Identifiers for Grateful Dead
1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
Archive Identifier | |
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Date | Venue |
Source | |
gd1984-06-14.nakcm304-mikeg-suraci.suraci.78371.flac16 | |
1984-06-14 | Red Rocks Amphitheater |
78371 | flac16; Source: *Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: *Mike G. and Tony S. |
gd1984-06-14.140185.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac1644 | |
1984-06-14 | Red Rocks Ampitheatre |
140185 | flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp |
gd1984-06-14.147345.mke2002.holbrook.flac2448 | |
1984-06-14 | Red Rocks Amphitheatre |
147345 | flac24/48khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 140 feet from stage 15' ROC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook |
gd1984-06-14.147367.mke2002.holbrook.flac1648 | |
1984-06-14 | Red Rocks Ampitheatre |
147367 | flac16/48khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 140 feet from stage 15' ROC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook |
gd84-06-14.aud.goodbear.351.sbeok.shnf | |
1984-06-14 | Red Rocks Amphitheatre |
351 | AUD/1>CD (poss Sennheiser>D5); via Teddy GoodBear to abgd; extensive notes |
gd84-06-14.sbd.hinko.18804.sbeok.shnf | |
1984-06-14 | Red Rocks Amphitheatre |
18804 | SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko |
gd1984-06-14.148195.beyerm88.holbrook.flac1644 | |
1984-06-14 | Red Rocks Ampitheatre |
148195 | flac16/44 MAUD CA: Beyer M88 cardiod XY > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook |
gd1984-06-14.148196.beyerm88.holbrook.flac2448 | |
1984-06-14 | Red Rocks Amphitheatre |
148196 | flac24/48khz MAUD CA: Beyer M88 cardiod XY > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook |
gd1984-06-14.139553.sbd.pcm.miller.flac1644 | |
1984-06-14 | Red Rocks Ampitheatre |
139553 | flac16; Recording Info: SBD > PCM Master > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller |
gd1984-06-14.140186.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac2496 | |
1984-06-14 | Red Rocks Ampitheatre |
140186 | flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 |
gd1984-06-21.sbd.liberated-Boot.devos.352.shnf | |
1984-06-21 | Kingswood Music Theatre |
352 | "liberated" Bootleg CD > EAC > SHN; via B. de Vos; see flaw notes in pub comments |
gd1984-06-21.137832.fm.flac1648 | |
1984-06-21 | Kingswood Music Theater |
137832 | flac16/48kHz; FM > MC > DAT; DAT @ 48kHz > Sony PCM-R500 > Tascam SS-R1 > Canare Coax > Samplitude Pro X2 Suite (Build 256) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; Transfer & edits by Jeff Mitchell |
gd1984-06-21.147382.mke2002.holbrook.flac1644 | |
1984-06-21 | Kingswood Music Theater |
147382 | flac16/44.1khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook |
gd1984-06-21.147383.mke2002.holbrook.flac2448 | |
1984-06-21 | Kingswood Music Theater |
147383 | flac24/48khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook |
gd1984-06-21.151598.fm.cm.eaton.miller.t.flac16 | |
1984-06-21 | Kingswood Music Theater |
151598 | flac16/44khz Recording Info: FM > Cassette Master (Tascam 122) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k) - 151253 24 -> 16 @ 44.1 |
gd1984-06-21.132582.Nak100CP4.Hill.Keo.Flac1644 | |
1984-06-21 | Kingswood Music Theater |
132582 | flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1984-06-21.132583.Nak100CP4.Hill.Keo.Flac2496 | |
1984-06-21 | Kingswood Music Theater |
132583 | flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1984-06-21.141522.NAK.Blend.Ackerman.Miller.Noel.t-flac2496 | |
1984-06-21 | Kingswood Music Theater |
141522 | flac24; Ray Ackerman’s Master Audience Cassettes; 2 Nakamichi CM-300's w/ CP-4 shotguns capsules + 1 Nakamichi CM-300 w/ CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6. Located behind the SBD dead center; Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 |
gd84-06-21.sbe.tbrame.15405.sbeok.shnf | |
1984-06-21 | Kingswood Music Theater |
15405 | FM>MC>PCM>DAT>Cool Edit Pro>CDR>SHN; Via Andy L; EAC'ed and SHN'ed by tbrame |
gd1984-06-21.117777.beyer-senn.daweez.d5scott.flac16 | |
1984-06-21 | Kingswood Music Theater |
117777 | flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (18th row)> Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files |
gd1984-06-21.148197.beyerm88.holbrook.flac1644 | |
1984-06-21 | Kingswood Music Theater |
148197 | flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook |
gd1984-06-21.148198.beyerm88.holbrook.flac2448 | |
1984-06-21 | Kingswood Music Theater |
148198 | flac24/48khz Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook |
gd1984-06-21.140157.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac1644 | |
1984-06-21 | Kingswood Music Theater |
140157 | flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 |
gd1984-06-21.140158.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac2496 | |
1984-06-21 | Kingswood Music Theater |
140158 | flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 |
gd1984-06-21.145045.nak.blend.ackerman.miller.noel.t-flac1644 | |
1984-06-21 | Kingswood Music Theater |
145045 | flac16; Ray Ackerman’s Master Audience Cassettes; 2 Nakamichi CM-300's w/ CP-4 shotguns capsules + 1 Nakamichi CM-300 w/ CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6. Located behind the SBD dead center; Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1 |
gd1984-06-21.151253.fm.eaton.miller.flac2496 | |
1984-06-21 | Kingswood Music Theater |
151253 | flac24/96khz Recording Info: FM > Cassette Master (Tascam 122) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k) |
gd1984-06-21.beyerm201.holbrook.burke.90982.flac24 | |
1984-06-21 | Kingswood Music Theatre |
90982 | flac24; Partial Set 1 & All Set 2, Recordist: Kyle Holbrook Location: unknown Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Recorded Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 (No Dolby, Azimuth Adjusted) > Canare Star Quad interconnects > Sound Devices 722 (Line In, +10.0 dB) > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.2.0, FLAC Frontend v1.7.0.1, Level 8 All transfers and DSP performed by Tim Burke |
gd1984-06-21.beyerm201.holbrook.burke.91024.sbeok.flac16 | |
1984-06-21 | Kingswood Music Theatre |
91024 | flac16; Partial Set 1 & All Set 2, Recordist: Kyle Holbrook Location: unknown Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Recorded Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 (No Dolby, Azimuth Adjusted) > Canare Star Quad interconnects > Sound Devices 722 (Line In, +10.0 dB) > IBM ThinkPad T41 Editing: Steinberg WaveLab v5.01b (resample, dither) Dither: MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.2, FLAC Frontend v1.7.0.1, Level 8, Sector Boundaries Aligned All transfers and DSP performed by Tim Burke |
gd84-06-23.senn.miller.14951.sbeok.shnf | |
1984-06-23 | City Island |
14951 | Recording Info: (FOB) Senn 441 -> PCM -> Dat; Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC (Plextor 24/10/40A) -> Cool Edit Pro v1.2 -> SHN (2 Discs SHN / 2 Discs Audio); Seeded to etree by Charlie Miller |
gd1984-06-23.beyerm201.holbrook.burke.81280.sbeok.flac16 | |
1984-06-23 | City Island |
81280 | flac16; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 |
gd1984-06-23.beyerm201.holbrook.burke.81548.flac24 | |
1984-06-23 | City Island |
81548 | flac24/96; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 Cassette transfer, tracking and FLAC compression performed by Tim Burke |
gd1984-06-23.140516.nak300.flac2496 | |
1984-06-23 | City Island |
140516 | flac24; source: nak 300 (12’ dfc by board) > tcd5m > master = maxwell udxl ii (1) / mx 90 (2) +dolby > master via tascam 122 mk ii > apogee rosetta 200(24/96) > audacity (normalize, tracks, fades) > flac24/96 > xact (tags, ffp, md5) |
gd84-06-23.naks.willy.14566.sbeok.shnf | |
1984-06-23 | City Island |
14566 | AUD (Nak 100's)>MC>DAT>CDR; via Paul B; Seeded to etree by Willy |
gd1984-06-23.138873.aud.lamarre.berger.flac16 | |
1984-06-23 | City Island |
138873 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 |
gd1984-06-23.124088.chasingwilma.flac24 | |
1984-06-23 | City Island |
124088 | flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd84-06-23.aud.cohen.minches.18226.sbeok.shnf | |
1984-06-23 | City Island |
18226 | Nak 700> D-5 taped by Mark Cohen, A:D transfer by Mark Cohen, final mastering and encoding by David Minches |
gd1984-06-23.109812.beyer-senn-daweez.D5scott.flac16 | |
1984-06-23 | City Island |
109812 | flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; Transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files |
gd1984-06-23.140159.sbd.eaton.miller.clugston.flac1648 | |
1984-06-23 | City Island |
140159 | flac16/48kHz; Recording Info: Master Soundboard Cassette -> Reel to Reel -> Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 > Adobe Audition 3.0 -> TLH flac1648 |
