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > .shn encoding using mkwACT. Proper sector boundaries verified using .shntool. EAC > SHN by Joe Jupille, with thanks to Andy Lemieux for the source CDs.
gd1970-08-30.sbd.backus.12750.sbeok.shnf
1970-08-30KQED Studios
12750FM-> 7inch MR-> DAT-> CDR-> EAC-> SHN V.3; via D. Backus
gd1970-09-17.partial.aud.weinberg.33826.flac16
1970-09-17Fillmore East
33826AKG190E>Uher 400L>Master Audience Reel>Reel>DAT>CDR>EAC(Secure Mode)>WAV>Soundforge (Speed Corrected)>FLAC Taped by Marty Weinberg A GEMS production -+-+- www.shnflac.net -+-+- March 2006
gd1970-09-17.146027.mtx.darkstar.sirmick.flac16
1970-09-17Fillmore East
146027flac16/44.1khz Matrix of Dark Star by Sirmick
gd70-09-17.aud.warner.16090.sbeok.shnf
1970-09-17Fillmore East
16090mixed sources: MAC> R> C> CD recorded by Jack Toner, with a Sony TC-110 with built-in microphone; plus MAC> ?> C> R> CD and MAC> ?> C> R> R> CD, Unknown tapers/equipment; Source tapes from Dwight Holmes, Transfer to digital by David Minches, Patches and SHN encoding by Jack Warner
gd70-09-17.aud.remaster.sirmick.27591.sbeok.shnf
1970-09-17Fillmore East
27591remaster of shnid 16090, by SIRMick
gd1970-09-17.aud.cbass.15983.sbeok.shnf
1970-09-17Fillmore East
15983MAC> Reel> Cassette> DAT> CD> EAC> SHN; submitted by user seabass; note slightly different tracking from previous shn set
gd1970-09-17.145891.partials3.akg190e.weinberg.wolfe.smith.joeb.sirmick.flac16
1970-09-17Fillmore East
145891flac16; Partial Set 3 Source: AKG190E > Uher 400L > Master Audience Reel > ??? > Reel 3.75 ips (low gen) - Recorded by Marty Weinberg and provided by Don Wolfe; Transfer: Reel > Akai GX636 > Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > wav 24/96; Lineage: wav 24/96 >Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac16; edited and mastered SIRMick March 2019
gd1970-09-17.145892.partials3.akg190e.weinberg.wolfe.smith.joeb.sirmick.flac24
1970-09-17Fillmore East
145892flac24; Partial Set 3 Source: AKG190E > Uher 400L >Master Audience Reel > ??? > Reel 3.75 ips (low gen) - Recorded by Marty Weinberg and provided by Don Wolfe; Transfer: Reel > Akai GX636 > Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > wav 24/96; Lineage: wav 24/96 >Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac24; edited and mastered SIRMick March 2019
gd70-09-18.set2.aud-sbd.sirmick.sbeok.30882.flacf
1970-09-18Fillmore East
30882flac16; source 1: sbd > mr > r > d > cd > eac > shn > wav > flac; source 2: aud > mc > ? > c > r > cd > eac> shn > wav > flac; remaster of the sources from shnid 17893; via SIRMick
gd1970-09-18.sbd.reynolds.97525.flac16
1970-09-18Fillmore East
97525flac16; SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> TLH(flac encoding) -> FLAC Circulated by Chuck Reynolds, February 13, 2009
gd70-09-18.bootleg.evans.100.sbeok.shnf
1970-09-18Fillmore East
100updated source info: ?> bootleg CD> CD; previously marked SBDMR > DAT > CD; partial; filler 2/2/70 Dark Star; brief reel glitch in Dancin' at 5:06; original seed via Morgan Evans (1997)- see his notes; etreed via G. Hamilton
gd70-09-18.sbd-aud.cotsman.17893.sbeok.shnf
1970-09-18Fillmore East
17893Soundboard (via Andy Lemieux) and Jack Toner audience tape (via Jack Warner) composite edited and encoded by Jeff Cotsman. Include NRPS, Dead Acoustic and Electric sets
