Identifiers for Grateful Dead
1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
Archive Identifier | |
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Date | Venue |
Source | |
gd1980-08-31.142992.aud.sterry.beckwith.miller.clugston.flac2496 | |
1980-08-31 | Capital Centre |
142992 | flac24; Source Info: George Sterry's Master Audience Cassettes; Unknown mics > Sony TC158SD (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496 |
gd1980-08-31.142993.aud.sterry.beckwith.miller.clugston.flac1648 | |
1980-08-31 | Capital Centre |
142993 | flac16/48kHz; Source Info: George Sterry's Master Audience Cassettes; Unknown mics > Sony TC158SD (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1980-08-31.154697.senn.blend.eaton.miller.clugston.flac1648 | |
1980-08-31 | Capital Centre |
154697 | flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2021 > TLH2496 |
gd1980-08-31.154698.senn.blend.eaton.miller.clugston.flac2496 | |
1980-08-31 | Capital Centre |
154698 | flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2021 > TLH2496 |
gd80-08-31.set1-senn-set2-sbd.miller.26353.sbeok.shnf | |
1980-08-31 | Capital Centre |
26353 | AUD, SBD combo: Set 1: Sennheiser 421> Cassette Master> Dat> Sound Forge> CD> EAC> SHN; Set 2: SBD> Cassette Master> Cassette> Dat> CD> EAC> SHN; Converted To SHN By Charlie Miller |
gd1980-08-31.144288.fob.nak700.cohen.miller.clugston.flac1648 | |
1980-08-31 | Capital Centre |
144288 | flac16/48kHz; Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1980-08-31.144289.fob.nak700.cohen.miller.clugston.flac2496 | |
1980-08-31 | Capital Centre |
144289 | flac24; Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 |
gd1980-08-31.nak300.morris.101718.sbeok.flac16 | |
1980-08-31 | Capital Centre |
101718 | flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris |
gd1980-09-02.128438.naks.mason.flac16 | |
1980-09-02 | Community War Memorial Auditorium |
128438 | flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones |
gd1980-09-02.148953.2nd.set.fob.nak700.gastwirt.miller.clugston.flac16 | |
1980-09-02 | Community War Memorial Auditorium |
148953 | flac16/44.1kHz; 2nd Set Source Info: Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M > Rich Gastwirt's Dat (16/44.1); Transfer Info: Dat (Sony PCM-R500)(16/44.1) > Tascam DA-3000 > .wav (16/44.1) > Adobe Audition 2020 > TLH flac16 |
gd1980-09-02.aud.unknown.26094.sbeok.shnf | |
1980-09-02 | Community War Memorial |
26094 | Audience Recording: MC? > Reel/Cass > DAT; Transfer: Sony PCM-R500 DAT > HHB CDR-850> SoundStream WAV> mkACT SHN |
gd1980-09-02.mtx.sirmick.110785.sbeok.flac16 | |
1980-09-02 | Community War Memorial Auditorium |
110785 | flac16; Matrix: 60% sbd/40% aud Recording Info: Discs 1 & 2: SBD -> Cassette Master -> ? -> Cool Edit Pro -> FLAC Disc 3: SBD -> Cassette Master -> Dat -> Sonic Solutions -> CD Encore: (FOB) Nakamichi 300/CP1 -> Cassette Master -> Dat -> CD Transfer Info: WAV -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller and FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand FOB, taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. |
gd1980-09-02.set2.127273.beyerM160.stankiewicz.flac24 | |
1980-09-02 | War Memorial Auditorium |
127273 | flac24; Set 2 AUD: 2x Beyers M160's > Nakamichi 550, FOB center. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 03/2014 |
gd80-09-02.sbd.miller.28299.sbeok.flacf | |
1980-09-02 | Community War Memorial Auditorium |
28299 | flac16; mixed sources: d1,2: SBD> Cassette Master> (~4 cass gens?)> Cool Edit Pro> FLAC; d3: SBD> Cassette Master> Dat> Sonic Solutions> CD; Encore: FOB Nakamichi 300/CP1> Cassette Master> Dat> CD; Transferred and Edited By Charlie Miller |
gd1980-09-02.sbd.miller.tetzeli.patch-28299.34940.reflac.flac16 | |
1980-09-02 | War Memorial Auditorium |
34940 | flac16; Patched version of soundboard shn id 28299 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
gd1980-09-02.set2.beyer.stankiewicz.127274.flac1644 | |
1980-09-02 | Community War Memorial Auditorium |
127274 | flac16 Set 2 AUD: 2x Beyers M160's > Nakamichi 550, FOB center. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 03/2014 |
gd1980-09-03.aud.cribbs.12576.sbeok.shnf | |
1980-09-03 | Civic Center |
12576 | Fixed reseed; FOB by Jim Wise and Eddie Claridge (Sony ECM-280 mics > Sony TC-D5) > Master Audience Cassette > CD-R; Seeded to etree by Sean Cribbs Note- Apparently the first shn set to circulate was corrupt. See the public comments for the original seed for more info |
gd80-09-03.aud.bass.16925.sbeok.shnf | |
1980-09-03 | Springfield Civic Center |
16925 | MAC > ? > CD > EAC > SHNv3; EAC(secure mode) and encoded to shnv3(seek enabled) by Charles Bass |
gd1980-09-03.fob.nak300.friend.andrewf.103168.flac24 | |
1980-09-03 | Springfield Civic Center |
103168 | flac24;FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up in the arena riser center, end of floor facing the stage. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 12/2009 |
gd1980-09-03.fob.nak300.friend.andrewf.103169.flac16 | |
1980-09-03 | Springfield Civic Center |
103169 | flac16:FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up in the arena riser center, end of floor facing the stage. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 12/2009 |
gd1980-09-03.aud.morris.106618.flac24 | |
1980-09-03 | Springfield Civic Center |
106618 | flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Tape flip in drums at 5:35 spliced using Soundforge 9.0. Recorded FOB from Section 63, Row J, Seat 12 by Bob Morris. |
gd1980-09-03.143030.aud.sterry.beckwith.miller.clugston.flac2496 | |
1980-09-03 | Springfield Civic Center |
143030 | flac24; Source Info: Primary: George Sterry's Master Audience Cassettes; Unknown mics > Sony TC-158SD > 1st generation cassette (TDK D90); Secondary: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII C90); Transfer Info: Primary: 1st generation cassettes(Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; Secondary: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496 |
gd1980-09-03.143031.aud.sterry.beckwith.miller.clugston.flac1648 | |
1980-09-03 | Springfield Civic Center |
143031 | flac16/48kHz; Source Info: Primary: George Sterry's Master Audience Cassettes; Unknown mics > Sony TC-158SD > 1st generation cassette (TDK D90); Secondary: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII C90); Transfer Info: Primary: 1st generation cassettes(Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; Secondary: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd80-09-04.wise.cribbs.24829.sbeok.shnf | |
1980-09-04 | Providence Civic Center |
24829 | Recording by Jim Wise: FOB Sony ECM-280s mounted on a stand > Sony TC-D5 > MAC > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV > CD (untracked) > EAC > WAV > CD Wave tracking > SHN or CD. Original recording, transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs. |
gd1980-09-04.sbd-set2.vernon.20014.sbeok.shnf | |
1980-09-04 | Providence Civic Center |
20014 | Set 2 Soundboard Cassette Master > Reel > Dat > CDR via Andy Lemieux and Kingbee Patch Source: AUD>MC>DAT>SF>CD; encoding by Matt Vernon |
gd1980-09-04.aud.morris.106619.flac24 | |
1980-09-04 | Providence Civic Center |
106619 | flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded from floor Section 8, Row V, Seat 12 by Bob Morris. |
gd80-09-04.aud.munder.12270.sbeok.shnf | |
1980-09-04 | Providence Civic Center |
12270 | AUD>MC>DAT>SF>CD; Transferred with Nakamichi Dragon to Sony PCM R-700; via Paul B; Seeded to etree by Willy |
gd80-09-04.set1-sbd.17432.sbeok.shnf | |
1980-09-04 | Providence Civic Center |
17432 | Set 1 SBD>?>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN(Seekable) |
gd1980-09-04.nak300.friend.andrewf.104936.flac24 | |
1980-09-04 | Providence Civic Center |
104936 | flac24; FOB AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up FOB aprx 20th row, center right. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 12/2009 |
gd1980-09-04.nak300.friend.andrewf.104937.flac16 | |
1980-09-04 | Providence Civic Center |
104937 | flac16; FOB AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up FOB aprx 20th row, center right. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 12/2009 |
gd1980-09-04.nak300.morris.101719.sbeok.flac16 | |
1980-09-04 | Providence Civic Center |
101719 | flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from floor Section 8, Row V, Seat 12 by Bob Morris |
gd80-09-06.set1-sbd.samaritano.23371.sbeok.shnf | |
1980-09-06 | State Fairgrounds |
23371 | *Set 1 Only* Soundboard->Unknown->Cassette. Cassette->Fostex D5 (pass-through only)-> ZA2->Samplitude v7.02 Professional-> .wav->mkw->SHN. Cassette seed provided by Joey Browning. Transfer, editing, and SHN by Joe Samaritano |
gd1980-09-06.aud.bass.16926.sbeok.shnf | |
1980-09-06 | Maine State Fairgrounds |
16926 | MAC > ? > CD > EAC > SHNv3; EAC (secure mode) and encoded to shnv3 (seek enabled) by Charles Bass; missing encores |
gd1980-09-06.aud.rolfe.wise-cribbs.25471.sbeok.shnf | |
1980-09-06 | Maine State Fairgrounds |
25471 | Recording by Jim Wise: FOB Nak 700s > Sony TC-D5 (Steve Rolfe?s) > Sony TC-D5 (Jim Wise?s) > MAC (Maxell XII; Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV > CD (untracked) > EAC > WAV > CD Wave tracking > SHN or CD. Original recording, transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs. |
gd1980-09-06.aud.morris.106620.flac24 | |
1980-09-06 | State Fairgrounds |
106620 | flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded FOB by Bob Morris |
gd1980-09-06.127165.fob-nak700.rolfe-wise.minches.flac2496 | |
1980-09-06 | State Fairgrounds |
127165 | flac24; Recording by Steve Rolfe & Jim Wise: Master Audience Cassette; 2 NaKamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: February 20 , 2014; Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding |
gd1980-09-06.126441.commander.berger.flac16 | |
1980-09-06 | State Fairgrounds |
126441 | flac16; source: aud cassette master; taped by The Commander; audio-technica condensor mics > sony tc-152, tdk sa-c90's, no nr; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer/seed by Rob Berger & Taperchuck |
gd80-09-06.wise.unknown.322.sbeok.shnf | |
1980-09-06 | State Fairgrounds |
322 | Nak Dragon > Sony PCM r-500 DAT > CDR |
gd80-09-06.sbd_aud.miller.25560.sbeok.shnf | |
1980-09-06 | State Fairgrounds |
25560 | Recording Info (Source 1): SBD -> Master Cassette -> ? -> Cass -> Fostex D5 (pass-through only) -> ZA2 -> Samplitude v7.02 Professional -> SHN Supplies d1t01 through d2t03 (Provided By Joe Samaritano) Recording Info (Source 2): (FOB) Nakamichi 700 -> Master Cassette (Sony D5) -> Dat -> CD Supplies patch at end of d1t06 and also provides d2t04 through of the show. (Taped By Jim Wise). Remastering by Charlie Miller |
gd1980-09-06.147839.fob.shure.sm57.sublette.miller.clugston.flac1648 | |
1980-09-06 | State Fairgrounds |
147839 | flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1980-09-06.147840.fob.shure.sm57.sublette.miller.clugston.flac2496 | |
1980-09-06 | State Fairgrounds |
147840 | flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 |
gd1980-09-06.136807.fob-nak700.rolfe-wise.minches.t-flac16 | |
1980-09-06 | State Fairgrounds |
gd1980-09-06.119726.fob.hance.flac16 | |
1980-09-06 | State Fairgrounds |
119726 | flac16; FOB 3 mic blend taped by John Hance; FOB>AMC>DAT>CD>EAC>TLH>FLAC; extracted and flac encoded by Michale Turi |
gd1980-09-06.nak300.friend.andrewf.101684.flac24 | |
1980-09-06 | State Fairgrounds |
101684 | flac24; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XL-II 90's. Mics on stand FOB, near the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. 09/2009 |
gd1980-09-06.nak300.friend.andrewf.101685.flac16 | |
1980-09-06 | State Fairgrounds |
101685 | flac16; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XL-II 90's. Mics on stand FOB, near the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. 09/2009 |
gd1980-09-06.fob.nak300.morris.102017.sbeok.flac16 | |
1980-09-06 | State Fairgrounds |
102017 | flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded FOB by Bob Morris (note: this source was originally seeded with a corrupt d1t02. A fixed version was seeded on 10/14/2009.) |
gd1980-09-06.142971.fob.nak700.wise.miller.clugston.flac2496 | |
1980-09-06 | State Fairgrounds |
142971 | flac24; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII-C90)(patched out of Steve Rolfe); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 |
gd1980-09-06.142972.fob.nak700.wise.miller.clugston.flac1648 | |
1980-09-06 | State Fairgrounds |
142972 | flac16/48kHz; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII-C90)(patched out of Steve Rolfe); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1980-09-25.144696.nak700.severson.miller.clugston.flac1648 | |
1980-09-25 | Warfield Theater |
144696 | flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1980-09-25.144697.nak700.severson.miller.clugston.flac2496 | |
1980-09-25 | Warfield Theater |
144697 | flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 |
gd80-09-25.acoustic-sbd.hinko.18740.sbeok.shnf | |
1980-09-25 | Warfield Theater |
18740 | Acoustic Set only; SBD > MR > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko |
gd80-09-25.menke.vernon.7303.sbeok.shnf | |
1980-09-25 | Warfield Theater |
7303 | Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5; via Douglas Ferguson, Matt Vernon |
gd1980-09-26.144651.nak700.severson.miller.clugston.flac2496 | |
1980-09-26 | Warfield Theater |
144651 | flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 |
gd1980-09-26.fob-nak700.ellner-marino.gmb.89536.sbeok.flac16 | |
1980-09-26 | Warfield Theater |
89536 | flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008. |
gd1980-09-26.sbd.miller.118444.flac16 | |
1980-09-26 | Warfield Theater |
118444 | flac16; Recording Info: SBD -> ? -> FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd80-09-26.acoustic-sbd.hinko.18741.sbeok.shnf | |
1980-09-26 | Warfield Theater |
18741 | Acoustic Set only; SBD > MR > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko |
gd80-09-26.menke.vernon.7304.sbeok.shnf | |
1980-09-26 | Warfield Theater |
7304 | Recording (attributed to ) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5; via Douglas Ferguson, Matt Vernon |
gd1980-09-26.144650.nak700.severson.miller.clugston.flac1648 | |
1980-09-26 | Warfield Theater |
144650 | flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd80-09-27.nakcm700.jeffm.7998.sbeok.shnf | |
1980-09-27 | Warfield Theater |
7998 | acoustic and electric; AUD> NAK CM700 mics X 3> Mixer>Sony D5> Master Cassette> Cassette; Playback: JVC TD-W309 (Pitch Correction)> Tascam DA-20mkII (A/D)> Tascam CD-RW700> CD; seeded by Jeff M. |
gd1980-09-27.156572.sbd.tape1.1gen.miller.t.flac1644 | |
1980-09-27 | Warfield Theater |
156572 | flac1644 Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24 - This is 155740 2496 > 1644.1 |
gd80-09-27.sbd.clugston.11590.sbeok.shnf | |
1980-09-27 | Warfield Theater |
11590 | Acoustic set: Master Soundboard Reel > PCM > DAT > CDR;Electric Sets: Master Audience Cassette:(3) Nakamichi CM700 mics> Mixer>Sony D5>1 cassette gen> DAT> CDR;The Audience source supplies "The Race Is On" (d1t01), the first 1:15 of "Jackaroe"(d1t02), from 0:04 - 0:42 and from 5:09 - 6:42 of "Bird Song" (d1t06), as well as from 2:58 thru the end of "Ripple" (d1t09). The Audience source was missing the beginning of "The Race Is On";The multiple patches in "Bird Song" were necessary due to problems on the Master Reels; Acoustic SBD DAT source from Joe Samaritano; Patching/CD Re-Mastering & Shn'ed by Scott Clugston; Uploaded to fungus and posted to abgd via Charlie Connor; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments) |
gd1980-09-27.144698.nak700.severson.miller.clugston.flac1648 | |
1980-09-27 | Warfield Theater |
144698 | flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1980-09-27.144699.nak700.severson.miller.clugston.flac2496 | |
1980-09-27 | Warfield Theater |
144699 | flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 |
gd1980-09-27.155900.akg.se5.wiseman.miller.clugston.flac1648 | |
1980-09-27 | Warfield Theater |
155900 | flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA-90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 |
gd1980-09-27.155901.akg.se5.wiseman.miller.clugston.flac2496 | |
1980-09-27 | Warfield Theater |
155901 | flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA-90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 |
gd1980-09-27.155740.sbd.miller.flac2496 | |
1980-09-27 | Warfield Theater |
155740 | Recording Info:
SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90)
Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24 |
gd80-09-27.menke.vernon.7305.sbeok.shnf | |
1980-09-27 | Warfield Theater |
7305 | Recording (attributed to Bob Menke): Nakamichi CM700 Mics (3)>Mixer>Sony D-5; via Douglas Ferguson, Matt Vernon |
gd1980-09-27.sbd.cantor.gmb.96271.flac16 | |
1980-09-27 | Warfield Theatre |
96271 | flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder> analog in PCM501ES analog out > Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48] Mastering: In WaveLab with Nomad Blue Tube Plugins Rate Conversion with r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 6, 2008, Green Mountain Bros. |
gd1980-09-27.144228.s1.aud.flac2448 | |
1980-09-27 | Warfield Theater |
144228 | flac24; Set 1; Source: Mono AUD unknown lineage > ? > Cassette, via Richie & Rip. Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 12/2018 |
gd80-09-29.sbd.hinko.21926.sbeok.shnf | |
1980-09-29 | Warfield Theater |
21926 | SBD > MC > C > DAT > CD > EAC > SHN; To Lay Me Down patched with current AUD source; EAC/SHN by Darryl Hinko |
gd1980-09-29.144654.nak700.severson.miller.clugston.flac1648 | |
1980-09-29 | Warfield Theater |
144654 | flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info:Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1980-09-29.144655.nak700.severson.miller.clugston.flac2496 | |
1980-09-29 | Warfield Theater |
144655 | flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info:Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 |
gd1980-09-29.nak700.ellner.koucky.89075.flac16 | |
1980-09-29 | Warfield Theater |
89075 | flac16; Recording by Ron Elner: Source: Master Cassette >Teac Reel > CD Nakamichi 700’s > Sony TC D-5 Location: FOB either on the floor or 1st row balcony Recorded and archived by Ron Elner, the master cassettes were stolen. CD Extraction with EAC > TLH > FLAC level 8 CD Extraction and seeded by B. Koucky Green Mountain Bros. December 2007 |
gd1980-09-29.nak300.walker-scotton.miller.106783.flac16 | |
1980-09-29 | Warfield Theater |
106783 | flac16; Recording Info: Nakamichi 300/CP1 -> Cassette Master (Sony D5M/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd80-09-29.menke.vernon.12886.sbeok.shnf | |
1980-09-29 | Warfield Theater |
12886 | Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 from center balcony Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson SHN Conversion: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable) by Matt Vernon |
gd1980-09-30.132375.sbd.miller.flac16 | |
1980-09-30 | Warfield Theater |
132375 | flac16; Recording Info: SBD -> Cassette Master -> FLAC; Transfer Info: FLAC -> Adobe Audition v5.5 -> Samplitude Pro X2 Suite -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1980-09-30.fob-nak700.ellner-marino.gmb.89554.sbeok.flac16 | |
1980-09-30 | Warfield Theater |
89554 | flac16; Recording by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008. |
gd1980-09-30.132779.mtx.dusborne.flac16 | |