gd1984-06-23.138874.aud.lamarre.berger.flac24 | |
1984-06-23 | City Island |
138874 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 |
gd1984-06-23.139571.FOB.Neumann.McSheffrey.Gastwirt.Miller.Noel.t-flac16 | |
1984-06-23 | City Island |
139571 | flac16/48kHz; Dan McSheffrey recording: Neumann KM84 > Cassette Master (Sony TC-D5M) > Dat (FOB); Charlie Miller transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Edited & Mastered by Joe Noel in Audacity: Wave > Flac 16/48; Checksum & tags created in xACT |
gd1984-06-23.141597.FOB.Senn441.Ackerman.Miller.Noel.t-flac1644 | |
1984-06-23 | City Island |
141597 | flac16; Ray Ackerman’s Master Audience Cassettes; Four (4) Sennheiser 441's > Yamaha mixer > SonyD5 > SonyD6 > Cassette > DAT (FOB); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Kyocera D811 > Sony PCM 2600 using SBM > DAT 16/44 |
gd1984-06-24.132576.Nak100CP4.Hill.Keo.Flac1644 | |
1984-06-24 | Saratoga Performing Arts Center |
132576 | flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1984-06-24.132577.Nak100CP4.Hill.Keo.Flac2496 | |
1984-06-24 | Saratoga Performing Arts Center |
132577 | flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1984-06-24.139813.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac24 | |
1984-06-24 | Saratoga Performing Arts Center |
139813 | flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT |
gd1984-06-24.beyerm88.holbrook.burke.81627.sbeok.flac16 | |
1984-06-24 | Saratoga Performing Arts Center |
81627 | flac16; Recordist: Kyle Holbrook Location: Set One: ~5' ROC, ~175' from stage lip, head height | Set Two: Centered, ~150' from stage lip, head height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 |
gd1984-06-24.beyerm88.holbrook.burke.81707.flac24 | |
1984-06-24 | Saratoga Performing Arts Center |
81707 | flac24/96; Recordist: Kyle Holbrook Location: Set One: ~5' ROC, ~175' from stage lip, head height | Set Two: Centered, ~150' from stage lip, head height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format : 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 |
gd1984-06-24.sbd.miller.27449.sbeok.flac16 | |
1984-06-24 | Saratoga Performing Arts Center |
27449 | flac16: SBD> Cassette Master> Dat; patches from Nakamichi 300/CP1> Cassette Master> Dat; Transfer: Dat> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> FLAC; All Transfers and Editing By Charlie Miller |
gd1984-06-24.nak300.friend.109483.flac2448 | |
1984-06-24 | Saratoga Performing Arts Center |
109483 | flac24; FOB AUD: 3x Nakamichi CM300/CP1's cardioids > Nakamichi 550 > Maxell XLII-S 90's, set up in 12th row left of center. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 08/2010 |
gd1984-06-24.nak300.friend.109484.flac1644 | |
1984-06-24 | Saratoga Performing Arts Center |
109484 | flac16; FOB AUD: 3x Nakamichi CM300/CP1's cardioids > Nakamichi 550 > Maxell XLII-S 90's, set up in 12th row left of center. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 08/2010 |
gd84-06-24.nak.connor.4628.sbeok.shnf | |
1984-06-24 | Saratoga Performing Arts Center |
4628 | Aud> Nak300> CM> CDR> EAC(Secure Mode)> CDWave(Retracking Only)> Shnv3(MKW ACT) |
gd1984-06-24.117800.beyer-senn.daweez.d5scott.flac16 | |
1984-06-24 | Saratoga Performing Arts Center |
117800 | flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files |
gd1984-06-24.126261.chasingwilma.flac24 | |
1984-06-24 | Saratoga Performing Arts Center |
126261 | flac24; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1984-06-24.138865.aud.lamarre.berger.flac16 | |
1984-06-24 | Saratoga Performing Arts Center |
138865 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 |
gd1984-06-24.138866.aud.lamarre.berger.flac24 | |
1984-06-24 | Saratoga Performing Arts Center |
138866 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 |
gd1984-06-24.141137.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644 | |
1984-06-24 | Saratoga Performing Arts Center |
141137 | flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 |
gd1984-06-26.139840.FOB.s1.Schoeps.Oade.Bryant.Miller.Noel.t-flac24 | |
1984-06-26 | Merriweather Post Pavilion |
139840 | flac24; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT |
gd1984-06-26.beyerm88.holbrook.burke.81741.sbeok.flac16 | |
1984-06-26 | Merriweather Post Pavilion |
81741 | flac16; Recordist: Kyle Holbrook Location: ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 |
gd1984-06-26.beyerm88.holbrook.burke.81975.flac24 | |
1984-06-26 | Merriweather Post Pavilion |
81975 | flac24/96; Recordist: Kyle Holbrook Location: ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 Cassette transfer, tracking and FLAC compression performed by Tim Burke |
gd1984-06-26.sbd.miller.87511.sbeok.flac16 | |
1984-06-26 | Merriweather Post Pavilion |
87511 | flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation |
gd1984-06-26.sbd.miller.patch-87511.87625.sbeok.flac16 | |
1984-06-26 | Merriweather Post Pavilion |
87625 | flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (patch upgrade of shn id 87511) |
gd1984-06-26.senn.hubbard.bandrofcheck.81495.sbefail.flac16 | |
1984-06-26 | Merriweather Post Pavilion |
81495 | flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck |
gd1984-06-26.senn421.unger.77449.sbeok.shnf | |
1984-06-26 | Merriweather Post Pavilion |
77449 | Source Info:Sennheiser421's>Sony D5:CD Transfer: Denon DN-790r>Audiophile 2496>Cool Edit 200>wav>shn: Taped and Transferred by Phil Unger; originally posted to abgd July 2002; sbe's fixed with shntool 9/16/2006 |
gd1984-06-26.141138.FOB.set1.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644 | |
1984-06-26 | Merriweather Post Pavilion |
141138 | flac16; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 |
gd84-06-26.sbd.braverman.20324.sbeok.shnf | |
1984-06-26 | Merriweather Post Pavilion |
20324 | Source: SBD>PCM>DAT>CD>SHN. Tennessee Jed and Day Job are patched from an audience recording via Ray Hansen, encoded by Peter Braverman; upgrade in circulation |
gd84-06-26.senn-pauline.vernon.7293.sbeok.shnf | |
1984-06-26 | Merriweather Post Pavilion |
7293 | AUD SENN 421's>TCD5-M, Recorded by R. Pauline; MC transferred to CD by Lou B.; cdr > eac (secure) > mkwact > shn (seekable) by Matt Vernon |
gd1984-06-26.123260.sbd.miller.flac16 | |
1984-06-26 | Merriweather Post Pavilion |
123260 | flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1984-06-26.sbd.fixed.miller.110057.flac16 | |
1984-06-26 | Merriweather Post Pavilion |
110057 | flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation |
gd1984-06-26.111458.beyer-senn.daweez.d5scott.flac16 | |
1984-06-26 | Merriweather Post Pavilion |
111458 | flac16; source: 2 Beyer M160 and 1 Sennheiser 421 microphones (14th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1984-06-26.148233.fob.senn.me80.hessberg.miller.clugston.flac1648 | |
1984-06-26 | Merriweather Post Pavilion |
148233 | flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1984-06-26.148234.fob.senn.me80.hessberg.miller.clugston.flac2496 | |
1984-06-26 | Merriweather Post Pavilion |
148234 | flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 |
gd1984-06-26.127526.schoeps.oade.BCE.flac16 | |
1984-06-26 | Merriweather Post Pavilion |
127526 | flac16; Source from Doug Oade: Schoeps cmc441 > Sony TC-D5M > Sony PCM-601ESD > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created and SBE's fixed in Traders Little Helper |
gd1984-06-26.senn421.pauline.miller.91181.sbeok.flac16 | |
1984-06-26 | Merriweather Post Pavilion |
91181 | flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller |
gd1984-06-27.139841.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac24 | |
1984-06-27 | Merriweather Post Pavilion |
139841 | flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT |
gd1984-06-27.beyerm88.holbrook.burke.82420.sbeok.flac16 | |
1984-06-27 | Merriweather Post Pavilion |
82420 | flac16; Recordist: Kyle Holbrook Location: Centered, ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 |
gd1984-06-27.beyerm88.holbrook.burke.82450.sbeok.flac16 | |
1984-06-27 | Merriweather Post Pavilion |
82450 | flac24; Recordist: Kyle Holbrook Location: Centered, ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 |
gd1984-06-27.sbd.miller.87467.sbeok.flac16 | |
1984-06-27 | Merriweather Post Pavilion |
87467 | flac16; SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation |
gd1984-06-27.sbd.miller.repitch-87467.87658.sbeok.flac16 | |
1984-06-27 | Merriweather Post Pavilion |
87658 | flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller. This is a pitch correction of the previous Miller source, shn id 87467 |
gd1984-06-27.senn.hubbard.bandrofcheck.81509.sbefail.flac16 | |
1984-06-27 | Merriweather Post Pavilion |
81509 | flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck |
gd1984-06-27.111477.beyer-senn.daweez.d5scott.flac16 | |
1984-06-27 | Merriweather Post Pavilion |
111477 | flac16; source: 2 Beyer M160 and 1 Sennheiser 421 microphones (15th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1984-06-27.141139.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644 | |
1984-06-27 | Merriweather Post Pavilion |
141139 | flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 |
gd84-06-27.sbd.skankweed.4615.sbeok.shnf | |
1984-06-27 | Merriweather Post Pavilion |
4615 | SBD> MC> C> DAT> CDRx1> EAC> SHN; Mastered, ripped, encoded and posted by Skankweed to abgd; upgrade in circulation |
gd84-06-27.sbd.unknown.12929.sbeok.shnf | |
1984-06-27 | Merriweather Post Pavilion |
12929 | SBD>Cassette Master>Cassette>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN (updated source info); upgrade in circulation |
gd1984-06-27.getto.aud.122873.flac16 | |
1984-06-27 | Merriweather Post Pavilion |
122873 | flac16; 2nd set only. Gen 1 audience cassette > Sony TC-W320 > Marantz CDR 500 > CDR > EAC > flac |
gd84-06-27.nak-ziemba.connor.6999.sbeok.shnf | |
1984-06-27 | Merriweather Post Pavilion |
6999 | Aud> Nak300> D5> CM> Cdr> EAC> CDWave (Retracking Only)> Shnv3 (MKW ACT); recorded by Steve Ziemba; transferred by Mike Lai; EAC. SHN by Charlie Connor; thanks to Mike Lai and Jon Rianhard; flip in Throwing Stones |
gd1984-06-27.148235.fob.senn.me80.hessberg.miller.clugston.flac1648 | |
1984-06-27 | Merriweather Post Pavilion |
148235 | flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1984-06-27.148236.fob.senn.me80.hessberg.miller.clugston.flac2496 | |
1984-06-27 | Merriweather Post Pavilion |
148236 | flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 |
gd1984-06-27.senn421.pauline.miller.91375.sbeok.flac16 | |
1984-06-27 | Merriweather Post Pavilion |
91375 | flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller |
gd1984-06-29.150222.beyerm160.holbrook.flac2448 | |
1984-06-29 | Blossom Music Center |
150222 | flac24/48khz MAUD CA: Beyer M160's PAS > Sony TCD5M|s1 Maxell UDXLIIS90; s2 Maxell MX90 Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi LX5 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook, Sean Murtha, Eddie Wahba Transferred: Kyle Holbrook |
gd1984-06-29.150223.beyerm160.holbrook.flac1644 | |
1984-06-29 | Blossom Music Center |
150223 | flac16/44.1khz MAUD CA: Beyer M160's PAS > Sony TCD5M|s1 Maxell UDXLIIS90; s2 Maxell MX90 no NR Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi LX5 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook, Sean Murtha, Eddie Wahba Transferred: Kyle Holbrook |
gd1984-06-29.sbd-set2.miller.32781.sbeok.flac16 | |
1984-06-29 | Blossom Music Center |
32781 | **SET 2 SOUNDBOARD** Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
gd1984-06-29.111502.beyer-senn.daweez.d5scott.flac16 | |
1984-06-29 | Blossom Music Center |
111502 | flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (18th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1984-06-29.141140.FOB.s1.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644 | |
1984-06-29 | Blossom Music Center |
141140 | flac16; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 |
gd84-06-29.senn.willy.14682.sbeok.shnf | |
1984-06-29 | Blossom Music Center |
14682 | Jim Wise Senn 421?s>Sony TC-D5M>MC>DAT>CD; Second set pitch corrected; via Paul B; Seeded to etree by Willy |
gd1984-06-29.140004.FOB.s1.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496 | |
1984-06-29 | Blossom Music Center |
140004 | flac24; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT |
gd1984-06-30.152505.aud-s1-more-McKeown-onemoreshot.shnf | |
1984-06-30 | Indianapolis Sports and Music Center |
152505 | MAC> wav>shn Recorded by Tommy McKeown sony d-5 Sennheiser 2 ME-80 & 2 441's 12th. row center (originally circulated July 2003) |
gd1984-06-30.senn421.unknown.31225.sbeok.flac16 | |
1984-06-30 | Indianapolis Sports and Music Center |
31225 | flac16; AUD: FOB, Sennheiser MD-421's > DBX NX-40 > Sony TC-D5 Taper: Unknown MAC > CD Transfer: Unknown CDR > EAC > WAV > WavMerge > CD-Wave > Soundforge > TLH > FLAC Frontend by Andrew F, Oct 2005. Some of the ID's were missing or in the wrong spot, so I merged the files and re-split them. I used Soundforge to make some small fades for the start and end of discs. I used TLH to verify SBE-OK and to make checksums, and Flac Frontend for lossless compression |
gd84-06-30.aud.set1.cole.18559.sbeok.shnf | |
1984-06-30 | Indianapolis Sports and Music Center |
18559 | FOB MAC (Sennheiser 2 ME-80's & 2 441's 12th row center>sony d-5>WAV>SHN>SHNTOOL>mkwACT. Recorded by Tommy McKeown. sbe fix/seeding by MattMan. |
gd84-06-30.sbd.partial.finney.2542.sbeok.shnf | |
1984-06-30 | Indianapolis Sports and Music Center |
2542 | set 2, plus set 1 partial; SBD> MC> DAT> CDR; from Merry Pranksters Tree round 5, SHN branch; possibly via David Finney to etree? |
gd1984-06-30.137072.mk41.miller.flac24 | |
1984-06-30 | Indianapolis Sports and Music Center |
137072 | flac24; Recording Info: (FOB) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1984-06-30.137073.mk41.miller.flac16 | |
1984-06-30 | Indianapolis Sports and Music Center |
137073 | flac16; Recording Info: (FOB) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1984-06-30.109804.beyer-senn-daweez.D5scott.flac16 | |
1984-06-30 | Indianapolis Sports and Music Center |
109804 | flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files |
gd1984-06-30.sbd.123778.miller.flac16 | |
1984-06-30 | Indianapolis Sports and Music Center |
123778 | flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1984-06-30.140199.fob.nak700.unknown.clugston.flac1644 | |
1984-06-30 | Indianapolis Sports and Music Center |
140199 | flac16; Source Info: Master (FOB) Audience Cassette (11th row, DFC); 3 x Nakamichi CM700 mics > unknown deck > Dat > CDR; Transfer Info: CDR (EAC)> hard disk drive > Adobe Audition 3.0 > TLH flac16 |
gd1984-06-30.150277.beyerm88.holbrook.flac1644 | |
1984-06-30 | Indianapolis Sports and Music Center |
150277 | flac16/44.1khz Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook |
gd1984-06-30.150278.beyerm88.holbrook.flac2448 | |
1984-06-30 | Indianapolis Sports and Music Center |
150278 | flac24/48khz Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook |
gd1984-06-30.154326.mtx.tobin.flac16 | |
1984-06-30 | Indianapolis Sports and Music Center |
154326 | flac16; Matrix 3 Source Mix - SBD (shnid = 123778) Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 109804) source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files + AUD2 (shnid = 150278) Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook - matrix mixing by Kevin Tobin |
gd1984-06-30.154327.dts.tobin.flac16 | |
1984-06-30 | Indianapolis Sports and Music Center |
154327 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 123778) Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 109804) source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files + AUD2 (shnid = 150278) Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook - dts mixing by Kevin Tobin |
gd1984-06-30.154329.5.1.tobin.flac1648 | |
1984-06-30 | Indianapolis Sports and Music Center |
154329 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 123778) Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 109804) source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files + AUD2 (shnid = 150278) Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook - surround mixing by Kevin Tobin |
gd1984-07-01.nak100.reutelhuber.25810.sbefail.shnf | |
1984-07-01 | Pine Knob Music Theatre |
25810 | Recorded by Bill Reutelhuber with Nak CM100 shotgun mics into a Sony TCD5M (lead deck) with Dolby B noise reduction on (Maxell MX 90 Metal tape) from the 20th row center FOB |
gd1984-07-01.nak300-set2.wise.andrewf.76620.sbeok.flac16 | |
1984-07-01 | Pine Knob Music Theatre |
76620 | flac16; Set 2 only - AUD Source: FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M cassette deck, onto Maxell UD-XLII tape, no Dolby. Taped by Ted Carpenter. MAC > CD transfer by Jim Wise (2002), likely done with Nakamichi Dragon > HHB Burner. Transfer Info: CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, by Andrew F |
gd1984-07-01.141151.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644 | |
1984-07-01 | Pine Knob Music Theater |
141151 | flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 |
gd84-07-01.aud.willy.14683.sbeok.shnf | |
1984-07-01 | Pine Knob Music Theater |
14683 | AUD>MC>??>DAT>CDR; via Paul B; Seeded to etree by Willy |
gd1984-07-01.137029.sbd.miller.flac1648 | |
1984-07-01 | Pine Knob Music Theater |
137029 | flac16/48kHz; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam DA-3000 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller |
gd1984-07-01.aud.Holtz-Taggert.Naks.115107.flac16 | |
1984-07-01 | Pine Knob Music Theater |
