Identifiers for Grateful Dead
1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
Archive Identifier | |
---|---|
Date | Venue |
Source | |
gd1974-02-22.151721.sbd.miller.flac1644 | |
1974-02-22 | Winterland Arena |
151721 | flac16/44 Fixed version of Recording Info: SBD > Master Reel > Dat Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Samplitude Professional v11.2 > FLAC |
gd1974-02-22.sbd-snchk.sirmick.21128.sbeok.shnf | |
1974-02-22 | Winterland Arena |
21128 | Lineage: SBD > D > CD > SSSB *12-14-2002* Files were run through shntool to correct sector boundary errors. The date was also corrected as the soundcheck does not circulate from the 24th, because there wasn't one....FLAC encoding and shntool processing done by Mr. Marmar 12/2002 Converted from flac to shn by SIRMick (thedarkstar@btinternet.com) |
gd74-02-22.sbd.patched.sirmick.21539.sbeok.shnf | |
1974-02-22 | Winterland Arena |
21539 | Sources: 1 - sbd > ? > shn > wav > shn 2 - sbd > cass? > cdr > wav > shn via SIRMick (thedarkstar@btinternet.com) |
gd74-02-22.sbd.unknown.11654.sbeok.shnf | |
1974-02-22 | Winterland Arena |
11654 | SBD > ? > SHN; Missing Sugar Mag's & UJB; Unknown seeder |
gd1974-02-22.sbd.gans-latvala.samaritano.26763.shnf | |
1974-02-22 | Winterland Arena |
26763 | mixed SBD sources: Vault MR> DAT 48k, plus MR> Cassette> DAT 44.1k, with small patches from MR> Cassette> DAT> CD; Transfer: DAT> Audiophile 2496> Samplitude v7.02 Professional> SHN; Transfer, editing, and SHN by Joe Samaritano, with thanks to Michael P. Weitzman, David Gans, Charlie Miller |
gd1974-02-22.114556.sbd.miller.flac16 | |
1974-02-22 | Winterland Arena |
114556 | flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1974-02-23.151722.sbd.miller.flac1644 | |
1974-02-23 | Winterland Arena |
151722 | flac16/44 Fixed version of Recording Info: SBD > Master Reel > Dat Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Samplitude Professional v11.2 > FLAC |
gd1974-02-23.sbd.miller.115607.flac16 | |
1974-02-23 | Winterland Arena |
115607 | flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd74-02-23.sbd.clugston.3382.sbeok.shnf | |
1974-02-23 | Winterland Arena |
3382 | complete; Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; d3 tracked for 80 min |
gd74-02-23.sbd.bertha-ashley.26362.sbeok.shnf | |
1974-02-23 | Winterland Arena |
26362 | Bertha Remaster of the Master Reel source; SBD> MR> DAT> CDA> SHN> DAW (Bertha)> CDA/SHN, by Jay Ashley |
gd1974-02-24.136141.dts.tobin.flac16 | |
1974-02-24 | Winterland Arena |
136141 | DTS-Audio-CD 5.1 Mix; SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1 - DTS mixing by Kevin Tobin |
gd1974-02-24.136276.sbd-patched.miller.flac16 | |
1974-02-24 | Winterland Arena |
136276 | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1974-02-24.136641.mtx.hseamons.ht110.flac16 | |
1974-02-24 | Winterland Arena |
136641 | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) |
gd1974-02-24.151723.sbd.miller.flac1644 | |
1974-02-24 | Winterland Arena |
151723 | flac16/44 Fixed version of Recording Info: SBD > Master Reel > Dat (44.1k) Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Adobe Audition v3 > Samplitude Professional v11.2 > FLAC |
gd1974-02-24.sbd.miller.116902.flac16 | |
1974-02-24 | Winterland Arena |
116902 | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1974-02-24.sbd.serafin.hollister.200.shnf | |
1974-02-24 | Winterland Arena |
200 | S:MR> PCM> DAT> CD (Jay Serafin); via David Hollister? |
gd1974-02-24.sbd.marmar.13961.sbeok.flac16 | |
1974-02-24 | Winterland Arena |
13961 | Shntool fix of original Jay Serafin seed; Note- This is part of a group effort to fix 'all' of Jay Serafin's seeds so that they conform to redbook standards regarding sector boundary errors; Read more about the effort at etree forums; SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R-> HP 8200i CDRW Drive (EAC)->SHNCD |
gd74-02-22.sndchk.serafin.8623.sbefail.shnf | |
1974-02-24 | Winterland Arena |
8623 | soundcheck, reportedly this date although mislabeled as 2/24/74 on shn set; SBD > RTR @ 7.5 i.p.s. > D > SSSB; no PCM- see info file; via Jay Serafin to gdlive |
gd74-02-24.sbd.windsor.199.sbefail.shnf | |
1974-02-24 | Winterland Arena |
199 | SBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional? PMD-320 CD Master> Ricoh MP-6200 series CD-R> HP 8200i CDRW Drive (EAC)> SHNCD; via Jay Serafin, Stephen Windsor; note d4 is 73:52, not 74:06 as stated in accompanying info file, and thus does not require overburning (possibly was EZCD artifact?); no flaws noticed |
gd1974-02-24.sbd.sssb-sbe-fix.sirmick.21370.sbeok.shnf | |
1974-02-24 | Winterland Arena |
21370 | SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R->HP 8200i CDRW Drive (EAC)->SHNCD Mastered by Jay Serafin gdtrfb95@flash.net sector boundaries fixed with shntool, new shns and md5s SIRMick(thedarkstar@btinternet.com) |
gd1974-03-01.152493.Mars-Hotel-Outtakes-gadsden-cousinit-onemoreshot.shnf | |
1974-03-01 | Mars Hotel Outtakes |
152493 | Source: MSR>?>Bill Gadsden Reel>C>DAT>WAV>SHN C>SHN Conversion by Cousinit Seeded to abgd August 2003 |
gd1974-03-01.152494.mars-hotel-outttakes-unsurpassedvolume8.flacf | |
1974-03-01 | Mars Hotel Outtakes |
152494 | flac16/44 BOOTLEG: Unsurpassed Volume 8; Label: Dead Man CatalogNo: DM027 > eac > wav > flac |
gd1974-03-23.sbd.lai.1186.shnf | |
1974-03-23 | Cow Palace |
1186 | incomplete; SBD> reel master> cassette> dat> cdr; via Mike Lai; update: portions of show are now DP24- go buy it |
gd74-03-23.sbd.clugston.1689.sbeok.shnf | |
1974-03-23 | Cow Palace |
1689 | Master Soundboard Reel > DAT > CDR, with patches from Master Soundboard Reel > Cassette > DAT source, and Audience source; d2 is 80 min; via Scott Clugston; note upgrade relative to previously circulating shn set; reported sector boundary probs on d2t4, d2t6- see pub comments; update: portions of show are now DP24- go buy it |
gd1974-03-23.aud.OBV-GEMS.83453.flac16 | |
1974-03-23 | Cow Palace |
83453 | Sources: AUD MC>(PCM?)>DAT>DA-20>M-Audio 192 (Shnid=78599) Editing and mastering by The Wizard |
gd1974-03-23.aud.connors.hughey.gems.78599.flac16 | |
1974-03-23 | Cow Palace |
78599 | flac16; Master Audience Cassette > Dat (or PCM?) Edits & Tracking in Wavelab 6.0 by **__** : BBE processing, Crystal Sample Rate converter, L3 multimaximizer>dithered44.1k/16>FLACfrontend SBE FREE Patches by Michael Hughey in Adobe Audition |
gd1974-03-23.sbd.matrix.tobin.82507.sbeok.flac16 | |
1974-03-23 | Cow Palace |
82507 | flac16; Matrix 2 Source Mix - SBD (shnid 1689) + AUD (shnid 78599) |
gd1974-03-23.dts.tobin.82531.sbeok.flac16 | |
1974-03-23 | Cow Palace |
82531 | DTS Audio 5.1; SBD (shnid 1689) Master Soundboard Reel > DAT + AUD shnid 79610 Master Audience Cassette > Dat (or PCM?) |
gd1974-05-12.150221.sbd.miller.flac1644 | |
1974-05-12 | University Of Nevada |
150221 | flac16; Recording Info: SBD > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC |
gd74-05-12.aud.vernon.10529.sbeok.shnf | |
1974-05-12 | University of Nevada |
10529 | Partial 2nd Set; AUD>?>CD; via Jack Warner; Seeded to etree by Matt Vernon |
gd74-05-12.sbd-patch-disk3.cribbs.16749.sbeok.shnf | |
1974-05-12 | University of Nevada |
16749 | MSR>C>DAT>CD w/ pitch corrected aud patches for disk 3 only of SBD seed via Sean Cribbs |
gd74-05-12.sbd.sacks.2224.sbeok.shnf | |
1974-05-12 | University of Nevada |
2224 | MSR> C> DAT> CDRs> EAC> SHN; via Darrin Sacks; previously uncirculated; see notes in info file |
gd1974-05-12.aud-patched.warner.90176.flac16 | |
1974-05-12 | University of Nevada |
90176 | flac16; AUD>?>CDRs>EAC>SHN - original shnid 10529 - audio patches and speed correction by Kevin Tobin |
gd1974-05-12.sbd.matrix-dts.tobin.90179.flac16 | |
