Identifiers for Grateful Dead
1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
| Archive Identifier | |
|---|---|
| Date | Venue |
| Source | |
| gd1989-06-21.144779.mtx.tobin.flac1644 | |
| 1989-06-21 | Shoreline Amphitheatre |
| 144779 | flac16; Matrix 2 Source Mix - SBD (shnid = 83718) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shnid = 142379) Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - matrix mixing by Kevin Tobin |
| gd1989-06-21.144782.dts.tobin.flac1644 | |
| 1989-06-21 | Shoreline Amphitheatre |
| 144782 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 83718) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shnid = 142379) Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dts mixing by Kevin Tobin |
| gd1989-06-21.144792.5-1.tobin.flac1648 | |
| 1989-06-21 | Shoreline Amphitheatre |
| 144792 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 83718) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shnid = 142379) Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - surround mixing by Kevin Tobin |
| gd1989-06-21.151620.UltraMatrix.sbd.cm.miller.t.flac16 | |
| 1989-06-21 | Shoreline Amphitheatre |
| 151620 | flac1644; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller 150851 24 -> 16 @ 44.1 |
| gd1989-06-21.atm11.chuckm.127418 | |
| 1989-06-21 | Shoreline Ampitheatre |
| gd1989-06-21.138342.FOB.Schoeps.Mattes.Ammons.Noel.t-flac16 | |
| 1989-06-21 | Shoreline Amphitheatre |
| 138342 | flac16/48kHz; Ted Mattes FOB Recording (hand held): Schoeps CMC521 at 100 ORTF with Schoeps t-bar > SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT |
| gd89-06-21.sbd.gorinsky.4603.sbeok.shnf | |
| 1989-06-21 | Shoreline Amphitheatre |
| 4603 | Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN; EAC> SHN> etree by Gerald Gorinsky; includes E: Brokedown // from listed source + complete E: Brokedown from Jack Schlottman?s 1st-gen FM simulcast> CDR source) |
| gd1989-06-21.142379.schoeps.cmc4.mk2s.mattes.miller.clugston.flac1648 | |
| 1989-06-21 | Shoreline Amphitheatre |
| 142379 | flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 |
| gd89-07-02.nak.8243.sbefail.shnf | |
| 1989-07-02 | Sullivan Stadium |
| 8243 | Digital Audience - Jill & Rob R 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern |
| gd1989-07-02.aud.gastwirt.1110.sbefail.shnf | |
| 1989-07-02 | Sullivan Stadium |
| 1110 | FOB Schoeps CMC42s spaced omnis > Sony SL-2000PCM; Taped by: Rich Gastwirt; via NateDawg to offer, 2/01 to abgd |
| gd1989-07-02.fob.alexander.tetzeli.77458.sbeok.flac24 | |
| 1989-07-02 | Sullivan Stadium |
| 77458 | flac24; SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC |
| gd1989-07-02.fob.thomson.motb.81459.sbeok.flac16 | |
| 1989-07-02 | Sullivan Stadium |
| 81459 | flac16; Source: Audience FOB Recording Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette Lineage: FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC(level 8) Taper: Danny Thomson Transfer: Derek McCabe Mastering: Chris Ladner |
| gd1989-07-02.fob.thomson.motb.81855.sbeok.flac24 | |
| 1989-07-02 | Sullivan Stadium |
| 81855 | flac24/96; Taper: Danny Thomson Source: FOB Nak700's > Uher 240 > Master Cassette Maxell XLII 90min. Transfer: Playback on Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak (24 bit/96 KHz WAV) by D.McCabe. Mastering: Wavelab 5 > Waves L3 Multimaximizer (threshold -2.3 dB/ceiling -0.1 dB) > CDWAV 1.9 > FLAC (level 8), by C.Ladner. |
| gd1989-07-02.149202.Dak.boedicker.flac1644 | |
| 1989-07-02 | Sullivan Stadium |
| 149202 | flac16; Source: Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section |
| gd1989-07-02.153412.MTX.photoLeon.t-flac16 | |
| 1989-07-02 | Sullivan Stadium |
| 153412 | flac16 A Photoleon Matrix: (fob) Schoeps Cmc42s (omnis Spaced 8') > Panasonic Sv250 > Dat + Ultra Matrix Sbd > Cassette Master. Fob Schoeps Recording By Ted Mattes. Sbd Provided By Charlie Miller. Matrix Created By Joe Noel. July 2, 2021 |
| gd1989-07-02.schoepsmk2.30364.flac16 | |
| 1989-07-02 | Sullivan Stadium |
| 30364 | flac16; FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC |
| gd1989-07-02.133781.akg414btl-fob-dantepper.flac16 | |
| 1989-07-02 | Sullivan Stadium |
| 133781 | flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper |
| gd1989-07-02.138287.sbd.miller.flac24 | |
| 1989-07-02 | Sullivan Stadium |
| 138287 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1989-07-02.134395.MOTB.droncit.flac16 | |
| 1989-07-02 | Sullivan Stadium |
| 134395 | flac16; Source: Audience FOB Recording; Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette; Lineage: FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC (level 8); Taper: Danny Thomson; Transfer: Derek McCabe |
| gd1989-07-02.138258.FOB.Scheops.Mattes.Ammons.t-flac16 | |
| 1989-07-02 | Sullivan Stadium |
| 138258 | flac16; Ted Mattes FOB recording: Schoeps CMC42s (omnis spaced 8 feet) > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; DAT Master > Sony PCM601/Beta > DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Audacity 3.0 at 44K > Wave; Joe Noel Track, Flac, Patch, Pack & Seed: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT |
| gd1989-07-02.138306.mtx.miller.flac16 | |
| 1989-07-02 | Sullivan Stadium |
| 138306 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138287 24 bit -> 16 bit |
| gd1989-07-02.fob.nak300.andrewf.99911.flac24 | |
| 1989-07-02 | Sullivan Stadium |
| 99911 | flac24; FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side). Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. 06/2009 |
| gd1989-07-02.fob.nak300.andrewf.99912.flac16 | |
| 1989-07-02 | Sullivan Stadium |
| 99912 | flac16; FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side). Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. 06/2009 |
| gd1989-07-02.nak300.bleich-sirmick.109498.sbeok.flac16 | |
| 1989-07-02 | Sullivan Stadium |
| 109498 | flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac (Maxell XLIIS x 3) Transfer: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich |
| gd1989-07-02.150431.mtx.tobin.flac16 | |
| 1989-07-02 | Sullivan Stadium |
| 150431 | flac16; Matrix 2 Source Mix - SBD (shnid = 138287) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 77458) SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC - matrix mixing by Kevin Tobin |
| gd1989-07-02.150432.dts.tobin.flac16 | |
| 1989-07-02 | Sullivan Stadium |
| 150432 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 138287) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 77458) SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC - dts mixing by Kevin Tobin |
| gd1989-07-02.150433.5-1.tobin.flac1648 | |
| 1989-07-02 | Sullivan Stadium |
| 150433 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 138287) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 77458) SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC - surround mixing by Kevin Tobin |
| gd1989-07-02.nak300.morris.crazyfingers.106586.flac16 | |
| 1989-07-02 | Sullivan Stadium |
| 106586 | flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris |
| gd1989-07-04.140127.sbd.miller.flac2496 | |
| 1989-07-04 | Rich Stadium |
| 140127 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1989-07-04.141011.FOB.Schoeps.PCM.Mattes.Miller.Noel.t-flac1644 | |
| 1989-07-04 | Rich Stadium |
| 141011 | flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 > PCM; Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); PCM Recorded & Provided by Ted Mattes |
| gd1989-07-04.141726.FOB.AKG.Ackerman.Miller.Noel.t-flac2496 | |
| 1989-07-04 | Rich Stadium |
| 141726 | flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 (FOB); Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) |
| gd1989-07-04.145743.fob.akg460.ackerman.miller.noel.t-flac16 | |
| 1989-07-04 | Rich Stadium |
| 145743 | flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 (FOB); Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1 |
| gd89-07-04.aud.wiley.9045.sbeok.shnf | |
| 1989-07-04 | Rich Stadium |
| 9045 | AUD>MC>DAT>CDR; Seeded to etree by Tim W |
| gd89-07-04.sbd.hinko.18542.sbeok.shnf | |
| 1989-07-04 | Rich Stadium |
| 18542 | SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko |
| gd1989-07-04.133778.akg414btl-fob-dantepper.flac16 | |
| 1989-07-04 | Rich Stadium |
| 133778 | flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper |
| gd1989-07-04.akg414s.alexander.78771.flac16 | |
| 1989-07-04 | Rich Stadium |
| 78771 | flac16; SRC: FOB (AKG 414s) > Sony D-5 (Dolby B) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby decode) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC Transferred and seeded by Bill Tetzeli |
| gd1989-07-04.akg414s.alexander.78959.flac24 | |
| 1989-07-04 | Rich Stadium |
| 78959 | flac24; FOB (AKG 414s) > Sony D-5 (Dolby B) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby decode) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC |
| gd1989-07-04.123367.crupi.flac16 | |
| 1989-07-04 | Rich Stadium |
