Grateful Dead
7/19/89
Alpine Valley Music Theatre
East Troy, Wi

DTS-Audio-CD 5.1 Mix

Set 1:
d1t01 - Tuning
d1t02 - Hell in a Bucket
d1t03 - Sugaree
d1t04 - Mama Tried
d1t05 - Mexicali Blues
d1t06 - Althea
d1t07 - Victim or the Crime
d1t08 - West LA Fadeaway
d1t09 - Desolation Row
d1t10 - Deal

Set 2:
d2t01 - Tuning
d2t02 - Box of Rain
d2t03 - Foolish Heart
d2t04 - Looks Like Rain
d2t05 - Terrapin Station
d2t06 - Drums
d3t01 - Space
d3t02 - The Other One
d3t03 - The Wheel
d3t04 - Morning Dew

Encore
d3t05 - Lovelight

Audio Source Information
SBD (shnid = 437)

Recording Info:
DSBD -> DAT -> CD -> eac -> SHN
Seeded by Walstib
download from tol with much appreciation

AUD1 (shnid = 92447)
Recording Information:
Source: Sennheiser 441 > Marantz PDM 340 w/ dbx
Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack
Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz]
Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 >
r8brain to [16/44.1] > CD Wave > TLH > Flac
Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008

Notes: Crossfades applied at tape flip after Althea and before Lovlight.
Most of the Drums were cut and the Space was cut into. For this reason no
crossfade was applied and drums were faded out and Space faded in.
Audio problems at beginning of Hell In A Bucket from PA.
Beer Barrel Polka Tuning after Althea

AUD2 (shnid = 106492)  - used to patch Drums
TAPER: GREG HOLTZ "Third night we were in the pavilion...we were in THE FIRST ROW in front of the SBD.
SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C.
TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename

VID (no shnid)
used for patching and timing standard
---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 09-OCT-2013 - Trader Little Helper
- Tagged 09-OCT-2013 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) Before the start of Hell In A Bucket, 2 minutes and 46.987 seconds were missing from the soundboard and was filled in with audio from the video.

2) Between Sugaree and Mama Tried, 1 minute and 55.227 seconds were missing from the soundboard and was filled in with audio from the video (note - there was some "talking" between the cameramen on the video - when this occured, there was a large amount of feedback or hum on the video audio track. I toned this done to keep within the same sound level as the soundboard). First notes of Mama Tried were missing.

3) Between Mexicali Blues and Althea, 55.227 seconds were missing from the soundboard and was filled in with audio from the video.

4) Between Althea and Victim Or The Crime, 1 minute and 25.596 seconds were missing from the soundboard and was filled in with audio from the video.

5) Between Althea and Victim Or The Crime, 47.722 seconds were missing from the audience and was filled in with audio from the video.

6) Before the start of Box Of Rain, 3 minutes and 31.754 seconds were missing from the soundboard and was filled in with audio from the video.

7) Before the start of Box Of Rain, 1 minutes and 47.132 seconds were missing from the audience and was filled in with audio from the video.

8) About 2 minutes into Drums, 9 minutes and 57.53 seconds were missing from the audience and was filled in with audio from the alternate audience. This included most of Drums and a good portion of Space.

9) Before the start of Lovelight, 2 minutes and 41.658 seconds were missing from the soundboard and was filled in with audio from the video.

10) Before the start of Lovelight, 2 minutes and 58.722 seconds were missing from the audience and was filled in with audio from the video.

11) Speedwise the soundboard was slightly slower than the video at about .300 seconds per minute while the audience was extremely faster at about 2 seconds per minute.

12) Choice of the audience sources - considering that hansokolow has already done a matrix of this show, it was a tough choice as the Holtz audience (which I used as the alternate for the drums) is a wonderful recording but the GMB version's vocals were stellar and it is a clean recording so after much thought, I used it for most of the show.
-----------------------------------------------------------
Front
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -1db MTX

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1db MTX
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

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