Grateful Dead
Richmond Civic Center
Richmond VA
October 6th 1984

Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk.

Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC

Transfer: MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > R8-Brain dither to 16/44 > TLH > Flac Level 8 


Set I
d01t01 - Crowd
d01t02 - Hell In A Bucket
d01t03 - Dire Wolf
d01t04 - Cassidy
d01t05 - They Love Each Other
d01t06 - Minglewood Blues
d01t07 - Tennessee Jed
d01t08 - Looks Like Rain->
d01t09 - Don't Ease Me In

Set II
d02t01 - Crowd
d02t02 - Scarlet Begonias->
d02t03 - Fire On The Mountain
d02t04 - Playin' In The Band->
d02t05 - China Doll->
d02t06 - Jam > 
d02t07 - //Drums//->
d03t01 -  Space > Jam > 
d03t02 - Throwing Stones->
d03t03 - Goin' Down The Road Feelin' Bad->
d03t04 - One More Saturday Night

Encore:
d03t05 - Keep Your Day Job


This source is derived from the same master tape as shnid 92383.  That particular transfer involved me (in 1998) playing the master analog tape on an unknown Nakamichi tape deck into my little Sony D-3 DAT via the 1/8" analog line input.  That DAT was then used to create shnid 92383 using patch material for most of the drums.  See below notes.  

Well, it ends up that back in 1998 the playback deck I used for the MAC > DAT transfer was running a bit fast, which eventually resulted in a final product that sounded a bit sharp.

This is a fresh transfer from the master analog tape, from the Tascam 112MKII straight into the Edirol UA-5 and into my PC at 24/96 resolution.  The original master tape is 13 years older now, but it still sounds great.  I am hoping that you all hear this as an improvement over 92383.  I think it is.  This is the 16/44 version.

Greg Holtz - April 13, 2011

PS:

As is noted on 92383:

Tony and Mark took the mic stand in and staked out the spot DIRECTLY in front of the soundboard.  There was nobody behind us but Dan Healey, and were were DEAD CENTER.  Anyway, I finally got in, and we set up the gear.  It was kind of a just-in-time moment, as the lights went down shortly after we got things all set up. ..  As far as the recording goes, the only flub was entirely my fault.  I was in a "susceptible" state of mind at the time, and a guy who patched out of our rig convinced me to not record the drums, and I was dumb enough to listen to him.  This transfer is the master tape as-is, with no patches, and about 4 or 5 minutes of drums missing.  C'est La Vie.

gd1984-10-06d01t01.flac:9e96428864f208cec0ae87cbe6b2b9fc
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gd1984-10-06d01t05.flac:f0fed2293814e14df765a5fdd504b695
gd1984-10-06d01t06.flac:8519f857b9f736ce6136f4a0354397c7
gd1984-10-06d01t07.flac:9e7e212c2a89f0b5642e106da93055af
gd1984-10-06d01t08.flac:3733620f37ccda5a39b65ccd324d76f3
gd1984-10-06d01t09.flac:b20cda93aa7969b2774273ad7cd3cbfd
gd1984-10-06d02t01.flac:19aa60cc649dd2d568a0d3ff8bbe9b32
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gd1984-10-06d03t05.flac:e7b1f7f798b1d0f622e1f59ea6f81abb

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