Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1980-08-31.142992.aud.sterry.beckwith.miller.clugston.flac2496
1980-08-31Capital Centre
142992flac24; Source Info: George Sterry's Master Audience Cassettes; Unknown mics > Sony TC158SD (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496
gd1980-08-31.142993.aud.sterry.beckwith.miller.clugston.flac1648
1980-08-31Capital Centre
142993flac16/48kHz; Source Info: George Sterry's Master Audience Cassettes; Unknown mics > Sony TC158SD (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1980-08-31.154697.senn.blend.eaton.miller.clugston.flac1648
1980-08-31Capital Centre
154697flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2021 > TLH2496
gd1980-08-31.154698.senn.blend.eaton.miller.clugston.flac2496
1980-08-31Capital Centre
154698flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2021 > TLH2496
gd80-08-31.set1-senn-set2-sbd.miller.26353.sbeok.shnf
1980-08-31Capital Centre
26353AUD, SBD combo: Set 1: Sennheiser 421> Cassette Master> Dat> Sound Forge> CD> EAC> SHN; Set 2: SBD> Cassette Master> Cassette> Dat> CD> EAC> SHN; Converted To SHN By Charlie Miller
gd1980-08-31.144288.fob.nak700.cohen.miller.clugston.flac1648
1980-08-31Capital Centre
144288flac16/48kHz; Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1980-08-31.144289.fob.nak700.cohen.miller.clugston.flac2496
1980-08-31Capital Centre
144289flac24; Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1980-08-31.nak300.morris.101718.sbeok.flac16
1980-08-31Capital Centre
101718flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
gd1980-09-02.128438.naks.mason.flac16
1980-09-02Community War Memorial Auditorium
128438flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
gd1980-09-02.148953.2nd.set.fob.nak700.gastwirt.miller.clugston.flac16
1980-09-02Community War Memorial Auditorium
148953flac16/44.1kHz; 2nd Set Source Info: Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M > Rich Gastwirt's Dat (16/44.1); Transfer Info: Dat (Sony PCM-R500)(16/44.1) > Tascam DA-3000 > .wav (16/44.1) > Adobe Audition 2020 > TLH flac16
gd1980-09-02.aud.unknown.26094.sbeok.shnf
1980-09-02Community War Memorial
26094Audience Recording: MC? > Reel/Cass > DAT; Transfer: Sony PCM-R500 DAT > HHB CDR-850> SoundStream WAV> mkACT SHN
gd1980-09-02.mtx.sirmick.110785.sbeok.flac16
1980-09-02Community War Memorial Auditorium
110785flac16; Matrix: 60% sbd/40% aud Recording Info: Discs 1 & 2: SBD -> Cassette Master -> ? -> Cool Edit Pro -> FLAC Disc 3: SBD -> Cassette Master -> Dat -> Sonic Solutions -> CD Encore: (FOB) Nakamichi 300/CP1 -> Cassette Master -> Dat -> CD Transfer Info: WAV -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller and FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand FOB, taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F.
gd1980-09-02.set2.127273.beyerM160.stankiewicz.flac24
1980-09-02War Memorial Auditorium
127273flac24; Set 2 AUD: 2x Beyers M160's > Nakamichi 550, FOB center. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 03/2014
gd80-09-02.sbd.miller.28299.sbeok.flacf
1980-09-02Community War Memorial Auditorium
28299flac16; mixed sources: d1,2: SBD> Cassette Master> (~4 cass gens?)> Cool Edit Pro> FLAC; d3: SBD> Cassette Master> Dat> Sonic Solutions> CD; Encore: FOB Nakamichi 300/CP1> Cassette Master> Dat> CD; Transferred and Edited By Charlie Miller
gd1980-09-02.sbd.miller.tetzeli.patch-28299.34940.reflac.flac16
1980-09-02War Memorial Auditorium
34940flac16; Patched version of soundboard shn id 28299 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1980-09-02.set2.beyer.stankiewicz.127274.flac1644
1980-09-02Community War Memorial Auditorium
127274flac16 Set 2 AUD: 2x Beyers M160's > Nakamichi 550, FOB center. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 03/2014
gd1980-09-03.aud.cribbs.12576.sbeok.shnf
1980-09-03Civic Center
12576Fixed reseed; FOB by Jim Wise and Eddie Claridge (Sony ECM-280 mics > Sony TC-D5) > Master Audience Cassette > CD-R; Seeded to etree by Sean Cribbs Note- Apparently the first shn set to circulate was corrupt. See the public comments for the original seed for more info
gd80-09-03.aud.bass.16925.sbeok.shnf
1980-09-03Springfield Civic Center
16925MAC > ? > CD > EAC > SHNv3; EAC(secure mode) and encoded to shnv3(seek enabled) by Charles Bass
gd1980-09-03.fob.nak300.friend.andrewf.103168.flac24
1980-09-03Springfield Civic Center
103168flac24;FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up in the arena riser center, end of floor facing the stage. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 12/2009
gd1980-09-03.fob.nak300.friend.andrewf.103169.flac16
1980-09-03Springfield Civic Center
103169flac16:FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up in the arena riser center, end of floor facing the stage. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 12/2009
gd1980-09-03.aud.morris.106618.flac24
1980-09-03Springfield Civic Center
106618flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Tape flip in drums at 5:35 spliced using Soundforge 9.0. Recorded FOB from Section 63, Row J, Seat 12 by Bob Morris.
gd1980-09-03.143030.aud.sterry.beckwith.miller.clugston.flac2496
1980-09-03Springfield Civic Center
143030flac24; Source Info: Primary: George Sterry's Master Audience Cassettes; Unknown mics > Sony TC-158SD > 1st generation cassette (TDK D90); Secondary: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII C90); Transfer Info: Primary: 1st generation cassettes(Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; Secondary: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496
gd1980-09-03.143031.aud.sterry.beckwith.miller.clugston.flac1648
1980-09-03Springfield Civic Center
143031flac16/48kHz; Source Info: Primary: George Sterry's Master Audience Cassettes; Unknown mics > Sony TC-158SD > 1st generation cassette (TDK D90); Secondary: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII C90); Transfer Info: Primary: 1st generation cassettes(Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; Secondary: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd80-09-04.wise.cribbs.24829.sbeok.shnf
1980-09-04Providence Civic Center
24829Recording by Jim Wise: FOB Sony ECM-280s mounted on a stand > Sony TC-D5 > MAC > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV > CD (untracked) > EAC > WAV > CD Wave tracking > SHN or CD. Original recording, transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs.
gd1980-09-04.sbd-set2.vernon.20014.sbeok.shnf
1980-09-04Providence Civic Center
20014Set 2 Soundboard Cassette Master > Reel > Dat > CDR via Andy Lemieux and Kingbee Patch Source: AUD>MC>DAT>SF>CD; encoding by Matt Vernon
gd1980-09-04.aud.morris.106619.flac24
1980-09-04Providence Civic Center
106619flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded from floor Section 8, Row V, Seat 12 by Bob Morris.
gd80-09-04.aud.munder.12270.sbeok.shnf
1980-09-04Providence Civic Center
12270AUD>MC>DAT>SF>CD; Transferred with Nakamichi Dragon to Sony PCM R-700; via Paul B; Seeded to etree by Willy
gd80-09-04.set1-sbd.17432.sbeok.shnf
1980-09-04Providence Civic Center
17432Set 1 SBD>?>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN(Seekable)
gd1980-09-04.nak300.friend.andrewf.104936.flac24
1980-09-04Providence Civic Center
104936flac24; FOB AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up FOB aprx 20th row, center right. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 12/2009
gd1980-09-04.nak300.friend.andrewf.104937.flac16
1980-09-04Providence Civic Center
104937flac16; FOB AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up FOB aprx 20th row, center right. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 12/2009
gd1980-09-04.nak300.morris.101719.sbeok.flac16
1980-09-04Providence Civic Center
101719flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from floor Section 8, Row V, Seat 12 by Bob Morris
gd80-09-06.set1-sbd.samaritano.23371.sbeok.shnf
1980-09-06State Fairgrounds
23371*Set 1 Only* Soundboard->Unknown->Cassette. Cassette->Fostex D5 (pass-through only)-> ZA2->Samplitude v7.02 Professional-> .wav->mkw->SHN. Cassette seed provided by Joey Browning. Transfer, editing, and SHN by Joe Samaritano
gd1980-09-06.aud.bass.16926.sbeok.shnf
1980-09-06Maine State Fairgrounds
16926MAC > ? > CD > EAC > SHNv3; EAC (secure mode) and encoded to shnv3 (seek enabled) by Charles Bass; missing encores
gd1980-09-06.aud.rolfe.wise-cribbs.25471.sbeok.shnf
1980-09-06Maine State Fairgrounds
25471Recording by Jim Wise: FOB Nak 700s > Sony TC-D5 (Steve Rolfe?s) > Sony TC-D5 (Jim Wise?s) > MAC (Maxell XII; Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV > CD (untracked) > EAC > WAV > CD Wave tracking > SHN or CD. Original recording, transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs.