| 123367 | flac16; Source: Realistic omnis > Sony WM-D6 (Denon HD8 type II/NR: on); Transfer: Nakamichi BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables w attenuators > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi and David Crupi; Transfer by B Crupi |
| gd1989-07-04.118538.aud-matrix.pzm-dak5245.flac16 | |
| 1989-07-04 | Rich Stadium |
| 118538 | flac16; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Recorded & Transfered By: Robert Mullen |
| gd1989-07-04.140237.UltraMatrix.sbd.cm.miller.flac1644 | |
| 1989-07-04 | Rich Stadium |
| 140237 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1987-07-04.145604.senn421.hessberg.miller.clugston.flac1648 | |
| 1989-07-04 | Sullivan Stadium |
| 145604 | flac16/48kHz; Michael Hessberg's Master Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
| gd1989-07-04.149269.beyerCM101.ebel.x.flac2496 | |
| 1989-07-04 | Rich Stadium |
| 149269 | flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel |
| gd89-07-07.aud.wiley.7855.sbeok.shnf | |
| 1989-07-07 | John F Kennedy Stadium |
| 7855 | Audience (was labeled as (Healy Mix) SBD>MC>DAT>CDR_; via Paul B.; Tim wiley |
| gd1989-07-07.akg414.unknown.89653.sbeok.flac16 | |
| 1989-07-07 | JFK Stadium |
| 89653 | flac16; Source: AKG414 FOB (probably from Dan Tepper's rig - AKG414TL > AKG B18 power supplies > Technics SV-MD1) Transfer: CDs received from Dan Lynch; extracted with Max 0.7.1 using CD paranoia setting; compressed using XACT 1.6.2 FLAC level 5; shntool, ffp and md5 by XACT 1.6.2) |
| gd1989-07-07.aud.dave.4665.sbeok.shnf | |
| 1989-07-07 | JFK Stadium |
| 4665 | AKG 414TL's FOB; via Dave of ratdog.org |
| gd1989-07-07.aud.wiley.tetzeli.fix-7855.35410.reflac.flac16 | |
| 1989-07-07 | JFK Stadium |
| 35410 | flac16; Seamless fix of shn id 7855 - Audience [was labeled as (Healy Mix) SBD>MC>DAT>CDR>EAC>SHN(WAV>FLAC)]. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
| gd1989-07-07.fob.clugston.10925.sbeok.shnf | |
| 1989-07-07 | JFK Stadium |
| 10925 | Audience DAT mastered with unknown mics/deck; via Chaz Connor; Seeded to etree by Scott Clugston |
| gd1989-07-07.nak300.andrewf.96993.flac24 | |
| 1989-07-07 | JFK Stadium |
| 96993 | flac24; 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009. |
| gd1989-07-07.nak300.andrewf.96994.flac16 | |
| 1989-07-07 | JFK Stadium |
| 96994 | flac16; FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. January 2009. |
| gd1989-07-07.Nak300CP4.Baker.Keo.125119.Flac2496 | |
| 1989-07-07 | John F. Kennedy Stadium |
| 125119 | flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 > Sony WM-D5; Tapes: Set 1: Maxell XLII-S 90, Set 2: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1989-07-07.140262.UltraMatrix.sbd.cm.miller.flac1644 | |
| 1989-07-07 | John F. Kennedy Stadium |
| 140262 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1989-07-07.141727.FOB.AKG.Ackerman.Miller.Noel.t-flac2496 | |
| 1989-07-07 | John F. Kennedy Stadium |
| 141727 | flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 (FOB); Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) |
| gd1989-07-07.145745.fob.akg460.ackerman.miller.noel.t-flac16 | |
| 1989-07-07 | John F. Kennedy Stadium |
| 145745 | flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 (FOB); Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1 |
| gd1989-07-07.153413.MTX.photoLeon.t-flac16 | |
| 1989-07-07 | John F. Kennedy Stadium |
| 153413 | flac16 A Photoleon Matrix: Source: Akg 414-btl (cardioid X-y)> Neuman Bs945i> Technics Svmd1> Master Dat + Schoeps Cmc4 Mk41 Mics > Panasonic Sv-250 > Master Dat + Ultra Matrix Sbd> Cassette Master. Fob Recorded By Dan Tepper. Aud Recorded By Ted Mattes. Sbd Provided By Charlie Miller. Matrix Created By Joe Noel. July 4, 2021 |
| gd1989-07-07.139283.mk2.flac1648 | |
| 1989-07-07 | John F. Kennedy Stadium |
| 139283 | flac16/48kHz; Source: Schoeps CMC4/MK2 > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.40(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe |
| gd1989-07-07.142464.fob.schoeps.cmc4.mk41.mattes.miller.clugston.flac1648 | |
| 1989-07-07 | John F. Kennedy Stadium |
| 142464 | flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK41 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 |
| gd1989-07-07.133776.akg414btl-fob-dantepper.flac16 | |
| 1989-07-07 | John F. Kennedy Stadium |
| 133776 | flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper |
| gd1989-07-07.142782.mtx.tobin.flac2496 | |
| 1989-07-07 | John F. Kennedy Stadium |
| 142782 | flac24; Matrix 2 Source Mix - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - matrix mixing by Kevin Tobin |
| gd1989-07-07.142783.mtx.tobin.flac1644 | |
| 1989-07-07 | John F. Kennedy Stadium |
| 142783 | flac16; Matrix 2 Source Mix - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - matrix mixing by Kevin Tobin |
| gd1989-07-07.142784.dts.tobin.flac1644 | |
| 1989-07-07 | John F. Kennedy Stadium |
| 142784 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - dts mixing by Kevin Tobin |
| gd1989-07-07.142785.5-1.tobin.flac1648 | |
| 1989-07-07 | John F. Kennedy Stadium |
| 142785 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - surround mixing by Kevin Tobin |
| gd1989-07-07.140152.sbd.miller.flac2496 | |
| 1989-07-07 | John F. Kennedy Stadium |
| 140152 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd89-07-09.bertha.6943.sbeok.shnf | |
| 1989-07-09 | Giants Stadium |
| 6943 | AUD (FOB/ AKG414TL)>> ???>> SHN>> Dual DAW (Bertha)>> CDA; remastering by Jay Ashley (apparently of a previously shned source); to CDead |
| gd1989-07-09.akg414.tepper.89725.sbeok.shnf | |
| 1989-07-09 | Giants Stadium |
| 89725 | Source: AKG 414TL (FOB) > AKG B18 p/s (?) > Technics SV-MD1 @48kHz by Dan Tepper Transfer: DAT Clone(x) > Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5; downsampled to Cool Edit Pro 1.2 > Using pre/post filtering at best setting > CD Wave 1.62 > MKWAct 0.97 |
| gd1989-07-09.fob.tepper.cutler.4650.sbeok.shnf | |
| 1989-07-09 | Giants Stadium |
| 4650 | AKG 414TL's fob; via lemon2, with thanks to wellaw; note appears similar to other shn set, but md5s differ; also note files are all mislabeled as "9/7/89", except inside info file (md5 tracks have been renamed at this site) |
| gd1989-07-09.sbd.miller.81177.sbeok.flac16 | |
| 1989-07-09 | Giants Stadium |
| 81177 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
| gd1989-07-09.akg414s.alexander.78968.flac16 | |
| 1989-07-09 | Giants Stadium |
| 78968 | flac16; AKG 414s > Sony D5 > MAC (Dolby B) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC |
| gd1989-07-09.Nak300CP4.Fitzy.Keo.125229.Flac1644 | |
| 1989-07-09 | Giants Stadium |
| 125229 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1989-07-09.142466.schoeps.cmc4.mk2s.mattes.miller.clugston.flac1648 | |
| 1989-07-09 | Giants Stadium |
| 142466 | flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 |
| gd1989-07-09.akg414s.alexander.78977.flac2448 | |
| 1989-07-09 | Giants Stadium |
| 78977 | flac24; SRC: AKG 414s > Sony D5 > MAC (Dolby B) taped by Tim Alexander; Transfer: Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC |
| gd1989-07-09.133773.akg414btl-fob-dantepper.flac16 | |
| 1989-07-09 | Giants Stadium |
| 133773 | flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper |
| gd1989-07-09.141761.sbd.miller.flac2496 | |
| 1989-07-09 | Giants Stadium |
| 141761 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Upgrade in circulation |
| gd1989-07-09.142581.sbd.miller.fixed.flac2496 | |
| 1989-07-09 | Giants Stadium |
| 142581 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1989-07-09.142582.mtx.tobin.flac1644 | |
| 1989-07-09 | Giants Stadium |
| 142582 | flac16; Matrix 2 Source Mix - SBD (shnid=142581) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 133773) MSource: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper - matrix mixing by Kevin Tobin |
| gd1989-07-09.142583.dts.tobin.flac1644 | |
| 1989-07-09 | Giants Stadium |
| 142583 | DTS-Audio-CD 5.1 Mix; SBD (shnid=142581) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 133773) MSource: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper - dts mixing by Kevin Tobin |
| gd1989-07-09.142584.5-1.tobin.flac1648 | |
| 1989-07-09 | Giants Stadium |
| 142584 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=142581) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 133773) MSource: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper - surround mixing by Kevin Tobin |
| gd1989-07-09.Nak300CP4.Fitzy.Keo.125228.Flac2496 | |
| 1989-07-09 | Giants Stadium |
| 125228 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1989-07-09.141880.UltraMatrix.sbd.cm.miller.flac1644 | |
| 1989-07-09 | Giants Stadium |
| 141880 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1989-07-09.142610.UltraMatrix.sbd.cm.miller.flac1644 | |
| 1989-07-09 | Giants Stadium |
| 142610 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1989-07-09.109562.akg-pasternak.mallick.flac16 | |
| 1989-07-09 | Giants Stadium |
| 109562 | flac16; Master: FOB AKG 451's>Sony TC-D5>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick |
| gd89-07-10.sbd.16071.sbeok.shnf | |
| 1989-07-10 | Giants Stadium |
| 16071 | Unknown SBD (Matrix); EAC/SHN by Darryl Hinko |
| gd1989-07-10.aud-set2.white.13053.sbeok.shnf | |
| 1989-07-10 | Giants Stadium |
| 13053 | 2nd set only; unknown audience source (possibly Schoeps FOB)> DAT> Cassette> HD> CDWAVE> CDR; via Patrick White, with thanks to Tom Goshaw |
| gd1989-07-10.aud.andrewf.76249.sbeok.flac16 | |
| 1989-07-10 | Giants Stadium |
| 76249 | flac16; AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. |
| gd1989-07-10.nak300.bleich-sirmick.109588.sbeok.flac16 | |
| 1989-07-10 | Giants Stadium |
| 109588 | flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac Transfer: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich |
| gd1989-07-10.138761.upg-sbd.tobin.flac16 | |
| 1989-07-10 | Giants Stadium |
| 138761 | flac16; Patched/Pitch Corrected Soundboard (original shnid = 16071) Unknown SBD (Matrix); EAC/SHN by Darryl Hinko - pitch correction and patches by Kevin Tobin |
| gd1989-07-10.138762.mtx.tobin.flac16 | |
| 1989-07-10 | Giants Stadium |
| 138762 | flac16; Matrix 2 Source Mix - SBD (shnid = 16071) Unknown SBD (Matrix); EAC/SHN by Darryl Hinko + AUD (shnid = 76249) AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. - matrix mixing by Kevin Tobin |
| gd1989-07-10.138770.dts.tobin.flac16 | |
| 1989-07-10 | Giants Stadium |
| 138770 | DTS-Audio-CD 5.1 Mix; SBD (shnid = 16071) Unknown SBD (Matrix); EAC/SHN by Darryl Hinko + AUD (shnid = 76249) AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. - dts mixing by Kevin Tobin |
| gd1989-07-10.138791.set1.sbd.miller.flac1644 | |
| 1989-07-10 | Giants Stadium |
| 138791 | flac16; Set 1 Recording Info: SBD -> Cassette Master -> Sony R500 (A>D) -> Sound Forge -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
| gd1989-07-10.153414.MTX.photoLeon.t-flac16 | |
| 1989-07-10 | Giants Stadium |
| 153414 | flac16 A Photoleon Matrix. Source; (fob) Akg 414-btl (cardioid X-y) > Neuman Bs945i > Technics Svmd1 Master Dat + (ots) Schoeps Cmc4 Mk2s Mics Spaced On Stands, Ots > Panasonic Sv-250 Master Dat + Umtx Sbd> Cassette Master. Fob Recorded By Dan Tepper. Ots Recorded By Ted Mattes. Sbd Shared By Charlie Miller. Matrix Created By Joe Noel. July 13, 2021 |
| gd1989-07-10.Nak300CP4.Fitzy.Keo.125292.Flac1644 | |
| 1989-07-10 | Giants Stadium |
| 125292 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1989-07-10.138781.5-1.tobin.flac1648 | |
| 1989-07-10 | Giants Stadium |
| 138781 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 16071) Unknown SBD (Matrix); EAC/SHN by Darryl Hinko + AUD (shnid = 76249) AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. - surround mixing by Kevin Tobin |
| gd1989-07-10.142467.schoeps.cmc4.mk2s.mattes.miller.clugston.flac1648 | |
| 1989-07-10 | Giants Stadium |
| 142467 | flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 |
| gd1989-07-10.akg414s.alexander.79598.flac16 | |
| 1989-07-10 | Giants Stadium |
| 79598 | flac16; FOB (AKG 414s > Sony D5 (Dolby B) > MAC) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC |
| gd1989-07-10.akg414s.alexander.79608.flac24 | |
| 1989-07-10 | Giants Stadium |
| 79608 | flac24/48; FOB (AKG 414s > Sony D5 (Dolby B) > MAC) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC |
| gd1989-07-10.133774.akg414btl-fob-dantepper.flac16 | |
| 1989-07-10 | Giants Stadium |
| 133774 | flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper |
| gd1989-07-10.138789.sbd.miller.flac24 | |
| 1989-07-10 | Giants Stadium |
| 138789 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1989-07-10.138792.UltraMatrixSBD.miller.flac16 | |
| 1989-07-10 | Giants Stadium |
| 138792 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138789 24 bit -> 16 bit |
| gd1989-07-10.132698.cmc42S.fob.mattes.deal.petty.flac16 | |
| 1989-07-10 | Giants Stadium |
| 132698 | flac16; Recording info: FOB/Schoeps cmc 42 S (spaced omni's)> Oade p/s> SV-250 by Ted Mattes; DAT clones provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> M-Audio USB transit> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty |
| gd1989-07-10.124499.mtx.dusborne.flac16 | |
| 1989-07-10 | Giants Stadium |
| 124499 | flac16; 2 Source Matrix using Soundboard (shinid:016071) Source: Unknown SBD > EAC > SHN and Audience (shnid:79608) FOB (AKG 414s > Sony D5 (Dolby B) > MAC) taped by Tim Alexander Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC |
| gd89-07-12.aud-fob.gardner.2554.sbeok.shnf | |
| 1989-07-12 | Robert F. Kennedy Stadium |
| 2554 | FOB Schoeps CMC34 > DAT @ 44.1 KHZ; Transfer: DAT Clone > DIO 2448 > CD WAV > SHN, by Bill Gardner |
| gd1989-07-12.nak100.mchugh.hanscom.32130.sbeok.shnf | |
| 1989-07-12 | RFK Stadium |
| 32130 | MC>CDR>EAC>CD Wave>shn; NAK-100s > Sony D-5, using Dolby B. Two Maxell MX- 90s recorded by Boyd McHugh from tapers' section(bfmch@aol.com) Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Transfer by Dave Hanscom (dehanscom@hotmail.com) Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files, mkw to encode to shn. This is done by Bzl (bzlrbi@aol.com) |
| gd1989-07-12.Nak300CP4.Fitzy.Keo.125359.Flac1644 | |
| 1989-07-12 | Robert F. Kennedy Stadium |
| 125359 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1989-07-12.140444.beyer-cm101.ebel.flac2496 | |
| 1989-07-12 | Robert F. Kennedy Stadium |
| 140444 | flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel. |
| gd1989-07-12.142013.5-1.tobin.flac1648 | |
| 1989-07-12 | Robert F. Kennedy Stadium |
| 142013 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140351) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin |
| gd1989-07-12.141907.pp-aud.tobin.flac1644 | |
| 1989-07-12 | Robert F. Kennedy Stadium |
| 141907 | flac16; Patched & Pitch Corrected Audience (original shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin |
| gd1989-07-12.141912.5-1.tobin.flac1648 | |
| 1989-07-12 | Robert F. Kennedy Stadium |
| 141912 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140351) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin; Fixed version in circulation |
| gd1989-07-12.140396.UltraMatrix.sbd.mc.miller.flac1644 | |
| 1989-07-12 | Robert F. Kennedy Stadium |
| 140396 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1989-07-12.140351.sbd.miller.flac2496 | |
| 1989-07-12 | Robert F. Kennedy Stadium |
| 140351 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1989-07-12.141906.pp-aud.tobin.flac2496 | |
| 1989-07-12 | Robert F. Kennedy Stadium |
| 141906 | flac24; Patched & Pitch Corrected Audience (original shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin |
| gd1989-07-12.141908.mtx.tobin.flac2496 | |
| 1989-07-12 | Robert F. Kennedy Stadium |
| 141908 | flac24; Matrix 2 Source Mix - SBD (shnid = 140351) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin |
| gd1989-07-12.141910.mtx.tobin.flac1644 | |
| 1989-07-12 | Robert F. Kennedy Stadium |
| 141910 | flac16; Matrix 2 Source Mix - SBD (shnid = 140351) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin |
| gd1989-07-12.141911.dts.tobin.flac1644 | |
| 1989-07-12 | Robert F. Kennedy Stadium |
| 141911 | DTS-Audio-CD 5.1 Mix; SBD (shnid = 140351) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin |
| gd1989-07-12.Nak300CP4.Fitzy.Keo.125358.Flac2496 | |
| 1989-07-12 | Robert F. Kennedy Stadium |
| 125358 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd89-07-13.schoeps.9046.sbeok.shnf | |
| 1989-07-13 | Robert F. Kennedy Stadium |
| 9046 | (Schoeps)AUD>PCM>DAT>CDR; Seeded to etree by Tim W |
| gd1989-07-13.nak100.mchugh.hanscom-.32897.sbeok.flac16 | |
| 1989-07-13 | RFK Stadium |
| 32897 | flac16; NAK-100s > Sony D-5, using Dolby B.> cass, recorded by Boyd McHugh; MC > standalone TDK DA-5800 by Dave Hanscom; CDR> EAC> SHN (not seekable) Bzl; SHN> FLAC by Gary F. |
| gd1989-07-13.136662.5-1.tobin.flac1648 | |
| 1989-07-13 | Robert F. Kennedy Stadium |
| 136662 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - Source 1: SBD (shnid=95939) Set 1 & Encore, Recording Info: SBD -> Master Cassette -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC + Source 2: AUD1 (shn id 133784) Set 2, Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper + Source 3: AUD2 (shnid 125363) Complete show, Master Audience Recorded By Fitzy; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - mixing by Kevin Tobin |
| gd1989-07-13.140397.UltraMatrix.sbd.mc.miller.flac1644 | |
| 1989-07-13 | Robert F. Kennedy Stadium |
| 140397 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1989-07-13.Nak300CP4.Fitzy.Keo.125364.Flac1644 | |
| 1989-07-13 | Robert F. Kennedy Stadium |
| 125364 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1989-07-13.133784.akg414btl-fob-dantepper.flac16 | |
| 1989-07-13 | Robert F. Kennedy Stadium |
| 133784 | flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper |
| gd1989-07-13.136568.mtx.tobin.flac16 | |
| 1989-07-13 | Robert F. Kennedy Stadium |
| 136568 | flac16; Matrix 3 Source Mix - Source 1: SBD (shnid=95939) Set 1 & Encore, Recording Info: SBD -> Master Cassette -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC + Source 2: AUD1 (shn id 133784) Set 2, Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper + Source 3: AUD2 (shnid 125363) Complete show, Master Audience Recorded By Fitzy; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin |
| gd1989-07-13.136570.dts.tobin.flac16 | |
| 1989-07-13 | Robert F. Kennedy Stadium |
| 136570 | DTS-Audio-CD 5.1 Mix; Source 1: SBD (shnid=95939) Set 1 & Encore, Recording Info: SBD -> Master Cassette -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC + Source 2: AUD1 (shn id 133784) Set 2, Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper + Source 3: AUD2 (shnid 125363) Complete show, Master Audience Recorded By Fitzy; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin |
| gd1989-07-13.140446.TS-BeyerCM101.ebel.flac2496 | |
| 1989-07-13 | Robert F. Kennedy Stadium |
| 140446 | flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel. |
| gd1989-07-13.Nak300CP4.Fitzy.Keo.125363.Flac2496 | |
| 1989-07-13 | Robert F. Kennedy Stadium |
| 125363 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1989-07-13.sbd.miller.95939.sbeok.flac16 | |
| 1989-07-13 | RFK Stadium |
| 95939 | flac16; Set 1 & Encore, Recording Info: SBD -> Master Cassette -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller |
| gd89-07-15.sbd.11266.sbeok.shnf | |
| 1989-07-15 | Deer Creek Music Center |
| 11266 | SBD > MR > DAT > C > DAT > CDR; Seeded to etree by Doug Nawrocki |
| gd1989-07-15.nak300.wahba-volkerding.96609.sbeok.flac16 | |
| 1989-07-15 | Deer Creek Music Center |
| 96609 | flac16; Source: Nak300 (4 mic mix; 2 shotgun, 2 cardioid) > Tandy 4 channel mixer > Sony TC-D5M (pass thru) > Yamaha MT1X (dbx type II encode, Maxell XL-IIS) Recorded by Eddie Wahba and Pat Volkerding Transfer: Yamaha MT120S (dbx type II decode) > Tascam DA-20 (A>D conversion) > coax/optical converter > Creative Nomad Jukebox 3 > Firewire > Amarok > CDWAV > FLAC |
| gd1989-07-15.139106.sbd.miller.flac2496 | |
| 1989-07-15 | Deer Creek Music Center |
| 139106 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 |
| gd1989-07-15.nak.cohen-lee.106500.flac16 | |
| 1989-07-15 | Deer Creek Music Center |
| 106500 | flac16; Recorded by David Cohen & Justin Lee. Front Row of Lawn 8 foot stand 2 Nakamichi CM300s/ CP1s X-Y @ 90degrees w/1 Nakamichi CM300/CP2 bisecting the X-Y Pair> Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. |
| gd1989-07-15.139292.aud.lamarre.berger.flac16 | |
| 1989-07-15 | Deer Creek Music Center |
| 139292 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger |
| gd1989-07-15.139293.aud.lamarre.berger.flac24 | |
| 1989-07-15 | Deer Creek Music Center |
| 139293 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger |
| gd1989-07-15.nak100.holtz.jaz.100391.flac16 | |
| 1989-07-15 | Deer Creek Music Center |
| 100391 | flac16; Taper: Greg Holtz Source: Nak CM-100s with CP-1 cardiod caps -> Sony WMD-6C Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal Dolby B) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Prepared in Wave Lab 5.0 using UAD Technology -> Traders Little Helper flac8 |
| gd1989-07-15.141072.TSBeyer-CM101.ebel.flac2496 | |
| 1989-07-15 | Deer Creek Music Center |
| 141072 | flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's) Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96) Taped & Transfers by Pete Ebel |
| gd1989-07-15.sbd.miller.97307.sbeok.flac16 | |
| 1989-07-15 | Deer Creek Music Center |
| 97307 | flac16; Recording Info:Set 1 + Encore: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Cassette -> Dat -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller |
| gd1989-07-15.Nak300CP4.Baker.Keo.125721.Flac2496 | |
| 1989-07-15 | Deer Creek Music Center |
| 125721 | flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1989-07-15.118804.aud-mtx.dak5245-pzm.flac16 | |
| 1989-07-15 | Deer Creek Music Center |
| 118804 | flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. Located in the designated "taper" section. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8) |
| gd1989-07-15.139107.UltraMatrixSBD.miller.flac1644 | |
| 1989-07-15 | Deer Creek Music Center |
| 139107 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24, This is 139106 24 bit -> 16 bit |
| gd1989-07-15.aud.cousinit.97691.flac16 | |
| 1989-07-15 | Deer Creek Music Center |
| 97691 | flac16; Source: Source: NAK550>2 CM300\'s w/CP4 Shotguns, 1 CM300 (Center Mic) Recorded and Encoded by Cousinit |
| gd1989-07-17.mtx.hansokolow.96230.flac16 | |
| 1989-07-17 | Alpine Valley Music Theatre |
| 96230 | flac16; matrix of DSBD: shnid=17702 and AUD: shnid=92457 by hansokolow using ProTools |
| gd1989-07-17.Nak300CP4.Baker.Keo.125724.Flac1644 | |
| 1989-07-17 | Alpine Valley Music Theatre |
| 125724 | flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Set 1 Maxell XLII-S 90, Set 2 Maxell XLII-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1989-07-17.142297.Lawn.Schoeps.Mattes.Miller.Noel.t-flac1648 | |
| 1989-07-17 | Alpine Valley Music Theatre |
| 142297 | flac16/48kHz; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller Transfer: DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |
| gd1989-07-17.nak300.holtz.jaz.106490.flac16 | |
| 1989-07-17 | Alpine Valley Music Theatre |
| 106490 | flac16; TAPER: GREG HOLTZ "1st two nights we were up on the lawn shooting at the repeater stacks from very close range" SOURCE: Nakamichi CM-300's with CP4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac 8 -> Tagged w/Tag & Rename |
| gd1989-07-17.sbd.stink-kind.433.shnf | |
| 1989-07-17 | Alpine Valley Music Theatre |
| 433 | DSBD > DAT > WAV (via S/PDIF) >CD > WAV (via EAC) > SHN; via stink_kind; d1t1 slight digi-noise at 10s and 30s; d1t1,d3t6,7 clipped on MSBD |
| gd1989-07-17.138345.sbd.miller.flac24 | |
| 1989-07-17 | Alpine Valley Music Theatre |
| 138345 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1989-07-17.138355.UltraMatrixSBD.miller.flac16 | |
| 1989-07-17 | Alpine Valley Music Theatre |
| 138355 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138345 24 bit -> 16 bit |
| gd1989-07-17.144302.Dak.boedicker.flac1644 | |
| 1989-07-17 | Alpine Valley Music Theatre |
| 144302 | flac16; Source:Dak Shotgun Mics>Sony WM-D6C Cassette Master(Maxell MX-90 Minute Metal Cassette For 1st Set,TDK MA 110 Minute Metal Cassette For 2nd Set)>Sony TC-D5M Cassette Deck(PlaybacK)>Edirol R-09 HR(24/44.1 KHZ)>Edirol R-09 HR(Playback)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,On The Lawn About 30 Yards Up |
| gd89-07-17.sbd.unknown.17702.sbeok.shnf | |
| 1989-07-17 | Alpine Valley Music Theatre |
| 17702 | Source: SBD > DAT > CDR > EAC > *Cool Edit Pro > mkwACT *Beginning of LTGTR, We Bid You Goodnight and Johnny B. Goode patched with Matrix > MC > CDR source. |
| gd1989-07-17.Nak300CP4.Baker.Keo.125723.Flac2496 | |
| 1989-07-17 | Alpine Valley Music Theatre |
| 125723 | flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Set 1 Maxell XLII-S 90, Set 2 Maxell XLII-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1989-07-17.149270.beyerCM101.ebel.x.flac2496 | |
| 1989-07-17 | Alpine Valley Music Theatre |
| 149270 | flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel |
| gd1989-07-17.150008.mtx.tobin.flac24 | |
| 1989-07-17 | Alpine Valley Music Theatre |
| 150008 | flac24; Matrix 2 Source Mix - SBD (shnid = 138345) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 149270) Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel - matrix mixing by Kevin Tobin |
| gd1989-07-17.150009.mtx.tobin.flac16 | |
| 1989-07-17 | Alpine Valley Music Theatre |
| 150009 | flac16; Matrix 2 Source Mix - SBD (shnid = 138345) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 149270) Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel - matrix mixing by Kevin Tobin This file set is 16 bit @ 44.1 |
| gd1989-07-17.150010.dts.tobin.flac16 | |
| 1989-07-17 | Alpine Valley Music Theatre |
| 150010 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 138345) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 149270) Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel - dts mixing by Kevin Tobin |
| gd1989-07-17.150011.5-1.tobin.flac1648 | |
| 1989-07-17 | Alpine Valley Music Theatre |
| 150011 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 138345) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 149270) Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel - surround mixing by Kevin Tobin |
| gd1989-07-17.nak.cohen-lee.106654.flac16 | |
| 1989-07-17 | Alpine Valley Music Theatre |
| 106654 | flac16; Front Row of Lawn 8 foot stand 2 Nakamichi CM300s/ CP1's X-Y @ 90degrees w/1 Nakamichi CM300/CP1 bisecting the X-Y Pair> Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Maxell MX90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen Nov 2009. |
| gd89-07-18.sbd.9854.sbeok.shnf | |
| 1989-07-18 | Alpine Valley Music Theatre |
| 9854 | DSBD; Transfer: D8 > Waveterminal 2496 (@44.1) > Samplitude 2496 > CDWav > mkwACT (seeking); Transfer and Seed by Jason Brantley; see inof file for flaw notes |
| gd1989-07-18.sbd.brantley.28474.sbeok.shnf | |
| 1989-07-18 | Alpine Valley Music Theatre |
| 28474 | Source: DSBD Transfer: D8 > Waveterminal 2496 (@44.1) > Samplitude 2496 > CDWav > mkwACT Transfer and Seed by Jason Brantley (jason@spreadwidepanic.com) 3/27/2003 -sector boundary error in d1t02 of shn id 9854; disc fixed with shntool -SBE in d1t02 fixed by William at TuneTree |
| gd1989-07-18.142298.Lawn.Schoeps.Mattes.Miller.Noel.t-flac1648 | |
| 1989-07-18 | Alpine Valley Music Theatre |
| 142298 | flac16/48kHz; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller Transfer: DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |
| gd1989-07-18.147567.beyerCM101.ebel.flac2496 | |
| 1989-07-18 | Alpine Valley Music Theatre |
| 147567 | flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel |
| gd1989-07-18.senn441.coniff.gmb.92430.flac16 | |
| 1989-07-18 | Alpine Valley Music Theatre |
| 92430 | flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 24, 2008 |
| gd1989-07-18.mtx.hansokolow.96231.flac16 | |
| 1989-07-18 | Alpine Valley Music Theatre |
| 96231 | flac16; matrix of DSBD: shnid=9854 and AUD: shnid=92430 by hansokolow using ProTools |
| gd1989-07-18.nak300.holtz.jaz.106491.flac16 | |
| 1989-07-18 | Alpine Valley Music Theatre |
| 106491 | flac16; TAPER: GREG HOLTZ "1st two nights we were up on the lawn shooting at the repeater stacks from very close range" SOURCE: Nakamichi CM-300's with CP4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename |
| gd1989-07-18.119772.nak.boedicker.flac16 | |
| 1989-07-18 | Alpine Valley Music Theatre |
| 119772 | flac16; Source:Sony WM-D6C Cassette Master(Maxell MX Metal Tapes,Dolby "B" On)>Dak Shotgun Mics>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,On The Hill About 20 Yards In Front Of The Relay Tower |
| gd1989-07-18.138479.sbd.miller.flac24 | |
| 1989-07-18 | Alpine Valley Music Theatre |
| 138479 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1989-07-18.138496.ultra.matrix.sbd.miller.flac16 | |
| 1989-07-18 | Alpine Valley Music Theatre |
| 138496 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138479 24 bit -> 16 bit |
| gd1989-07-18.sbd.walstib.435.shnf | |
| 1989-07-18 | Alpine Valley |
| 435 | DSBD> DAT> CD; via Nick Georges; reported diginoise at the beginning of Touch and in a few other places, like just before Jack-A-Roe starts, and in Sugar Mag :22-:28; weirdness note: info file gives 7-5-7 tracking, md5s shown here have 9-5-7 tracking; further, listener B. de Vos reports d1t5 FOTD is not on info file, and neither is d1t9 TMNS- the latter was not even played at the show (must be filler) |
| gd1989-07-19.142299.Lawn.Schoeps.Mattes.Miller.Noel.t-flac1648 | |
| 1989-07-19 | Alpine Valley Music Theatre |
| 142299 | flac16/48kHz; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller Transfer: DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |
| gd1989-07-19.senn441.coniff.gmb.92447.flac16 | |
| 1989-07-19 | Alpine Valley Music Theatre |
| 92447 | flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 |
| gd1989-07-19.fob.nak300.holtz.jaz.106492.flac16 | |
| 1989-07-19 | Alpine Valley Music Theatre |
| 106492 | flac16; TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename |
| gd1989-07-19.dts.tobin.125862.flac16 | |
| 1989-07-19 | Alpine Valley Music Theatre |
| 125862 | DTS-Audio-CD 5.1 Mix; SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project - dts mixing by Kevin Tobin |
| gd1989-07-19.mat.tobin.125861.flac16 | |
| 1989-07-19 | Alpine Valley Music Theatre |
| 125861 | flac16; Matrix 4 Source Mix - SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project - matrix mixing by Kevin Tobin |
| gd1989-07-19.upg-aud.tobin.125855.flac16 | |
| 1989-07-19 | Alpine Valley Music Theatre |
| 125855 | flac16; (original shnid = 92447) Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 - pitch correction and patches by Kevin Tobin |
| gd1989-07-19.upg-sbd.tobin.125854.flac16 | |
| 1989-07-19 | Alpine Valley Music Theatre |
| 125854 | flac16; DSBD -> DAT -> CD -> eac -> SHN (original shn 437) - pitch correction and patches by Kevin Tobin |
| gd1989-07-19.141076.TSBeyerCM101.ebel.flac2496 | |
| 1989-07-19 | Alpine Valley Music Theatre |
| 141076 | flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's) Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96) Transfers by Pete Ebel |
| gd1989-07-19.mtx.hansokolow.96232.flac16 | |
| 1989-07-19 | Alpine Valley Music Theatre |
| 96232 | flac16; matrix of DSBD: shnid=437 and AUD: shnid=92447 by hansokolow using ProTools |
| gd1989-07-19.138808.sbd.miller.fixed.flac24 | |
| 1989-07-19 | Alpine Valley Music Theatre |
| 138808 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had PA static during t03, Sugaree |
| gd1989-07-19.138818.UltraMatrix.sbd.miller.flac16 | |
| 1989-07-19 | Alpine Valley Music Theatre |
| 138818 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had PA static during t03, Sugaree, This is fixed 138808 24 bit -> 16 bit |
| gd89-08-04.sbd.11267.sbeok.shnf | |
| 1989-08-04 | Cal Expo |
| 11267 | SBD > MC > DAT > CDR; Seeded to etree by Doug Nawrocki |
| gd1989-08-04.sbd.miller.89884.sbeok.flac16 | |
| 1989-08-04 | Cal Expo Amphitheatre |
| 89884 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
| gd1989-08-04.senn441.caniff.koucky.92598.sbeok.flac16 | |
| 1989-08-04 | Cal Expo Amphitheatre |
| 92598 | flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 Mhz] Mastering: AudioGate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. July 4, 2008 |
| gd89-08-05.sbd.18256.sbeok.shnf | |
| 1989-08-05 | Cal Expo |
| 18256 | SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko |
| gd89-08-05.schoeps.3871.sbeok.shnf | |
| 1989-08-05 | Cal Expo |
| 3871 | FOB Schoeps MK2 (spread) > dat > cdr; Transfer: EAC (range extraction at 100%) > CDWAV > mkwACT; d2 tracked for 80 min; encore missing |
| gd1989-08-05.sbd-set2.miller.tetzeli.fix-13206.35362.reflac.flac16 | |
| 1989-08-05 | Cal Expo Amphitheatre |
| 35362 | flac16; Seamless fix of shn id 13206 - Set 2 only; SBD>CM>DAT>CD>EAC>SHN w/AUD patch. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
| gd1989-08-05.sbd.miller.89885.sbeok.flac16 | |
| 1989-08-05 | Cal Expo Amphitheatre |
| 89885 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
| gd89-08-05.set2-sbd.miller.13206.sbeok.shnf | |
| 1989-08-05 | Cal Expo |
| 13206 | set 2; SBD> CM> DAT> CD> EAC> SHN; via Charlie Miller, Patrick White |
| gd1989-08-05.senn441.coniff.gmb.92636.flac16 | |
| 1989-08-05 | Cal Expo Amphitheatre |
| 92636 | flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 Mhz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. July 6, 2008 |
| gd1989-08-05.mtx.hansokolow.96341.flac16 | |
| 1989-08-05 | Cal Expo Amphitheatre |
| 96341 | flac16; matrix of SBD: shnid=89885 and DAUD: shnid=3871 by hansokolow using ProTools |
| gd1989-08-06.sbd.miller.89966.sbeok.flac16 | |
| 1989-08-06 | Cal Expo Amphitheatre |
| 89966 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
| gd1989-08-06.mtx.hansokolow.96358.flac16 | |
| 1989-08-06 | Cal Expo Amphitheatre |
| 96358 | flac16; matrix of SBD: shnid=89966 and AUD: shnid=14197 by hansokolow using ProTools |
| gd89-08-06.neumann-nak.nawrocki.14197.sbeok.shnf | |
| 1989-08-06 | Cal Expo |
| 14197 | Set 1 Source: FOB Spaced 50 ft. Neumann km150's > MC > CDR > EAC > Sound Forge 4.5 > mkwACT Set 2 Source: FOB Spaced Nak 700's > MC > DAT Transfer: DA-P1 > Montego II (hardware resample 48 > 44.1) > Sound Forge 4.5 > mkwACT EAC/Transfer/Seed by Doug Nawrocki |
| gd1989-08-06.127421.nak304.bowen.flac16 | |
| 1989-08-06 | Cal Expo Amphitheatre |
| 127421 | flac16; Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony WM-D6C (XLIIS); Cassette Master Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS; Recorded/Transferred By: Jeff Bowen |
| gd89-08-06.sbd.12831.sbeok.shnf | |
| 1989-08-06 | Cal Expo |
| 12831 | Ultramatrix (SBD/AUD mix); Lineage: Master Cassette> DAT> CD> SHN> Peak> WAV> SHN via Scott Kolber and Diesel. Retracked, normalized, seeded by Peter Braverman; fixup of previous shn set |
| gd1989-08-06.neumann.pasternak.andrewf.78852.flac16 | |
| 1989-08-06 | Cal Expo Amphitheatre |
| 78852 | flac16; AUD Source: Neumann KM-150's > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 5-feet high. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC |
| gd89-08-17.sbd.8965.sbeok.shnf | |
| 1989-08-17 | Greek Theatre, U. Of California |
| 8965 | SBD>??>DAT>CDR; Seeded to etree by Tim W |
| gd1989-08-17.sbd.walker-scotton.miller.83773.sbeok.flac16 | |
| 1989-08-17 | Greek Theatre - University of California |
| 83773 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
| gd1989-08-17.131524.cmc521.deal.petty.flac16 | |
| 1989-08-17 | Greek Theatre, U. Of California |
| 131524 | flac16; Source info: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 12, 2014 by Will Petty |
| gd89-08-17.sbd.25432.sbeok.shnf | |
| 1989-08-17 | Greek Theatre, U. Of California |
| 25432 | Soundboard->Dat->Cassette->Dat(44.1) x ? Dat->Audiophile 2496->Samplitude v7.02 Professional->.wav->mkw->SHN. Transfer, editing, and SHN by Joe Samaritano |
| gd1989-08-17.senn441-nak700.padelimike.mrchips.82800.flac16 | |
| 1989-08-17 | Greek Theatre - University of California |
| 82800 | flac16; Lineage: 2x Senheiser 441's + 1x Nakamichi 700 (Cardioid Capsule) > MX-100 > Sony TCD5-M Transfer: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC |
| gd1989-08-17.119330.d5scott.BeyerM160.flac16 | |
| 1989-08-17 | Greek Theatre, U. Of California |
| 119330 | flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
| gd1989-08-17.111996.fm.HoltzNaks.Flac16 | |
| 1989-08-17 | Greek Theatre, U. Of California |
| 111996 | flac16; RECORDED BY: Greg Holtz; SOURCE: Healy's MTX -> Sony Stereo receiver (10 feet from In House FM Broadcast Source) -> Sony WM-D6C; TRANSFER: (By: JAZ) Master Cassettes (Maxell MX 90 IEC TYPE IV METAL) Tascam 112, Metal & Dolby B engaged -> Korg MR-1 @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename |
| gd1989-08-17.124751.akg-c460b.thompson-damico.flac24 | |
| 1989-08-17 | Greek Theatre, U. Of California |
| 124751 | flac24; Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460B > Preamp Ck61 Uls > Uher Cr240 Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row Dead Center Right Behind Soundboard |
| gd89-08-18.sbd.4796.sbeok.shnf | |
| 1989-08-18 | Greek Theatre, U. Of California |
| 4796 | Healy Matrix Digital SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer via D-10 > HHb800 by fishman; DAE by neo_levo: EAC (high, secure, offset corrected, with repeated extractions yielding matching wav md5's), tracked using CDWAVE (boundaries confirmed w/ shntool) > mkwact > SHNv3 |
| gd89-08-18.sbd.bertha.9964.sbefail.shnf | |
| 1989-08-18 | Greek Theatre, U. Of California |
| 9964 | Jay Ashley (Bertha) remaster of Healy SBD mix; SBD>>DAT>>CDR>>WAV>>SHNv3>>WAV>>DAW(Bertha)>>CDA |
| gd1989-08-18.sennMD421.andrewf.89375.sbeok.flac16 | |
| 1989-08-18 | Greek Theater |
| 89375 | flac16; AUD: Sennheiser MD-421's > patched thru one Sony D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on six-foot stand in OTS. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Soundforge (for fades) > CD-Wave > TLH (SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transferred by Andrew F. |
| gd1989-08-18.sbd.walker-scotton.miller.83774.sbeok.flac16 | |
| 1989-08-18 | Greek Theatre - University of California |
| 83774 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
| gd1989-08-18.131525.cmc52S.deal.petty.flac16 | |
| 1989-08-18 | Greek Theatre, U. Of California |
| 131525 | flac16; Source info: Schoeps CMC 52 S (spaced 8' in TS)> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 12, 2014 by Will Petty |
| gd1989-08-18.141056.set2.ultramatrix.hifi.vhs.gans.miller.clugston.flac1644 | |
| 1989-08-18 | The Greek Theatre - University of California |
| 141056 | flac16; Set 2 Recording Info: Master Soundboard Ultramatrix DAT > Hi-Fi VHS; Transfer Info: Hi-Fi VHS (Sony SLV-M20HF)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 |
| gd1989-08-18.119338.d5scott.BeyerM160.flac16 | |
| 1989-08-18 | Greek Theatre, U. Of California |
| 119338 | flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
| gd1989-08-18.aud.padelimike.94487.flac16 | |
| 1989-08-18 | Greek Theatre - University of California |
| 94487 | flac16; LINEAGE: 2x Sennheiser 441 + 1x Nakamichi 700 (Cardioid Capsule) > Nakamichi MX-100 > Sony TCD5-M>Maxell MX. TRANSFER: CM>Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD >xACT extraction > WAV > FLAC NOTE: Canare microphone cables used, otherwise Monster cables throughout. Recorded and transferred by Mike Kutik |
| gd1989-08-18.111997.fm.HoltzNaks.Flac16 | |
| 1989-08-18 | Greek Theatre, U. Of California |
| 111997 | flac16; RECORDED BY: Greg Holtz; SOURCE: Healy's MTX -> Sony Stereo receiver (10 feet from In House FM Broadcast) -> Sony WM-D6C; TRANSFER: (By: JAZ) Master Cassettes (Maxell MX 90 IEC TYPE IV METAL) Tascam 112, Metal & Dolby B engaged -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename |
| gd1989-08-18.138867.akg-c460b.thompson-damico.flac2496 | |
| 1989-08-18 | The Greek Theatre - University of California |
| 138867 | flac24 96khz Akg C460B > Preamp Ck61 Uls > Uher Cr240. Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper . Recorded Front Row Dead Center Right Behind Soundboard .Taper : Danny Thompson Editing : Joe D'Amico ''AKA'' Joebeacon. |
| gd1989-08-18.138868.akg-c460b.thompson-damico.flac1644 | |
| 1989-08-18 | The Greek Theatre - University of California |
| 138868 | flac16 44.1khz Akg C460B > Preamp Ck61 Uls > Uher Cr240. Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper. Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon |
| gd1989-08-18.140716.set2.ultramatrix.sbd.hifi.vhs.gans.miller.clugston.flac2496 | |
| 1989-08-18 | The Greek Theatre - University of California |
| 140716 | flac24; Set 2 Recording Info: Master Soundboard Ultramatrix DAT > Hi-Fi VHS; Transfer Info: Hi-Fi VHS (Sony SLV-M20HF)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496; Fixed version in circulation |
| gd1989-08-18.140718.s2.ultramatrix.hifi.vhs.gans.miller.clugston.fixed.flac2496 | |
| 1989-08-18 | The Greek Theatre - University of California |
| 140718 | flac24; Set 2 Recording Info: Master Soundboard Ultramatrix DAT > Hi-Fi VHS; Transfer Info: Hi-Fi VHS (Sony SLV-M20HF)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 |
| gd1989-08-18.140721.ultramatrix.sbd.pcm.gans.miller.clugston.flac1644 | |
| 1989-08-18 | The Greek Theatre - University of California |
| 140721 | flac16; Recording Info: Master Soundboard Ultramatrix DAT > PCM; Transfer Info: PCM (Sony SLV-M20HF)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 |
| gd89-08-19.sbd.5213.sbeok.shnf | |
| 1989-08-19 | Greek Theatre, U. Of California |
| 5213 | SBD Cassette Master > DAT > .WAV > .SHN; d2 tracked for 80 min; via Jon Miller to tree; see info file for flaw notes |
| gd89-08-19.schoeps.13254.sbeok.shnf | |
| 1989-08-19 | Greek Theatre, U. Of California |
| 13254 | Schoeps cmc42s ->M118 -> Oade Mod PCM-F1, Taper Jim Oade; Transfer: Tascam DA-20 (DAT)-> Tascam CDRW4U -> EAC (secure) -> CDWave (tracking) -> CDR -> SHN (MKWact), from Oade DATs, by Matt Shapiro; EAC'd and SHN'd by jim |
| gd1989-08-19.aud-senn.pa-deli-mike.mrchips.83803.flac16 | |
| 1989-08-19 | Greek Theater - University of California |
| 83803 | flac16; Recorded Front of OTS by 'PA Deli Mike' 2x Senheiser 441's + 1x Nakamichi 700 (Cardioid Capsule) > MX-100 > Sony TCD5-M. TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC by Mr. Chips |
| gd1989-08-19.sbd.walker-scotton.miller.83775.sbeok.flac16 | |
| 1989-08-19 | Greek Theatre - University of California |
| 83775 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
| gd1989-08-19.senn421.andrewf.91088.sbeok.flac16 | |
| 1989-08-19 | Greek Theatre - University of California |
| 91088 | flac16; AUD: Sennheiser MD-421's > patched thru one Sony D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on six-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog input > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. |
| gd1989-08-19.139669.mtx.photoLeon.LL.t-flac16 | |
| 1989-08-19 | The Greek Theatre - University of California |
| 139669 | flac16; Three Source Matrix created in Audacity |
| gd1989-08-19.131526.cmc52S.deal.petty.flac16 | |
| 1989-08-19 | Greek Theatre, U. Of California |
| 131526 | flac16; Source info: Schoeps CMC 52 S (spread 8')> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal and others. Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 12, 2014 by Will Petty |
| gd1989-09-19.139782.sbd.weir.miller.pearson.flac1644 | |
| 1989-08-19 | The Greek Theatre - University of California |
| 139782 | flac16;Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/16; Recorded by Don Pearson; Transferred by Charlie Miller |
| gd1989-08-19.138155.FOB.Schoeps.Mattes.Petty.patch.t-flac16 | |
| 1989-08-19 | The Greek Theatre - University of California |
| 138155 | flac16; Original Source info (shnid 131536): FOB/Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clones provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Patched, Tracked, Flac'd & rePacked in Audacity by Joe Noel; Checksum & tags created in xACT |
| gd1989-08-19.mtx.hansokolow.96303.sbeok.flac16 | |
| 1989-08-19 | Greek Theatre - University of California |
| 96303 | flac16; matrix of SBD: shnid=83775 and AUD: shnid=13254 by hansokolow using ProTools |
| gd1989-08-19.119339.d5scott.SonicStudioDSM-1Sx.flac16 | |
| 1989-08-19 | Greek Theatre, U. Of California |
| 119339 | flac16; Source: 2 Sonic Studio DSM-1S/x microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
| gd89-08-19.sbd.hinko.23066.sbeok.shnf | |
| 1989-08-19 | Greek Theatre, U. Of California |
| 23066 | SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko |
| gd1989-08-19.111998.fm.HoltzNaks.Flac16 | |
| 1989-08-19 | Greek Theatre, U. Of California |
| 111998 | flac16; RECORDED BY: Greg Holtz; SOURCE: Healy's MTX -> Sony Stereo receiver (10 feet from In House FM Broadcast) -> Sony WM-D6C; TRANSFER: (By: JAZ) Master Cassettes (Maxell MX 90 IEC TYPE IV METAL) Tascam 112, Metal & Dolby B engaged -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename |
| gd1989-08-19.131536.cmc44.fob.mattes.petty.flac16 | |
| 1989-08-19 | Greek Theatre, U. Of California |
| 131536 | flac16; Source info: FOB/Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clones provided by Lance Deal. Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 14, 2014 by Will Petty |
| gd1989-08-19.124774.akg-c460b.thompson-damico.flac24 | |
| 1989-08-19 | Greek Theatre, U. Of California |
| 124774 | flac24; Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460B > Preamp Ck61 Uls > Uher Cr240; Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row Dead Center Right Behind Soundboard |
| gd1989-08-19.124775.akg-c460b.thompson-damico.flac16 | |
| 1989-08-19 | Greek Theatre, U. Of California |
| 124775 | flac16; Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460B > Preamp Ck61 Uls > Uher Cr240; Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row Dead Center Right Behind Soundboard |
| gd1989-08-20.149293.aud.flac2448 | |
| 1989-08-20 | Uptown Theater |
| 149293 | flac24; Source: AUD of unknown lineage > ? > lo-gen cassette via Richie & Rip. Transfer: TDK SA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2020 |
| gd1988-09-09.138813.mtx.tobin.flac16 | |
| 1989-09-09 | The Spectrum |
| 138813 | flac16; Matrix 2 Source Mix - SBD (shnid = 14840) SBD > Cass Master > DAT > CDR > CDR > EAC > SHN ; EAC/SHN by Darryl Hinko + AUD (shnid = 120488) Source: Schoeps CMC3/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 16th row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - matrix mixing by Kevin Tobin |
| gd1988-09-09.138815.dts.tobin.flac16 | |
| 1989-09-09 | The Spectrum |
| 138815 | DTS-Audio-CD 5.1 Mix; SBD (shnid = 14840) SBD > Cass Master > DAT > CDR > CDR > EAC > SHN ; EAC/SHN by Darryl Hinko + AUD (shnid = 120488) Source: Schoeps CMC3/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 16th row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - dts mixing by Kevin Tobin |
| gd1988-09-09.138816.5-1.tobin.flac1648 | |
| 1989-09-09 | The Spectrum |
| 138816 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 14840) SBD > Cass Master > DAT > CDR > CDR > EAC > SHN ; EAC/SHN by Darryl Hinko + AUD (shnid = 120488) Source: Schoeps CMC3/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 16th row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - surround mixing by Kevin Tobin |
| gd1989-09-27.145209.s1.aud.flac1644 | |
| 1989-09-27 | Warfield Theater |
| 145209 | flac16; Set 1; Source: Mono AUD unknown lineage > ? > Cassette, via Richie & Rip. Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 12/2018; This file set is 16 bit @ 44.1 |
| gd89-09-29.sbd.17703.sbeok.shnf | |
| 1989-09-29 | Shoreline Amphitheatre |
| 17703 | This is an updated text and md5 file for the previousshn set via Charlie Miller; Flaws in d2t08 and d2t09 fixed on 10/10/02 |
| gd1989-09-29.dsbd.walker-scotton.miller.81705.sbeok.flac16 | |
| 1989-09-29 | Shoreline Amphitheatre |
| 81705 | flac16; Recording Info: SBD -> Dat Transfer Info: Dat -> M-Audio DIO2448 -> Samplitude -> Cool Edit Pro -> FLAC All Transfers and Mastering By Charlie Miller |
| gd1989-09-29.sbd.walker-scotton.miller.81704.sbeok.flac16 | |
| 1989-09-29 | Shoreline Amphitheatre |
| 81704 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
| gd1989-09-29.141772.OTS.Schoeps.Mattes.Miller.Noel.T-flac1644 | |
| 1989-09-29 | Shoreline Amphitheatre |
| 141772 | flac16; Recording info: Spaced Schoeps MK2 omni's > Sony F1 > PCM (OTS); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (FLAC 16-bit/44.1k) |
| gd1989-09-29.151409.sbd.miller.flac2496 | |
| 1989-09-29 | Shoreline Amphitheatre |
| 151409 | flac24/96khz Recording Info: SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
| gd1989-09-29.157192.mtx.tobin.flac16 | |
| 1989-09-29 | Shoreline Amphitheatre |
| 157192 | flac16; Matrix 2 Source Mix - SBD (shnid=151409) Recording Info: SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shn id 141772) Recording info: Spaced Schoeps MK2 omni's > Sony F1 > PCM (OTS); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (FLAC 16-bit/44.1k) - matrix mixing by Kevin Tobin |
| gd1989-09-29.157197.dts.tobin.flac16 | |
| 1989-09-29 | Shoreline Amphitheatre |
| 157197 | DTS-Audio-CD 5.1 Mix; - SBD (shnid=151409) Recording Info: SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shn id 141772) Recording info: Spaced Schoeps MK2 omni's > Sony F1 > PCM (OTS); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (FLAC 16-bit/44.1k) - dts mixing by Kevin Tobin |
| gd1989-09-29.157198.5-1.tobin.flac1648 | |
| 1989-09-29 | Shoreline Amphitheatre |
| 157198 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=151409) Recording Info: SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shn id 141772) Recording info: Spaced Schoeps MK2 omni's > Sony F1 > PCM (OTS); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (FLAC 16-bit/44.1k) - surround mixing by Kevin Tobin |
| gd89-09-29.ultramatrix.braverman.7282.sbeok.shnf | |
| 1989-09-29 | Shoreline Amphitheatre |
| 7282 | Ultramatrix: Master Cassette> DAT> CD> SHN> Peak> WAV> SHN; poss cass gen (see notes); Retracking and normalizing by Peter Braverman; with thanks to Skot G |
| gd1989-09-29.117927.SonicStudioDSM-1Sx.sal.d5scott.flac16 | |
| 1989-09-29 | Shoreline Amphitheatre |
| 117927 | flac16; Source: 2 Sonic Studio DSM-1S/x microphones-up front/center> Sony DAT > 1st generation analog cassettes; Transfer: Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
| gd1989-09-29.127422.nak304.bowen.flac16 | |
| 1989-09-29 | Shoreline Amphitheatre |
| 127422 | flac16; Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony WM-D6C (XLIIS); XLIIS Master Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS, Section 202, Row H, Seat #5; Recorded/Transferred By: Jeff Bowen |
| gd1989-09-29.151621.sbd.cm.miller.t.flac16 | |
| 1989-09-29 | Shoreline Amphitheatre |
| 151621 | flac16/44khz Recording Info: SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 151409 24 -> 16 @ 44.1 |
| gd89-09-30.sbd.8964.sbeok.shnf | |
| 1989-09-30 | Shoreline Amphitheatre |
| 8964 | SBD>MC>DAT>CDR; Seeded to etree by Tim W |
| gd1989-09-30.sbd.walker-scotton.miller.81719.sbeok.flac16 | |
| 1989-09-30 | Shoreline Amphitheatre |
| 81719 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
| gd1989-09-30.097332 | |
| 1989-09-30 | Shoreline Amphitheatre |
| 97332 | flac16; Source: (OTS) Nakamichi cm300/cp4->Sony D-5(Dolby B)->Maxell XL II(x2) Taper: Dave Barfield Transfer: MAC->Nakamichi MR-1->Korg MR-1000(1bit/5.6 mhz)->Korg Audiogate->16/44.1 wav.->soundforge 9.0->waves Q-10->FLAC Transferred and seeded by: M. Watson |
| gd1989-09-30.151398.sbd.miller.flac2496 | |
| 1989-09-30 | Shoreline Amphitheatre |
| 151398 | flac 24/96kHz; Recording Info: SBD > Cassette Master (TDK MA-XG). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24. |
| gd1989-09-30.151622.sbd.cm.miller.t.flac16 | |
| 1989-09-30 | Shoreline Amphitheatre |
| 151622 | flac 16/44kHz; Recording Info: SBD > Cassette Master (TDK MA-XG). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24. 151398 24 -> 16 @ 44.1 |
| gd1989-09-30.142503.schoeps.cmc4.mk2s.mattes.miller.clugston.flac1648 | |
| 1989-09-30 | Shoreline Amphitheatre |
| 142503 | flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 |
| gd89-10-01.aud.8963.sbeok.shnf | |
| 1989-10-01 | Shoreline Amphitheatre |
| 8963 | AUD>MC>C>CDR; Seeded to etree by Tim W |
| gd1989-10-01.sbd-set1.field.26989.sbeok.flac16 | |
| 1989-10-01 | Shoreline Amphitheatre |
| 26989 | flac16; Unknown SBD source > ? > CDR; Transfer: CDR > EAC > hard drive > CD Wave Editor (tracking) > FLAC (v. 1.7.1) compression level 8; Extraction and minor edit and FLACtion by Gary Field, with thanks to Joey Browning for the CDR |
| gd1989-10-01.sbd.walker-scotton.miller.81721.sbeok.flac16 | |
| 1989-10-01 | Shoreline Amphitheatre |
| 81721 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
| gd1989-10-01.142347.sbd.miller.flac2496 | |
| 1989-10-01 | Shoreline Amphitheatre |
| 142347 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
| gd1989-10-01.121222.sonic-studio.Set2.d5scott.flac16 | |
| 1989-10-01 | Shoreline Amphitheatre |
| 121222 | flac16; Set 2 Source: 2 Sonic Studio DSM-1Sx microphones - 14th row/center > Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
| gd1989-10-01.142504.schoeps.cmc4.mk2s.mattes.miller.clugston.flac1648 | |
| 1989-10-01 | Shoreline Amphitheatre |
| 142504 | flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Aerco preamp > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 |
| gd1989-10-01.142513.UltraMatrix.sbd.cm.miller.flac1644 | |
| 1989-10-01 | Shoreline Amphitheatre |
| 142513 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
| gd1989-10-01.132699.cmc42S.deal.petty.flac16 | |
| 1989-10-01 | Shoreline Amphitheatre |
| 132699 | flac16; Recording info on DAT: Schoeps CMC 42 S; DAT's provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> M-Audio USB transit>Audacity @ 16/48>16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty |
| gd1989-10-07.151440.sbd.1st-gen.miller.fix.t.flac16 | |
| 1989-10-07 | Warfield Theater |
| 151440 | flac16/44.1khz Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24 -- 151264 24 -> 16 @ 44.1 |
| gd1989-10-08.sbd.hinko.32427.sbeok.flac16 | |
| 1989-10-08 | Hampton Coliseum |
| 32427 | flac16; SBD > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko |
| gd1989-10-08.sbd.walker-scotton.miller.81532.sbeok.flac16 | |
| 1989-10-08 | Hampton Coliseum |
| 81532 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
| gd1989-10-08.147651.UltraMatrix.sbd.cm.miller.flac16 | |
| 1989-10-08 | Hampton Coliseum |
| 147651 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 |
| gd89-10-08.fob-schoeps.nawrocki.439.sbeok.shnf | |
| 1989-10-08 | Hampton Coliseum |
| 439 | FOBÂ Schoeps CMC34's -> Panasonic SV-250; Transfer: D8 -> Montego II digi I/O -> CDWAV by D. Nawrocki; seed via P. Delgado |
| gd1989-10-08.nak304.carpenter.89508.flac16 | |
| 1989-10-08 | Hampton Coliseum |
| 89508 | flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand on the floor, near the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. |
| gd1989-10-08.120376.Nak300sSenn421.AlabamaBob.Currier.Keo.Flac2496 | |
| 1989-10-08 | Hampton Coliseum |
| 120376 | flac24; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 421> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-100's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 Khz; Metadata Tagging With Tag&Rename |
| gd1989-10-08.120377Nak300sSenn421.AlabamaBob.Currier.Keo.Flac1644 | |
| 1989-10-08 | Hampton Coliseum |
| 120377 | flac16; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 421> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430>Dolby B, Ran By Mr. Currier; Tapes Maxell MX-100's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1989-10-08.mtx.hansokolow.96442.flac16 | |
| 1989-10-08 | Hampton Coliseum |
| 96442 | flac16; matrix of SBD: shnid=81532 and DAUD: shnid=439 by hansokolow using ProTools |
| gd89-10-08.sbd.bertha-ashley.25261.sbeok.shnf | |
| 1989-10-08 | Hampton Coliseum |
| 25261 | SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN |
| gd89-10-08.sbd.unknown.8365.sbeok.shnf | |
| 1989-10-08 | Hampton Coliseum |
| 8365 | SBD> Master Cass>DAT>CD; via CDead vine; Unknown seeder |
| gd1989-10-08.142509.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648 | |
| 1989-10-08 | Hampton Coliseum |
| 142509 | flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar stand, shoulder height > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 |
| gd1989-10-08.147605.sbd.miller.flac24 | |
| 1989-10-08 | Hampton Coliseum |
| 147605 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd89-10-09.sbd.paino.2276.sbeok.shnf | |
| 1989-10-09 | Hampton Coliseum |
| 2276 | SBD> CASS(x)> DAT> CDR> EAC> SHN; via PainoMan to gdlive.com |
| gd89-10-09.schoeps.howland.443.sbeok.shnf | |
| 1989-10-09 | Hampton Coliseum |
| 443 | Schoeps CMC421 (note change from previous mic info)> DAT > SEK'D Prodif 32 > SoundForge 4.5 (Level Increase & Resample - <48to44.1>) > CDWav> WAV > SHN; via T. Howland; note set 1 will fit all on d1 if you overburn 26 sec; listener M. Burgess reports, "first set sounds ok, maybe a little muddy, but the second sounds thin and trebley, totally different from the first set"; note Mark Ferguson renamed md5s and shns with his 8/3/00 rehosting- see his public comments, and md5s marked "ren" (for "rename") |
| gd1989-10-09.aud.fishman.17704.sbeok.shnf | |
| 1989-10-09 | Hampton Coliseum |
| 17704 | FOB Schoeps CMC421> DAT> HHB standalone CD> EAC> ADDAWAV> CDWav retracking> WAV> SHN; conversions done by JR Fishman |
| gd1989-10-09.aud.robr.31211.sbeok.shnf | |
| 1989-10-09 | Hampton Coliseum |
| 31211 | Recording by: Rob R 3 Nak CM300 - 2 CP4's and 1 CP3 arrianged X/Y direct to dat > ? > .shn SBEs on Set 2 repaired using shntool v.2.0.3 (10/11/2005) |
| gd1989-10-09.dts.dan.26235.sbeok.shnf | |
| 1989-10-09 | Hampton Coliseum |
| 26235 | DTS-Audio-CD 5.1 Mix; SBD: PCM (analog out) > DAT x 4 > CDR AUD; FOB: Schoeps CMC641 > DAT; mixed by dan@am-dig.com; related matrix also circulates |
| gd1989-10-09.mtx.dan.26236.sbeok.shnf | |
| 1989-10-09 | Hampton Coliseum |
| 26236 | SBD + AUD Matrix Mix (60%-SBD/40%-AUD); SBD: PCM (analog out) > DAT x 4 > CDR; AUD FOB: Schoeps CMC641 > DAT; Mixed by dan@am-dig.com; related 5.1 mix also circulates |
| gd1989-10-09.sbd.miller.32902.sbeok.flac16 | |
| 1989-10-09 | Hampton Coliseum |
| 32902 | flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
| gd1989-10-09.sbd.miller.80840.sbeok.flac16 | |
| 1989-10-09 | Hampton Coliseum |
| 80840 | flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC . This has an upgraded patch source. |
| gd1989-10-09.099647 | |
| 1989-10-09 | Hampton Coliseum |
| 99647 | flac16; Source: Nakamichi cm300/cp4->Sony D-5M (Dolby B encoded)->Maxell MX90 x 2->Sony D-5M (Dolby B decoded)->Korg MR-1000 (1bit/5.5MHz)->AudioGate->(16/44.1) wav-> Soundforge 8.0->flac; Taper: Dave Barfield; Transfer and seeded by: M. Watson |
| gd89-10-09.sbd.serafin.7721.sbeok.shnf | |
| 1989-10-09 | Hampton Coliseum |
| 7721 | Lineage: SBD > PCM (analog output) > D > D > D > D; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes |
| gd1989-10-09.151441.sbd.1st-gen.miller.t.flac16 | |
| 1989-10-09 | Warfield Theater |
| 151441 | flac16/44.1khz Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24, 151344 24 -> 16 @ 44.1 |
| gd1989-10-09.158308.mtx.seamons.ht144.flac16 | |
| 1989-10-09 | Hampton Coliseum |
| 158308 | flac16; Matrix by Hunter Seamons using Soundtrack Pro and Final Cut Pro (FLAC > AIFF > Soundtrack and Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 80840 & 125738. |
| gd1989-10-09.mtx.v2.haugh.92495.flac16 | |
| 1989-10-09 | Hampton Coliseum |
| 92495 | flac16; SBD + AUD Matrix - 4 Source Mix (60%-SBD, 10%-AUD1, 20%-AUD2, 10%-AUD3) |
| gd1989-10-09.120404.Nak300sSenn441.AlabamaBob.Currier.Keo.Flac1644 | |
| 1989-10-09 | Hampton Coliseum |
| 120404 | flac16; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 441> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-90's; Transfer Information:Nakamichi MR-1>No Dolby B>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1989-10-09.dts-dvdaudio.haugh.92553.dvdf | |
| 1989-10-09 | Hampton Coliseum |
| 92553 | - 4 Source Mix - DVD-Audio 5.1 Surround (6ch x 24/48) via Dan Haugh |
| gd1989-10-09.142510.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648 | |
| 1989-10-09 | Hampton Coliseum |
| 142510 | flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar stand, shoulder height > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 |
| gd1989-10-09.147611.ultramatrix.sbd.pearson.miller.flac24 | |
| 1989-10-09 | Hampton Coliseum |
| 147611 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; |
| gd1989-10-09.147621.UltraMatrix.sbd.cm.miller.flac16 | |
| 1989-10-09 | Hampton Coliseum |
| 147621 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 |
| gd1989-10-09.131003.cmc521.fob.deal.flac16 | |
| 1989-10-09 | Hampton Coliseum |
| 131003 | flac16; Master Digital FOB Recording by Lance Deal using Schoeps CMC521's> Schoeps VMS 52 UB> Technics SVMD1; Transfer: Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5) |
| gd1989-10-09.125737.mk4.48khz.flac16 | |
| 1989-10-09 | Hampton Coliseum |
| 125737 | flac16/48kHz; Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe |
| gd1989-10-09.125738.mk4.flac16 | |
| 1989-10-09 | Hampton Coliseum |
| 125738 | flac16; Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe |
| gd1989-10-09.nak300.juteau.116646.flac | |
| 1989-10-09 | Hampton Coliseum |
| 116646 | flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster |
| gd1989-10-09.154041.mtx.tobin.flac16 | |
| 1989-10-09 | Hampton Coliseum |
| 154041 | flac16; Matrix 2 Source Mix>/i> - SBD (shnid = 147611) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; + AUD (shnid = 116646) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - matrix mixing by Kevin Tobin |
| gd1989-10-09.154042.dts.tobin.flac16 | |
| 1989-10-09 | Hampton Coliseum |
| 154042 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147611) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; + AUD (shnid = 116646) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - dts mixing by Kevin Tobin |
| gd1989-10-09.154043.5-1.tobin.flac1648 | |
| 1989-10-09 | Hampton Coliseum |
| 154043 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147611) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; + AUD (shnid = 116646) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - surround mixing by Kevin Tobin |
| gd89-10-11.sbd.clugston.6668.sbeok.shnf | |
| 1989-10-11 | Meadowlands Arena |
| 6668 | Master Soundboard DAT > Cassette > DAT> CDR, with numerous ticks fixed (see notes); CD Re-mastering, SHN'ed by Scott Clugston; tracked for 2x80; to abgd |
| gd1989-10-11.sbd.walker-scotton.miller.83292.sbeok.flac16 | |
| 1989-10-11 | Brendan Byrne Arena |
| 83292 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |