Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1975-01-00.137598.studio.thefirstday.bershaw.flac16
1975-01-01Ace's
137598flac16; Source: Studio Reel - Bob Gurman's TDK LX 35/90B @7.5ips; Lineage: Studio Master Reel -> ?-> Reel @7.5ips (TEAC A-4010 SL playback)-> Lexicon Lambda-> Logic 24/96 AIFF -> wav conversion to 16bit-44.1k-> xAct -> flac
gd1975-03-00.sbd.terrapin-station.4231.shnf
1975-03-01Studio
4231liberated bootleg CD-> EAC-> WAV-> SHN; via Dave Backus
gd1975-03-01.145786.sbd.gans.miller.noel.flac1644
1975-03-01Bob Weir's Studio
145786flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)
gd1975-03-17.145773.sbd.pcm.dalton.miller.noel.flac16
1975-03-17Ace's
145773flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)
gd75-03-17.sbd.vernon.10111.sbeok.shnf
1975-03-17Ace's (SNACK Rehearsal)
10111SBD>MR>DAT>CDR; David Crosby and the Dead from weir's Studio; via Raoul Duke; seeded to etree by Matt Vernon
gd75-03-21.sbd.backus.14288.sbeok.shnf
1975-03-21Ace's studio
14288SNACK rehearsals, poss compilation of dates; ??> cass> cooledit> mkw> shn; Tracking/ re-shn (v3) from original single shn file, by terrapinstation
gd1975-03-23.sbd.skankweed.13585.shnf
1975-03-23Kezar Stadium
13585SBD>FM>?>DAT>CDR Only flaw listed: One small d/o in the 1st Blues for Allah (Track 2) @ 4:36
gd1975-03-23.150533.remaster.flac2448
1975-03-23Kezar Stadium
150533flac24; SHN Remastered: gd1975-03-23.pre-fm-sbd.hope-ross.32539.shnf; Lineage: FM > ??? > WAV > SHN > Adobe Audition 2020 > FLAC; the lineage doesn't explain how or why 16 bit .shn files ended up as 24 bit .flac files (admin note: This may originate from source ID 110126. The track timings are almost identical.) Note: A user reported that these are sourced from .mp3.
gd1975-03-23.126296.fm.kafer-boswell-smith.flac24
1975-03-23Kezar Stadium
126296flac24; FMMR (Peter Kafer) @ 7 1/2 ips > R @ 7 1/2 ips (Will Boswell); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
gd1975-03-23.fm.lee-smith.94026.sbeok.flac16
1975-03-23Kezar Stadium
94026flac16; FMMR (Peter Kafer) @ 7 1/2 ips > R @ 7 1/2 ips (Pat Lee)* > CD. Reel to reel transfer by Taper Pat - (R copied @ 7.5 ips using a Revox A-77>A-77) --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD > EAC > WAV (shntool confirms no sbes) > FLAC (TLH)
gd1975-03-23.fm.unknown.32299.shnf
1975-03-23Kezar Stadium
32299Source: FM > ??? > WAV > SHN
"Originally part of gd1991-03-31 on gdlive.com."
gd1975-03-23.pre-fm-sbd.hope-ross.32539.shnf
1975-03-23Kezar Stadium
32539SBD>Pre-FM SBD MR>DAT>Digi-Remaster>CD>CD>EAC>MKW>SHN
gd1975-03-23.sbd.snack.18525.flac16
1975-03-23Kezar Stadium
18525Unknown SBD Note: This is disc 1 of a 5 disc set containing all of the sets from the 3/23/1975 SNACK Benefit. Other artists were Tower of Power, Santana, Doobie Brothers, Jefferson Starship, Joan Baez and, finally, Neil Young, Bob Dylan & The Band.
gd1975-03-23.sbd.miller.110126.flac16
1975-03-23Kezar Stadium
110126flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1975-03-26.145774.sbd.pcm.dalton.miller.noel.flac16
1975-03-26Ace's
145774flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)
gd75-03-26.sbd.backus.14289.sbeok.shnf
1975-03-26Ace's Studio
14289rehearsals; sbd> ?> PCM> SEK'D Prodif96Pro> wav> SHN; 1-disc portion of 6 discs seeded to abgd, with seeking reshn on t1,2 by terrapinstation
gd1975-04-02.145775.sbd.pcm.dalton.miller.noel.flac16
1975-04-02Ace's Studio
145775flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)
gd75-04-02.sbd.backus.14290.sbeok.shnf
1975-04-02Ace's Studio
14290rehearsals; 1st Gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; There's some question as to the accuracy of this date; via terrapinstation to etree
gd75-04-17.sbd.backus.14291.sbeok.shnf
1975-04-17Ace's Studio
14291rehearsals; sbd> ? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; SBEs fixed with shntool, renamed to fit Etree standards and re-shn'ed by terrapinstation
gd1975-06-03.145776.sbd.pcm.dalton.miller.noel.flac16
1975-06-03Ace's Studio
145776flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)
gd1975-06-04.145777.sbd.pcm.dalton.miller.noel.flac16
1975-06-04Ace's Studio
145777flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)
gd1975-06-05.145778.sbd.pcm.dalton.miller.noel.flac16
1975-06-05Ace's Studio
145778flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)
gd75-06-05.sbd.backus.14292.sbeok.shnf
1975-06-05Club Front
14292rehearsals; SBD: 2nd gen cass> PCM>SEK'D Prodif96Pro> wav> SHN; SBEs fixed (with shntool), files renamed, re-shn'ed, text file created by terrapinstation
gd75-06-05.sbd.hanno.21936.sbeok.shnf
1975-06-05Club Front
21936rehearsal sessions from June 3, 4 & 5, 1975 from low-generation cassette. via Hanno Bunjes, Uli Teute
gd1975-06-07.bluesruffs.sbd.smith.94427.sbeok.flac16
1975-06-07Bob Weir's Studio
94427flac16; "Blues Ruffs" : SBD MR > R > Rs > CD * > EAC > WAV > FLAC via Matt Smith
gd1975-06-17.mtx.dts.tobin.96162.flac16
1975-06-17Winterland Arena
96162DTS-Audio-CD 5.1 Mix; - SBD (shn id 96125) MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD (shn id 233) AUD CM>DAT>CD>EAC>SHN Recorded by Rob Bertrando - patches, timing and dts encoding by Kevin Tobin
gd1975-06-17.sbd.GEMS.96125.flac16
1975-06-17Winterland Arena
96125flac16; SBD Source: MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station
gd1975-06-17.fob.menke.motb.97077.flac16
1975-06-17Winterland Arena
97077flac16; 1 x ECM 250, 1 x ECM 270 => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped by Bob Menke & Louis Falanga; Edited By Derek McCabe; MOTB 0033
gd1975-06-17.fob.menke.motb.97078.flac24
1975-06-17Winterland Arena
97078flac24; 1 x ECM 250, 1 x ECM 270 => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped by Bob Menke & Louis Falanga; Edited By Derek McCabe; MOTB 0033
gd1975-06-17.mtx.menke.gems.97079.flac16
1975-06-17Winterland Arena
97079flac16; MTX 1 x ECM 250, 1 x ECM 270 => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped by Bob Menke & Louis Falanga; Edited By Derek McCabe; MOTB 0033 and flac16; SBD Source: MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station
gd1975-06-17.145779.sbd.pcm.dalton.miller.noel.flac16
1975-06-17Winterland Arena
145779flac16; Partial Set 1 Source: Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)
gd1975-06-17.mtx.tobin.96148.flac16
1975-06-17Winterland Arena
96148flac16; Matrix 2 Source Mix - SBD (shn id 96125) MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD (shn id 233) AUD CM>DAT>CD>EAC>SHN Recorded by Rob Bertrando - patches, timing and matrix mixing by Kevin Tobin
gd1975-06-17.143100.SonyECM-280.bertrando.dalton.sirmick.miller.flac1644
1975-06-17Winterland Arena
143100flac16; Source: Sony ECM-280's > Sony TC-152SD > Cass master > reel > dat (44.1) - Recorded by Rob Bertrando from the floor, about 30-35' back, just to the left of dead center. Provided by Tim Dalton. Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 advanced > iZotope Ozone 5 Advanced >CD Wave >Flac 16; edited and mastered SIRMick September 2018; fixed version in circulation
gd1975-06-17.143102.SonyECM-280.bertrando.dalton.sirmick.miller.fixed.flac1644
1975-06-17Winterland Arena
143102flac16; Source: Sony ECM-280's > Sony TC-152SD > Cass master > reel > dat (44.1) - Recorded by Rob Bertrando from the floor, about 30-35' back, just to the left of dead center Provided by Tim Dalton; Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 advanced > iZotope Ozone 5 Advanced >CD Wave >Flac 16; fixed version of source ID 143100
gd75-06-17.bertrando.unknown.233.sbeok.shnf
1975-06-17Winterland Arena
233AUD CM>DAT>CD> EAC> SHN; Recorded by Rob Bertrando: Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT; audience from Winterland floor, about 30-35' back, just to the? left of dead center; via Alan Fink, Mark Ferguson
gd75-06-17.sbd.partial.backus.20084.sbeok.shnf
1975-06-17Winterland Arena
20084sbd>? gen cass>PCM>SEK'D Prodif96Pro>wav>SHN via David Backus
gd1975-06-17.mtx.chappell.SB7.29465.flac16
1975-06-17Winterland Arena
29465flac16; AUD/SBD Matrix of 2 previously circulating sources: AUD - (shn ID #233) and SBD - (shn ID #20084). Edited and converted by Chris Chappell.
gd1975-06-17.aud.unknown.87560.flac16
1975-06-17Winterland Arena
87560flac16; Sony ECM-280's > Sony TC-152SD playback on Nak Dragon > Sony PCM 601ES > Beta Beta > Sony R500 DAT >HHb-850 CDR Pitch correction and slight EQ in Audacity
gd75-07-07.sbd.backus.14293.sbeok.shnf
1975-07-07Ace's Studio
14293sbd>? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; via terrapinstation to etree
gd1975-07-07.145780.sbd.pcm.dalton.miller.noel.flac16
1975-07-07Ace's Studio
145780flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)
gd1975-07-23.140800.sbd.bershaw.flac1644
1975-07-23Club Front Studio
140800flac16; source/lineage: studio reel-> ?-> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda-> Logic Pro-> wav -> xAct -> flac
gd1975-07-24.140801.sbd.bershaw.flac1644
1975-07-24Club Front Studio
140801flac16; source/lineage: studio reel-> ?-> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda-> Logic Pro-> wav -> xAct -> flac
gd75-08-13.fm.vernon.23661.sbeok.shnf
1975-08-13Great American Music Hall
23661Pitch corrected version of FM broadcast originally seeded by CousinIt by Matt Vernon
gd1975-08-13.fm.cousinit.18512.sbeok.shnf
1975-08-13Great American Music Hall
18512FM Source: SBD>FM>MC>DAT>WAV>SHN SBD Source: MSR>R(2)>C>DAT>WAV>SHN With full intro and tunings- these are missing from the OFTV release.
gd1975-08-13.155570.FM.flegel.flac1644
1975-08-13Great American Music Hall
155570flac16/44 (Bootleg Tape - from FM broadcast - 9/1/75) via Brian Flegel
gd1975-09-01.140813.studio.bershaw.flac1644
1975-09-01Club Front Studio
140813flac16; source/lineage: studio reel-> ?-> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda-> Logic Pro-> wav -> xAct -> flac
gd1975-09-16.140795.sbd.bershaw.flac1644
1975-09-16Club Front Studio
140795flac16; source/lineage: studio reel-> ?-> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda-> Logic Pro-> wav -> xAct -> flac
gd75-09-28.sbd.fink.9392.sbeok.shnf
1975-09-28Lindley Meadows, Golden Gate Park
9392SBD : MR > DAT > CDR (HHb850); DAT > CDR transfer by Dan Sisler; Seeded to etree by Alan J. Fink
gd75-09-28.sbd.bertha-ashley.22257.sbeok.shnf
1975-09-28Lindley Meadows, Golden Gate Park
22257Bertha Remaster of the master reel source; SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A
gd1975-09-28.aud.gofob.86250.flac16
1975-09-28Lindley Meadows, Golden Gate Park
86250flac16; Source: On Stage Mic's (BY Band) > ? > Dat @ 44.1 Transfer: Fostex D5 > Zoltrix > Sf 6.0 (fades,normalized,patches) > Cd Wave > Flac 16/44.1
gd1975-09-28.unknown.beggs.236.shnf
1975-09-28Lindley Meadows - Golden Gate Park
236Source: ?? > Turtle Tree > CD > SHN; via B. Beggs; note some confusion on this etreed material, needs sorting out
gd1975-09-28.mtx.seamons.102155.sbeok.flac16
1975-09-28Lindley Meadows, Golden Gate Park
102155flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC16)
gd1975-09-28.sbd.unknown.2562.sbefail.shnf
1975-09-28Lindley Meadows, Golden Gate Park
2562sbd> reel (mic mix)> DAT> CD; via Mike Lai; modified info file courtesy Dave Laesser; note TLEO not included