gd1980-09-06.aud.morris.106620.flac24
1980-09-06State Fairgrounds
106620flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded FOB by Bob Morris
gd1980-09-06.127165.fob-nak700.rolfe-wise.minches.flac2496
1980-09-06State Fairgrounds
127165flac24; Recording by Steve Rolfe & Jim Wise: Master Audience Cassette; 2 NaKamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: February 20 , 2014; Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
gd1980-09-06.126441.commander.berger.flac16
1980-09-06State Fairgrounds
126441flac16; source: aud cassette master; taped by The Commander; audio-technica condensor mics > sony tc-152, tdk sa-c90's, no nr; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer/seed by Rob Berger & Taperchuck
gd80-09-06.wise.unknown.322.sbeok.shnf
1980-09-06State Fairgrounds
322Nak Dragon > Sony PCM r-500 DAT > CDR
gd80-09-06.sbd_aud.miller.25560.sbeok.shnf
1980-09-06State Fairgrounds
25560Recording Info (Source 1): SBD -> Master Cassette -> ? -> Cass -> Fostex D5 (pass-through only) -> ZA2 -> Samplitude v7.02 Professional -> SHN Supplies d1t01 through d2t03 (Provided By Joe Samaritano) Recording Info (Source 2): (FOB) Nakamichi 700 -> Master Cassette (Sony D5) -> Dat -> CD Supplies patch at end of d1t06 and also provides d2t04 through of the show. (Taped By Jim Wise). Remastering by Charlie Miller
gd1980-09-06.147839.fob.shure.sm57.sublette.miller.clugston.flac1648
1980-09-06State Fairgrounds
147839flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1980-09-06.147840.fob.shure.sm57.sublette.miller.clugston.flac2496
1980-09-06State Fairgrounds
147840flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1980-09-06.136807.fob-nak700.rolfe-wise.minches.t-flac16
1980-09-06State Fairgrounds
gd1980-09-06.119726.fob.hance.flac16
1980-09-06State Fairgrounds
119726flac16; FOB 3 mic blend taped by John Hance; FOB>AMC>DAT>CD>EAC>TLH>FLAC; extracted and flac encoded by Michale Turi
gd1980-09-06.nak300.friend.andrewf.101684.flac24
1980-09-06State Fairgrounds
101684flac24; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XL-II 90's. Mics on stand FOB, near the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. 09/2009
gd1980-09-06.nak300.friend.andrewf.101685.flac16
1980-09-06State Fairgrounds
101685flac16; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XL-II 90's. Mics on stand FOB, near the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. 09/2009
gd1980-09-06.fob.nak300.morris.102017.sbeok.flac16
1980-09-06State Fairgrounds
102017flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded FOB by Bob Morris (note: this source was originally seeded with a corrupt d1t02. A fixed version was seeded on 10/14/2009.)
gd1980-09-06.142971.fob.nak700.wise.miller.clugston.flac2496
1980-09-06State Fairgrounds
142971flac24; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII-C90)(patched out of Steve Rolfe); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
gd1980-09-06.142972.fob.nak700.wise.miller.clugston.flac1648
1980-09-06State Fairgrounds
142972flac16/48kHz; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII-C90)(patched out of Steve Rolfe); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1980-09-25.144696.nak700.severson.miller.clugston.flac1648
1980-09-25Warfield Theater
144696flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1980-09-25.144697.nak700.severson.miller.clugston.flac2496
1980-09-25Warfield Theater
144697flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd80-09-25.acoustic-sbd.hinko.18740.sbeok.shnf
1980-09-25Warfield Theater
18740Acoustic Set only; SBD > MR > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
gd80-09-25.menke.vernon.7303.sbeok.shnf
1980-09-25Warfield Theater
7303Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5; via Douglas Ferguson, Matt Vernon
gd1980-09-26.144651.nak700.severson.miller.clugston.flac2496
1980-09-26Warfield Theater
144651flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1980-09-26.fob-nak700.ellner-marino.gmb.89536.sbeok.flac16
1980-09-26Warfield Theater
89536flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008.
gd1980-09-26.sbd.miller.118444.flac16
1980-09-26Warfield Theater
118444flac16; Recording Info: SBD -> ? -> FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd80-09-26.acoustic-sbd.hinko.18741.sbeok.shnf
1980-09-26Warfield Theater
18741Acoustic Set only; SBD > MR > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
gd80-09-26.menke.vernon.7304.sbeok.shnf
1980-09-26Warfield Theater
7304Recording (attributed to ) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5; via Douglas Ferguson, Matt Vernon
gd1980-09-26.144650.nak700.severson.miller.clugston.flac1648
1980-09-26Warfield Theater
144650flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd80-09-27.nakcm700.jeffm.7998.sbeok.shnf
1980-09-27Warfield Theater
7998acoustic and electric; AUD> NAK CM700 mics X 3> Mixer>Sony D5> Master Cassette> Cassette; Playback: JVC TD-W309 (Pitch Correction)> Tascam DA-20mkII (A/D)> Tascam CD-RW700> CD; seeded by Jeff M.
gd1980-09-27.156572.sbd.tape1.1gen.miller.t.flac1644
1980-09-27Warfield Theater
156572flac1644 Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24 - This is 155740 2496 > 1644.1
gd80-09-27.sbd.clugston.11590.sbeok.shnf
1980-09-27Warfield Theater
11590Acoustic set: Master Soundboard Reel > PCM > DAT > CDR;Electric Sets: Master Audience Cassette:(3) Nakamichi CM700 mics> Mixer>Sony D5>1 cassette gen> DAT> CDR;The Audience source supplies "The Race Is On" (d1t01), the first 1:15 of "Jackaroe"(d1t02), from 0:04 - 0:42 and from 5:09 - 6:42 of "Bird Song" (d1t06), as well as from 2:58 thru the end of "Ripple" (d1t09). The Audience source was missing the beginning of "The Race Is On";The multiple patches in "Bird Song" were necessary due to problems on the Master Reels; Acoustic SBD DAT source from Joe Samaritano; Patching/CD Re-Mastering & Shn'ed by Scott Clugston; Uploaded to fungus and posted to abgd via Charlie Connor; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments)
gd1980-09-27.144698.nak700.severson.miller.clugston.flac1648
1980-09-27Warfield Theater
144698flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1980-09-27.144699.nak700.severson.miller.clugston.flac2496
1980-09-27Warfield Theater
144699flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1980-09-27.155900.akg.se5.wiseman.miller.clugston.flac1648
1980-09-27Warfield Theater
155900flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA-90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd1980-09-27.155901.akg.se5.wiseman.miller.clugston.flac2496
1980-09-27Warfield Theater
155901flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA-90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd1980-09-27.155740.sbd.miller.flac2496
1980-09-27Warfield Theater
155740Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90)
Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24
gd80-09-27.menke.vernon.7305.sbeok.shnf
1980-09-27Warfield Theater
7305Recording (attributed to Bob Menke): Nakamichi CM700 Mics (3)>Mixer>Sony D-5; via Douglas Ferguson, Matt Vernon
gd1980-09-27.sbd.cantor.gmb.96271.flac16
1980-09-27Warfield Theatre
96271flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder> analog in PCM501ES analog out > Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48] Mastering: In WaveLab with Nomad Blue Tube Plugins Rate Conversion with r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 6, 2008, Green Mountain Bros.
gd1980-09-27.144228.s1.aud.flac2448
1980-09-27Warfield Theater
144228flac24; Set 1; Source: Mono AUD unknown lineage > ? > Cassette, via Richie & Rip. Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 12/2018
gd80-09-29.sbd.hinko.21926.sbeok.shnf
1980-09-29Warfield Theater
21926SBD > MC > C > DAT > CD > EAC > SHN; To Lay Me Down patched with current AUD source; EAC/SHN by Darryl Hinko
gd1980-09-29.144654.nak700.severson.miller.clugston.flac1648
1980-09-29Warfield Theater
144654flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info:Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1980-09-29.144655.nak700.severson.miller.clugston.flac2496
1980-09-29Warfield Theater
144655flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info:Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1980-09-29.nak700.ellner.koucky.89075.flac16
1980-09-29Warfield Theater
89075flac16; Recording by Ron Elner: Source: Master Cassette >Teac Reel > CD Nakamichi 700’s > Sony TC D-5 Location: FOB either on the floor or 1st row balcony Recorded and archived by Ron Elner, the master cassettes were stolen. CD Extraction with EAC > TLH > FLAC level 8 CD Extraction and seeded by B. Koucky Green Mountain Bros. December 2007
gd1980-09-29.nak300.walker-scotton.miller.106783.flac16
1980-09-29Warfield Theater
106783flac16; Recording Info: Nakamichi 300/CP1 -> Cassette Master (Sony D5M/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd80-09-29.menke.vernon.12886.sbeok.shnf
1980-09-29Warfield Theater
12886Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 from center balcony Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson SHN Conversion: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable) by Matt Vernon
gd1980-09-30.132375.sbd.miller.flac16
1980-09-30Warfield Theater
132375flac16; Recording Info: SBD -> Cassette Master -> FLAC; Transfer Info: FLAC -> Adobe Audition v5.5 -> Samplitude Pro X2 Suite -> FLAC; All Transfers and Mastering By Charlie Miller
gd1980-09-30.fob-nak700.ellner-marino.gmb.89554.sbeok.flac16
1980-09-30Warfield Theater
89554flac16; Recording by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008.