gd1970-09-18.sbd-part.gorinsky.4670.sbeok.shnf
1970-09-18Fillmore East
4670SBD > MR > R > DAT > CDR > EAC (Secure, Test and Copy) > SHN; EAC, SHN extraction and etree seeding done by Gerald Gorinsky, from Paul Botiglio's CD
gd1970-09-19.mtx.chappell.SB14.31510.sbeok.flac16
1970-09-19Fillmore East
31510flac16; (disc 3 only) Sick Bits 14; matrix: SBD/AUD mix of 2 previously circulating sources (SBD: shnid=5217 & AUDs (composite): shnid=25473) edited, mixed and converted by Chris Chappell
gd1970-09-19.150347.acoustic.aud.flac16
1970-09-19Fillmore East
150347flac16; Set 1 Source unknown, thought to be Jack Toner's audience recording; Lineage: AUD > ?? > CD WAV > FLAC
gd1970-09-19.152705.aud.fragment.flac1644
1970-09-19Fillmore East
152705flac1644 ; AUD fragment; Source: Unknown mono AUD via the collection of Rich Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021
gd70-09-19.aud-toner-weinberg.warner.25473.sbeok.flacf
1970-09-19Fillmore East
25473Composite Audience Source (Master audience cassette Taped by Jack Toner, Sony TC-110 with built-in microphone and Master audience reel Taped by Marty Weinberg, AKG190E>Uher 400L) via Dwight Holmes and Dr. Michael Parrish. Patches and EAC > SHN by Jack Warner
gd70-09-19.sbd.kaplan.5217.sbeok.shnf
1970-09-19Fillmore East
5217MSR > DAT > CD or SBD> Rm> Reel> Dat> Sonic Solutions> CD; EAC> SHN by Seth Kaplan; more complete than previously etreed versions
gd1970-09-20.aud.weinberg.bunjes.81728.flac16
1970-09-20Fillmore East
81728flac16; AUD MR>CD Marty Weinberg master 5" Uher open-reel. via Jack Warner, Hanno Bunjes
gd1970-09-20.140664.sbd.boswell.smith.miller.clugston.flac1644
1970-09-20Fillmore East
140664flac16; Source Info: Master Soundboard Reels (borrowed by Peter Kafer) > Will Boswell's reel @ 7 1/2 ips; Transfer Info: Reel (Technics RS1506) > Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496
gd1970-09-20.140665.sbd.boswell.smith.miller.clugston.flac2496
1970-09-20Fillmore East
140665flac24; Source Info: Master Soundboard Reels (borrowed by Peter Kafer) > Will Boswell's reel @ 7 1/2 ips; Transfer Info: Reel (Technics RS1506) > Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496
gd1970-09-20.136729.sbd.GEMS.flac16
1970-09-20Fillmore East
136729flac16; Set One: Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Set Two: DAT-> PANASONIC SV-3700-> TASCAM DA-30 (Spring 1996)-> DAT-> Panasonic SV-3800-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> Adobe Audition 3.0.1; Wavelab 7.1 mastering by Jamie Waddell; Track, FLAC and Pack by John Wenzel; a project **GEMS**
gd70-09-20.sbd.sacks.1190.sbefail.shnf
1970-09-20Fillmore East
1190mixed sources (see info file for details, plus additional details in pub comments); seed assembled and distributed by Jim Wise; CD> EAC> SHN by Darrin Sacks; Darrin comments: "Has a fair amount of hiss and analog tape wear, but is the best we're probably ever going to hear, as this show isn't in the Vault."
gd1970-09-20.135798.sbd.smith.droncit.flac16
1970-09-20Fillmore East
135798flac16; This is a restored version of shind: 97364; MR > R (Buddy Miller) HEAVILY EDITED > R @ 71/2ips (Will Boswell) > CD; Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16 Restoration completed with Diamond Cut Forensics 10.2.
