Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1984-06-14.nakcm304-mikeg-suraci.suraci.78371.flac16
1984-06-14Red Rocks Amphitheater
78371flac16; Source: *Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: *Mike G. and Tony S.
gd1984-06-14.140185.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac1644
1984-06-14Red Rocks Ampitheatre
140185flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp
gd1984-06-14.147345.mke2002.holbrook.flac2448
1984-06-14Red Rocks Amphitheatre
147345flac24/48khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 140 feet from stage 15' ROC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
gd1984-06-14.147367.mke2002.holbrook.flac1648
1984-06-14Red Rocks Ampitheatre
147367flac16/48khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 140 feet from stage 15' ROC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
gd84-06-14.aud.goodbear.351.sbeok.shnf
1984-06-14Red Rocks Amphitheatre
351AUD/1>CD (poss Sennheiser>D5); via Teddy GoodBear to abgd; extensive notes
gd84-06-14.sbd.hinko.18804.sbeok.shnf
1984-06-14Red Rocks Amphitheatre
18804SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
gd1984-06-14.148195.beyerm88.holbrook.flac1644
1984-06-14Red Rocks Ampitheatre
148195 flac16/44 MAUD CA: Beyer M88 cardiod XY > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook
gd1984-06-14.148196.beyerm88.holbrook.flac2448
1984-06-14Red Rocks Amphitheatre
148196flac24/48khz MAUD CA: Beyer M88 cardiod XY > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook
gd1984-06-14.139553.sbd.pcm.miller.flac1644
1984-06-14Red Rocks Ampitheatre
139553flac16; Recording Info: SBD > PCM Master > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
gd1984-06-14.140186.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac2496
1984-06-14Red Rocks Ampitheatre
140186flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
gd1984-06-21.sbd.liberated-Boot.devos.352.shnf
1984-06-21Kingswood Music Theatre
352"liberated" Bootleg CD > EAC > SHN; via B. de Vos; see flaw notes in pub comments
gd1984-06-21.137832.fm.flac1648
1984-06-21Kingswood Music Theater
137832flac16/48kHz; FM > MC > DAT; DAT @ 48kHz > Sony PCM-R500 > Tascam SS-R1 > Canare Coax > Samplitude Pro X2 Suite (Build 256) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; Transfer & edits by Jeff Mitchell
gd1984-06-21.147382.mke2002.holbrook.flac1644
1984-06-21Kingswood Music Theater
147382flac16/44.1khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
gd1984-06-21.147383.mke2002.holbrook.flac2448
1984-06-21Kingswood Music Theater
147383flac24/48khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
gd1984-06-21.151598.fm.cm.eaton.miller.t.flac16
1984-06-21Kingswood Music Theater
151598flac16/44khz Recording Info: FM > Cassette Master (Tascam 122) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k) - 151253 24 -> 16 @ 44.1
gd1984-06-21.132582.Nak100CP4.Hill.Keo.Flac1644
1984-06-21Kingswood Music Theater
132582flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1984-06-21.132583.Nak100CP4.Hill.Keo.Flac2496
1984-06-21Kingswood Music Theater
132583flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1984-06-21.141522.NAK.Blend.Ackerman.Miller.Noel.t-flac2496
1984-06-21Kingswood Music Theater
141522flac24; Ray Ackerman’s Master Audience Cassettes; 2 Nakamichi CM-300's w/ CP-4 shotguns capsules + 1 Nakamichi CM-300 w/ CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6. Located behind the SBD dead center; Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
gd84-06-21.sbe.tbrame.15405.sbeok.shnf
1984-06-21Kingswood Music Theater
15405FM>MC>PCM>DAT>Cool Edit Pro>CDR>SHN; Via Andy L; EAC'ed and SHN'ed by tbrame
gd1984-06-21.117777.beyer-senn.daweez.d5scott.flac16
1984-06-21Kingswood Music Theater
117777flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (18th row)> Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
gd1984-06-21.148197.beyerm88.holbrook.flac1644
1984-06-21Kingswood Music Theater
148197flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
gd1984-06-21.148198.beyerm88.holbrook.flac2448
1984-06-21Kingswood Music Theater
148198flac24/48khz Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
gd1984-06-21.140157.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac1644
1984-06-21Kingswood Music Theater
140157flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
gd1984-06-21.140158.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac2496
1984-06-21Kingswood Music Theater
140158flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
gd1984-06-21.145045.nak.blend.ackerman.miller.noel.t-flac1644
1984-06-21Kingswood Music Theater
145045flac16; Ray Ackerman’s Master Audience Cassettes; 2 Nakamichi CM-300's w/ CP-4 shotguns capsules + 1 Nakamichi CM-300 w/ CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6. Located behind the SBD dead center; Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1
gd1984-06-21.151253.fm.eaton.miller.flac2496
1984-06-21Kingswood Music Theater
151253flac24/96khz Recording Info: FM > Cassette Master (Tascam 122) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k)
gd1984-06-21.beyerm201.holbrook.burke.90982.flac24
1984-06-21Kingswood Music Theatre
90982flac24; Partial Set 1 & All Set 2, Recordist: Kyle Holbrook Location: unknown Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Recorded Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 (No Dolby, Azimuth Adjusted) > Canare Star Quad interconnects > Sound Devices 722 (Line In, +10.0 dB) > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.2.0, FLAC Frontend v1.7.0.1, Level 8 All transfers and DSP performed by Tim Burke
gd1984-06-21.beyerm201.holbrook.burke.91024.sbeok.flac16
1984-06-21Kingswood Music Theatre
91024flac16; Partial Set 1 & All Set 2, Recordist: Kyle Holbrook Location: unknown Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Recorded Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 (No Dolby, Azimuth Adjusted) > Canare Star Quad interconnects > Sound Devices 722 (Line In, +10.0 dB) > IBM ThinkPad T41 Editing: Steinberg WaveLab v5.01b (resample, dither) Dither: MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.2, FLAC Frontend v1.7.0.1, Level 8, Sector Boundaries Aligned All transfers and DSP performed by Tim Burke
gd84-06-23.senn.miller.14951.sbeok.shnf
1984-06-23City Island
14951Recording Info: (FOB) Senn 441 -> PCM -> Dat; Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC (Plextor 24/10/40A) -> Cool Edit Pro v1.2 -> SHN (2 Discs SHN / 2 Discs Audio); Seeded to etree by Charlie Miller
gd1984-06-23.beyerm201.holbrook.burke.81280.sbeok.flac16
1984-06-23City Island
81280flac16; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6
gd1984-06-23.beyerm201.holbrook.burke.81548.flac24
1984-06-23City Island
81548flac24/96; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 Cassette transfer, tracking and FLAC compression performed by Tim Burke
gd1984-06-23.140516.nak300.flac2496
1984-06-23City Island
140516flac24; source: nak 300 (12’ dfc by board) > tcd5m > master = maxwell udxl ii (1) / mx 90 (2) +dolby > master via tascam 122 mk ii > apogee rosetta 200(24/96) > audacity (normalize, tracks, fades) > flac24/96 > xact (tags, ffp, md5)
gd84-06-23.naks.willy.14566.sbeok.shnf
1984-06-23City Island
14566AUD (Nak 100's)>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
gd1984-06-23.138873.aud.lamarre.berger.flac16
1984-06-23City Island
138873flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
gd1984-06-23.124088.chasingwilma.flac24
1984-06-23City Island
124088flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
gd84-06-23.aud.cohen.minches.18226.sbeok.shnf
1984-06-23City Island
18226Nak 700> D-5 taped by Mark Cohen, A:D transfer by Mark Cohen, final mastering and encoding by David Minches
gd1984-06-23.109812.beyer-senn-daweez.D5scott.flac16
1984-06-23City Island
109812flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; Transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-06-23.140159.sbd.eaton.miller.clugston.flac1648
1984-06-23City Island
140159flac16/48kHz; Recording Info: Master Soundboard Cassette -> Reel to Reel -> Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 > Adobe Audition 3.0 -> TLH flac1648
gd1984-06-23.138874.aud.lamarre.berger.flac24
1984-06-23City Island
138874flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
gd1984-06-23.139571.FOB.Neumann.McSheffrey.Gastwirt.Miller.Noel.t-flac16
1984-06-23City Island
