Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1974-02-22.151721.sbd.miller.flac1644
1974-02-22Winterland Arena
151721flac16/44 Fixed version of Recording Info: SBD > Master Reel > Dat Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Samplitude Professional v11.2 > FLAC
gd1974-02-22.sbd-snchk.sirmick.21128.sbeok.shnf
1974-02-22Winterland Arena
21128Lineage: SBD > D > CD > SSSB *12-14-2002* Files were run through shntool to correct sector boundary errors. The date was also corrected as the soundcheck does not circulate from the 24th, because there wasn't one....FLAC encoding and shntool processing done by Mr. Marmar 12/2002 Converted from flac to shn by SIRMick (thedarkstar@btinternet.com)
gd74-02-22.sbd.patched.sirmick.21539.sbeok.shnf
1974-02-22Winterland Arena
21539Sources: 1 - sbd > ? > shn > wav > shn 2 - sbd > cass? > cdr > wav > shn via SIRMick (thedarkstar@btinternet.com)
gd74-02-22.sbd.unknown.11654.sbeok.shnf
1974-02-22Winterland Arena
11654SBD > ? > SHN; Missing Sugar Mag's & UJB; Unknown seeder
gd1974-02-22.sbd.gans-latvala.samaritano.26763.shnf
1974-02-22Winterland Arena
26763mixed SBD sources: Vault MR> DAT 48k, plus MR> Cassette> DAT 44.1k, with small patches from MR> Cassette> DAT> CD; Transfer: DAT> Audiophile 2496> Samplitude v7.02 Professional> SHN; Transfer, editing, and SHN by Joe Samaritano, with thanks to Michael P. Weitzman, David Gans, Charlie Miller
gd1974-02-22.114556.sbd.miller.flac16
1974-02-22Winterland Arena
114556flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1974-02-23.151722.sbd.miller.flac1644
1974-02-23Winterland Arena
151722flac16/44 Fixed version of Recording Info: SBD > Master Reel > Dat Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Samplitude Professional v11.2 > FLAC
gd1974-02-23.sbd.miller.115607.flac16
1974-02-23Winterland Arena
115607flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd74-02-23.sbd.clugston.3382.sbeok.shnf
1974-02-23Winterland Arena
3382complete; Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; d3 tracked for 80 min
gd74-02-23.sbd.bertha-ashley.26362.sbeok.shnf
1974-02-23Winterland Arena
26362Bertha Remaster of the Master Reel source; SBD> MR> DAT> CDA> SHN> DAW (Bertha)> CDA/SHN, by Jay Ashley
gd1974-02-24.136141.dts.tobin.flac16
1974-02-24Winterland Arena
136141DTS-Audio-CD 5.1 Mix; SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1 - DTS mixing by Kevin Tobin
gd1974-02-24.136276.sbd-patched.miller.flac16
1974-02-24Winterland Arena
136276flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1974-02-24.136641.mtx.hseamons.ht110.flac16
1974-02-24Winterland Arena
136641flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
gd1974-02-24.151723.sbd.miller.flac1644
1974-02-24Winterland Arena
151723flac16/44 Fixed version of Recording Info: SBD > Master Reel > Dat (44.1k) Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Adobe Audition v3 > Samplitude Professional v11.2 > FLAC
gd1974-02-24.sbd.miller.116902.flac16
1974-02-24Winterland Arena
116902flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1974-02-24.sbd.serafin.hollister.200.shnf
1974-02-24Winterland Arena
200S:MR> PCM> DAT> CD (Jay Serafin); via David Hollister?
gd1974-02-24.sbd.marmar.13961.sbeok.flac16
1974-02-24Winterland Arena
13961Shntool fix of original Jay Serafin seed; Note- This is part of a group effort to fix 'all' of Jay Serafin's seeds so that they conform to redbook standards regarding sector boundary errors; Read more about the effort at etree forums; SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R-> HP 8200i CDRW Drive (EAC)->SHNCD
gd74-02-22.sndchk.serafin.8623.sbefail.shnf
1974-02-24Winterland Arena
8623soundcheck, reportedly this date although mislabeled as 2/24/74 on shn set; SBD > RTR @ 7.5 i.p.s. > D > SSSB; no PCM- see info file; via Jay Serafin to gdlive
gd74-02-24.sbd.windsor.199.sbefail.shnf
1974-02-24Winterland Arena
199SBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional? PMD-320 CD Master> Ricoh MP-6200 series CD-R> HP 8200i CDRW Drive (EAC)> SHNCD; via Jay Serafin, Stephen Windsor; note d4 is 73:52, not 74:06 as stated in accompanying info file, and thus does not require overburning (possibly was EZCD artifact?); no flaws noticed
gd1974-02-24.sbd.sssb-sbe-fix.sirmick.21370.sbeok.shnf
1974-02-24Winterland Arena
21370SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R->HP 8200i CDRW Drive (EAC)->SHNCD Mastered by Jay Serafin gdtrfb95@flash.net sector boundaries fixed with shntool, new shns and md5s SIRMick(thedarkstar@btinternet.com)
gd1974-03-01.152493.Mars-Hotel-Outtakes-gadsden-cousinit-onemoreshot.shnf
1974-03-01Mars Hotel Outtakes
152493Source: MSR>?>Bill Gadsden Reel>C>DAT>WAV>SHN C>SHN Conversion by Cousinit Seeded to abgd August 2003
gd1974-03-01.152494.mars-hotel-outttakes-unsurpassedvolume8.flacf
1974-03-01Mars Hotel Outtakes
152494flac16/44 BOOTLEG: Unsurpassed Volume 8; Label: Dead Man CatalogNo: DM027 > eac > wav > flac
gd1974-03-23.sbd.lai.1186.shnf
1974-03-23Cow Palace
1186incomplete; SBD> reel master> cassette> dat> cdr; via Mike Lai; update: portions of show are now DP24- go buy it
gd74-03-23.sbd.clugston.1689.sbeok.shnf
1974-03-23Cow Palace
1689Master Soundboard Reel > DAT > CDR, with patches from Master Soundboard Reel > Cassette > DAT source, and Audience source; d2 is 80 min; via Scott Clugston; note upgrade relative to previously circulating shn set; reported sector boundary probs on d2t4, d2t6- see pub comments; update: portions of show are now DP24- go buy it
gd1974-03-23.aud.OBV-GEMS.83453.flac16
1974-03-23Cow Palace
83453Sources: AUD MC>(PCM?)>DAT>DA-20>M-Audio 192 (Shnid=78599) Editing and mastering by The Wizard
gd1974-03-23.aud.connors.hughey.gems.78599.flac16
1974-03-23Cow Palace
78599flac16; Master Audience Cassette > Dat (or PCM?) Edits & Tracking in Wavelab 6.0 by **__** : BBE processing, Crystal Sample Rate converter, L3 multimaximizer>dithered44.1k/16>FLACfrontend SBE FREE Patches by Michael Hughey in Adobe Audition
gd1974-03-23.sbd.matrix.tobin.82507.sbeok.flac16
1974-03-23Cow Palace
82507flac16; Matrix 2 Source Mix - SBD (shnid 1689) + AUD (shnid 78599)
gd1974-03-23.dts.tobin.82531.sbeok.flac16
1974-03-23Cow Palace
82531DTS Audio 5.1; SBD (shnid 1689) Master Soundboard Reel > DAT + AUD shnid 79610 Master Audience Cassette > Dat (or PCM?)