gd1970-10-04.sbd.cousinit.19985.sbeok.shnf
1970-10-04Winterland Arena
19985SBD> FM> MR> R> R> DAT> WAV> SHN; R>SHN; Conversion By Cousinit, seeded to abgd
gd1970-10-04.145828.fm.glassberg.sirmick.flac16
1970-10-04Winterland Arena
145828flac16; Source: KSAN-FM > Reel Master > Barry Glassberg's 1st Gen 1/4 tr Reel > PCM > CD > Wav - Received from an anonymous benefactor; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick March 2019
gd1970-10-04.145874.waddell.flac1644
1970-10-04Winterland Arena
145874flac16/44.1khz tiny bit of clean up by Jamie Waddell of Barry Smith source, balanced the off center DJ as it was hard to listen to in just one ear
gd70-10-04.sbd.cotsman.4942.sbeok.shnf
1970-10-04Winterland Arena
4942SBD FM> MR> R> ?> CD> SHN; via thecore; see info file for flaw notes
gd1970-10-04.137070.KSAN-Setbreak-Broadcast.flac16
1970-10-04Winterland Arena
137070FM > ? > CD.
gd1970-10-10.144636.sony-f95.lee.hance.sirmick.flac1648
1970-10-10Colden Auditorium - Queens College
144636flac16/48kHz; Source: Sony F95's > Sony TC124s > Master Cassette (Ampex 361) > Cassette (Maxell XL2S) > DAT(48k) - Recorded by Ken and Judy Lee; Transfer: DAT > Sony PCM-M1 > Edirol HR09 > Wave > 24/88.2 - Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3 > iZotope RX7 Advanced > wav 16/48 > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick January 2019
gd70-10-10.aud.hanno.7590.sbeok.shnf
1970-10-10Colden Auditorium, Queens College
7590AUD, from low (< 5th) generation tape; via Hanno Bunjes, with thanks to Ulie Teute; Hanno's notes
gd70-10-11.aud.cotsman.9500.sbeok.shnf
1970-10-11Marion Shea Auditorium, Paterson State College
9500AUD>MC>?>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman
gd1970-10-17.aud.linton.miller.119329.flac16
1970-10-17Cleveland Music Hall
119329flac16;Recording Info:Unknown Mic -> Cassette Master (Mono); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1970-10-23.aud.wolfson.motb-0004.85071.flac16
1970-10-23McDonough Arena - Georgetown University
85071flac16; Source: Audience Media: Mallory Duratape C-60 Lineage: AUD > Sony TC-124 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Marantz PMD671 > WAV Taped by: Cary Wolfson Transfer by: D. McCabe Mastering by: D. McCabe
gd1970-10-23.aud-wolfson.sketchy-bontempo.12227.shnf
1970-10-23McDonough Arena - Georgetown University
12227includes NRPS; source (a guess?): AUD Taper: Cary Wolfson, Sony TC124 with a 1 point stereo mic 15 feet back from stage > MC > C > DAT > ??? > CD > EAC > shn; seeded by Sketchy; shn info submitted by user jamballyho
gd70-10-23.aud.wolfson.15080.sbefail.shnf
1970-10-23McDonough Arena, Georgetown U.