139571flac16/48kHz; Dan McSheffrey recording: Neumann KM84 > Cassette Master (Sony TC-D5M) > Dat (FOB); Charlie Miller transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Edited & Mastered by Joe Noel in Audacity: Wave > Flac 16/48; Checksum & tags created in xACT
gd1984-06-23.141597.FOB.Senn441.Ackerman.Miller.Noel.t-flac1644
1984-06-23City Island
141597flac16; Ray Ackerman’s Master Audience Cassettes; Four (4) Sennheiser 441's > Yamaha mixer > SonyD5 > SonyD6 > Cassette > DAT (FOB); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Kyocera D811 > Sony PCM 2600 using SBM > DAT 16/44
gd1984-06-24.132576.Nak100CP4.Hill.Keo.Flac1644
1984-06-24Saratoga Performing Arts Center
132576flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1984-06-24.132577.Nak100CP4.Hill.Keo.Flac2496
1984-06-24Saratoga Performing Arts Center
132577flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1984-06-24.139813.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac24
1984-06-24Saratoga Performing Arts Center
139813flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
gd1984-06-24.beyerm88.holbrook.burke.81627.sbeok.flac16
1984-06-24Saratoga Performing Arts Center
81627flac16; Recordist: Kyle Holbrook Location: Set One: ~5' ROC, ~175' from stage lip, head height | Set Two: Centered, ~150' from stage lip, head height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6
gd1984-06-24.beyerm88.holbrook.burke.81707.flac24
1984-06-24Saratoga Performing Arts Center
81707flac24/96; Recordist: Kyle Holbrook Location: Set One: ~5' ROC, ~175' from stage lip, head height | Set Two: Centered, ~150' from stage lip, head height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format : 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8
gd1984-06-24.sbd.miller.27449.sbeok.flac16
1984-06-24Saratoga Performing Arts Center
27449flac16: SBD> Cassette Master> Dat; patches from Nakamichi 300/CP1> Cassette Master> Dat; Transfer: Dat> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> FLAC; All Transfers and Editing By Charlie Miller
gd1984-06-24.nak300.friend.109483.flac2448
1984-06-24Saratoga Performing Arts Center
109483flac24; FOB AUD: 3x Nakamichi CM300/CP1's cardioids > Nakamichi 550 > Maxell XLII-S 90's, set up in 12th row left of center. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 08/2010
gd1984-06-24.nak300.friend.109484.flac1644
1984-06-24Saratoga Performing Arts Center
109484flac16; FOB AUD: 3x Nakamichi CM300/CP1's cardioids > Nakamichi 550 > Maxell XLII-S 90's, set up in 12th row left of center. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 08/2010
gd84-06-24.nak.connor.4628.sbeok.shnf
1984-06-24Saratoga Performing Arts Center
4628Aud> Nak300> CM> CDR> EAC(Secure Mode)> CDWave(Retracking Only)> Shnv3(MKW ACT)
gd1984-06-24.117800.beyer-senn.daweez.d5scott.flac16
1984-06-24Saratoga Performing Arts Center
117800flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
gd1984-06-24.126261.chasingwilma.flac24
1984-06-24Saratoga Performing Arts Center
126261flac24; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
gd1984-06-24.138865.aud.lamarre.berger.flac16
1984-06-24Saratoga Performing Arts Center
138865flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
gd1984-06-24.138866.aud.lamarre.berger.flac24
1984-06-24Saratoga Performing Arts Center
138866flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
gd1984-06-24.141137.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
1984-06-24Saratoga Performing Arts Center
141137flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd1984-06-26.139840.FOB.s1.Schoeps.Oade.Bryant.Miller.Noel.t-flac24
1984-06-26Merriweather Post Pavilion
139840flac24; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
gd1984-06-26.beyerm88.holbrook.burke.81741.sbeok.flac16
1984-06-26Merriweather Post Pavilion
81741flac16; Recordist: Kyle Holbrook Location: ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6
gd1984-06-26.beyerm88.holbrook.burke.81975.flac24
1984-06-26Merriweather Post Pavilion
81975flac24/96; Recordist: Kyle Holbrook Location: ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 Cassette transfer, tracking and FLAC compression performed by Tim Burke
gd1984-06-26.sbd.miller.87511.sbeok.flac16
1984-06-26Merriweather Post Pavilion
87511flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation
gd1984-06-26.sbd.miller.patch-87511.87625.sbeok.flac16
1984-06-26Merriweather Post Pavilion
87625flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (patch upgrade of shn id 87511)
gd1984-06-26.senn.hubbard.bandrofcheck.81495.sbefail.flac16
1984-06-26Merriweather Post Pavilion
81495flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck
gd1984-06-26.senn421.unger.77449.sbeok.shnf
1984-06-26Merriweather Post Pavilion
77449Source Info:Sennheiser421's>Sony D5:CD Transfer: Denon DN-790r>Audiophile 2496>Cool Edit 200>wav>shn: Taped and Transferred by Phil Unger; originally posted to abgd July 2002; sbe's fixed with shntool 9/16/2006
gd1984-06-26.141138.FOB.set1.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
1984-06-26Merriweather Post Pavilion
141138flac16; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd84-06-26.sbd.braverman.20324.sbeok.shnf
1984-06-26Merriweather Post Pavilion
20324Source: SBD>PCM>DAT>CD>SHN. Tennessee Jed and Day Job are patched from an audience recording via Ray Hansen, encoded by Peter Braverman; upgrade in circulation
gd84-06-26.senn-pauline.vernon.7293.sbeok.shnf
1984-06-26Merriweather Post Pavilion
7293AUD SENN 421's>TCD5-M, Recorded by R. Pauline; MC transferred to CD by Lou B.; cdr > eac (secure) > mkwact > shn (seekable) by Matt Vernon
gd1984-06-26.123260.sbd.miller.flac16
1984-06-26Merriweather Post Pavilion
123260flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1984-06-26.sbd.fixed.miller.110057.flac16
1984-06-26Merriweather Post Pavilion
110057flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
gd1984-06-26.111458.beyer-senn.daweez.d5scott.flac16
1984-06-26Merriweather Post Pavilion
111458flac16; source: 2 Beyer M160 and 1 Sennheiser 421 microphones (14th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1984-06-26.148233.fob.senn.me80.hessberg.miller.clugston.flac1648
1984-06-26Merriweather Post Pavilion
148233flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1984-06-26.148234.fob.senn.me80.hessberg.miller.clugston.flac2496
1984-06-26Merriweather Post Pavilion
148234flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1984-06-26.127526.schoeps.oade.BCE.flac16
1984-06-26Merriweather Post Pavilion
127526flac16; Source from Doug Oade: Schoeps cmc441 > Sony TC-D5M > Sony PCM-601ESD > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created and SBE's fixed in Traders Little Helper
gd1984-06-26.senn421.pauline.miller.91181.sbeok.flac16
1984-06-26Merriweather Post Pavilion
91181flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller
gd1984-06-27.139841.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac24
1984-06-27Merriweather Post Pavilion
139841flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
gd1984-06-27.beyerm88.holbrook.burke.82420.sbeok.flac16
1984-06-27Merriweather Post Pavilion
82420flac16; Recordist: Kyle Holbrook Location: Centered, ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6
gd1984-06-27.beyerm88.holbrook.burke.82450.sbeok.flac16
1984-06-27Merriweather Post Pavilion
82450flac24; Recordist: Kyle Holbrook Location: Centered, ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8
gd1984-06-27.sbd.miller.87467.sbeok.flac16
1984-06-27Merriweather Post Pavilion
87467flac16; SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation
gd1984-06-27.sbd.miller.repitch-87467.87658.sbeok.flac16
1984-06-27Merriweather Post Pavilion
87658flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller. This is a pitch correction of the previous Miller source, shn id 87467
gd1984-06-27.senn.hubbard.bandrofcheck.81509.sbefail.flac16
1984-06-27Merriweather Post Pavilion
81509flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck
gd1984-06-27.111477.beyer-senn.daweez.d5scott.flac16
1984-06-27Merriweather Post Pavilion
111477flac16; source: 2 Beyer M160 and 1 Sennheiser 421 microphones (15th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1984-06-27.141139.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
1984-06-27Merriweather Post Pavilion
141139flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd84-06-27.sbd.skankweed.4615.sbeok.shnf
1984-06-27Merriweather Post Pavilion