1980-09-30 | Warfield Theater |
132779 | flac16; 2 source matrix by Dusborne; Soundboard(shinid:132375) SBD -> Cassette Master -> FLAC, FLAC -> Adobe Audition v5.5 -> Samplitude Pro X2 Suite -> FLAC and Audience(shinid:089554) Master Cassette > Nakamichi 700s > Sony TC D-5, Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction with EAC > TLH > FLAC level 8 |
gd80-09-30.menke.vernon.12882.sbeok.shnf | |
1980-09-30 | Warfield Theater |
12882 | Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 from balcony center taped by Bob Menke Remaster by Douglas Ferguson: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 SHN Conversion by Matt Vernon: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable) |
gd1980-09-30.set1.sbd.miller.96066.sbeok.flac16 | |
1980-09-30 | Warfield Theatre |
96066 | flac16; Acoustic Set Recording Info:SBD -> 24 Track Master Reel -> Cassette -> Cassette; Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1980-09-30.144727.nak700.severson.miller.clugston.flac1648 | |
1980-09-30 | Warfield Theater |
144727 | flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1980-09-30.144728.nak700.severson.miller.clugston.flac2496 | |
1980-09-30 | Warfield Theater |
144728 | flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 |
gd1980-10-01.150795.sbd.miller.flac2496 | |
1980-10-01 | Warfield Theatre & Radio City Music Hall |
150795 | flac24; Recording Info: SBD > (16-track) Reel Master > Cassette; Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24; All Transfers and Mastering by Charlie Miller |
gd1980-10-01.151442.DeadSetOuttakes.miller.t.flac16 | |
1980-10-01 | Warfield Theatre & Radio City Music Hall |
151442 | flac16; Recording Info: SBD > (16-track) Reel Master > Cassette; Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24; All Transfers and Mastering by Charlie Miller, 150795 24 -> 16 @ 44.1 |
gd1980-10-01.144287.dead-set.healy-mix.flac2448 | |
1980-10-01 | Warfiled Theater & Radio City Music Hall |
144287 | flac16; Source: SBD Healy's mix-down reels > Cassette, via Richie & Rip; Transfer: MA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 12/2018 |
gd1980-10-02.141014.pt.akg.cm.miller.flac1644 | |
1980-10-02 | Warfield Theater |
141014 | flac16; Partial Show Recording Info: AKG Mics (m/s) > Cassette Master (Sony TC-D5M/Maxell UD-XLII/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd80-10-02.acoustic-sbd.wiley.8039.sbeok.shnf | |
1980-10-02 | Warfield Theater |
8039 | Acoustic set; SBD> MR> CASSETTE> DAT> CDR; via Paul B.; Tim Wiley |
gd1980-10-02.acoustic.mtx.sirmick.92204.sbeok.flac16 | |
1980-10-02 | Warfield Theatre |
92204 | flac16; Acoustic Set, Matrix sources: a) (shnid 8039) sbd > mr > cass > dat > cdr > eac > shn and b) (shnid 89111) Master Cassette > Nakamichi 700s > Sony TC D-5 > Teac Reel > Transfer to PC tracked & burned to CD Location: FOB either on the floor or 1st row balcony CD Extraction with EAC > TLH > FLAC level 8 Matrix by SIRMick June 2008 |
gd1980-10-02.138019.set2.sbd.flac16 | |
1980-10-02 | Warfield Theater |
138019 | flac16; SBD > ? > cassette > CD > WAV > FLAC |
gd1980-10-02.nak700.ellner.mandell.gmb.89111.sbeok.flac16 | |
1980-10-02 | Warfield Theater |
89111 | flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700’s > Sony TC D-5 > Teac Reel > Transfer to PC tracked & burned to CD Location: FOB either on the floor or 1st row balcony CD Extraction with EAC > TLH > FLAC level 8 Recorded and archived by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Peter Mandell CD Extraction and seeded by Bill Koucky Green Mountain Bros. December 2007 |
gd1980-10-02.sbd.aud.miller.114364.flac16 | |
1980-10-02 | Warfield Theater |
114364 | flac16; Recording Info: Set 1: SBD -> Reel Master -> Cassette -> Dat -> CD (shnid=8039); Set 2: Nakamichi 700 -> Cassette Master -> Reel -> Dat -> CD (shnid=89111); Set 3: SBD -> Cassette Master -> Dat -> CD (shnid=2204); Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v3 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd80-10-02.nak300.vernon.16154.sbeok.shnf | |
1980-10-02 | Warfield Theater |
16154 | acoustic and electric sets; Nak300 > Sony TC-152; via Charles Gannon, encoded by Matt Vernon |
gd80-10-02.set3-sbd.jerugim.2204.sbeok.shnf | |
1980-10-02 | Warfield Theater |
2204 | set 3; SBD-> Master Cassette-> DAT-> Sonic Solutions-> CD; CD-> EAC-> SHN conversion and upload by Adam Jerugim; seed via David Gans, Chris Meyer, Charlie Miller |
gd1980-10-02.set1.sbd.miller.96067.sbeok.flac16 | |
1980-10-02 | Warfield Theatre |
96067 | flac16; Acoustic Set Recording Info:SBD -> 24 Track Master Reel -> Cassette -> Cassette; Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1980-10-02.140819.s2ps3p.akg24.miller.flac2496 | |
1980-10-02 | Warfield Theatre |
140819 | flac24; Partial Show Recording Info: AKG Mics (m/s) > Cassette Master (Sony TC-D5M/Maxell UD-XLII/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1980-10-03.146232.acoustic.mtx.seamons.ht17.flac16 | |
1980-10-03 | Warfield Theater |
146232 | flac16 Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) of shnid's 2200 and 89128 |
gd1980-10-03.nak700.ellner.koucky.89128.sbeok.flac16 | |
1980-10-03 | Warfield Theater |
89128 | flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700’s > Sony TC D-5. Location: FOB either on the floor or 1st row balcony 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction: EAC > TLH > FLAC level 8. Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction and seeded by Bill Koucky. Green Mountain Bros. December 2007. |
gd80-10-03.nak300.vernon.16208.sbeok.shnf | |
1980-10-03 | Warfield Theater |
16208 | Nak300 > Sony TC-152 > AMC > CoolEdit Pro > CD; via Charles Gannon; encoded by Matt Vernon |
gd80-10-03.set1-sbd.aj.2200.sbeok.shnf | |
1980-10-03 | Warfield Theater |
2200 | acoustic; SBD-> Master Cassette-> DAT-> Sonic Solutions-> CD; CD-> EAC-> SHN conversion and upload by Adam Jerugim; seed via David Gans, Chris Meyer, Charlie Miller |
gd80-10-04.sbd.blanchard.14989.sbeok.shnf | |
1980-10-04 | Warfield Theater |
14989 | complete SBD>?>CDR>EAC>Cool Edit(minor cleanup, normalization)>CDWAV(tracking)>mkwact(seekable) via Joey Browning, Steve Blanchard |
gd1980-10-04.151437.sbd.1st-gen.miller.t.flac16 | |
1980-10-04 | Warfield Theater |
gd80-10-04.sbd.bertha-ashley.19147.sbeok.shnf | |
1980-10-04 | Warfield Theater |
19147 | SBD>>MR>>PCM>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN |
gd1980-10-04.set1-sbd.willy.8778.shnf | |
1980-10-04 | Warfield Theater |
8778 | Acoustic and partial set 2; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy |
gd1980-10-04.141334.sbd.set1-2p.betty.pcm.dalton.miller.clugston.flac1644 | |
1980-10-04 | Warfield Theater |
141334 | flac16; Source Info: Betty's 7" two track reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd1980-10-04.151265.sbd.miller.flac2496 | |
1980-10-04 | Warfield Theater |
151265 | flac24/96khz Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 |
gd1980-10-04.151266.sbd.betty.anon.noel.flac1644 | |
1980-10-04 | Warfield Theater |
151266 | flac16/44.1khz Source: Master SBD Reel > PCM > DAT Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44 |
gd1980-10-06.135936.sbd.GEMS.flac16 | |
1980-10-06 | Warfield Theatre |
135936 | flac16 Soundboard > Cass > PCM Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800 -> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 Additional lineage: Tracked with Audacity-> flac level 8 and checksums with TLH-> tags with Mp3tag |
gd80-10-06.menke.vernon.13062.sbeok.shnf | |
1980-10-06 | Warfield Theater |
13062 | Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 tfrom Balcony, Center. Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson. shn conversion by Matt Vernon via Raoul Duke |
gd80-10-06.acoustic-sbd.8779.sbeok.shnf | |
1980-10-06 | Warfield Theater |
8779 | Acoustic set only; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy |
gd1980-10-06.nak700.ellner.koucky.89169.sbeok.flac16 | |
1980-10-06 | Warfield Theater |
89169 | flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5. Location: FOB either on the floor or 1st row balcony. 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction with EAC > TLH > FLAC level 8. Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction and seeded by Bill Koucky; Green Mountain Bros. December 2007. |
gd1980-10-06.155949.electric.sets.akg.se5.wiseman.miller.clugston.flac1648 | |
1980-10-06 | Warfield Theater |
155949 | flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 |
gd1980-10-06.155950.electric.sets.akg.se5.wiseman.miller.clugston.flac2496 | |
1980-10-06 | Warfield Theater |
155950 | flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 |
gd1980-10-06.141335.sbd.set1-2p.betty.pcm.dalton.miller.clugston.flac1644 | |
1980-10-06 | Warfield Theater |
141335 | flac16; Source Info: Betty's 7" two track reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd1980-10-06.144725.nak700.severson.miller.clugston.flac1648 | |
1980-10-06 | Warfield Theater |
144725 | flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1980-10-06.144726.nak700.severson.miller.clugston.flac2496 | |
1980-10-06 | Warfield Theater |
144726 | flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 |
gd1980-10-06.151267.sbd.betty.anon.noel.flac1644 | |
1980-10-06 | Warfield Theater |
151267 | flac16/44.1khz Source: Master SBD Reel > PCM > DAT Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44 |
gd80-10-07.partial.sbd.cousinit.24664.sbeok.shnf | |
1980-10-07 | Warfield Theater |
24664 | Source: Acoustic and partial set 1 electric: MSR>C>DAT>WAV>SHN C>SHN Encoding by Cousinit Seeded to abgd |
gd1980-10-07.108882.sbd-stanley.blackwood-waddell.flac16 | |
1980-10-07 | Warfield Theater |