15080Source: AUD-MCass>DAT>DAT>CDR DAT speed-corrected by David Gans. Various glitches edited out by CW posted to abgd 11/2002. SBE's on all tracks except d2t03
gd1970-10-24.sbd.bihlmayer.pitch.31948.sbefail.flac16
1970-10-24Kiel Opera House
31948flac16; SBDMR->R->R->DAT->DAT->ZA2->DartPro32 NR (weight .03/ V.L. smoothing/ Normal frame size /Large freq. carving /V.L. overlay)-> CD "via D. Hollister, J. Ayers" pitch correction using SoundEdit 16 on the Macintosh platform by Bob Bihlmayer (howlin_bob@hotmail.com) 7/16/05: SHN->xACT->AIFF->SoundEdit16->FLAC
gd1970-10-24.140923.SBD.Dalton.Miller.Noel.flac1644
1970-10-24Kiel Opera House
140923flac16; Recording: SBD > Master Reel > Reel > (7.5ips) > PCM (Sony HG tape); Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)
gd70-10-24.sbd.hollister.103.sbeok.shnf
1970-10-24Kiel Opera House
103S:MReel> Reelx2> DATx2> ZA2> DartPro32 NR (weight .03/ V.L. smoothing/ Normal frame size /Large freq. carving /V.L. overlay)> CD; cut at beginning of NFA (reel flip?); via D. Hollister, J. Ayers; w/ 12/31/70 filler; 12/31/70 filler
gd1970-10-24.144903.sbd.boswell.smith.sirmick.flac1644
1970-10-24Kiel Opera House
144903flac16; Source: Unknown mono soundboard (low gen) - provided by Will Boswell; Transfer: low gen Reel > Technics RS-1506 > Apogee Mini Me > Mini DAC > WaveLab 5 > .wav 24-bit/96k; edited and mastered SIRMick; This file set is 16 bit @ 44.1
gd1970-10-24.141429.sbd.boswell.smith.sirmick.flac2496
1970-10-24Kiel Opera House
141429flac24; Source: Unknown mono soundboard (low gen) - provided by Will Boswell; Transfer: low gen Reel > Technics RS-1506 > Apogee Mini Me > Mini DAC > WaveLab 5 > .wav 24-bit/96k; edited and mastered SIRMick
gd1970-10-30.early.sbd.lai.7466.sbefail.shnf
1970-10-30SUNY Stonybrook
7466early show; SDB> MR> PCM> CD; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa
gd1970-10-30.sbd-late.cousinit.29190.shnf
1970-10-30University Gymnasium, SUNY Stony Brook
29190Late Show: MSR>C>DAT>WAV>SHN Circulated via alt.binaries.gdead usenet group in 4/2003 Going through old discs I realized that this was missing an md5. I added the md5 I had for this txt file. Darryl Hinko 3/4/09
gd1970-10-30.152644.aud.1-song.flac1644
1970-10-30Gym, SUNY (Late Show)
152644flac1644; 1-song only; Source: Unknown mono AUD via the collection of Rich Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021
gd1970-10-30.153205.sbd.warburton.smith.sirmick.flac16
1970-10-30Gym, SUNY
153205flac16/44 FIXED Version. Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16
gd1970-10-30.153206.sbd.warburton.smith.sirmick.flac24
1970-10-30Gym, SUNY
153206flac24/96 FIXED Version. Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24
gd1970-10-30.153005.sbd.warburton.smith.sirmick.flac16
1970-10-30Gym, SUNY (Early Show)
153005 flac16/44 Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick August 2021
gd1970-10-30.153006.sbd.warburton.smith.sirmick.flac24
1970-10-30Gym, SUNY (Early Show)
153006flac24/96 Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 edited and mastered SIRMick August 2021
gd1970-10-30.121126.sbd.deluca.digitalrbb.miller.flac16
1970-10-30Gym, SUNY (Early Show)
121126flac16; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/44.1k; Dat supplied By Dan De Luca; Transferred By Digitalrbb; Mastered By Charlie Miller; the original files had a flaw in s3t01 which was later fixed (2012/09/06)
gd70-10-30.sbd.cotsman.20044.sbeok.shnf
1970-10-30Gym, SUNY (Early and Late Shows)
20044SBD>MR>PCM>D>CD>EAC>SHN; complete early/late shows via Jeff Cotsman
gd1970-10-30.121125.sbd.deluca.digitalrbb.miller.flac1648
1970-10-30Gym, SUNY (Early Show)
121125flac16/48kHz; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/48k; Dat supplied By Dan De Luca; Transferred By Digitalrbb; Mastered By Charlie Miller; the original files had a flaw in s3t01 which was later fixed (2012/09/06)
gd1970-10-31.sbd-early.cousinit.29192.shnf