4615SBD> MC> C> DAT> CDRx1> EAC> SHN; Mastered, ripped, encoded and posted by Skankweed to abgd; upgrade in circulation
gd84-06-27.sbd.unknown.12929.sbeok.shnf
1984-06-27Merriweather Post Pavilion
12929SBD>Cassette Master>Cassette>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN (updated source info); upgrade in circulation
gd1984-06-27.getto.aud.122873.flac16
1984-06-27Merriweather Post Pavilion
122873flac16; 2nd set only. Gen 1 audience cassette > Sony TC-W320 > Marantz CDR 500 > CDR > EAC > flac
gd84-06-27.nak-ziemba.connor.6999.sbeok.shnf
1984-06-27Merriweather Post Pavilion
6999Aud> Nak300> D5> CM> Cdr> EAC> CDWave (Retracking Only)> Shnv3 (MKW ACT); recorded by Steve Ziemba; transferred by Mike Lai; EAC. SHN by Charlie Connor; thanks to Mike Lai and Jon Rianhard; flip in Throwing Stones
gd1984-06-27.148235.fob.senn.me80.hessberg.miller.clugston.flac1648
1984-06-27Merriweather Post Pavilion
148235flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1984-06-27.148236.fob.senn.me80.hessberg.miller.clugston.flac2496
1984-06-27Merriweather Post Pavilion
148236flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1984-06-27.senn421.pauline.miller.91375.sbeok.flac16
1984-06-27Merriweather Post Pavilion
91375flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller
gd1984-06-29.150222.beyerm160.holbrook.flac2448
1984-06-29Blossom Music Center
150222flac24/48khz MAUD CA: Beyer M160's PAS > Sony TCD5M|s1 Maxell UDXLIIS90; s2 Maxell MX90 Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi LX5 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook, Sean Murtha, Eddie Wahba Transferred: Kyle Holbrook
gd1984-06-29.150223.beyerm160.holbrook.flac1644
1984-06-29Blossom Music Center
150223flac16/44.1khz MAUD CA: Beyer M160's PAS > Sony TCD5M|s1 Maxell UDXLIIS90; s2 Maxell MX90 no NR Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi LX5 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook, Sean Murtha, Eddie Wahba Transferred: Kyle Holbrook
gd1984-06-29.sbd-set2.miller.32781.sbeok.flac16
1984-06-29Blossom Music Center
32781**SET 2 SOUNDBOARD** Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
gd1984-06-29.111502.beyer-senn.daweez.d5scott.flac16
1984-06-29Blossom Music Center
111502flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (18th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1984-06-29.141140.FOB.s1.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
1984-06-29Blossom Music Center
141140flac16; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd84-06-29.senn.willy.14682.sbeok.shnf
1984-06-29Blossom Music Center
14682Jim Wise Senn 421?s>Sony TC-D5M>MC>DAT>CD; Second set pitch corrected; via Paul B; Seeded to etree by Willy
gd1984-06-29.140004.FOB.s1.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496
1984-06-29Blossom Music Center
140004flac24; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
gd1984-06-30.152505.aud-s1-more-McKeown-onemoreshot.shnf
1984-06-30Indianapolis Sports and Music Center
152505MAC> wav>shn Recorded by Tommy McKeown sony d-5 Sennheiser 2 ME-80 & 2 441's 12th. row center (originally circulated July 2003)
gd1984-06-30.senn421.unknown.31225.sbeok.flac16
1984-06-30Indianapolis Sports and Music Center
31225flac16; AUD: FOB, Sennheiser MD-421's > DBX NX-40 > Sony TC-D5 Taper: Unknown MAC > CD Transfer: Unknown CDR > EAC > WAV > WavMerge > CD-Wave > Soundforge > TLH > FLAC Frontend by Andrew F, Oct 2005. Some of the ID's were missing or in the wrong spot, so I merged the files and re-split them. I used Soundforge to make some small fades for the start and end of discs. I used TLH to verify SBE-OK and to make checksums, and Flac Frontend for lossless compression
gd84-06-30.aud.set1.cole.18559.sbeok.shnf
1984-06-30Indianapolis Sports and Music Center
18559FOB MAC (Sennheiser 2 ME-80's & 2 441's 12th row center>sony d-5>WAV>SHN>SHNTOOL>mkwACT. Recorded by Tommy McKeown. sbe fix/seeding by MattMan.
gd84-06-30.sbd.partial.finney.2542.sbeok.shnf
1984-06-30Indianapolis Sports and Music Center
2542set 2, plus set 1 partial; SBD> MC> DAT> CDR; from Merry Pranksters Tree round 5, SHN branch; possibly via David Finney to etree?
gd1984-06-30.137072.mk41.miller.flac24
1984-06-30Indianapolis Sports and Music Center
137072flac24; Recording Info: (FOB) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
gd1984-06-30.137073.mk41.miller.flac16
1984-06-30Indianapolis Sports and Music Center
137073flac16; Recording Info: (FOB) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1984-06-30.109804.beyer-senn-daweez.D5scott.flac16
1984-06-30Indianapolis Sports and Music Center
109804flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-06-30.sbd.123778.miller.flac16
1984-06-30Indianapolis Sports and Music Center
123778flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1984-06-30.140199.fob.nak700.unknown.clugston.flac1644
1984-06-30Indianapolis Sports and Music Center
140199flac16; Source Info: Master (FOB) Audience Cassette (11th row, DFC); 3 x Nakamichi CM700 mics > unknown deck > Dat > CDR; Transfer Info: CDR (EAC)> hard disk drive > Adobe Audition 3.0 > TLH flac16
gd1984-06-30.150277.beyerm88.holbrook.flac1644
1984-06-30Indianapolis Sports and Music Center
150277flac16/44.1khz Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook
gd1984-06-30.150278.beyerm88.holbrook.flac2448
1984-06-30Indianapolis Sports and Music Center
150278flac24/48khz Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook
gd1984-06-30.154326.mtx.tobin.flac16
1984-06-30Indianapolis Sports and Music Center
154326flac16; Matrix 3 Source Mix - SBD (shnid = 123778) Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 109804) source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files + AUD2 (shnid = 150278) Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook - matrix mixing by Kevin Tobin
gd1984-06-30.154327.dts.tobin.flac16
1984-06-30Indianapolis Sports and Music Center
154327DTS-Audio-CD 5.1 Mix; - SBD (shnid = 123778) Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 109804) source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files + AUD2 (shnid = 150278) Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook - dts mixing by Kevin Tobin
gd1984-06-30.154329.5.1.tobin.flac1648
1984-06-30Indianapolis Sports and Music Center
154329flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 123778) Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 109804) source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files + AUD2 (shnid = 150278) Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook - surround mixing by Kevin Tobin
gd1984-07-01.nak100.reutelhuber.25810.sbefail.shnf
1984-07-01Pine Knob Music Theatre
25810Recorded by Bill Reutelhuber with Nak CM100 shotgun mics into a Sony TCD5M (lead deck) with Dolby B noise reduction on (Maxell MX 90 Metal tape) from the 20th row center FOB
gd1984-07-01.nak300-set2.wise.andrewf.76620.sbeok.flac16
1984-07-01Pine Knob Music Theatre
76620flac16; Set 2 only - AUD Source: FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M cassette deck, onto Maxell UD-XLII tape, no Dolby. Taped by Ted Carpenter. MAC > CD transfer by Jim Wise (2002), likely done with Nakamichi Dragon > HHB Burner. Transfer Info: CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, by Andrew F
gd1984-07-01.141151.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
1984-07-01Pine Knob Music Theater
141151flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd84-07-01.aud.willy.14683.sbeok.shnf
1984-07-01Pine Knob Music Theater
14683AUD>MC>??>DAT>CDR; via Paul B; Seeded to etree by Willy
gd1984-07-01.137029.sbd.miller.flac1648
1984-07-01Pine Knob Music Theater
137029flac16/48kHz; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam DA-3000 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
gd1984-07-01.aud.Holtz-Taggert.Naks.115107.flac16
1984-07-01Pine Knob Music Theater
115107flac16; Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-6 (TDK MA90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Danny Taggart and Greg Holtz; Transfers, edits, track/FLAC by Greg Holtz
gd1984-07-01.109950.beyer-senn-daweez.D5scott.flac16
1984-07-01Pine Knob Music Theater
109950flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (14th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-07-01.150291.beyerm88.holbrook.flac1644
1984-07-01Pine Knob Music Theater
150291flac16/44.1khz MAUD CA: Beyer M88's XY > Sony TCD5M|Sony UCX-S90 x2 no NR Location: 100 feet from stage DFC 6 feet up Transfer: Nakamichi LX5 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