115107 | flac16; Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-6 (TDK MA90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Danny Taggart and Greg Holtz; Transfers, edits, track/FLAC by Greg Holtz |
gd1984-07-01.109950.beyer-senn-daweez.D5scott.flac16 | |
1984-07-01 | Pine Knob Music Theater |
109950 | flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (14th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files |
gd1984-07-01.150291.beyerm88.holbrook.flac1644 | |
1984-07-01 | Pine Knob Music Theater |
150291 | flac16/44.1khz MAUD CA: Beyer M88's XY > Sony TCD5M|Sony UCX-S90 x2 no NR Location: 100 feet from stage DFC 6 feet up Transfer: Nakamichi LX5 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook |
gd1984-07-01.150292.beyerm88.holbrook.flac2448 | |
1984-07-01 | Pine Knob Music Theater |
150292 | flac24/48khz Location: 100 feet from stage DFC 6 feet up Transfer: Nakamichi LX5 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook |
gd1984-07-01.140005.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496 | |
1984-07-01 | Pine Knob Music Theater |
140005 | flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT |
gd1984-07-03.139105.pcm.sbd.miller.flac1644 | |
1984-07-03 | Starlight Theater |
139105 | flac16; Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC |
gd1984-07-03.nak301.suraci.dalessandro.77440.sbeok.flac16 | |
1984-07-03 | Starlight Amphitheater |
77440 | flac16; Source: *Nakamichi CM300's(with CP1 Caps/pointed)>Sony D5M(XLIIS)Location: FOB/DFC Stand at 7 Feet/Pointed at Stacks Transfer: #Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud. 2.0 dither and resample/16Bit>Cdwav>flac16 Tapers: Tony Suraci and Eugene D'alessandro:Transfer and upload by Tony Suraci./Nak700 |
gd1984-07-03.nak100.reutelhuber.25811.sbeok.shnf | |
1984-07-03 | Starlight Theatre |
25811 | Nak CM100 shotgun mics into a Sony TCD5M (lead deck) with Dolby B noise reduction on (Maxell MX 90 Metal tape) from the 20th row behind the sbd with microphones separated left/right by 10', and 14' high; recorded by Bill Reutelhuber |
gd1984-07-03.nak300.carpenter.andrewf.31634.sbeok.flac16 | |
1984-07-03 | Starlight Theatre |
31634 | flac16; FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII tape, with no Dolby |
gd1984-07-03.141152.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644 | |
1984-07-03 | Starlight Theater |
141152 | flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 |
gd84-07-03.aud.willy.14909.sbeok.shnf | |
1984-07-03 | Starlight Theater |
14909 | AUD>MC>??>DAT>CDR; via Paul B; seeded to etree by Willy |
gd1984-07-03.aud.Holtz-Taggart.Naks.115108.flac16 | |
1984-07-03 | Starlight Theater |
115108 | flac16; Source: (FOB) Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-6 (TDK MA90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Greg Holtz and Danny Taggart; Transfers, mastering, track/FLAC by Greg Holtz |
gd1984-07-03.140013.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496 | |
1984-07-03 | Starlight Theater |
140013 | flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT |
gd1984-07-03.140693.set2.sbd.pcm.miller.flac2496 | |
1984-07-03 | Starlight Theater |
140693 | flac24; Set 2 Recording Info: SBD > PCM Master > PCM Clone (Maxell HGX Gold); Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1984-07-03.150307.beyerm88.holbrook.flac1644 | |
1984-07-03 | Starlight Theater |
150307 | flac16/44.1khz MAUD CA: Beyer M88's XY > Sony TCD5M|Sony UCX-S90 x2 no NR, 2nd deck in line Location: 75 feet from stage DFC 6 feet up Transfer: Nakamichi LX5 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook |
gd1984-07-03.150308.beyerm88.holbrook.flac2448 | |
1984-07-03 | Starlight Theater |
150308 | flac24/48khz MAUD CA: Beyer M88's XY > Sony TCD5M|Sony UCX-S90 x2 no NR, 2nd deck in line Location: 75 feet from stage DFC 6 feet up Transfer: Nakamichi LX5 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook ============================ |
gd1984-07-04.158014.mtx.tobin.flac16 | |
1984-07-04 | Five Seasons Center |
158014 | flac16; Matrix 2 Source Mix - SBD (shn id 93858) Recording Info:SBD -> Master Cassette -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 78958) Source: *Nakamichi CM304's>Sony D5M(XLIIS) Location: ^FOB at SBD, Stand at 9 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: Eugene D. and Tony S - matrix mixing by Kevin Tobin |
gd1984-07-04.158015.dts.tobin.flac16 | |
1984-07-04 | Five Seasons Center |
158015 | DTS-Audio-CD 5.1 Mix - SBD (shn id 93858) Recording Info:SBD -> Master Cassette -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 78958) Source: *Nakamichi CM304's>Sony D5M(XLIIS) Location: ^FOB at SBD, Stand at 9 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: Eugene D. and Tony S - dts mixing by Kevin Tobin |
gd1984-07-04.158020.5-1.tobin.flac1648 | |
1984-07-04 | Five Seasons Center |
158020 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shn id 93858) Recording Info:SBD -> Master Cassette -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 78958) Source: *Nakamichi CM304's>Sony D5M(XLIIS) Location: ^FOB at SBD, Stand at 9 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: Eugene D. and Tony S - surround mixing by Kevin Tobin |
gd84-07-04.sbd.miller.27761.sbeok.shnf | |
1984-07-04 | Five Seasons Center |
27761 | SBD> Master Cassette> Cassette> Dat, plus patches from FOB Sennheiser 421> Cass; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> Adobe Audition> SHN; Transferred and Patched By Charlie Miller; Speed corrected by +2.37% to match the speed of the FOB, by Jay Ashley |
gd1984-07-04.senn421.carpenter.andrewf.87341.sbeok.flac16 | |
1984-07-04 | Five Seasons Center |
87341 | flac16; AUD: Sennheiser MD-421's > patched thru one deck (D5?) > Sony TC-D5M > Maxell XL-II's, with no Dolby. Mics on stand set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. |
gd1984-07-04.141153.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644 | |
1984-07-04 | Five Seasons Center |
141153 | flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 |
gd1984-07-04.150314.beyerm88.holbrook.flac1644 | |
1984-07-04 | Five Seasons Center |
150314 | flac16/44.1khz MAUD CA: Beyer M88's XY > Sony TCD5M|s1 Maxell UDXLIIS 90; s2 Maxell MX90 no NR, 2nd deck in line Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi LX5 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Sean Murtha Transferred: Kyle Holbrook |
gd1984-07-04.150315.beyerm88.holbrook.flac2448 | |
1984-07-04 | Five Seasons Center |
150315 | flac24/48khz MAUD CA: Beyer M88's XY > Sony TCD5M|s1 Maxell UDXLIIS 90; s2 Maxell MX90 no NR, 2nd deck in line Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi LX5 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Sean Murtha Transferred: Kyle Holbrook |
gd84-07-04.senn421.braverman.14194.sbeok.shnf | |
1984-07-04 | Five Seasons Center |
14194 | AUD: MC (Sennheiser 421)> DAT> CD> SHN; Seeded by Peter Braverman |
gd1984-07-04.109942.beyer-senn-daweez.D5scott.flac16 | |
1984-07-04 | Five Seasons Center |
109942 | flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files |
gd1984-07-04.140014.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496 | |
1984-07-04 | Five Seasons Center |
140014 | flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT |
gd1984-07-04.sbd.miller.bertha.27862.sbeok.shnf | |
1984-07-04 | Five Seasons Center |
27862 | noise reduction> Bertha Remaster of Master Cassette> Cassette source, by Jay Ashley |
gd1984-07-06.nak300.carpenter.andrewf.86943.sbeok.flac16 | |
1984-07-06 | Alpine Valley Music Theatre |
86943 | flac16; AUD: Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell XL-II's, with no Dolby. Mics on stand set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. |
gd1984-07-06.109746.beyer-senn-daweez.D5scott.flac16 | |
1984-07-06 | Alpine Valley Music Theatre |
109746 | flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files |
gd1984-07-06.Tascam120.Darby.121095.Flac2448 | |
1984-07-06 | Alpine Valley Music Theatre |
121095 | flac24; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/Back Of Left Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo |
gd1984-07-06.Tascam120.Darby.121096.Flac1644 | |
1984-07-06 | Alpine Valley Music Theatre |
121096 | flac16; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/Back Of Left Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1984-07-06.139531.sbd.pcm.miller-eaton.flac1644 | |
1984-07-06 | Alpine Valley Music Theatre |
139531 | flac16; Recording Info: SBD > PCM Master > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller |
gd1984-07-06.141154.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644 | |
1984-07-06 | Alpine Valley Music Theatre |
141154 | flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 |
gd1984-07-06.150326.beyerm88.holbrook.flac1644 | |
