Warfield Theater, San Francisco, CA
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flac16; SBD/AUD Matrix of 3 previously circulated seeds; prepared by Chris Chappell
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Grateful Dead Warfield Theatre San Francisco, CA 10-10-80 Sick Bits Vol. 3 Source: Matrix (SBD/AUD mixdown): SBD: Acoustic: SBD>MR>PCM>DAT>CDR>EAC>SHN Electric: MSR>C>C>DAT>WAV>SHN (C>DAT Conversion by Cousinit) AUD: Taper: Most probably Bob Menke Location: Balcony, Center Source: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)> Tascam DA-20mkII>Tascam CD-RW700 Conversion: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable) Remastering and pitch correction by Douglas Ferguson Shn Conversion by mvernon54@attbi.com [complete text files for each source appended at end] Transfer/Editing: Both sources were snh files downloaded from LMA and converted to WAV > Vegas 5 > WAV > CD Wave (tracking) > FLAC 16 (FLAC Frontend level 8) Matrixed by Chris Chappell ScarFire@liquidcity.com 3/22/05 Set 1: (Acoustic) d1t01 - On The Road Again d1t02 - It Must Have Been The Roses d1t03 - Monkey And The Engineer d1t04 - Jack-a-roe d1t05 - Dark Hollow d1t06 - To Lay Me Down d1t07 - Heaven Help The Fool d1t08 - Bird Song d1t09 - Ripple Set 2: (Electric) d1t10 - Mississippi Half-Step Uptown Toodeloo > d1t11 - Franklin's Tower d1t12 - Me And My Uncle > d1t13 - Big River d2t01 - Candyman d2t02 - Beat It On Down The Line d2t03 - Row Jimmy d2t04 - New Minglewood Blues d2t05 - Althea d2t06 - Jack Straw Set3: d2t07 - Scarlet Begonias > d2t08 - Fire On The Mountain d2t09 - Samson And Delilah d2t10 - Big Railroad Blues d3t01 - Estimated Prophet > d3t02 - Eyes Of The World > d3t03 - Drums > d3t04 - Space > d3t05 - Truckin' > d3t06 - Nobody's Fault jam > d3t07 - Black Peter > d3t08 - Around And Around > d3t09 - The // Promised Land Encore: d3t10 - U.S. Blues Total Times: Disc 1 [75:37] Disc 2 [74:30] Disc 3 [73:43] General Notes: Given the multiple sources available on the Llama, I put the effort into editing a matrix of this often overlooked gem of the Warfield run from the Dead Set and Dead Reckoning live session recordings in the fall of '80. There may be better overall played shows from other nights at the Warfield and also their Radio City counterparts (don't forget the Saenger in NOLA), but my motivation here was the best versions of Althea and Jack Straw that I have heard, not to mention an excellent Scarlet>Fire. The Jack-a-roe is the version on Dead Reckoning (aka For The Faithful), and the quality of the acoustic set SBD is very crisp, probably close to the multi-tracks. The electric SBD is not as nice, but when coupled with the AUD, the show really comes to life. The electric SBD is also plagued by many holes, the worst being that there is no SBD for most of Truckin' and then through the rest of the show. All things equal, Althea, Jack Straw, Scarlet > Fire are completely sick, and worth the matrixed effort, not to mention it was fun doing an acoustic set too - the audience element is cool; and even though it's a balcony recording, the Warfield is small enough that the intimacy is still present and desirable. Timeline/Tracking Notes: Not much music is missing from the AUD, but the SBD lacks good coverage, except