gd1984-07-01.150292.beyerm88.holbrook.flac2448
1984-07-01Pine Knob Music Theater
150292flac24/48khz Location: 100 feet from stage DFC 6 feet up Transfer: Nakamichi LX5 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
gd1984-07-01.140005.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496
1984-07-01Pine Knob Music Theater
140005flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
gd1984-07-03.139105.pcm.sbd.miller.flac1644
1984-07-03Starlight Theater
139105flac16; Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC
gd1984-07-03.nak301.suraci.dalessandro.77440.sbeok.flac16
1984-07-03Starlight Amphitheater
77440flac16; Source: *Nakamichi CM300's(with CP1 Caps/pointed)>Sony D5M(XLIIS)Location: FOB/DFC Stand at 7 Feet/Pointed at Stacks Transfer: #Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud. 2.0 dither and resample/16Bit>Cdwav>flac16 Tapers: Tony Suraci and Eugene D'alessandro:Transfer and upload by Tony Suraci./Nak700
gd1984-07-03.nak100.reutelhuber.25811.sbeok.shnf
1984-07-03Starlight Theatre
25811Nak CM100 shotgun mics into a Sony TCD5M (lead deck) with Dolby B noise reduction on (Maxell MX 90 Metal tape) from the 20th row behind the sbd with microphones separated left/right by 10', and 14' high; recorded by Bill Reutelhuber
gd1984-07-03.nak300.carpenter.andrewf.31634.sbeok.flac16
1984-07-03Starlight Theatre
31634flac16; FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII tape, with no Dolby
gd1984-07-03.141152.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
1984-07-03Starlight Theater
141152flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd84-07-03.aud.willy.14909.sbeok.shnf
1984-07-03Starlight Theater
14909AUD>MC>??>DAT>CDR; via Paul B; seeded to etree by Willy
gd1984-07-03.aud.Holtz-Taggart.Naks.115108.flac16
1984-07-03Starlight Theater
115108flac16; Source: (FOB) Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-6 (TDK MA90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Greg Holtz and Danny Taggart; Transfers, mastering, track/FLAC by Greg Holtz
gd1984-07-03.140013.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496
1984-07-03Starlight Theater
140013flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
gd1984-07-03.140693.set2.sbd.pcm.miller.flac2496
1984-07-03Starlight Theater
140693flac24; Set 2 Recording Info: SBD > PCM Master > PCM Clone (Maxell HGX Gold); Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1984-07-03.150307.beyerm88.holbrook.flac1644
1984-07-03Starlight Theater
150307flac16/44.1khz MAUD CA: Beyer M88's XY > Sony TCD5M|Sony UCX-S90 x2 no NR, 2nd deck in line Location: 75 feet from stage DFC 6 feet up Transfer: Nakamichi LX5 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
gd1984-07-03.150308.beyerm88.holbrook.flac2448
1984-07-03Starlight Theater
150308flac24/48khz MAUD CA: Beyer M88's XY > Sony TCD5M|Sony UCX-S90 x2 no NR, 2nd deck in line Location: 75 feet from stage DFC 6 feet up Transfer: Nakamichi LX5 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook ============================
gd1984-07-04.158014.mtx.tobin.flac16
1984-07-04Five Seasons Center
158014flac16; Matrix 2 Source Mix - SBD (shn id 93858) Recording Info:SBD -> Master Cassette -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 78958) Source: *Nakamichi CM304's>Sony D5M(XLIIS) Location: ^FOB at SBD, Stand at 9 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: Eugene D. and Tony S - matrix mixing by Kevin Tobin
gd1984-07-04.158015.dts.tobin.flac16
1984-07-04Five Seasons Center
158015DTS-Audio-CD 5.1 Mix - SBD (shn id 93858) Recording Info:SBD -> Master Cassette -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 78958) Source: *Nakamichi CM304's>Sony D5M(XLIIS) Location: ^FOB at SBD, Stand at 9 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: Eugene D. and Tony S - dts mixing by Kevin Tobin
gd1984-07-04.158020.5-1.tobin.flac1648
1984-07-04Five Seasons Center
158020flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shn id 93858) Recording Info:SBD -> Master Cassette -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 78958) Source: *Nakamichi CM304's>Sony D5M(XLIIS) Location: ^FOB at SBD, Stand at 9 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: Eugene D. and Tony S - surround mixing by Kevin Tobin
gd84-07-04.sbd.miller.27761.sbeok.shnf
1984-07-04Five Seasons Center
27761SBD> Master Cassette> Cassette> Dat, plus patches from FOB Sennheiser 421> Cass; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> Adobe Audition> SHN; Transferred and Patched By Charlie Miller; Speed corrected by +2.37% to match the speed of the FOB, by Jay Ashley
gd1984-07-04.senn421.carpenter.andrewf.87341.sbeok.flac16
1984-07-04Five Seasons Center
87341flac16; AUD: Sennheiser MD-421's > patched thru one deck (D5?) > Sony TC-D5M > Maxell XL-II's, with no Dolby. Mics on stand set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
gd1984-07-04.141153.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
1984-07-04Five Seasons Center
141153flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd1984-07-04.150314.beyerm88.holbrook.flac1644
1984-07-04Five Seasons Center
150314flac16/44.1khz MAUD CA: Beyer M88's XY > Sony TCD5M|s1 Maxell UDXLIIS 90; s2 Maxell MX90 no NR, 2nd deck in line Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi LX5 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Sean Murtha Transferred: Kyle Holbrook
gd1984-07-04.150315.beyerm88.holbrook.flac2448
1984-07-04Five Seasons Center
150315flac24/48khz MAUD CA: Beyer M88's XY > Sony TCD5M|s1 Maxell UDXLIIS 90; s2 Maxell MX90 no NR, 2nd deck in line Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi LX5 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Sean Murtha Transferred: Kyle Holbrook
gd84-07-04.senn421.braverman.14194.sbeok.shnf
1984-07-04Five Seasons Center
14194AUD: MC (Sennheiser 421)> DAT> CD> SHN; Seeded by Peter Braverman
gd1984-07-04.109942.beyer-senn-daweez.D5scott.flac16
1984-07-04Five Seasons Center
109942flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-07-04.140014.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496
1984-07-04Five Seasons Center
140014flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
gd1984-07-04.sbd.miller.bertha.27862.sbeok.shnf
1984-07-04Five Seasons Center
27862noise reduction> Bertha Remaster of Master Cassette> Cassette source, by Jay Ashley
gd1984-07-06.nak300.carpenter.andrewf.86943.sbeok.flac16
1984-07-06Alpine Valley Music Theatre
86943flac16; AUD: Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell XL-II's, with no Dolby. Mics on stand set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
gd1984-07-06.109746.beyer-senn-daweez.D5scott.flac16
1984-07-06Alpine Valley Music Theatre
109746flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-07-06.Tascam120.Darby.121095.Flac2448
1984-07-06Alpine Valley Music Theatre
121095flac24; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/Back Of Left Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
gd1984-07-06.Tascam120.Darby.121096.Flac1644
1984-07-06Alpine Valley Music Theatre
121096flac16; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/Back Of Left Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1984-07-06.139531.sbd.pcm.miller-eaton.flac1644
1984-07-06Alpine Valley Music Theatre
139531flac16; Recording Info: SBD > PCM Master > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
gd1984-07-06.141154.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
1984-07-06Alpine Valley Music Theatre
141154flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd1984-07-06.150326.beyerm88.holbrook.flac1644
1984-07-06Alpine Valley Music Theatre
150326flac16/44.1khz MAUD: Beyer M88's XY 90' > Sony TCD-5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC- pavilion Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook
gd1984-07-06.150327.beyerm88.holbrook.flac2448
1984-07-06Alpine Valley Music Theatre
150327flac24/48khz MAUD: Beyer M88's XY 90' > Sony TCD-5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC- pavilion Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook
gd1984-07-06.150328.beyerm201.holbrook.flac1644
1984-07-06Alpine Valley Music Theatre
150328flac16/44.1khz MAUD: Beyer M201's XY 90' > Sony TCD-5M|s1:Maxell MX60; s2:Maxell MX90 no NR Location: 60 feet from outside stacks, 310 feet from stage DFC, 9 feet up- lawn Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook
gd1984-07-06.150329.beyerm201.holbrook.flac2448
1984-07-06Alpine Valley Music Theatre
150329flac24/48khz MAUD: Beyer M201's XY 90' > Sony TCD-5M|s1:Maxell MX60; s2:Maxell MX90 no NR Location: 60 feet from outside stacks, 310 feet from stage DFC, 9 feet up- lawn Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook
gd84-07-06.senn441.dodd.13898.sbeok.shnf
1984-07-06Alpine Valley Music Theatre
13898Fob: Sennheiser 441's > MC > Dat > Cd Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd
gd1984-07-06.142540.Lawn.Nak.Reutelhuber.PhillyCrew.Noel.t-flac1644
1984-07-06Alpine Valley Music Theatre
142540flac16; Bill Reutelhuber Master Recording: Nakamichi cm100 shotguns (spread on lawn) > master cassette (Maxell MX - Sony tcd5m Dolby B); A Philly Crew Transfer: Master Cassette > Nak CR7a > Korg MR1000 5.6 mhz 1 bit > Audiogate render > Flac 16/44
gd1984-07-06.140032.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496
1984-07-06Alpine Valley Music Theatre
140032flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
gd84-07-07.ziemba.connor.4861.sbeok.shnf
1984-07-07Alpine Valley Music Theatre
4861Aud>Nak300>D5>CM>CDR>EAC(Secure Mode)>CDWave(Retracking Only)>shnv3(MKW ACT)
gd1984-07-07.150338.Beyerm201.holbrook.flac1644
1984-07-07Alpine Valley Music Theatre
150338flac16/44.1khz MAUD: Beyer M201's XY > Sony TCD-5M|Maxell MX 90 x2 no NR Location: 250 feet from stage DFC- lawn Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook
gd1984-07-07.150339.Beyerm201.holbrook.flac2448
1984-07-07Alpine Valley Music Theatre
150339flac24/48khz MAUD: Beyer M201's XY > Sony TCD-5M|Maxell MX 90 x2 no NR Location: 250 feet from stage DFC- lawn Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook
gd1984-07-07.150335.Beyerm88.holbrook.flac1644
1984-07-07Alpine Valley Music Theatre
150335flac16/44.1khz Recording Information: ** This is a 16 bit fileset ** MAUD: Beyer M88's XY 90' > Sony TCD-5M|Maxell UDXLIIS 90 x2 no NR Location: 85 feet from stage DFC- pavilion Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook
gd1984-07-07.150336.Beyerm88.holbrook.flac2448
1984-07-07Alpine Valley Music Theatre
150336flac24/48khz Recording Information: MAUD: Beyer M88's XY 90' > Sony TCD-5M|Maxell UDXLIIS 90 x2 no NR Location: 85 feet from stage DFC- pavilion Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew, Sean Murtha, Tom Pinney, Gary Steel, Kyle Holbrook Transferred: Kyle Holbrook
gd84-07-07.set2-sbd.18752.sbeok.shnf
1984-07-07Alpine Valley Music Theatre
18752SBDMC(R?) > DAT > WAV > SHN w/ AUD(Senn 441s > D5 > DAT > CD) patches
gd1984-07-07.sbd.miller.94379.sbeok.flac16
1984-07-07Alpine Valley Music Theatre
94379flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Cassette -> PCM -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1984-07-07.109750.beyer-senn-daweez.D5scott.flac16
1984-07-07Alpine Valley Music Theatre
109750flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones - 13th row-center > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-07-07.141155.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
1984-07-07Alpine Valley Music Theatre
141155flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd1984-07-07.142541.Lawn.Nak.Reutelhuber.PhillyCrew.Noel.t-flac1644
1984-07-07Alpine Valley Music Theatre
142541flac16; Bill Reutelhuber Master Recording: Nakamichi cm100 shotguns (spread on lawn) > master cassette (Maxell MX - Sony tcd5m Dolby B); A Philly Crew Transfer: Master Cassette > Nak CR7a > Korg MR1000 5.6 mhz 1 bit > Audiogate render > Flac 16/44
gd1984-07-07.Tascam120.Darby.121123.Flac2448
1984-07-07Alpine Valley Music Theatre
121123flac24; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/DFC Halfway In Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
gd1984-07-07.Tascam120.Darby.121124.Flac1644
1984-07-07Alpine Valley Music Theatre
121124flac16; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/DFC Halfway In Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo
gd1984-07-07.140033.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496
1984-07-07Alpine Valley Music Theatre
140033flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
gd1984-07-07.nak300-set2.carpenter.andrewf.91489.sbeok.flac16
1984-07-07Alpine Valley Music Theatre
91489flac16; Set 2 Only, AUD: FOB, Nakamichi CM-300's w/CP-4 shotguns > Sony TC-D5M > Maxell XL-II, w/no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
gd1984-07-13.sbd.walker-scotton.miller.96153.sbeok.flac16
1984-07-13Greek Theatre - University of California
96153flac16; Recording Info:SBD -> Cassette Master (Sony D6/Maxell XLII-S90/TDK MA90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1984-07-13.143392.FOB.ECM-150.Keeler.Miller.Noel.t-flac2496
1984-07-13Greek Theatre, U. Of California
143392flac24; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k)
gd1984-07-13.150404.sbd.anon.gems.2444
1984-07-13Greek Theatre, U. Of California
150404flac24; Soundboard Cassette Masters Sony D-6 Dolby C; Speed Corrections by Jason Chastain; Mastering by Jim Blackwood and Jamie Waddell
gd1984-07-13.151689.sbd.anon.gems.bandrofcheck.flac16
1984-07-13Greek Theatre
151689flac16/44.1khz Soundboard Cassette Masters Sony D-6 Dolby C; Speed Corrections by Jason Chastain; Mastering by Jim Blackwood and Jamie Waddell. 24 bit > dbPowerAmp > 16 bit
gd1984-07-13.152162.sbd.miller.scotton.walker.flac2496
1984-07-13Greek Theatre, U. Of California,
152162flac24/96 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90/TDK MA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
gd1984-07-13.152324.sbd.cm.miller.t.flac16
1984-07-13Greek Theatre, U. Of California
152324flac16/44.1 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90/TDK MA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24- 152162 24 > 16 @ 44.1
gd1984-07-13.beyerm160.quirk.perez.31989.sbeok.flac16
1984-07-13Greek Theatre, University of California
31989flac16; Source: FOB: 2Beyer M160s>D5>MC>CDR>EAC>FLAC
gd1984-07-13.mtx.seamons.105570.flac16
1984-07-13Greek Theatre, U. Of California
105570flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
gd1984-07-13.141156.FOB.s2.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
1984-07-13Greek Theatre, U. Of California
141156flac16; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd1984-07-13.145333.fob.sony.ecm150.keeler.miller.noel.t-flac16
1984-07-13Greek Theatre, U. Of California
145333flac16; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k); This file set is 16 bit @ 44.1
gd84-07-13.sbd.ferguson.353.sbeok.shnf
1984-07-13Greek Theatre, U. Of California
353SBD > ? > CDR> DAE (cdparanoia)> SHN; via Mark Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an analog generation"
gd1984-07-13.sbd.ferguson.joshd.fix-353.90464.flac16
1984-07-13Greek Theatre - University of California
90464flac16; SBD > ? > CDR > WAV > Cool Edit Pro (see notes) > FLAC(8); pitch corrected version of shn id 353
gd1984-07-13.136425.sbd.GEMS.flac16
1984-07-13Greek Theatre, U. Of California
136425flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
gd1984-07-13.139747.sbd.pcm.miller.flac1644
1984-07-13Greek Theatre, U. Of California
139747flac16; Partial Set 2 Recording Info: SBD > PCM (cloned from vault master); Transfer: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16
gd1984-07-13.140048.FOB.s2.Schoeps.Oade.Bryant.Miller.Noel.t-flac24
1984-07-13Greek Theatre, U. Of California
140048flac24; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
gd1984-07-13.154195.nak700.severson.miller.clugston.flac1648
1984-07-13Greek Theatre, U. Of California, Berkeley
154195flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1984-07-13.154196.nak700.severson.miller.clugston.flac2496
1984-07-13Greek Theatre, U. Of California, Berkeley
154196flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1984-07-14.sbd.walker-scotton.miller.96120.sbeok.flac16
1984-07-14Greek Theatre - University of California
96120flac16; Recording Info: SBD -> Cassette Master (Sony D6/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1984-07-14.150405.sbd.anon.gems.2444
1984-07-14Greek Theatre, U. Of California
150405flac24; Soundboard Cassette Masters Sony D-6 Dolby C; Speed Corrections by Jason Chastain; Mastering by Jim Blackwood and Jamie Waddell
gd1984-07-14.151690.sbd.anon.gems.bandrofcheck.flac16
1984-07-14Greek Theatre
151690flac16/44.1khz Soundboard Cassette Masters Sony D-6 Dolby C; Speed Corrections by Jason Chastain; Mastering by Jim Blackwood and Jamie Waddell. 24 bit > dbPoweramp > 16 bit.
gd1984-07-14.152164.sbd.miller.scotton.walker.flac2496
1984-07-14Greek Theatre, U. Of California,
152164flac24/96 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
gd1984-07-14.152255.sbd.cm.miller.t.flac16
1984-07-14Greek Theatre, U. Of California
152255flac16/44.1 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 152164 24 > 16
gd1984-07-14.157189.mtx.seamons.ht142.flac16
1984-07-14Greek Theatre, U. Of California
157189flac1644;Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 152255 & 32093.
gd1984-07-14.sbd.walker-scotton.miller.77326.sbeok.flac16
1984-07-14Greek Theatre, University of California
77326flac16; Recording Info: SBD -> Cassette Master (Sony D6/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
gd1984-07-14.136427.sbd.GEMS.flac16
1984-07-14Greek Theatre, U. Of California
136427flac16; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
gd1984-07-14.141157.FOB.s2.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
1984-07-14Greek Theatre, U. Of California
141157flac16; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd84-07-14.sbd.feguson.354.sbeok.shnf
1984-07-14Greek Theatre, U. Of California
354SBD > ? > CDR> DAE (cdparanoia)> SHN; via M. Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an anlog generation"; Jack Straw beginning cut; upgrade in circulation
gd84-07-14.sbd.miller.25316.sbeok.shnf
1984-07-14Greek Theatre, U. Of California
25316Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller; upgrade in circulation
gd1984-07-14.140049.FOB.s2.Schoeps.Oade.Bryant.Miller.Noel.t-flac24
1984-07-14Greek Theatre, U. Of California
140049flac24; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
gd1984-07-14.154224.nak700.severson.miller.clugston.flac1648
1984-07-14Greek Theatre, U. Of California
154224flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1984-07-14.154225.nak700.severson.miller.clugston.flac2496
1984-07-14Greek Theatre, U. Of California
154225flc24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd84-07-15.pcm-sbd.miller.30641.sbeok.flacf
1984-07-15Greek Theatre, U. Of California
30641flac16; Set 1: SBD -> PCM Master -> Dat/0 -> Samplitude Professional v8.0 -> FLAC Set 2: SBD -> PCM Master -> Dat/0 -> Sonic Solutions -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller
gd1984-07-15.sbd.walker-scotton.miller.96152.sbeok.flac16
1984-07-15Greek Theatre - University of California
96152flac16; Recording Info:SBD -> Cassette Master (Sony D6/Maxell XLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1984-07-15.136514.sbd.GEMS.flac16
1984-07-15Greek Theatre, U. Of California
136514flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo; 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 mastering by Jamie Waddell; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm
gd1984-07-15.150406.sbd.anon.gems.2444
1984-07-15Greek Theatre, U. Of California
150406flac24; Soundboard Cassette Masters Sony D-6 Dolby C; Speed Corrections by Jason Chastain; Mastering by Jim Blackwood and Jamie Waddell
gd1984-07-15.151691.sbd.anon.gems.bandrofcheck.flac16
1984-07-15Greek Theatre
151691flac16/44.1khz Soundboard Cassette Masters Sony D-6 Dolby C; Speed Corrections by Jason Chastain; Mastering by Jim Blackwood and Jamie Waddell 24 bit/44.1 kHz FLAC -> dBpoweramp -> 16 bit/44.1 kHz WAV 16 bit/44.1 kHz WAV -> THL -> 16 bit/44.1 FLAC
gd1984-07-15.152163.sbd.miller.scotton.walker.flac2496
1984-07-15Greek Theatre, U. Of California,
152163flac24/96 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
gd1984-07-15.152256.sbd.cm.miller.t.flac16
1984-07-15Greek Theatre, U. Of California
152256flac16/44.1 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - 152163 24 > 16
gd1984-07-15.beyerm160.quirk.perez.32295.sbeok.flac16
1984-07-15Greek Theatre - University of California
32295flac16; FOB: 2 Beyer M160s>D5>MC>CDR>EAC>FLAC Taper: Jim Quirk EAC and FLAC Conversion by David Perez Jan. 26, 2006
gd1984-07-15.141158.FOB.s2.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
1984-07-15Greek Theatre, U. Of California
141158flac16; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd84-07-15.sbd.ferguson.355.sbeok.shnf
1984-07-15Greek Theatre, U. Of California
355SBD > ? > CDR> DAE (cdparanoia)> SHN; via M. Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an anlog generation"; a few track markers misplaced; upgrade in circulation
gd1984-07-15.mtx.seamons.125681.flac16
1984-07-15Greek Theatre, U. Of California
125681flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) September 15, 2013
gd1984-07-15.140050.FOB.s2.Schoeps.Oade.Bryant.Miller.Noel.t-flac24
1984-07-15Greek Theatre, U. Of California
140050flac24; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
gd1984-07-15.154262.nak700.severson.miller.clugston.flac1648
1984-07-15Greek Theatre, U. Of California
154262flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1984-07-15.154263.nak700.severson.miller.clugston.flac2496
1984-07-15Greek Theatre, U. Of California
154263flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1984-07-21.152178.sbd.walkler.scotton.miller.flac2496
1984-07-21Ventura County Fairgrounds
152178flac24/96 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
gd1984-07-21.152322.sbd.cm.miller.t.flac16
1984-07-21Ventura County Fairgrounds
152322flac16/44.1 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - 152178 24 > 16 @ 44.1
gd1984-07-21.sbd.lai.1616.sbefail.shnf
1984-07-21Ventura County Fairgrounds
1616Master Reel-> DAT-> ZA2-> CD; via Mike Lai from Bruce Fried DAT seed; upgrade in circulation
gd1984-07-21.sbd.walker-scotton.miller.96410.flac24
1984-07-21Ventura County Fairgrounds
96410flac24; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
gd1984-07-21.153529.mtx.seamons.ht135.flac1644
1984-07-21Ventura County Fairgrounds
153529flac1644 Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 152322 & 112806.
gd84-07-21.sbd.cole.14329.sbeok.shnf
1984-07-21Ventura County Fairgrounds
14329Cool Edit fix of previous shn set SBD Master Reel-> DAT->ZA2- >CD, by Matthew Cole; upgrade in circulation
gd1984-07-21.sbd.walker-scotton.miller.77327.sbeok.flac16
1984-07-21Ventura County Fairgrounds
77327flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
gd1984-07-21.sonyecm.unknown.gale.88940.sbeok.flac16
1984-07-21Ventura County Fairgrounds
88940flac16; Master: Sony ECM-939LT (dead center, halfway between sbd and the stage) > Cassette Master (Sony TC-D6C) Transfer: Cassette Master (Nakamichi RX-202) > SBM > Sony PCM R500 (pass-through only @ 48kHz) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC Mastered and transfered by Dan Gale
gd1984-07-21.139444.fob.schoeps.mk41.oade.bryant.miller.clugston.flac1644
1984-07-21Ventura County Fairgrounds
139444flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24; Recorded By Robert Bryant (patched out of the Oade brothers); This fileset is 16/44 - 24bit > 16bit using dBpoweramp
gd1984-07-21.139445.fob.schoeps.mk41.oade.bryant.miller.clugston.flac2496
1984-07-21Ventura County Fairgrounds
139445flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24; Recorded By Robert Bryant (patched out of the Oade brothers)
gd1984-07-21.112806.beyer-senn.daweez.d5scott.flac16
1984-07-21Ventura County Fairgrounds
112806flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (30 feet from stage-center) > Nak MX100 W/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1984-07-21.sbd.walker-scotton.miller.96394.sbeok.flac16
1984-07-21Ventura County Fairgrounds
96394flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1984-07-21.150379.beyerm88.holbrook.flac1644
1984-07-21Ventura County Fairgrounds
150379flac16/44.1khz Source: MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 90 feet from stage DFC Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Sean Murtha, John Hance Transferred: Kyle Holbrook
gd1984-07-21.150380.beyerm88.holbrook.flac2448
1984-07-21Ventura County Fairgrounds
150380flac24/48khz Source: MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 90 feet from stage DFC Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Sean Murtha, John Hance Transferred: Kyle Holbrook
gd1984-07-21.136717.sbd.GEMS.flac16
1984-07-21Ventura County Fairgrounds
136717flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 for minor edits by Jamie Waddell; Audition CC 2015 for patch edits by Jason Chastain; Tracked with Audition 1.5-> shntool-> flac level 8 and checksums with TLH-> tagged with Mp3tag; 16bit 44.1kHz Track, FLAC and Pack by Jason Chastain
gd84-07-22.sbd.bode.5959.sbeok.shnf
1984-07-22Ventura County Fairgrounds
5959SBD> PCM> Dat> CD> EAC> SHN (mkwACT); via Keith Bode; upgrade in circulation
gd84-07-22.pcm-sbd.miller.30650.sbeok.flacf
1984-07-22Ventura County Fairgrounds
30650flac16; SBD -> PCM -> Dat Transferred and Edited By Charlie Miller
gd1984-07-22.150532.mtx.seamons.ht122.flac16
1984-07-22Ventura County Fairgrounds
150532flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 30650 & 108370.