1984-07-06 | Alpine Valley Music Theatre |
150326 | flac16/44.1khz MAUD: Beyer M88's XY 90' > Sony TCD-5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC- pavilion Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook |
gd1984-07-06.150327.beyerm88.holbrook.flac2448 | |
1984-07-06 | Alpine Valley Music Theatre |
150327 | flac24/48khz MAUD: Beyer M88's XY 90' > Sony TCD-5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC- pavilion Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook |
gd1984-07-06.150328.beyerm201.holbrook.flac1644 | |
1984-07-06 | Alpine Valley Music Theatre |
150328 | flac16/44.1khz MAUD: Beyer M201's XY 90' > Sony TCD-5M|s1:Maxell MX60; s2:Maxell MX90 no NR Location: 60 feet from outside stacks, 310 feet from stage DFC, 9 feet up- lawn Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook |
gd1984-07-06.150329.beyerm201.holbrook.flac2448 | |
1984-07-06 | Alpine Valley Music Theatre |
150329 | flac24/48khz MAUD: Beyer M201's XY 90' > Sony TCD-5M|s1:Maxell MX60; s2:Maxell MX90 no NR Location: 60 feet from outside stacks, 310 feet from stage DFC, 9 feet up- lawn Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook |
gd84-07-06.senn441.dodd.13898.sbeok.shnf | |
1984-07-06 | Alpine Valley Music Theatre |
13898 | Fob: Sennheiser 441's > MC > Dat > Cd Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd |
gd1984-07-06.142540.Lawn.Nak.Reutelhuber.PhillyCrew.Noel.t-flac1644 | |
1984-07-06 | Alpine Valley Music Theatre |
142540 | flac16; Bill Reutelhuber Master Recording: Nakamichi cm100 shotguns (spread on lawn) > master cassette (Maxell MX - Sony tcd5m Dolby B); A Philly Crew Transfer: Master Cassette > Nak CR7a > Korg MR1000 5.6 mhz 1 bit > Audiogate render > Flac 16/44 |
gd1984-07-06.140032.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496 | |
1984-07-06 | Alpine Valley Music Theatre |
140032 | flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT |
gd84-07-07.ziemba.connor.4861.sbeok.shnf | |
1984-07-07 | Alpine Valley Music Theatre |
4861 | Aud>Nak300>D5>CM>CDR>EAC(Secure Mode)>CDWave(Retracking Only)>shnv3(MKW ACT) |
gd1984-07-07.150338.Beyerm201.holbrook.flac1644 | |
1984-07-07 | Alpine Valley Music Theatre |
150338 | flac16/44.1khz MAUD: Beyer M201's XY > Sony TCD-5M|Maxell MX 90 x2 no NR Location: 250 feet from stage DFC- lawn Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook |
gd1984-07-07.150339.Beyerm201.holbrook.flac2448 | |
1984-07-07 | Alpine Valley Music Theatre |
150339 | flac24/48khz MAUD: Beyer M201's XY > Sony TCD-5M|Maxell MX 90 x2 no NR Location: 250 feet from stage DFC- lawn Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook |
gd1984-07-07.150335.Beyerm88.holbrook.flac1644 | |
1984-07-07 | Alpine Valley Music Theatre |
150335 | flac16/44.1khz Recording Information: ** This is a 16 bit fileset ** MAUD: Beyer M88's XY 90' > Sony TCD-5M|Maxell UDXLIIS 90 x2 no NR Location: 85 feet from stage DFC- pavilion Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook |
gd1984-07-07.150336.Beyerm88.holbrook.flac2448 | |
1984-07-07 | Alpine Valley Music Theatre |
150336 | flac24/48khz Recording Information: MAUD: Beyer M88's XY 90' > Sony TCD-5M|Maxell UDXLIIS 90 x2 no NR Location: 85 feet from stage DFC- pavilion Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook |
gd84-07-07.set2-sbd.18752.sbeok.shnf | |
1984-07-07 | Alpine Valley Music Theatre |
18752 | SBDMC(R?) > DAT > WAV > SHN w/ AUD(Senn 441s > D5 > DAT > CD) patches |
gd1984-07-07.sbd.miller.94379.sbeok.flac16 | |
1984-07-07 | Alpine Valley Music Theatre |
94379 | flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Cassette -> PCM -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1984-07-07.109750.beyer-senn-daweez.D5scott.flac16 | |
1984-07-07 | Alpine Valley Music Theatre |
109750 | flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones - 13th row-center > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files |
gd1984-07-07.141155.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644 | |
1984-07-07 | Alpine Valley Music Theatre |
141155 | flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 |
gd1984-07-07.142541.Lawn.Nak.Reutelhuber.PhillyCrew.Noel.t-flac1644 | |
1984-07-07 | Alpine Valley Music Theatre |
142541 | flac16; Bill Reutelhuber Master Recording: Nakamichi cm100 shotguns (spread on lawn) > master cassette (Maxell MX - Sony tcd5m Dolby B); A Philly Crew Transfer: Master Cassette > Nak CR7a > Korg MR1000 5.6 mhz 1 bit > Audiogate render > Flac 16/44 |
gd1984-07-07.Tascam120.Darby.121123.Flac2448 | |
1984-07-07 | Alpine Valley Music Theatre |
121123 | flac24; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/DFC Halfway In Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo |
gd1984-07-07.Tascam120.Darby.121124.Flac1644 | |
1984-07-07 | Alpine Valley Music Theatre |
121124 | flac16; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/DFC Halfway In Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo |
gd1984-07-07.140033.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496 | |
1984-07-07 | Alpine Valley Music Theatre |
140033 | flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT |
gd1984-07-07.nak300-set2.carpenter.andrewf.91489.sbeok.flac16 | |
1984-07-07 | Alpine Valley Music Theatre |
91489 | flac16; Set 2 Only, AUD: FOB, Nakamichi CM-300's w/CP-4 shotguns > Sony TC-D5M > Maxell XL-II, w/no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. |
gd1984-07-13.sbd.walker-scotton.miller.96153.sbeok.flac16 | |
1984-07-13 | Greek Theatre - University of California |
96153 | flac16; Recording Info:SBD -> Cassette Master (Sony D6/Maxell XLII-S90/TDK MA90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1984-07-13.143392.FOB.ECM-150.Keeler.Miller.Noel.t-flac2496 | |
1984-07-13 | Greek Theatre, U. Of California |
143392 | flac24; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k) |
gd1984-07-13.150404.sbd.anon.gems.2444 | |
1984-07-13 | Greek Theatre, U. Of California |
150404 | flac24; Soundboard Cassette Masters Sony D-6 Dolby C; Speed Corrections by Jason Chastain; Mastering by Jim Blackwood and Jamie Waddell |
gd1984-07-13.151689.sbd.anon.gems.bandrofcheck.flac16 | |
1984-07-13 | Greek Theatre |
151689 | flac16/44.1khz Soundboard Cassette Masters Sony D-6 Dolby C; Speed Corrections by Jason Chastain; Mastering by Jim Blackwood and Jamie Waddell. 24 bit > dbPowerAmp > 16 bit |
gd1984-07-13.152162.sbd.miller.scotton.walker.flac2496 | |
1984-07-13 | Greek Theatre, U. Of California, |
152162 | flac24/96 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90/TDK MA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 |
gd1984-07-13.152324.sbd.cm.miller.t.flac16 | |
1984-07-13 | Greek Theatre, U. Of California |
152324 | flac16/44.1 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90/TDK MA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24- 152162 24 > 16 @ 44.1 |
gd1984-07-13.beyerm160.quirk.perez.31989.sbeok.flac16 | |
1984-07-13 | Greek Theatre, University of California |
31989 | flac16; Source: FOB: 2Beyer M160s>D5>MC>CDR>EAC>FLAC |
gd1984-07-13.mtx.seamons.105570.flac16 | |
1984-07-13 | Greek Theatre, U. Of California |
105570 | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) |
gd1984-07-13.141156.FOB.s2.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644 | |
1984-07-13 | Greek Theatre, U. Of California |
141156 | flac16; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 |
gd1984-07-13.145333.fob.sony.ecm150.keeler.miller.noel.t-flac16 | |
1984-07-13 | Greek Theatre, U. Of California |
145333 | flac16; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k); This file set is 16 bit @ 44.1 |
gd84-07-13.sbd.ferguson.353.sbeok.shnf | |
1984-07-13 | Greek Theatre, U. Of California |
353 | SBD > ? > CDR> DAE (cdparanoia)> SHN; via Mark Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an analog generation" |
gd1984-07-13.sbd.ferguson.joshd.fix-353.90464.flac16 | |
1984-07-13 | Greek Theatre - University of California |
90464 | flac16; SBD > ? > CDR > WAV > Cool Edit Pro (see notes) > FLAC(8); pitch corrected version of shn id 353 |
gd1984-07-13.136425.sbd.GEMS.flac16 | |
1984-07-13 | Greek Theatre, U. Of California |
136425 | flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 |
gd1984-07-13.139747.sbd.pcm.miller.flac1644 | |
1984-07-13 | Greek Theatre, U. Of California |
139747 | flac16; Partial Set 2 Recording Info: SBD > PCM (cloned from vault master); Transfer: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16 |
gd1984-07-13.140048.FOB.s2.Schoeps.Oade.Bryant.Miller.Noel.t-flac24 | |
1984-07-13 | Greek Theatre, U. Of California |
140048 | flac24; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT |
gd1984-07-13.154195.nak700.severson.miller.clugston.flac1648 | |
1984-07-13 | Greek Theatre, U. Of California, Berkeley |