1970-10-31University Gymnasium, SUNY Stony Brook
29192Early Show: MSR>C>DAT>WAV>SHN
Circulated via alt.binaries.gdead usenet group in 4/2003
Going through old discs I realized that this was missing an md5. I added the md5 I had for this txt file. Darryl Hinko 3/4/09
gd1970-10-31.122042.sbd.deluca.Digitalrbb.miller.flac1648
1970-10-31Gym, S.U.N.Y. (early)
122042flac16/48kHz; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/48k; Transferred By Digitalrbb; Mastered By Charlie Miller
gd1970-10-31.122043.sbd.deluca.Digitalrbb.miller.flac16
1970-10-31Gym, S.U.N.Y. (early)
122043flac16; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/44.1k; Transferred By Digitalrbb; Mastered By Charlie Miller
gd1970-10-31.153059.early.sbd.warburton.smith.sirmick.flac16
1970-10-31Gym, S.U.N.Y. (early)
153059flac16/44 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) > Gordon Healy's Reel 1st transfer: Gordon Healy's Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick August 2021
gd1970-10-31.153060.early.sbd.warburton.smith.sirmick.flac24
1970-10-31Gym, S.U.N.Y. (early)
153060flac24/96 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) > Gordon Healy's Reel 1st transfer: Gordon Healy's Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > flac24 edited and mastered SIRMick August 2021
gd70-10-31.early.sbd.fischer.6517.sbeok.shnf
1970-10-31Gym, S.U.N.Y.
6517early electric; SBD > Reel > DAT; Transfer: D7 > Coresound > Prodif Plus > Samplitude 5.5 > CDwav > SHN, by Mike Fischer
gd70-10-31.late.sbd.cousinit.16902.sbeok.shnf
1970-10-31Gym, S.U.N.Y.
16902Late Show, includes NRPS set; MSR> C> DAT> WAV> SHN; Cassette Source recorded directly from Master Reels; C>SHN Conversion by Cousinit; note parens in filenames
gd1970-10-31.153145.late.sbd.mance.hance.sirmick.flac16
1970-10-31Gym, S.U.N.Y.
153145flac16/44 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) Transfer: Master Reel > Kenny Mance’s Revox 77A > Korg MR1000 > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16
gd1970-10-31.153146.late.sbd.mance.hance.sirmick.flac24
1970-10-31Gym, S.U.N.Y.
153146flac24/96 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) Transfer: Master Reel > Kenny Mance’s Revox 77A > Korg MR1000 > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 Edited and mastered SIRMick August 2021
gd70-11-05.aud.warner.17182.sbeok.shnf
1970-11-05Capitol Theater
17182Mastered and encoded by Jack Warner. Recorded by Ken Leigh with a Sony TC-110 with built-in microphone, from center loge. D1T1 through D2T2: MAC>C>D>CD>EAC>SHN. D2T3 through D2T5: MAC>?>C>D>CD>EAC>SHN
gd1970-11-05.aud.harlan.9356.sbeok.shnf
1970-11-05Capitol Theater
9356Electric Set; center lodge, mics mounted on rails->Sony cassette audience master-> analog cassette XL II, no dolby->Sony TC D5M DAT->playback on Sony PCM R-700-> HDD via za2->CDR master via CD Architect; via Crazy Jimi; Seeded to etree by Harlan
gd70-11-06.aud.warner.17183.sbeok.shnf
1970-11-06Capitol Theater
17183Complete with NRPS sets mastered and encoded by Jack Warner. Acoustic set through 1:50 of El Paso, entire electric set is MAC>C>D>CD>EAC>SHN, from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in microphone. *Uncle John's Band and NRPS set is MAC>C>R>D>CD>EAC>SHN, from Ken Leigh's master. *From 1:50 of El Paso through 0:03 of Uncle John's Band is MAC>R>D>CD>EAC>SHN, from Dave Tamarkin's master, recorded from the floor with a Sony Dictaphone
gd70-11-06.d3new.hanno.19922.sbeok.shnf
1970-11-06Capitol Theater
19922disc 3 of previous seed (17183) patched to include Marty Weinberg's audience recording (MAR > CD), via Hanno Bunjes
gd1970-11-06.aud.evans.3338.sbefail.shnf
1970-11-06Capitol Theater
3338see info file; 5/00 to abgd via Teddy Goodbear, Doug Johnson; 3/01 to etree via Morgan Evans, Rick Lepley lepleyr@hotmail.com; note in absence of md5s for 5/00 set, not sure whether there are 2 different shn sets or not; note 3/01 discs labelled as 1,3,4 (d2 reportedly NRPS?)