1974-05-12 | University of Nevada |
90179 | DTS Audio 5.1; SBD (shn id 2224) MSR>C>DAT>CDRs>EAC>SHN + AUD (shn id 10529)AUD>?>CDRs>EAC>SHN Shns supplied by Jack Warner - dts mixing by Kevin Tobin |
gd1974-05-12.sbd.matrix.tobin.90172.flac16 | |
1974-05-12 | University of Nevada |
90172 | flac16; Matrix 2 Source Mix - SBD (shn id 2224) MSR> C> DAT> CDRs> EAC> SHN; via Darrin Sacks + AUD (shn id 10529) Partial 2nd Set; AUD>?>CD; via Jack Warner - matrix mixing by Kevin Tobin |
gd1974-05-12.sbd.matt.22248.shnf | |
1974-05-12 | University of Nevada |
22248 | Appears to be reshn'd DAE version of SHNID=2224. Extraction and 'fix' performed by Matt. |
gd74-05-14.sbd.murphy.1823.sbeok.shnf | |
1974-05-14 | Adams Field House, U of Montana |
1823 | MSR> cassette> DAT> CD-R> TAE> shn; via Bob Murphy |
gd74-05-17.partial.aud.28041.sbeok.flacf | |
1974-05-17 | Pacific Coliseum |
28041 | flac16; set 1,2p; hand-held external stereo mic> portable Sony cassette deck> BASF LH C120 MC> [1 cass gen for Promised only] > HD> CDWave > flac frontend > flac; Taped by: Mike Kent, transferred by Pantagruel |
gd74-05-17.sbd.gustin.202.sbeok.shnf | |
1974-05-17 | P.N.E. Coliseum |
202 | updated source: Andy Gustin and Jay Ashley report this could be the SBD cass master>1 cass> DAT> 1 cass gen> DAT version noted on Tiedrich's site (had been marked mSR> DAT> CDR> Toast Audio Extraction> SHN); via Andy Gustin; 9/11/73 filler |
gd1974-05-17.sbd.miller.89972.sbeok.flac16 | |
1974-05-17 | P.N.E. Coliseum |
89972 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller |
gd1974-05-19.sbd.fix.miller.107165.flac16 | |
1974-05-19 | Portland Memorial Coliseum |
107165 | flac16; Recording Info: Source 1: SBD -> Master Reel -> Cassette (Maxell XLII-S90/Sony D6/Dolby C) Source 2: SBD -> Master Reel -> Cassette -> Dat -> CD (shnid=6957) Source 3: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Source 1: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 Source 2: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 Source 3: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1974-05-19.131464.mtx.dusborne.flac16 | |
1974-05-19 | Portland Memorial Coliseum |
131464 | flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:116983) Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:115876) Source:Sony ECM18N mics>Sony 152SD deck; Recorded by Pat Lee; Lineage: MAC>R>R>C>WAV>FLAC Transferred and Encoded by Cousinit |
gd1974-05-19.115876.aud-patlee.cousinit.flac16 | |
1974-05-19 | Portland Memorial Coliseum |
115876 | flac16; Source: Sony ECM18N mics>Sony 152SD deck; Recorded by Pat Lee; Lineage: MAC>R>R>C>WAV>FLAC; Transferred and Encoded by Cousinit |
gd74-05-19.sbd.clugston.6957.sbeok.shnf | |
1974-05-19 | Portland Memorial Coliseum |
6957 | complete; Master Soundboard Reel > PCM > DAT> CDR; EAC'ed / SHN'ed by Scott Clugston |
gd1974-05-19.sbd.aj.203.sbeok.shnf | |
1974-05-19 | Memorial Coliseum |
203 | SBDMR -> DAT; DAT -> CD -> EAC -> SHN; via A. Jerugim; 5/21: copy retracked on sector boundaries by J. Kempka; see public comments for detailed flaw notes |
gd1974-05-19.sbd.clugston.thir13en.remaster-6957.79781.sbeok.flac16 | |
1974-05-19 | Memorial Coliseum |
79781 | flac16; Remastered version of shn id 6957: Master Soundboard Reel > PCM > DAT> CDR with tweaks to the spectrum (Waves REQ 4-band), light compression (Waves R-Comp), slight warmth enhancement to the low-end (BBE2 lo-contour) and digitally maximized with the Waves L3 Multimaximizer. |
gd1974-05-21.sonyecm18n.lee.miller.98901.flac24 | |
1974-05-21 | Edmundson Pavilion - University of Washington |
98901 | flac24; Recording Info: Sony ECM18N -> Cassette Master (Sony 152SD) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Pat Lee |
gd74-05-21.lee.weiner.gdADT.10150.sbeok.shnf | |
1974-05-21 | Edmundson Pavilion, U of Washington |
10150 | AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony; via David Minches; Seeded to etree by Noah Weiner |
gd74-05-21.sbd-patched.wier.22801.sbeok.shnf | |
1974-05-21 | Edmundson Pavilion, U of Washington |
22801 | MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496 (shn id 2597) patched with AudMC > WAV > SHN (10150) via Charles Wier |
gd74-05-21.sbd.belkin.2597.sbefail.shnf | |
1974-05-21 | Edmundson Pavilion, U of Washington |
2597 | MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN; Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip; remastered version of previous shn set, courtesy Josh Belkin |
gd1974-05-21.dts-dvdaudio.tobin.87164.dvdf | |
1974-05-21 | Edmundson Pavilion - University of Washington |
87164 | DVD-VA; (Video Audio) 2 audio tracks; 1) SBD + AUD Matrix 2 Source Mix (shn id 87114) & 2) DTS Audio 5.1 (shn id 87124); SBD: MSR> C> Dats> CD> EAC> SHN> WAV and AUD: AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee; audio only - no video |
gd1974-05-21.aud-fixed.tobin.87143.sbeok.flac16 | |
1974-05-21 | Edmundson Pavilion - University of Washington |
87143 | flac16; Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony (patched version of shn id 10150 see info file for details) |
gd1974-05-21.sbd.matrix.tobin.87114.sbeok.flac16 | |
1974-05-21 | Edmundson Pavilion - University of Washington |
87114 | flac16; Matrix 2 Source Mix - SBD (shn id 2597) MSR>C>Dats>CD>EAC>SHN>.WAV + AUD (shn id 10150) AudMC > WAV > SHN - matrix mixing by Kevin Tobin |
gd1974-05-21.sonyecm18n.lee.miller.98822.sbeok.flac16 | |
1974-05-21 | Edmundson Pavilion - University of Washington |
98822 | flac16; Recording Info: Sony ECM18N -> Cassette Master (Sony 152SD) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Pat Lee |
gd1974-05-21.mtx.seamons.109887.flac16 | |
1974-05-21 | Edmundson Pavilion, U of Washington |
109887 | flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) |
gd1974-05-21.150950.sony.ecm18n.lee.smith.miller.clugston.flac1648 | |
1974-05-21 | Edmundson Pavilion, University Of Washington |
150950 | flac16/48khz Source Info: Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 |
gd1974-05-21.150951.sony.ecm18n.lee.smith.miller.clugston.flac2496 | |
1974-05-21 | Edmundson Pavilion, University Of Washington |
150951 | flac24/96khz Source Info: Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 |
gd1974-05-21.dts.tobin.87124.sbeok.flac16 | |
1974-05-21 | Edmundson Pavilion - University of Washington |
87124 | DTS Audio 5.1; SBD (shn id 2597) MSR>C>Dats>CD>EAC>SHN>.WAV> Samplitude2496 + AUD (shn id 10150) AudMC > WAV > SHN - dts mixing by Kevin Tobin |
gd1974-05-25.aud.gems.111301.flac16 | |
1974-05-25 | Campus Stadium, UC Santa Barbara |
111301 | flac16; Recording Info: FOB Audience Recording by Jeremy Witt Preserved in posterity for 36 years by Jay Abrams (jra-sm) Recording Equipment: Sony TC-152, Sony Mics, BASF 120 minute cassettes, Dolby B Analog to Analog Transfer June 1974: Sony TC-152 -> Teac 1230 - Scotch 150, 7" Reels at 3 3/4 ips Transfer by Jim Blackwood Dec 23 2010 Editing and Mastering by Jamie Waddell on the GEMS Edit Station at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1kHz conversion TLH for FLAC8 SBE Free |
gd1974-05-25.111432.mtx.sirmick.sbeok.flac16 | |
1974-05-25 | Campus Stadium, UC Santa Barbara |
111432 | flac16; Matrix: 60%sbd/40% aud; Sources: Master Soundboard Reel > Dick Latvala's Cassette > DAT > mastered to CD-R on an HHB CDR-850 > .shn (shnid 2635) Originally seeded to phlash.etree.org by Johnathan Miller. FOB Audience Recording by Jeremy Witt (shnid 111301) Preserved in posterity for 36 years by Jay Abrams (jra-sm) Recording Equipment: Sony TC-152, Sony Mics, BASF 120 minute cassettes, Dolby B Analog to Analog Transfer June 1974: Sony TC-152 -> Teac 1230 - Scotch 150, 7" Reels at 3 3/4 ips Transfer by Jim Blackwood Dec 23 2010 Editing and Mastering by Jamie Waddell on the GEMS Edit Station at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1kHz conversion TLH for FLAC8 SBE Free |