154195 | flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1984-07-13.154196.nak700.severson.miller.clugston.flac2496 | |
1984-07-13 | Greek Theatre, U. Of California, Berkeley |
154196 | flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1984-07-14.sbd.walker-scotton.miller.96120.sbeok.flac16 | |
1984-07-14 | Greek Theatre - University of California |
96120 | flac16; Recording Info: SBD -> Cassette Master (Sony D6/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1984-07-14.150405.sbd.anon.gems.2444 | |
1984-07-14 | Greek Theatre, U. Of California |
150405 | flac24; Soundboard Cassette Masters Sony D-6 Dolby C; Speed Corrections by Jason Chastain; Mastering by Jim Blackwood and Jamie Waddell |
gd1984-07-14.151690.sbd.anon.gems.bandrofcheck.flac16 | |
1984-07-14 | Greek Theatre |
151690 | flac16/44.1khz Soundboard Cassette Masters Sony D-6 Dolby C; Speed Corrections by Jason Chastain; Mastering by Jim Blackwood and Jamie Waddell. 24 bit > dbPoweramp > 16 bit. |
gd1984-07-14.152164.sbd.miller.scotton.walker.flac2496 | |
1984-07-14 | Greek Theatre, U. Of California, |
152164 | flac24/96 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
gd1984-07-14.152255.sbd.cm.miller.t.flac16 | |
1984-07-14 | Greek Theatre, U. Of California |
152255 | flac16/44.1 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 152164 24 > 16 |
gd1984-07-14.157189.mtx.seamons.ht142.flac16 | |
1984-07-14 | Greek Theatre, U. Of California |
157189 | flac1644;Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 152255 & 32093. |
gd1984-07-14.sbd.walker-scotton.miller.77326.sbeok.flac16 | |
1984-07-14 | Greek Theatre, University of California |
77326 | flac16; Recording Info: SBD -> Cassette Master (Sony D6/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
gd1984-07-14.136427.sbd.GEMS.flac16 | |
1984-07-14 | Greek Theatre, U. Of California |
136427 | flac16; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 |
gd1984-07-14.141157.FOB.s2.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644 | |
1984-07-14 | Greek Theatre, U. Of California |
141157 | flac16; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 |
gd84-07-14.sbd.feguson.354.sbeok.shnf | |
1984-07-14 | Greek Theatre, U. Of California |
354 | SBD > ? > CDR> DAE (cdparanoia)> SHN; via M. Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an anlog generation"; Jack Straw beginning cut; upgrade in circulation |
gd84-07-14.sbd.miller.25316.sbeok.shnf | |
1984-07-14 | Greek Theatre, U. Of California |
25316 | Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller; upgrade in circulation |
gd1984-07-14.140049.FOB.s2.Schoeps.Oade.Bryant.Miller.Noel.t-flac24 | |
1984-07-14 | Greek Theatre, U. Of California |
140049 | flac24; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT |
gd1984-07-14.154224.nak700.severson.miller.clugston.flac1648 | |
1984-07-14 | Greek Theatre, U. Of California |
154224 | flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1984-07-14.154225.nak700.severson.miller.clugston.flac2496 | |
1984-07-14 | Greek Theatre, U. Of California |
154225 | flc24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd84-07-15.pcm-sbd.miller.30641.sbeok.flacf | |
1984-07-15 | Greek Theatre, U. Of California |
30641 | flac16; Set 1: SBD -> PCM Master -> Dat/0 -> Samplitude Professional v8.0 -> FLAC Set 2: SBD -> PCM Master -> Dat/0 -> Sonic Solutions -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller |
gd1984-07-15.sbd.walker-scotton.miller.96152.sbeok.flac16 | |
1984-07-15 | Greek Theatre - University of California |
96152 | flac16; Recording Info:SBD -> Cassette Master (Sony D6/Maxell XLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1984-07-15.136514.sbd.GEMS.flac16 | |
1984-07-15 | Greek Theatre, U. Of California |
136514 | flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo; 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 mastering by Jamie Waddell; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm |
gd1984-07-15.150406.sbd.anon.gems.2444 | |
1984-07-15 | Greek Theatre, U. Of California |
150406 | flac24; Soundboard Cassette Masters Sony D-6 Dolby C; Speed Corrections by Jason Chastain; Mastering by Jim Blackwood and Jamie Waddell |
gd1984-07-15.151691.sbd.anon.gems.bandrofcheck.flac16 | |
1984-07-15 | Greek Theatre |
151691 | flac16/44.1khz Soundboard Cassette Masters Sony D-6 Dolby C; Speed Corrections by Jason Chastain; Mastering by Jim Blackwood and Jamie Waddell 24 bit/44.1 kHz FLAC -> dBpoweramp -> 16 bit/44.1 kHz WAV 16 bit/44.1 kHz WAV -> THL -> 16 bit/44.1 FLAC |
gd1984-07-15.152163.sbd.miller.scotton.walker.flac2496 | |
1984-07-15 | Greek Theatre, U. Of California, |
152163 | flac24/96 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 |
gd1984-07-15.152256.sbd.cm.miller.t.flac16 | |
1984-07-15 | Greek Theatre, U. Of California |
152256 | flac16/44.1 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - 152163 24 > 16 |
gd1984-07-15.beyerm160.quirk.perez.32295.sbeok.flac16 | |
1984-07-15 | Greek Theatre - University of California |
32295 | flac16; FOB: 2 Beyer M160s>D5>MC>CDR>EAC>FLAC Taper: Jim Quirk EAC and FLAC Conversion by David Perez Jan. 26, 2006 |
gd1984-07-15.141158.FOB.s2.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644 | |
1984-07-15 | Greek Theatre, U. Of California |
141158 | flac16; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 |
gd84-07-15.sbd.ferguson.355.sbeok.shnf | |
1984-07-15 | Greek Theatre, U. Of California |
355 | SBD > ? > CDR> DAE (cdparanoia)> SHN; via M. Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an anlog generation"; a few track markers misplaced; upgrade in circulation |
gd1984-07-15.mtx.seamons.125681.flac16 | |
1984-07-15 | Greek Theatre, U. Of California |
125681 | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) September 15, 2013 |
gd1984-07-15.140050.FOB.s2.Schoeps.Oade.Bryant.Miller.Noel.t-flac24 | |
1984-07-15 | Greek Theatre, U. Of California |
140050 | flac24; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT |
gd1984-07-15.154262.nak700.severson.miller.clugston.flac1648 | |
1984-07-15 | Greek Theatre, U. Of California |
154262 | flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1984-07-15.154263.nak700.severson.miller.clugston.flac2496 | |
1984-07-15 | Greek Theatre, U. Of California |
154263 | flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1984-07-21.152178.sbd.walkler.scotton.miller.flac2496 | |
1984-07-21 | Ventura County Fairgrounds |
152178 | flac24/96 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 |
gd1984-07-21.152322.sbd.cm.miller.t.flac16 | |
1984-07-21 | Ventura County Fairgrounds |
152322 | flac16/44.1 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - 152178 24 > 16 @ 44.1 |
gd1984-07-21.sbd.lai.1616.sbefail.shnf | |
1984-07-21 | Ventura County Fairgrounds |
1616 | Master Reel-> DAT-> ZA2-> CD; via Mike Lai from Bruce Fried DAT seed; upgrade in circulation |
gd1984-07-21.sbd.walker-scotton.miller.96410.flac24 | |
1984-07-21 | Ventura County Fairgrounds |
96410 | flac24; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1984-07-21.153529.mtx.seamons.ht135.flac1644 | |
1984-07-21 | Ventura County Fairgrounds |
153529 | flac1644 Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 152322 & 112806. |
gd84-07-21.sbd.cole.14329.sbeok.shnf | |
1984-07-21 | Ventura County Fairgrounds |
14329 | Cool Edit fix of previous shn set SBD Master Reel-> DAT->ZA2- >CD, by Matthew Cole; upgrade in circulation |
gd1984-07-21.sbd.walker-scotton.miller.77327.sbeok.flac16 | |
1984-07-21 | Ventura County Fairgrounds |
77327 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
gd1984-07-21.sonyecm.unknown.gale.88940.sbeok.flac16 | |
1984-07-21 | Ventura County Fairgrounds |
88940 | flac16; Master: Sony ECM-939LT (dead center, halfway between sbd and the stage) > Cassette Master (Sony TC-D6C) Transfer: Cassette Master (Nakamichi RX-202) > SBM > Sony PCM R500 (pass-through only @ 48kHz) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC Mastered and transfered by Dan Gale |
gd1984-07-21.139444.fob.schoeps.mk41.oade.bryant.miller.clugston.flac1644 | |
1984-07-21 | Ventura County Fairgrounds |
139444 | flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24; Recorded By Robert Bryant (patched out of the Oade brothers); This fileset is 16/44 - 24bit > 16bit using dBpoweramp |
gd1984-07-21.139445.fob.schoeps.mk41.oade.bryant.miller.clugston.flac2496 | |
1984-07-21 | Ventura County Fairgrounds |
139445 | flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24; Recorded By Robert Bryant (patched out of the Oade brothers) |
gd1984-07-21.112806.beyer-senn.daweez.d5scott.flac16 | |
1984-07-21 | Ventura County Fairgrounds |
112806 | flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (30 feet from stage-center) > Nak MX100 W/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1984-07-21.sbd.walker-scotton.miller.96394.sbeok.flac16 | |