gd1974-05-12.150221.sbd.miller.flac1644
1974-05-12University Of Nevada
150221flac16; Recording Info: SBD > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC
gd74-05-12.aud.vernon.10529.sbeok.shnf
1974-05-12University of Nevada
10529Partial 2nd Set; AUD>?>CD; via Jack Warner; Seeded to etree by Matt Vernon
gd74-05-12.sbd-patch-disk3.cribbs.16749.sbeok.shnf
1974-05-12University of Nevada
16749MSR>C>DAT>CD w/ pitch corrected aud patches for disk 3 only of SBD seed via Sean Cribbs
gd74-05-12.sbd.sacks.2224.sbeok.shnf
1974-05-12University of Nevada
2224MSR> C> DAT> CDRs> EAC> SHN; via Darrin Sacks; previously uncirculated; see notes in info file
gd1974-05-12.aud-patched.warner.90176.flac16
1974-05-12University of Nevada
90176flac16; AUD>?>CDRs>EAC>SHN - original shnid 10529 - audio patches and speed correction by Kevin Tobin
gd1974-05-12.sbd.matrix-dts.tobin.90179.flac16
1974-05-12University of Nevada
90179DTS Audio 5.1; SBD (shn id 2224) MSR>C>DAT>CDRs>EAC>SHN + AUD (shn id 10529)AUD>?>CDRs>EAC>SHN Shns supplied by Jack Warner - dts mixing by Kevin Tobin
gd1974-05-12.sbd.matrix.tobin.90172.flac16
1974-05-12University of Nevada
90172flac16; Matrix 2 Source Mix - SBD (shn id 2224) MSR> C> DAT> CDRs> EAC> SHN; via Darrin Sacks + AUD (shn id 10529) Partial 2nd Set; AUD>?>CD; via Jack Warner - matrix mixing by Kevin Tobin
gd1974-05-12.sbd.matt.22248.shnf
1974-05-12University of Nevada
22248Appears to be reshn'd DAE version of SHNID=2224. Extraction and 'fix' performed by Matt.
gd74-05-14.sbd.murphy.1823.sbeok.shnf
1974-05-14Adams Field House, U of Montana
1823MSR> cassette> DAT> CD-R> TAE> shn; via Bob Murphy
gd74-05-17.partial.aud.28041.sbeok.flacf
1974-05-17Pacific Coliseum
28041flac16; set 1,2p; hand-held external stereo mic> portable Sony cassette deck> BASF LH C120 MC> [1 cass gen for Promised only] > HD> CDWave > flac frontend > flac; Taped by: Mike Kent, transferred by Pantagruel
gd74-05-17.sbd.gustin.202.sbeok.shnf
1974-05-17P.N.E. Coliseum
202updated source: Andy Gustin and Jay Ashley report this could be the SBD cass master>1 cass> DAT> 1 cass gen> DAT version noted on Tiedrich's site (had been marked mSR> DAT> CDR> Toast Audio Extraction> SHN); via Andy Gustin; 9/11/73 filler
gd1974-05-17.sbd.miller.89972.sbeok.flac16
1974-05-17P.N.E. Coliseum
89972flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller
gd1974-05-19.sbd.fix.miller.107165.flac16
1974-05-19Portland Memorial Coliseum
107165flac16; Recording Info: Source 1: SBD -> Master Reel -> Cassette (Maxell XLII-S90/Sony D6/Dolby C) Source 2: SBD -> Master Reel -> Cassette -> Dat -> CD (shnid=6957) Source 3: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Source 1: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 Source 2: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 Source 3: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1974-05-19.131464.mtx.dusborne.flac16
1974-05-19Portland Memorial Coliseum
131464flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:116983) Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:115876) Source:Sony ECM18N mics>Sony 152SD deck; Recorded by Pat Lee; Lineage: MAC>R>R>C>WAV>FLAC Transferred and Encoded by Cousinit
gd1974-05-19.115876.aud-patlee.cousinit.flac16
1974-05-19Portland Memorial Coliseum
115876flac16; Source: Sony ECM18N mics>Sony 152SD deck; Recorded by Pat Lee; Lineage: MAC>R>R>C>WAV>FLAC; Transferred and Encoded by Cousinit
gd74-05-19.sbd.clugston.6957.sbeok.shnf
1974-05-19Portland Memorial Coliseum
6957complete; Master Soundboard Reel > PCM > DAT> CDR; EAC'ed / SHN'ed by Scott Clugston
gd1974-05-19.sbd.aj.203.sbeok.shnf
1974-05-19Memorial Coliseum
203SBDMR -> DAT; DAT -> CD -> EAC -> SHN; via A. Jerugim; 5/21: copy retracked on sector boundaries by J. Kempka; see public comments for detailed flaw notes
gd1974-05-19.sbd.clugston.thir13en.remaster-6957.79781.sbeok.flac16
1974-05-19Memorial Coliseum
79781flac16; Remastered version of shn id 6957: Master Soundboard Reel > PCM > DAT> CDR with tweaks to the spectrum (Waves REQ 4-band), light compression (Waves R-Comp), slight warmth enhancement to the low-end (BBE2 lo-contour) and digitally maximized with the Waves L3 Multimaximizer.
gd1974-05-21.sonyecm18n.lee.miller.98901.flac24
1974-05-21Edmundson Pavilion - University of Washington
98901flac24; Recording Info: Sony ECM18N -> Cassette Master (Sony 152SD) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Pat Lee
gd74-05-21.lee.weiner.gdADT.10150.sbeok.shnf
1974-05-21Edmundson Pavilion, U of Washington
10150AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony; via David Minches; Seeded to etree by Noah Weiner
gd74-05-21.sbd-patched.wier.22801.sbeok.shnf
1974-05-21Edmundson Pavilion, U of Washington
22801MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496 (shn id 2597) patched with AudMC > WAV > SHN (10150) via Charles Wier
gd74-05-21.sbd.belkin.2597.sbefail.shnf
1974-05-21Edmundson Pavilion, U of Washington
2597MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN; Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip; remastered version of previous shn set, courtesy Josh Belkin
gd1974-05-21.dts-dvdaudio.tobin.87164.dvdf
1974-05-21Edmundson Pavilion - University of Washington
87164DVD-VA; (Video Audio) 2 audio tracks; 1) SBD + AUD Matrix 2 Source Mix (shn id 87114) & 2) DTS Audio 5.1 (shn id 87124); SBD: MSR> C> Dats> CD> EAC> SHN> WAV and AUD: AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee; audio only - no video
gd1974-05-21.aud-fixed.tobin.87143.sbeok.flac16
1974-05-21Edmundson Pavilion - University of Washington
87143flac16; Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony (patched version of shn id 10150 see info file for details)
gd1974-05-21.sbd.matrix.tobin.87114.sbeok.flac16
1974-05-21Edmundson Pavilion - University of Washington
87114flac16; Matrix 2 Source Mix - SBD (shn id 2597) MSR>C>Dats>CD>EAC>SHN>.WAV + AUD (shn id 10150) AudMC > WAV > SHN - matrix mixing by Kevin Tobin
gd1974-05-21.sonyecm18n.lee.miller.98822.sbeok.flac16
1974-05-21Edmundson Pavilion - University of Washington
98822flac16; Recording Info: Sony ECM18N -> Cassette Master (Sony 152SD) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Pat Lee
gd1974-05-21.mtx.seamons.109887.flac16
1974-05-21Edmundson Pavilion, U of Washington
109887flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
gd1974-05-21.150950.sony.ecm18n.lee.smith.miller.clugston.flac1648
1974-05-21Edmundson Pavilion, University Of Washington
150950flac16/48khz Source Info: Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
gd1974-05-21.150951.sony.ecm18n.lee.smith.miller.clugston.flac2496
1974-05-21Edmundson Pavilion, University Of Washington
150951flac24/96khz Source Info: Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
gd1974-05-21.dts.tobin.87124.sbeok.flac16
1974-05-21Edmundson Pavilion - University of Washington
87124DTS Audio 5.1; SBD (shn id 2597) MSR>C>Dats>CD>EAC>SHN>.WAV> Samplitude2496 + AUD (shn id 10150) AudMC > WAV > SHN - dts mixing by Kevin Tobin
gd1974-05-25.aud.gems.111301.flac16
1974-05-25Campus Stadium, UC Santa Barbara
111301flac16; Recording Info: FOB Audience Recording by Jeremy Witt Preserved in posterity for 36 years by Jay Abrams (jra-sm) Recording Equipment: Sony TC-152, Sony Mics, BASF 120 minute cassettes, Dolby B Analog to Analog Transfer June 1974: Sony TC-152 -> Teac 1230 - Scotch 150, 7" Reels at 3 3/4 ips Transfer by Jim Blackwood Dec 23 2010 Editing and Mastering by Jamie Waddell on the GEMS Edit Station at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1kHz conversion TLH for FLAC8 SBE Free
gd1974-05-25.111432.mtx.sirmick.sbeok.flac16
1974-05-25Campus Stadium, UC Santa Barbara