gd1974-05-25.sbd.jmiller.205.sbeok.shnf | |
1974-05-25 | Campus Stadium, UCSB |
205 | MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn; via Jonathan Miller, Adam Roux; David Hollister reports problems on USB track |
gd74-05-25.sbd.moog.2635.sbeok.shnf | |
1974-05-25 | Campus Stadium, UC Santa Barbara |
2635 | MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn DAE/reSHN of shn id 205 shn set, via Doug Moog. David Hollister reports problems on USB track |
gd1974-06-08.135277.mtx.dusborne.flac16 | |
1974-06-08 | Oakland-Alameda County Coliseum |
135277 | flac16; 2 source matrix by Dusborne; Soundboard (shnid:97268), Recording Info: Set 1 + Encores: SBD -> Master Reel -> Reel -> Reel -> Wavelab -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Wavelab -> FLAC, Re-Mastering Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC, Re-mastered By Charlie Miller; Audience (shnid:94596), FOB Master Cassettes (MAC), Analog Lineage: 1 x Sony ECM250 => Sony TC-110 >> MAC, Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96],Mastering: WAV 24/96 > Audition 3.0 > Wavelab 5.0 > Izotope Ozone3(dithering) > CDWave > TLH > Flac 2496, Taped By: Louis Falanga, Transfer By: Bob Menke, Mastering By: Paul Gilbert |
gd74-06-08.aud.clugston.2365.sbeok.shnf | |
1974-06-08 | Oakland-Alameda County Coliseum |
2365 | Master Audience Reel > Reel to Reel > PCM > DAT, plus Master Soundboard Reel > DAT (Playin' > Wharf Rat> Playin', plus Eyes); mastered and seeded by Scott Clugston with thanks to Skankweed; d3 tracked for 80 min; Ship cut on master |
gd1974-06-08.sbd.smith-lee.GEMS.97182.flac16 | |
1974-06-08 | Coliseum Stadium |
97182 | flac16; Set 1 & encores MR>R(JG)>R(WB & Pat Lee)@ 3 3/4 ips. Set 2 Lineage: MR>DAT Transfer info: Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs on the GEMS Edit Station>Trac'ed Cdwave Flac'ed level 8 TLH |
gd1974-06-08.sbd.miller.97268.sbeok.flac16 | |
1974-06-08 | Coliseum Stadium |
97268 | flac16; Recording Info: Set 1 + Encores: SBD -> Master Reel -> Reel -> Reel -> Wavelab -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Wavelab -> FLAC; Mastering Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; Re-mastered By Charlie Miller |
gd1974-06-16.sbd.bryan.207.shnf | |
1974-06-16 | Iowa State Fairgrounds |
207 | SBD (could be MR> C> D); complete version via M. Bryan, G. Hamilton; Bertha- splice @ 4:04- serious mix problems prior to this; Sugaree- MR flip @ 3:59; Playin'- d/o @0:01, d/o @3:16; T.Jed- <1 sec. digi-noise @0:02; W.Rat- MR flip @2:50 |
gd1974-06-16.136659.aud.owen.berger.flac24 | |
1974-06-16 | Des Moines State Fair Grandstand |
136659 | flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger |
gd1974-06-16.136660.aud.owen.berger.flac16 | |
1974-06-16 | Des Moines State Fair Grandstand |
136660 | flac16; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger |
gd1974-06-16.136706.mtx.tobin.flac16 | |
1974-06-16 | Des Moines State Fair Grandstand |
136706 | flac16; Matrix 2 Source Mix - SBD (shnid=17701) S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself + AUD (shnid=136659) flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger - matrix mixing by Kevin Tobin |
gd1974-06-16.136707.dts.tobin.flac16 | |
1974-06-16 | Des Moines State Fair Grandstand |
136707 | DTS-Audio-CD 5.1 Mix; SBD (shnid=17701) S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself + AUD (shnid=136659) flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger - DTS mixing by Kevin Tobin |
gd1974-06-16.136709.5-1.tobin.flac1648 | |
1974-06-16 | Des Moines State Fair Grandstand |
136709 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=17701) S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself + AUD (shnid=136659) flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger - mixing by Kevin Tobin |
gd1974-06-16.143135.sbd.partial.gastwirt.sirmick.miller.flac1644 | |
1974-06-16 | Des Moines State Fair Grandstand |
143135 | flac16; Partial Show Source: SBD > MR > Dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 >wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/48 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered by SIRMick |
gd74-06-16.sbd.fink.17701.sbeok.shnf | |
1974-06-16 | Des Moines State Fair Grandstand |
17701 | S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself |
gd74-06-16.sbd.cribbs.26452.sbeok.shnf | |
1974-06-16 | Des Moines State Fair Grandstand |
26452 | mixed SBD sources: Set 1: MSR> C> DAT> CD Set 2 & 3: MSC> DAT> CD (except for patch in Wharf Rat which is MSR> ?> DAT> CD), lineage reported by Andy Lemieux; assembled/fixed by Sean Cribbs from Alan Fink's, Steve Windsor's and Andy's source material (see notes in txt) |
gd1974-06-16.sbd.fink.15781.shnf | |
1974-06-16 | Iowa State Fairgrounds |
15781 | S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details |
gd1974-06-18.sbd.miller.89690.sbeok.flac16 | |
1974-06-18 | Freedom Hall |
89690 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> SHN -> Cool Edit Pro -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller |
gd74-06-18.sbd.sacks.209.sbefail.shnf | |
1974-06-18 | Freedom Hall |
209 | SBD> MR>1 cass> DAT> ZA2> SHN; newly circulating crisp version); via D. Sacks, D. Hollister; note d3t2 was bad 11/5, fixed 11/8 |
gd1974-06-18.sbd.bertha-ashley.18150.sbeok.shnf | |
1974-06-18 | Freedom Hall |
18150 | Bertha Remaster of the digitized Master Reel source. SBD>>MR>>DAT>>ZA2>>SHN>>DAW(Bertha) - Sound A |
gd1974-06-18.sbd.pitch-fixed-sacks.32528.sbeok.flac16 | |
1974-06-18 | Freedom Hall |
32528 | flac16; Speed Corrected Version of the SBD>MR>1 cass>DAT>ZA2>SHN source Additional lineage for this version: SHN (id=209) > WAV > Cool Edit Pro (see notes) > FLAC(8) |
gd1974-06-20.sbd-set2.finney.211.shnf | |
1974-06-20 | The Omni |
211 | Set II, E; SBD reel -> ??? -> CD; t4 8:50 small reel blip; via D. Finney; additional source info not forthcoming |
gd1974-06-20.sbd.remaster.105427.flac16 | |
1974-06-20 | The Omni |
105427 | flac16; Recording Info: SBD > MR > Cassette > DAT > CD; Transfer Info: CD > Soundforge 8 to retrack and eliminate dead air-no music was cut! > Flac 16. Sourced from shnid 2179 |
gd74-06-20.sbd.clugston.2179.sbeok.shnf | |
1974-06-20 | Atlanta Municipal Auditorium |
2179 | Master 7", 2 track Soundboard Reel > Cassette > DAT > CDR; uploaded by Scott Clugston; via "the usual"; to abgd, later to etree; note d1 tracked for 80 min |
gd1974-06-22.mtx.seamons.106179.flac16 | |
1974-06-22 | Jai-Alai Fronton |
106179 | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) |
gd1974-06-22.148680.Moore.acetboy.flac1644 | |
1974-06-22 | Jai-Alai Fronton |
148680 | flac16; source: aud cassette master; taped by Jerry Moore; new "master" created with the original shn #105825 files; Work done in ProTools LE with final eq tweaks in ocenaudio; see info file for details |
gd74-06-22.sbd.obv.30972.flacf | |
1974-06-22 | Jai-Alai Fronton |
30972 | SBDMR> CASS> DAT> CD> EAC> SHN> DC6> CD; THE OWEN BROTHERS VAULT; Editing and Mastering by The Wizard |
gd74-06-22.aud.obv.30999.shnf | |
1974-06-22 | Jai-Alai Fronton |
30999 | Source: AUD>CASS>DAT>WAV>SHN>DC5>WAV>SHN ; THE OWEN BROTHERS VAULT ; mastering of SHNid=14193; Editing and Mastering by The Wizard |
gd74-06-22.moore.weiner.gdADT13.14193.sbeok.shnf | |
1974-06-22 | Jai-Alai Fronton |
14193 | AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen, December 2002 DAT > SHN/CD by Noah Weiner (noahbw@attbi.com) December, 2002 Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track ids) > SHNTOOL (SBE fix) > MKW (shn) |
