Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd83-01-24.sbd.miller.21264.sbeok.shnf
1983-01-24Stone House Studio - Rehearsals
21264Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03
gd83-01-31.sbd.miller.21265.sbeok.shnf
1983-01-31Stone House Studio - Rehearsals
21265Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03
gd83-02-01.sbd.miller.21266.sbeok.shnf
1983-02-01Stone House Studio - Rehearsals
21266Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03
gd83-02-06.sbd.miller.21270.sbeok.shnf
1983-02-06Stone House Studio - Rehearsals
21270Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03
gd83-03-14.sbd.miller.21269.sbeok.shnf
1983-03-14Club Front - Rehearsals
21269Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03
gd1983-03-25.148801.sbd.clugston.flac16
1983-03-25Compton Terrace Amphitheatre
148801flac16; Source Info: Master Soundboard Cassette > Cassette > PCM; Transfer Info: PCM (unknown equipment) > .wav (16/44.1) > Adobe Audition 2019 > TLH flac16
gd83-03-25.fob-senn.willy.7350.sbeok.shnf
1983-03-25Compton Terrace Amphitheatre
7350FOB>3 Senn. 421's>MC>DAT>CD; via Tom Eliason; Seeded to etree by Willy
gd83-03-25.sbd.miller.23572.sbeok.shnf
1983-03-25Compton Terrace Amphitheatre
23572SBD -> Cassette Master -> Reel -> Cass -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN;Patched with 3 Sennheiser 421's -> Cassette Master -> Dat -> CD -> EAC -> SHN; Patched and Edited By Charlie Miller
gd1983-03-25.134370.nak300.schley.flac2448
1983-03-25Compton Terrace Amphitheatre
134370flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015
gd1983-03-25.134371.nak300.schley.flac1644
1983-03-25Compton Terrace Amphitheatre
134371flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015
gd1983-03-25.157655.senn421.blend.vita.miller.clugston.flac1648
1983-03-25Compton Terrace Amphitheatre
157655flac1648 Source Info: Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
gd1983-03-25.157656.senn421.blend.vita.miller.clugston.flac2496
1983-03-25Compton Terrace Amphitheatre
157656flac2496 Source Info: Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
gd1983-03-25.139596.fob.senn421.pcm.miller.clugston.flac16
1983-03-25Compton Terrace Amphitheatre
139596flac16; Source Info: Master FOB Audience PCM; (3)Sennheiser 421 mics; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Adobe Audition 3.0> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston
gd1983-03-25.141355.nak300.holbrook.flac1644
1983-03-25Compton Terrace Amphitheatre
141355flac16/44.1 Recording Information Master AUD Cassette: Nakamichi 300's >Sony TCD5> 3rd in line Sony TCD5M|TDK MA-C90 Location: 75 ft from stacks DFC Transfer: Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded by: Kyle Holbrook Transferred: Kyle Holbrook
gd1983-03-25.141356.nak300.holbrook.flac2448
1983-03-25Compton Terrace Amphitheatre
141356flac24/48 Recording Information Master AUD Cassette: Nakamichi 300's >Sony TCD5> 3rd in line Sony TCD5M|TDK MA-C90 Location: 75 ft from stacks DFC Transfer: Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded by: Kyle Holbrook Transferred: Kyle Holbrook
gd83-03-26.neumann.dodd.11260.sbeok.shnf
1983-03-26Aladdin Theater
11260AUD>MC>DAT>CDR KM 54?s; via the Retired General; Seeded to etree by Ernie Dodd
gd1983-03-26.fob.neumann.miller.81092.sbeok.flac16
1983-03-26Aladdin Theatre
81092flac16; Recording Info: (FOB) Neumann KM54 -> Cassette Master -> Dat Transfer Info: Dat -> CD (Tascam CDRW700) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
gd1983-03-26.set2.senn421.streeter.gems.79605.flac16
1983-03-26Aladdin Theater
79605flac16; Set2: Sennheiser 421 > Sony TC-770 Reel to Reel at 3 3/4 ips > Sony DTC-2000ES > DAT > M-Audio Delta 410 > wav > *Adobe AUdition 1.5 > shntool > FLAC lvl8
gd1983-03-26.set2.senn421.streeter.gems.79606.flac1648
1983-03-26Aladdin Hotel Theatre
79606flac16/48; Set2: Sennheiser 421 > Sony TC-770 Reel to Reel at 3 3/4 ips > Sony DTC-2000ES > DAT > M-Audio Delta 410 > wav > Adobe Audition 1.5 > shntool > FLAC lvl8
gd1983-03-26.137371.nak300.craigl.flac1644
1983-03-26Aladdin Theater
137371flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLIIS, mics clamped to balcony rail center, recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (insert patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2016
gd1983-03-26.157657.senn421.blend.vita.miller.clugston.flac1648
1983-03-26Aladdin Theater
157657flac1648 Source Info: Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
gd1983-03-26.157658.senn421.blend.vita.miller.clugston.flac2496
1983-03-26Aladdin Theater
157658flac2496 Source Info: Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
gd1983-03-26.140315.sbd.eaton.miller.clugston.flac1648
1983-03-26Aladdin Theater
140315flac16/48kHz; Recording Info: Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
gd1983-03-26.141352.pcmf1jvc.holbrook.flac1644
1983-03-26Aladdin Theater
141352flac16/44.1 Recording Info: First set: Unknown mics-> Sony PCMF1->Analog out-> Sony TCD5M (4th in line) Maxell XLII90 Dolby B on; 18th row DFC Second Set: JVC HM 200E Binaural headphone microphones worn on head >>Sony TCD5M; Maxell XLII 90, Dolby B on; 100 feet from stage DFC Transfer: Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Kyle Holbrook Transferred & Processed: Kyle Holbrook
gd1983-03-26.141353.pcmf1jvc.holbrook.flac2448
1983-03-26Aladdin Theater
141353flac24/48 Recording Info: First set: Unknown mics-> Sony PCMF1->Analog out-> Sony TCD5M (4th in line) Maxell XLII90 Dolby B on; 18th row DFC Second Set: JVC HM 200E Binaural headphone microphones worn on head >>Sony TCD5M; Maxell XLII 90, Dolby B on; 100 feet from stage DFC Transfer: Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Kyle Holbrook Transferred & Processed: Kyle Holbrook
gd1983-03-27.142768.sbd.dalton.miller.clugston.flac1648
1983-03-27Irvine Meadows
142768flac16/48kHz; Recording Info: Master Soundboard Cassettes > Cassette > Dat 16/48; Transfer Info: Dat (Sony PCM-R500 16/48) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16/48) > Adobe Audition 3.0 > TLH flac1648
gd1983-03-27.142769.senn421.pitch.corrected-11261.clugston.flac1644
1983-03-27Irvine Meadows
142769flac16; Source Info: Master Audience Cassettes; Sennheiser 421 mics > unknown deck > Dat > CDR, Eac > Cool Edit > shntool > cdwav >shnv3 EAC >shn; Re-Mastered by Scott Clugston; This is a pitch corrected and re-mastered version of shnid 11261
gd83-03-27.sennheiser.dodd.11261.sbeok.shnf
1983-03-27Irvine Meadows
11261AUD> MC> DAT> CDR Senn 421s; via Paul; Seeded to etree by Ernie Dodd
gd1983-03-27.142767.set2.sbd.eaton.miller.clugston.patched.pc.flac1648
1983-03-27Irvine Meadows
142767flac16/48kHz; Set 2 Recording Info: Master Soundboard Cassettes > Technics Reel to Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Dat (Sony PCM-R500 16/48) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16/48) > Adobe Audition 3.0 > TLH flac1648; This is a patched and pitch corrected version of shnid 140316
gd1983-03-27.140316.set2.sbd.eaton.miller.clugston.flac1648
1983-03-27Irvine Meadows
140316flac16/48kHz; Set 2 Recording Info: Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
gd83-03-29.sennheiser.dodd.11262.sbeok.shnf
1983-03-29Warfield Theater
11262AUD>MC>CDR Paul Hogan, 1st row behind SBD, Senn 441?s>Sony D-6; via Paul B; Seeded to etree by Ernie Dodd
gd1983-03-29.137269.aud.schley.flac1644
1983-03-29Warfield Theater
137269flac16; Source: AUD from the Brian Schley tape collection (see note). Transfer: Maxell XLII 90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (insert patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016
gd1983-03-30.137243.set1.nak300.schley.flac1644
1983-03-30Warfield Theater
137243flac16; Set 1 AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII-90, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016
gd83-03-30.sbd.bennett.10919.sbeok.shnf
1983-03-30Warfield Theater
10919SBD>CM>Cassette x1>DAT>CDRx2; Seeded to etree by Jim Bennett ; upgrade in circulation
gd1983-03-30.139681.senn441.ebel.flac1644
1983-03-30Warfield Theater
139681flac16 44.1khz Source Info: Sennheiser 441-> Cassette-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel.