gd1970-11-06.aud.weinberg.moore-berger.119818.flac16
1970-11-06Capitol Theater
119818flac16; partial: aud reel master > reel, Jerry Moore's copy of Marty Weinberg's master; lineage: aud > akg d190e > uher 4000L mar > 7" reel @ 3.75 ips, dolby b; technics rs-1506 > teac an-180/b > hd-p2 24/96 compact flash > pc > cd wave >adobe audition 2.0 > flac; transferred/seeded by Rob Berger
gd1970-11-07.aud.toner.berger.100330.flac16
1970-11-07Capitol Theater
100330flac16; source: aud 1st gen reel master taped by Jack Toner; lineage: mac>7" reel@ 7.5 ips, no nr technics rs-1506>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger
gd70-11-07.aud.warner.10306.sbeok.shnf
1970-11-07Capitol Theater
10306Mixed audience sources; See info file for details; Including NRPS set; via Ken Leigh, Jack Toner, Marty Weinberg; Seeded to etree by Jack Warner
gd1970-11-07.134083.aud.weinberg.parish.flac16
1970-11-07Capitol Theater
134083flac16; source: aud reel master; taped by Marty Weinberg; akg d190e > uher 4000L; transferred by Michael Parish; seeded by Rob Berger
gd1970-11-07.aud.weinberg.moore.berger.98263.flac24
1970-11-07Capitol Theatre
98263flac24; source: aud 1st gen 7" reel @ 3.75 ips, dolby b mastered on uher reel w/akg d190e mics taped by Marty Weinberg lineage: aud reel master>reel technics rs-1506>sony nr-335>hd-p2 24/48> cd wave>flac tranferred & seeded by Rob Berger
gd1970-11-07.aud.weinberg.moore.berger.98264.flac16
1970-11-07Capitol Theater
98264flac16; source: aud 1st gen 7" reel @ 3.75 ips, dolby b mastered on uher reel w/akg d190e mics taped by Marty Weinberg lineage: aud reel master>reel technics rs-1506>sony nr-335>hd-p2 24/48> cd wave>adobe 2.0 16/44>flac tranferred & seeded by Rob Berger
gd70-11-08.aud.owens.23474.sbeok.shnf
1970-11-08Capitol Theater
23474THE OWEN BROTHERS VAULT ; (AUD:Various sources ); Editing and Mastering by The Wizard ; Please see txt for details. 04/14/2004
gd70-11-08.aud.warner.17184.sbeok.shnf
1970-11-08Capitol Theater
17184Multiple audience sources mastered by Jack Warner (see info file for details) including MAR>C>D>CD>EAC>SHN, from Marty Weinberg's master, recorded from the floor, AKG 190E mic > Uher 4000 Report-L 5" reel machine; MAC>C>D>CD>EAC>SHN, MAC>C>R>D>CD>EAC>SHN and MAC>C2>D>CD>EAC>SHN from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in mic; and an unknown third master.
gd1970-11-08.aud.weiner.28609.sbeok.shnf
1970-11-08Capitol Theater
28609AudMC > DAT > CD > EAC > SHN Note: This is a patched fix for the most recent upgrade of this show, put into circulation by The Port Chester Resurrection Project (/shninfo_detail.php?shnid=26975). Added to etree by Noah Weiner
gd1970-11-08.aud-weinberg.cousinit.18639.shnf
1970-11-08Capitol Theater
18639Source: MAR>C>D>WAV>SHN; MAR source seems to be from Marty Weinberg's master, recorded from the floor, AKG 190E mic > Uher 4000 Report-L 5" reel machine; C>SHN Conversion by Cousinit; includes some tracks from the Jack Warner shn set.