gd74-06-22.sbd.sacks.212.sbefail.shnf | |
1974-06-22 | Jai-Alai Fronton |
212 | MR> C> DAT2> CDR3> EAC> SHN; via Darrin Sacks |
gd1974-06-22.sbd.matrix-sb21a.chappell.83488.flac16 | |
1974-06-22 | Jai-Alai Fronton |
83488 | flac 16; Sick Bits Vol. 21a - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=212) + AUD (shnid=14193). Matrixed by Chris Chappell. |
gd1974-06-22.sbd.miller.90200.sbeok.flac16 | |
1974-06-22 | Jai-Alai Fronton |
90200 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller |
gd74-06-22.mtx.seamons.106156.flac24 | |
1974-06-22 | Jai-Alai Fronton |
106156 | flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC24) |
gd1974-06-22.akgd1000e.moore.berger.105825.flac24 | |
1974-06-22 | Jai-Alai Fronton |
105825 | flac24; akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seed by Rob Berger; lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac |
gd1974-06-22.145646.aud.cm.moore.berger.flac16 | |
1974-06-22 | Jai-Alai Fronton |
145646 | flac16; akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seed by Rob Berger; lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac; This file set is 16 bit @ 44.1 |
gd1974-06-23.sbd.OBV.30846.shnf | |
1974-06-23 | Jai-Alai Fronton |
30846 | Remaster of sbd w/ aud patches by Owens Brothers |
gd1974-06-23.aud.obv.96890.sbeok.shnf | |
1974-06-23 | Jai-Alai Fronton |
96890 | AudMC > DAT>CD>DC6>CD Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT, DAT > SHN/CD Editing and Mastering by The Wizard, see info file for details |
gd1974-06-23.148679.Moore.acetboy.flac1644 | |
1974-06-23 | Jai-Alai Fronton |
148679 | flac16; source: aud cassette master; taped by Jerry Moore; new "master" created from the original files from shn #105755; Work done in ProTools LE with final eq tweaks in ocenaudio; see info file for details |
gd1974-06-23.aud-merin.weiner.7894.shnf | |
1974-06-23 | Jai-Alai Fronton |
7894 | AUD MR> R> DAT/1> HD> SHN> CD; recorded by Neil Merin - unknown mics > Uhrer 5" master reel; A>D transfer by Noah Weiner; includes SBD-sourced encore |
gd1974-06-23.122269.mtx.tobin.flac24 | |
1974-06-23 | Jai-Alai Fronton |
122269 | flac24; Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin |
gd1974-06-23.akgd1000e.moore.berger.105755.flac24 | |
1974-06-23 | Jai-Alai Fronton |
105755 | flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 |
gd1974-06-23.122270.mtx.tobin.flac16 | |
1974-06-23 | Jai-Alai Fronton |
122270 | flac16; Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin |
gd74-06-23.moore.weiner.gdADT.14265.sbeok.shnf | |
1974-06-23 | Jai-Alai Fronton |
14265 | AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. |
gd74-06-23.sbd.cribbs.16780.sbeok.shnf | |
1974-06-23 | Jai-Alai Fronton |
16780 | MSR>DAT>CD w/ MAC>DAT patches |
gd1974-06-23.aud.moore.berger.84615.flac16 | |
1974-06-23 | Jai-Alai Fronton |
84615 | flac16; source: aud cassette master akg d1000e's>Sony TC-152 taped by Jerry Moore lineage: aud c.m.>dat>cdr>eac>cd wave>flac transfered by Rob Berger '99, tracking by John Tallmadge |
gd1974-06-23.sbd.matrix-sb21b.chappell.83489.flac16 | |
1974-06-23 | Jai-Alai Fronton |
83489 | flac 16; Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265). Matrixed by Chris Chappell. |
gd1974-06-23.sbd.sacks.213.shnf | |
1974-06-23 | Jai-Alai Fronton |
213 | SBD, with patches (see updated info file for details, including about "blank" tracks); "painstakingly complete" version assembled by J. Belkin; also see additional comments from D. Sacks: contrary to original info file, primary SBD was not subject to NR; report from Skank: only discs 1&2 were posted? to abgd at first, fixed d3 before completing; to etree via A. Stern 2/2; pre-fixed d3 may have been etreed earlier- note fixed d3 has 10 tracks |
gd1974-06-23.sdb.smith.116312.flac16 | |
1974-06-23 | Jai-Alai Fronton |
116312 | flac16; sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith |
gd1974-06-23.mtx.seamons.105983.flac16 | |
1974-06-23 | Jai-Alai Fronton |
105983 | flac16; Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16) |
gd1974-06-23.145674.aud.akg-d1000e.moore.berger.flac16 | |
1974-06-23 | Jai-Alai Fronton |
145674 | flac16; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010; 16 bit 44.1 khz version |
gd1974-06-26.140081.sbd.miller.patched.flac1644 | |
1974-06-26 | Providence Civic Center |
140081 | flac16; Recording Info: SBD > Master Reel > Dat (Panasonic SV-3800/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller |
gd1974-06-26.149947.mtx.seamons.ht119.flac16 | |
1974-06-26 | Providence Civic Center |
149947 | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 140081 & 105919 |
gd1974-06-26.151833.SonyStereo.ECM.Moskal.t.flac16 | |
1974-06-26 | Providence Civic Center |
151833 | flac16/44 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Brian Mandel gdplusmore@aol.com Master Cassette Nakamichi BX-150 Transfer->Nakamichi BX300 Cassette Maxell XL11-S90 x3 circa 1984 Wave/ Flac Conversion & Editing 2-20-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac Edits Tape Flips - Audacity |
gd1974-06-26.136647.aud.cooper.berger.flac24 | |
1974-06-26 | Providence Civic Center |
136647 | flac24; source: aud cassette master; taped by Jimmy Cooper; sony ecm22p’s > hitachi trq-232; nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger |
gd1974-06-26.119613.mtx.dusborne.flac16 | |
1974-06-26 | Providence Civic Center |
119613 | flac16; 2 source matrix: Soundboard (shnid=00214): Source for disc 1: SBD>MR>C>DAT>CDR; Source for discs 2,3: MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2) and Audience (shnid=105919): source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd, (3)maxell ud-120's, dolby b nak dragon>hd-p2 24/96>cd wave>flac |
gd74-06-26.moore.weiner.gdADT17.16037.sbeok.shnf | |
1974-06-26 | Providence Civic Center |
16037 | AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoding by Noah Weiner, gdADT Round 17. Complete with Seastones. |
gd74-06-26.sbd.oleynick.214.sbeok.shnf | |
1974-06-26 | Providence Civic Center |
214 | MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2); seeded by J. Oleynick; note original d1 contains some static blemishes from 'River through Row Jimmy; fixed d1 provided by S. Agan, 2/28, with different source info: SBD> MR> C> DAT> CDR; note most of set II is available as Dick's 12- go buy it |
gd1974-06-26.136648.aud.cooper.berger.flac16 | |
1974-06-26 | Providence Civic Center |
136648 | flac16; source: aud cassette master; taped by Jimmy Cooper; sony ecm22p’s > hitachi trq-232; nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger |
gd1974-06-26.akgd1000e.moore.berger.105919.flac24 | |
1974-06-26 | Providence Civic Center |
105919 | flac24; aud cassette master, 24 bit transfer, rec. by Jerry Moore, transfer/seed by Rob Berger |
gd1974-06-28.149954.mtx.seamons.ht120.flac16 | |
1974-06-28 | Boston Garden |
149954 | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 139780 & 106003. |
gd1974-06-28.sonyecm99.moore.berger.106003.flac24 | |
1974-06-28 | Boston Garden |
106003 | flac24; source: aud cassette master taped by Jerry Moore lineage: aud>sony ecm99 stereo mic>sony tc-152sd (2)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 2/11/10 |
gd74-06-28.moore.weiner.gdADT18.16038.sbeok.shnf | |
1974-06-28 | Boston Garden |
16038 | complete; AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoded by Noah Weiner gdADT Round 18 |
gd74-06-28.set1.sbd.snider.10984.sbeok.shnf | |
1974-06-28 | Boston Garden |
10984 | set 1; SBD> MR> DAT> Sonic Solutions> CD> ?> EAC> SHN; EAC'ed / SHN'ed by Tom Snider, Jr., with thanks to Jeff Cook; other material from show is featured on Dick's Picks 12 itself, go buy it |