gd1983-03-30.sbd.miller.77081.sbeok.flac16
1983-03-30Warfield Theatre
77081flac16; SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller
gd83-03-31.aud.miller.18112.sbeok.shnf
1983-03-31Warfield Theater
18112(FOB) Sennheiser 421 -> Cm (Sony D5) -> Dat via Charlie Miller
gd1983-03-31.sbd.miller.32306.sbeok.flac16
1983-03-31Warfield Theatre
32306flac16; SBD -> Cassette Master -> ? -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller ; upgrade in circulation
gd1983-03-31.sbd.miller.77086.sbeok.flac16
1983-03-31Warfield Theatre
77086flac16; SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
gd1983-03-31.mtx.seamons.94016.sbeok.flac16
1983-03-31Warfield Theatre
94016flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
gd1983-04-09.mtx.seamons.97109.flac16
1983-04-09Hampton Coliseum
97109flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
gd83-04-09.senn421.cribbs.9199.sbeok.shnf
1983-04-09Hampton Coliseum
9199Senn 421 mics > Sony TC-D5 > MAC > DAT > CD; via Tiger-Rose; Seeded to etree by Sean Cribbs
gd1983-04-09.141612.beyerm201.executive-crew.holbrook.flac1644
1983-04-09Hampton Coliseum
141612flac16/44.1 Source Audience Recording: Beyer M 201c Location: 60 feet from stage|DFC Lineage: MA CA FOB - Beyer M201's (hyper cardiod)XY 6ft>> Sony TCD5M w Maxell XL-II, No Dolby Playback: Nakamichi CR-5A ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney Transferred by Kyle Holbrook
gd1983-04-09.141613.beyerm201.executive-crew.holbrook.flac2448
1983-04-09Hampton Coliseum
141613flac24/48 Source Audience Recording: Beyer M 201c Location: 60 feet from stage|DFC Lineage: MA CA FOB - Beyer M201's (hyper cardiod)XY 6ft>> Sony TCD5M w Maxell XL-II, No Dolby Playback: Nakamichi CR-5A ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney Transferred by Kyle Holbrook
gd1983-04-09.141615.jvcbinaural.executive-crew.holbrook.flac2448
1983-04-09Hampton Coliseum
141615flac24/48 Source Audience Recording: JVC200E Binaural headphone microphones Location: 60 feet from stage|DFC Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone Transferred by Kyle Holbrook
gd1983-04-09.145466.fob.nak700.cohen.miller.clugston.flac1648
1983-04-09Hampton Coliseum
145466flac16/48kHz; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1983-04-09.145467.fob.nak700.cohen.miller.clugston.flac2496
1983-04-09Hampton Coliseum
145467flac24; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1983-04-09.135190.Unk-Hill.Keo.Flac1644
1983-04-09Hampton Coliseum
135190flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1983-04-09.135191.Unk-Hill.Keo.Flac2496
1983-04-09Hampton Coliseum
135191flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1983-04-09.137037.s2.nak300.schley.flac2448
1983-04-09Hampton Coliseum
137037flac24; Set Two AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2016
gd1983-04-09.137038.s2.nak300.schley.flac1644
1983-04-09Hampton Coliseum
137038flac16; Set Two AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2016
gd83-04-09.sbd.miller.27703.sbeok.shnf
1983-04-09Hampton Coliseum
27703SBD> Master Cassette> Reel> Dat (48k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Rob Eaton's FOB Senn 441 source; Transferred, Edited and Patched By Charlie Miller
gd1983-04-09.141614.jvcbinaural.executive-crew.holbrook.flac1644
1983-04-09Hampton Coliseum
141614flac16/44.1 Source Audience Recording: JVC200E Binaural headphone microphones Location: 60 feet from stage|DFC Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone Transferred by Kyle Holbrook
gd1983-04-09.senn441.fundy.14190.sbeok.shnf
1983-04-09Hampton Coliseum
14190Audience Recording: Sennheiser 441-->Sony D6 Note: Track 1 is incomplete; posted to abgd
gd1983-04-09.sbd.miller.93145.sbeok.flac16
1983-04-09Hampton Coliseum
93145flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN -> WAV -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller
gd1983-04-10.Unk-Hill.Keo.130279.Flac2496
1983-04-10West Virginia University Coliseum
130279flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
gd1983-04-10.Unk-Hill.Keo.130282.Flac1644
1983-04-10West Virginia University Coliseum
130282flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1983-04-10.140084.aud.lamarre.berger.flac24
1983-04-10West Virginia University Coliseum
140084flac24; aud cassette master, nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
gd1983-04-10.140085.aud.lamarre.berger.flac16
1983-04-10West Virginia University Coliseum
140085flac16; aud cassette master, nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
gd83-04-10.akg.dodd.9993.sbeok.shnf
1983-04-10Morgantown Civic Center
9993KG 581?s>Sony D-5>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd
gd83-04-10.sbd.harrell.16579.sbeok.shnf
1983-04-10Morgantown Civic Center
16579Set 1 SBD > PCM > Dat x 2 > CDR > SHN; Set 2 SBD > Cassette Master > Dat x 2 > CDR > SHN; via Bob Harrell; drgseeds
gd83-04-10.senn441.unknown.14191.sbeok.shnf
1983-04-10Morgantown Civic Center
14191Audience Recording: Sennheiser 441-->Sony D6; posted to abgd
gd1983-04-10.141630.jvcbinaural.executive-crew.holbrook.flac1644
1983-04-10West Virginia University Coliseum
141630flac16/44.1 Source Audience Recording: JVC200E Binaural headphone microphones Location: 80 feet from stage|Right corner of SBD ~ 20' ROC Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone Transferred by Kyle Holbrook
gd1983-04-10.141631.jvcbinaural.executive-crew.holbrook.flac2448
1983-04-10West Virginia University Coliseum
141631flac24/48 Source Audience Recording: JVC200E Binaural headphone microphones Location: 80 feet from stage|Right corner of SBD ~ 20' ROC Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone Transferred by Kyle Holbrook
gd1983-04-10.137676.set2.nak300.schley.flac2448
1983-04-10West Virginia University Coliseum
137676flac24; 2nd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2017
gd1983-04-10.137677.set2.nak300.schley.flac1644
1983-04-10West Virginia University Coliseum
137677flac16; 2nd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017
gd83-04-12.set2.pcm-sbd.miller.30808.sbeok.flacf
1983-04-12Broome County Arena
30808flac16; Recording Info: SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.0 -> FLAC
gd1983-04-12.140086.aud.lamarre.berger.flac16
1983-04-12Broome County Arena
140086flac16; aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
gd1983-04-12.140087.aud.lamarre.berger.flac24
1983-04-12Broome County Arena
140087flac24; aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
gd83-04-12.sbd.dodd.10075.sbeok.shnf
1983-04-12Broome County Arena
10075SBD>PCM>DAT>CDR; with aud patches; See info file for details; via Rick Martin, Willy, and Paul B; Seeded to etree by Ernie Dodd; upgrade in circulation
gd83-04-12.set2-aud.dodd.9764.sbeok.shnf
1983-04-12Broome County Arena
97642nd set only; AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd
gd83-04-12.wise.sacks.9947.sbeok.shnf
1983-04-12Broome County Arena
9947Jim Wise recording, FOB Sennheuser 421s>Sony D5>DAT>CDR; Seeded to etree by Darrin Sacks
gd1983-04-12.nak300.barfield-lane.103166.flac24
1983-04-12Broome County Arena
103166flac24; nakamichi 300 > tcd5m (udxl IIs, dolby on, @ soundboard) > master cassette/tcd5m (original recorder, +dolby) > minime (24/96) > sd744t > audacity > xact (flac24)
gd1983-04-12.124253.mtx.dusborne.flac16
1983-04-12Broome County Arena
124253flac16; 3 Source Matrix by Dusborne: Soundboard (shnid:17264) Set 1 SBD > Cassette master > Dats > CDR > SHN by drgseeds, Soundboard (shnid:30808) Set 2 Recording Info: SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller and Audience (shnid:93961) Source: MAC; (FOB) 2 x Sennheiser 421 > Sony D5 > 2 x Maxell UDXL II C90 Location: 20th Row center. Recorded by Rick "Coyote" Colyard. Transfer and mastering by Alex Ford.
gd1983-04-12.134998.nak300.schley.flac1644
1983-04-12Broome County Arena
134998flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Fuji Metal (S1) and TDK MA-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2016
gd1983-04-12.141632.senn421.executive-crew.holbrook.flac1644
1983-04-12Broome County Arena
141632flac16/44.1 Location: 80ft from Stacks Dead center First Gen AUD: Master was:Sennheiser MD421's-> Sony TCD5M (2nd in line)|TDK MA (TP,OJ,MY,KH) Marked as patched out of Jim Wise. Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded by Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney Transferred by: Kyle Holbrook
gd1983-04-12.141633.senn421.executive-crew.holbrook.flac2448
1983-04-12Broome County Arena
141633flac24/48 Location: 80ft from Stacks Dead center First Gen AUD: Master was:Sennheiser MD421's-> Sony TCD5M (2nd in line)|TDK MA (TP,OJ,MY,KH) Marked as patched out of Jim Wise. Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded by Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney Transferred by: Kyle Holbrook
gd1983-04-12.138560.Senn421.FOB.Gastwirt.Miller.Noel.t-flac16
1983-04-12Broome County Arena
138560flac16/48kHz; Unknown Taper (FOB): Sennheiser 421 > cassette master* > dat; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, Patch & Pack : Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
gd1983-04-12.140047.set2.sbd.pcm.gans.miller.clugston.flac1644
1983-04-12Broome County Arena
140047flac16; Set 2 Recording Info: Master Soundboard PCM > PCM; Transfer Info: PCM (Sony SLV-M20HF)> Sony PCM 601ESD> Behringer Ultramatch Pro> Tascam DA-3000 (16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; Mastered by Scott Clugston
gd1983-04-12.137356
1983-04-12Broome County Arena
137356flac16; nakamichi 300 > tcd5m (udxl IIs, dolby on, @ soundboard) > master cassette/tcd5m (original recorder, +dolby) > minime (24/96) > sd744t > audacity > xact (flac24), 24bits > 16bits with r8brain; recorded by david barfield and david lane
gd1983-04-13.140089.aud.lamarre.berger.flac16
1983-04-13Patrick Gymnasium, U of Vermont
140089flac16; aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
gd83-04-13.horvath-sennheiser.ladner.21921.sbeok.shnf
1983-04-13Patrick Gymnasium, U of Vermont
21921Source: MAC(FOB Sennheiser 421)>DAT>CDR>WAV>SHN. Taper: M.Horvath
gd83-04-13.sbd.lai.23849.sbeok.shnf
1983-04-13Patrick Gymnasium, U of Vermont
23849SDB>>CM>>C>>DAT>>CDR via Mike Lai
gd83-04-13.sbd.sacks.1614.sbeok.shnf
1983-04-13Patrick Gymnasium, U of Vermont
1614MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN; via Jim Wise, Darrin Sacks
gd1983-04-13.set2.aud.unknown.venezia.102860.flac16
1983-04-13Patrick Gymnasium, U of Vermont
102860flac 16 Source: 3 Microphone Setup>unknown Deck>cassette Master->my Cassette
gd1983-04-13.138339.SBD.set2.Gastwirt.Miller.Noel.t-flac16
1983-04-13Patrick Gymnasium, U of Vermont
138339flac16/48kHz; Set 2 1st gen dbx cassette SBD > Cassette Master > Cassette (dbx) > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48
gd1983-04-13.nak300.andrewf.82876.flac16
1983-04-13Patrick Gymnasium, University of Vermont
82876flac16; AUD Source: Nakamichi CM-300's (no shotguns) > patched thru one Sony D5 > Marantz PMD-340 > TDK SA-90's. Mics on stand aprx six feet high, set up second or third row up in the bleachers directly behind the soundboard. Transfer: MAC > Sony TC-D5M (no Dolby) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC. Taped and transferred by Andrew F
gd1983-04-13.119845.chasingwilma.flac24
1983-04-13Patrick Gymnasium, U of Vermont
119845flac24; Updated Source Info: (2) sennheiser 421 fob>d-5; conversion: sony tc we435>sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/stereo/24 bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
gd1983-04-13.119845.aud.horvath.flac24
1983-04-13Patrick Gymnasium, U of Vermont
gd1983-04-13.nak300.morrone.119531.flac2448
1983-04-13Patrick Gymnasium, U of Vermont
119531flac24; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F.
gd1983-04-13.141636.senn421.executive-crew.holbrook.flac1644
1983-04-13Patrick Gymnasium, U of Vermont
141636flac16/44.1 Location: 50ft from Right Stack about row 17 aisle seats First Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH) Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney & Kyle Holbrook Transferred by: Kyle Holbrook
gd1983-04-13.141637.senn421.executive-crew.holbrook.flac2448
1983-04-13Patrick Gymnasium, U of Vermont
141637flac24/48 Location: 50ft from Right Stack about row 17 aisle seats First Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH) Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney & Kyle Holbrook Transferred by: Kyle Holbrook
gd1983-04-13.mtx.seamons.113852.flac16
1983-04-13Patrick Gymnasium, U of Vermont
113852flac16; Matrix by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
gd1983-04-13.140090.aud.lamarre.berger.flac24
1983-04-13Patrick Gymnasium, U of Vermont
140090flac24; aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
gd1983-04-13.nak300.morrone.119554.flac1644
1983-04-13Patrick Gymnasium, U of Vermont
119554flac16; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2012
gd1983-04-15.fob.miller.94282.sbeok.flac16
1983-04-15War Memorial Auditorium
94282flac16;Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B); Transfer Info:Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded and Transfered By Charlie Miller (Previous transfers were not dolby decoded, this one is.)
gd1983-04-15.fob.miller.94283.sbeok.flac24
1983-04-15War Memorial Auditorium
94283flac24; Recording Info:(FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded and Transfered By Charlie Miller (Previous transfers were not dolby decoded, this one is.)
gd1983-04-15.140094.aud.lamarre.berger.flac16
1983-04-15Community War Memorial Auditorium
140094flac16; aud cassette master; nak 300 guns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
gd1983-04-15.140095.aud.lamarre.berger.flac24
1983-04-15Community War Memorial Auditorium
140095flac24; aud cassette master, nak 300 guns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
gd83-04-15.fob-miller.23850.sbeok.shnf
1983-04-15Community War Memorial Auditorium
23850(FOB) Audio Technica Mics -> Sony D5 (Lead Deck) -> Cassette Master (Patched Off Of Lead Deck With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN. Recorded and Transfered By Charlie Miller; upgrade in circulation
gd83-04-15.sennheiser.dodd.9974.sbeok.shnf
1983-04-15Community War Memorial Auditorium
9974Senn. 421?s > MC>DAT>CD; via Paul B; Seeded to etree by Ernie Dodd
gd83-04-15s2.sbd.dodd.9975.sbeok.shnf
1983-04-15Community War Memorial Auditorium
99752nd set; SBD>PCM>DAT>Sonic Solutions>CDR; via Paul B; Seeded to etree by Ernie Dodd; upgrade in circulation
gd1983-04-15.fob.at.miller.87725.sbeok.flac16
1983-04-15War Memorial Auditorium
87725flac16; Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II) Transfer Info: Cassette Master (Namamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 Recorded and Transfered By Charlie Miller
gd1983-04-15.sbd.miller.32780.sbeok.flac16
1983-04-15War Memorial Auditorium
32780Recording Info: Set 1: SBD -> Cassette Master -> Reel -> Dat (48k) Set 2: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
gd1983-04-15.138067.mtx.dusborne.flac16
1983-04-15Community War Memorial Auditorium
138067flac16; 2 source matrix by Dusborne; Soundboard (shnid:32780), Recording Info: set 1: SBD -> Cassette Master -> Reel -> Dat (48k)Set 2: SBD -> PCM -> Dat (44.1k)Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC and Audience (shnid:94282), Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->Samplitude Professional v10.1 -> FLAC/16, Recorded and Transfered By Charlie Miller
gd1983-04-15.senn421.coyotte.muletaper.88659.sbeok.flac16
1983-04-15Rochester War Memorial
88659flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-11th row DFC @6 ft high on stand(head high) Taper: Rick "Coyotte" Colyard 2 maxell UD-XL2-S-Cassette MASTERS Transfer: Cassette Masters> Sony TC-W21>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16 Tapeflips joined with Media Join 2.0 Transfered and edited and seeded freely by Muletaper 11-18-2007
gd1983-04-15.143504.fob.atm11.cm.miller.flac1644
1983-04-15Community War Memorial Auditorium
143504flac16; Recording Info: (FOB) Audio Technica ATM11 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded, Transferred and Mastered by Charlie Miller; This file set is 16 bit @ 44.1
gd1983-04-15.141638.beyerm201.executive-crew.holbrook.flac1644
1983-04-15Community War Memorial Auditorium
141638flac16/44.1 Recording Information Master AUD: Beyer M201 hypercardiod XY 65ft from stacks ->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Executive Crew- KAH, MY, OJ, assist to TP
gd1983-04-15.141639.beyerm201.executive-crew.holbrook.flac2448
1983-04-15Community War Memorial Auditorium
141639flac24/48 Recording Information Master AUD: Beyer M201 hypercardiod XY 65ft from stacks ->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Executive Crew- KAH, MY, OJ, assist to TP
gd1983-04-15.141640.senn421.executive-crew.holbrook.flac1644
1983-04-15Community War Memorial Auditorium
141640flac16/44.1 Recording Information First Gen AUD: Master was: Sennheiser MD421's XY 60ft from stacks ->Marantz Superscope PMD430 (3rd in line)|TDK MA no Dolby (TP) Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded BY: Tom Pinney assist to Executive Crew Transferred by: Kyle Holbrook
gd1983-04-15.141641.senn421.executive-crew.holbrook.flac2448
1983-04-15Community War Memorial Auditorium
141641flac24/48 Recording Information First Gen AUD: Master was: Sennheiser MD421's XY 60ft from stacks ->Marantz Superscope PMD430 (3rd in line)|TDK MA no Dolby (TP) Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded BY: Tom Pinney assist to Executive Crew Transferred by: Kyle Holbrook
gd1983-04-15.140059.set2.sbd.pcm.gans.miller.clugston.flac1644
1983-04-15Community War Memorial Auditorium
140059flac16; Set 2 Recording Info: Master Soundboard PCM > PCM; Transfer Info: PCM (Sony SLV-M20HF)> Sony PCM 601ESD> Behringer Ultramatch Pro> Sound Devices 744T (16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; Mastered by Scott Clugston
gd1983-04-15.140687.nak300.flac2496
1983-04-15Community War Memorial Auditorium
140687flac24; source: nak-300 (12’ near sbd) > tcd5m > udxliis +dolby > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (normalize, fades, tracks) > flac2496 > xact (tags, checksums); recorded: david barfield + david lane; transferred seeded: barfield
gd1983-04-15.143055.at.miller.flac2496
1983-04-15Community War Memorial Auditorium
143055flac24; Recording Info: (FOB) Audio Technica ATM11 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded, Transferred and Mastered by Charlie Miller
gd1983-04-16.140358.sbd.msc.eaton.miller.clugston.flac1648
1983-04-16Meadowlands Arena
140358flac1648; Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 > Tascam DA-3000 16/48 > Adobe Audition 3.0 > TLH flac1648
gd1983-04-16.140359.sbd.pcm.1p.2.eaton.miller.clugston.flac1644
1983-04-16Meadowlands Arena
140359flac16; Partial Set 1, All of Set 2 Recording Info: Master Soundboard Vault PCM > PCM Clone by Gans; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T (16-bit/44.1k); Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T (16-bit/44.1k)
gd83-04-16.fob-miller.set2.23851.sbeok.shnf
1983-04-16Meadowlands Arena
23851(FOB) Beyer M160 -> Sony D5 (Lead Deck) -> Cassette Master (Patched With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN. Recorded and Transfered By Charlie Miller
gd83-04-16.rolfe.weiner.7316.sbeok.shnf
1983-04-16Meadowlands Arena
7316AudMC > DAT > CDWAV > SHN; Taped by Steve Rolfe; via Noah Weiner; tracked for 2x80; passes shntool check
gd83-04-16.sbd.fink.14940.sbeok.shnf
1983-04-16Meadowlands Arena
14940S : MC > DAT > CDR > EAC > SHN Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper sector boundaries verified via shntool. Seeded to Etree by Alan J Fink 02/02/2003. Thanks to Jeff Williams for the disks!; upgrade in circulation
gd1983-04-16.119967.chasingwilma.flac24
1983-04-16Meadowlands Arena
119967flac24; Updated Lineage: Set 2 Only: (2) nakamichi 300 fob> d-5> sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
gd1983-04-16.132874.SBD.Keo.Flac1644
1983-04-16Meadowlands Arena
132874flac16; Soundboard Master Cassettes > (Unk) Reel To Reel > Low Gen PCM Early 90's > Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD > SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave; Track Renamed With AudioGate Software V.3.0.2 @ 16/44 Wave; Tracked/Flacked With AudioGate V.3.0.2; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1983-04-16.138225.mtx.dusborne.flac16
1983-04-16Meadowlands Arena
