Robert F. Kennedy Stadium, Washington, DC

Summary (download all files)
DTS Audio 5.1; SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin

Textdoc (download)
Grateful Dead
RFK Stadium
Washington, DC
June 10, 1973

DTS-Audio-CD 5.1 Mix

Set 1:
d1t01 - Morning Dew
d1t02 - Beat It On Down The Line
d1t03 - Ramble On Rose
d1t04 - Jack Straw
d1t05 - Wave That Flag
d1t06 - Looks Like Rain
d1t07 - Box Of Rain
d1t08 - They Love Each Other
d1t09 - The Race Is On
d1t10 - Row Jimmy
d1t11 - El Paso
d2t01 - Bird Song
d2t02 - Playing In The Band

Set 2:
d2t03 - Eyes Of The World ->
d2t04 - Stella Blue
d2t05 - Big River
d2t06 - Here Comes Sunshine
d3t01 - Around And Around
d3t02 - Dark Star ->
d3t03 - He's Gone ->
d3t04 - Wharf Rat ->
d3t05 - Truckin'
d3t06 - Sugar Magnolia

Set 3:
d4t01 - It Takes A Lot To Laugh It Takes A Train To Cry
d4t02 - That's All Right, Mama
d4t03 - The Promised Land
d4t04 - Not Fade Away ->
d4t05 - Goin' Down The Road Feeling Bad ->
d4t06 - Drums ->
d4t07 - Not Fade Away
d4t08 - Johnny B. Goode

Audio Source Information
SBD (shnid = 89730)
Recording Info:
SBD -> Master Reel -> Dat -> CD

Transfer Info:
CD -> Samplitude Professional v10.01 -> FLAC
(4 Discs Audio / 3 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
January 29, 2008

Patch Info:
(FOB) Unknown Mics -> Master Cassette -> Reel -> Korg MR-1000 supplies:
Eyes Of The World (6:54 - 6:56)

Notes:
-- All disc changes are seamless
-- This is a fixed version of shnid=89640
-- Cleaned up many flaws and fixed the levels
-- It may not be perfect, but it's a lot better
-- Patch source recorded by Bill Gadsden
-- Patch source transferred by Charlie Miller and Neil Sturtevant
-- Set 3 is with Merl Saunders, Dickey Betts and Butch Trucks
-- Beginning of Beat It On Down The Line is cut
-- There are some flaws in The Race Is On that still remain
-- Reel flip in GDTRFB patched with alternate SBD source
-- Thanks to Jeremy Humphreys for the GDTRFB patch

AUD1 (shnid = 90351)
Source:
-- Sony TC 110 cassette deck
-- single-point stereo mic, hand-held on mic-stand shaft
-- FOB center infield, between sbd platform and stage platform
Lineage:
-- MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16
-- Taping, transferring, and remastering done by Monte Barry
Notes:
-- This show is complete
-- Most track changes are seemless
-- Patches are cross-faded
-- SBD patches have "concert hall" echo/delay effects applied

-- Playing in the Band --------- tape change dropout at 5:22, Gadsden-Miller patched until 6:23
-- Eyes of the World ----------- missing content until 14:35, Gadsden-Miller AUD patched
-- It Takes A Train to To Cry -- SBD patched due to tape damage, 1:42 to 1:47, 3:03 to 3:16
-- That's Alright Mama --------- SBD patched due to tape damage, 3:35 to 3:50,  5:56 to 8:58
-- GDTRFB ---------------------- tape change dropout at 4:37, SBD patched until 5:01

This AUD recording epitomizes the very best of the Grateful Dead "live sound" for the time. The Wall of Sound is nailed by the sound crew and the Dead for this show. Set within an outdoor Stadium, this close-up infield FOB spatially captures sound from the two Aux PA towers on the infield, behind the taper. The sound delay from the Wall of Sound to the Aux PA towers adds a touch of ear candy as it rolls around the stadium. This was by far the best sound fidelity experience I ever heard come out of a PA System, period. It was a sensational orgy of sound. -- Monte

AUD2 (shnid = 89681)
Recording Info:
(FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips)

Transfer Info:
Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC
(2 Discs Audio / 1 Disc FLAC)

All Transfers and Mastering By Charlie Miller and Neil Sturtevant
charliemiller87@earthlink.net
January 26, 2008

Notes:
-- Disc change is seamless
-- Recorded by Bill Gadsden
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave.  Audition 3.0 was used to align & synch the SBD & AUD sources.  Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels.  Surcode CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 14-MAR-2008  
---------------------------------------------------------
Audio Patches:

1) At the beginning of soundboard, 23.658 seconds were missing from the SBD source and was filled in with audio from the AUD1 source.  This includes the cymbal leadin to Morning Dew.

2) 6 minutes into Morning Dew, 03.623 seconds were missing from the AUD1 source and was filled in with audio from the SBD source.

3) Between Morning Dew and Beat It On Down The Line, 14.188 seconds were missing from the AUD1 source and was filled in with audio from the SBD source. 

4) Also between Morning Dew and Beat It On Down The Line, 1 minute and 26.758 seconds were missing from the SBD source and was filled in with audio from the AUD1 source. This includes almost the 1st minute of BIODTL.

5) Between Beat It On Down The Line and Ramble On Rose, 19.281 seconds were missing from the AUD1 source and was filled in with audio from the SBD source. 

6) Between Ramble On Rose and Jack Straw, 1 minute and 20.806 seconds were missing from the AUD1 source and was filled in with audio from the SBD source. 

7) Between Jack Straw and Wave That Flag, 05.185 seconds were missing from the AUD1 source and was filled in with audio from the SBD source. 

8) Between Wave That Flag and Looks Like Rain, 23.779 seconds were missing from the AUD1 source and was filled in with audio from the SBD source. 

9) Between Looks Like Rain and Box Of Rain, 14.595 seconds were missing from the AUD1 source and was filled in with audio from the SBD source. 

10) Between Box Of Rain and They Love Each Other, 30.825 seconds were missing from the AUD1 source and was filled in with audio from the SBD source.

11) Between They Love Each Other and The Race Is On, 11.667 seconds were missing from the AUD1 source and was filled in with audio from the SBD source.

12) Between The Race Is On and Row Jimmy, 07.143 seconds were missing from the AUD1 source and was filled in with audio from the SBD source.

13) Between Row Jimmy and El Paso, 02.268 seconds were missing from the AUD1 source and was filled in with audio from the SBD source. At this point switched from AUD1 to AUD2.

14) Between Bird Song and Playin In The Band, 10.855 seconds were missing from the AUD1 source and was filled in with audio from the SBD source. 

15) At the beginning of set 2, 16.685 seconds were missing from the SBD source and was filled in with audio from the AUD2 source.

16) 10 minutes and 32 seconds into Eyes Of The World, 42.712 were missing from both AUD1 and AUD2 and was filled in with audio from the SBD source.

17) Between Stella Blue and Big River, 16.383 seconds were missing from the AUD2 source and was filled in with audio from the SBD source. 

18) Between Big River and Here Comes Sunshine, 26.654 seconds were missing from the AUD2 source and was filled in with audio from the SBD source. 

19) Between Around And Around and Dark Star, 59.637 seconds were missing from the AUD2 and AUD1 source and was filled in with audio from the SBD source. At this point I had to switch back to AUD1 till the show ended.

20) 12 minutes into He's Gone, 48.325 seconds were missing from the SBD source and was filled in with audio from the AUD1 source.

21) 13 minutes into He's Gone, 29.715 seconds were missing from the AUD1 source and was filled in with audio from the SBD source.

22) Between Truckin' and Sugar Magnolia, 06.543 seconds were missing from the AUD2 source and was filled in with audio from the SBD source. 

23) At the beginning of set 3, 47.419 seconds were missing from the SBD source and was filled in with audio from the AUD1 source.

24) Between It Takes A Lot To Laugh It Takes A Train To Cry and That's All Right, Mama, 41.045 seconds were missing from the AUD1 source and was filled in with audio from the SBD source. 

25) 6 minutes into That's All Right, Mama, 3 minutes and 01.478 seconds were missing from the AUD1 source and was filled in with audio from the SBD source.

26) Between That's All Right, Mama and Promised Land, 1 minute and 01.302 seconds were missing from the AUD1 source and was filled in with audio from the SBD source. 

27) Between Promised Land and Not Fade Away, 16.085 seconds were missing from the AUD1 source and was filled in with audio from the SBD source.

28) 4 minutes into Going Down The Road Feeling Bad, 27.631 seconds were missing from the AUD1 source and was filled in with audio from the SBD source.

29) 1 minutes into Drums, 10.014 seconds were missing from the SBD source and was filled in with audio from the AUD1 source.

30) 4 minutes into Drums, 17.652 seconds were missing from the SBD source and was filled in with audio from the AUD1 source.

31) Matrix\DTS were synced using the Charlie Miller Soundboard as a reference as both Audiences ran slightly slow at approx .5% or .25 seconds per minute.
---------------------------------------------------------------------------
DTS-Audio-CD Info

Front  
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -2db SBD

Surround
Left Channel -2db AUD
Right Channel -2db AUD

Sub/LFE
Mixed to mono -2db SBD
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

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   280:39.48     2970513860 B                            1.0000  (31 files)
Media Size
0
Media Size Uncompressed
0
SHN Disc Count
4
WAV Disc Count
4
Date Circulated
03/14/2008
Entered By
mvernon
Created At
Fri Mar 14 2008 10:53:13 GMT+0000 (Coordinated Universal Time)
Updated At
Wed Apr 02 2008 13:21:53 GMT+0000 (Coordinated Universal Time)

Checksums
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