gd1974-06-28.139780.sbd.miller.fixed.flac1644 | |
1974-06-28 | Boston Garden |
139780 | flac16; Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Samplitude Professional v11.1 > FLAC/16; All Transfers and Mastering by Charlie Miller; the original version had a cut in Weather Report Suite |
gd1974-06-28.139780.sbd.patched.miller.flac1644 | |
1974-06-28 | Boston Garden |
gd1974-06-28.154913.s1-s2p.aud.flac1644 | |
1974-06-28 | Boston Garden |
154913 | flac1644; Partial Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2021 |
gd1974-06-30.sbd.miller.96275.sbeok.flac16 | |
1974-06-30 | Civic Center |
96275 | flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1974-06-30.akgd1000e.moore.berger.106027.flac24 | |
1974-06-30 | Springfield Civic Center |
106027 | flac24; source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (4)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger |
gd1974-06-30.mtx-set2.sirmick.89998.sbeok.flac16 | |
1974-06-30 | Springfield Civic Center |
89998 | flac16; Set 2 only, Matrix of the following sources: sbd: mr > datx2 > cd > shn > wav > shn (shnid 17814) and aud: mc > dat > wav > shn (shnid 15537). This source fixed a flaw in d2t04 of shn id 82179 |
gd74-06-30.moore.weiner.gdADT16.15537.sbeok.shnf | |
1974-06-30 | Springfield Civic Center |
15537 | AudMC > DAT > WAV > SHN Recorded by Jerry Moore, 1st level off floor, audience right, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT by Mark Cohen encoding Noah Weiner gdADT Round #16 |
gd74-06-30.sbd.weiner.17814.sbeok.shnf | |
1974-06-30 | Springfield Civic Center |
17814 | SBDMR > DATx2 > CD > SHN > WAV > SHN; Soundboard: DAT > CD > SHN transfer by Dan Lynch; Final editing and AUD patching by Noah Weiner |
gd1974-06-30.mtx.haugh.97185.flac16 | |
1974-06-30 | Springfield Civic Center Arena |
97185 | flac16; SBD + AUD Matrix Mix (65%/SBD + 35%/AUD) from SBD (shnID = 96275) Recording Info: SBD > Master Reel > CD and AUD (shnID = 15537) AudMC > DAT > WAV > SHN |
gd1974-06-30.143331.sony-ecm99.warburton.smith.sirmick.flac2496 | |
1974-06-30 | Springfield Civic Center |
143331 | flac24; Source: Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018 |
gd1974-06-30.145132.aud.akg.1000e.moore.berger.flac1644 | |
1974-06-30 | Springfield Civic Center |
145132 | flac16; source: aud cassette master taped by Jerry Moore; lineage: aud>akg d1000e's>sony tc-152sd (4)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac; transferred & seeded by Rob Berger; This file set is 16 bit @ 44.1 |
gd1974-06-30.145133.fob.sony.ecm99.warburton.smith.sirmick.flac1644 | |
1974-06-30 | Springfield Civic Center |
145133 | flac16; Source: Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018; This file set is 16 bit @ 44.1 |
gd1974-06-30.155034.s1.aud.flac1644 | |
1974-06-30 | Springfield Civic Center |
155034 | flac1644; 1st Set, Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2021 |
gd1974-06-30.dts.mtx.haugh.97225.flac16 | |
1974-06-30 | Springfield Civic Center Arena |
97225 | DTS Audio 5.1; DTS-Audio-CD 5.1 Mix of SBD (shnID = 96275) Recording Info: SBD > Master Reel > CD and AUD (shnID = 15537) AudMC > DAT > WAV > SHN |
gd1974-06-30.dts.haugh.97650.dvda | |
1974-06-30 | Civic Center |
97650 | DVD-Audio 5.1 Surround Sound (MLP Encoded 6ch x 16/44) Soundboard - Aud Matrix by Dan Haugh |
gd1974-07-19.shure.unknown.fix-102766.102866.flac16 | |
1974-07-19 | Selland Arena |
102866 | flac 16 Source: Recorded by AS and friends with borrowed UC Santa Cruz AV gear; 2 Shure omni mics > Sony portable (152 possibly) cassette recorder; Nakamichi Dragon > Panasonic 3800 DAT > Apple G4 (Peak editing) > Xact; Pitch corrected -72 cents from master playback |
gd74-07-19.sbd.symons.12381.sbeok.shnf | |
1974-07-19 | Selland Arena |
12381 | MSR > D > CD patched with MAC > C > C > D Mastering and patches by Dave Greenberg. SHN conversion by Jay Gerland (EAC/mkwACT). Project instigated and organized by Jim Powell. Additional patching by Tim Symons 7-29-02; Note- This is the previous shn set with the 'additional patching'. (Upgrade now in circulation.) |
gd1974-07-19.mtx.sirmick.103132.sbeok.flac16 | |
1974-07-19 | Selland Arena |
103132 | flac16; Matrix 60% sbd/40% aud (- 4dbs) sbd - shnid 32634 Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) aud - shnid 102866 Recorded by AS and friends with borrowed UC Santa Cruz AV gear 2 Shure omni mics > Sony portable (152?) cassette recorder Nakamichi Dragon > Panasonic 3800 DAT > Apple G4 (Peak editing) > Xact |
gd1974-07-19.sbd.gans-finney.217.sbeok.shnf | |
1974-07-19 | Selland Arena |
217 | set 2 partial; MR> DAT> CDR; seed via D. Gans, D. Finney; md5s for shns and wavs given (complete show now in circulation (Upgrade now in circulation.) |
gd1974-07-19.sbd.pre-dankfix.4596.sbeok.shnf | |
1974-07-19 | Selland Arena |
4596 | complete; Master Reel> Cassette(1)> DAT@44.1K> DAT> WAV> Soundforge 4.0> CDWAV> SHN w/seek tables appended; DAT> WAV via Sony SDT-9000 DDS Drive using VDat DAT seed from Rob Eaton, DAT>SHN by Jamie Lutch, QC by dankseeds; see info file for flaw and editing notes; see pub comments for d2 md5 notes (Upgrade now in circulation.) |
gd1974-07-21.ecm22p.bertrando.motb0056.88979.sbeok.flac16 | |
1974-07-21 | Hollywood Bowl |
88979 | flac16; MOTB Release: 0056 16/44.1 Analog Audience Source: FOB Cassette (MAC) Analog Copy Instances: Reel 1 (R1) Medium Stock Brands: MAC = Sony C90 [CrO2], R1 = Maxell UD 35-90 Analog Lineage: 2 x Sony ECM-22P => Sony TC-152SD >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [3.75 IPS] >> R1 Analog Medium Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rob Bertrando R1 Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe |
gd1974-07-21.ecm22p.bertrando.89033.flac24 | |
1974-07-21 | Hollywood Bowl |
89033 | flac24 MOTB Release: 0056 24/96 Analog Audience Source: FOB Cassette (MAC) Analog Copy Instances: Reel 1 (R1) Medium Stock Brands: MAC = Sony C90 [CrO2], R1 = Maxell UD 35-90 Analog Lineage: 2 x Sony ECM-22P => Sony TC-152SD >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [3.75 IPS] >> R1 Analog Medium Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rob Bertrando R1 Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe |
gd74-07-21.fob-patched.miller.31436.sbeok.flacf | |
1974-07-21 | Hollywood Bowl |
31436 | flac16; (FOB) Sony ECM-22P -> Cassette Master (Sony TC-152) -> Reel -> Dat All transfers and Remastering By Charlie Miller |
gd74-07-21.bertrando.weiner.8241.sbeok.shnf | |
1974-07-21 | Hollywood Bowl |
8241 | Rob Bertrando's Sony ECM-22P mics > Sony TC-152 Cassette Master; AudMC >Reel > DAT > CD; Seeded to etree by Noah Weiner |
gd1974-07-21.sonyecm.bertrando.gustin-gardner.8102.shnf | |
1974-07-21 | Hollywood Bowl |
8102 | Sony ECM-22p > Sony TC-152 master cassette > reel > DAT > CDR; taper Rob Bertrando; via Andy Gustin, Tony Gardner; end of Scarlet cut |
gd1974-07-25.152924.sbd.gems.remastered.flac16 | |
1974-07-25 | International Amphitheater |
152924 | flac16 Source: SBD -> Vault Master Reel -> Dat -> Sonic Solutions -> CD Remastered by Jim Blackwood Pitch Correction by Jason Chastain |
gd74-07-25.sbd.fink.1072.sbeok.shnf | |
1974-07-25 | International Amphitheater |
1072 | SBD MR > CASS > DAT > CD; original seed via Jim Wise; via Jon Miller, Alan J. Fink, Greg Hamilton; see info file and addendum for notes |
gd74-07-25.sbd.miller.12656.sbeok.shnf | |
1974-07-25 | International Amphitheater |
12656 | SBD -> Rm -> Dat -> Sonic Solutions -> CD seeded by Charlie Miller |
gd1974-07-27.132188.southern.flac16 | |
1974-07-27 | Civic Center |
132188 | flac16; unknown gen audience recording > ? > FLAC |
gd1974-07-27.akgd200e.unk.sirmick.132282.sbeok.flac16 | |
1974-07-27 | Civic Center |
132282 | flac16; Source: Audience Recording > AKG D200e's > Sony TCC152 SD > mac > rr > dat > cdr; Lineage: cdr > eac > wav > Adobe Audition 1.5 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16 |
gd1974-07-27.sbd.miller.107804.flac16 | |
1974-07-27 | Civic Center |
107804 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> SHN Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1974-07-27.136793.mtx.dusborne.flac16 | |
1974-07-27 | Civic Center |
136793 | flac16; 2 Source Matrix by Dusborne; Soundboard (Shnid:107804) Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> SHN; Transfer Info: SHN-> Adobe Audition v3.0-> Samplitude Professional v11.03-> FLAC; Audience (Shnid:132282) Source: Audience Recording > AKG D200e's > Sony TCC152 SD > mac > rr > dat > cdr,Lineage: cdr > eac > wav > Adobe Audition 1.5 > iZotope RX4 Advanced > iZotope 5 Advanced >CD Wave > TLH > Flac 16 |
gd74-07-27.sbd.kaplan.2420.sbeok.shnf | |
1974-07-27 | Roanoke Civic Center |
2420 | SBD> MR> C> DAT> CDR; via Seth Kaplan |
gd1974-07-29.sbd.miller.107756.flac16 | |
1974-07-29 | Capital Centre |
107756 | flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1974-07-29.mtx.seamons.108281.flac24 | |
1974-07-29 | Capital Centre |
108281 | flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC2496 & FLAC1644 > AIFF > Final Cut [2496] > tracking via Audacity > FLAC2496 via xAct) |
gd1974-07-29.107990.mtx.seamons.flac16 | |
1974-07-29 | Capitol Center |
107990 | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut (2496) > AIFF CD tracking via Audacity [w/dither] > FLAC1644 via xAct) |
gd74-07-29.moore.weiner.gdADT20.17968.sbeok.shnf | |
1974-07-29 | Capitol Centre |
17968 | AudMC > DAT > WAV > SHN. Recorded by Jerry Moore(see notes), 1st level off floor, audience left, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON, Analog > DAT transfer by Mark Cohen, DAT > SHN/CD by Noah Weiner |
gd74-07-29.sbd.goodbear.2277.sbefail.shnf | |
1974-07-29 | Capitol Centre |
2277 | SBD:MR> C1> DAT @ 48kHZ > Sony DAT deck PCM-R300 > coaxial s/pdif > pentium II 350 mHz via Turtle Beach "Fiji" soundcard > CoolEdit Pro > convert to 44.1kHz in CoolEdit Pro > Smart & Friendly CDR SCSI drive > CD; some diginoise was fixed, some smaller diginoise was not; tracked for 2x80 plus encore for filler elsewhere, but can fit on 3x74; via Teddy Good Bear, Doug Johnson to abgd |
gd74-07-29.matrix.chappell.29482.sbeok.flacf | |
1974-07-29 | Capital Centre |
29482 | flac16; Sick Bits Vol. 8 - SBD/AUD Matrix of 2 previously circulating sources: (SBD - SHN ID# 2277, and AUD - SHN ID# 17968); edited and transfered by Chris Chappell |
gd1974-07-29.akgd1000e.moore.berger.106066.flac24 | |
1974-07-29 | Capital Centre |
106066 | flac24; source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (2)tdk c-120sd's**, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 2/14/10 |
gd1974-07-31.sbd.matera.112951.flac16 | |
1974-07-31 | Dillon Stadium |
112951 | flac16; The baseline used for this release: gd1974-07-31.1019 (SBDMR> DATx> CD> DAT> CD> EAC> SHN) I used Cool Edit 2000 to perform amplitude and EQ adjustments. EQ with Cool Edit 2000 by Phil Matera** philipmatera@optonline.net |
gd1974-07-31.115499.aud-anderson.bershaw-berger.flac16 | |
1974-07-31 | Dillon Stadium |
115499 | flac16; source: aud 1st gen reel; master taped by Jim Anderson; lineage: aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac |
gd74-07-31.degen.weiner.gdADT.7363.sbeok.shnf | |
1974-07-31 | Dillon Stadium |
7363 | AudMC > 7" Reel > DAT > WAV > SHN; via Bill Degen; Noah Weiner |
gd74-07-31.sbd.ziggy.1019.sbeok.shnf | |
1974-07-31 | Dillon Stadium |
1019 | SBDMR> DATx> CD> DAT> CD> EAC> SHN; via Ziggy, Jack Warner, Kirby "Chalupa" Bell, Darrin Sacks; see info file for minor anomalies |
gd74-08-04.aud-moore.weiner.20369.sbeok.shnf | |
1974-08-04 | Philadelphia Civic Arena |
20369 | AUDMC > DAT > WAV > SHN Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen DAT > SHN/CD by Noah Weiner |
gd74-08-04.sbd.sacks.1574.sbeok.shnf | |
1974-08-04 | Philadelphia Civic Arena |
1574 | MSR> DATs> CDRs> EAC> SHN; small aud patches in PITB (14:28-14:41) and LIG (16:20-16:35) and the first few seconds of Sugar Magnolia; via Bob Fishman, Darrin Sacks |
gd1974-08-04.157364.s1.unk-aud.flac1644 | |
1974-08-04 | Philadelphia Civic Arena |
157364 | flac1644; Set One; Source: Lo-Fi mono AUD from the tape collection of Rich Petrunis & with thanks to John Petrunis. Transfer: TDK SD-90 (c.1975) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 07/2022 |
gd1974-08-04.sbd.unknown.1631.shnf | |
1974-08-04 | Civic Convention Hall Auditorium |
1631 | SBD> MR> DAT> CDR; transfer by Stephen Agan; via Bob Allred to vines, offer; tracked differently from Sacks shn set, but with same AUD patches: in PITB (14:28-14:41) and LIG (16:20-16:35) and the first few seconds of Sugar Magnolia; see pub comments for additional notes |
gd1974-08-05.151039.sbd.eaton-miller.flac1644 | |
1974-08-05 | Philadelphia Civic Arena |
151039 | flac16/44.1khz Recording Info: SBD > Reel Master (7in 7.5ips 1/2trk) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamkichi Dragon) > DAT (Panasonic SV-3800/48k) > Avid MBox Pro > Pro Tools 12 > WAV (44.1k) |
gd74-08-05.aud.weiner.21294.sbeok.shnf | |
1974-08-05 | Philadelphia Civic Arena |
21294 | AUDMC > DAT > WAV > SHN - Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Added to etree by Noah Weiner. |
gd74-08-05.sbd.sacks.1826.sbeok.shnf | |
1974-08-05 | Philadelphia Civic Arena |
1826 | MSR> C> C> DATs> CDRs> EAC, with AUD patches from Jerry's Moore's MC>D>CD (AKG D1000s>Sony TC-152); via Darrin Sacks |
gd1974-08-05.108814.sbd.jfishman.flac16 | |
1974-08-05 | Philadelphia Civic Arena |
108814 | flac16; Source: MSR>C>C>DAT Conversion : DAT @ 48k - > HT OMega 7.1 Soundcard (Optical Inputs)>WAV (48)> Syntillium Cool Edit Downsample to 44.1 WAV>CD WAV (Track Split)>FLAC |
gd1974-08-05.140873.sbd.jam-segment.pcm.dalton.miller.clugston.flac1644 | |
1974-08-05 | Philadelphia Civic Arena |
140873 | flac16; Recording Info: Soundboard > ?? > PCM (16 bit) (Sony HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16. Note this originally circulated as a soundcheck for 6/22/1974 but was identified as the jam from 8/5/1974 and has been moved to the correct date. |
gd1974-08-06.135929.mtx.tobin.flac16 | |
1974-08-06 | Roosevelt Stadium |
135929 | flac16; Matrix 2 Source Mix - SBD (shnid=1463) fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" + AUD (shn id 135848) source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger - matrix mixing by Kevin Tobin |
gd1974-08-06.135930.dts.tobin.flac16 | |
1974-08-06 | Roosevelt Stadium |
135930 | DTS-Audio-CD 5.1 Mix; SBD (shnid=1463) fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" + AUD (shn id 135848) source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger - DTS mixing by Kevin Tobin |
gd1974-08-06.126356.mtx.dusborne.flac16 | |
1974-08-06 | Roosevelt Stadium |
126356 | flac16; 2 Source Matrix by dusborne; Soundboard (shnid:1463) MR > DAT > CD > Sonic Solutions > CD Circulation > Plextor SCSI 40x Reader > EAC and Audience (shnid:5914) MR>R>DAT>HD>Soundforge>SHN>CD; Recorded by Neil Merinu sing an unknown mic (mono) onto a Uhrer 5" reel deck. The end of the show plus other missing parts from Neil's tapes are supplied by Ihor Slabicky's recording (AUDMC>DAT>HD> Soundforge>SHN>CD) |
gd1974-08-06.135847.aud.cooper.berger.flac16 | |
1974-08-06 | Roosevelt Stadium |
135847 | flac16; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 xACT flac; transfer & seeded by Rob Berger |
gd1974-08-06.135848.aud.cooper.berger.flac24 | |
1974-08-06 | Roosevelt Stadium |
135848 | flac24; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger |
gd1974-08-06.135934.5-1.tobin.flac1648 | |
1974-08-06 | Roosevelt Stadium |
135934 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=1463) fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" + AUD (shn id 135848) source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger - mixing by Kevin Tobin |
gd74-08-06.merin.weiner.gdADT.5914.sbefail.shnf | |
1974-08-06 | Roosevelt Stadium |
5914 | AUD (unknown mic) MR> R> DAT> HD> Soundforge> SHN> CD, recorded by Neil Merin; plus patches from Ihor Slabicky's AUD (see info file); A>D by Noah Weiner; via Audience Devotional Tree |
gd74-08-06.sbd.deadlists.1463.sbeok.shnf | |
1974-08-06 | Roosevelt Stadium |
1463 | fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" |
gd1974-09-09.sbd.dp7-outtakes.sirmick.fix-32642.97013.flac16 | |
1974-09-09 | Alexandra Palace |
97013 | flac 16; Source: sbd > mr > dat (x2) > cdr > eac > mkwact > wav > flac |
gd1974-09-09.135635.partial.sbd.phillips.flac16 | |
1974-09-09 | Alexandra Palace |
135635 | flac16; Partial SBD > ? > flac |
gd74-09-09.sbd.sly.12846.sbeok.shnf | |
1974-09-09 | Alexandra Palace |
12846 | SBD>MR>DAT(X2)>CDR; Note- Missing 6 of last 8 songs; Seeded to etree by Sly_Wow |
gd1974-09-09.135655.sbd.new.patched.miller.flac16 | |
1974-09-09 | Alexandra Palace |
135655 | flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1974-09-10.135699.sbd.new.patched.miller.flac16 | |
1974-09-10 | Alexandra Palace |
135699 | flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd74-09-10.sbd.samaritano.18806.sbeok.shnf | |
1974-09-10 | Alexandra Palace |
18806 | Vault Soundboard Reels->Cassette->DAT->PCM->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano |
gd1974-09-10.135654.mtx.powell.flac16 | |
1974-09-10 | Alexandra Palace |
135654 | flac16; Lineage: Vault Soundboard Reels->Cassette-> DAT->PCM->DAT |
gd74-09-11.sbd.powell.12183.sbeok.shnf | |
1974-09-11 | Alexandra Palace |
12183 | Candelario Matrix MSR D CD except first 15:22 of Seastones (on Disc #2): AUD end of Sunshine Daydream and encore: AUD See info file for details; Mastering by Dave Greenberg; via Jed Distler; Seeded to etree by Jim Powell and Jay Gerland; See note in 'public comment' area regarding d3fix md5's |
gd1974-09-11.sbd.hamilton.3190.shnf | |
1974-09-11 | Alexandra Palace |
3190 | complete; SBD Reel master > DAT > CDR > EAC > SHN; Extraction and .shn encoding by Seth Kaplan; Slight retracking of discs 2 and 3 (CoolEdit/CDWav) and re-shn (v2) by G.S. Hamilton; to BUDD and etree; note parts of the run are on Dick's Picks 7- go buy it |
gd1974-09-11.sbd.partial.cribbs.121207.flac16 | |
1974-09-11 | Alexandra Palace |
121207 | flac16; Partial SBD > Master Reel > DAT > Sonic Solutions > DAT > CD > FLAC |
gd1974-09-11.132458.mtx.GEMS-BCE.flac16 | |
1974-09-11 | Alexandra Palace |
132458 | flac16; 3 source matrix by Dusborne; Soundboard 1(Shnid:012183) Candelario Matrix MSR > D> CD; Soundboard 2(Shnid:121207) SBD > Master Reel > DAT > Sonic Solutions > DAT > CD > FLAC and Audience (Shnid:131901) unknown taper; Gen 2 Cassettes; Transferred on a NakCr7a |
gd1974-09-11.135802.sbd.miller.flac16 | |
1974-09-11 | Alexandra Palace |
135802 | flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version in circulation |
gd1974-09-11.sbd.unknown.4647.shnf | |
1974-09-11 | Alexandra Palace |
4647 | SBD (as previous shn set), with added AUD patches- see info file for details; patching by Hanno Bunjes, some cleanup by Alasdair; to BUDD offer; Hanno's notes; note d3 tracked for 80 min; note parts of the run are on Dick's Picks 7- go buy it |
gd74-09-14.sbd.miller.30653.sbeok.flacf | |
1974-09-14 | Olympia Halle |
30653 | flac16; Recording Info: SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller |
gd1974-09-14.28353.sbeok.flac16 | |
1974-09-14 | Olympia Halle |
28353 | flac16; Set 2, plus Phil/Ned; SBD> Master Reel (7in @ 7.5ips 1/2tr)> Dat (3700/44.1k)> Dat (3800/44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller |
gd1974-09-14.131395.mtx.dusborne.flac16 | |
1974-09-14 | Olympia Halle |
131395 | flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:30653) Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; Transferred and Edited By Charlie Miller and Audience (shnid:9890) MAR > CD. This audience tape was mastered by Gerhard Schinzel from mid-floor using a Philips mic and a Telefunken reel deck. The reel masters were transferred to CD by Uli Teute and were re-mastered by Dave Greenberg |
gd74-09-14.aud.hanno.6162.sbeok.shnf | |
1974-09-14 | Olympia Halle |
6162 | AUD MR> D> CD; via Hanno Bunjes; Sugar Magnolia has dropout (seems to be on all copies); Hanno's notes |
gd74-09-18.sbd.bertha-ashley.21925.sbeok.shnf | |
1974-09-18 | Parc des Expositions |
21925 | Bertha Remaster of the master reel source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B+ |
gd1974-09-18.sbd.miller.20675.shnf | |
1974-09-18 | Parc des Expositions |
20675 | Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) SHN'd By Charlie Miller from Pre-FM GDH Production Discs charliemiller87@earthlink.net 11/19/03 |
gd74-09-18.prefm.eurodead.5807.sbeok.shnf | |
1974-09-18 | Parc des Expositions |
5807 | SBD > pre-FM master (reel?) > DAT CD, patched with SBD > master reel > PCM > DAT > CD > SoundForge >CD; pitch modified, plus other editing- see notes in info file; missing USB, Phil and Ned |
gd74-09-18.sbd.miller.20732.sbeok.shnf | |
1974-09-18 | Parc des Expositions |
20732 | Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN via Charlie Miller ((/shn/20675) with one track modified to remove a pop (see notes) by Matt Vernon |
gd1974-09-20.131529.sbd.miller.flac16 | |
1974-09-20 | Palais Des Sports |
131529 | flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1974-09-20.154273.s1.aud.flac1644 | |
1974-09-20 | Palais Des Sports |
154273 | flac1644; 1st Set; Source: Unknown mono Lo-Fi AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021 |
gd74-09-20.sbd.gasperini.5648.sbeok.shnf | |
1974-09-20 | Palais Des Sports |
5648 | SBD > master reel > reel to reel > DAT > CD > SoundForge > CD; stemming from Marcello Gasperini?s and Julian's source material; see info file for various fixes and flaws; to a tree?, runs a bit slow? (see notes in info for companion 9/21/74 shns) |
gd74-09-21.sbd.miller.30654.sbeok.flacf | |
1974-09-21 | Palais Des Sports |
30654 | flac16; SBD -> Master Reel -> Reel -> Dat Transferred and Edited By Charlie Miller |
gd1974-09-21.131530.sbd.miller.flac16 | |
1974-09-21 | Palais Des Sports |
131530 | flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd74-09-21.sbd.eurodead.5649.sbeok.shnf | |
1974-09-21 | Palais Des Sports |
5649 | sets 2,3; SBD > master reel > reel to reel > DAT > CD > SoundForge > CD, plus patches; see info file for fixes and flaws; d2 tracked for 80 min; to a tree?; reportedly runs a bit fast; includes 1/24/69 filler |
gd1974-10-16.131539.mtx.dusborne.flac16 | |
1974-10-16 | Winterland Arena |
131539 | flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:90145) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC and Audience (shnid:107036) Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 2 x Maxell UD C120; Analog Lineage: Sony ECM 250 >> Sony 110 (mono) >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Louis Falenga |
gd1974-10-16.fob.sonyecm250.falenga.motb-0131.107036.flac16 | |
1974-10-16 | Winterland Arena |
107036 | flac16; Sony ECM 250 >> Sony 110 (mono)Â >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Louis Falenga |
gd74-10-16.sbd-patched.unknown.222.fails-md5.sbeok.shnf | |
1974-10-16 | Winterland Arena |
222 | SBD: MR> R> C> D> CD> EAC> SHN, with Aud patches: Aud master> Rx2> C> D> CD; via A. Kowalski to BUDD and GDH-Trading; 10/22/67 filler; PITB split into 2 tracks at d/o removal (md5 version d2b); d2a.md5 likely reflects pre-split PITB and may not circulate |
gd74-10-16.sbd.fishman.12577.sbeok.shnf | |
1974-10-16 | Winterland Arena |
12577 | Source: Reel Master>Cassette>DAT>EAC 0.93b>MKWACT via JR Fishman |
gd1974-10-16.137663.set2.aud.smith.sirmick.sbeok.flac16 | |
1974-10-16 | Winterland Arena |
137663 | flac16; Set 2 Source: Master Audience Reel > Reel; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > iZotope RX5 Advanced > wav 16/44.1 > CD Wave > TLH > flac16; edited and mastered SIRMick |
gd1974-10-16.137664.set2.aud.smith.sirmick.sbeok.flac24 | |
1974-10-16 | Winterland Arena |
137664 | flac24; Set 2 Source: Master Audience Reel > Reel; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > CD Wave > TLH > flac24; edited and mastered SIRMick |
gd1974-10-17.140588.SBD.Gastwirt.Miller.Noel.t-flac1644 | |
1974-10-17 | Winterland Arena |
140588 | flac16/48kHz; Soundboard > 1st gen reel > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/48; Checksum & tags created in xACT |
gd74-10-17.sbd.barbella.16189.sbeok.shnf | |
1974-10-17 | Winterland Arena |
16189 | MultiTrack Master Reel > DAT > Sonic Solutions > CD; see info file for notes; via Steve Barbella, Rich Danyko, Matt Vernon |
gd1974-10-17.sbd.royer.10360.shnf | |
1974-10-17 | Winterland Arena |
10360 | MSR>DAT>CDR; Seeded to etree by Carl Royer |
gd1974-10-17.137630.partial.aud.smith.sirmick.sbeok.flac16 | |
1974-10-17 | Winterland Arena |
137630 | flac24; Partial Set 1 & 2 Source: Room mics * > Master Audience Reel > Reel From The Debbie Stash; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > CD Wave > TLH > flac24; edited and mastered SIRMick |
gd1974-10-18.111459.gems.BOSWELL-SMITH.flac24 | |
1974-10-18 | Winterland Arena |
111459 | flac24; Multi-track SBD reels > ? > reel > ? > FLAC; Presented by Jamie Waddell; A **GEMS** Production January 2011 |
gd1974-10-18.sbd.miller.110771.flac16 | |
1974-10-18 | Winterland Arena |
110771 | flac16; Recording Info: Set 1: SBD -> Master Reel -> Reel -> Reel -> PCM -> Dat (44.1k); Set 2: SBD -> Master Reel -> Dat (44.1k); Set 3: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd74-10-18.sbd.bertha-ashley.22796.sbeok.shnf | |
1974-10-18 | Winterland Arena |
22796 | Bertha Remaster of the Master Reel and multi-gen Reel source; SBD>>MR>>MDAT(44.1k)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B to A+ |
gd74-10-18.sbd.miller.21785.sbeok.shnf | |
1974-10-18 | Winterland Arena |
21785 | Set I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II and III : SBD -> Reel Master -> Dat Master (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Transfered and Edited By Charlie Miller |
gd74-10-18.sbd.romanski.5436.sbeok.shnf | |
1974-10-18 | Winterland Arena |
5436 | sets 2,3; SBD MR > PCM > DAT 44.1kHz > CD > shn; via Jack Romanski to gdlive |
gd1974-10-18.BEAR.gems.110515.flac16 | |
1974-10-18 | Winterland Arena |
110515 | flac16; Bear's reel [1974] > a cassette made at bears house [1996] > mastering room capture in the analog domain in real time to digital [2010] no eq, limiting or compression or color was applied at any stage; Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell |
gd1974-10-18.BEAR.gems.110558.flac24 | |
1974-10-18 | Winterland Arena |
110558 | flac24; Bear's reel [1974] > a cassette made at bears house [1996] > mastering room capture in the analog domain in real time to digital [2010] no eq, limiting or compression or color was applied at any stage; Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell |
gd1974-10-19.sbd.dfinney.228.shnf | |
1974-10-19 | Winterland Arena |
228 | SBD; via D. Finney, stemming from Frank's Picks tree- more info; note some material from show appears on album Steal Your Face- go buy it; see public comments for flaw notes |
gd1974-10-19.131694.sbd.boswell-smith.flac24 | |
1974-10-19 | Winterland Arena |
131694 | flac24; Lineage: 16 track "truck monitor mix" > 2 track mixdown reel > R @ 3 3/4 ips. > FLAC; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered October 2014 by Matt Smith |
gd1974-10-19.152593.aud.flac1644 | |
1974-10-19 | Winterland Arena |
152593 | flac1644; Source: Unknown AUD from the collection of Rich Petrunis. Transfer: TDK Audua-90's (normal bias) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021 |
gd1974-10-19.112531.sbd.BEAR.partial.twotapesides.flac24 | |
1974-10-19 | Winterland Arena |
112531 | flac24; 24 bit 88.2kHz SBD Reel > cass Recorded by the Immortal Owsley Stanley; |
gd74-10-19.sbd.fink.227.sbeok.shnf | |
1974-10-19 | Winterland Arena |
227 | SBD multitrack > DAT > CD; via A. Fink, M. Ferguson; known flaw: d3 Beginning of Sugar Magnolia is cut; note some material from show appears on album Steal Your Face- go buy it |
gd74-10-19.sbd.miller.21927.sbeok.shnf | |
1974-10-19 | Winterland Arena |
21927 | Recording Info: SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k) Transfer Info: Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) Patch Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN Transfered and Edited By Charlie Miller charliemiller87@earthlink.net 1/14/04 |
gd1974-10-19.sbd-pset1.bear.gems.stevesw.112791.flac16 | |
1974-10-19 | Winterland Arena |
112791 | flac16; reel > cass recorded by Owsley Stanley cass > 24bit/88.2kHz by Blackwood/Waddell dithered/tracked by SteveSw |
gd1974-10-19.sbd.boswell-smith.116341.flac24 | |
1974-10-19 | Winterland Arena |
116341 | flac24; Lineage:16 track "truck monitor mix">2 track mixdown reel(Garcia's)>R @ 3 3/4 ips.>FLAC Transferred by: Matt Smith |
gd1974-10-19.139578.sbd.gastwirt.miller.sirmick.flac16 | |
1974-10-19 | Winterland Arena |
139578 | flac16; Source: sbd > 2nd gen cassette > dat (44.1k) - provided by Rich Gastwirt; Transfer: Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audion 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick; Fixed version in circulation |
gd1974-10-19.140626.sbd.gastwirt.miller.sirmick.fixed.flac1644 | |
1974-10-19 | Winterland Arena |
140626 | flac16; Source: sbd > 2nd gen cassette > dat (44.1k) - provided by Rich Gastwirt; Transfer: Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audion 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; This is a fixed version of source ID 139578 |
gd1974-10-20.sbd.alligator.GEMS.94851.flac16 | |
1974-10-20 | Winterland Arena |
94851 | flac16; SBD>7" 1/2 track 7 1/2 IPS MR>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>cdwave>Flac |
gd1974-10-20.132112.sbd.boswell-smith.flac24 | |
1974-10-20 | Winterland Arena |
132112 | flac24; Lineage: 16 track "truck monitor mix" > 2 track mixdown reel(Garcia's) > R @ 3 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered December 2014 by Matt Smith |
gd1974-10-20.132113.sbd.boswell-smith.flac16 | |
1974-10-20 | Winterland Arena |
132113 | flac16; Lineage: 16 track "truck monitor mix" > 2 track mixdown reel(Garcia's) > R @ 3 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered December 2014 by Matt Smith |
gd74-10-20.sbd.finney.229.sbeok.shnf | |
1974-10-20 | Winterland Arena |
229 | mixed sources (see info file, and for flaws); via D. Finney, stemming from Frank's Picks tree- more info; note some material from show appears on album Steal Your Face- go buy it; see public comments for quality note |
gd1974-10-20.sbd.smith-lee.GEMS.97193.flac16 | |
1974-10-20 | Winterland Arena |
97193 | flac16; Lineage: Multitrack MR>2 track mixdown>?R>R>CD Transfer info: Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs>Trac'ed Cdwave Flac'ed level 8 TLH |
gd74-12-xx.mars-hotel.12468.sbeok.shnf | |
1974-12-01 | Studio |
12468 | Mars Hotel Outtakes; SBD>?>CDR |