138225flac16; 2 source matrix by Dusborne; Soundboard (shnid:28294),Recording Info: Set 1: SBD -> Cassette Master -> Reel -> Dat -> CD -> EAC -> WAV -> FLAC; Set 2: SBD -> PCM -> Dat -> Cool Edit Pro -> FLAC -> WAV, Transfer Info: WAV -> Samplitude v7.02 Professional -> FLAC; Audience (shnid:117477), Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott, Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes, Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1983-04-16.153497.m160.miller.flac2496
1983-04-16Meadowlands Arena
153497flac24/96 Recording Info: (FOB) Beyer M160 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
gd1983-04-16.143273.s2.cm.fob.Beyer-M160.miller.flac1644
1983-04-16Meadowlands Arena
143273flac16; Set 2 Recording Info: (FOB) Beyer M160 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded, Transferred and Mastered by Charlie Miller; This file set is 16 bit @ 44.1
gd1983-04-16.154392.fob.beyer.m160.cm.miller.t.flac16
1983-04-16Meadowlands Arena
154392flac1644; Recording Info: (FOB) Beyer M160 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 153497 2496 > 1644
gd1983-04-16.117477.daweez.d5scott.Sennheiser421.flac16
1983-04-16Meadowlands Arena
117477flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1983-04-16.senn421.unknown.32618.sbeok.flac16
1983-04-16Brendan Byrne Arena, Meadowlands Sports Complex
32618Set 2 Only: Source: Sennheiser 421's > Sony TCD5M > Sony D-6 Master Maxell XLIIS Tape Transfer: Nakamichi CR-2A > Apogee MiniMe (16/44.1) > EGOSYS WT2496 > Soundforge 7 Location: 4-5 rows up from the back of the floor dead center
gd1983-04-16.137372.set2.m160.miller.flac24
1983-04-16Meadowlands Arena
137372flac24; Set 2 Recording Info: (FOB) Beyer M160 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller
gd1983-04-16.137376.set2.m160.miller.flac16
1983-04-16Meadowlands Arena
137376flac16; Set 2 Recording Info: (FOB) Beyer M160 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller, 24bits > 16bits with r8brain
gd1983-04-16.140307.aud.lamarre.berger.flac1644
1983-04-16Meadowlands Arena
140307flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlIIs90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
gd1983-04-16.140308.aud.lamarre.berger.flac2496
1983-04-16Meadowlands Arena
140308flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlIIs90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
gd1983-04-16.141681.beyerm201-pinney-holbrook.flac1644
1983-04-16Meadowlands Arena
141681flac16/44.1 First Gen AUD Cassette: Maxell UDXLI90 set1; Maxell XLII90 set2 Master was: Beyer M201 hypercardiod XY 120ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney Transferred By: Kyle Holbrook
gd1983-04-16.141684.beyerm201-pinney-holbrook.flac2448
1983-04-16Meadowlands Arena
141684flac24/48 First Gen AUD Cassette: Maxell UDXLI90 set1; Maxell XLII90 set2 Master was: Beyer M201 hypercardiod XY 120ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney Transferred By: Kyle Holbrook
gd1983-04-16.143070.set2.m160.miller.flac2496
1983-04-16Meadowlands Arena
143070flac24; Set 2 Recording Info: (FOB) Beyer M160 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded, Transferred and Mastered by Charlie Miller
gd1983-04-16.senn421.tom_g.ford.125924.sbeok.flac16
1983-04-16Meadowlands Arena
125924flac16; (FOB) Sennheiser 421s > Sony D5 > MAC (from lead deck) > 1st Gen Cassettes (via Mark McCue); Location: (FOB) 8th or 10th row center, chest to head level; Transfer/Lineage: 1st Gen Cassette> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16e> WaveLab 7.2.1(UAD-2)> .wav @24/88.2> Apogee UV22HR> .wav @16/44.1> xAct> flac16; Taped by Tom G. Transferred, edited and mastered by Alex Ford
gd1983-04-17.140357.sbd.eaton.miller.clugston.flac1648
1983-04-17Meadowlands Arena
140357flac1648; Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 > Tascam DA-3000 16/48 > Adobe Audition 3.0 > TLH flac1648
gd83-04-17.aud-miller.set1.23852.sbeok.shnf
1983-04-17Meadowlands Arena
23852(FOB/3 mic Mix) Three Beyer M160's -> Sony D5 (Lead Deck) -> Cassette Master (Patched With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN. Recorded and Transfered By Charlie Miller
gd83-04-17.rolfe.weiner.7317.sbeok.shnf
1983-04-17Meadowlands Arena
7317AudMC > DAT > CDWAV > SHN; Taped by Steve Rolfe; via Noah Weiner; d1 tracked for 80 min; passes shntool check
gd83-04-17.sbd.fink.14941.sbeok.shnf
1983-04-17Meadowlands Arena
14941SBD : MC > C > DAT > CDR Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper sector boundaries verified via shntool. Seeded to Etree by Alan J Fink 02/02/2003. Thanks to Jeff Williams for the disks!
gd1983-04-17.120026.aud.chasingwilma.flac24
1983-04-17Meadowlands Arena
gd1983-04-17.127256.recoton.gagen.ford.flac16
1983-04-17Brendan Byrne Arena
127256flac16; Updated source info: (FOB) Recoton mm180 mics > Sony D5 > master cassette > Aiwa home deck > 1st gen cassette(McCue); Location: FOB; center floor, approx. 35 ft. from stage. Lineage: MAC> Sony D5> Aiwa home deck> 1st gen cassettes (1983)> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16e> WaveLab 7.2.1(UAD-2)> .wav @24/88.2> Apogee UV22HR> .wav @16/44.1> xAct> flac16(tags). Taper: Tom Gagen; Master cassette transfer by Mark McCue (April 1983); 1st Gen cassette transfer, editing, mastering: Alex Ford
gd1983-04-17.132876.SBD.Keo.Flac1644
1983-04-17Meadowlands Arena
132876flac16; Soundboard Master Cassettes > Unk > Low Gen PCM Early 90's > Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD > SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave; Track Renamed With AudioGate Software V.3.0.2 @ 16/44 Wave; Tracked/Flacked With AudiGate V.3.0.2; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1983-04-17.137398.sbd.msc.happyjack.flac24
1983-04-17Meadowlands Arena
137398flac24; Partial Show Source: sbd; Lineage: mixingboard > d5 [recording level 4.5. No Dolbly] > MASTER Cassettes [Maxell XLII90]; Master Cassette copied on an Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] no Dolby; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Laptop HD by way of USB > 96.00kHz/24bit wav; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; CD Wave Editor to Split Tracks & covert to Flac24 [Level 6]
gd1983-04-17.137399.sbd.msc.happyjack.flac16
1983-04-17Meadowlands Arena
137399flac16; Partial Show Source: sbd; Lineage: mixingboard > d5 [recording level 4.5. No Dolbly] > MASTER Cassettes [Maxell XLII90]; Master Cassette copied on an Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] no Dolby; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Laptop HD by way of USB > 96.00kHz/24bit wav; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor To Split Tracks & converted to Flac16 [Level 6]; TLH to fix SBE
gd1983-04-17.138277.mtx.dusborne.flac16
1983-04-17Meadowlands Arena
138277flac16; 2 source matrix by Dusborne;Soundboard (shnid:132876), Soundboard Master Cassettes > Unk > Low Gen PCM Early 90's >Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD >SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave; Audience (shnid:117500) Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott, Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes, Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1983-04-17.153580.m160.miller.flac2496
1983-04-17Meadowlands Arena
153580flac24/96 Recording Info: (FOB) 3-Beyer M160's > Yamaha Mixer > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
gd1983-04-17.154393.fob.3-beyer.m160.cm.miller.t.flac16
1983-04-17Meadowlands Arena
154393flac1644; Recording Info: (FOB) 3-Beyer M160's > Yamaha Mixer > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 153580 2496 > 1644
gd1983-04-17.120026.chasingwilma.flac24
1983-04-17Meadowlands Arena
120026flac24; Updated Lineage: (2) beyers m88 fob> d-5> mc> sony tc we435> sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
gd1983-04-17.117500.Sennheiser421.daweez.d5scott.flac16
1983-04-17Meadowlands Arena
117500flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1983-04-17.137377.set1.m160.miller.flac24
1983-04-17Meadowlands Arena
137377flac24; Set 1 Recording Info: (FOB) 3 Beyer M160's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller
gd1983-04-17.137378.set1.m160.miller.flac16
1983-04-17Meadowlands Arena
137378flac16; Set 1 Recording Info: (FOB) 3 Beyer M160's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller, 24bits > 16bits with r8brain
gd1983-04-17.138602.sbd.set2.Gastwirt.Miller.Noel.t-flac16
1983-04-17Meadowlands Arena
138602flac16; SBD > Cassette Master* > Dat; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac, Pack & Patch: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT
gd1983-04-17.141682.beyerm201-pinney-holbrook.flac1644
1983-04-17Meadowlands Arena
141682flac16/44.1khz First Gen AUD Cassette: Maxell XLII90 x 2 Master was: Beyer M201 hypercardiod XY 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney Transferred by: Kyle Holbrook
gd1983-04-17.141683.beyerm201-pinney-holbrook.flac2448
1983-04-17Meadowlands Arena
141683flac24/48 First Gen AUD Cassette: Maxell UDXLI90 set1; Maxell XLII90 set2 Master was: Beyer M201 hypercardiod XY 120ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney Transferred By: Kyle Holbrook
gd1983-04-19.nak300.morrone.118072.flac2448
1983-04-19Alfond Arena, U of Maine
118072flac24; AUD: 2x Nakamichi CM300 w/CP1 cardioids > Sony TC-D5M > Maxell MX-90s, floor, left of the soundboard (stage right), taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. January 2012
gd1983-04-19.nak300.morrone.118073.flac1644
1983-04-19Alfond Arena, U of Maine
118073flac16; AUD: 2x Nakamichi CM300 w/CP1 cardioids > Sony TC-D5M > Maxell MX-90s, floor, left of the soundboard (stage right), taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. January 2012
gd1983-04-19.123037.sbd.set1.moore-berger.flac2496
1983-04-19Alfond Arena, U of Maine
123037flac24; Set 1 sbd, unknown gen, Jerry Moore's copy, Rob Berger transfer/seed; lineage: sbd > ? > cassette nak dragon > tascam hd-p2 24/96 > pc > adobe audition 2.0 > cd wave > flac
gd83-04-19.set1-sbd.lai.3856.sbefail.shnf
1983-04-19Alfond Arena, U of Maine
3856set 1; sdb> ?> cassette> cdr; transferred and edited by Mike Lai, from Bruce Fried seed
gd83-04-19.wise.miller.21922.sbeok.shnf
1983-04-19Alfond Arena, U of Maine
21922Recording Info: (FOB/Center) 3 Sennheiser 421 -> Mixer -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Nakamichi Dragon) -> Sony R700 (As A>D Converter) -> ZA2 -> Sound Forge -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) 12/9/03 Recorded and Transfered By Jim Wise Converted To SHN BY Charlie Miller
gd1983-04-19.123036.set1.sbd.moore-berger.flac16
1983-04-19Alfond Arena, U of Maine
123036flac16 Set 1 sbd, unknown gen, Jerry Moore's copy, Rob Berger transfer/seed; lineage: sbd > ? > cassette nak dragon > tascam hd-p2 24/96 > pc > adobe audition 2.0 > cd wave > flac
gd1983-04-19.123052.set1.sbd.miller.moore.berger.flac16
1983-04-19Alfond Arena, U of Maine
123052flac16; Set 1 Recording Info: SBD -> Cassette Master -> Cassette -> FLAC (shnid=123036); Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Mastering By Charlie Miller
gd1983-04-19.140303.aud.lamarre.berger.flac1644
1983-04-19Alfond Arena, U of Maine
140303flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlIIs90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
gd1983-04-19.140304.aud.lamarre.berger.flac2496
1983-04-19Alfond Arena, U of Maine
140304flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlIIs90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
gd1983-04-19.fob.nak700.rolfe.vernon-minor.83761.sbeok.flac16
1983-04-19Alfond Arena - University of Maine
83761flac16; Main Source: Rumored to be a Steve Rolfe Recording (FOB Nak700's > d5 ?) Lineage: cm>dat>cd>eac>Cool Edit Pro > cdwav flac16 (lev 8) via Dave Minor encoding etc. Matt Vernon
gd1983-04-20.139213.s1.m160.flac2496
1983-04-20Providence Civic Center
139213flac24; Set 1 Recording Info: (FOB) Beyer M160 > Sony TC-D5M > Cassette Master (Sony WM-D6C/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller
gd1983-04-20.139219.FOB.Senn441.Gastwirt.Miller.Noel.t-flac16
1983-04-20Providence Civic Center
139219flac16/48kHz; Unknown taper: (FOB) Sennheiser 441 > Master Cassette > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/48; Checksum & tags created in xACT
gd1983-04-20.140669.nak300.barfield.flac2496
1983-04-20Providence Civic Center
140669flac24; source: nak 300 > tcd5m (udxliis +dolby) > master > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (fades, normalize, tracks) > flac2496 > xact; recorded: david barfield; transferred/seeded: barfield
gd83-04-20.sennheiser.dodd.10090.sbeok.shnf
1983-04-20Providence Civic Center
10090FOB-Senn. 421?s>Sony D-5>CM>DAT>CDR; via Charlie Miller, Paul B; seeded to etree by Ernie Dodd
gd83-04-20.sbd.miller.27860.sbeok.flacf
1983-04-20Providence Civic Center
27860flac16; SBD> Master Cassette> Reel> Dat (SV3800/48k), plus patch from FOB Sennheiser 421> Master Cassette; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
gd1983-04-20.aud.wise.92322.sbeok.flac16
1983-04-20Providence Civic Center
92322flac16; AUD: Sennheiser MD-421's > Sony TC-D5, recorded from "upper level". Concert recording and transfer to CDR by Jim Wise. CDR > EAC > WavMerge > CD-Wave > Soundforge > TLH > FLAC
gd1983-04-20.nak300.morris.102040.sbeok.flac16
1983-04-20Providence Civic Center
102040flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
gd1983-04-20.nak300.morrone.120287.flac2448
1983-04-20Providence Civic Center
120287flac24; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, floor center section 23rd row, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2012
gd1983-04-20.nak300.morrone.120288.flac1644
1983-04-20Providence Civic Center
120288flac16; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, floor center section 23rd row, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2012
gd1983-04-20.120098.beyer.dyche.flac16
1983-04-20Providence Civic Center
120098flac16; Beyer M160's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche
gd1983-04-20.139277.set1.fob.beyer.m160.miller.flac16
1983-04-20Providence Civic Center
139277flac16; Set 1 Recording Info: (FOB) Beyer M160 > Sony TC-D5M > Cassette Master (Sony WM-D6C/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller, This is 139213 24 bit -> 16 bit
gd1983-04-20.144678.set2.aud.lamarre.berger.flac16
1983-04-20Providence Civic Center
144678flac16; Set 2 source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5; maxell xlIIS90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred by Rob Berger
gd1983-04-20.144679.set2.aud.lamarre.berger.flac24
1983-04-20Providence Civic Center
144679flac24; Set 2 source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5; maxell xlIIS90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred by Rob Berger
gd1983-04-22.140319.aud.lamarre.berger.flac2496
1983-04-22Veterans' Memorial Coliseum
140319flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
gd83-04-22.sennheiser.martinson.1863.sbeok.shnf
1983-04-22Veterans' Memorial Coliseum
1863FOB-Sennheiser 421> Master Cass(Sony D5)> Dat> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes
gd1983-04-22.nak300.morris.102045.sbeok.flac16
1983-04-22Veterans' Memorial Coliseum
102045flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
gd1983-04-22.112522.Sennheiser.daweez.d5scott.flac16
1983-04-22Veterans' Memorial Coliseum
112522flac16; Source: 2 Sennheiser 421 microphones (up front-center)> Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1983-04-22.140318.aud.lamarre.berger.flac1644
1983-04-22Veterans' Memorial Coliseum
140318flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
gd1983-04-22.141733.nak700.pinney.holbrook.flac1644
1983-04-22Veterans' Memorial Coliseum
141733flac16/44.1 First Gen AUD Cassette: Maxell XLII90 x 2 no NR Master was: Nakamichi 700 wcp1 caps 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby (arrived late and patched) Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney assist to Executive Crew Transferred by: Kyle Holbrook
gd1983-04-22.141734.nak700.pinney.holbrook.flac2448
1983-04-22Veterans' Memorial Coliseum
141734flac24/48 First Gen AUD Cassette: Maxell XLII90 x 2 no NR Master was: Nakamichi 700 wcp1 caps 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby (arrived late and patched) Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney assist to Executive Crew Transferred by: Kyle Holbrook
gd1983-04-22.143128.fob.senn421.wise.clugston.miller.flac1648
1983-04-22Veterans' Memorial Coliseum
143128flac16/48kHz; Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1983-04-22.beyer-m88.morrone.119986.flac2448
1983-04-22Veterans' Memorial Coliseum
119986flac24; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2012
gd1983-04-22.beyer-m88.morrone.119987.flac1644
1983-04-22Veterans' Memorial Coliseum
119987flac16; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2012
gd1983-04-22.143129.fob.senn421.wise.clugston.miller.flac2496
1983-04-22Veterans' Memorial Coliseum
143129flac24; Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
gd1983-04-22.124522.aud.flac16
1983-04-22Veterans' Memorial Coliseum
124522flac16; 1st Gen AUD Unknown Mics > DAT > CD > EAC > FLAC > TLH
gd1983-04-22.119995.chasingwilma.flac24
1983-04-22Veterans' Memorial Coliseum
119995flac24; Updated Lineage: (2) sennheiser 441 fob>d-5> mc> sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
gd1983-04-22.fob.nak700.glassberg.21442.sbeok.shnf
1983-04-22New Haven Coliseum
21442Barry Glassberg FOB AUDMC w/Nak 700s > Sony TC-D5 > DAT > CDR
gd1983-04-22.fob.senn421.coyotte.muletaper.88088.sbeok.flac16
1983-04-22New Haven Coliseum
88088flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-14th row DFC @6 ft high on stand Taper: Rick "Coyotte" Colyard 2 maxell xl2's-cassette MASTERS Transfer: Sony ES-950>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)> FlacFrontend (level-8)>flac-16 Transfered and edited by muletaper 10/07
gd1983-04-23.fob.senn421.coyotte.muletaper.88482.sbeok.flac16
1983-04-23Veterans' Memorial Coliseum
88482flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-11th row DFC @6 ft high on stand. Transfer: Sony ES-950>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16 Transfered and edited by muletaper 10/31/07
gd1983-04-23.fob.senn421.patched.sirmick.96150.sbeok.flac16
1983-04-23New Haven Coliseum
96150flac16; Source:FOB-Sennheiser 421 > Master Cass (Sony D5) > Dat > CDR > EAC > SHN > Wav > flac; edited with Adobe Audition and remastered with iZotope Ozone by SIRMick, December 2008
gd1983-04-23.140324.aud.lamarre.berger.flac1644
1983-04-23Veterans' Memorial Coliseum
140324flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
gd1983-04-23.140325.aud.lamarre.berger.flac2496
1983-04-23Veterans' Memorial Coliseum
140325flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
gd83-04-23.set2-sbd.miller.29469.sbeok.flac16
1983-04-23Veterans' Memorial Coliseum
29469flac16; SBD -> Cassette Master -> Reel -> Dat -> CD Transferred and Edited By Charlie Miller; Scarlet -> Fire patched from Charlie Miller's Aud: (FOB) Senn 421 -> Cassette Master -> Sound Forge -> CD
gd1983-04-23.beyer-m88.morrone.119742.flac1644
1983-04-23Veterans' Memorial Coliseum
119742flac16; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, first row in the riser, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2012
gd1983-04-23.beyer-m88.morrone.119741.flac2448
1983-04-23Veterans' Memorial Coliseum
119741flac24; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, first row in the riser, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2012
gd1983-04-23.141735.beyerm201.pinney.holbrook.flac1644
1983-04-23Veterans' Memorial Coliseum
141735flac16/44.1 First Gen AUD Cassette: TDK MA 90 x 2 no NR Master was: Beyer M201's hypercardiod XY 120 ft from stage DFC (1st row behind SBD)->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Executive Crew- Tom Pinney & Kyle Holbrook Transferred by: Kyle Holbrook
gd1983-04-23.141736.beyerm201.pinney.holbrook.flac2448
1983-04-23Veterans' Memorial Coliseum
141736flac24/48 First Gen AUD Cassette: TDK MA 90 x 2 no NR Master was: Beyer M201's hypercardiod XY 120 ft from stage DFC (1st row behind SBD)->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Executive Crew- Tom Pinney & Kyle Holbrook Transferred by: Kyle Holbrook
gd1983-04-23.143126.fob.senn421.wise.clugston.miller.flac1648
1983-04-23Veterans' Memorial Coliseum
143126flac16/48kHz; Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1983-04-23.nak300.morris.102044.sbeok.flac16
1983-04-23Veterans' Memorial Coliseum
102044flac16; Nakamichi shotgun x2 (CM-300?) > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded behind the board by Bob Morris
gd1983-04-23.s2.senn421.miller.119875.flac24
1983-04-23Veterans' Memorial Coliseum
119875flac24; Set 2 Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; Recorded, Transferred and Mastered By Charlie Miller
gd1983-04-23.143127.fob.senn421.wise.clugston.miller.flac2496
1983-04-23Veterans' Memorial Coliseum
143127flac24; Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
gd1983-04-23.fob.senn421.jeffm.1864.sbeok.shnf
1983-04-23New Haven Coliseum
1864FOB-Sennheiser 421> Master Cass(Sony D5)> Dat> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes
gd1983-04-23.s2.senn421.miller.119873.flac16
1983-04-23Veterans' Memorial Coliseum
119873flac16; Set 2 Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded, Transferred and Mastered By Charlie Miller
gd1983-04-25.136748.Unk-Hill.Keo.Flac2496
1983-04-25The Spectrum
136748flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1983-04-25.136749.Unk-Hill.Keo.Flac1644
1983-04-25The Spectrum
136749flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1983-04-25.134417.nak300.schley.flac2448
1983-04-25The Spectrum
134417flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2015
gd1983-04-25.134418.nak300.schley.flac1644
1983-04-25The Spectrum
134418flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015
gd1983-04-25.fob.nak700.coyotte.muletaper.88164.sbeok.flac16
1983-04-25The Spectrum
88164flac16; Source:2-Nak 700's>Sony D5 Location: FOB-7th row DFC @6 ft high on stand(head high) Taper: Rick "Coyotte" Colyard 2 maxell UDXL2-Cassette MASTERS Transfer: Sony TCW-21(analog out)>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>Media Join(join tape flips)>FlacFrontend (level-8)>flac-16
gd83-04-25.sennheiser.dodd.9763.sbeok.shnf
1983-04-25The Spectrum
9763Source: Senn 421's > MC > Dat > Cdr; via Paul B; Seeded to etree by Ernie Dodd
gd1983-04-25.s1.senn421.miller.119642.flac16
1983-04-25The Spectrum
119642flac16; Set 1 Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded, Transferred and Mastered By Charlie Miller
gd1983-04-25.s1.senn421.miller.119643.flac24
1983-04-25The Spectrum
119643flac24; Set 1 Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; Recorded, Transferred and Mastered By Charlie Miller
gd1983-04-25.112559.Sennheiser.daweez.d5scott.flac16
1983-04-25The Spectrum
112559flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes
gd83-04-26.sbd.parrillo.2606.sbeok.shnf
1983-04-26The Spectrum
2606SBDMC> Cass> DAT> CDR> EAC> SHN; via Mike 'Dank Star' Parrillo
gd1983-04-26.132607.mtx.dusborne.flac16
1983-04-26The Spectrum
132607flac16; 2 Source Matrix by Dusborne; Soundboard(shinid:97544) SBD -> Cassette Master -> Cassette -> Dat (48k); Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; and Audience(shinid:28360) Unknown mics > MC > C > C > Hardrive via souncard > Cool Edit to split tracks > flac
gd1983-04-26.132784.sbd.healy-wise.flac16
1983-04-26The Spectrum
132784flac16/48kHz; Master Soundboard Cassette (Dan Healy)-1st Generation 7 Inch Reel @ 7.5 ips 1/4 Track(Dick L)-Tascam 122MK111 Cassette Deck-Technics 1506 Reel 2 Reel); Analog To Digital-Reel Playback on Otari MX5050-JVC SV-3700 DAT Deck @48KHz; DAT x Zero-DAT x One JVC 3700-JVC 3700 via AES cable; DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/48KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise
gd1983-04-26.136744.Unk-Hill.Keo.Flac2496
1983-04-26The Spectrum
136744flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1983-04-26.136745.Unk-Hill.Keo.Flac1644
1983-04-26The Spectrum
136745flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1983-04-26.141737.beyerm201.johnson.holbrook.flac1644
1983-04-26The Spectrum
141737flac16/44.1 Master AUD: Beyer M201 hypercardiod XY->Sony TCD5M|TDK MA90 No Dolby Location: set1 20ft from stacks RT side lower section set2 behind stage 20 feet from stacks 5 ' ROC Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Olvy Johnson Transferred by: Kyle Holbrook
gd1983-04-26.141738.beyerm201.johnson.holbrook.flac2448
1983-04-26The Spectrum
141738flac24/48 Master AUD: Beyer M201 hypercardiod XY->Sony TCD5M|TDK MA90 No Dolby Location: set1 20ft from stacks RT side lower section set2 behind stage 20 feet from stacks 5 ' ROC Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Olvy Johnson Transferred by: Kyle Holbrook
gd1983-04-26.sbd.parrillo.tetzeli.fix-2606.34395.reflac.flac16
1983-04-26The Spectrum
34395flac16; Seamless fix of shn id 2606 - SBDMC>Cass>DAT>CDR>EAC>SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1983-04-26.sbd.miller.97544.sbeok.flac16
1983-04-26The Spectrum
97544flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1983-04-26.aud.dillon.28360.sbefail.flac16
1983-04-26The Spectrum
28360flac16; Unknown mics > MAC > C > C > Hardrive via souncard > Cool Edit to split tracks > flac; transfer by David Dillon
gd1983-04-26.set2.fob.senn.hanscom.bzl.28161.sbeok.shnf
1983-04-26The Spectrum
28161set2; Sennheiser shotguns > Sony D-5 onto Maxell XLIIS-90, No dolby used; recorded by David Hanscom, center, about 2/3rds back on floor (FOB); Transfer: MC > CDR: NAK BX-300 > Philips CDR-820 standalone recorder, as long, multi-song files; EAC> CDWAV> shn by Bzl
gd1983-04-26.133384.fob.recoton-mm180.colyard.ford.sbeok.flac16
1983-04-26The Spectrum
133384flac16; MAC; (FOB) Recoton mm180s > Sony TCM-D5; Location: 14th row center; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon>Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> .wav @ 24/88.2>UAD-2> UVHR22/Crystal Resampler> .wav@16/44.1> xAct> flac16. Tapers: Rick "Coyote" Colyard and Tom Gagen; Transfer, edits and mastering: Alex Ford
gd1983-04-26.133385.fob.recoton-mm180.colyard.ford.flac2488
1983-04-26The Spectrum
133385flac24; MAC; (FOB) Recoton mm180s > Sony TCM-D5; Location: 14th row center; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon>Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> .wav @ 24/88.2>UAD-2> .wav@24/88.2> xAct> flac24; Tapers: Rick "Coyote" Colyard and Tom Gagen; Transfer, edits and mastering: Alex Ford
gd1983-05-13.nak700.anon-severson-poris.LMPP.96817.flac16
1983-05-13Greek Theatre - University of California
96817flac16; Audience Recording Lineage: 3 Nak 700's (L & R Cardioids, Center Omni - 3 DB Low Pass filter)> -15 db pads> 3 mic mixer Preamp> Patchbay> Sony D6> MAC (Dolby B )> CR-5A> HD-P2> 24/96 .wav> WaveLab 5.0> Waves L3 UltraMaximizer> 16/44.1 .wav> CD Wave Editor> TLH> flac16. Taped by the anonymous taper, Mark Severson and Jamie Poris.
gd1983-05-13.fob.sonyecm220t.keshavan.barnes.18224.shnf
1983-05-13Greek Theatre - University of California
18224FOB Sony ECM-220T>TC-D5>DAT>CDR>EAC(secure)>SHN FOB Sony ECM-220T>TC-D5 by Rango Keshavan see notes for patch information Jim Powell provided the seed discs EAC>SHN by J.Barnes (heyitsmejess@aol.com)
gd1983-05-13.fob.sonyecm220t.keshavan.miller.94393.sbeok.flac16
1983-05-13Greek Theatre - University of California
94393flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller
gd1983-05-13.fob.sonyecm220t.keshavan.miller.fix.94514.sbeok.flac16
1983-05-13Greek Theatre - University of California
94514flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller; pitch corrected source of 94393
gd1983-05-13.sbd.miller.25314.sbeok.shnf
1983-05-13Greek Theatre, U. Of California
25314Set 1 Recording Info: SBD -> Master Cassette -> Reel -> CD -> EAC -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Set 2 Recording Info: SBD -> Master Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller
gd1983-05-13.nak700.mccue.32809.sbeok.flac16
1983-05-13Greek Theatre - University of California
32809flac16; 2 Nak 700's > Bass Box EQ > Sony D5 > Sony D5 > Maxell MX 90's Taper: unknown Mark McCue Master Transfer by Mark McCue
gd1983-05-13.sbd.miller.95059.sbeok.flac16
1983-05-13Greek Theatre - University of California
95059flac16; Recording Info: SBD -> Master Cassette -> PCM -> Apogee Ensemble -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1983-05-13.147896.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648
1983-05-13Greek Theatre, U. Of California
147896flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpweramp
gd1983-05-13.147897.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496
1983-05-13Greek Theatre, U. Of California
147897flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1983-05-14.fob.sonyecm220t.keshavan.miller.94396.sbeok.flac16
1983-05-14Greek Theatre - University of California
94396flac16; Recording Info:(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller
gd1983-05-14.fob.sonyecm220t.keshavan.miller.fix.94515.sbeok.flac16
1983-05-14Greek Theatre - University of California
94515flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller; pitch corrected source of 94396
gd1983-05-14.138938.schoeps.miller.sirmick.sbeok.flac16
1983-05-14Greek Theatre, U. Of California
138938Source: Audience recording > Schoeps > pcm > dat (44k) recorded FOB, taper unknown. Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 edited and mastered SIRMick August 2017
gd1983-05-14.141945.beyerm201.executivecrew-holbrook.flac2448
1983-05-14Greek Theatre, U. Of California
141945flac24/48 Master: AUD MC Beyer M201's X-Y > Sony TCD5M no dolby TDK MA90 s1|Maxell MX90 s2 Location: 85 feet from stage DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Tom Pinney Kyle Holbrook John Hance Transferred by Kyle Holbrook
gd1983-05-14.141946.beyerm201.executivecrew-holbrook.flac1644
1983-05-14Greek Theatre, U. Of California
141946flac16/44.1 Master: AUD MC Beyer M201's X-Y > Sony TCD5M no dolby TDK MA90 s1|Maxell MX90 s2 Location: 85 feet from stage DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Tom Pinney Kyle Holbrook John Hance Transferred by Kyle Holbrook
gd83-05-14.senn.fishman.15387.sbeok.shnf
1983-05-14Greek Theatre, U. Of California
15387FOB: Sennheiser 421's > Sony PCM-F1 (Jeff Silberman's PCM Master) encoded by Jeff Fishman
gd1983-05-14.beyerm201.holbrook.33502.sbeok.flac16
1983-05-14Greek Theatre - University of California
33502flac16; Master: Beyer M201's X-Y > Sony TCD5M (Maxell MX 90, no dolby) Location: 85 feet from stage, DFC Transfer: Sony TC-RX 370 > Echo Gina 24@16/48 > BIAS PEAK VST 2.8 > Mac G-4 dual 533 > Adaptec toast > Matshita CD-RW 7573 (internal) > EAC (PC w/pentium III 700) > flac v1.7.1 etree ed. Mastered by the Executive Crew (T.P, K.H.) Transferred by Kyle Holbrook
gd1983-05-14.fob.senn421.barnes-powell.18225.sbeok.shnf
1983-05-14Greek Theatre - University of California
18225FOB Sennheiser 421s>Sony PCM F-1>DAT>CDR>EAC(secure)>SHN seed provided by jim powell. EAC>SHN by j.barnes (heyitsmejess@aol.com) see notes for patch information.
gd83-05-14.sennheiser.gustin.342.sbeok.shnf
1983-05-14Greek Theatre, U. Of California
342FOB: 3 Sennheiser 421's > Sony PCM-F1, M. Field, D. Cramer; Conversion: 3800-> Montego II Plus @44k > HD via Soundforge> CDWav, A. Gustin; known flaw: very end of Bertha is cut
gd83-05-14.set1-sbd.samaritano.25407.sbeok.shnf
1983-05-14Greek Theatre, U. Of California
25407*Set 1 Only*
Soundboard->Cassette Master->1st Generation Cassette. 1st Generation Cassette->Audiophile 2496->Samplitude v7.02 Professional->.wav->mkw->SHN. Transfer, editing, and SHN by Joe Samaritano
gd1983-05-14.140368.sbd.aud.composite.eaton.miller.clugston.flac1648
1983-05-14Greek Theatre, U. Of California
140368flac16/48kHz; Recording Info: 1st Set: Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; 2nd Set: Unknown Audience Master; possibly recorded at the soundboard by a crew member, presumably, this is what is in the vault for this date; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
gd1983-05-14.sbd-set1.samaritano.tetzeli.patch-25407.91136.sbeok.flac16
1983-05-14Greek Theatre - University of California
91136flac16; Set 1 only, Soundboard->Cassette Master->1st Generation Cassette repatched by Bill Tetzeli
gd1983-05-15.fob.sonyecm220t.keshavan.miller.fix.94516.sbeok.flac16
1983-05-15Greek Theatre - University of California
94516flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller; pitch corrected source of 94397
gd83-05-15.sony.keshavan.2217.sbeok.shnf
1983-05-15Greek Theatre, U. Of California
2217FOB Aud Sony ECM 220T > Sony D5 using Fuji Metals no dolby> Played back on a Nak DR1 with Azimuth adjustment > Sony PCMR500 DAT 48KHz SBM ON > PC transfer via Turtle Beach Montego II Digital I/O > SHN; via Rango Keshavan
gd1983-05-15.fob.sonyecm220t.keshavan.miller.94397.sbeok.flac16
1983-05-15Greek Theatre - University of California
94397flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller
gd1983-05-15.158151.nak700.wagner.miller.clugston.flac1648
1983-05-15Greek Theatre, University Of California
158151flac1648 Source Info: Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
gd1983-05-15.158152.nak700.wagner.miller.clugston.flac2496
1983-05-15Greek Theatre, University Of California
158152flac2496 Source Info: Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
gd1983-05-15.set2.nak700.mccue.34167.sbeok.flac16
1983-05-15Greek Theatre - University of California
34167flac16; Set 2 ONLY; Source: 2 Nak 700's > Bass Box EQ > Sony D5 > Sony D5 > Maxell MX 90's Taper: unknown Mark McCue Master #05 Transfer by Mark McCue. EAC, patch, conversion, and seeding to bt.etree.org by Alex Ford
gd1983-05-15.147898.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648
1983-05-15Greek Theatre, U. Of California
147898flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1983-05-15.147899.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496
1983-05-15Greek Theatre, U. Of California
147899flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd83-06-18.senn421.nawrocki.14411.sbeok.shnf
1983-06-18Saratoga Performing Arts Center
14411Source: Senn 421's > Sony D-5 > CDR taped by Jim Wise *these are not the originally seeded shns (well mostly) see below for details * I rejoined the Morning Dew and Crowd tracks that were separated with a disc break and a fade out from the Dew into one track with Cool Edit Pro. The original md5's are the same except for the Morning Dew and the track names have changed on Space and all the tunes after that. - Doug Nawrocki
gd83-06-18.set2.aud-silberman.miller.21741.sbeok.shnf
1983-06-18Saratoga Performing Arts Center
21741(Front Row Balcony) Sennheiser 441 -> PCM -> CD -> Dat
gd1983-06-18.Senn441.PCM.Keo.124469.Flac2496
1983-06-18Saratoga Performing Arts Center
124469flac24; Set 2 Only; Original Recording By Jeff Silberman; Sennheiser 441 (Front Row Balcony) > PCM > Dat >?; DAT Transfer Info: Friend's Dat (2 Hour) > (Possibaly 1 PCM) > (Unknown Cassette Deck) > Tape TDK MA 110; Transfer Information: Nakamichi MR-1 > Korg MR-1000 @ 1Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz
gd1983-06-18.Senn441.PCM.Keo.124473.Flac1644
1983-06-18Saratoga Performing Arts Center
124473flac16; Set 2 Only; Original Recording By Jeff Silberman; Sennheiser 441 (Front Row Balcony) > PCM > Dat >?; DAT Transfer Info: Friend's Dat (2 Hour) > (Possibaly 1 PCM) > (Unknown Cassette Deck) > Tape TDK MA 110; Transfer Information: Nakamichi MR-1 > Korg MR-1000 @ 1Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1983-06-18.142270.beyer201.executive-crew.holbrook.flac1644
1983-06-18Saratoga Performing Arts Center
142270flac16 44.1khz Master: AUD MC Beyer M201's X-Y 8'up > Sony TCD5M no dolby. Maxell MX90 x 2. First Gen patch: [Same mics]Sony TCD5M no dolby Maxell UDXLII 90. Cassette copy: Sony TCD5M> Denon DR330 Location: ~150 feet from stage, 40 feet from lawn rail on lawn DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor Transferred: Kyle Holbrook
gd1983-06-18.142271.beyer201.executive-crew.holbrook.flac2448
1983-06-18Saratoga Performing Arts Center
142271flac24/48 Master: AUD MC Beyer M201's X-Y 8'up > Sony TCD5M no dolby Maxell MX90 x 2. First Gen patch: [Same mics]Sony TCD5M no dolby Maxell UDXLII 90 Cassette copy: Sony TCD5M> Denon DR330 Location: ~150 feet from stage, 40 feet from lawn rail on lawn DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8. Mastered: Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor Transferred: Kyle Holbrook
gd1983-06-18.beyer.huston.miller.105236.flac16
1983-06-18Saratoga Performing Arts Center
105236flac16; Recording Info: (2) Beyer M160 + (1) Beyer M88 -> Cassette Master (Nakamichi 550/TDK SA90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded By Rudy Huston
gd1983-06-18.beyer-m88.morrone.119437.flac2448
1983-06-18Saratoga Performing Arts Center
119437flac24; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, recorded from inside the pavilion, directly behind the soundboard area, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2012
gd1983-06-18.beyer-m88.morrone.119438.flac1644
1983-06-18Saratoga Performing Arts Center
119438flac16; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, recorded from inside the pavilion, directly behind the soundboard area, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2012
gd1983-06-18.143267.partial-set2.Beerengineer.flac1644
1983-06-18Saratoga Performing Arts Center
143267flac16; Lineage: Aud Pcm Master# 16-441 Recorded Front Row Balcony>Dat>cool edit Pro 16-441; Unknown Pcm Recorder Most Likely 2 Or 3 Sennheiser 441 Mics; Remasterd Beerengineer On 10-05 18
gd83-06-18.aud.gardner.4605.sbeok.shnf
1983-06-18Saratoga Performing Arts Center
4605Sennheiser 421's> Sony D-5 taped by Jim Wise; cass master> CDR; via Tony Gardner with thanks to Paul B.; Note-May circ with mislabelled tracks, they would read 6-13-83
gd1983-06-18.senn421.wise.miller.103285.flac16
1983-06-18Saratoga Performing Arts Center
103285flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
gd1983-06-18.138859.aud.lamarre.berger.flac16
1983-06-18Saratoga Performing Arts Center
138859flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns* > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
gd1983-06-18.138860.aud.lamarre.berger.flac24
1983-06-18Saratoga Performing Arts Center
138860flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns* > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
gd1983-06-18.148043.akg.d330bt.senn421.hecht.miller.clugston.flac1648
1983-06-18Saratoga Performing Arts Center
148043flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1983-06-18.148044.akg.d330bt.senn421.hecht.miller.clugston.flac2496
1983-06-18Saratoga Performing Arts Center
148044flac24; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1983-06-18.154660.S2.Senn441-FRB-PCM-DAT.Silberman-Ammons-Noel.t-flac16
1983-06-18Saratoga Performing Arts Center
154660flac16 Source: Sennheiser 441 > Technics 14 Bit Pcm > Dat Location: Front Row Balcony Transfer Info: Pcm Vhs Master > Sony Pcm 2500 Dat Recorder @khz (by Jeff); Tascam Da20 Mark Ii Dat > Roland Src-2 Sample Rate Format Converter (from Spdif To Optical) > Mac Mini > Audacity@k > Wave (by John) Recorded By Jeff Silberman Pcm To Dat Transfer By Jeff Silberman Dat Transfer By John Ammons Edited & Mastered (adobe Audition) By Joe Noel November 05, 2021
gd1983-06-18.set2.senn441.silberman.miller.103293.flac16
1983-06-18Saratoga Performing Arts Center
103293flac16; Set 2 only, Recording Info: (Front Row Balcony) Sennheiser 441 -> PCM -> Dat -> CD -> Dat Transfer Info: Dat (Sony D8) -> Behringer UltraMatch SRC 2000 -> CD (Tascam CDRW700) -> Samplitude Professional v10.22 -> FLAC; Recorded by Jeff Silberman; This is a re-master of source ID 21741; All Transfers and Mastering By Charlie miller
gd1983-06-20.140672.nak300.barfield.lane.flac2496
1983-06-20Merriweather Post Pavilion
140672flac24; source: nak 300 (location ?) > tcd5m MX90 +dolby > master > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (normalize, tracks, fades) > flac2496 > act (tags, checksums); recorded: david lane + david barfield; transferred/seeded: barfield
gd1983-06-20.148015.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648
1983-06-20Merriweather Post Pavilion
148015flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1983-06-20.148016.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496
1983-06-20Merriweather Post Pavilion
148016flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd83-06-20.fob-senn.sws.11931.sbeok.shnf
1983-06-20Merriweather Post Pavilion
11931Set 1 and Set 2 up to Drums is: FOB-Sennheiser 421>MasterCass>Dat>CD; Set 2 From Space to Sugar Mags is FOB-Sennheiser 441>PCM>Dat>CD; Seeded to etree by SWS
gd1983-06-20.fob.minor.vernon.83762.sbeok.flac16
1983-06-20Merriweather Post Pavilion
83762flac16; Source: fob about the 12th row ctr. or so with a sony 939lt stereo - single point mic > d6 taped and transferred by David Minor Lineage: MAC > CD > EAC > Cool Edit Pro > CDWAV > flac16 level 8 encoding etc. by Matt Vernon
gd1983-06-20.fob.senn421.coyotte.muletaper.32643.sbeok.flac16
1983-06-20Merriweather Post Pavilion
32643flac16; Source:FOB-35FT off Stage@10ft 2 Sennheiser Md421's>Sony TCD5>Maxell XL2 Cassettes Recorded by Rick Colyard Transfer.Sony TCD21>Soundforge 8.0(record,resample,fades,anti-alias filter in highest setting)>CDWav(tracks)>Flacfrontend(flac16bit) Trandsfer and editing by: MULETAPER
gd1983-06-20.nak300.grabski.32795.sbefail.flac16
1983-06-20Merriweather Post Pavilion
32795flac16; Source: Nakamichi 300's > Sony TCD5M > Sony D-6 Maxell XLIIS Master (outside in the insane weather and thick sound!) Thanks to Ted (?) for the patch Transfer: Maxell XLIIS Master > Nakamichi DR-3 > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1
gd1983-06-20.nak300.morris.102042.sbeok.flac16
1983-06-20Merriweather Post Pavilion
102042flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Section Right Loge, Row J, Seat 208 by Bob Morris
gd1983-06-20.119816.aud.chasingwilma.flac24
1983-06-20Merriweather Post Pavilion
119816flac24; source: (3) audio technica atm11> d-5; conversion: sony tc we435> soundcard> cdwave 44100/stereo/24 bit> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
gd1983-06-20.117531.Sennheiser421.daweez.d5scott.flac16
1983-06-20Merriweather Post Pavilion
117531flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1983-06-20.aud-set2.silberman.3926.sbeok.shnf
1983-06-20Merriweather Post Pavillion
3926set 2; Sen. 441 -> D5 -> Dat Recorded by J. Silberman; Mastering: Pan SV3700 -> Za2 -> .shn by SWS
gd1983-06-21.147953.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496
1983-06-21Merriweather Post Pavilion
147953flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd83-06-21.sony.dodd.11491.sbeok.shnf
1983-06-21Merriweather Post Pavilion
11491AUD>MC>DAT>CDRSony ECM-939's; via Paul; seeded to etree by Ernie Dodd
gd1983-06-21.nak300.grabski.32881.flac16
1983-06-21Merriweather Post Pavilion
32881Source: Nakamichi 300's w/CP-4 capsules > Sony TCD5M > Sony D-6 Maxell XLIIS & MX Master Transfer: Maxell XLIIS & MX Master > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Recorded and transferred by Dean Grabski
gd1983-06-21.147952.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648
1983-06-21Merriweather Post Pavilion
147952flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1983-06-21.nak300.morris.102041.sbeok.flac16
1983-06-21Merriweather Post Pavilion
102041flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Section Right Loge, Row H, Seat 212 by Bob Morris
gd1983-06-21.117317.Sennheiser421.daweez.d5scott.flac16
1983-06-21Merriweather Post Pavilion
117317flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1983-06-21.140698.set1.nak300.flac2496
1983-06-21Merriweather Post Pavilion
140698flac24; Set 1 source: nak 300 (7’ right front corner of sbd w/+nod from healy) > tcd5m > mx90 +dolby > master > tascam 122mkii -dolby > apogee rosetta 200 (24/96) > audacity (fix levels, normalize, fades, tracks) > flac2496 > act (tags,checksums); recorded: david barfield; transferred/seeded: barfield
gd1983-06-22.fob.atm11.chasingwilma.102068.flac16
1983-06-22City Island
102068flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : (3) audio technica atm fob> tcm d-5> cm> cd Recording Location: fob Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8
gd83-06-22.senn-akg-mckeown.willy.14908.sbeok.shnf
1983-06-22City Island
149082 Sennheiser ME-80 and 2 AKG D-1000 mikes run through mixer>Sony D5M (30 feet from stage dead center. Recorded by Tommy McKeown) Note- This is the same source as the previous etree seed (shnid #7222), though I believe the previous seed has been normalized. The previous seed was also missing the last 4 minutes of Deal, and had small (DAO) silent spots between all the tracks; via Eric Ray; Seeded to etree by Willy
gd1983-06-22.beyerm201.holbrook.burke.81274.sbeok.flac16
1983-06-22City Island
81274flac16; Recordist: Kyle Holbrook Location : ~10' Left Of Center, ~100' from stage lip Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > TDK MA-R90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: TDK MA-R90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6
gd1983-06-22.beyerm201.holbrook.burke.81511.sbeok.flac24
1983-06-22City Island
81511flac24/96; Recordist: Kyle Holbrook Location: ~10' Left Of Center, ~100' from stage lip Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > TDK MA-R90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: TDK MA-R90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8
gd1983-06-22.fob.senn.andrewf.92208.flac16
1983-06-22City Island
92208flac16; AUD: FOB, Sennheiser ME-88 shotguns > patched thru 1 or 2 decks > Marantz PMD-340 cassette deck > TDK SA-90's, Dolby on. Transfer: MAC > Nakamichi DR-8 (Dolby on) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Taped & transferred by Andrew F.
gd1983-06-22.155965.fob.senn441.neumann.u87.blend.eaton.miller.clugston.flac1648
1983-06-22City Island
155965flac1648 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496