gd1980-09-30.132779.mtx.dusborne.flac16
1980-09-30Warfield Theater
132779flac16; 2 source matrix by Dusborne; Soundboard(shinid:132375) SBD -> Cassette Master -> FLAC, FLAC -> Adobe Audition v5.5 -> Samplitude Pro X2 Suite -> FLAC and Audience(shinid:089554) Master Cassette > Nakamichi 700s > Sony TC D-5, Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction with EAC > TLH > FLAC level 8
gd80-09-30.menke.vernon.12882.sbeok.shnf
1980-09-30Warfield Theater
12882Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 from balcony center taped by Bob Menke Remaster by Douglas Ferguson: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 SHN Conversion by Matt Vernon: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable)
gd1980-09-30.set1.sbd.miller.96066.sbeok.flac16
1980-09-30Warfield Theatre
96066flac16; Acoustic Set Recording Info:SBD -> 24 Track Master Reel -> Cassette -> Cassette; Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1980-09-30.144727.nak700.severson.miller.clugston.flac1648
1980-09-30Warfield Theater
144727flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1980-09-30.144728.nak700.severson.miller.clugston.flac2496
1980-09-30Warfield Theater
144728flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1980-10-01.150795.sbd.miller.flac2496
1980-10-01Warfield Theatre & Radio City Music Hall
150795flac24; Recording Info: SBD > (16-track) Reel Master > Cassette; Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24; All Transfers and Mastering by Charlie Miller
gd1980-10-01.151442.DeadSetOuttakes.miller.t.flac16
1980-10-01Warfield Theatre & Radio City Music Hall
151442flac16; Recording Info: SBD > (16-track) Reel Master > Cassette; Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24; All Transfers and Mastering by Charlie Miller, 150795 24 -> 16 @ 44.1
gd1980-10-01.144287.dead-set.healy-mix.flac2448
1980-10-01Warfiled Theater & Radio City Music Hall
144287flac16; Source: SBD Healy's mix-down reels > Cassette, via Richie & Rip; Transfer: MA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 12/2018
gd1980-10-02.141014.pt.akg.cm.miller.flac1644
1980-10-02Warfield Theater
141014flac16; Partial Show Recording Info: AKG Mics (m/s) > Cassette Master (Sony TC-D5M/Maxell UD-XLII/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd80-10-02.acoustic-sbd.wiley.8039.sbeok.shnf
1980-10-02Warfield Theater
8039Acoustic set; SBD> MR> CASSETTE> DAT> CDR; via Paul B.; Tim Wiley
gd1980-10-02.acoustic.mtx.sirmick.92204.sbeok.flac16
1980-10-02Warfield Theatre
92204flac16; Acoustic Set, Matrix sources: a) (shnid 8039) sbd > mr > cass > dat > cdr > eac > shn and b) (shnid 89111) Master Cassette > Nakamichi 700s > Sony TC D-5 > Teac Reel > Transfer to PC tracked & burned to CD Location: FOB either on the floor or 1st row balcony CD Extraction with EAC > TLH > FLAC level 8 Matrix by SIRMick June 2008
gd1980-10-02.138019.set2.sbd.flac16
1980-10-02Warfield Theater
138019flac16; SBD > ? > cassette > CD > WAV > FLAC
gd1980-10-02.nak700.ellner.mandell.gmb.89111.sbeok.flac16
1980-10-02Warfield Theater
89111flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700’s > Sony TC D-5 > Teac Reel > Transfer to PC tracked & burned to CD Location: FOB either on the floor or 1st row balcony CD Extraction with EAC > TLH > FLAC level 8 Recorded and archived by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Peter Mandell CD Extraction and seeded by Bill Koucky Green Mountain Bros. December 2007
gd1980-10-02.sbd.aud.miller.114364.flac16
1980-10-02Warfield Theater
114364flac16; Recording Info: Set 1: SBD -> Reel Master -> Cassette -> Dat -> CD (shnid=8039); Set 2: Nakamichi 700 -> Cassette Master -> Reel -> Dat -> CD (shnid=89111); Set 3: SBD -> Cassette Master -> Dat -> CD (shnid=2204); Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v3 -> FLAC; All Transfers and Mastering By Charlie Miller
gd80-10-02.nak300.vernon.16154.sbeok.shnf
1980-10-02Warfield Theater
16154acoustic and electric sets; Nak300 > Sony TC-152; via Charles Gannon, encoded by Matt Vernon
gd80-10-02.set3-sbd.jerugim.2204.sbeok.shnf
1980-10-02Warfield Theater
2204set 3; SBD-> Master Cassette-> DAT-> Sonic Solutions-> CD; CD-> EAC-> SHN conversion and upload by Adam Jerugim; seed via David Gans, Chris Meyer, Charlie Miller
gd1980-10-02.set1.sbd.miller.96067.sbeok.flac16
1980-10-02Warfield Theatre
96067flac16; Acoustic Set Recording Info:SBD -> 24 Track Master Reel -> Cassette -> Cassette; Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1980-10-02.140819.s2ps3p.akg24.miller.flac2496
1980-10-02Warfield Theatre
140819flac24; Partial Show Recording Info: AKG Mics (m/s) > Cassette Master (Sony TC-D5M/Maxell UD-XLII/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1980-10-03.146232.acoustic.mtx.seamons.ht17.flac16
1980-10-03Warfield Theater
146232flac16 Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) of shnid's 2200 and 89128
gd1980-10-03.nak700.ellner.koucky.89128.sbeok.flac16
1980-10-03Warfield Theater
89128flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700’s > Sony TC D-5. Location: FOB either on the floor or 1st row balcony 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction: EAC > TLH > FLAC level 8. Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction and seeded by Bill Koucky. Green Mountain Bros. December 2007.
gd80-10-03.nak300.vernon.16208.sbeok.shnf
1980-10-03Warfield Theater
16208Nak300 > Sony TC-152 > AMC > CoolEdit Pro > CD; via Charles Gannon; encoded by Matt Vernon
gd80-10-03.set1-sbd.aj.2200.sbeok.shnf
1980-10-03Warfield Theater
2200acoustic; SBD-> Master Cassette-> DAT-> Sonic Solutions-> CD; CD-> EAC-> SHN conversion and upload by Adam Jerugim; seed via David Gans, Chris Meyer, Charlie Miller
gd80-10-04.sbd.blanchard.14989.sbeok.shnf
1980-10-04Warfield Theater
14989complete SBD>?>CDR>EAC>Cool Edit(minor cleanup, normalization)>CDWAV(tracking)>mkwact(seekable) via Joey Browning, Steve Blanchard
gd1980-10-04.151437.sbd.1st-gen.miller.t.flac16
1980-10-04Warfield Theater
gd80-10-04.sbd.bertha-ashley.19147.sbeok.shnf
1980-10-04Warfield Theater
19147SBD>>MR>>PCM>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN
gd1980-10-04.set1-sbd.willy.8778.shnf
1980-10-04Warfield Theater
8778Acoustic and partial set 2; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy
gd1980-10-04.141334.sbd.set1-2p.betty.pcm.dalton.miller.clugston.flac1644
1980-10-04Warfield Theater
141334flac16; Source Info: Betty's 7" two track reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1980-10-04.151265.sbd.miller.flac2496
1980-10-04Warfield Theater
151265flac24/96khz Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24
gd1980-10-04.151266.sbd.betty.anon.noel.flac1644
1980-10-04Warfield Theater
151266flac16/44.1khz Source: Master SBD Reel > PCM > DAT Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44
gd1980-10-06.135936.sbd.GEMS.flac16
1980-10-06Warfield Theatre
135936flac16 Soundboard > Cass > PCM Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800 -> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 Additional lineage: Tracked with Audacity-> flac level 8 and checksums with TLH-> tags with Mp3tag
gd80-10-06.menke.vernon.13062.sbeok.shnf
1980-10-06Warfield Theater
13062Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 tfrom Balcony, Center. Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson. shn conversion by Matt Vernon via Raoul Duke
gd80-10-06.acoustic-sbd.8779.sbeok.shnf
1980-10-06Warfield Theater
8779Acoustic set only; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy
gd1980-10-06.nak700.ellner.koucky.89169.sbeok.flac16
1980-10-06Warfield Theater
89169flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5. Location: FOB either on the floor or 1st row balcony. 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction with EAC > TLH > FLAC level 8. Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction and seeded by Bill Koucky; Green Mountain Bros. December 2007.
gd1980-10-06.155949.electric.sets.akg.se5.wiseman.miller.clugston.flac1648
1980-10-06Warfield Theater
155949flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd1980-10-06.155950.electric.sets.akg.se5.wiseman.miller.clugston.flac2496
1980-10-06Warfield Theater
155950flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd1980-10-06.141335.sbd.set1-2p.betty.pcm.dalton.miller.clugston.flac1644
1980-10-06Warfield Theater
141335flac16; Source Info: Betty's 7" two track reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1980-10-06.144725.nak700.severson.miller.clugston.flac1648
1980-10-06Warfield Theater
144725flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1980-10-06.144726.nak700.severson.miller.clugston.flac2496
1980-10-06Warfield Theater
144726flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1980-10-06.151267.sbd.betty.anon.noel.flac1644
1980-10-06Warfield Theater
151267flac16/44.1khz Source: Master SBD Reel > PCM > DAT Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44
gd80-10-07.partial.sbd.cousinit.24664.sbeok.shnf
1980-10-07Warfield Theater
24664Source: Acoustic and partial set 1 electric: MSR>C>DAT>WAV>SHN C>SHN Encoding by Cousinit Seeded to abgd
gd1980-10-07.108882.sbd-stanley.blackwood-waddell.flac16
1980-10-07Warfield Theater
108882SBD > Reel > Sony TCD5 > Cassette Master (Betty's) TDK SA-X 60 > DAT > Mastering (Custom Analog & Digital 06-10 ) > WAV. Reel to cassette transfer on 1981-02-06. Lineage: WAV > FLAC [7]. Recording Engineer: possibly Bear (Tape noted: Bear's Monitor At Gig). Original Cassette Master > DAT Transfer: Jim Blackwood. Mastering: Jim Blackwood, Mastering assistance: Jamie Waddell
gd80-10-07.menke.vernon.14046.sbeok.shnf
1980-10-07Warfield Theater
14046Recording (attributed to) Bob Menke: Balcony, Center Nakamichi CM700 Mics (3)>Mixer>Sony D-5. Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson shn encoding by Matt Vernon via Raoul Duke
gd1980-10-07.nak700.ellner.koucky.89189.sbeok.flac16
1980-10-07Warfield Theater
89189flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5M. Location: FOB either on the floor or 1st row balcony. 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction with EAC > TLH > FLAC level 8. Masters Recorded by Ron Ellner and archived to Reels by Peter Mandell, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction by Bill Koucky. Green Mountain Bros. December 2007.
gd1980-10-07.144738.nak700.severson.miller.clugston.flac1648
1980-10-07Warfield Theater
144738flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1980-10-07.144739.nak700.severson.miller.clugston.flac2496
1980-10-07Warfield Theater
144739flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1980-10-07.151264.sbd.healy.miller.fixed.flac2496
1980-10-07Warfield Theater
151264flac24/96khz Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24
gd1980-10-07.151264.sbd.healy.miller.orig.flac2496
1980-10-07Warfield Theater
gd1980-10-09.140924.set1p.sbd.betty.pcm.dalton.miller.clugston.flac1644
1980-10-09Warfield Theater
140924flac16; Partial 1st Electric Set Source Info: Betty's 7" 2-track Master Soundboard Reel @ 7.5 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1980-10-09.144734.nak700.severson.miller.clugston.flac1648
1980-10-09Warfield Theater
144734flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit viadBpweramp
gd80-10-09.sbd.unknown.11042.sbeok.shnf
1980-10-09Warfield Theater
11042labelled as SBD> R> DAT> CD, but see info file notes; note same txt file as other shn set, but md5s differ
gd1980-10-09.141349.sbd.acoustic.set.betty.pcm.dalton.miller.clugston.flac1644
1980-10-09Warfield Theater
141349flac16; Source Info: Betty's 7" two track reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1980-10-09.144735.nak700.severson.miller.clugston.flac2496
1980-10-09Warfield Theater
144735flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1980-10-09.151344.sbd.miller.flac2496
1980-10-09Warfield Theater
151344flac24/96khz Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24
gd1980-10-10.mtx.chappell.sb03.28740.flac16
1980-10-10Warfield Theater
28740flac16; SBD/AUD Matrix of 3 previously circulated seeds; prepared by Chris Chappell
gd1980-10-10.sbd-set1.unknown.73820.flac16
1980-10-10Warfield Theater
73820flac16; Acoustic Set - sbd reel master > dats @ 44.1 kHz wavelab > cd wave/flac
gd1980-10-10.156341.akg-se5-wiseman-miller-clugston.flac2496
1980-10-10Warfield Theater
156341flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd1980-10-10.akg.se5.wiseman.miller.clugston.flac1648
1980-10-10Warfield Theater
156340flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd1980-10-10.fob-nak700.ellner-marino.gmb.89560.sbeok.flac16
1980-10-10Warfield Theater
89560flac16; Recording by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008.
gd1980-10-10.144766.nak700.severson.miller.clugston.flac2496
1980-10-10Warfield Theater
144766flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5(Maxell UDXLI); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd80-10-10.acoustic-sbd.hinko.14386.sbeok.shnf
1980-10-10Warfield Theater
14386Acoustic set only; SBD>MR>PCM>DAT>CDR>EAC>SHN This new seed does not have the problems in Dark Hollow like the previous seed.
gd1980-10-10.sbd-acoustic.willy.8780.sbeok.shnf
1980-10-10Warfield Theatre
8780Acoustic set only; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy
gd80-10-10.menke.vernon.13989.sbeok.shnf
1980-10-10Warfield Theater
13989Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 from Balcony, Center Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson, via Roual Duke, SHN Conversion by Matt Vernon
gd80-10-10.sbd.cousinit.24710.sbefail.shnf
1980-10-10Warfield Theater
24710MSR>C>C>DAT>WAV>SHN; C>DAT Conversion by Cousinit Patch Source: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700
gd1980-10-10.144765.nak700.severson.miller.clugston.flac1648
1980-10-10Warfield Theater
144765flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5(Maxell UDXLI); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1980-10-11.sbd-set1.unknown.73821.flac16
1980-10-11Warfield Theater
73821flac16; Acoustic Set - sbd reel master > dats @ 44.1 kHz wavelab > cd wave/flac
gd80-10-11.sbd-acoustic.windsor.clevenger.fix-323.6198.shnf
1980-10-11Warfield Theater
6198shn set from Bob Clevenger; edit of previously circulating SHN set - see info for details
gd1980-10-11.155431.sbd.1gen.miller.t.flac16
1980-10-11Warfield Theater
155431flac16/44: Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 155315 2496 > 1644
gd1980-10-11.156342.akg-se5-wiseman-miller-clugston.flac1648
1980-10-11Warfield Theater
156342flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496
gd1980-10-11.156343.akg-se5-wiseman-miller-clugston.flac2496
1980-10-11Warfield Theater
156343flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496
gd1980-10-11.142010.sbd.smith.miller.clugston.flac1648
1980-10-11Warfield Theater
142010flac16/48kHz; Master Soundboard Cassettes > 1st generation cassettes > Matt Smith's 2nd generation cassettes (Nakamichi BX-300)> Apogee Mini Me > Apogee Mini DAC > WaveLab 5.0 (.wav 24-bit/96k) > Adobe Audition 3.0 > TLH flac 24/96; This is a 16/48 fileset. 24-bit > 16-bit via dBpoweramp
gd1980-10-11.142012.sbd.smith.miller.clugston.flac2496
1980-10-11Warfield Theater
142012flac24; Source Info: Master Soundboard Cassettes > 1st generation cassettes > Matt Smith's 2nd generation cassettes; Transfer Info: 2nd generation cassettes (Nakamichi BX-300)> Apogee Mini Me > Apogee Mini DAC > WaveLab 5.0 (.wav 24-bit/96k) > Adobe Audition 3.0 > TLH flac2496
gd1980-10-11.155315.sbd.miller.flac24
1980-10-11Warfield Theater
155315Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90)
Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
gd80-10-11.sbd.blanchard.16336.sbeok.shnf
1980-10-11Warfield Theater
16336SBD:MC >? >CDR >EAC >cool edit 2000 (minor clean up,normalization) >CDWAV (tracking) >mkwact(seekable) w/expanded drums this becomes a 3 disc show.
gd80-10-11.acoustic-sbd.windsor.323.sbefail.shnf
1980-10-11Warfield Theater
323acoustic set; SBD> Reel> PCM> DAT> CDR> Plexwriter CD-R (EAC)> HP 8200i CDRW Drive (EAC); via Andy "Bear" Greider, Stephen Windsor, Darrin Sacks
gd1980-10-13.137256.sbd.clugston.sbeok.flac16
1980-10-13Warfield Theater
137256flac16; Recording Info: 1st Electric Set & 2nd Electric Set partial (thru The Other One) SBD > many cassette generations > Cass; Transfer Info: Cassette played back on Nakamichi Dragon > Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) > Korg AudioGate > WAV [24/96] > Adobe Audition 6.0> FLAC encoding
gd80-10-13.set1-set3-sbd.miller.25559.sbeok.shnf
1980-10-13Warfield Theater
25559Recording Info: Set 1: SBD -> Master Reel -> PCM -> Dat -> CD -> EAC -> SHN Set 3: SBD -> 3rd Gen Pro Shot Video Transfer Info: 3rd Gen Pro Shot Video -> Dat (Sony R500/48k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller
gd80-10-13.acoustic-sbd.munder.13064.sbeok.shnf
1980-10-13Warfield Theater
13064Acoustic set only; SBD>MR>PCM>DAT>CDR; via Paul B; Seeded to etree by Willy
gd1980-10-13.114417.aud.vman.flac16
1980-10-13Warfield Theater
114417flac16; source: unknown audience recording > cassette x2 > CDR (using Nakamichi BX300 playback > H/K CDR2 (stand alone CD recorder); transfer: CDR > MacBook using Xact to create flac files, no other work has been done on this recording
gd1980-10-14.155439.sbd.1gen.miller.t.flac16
1980-10-14Warfield Theater
155439flac16/44 Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 155412 2496 > 1644
gd80-10-14.sbd-aud.gardner.3828.sbeok.shnf
1980-10-14Warfield Theater
3828Set 1 and encores: unknown audience> ?> CDR> EAC> SHN; Sets 2,3: SBD> MR> DAT> CDR> EAC> SHN; via Tony Gardner, with thanks to Paul B., Mario Mancilla; update to Tony's previous shn set, his comments: "I found another source for the acoustic set and called it disc 0. encores are added on disc 3. I cut about two minutes of silence from the end of disc 1 and 2, no other changes"; see info file for more comments
gd1980-10-14.108883.sbd-stanley.blackwood-waddell.flac16
1980-10-14Warfield Theater
108883SBD > Reel > Sony TCD5 > Cassette Master (Betty's) TDK SA-X 60 > DAT > Mastering (Custom Analog & Digital 06-10 ) > WAV. Reel to cassette transfer on 1981-02-06. Lineage: WAV > FLAC [7]. Recording Engineer: possibly Bear (Tape noted: Bear's Monitor At Gig). Original Cassette Master > DAT Transfer: Jim Blackwood. Mastering: Jim Blackwood. Mastering assistance: Jamie Waddell
gd1980-10-14.137560.sbd.miller.flac1648
1980-10-14Warfield Theater
137560flac16/48Khz; Set 2 & 3 Recording Info: SBD -> Master Reel (10in 15ips 1/2 trk) > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
gd1980-10-14.119320.mtx-electric.dusborne.flac16
1980-10-14Warfield Theater
119320flac16; Sets 2 and 3; 2 source matrix-electric sets: Soundboard (shnid=3828): SBD> MR> DAT> CDR> EAC> SHN >TLH >flac and Audience (shnid=89632): FOB either on the floor or 1st row balcony Master Cassette > Nakamichi 700s > Sony TC D-5M
gd1980-10-14.sbd.gardner.3576.shnf
1980-10-14Warfield Theater
3576SBD> MR> DAT> CDR> EAC> SHN; note Acoustic first set and encore missing; via Tony Gardner; note upgrade in circulation
gd1980-10-14.156399.mtx.photoleon.t-flac16
1980-10-14Warfield Theater
156399Matrix Created In Adobe Audition By Joe Noel Source 1; 89632 Source: Nakamichi 700s > Sony Tc D-5m > Master Cassette > 1st Generation Copy To Teac Reel To Reel Location: Fob Either On The Floor Or 1st Row Balcony Source 2; 155439 Recording Info: Sbd > Cassette Master (nakamichi 550) > Cassette (sony Tc-d5m Tdk Sa-c90)
gd1980-10-18.135529.sbd.miller.flac16
1980-10-18Saenger Performing Arts Center
135529flac16; Recording Info: SBD -> Cassette Master -> Dat -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd80-10-18.neumann.vernon.13596.sbeok.shnf
1980-10-18Saenger Performing Arts Center
13596FOB Neumann km84> Cm> Dat> CD via Mike McCarthy and Raoul Duke, encoding subcontracted to Matt Vernon by The Miami SHN Machine
gd1980-10-18.133594.sbd.miller.flac16
1980-10-18Saenger Performing Arts Center
133594flac16; Recording Info: SBD -> Cassette Master -> Dat -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd80-10-19.set1-aud.vernon.16908.sbeok.shnf
1980-10-19Saenger Performing Arts Center
16908AUDMC(unknown mics) > C > C > WAV; set 1 acoustic only (other sets already circulate); via Hanno Bunjes, encoded by Matt Vernon
gd80-10-19.set2-3-aud.vernon.13469.sbeok.shnf
1980-10-19Saenger Performing Arts Center
13469unknown FOB aud source electric sets 2-3 via Raoul Duke and Mike McCarthy, encoding by Matt Vernon
gd1980-10-19.134368.aud-cas-r2.flac1648
1980-10-19Saenger Performing Arts Center
134368flac16/48kHz; s1 described as aud, s2 and s3 described as fob aud cas> R2; see info file for details; Transfer: trade dats at 48k > m-audio audiophile 2496 > cooledit2000 > 48k wav > flac
gd1980-10-19.beyer.stankiewicz.125633.flac1644
1980-10-19Saenger Performing Arts Center
125633flac16; AUD: 2x Beyer M160's > Sony TC-D5, 20-foot spread, front edge of balcony. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013.
gd1980-10-19.s3.aud.seaweed.125234.flac1644
1980-10-19Saenger Performing Arts Center
125234flac16; Set 3 Source: Unknown AUD, lo-gen tape kindly provided by Seaweed1010. Transfer: XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 07/2013
gd1980-10-19.beyer.stankiewicz.125632.flac2496
1980-10-19Saenger Performing Arts Center
125632flac24; AUD: 2x Beyer M160's > Sony TC-D5, 20-foot spread, front edge of balcony. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013.
gd1980-10-22.sonyecm280.wise.miller.100416.flac16
1980-10-22Radio City Music Hall
100416flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
gd1980-10-22.nak300.morris.101778.sbeok.flac16
1980-10-22Radio City Music Hall
101778flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Orchestra Row SS, Seat 109 by Bob Morris
gd1980-10-22.120053.fob-nak700.gatto-jaeger.dusborne.flac16
1980-10-22Radio City Music Hall
120053flac16; Lodge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 Tracked in Audacity 2.0 by dusborne
gd80-10-22.sony.wiley.8479.sbefail.shnf
1980-10-22Radio City Music Hall
8479AUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley
gd80-10-23.cohen.vernon.13140.sbeok.shnf
1980-10-23Radio City Music Hall
13140Recording by Mark Cohen: AUD from orchestra seats with Nak 700s > Sony D5; Lineage: AUDMC > Cass > DAT > CDR via Jay Jurina, conversion Matt Vernon
gd80-10-23.sonyecm280.wiley.8700.sbeok.shnf
1980-10-23Radio City Music Hall
8700AUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley
gd1980-10-23.fob.sonyecm280.wise.miller.101256.flac16
1980-10-23Radio City Music Hall
101256flac16; Recording Info:(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Taped By Jim Wise; All Transfers and Mastering By Charlie Miller
gd1980-10-23.143352.fob.nak700.cohen.miller.clugston.flac2496
1980-10-23Radio City Music Hall
143352flac24; Source Info: Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony D5 (located in the orchestra seats); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
gd1980-10-23.aud.morris.108016.flac24
1980-10-23Radio City Music Hall
108016flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded from Orchestra Row A, Seat 310, by Bob Morris; Upgrade in circulation
gd1980-10-23.aud.morris.fixed.111029.flac24
1980-10-23Radio City Music Hall
111029flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded from Orchestra Row A, Seat 310, by Bob Morris; This is an upgrade to shn 108016: deleted extraneous bad tracks; renamed files; Patched with ID 101256
gd1980-10-23.fob.nak300.morris.102026.sbeok.flac16
1980-10-23Radio City Music Hall
102026flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Orchestra Row A, Seat 310, by Bob Morris
gd1980-10-23.120072.fob-nak700.gatto-jaeger.dusborne.flac16
1980-10-23Radio City Music Hall
120072flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 ; Tracked in Audacity 2.0 by dusborne
gd1980-10-23.143351.fob.nak700.cohen.miller.clugston.flac1648
1980-10-23Radio City Music Hall
143351flac16/48kHz; Source Info:Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony D5 (located in the orchestra seats); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1980-10-25.150759.sbd.miller.flac2496
1980-10-25Radio City Music Hall
150759flac24; Mixes of To Lay Me Down made for Reckoning Recording Info: SBD > (16-track) Reel Master > Cassette; Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24; All Transfers and Mastering by Charlie Miller
gd1980-10-25.157769.ToLayMeDown.t.flac1644
1980-10-25Radio City Music Hall
157769flac1644 Grateful Dead - October 25, 1980 Radio City Music Hall - New York, NY Recording Info: SBD > (16-track) Reel Master > Cassette Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24 (1 CD FLAC) All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net October 24, 2020 Notes: -- Two different mixes of To Lay Me Down made for Reckoning on February 20, 1981 -- This is 150759 2469 > 1644
gd1980-10-25.nak300.morrone.friend.116768.flac2448
1980-10-25Radio City Music Hall
116768flac24; AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. 10/2011
gd1980-10-25.nak300.morrone.friend.116769.1644
1980-10-25Radio City Music Hall
116769flac16; AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. 10/2011
gd80-10-25.aud.wiley.8726.sbefail.shnf
1980-10-25Radio City Music Hall
8726AUD>MC>DAT>CDR; Seeded to etree by Tim W
gd1980-10-25.fob.sonyecm280.wise.miller.102405.flac16
1980-10-25Radio City Music Hall
102405flac16; Recording Info:(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
gd1980-10-25.120163.fob-nak700.gatto-jaeger.dan.flac16
1980-10-25Radio City Music Hall
120163flac16; Nak 700's > Sony D-5 > AMC; Recorded Dead front center loge by Keith Gatto & Pete Jaeger; AMC > DAT > CDR > EAC > FLac (EAC > Flac by Michael Turi); Equalization: Used a multifilter with the following order: 20-band EQ with linear increases from 0-500 Hz. One subharmonic synthesizer set at 125 Hz. Two expanders (dynamic noise in expander mode) to increase the dynamic range. May, 2012-Dan McDonald
gd80-10-26.sbd.hinko.18862.sbeok.shnf
1980-10-26Radio City Music Hall
18862Updated Source; SBD > MR > C (no dolby) > DAT > CD > EAC > SHN; was marked: SBD > MR > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
gd80-10-26.sony-ecm.fishman.11837.sbeok.shnf
1980-10-26Radio City Music Hall
11837Source: CAUD >D>CD>EAC>WAV>SHN Location: 1st row, Lowest Balcony, Center Seats Source Recording: Sony ECM 270 Condensors > Cassette With 10/18/88 (Matrix) filler; See info file for details; Seeded to etree by JR Fishman
gd1980-10-26.nak700.rolfe.miller.94269.sbeok.flac16
1980-10-26Radio City Music Hall
94269flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
gd1980-10-26.150763.sbd.miller.flac2496
1980-10-26Radio City Music Hall
150763flac24; Mixes of It Must Have Been The Roses made for Reckoning Recording Info: SBD > (16-track) Reel Master > Cassette; Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24; All Transfers and Mastering by Charlie Miller
gd80-10-26sbd.remaster.18896.sbeok.shnf
1980-10-26Radio City Music Hall
18896PLEASE NOTE: This is a Remaster of the original SBD SHN Seed released by Darryl Hinko. Main Source: SBD>MR>DAT>CD>EAC>SHN ; Patch Source: AUD(Wise Sony ECM 280?s)>Sony D-5>MC Playback on Nak Dragon>Sony PCM-R700>Hard Drive via ZA2>CDR>EAC(secure)>Cool Edit Pro>CD WAV>SHN(seekable) ; Remaster Conversion: SHN>WAV>ADWS>SHN(Seekable); Via Hinks ; Seeded by T. Wiley 08/15/2003.