gd1984-07-22.152001.sbd.pcm.miller.flac1644
1984-07-22Ventura County Fairgrounds
152001flac16/44 Recording Info: SBD > PCM Master (Sony Betamax) > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16
gd1984-07-22.152201.sbd.walker.scotton.miller.flac2496
1984-07-22Ventura County Fairgrounds
152201flac24/96 Recording Info: SBD > Cassette Master (Sony TC-D5M) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
gd1984-07-22.152323.sbd.cm.miller.t.flac16
1984-07-22Ventura County Fairgrounds
152323flac16/44.1 Recording Info: SBD > Cassette Master (Sony TC-D5M) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 152201 24 > 16 @ 44.1
gd1984-07-22.fob.nak300.holtz-bolton.102101.flac16
1984-07-22Ventura County Fairgrounds
102101flac16; Recording Info: Nakamichi CM300s w/CP4 shotgun caps > Sony WM-D6C, FOB; Transfer Info: MAC > PC > CD > EAC > FLAC8
gd84-07-22.sbd.cole.5896.sbeok.shnf
1984-07-22Ventura County Fairgrounds
5896sbd> mr> dats> wav> shn w/seek; dat> wav> shn by popi n. feeldz with thanks to michael grossman for the dat; upgrade in circulation
gd1984-07-22.sonyecm.unknown.gale.87037.sbeok.flac16
1984-07-22Ventura County Fairgrounds
87037flac16; Master: Sony ECM-939LT (dead center, halfway between sbd and the stage) > Cassette Master (Sony TC-D6C) Transfer: Cassette Master (Nakamichi RX-202) > SBM > Sony PCM R500 (pass-through only @ 48kHz) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC
gd1984-07-22.108370.DaWeez.D5scott.flac16
1984-07-22Ventura County Fairgrounds
108370flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones > Nak MX100 W/2001 > Sony TC-D5M - analog master cassettes - TDK MA-R90's 30 feet from stage-center transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-07-22.150381.beyerm88.holbrook.flac1644
1984-07-22Ventura County Fairgrounds
150381flac16/44.1khz Source: MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 75 feet from stage DFC Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Sean Murtha, John Hance Transferred: Kyle Holbrook
gd1984-07-22.150382.beyerm88.holbrook.flac2448
1984-07-22Ventura County Fairgrounds
150382flac24/48khz Source: MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 75 feet from stage DFC Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Sean Murtha, John Hance Transferred: Kyle Holbrook
gd84-10-05.sbd.sacks.2591.sbeok.shnf
1984-10-05Charlotte Coliseum
2591updated source: SBDMC> [no Cass?]> DATs> CDRs> SHN, with FOB Nak 300 patches by Scott Clugston; edited by Darrin Sacks from Blacula's seed; no Sunshine Daydream
gd1984-10-05.132574.Nak100CP4.Hill.Keo.Flac1644
1984-10-05Charlotte Coliseum
132574flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1984-10-05.132575.Nak100CP4.Hill.Keo.Flac2496
1984-10-05Charlotte Coliseum
132575flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1984-10-05.133026.mtx.dusborne.flac16
1984-10-05Charlotte Coliseum
133026flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:02591) SBD> MC> Cass> DATs> CDRs> SHN and Audience (shnid:109982) 2 Beyer M160's & 1 Sennheiser 421 Microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-10-05.148396.fob.senn.me80.hessberg.miller.clugston.flac2496
1984-10-05Charlotte Coliseum
148396flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1984-10-05.148395.fob.senn.me80.hessberg.miller.clugston.flac1648
1984-10-05Charlotte Coliseum
148395flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd84-10-05.nak.grace-cole.15528.sbeok.shnf
1984-10-05Charlotte Coliseum
15528FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT
gd1984-10-05.124130.chasingwilma.flac24
1984-10-05Charlotte Coliseum
124130flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
gd1984-10-05.158245.FOB.NAK100-SG.Anon-Noel.t-flac16
1984-10-05Charlotte Coliseum
158245flac1644 Source: (fob) Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Location: Approx. 40' From Stage, Mics Spaced 3' Apart On Two Shure S15 Stands (up High) Recorded, Transferred & Mastered By Anon Edited With Add'l Mastering In Adobe Audition By Joe Noel May 29, 2022
gd1984-10-05.158246.FOB.NAK100-SG.Anon-Noel.t-flac2448
1984-10-05Charlotte Coliseum
158246flac2448 Source: (fob) Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Location: Approx. 40' From Stage, Mics Spaced 3' Apart On Two Shure S15 Stands (up High) Recorded, Transferred & Mastered By Anon Edited With Add'l Mastering In Adobe Audition By Joe Noel May 29, 2022
gd1984-10-05.nak100.holtz.townshend.fix-83161.83188.sbeok.flac16
1984-10-05Charlotte Coliseum
83188flac16; Source: Nakamichi CM-100 w/ CP-4 Shotgun Capsules -> Sony D6 (Maxell XLII-S 90 x 2) Location: Mics on stand 10" apart and about 10' high in front and to the left of soundboard Tansfer/re-master: Nak MR-1 -> Presonus Tube Pre-Amp -> BBE 882i -> Behringer Ultrafex Pro Behringer -> Behringer MDX4600 Pro-XL Composer -> DBX 231 EQ -> FW-410 -> wavelab @24/96 (tracking, minor edits and bit rate reduction 16bit/44.1khz) -> flacfrontend L8 Taper: Greg Holtz (garageboy) Transfer/mastering: mtownshend@adelphia.net; this file set fixes errors in shn id 83161
gd1984-10-05.nak300.holtz.gems.87757.sbeok.flac16
1984-10-05Charlotte Coliseum
87757flac16; Source: FOB: Nakamichi CM-300 Microphones with CP-4 Shotgun capsules>Sony WM-D6 cassette tape deck > Cdwave > TLH All transfers and Mastering done by Jamie Waddell on the GEMS Edit Station
gd1984-10-05.109982.beyer-senn-daweez.D5scott.flac16
1984-10-05Charlotte Coliseum
109982flac16; source: 2 Beyer M160's & 1 Sennheiser 421 Microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-10-05.beyerm88.suraci.77703.flac16
1984-10-05Charlotte Coliseum
77703flac16; Source: *Beyer M88's>Sony D5M(XLIIS) Location: DFC/FOB Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700
gd1984-10-05.sonyecm23f.cohen.103309.sbeok.flac16
1984-10-05Charlotte Coliseum
103309flac16; Sony ECM 23F Stereo Mic>Sony WMD6 Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Recorded by David Cohen 25 feet FOB DFC 6.5 ft stand
gd1984-10-05.127551.set1.schoeps.oade.BCE.flac1648
1984-10-05Charlotte Coliseum
127551flac16/48kHz; Set 1 Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply then a modified Sony TCD-D5M then > Sony PCM-F1 > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper
gd1984-10-06.132556.Nak100CP4.Hill.Keo.Flac2496
1984-10-06Richmond Coliseum
132556flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1984-10-06.132557.Nak100CP4.Hill.Keo.Flac1644
1984-10-06Richmond Coliseum
132557flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd84-10-06.aud.unk.3160.sbeok.shnf
1984-10-06Richmond Coliseum
3160AUD?; no other info available
gd1984-10-06.fob.nak100.holtz.jaz.92383.flac16
1984-10-06Richmond Coliseum
92383flac16; Taper: Greg Holtz Source: Nakamichi CM100s CP4caps, FOB-> D-6 Transfer: (By Holtz 1997) Unknown Nakamichi Tape Deck-> RCA-1/8"-> D-3 DAT @ 48kHz Current Transfer: (By JAZ) DAT (Direct from Cassette Master)-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0-> R8brainPro 44.1kHZ-> Traders Little Helper flac8; Upgrade in circulation
gd1984-10-06.aud.Holtz-Bolton.Nak100s.112860.flac16
1984-10-06Richmond Coliseum
112860flac16; Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk. Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC; Transfer: MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > R8-Brain dither to 16/44 > TLH > Flac Level 8
gd1984-10-06.158247.FOB.NAK100-SG.Anon-Noel.t-flac16
1984-10-06Richmond Coliseum
158247flac1644 Source: (fob) Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Location: Approx. 40' From Stage, Mics Spaced 4' Apart On Two Shure S15 Stands (up High) Recorded & Transferred By Anon Edited & Mastered (adobe Audition) By Joe Noel March 31, 2022
gd1984-10-06.158248.FOB.NAK100-SG.Anon-Noel.t-flac2448
1984-10-06Richmond Coliseum
158248flac2448 Source: (fob) Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Location: Approx. 40' From Stage, Mics Spaced 4' Apart On Two Shure S15 Stands (up High) Recorded, Transferred & Mastered By Anon Edited With Add'l Mastering In Adobe Audition By Joe Noel March 31, 2022
gd84-10-06.nak.grace-cole.15573.sbeok.shnf
1984-10-06Richmond Coliseum
15573FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT
gd1984-10-06.aud.unknown.fix-32898.33955.sbeok.shnf
1984-10-06Richmond Coliseum
33955This is a re-record of shnid 32898 using azimuth adjustment and Audacity.
gd1984-10-06.nak300.damico.87015.sbeok.flac16
1984-10-06Richmond Coliseum
87015flac16; taper : Joe D'Amico aka Joebeacon nak 300 mics > sony d5 Transfer: nak dragon tape deck into creative extigy sound card into pc -flac frontend
gd1984-10-06.109985.beyer-senn-daweez.D5scott.flac16
1984-10-06Richmond Coliseum
109985flac16; source: 2 Beyer M-88's & 1 Beyer M-160 Microphones > Nak MX100 w/2001> Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-10-06.beyerm88.suraci.77750.flac16
1984-10-06Richmond Coliseum
77750flac16; Source: *Beyer M88's>Sony D5M(XLIIS) Location: FOB/DFC Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700
gd1984-10-06.aud.Holtz.Nak100s.112831.flac2496
1984-10-06Richmond Coliseum
112831flac24; Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk. Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC; Transfer: MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > TLH > Flac Level 8 > 24/96
gd1984-10-06.127557.set2.schoeps.oade.BCE.flac1648
1984-10-06Richmond Coliseum
127557flac16/48kHz; Set 2 Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply then a modified Sony TCD-D5M then > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper
gd1984-10-06.nak300.damico.91173.sbeok.flac16
1984-10-06Richmond Coliseum
91173flac16; taper : Joe D'Amico nak 300 mics > sony d5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend (This source is an EAC version of the previous D'Amico source.)
gd84-10-08.rice-naks.willy.7773.sbeok.shnf
1984-10-08The Centrum
7773Mike Rice's MC; Nak CM 100 mics w/ shotgun capsules > Sony D5 cassette deck; via JD Foltz; Seeded to etree by Willy
gd1984-10-08.nak700.rolfe.miller.94302.sbeok.flac16
1984-10-08The Centrum
94302flac16; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
gd1984-10-08.nak700.rolfe.miller.94303.sbeok.flac24
1984-10-08The Centrum
94303flac24; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
gd1984-10-08.132549.Nak100CP4.Hill.Keo.Flac2496
1984-10-08The Centrum
132549flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Me, Bass Switch Wrong - Metered; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1984-10-08.132550.Nak100CP4.Hill.Keo.Flac1644
1984-10-08The Centrum
132550flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Me, Bass Switch Wrong - Metered; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1984-10-08.135916.aud.lamarre.berger.flac16
1984-10-08The Centrum
135916flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90, tdk ma90, dolby b, fob, section 2 row Q; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger
gd1984-10-08.135917.aud.lamarre.berger.flac24
1984-10-08The Centrum
135917flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90, tdk ma90, dolby b, fob, section 2 row Q; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
gd84-10-08.sbd.wiley.14450.sbeok.shnf
1984-10-08The Centrum
14450SBD>MC>DAT>CDR ; AUDMC>Nakamichi DR-1>HHB 850 CDR ; SBD with Audience Patches seed text info ; Via Andy L. ; Seeded to Etree by T. Wiley
gd1984-10-08.beyerm88.suraci.77834.flac16
1984-10-08The Centrum
77834flac16; Source: Beyer M88's>Sony D5M(XLIIS) Location: FOB/DFC Section 2, Row M Stand at 7 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96. Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700
gd1984-10-08.aud.morris.113963.flac24
1984-10-08The Centrum
113963flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
gd1984-10-08.124207.chasingwilma.flac24
1984-10-08The Centrum
124207flac24; lineage: (2) nakamichi 300 cp4> d-5 mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
gd1984-10-08.senn421.pauline.miller.91376.sbeok.flac16
1984-10-08The Centrum
91376flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller
gd1984-10-09.110019.beyer-senn-daweez.D5scott.flac16
1984-10-09The Centrum
110019flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-10-09.132545.Nak100CP4.Hill.Keo.Flac2496
1984-10-09The Centrum
132545flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1984-10-09.135911.aud.lamarre.berger.flac16
1984-10-09The Centrum
135911flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, section 2 row Q; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger
gd1984-10-09.135912.aud.lamarre.berger.flac24
1984-10-09The Centrum
135912flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, section 2 row Q; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
gd84-10-09.sbd.wiley.14499.sbeok.shnf
1984-10-09The Centrum
14499SBD>MC>DAT>CDR ; Patch Aud Source: MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release) ; Via Andy L. ; Seeded to Etree by T. Wiley
gd1984-10-09.nak300.morris.113964.flac24
1984-10-09The Centrum
113964flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
gd1984-10-09.132544.Nak100CP4.Hill.Keo.Flac1644
1984-10-09The Centrum
132544flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1984-10-09.nak100.rice.willy.7774.sbeok.shnf
1984-10-09The Centrum
7774Mike Rice's MC; Nak CM 100 mics w/ shotgun capsules > Sony D5 cassette deck; via JD Foltz; Seeded to etree by Willy
gd1984-10-09.nak300.carpenter.wise.andrewf.81386.sbeok.flac16
1984-10-09The Centrum
81386flac16; AUD Source: FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII's, no Dolby. Taped by Ted Carpenter. Transfer: MAC > CD by Jim Wise (2002), likely Nakamichi Dragon > HHB Burner. CDR > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression and checksums) > FLAC, Jan 2007 by Andrew F
gd1984-10-09.nak700.rolfe.miller.94344.flac16
1984-10-09The Centrum
94344flac16;Recording Info:(FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
gd1984-10-09.nak700.rolfe.miller.94345.flac24
1984-10-09The Centrum
94345flac24; Recording Info:(FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
gd1984-10-09.120082.akg.dyche.flac16
1984-10-09The Centrum
120082flac16; Akg 224's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche
gd1984-10-09.124292.chasingwilma.flac24
1984-10-09The Centrum
124292flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
gd1984-10-09.124414.mtx.dusborne.flac16
1984-10-09The Centrum
124414flac16; 2 Source Matrix by dusborne; Soundboard (shinid:14499) Main Source: SBD>MC>DAT>CDR with Patch Aud Source: MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release) Taper: Mike Rice and Audience (shnid:120082) Akg 224's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche
gd1984-10-09.senn421.pauline.miller.91410.sbeok.flac16
1984-10-09The Centrum
91410flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller
gd84-10-11.aud.unknown.5304.sbeok.shnf
1984-10-11Augusta Civic Center
5304AUD, unknown mic (reportedly possible Schoeps or Sennheiser); via Nick Scarano?
gd1984-10-11.132351.Nak100CP4.Hill.Keo.Flac1644
1984-10-11Augusta Civic Center
132351flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename