Grateful Dead
7/19/89
Alpine Valley Music Theatre
East Troy, Wi

Patched and pitch corrected Audience

Set 1:
d1t01 - Tuning
d1t02 - Hell in a Bucket
d1t03 - Sugaree
d1t04 - Mama Tried
d1t05 - Mexicali Blues
d1t06 - Althea
d1t07 - Victim or the Crime
d1t08 - West LA Fadeaway
d1t09 - Desolation Row
d1t10 - Deal

Set 2:
d2t01 - Tuning
d2t02 - Box of Rain
d2t03 - Foolish Heart
d2t04 - Looks Like Rain
d2t05 - Terrapin Station
d2t06 - Drums
d3t01 - Space
d3t02 - The Other One
d3t03 - The Wheel
d3t04 - Morning Dew

Encore
d3t05 - Lovelight

Audio Source Information:
orginal shnid = 92447
Recording Information:
Source: Sennheiser 441 > Marantz PDM 340 w/ dbx
Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack
Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz]
Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 >
r8brain to [16/44.1] > CD Wave > TLH > Flac
Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008

Notes: Crossfades applied at tape flip after Althea and before Lovlight.
Most of the Drums were cut and the Space was cut into. For this reason no
crossfade was applied and drums were faded out and Space faded in.
Audio problems at beginning of Hell In A Bucket from PA.
Beer Barrel Polka Tuning after Althea

Audience (alt) - used to patch Drums
shnid = 106492
TAPER: GREG HOLTZ "Third night we were in the pavilion...we were in THE FIRST ROW in front of the SBD.
SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C.
TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename

Also patched with:
Soundboard from video project
---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 08-OCT-2013 - Trader Little Helper
- Tagged 08-OCT-2013 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) Between Althea and Victim Or The Crime, 47.722 seconds were missing from the audience and was filled in with audio from the video.

2) About 2 minutes into Drums, 9 minutes and 57.53 seconds were missing from the audience and was filled in with audio from the alternate audience. This included most of Drums and a good portion of Space.

3) Before the start of Lovelight, 2 minutes and 58.722 seconds were missing from the audience and was filled in with audio from the video.

4) Speedwise the the audience was extremely fast at about 2 seconds per minute.

5) Choice of the audience sources - considering that hansokolow has already done a matrix of this show, it was a tough choice as the Holtz audience (which I used as the alternate for the drums) is a wonderful recording but the GMB version's vocals were stellar and it is a clean recording so after much thought, I used it for most of the show.

Brokedown House Production

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     9:53.13      104635820 B   ---   --   -----    wav  1.0000  gd1989-07-19d2t06.wav
    10:32.01      111487196 B   ---   --   -----    wav  1.0000  gd1989-07-19d3t01.wav
     7:44.34       81929612 B   ---   --   -----    wav  1.0000  gd1989-07-19d3t02.wav
     4:03.12       42893468 B   ---   --   -----    wav  1.0000  gd1989-07-19d3t03.wav
    15:54.07      168302108 B   ---   --   -----    wav  1.0000  gd1989-07-19d3t04.wav
     7:47.38       82468220 B   ---   --   -----    wav  1.0000  gd1989-07-19d3t05.wav
   179:57.31     1904664636 B                            1.0000  (21 files)

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