gd80-10-26.sonyecm280.wiley.8765.sbeok.shnf
1980-10-26Radio City Music Hall
8765Updated lineage: Recording by Jim Wise: Nak 700s>Sony D-5>MC>PCM>ZA2>CDR; Seeded to etree by Tim W
gd1980-10-26.nak300.morrone.friend.116426.flac1644
1980-10-26Radio City Music Hall
116426flac16; AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 10/2011
gd1980-10-26.157771.ItMustHaveBeenTheRoses.t.flac1644
1980-10-26Radio City Music Hall
157771flac1644 Mixes of It Must Have Been The Roses made for Reckoning Recording Info: SBD > (16-track) Reel Master > Cassette; Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24; All Transfers and Mastering by Charlie Miller - This is 150763 2496 > 1644
gd1980-10-26.120169.fob-nak700.gatto-jaeger.dusborne.flac16
1980-10-26Radio City Music Hall
120169flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 05-17-2012
gd1980-10-26.mtx.seamons.101967.flac16
1980-10-26Radio City Music Hall
101967flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
gd1980-10-27.senn441.wise.miller.101293.flac16
1980-10-27Radio City Music Hall
101293flac16; Recording Info: Sennheiser 441 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Taped By Jim Wise; All Transfers and Mastering By Charlie Miller
gd80-10-27.senn441.lai.324.sbefail.shnf
1980-10-27Radio City Music Hall
324Recording by Jim Wise: senn. 441 > d-5 center lower balcony several rows back; playback on nak dragon & ran the signal right through sony pcm r-700 directly to hard disc via za2; no other processing apart form minor editing and normalization; recording, transfer by J. Wise; EAC> SHN by R. Donnelly> CD > SHN by M. Lai; known flaw: some sporadic wow & flutter (mainly on elec#1); Donnelly's 4/00 original shns may not have gotten mirrored from stellablue before a loss- 5/00 reextraction (md5s shown) by M. Lai
gd80-10-27.sonyecm270.larson.7290.sbeok.shnf
1980-10-27Radio City Music Hall
7290Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd
gd1980-10-27.nak300.morrone.friend.116195.flac2448
1980-10-27Radio City Music Hall
116195flac2448: AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine front row, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011
gd1980-10-27.nak300.morrone.friend.116196.flac1644
1980-10-27Radio City Music Hall
116196flac16: AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine front row, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 09/2011
gd1980-10-29.fob.sonyecm280.wise.miller.101306.flac16
1980-10-29Radio City Music Hall
101306flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Taped By Jim Wise; All Transfers and Mastering By Charlie Miller
gd80-10-29.wise.larson.1953.sbeok.shnf
1980-10-29Radio City Music Hall
1953Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd
gd1980-10-29.sbd-partial.miller.32538.flac16
1980-10-29Radio City Music Hall
32538flac16; **Partial SBD** Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation
gd1980-10-29.sbd.p1.122003.flac16
1980-10-29Radio City Music Hall
122003flac16; Partial Soundboard, Set 1: SBD>?>?cassette in Dolby B>Harmon Kadon TD 302, Dolb B on>Zoom H2>PC>edited and tracked with wavepad>flac and checksums with traderslittlehelper, sept.14, 2012 by John Wenzel
gd1980-10-29.aud-sbd.tetzeli.join-1953-32538.35029.reflac.flac16
1980-10-29Radio City Music Hall
35029flac16; Seamless fix/combination of shn id 1953 and shn id 32538 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1980-10-29.beyer.stankiewicz.126919.flac1644
1980-10-29Radio City Music Hall
126919flac16; AUD: 2x Beyer M160's > Sony TC-D5, Fifth row center orchestra. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 02/2014
gd1980-10-29.140301.sbd-partial.miller.sirmick.flac1644
1980-10-29Radio City Music Hall
140301flac16; Partial Sets 2 & 3 Recording Info: SBD > Cassette Master > Cassette; Transfer Info: Cassette (Sony TC-WE475) > Sony R500 (Pass Through) > SEK'D Prodif Plus > Samplitude Professional v8.01 > Flac; Transferred and Edited By Charlie Miller; This is a pitch corrected version of source ID 32538; edited by SIRMick
gd1980-10-29.140302.sbd.partial.moore.berger.flac2496
1980-10-29Radio City Music Hall
140302flac24; partial set 1 source: sbd 2nd gen cassette; Jerry Moore’s copy; nakamichi dragon/c > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger
gd1980-10-29.140496.partial.sbd.moore.berger.flac1644
1980-10-29Radio City Music Hall
140496flac16; partial set 1 source: sbd 2nd gen cassette; Jerry Moore’s copy; nakamichi dragon/c > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger
gd1980-10-29.140899.sbd.aud.flac1644
1980-10-29Radio City Music Hall
140899flac16; SBD DAT-> Panasonic SV-3700-> SP; DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Mastering, Patching & Editing by Jason Chastain in Audition CC 2015; Final Mastering by Jamie Waddell in Wavelab 7.1
gd1980-10-30.120537.nak70.gatto-jaeger.dusborne.flac16
1980-10-30Radio City Music Hall
120537flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 06-06-2012
gd80-10-30.wise.larson.1954.sbeok.shnf
1980-10-30Radio City Music Hall
1954Recording by Jim Wise. Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd
gd1980-10-30.fob.sonyecm280.wise.miller.101427.flac16
1980-10-30Radio City Music Hall
101427flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded by Jim Wise; All Transfers and Mastering By Charlie Miller
gd1980-10-30.139599.sbd.bershaw.flac16
1980-10-30Radio City Music Hall
139599flac16; Source: 10Ó 1/4 track SBD Feed Master Reels @ 7.5ips; Lineage: 10Ó 1/4 track Reels (Revox A-77 playback) -> Lexicon Lambda (24/96) -> Logic (mastering: speed correction, track indexing, dithering to 16/44.1) -> AIFF -> Xact (sbe correction) -> wav -> flac; Transfer (November 2009) and mastering (October 2017) by Alan Bershaw
gd80-10-31.sbd-preFM.cousinit.20377.sbeok.shnf
1980-10-31Radio City Music Hall
20377Source: Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN Electric: MSR>R>C>DAT>WAV>SHN C>SHN Conversion by Cousinit Seeded to abgd 10/03
gd1980-10-31.nak700.rolfe.miller.94270.sbeok.flac16
1980-10-31Radio City Music Hall
94270flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
gd1980-10-31.131907.stankiewicz.flac2496
1980-10-31Radio City Music Hall
131907flac24; Partial Show; Beyer M-88>Sony TCD-5M 4th row right center; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded and transfered By Richie stankiewicz
gd1980-10-31.137839.partial.sbd.happyjack.sirmick.sbeok.flac16
1980-10-31Radio City Music Hall
137839flac16; Source: Soundboard (monitor mix) > Sony TC-D5 > cassette (2nd gen); Taped by Happy Jack and friend; Transfer: Cassette > Nakamichi CD1 > Sony PCM-M10 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; transferred, edited and mastered SIRMick
gd1980-10-31.137840.partial.sbd.happyjack.sirmick.sbeok.flac24
1980-10-31Radio City Music Hall
137840flac24; Source: Soundboard (monitor mix) > Sony TC-D5 > cassette (2nd gen); Taped by Happy Jack and friend; Transfer: Cassette > Nakamichi CD1 > Sony PCM-M10 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; transferred, edited and mastered SIRMick
gd80-10-31.wise.larson.1955.sbeok.shnf
1980-10-31Radio City Music Hall
1955Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd
gd1980-10-31.prefm.cousinit-edited.patched.83158.sbeok.flac16
1980-10-31Radio City Music Hall
83158flac16; Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN; Electric: MSR>R>C>DAT>WAV>SHN; Edits: SHNs > WAV > Cool Edit 2000/Cool Edit Pro > shntool > FLAC Edited and seeded by Bill Tetzeli
gd1980-10-31.fob.sonyecm280.wise.miller.101428.flac16
1980-10-31Radio City Music Hall
101428flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded by Jim Wise; All Transfers and Mastering By Charlie Miller
gd1980-10-31.122543.mtx.dusborne.flac16
1980-10-31Radio City Music Hall
122543flac16; 3 Source Matrix: Soundboard (shnid=83158): Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN; Electric: MSR>R>C>DAT>WAV>SHN; Audience (shnid=94270): Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Audience (shnid=120839): Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger
gd1980-10-31.137448.sbd.happyjack.flac24
1980-10-31Radio City Music Hall
137448flac24; Updated source Info: Source: SBD Recording [This is A 2nd Generation]; Lineage: mixingboard [Line out Left/Right] > TC-d5 [Line In recording level 3.5. No Dolbly] > Master Cassettes [Sony UCX90]; tapes was dubbed on a Aiwa CX-NA555; Tape Transfer: Sharp RT100 Deck [Sony UCX90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, removing some cable connection pops. Pitch correction & speed correction. No music was Lost, Altered and/or Touched. Still some tape warble; CD Wave Editor To Split Tracks & converted to Flac24 [Level 6]; the original seed of this source was marked as an AUD
gd1980-10-31.137449.sbd.happyjack.flac16
1980-10-31Radio City Music Hall
137449flac16; Updated source Info: SBD Recording [This is A 2nd Generation]; Lineage: mixingboard [Line out Left/Right] > TC-d5 [Line In recording level 3.5. No Dolbly] > Master Cassettes [Sony UCX90]; tapes was dubbed on a Aiwa CX-NA555; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 12/27/2016; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, removing some cable connection pops. Pitch correction & speed correction. No music was Lost, Altered and/or Touched. Still some tape warble; Converting Sample Rate: Adobe Audition 3.0 was also used to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor To Split Tracks & converted to Flac16 [Level 6]; TLH to fix SBE; the original seed of this source was marked as an AUD
gd1980-10-31.140416.sbd.bershaw.flac16
1980-10-31Radio City Music Hall
140416flac16; Source: 10” 1/4 track SBD Feed Master Reels @ 7.5ips; Lineage: 10” 1/4 track Reels (Revox A-77 playback) -> Lexicon Lambda (24/96) -> Logic (mastering: speed correction, track indexing, dithering to 16/44.1) -> AIFF -> Xact (sbe correction) -> wav -> flac; Transfer (October 2009) and mastering (December 2017) by Alan Bershaw
gd1980-10-31.132277.aud.sony.ecm-280.flac16
1980-10-31Radio City Music Hall
132277flac16/48kHz; Cassette Audience Master recorded By Jim Wise; Sony ECM 280 Cardioid Condenser Microphones-Sony TC D-5 Cassette Recorder; Location:Mics placed Overhanging Rail Ledge Dead Center 1st Lodge; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-tagging(Tag & Re-name)-Sample Rate Conversions(r8atebrain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
gd1980-10-31.132278.aud.sony.ecm-280.flac24
1980-10-31Radio City Music Hall
132278flac24; Cassette Audience Master recorded By Jim Wise; Sony ECM 280 Cardioid Condenser Microphones-Sony TC D-5 Cassette Recorder; Location:Mics placed Overhanging Rail Ledge Dead Center 1st Lodge; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name)-Sample Rate Conversions(r8atebrain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
gd1980-10-31.120839.fob.nak700.gatto-jaeger.dusborne.flac16
1980-10-31Radio City Music Hall
120839flac16; Loge Dead front center Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 06-20-2012
gd1980-10-31.141354.sbd.pcm.dalton.miller.clugston.flac1644
1980-10-31Radio City Music Hall
141354flac16; Source Info: Satellite Feed > (McIntosh) 10" Master Reels @ 7.5 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1980-11-26.132221.aud.beyer-m160.flac16
1980-11-26The Sportatorium
132221flac16/48kHz; Cassette Audience Master recorded By Jim Wise (patched out of Richie Stankiewicz); Beyerdynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Cassette Masters (TDK SA-90) played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; This is the properly dithered 16 bit 48 KHz file set; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
gd1980-11-26.132222.aud.beyer-m160.flac24
1980-11-26The Sportatorium
132222flac24; Cassette Audience Master recorded By Jim Wise (patched out of Richie Stankiewicz); Beyerdynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; This is the 24 bit 96KHz file set; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
gd1980-11-26.150965.mtx.chappell.sb33a.flac16
1980-11-26The Sportatorium
150965Sick Bits Vol. 33a Source: Matrix (SBD-AUD mix) ratio ~ Phi (the Golden Ratio) - 1.618-1 or 62%-38% SBD: (shnid=3380) Source: Master Soundboard Cassette > Cassette > DAT > CDR. via Scott Clugston (EAC-SHN) AUD: (shnid=13065) Jim Wise Beyer M-160’s > Sony TC-D5 > MC > DAT > CDR. via Paul B (CDRs). via Willy (EAC-SHN) Matrixed by Chris Chappell. (SHN > Vegas 5 > CD Wave > Flac16) March 17, 2007
gd1980-11-26.sbd.clugston-edited.patched.82278.shnf
1980-11-26The Sportatorium
82278Main source: Master Soundboard Cassette > Cassette > DAT > CDR Patch source: Beyer M-160?s>Sony TC-D5>MC>DAT>CDRCD by Bill Tetzeli
gd80-11-26.wise.munder.13065.sbeok.shnf
1980-11-26The Sportatorium
13065Recording by Jim Wise: Beyer M-160?s>Sony TC-D5>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
gd1980-11-26.135530.sbd.miller.fkac16
1980-11-26The Sportatorium
135530flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd80-11-26.sbd.clugston.3380.sbeok.shnf
1980-11-26The Sportatorium
3380Master Soundboard Cassette > Cassette > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; 6/01 note: new d2.md5 from abgd submitted here with unspecified fixes on d2t3,4- not given how, or by whom
gd1980-11-26.beyerm160.wise.miller.101699.flac16
1980-11-26The Sportatorium
101699flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
gd1980-11-26.134094.sbd.miller.flac16
1980-11-26The Sportatorium
134094flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1980-11-26.132344.mtx.dusborne.flac16
1980-11-26The Sportatorium
132344flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:03380) Source: Master Soundboard Cassette > Cassette > DAT > CDRCD and Audience (shnid:101699) Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)by Jim Wise Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16
gd1980-11-28.nak700.kocky.76519.sbeok.flac16
1980-11-28Lakeland Civic Center
76519flac16; Source Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT Transfer: Casio DA-7 > Tascam CD-RW 700 (pass through -2 db) > Audiophile 2496 > @ 24 Bit to WaveLab > 16 Bit > CD Wave > EAC > Flac ; upgrade in circulation
gd1980-11-28.150975.mtx.chappell.sb33b.flac16
1980-11-28Lakeland Civic Center
150975flac16/44.1khz Sick Bits Vol. 33b Source: Matrix (SBD/AUD mix) ratio ~ Phi (the Golden Ratio) - 1.618/1 or 62%/38% SBD: (shnid=20049) Source: Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Encoding: EAC(secure) > Cool Edit Pro > CDWAV > mkwact > SHN(seekable) via Matt Vernon - 10/18/2003 AUD: (shnid=76519) Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT via Bill Koucky - 8/14/2006 Matrixed by Chris Chappell (SHN > Vegas 5 > CD Wave > Flac16) April 19, 2007
gd80-11-28.sbd.vernon.20049.sbeok.shnf
1980-11-28Lakeland Civic Center
20049Source: Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR via Scott Clugston Encoding/patching by Matt Vernon
gd1980-11-28.nak700.gmb.89932.flac16
1980-11-28Lakeland Civic Center
89932flac16; Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky February 7, 2008
gd80-11-28.naks.clugston.2222.sbeok.shnf
1980-11-28Lakeland Civic Center
2222Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR; via Scott Clugston
gd1980-11-28.dts.tobin.90063.flac
1980-11-28Lakeland Civic Center
90063DTS Audio 5.1; SBD (shn id 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Encoding/patching by Matt Vernon + AUD (shn id 89932) Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky - dts mixing by Kevin Tobin
gd1980-11-28.mtx.tobin.90057.sbeok.flac16
1980-11-28Lakeland Civic Center
90057flac16; Matrix 2 Source Mix - SBD (shn id 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Encoding/patching by Matt Vernon + AUD (shn id 89932) Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky - matrix mixing by Kevin Tobin
gd1980-11-28.nak700.wagner.miller.90013.sbeok.flac16
1980-11-28Lakeland Civic Center
90013flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1980-11-28.sbd.vernon.tobin.fix-20049.90062.sbeok.flac16
1980-11-28Lakeland Civic Center
90062flac16; Source: (original shnid 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR via Scott Clugston Encoding/patching by Matt Vernon - speed correction and additional patching by Kevin Tobin
gd1980-11-28.127546.all.wagner.wise.minches.flac1644
1980-11-28Lakeland Civic Center
127546flac16; Recording by Bob Wagner/Jim Wise: Master Audience Cassette; FOB 2 Nakamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
gd1980-11-28.127547.all.wagner.wise.minches.flac2496
1980-11-28Lakeland Civic Center
127547flac24; Recording by Bob Wagner/Jim Wise: Master Audience Cassette; FOB 2 Nakamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
gd1980-11-29.132457.wise.aud.flac24
1980-11-29Alligator Alley Gymnasium, U of Florida
132457flac24; Cassette Audience Master recorded By Jim Wise (patched out of MadRiverRich); Beyer dynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded TDK SA-C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
gd1980-11-29.134703.aud.schley.flac2448
1980-11-29Alligator Alley Gymnasium, U of Florida
134703flac24; AUD: Unknown mics > unknown lead deck > Sony TC-D5 > TDK-SA (1st Set) and Maxell XLII (2nd Set), recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2015
gd1980-11-29.134704.aud.schley.flac1644
1980-11-29Alligator Alley Gymnasium, U of Florida
134704flac16; AUD: Unknown mics > unknown lead deck > Sony TC-D5 > TDK-SA (1st Set) and Maxell XLII (2nd Set), recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2015
gd1980-11-29.155787.ohr-sony-ecm23f-nak550-flac16
1980-11-29Alligator Alley Gymnasium, University Of Florida
155787flac16/44 Master Audience Cassettes - recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Nakamichi 550 Cassette Deck (Maxell UD-XLII 90 Cassettes), Dolby B Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR-830plus > CD Ohr : CD > EAC > WAV > FLAC
gd1980-11-29.beyer160.wise.gmb.89938.sbeok.flac16
1980-11-29Alligator Alley Gym - University of Florida
89938flac16; Recording by Jim Wise. Source: Beyer M-160's > Sony TC-D5 > CDR > DAT Recording by Jim Wise Mics were on a 15' pole at the SBD Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 7, 2008
gd1980-11-29.132456.aud.flac16
1980-11-29Alligator Alley Gymnasium, U of Florida
132456flac16/48kHz; Cassette Audience Master recorded By Jim Wise (patched out of MadRiverRich); Beyer dynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded TDK SA-C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
gd1980-11-29.aud.barrick.325.shnf
1980-11-29Alligator Alley Gym, University of Florida
325no source info; via D. Barrick
gd80-11-29.wise.sacks.2409.sbeok.shnf
1980-11-29Alligator Alley Gymnasium, U of Florida
2409Recording by Jim Wise: FOB - Beyer M-160's> Sony TC-D5> CDR via Alesis Masterlink; Mics were on a 15'? pole at the SBD; Taped by Jim Wise; via Darrin Sacks, Rango Keshavan and Dankstar; note upgrade relative to previous shn set
gd1980-11-29.nak700.wagner.miller.90104.sbeok.flac16
1980-11-29Alligator Alley Gym - University of Florida
90104flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1980-11-29.157406.fob.nak700.cm.wagner.miller.t.flac1644
1980-11-29Alligator Alley Gymnasium, University Of Florida
157406flac 1644; Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 157370 2496 > 1644
gd1980-11-29.157370.fob.nak700.wagner.miller.flac24
1980-11-29Alligator Alley Gymnasium, University Of Florida
157370Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-C90)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
gd1980-11-29.127229.beyer.stankiewicz.flac2496
1980-11-29Alligator Alley Gymnasium, U of Florida
127229flac24; Recorded Sony TCD-5m>Beyer M-88 in the "sweet spot"; Transfer MAC>Nakamichi 1000II>USBPre 2; Recorded and transfered by Richie Stankiewicz
gd1980-11-29.139321.set2.sbd.miller.flac24
1980-11-29Alligator Alley Gymnasium, U of Florida
139321flac24; Set 2 Recording Info: SBD > Multi-Gen Cassette (Maxell XLII 90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1980-11-29.139322.set2.sbd.miller.flac16
1980-11-29Alligator Alley Gymnasium, U of Florida
139322flac16; Set 2 Recording Info: SBD > Multi-Gen Cassette (Maxell XLII 90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139321 24 bit -> 16 bit
gd1980-11-29.145665.beyerM-88.stankiewicz.flac16
1980-11-29Alligator Alley Gymnasium, University Of Florida
145665flac16; Recorded Sony TCD-5m>Beyer M-88 in the "sweet spot"; Transfer MAC>Nakamichi 1000II>USBPre 2; Recorded and transfered by Richie Stankiewicz; 16bit, 44.1khz file set
gd1980-11-29.beyerm160.wise.miller.101722.flac16
1980-11-29Alligator Alley Gymnasium, U of Florida
101722flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise (mics were set up at soundboard); All Transfers and Mastering By Charlie Miller
gd1980-11-30.123306.senn421.moore-berger.flac2496
1980-11-30Fox Theater
123306flac24; Partial source: aud cassette master taped by Jerry Moore or ???*; sennheiser 421's > sony d5m, fofb; maxell mx-90/dolby b; nak dragon/b > tascam hd-p2 24/96 > pc > adobe audition 2.0 > cd wave > flac; transferred & seeded by Rob Berger
gd1980-11-30.part.127319.aud.oade.stankiewicz.wise.minches.flac24
1980-11-30Fox Theater
127319flac24; Set 1 - Recording by Jim Oade & Jim Wise: Master Audience Cassette: 2 Teac ME-120s> Sony D-5; location: SBD and Partial Set 2 - Recording by Richie Stankiewicz & Jim Wise: Master Audience Cassette: 2 Beyer M160s> Sony D-5 location SBD; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo])Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
gd1980-11-30.128440.naks.mason.flac16
1980-11-30Fox Theater
128440flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
gd1980-11-30.128440.na
1980-11-30Fox Theater
gd1980-11-30.157922.aud.hicks-fong.flac2448
1980-11-30Fox Theater
157922flac2448; Source: Unknown mics & deck > Sony Fe-Cr 90's, concert recording by John Hicks & Dennis Fong. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2022
gd1980-11-30.110936.mtx.chappell.sb31.flac16
1980-11-30Fox Theatre
110936flac16; Source: Matrix (SBD/AUD mix) Ratio ~ Phi SBD: (shnid=2416): Source: MSC>Reel>DATs>CDRs>EAC>SHN (Through Scarlet>Fire only), AUD1: 24 bit (set 1 only) Recording Info: Taped by Dr. Bob Wagner Nakamichi 700s (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B), and AUD2: 24 bit (shnid=90530) (Scarlet>Fire only) AUD3: 16 bit (shnid=90497) (rest of the show - no matrix) Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Matrixed by Chris Chappell
gd80-11-30.sbd-aud.sacks.2416.sbeok.shnf
1980-11-30Fox Theater
2416complete; MSC> Reel> DATs> CDRs> EAC> SHN (set I and Scarlet>Fire from Set II); remainder Jim Wise's Sony ECM280s> D5> DATs> CDRs> EAC> SHN, also with patches from other AUDs (see info file); via Scott Clugston, Dankstar, Darrin Sacks; upgrade relative to previous shn set; note copy a noted at shakedown- has fixed track boundaries, copy b noted at gdlive does not (d3 is same for both)- see pub comments
gd1980-11-30.nak700-set2.wagner.miller.90497.sbeok.flac16
1980-11-30Fox Theatre
90497flac16; Set 2 only, Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1980-11-30.nak700-set2.wagner.miller.90530.sbeok.flac24
1980-11-30Fox Theatre
90530flac24; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/24 All Transfers and Mastering By Charlie Miller
gd80-12-06.cantor.clugston.5478.sbeok.shnf
1980-12-06Mill Valley Recreation Center
5478Betty Cantor-Jackson's Master Audience Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston
gd1980-12-06.151263.betty.master.flac16
1980-12-06Mill Valley Recreation Center
151263flac16/44.1khz AKG C414 Stereo Pair > Sony D5 - Betty Cantor-Jackson's Master Cassette (UD-XL II 60) Betty's Master Cassette (Dennon DN-770R) > Sony R500 Sony R500 > Tascam DA-3000 > Samplitude Pro X5 > FLAC (16-bit/44.1k)
gd1980-12-12.136722.mtx.dusborne.flac16
1980-12-12Swing Auditorium
136722flac16; 3 source matrix by Dusborne; Soundboard(Shnid:31509) Recording Info: SBD -> Cassette Master -> ? -> Cassette; Transfer Info: Cassette (Nak CR7A) -> Dat (Sony R500/SBM On); Dat (Sony D8) -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC; Audience 1(Shnid:89134) Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5M >> MAC,Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] =>Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Ron Ellner; Audience 2(Shnid:124542) Recorded by: Ron Goldshine and John Musgrave 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes)My Copy of masters:Sony D5M (w/ Dolby, Bias @ 70us) > AkaiiGX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes); Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor
gd1980-12-12.fob.glassberg.motb.89134.sbeok.flac16
1980-12-12Swing Auditorium
89134flac16; Recorded by Ron Ellner: MOTB Release: 0059 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x TDK SA-X 90 Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Ron Ellner MAC Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: SIRMick
gd80-12-12.set1-aud.vernon.16906.sbeok.shnf
1980-12-12Swing Auditorium
16906set 1; aud (unknown mics); via Brad Kelsey; encoded by Matt Vernon.
gd80-12-12.set2-aud.munder.13192.sbeok.shnf
1980-12-12Swing Auditorium
131922nd set only; AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
gd80-12-12.sbd.miller.31509.sbeok.flacf
1980-12-12Swing Auditorium
31509flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette Transfer Info: Cassette (Nak CR7A) -> Dat (Sony R500/SBM On) Transferred By Neil Sturtevant Dat (Sony D8) -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC; Transferred and Remastered Charlie Miller
gd1980-12-12.124542.aud.goldshine.sennheiser-mkh406-flyingm.flac16
1980-12-12Swing Auditorium
124542flac16; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 70us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes); Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave
gd1980-12-13.nak300.walker-scotton.miller.88964.sbeok.flac16
1980-12-13Long Beach Arena
88964flac16; Recording by Joani Walker: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1980-12-13.124551.aud.goldshine.sennheiser-mkh406.flyingm.flac16
1980-12-13Long Beach Arena
124551flac16; Recorded from the 15th row dead center on the floor with the microphones about 10 feet apart; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes) Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave
gd1980-12-13.136725.mtx.dusborne.flac16
1980-12-13Long Beach Arena
136725flac16; 3 source matrix by Dusborne;Soundboard (Shnid:91939) Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 ->Cool Edit Pro v2.0 -> FLAC; Audience 1 (Shnid:88964) Recording Info: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->Samplitude Professional v9.12 -> FLAC/16; and Audience 2 (Shnid:124551) Recorded by: Ron Goldshine and John Musgrave; 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes)My Copy of masters: Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes)) Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) >NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor
gd1980-12-13.sbd.miller.91939.sbeok.flac16
1980-12-13Long Beach Arena
91939flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller
gd80-12-13.nak700.miller.13412.sbeok.shnf
1980-12-13Long Beach Arena
13412Complete; (FOB) Nak 700 -> Cm -> Reel -> Dat shn encoding Charlie Miller
gd80-12-13.set2-sonyecm280.clugston-revell.1633.sbeok.shnf
1980-12-13Long Beach Arena
1633set 2; Master Audience Cassette; Sony ECM-280 mics > Sony D5> DAT > CDR; via Scott Clugston, Lee Revell
gd1980-12-13.155955.akg451E.milliard.JEMS.vol127.flac16
1980-12-13Long Beach Arena
155955flac1644 Mike Millard First Generation Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 127 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard First Generation Cassettes > Nakamichi Cassette Deck 1 azimuth-adjusted playback > Sound Devices USBPre2 > Sound Forge Audio Studio 13.0 capture > Adobe Audition > iZotope RX8 > iZotope Ozone 8 > MBIT+ resample to 16/44.1 > Audacity > TLH > FLAC
gd1980-12-13.sbd.miller.bertha.92889.dvda
1980-12-13Long Beach Arena
92889DVD-VA; (Video-Audio) Bertha Remaster of the Master Cassette source; SBD>>MC>>R>>D>>Flac>>Daw(Bertha)>>Audio DVD (Audio only; no video)
gd1980-12-13.157569.akg.se5.wiseman.miller.clugston.flac1648
1980-12-13Long Beach Arena
157569flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd1980-12-13.157570.akg.se5.wiseman.miller.clugston.flac2496
1980-12-13Long Beach Arena
157570flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496