108882 | SBD > Reel > Sony TCD5 > Cassette Master (Betty's) TDK SA-X 60 > DAT > Mastering (Custom Analog & Digital 06-10 ) > WAV. Reel to cassette transfer on 1981-02-06. Lineage: WAV > FLAC [7]. Recording Engineer: possibly Bear (Tape noted: Bear's Monitor At Gig). Original Cassette Master > DAT Transfer: Jim Blackwood. Mastering: Jim Blackwood, Mastering assistance: Jamie Waddell |
gd80-10-07.menke.vernon.14046.sbeok.shnf | |
1980-10-07 | Warfield Theater |
14046 | Recording (attributed to) Bob Menke: Balcony, Center Nakamichi CM700 Mics (3)>Mixer>Sony D-5. Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson shn encoding by Matt Vernon via Raoul Duke |
gd1980-10-07.nak700.ellner.koucky.89189.sbeok.flac16 | |
1980-10-07 | Warfield Theater |
89189 | flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5M. Location: FOB either on the floor or 1st row balcony. 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction with EAC > TLH > FLAC level 8. Masters Recorded by Ron Ellner and archived to Reels by Peter Mandell, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction by Bill Koucky. Green Mountain Bros. December 2007. |
gd1980-10-07.144738.nak700.severson.miller.clugston.flac1648 | |
1980-10-07 | Warfield Theater |
144738 | flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1980-10-07.144739.nak700.severson.miller.clugston.flac2496 | |
1980-10-07 | Warfield Theater |
144739 | flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 |
gd1980-10-07.151264.sbd.healy.miller.fixed.flac2496 | |
1980-10-07 | Warfield Theater |
151264 | flac24/96khz Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24 |
gd1980-10-07.151264.sbd.healy.miller.orig.flac2496 | |
1980-10-07 | Warfield Theater |
gd1980-10-09.140924.set1p.sbd.betty.pcm.dalton.miller.clugston.flac1644 | |
1980-10-09 | Warfield Theater |
140924 | flac16; Partial 1st Electric Set Source Info: Betty's 7" 2-track Master Soundboard Reel @ 7.5 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd1980-10-09.144734.nak700.severson.miller.clugston.flac1648 | |
1980-10-09 | Warfield Theater |
144734 | flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit viadBpweramp |
gd80-10-09.sbd.unknown.11042.sbeok.shnf | |
1980-10-09 | Warfield Theater |
11042 | labelled as SBD> R> DAT> CD, but see info file notes; note same txt file as other shn set, but md5s differ |
gd1980-10-09.141349.sbd.acoustic.set.betty.pcm.dalton.miller.clugston.flac1644 | |
1980-10-09 | Warfield Theater |
141349 | flac16; Source Info: Betty's 7" two track reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd1980-10-09.144735.nak700.severson.miller.clugston.flac2496 | |
1980-10-09 | Warfield Theater |
144735 | flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 |
gd1980-10-09.151344.sbd.miller.flac2496 | |
1980-10-09 | Warfield Theater |
151344 | flac24/96khz Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24 |
gd1980-10-10.mtx.chappell.sb03.28740.flac16 | |
1980-10-10 | Warfield Theater |
28740 | flac16; SBD/AUD Matrix of 3 previously circulated seeds; prepared by Chris Chappell |
gd1980-10-10.sbd-set1.unknown.73820.flac16 | |
1980-10-10 | Warfield Theater |
73820 | flac16; Acoustic Set - sbd reel master > dats @ 44.1 kHz wavelab > cd wave/flac |
gd1980-10-10.156341.akg-se5-wiseman-miller-clugston.flac2496 | |
1980-10-10 | Warfield Theater |
156341 | flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 |
gd1980-10-10.akg.se5.wiseman.miller.clugston.flac1648 | |
1980-10-10 | Warfield Theater |
156340 | flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 |
gd1980-10-10.fob-nak700.ellner-marino.gmb.89560.sbeok.flac16 | |
1980-10-10 | Warfield Theater |
89560 | flac16; Recording by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008. |
gd1980-10-10.144766.nak700.severson.miller.clugston.flac2496 | |
1980-10-10 | Warfield Theater |
144766 | flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5(Maxell UDXLI); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 |
gd80-10-10.acoustic-sbd.hinko.14386.sbeok.shnf | |
1980-10-10 | Warfield Theater |
14386 | Acoustic set only; SBD>MR>PCM>DAT>CDR>EAC>SHN This new seed does not have the problems in Dark Hollow like the previous seed. |
gd1980-10-10.sbd-acoustic.willy.8780.sbeok.shnf | |
1980-10-10 | Warfield Theatre |
8780 | Acoustic set only; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy |
gd80-10-10.menke.vernon.13989.sbeok.shnf | |
1980-10-10 | Warfield Theater |
13989 | Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 from Balcony, Center Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson, via Roual Duke, SHN Conversion by Matt Vernon |
gd80-10-10.sbd.cousinit.24710.sbefail.shnf | |
1980-10-10 | Warfield Theater |
24710 | MSR>C>C>DAT>WAV>SHN; C>DAT Conversion by Cousinit Patch Source: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 |
gd1980-10-10.144765.nak700.severson.miller.clugston.flac1648 | |
1980-10-10 | Warfield Theater |
144765 | flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5(Maxell UDXLI); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1980-10-11.sbd-set1.unknown.73821.flac16 | |
1980-10-11 | Warfield Theater |
73821 | flac16; Acoustic Set - sbd reel master > dats @ 44.1 kHz wavelab > cd wave/flac |
gd80-10-11.sbd-acoustic.windsor.clevenger.fix-323.6198.shnf | |
1980-10-11 | Warfield Theater |
6198 | shn set from Bob Clevenger; edit of previously circulating SHN set - see info for details |
gd1980-10-11.155431.sbd.1gen.miller.t.flac16 | |
1980-10-11 | Warfield Theater |
155431 | flac16/44: Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 155315 2496 > 1644 |
gd1980-10-11.156342.akg-se5-wiseman-miller-clugston.flac1648 | |
1980-10-11 | Warfield Theater |
156342 | flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496 |
gd1980-10-11.156343.akg-se5-wiseman-miller-clugston.flac2496 | |
1980-10-11 | Warfield Theater |
156343 | flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496 |
gd1980-10-11.142010.sbd.smith.miller.clugston.flac1648 | |
1980-10-11 | Warfield Theater |
142010 | flac16/48kHz; Master Soundboard Cassettes > 1st generation cassettes > Matt Smith's 2nd generation cassettes (Nakamichi BX-300)> Apogee Mini Me > Apogee Mini DAC > WaveLab 5.0 (.wav 24-bit/96k) > Adobe Audition 3.0 > TLH flac 24/96; This is a 16/48 fileset. 24-bit > 16-bit via dBpoweramp |
gd1980-10-11.142012.sbd.smith.miller.clugston.flac2496 | |
1980-10-11 | Warfield Theater |
142012 | flac24; Source Info: Master Soundboard Cassettes > 1st generation cassettes > Matt Smith's 2nd generation cassettes; Transfer Info: 2nd generation cassettes (Nakamichi BX-300)> Apogee Mini Me > Apogee Mini DAC > WaveLab 5.0 (.wav 24-bit/96k) > Adobe Audition 3.0 > TLH flac2496 |
gd1980-10-11.155315.sbd.miller.flac24 | |
1980-10-11 | Warfield Theater |
155315 | Recording Info:
SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 |
gd80-10-11.sbd.blanchard.16336.sbeok.shnf | |
1980-10-11 | Warfield Theater |
16336 | SBD:MC >? >CDR >EAC >cool edit 2000 (minor clean up,normalization) >CDWAV (tracking) >mkwact(seekable) w/expanded drums this becomes a 3 disc show. |
gd80-10-11.acoustic-sbd.windsor.323.sbefail.shnf | |
1980-10-11 | Warfield Theater |
323 | acoustic set; SBD> Reel> PCM> DAT> CDR> Plexwriter CD-R (EAC)> HP 8200i CDRW Drive (EAC); via Andy "Bear" Greider, Stephen Windsor, Darrin Sacks |
gd1980-10-13.137256.sbd.clugston.sbeok.flac16 | |
1980-10-13 | Warfield Theater |
137256 | flac16; Recording Info: 1st Electric Set & 2nd Electric Set partial (thru The Other One) SBD > many cassette generations > Cass; Transfer Info: Cassette played back on Nakamichi Dragon > Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) > Korg AudioGate > WAV [24/96] > Adobe Audition 6.0> FLAC encoding |
gd80-10-13.set1-set3-sbd.miller.25559.sbeok.shnf | |
1980-10-13 | Warfield Theater |
25559 | Recording Info: Set 1: SBD -> Master Reel -> PCM -> Dat -> CD -> EAC -> SHN Set 3: SBD -> 3rd Gen Pro Shot Video Transfer Info: 3rd Gen Pro Shot Video -> Dat (Sony R500/48k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller |
gd80-10-13.acoustic-sbd.munder.13064.sbeok.shnf | |
1980-10-13 | Warfield Theater |
13064 | Acoustic set only; SBD>MR>PCM>DAT>CDR; via Paul B; Seeded to etree by Willy |
gd1980-10-13.114417.aud.vman.flac16 | |
1980-10-13 | Warfield Theater |
114417 | flac16; source: unknown audience recording > cassette x2 > CDR (using Nakamichi BX300 playback > H/K CDR2 (stand alone CD recorder); transfer: CDR > MacBook using Xact to create flac files, no other work has been done on this recording |
gd1980-10-14.155439.sbd.1gen.miller.t.flac16 | |
1980-10-14 | Warfield Theater |
155439 | flac16/44 Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 155412 2496 > 1644 |
gd80-10-14.sbd-aud.gardner.3828.sbeok.shnf | |
1980-10-14 | Warfield Theater |
3828 | Set 1 and encores: unknown audience> ?> CDR> EAC> SHN; Sets 2,3: SBD> MR> DAT> CDR> EAC> SHN; via Tony Gardner, with thanks to Paul B., Mario Mancilla; update to Tony's previous shn set, his comments: "I found another source for the acoustic set and called it disc 0. encores are added on disc 3. I cut about two minutes of silence from the end of disc 1 and 2, no other changes"; see info file for more comments |
gd1980-10-14.108883.sbd-stanley.blackwood-waddell.flac16 | |
1980-10-14 | Warfield Theater |
108883 | SBD > Reel > Sony TCD5 > Cassette Master (Betty's) TDK SA-X 60 > DAT > Mastering (Custom Analog & Digital 06-10 ) > WAV. Reel to cassette transfer on 1981-02-06. Lineage: WAV > FLAC [7]. Recording Engineer: possibly Bear (Tape noted: Bear's Monitor At Gig). Original Cassette Master > DAT Transfer: Jim Blackwood. Mastering: Jim Blackwood. Mastering assistance: Jamie Waddell |
gd1980-10-14.137560.sbd.miller.flac1648 | |
1980-10-14 | Warfield Theater |
137560 | flac16/48Khz; Set 2 & 3 Recording Info: SBD -> Master Reel (10in 15ips 1/2 trk) > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller |
gd1980-10-14.119320.mtx-electric.dusborne.flac16 | |
1980-10-14 | Warfield Theater |
119320 | flac16; Sets 2 and 3; 2 source matrix-electric sets: Soundboard (shnid=3828): SBD> MR> DAT> CDR> EAC> SHN >TLH >flac and Audience (shnid=89632): FOB either on the floor or 1st row balcony Master Cassette > Nakamichi 700s > Sony TC D-5M |
gd1980-10-14.sbd.gardner.3576.shnf | |
1980-10-14 | Warfield Theater |
3576 | SBD> MR> DAT> CDR> EAC> SHN; note Acoustic first set and encore missing; via Tony Gardner; note upgrade in circulation |
gd1980-10-14.156399.mtx.photoleon.t-flac16 | |
1980-10-14 | Warfield Theater |
156399 | Matrix Created In Adobe Audition By Joe Noel Source 1; 89632 Source: Nakamichi 700s > Sony Tc D-5m > Master Cassette > 1st Generation Copy To Teac Reel To Reel Location: Fob Either On The Floor Or 1st Row Balcony Source 2; 155439 Recording Info: Sbd > Cassette Master (nakamichi 550) > Cassette (sony Tc-d5m Tdk Sa-c90) |
gd1980-10-18.135529.sbd.miller.flac16 | |
1980-10-18 | Saenger Performing Arts Center |
135529 | flac16; Recording Info: SBD -> Cassette Master -> Dat -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd80-10-18.neumann.vernon.13596.sbeok.shnf | |
1980-10-18 | Saenger Performing Arts Center |
13596 | FOB Neumann km84> Cm> Dat> CD via Mike McCarthy and Raoul Duke, encoding subcontracted to Matt Vernon by The Miami SHN Machine |
gd1980-10-18.133594.sbd.miller.flac16 | |
1980-10-18 | Saenger Performing Arts Center |
133594 | flac16; Recording Info: SBD -> Cassette Master -> Dat -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd80-10-19.set1-aud.vernon.16908.sbeok.shnf | |
1980-10-19 | Saenger Performing Arts Center |
16908 | AUDMC(unknown mics) > C > C > WAV; set 1 acoustic only (other sets already circulate); via Hanno Bunjes, encoded by Matt Vernon |
gd80-10-19.set2-3-aud.vernon.13469.sbeok.shnf | |
1980-10-19 | Saenger Performing Arts Center |
13469 | unknown FOB aud source electric sets 2-3 via Raoul Duke and Mike McCarthy, encoding by Matt Vernon |
gd1980-10-19.134368.aud-cas-r2.flac1648 | |
1980-10-19 | Saenger Performing Arts Center |
134368 | flac16/48kHz; s1 described as aud, s2 and s3 described as fob aud cas> R2; see info file for details; Transfer: trade dats at 48k > m-audio audiophile 2496 > cooledit2000 > 48k wav > flac |
gd1980-10-19.beyer.stankiewicz.125633.flac1644 | |
1980-10-19 | Saenger Performing Arts Center |
125633 | flac16; AUD: 2x Beyer M160's > Sony TC-D5, 20-foot spread, front edge of balcony. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013. |
gd1980-10-19.s3.aud.seaweed.125234.flac1644 | |
1980-10-19 | Saenger Performing Arts Center |
125234 | flac16; Set 3 Source: Unknown AUD, lo-gen tape kindly provided by Seaweed1010. Transfer: XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 07/2013 |
gd1980-10-19.beyer.stankiewicz.125632.flac2496 | |
1980-10-19 | Saenger Performing Arts Center |
125632 | flac24; AUD: 2x Beyer M160's > Sony TC-D5, 20-foot spread, front edge of balcony. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013. |
gd1980-10-22.sonyecm280.wise.miller.100416.flac16 | |
1980-10-22 | Radio City Music Hall |
100416 | flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller |
gd1980-10-22.nak300.morris.101778.sbeok.flac16 | |
1980-10-22 | Radio City Music Hall |
101778 | flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Orchestra Row SS, Seat 109 by Bob Morris |
gd1980-10-22.120053.fob-nak700.gatto-jaeger.dusborne.flac16 | |
1980-10-22 | Radio City Music Hall |
120053 | flac16; Lodge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 Tracked in Audacity 2.0 by dusborne |
gd80-10-22.sony.wiley.8479.sbefail.shnf | |
1980-10-22 | Radio City Music Hall |
8479 | AUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley |
gd80-10-23.cohen.vernon.13140.sbeok.shnf | |
1980-10-23 | Radio City Music Hall |
13140 | Recording by Mark Cohen: AUD from orchestra seats with Nak 700s > Sony D5; Lineage: AUDMC > Cass > DAT > CDR via Jay Jurina, conversion Matt Vernon |
gd80-10-23.sonyecm280.wiley.8700.sbeok.shnf | |
1980-10-23 | Radio City Music Hall |
8700 | AUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley |
gd1980-10-23.fob.sonyecm280.wise.miller.101256.flac16 | |
1980-10-23 | Radio City Music Hall |
101256 | flac16; Recording Info:(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Taped By Jim Wise; All Transfers and Mastering By Charlie Miller |
gd1980-10-23.143352.fob.nak700.cohen.miller.clugston.flac2496 | |
1980-10-23 | Radio City Music Hall |
143352 | flac24; Source Info: Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony D5 (located in the orchestra seats); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496 |
gd1980-10-23.aud.morris.108016.flac24 | |
1980-10-23 | Radio City Music Hall |
108016 | flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded from Orchestra Row A, Seat 310, by Bob Morris; Upgrade in circulation |
gd1980-10-23.aud.morris.fixed.111029.flac24 | |
1980-10-23 | Radio City Music Hall |
111029 | flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded from Orchestra Row A, Seat 310, by Bob Morris; This is an upgrade to shn 108016: deleted extraneous bad tracks; renamed files; Patched with ID 101256 |
gd1980-10-23.fob.nak300.morris.102026.sbeok.flac16 | |
1980-10-23 | Radio City Music Hall |
102026 | flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Orchestra Row A, Seat 310, by Bob Morris |
gd1980-10-23.120072.fob-nak700.gatto-jaeger.dusborne.flac16 | |
1980-10-23 | Radio City Music Hall |
120072 | flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 ; Tracked in Audacity 2.0 by dusborne |
gd1980-10-23.143351.fob.nak700.cohen.miller.clugston.flac1648 | |
1980-10-23 | Radio City Music Hall |
143351 | flac16/48kHz; Source Info:Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony D5 (located in the orchestra seats); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1980-10-25.150759.sbd.miller.flac2496 | |
1980-10-25 | Radio City Music Hall |
150759 | flac24; Mixes of To Lay Me Down made for Reckoning Recording Info: SBD > (16-track) Reel Master > Cassette; Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24; All Transfers and Mastering by Charlie Miller |
gd1980-10-25.157769.ToLayMeDown.t.flac1644 | |
1980-10-25 | Radio City Music Hall |
157769 | flac1644 Grateful Dead - October 25, 1980 Radio City Music Hall - New York, NY Recording Info: SBD > (16-track) Reel Master > Cassette Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24 (1 CD FLAC) All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net October 24, 2020 Notes: -- Two different mixes of To Lay Me Down made for Reckoning on February 20, 1981 -- This is 150759 2469 > 1644 |
gd1980-10-25.nak300.morrone.friend.116768.flac2448 | |
1980-10-25 | Radio City Music Hall |
116768 | flac24; AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. 10/2011 |
gd1980-10-25.nak300.morrone.friend.116769.1644 | |
1980-10-25 | Radio City Music Hall |
116769 | flac16; AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. 10/2011 |
gd80-10-25.aud.wiley.8726.sbefail.shnf | |
1980-10-25 | Radio City Music Hall |
8726 | AUD>MC>DAT>CDR; Seeded to etree by Tim W |
gd1980-10-25.fob.sonyecm280.wise.miller.102405.flac16 | |
1980-10-25 | Radio City Music Hall |
102405 | flac16; Recording Info:(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller |
gd1980-10-25.120163.fob-nak700.gatto-jaeger.dan.flac16 | |
1980-10-25 | Radio City Music Hall |
120163 | flac16; Nak 700's > Sony D-5 > AMC; Recorded Dead front center loge by Keith Gatto & Pete Jaeger; AMC > DAT > CDR > EAC > FLac (EAC > Flac by Michael Turi); Equalization: Used a multifilter with the following order: 20-band EQ with linear increases from 0-500 Hz. One subharmonic synthesizer set at 125 Hz. Two expanders (dynamic noise in expander mode) to increase the dynamic range. May, 2012-Dan McDonald |
gd80-10-26.sbd.hinko.18862.sbeok.shnf | |
1980-10-26 | Radio City Music Hall |
18862 | Updated Source; SBD > MR > C (no dolby) > DAT > CD > EAC > SHN; was marked: SBD > MR > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko |
gd80-10-26.sony-ecm.fishman.11837.sbeok.shnf | |
1980-10-26 | Radio City Music Hall |
11837 | Source: CAUD >D>CD>EAC>WAV>SHN Location: 1st row, Lowest Balcony, Center Seats Source Recording: Sony ECM 270 Condensors > Cassette With 10/18/88 (Matrix) filler; See info file for details; Seeded to etree by JR Fishman |
gd1980-10-26.nak700.rolfe.miller.94269.sbeok.flac16 | |
1980-10-26 | Radio City Music Hall |
94269 | flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller |
gd1980-10-26.150763.sbd.miller.flac2496 | |
1980-10-26 | Radio City Music Hall |
150763 | flac24; Mixes of It Must Have Been The Roses made for Reckoning Recording Info: SBD > (16-track) Reel Master > Cassette; Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24; All Transfers and Mastering by Charlie Miller |
gd80-10-26sbd.remaster.18896.sbeok.shnf | |
1980-10-26 | Radio City Music Hall |
18896 | PLEASE NOTE: This is a Remaster of the original SBD SHN Seed released by Darryl Hinko. Main Source: SBD>MR>DAT>CD>EAC>SHN ; Patch Source: AUD(Wise Sony ECM 280?s)>Sony D-5>MC Playback on Nak Dragon>Sony PCM-R700>Hard Drive via ZA2>CDR>EAC(secure)>Cool Edit Pro>CD WAV>SHN(seekable) ; Remaster Conversion: SHN>WAV>ADWS>SHN(Seekable); Via Hinks ; Seeded by T. Wiley 08/15/2003. |
gd80-10-26.sonyecm280.wiley.8765.sbeok.shnf | |
1980-10-26 | Radio City Music Hall |
8765 | Updated lineage: Recording by Jim Wise: Nak 700s>Sony D-5>MC>PCM>ZA2>CDR; Seeded to etree by Tim W |
gd1980-10-26.nak300.morrone.friend.116426.flac1644 | |
1980-10-26 | Radio City Music Hall |
116426 | flac16; AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 10/2011 |
gd1980-10-26.157771.ItMustHaveBeenTheRoses.t.flac1644 | |
1980-10-26 | Radio City Music Hall |
157771 | flac1644 Mixes of It Must Have Been The Roses made for Reckoning Recording Info: SBD > (16-track) Reel Master > Cassette; Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24; All Transfers and Mastering by Charlie Miller - This is 150763 2496 > 1644 |
gd1980-10-26.120169.fob-nak700.gatto-jaeger.dusborne.flac16 | |
1980-10-26 | Radio City Music Hall |
120169 | flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 05-17-2012 |
gd1980-10-26.mtx.seamons.101967.flac16 | |
1980-10-26 | Radio City Music Hall |
101967 | flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) |
gd1980-10-27.senn441.wise.miller.101293.flac16 | |
1980-10-27 | Radio City Music Hall |
101293 | flac16; Recording Info: Sennheiser 441 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Taped By Jim Wise; All Transfers and Mastering By Charlie Miller |
gd80-10-27.senn441.lai.324.sbefail.shnf | |
1980-10-27 | Radio City Music Hall |
324 | Recording by Jim Wise: senn. 441 > d-5 center lower balcony several rows back; playback on nak dragon & ran the signal right through sony pcm r-700 directly to hard disc via za2; no other processing apart form minor editing and normalization; recording, transfer by J. Wise; EAC> SHN by R. Donnelly> CD > SHN by M. Lai; known flaw: some sporadic wow & flutter (mainly on elec#1); Donnelly's 4/00 original shns may not have gotten mirrored from stellablue before a loss- 5/00 reextraction (md5s shown) by M. Lai |
gd80-10-27.sonyecm270.larson.7290.sbeok.shnf | |
1980-10-27 | Radio City Music Hall |
7290 | Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd |
gd1980-10-27.nak300.morrone.friend.116195.flac2448 | |
1980-10-27 | Radio City Music Hall |
116195 | flac2448: AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine front row, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011 |
gd1980-10-27.nak300.morrone.friend.116196.flac1644 | |
1980-10-27 | Radio City Music Hall |
116196 | flac16: AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine front row, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 09/2011 |
gd1980-10-29.fob.sonyecm280.wise.miller.101306.flac16 | |
1980-10-29 | Radio City Music Hall |
101306 | flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Taped By Jim Wise; All Transfers and Mastering By Charlie Miller |
gd80-10-29.wise.larson.1953.sbeok.shnf | |
1980-10-29 | Radio City Music Hall |
1953 | Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd |
gd1980-10-29.sbd-partial.miller.32538.flac16 | |
1980-10-29 | Radio City Music Hall |
32538 | flac16; **Partial SBD** Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation |
gd1980-10-29.sbd.p1.122003.flac16 | |
1980-10-29 | Radio City Music Hall |
122003 | flac16; Partial Soundboard, Set 1: SBD>?>?cassette in Dolby B>Harmon Kadon TD 302, Dolb B on>Zoom H2>PC>edited and tracked with wavepad>flac and checksums with traderslittlehelper, sept.14, 2012 by John Wenzel |
gd1980-10-29.aud-sbd.tetzeli.join-1953-32538.35029.reflac.flac16 | |
1980-10-29 | Radio City Music Hall |
35029 | flac16; Seamless fix/combination of shn id 1953 and shn id 32538 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
gd1980-10-29.beyer.stankiewicz.126919.flac1644 | |
1980-10-29 | Radio City Music Hall |
126919 | flac16; AUD: 2x Beyer M160's > Sony TC-D5, Fifth row center orchestra. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 02/2014 |
gd1980-10-29.140301.sbd-partial.miller.sirmick.flac1644 | |
1980-10-29 | Radio City Music Hall |
140301 | flac16; Partial Sets 2 & 3 Recording Info: SBD > Cassette Master > Cassette; Transfer Info: Cassette (Sony TC-WE475) > Sony R500 (Pass Through) > SEK'D Prodif Plus > Samplitude Professional v8.01 > Flac; Transferred and Edited By Charlie Miller; This is a pitch corrected version of source ID 32538; edited by SIRMick |
gd1980-10-29.140302.sbd.partial.moore.berger.flac2496 | |
1980-10-29 | Radio City Music Hall |
140302 | flac24; partial set 1 source: sbd 2nd gen cassette; Jerry Moore’s copy; nakamichi dragon/c > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger |
gd1980-10-29.140496.partial.sbd.moore.berger.flac1644 | |
1980-10-29 | Radio City Music Hall |
140496 | flac16; partial set 1 source: sbd 2nd gen cassette; Jerry Moore’s copy; nakamichi dragon/c > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger |
gd1980-10-29.140899.sbd.aud.flac1644 | |
1980-10-29 | Radio City Music Hall |
140899 | flac16; SBD DAT-> Panasonic SV-3700-> SP; DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Mastering, Patching & Editing by Jason Chastain in Audition CC 2015; Final Mastering by Jamie Waddell in Wavelab 7.1 |
gd1980-10-30.120537.nak70.gatto-jaeger.dusborne.flac16 | |
1980-10-30 | Radio City Music Hall |
120537 | flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 06-06-2012 |
gd80-10-30.wise.larson.1954.sbeok.shnf | |
1980-10-30 | Radio City Music Hall |
1954 | Recording by Jim Wise. Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd |
gd1980-10-30.fob.sonyecm280.wise.miller.101427.flac16 | |
1980-10-30 | Radio City Music Hall |
101427 | flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded by Jim Wise; All Transfers and Mastering By Charlie Miller |
gd1980-10-30.139599.sbd.bershaw.flac16 | |
1980-10-30 | Radio City Music Hall |
139599 | flac16; Source: 10Ó 1/4 track SBD Feed Master Reels @ 7.5ips; Lineage: 10Ó 1/4 track Reels (Revox A-77 playback) -> Lexicon Lambda (24/96) -> Logic (mastering: speed correction, track indexing, dithering to 16/44.1) -> AIFF -> Xact (sbe correction) -> wav -> flac; Transfer (November 2009) and mastering (October 2017) by Alan Bershaw |
gd80-10-31.sbd-preFM.cousinit.20377.sbeok.shnf | |
1980-10-31 | Radio City Music Hall |
20377 | Source: Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN Electric: MSR>R>C>DAT>WAV>SHN C>SHN Conversion by Cousinit Seeded to abgd 10/03 |
gd1980-10-31.nak700.rolfe.miller.94270.sbeok.flac16 | |
1980-10-31 | Radio City Music Hall |
94270 | flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller |
gd1980-10-31.131907.stankiewicz.flac2496 | |
1980-10-31 | Radio City Music Hall |
131907 | flac24; Partial Show; Beyer M-88>Sony TCD-5M 4th row right center; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded and transfered By Richie stankiewicz |
gd1980-10-31.137839.partial.sbd.happyjack.sirmick.sbeok.flac16 | |
1980-10-31 | Radio City Music Hall |
137839 | flac16; Source: Soundboard (monitor mix) > Sony TC-D5 > cassette (2nd gen); Taped by Happy Jack and friend; Transfer: Cassette > Nakamichi CD1 > Sony PCM-M10 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; transferred, edited and mastered SIRMick |
gd1980-10-31.137840.partial.sbd.happyjack.sirmick.sbeok.flac24 | |
1980-10-31 | Radio City Music Hall |
137840 | flac24; Source: Soundboard (monitor mix) > Sony TC-D5 > cassette (2nd gen); Taped by Happy Jack and friend; Transfer: Cassette > Nakamichi CD1 > Sony PCM-M10 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; transferred, edited and mastered SIRMick |
gd80-10-31.wise.larson.1955.sbeok.shnf | |
1980-10-31 | Radio City Music Hall |
1955 | Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd |
gd1980-10-31.prefm.cousinit-edited.patched.83158.sbeok.flac16 | |
1980-10-31 | Radio City Music Hall |
83158 | flac16; Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN; Electric: MSR>R>C>DAT>WAV>SHN; Edits: SHNs > WAV > Cool Edit 2000/Cool Edit Pro > shntool > FLAC Edited and seeded by Bill Tetzeli |
gd1980-10-31.fob.sonyecm280.wise.miller.101428.flac16 | |
1980-10-31 | Radio City Music Hall |
101428 | flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded by Jim Wise; All Transfers and Mastering By Charlie Miller |
gd1980-10-31.122543.mtx.dusborne.flac16 | |
1980-10-31 | Radio City Music Hall |
122543 | flac16; 3 Source Matrix: Soundboard (shnid=83158): Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN; Electric: MSR>R>C>DAT>WAV>SHN; Audience (shnid=94270): Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Audience (shnid=120839): Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger |
gd1980-10-31.137448.sbd.happyjack.flac24 | |
1980-10-31 | Radio City Music Hall |
137448 | flac24; Updated source Info: Source: SBD Recording [This is A 2nd Generation]; Lineage: mixingboard [Line out Left/Right] > TC-d5 [Line In recording level 3.5. No Dolbly] > Master Cassettes [Sony UCX90]; tapes was dubbed on a Aiwa CX-NA555; Tape Transfer: Sharp RT100 Deck [Sony UCX90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, removing some cable connection pops. Pitch correction & speed correction. No music was Lost, Altered and/or Touched. Still some tape warble; CD Wave Editor To Split Tracks & converted to Flac24 [Level 6]; the original seed of this source was marked as an AUD |
gd1980-10-31.137449.sbd.happyjack.flac16 | |
1980-10-31 | Radio City Music Hall |
137449 | flac16; Updated source Info: SBD Recording [This is A 2nd Generation]; Lineage: mixingboard [Line out Left/Right] > TC-d5 [Line In recording level 3.5. No Dolbly] > Master Cassettes [Sony UCX90]; tapes was dubbed on a Aiwa CX-NA555; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 12/27/2016; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, removing some cable connection pops. Pitch correction & speed correction. No music was Lost, Altered and/or Touched. Still some tape warble; Converting Sample Rate: Adobe Audition 3.0 was also used to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor To Split Tracks & converted to Flac16 [Level 6]; TLH to fix SBE; the original seed of this source was marked as an AUD |
gd1980-10-31.140416.sbd.bershaw.flac16 | |
1980-10-31 | Radio City Music Hall |
140416 | flac16; Source: 10†1/4 track SBD Feed Master Reels @ 7.5ips; Lineage: 10†1/4 track Reels (Revox A-77 playback) -> Lexicon Lambda (24/96) -> Logic (mastering: speed correction, track indexing, dithering to 16/44.1) -> AIFF -> Xact (sbe correction) -> wav -> flac; Transfer (October 2009) and mastering (December 2017) by Alan Bershaw |
gd1980-10-31.132277.aud.sony.ecm-280.flac16 | |
1980-10-31 | Radio City Music Hall |
132277 | flac16/48kHz; Cassette Audience Master recorded By Jim Wise; Sony ECM 280 Cardioid Condenser Microphones-Sony TC D-5 Cassette Recorder; Location:Mics placed Overhanging Rail Ledge Dead Center 1st Lodge; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-tagging(Tag & Re-name)-Sample Rate Conversions(r8atebrain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise |
gd1980-10-31.132278.aud.sony.ecm-280.flac24 | |
1980-10-31 | Radio City Music Hall |
132278 | flac24; Cassette Audience Master recorded By Jim Wise; Sony ECM 280 Cardioid Condenser Microphones-Sony TC D-5 Cassette Recorder; Location:Mics placed Overhanging Rail Ledge Dead Center 1st Lodge; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name)-Sample Rate Conversions(r8atebrain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise |
gd1980-10-31.120839.fob.nak700.gatto-jaeger.dusborne.flac16 | |
1980-10-31 | Radio City Music Hall |
120839 | flac16; Loge Dead front center Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 06-20-2012 |
gd1980-10-31.141354.sbd.pcm.dalton.miller.clugston.flac1644 | |
1980-10-31 | Radio City Music Hall |
141354 | flac16; Source Info: Satellite Feed > (McIntosh) 10" Master Reels @ 7.5 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd1980-11-26.132221.aud.beyer-m160.flac16 | |
1980-11-26 | The Sportatorium |
132221 | flac16/48kHz; Cassette Audience Master recorded By Jim Wise (patched out of Richie Stankiewicz); Beyerdynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Cassette Masters (TDK SA-90) played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; This is the properly dithered 16 bit 48 KHz file set; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise |
gd1980-11-26.132222.aud.beyer-m160.flac24 | |
1980-11-26 | The Sportatorium |
132222 | flac24; Cassette Audience Master recorded By Jim Wise (patched out of Richie Stankiewicz); Beyerdynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; This is the 24 bit 96KHz file set; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise |
gd1980-11-26.150965.mtx.chappell.sb33a.flac16 | |
1980-11-26 | The Sportatorium |
150965 | Sick Bits Vol. 33a Source: Matrix (SBD-AUD mix) ratio ~ Phi (the Golden Ratio) - 1.618-1 or 62%-38% SBD: (shnid=3380) Source: Master Soundboard Cassette > Cassette > DAT > CDR. via Scott Clugston (EAC-SHN) AUD: (shnid=13065) Jim Wise Beyer M-160’s > Sony TC-D5 > MC > DAT > CDR. via Paul B (CDRs). via Willy (EAC-SHN) Matrixed by Chris Chappell. (SHN > Vegas 5 > CD Wave > Flac16) March 17, 2007 |
gd1980-11-26.sbd.clugston-edited.patched.82278.shnf | |
1980-11-26 | The Sportatorium |
82278 | Main source: Master Soundboard Cassette > Cassette > DAT > CDR Patch source: Beyer M-160?s>Sony TC-D5>MC>DAT>CDRCD by Bill Tetzeli |
gd80-11-26.wise.munder.13065.sbeok.shnf | |
1980-11-26 | The Sportatorium |
13065 | Recording by Jim Wise: Beyer M-160?s>Sony TC-D5>MC>DAT>CDR; via Paul B; Seeded to etree by Willy |
gd1980-11-26.135530.sbd.miller.fkac16 | |
1980-11-26 | The Sportatorium |
135530 | flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd80-11-26.sbd.clugston.3380.sbeok.shnf | |
1980-11-26 | The Sportatorium |
3380 | Master Soundboard Cassette > Cassette > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; 6/01 note: new d2.md5 from abgd submitted here with unspecified fixes on d2t3,4- not given how, or by whom |
gd1980-11-26.beyerm160.wise.miller.101699.flac16 | |
1980-11-26 | The Sportatorium |
101699 | flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller |
gd1980-11-26.134094.sbd.miller.flac16 | |
1980-11-26 | The Sportatorium |
134094 | flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1980-11-26.132344.mtx.dusborne.flac16 | |
1980-11-26 | The Sportatorium |
132344 | flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:03380) Source: Master Soundboard Cassette > Cassette > DAT > CDRCD and Audience (shnid:101699) Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)by Jim Wise Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16 |
gd1980-11-28.nak700.kocky.76519.sbeok.flac16 | |
1980-11-28 | Lakeland Civic Center |
76519 | flac16; Source Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT Transfer: Casio DA-7 > Tascam CD-RW 700 (pass through -2 db) > Audiophile 2496 > @ 24 Bit to WaveLab > 16 Bit > CD Wave > EAC > Flac ; upgrade in circulation |
gd1980-11-28.150975.mtx.chappell.sb33b.flac16 | |
1980-11-28 | Lakeland Civic Center |
150975 | flac16/44.1khz Sick Bits Vol. 33b Source: Matrix (SBD/AUD mix) ratio ~ Phi (the Golden Ratio) - 1.618/1 or 62%/38% SBD: (shnid=20049) Source: Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Encoding: EAC(secure) > Cool Edit Pro > CDWAV > mkwact > SHN(seekable) via Matt Vernon - 10/18/2003 AUD: (shnid=76519) Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT via Bill Koucky - 8/14/2006 Matrixed by Chris Chappell (SHN > Vegas 5 > CD Wave > Flac16) April 19, 2007 |
gd80-11-28.sbd.vernon.20049.sbeok.shnf | |
1980-11-28 | Lakeland Civic Center |
20049 | Source: Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR via Scott Clugston Encoding/patching by Matt Vernon |
gd1980-11-28.nak700.gmb.89932.flac16 | |
1980-11-28 | Lakeland Civic Center |
89932 | flac16; Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky February 7, 2008 |
gd80-11-28.naks.clugston.2222.sbeok.shnf | |
1980-11-28 | Lakeland Civic Center |
2222 | Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR; via Scott Clugston |
gd1980-11-28.dts.tobin.90063.flac | |
1980-11-28 | Lakeland Civic Center |
90063 | DTS Audio 5.1; SBD (shn id 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Encoding/patching by Matt Vernon + AUD (shn id 89932) Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky - dts mixing by Kevin Tobin |
gd1980-11-28.mtx.tobin.90057.sbeok.flac16 | |
1980-11-28 | Lakeland Civic Center |
90057 | flac16; Matrix 2 Source Mix - SBD (shn id 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Encoding/patching by Matt Vernon + AUD (shn id 89932) Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky - matrix mixing by Kevin Tobin |
gd1980-11-28.nak700.wagner.miller.90013.sbeok.flac16 | |
1980-11-28 | Lakeland Civic Center |
90013 | flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
gd1980-11-28.sbd.vernon.tobin.fix-20049.90062.sbeok.flac16 | |
1980-11-28 | Lakeland Civic Center |
90062 | flac16; Source: (original shnid 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR via Scott Clugston Encoding/patching by Matt Vernon - speed correction and additional patching by Kevin Tobin |
gd1980-11-28.127546.all.wagner.wise.minches.flac1644 | |
1980-11-28 | Lakeland Civic Center |
127546 | flac16; Recording by Bob Wagner/Jim Wise: Master Audience Cassette; FOB 2 Nakamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding |
gd1980-11-28.127547.all.wagner.wise.minches.flac2496 | |
1980-11-28 | Lakeland Civic Center |
127547 | flac24; Recording by Bob Wagner/Jim Wise: Master Audience Cassette; FOB 2 Nakamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding |
gd1980-11-29.132457.wise.aud.flac24 | |
1980-11-29 | Alligator Alley Gymnasium, U of Florida |
132457 | flac24; Cassette Audience Master recorded By Jim Wise (patched out of MadRiverRich); Beyer dynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded TDK SA-C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise |
gd1980-11-29.134703.aud.schley.flac2448 | |
1980-11-29 | Alligator Alley Gymnasium, U of Florida |
134703 | flac24; AUD: Unknown mics > unknown lead deck > Sony TC-D5 > TDK-SA (1st Set) and Maxell XLII (2nd Set), recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2015 |
gd1980-11-29.134704.aud.schley.flac1644 | |
1980-11-29 | Alligator Alley Gymnasium, U of Florida |
134704 | flac16; AUD: Unknown mics > unknown lead deck > Sony TC-D5 > TDK-SA (1st Set) and Maxell XLII (2nd Set), recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2015 |
gd1980-11-29.155787.ohr-sony-ecm23f-nak550-flac16 | |
1980-11-29 | Alligator Alley Gymnasium, University Of Florida |
155787 | flac16/44 Master Audience Cassettes - recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Nakamichi 550 Cassette Deck (Maxell UD-XLII 90 Cassettes), Dolby B Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR-830plus > CD Ohr : CD > EAC > WAV > FLAC |
gd1980-11-29.beyer160.wise.gmb.89938.sbeok.flac16 | |
1980-11-29 | Alligator Alley Gym - University of Florida |
89938 | flac16; Recording by Jim Wise. Source: Beyer M-160's > Sony TC-D5 > CDR > DAT Recording by Jim Wise Mics were on a 15' pole at the SBD Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 7, 2008 |
gd1980-11-29.132456.aud.flac16 | |
1980-11-29 | Alligator Alley Gymnasium, U of Florida |
132456 | flac16/48kHz; Cassette Audience Master recorded By Jim Wise (patched out of MadRiverRich); Beyer dynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded TDK SA-C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise |
gd1980-11-29.aud.barrick.325.shnf | |
1980-11-29 | Alligator Alley Gym, University of Florida |
325 | no source info; via D. Barrick |
gd80-11-29.wise.sacks.2409.sbeok.shnf | |
1980-11-29 | Alligator Alley Gymnasium, U of Florida |
2409 | Recording by Jim Wise: FOB - Beyer M-160's> Sony TC-D5> CDR via Alesis Masterlink; Mics were on a 15'? pole at the SBD; Taped by Jim Wise; via Darrin Sacks, Rango Keshavan and Dankstar; note upgrade relative to previous shn set |
gd1980-11-29.nak700.wagner.miller.90104.sbeok.flac16 | |
1980-11-29 | Alligator Alley Gym - University of Florida |
90104 | flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
gd1980-11-29.157406.fob.nak700.cm.wagner.miller.t.flac1644 | |
1980-11-29 | Alligator Alley Gymnasium, University Of Florida |
157406 | flac 1644; Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 157370 2496 > 1644 |
gd1980-11-29.157370.fob.nak700.wagner.miller.flac24 | |
1980-11-29 | Alligator Alley Gymnasium, University Of Florida |
157370 | Recording Info:
(FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-C90)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 |
gd1980-11-29.127229.beyer.stankiewicz.flac2496 | |
1980-11-29 | Alligator Alley Gymnasium, U of Florida |
127229 | flac24; Recorded Sony TCD-5m>Beyer M-88 in the "sweet spot"; Transfer MAC>Nakamichi 1000II>USBPre 2; Recorded and transfered by Richie Stankiewicz |
gd1980-11-29.139321.set2.sbd.miller.flac24 | |
1980-11-29 | Alligator Alley Gymnasium, U of Florida |
139321 | flac24; Set 2 Recording Info: SBD > Multi-Gen Cassette (Maxell XLII 90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1980-11-29.139322.set2.sbd.miller.flac16 | |
1980-11-29 | Alligator Alley Gymnasium, U of Florida |
139322 | flac16; Set 2 Recording Info: SBD > Multi-Gen Cassette (Maxell XLII 90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139321 24 bit -> 16 bit |
gd1980-11-29.145665.beyerM-88.stankiewicz.flac16 | |
1980-11-29 | Alligator Alley Gymnasium, University Of Florida |
145665 | flac16; Recorded Sony TCD-5m>Beyer M-88 in the "sweet spot"; Transfer MAC>Nakamichi 1000II>USBPre 2; Recorded and transfered by Richie Stankiewicz; 16bit, 44.1khz file set |
gd1980-11-29.beyerm160.wise.miller.101722.flac16 | |
1980-11-29 | Alligator Alley Gymnasium, U of Florida |
101722 | flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise (mics were set up at soundboard); All Transfers and Mastering By Charlie Miller |
gd1980-11-30.123306.senn421.moore-berger.flac2496 | |
1980-11-30 | Fox Theater |
123306 | flac24; Partial source: aud cassette master taped by Jerry Moore or ???*; sennheiser 421's > sony d5m, fofb; maxell mx-90/dolby b; nak dragon/b > tascam hd-p2 24/96 > pc > adobe audition 2.0 > cd wave > flac; transferred & seeded by Rob Berger |
gd1980-11-30.part.127319.aud.oade.stankiewicz.wise.minches.flac24 | |
1980-11-30 | Fox Theater |
127319 | flac24; Set 1 - Recording by Jim Oade & Jim Wise: Master Audience Cassette: 2 Teac ME-120s> Sony D-5; location: SBD and Partial Set 2 - Recording by Richie Stankiewicz & Jim Wise: Master Audience Cassette: 2 Beyer M160s> Sony D-5 location SBD; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo])Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding |
gd1980-11-30.128440.naks.mason.flac16 | |
1980-11-30 | Fox Theater |
128440 | flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones |
gd1980-11-30.128440.na | |
1980-11-30 | Fox Theater |
gd1980-11-30.157922.aud.hicks-fong.flac2448 | |
1980-11-30 | Fox Theater |
157922 | flac2448; Source: Unknown mics & deck > Sony Fe-Cr 90's, concert recording by John Hicks & Dennis Fong. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2022 |
gd1980-11-30.110936.mtx.chappell.sb31.flac16 | |
1980-11-30 | Fox Theatre |
110936 | flac16; Source: Matrix (SBD/AUD mix) Ratio ~ Phi SBD: (shnid=2416): Source: MSC>Reel>DATs>CDRs>EAC>SHN (Through Scarlet>Fire only), AUD1: 24 bit (set 1 only) Recording Info: Taped by Dr. Bob Wagner Nakamichi 700s (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B), and AUD2: 24 bit (shnid=90530) (Scarlet>Fire only) AUD3: 16 bit (shnid=90497) (rest of the show - no matrix) Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Matrixed by Chris Chappell |
gd80-11-30.sbd-aud.sacks.2416.sbeok.shnf | |
1980-11-30 | Fox Theater |
2416 | complete; MSC> Reel> DATs> CDRs> EAC> SHN (set I and Scarlet>Fire from Set II); remainder Jim Wise's Sony ECM280s> D5> DATs> CDRs> EAC> SHN, also with patches from other AUDs (see info file); via Scott Clugston, Dankstar, Darrin Sacks; upgrade relative to previous shn set; note copy a noted at shakedown- has fixed track boundaries, copy b noted at gdlive does not (d3 is same for both)- see pub comments |
gd1980-11-30.nak700-set2.wagner.miller.90497.sbeok.flac16 | |
1980-11-30 | Fox Theatre |
90497 | flac16; Set 2 only, Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
gd1980-11-30.nak700-set2.wagner.miller.90530.sbeok.flac24 | |
1980-11-30 | Fox Theatre |
90530 | flac24; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/24 All Transfers and Mastering By Charlie Miller |
gd80-12-06.cantor.clugston.5478.sbeok.shnf | |
1980-12-06 | Mill Valley Recreation Center |
5478 | Betty Cantor-Jackson's Master Audience Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston |
gd1980-12-06.151263.betty.master.flac16 | |
1980-12-06 | Mill Valley Recreation Center |
151263 | flac16/44.1khz AKG C414 Stereo Pair > Sony D5 - Betty Cantor-Jackson's Master Cassette (UD-XL II 60) Betty's Master Cassette (Dennon DN-770R) > Sony R500 Sony R500 > Tascam DA-3000 > Samplitude Pro X5 > FLAC (16-bit/44.1k) |
gd1980-12-12.136722.mtx.dusborne.flac16 | |
1980-12-12 | Swing Auditorium |
136722 | flac16; 3 source matrix by Dusborne; Soundboard(Shnid:31509) Recording Info: SBD -> Cassette Master -> ? -> Cassette; Transfer Info: Cassette (Nak CR7A) -> Dat (Sony R500/SBM On); Dat (Sony D8) -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC; Audience 1(Shnid:89134) Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5M >> MAC,Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] =>Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Ron Ellner; Audience 2(Shnid:124542) Recorded by: Ron Goldshine and John Musgrave 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes)My Copy of masters:Sony D5M (w/ Dolby, Bias @ 70us) > AkaiiGX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes); Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor |
gd1980-12-12.fob.glassberg.motb.89134.sbeok.flac16 | |
1980-12-12 | Swing Auditorium |
89134 | flac16; Recorded by Ron Ellner: MOTB Release: 0059 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x TDK SA-X 90 Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Ron Ellner MAC Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: SIRMick |
gd80-12-12.set1-aud.vernon.16906.sbeok.shnf | |
1980-12-12 | Swing Auditorium |
16906 | set 1; aud (unknown mics); via Brad Kelsey; encoded by Matt Vernon. |
gd80-12-12.set2-aud.munder.13192.sbeok.shnf | |
1980-12-12 | Swing Auditorium |
13192 | 2nd set only; AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy |
gd80-12-12.sbd.miller.31509.sbeok.flacf | |
1980-12-12 | Swing Auditorium |
31509 | flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette Transfer Info: Cassette (Nak CR7A) -> Dat (Sony R500/SBM On) Transferred By Neil Sturtevant Dat (Sony D8) -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC; Transferred and Remastered Charlie Miller |
gd1980-12-12.124542.aud.goldshine.sennheiser-mkh406-flyingm.flac16 | |
1980-12-12 | Swing Auditorium |
124542 | flac16; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 70us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes); Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave |
gd1980-12-13.nak300.walker-scotton.miller.88964.sbeok.flac16 | |
1980-12-13 | Long Beach Arena |
88964 | flac16; Recording by Joani Walker: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
gd1980-12-13.124551.aud.goldshine.sennheiser-mkh406.flyingm.flac16 | |
1980-12-13 | Long Beach Arena |
124551 | flac16; Recorded from the 15th row dead center on the floor with the microphones about 10 feet apart; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes) Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave |
gd1980-12-13.136725.mtx.dusborne.flac16 | |
1980-12-13 | Long Beach Arena |
136725 | flac16; 3 source matrix by Dusborne;Soundboard (Shnid:91939) Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 ->Cool Edit Pro v2.0 -> FLAC; Audience 1 (Shnid:88964) Recording Info: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->Samplitude Professional v9.12 -> FLAC/16; and Audience 2 (Shnid:124551) Recorded by: Ron Goldshine and John Musgrave; 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes)My Copy of masters: Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes)) Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) >NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor |
gd1980-12-13.sbd.miller.91939.sbeok.flac16 | |
1980-12-13 | Long Beach Arena |
91939 | flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd80-12-13.nak700.miller.13412.sbeok.shnf | |
1980-12-13 | Long Beach Arena |
13412 | Complete; (FOB) Nak 700 -> Cm -> Reel -> Dat shn encoding Charlie Miller |
gd80-12-13.set2-sonyecm280.clugston-revell.1633.sbeok.shnf | |
1980-12-13 | Long Beach Arena |
1633 | set 2; Master Audience Cassette; Sony ECM-280 mics > Sony D5> DAT > CDR; via Scott Clugston, Lee Revell |
gd1980-12-13.155955.akg451E.milliard.JEMS.vol127.flac16 | |
1980-12-13 | Long Beach Arena |
155955 | flac1644 Mike Millard First Generation Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 127 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard First Generation Cassettes > Nakamichi Cassette Deck 1 azimuth-adjusted playback > Sound Devices USBPre2 > Sound Forge Audio Studio 13.0 capture > Adobe Audition > iZotope RX8 > iZotope Ozone 8 > MBIT+ resample to 16/44.1 > Audacity > TLH > FLAC |
gd1980-12-13.sbd.miller.bertha.92889.dvda | |
1980-12-13 | Long Beach Arena |
92889 | DVD-VA; (Video-Audio) Bertha Remaster of the Master Cassette source; SBD>>MC>>R>>D>>Flac>>Daw(Bertha)>>Audio DVD (Audio only; no video) |
gd1980-12-13.157569.akg.se5.wiseman.miller.clugston.flac1648 | |
1980-12-13 | Long Beach Arena |
157569 | flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 |
gd1980-12-13.157570.akg.se5.wiseman.miller.clugston.flac2496 | |
1980-12-13 | Long Beach Arena |
157570 | flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 |