gd1970-11-08.partial.aud.unknown.fix-28609.94500.flac16
1970-11-08Capitol Theater
94500flac16; Partial Electric Set Remaster/repitch of the AudMC > DAT > CD > EAC > SHN source (source ID 28609) using Adobe Audition
gd1970-11-08.154243.partial.weinberg.martin.smith.sirmick.flac24
1970-11-08Capitol Theater
154243flac24/96 Source: AKG 190E mic > Uher 4000 Report-L > Master Reels - recorded by Marty Weinberg and from the collection of Steve Martin Transfer Master Reels > Akai GX625 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 edited and mastered SIRMick November 2021
gd1970-11-08.aud.weinberg.moore-berger.119787.flac16
1970-11-08Capitol Theater
119787flac16; aud 1st gen reel, Jery Moore's reel copy of Marty Weinberg's reel; lineage: mar > 7" reel @ 3.75 ips, dolby b; master: akg d190e > uher 4000L 5" open reel deck taped by Marty Weinberg technics rs-1506 > teac an-180/b > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 > flac; transferred & seeded by Rob Berger april 2012
gd70-11-09.aud.hanno.7591.sbeok.shnf
1970-11-09Action House
7591AUD low gen; via Hanno Bunjes, with thanks to Uli Teute; pitch corrected up 3%; Hanno's notes
gd70-11-10.aud.cotsman.17032.sbeok.shnf
1970-11-10Action House
17032AUD>MR>?>CD>EAC>SHN (most of NFA from Weinberg source). AUD>?>C>CD>EAC>SHN (two other aud sources that provide the patch in NFA and all of The Other One); see info file for details; seeded to etree via D Litfin; edits/encoding by JCotsman
gd70-11-10.aud.hanno.8837.sbefail.shnf
1970-11-10Action House
8837partial; AUD; see notes in info file; via Hanno Bunjes; with thanks to Uli and Jack Warner
gd70-11-11.aud.sirmick.31154.sbeok.flacf
1970-11-1146th Street Rock Palace
31154flac16; aud > mc > cass (4 gens) > d > cd > eac > shn > wav > flac; remaster of shnid 17081; via SIRMick
gd70-11-11.aud.cotsman.17081.sbeok.shnf
1970-11-1146th Street Rock Palace
17081AUD>MC>C>C>C>C>D>CD>EAC>SHN; See info file for quality notes; via Chuck Kiefe encoding and edits by Jeff Cotsman
gd1970-11-12.136653.aud.weinberg.flac16
1970-11-1246th Street Rock Palace
136653flac16; Master Reel>CD>FLAC; Taped by Marty Weinberg, Transferred by Michael Parrish
gd1970-11-16.135717.aud.petlock.flac16
1970-11-16Fillmore East
135717flac16; Partial; Lineage: aud>?>Rich>nak>nak dolby C> XLII C90, from Rich Petlock; Transfer: Dragon dolby C>UA55>usb> Audacity>TLH>flac16
gd70-11-16.sbd.winters.17361.sbeok.shnf
1970-11-16Fillmore East
17361SBD:MR>Revox deck (model unknown): 10" ? track Reel @ 7.5ips > Revox B77 playback deck > Alesis Masterlink ML9600 > CD > EAC > Cool Edit 2000 > SHN. A>D by Bill Gadsden. encoding Dave Winters. (Note: Other shn sets assign this music to 11/23/70).
gd70-11-20.aud.cotsman.9001.sbeok.shnf
1970-11-20The Palestra, U. of Rochester
9001AUD (Marty Wienberg)> MR> PCM> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook
gd70-11-21.sbd.cotsman.17033.sbeok.shnf
1970-11-21Sargent Gym, Boston University
17033SBD>?>C>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by JCotsman
gd70-11-21.sbd.hanno.14858.sbeok.shnf
1970-11-21Sargent Gym, Boston University
14858Partial; SBD C/?; See info file for detail; From Uli Teute & Hanno Bunjes