for the upgraded acoustic set which has more in between song tuning. The transition between all three discs can be put together seemlessly. The show tracks well for 3 discs (2 of them 80 min. discs), and even though it's a 3 set show, I felt it important to keep it to 3 discs. This way the end of the second set and the beginning of the third set are on disc 2, and that's where the nuggets are anyway. Editing Notes: - Pitch Both sources were pitched differently, the SBD being the sharpest, and the AUD being the flatest. I used the SBD as my master timeline and pitch referenced the AUD to it. The AUD on average had to be pitched up about .28 (28 cents) to achieve pitch correction - 1.00 being 100 cents which is a semitone. However, this pitch differential did fluctuate throughout the show, and was especially tough in Row Jimmy as the reels on the SBD were running out. Big RXR Blues is funky too. I did not reference A=440 as I did not desire to pitch adjust the SBD. It is very close though to A=440, albeit a little sharp. - Synch Because of the speed fluctuation within a given source, multiple edits were performed to keep the sources synched. Because the SBD was my master pitch and time ref, the AUD was synched to the SBD (too many edits to list). - Sonic Quality/Matrix ratio I did choose to employ a slight amount of limiting to the SBD (Waves L2) to give it a slight amount of punch and presence. For the electric SBD source I had to employ some noise reduction as the hiss is a little much and takes away from the matrix sonically. Waves X-Noise was used to accomplish this task, in which I used the "learn" function which isolated the hiss through frequency spectrum analysis and drew an appropriate graph for EQ. I was then able to solo just the noise being "reduced" and found that almost no music was being lost, thus an optimum result. Conceptually, all I was trying to do here is to add some dimension to the SBD, which is pretty dry but very crisp, by using the ambience of the AUD. The result is a lively but clear recording, hopefully close to how it sounded at the show. If I had to guess the SBD/AUD ratio would be somewhere between 3:1 and 4:1, leaning more towards the 4:1 end of things. - Edits The following are places where the SBD and AUD had holes or incomplete coverage in reference to the final matrix timeline. I also edited out reel pauses from the SBD where appropriate (like places where the AUD is the only source because the SBD has been paused) to provide an enjoyable listening experience. I left them in where the SBD was the only source (like the beginning of Estimated). SBD: d1t01 (3:01 - 3:12) - missing (crowd) d1t01 (3:21 - 3:25) - missing (crowd) d1t02 (5:38 - 5:54) - missing (crowd) d1t03 (2:36 - 2:58) - missing (crowd) d1t04 (4:06 - 4:35) - missing (crowd) d1t05 (3:31 - 3:46) - missing (crowd) d1t06 (8:39 - 8:57) - missing (crowd) d1t07 (6:06 - 6:25) - missing (crowd) d1t08>9 (8:01 - 0:01) - missing (crowd) d1t10 (0:00 - 0:03) - missing (crowd) d1t11 (8:36 - 9:19) - missing (crowd) d1t13 (5:29 - 5:44) - missing (crowd) d2t01 (7:08 - 7:19) - missing (crowd) d2t02 (3:07 - 3:27) - missing (crowd) d2t03 (6:53 - 10:35) - missing d2t04 (0:00 - 2:16) - missing d2t04 (6:46 - 6:51) - missing (last chord) d2t04 (7:12 - 7:34) - missing (crowd) d2t06 (6:10 - 6:16) - missing (crowd) d2t08 (9:42 - 9:57) - missing (crowd) d2t09 (0:00 - 0:15) - missing d2t09 (6:53 - 7:46) - missing d3t05 (1:15 - 7:53) - missing d3t06 (0:00 - 10:12) - missing all d3t07 (0:00 - 3:56) - missing all d3t08 (0:00 - 4:35) - missing all d3t09 (0:00 - 5:50) - missing all AUD: d1t09 (2:29 - 3:10) - missing d2t05 (0:00 - 0:08) - missing (crowd) d2t07 (0:00 - 0:22) - missing d3t01 (0:00 - 1:28) - missing d3t03 (9:14 - 9:28) - missing (tape flip?) d3t06 (10:09) - eliminated about 2 seconds of redundant material d3t08 (0:33) - sewed hole from cut Note that all of the missing elements from the SBD in set 1 are just crowd segments, while the electric SBD has some music missing. The balcony AUD has good coverage throughout the show. Here's the list (pasted from the SBD source notes) of music missing in the SBD source (meaning no matrix,only Audience for these prtions): Last 3:42 of Row Jimmy First 2:16 of Minglewood Last :54 of Samson & Delilah From 1:08 of Truckin through the rest of the show - Thank Yous (I know none of these people but they deserve recognition) Thanks to Joe Masino for the seed discs for the acoustic SBD, Tommy Brame for checking SBs with shntool, and Darryl Hinko for the EAC/SHN conversion. Thanks to Cousinit for transfering the electric SBD casette master to DAT, (seeded by?). Thanks to most likely Bob Menke for recording the AUD source, and Douglas Ferguson for remastering and pitch correction,and Matt Vernon for the shn conversion. Thanks to Jonathan Aizen for uploading both sources to the Llama. Enjoy! -Chappy Here's the shntool length output of the original wav files (no SBEs): length expanded size cdr WAVE problems filename 3:26.17 36378428 --- -- ----- gd80-10-10matrixd1t01.wav 6:04.70 64374284 --- -- ----- gd80-10-10matrixd1t02.wav 3:10.28 33581900 --- -- ----- gd80-10-10matrixd1t03.wav 4:35.34 48590012 --- -- ----- gd80-10-10matrixd1t04.wav 3:53.38 41190620 --- -- ----- gd80-10-10matrixd1t05.wav 8:59.53 95204300 --- -- ----- gd80-10-10matrixd1t06.wav 6:26.56 68222156 --- -- ----- gd80-10-10matrixd1t07.wav 8:02.44 85128332 --- -- ----- gd80-10-10matrixd1t08.wav 4:28.32 47350508 --- -- ----- gd80-10-10matrixd1t09.wav 7:37.07 80631308 --- -- ----- gd80-10-10matrixd1t10.wav 9:37.03 101789900 --- -- ----- gd80-10-10matrixd1t11.wav 3:02.14 32137772 --- -- ----- gd80-10-10matrixd1t12.wav 5:34.62 59063468 --- -- ----- gd80-10-10matrixd1t13.wav 7:49.11 82757516 --- -- ----- gd80-10-10matrixd2t01.wav 3:59.50 42277244 --- -- ----- gd80-10-10matrixd2t02.wav 10:35.10 112037564 --- -- ----- gd80-10-10matrixd2t03.wav 7:34.03 80092700 --- -- ----- gd80-10-10matrixd2t04.wav 8:01.15 84883724 --- -- ----- gd80-10-10matrixd2t05.wav 6:17.06 66516956 --- -- ----- gd80-10-10matrixd2t06.wav 9:14.00 97725644 --- -- ----- gd80-10-10matrixd2t07.wav 9:56.27 105197948 --- -- ----- gd80-10-10matrixd2t08.wav 7:46.06 82216556 --- -- ----- gd80-10-10matrixd2t09.wav 3:53.43 41202380 --- -- ----- gd80-10-10matrixd2t10.wav 10:53.38 115278620 --- -- ----- gd80-10-10matrixd3t01.wav 9:57.36 105395516 --- -- ----- gd80-10-10matrixd3t02.wav 10:54.63 115513820 --- -- ----- gd80-10-10matrixd3t03.wav 9:30.49 100663292 --- -- ----- gd80-10-10matrixd3t04.wav 6:12.08 65639660 --- -- ----- gd80-10-10matrixd3t05.wav 1:41.27 17879948 --- -- ----- gd80-10-10matrixd3t06.wav 10:11.07 107796908 --- -- ----- gd80-10-10matrixd3t07.wav 3:57.00 41806844 --- -- ----- gd80-10-10matrixd3t08.wav 4:59.72 52912988 --- -- ----- gd80-10-10matrixd3t09.wav 5:25.50 57447644 --- -- ----- gd80-10-10matrixd3t10.wav 223:49.04 2368886460 B (totals for 33 files, 1.0000 overall compression ratio) FLAC fingerprint: gd80-10-10matrixd1t01.flac:742a87733f84ec9aec3dd515d583d697 gd80-10-10matrixd1t02.flac:d4df0cdaabe2db491d0babea674d9043 gd80-10-10matrixd1t03.flac:a746aabab5597d218686725665677dc7 gd80-10-10matrixd1t04.flac:f1914334896a9b8ac789a4a164befaec gd80-10-10matrixd1t05.flac:0116c4aef0c170e54a013a067ab7a792 gd80-10-10matrixd1t06.flac:09c66183723dabb8e99d2d4defdbffe1 gd80-10-10matrixd1t07.flac:61c6d4e2f176b95bee3d474a69286ad7 gd80-10-10matrixd1t08.flac:88fb3d7810ef63e3217505cd3fc02deb gd80-10-10matrixd1t09.flac:6a7c21b68f1fe963f711ed340c6a94bb gd80-10-10matrixd1t10.flac:195512275034841cb353eb231c19832e gd80-10-10matrixd1t11.flac:cb4a9a8672b03f2be22edf4e5d255329 gd80-10-10matrixd1t12.flac:185fc56454a1a7d320278438c7a9148a gd80-10-10matrixd1t13.flac:2876f6b09517ad46c7525bf952c91a8b gd80-10-10matrixd2t01.flac:406041fa2a3c58cc85d0d4847641b912 gd80-10-10matrixd2t02.flac:2acacbf31a9d0be23bb01749e0105a09 gd80-10-10matrixd2t03.flac:f443b023ec0219af7e4f640eb17eee32 gd80-10-10matrixd2t04.flac:dffe4d43bd04faa9e933ccb931f6c0e8 gd80-10-10matrixd2t05.flac:55b97374b715addb5bc3f607c5e3b837 gd80-10-10matrixd2t06.flac:603eb85c07d0f18c91252f11bd58d773 gd80-10-10matrixd2t07.flac:eb63bfa00638ccb4daa5d6a068efb594 gd80-10-10matrixd2t08.flac:4b7f5078d5cd47916c283de36ddbc560 gd80-10-10matrixd2t09.flac:33498603861107aec16a5cef412496df gd80-10-10matrixd2t10.flac:01e2a6e9e16f76923d0f253014bae718 gd80-10-10matrixd3t01.flac:194777101bf930da5f5f55887a8405c9 gd80-10-10matrixd3t02.flac:33f8c01ebaa47491be7d326b7dd31e76 gd80-10-10matrixd3t03.flac:6a93812223e7a3d1fbf91e55d8079c94 gd80-10-10matrixd3t04.flac:2636779f0f466ebf5985e111d4d7ac85 gd80-10-10matrixd3t05.flac:90d0f0d1509351d85cbc21155a262ef2 gd80-10-10matrixd3t06.flac:bc5a1ead29582a9943eef292dae6a635 gd80-10-10matrixd3t07.flac:9626bf2e4bcc55593d5151b1212522e4 gd80-10-10matrixd3t08.flac:c8adaa10f65701ab381682e906712740 gd80-10-10matrixd3t09.flac:c59a2d324915bde492216e52e02cb47d gd80-10-10matrixd3t10.flac:9c0b07a1257a2378b2f6b3a66e59c1e8 Original acoustic SBD source text file: Grateful Dead Warfield Theatre San Francisco, CA October 10, 1980 SBD>MR>PCM>DAT>CDR>EAC>SHN 1st Set 01. On The Road Again 02. Must Have Been The Roses 03. Monkey And The Engineer 04. Jack A Roe 05. Dark Hollow 06. To Lay Me Down 07. Heaven Help The Fool 08. Bird Song 09. Ripple Notes- -t09 (Ripple); 3 d/o's in the first :01 This new seed does not have the problems in Dark Hollow like the previous seed does. This seed also has more between song tuning for the completists out there. The set actually opens up with Bob Weir saying "We're the warm up band" Also the squeeks between songs are still present in this one. They were explained to me as being the reels getting back up to speed when they were turned back on. Seems reasonable. EAC/SHN by Darryl Hinko (flyerfanatic) any problems contact me at: flyerfanatic2817@yahoo.com Thanks to Joe Masino for the seed discs. Thanks to Tommy Brame for checking SBs with shntool. Brought to you from The Grateful Dead SHN Traders Group Enjoy! Original electric SBD source text file: Grateful Dead Warfield Theatre San Francisco, CA 10/10/80 Source: MSR>C>C>DAT>WAV>SHN C>DAT Conversion by Cousinit Patch Source: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 Disk 1 Electric Set I 01. Mississippi Half-Step Uptown Toodeloo> 02. Franklin's Tower 03. Me And My Uncle> 04. Big River 05. Candyman 06. Beat It On Down The Line 07. Row Jimmy 08. New Minglewood Blues 09. Althea . 10. Jack Straw Disk 2 Electric Set II 01. Scarlet Begonias> 02. Fire On The Mountain 03. Samson And Delilah 14. Big Railroad Blues Disk 3 Electric Set II cont. 01. Estimated Prophet> 02. Eyes Of The World> 03. Drums> 04. Space> 05. Truckin'> 06. Black Peter> 07. Around And Around> 08. The // Promised Land Encore: 09. U.S. Blues Notes: Many Many Thanks to Sir Mick who provided me the AUD patch source. Aud Patch Source Supplies: Last 3:42 of Row Jimmy First 2:16 of Minglewood Last :54 of Samson & Delilah From 1:08 of Truckin through the rest of the show There is a periodic volume fluctuation in left channel in Truckin Black Peter has a drop out near end ~10:11 Promised Land has a cut ~0:33Peter has a drop out near end ~10:11 Original AUD source text file: BAND Grateful Dead VENUE Warfield Theatre CITY San Francisco STATE CA DATE 10/10/80 Taper: Most probably Bob Menke Location: Balcony, Center Source: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 Conversion: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable) Remastering and pitch correction by Douglas Ferguson Shn Conversion by mvernon54@attbi.com shntool confirms tracks cut on sector boundaries Part of The Music Never Stopped Project - Thanks to Raoul Duke for the disks. Disk 1 [75:11] SET1 - Acoustic 01. On The Road Again % 02. It Must Have Been The Roses % 03. Monkey And The Engineer % 04. Jack A Roe % 05. Dark Hollow % 06. To Lay Me Down % 07. Heaven Help The Fool % 08. Bird Song ; 09. Ripple SET2 - Electric 10. Mississippi Half-Step Uptown Toodeloo > 11. Franklin's Tower ; 12. Me And My Uncle > 13. Big River % Disk 2 [76:00] SET2 continued 01. Candyman % good 02. Beat It On Down The Line; 03. Row Jimmy % 04. New Minglewood Blues % 05. Althea ; 06. Jack Straw SET3 - Electric 07. (fades in) Scarlet Begonias > 08. Fire On The Mountain % 09. Samson And Delilah ; 10. Big Railroad Blues ; Disk 3 [72:00] 01. (fades in) Estimated Prophet > 02. Eyes Of The World > 03. Drums > 04. Space > 05. Truckin' > 06. Black Peter > 07. Around And Around > 08. The // Promised Land ENCORE 09. U.S. Blues notes - BRR Blues has some volume fluctuations - Eyes has a periodic volume fluctuation in left channel which resumes in Truckin - Black Peter has a drop out near end ~10:11 - Promised Land has a cut ~0:33
Media Size
0
Media Size Uncompressed
0
SHN Disc Count
2
WAV Disc Count
3
Date Circulated
03/24/2005
Entered By
Wharfrat73
Created At
Wed Mar 23 2005 14:08:53 GMT+0000 (Coordinated Universal Time)
Updated At
Mon Dec 24 2007 22:20:38 GMT+0000 (Coordinated Universal Time)
Checksums
flac-md5 (download)
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ffp (download)
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