111432flac16; Matrix: 60%sbd/40% aud; Sources: Master Soundboard Reel > Dick Latvala's Cassette > DAT > mastered to CD-R on an HHB CDR-850 > .shn (shnid 2635) Originally seeded to phlash.etree.org by Johnathan Miller. FOB Audience Recording by Jeremy Witt (shnid 111301) Preserved in posterity for 36 years by Jay Abrams (jra-sm) Recording Equipment: Sony TC-152, Sony Mics, BASF 120 minute cassettes, Dolby B Analog to Analog Transfer June 1974: Sony TC-152 -> Teac 1230 - Scotch 150, 7" Reels at 3 3/4 ips Transfer by Jim Blackwood Dec 23 2010 Editing and Mastering by Jamie Waddell on the GEMS Edit Station at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1kHz conversion TLH for FLAC8 SBE Free
gd1974-05-25.sbd.jmiller.205.sbeok.shnf
1974-05-25Campus Stadium, UCSB
205MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn; via Jonathan Miller, Adam Roux; David Hollister reports problems on USB track
gd74-05-25.sbd.moog.2635.sbeok.shnf
1974-05-25Campus Stadium, UC Santa Barbara
2635MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn DAE/reSHN of shn id 205 shn set, via Doug Moog. David Hollister reports problems on USB track
gd1974-06-08.135277.mtx.dusborne.flac16
1974-06-08Oakland-Alameda County Coliseum
135277flac16; 2 source matrix by Dusborne; Soundboard (shnid:97268), Recording Info: Set 1 + Encores: SBD -> Master Reel -> Reel -> Reel -> Wavelab -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Wavelab -> FLAC, Re-Mastering Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC, Re-mastered By Charlie Miller; Audience (shnid:94596), FOB Master Cassettes (MAC), Analog Lineage: 1 x Sony ECM250 => Sony TC-110 >> MAC, Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96],Mastering: WAV 24/96 > Audition 3.0 > Wavelab 5.0 > Izotope Ozone3(dithering) > CDWave > TLH > Flac 2496, Taped By: Louis Falanga, Transfer By: Bob Menke, Mastering By: Paul Gilbert
gd74-06-08.aud.clugston.2365.sbeok.shnf
1974-06-08Oakland-Alameda County Coliseum
2365Master Audience Reel > Reel to Reel > PCM > DAT, plus Master Soundboard Reel > DAT (Playin' > Wharf Rat> Playin', plus Eyes); mastered and seeded by Scott Clugston with thanks to Skankweed; d3 tracked for 80 min; Ship cut on master
gd1974-06-08.sbd.smith-lee.GEMS.97182.flac16
1974-06-08Coliseum Stadium
97182flac16; Set 1 & encores MR>R(JG)>R(WB & Pat Lee)@ 3 3/4 ips. Set 2 Lineage: MR>DAT Transfer info: Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs on the GEMS Edit Station>Trac'ed Cdwave Flac'ed level 8 TLH
gd1974-06-08.sbd.miller.97268.sbeok.flac16
1974-06-08Coliseum Stadium
97268flac16; Recording Info: Set 1 + Encores: SBD -> Master Reel -> Reel -> Reel -> Wavelab -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Wavelab -> FLAC; Mastering Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; Re-mastered By Charlie Miller
gd1974-06-16.sbd.bryan.207.shnf
1974-06-16Iowa State Fairgrounds
207SBD (could be MR> C> D); complete version via M. Bryan, G. Hamilton; Bertha- splice @ 4:04- serious mix problems prior to this; Sugaree- MR flip @ 3:59; Playin'- d/o @0:01, d/o @3:16; T.Jed- <1 sec. digi-noise @0:02; W.Rat- MR flip @2:50
gd1974-06-16.136659.aud.owen.berger.flac24
1974-06-16Des Moines State Fair Grandstand
136659flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger
gd1974-06-16.136660.aud.owen.berger.flac16
1974-06-16Des Moines State Fair Grandstand
136660flac16; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger
gd1974-06-16.136706.mtx.tobin.flac16
1974-06-16Des Moines State Fair Grandstand
136706flac16; Matrix 2 Source Mix - SBD (shnid=17701) S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself + AUD (shnid=136659) flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger - matrix mixing by Kevin Tobin
gd1974-06-16.136707.dts.tobin.flac16
1974-06-16Des Moines State Fair Grandstand
136707DTS-Audio-CD 5.1 Mix; SBD (shnid=17701) S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself + AUD (shnid=136659) flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger - DTS mixing by Kevin Tobin
gd1974-06-16.136709.5-1.tobin.flac1648
1974-06-16Des Moines State Fair Grandstand
136709flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=17701) S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself + AUD (shnid=136659) flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger - mixing by Kevin Tobin
gd1974-06-16.143135.sbd.partial.gastwirt.sirmick.miller.flac1644
1974-06-16Des Moines State Fair Grandstand
143135flac16; Partial Show Source: SBD > MR > Dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 >wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/48 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered by SIRMick
gd74-06-16.sbd.fink.17701.sbeok.shnf
1974-06-16Des Moines State Fair Grandstand
17701S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself
gd74-06-16.sbd.cribbs.26452.sbeok.shnf
1974-06-16Des Moines State Fair Grandstand
26452mixed SBD sources: Set 1: MSR> C> DAT> CD Set 2 & 3: MSC> DAT> CD (except for patch in Wharf Rat which is MSR> ?> DAT> CD), lineage reported by Andy Lemieux; assembled/fixed by Sean Cribbs from Alan Fink's, Steve Windsor's and Andy's source material (see notes in txt)
gd1974-06-16.sbd.fink.15781.shnf
1974-06-16Iowa State Fairgrounds
15781S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details
gd1974-06-18.sbd.miller.89690.sbeok.flac16
1974-06-18Freedom Hall
89690flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> SHN -> Cool Edit Pro -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
gd74-06-18.sbd.sacks.209.sbefail.shnf
1974-06-18Freedom Hall
209SBD> MR>1 cass> DAT> ZA2> SHN; newly circulating crisp version); via D. Sacks, D. Hollister; note d3t2 was bad 11/5, fixed 11/8
gd1974-06-18.sbd.bertha-ashley.18150.sbeok.shnf
1974-06-18Freedom Hall
18150Bertha Remaster of the digitized Master Reel source. SBD>>MR>>DAT>>ZA2>>SHN>>DAW(Bertha) - Sound A
gd1974-06-18.sbd.pitch-fixed-sacks.32528.sbeok.flac16
1974-06-18Freedom Hall
32528flac16; Speed Corrected Version of the SBD>MR>1 cass>DAT>ZA2>SHN source Additional lineage for this version: SHN (id=209) > WAV > Cool Edit Pro (see notes) > FLAC(8)
gd1974-06-20.sbd-set2.finney.211.shnf
1974-06-20The Omni
211Set II, E; SBD reel -> ??? -> CD; t4 8:50 small reel blip; via D. Finney; additional source info not forthcoming
gd1974-06-20.sbd.remaster.105427.flac16
1974-06-20The Omni
105427flac16; Recording Info: SBD > MR > Cassette > DAT > CD; Transfer Info: CD > Soundforge 8 to retrack and eliminate dead air-no music was cut! > Flac 16. Sourced from shnid 2179
gd74-06-20.sbd.clugston.2179.sbeok.shnf
1974-06-20Atlanta Municipal Auditorium
2179Master 7", 2 track Soundboard Reel > Cassette > DAT > CDR; uploaded by Scott Clugston; via "the usual"; to abgd, later to etree; note d1 tracked for 80 min
gd1974-06-22.mtx.seamons.106179.flac16
1974-06-22Jai-Alai Fronton
106179flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
gd1974-06-22.148680.Moore.acetboy.flac1644
1974-06-22Jai-Alai Fronton
148680flac16; source: aud cassette master; taped by Jerry Moore; new "master" created with the original shn #105825 files; Work done in ProTools LE with final eq tweaks in ocenaudio; see info file for details
gd74-06-22.sbd.obv.30972.flacf
1974-06-22Jai-Alai Fronton
30972SBDMR> CASS> DAT> CD> EAC> SHN> DC6> CD; THE OWEN BROTHERS VAULT; Editing and Mastering by The Wizard
gd74-06-22.aud.obv.30999.shnf
1974-06-22Jai-Alai Fronton
30999Source: AUD>CASS>DAT>WAV>SHN>DC5>WAV>SHN ; THE OWEN BROTHERS VAULT ; mastering of SHNid=14193; Editing and Mastering by The Wizard
gd74-06-22.moore.weiner.gdADT13.14193.sbeok.shnf
1974-06-22Jai-Alai Fronton
14193AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen, December 2002 DAT > SHN/CD by Noah Weiner (noahbw@attbi.com) December, 2002 Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track ids) > SHNTOOL (SBE fix) > MKW (shn)
gd74-06-22.sbd.sacks.212.sbefail.shnf
1974-06-22Jai-Alai Fronton
212MR> C> DAT2> CDR3> EAC> SHN; via Darrin Sacks
gd1974-06-22.sbd.matrix-sb21a.chappell.83488.flac16
1974-06-22Jai-Alai Fronton
83488flac 16; Sick Bits Vol. 21a - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=212) + AUD (shnid=14193). Matrixed by Chris Chappell.
gd1974-06-22.sbd.miller.90200.sbeok.flac16
1974-06-22Jai-Alai Fronton
90200flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller
gd74-06-22.mtx.seamons.106156.flac24
1974-06-22Jai-Alai Fronton
106156flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC24)
gd1974-06-22.akgd1000e.moore.berger.105825.flac24
1974-06-22Jai-Alai Fronton
105825flac24; akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seed by Rob Berger; lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac
gd1974-06-22.145646.aud.cm.moore.berger.flac16
1974-06-22Jai-Alai Fronton
145646flac16; akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seed by Rob Berger; lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac; This file set is 16 bit @ 44.1
gd1974-06-23.sbd.OBV.30846.shnf
1974-06-23Jai-Alai Fronton
30846Remaster of sbd w/ aud patches by Owens Brothers
gd1974-06-23.aud.obv.96890.sbeok.shnf
1974-06-23Jai-Alai Fronton
96890AudMC > DAT>CD>DC6>CD Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT, DAT > SHN/CD Editing and Mastering by The Wizard, see info file for details
gd1974-06-23.148679.Moore.acetboy.flac1644
1974-06-23Jai-Alai Fronton
148679flac16; source: aud cassette master; taped by Jerry Moore; new "master" created from the original files from shn #105755; Work done in ProTools LE with final eq tweaks in ocenaudio; see info file for details
gd1974-06-23.aud-merin.weiner.7894.shnf
1974-06-23Jai-Alai Fronton
7894AUD MR> R> DAT/1> HD> SHN> CD; recorded by Neil Merin - unknown mics > Uhrer 5" master reel; A>D transfer by Noah Weiner; includes SBD-sourced encore
gd1974-06-23.122269.mtx.tobin.flac24
1974-06-23Jai-Alai Fronton
122269flac24; Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin
gd1974-06-23.akgd1000e.moore.berger.105755.flac24
1974-06-23Jai-Alai Fronton
105755flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010
gd1974-06-23.122270.mtx.tobin.flac16
1974-06-23Jai-Alai Fronton
122270flac16; Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin
gd74-06-23.moore.weiner.gdADT.14265.sbeok.shnf
1974-06-23Jai-Alai Fronton
14265AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON.
gd74-06-23.sbd.cribbs.16780.sbeok.shnf
1974-06-23Jai-Alai Fronton
16780MSR>DAT>CD w/ MAC>DAT patches
gd1974-06-23.aud.moore.berger.84615.flac16
1974-06-23Jai-Alai Fronton
84615flac16; source: aud cassette master akg d1000e's>Sony TC-152 taped by Jerry Moore lineage: aud c.m.>dat>cdr>eac>cd wave>flac transfered by Rob Berger '99, tracking by John Tallmadge
gd1974-06-23.sbd.matrix-sb21b.chappell.83489.flac16
1974-06-23Jai-Alai Fronton
83489flac 16; Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265). Matrixed by Chris Chappell.
gd1974-06-23.sbd.sacks.213.shnf
1974-06-23Jai-Alai Fronton
213SBD, with patches (see updated info file for details, including about "blank" tracks); "painstakingly complete" version assembled by J. Belkin; also see additional comments from D. Sacks: contrary to original info file, primary SBD was not subject to NR; report from Skank: only discs 1&2 were posted? to abgd at first, fixed d3 before completing; to etree via A. Stern 2/2; pre-fixed d3 may have been etreed earlier- note fixed d3 has 10 tracks
gd1974-06-23.sdb.smith.116312.flac16
1974-06-23Jai-Alai Fronton
116312flac16; sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith
gd1974-06-23.mtx.seamons.105983.flac16
1974-06-23Jai-Alai Fronton
105983flac16; Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16)
gd1974-06-23.145674.aud.akg-d1000e.moore.berger.flac16
1974-06-23Jai-Alai Fronton
145674flac16; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010; 16 bit 44.1 khz version
gd1974-06-26.140081.sbd.miller.patched.flac1644
1974-06-26Providence Civic Center
140081flac16; Recording Info: SBD > Master Reel > Dat (Panasonic SV-3800/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
gd1974-06-26.149947.mtx.seamons.ht119.flac16
1974-06-26Providence Civic Center
149947flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 140081 & 105919
gd1974-06-26.151833.SonyStereo.ECM.Moskal.t.flac16
1974-06-26Providence Civic Center
151833flac16/44 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Brian Mandel gdplusmore@aol.com Master Cassette Nakamichi BX-150 Transfer->Nakamichi BX300 Cassette Maxell XL11-S90 x3 circa 1984 Wave/ Flac Conversion & Editing 2-20-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac Edits Tape Flips - Audacity
gd1974-06-26.136647.aud.cooper.berger.flac24
1974-06-26Providence Civic Center
136647flac24; source: aud cassette master; taped by Jimmy Cooper; sony ecm22p’s > hitachi trq-232; nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger
gd1974-06-26.119613.mtx.dusborne.flac16
1974-06-26Providence Civic Center
119613flac16; 2 source matrix: Soundboard (shnid=00214): Source for disc 1: SBD>MR>C>DAT>CDR; Source for discs 2,3: MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2) and Audience (shnid=105919): source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd, (3)maxell ud-120's, dolby b nak dragon>hd-p2 24/96>cd wave>flac
gd74-06-26.moore.weiner.gdADT17.16037.sbeok.shnf
1974-06-26Providence Civic Center
16037AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoding by Noah Weiner, gdADT Round 17. Complete with Seastones.
gd74-06-26.sbd.oleynick.214.sbeok.shnf
1974-06-26Providence Civic Center
214MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2); seeded by J. Oleynick; note original d1 contains some static blemishes from 'River through Row Jimmy; fixed d1 provided by S. Agan, 2/28, with different source info: SBD> MR> C> DAT> CDR; note most of set II is available as Dick's 12- go buy it
gd1974-06-26.136648.aud.cooper.berger.flac16
1974-06-26Providence Civic Center
136648flac16; source: aud cassette master; taped by Jimmy Cooper; sony ecm22p’s > hitachi trq-232; nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger
gd1974-06-26.akgd1000e.moore.berger.105919.flac24
1974-06-26Providence Civic Center
105919flac24; aud cassette master, 24 bit transfer, rec. by Jerry Moore, transfer/seed by Rob Berger
gd1974-06-28.149954.mtx.seamons.ht120.flac16
1974-06-28Boston Garden
149954flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 139780 & 106003.
gd1974-06-28.sonyecm99.moore.berger.106003.flac24
1974-06-28Boston Garden
106003flac24; source: aud cassette master taped by Jerry Moore lineage: aud>sony ecm99 stereo mic>sony tc-152sd (2)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 2/11/10
gd74-06-28.moore.weiner.gdADT18.16038.sbeok.shnf
1974-06-28Boston Garden
16038complete; AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoded by Noah Weiner gdADT Round 18
gd74-06-28.set1.sbd.snider.10984.sbeok.shnf
1974-06-28Boston Garden
10984set 1; SBD> MR> DAT> Sonic Solutions> CD> ?> EAC> SHN; EAC'ed / SHN'ed by Tom Snider, Jr., with thanks to Jeff Cook; other material from show is featured on Dick's Picks 12 itself, go buy it
gd1974-06-28.139780.sbd.miller.fixed.flac1644
1974-06-28Boston Garden
139780flac16; Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Samplitude Professional v11.1 > FLAC/16; All Transfers and Mastering by Charlie Miller; the original version had a cut in Weather Report Suite
gd1974-06-28.139780.sbd.patched.miller.flac1644
1974-06-28Boston Garden
gd1974-06-28.154913.s1-s2p.aud.flac1644
1974-06-28Boston Garden
154913flac1644; Partial Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2021
gd1974-06-30.sbd.miller.96275.sbeok.flac16
1974-06-30Civic Center
96275flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1974-06-30.akgd1000e.moore.berger.106027.flac24
1974-06-30Springfield Civic Center
106027flac24; source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (4)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger
gd1974-06-30.mtx-set2.sirmick.89998.sbeok.flac16
1974-06-30Springfield Civic Center
89998flac16; Set 2 only, Matrix of the following sources: sbd: mr > datx2 > cd > shn > wav > shn (shnid 17814) and aud: mc > dat > wav > shn (shnid 15537). This source fixed a flaw in d2t04 of shn id 82179
gd74-06-30.moore.weiner.gdADT16.15537.sbeok.shnf
1974-06-30Springfield Civic Center
15537AudMC > DAT > WAV > SHN Recorded by Jerry Moore, 1st level off floor, audience right, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT by Mark Cohen encoding Noah Weiner gdADT Round #16
gd74-06-30.sbd.weiner.17814.sbeok.shnf
1974-06-30Springfield Civic Center
17814SBDMR > DATx2 > CD > SHN > WAV > SHN; Soundboard: DAT > CD > SHN transfer by Dan Lynch; Final editing and AUD patching by Noah Weiner
gd1974-06-30.mtx.haugh.97185.flac16
1974-06-30Springfield Civic Center Arena
97185flac16; SBD + AUD Matrix Mix (65%/SBD + 35%/AUD) from SBD (shnID = 96275) Recording Info: SBD > Master Reel > CD and AUD (shnID = 15537) AudMC > DAT > WAV > SHN
gd1974-06-30.143331.sony-ecm99.warburton.smith.sirmick.flac2496
1974-06-30Springfield Civic Center
143331flac24; Source: Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018
gd1974-06-30.145132.aud.akg.1000e.moore.berger.flac1644
1974-06-30Springfield Civic Center
145132flac16; source: aud cassette master taped by Jerry Moore; lineage: aud>akg d1000e's>sony tc-152sd (4)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac; transferred & seeded by Rob Berger; This file set is 16 bit @ 44.1
gd1974-06-30.145133.fob.sony.ecm99.warburton.smith.sirmick.flac1644
1974-06-30Springfield Civic Center
145133flac16; Source: Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018; This file set is 16 bit @ 44.1
gd1974-06-30.155034.s1.aud.flac1644
1974-06-30Springfield Civic Center
155034flac1644; 1st Set, Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2021
gd1974-06-30.dts.mtx.haugh.97225.flac16
1974-06-30Springfield Civic Center Arena
97225DTS Audio 5.1; DTS-Audio-CD 5.1 Mix of SBD (shnID = 96275) Recording Info: SBD > Master Reel > CD and AUD (shnID = 15537) AudMC > DAT > WAV > SHN
gd1974-06-30.dts.haugh.97650.dvda
1974-06-30Civic Center
97650DVD-Audio 5.1 Surround Sound (MLP Encoded 6ch x 16/44) Soundboard - Aud Matrix by Dan Haugh
gd1974-07-19.shure.unknown.fix-102766.102866.flac16
1974-07-19Selland Arena
102866flac 16 Source: Recorded by AS and friends with borrowed UC Santa Cruz AV gear; 2 Shure omni mics > Sony portable (152 possibly) cassette recorder; Nakamichi Dragon > Panasonic 3800 DAT > Apple G4 (Peak editing) > Xact; Pitch corrected -72 cents from master playback
gd74-07-19.sbd.symons.12381.sbeok.shnf
1974-07-19Selland Arena
12381MSR > D > CD patched with MAC > C > C > D Mastering and patches by Dave Greenberg. SHN conversion by Jay Gerland (EAC/mkwACT). Project instigated and organized by Jim Powell. Additional patching by Tim Symons 7-29-02; Note- This is the previous shn set with the 'additional patching'. (Upgrade now in circulation.)
gd1974-07-19.mtx.sirmick.103132.sbeok.flac16
1974-07-19Selland Arena
103132flac16; Matrix 60% sbd/40% aud (- 4dbs) sbd - shnid 32634 Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) aud - shnid 102866 Recorded by AS and friends with borrowed UC Santa Cruz AV gear 2 Shure omni mics > Sony portable (152?) cassette recorder Nakamichi Dragon > Panasonic 3800 DAT > Apple G4 (Peak editing) > Xact
gd1974-07-19.sbd.gans-finney.217.sbeok.shnf
1974-07-19Selland Arena
217set 2 partial; MR> DAT> CDR; seed via D. Gans, D. Finney; md5s for shns and wavs given (complete show now in circulation (Upgrade now in circulation.)
gd1974-07-19.sbd.pre-dankfix.4596.sbeok.shnf
1974-07-19Selland Arena
4596complete; Master Reel> Cassette(1)> DAT@44.1K> DAT> WAV> Soundforge 4.0> CDWAV> SHN w/seek tables appended; DAT> WAV via Sony SDT-9000 DDS Drive using VDat DAT seed from Rob Eaton, DAT>SHN by Jamie Lutch, QC by dankseeds; see info file for flaw and editing notes; see pub comments for d2 md5 notes (Upgrade now in circulation.)
gd1974-07-21.ecm22p.bertrando.motb0056.88979.sbeok.flac16
1974-07-21Hollywood Bowl
88979flac16; MOTB Release: 0056 16/44.1 Analog Audience Source: FOB Cassette (MAC) Analog Copy Instances: Reel 1 (R1) Medium Stock Brands: MAC = Sony C90 [CrO2], R1 = Maxell UD 35-90 Analog Lineage: 2 x Sony ECM-22P => Sony TC-152SD >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [3.75 IPS] >> R1 Analog Medium Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rob Bertrando R1 Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe
gd1974-07-21.ecm22p.bertrando.89033.flac24
1974-07-21Hollywood Bowl
89033flac24 MOTB Release: 0056 24/96 Analog Audience Source: FOB Cassette (MAC) Analog Copy Instances: Reel 1 (R1) Medium Stock Brands: MAC = Sony C90 [CrO2], R1 = Maxell UD 35-90 Analog Lineage: 2 x Sony ECM-22P => Sony TC-152SD >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [3.75 IPS] >> R1 Analog Medium Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rob Bertrando R1 Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe
gd74-07-21.fob-patched.miller.31436.sbeok.flacf
1974-07-21Hollywood Bowl
31436flac16; (FOB) Sony ECM-22P -> Cassette Master (Sony TC-152) -> Reel -> Dat All transfers and Remastering By Charlie Miller
gd74-07-21.bertrando.weiner.8241.sbeok.shnf
1974-07-21Hollywood Bowl
8241Rob Bertrando's Sony ECM-22P mics > Sony TC-152 Cassette Master; AudMC >Reel > DAT > CD; Seeded to etree by Noah Weiner
gd1974-07-21.sonyecm.bertrando.gustin-gardner.8102.shnf
1974-07-21Hollywood Bowl
8102Sony ECM-22p > Sony TC-152 master cassette > reel > DAT > CDR; taper Rob Bertrando; via Andy Gustin, Tony Gardner; end of Scarlet cut
gd1974-07-25.152924.sbd.gems.remastered.flac16
1974-07-25International Amphitheater
152924flac16 Source: SBD -> Vault Master Reel -> Dat -> Sonic Solutions -> CD
Remastered by Jim Blackwood
Pitch Correction by Jason Chastain
gd74-07-25.sbd.fink.1072.sbeok.shnf
1974-07-25International Amphitheater
1072SBD MR > CASS > DAT > CD; original seed via Jim Wise; via Jon Miller, Alan J. Fink, Greg Hamilton; see info file and addendum for notes
gd74-07-25.sbd.miller.12656.sbeok.shnf
1974-07-25International Amphitheater
12656SBD -> Rm -> Dat -> Sonic Solutions -> CD seeded by Charlie Miller
gd1974-07-27.132188.southern.flac16
1974-07-27Civic Center
132188flac16; unknown gen audience recording > ? > FLAC
gd1974-07-27.akgd200e.unk.sirmick.132282.sbeok.flac16
1974-07-27Civic Center
132282flac16; Source: Audience Recording > AKG D200e's > Sony TCC152 SD > mac > rr > dat > cdr; Lineage: cdr > eac > wav > Adobe Audition 1.5 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16
gd1974-07-27.sbd.miller.107804.flac16
1974-07-27Civic Center
107804flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> SHN Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1974-07-27.136793.mtx.dusborne.flac16
1974-07-27Civic Center
136793flac16; 2 Source Matrix by Dusborne; Soundboard (Shnid:107804) Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> SHN; Transfer Info: SHN-> Adobe Audition v3.0-> Samplitude Professional v11.03-> FLAC; Audience (Shnid:132282) Source: Audience Recording > AKG D200e's > Sony TCC152 SD > mac > rr > dat > cdr,Lineage: cdr > eac > wav > Adobe Audition 1.5 > iZotope RX4 Advanced > iZotope 5 Advanced >CD Wave > TLH > Flac 16
gd74-07-27.sbd.kaplan.2420.sbeok.shnf
1974-07-27Roanoke Civic Center
2420SBD> MR> C> DAT> CDR; via Seth Kaplan
gd1974-07-29.sbd.miller.107756.flac16
1974-07-29Capital Centre
107756flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1974-07-29.mtx.seamons.108281.flac24
1974-07-29Capital Centre
108281flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC2496 & FLAC1644 > AIFF > Final Cut [2496] > tracking via Audacity > FLAC2496 via xAct)
gd1974-07-29.107990.mtx.seamons.flac16
1974-07-29Capitol Center
107990flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut (2496) > AIFF CD tracking via Audacity [w/dither] > FLAC1644 via xAct)
gd74-07-29.moore.weiner.gdADT20.17968.sbeok.shnf
1974-07-29Capitol Centre
17968AudMC > DAT > WAV > SHN. Recorded by Jerry Moore(see notes), 1st level off floor, audience left, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON, Analog > DAT transfer by Mark Cohen, DAT > SHN/CD by Noah Weiner
gd74-07-29.sbd.goodbear.2277.sbefail.shnf
1974-07-29Capitol Centre
2277SBD:MR> C1> DAT @ 48kHZ > Sony DAT deck PCM-R300 > coaxial s/pdif > pentium II 350 mHz via Turtle Beach "Fiji" soundcard > CoolEdit Pro > convert to 44.1kHz in CoolEdit Pro > Smart & Friendly CDR SCSI drive > CD; some diginoise was fixed, some smaller diginoise was not; tracked for 2x80 plus encore for filler elsewhere, but can fit on 3x74; via Teddy Good Bear, Doug Johnson to abgd
gd74-07-29.matrix.chappell.29482.sbeok.flacf
1974-07-29Capital Centre
29482flac16; Sick Bits Vol. 8 - SBD/AUD Matrix of 2 previously circulating sources: (SBD - SHN ID# 2277, and AUD - SHN ID# 17968); edited and transfered by Chris Chappell
gd1974-07-29.akgd1000e.moore.berger.106066.flac24
1974-07-29Capital Centre
106066flac24; source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (2)tdk c-120sd's**, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 2/14/10
gd1974-07-31.sbd.matera.112951.flac16
1974-07-31Dillon Stadium
112951flac16; The baseline used for this release: gd1974-07-31.1019 (SBDMR> DATx> CD> DAT> CD> EAC> SHN) I used Cool Edit 2000 to perform amplitude and EQ adjustments. EQ with Cool Edit 2000 by Phil Matera** philipmatera@optonline.net
gd1974-07-31.115499.aud-anderson.bershaw-berger.flac16
1974-07-31Dillon Stadium
115499flac16; source: aud 1st gen reel; master taped by Jim Anderson; lineage: aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac
gd74-07-31.degen.weiner.gdADT.7363.sbeok.shnf
1974-07-31Dillon Stadium
7363AudMC > 7" Reel > DAT > WAV > SHN; via Bill Degen; Noah Weiner
gd74-07-31.sbd.ziggy.1019.sbeok.shnf
1974-07-31Dillon Stadium
1019SBDMR> DATx> CD> DAT> CD> EAC> SHN; via Ziggy, Jack Warner, Kirby "Chalupa" Bell, Darrin Sacks; see info file for minor anomalies
gd74-08-04.aud-moore.weiner.20369.sbeok.shnf
1974-08-04Philadelphia Civic Arena
20369AUDMC > DAT > WAV > SHN Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen DAT > SHN/CD by Noah Weiner
gd74-08-04.sbd.sacks.1574.sbeok.shnf
1974-08-04Philadelphia Civic Arena
1574MSR> DATs> CDRs> EAC> SHN; small aud patches in PITB (14:28-14:41) and LIG (16:20-16:35) and the first few seconds of Sugar Magnolia; via Bob Fishman, Darrin Sacks
gd1974-08-04.157364.s1.unk-aud.flac1644
1974-08-04Philadelphia Civic Arena
157364flac1644; Set One; Source: Lo-Fi mono AUD from the tape collection of Rich Petrunis & with thanks to John Petrunis. Transfer: TDK SD-90 (c.1975) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 07/2022
gd1974-08-04.sbd.unknown.1631.shnf
1974-08-04Civic Convention Hall Auditorium
1631SBD> MR> DAT> CDR; transfer by Stephen Agan; via Bob Allred to vines, offer; tracked differently from Sacks shn set, but with same AUD patches: in PITB (14:28-14:41) and LIG (16:20-16:35) and the first few seconds of Sugar Magnolia; see pub comments for additional notes
gd1974-08-05.151039.sbd.eaton-miller.flac1644
1974-08-05Philadelphia Civic Arena
151039flac16/44.1khz Recording Info: SBD > Reel Master (7in 7.5ips 1/2trk) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamkichi Dragon) > DAT (Panasonic SV-3800/48k) > Avid MBox Pro > Pro Tools 12 > WAV (44.1k)
gd74-08-05.aud.weiner.21294.sbeok.shnf
1974-08-05Philadelphia Civic Arena
21294AUDMC > DAT > WAV > SHN - Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Added to etree by Noah Weiner.
gd74-08-05.sbd.sacks.1826.sbeok.shnf
1974-08-05Philadelphia Civic Arena
1826MSR> C> C> DATs> CDRs> EAC, with AUD patches from Jerry's Moore's MC>D>CD (AKG D1000s>Sony TC-152); via Darrin Sacks
gd1974-08-05.108814.sbd.jfishman.flac16
1974-08-05Philadelphia Civic Arena
108814flac16; Source: MSR>C>C>DAT Conversion : DAT @ 48k - > HT OMega 7.1 Soundcard (Optical Inputs)>WAV (48)> Syntillium Cool Edit Downsample to 44.1 WAV>CD WAV (Track Split)>FLAC
gd1974-08-05.140873.sbd.jam-segment.pcm.dalton.miller.clugston.flac1644
1974-08-05Philadelphia Civic Arena
140873flac16; Recording Info: Soundboard > ?? > PCM (16 bit) (Sony HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16. Note this originally circulated as a soundcheck for 6/22/1974 but was identified as the jam from 8/5/1974 and has been moved to the correct date.
gd1974-08-06.135929.mtx.tobin.flac16
1974-08-06Roosevelt Stadium
135929flac16; Matrix 2 Source Mix - SBD (shnid=1463) fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" + AUD (shn id 135848) source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger - matrix mixing by Kevin Tobin
gd1974-08-06.135930.dts.tobin.flac16
1974-08-06Roosevelt Stadium
135930DTS-Audio-CD 5.1 Mix; SBD (shnid=1463) fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" + AUD (shn id 135848) source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger - DTS mixing by Kevin Tobin
gd1974-08-06.126356.mtx.dusborne.flac16
1974-08-06Roosevelt Stadium
126356flac16; 2 Source Matrix by dusborne; Soundboard (shnid:1463) MR > DAT > CD > Sonic Solutions > CD Circulation > Plextor SCSI 40x Reader > EAC and Audience (shnid:5914) MR>R>DAT>HD>Soundforge>SHN>CD; Recorded by Neil Merinu sing an unknown mic (mono) onto a Uhrer 5" reel deck. The end of the show plus other missing parts from Neil's tapes are supplied by Ihor Slabicky's recording (AUDMC>DAT>HD> Soundforge>SHN>CD)
gd1974-08-06.135847.aud.cooper.berger.flac16
1974-08-06Roosevelt Stadium
135847flac16; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 xACT flac; transfer & seeded by Rob Berger
gd1974-08-06.135848.aud.cooper.berger.flac24
1974-08-06Roosevelt Stadium
135848flac24; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger
gd1974-08-06.135934.5-1.tobin.flac1648
1974-08-06Roosevelt Stadium
135934flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=1463) fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" + AUD (shn id 135848) source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger - mixing by Kevin Tobin
gd74-08-06.merin.weiner.gdADT.5914.sbefail.shnf
1974-08-06Roosevelt Stadium
5914AUD (unknown mic) MR> R> DAT> HD> Soundforge> SHN> CD, recorded by Neil Merin; plus patches from Ihor Slabicky's AUD (see info file); A>D by Noah Weiner; via Audience Devotional Tree
gd74-08-06.sbd.deadlists.1463.sbeok.shnf
1974-08-06Roosevelt Stadium
1463fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy"
gd1974-09-09.sbd.dp7-outtakes.sirmick.fix-32642.97013.flac16
1974-09-09Alexandra Palace
97013flac 16; Source: sbd > mr > dat (x2) > cdr > eac > mkwact > wav > flac
gd1974-09-09.135635.partial.sbd.phillips.flac16
1974-09-09Alexandra Palace
135635flac16; Partial SBD > ? > flac
gd74-09-09.sbd.sly.12846.sbeok.shnf
1974-09-09Alexandra Palace
12846SBD>MR>DAT(X2)>CDR; Note- Missing 6 of last 8 songs; Seeded to etree by Sly_Wow
gd1974-09-09.135655.sbd.new.patched.miller.flac16
1974-09-09Alexandra Palace
135655flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1974-09-10.135699.sbd.new.patched.miller.flac16
1974-09-10Alexandra Palace
135699flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd74-09-10.sbd.samaritano.18806.sbeok.shnf
1974-09-10Alexandra Palace
18806Vault Soundboard Reels->Cassette->DAT->PCM->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano
gd1974-09-10.135654.mtx.powell.flac16
1974-09-10Alexandra Palace
135654flac16; Lineage: Vault Soundboard Reels->Cassette-> DAT->PCM->DAT
gd74-09-11.sbd.powell.12183.sbeok.shnf
1974-09-11Alexandra Palace
12183Candelario Matrix MSR D CD except first 15:22 of Seastones (on Disc #2): AUD end of Sunshine Daydream and encore: AUD See info file for details; Mastering by Dave Greenberg; via Jed Distler; Seeded to etree by Jim Powell and Jay Gerland; See note in 'public comment' area regarding d3fix md5's
gd1974-09-11.sbd.hamilton.3190.shnf
1974-09-11Alexandra Palace
3190complete; SBD Reel master > DAT > CDR > EAC > SHN; Extraction and .shn encoding by Seth Kaplan; Slight retracking of discs 2 and 3 (CoolEdit/CDWav) and re-shn (v2) by G.S. Hamilton; to BUDD and etree; note parts of the run are on Dick's Picks 7- go buy it
gd1974-09-11.sbd.partial.cribbs.121207.flac16
1974-09-11Alexandra Palace
121207flac16; Partial SBD > Master Reel > DAT > Sonic Solutions > DAT > CD > FLAC
gd1974-09-11.132458.mtx.GEMS-BCE.flac16
1974-09-11Alexandra Palace
132458flac16; 3 source matrix by Dusborne; Soundboard 1(Shnid:012183) Candelario Matrix MSR > D> CD; Soundboard 2(Shnid:121207) SBD > Master Reel > DAT > Sonic Solutions > DAT > CD > FLAC and Audience (Shnid:131901) unknown taper; Gen 2 Cassettes; Transferred on a NakCr7a
gd1974-09-11.135802.sbd.miller.flac16
1974-09-11Alexandra Palace
135802flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version in circulation
gd1974-09-11.sbd.unknown.4647.shnf
1974-09-11Alexandra Palace
4647SBD (as previous shn set), with added AUD patches- see info file for details; patching by Hanno Bunjes, some cleanup by Alasdair; to BUDD offer; Hanno's notes; note d3 tracked for 80 min; note parts of the run are on Dick's Picks 7- go buy it
gd74-09-14.sbd.miller.30653.sbeok.flacf
1974-09-14Olympia Halle
30653flac16; Recording Info: SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller
gd1974-09-14.28353.sbeok.flac16
1974-09-14Olympia Halle
28353flac16; Set 2, plus Phil/Ned; SBD> Master Reel (7in @ 7.5ips 1/2tr)> Dat (3700/44.1k)> Dat (3800/44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
gd1974-09-14.131395.mtx.dusborne.flac16
1974-09-14Olympia Halle
131395flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:30653) Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; Transferred and Edited By Charlie Miller and Audience (shnid:9890) MAR > CD. This audience tape was mastered by Gerhard Schinzel from mid-floor using a Philips mic and a Telefunken reel deck. The reel masters were transferred to CD by Uli Teute and were re-mastered by Dave Greenberg
gd74-09-14.aud.hanno.6162.sbeok.shnf
1974-09-14Olympia Halle
6162AUD MR> D> CD; via Hanno Bunjes; Sugar Magnolia has dropout (seems to be on all copies); Hanno's notes
gd74-09-18.sbd.bertha-ashley.21925.sbeok.shnf
1974-09-18Parc des Expositions
21925Bertha Remaster of the master reel source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B+
gd1974-09-18.sbd.miller.20675.shnf
1974-09-18Parc des Expositions
20675Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) SHN'd By Charlie Miller from Pre-FM GDH Production Discs charliemiller87@earthlink.net 11/19/03
gd74-09-18.prefm.eurodead.5807.sbeok.shnf
1974-09-18Parc des Expositions
5807SBD > pre-FM master (reel?) > DAT CD, patched with SBD > master reel > PCM > DAT > CD > SoundForge >CD; pitch modified, plus other editing- see notes in info file; missing USB, Phil and Ned
gd74-09-18.sbd.miller.20732.sbeok.shnf
1974-09-18Parc des Expositions
20732Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN via Charlie Miller ((/shn/20675) with one track modified to remove a pop (see notes) by Matt Vernon
gd1974-09-20.131529.sbd.miller.flac16
1974-09-20Palais Des Sports
131529flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1974-09-20.154273.s1.aud.flac1644
1974-09-20Palais Des Sports
154273flac1644; 1st Set; Source: Unknown mono Lo-Fi AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021
gd74-09-20.sbd.gasperini.5648.sbeok.shnf
1974-09-20Palais Des Sports
5648SBD > master reel > reel to reel > DAT > CD > SoundForge > CD; stemming from Marcello Gasperini?s and Julian's source material; see info file for various fixes and flaws; to a tree?, runs a bit slow? (see notes in info for companion 9/21/74 shns)
gd74-09-21.sbd.miller.30654.sbeok.flacf
1974-09-21Palais Des Sports
30654flac16; SBD -> Master Reel -> Reel -> Dat Transferred and Edited By Charlie Miller
gd1974-09-21.131530.sbd.miller.flac16
1974-09-21Palais Des Sports
131530flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd74-09-21.sbd.eurodead.5649.sbeok.shnf
1974-09-21Palais Des Sports
5649sets 2,3; SBD > master reel > reel to reel > DAT > CD > SoundForge > CD, plus patches; see info file for fixes and flaws; d2 tracked for 80 min; to a tree?; reportedly runs a bit fast; includes 1/24/69 filler
gd1974-10-16.131539.mtx.dusborne.flac16
1974-10-16Winterland Arena
131539flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:90145) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC and Audience (shnid:107036) Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 2 x Maxell UD C120; Analog Lineage: Sony ECM 250 >> Sony 110 (mono) >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Louis Falenga
gd1974-10-16.fob.sonyecm250.falenga.motb-0131.107036.flac16
1974-10-16Winterland Arena
107036flac16; Sony ECM 250 >> Sony 110 (mono) >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Louis Falenga
gd74-10-16.sbd-patched.unknown.222.fails-md5.sbeok.shnf
1974-10-16Winterland Arena
222SBD: MR> R> C> D> CD> EAC> SHN, with Aud patches: Aud master> Rx2> C> D> CD; via A. Kowalski to BUDD and GDH-Trading; 10/22/67 filler; PITB split into 2 tracks at d/o removal (md5 version d2b); d2a.md5 likely reflects pre-split PITB and may not circulate
gd74-10-16.sbd.fishman.12577.sbeok.shnf
1974-10-16Winterland Arena
12577Source: Reel Master>Cassette>DAT>EAC 0.93b>MKWACT via JR Fishman
gd1974-10-16.137663.set2.aud.smith.sirmick.sbeok.flac16
1974-10-16Winterland Arena
137663flac16; Set 2 Source: Master Audience Reel > Reel; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > iZotope RX5 Advanced > wav 16/44.1 > CD Wave > TLH > flac16; edited and mastered SIRMick
gd1974-10-16.137664.set2.aud.smith.sirmick.sbeok.flac24
1974-10-16Winterland Arena
137664flac24; Set 2 Source: Master Audience Reel > Reel; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > CD Wave > TLH > flac24; edited and mastered SIRMick
gd1974-10-17.140588.SBD.Gastwirt.Miller.Noel.t-flac1644
1974-10-17Winterland Arena
140588flac16/48kHz; Soundboard > 1st gen reel > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/48; Checksum & tags created in xACT
gd74-10-17.sbd.barbella.16189.sbeok.shnf
1974-10-17Winterland Arena
16189MultiTrack Master Reel > DAT > Sonic Solutions > CD; see info file for notes; via Steve Barbella, Rich Danyko, Matt Vernon
gd1974-10-17.sbd.royer.10360.shnf
1974-10-17Winterland Arena
10360MSR>DAT>CDR; Seeded to etree by Carl Royer
gd1974-10-17.137630.partial.aud.smith.sirmick.sbeok.flac16
1974-10-17Winterland Arena
137630flac24; Partial Set 1 & 2 Source: Room mics * > Master Audience Reel > Reel From The Debbie Stash; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > CD Wave > TLH > flac24; edited and mastered SIRMick
gd1974-10-18.111459.gems.BOSWELL-SMITH.flac24
1974-10-18Winterland Arena
111459flac24; Multi-track SBD reels > ? > reel > ? > FLAC; Presented by Jamie Waddell; A **GEMS** Production January 2011
gd1974-10-18.sbd.miller.110771.flac16
1974-10-18Winterland Arena
110771flac16; Recording Info: Set 1: SBD -> Master Reel -> Reel -> Reel -> PCM -> Dat (44.1k); Set 2: SBD -> Master Reel -> Dat (44.1k); Set 3: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd74-10-18.sbd.bertha-ashley.22796.sbeok.shnf
1974-10-18Winterland Arena
22796Bertha Remaster of the Master Reel and multi-gen Reel source; SBD>>MR>>MDAT(44.1k)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B to A+
gd74-10-18.sbd.miller.21785.sbeok.shnf
1974-10-18Winterland Arena
21785Set I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II and III : SBD -> Reel Master -> Dat Master (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Transfered and Edited By Charlie Miller
gd74-10-18.sbd.romanski.5436.sbeok.shnf
1974-10-18Winterland Arena
5436sets 2,3; SBD MR > PCM > DAT 44.1kHz > CD > shn; via Jack Romanski to gdlive
gd1974-10-18.BEAR.gems.110515.flac16
1974-10-18Winterland Arena
110515flac16; Bear's reel [1974] > a cassette made at bears house [1996] > mastering room capture in the analog domain in real time to digital [2010] no eq, limiting or compression or color was applied at any stage; Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell
gd1974-10-18.BEAR.gems.110558.flac24
1974-10-18Winterland Arena
110558flac24; Bear's reel [1974] > a cassette made at bears house [1996] > mastering room capture in the analog domain in real time to digital [2010] no eq, limiting or compression or color was applied at any stage; Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell
gd1974-10-19.sbd.dfinney.228.shnf
1974-10-19Winterland Arena
228SBD; via D. Finney, stemming from Frank's Picks tree- more info; note some material from show appears on album Steal Your Face- go buy it; see public comments for flaw notes
gd1974-10-19.131694.sbd.boswell-smith.flac24
1974-10-19Winterland Arena
131694flac24; Lineage: 16 track "truck monitor mix" > 2 track mixdown reel > R @ 3 3/4 ips. > FLAC; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered October 2014 by Matt Smith
gd1974-10-19.152593.aud.flac1644
1974-10-19Winterland Arena
152593flac1644; Source: Unknown AUD from the collection of Rich Petrunis. Transfer: TDK Audua-90's (normal bias) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021
gd1974-10-19.112531.sbd.BEAR.partial.twotapesides.flac24
1974-10-19Winterland Arena
112531flac24; 24 bit 88.2kHz SBD Reel > cass Recorded by the Immortal Owsley Stanley;
gd74-10-19.sbd.fink.227.sbeok.shnf
1974-10-19Winterland Arena
227SBD multitrack > DAT > CD; via A. Fink, M. Ferguson; known flaw: d3 Beginning of Sugar Magnolia is cut; note some material from show appears on album Steal Your Face- go buy it
gd74-10-19.sbd.miller.21927.sbeok.shnf
1974-10-19Winterland Arena
21927Recording Info: SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k) Transfer Info: Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) Patch Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN Transfered and Edited By Charlie Miller charliemiller87@earthlink.net 1/14/04
gd1974-10-19.sbd-pset1.bear.gems.stevesw.112791.flac16
1974-10-19Winterland Arena
112791flac16; reel > cass recorded by Owsley Stanley
cass > 24bit/88.2kHz by Blackwood/Waddell
dithered/tracked by SteveSw
gd1974-10-19.sbd.boswell-smith.116341.flac24
1974-10-19Winterland Arena
116341flac24; Lineage:16 track "truck monitor mix">2 track mixdown reel(Garcia's)>R @ 3 3/4 ips.>FLAC
Transferred by: Matt Smith
gd1974-10-19.139578.sbd.gastwirt.miller.sirmick.flac16
1974-10-19Winterland Arena
139578flac16; Source: sbd > 2nd gen cassette > dat (44.1k) - provided by Rich Gastwirt; Transfer: Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audion 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick; Fixed version in circulation
gd1974-10-19.140626.sbd.gastwirt.miller.sirmick.fixed.flac1644
1974-10-19Winterland Arena
140626flac16; Source: sbd > 2nd gen cassette > dat (44.1k) - provided by Rich Gastwirt; Transfer: Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audion 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; This is a fixed version of source ID 139578
gd1974-10-20.sbd.alligator.GEMS.94851.flac16
1974-10-20Winterland Arena
94851flac16; SBD>7" 1/2 track 7 1/2 IPS MR>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>cdwave>Flac
gd1974-10-20.132112.sbd.boswell-smith.flac24
1974-10-20Winterland Arena
132112flac24; Lineage: 16 track "truck monitor mix" > 2 track mixdown reel(Garcia's) > R @ 3 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered December 2014 by Matt Smith
gd1974-10-20.132113.sbd.boswell-smith.flac16
1974-10-20Winterland Arena
132113flac16; Lineage: 16 track "truck monitor mix" > 2 track mixdown reel(Garcia's) > R @ 3 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered December 2014 by Matt Smith
gd74-10-20.sbd.finney.229.sbeok.shnf
1974-10-20Winterland Arena
229mixed sources (see info file, and for flaws); via D. Finney, stemming from Frank's Picks tree- more info; note some material from show appears on album Steal Your Face- go buy it; see public comments for quality note
gd1974-10-20.sbd.smith-lee.GEMS.97193.flac16
1974-10-20Winterland Arena
97193flac16; Lineage: Multitrack MR>2 track mixdown>?R>R>CD Transfer info: Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs>Trac'ed Cdwave Flac'ed level 8 TLH
gd74-12-xx.mars-hotel.12468.sbeok.shnf
1974-12-01Studio
12468Mars Hotel Outtakes; SBD>?>CDR