1984-07-21 | Ventura County Fairgrounds |
96394 | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1984-07-21.150379.beyerm88.holbrook.flac1644 | |
1984-07-21 | Ventura County Fairgrounds |
150379 | flac16/44.1khz Source: MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 90 feet from stage DFC Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Sean Murtha, John Hance Transferred: Kyle Holbrook |
gd1984-07-21.150380.beyerm88.holbrook.flac2448 | |
1984-07-21 | Ventura County Fairgrounds |
150380 | flac24/48khz Source: MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 90 feet from stage DFC Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Sean Murtha, John Hance Transferred: Kyle Holbrook |
gd1984-07-21.136717.sbd.GEMS.flac16 | |
1984-07-21 | Ventura County Fairgrounds |
136717 | flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 for minor edits by Jamie Waddell; Audition CC 2015 for patch edits by Jason Chastain; Tracked with Audition 1.5-> shntool-> flac level 8 and checksums with TLH-> tagged with Mp3tag; 16bit 44.1kHz Track, FLAC and Pack by Jason Chastain |
gd84-07-22.sbd.bode.5959.sbeok.shnf | |
1984-07-22 | Ventura County Fairgrounds |
5959 | SBD> PCM> Dat> CD> EAC> SHN (mkwACT); via Keith Bode; upgrade in circulation |
gd84-07-22.pcm-sbd.miller.30650.sbeok.flacf | |
1984-07-22 | Ventura County Fairgrounds |
30650 | flac16; SBD -> PCM -> Dat Transferred and Edited By Charlie Miller |
gd1984-07-22.150532.mtx.seamons.ht122.flac16 | |
1984-07-22 | Ventura County Fairgrounds |
150532 | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 30650 & 108370. |
gd1984-07-22.152001.sbd.pcm.miller.flac1644 | |
1984-07-22 | Ventura County Fairgrounds |
152001 | flac16/44 Recording Info: SBD > PCM Master (Sony Betamax) > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16 |
gd1984-07-22.152201.sbd.walker.scotton.miller.flac2496 | |
1984-07-22 | Ventura County Fairgrounds |
152201 | flac24/96 Recording Info: SBD > Cassette Master (Sony TC-D5M) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
gd1984-07-22.152323.sbd.cm.miller.t.flac16 | |
1984-07-22 | Ventura County Fairgrounds |
152323 | flac16/44.1 Recording Info: SBD > Cassette Master (Sony TC-D5M) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 152201 24 > 16 @ 44.1 |
gd1984-07-22.fob.nak300.holtz-bolton.102101.flac16 | |
1984-07-22 | Ventura County Fairgrounds |
102101 | flac16; Recording Info: Nakamichi CM300s w/CP4 shotgun caps > Sony WM-D6C, FOB; Transfer Info: MAC > PC > CD > EAC > FLAC8 |
gd84-07-22.sbd.cole.5896.sbeok.shnf | |
1984-07-22 | Ventura County Fairgrounds |
5896 | sbd> mr> dats> wav> shn w/seek; dat> wav> shn by popi n. feeldz with thanks to michael grossman for the dat; upgrade in circulation |
gd1984-07-22.sonyecm.unknown.gale.87037.sbeok.flac16 | |
1984-07-22 | Ventura County Fairgrounds |
87037 | flac16; Master: Sony ECM-939LT (dead center, halfway between sbd and the stage) > Cassette Master (Sony TC-D6C) Transfer: Cassette Master (Nakamichi RX-202) > SBM > Sony PCM R500 (pass-through only @ 48kHz) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC |
gd1984-07-22.108370.DaWeez.D5scott.flac16 | |
1984-07-22 | Ventura County Fairgrounds |
108370 | flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones > Nak MX100 W/2001 > Sony TC-D5M - analog master cassettes - TDK MA-R90's 30 feet from stage-center transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files |
gd1984-07-22.150381.beyerm88.holbrook.flac1644 | |
1984-07-22 | Ventura County Fairgrounds |
150381 | flac16/44.1khz Source: MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 75 feet from stage DFC Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Sean Murtha, John Hance Transferred: Kyle Holbrook |
gd1984-07-22.150382.beyerm88.holbrook.flac2448 | |
1984-07-22 | Ventura County Fairgrounds |
150382 | flac24/48khz Source: MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 75 feet from stage DFC Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Sean Murtha, John Hance Transferred: Kyle Holbrook |
gd84-10-05.sbd.sacks.2591.sbeok.shnf | |
1984-10-05 | Charlotte Coliseum |
2591 | updated source: SBDMC> [no Cass?]> DATs> CDRs> SHN, with FOB Nak 300 patches by Scott Clugston; edited by Darrin Sacks from Blacula's seed; no Sunshine Daydream |
gd1984-10-05.132574.Nak100CP4.Hill.Keo.Flac1644 | |
1984-10-05 | Charlotte Coliseum |
132574 | flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1984-10-05.132575.Nak100CP4.Hill.Keo.Flac2496 | |
1984-10-05 | Charlotte Coliseum |
132575 | flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1984-10-05.133026.mtx.dusborne.flac16 | |
1984-10-05 | Charlotte Coliseum |
133026 | flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:02591) SBD> MC> Cass> DATs> CDRs> SHN and Audience (shnid:109982) 2 Beyer M160's & 1 Sennheiser 421 Microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files |
gd1984-10-05.148396.fob.senn.me80.hessberg.miller.clugston.flac2496 | |
1984-10-05 | Charlotte Coliseum |
148396 | flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 |
gd1984-10-05.148395.fob.senn.me80.hessberg.miller.clugston.flac1648 | |
1984-10-05 | Charlotte Coliseum |
148395 | flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd84-10-05.nak.grace-cole.15528.sbeok.shnf | |
1984-10-05 | Charlotte Coliseum |
15528 | FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT |
gd1984-10-05.124130.chasingwilma.flac24 | |
1984-10-05 | Charlotte Coliseum |
124130 | flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1984-10-05.158245.FOB.NAK100-SG.Anon-Noel.t-flac16 | |
1984-10-05 | Charlotte Coliseum |
158245 | flac1644 Source: (fob) Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Location: Approx. 40' From Stage, Mics Spaced 3' Apart On Two Shure S15 Stands (up High) Recorded, Transferred & Mastered By Anon Edited With Add'l Mastering In Adobe Audition By Joe Noel May 29, 2022 |
gd1984-10-05.158246.FOB.NAK100-SG.Anon-Noel.t-flac2448 | |
1984-10-05 | Charlotte Coliseum |
158246 | flac2448 Source: (fob) Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Location: Approx. 40' From Stage, Mics Spaced 3' Apart On Two Shure S15 Stands (up High) Recorded, Transferred & Mastered By Anon Edited With Add'l Mastering In Adobe Audition By Joe Noel May 29, 2022 |
gd1984-10-05.nak100.holtz.townshend.fix-83161.83188.sbeok.flac16 | |
1984-10-05 | Charlotte Coliseum |
83188 | flac16; Source: Nakamichi CM-100 w/ CP-4 Shotgun Capsules -> Sony D6 (Maxell XLII-S 90 x 2) Location: Mics on stand 10" apart and about 10' high in front and to the left of soundboard Tansfer/re-master: Nak MR-1 -> Presonus Tube Pre-Amp -> BBE 882i -> Behringer Ultrafex Pro Behringer -> Behringer MDX4600 Pro-XL Composer -> DBX 231 EQ -> FW-410 -> wavelab @24/96 (tracking, minor edits and bit rate reduction 16bit/44.1khz) -> flacfrontend L8 Taper: Greg Holtz (garageboy) Transfer/mastering: mtownshend@adelphia.net; this file set fixes errors in shn id 83161 |
gd1984-10-05.nak300.holtz.gems.87757.sbeok.flac16 | |
1984-10-05 | Charlotte Coliseum |
87757 | flac16; Source: FOB: Nakamichi CM-300 Microphones with CP-4 Shotgun capsules>Sony WM-D6 cassette tape deck > Cdwave > TLH All transfers and Mastering done by Jamie Waddell on the GEMS Edit Station |
gd1984-10-05.109982.beyer-senn-daweez.D5scott.flac16 | |
1984-10-05 | Charlotte Coliseum |
109982 | flac16; source: 2 Beyer M160's & 1 Sennheiser 421 Microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files |
gd1984-10-05.beyerm88.suraci.77703.flac16 | |
1984-10-05 | Charlotte Coliseum |
77703 | flac16; Source: *Beyer M88's>Sony D5M(XLIIS) Location: DFC/FOB Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700 |
gd1984-10-05.sonyecm23f.cohen.103309.sbeok.flac16 | |
1984-10-05 | Charlotte Coliseum |
103309 | flac16; Sony ECM 23F Stereo Mic>Sony WMD6 Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Recorded by David Cohen 25 feet FOB DFC 6.5 ft stand |
gd1984-10-05.127551.set1.schoeps.oade.BCE.flac1648 | |
1984-10-05 | Charlotte Coliseum |
127551 | flac16/48kHz; Set 1 Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply then a modified Sony TCD-D5M then > Sony PCM-F1 > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper |
gd1984-10-06.132556.Nak100CP4.Hill.Keo.Flac2496 | |
1984-10-06 | Richmond Coliseum |
132556 | flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1984-10-06.132557.Nak100CP4.Hill.Keo.Flac1644 | |
1984-10-06 | Richmond Coliseum |
132557 | flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd84-10-06.aud.unk.3160.sbeok.shnf | |
1984-10-06 | Richmond Coliseum |
3160 | AUD?; no other info available |
gd1984-10-06.fob.nak100.holtz.jaz.92383.flac16 | |
1984-10-06 | Richmond Coliseum |
