Grateful Dead
Lakeland Civic Center
Lakeland, FL  
11/28/80 - Friday

DTS-Audio-CD 5.1 Mix

Set 1:
d1t01 - Tuning
d1t02 - Jack Straw
d1t03 - Peggy-O
d1t04 - Little Red Rooster
d1t05 - Tennessee Jed
d1t06 - Passenger
d1t07 - Deep Elem Blues
d1t08 - Looks Like Rain
d1t09 - Deal

Set 2:
d1t10 - Feel Like A Stranger
d2t01 - To Lay Me Down ->
d2t02 - Let It Grow ->
d2t03 - Terrapin Station ->
d2t04 - Drums ->
d2t05 - Space ->
d2t06 - Not Fade Away ->
d2t07 - Black Peter ->
d2t08 - Sugar Magnolia

Encore:
d2t09 - U.S. Blues

Audio Source Information
SBD (shnid=20049)
Source: Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee
Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR via Scott Clugston
Encoding: EAC(secure) > Cool Edit Pro > CDWAV > mkwact > SHN(seekable) by Matt Vernon
Thanks to Andy for the disks!

Part of The Music Never Stopped Project 2003

notes
d1t01 - brief partial loss left channel at 2:14, 2:28 and right channel at 3:55, 3:57
d1t02 - brief partial loss right channel 0:48, left channel 1:17
d1t04 - brief partial loss right channel  5:14
d1t05 - brief partial loss left channel 1:53
d1t07 - brief partial loss right channel 4:59
d2t01 - opening notes cut patched with aud
d2t03 - some minor hum at start      
d2t04 ~ 1:16 cut patched with aud
d2t08 - 8:21 brief partial loss right channel
d2t09 - overload distortion on end of US Blues

AUD (shnid = 89932)
Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT
Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96]
Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC
Transferred and Mastered by Bill Koucky February 7, 2008
Green Mountain Bros.

Notes: This is a second remaster of this excellent recording and show.
Crossfades were applied between nearly all first set tunes and before
To Lay Me Down and US Blues. Edits and mastering were done at 24 bit.
The discs are seamless.
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave.  Audition 3.0 was used to align & synch the SBD & AUD sources.  Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels.  Surcode CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 16-FEB-2008  
---------------------------------------------------------
Audio Patches:

1) At the beginning of soundboard, 3 minutes and 17.637 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Jack Straw.

2) Between Jack Straw and Peggy-O, 17.329 seconds were missing from the audience source and was filled in with audio from the soundboard source. This included the first notes to Peggy-O.

3) Between Peggy-O and Little Red Rooster, 24.512 seconds were missing from the soundboard source and was filled in with audio from the audience source.

4) Between Little Red Rooster and Tennessee Jed, 4.999 seconds were missing from the soundboard source and was filled in with audio from the audience source.

5) Between Tennessee Jed and Passenger, 1 minute and 13.452 seconds were missing from the soundboard source and was filled in with audio from the audience source.

6) Between Passenger and Deep Elem Blues, 51.345 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Deep Elem Blues.

7) Between Deep Elem Blues and Looks Like Rain, 26.375 seconds were missing from the soundboard source and was filled in with audio from the audience source.

8) At the end of Deal, 18.970 seconds were missing from the soundboard source and was filled in with audio from the audience source.

9) Between Feels Like A Stranger and To Lay Me Down, 24.235 seconds were missing from the soundboard source and was filled in with audio from the audience source. This is at the end of disk 1.

10) About 3 minutes into Drums, 14.774 seconds were missing from the soundboard source and was filled in with audio from the audience source.

11) About 5 minutes into Drums, 08.890 seconds were missing from the audience source and was filled in with audio from the soundboard source.

12) About 8 minutes into Drums, 11.623 seconds were missing from the audience source and was filled in with audio from the soundboard source.

13) About 9 minutes into Drums, 40.160 seconds were missing from the audience source and was filled in with audio from the soundboard source.

14) Between Sugar Magnolia and US Blues, 25.226 seconds were missing from the soundboard source and was filled in with audio from the audience source.

15) Matrix\DTS were synced using the Owens Brother audience as a reference as the soundboard ran slightly fast at approx .25% or .13 seconds per minute.
---------------------------------------------------------------------------
DTS-Audio-CD Info

Front  
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -2db SBD

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -2db SBD
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Productions

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