92383 | flac16; Taper: Greg Holtz Source: Nakamichi CM100s CP4caps, FOB-> D-6 Transfer: (By Holtz 1997) Unknown Nakamichi Tape Deck-> RCA-1/8"-> D-3 DAT @ 48kHz Current Transfer: (By JAZ) DAT (Direct from Cassette Master)-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0-> R8brainPro 44.1kHZ-> Traders Little Helper flac8; Upgrade in circulation |
gd1984-10-06.aud.Holtz-Bolton.Nak100s.112860.flac16 | |
1984-10-06 | Richmond Coliseum |
112860 | flac16; Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk. Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC; Transfer: MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > R8-Brain dither to 16/44 > TLH > Flac Level 8 |
gd1984-10-06.158247.FOB.NAK100-SG.Anon-Noel.t-flac16 | |
1984-10-06 | Richmond Coliseum |
158247 | flac1644 Source: (fob) Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Location: Approx. 40' From Stage, Mics Spaced 4' Apart On Two Shure S15 Stands (up High) Recorded & Transferred By Anon Edited & Mastered (adobe Audition) By Joe Noel March 31, 2022 |
gd1984-10-06.158248.FOB.NAK100-SG.Anon-Noel.t-flac2448 | |
1984-10-06 | Richmond Coliseum |
158248 | flac2448 Source: (fob) Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Location: Approx. 40' From Stage, Mics Spaced 4' Apart On Two Shure S15 Stands (up High) Recorded, Transferred & Mastered By Anon Edited With Add'l Mastering In Adobe Audition By Joe Noel March 31, 2022 |
gd84-10-06.nak.grace-cole.15573.sbeok.shnf | |
1984-10-06 | Richmond Coliseum |
15573 | FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT |
gd1984-10-06.aud.unknown.fix-32898.33955.sbeok.shnf | |
1984-10-06 | Richmond Coliseum |
33955 | This is a re-record of shnid 32898 using azimuth adjustment and Audacity. |
gd1984-10-06.nak300.damico.87015.sbeok.flac16 | |
1984-10-06 | Richmond Coliseum |
87015 | flac16; taper : Joe D'Amico aka Joebeacon nak 300 mics > sony d5 Transfer: nak dragon tape deck into creative extigy sound card into pc -flac frontend |
gd1984-10-06.109985.beyer-senn-daweez.D5scott.flac16 | |
1984-10-06 | Richmond Coliseum |
109985 | flac16; source: 2 Beyer M-88's & 1 Beyer M-160 Microphones > Nak MX100 w/2001> Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files |
gd1984-10-06.beyerm88.suraci.77750.flac16 | |
1984-10-06 | Richmond Coliseum |
77750 | flac16; Source: *Beyer M88's>Sony D5M(XLIIS) Location: FOB/DFC Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700 |
gd1984-10-06.aud.Holtz.Nak100s.112831.flac2496 | |
1984-10-06 | Richmond Coliseum |
112831 | flac24; Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk. Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC; Transfer: MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > TLH > Flac Level 8 > 24/96 |
gd1984-10-06.127557.set2.schoeps.oade.BCE.flac1648 | |
1984-10-06 | Richmond Coliseum |
127557 | flac16/48kHz; Set 2 Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply then a modified Sony TCD-D5M then > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper |
gd1984-10-06.nak300.damico.91173.sbeok.flac16 | |
1984-10-06 | Richmond Coliseum |
91173 | flac16; taper : Joe D'Amico nak 300 mics > sony d5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend (This source is an EAC version of the previous D'Amico source.) |
gd84-10-08.rice-naks.willy.7773.sbeok.shnf | |
1984-10-08 | The Centrum |
7773 | Mike Rice's MC; Nak CM 100 mics w/ shotgun capsules > Sony D5 cassette deck; via JD Foltz; Seeded to etree by Willy |
gd1984-10-08.nak700.rolfe.miller.94302.sbeok.flac16 | |
1984-10-08 | The Centrum |
94302 | flac16; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller |
gd1984-10-08.nak700.rolfe.miller.94303.sbeok.flac24 | |
1984-10-08 | The Centrum |
94303 | flac24; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller |
gd1984-10-08.132549.Nak100CP4.Hill.Keo.Flac2496 | |
1984-10-08 | The Centrum |
132549 | flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Me, Bass Switch Wrong - Metered; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1984-10-08.132550.Nak100CP4.Hill.Keo.Flac1644 | |
1984-10-08 | The Centrum |
132550 | flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Me, Bass Switch Wrong - Metered; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1984-10-08.135916.aud.lamarre.berger.flac16 | |
1984-10-08 | The Centrum |
135916 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90, tdk ma90, dolby b, fob, section 2 row Q; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger |
gd1984-10-08.135917.aud.lamarre.berger.flac24 | |
1984-10-08 | The Centrum |
135917 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90, tdk ma90, dolby b, fob, section 2 row Q; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger |
gd84-10-08.sbd.wiley.14450.sbeok.shnf | |
1984-10-08 | The Centrum |
14450 | SBD>MC>DAT>CDR ; AUDMC>Nakamichi DR-1>HHB 850 CDR ; SBD with Audience Patches seed text info ; Via Andy L. ; Seeded to Etree by T. Wiley |
gd1984-10-08.beyerm88.suraci.77834.flac16 | |
1984-10-08 | The Centrum |
77834 | flac16; Source: Beyer M88's>Sony D5M(XLIIS) Location: FOB/DFC Section 2, Row M Stand at 7 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96. Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700 |
gd1984-10-08.aud.morris.113963.flac24 | |
1984-10-08 | The Centrum |
113963 | flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 |
gd1984-10-08.124207.chasingwilma.flac24 | |
1984-10-08 | The Centrum |
124207 | flac24; lineage: (2) nakamichi 300 cp4> d-5 mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1984-10-08.senn421.pauline.miller.91376.sbeok.flac16 | |
1984-10-08 | The Centrum |
91376 | flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller |
gd1984-10-09.110019.beyer-senn-daweez.D5scott.flac16 | |
1984-10-09 | The Centrum |
110019 | flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files |
gd1984-10-09.132545.Nak100CP4.Hill.Keo.Flac2496 | |
1984-10-09 | The Centrum |
132545 | flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1984-10-09.135911.aud.lamarre.berger.flac16 | |
1984-10-09 | The Centrum |
135911 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, section 2 row Q; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger |
gd1984-10-09.135912.aud.lamarre.berger.flac24 | |
1984-10-09 | The Centrum |
135912 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, section 2 row Q; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger |
gd84-10-09.sbd.wiley.14499.sbeok.shnf | |
1984-10-09 | The Centrum |
14499 | SBD>MC>DAT>CDR ; Patch Aud Source: MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release) ; Via Andy L. ; Seeded to Etree by T. Wiley |
gd1984-10-09.nak300.morris.113964.flac24 | |
1984-10-09 | The Centrum |
113964 | flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 |
gd1984-10-09.132544.Nak100CP4.Hill.Keo.Flac1644 | |
1984-10-09 | The Centrum |
132544 | flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1984-10-09.nak100.rice.willy.7774.sbeok.shnf | |
1984-10-09 | The Centrum |
7774 | Mike Rice's MC; Nak CM 100 mics w/ shotgun capsules > Sony D5 cassette deck; via JD Foltz; Seeded to etree by Willy |
gd1984-10-09.nak300.carpenter.wise.andrewf.81386.sbeok.flac16 | |
1984-10-09 | The Centrum |
81386 | flac16; AUD Source: FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII's, no Dolby. Taped by Ted Carpenter. Transfer: MAC > CD by Jim Wise (2002), likely Nakamichi Dragon > HHB Burner. CDR > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression and checksums) > FLAC, Jan 2007 by Andrew F |
gd1984-10-09.nak700.rolfe.miller.94344.flac16 | |
1984-10-09 | The Centrum |
94344 | flac16;Recording Info:(FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller |
gd1984-10-09.nak700.rolfe.miller.94345.flac24 | |
1984-10-09 | The Centrum |
94345 | flac24; Recording Info:(FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller |
gd1984-10-09.120082.akg.dyche.flac16 | |
1984-10-09 | The Centrum |
120082 | flac16; Akg 224's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche |
gd1984-10-09.124292.chasingwilma.flac24 | |
1984-10-09 | The Centrum |
124292 | flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1984-10-09.124414.mtx.dusborne.flac16 | |
1984-10-09 | The Centrum |
124414 | flac16; 2 Source Matrix by dusborne; Soundboard (shinid:14499) Main Source: SBD>MC>DAT>CDR with Patch Aud Source: MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release) Taper: Mike Rice and Audience (shnid:120082) Akg 224's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche |
gd1984-10-09.senn421.pauline.miller.91410.sbeok.flac16 | |
1984-10-09 | The Centrum |
91410 | flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller |
gd84-10-11.aud.unknown.5304.sbeok.shnf | |
1984-10-11 | Augusta Civic Center |
5304 | AUD, unknown mic (reportedly possible Schoeps or Sennheiser); via Nick Scarano? |
gd1984-10-11.132351.Nak100CP4.Hill.Keo.Flac1644 | |
1984-10-11 | Augusta Civic Center |
132351 | flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |