Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1985-04-07.118484.sbd.healy.damico.flac16
1985-04-07The Spectrum
118484flac16; Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico
gd1985-04-07.beyerm160.d5scott.107238.flac16
1985-04-07The Spectrum
107238flac16; source: 2 Beyer M160 Microphones > Sony TC-D5M - 25 feet from stage (mic's on a stand @ almost 6 feet) > analog cassette master Maxell MX90's. transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1985-04-07.Sennheiser421FOB.35081.shnf
1985-04-07The Spectrum
35081Sennheiser 421's FOB & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel
gd1985-04-07.141212.s1.unknown.Bryant.Miller.Noel.t-flac1644
1985-04-07The Spectrum
141212flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd1985-04-07.145487.aud.lamarre.berger.flac24
1985-04-07The Spectrum
145487flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd1985-04-07.145488.aud.lamarre.berger.flac16
1985-04-07The Spectrum
145488flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd1985-04-07.nak300.damico.87419.sbeok.flac16
1985-04-07The Spectrum
87419flac16; taper : Joe D'Amico nak 300 mics > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
gd85-04-08.sbd.gills.20010.sbeok.shnf
1985-04-08The Spectrum
20010SB> MC> DAT> CD via Kevin Gills
gd85-04-08.sbd.wiley.8755.sbeok.shnf
1985-04-08The Spectrum
8755(Healy Mix)SBD>MC>PCM>BETA>DAT>CDR; Seeded to etree by Tim W
gd85-04-08.schoeps.yuda.3420.sbeok.shnf
1985-04-08The Spectrum
3420possible reDAE/reSHN of previous shn set; via redbeard to abgd
gd1985-04-08.aud.holtz.JAZ.96598.flac16
1985-04-08The Spectrum
96598flac16; Taper: Greg Holtz Source: Nakamichi 100's & Sennheiser 421's Mix -> D-5 Transfer: (By JAZ) Cassette Master (Maxell Metaxial 90) -> Tascam 112, dolbyB -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8
gd1985-04-08.149321.senn441.hunt.mattes.miller.clugston.flac1648
1985-04-08The Spectrum
149321flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1985-04-08.149322.senn441.hunt.mattes.miller.clugston.flac2496
1985-04-08The Spectrum
149322flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1985-04-08.152173.beyerm88s.holbrook.flac1644
1985-04-08The Spectrum
152173flac16/44 Source: Master AUDCA: Beyer M88's XY > 4th Sony TCD5M in line no nr > Maxell MX 90s No Dolby Location:200 feet from stage 15 feet ROC (RT rear corner of SBD), 15 feet up Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, JJ Hance, Sean Murtha, Gary Steel, Eric Britt, Mike Davis, Kenny Davis, Mikey
gd1985-04-08.152174.beyerm88s.holbrook.flac2448
1985-04-08The Spectrum
152174flac24/48 Recording Information: Source: Master AUDCA: Beyer M88's XY > 4th Sony TCD5M in line no nr > Maxell MX 90s No Dolby Location:200 feet from stage 15 feet ROC (RT rear corner of SBD), 15 feet up Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, JJ Hance, Sean Murtha, Gary Steel, Eric Britt, Mike Davis, Kenny Davis, Mikey
gd85-04-08.oade-schoeps.sacks.24227.sbeok.flacf
1985-04-08The Spectrum
24227Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
gd1985-04-08.aud.mccue.ford.117189.sbeok.flac16
1985-04-08The Spectrum
117189flac16; Source: MAC; (FOB) unknown mics > Sony D5 > Sony D5 > Sony D5 > Sony D5 > 2 x TDK MA90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (24/88.2)> Lynx AES16> WaveLab 6.10> .wav @24/88.2> r8brain PRO> .wav @ 16/44.1> CD Wave Editor> TLH> flac16. Location: Approx. 20 feet from the stage, Dead Center; Taper: Mark McCue; Transferred and mastered by Alex Ford
gd1985-04-08.shotgun.bandrofcheck.74161.sbeok.shnf
1985-04-08The Spectrum
74161Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHN taped and transferred by Charles Bandrofcheck
gd1985-04-08.nak300.barfield-lane.102065.flac24
1985-04-08The Spectrum
102065flac24; Source: Nak 300/CP4 > TCD5m - TDK MA90 (metal), OTS, 12' -- TCD5m (same as recorder) > Minime @ 24/96 > SD744 > Audacity > Flac24; Recorded: David Barfield And/Or David Lane; Transfer: David Barfield
gd1985-04-08.senn421.cohen.103445.flac16
1985-04-08The Spectrum
103445flac16; Recorded by Dave Cohen Back right corner of the Board Sennheisser 421s>Sony TCD5M>Sony WMD6 Maxell XLII cassette masters. Dolby B was NOT used on the Master Cassettes.The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
gd1985-04-08.118481.sbd.healy.damico.flac16
1985-04-08The Spectrum
118481flac16; Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper : Dan Healy; Editing : Joe D'Amico
gd1985-04-08.beyerm160.d5scott.107045.flac16
1985-04-08The Spectrum
107045flac16; source: 2 Beyer M160 Microphones > Sony TC-D5M - 25 feet from stage (mic's on a stand @ 6 feet) > analog cassette master Maxell MX90's. transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files; recorded and mastered to cdr by D5scott
gd1985-04-08.sbd.miller.118375.flac16
1985-04-08The Spectrum
118375flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat (48) -> WAV; Transfer Info: WAV -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1985-04-08.aud.mccue.ford.117212.flac24
1985-04-08The Spectrum
117212flac24; MAC; (FOB) unknown mics > Sony D5 > Sony D5 > Sony D5 > Sony D5 > 2 x TDK MA90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (24/88.2)> Lynx AES16> WaveLab 6.10> .wav @24/88.2> CD Wave Editor> TLH> flac24. Location: Approx. 20 feet from the stage, Dead Center; Recorded by Mark McCue; Transferred and mastered by Alex Ford
gd1985-04-08.145497.aud.lamarre.berger.flac24
1985-04-08The Spectrum
145497flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd1985-04-08.145498.aud.lamarre.berger.flac16
1985-04-08The Spectrum
145498flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd1985-04-08.124854.chasingwilma.flac24
1985-04-08The Spectrum
124854flac24; lineage: nakamichi 700 (fob)> optimus> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
gd1985-04-08.nak300.damico.87465.sbeok.flac16
1985-04-08The Spectrum
87465flac16; taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon tape deck > creative extigy soundcard > cool edit pro >flac frontend
gd1985-04-08.Sennheiser421FOB.33804.shnf
1985-04-08The Spectrum
33804Sennheiser 421's FOB & Sony TCD5M Transfered: Master Casssette; Taped & Transfered by Brian Mandel; Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tool
gd85-04-13.sbd.popi.6146.sbeok.shnf
1985-04-13Irvine Meadows
6146sbd> mc> reel> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT
gd1985-04-13.sbd.miller.77348.sbeok.flac16
1985-04-13Irvine Meadows
77348flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Upgrade in circulation
gd1985-04-13.senn421.mccue.ford.32595.sbeok.shnf
1985-04-13Irvine Meadows Amphitheater
32595flac16; MAC: (FOB) Sennheiser 421's* > Sony D5 > Maxell XLII-S 90(Set I) & Maxell MX 90(Set II); Tapers: Adam, Justin & Monica; Mark McCue Masters; Transfer, minor editing and conversion by Alex Ford
gd1985-04-13.fix-shnid-77348.tetzeli.83071.sbeok.flac16
1985-04-13Irvine Meadows Amphitheatre
83071flac16; SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC > patches with Cool Edit > FLAC, patched version of shn id 77348 by Bill Tetzeli; Upgrade in circulation
gd1985-04-13.123130.sbd.miller.flac24
1985-04-13Irvine Meadows
123130flac24; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
gd1985-04-13.122198.sbd.miller.flac16
1985-04-13Irvine Meadows
122198flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1985-04-13.nak100.holtz.jaz.97199.flac16
1985-04-13Irvine Meadows Amphitheatre
97199flac16; Source: Nakamichi cm 100's W/shotguns -> Sony D-5 Transfer: (By JAZ) Cassette Master (maxell super fine epilaxial XLII-s 90's) -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8
gd85-04-14.sbd.jeffm.3667.sbeok.shnf
1985-04-14Irvine Meadows
3667SBD> Master Cassette> DAT> CDR> EAC> SHN; DAE (EAC) + SHN Encoding by Jeff M.
gd1985-04-14.senn421.mccue.ford.32621.sbeok.shnf
1985-04-14Irvine Meadows Amphitheater
32621MAC: (FOB) Sennheiser 421's > Sony D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II) Tapers: Adam, Justin & Monica Mark McCue Masters Transfer, minor editing and conversion by Alex Ford 03/08/2006.
gd1985-04-14.151830.SBD.UNK.Reel.Anon.Noel.t-flac1648
1985-04-14Irvine Meadows
151830flac16/48 Source: SBD > unknown > Reel @ 7.5ips Transfer: Reel > Korg MR2000 (1 bit 5.6 mhz) (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 16/48 Reel Source unknown Transfer by Anonymous Edited & Mastered (Adobe Audition) by Joe Noel January 17, 2021
gd1985-04-14.152159.sbd.marcus.miller.flac2496
1985-04-14Irvine Meadows
152159flac24/96 Recording Info: SBD > Cassette Master (Sony WM-D6) Transfer Info: Cassette Master (Nakamichi Dragon) > Tascam DA-3000 (1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
gd1985-04-14.152160.sbd.walker.scotton.miller.flac2496
1985-04-14Irvine Meadows
152160flac24/96 Recording Info: SBD > Cassette Master (Dan Healy) > Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
gd1985-04-14.152161.sbd.walker.scotton.miller.fixed.flac2496
1985-04-14Irvine Meadows
152161flac24/96 FIXED Version: Recording Info: SBD > Cassette Master (Dan Healy) > Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
gd1985-04-14.152518.sbd.cm.miller.t.flac16
1985-04-14Irvine Meadows
152518flac16/44.1 Recording Info: SBD > Cassette Master (Sony WM-D6) Transfer Info: Cassette Master (Nakamichi Dragon) > Tascam DA-3000 (1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 152159 24 -> 16 @ 44.1
gd1985-04-14.152519.sbd.fixed.1st.Gen.miller.t.flac16
1985-04-14Irvine Meadows
152519flac16/44.1 FIXED Version: Recording Info: SBD > Cassette Master (Dan Healy) > Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 153161 24 -> 16 @ 44.1
gd1985-04-14.144159.sbd.miller.clugston.flac1644
1985-04-14Irvine Meadows
144159flac16; Source Info: Master Soundboard Cassettes > Dat (16-bit/44.1k); Transfer Info: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Sound Devices 744T (.wav 16-bit/44.1k) > Adobe Audition 3.01 > TLH flac16
gd1985-04-14.143490.s2.FOB.ECM150.Keeler.Miller.Noel.t-flac2496
1985-04-14Irvine Meadows
143490flac24; Set 2, Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k)
gd1985-04-14.145334.s2.fob.sony.ecm150.keeler.miller.noel.t-flac16
1985-04-14Irvine Meadows
145334flac16; Set 2, Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k); This file set is 16 bit @ 44.1
gd1985-04-14.124931.chasingwilma.flac24
1985-04-14Irvine Meadows
124931flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 32621. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
gd1985-04-14.nak100.holtz.jaz.97220.flac16
1985-04-14Irvine Meadows Amphitheatre
97220flac16; Taper: Greg Holtz Source: Nakamichi cm 100's W/shotguns -> Sony D-5 Transfer: (By JAZ) Cassette Master (maxell super fine epilaxial XLII-s 90's) -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8
gd1985-04-21.121757.sbd.Lestatkatt.flac16
1985-04-21Marin Veterans Memorial Auditorium
121757flac16; Source: SBD > ?>Low Gen Maxell XLII Cassette>Wav>Soundforge 10 (Tracking, Pitch Correction and *Editing)>Flac
gd85-04-27.fixedsbd.mattman.20683.sbeok.shnf
1985-04-27Frost Amphitheatre
20683Pitch-corrected version of shnid=17265.
gd85-04-27.sbd.jerugim.359.sbeok.shnf
1985-04-27Frost Amphitheatre
359SBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim; no known flaws
gd85-04-27.sbd.unknown.17265.sbeok.shnf
1985-04-27Frost Amphitheatre
17265Source: SBD > MC > DAT > CDR > EAC > mkwACT Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic.
gd1985-04-27.sbd.miller.25467.sbeok.shnf
1985-04-27Frost Amphitheatre, Stanford University
25467Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN via Charlie Miller
gd1985-04-27.senn421.mccue.ford.32648.sbeok.flac
1985-04-27Frost Amphitheatre
32648flac16; MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)] Tapers: Adam, Justin & Monica Mark McCue Masters Transfer, minor editing and conversion by Alex Ford 3/10 & 11/2006.
gd1985-04-27.nak700.anon.lmpp.99835.flac16
1985-04-27Frost Amphitheatre - Stanford University
99835flac16; Nakamichi 700's > d6 > MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit + > 16/44.1 Wave > Flac
gd1985-04-27.148416.neumann.km84i.hecht.miller.clugston.flac2496
1985-04-27Frost Amphitheatre
148416flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1985-04-27.151703.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac2496
1985-04-27Frost Amphitheatre
151703flac24/96khz Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB, OTS, MSWS till end of show. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96 Recording by Craig Rogers. Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel. January 20, 2021
gd1985-04-27.151947.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac16
1985-04-27Frost Amphitheatre
151947Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes
Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96
Recording by Craig Rogers
gd1985-04-27.151970.Mouth.AKG.Rogers.Noel.fixed.151703.t-flac2496
1985-04-27Frost Amphitheatre
151970flac24/96 This is a fix of shnid 151703. Channels were reversed on the other release. Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by Craig Rogers. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel.January 20, 2021.
gd1985-04-27.152283.sbd.walker.scotton.miller.clugston.flac1648
1985-04-27Frost Amphitheatre
152283flac16/48 Source Info: Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1985-04-27.152284.sbd.walker.scotton.miller.clugston.flac2496
1985-04-27Frost Amphitheatre
152284flac24/96 Source Info: Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1985-04-27.148348.aud.flac2496
1985-04-27Frost Ampitheater
148348Source: Analog Audience maxell mx 90's 3 tapes Namakamichi CM 700 Mics and Custom ps/preamp mixer - > modified dbx 224 (mod'd to run from battery pack) - > Sony TC D5M (dbx encoded)
Analog Sound Peservation: Nakamichi CR7a - > dbx nx40 (dbx decoded) - > Audio Technica mixer/line amplifier - > Korg MR 2000 at 1 bit 5.6 MHz - > Audiogate software to create 24-96 files
gd1985-04-27.nak700.koucky.gmb.76584.sbeok.flac16
1985-04-27Frost Amphitheatre
76584flac16; Source: MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s. Recorded by B.Koucky. Transfer: MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9
gd1985-04-27.148527.5-1.amdig.flac2448
1985-04-27Frost Amphitheatre
148527flac24; 5.1 LPCM Surround Sound (48k) - Original 5.1 DVD-A (78681) DVD-AUDIO 24/48 SBD+AUD Matrix Mix (65%-SBD/20%-AUD1/15%-AUD2)Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584 - extraction/flac/tagging by Kevin Tobin
gd1985-04-27.148640.danamdig.5.1.2448.dvda
1985-04-27x
gd1985-04-27.dts.haugh.78437.flac16
1985-04-27Frost Amphitheatre
78437DTS Audio 5.1; 3 source DTS-Audio-CD 5.1 Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584
gd1985-04-27.mtx.haugh.78504.flac16
1985-04-27Frost Amphitheatre
78504flac16; SBD + AUD Matrix 3 Source Mix (65%-SBD/20%-AUD1/15%-AUD2)Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584
gd1985-04-27.mtx.haugh.78681.flac24
1985-04-27Frost Amphitheatre
78681flac24; DVD-AUDIO 24/48 SBD+AUD Matrix Mix (65%-SBD/20%-AUD1/15%-AUD2)Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584
gd1985-04-27.nak100.holtz.jaz.102035.flac16
1985-04-27Frost Amphitheatre
102035flac16; Taper: Greg Holtz Source: Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5; Transfer: (By JAZ) Cassette Master, TDK MA-R90 Alluminum Core-> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD -> R8brain for Sample Rate Conversion to 16bit 44.1kHz -> Traders Little Helper flac8
gd1985-04-27.143491.s2.FOB.ECM150.Keeler.Miller.Noel.t-flac2496
1985-04-27Frost Amphitheatre
143491flac24; Set 2, Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k
gd1985-04-27.145335.s2.fob.sony..ecm150.keeler.miller.noel.t-flac16
1985-04-27Frost Amphitheatre
145335flac16; Set 2, Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k); This file set is 16 bit @ 44.1
gd1985-04-27.148415.neumann.km84i.hecht.miller-clugston.flac1648
1985-04-27Frost Amphitheatre
148415flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1985-04-27.124981.chasingwilma.flac24
1985-04-27Frost Amphitheatre
124981flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 32648. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
gd85-04-28.sbd.barbella.14192.sbeok.shnf
1985-04-28Frost Amphitheatre
14192Master Soundboard Reel > DAT > CD; Seeded to etree by Steve Barbella
gd1985-04-28.senn421.mccue.ford.33505.sbeok.flac16
1985-04-28Frost Amphitheatre
33505MAC: (FOB) Sennheiser 421's > Sony D5 > Maxell XLII-S 90 (Set I) & TDK MA-R [aluminum core (Set II)]; Tapers: Adam, Justin & Monica; Master Cassettes provided by Mark McCue; Transfer, editing, conversion and seeding to bt.etree.org by Alex Ford.
gd1985-04-28.148417.fob.neumann.km84i.hecht.miller.clugston.flac1648
1985-04-28Frost Amphitheatre
148417flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1985-04-28.148418.fob.neumann.km84i.hecht.miller.clugston.flac2496
1985-04-28Frost Amphitheatre
148418flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1985-04-28.151704.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac2496
1985-04-28Frost Amphitheatre
151704flac24/96khz Source: AKG CE1s > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip (Phil's side) Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96 Recording by KM & Craig Rogers. Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel. January 21, 2021.
gd1985-04-28.151948.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac16
1985-04-28Frost Amphitheatre
151948Source: AKG CE1s > Uher CR240 > Master Cassettes
Location: Mouth, ten heads back from stage lip (Phil's side)
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96
Recording by KM & Craig Rogers
gd1985-04-28.151971.Mouth.AKG.Rogers.Noel.fixed.151704.t-flac2496
1985-04-28Frost Amphitheatre
151971flac24/96 This is a fix of shnid 151704. Channels were reversed on the original release. Source: AKG CE1s > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip (Phil's side) Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by KM & Craig Rogers. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. January 21, 2021.
gd1985-04-28.152302.sbd.walker.scotton.miller.clugston.flac1648
1985-04-28Frost Amphitheatre
152302flac16/48 Source Info: Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1985-04-28.152303.sbd.walker.scotton.miller.clugston.flac2496
1985-04-28Frost Amphitheatre
152303flac24/96 Source Info: Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd85-04-28.sbd.new.miller.28357.sbeok.flacf
1985-04-28Frost Amphitheatre
28357flac16; SBD> Cassette Master> Dat (48k)?; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
gd1985-04-28.124404.nak700.wagner.miller.flac16
1985-04-28Frost Amphitheatre
124404flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By: Bob Wagner; All Transfers and Mastering By Charlie Miller
gd1985-04-28.145342.fob.sony.ecm150.keeler.miller.noel.t-flac16
1985-04-28Frost Amphitheatre
145342flac16; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k); This file set is 16 bit @ 44.1
gd1985-04-28.sbd.sirmick.77406.flac16
1985-04-28Frost Amphitheatre - Stanford University
77406flac16; source: Soundboard > DAT > DAT > CD > wav > shn > wav > flac patch source : SBD -> Cassette Master -> Cassette -> CD (Tascam CDRW5000) see text file for details
gd1985-04-28.nak100.holtz.jaz.102036.flac16
1985-04-28Frost Amphitheatre
102036flac16; Taper: Greg Holtz Source: Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5; Transfer: (By JAZ) Cassette Master, TDK MA-R90 Alluminum Core -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD-> R8brain for sample rate conversion to 16bit 44.1kHz -> Traders Little Helper flac8
gd1985-04-28.140825.fob.nak700.wagner.miller.clugston.flac1644
1985-04-28Frost Amphitheatre
140825flac16; Recording Info: Bob Wagner's Master FOB Audience Cassettes; Nakamichi CM700 mics > Sony TC-D5M (Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000(DSF 1-bit/5.8 MHz) > dBpoweramp (flac 24-bit/96k) > Adobe Audition 3 24/96 > TLH flac2496; 24 bit > 16 bit via dBpoweramp
gd1985-04-28.140826.fob.nak700.wagner.miller.clugston.flac2496
1985-04-28Frost Amphitheatre
140826flac24; Recording Info: Bob Wagner's Master FOB Audience Cassettes; Nakamichi CM700 mics > Sony TC-D5M (Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000(DSF 1-bit/5.8 MHz) > dBpoweramp (flac 24-bit/96k) > Adobe Audition 3 > TLH flac2496
gd1985-04-28.143492.FOB.ECM150.Keeler.Miller.Noel.t-flac2496
1985-04-28Frost Amphitheatre
143492flac24; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)
gd1985-04-28.125010.chasingwilma.flac24
1985-04-28Frost Amphitheatre
125010flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 33505. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
gd1985-04-28.nak700.anon.lmpp.105549.flac16
1985-04-28Frost Amphitheatre
105549flac16; Source: Audience > Nakamichi 700's > Sony WM-D6 > mac Lineage: mac > Nakamichi DR-1 > Tascam HD-P2 > 24/96 wave > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 Wave > CD Wave > Flac 16
gd85-06-14.oade.sacks.4978.sbeok.shnf
1985-06-14Greek Theatre, U. Of California
4978Schoeps cmc42S (spread around 8') > Oade M118 prototype "b" > Oade Modified PCM-F1 > DATx2 (44.1khz) Recorded by Doug Oade, Taper's Section; Transfer: Sony D7> Sonic Sense Modified Sony 7 Pin Coax > Zoltrix Nightingale > CDWAV > SHN; DAT>SHN conversion and seeding by Darrin Sacks
gd85-06-14.sbd.carman.13747.sbeok.shnf
1985-06-14Greek Theatre, U. Of California
13747Updated Source: SBD > Cassette DAT > CDR/? Conversion: CDR > EAC (read offset correct) > CDWave > CoolEditPro > mkwACT > SHN (seekable) by Randy Carman rcarman@cogeco.ca
gd1985-06-14.senn441.mccue.ford.32867.sbeok.flac16
1985-06-14Greek Theater
32867Sennheiser 441's > Sony D5 > Sony D5 > Cassettes Tapers: Adam,Justin & Monica Mark McCue Master 1st deck out Conversion, minor editing, and seeding to bt.etree.org by Alex Ford.
gd1985-06-14.148768.nak700.severson.miller.clugston.flac1648
1985-06-14Greek Theatre, U. Of California
148768flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(12 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1985-06-14.148769.nak700.severson.miller.clugston.flac2496
1985-06-14Greek Theatre, U. Of California
148769flac24; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(12 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1985-06-14.152641.OTS-NAK300-SGMasterCassette.Anon.Noel.t-flac2448
1985-06-14Greek Theater, U. of California
152641flac24/48 Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high. Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDI Codec. Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel January 26, 2021
gd1985-06-14.152788.OTSNAK300-SGMasterCassetteAnonNoelt-flac1648
1985-06-14Greek Theatre, U. Of California
152788flac16/48 Source: Nakamichi 300 Shotguns > Sony Tc-d5m > Master Cassette (maxell Mx90s, Dolby B On) Location: Taper Section; Stand 6 To 7 Feet High. Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby> Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq & Software Dolby B Decode Using Nuendo & Ddi Codec. Recorded, Transferred & Mastered By Anon Edited & Add'l Mastering In Adobe Audition By Joe Noel January 26, 2021
gd85-06-14.oade-schoeps.sacks.24451.sbeok.flacf
1985-06-14Greek Theatre, U. Of California
24451Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc42S (spread around 8') > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
gd1985-06-14.matrix.chappell.85831.sbeok.flac16
1985-06-14Greek Theater
85831flac16; Sick Bits Vol. 22a - SBD/AUD matrix of 3 previously circulating sources: SBD (shnid=13747) + Oade AUD (shnid=24451). Another AUD (shnid=32867) was used to patch crowd and tunings. Matrixed by Chris Chappell.
gd1985-06-14.135615.sbd-new.miller.flac16
1985-06-14Greek Theatre, U. Of California
135615flac16; Recording Info: SBD -> Cassette Master (Dolby B) -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller
gd1985-06-14.nak700.anon-severson-poris.lmpp.97221.flac16
1985-06-14Greek Theatre - University of California
97221flac16; Source: Aud Recording Lineage: 3 Nak 700's (L & R Cardioids, Center Omni - 3 DB Low Pass filter)> -15 db pads> 3 mic mixer Preamp> Patchbay> Sony D6> MAC (Dolby B ) > Nakamichhi ZX-7 > 24/96 Wave > Wavelab 5 > UAD Plugs (Cambridge EQ, Precisions Buss Compressor, Precision Limiter) > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 )
gd1985-06-14.sbd.miller.117028.flac16
1985-06-14Greek Theatre, U. Of California
117028flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN; Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1985-06-14.141238.s1.unknown.Bryant.Miller.Noel.t-flac1644
1985-06-14Greek Theatre, U. Of California
141238flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96;Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd1985-06-14.140888.s1.unkown.Bryant.Miller.Noel.t-flac2496
1985-06-14Greek Theatre, U. Of California
140888flac24; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96;Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
gd1985-06-14.145575.SBD.remaster.Miller.Noel.t-flac1648
1985-06-14Greek Theatre, U. Of California
145575flac16/48kHz; Recording Info: SBD -> Cassette Master (Dolby B) -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; Edited & patched with Audacity by Joe Noel
gd1985-06-14.145329.s2-complete.SBD.Miller.Noel.t-flac1648
1985-06-14Greek Theatre, U. Of California
145329flac16/48kHz; Set 2 Recording Info: SBD -> Cassette Master (Dolby B) -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; Patch info: shnid 117028 (SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN); the patch was created with Audacity by Joe Noel
gd1985-06-14.nak300.andrewf.130924.flac1644
1985-06-14Greek Theatre, U. Of California
130924flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Fuji FR-Metal 90's, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 08/2014
gd1985-06-14.126336.akg.thompson.damico.flac24
1985-06-14Greek Theatre, U. Of California
126336flac24; Taper: Danny Thompson; Editing: Joe D'Amico; AKG Se-5 Preis Mics W/ Ce-1 Caps > Uher Cr 240 Was 1st Deck > 2nd Deck Uher Cr 160; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper
gd1985-06-14.126338.akg.thompson.damico.flac16
1985-06-14Greek Theatre, U. Of California
126338flac16; Taper: Danny Thompson; Editing: Joe D'Amico; AKG Se-5 Preis Mics W/ Ce-1 Caps > Uher Cr 240 Was 1st Deck > 2nd Deck Uher Cr 160; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper
gd1985-06-14.111797.BeyerM160.daweez.d5scott.flac16
1985-06-14Greek Theatre, U. Of California
111797flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1985-06-14.135656.sbd.miller.flac1648
1985-06-14Greek Theatre, U. Of California
135656flac16/48kHz; Recording Info: SBD -> Cassette Master (Dolby B) -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
gd85-06-15.oade.sacks.7086.sbeok.shnf
1985-06-15Greek Theatre, U. Of California
7086Oade PCM-AUD -- Schoeps MK41 (90 deg -- Tapers' Section) -> CMC4 -> Oade M118 prototype "b" -> Oade Modified PCM-F1 -> DAT; Recorded by Doug Oade; Transfer: (Set I: 48K DAT; Set II: 44.1k DAT, from Doug Oade) Sony PCM-M1 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> Cooledit 2k (sample rate conversion) -> CDWAV -> SHN; DAT>SHN conversion and seeding by Darrin Sacks
gd85-06-15.sbd.griesman.5682.sbeok.shnf
1985-06-15Greek Theatre, U. Of California
5682SBD> ?> CD-R> EAC> CDWAV retrack> SHN; via Randy Griesman
gd1985-06-15.senn441.mccue.ford.33338.sbeok.flac16
1985-06-15Greek Theater
33338flac16; Sennheiser 441's > Sony D5 > Sony D5 > Master Cassettes; Tapers: Adam,Justin & Monica Mark McCue Master 1st deck out; Transfer by Mark McCue; Conversion, edits, retracking, seeding to bt.etree.org by Alex Ford
gd1985-06-15.sbd.griesman.tetzeli.fix-5682.34302.sbeok.shnf
1985-06-15Greek Theatre - University of California
34302Fix of shnid 5682 by Bill Tetzeli - see info file for details
gd1985-06-15.sbd.walker-scotton.miller.96317.sbeok.flac16
1985-06-15Greek Theatre - University of California
96317flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 ->FLAC/16; All Transfers and Mastering By Charlie Miller
gd1985-06-15.140073.set2.sbd.pcm.gans.miller.clugston.flac1644
1985-06-15Greek Theatre, U. Of California
140073flac16; Set 2 Recording Info: Master Soundboard PCM > PCM; Transfer Info: PCM (Sony SLV-M20HF)> Sony PCM 601ESD> Behringer Ultramatch Pro> Sound Devices 744T (16-bit/44.1k)> Adobe Audition 3.0> TLH flac16
gd1985-06-15.148770.nak700.severson.miller.clugston.flac1648
1985-06-15Greek Theatre, U. Of California
148770flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(13 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1985-06-15.148771.nak700.severson.miller.clugston.flac2496
1985-06-15Greek Theatre, U. Of California
148771flac24; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(13 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1985-06-15.152254.sbd.miller.flac2496
1985-06-15Greek Theatre, U. Of California
152254Flac 2496 Recording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
gd1985-06-15.152520.sbd.cm.miller.t.flac16
1985-06-15Greek Theatre, U. Of California
152520flac16/44.1 Recording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152254 24 -> 16 @ 44.1
gd1985-06-15.152642.OTS-NAK300-SGMasterCassette.Anon.Noel.t-flac2448
1985-06-15Greek Theater, U. of California
152642flac24/48 Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high. Transfer: Master Cassette > Nakamichi CR7a playback with no dolby > Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec. Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021
gd1985-06-15.152789.OTSNAK300-SGMasterCassetteAnonNoelt-flac1648
1985-06-15Greek Theatre, U. Of California
152789flac16/48 Source: Nakamichi 300 Shotguns > Sony Tc-d5m > Master Cassette (maxell Mx90s, Dolby B On) Location: Taper Section; Stand 6 To 7 Feet High. Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby > Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq And Software Dolby B Decode Using Nuendo And Ddicodec. Recorded, Transferred & Mastered By Anon Edited & Add'l Mastering In Adobe Audition By Joe Noel February 17, 2021
gd85-06-15.oade-schoeps.sacks.24586.sbeok.flacf
1985-06-15Greek Theatre, U. Of California
24586Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
gd85-06-15.set2.sbd.gans-samaritano.28449.sbeok.flacf
1985-06-15Greek Theatre, U. Of California
28449flac16; *Set 2 Only* Soundboard->Vault PCM->PCM Clone->Sonic Solutions->Master CD. Master CD->EAC->FLAC. EAC, Re-track, and FLAC by Joe Samaritano
gd1985-06-15.matrix.chappell.85832.sbeok.flac16
1985-06-15Greek Theater
85832flac16; Sick Bits Vol. 22b - SBD/AUD matrix of 3 previously circulating sources: set 1 SBD (shnid=5682) and set 2 SBD (shnid=28449) + Oade AUD (shnid=24586). Matrixed by Chris Chappell.
gd1985-06-15.112725.BeyerM160.daweez.d5scott.flac16
1985-06-15Greek Theatre, U. Of California
112725flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1985-06-15.141239.s1.unknown.Bryant.Miller.Noel.t-flac1644
1985-06-15Greek Theatre, U. Of California
141239flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd1985-06-15.154488.dts.tobin.flac16
1985-06-15Greek Theatre, U. Of California
154488DTS-Audio-CD 5.1 Mix; - SBD (shnid = 152254) ecording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 24586) Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac - dts mixing by Kevin Tobin
gd1985-06-15.154489.5-1.tobin.flac1648
1985-06-15Greek Theatre, U. Of California
154489flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 152254) ecording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 24586) Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac - surround mixing by Kevin Tobin
gd1985-06-15.140889.s1.unkown.Bryant.Miller.Noel.t-flac2496
1985-06-15Greek Theatre, U. Of California
140889flac24 Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
gd1985-06-15.nak300.andrewf.97124.flac24
1985-06-15Greek Theatre - University of California
97124flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > JVC ME-90P Metal tape, with no Dolby. Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009.
gd1985-06-15.nak300.andrewf.97125.flac16
1985-06-15Greek Theatre - University of California
97125flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > JVC ME-90P Metal tape, with no Dolby. Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. January 2009.
gd85-06-16.oade.sacks.7087.sbeok.shnf
1985-06-16Greek Theater, U. of California
7087Oade PCM-AUD Schoeps MK41 (90deg spaced spaced 17 cm- aka DIN variant, Tapers' Section)> CMC4> Oade M118 prototype b> Oade Modified PCM-F1> DAT (x1?) (44.1khz); Recorded by Doug Oade; Transfer: Sony d7> Sonic Sense Modified Sony 7 Pin Coax> Zoltrix Nightingale (coax Mod)> CDWAV (no sample Rate Conversion Performed); DAT>SHN conversion and seeding by Darrin Sacks; There are two circulating transcriptions seeded by Darrin Sacks, this seed is from the 44.1kHz DAT source; see alternate seed
gd85-06-16.sbd.barrick.970.sbefail.shnf
1985-06-16Greek Theater, U. of California
970SBD> MVHS> DAT> CD-R; via Dave Barrick?; note there is an alternate 3 CD version
gd85-06-16.sbd.braveman.26080.sbeok.shnf
1985-06-16Greek Theater, U. of California
26080SBD > Reel Master [?- see pub comments] > DATs; Transfer, by jbraveman: DAT 60ES > M-Audio Audiophile USB > CDWAV > Goldwave (normalization and minor edits) > CDWAV > mkwACT
gd1985-06-16.sbd-pcm.miller.79021.sbeok.flac16
1985-06-16Greek Theater
79021flac16; Recording Info: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC
gd1985-06-16.senn441.mccue.ford.33669.sbeok.flac16
1985-06-16Greek Theater
33669(FOB) 2 Sennheiser 441's > Sony D5 > Master Cassettes Tapers: Adam, Justin and Monica Mark McCue Master Transferred by Mark McCue, conversion and seeding to bt.etree.org by Alex Ford
gd1985-06-16.oade.sacks.9218.sbefail.shnf
1985-06-16Greek Theatre - University of California
9218Oade PCM-AUD Schoeps MK41 (90deg spaced spaced 17 cm- aka DIN variant, Tapers' Section)> CMC4> Oade M118 prototype b> Oade Modified PCM-F1> DAT (x3?) (48khz); Recorded by Doug Oade: Transfer: Sony PCM-M1> Sonic Sense Modified Sony 7 Pin Coax> Zoltrix Nightingale (coax Mod)> Cooledit 2k (sample rate conversion)> CDWAV> SHN; Note: There are two circulating transcriptions seeded by Darrin Sacks, this seed is from the 48kHz DAT source; see alternate seed; also to abgd via Charlie Connor
gd1985-06-16.150523.FOB.Nak.700.Dsd.Mow.Miller.Noel.t.flac2496
1985-06-16Greek Theater
150523flac24; (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. July 18, 2020
gd1985-06-16.152288.sbd.walker-scotton.miller.flac1696
1985-06-16Greek Theater, U. of California
152288flac16/96 Recording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
gd1985-06-16.152304.sbd.miller.scotton-walker.flac2496
1985-06-16Greek Theater, U. of California
152304flac24/96 Recording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
gd1985-06-16.152521.sbd.fixed.cm.miller.t.flac16
1985-06-16Greek Theatre, U. Of California
152521flac16/44.1 Recording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152304 24 -> 16 @ 44.1
gd1985-06-16.152643.OTS-NAK300-SGMasterCassette.Anon.Noel.t-flac2448
1985-06-16Greek Theater, U. of California
152643flac24/48 Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high. Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec. Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021
gd1985-06-16.152790.OTSNAK300-SGMasterCassetteAnonNoelt-flac1648
1985-06-16Greek Theatre, U. Of California
152790flac16/48 Source: Nakamichi 300 Shotguns > Sony Tc-d5m > Master Cassette (maxell Mx90s, Dolby B On) Location: Taper Section; Stand 6 To 7 Feet High. Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby> Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq And Software Dolby B Decode Using Nuendo And Ddicodec. Recorded, Transferred & Mastered By Anon Edited & Add'l Mastering In Adobe Audition By Joe Noel February 17, 2021
gd85-06-16.oade-schoeps.sacks.24611.sbeok.flacf
1985-06-16Greek Theater, U. of California
24611flac16; Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1, Recorded by Oade Brothers; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac, Transferred by Doug Oade, freshly tracked by Darrin Sacks
gd1985-06-16.matrix.chappell.85833.sbeok.flac16
1985-06-16Greek Theater
85833flac16; Sick Bits Vol. 22c - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=79021) + Oade AUD (shnid=24611). Matrixed by Chris Chappell.
gd1985-06-16.148772.nak700.severson.miller.clugston.flac1648
1985-06-16Greek Theater, U. of California
148772flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(11 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1985-06-16.148773.nak700.severson.miller.clugston.flac2496
1985-06-16Greek Theater, U. of California
148773flac24; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(11 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1985-06-16.140857.aud.bryant.miller.sirmick.flac2496
1985-06-16Greek Theater, U. of California
140857flac24; Source: Unknown mics > cassette master (Sony WM-D6) - Taped By Robert Bryant; Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited amd mastered SIRMick January 2018
gd1985-06-16.sbd.miller.105876.flac16
1985-06-16Greek Theater, U. of California
105876flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1985-06-16.140862.aud.bryant.miller.sirmick.flac1644
1985-06-16Greek Theater, U. of California
140862flac16; Source: Unknown mics > cassette master (Sony WM-D6) - Taped By Robert Bryant; Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited amd mastered SIRMick January 2018
gd1985-06-16.150586.FOB.Nak.700.Dsd.Mow.Miller.Noel.t.flac1644
1985-06-16Greek Theater, U. of California
150586flac16; Recording Info; (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info; Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k)
gd1985-06-16.nak300.andrewf.127487.flac2448
1985-06-16Greek Theater, U. of California
127487flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Maxell MX-90s, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448. Taped and transferred by Andrew F. 03/2014
gd1985-06-16.nak300.andrewf.127488.flac1644
1985-06-16Greek Theater, U. of California
127488flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Maxell MX-90s, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. 03/2014
gd1985-06-16.akg.keshavan.miller.105543.flac16
1985-06-16Greek Theater, U. of California
105543flac16; Recording Info:AKG Mics -> Cassette Master (Sony TC-D5M/TDK MA90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Rango Keshavan; All Transfers and Mastering By Charlie Miller
gd85-06-21.sbd.barbella.11492.sbeok.shnf
1985-06-21Alpine Valley Music Theatre
11492Master Soundboard Cassette > DAT > CDR; via Jack Straw; Seeded to etree by steve barbella
gd1985-06-21.nak100.holtz.86472.sbeok.flac16
1985-06-21Alpine Valley Music Theater
86472flac16; MAC; 2 Nakamichi 100s > Sony D5 > 2 Maxell MX 90s Taped by Greg Holtz Transfer: MAC > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L3 UltraMaximizer > WAV @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Greg Holtz. Transfer, edits, conversion and seeding by Alex Ford July 2007.
gd1985-06-21.mtx.seamons.108266.flac16
1985-06-21Alpine Valley Music Theatre
108266flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT)
gd1985-06-21.117822.BeyerM160.daweez.d5scott.flac16
1985-06-21Alpine Valley Music Theatre
117822flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1985-06-21.133591.aud.Holtz.NakCM104.flac2496
1985-06-21Alpine Valley Music Theatre
133591flac24; Field: 2x Nakamichi CM100 mics with CP-4 shotgun capsules > Sony TS-D5M analog cassette recorder > Maxell MX-90 cassette tapes; Transfer: MAC > Tascam 112 analog tape deck > Edirol UA-5 USB Audio Interface > 2496 WAVs > Audacity > Trader's Little Helper > FLAC 24/96
gd1985-06-21.154485.senn.me80.hessberg.miller.clugston.flac1648
1985-06-21Alpine Valley Music Theatre
154485flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1985-06-21.154486.senn.me80.hessberg.miller.clugston.flac2496
1985-06-21Alpine Valley Music Theatre
154486flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1985-06-21.141292.aud.bryant.miller.sirmick.flac2496
1985-06-21Alpine Valley Music Theatre
141292flac24; Source: Unknown mics > Sony WM-D6 > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
gd1985-06-21.145363.aud.bryant.miller.sirmick.flac16
1985-06-21Alpine Valley Music Theatre
145363flac16; Source: Unknown mics > Sony WM-D6 > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018; This file set is 16 bit @ 44.1
gd1985-06-21.set2.sbd.marks.russjcan.120969.flac16
1985-06-21Alpine Valley Music Theatre
120969flac16; Set 2 Source: Very Low Gen SBD set 2 >NakCR-3A>Sony PCM M-10@24/44.1 M-10>Soundforge9.0>CDWave>TLH
gd1985-06-22.sbd.greider.keith.2665.sbeok.shnf
1985-06-22Alpine Valley Music Theatre
2665SBD> ?> CD; Seeded by Andy Greider; Extracted & Shortened by Jim Keith; note cut in space (see pub comment)
gd1985-06-22.152620.akgc422-davis-murtha.holbrook.flac1644
1985-06-22Alpine Valley Music Theatre
152620flac16/44.1 Microphones: AKG C422|AKG S42 XY 90º Cardioid Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel? Transfer by: Kyle Holbrook First AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
gd1985-06-22.152621.akgc422-davis-murtha.holbrook.flac2448
1985-06-22Alpine Valley Music Theatre
152621flac24/48 Microphones: AKG C422|AKG S42 XY 90º Cardioid Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel? Transfer by: Kyle Holbrook First AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
gd1985-06-22.nak100.holtz.86805.sbeok.flac16
1985-06-22Alpine Valley Music Theater
86805flac16; (MAC) 4 Nakamichi 100s (2 for each channel) > Sony D5 > 2 Maxell MX90s Taper: Greg Holtz Transfer: MAC > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3(@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L3 UltraMaximizer > WAV @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Transfer, edits, conversion & seeding by Alex Ford August 2007.
gd1985-06-22.117823.BeyerM160.daweez.d5scott.flac16
1985-06-22Alpine Valley Music Theatre
117823flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1985-06-22.133603.aud.Holtz.NakCM104.flac2496
1985-06-22Alpine Valley Music Theatre
133603flac24; Field: 4x Nakamichi CM100 mics with CP-4 shotgun capsules front row OTS > Niles Audio Mixer > Sony TS-D5M analog cassette recorder > Maxell MX-90 cassette tapes; Transfer: MAC > Tascam 112 analog tape deck > Edirol UA-5 USB Audio Interface > 2496 WAVs > Audacity > Trader's Little Helper > FLAC 24/96
gd1985-06-22.sbd.hillwig.13478.sbeok.shnf
1985-06-22Alpine Valley Music Theatre
13478SBD > (poss cass gen)? > PCM > DAT @ 44.1 (pre-emphasis on); Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5 > pre-emphasis removed (see notes) > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig; via Bill Gardner, Ghost to etree
gd1985-06-22.mtx.seamons.109561.flac16
1985-06-22Alpine Valley Music Theatre
109561flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
gd85-06-24.nak300.lai.360.sbeok.shnf
1985-06-24River Bend Music Center
360Nak 300 > D5 > CM > CDR; via Chris Vinci, Mike Lai; Some left channel dropouts at beginning of USB
gd85-06-24.sbd.murphy.2274.sbefail.shnf
1985-06-24River Bend Music Center
2274fixed version of previous shn set, to boost Samson>He's Gone; via Patrick Murphy; hosted at gdlive.com
gd85-06-24.set2.oade-schoeps.sacks.24662.sbeok.flacf
1985-06-24River Bend Music Center
24662Set II Only; Recorded by Jim Oade Transferred by Doug Oade, tracked by Darrin Sacks; Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
gd1985-06-24.sbd.harrell.8198.shnf
1985-06-24River Bend Music Center
8198Sbd > Cm > Dat x 3 > Cdr; NR applied with Cool edit; via Bob harrell; upgrade in circulation
gd1985-06-24.152622.akgc422-davis-murtha.holbrook.flac1644
1985-06-24River Bend Music Center
152622flac16/44.1 Microphones: AKG C422|AKG S42 XY 90º Cardioid see *** Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba Transfer by: Kyle Holbrook Second AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
gd1985-06-24.152623.akgc422-davis-murtha.holbrook.flac2448
1985-06-24River Bend Music Center
152623flac24/48 Microphones: AKG C422|AKG S42 XY 90º Cardioid see *** Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba Transfer by: Kyle Holbrook Second AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
gd1985-06-24.mtx.pytlik.32310.sbeok.flac16
1985-06-24River Bend Music Center
32310SBD/AUD Matrix by Timothy Pytlik
gd1985-06-24.141240.s1.unknown.Bryant.Miller.Noel.t-flac1644
1985-06-24River Bend Music Center
141240flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd85-06-24.sbd.miller.25315.sbeok.shnf
1985-06-24River Bend Music Center
25315SBD > Cassette Master > PCM > DAT > CD; Transfer: CD > EAC > Cool Edit Pro v2.0 > Samplitude v7.02 Professional > SHN; Transferred and Edited By Charlie Miller; note flaw fix in d3t4 reflected in fixed md5 (see pub comments)
gd1985-06-24.140890.s1.unkown.Bryant.Miller.Noel.t-flac2496
1985-06-24River Bend Music Center
140890flac24; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
gd85-06-25.sbd.jeffm.3049.sbeok.shnf
1985-06-25Blossom Music Center
3049SBD> Master Cassette> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.; Known Flaws: d2t01 two minor clicks during first :02 of Gimme Some Lovin'
gd85-06-25.sbd.miller.18663.sbeok.shnf
1985-06-25Blossom Music Center
18663SBD -> Cm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN (2 Discs Audio / 2 Discs SHN) Converted By Charlie Miller
gd1985-06-25.152624.akgc422-davis-murtha.holbrook.flac1644
1985-06-25Blossom Music Center
152624flac16/44.1khz Microphones: AKG C422|AKG S42 XY 90º Cardioid Recorder: Sony TC-D5M [mic master] Location: Pavilion ~100' from stage 30' ROC (Sec 22 Row R) This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Eddie Wahba Transfer by: Kyle Holbrook Third AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
gd1985-06-25.152625.akgc422-davis-murtha.holbrook.flac2448
1985-06-25Blossom Music Center
152625flac24/48 Microphones: AKG C422|AKG S42 XY 90º Cardioid Recorder: Sony TC-D5M [mic master] Location: Pavilion ~100' from stage 30' ROC (Sec 22 Row R) This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Eddie Wahba Transfer by: Kyle Holbrook Third AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
gd1985-06-25.141241.s1.unknown.Bryant.Miller.Noel.t-flac1644
1985-06-25Blossom Music Center
141241flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd1985-06-25.142391.sbd.dalton.miller.clugston.flac1644
1985-06-25Blossom Music Center
142391flac16; Source Info: Master Soundboard Cassettes (dolby b) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1985-06-25.148520.senn.me80.hessberg.miller.clugston.flac1648
1985-06-25Blossom Music Center
148520flac16/48kHz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1985-06-25.148521.senn.me80.hessberg.miller.clugston.flac2496
1985-06-25Blossom Music Center
148521flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1985-06-25.140891.s1.unkown.Bryant.Miller.Noel.t-flac2496
1985-06-25Blossom Music Center
140891flac24; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
gd1985-06-25.132561.schopes.Oade.BCE.macdonald.flac16
1985-06-25Blossom Music Center
132561flac16; Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Master PCM > DAW (via SEKD Prodif) > Wav; Recorded by the Oade Brothers; Mastered by Dan McDonald
gd1985-06-25.mtx.seamons.kutik.106640.flac16
1985-06-25Blossom Music Center
106640flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
gd85-06-27.aud.connor.7006.sbeok.shnf
1985-06-27Saratoga Performing Arts Center
7006FOB AUD> CM (unknown mics)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT); Digital Mastering by Charlie Connor, from Painoman's Master Analog Cassettes
gd85-06-27.sbd.clugston.6104.sbeok.shnf
1985-06-27Saratoga Performing Arts Center
6104Amy's Soundboard VHS > Cassette > DAT> CDR; CD Re-Mastering, EAC'ed / SHN'ed by Scott Clugston
gd1985-06-27.152626.akgc422-davis-murtha.holbrook.flac1644
1985-06-27Saratoga Performing Arts Center
152626flac16/44.1 Microphones: AKG C422|AKG S42 XY s1:60º cardioid s2: 90º cardioid [-10dB pad on] Recorder: Sony TC-D5M [mic master] Location: Lawn ~175' from stage DFC This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney Transfer by: Kyle Holbrook Fourth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
gd1985-06-27.152627.akgc422-davis-murtha.holbrook.flac2448
1985-06-27Saratoga Performing Arts Center
152627flac24/48 Microphones: AKG C422|AKG S42 XY s1:60º cardioid s2: 90º cardioid [-10dB pad on] Recorder: Sony TC-D5M [mic master] Location: Lawn ~175' from stage DFC This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney Transfer by: Kyle Holbrook Fourth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
gd85-06-27.oade-schoeps.sacks.25000.sbeok.flacf
1985-06-27Saratoga Performing Arts Center
25000Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac. Recorded by Jim Oade; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net)
gd85-06-27.sbd.miller.27863.sbeok.flacf
1985-06-27Saratoga Performing Arts Center
27863flac16; SBD> Master Cassette> PCM> Dat (unconfirmed- could be SBD> VHS> Cass> Dat> CD); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
gd1985-06-27.mtx.seamons.92645.sbeok.flac16
1985-06-27Saratoga Performing Arts Center
92645flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) See info file for details
gd1985-06-27.nak300.morris.106788.flac16
1985-06-27Saratoga Performing Arts Center
106788flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded from Orchestra Section 8, Row GG, Seat 122 by Bob Morris. Transfer, edits, patch by Bob Morris 11/09.
gd1985-06-27.aud.Holtz.Nak100s.112499.flac16
1985-06-27Saratoga Performing Arts Center
112499flac16; Field Gear: Nakamichi CM-100's w/CP-4 Shotgun Capsules > Sony D-5 > MAC; Transfer: MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > Trader's Little Helper > FLAC Level 8; Recorded, transferred, tracked & FLAC'd by Greg Holtz
gd1985-06-27.158249.NAK300.Anon-Noel.t-flac16
1985-06-27Saratoga Performing Arts Center
158249flac1644 Source: Nakamichi 300 Shotguns > Sony Tc-d5m > Master Cassette (dolby B On) Location: Mics On Shure S15 Stands (up High), Approx. 25' From Repeaters, Front Of Lawn. Recorded & Transferred By Anon Edited & Mastered (adobe Audition) By Joe Noel April 22, 2022
gd1985-06-27.158250.NAK300.Anon-Noel.t-flac2448
1985-06-27Saratoga Performing Arts Center
158250flac2448 Source: Nakamichi 300 Shotguns > Sony Tc-d5m > Master Cassette (dolby B On) Location: Mics On Shure S15 Stands (up High), Approx. 25' From Repeaters, Front Of Lawn. Recorded & Transferred By Anon Edited & Mastered (adobe Audition) By Joe Noel April 22, 2022
gd1985-06-27.sbd.gmb.79382.flac16
1985-06-27Saratoga Performing Arts Center
79382flac16; Source: SBD > MC > DAT(48KHz).Transfer: DAT playback on Sony PCM-R500 > unbalanced XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracked with CDWAV 1.9 > FLAC. DAT via M.Townshend. Transfer, mastering and lossless encoding by C.Ladner
gd1985-06-27.sbd.gmb.79558.flac24
1985-06-27Saratoga Performing Arts Center
79558flac24/96; Source: SBD > MC > DAT(48KHz). Transfer: Playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and digitization > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > tracked with CDWAV 1.9 > FLAC. 24/96 Stereo DVD-A rendering was also generated using Discwelder Chrome II. Transfer, mastering and DVD-Audio rendering by C.Ladner
gd1985-06-27.nak300.morris.114489.flac24
1985-06-27Saratoga Performing Arts Center
114489flac24; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
gd1985-06-27.126238.chasingwilma.flac24
1985-06-27Saratoga Performing Arts Center
126238flac24; source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
gd1985-06-27.mtx.seamons.fix.92963.sbeok.flac16
1985-06-27Saratoga Performing Arts Center
92963flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) July 6, 2008 Speed Corrected July 20. (This source fixes the speed of the previous Seamons source.)
gd1985-06-27.141598.aud.bryant.miller.sirmick.flac2496
1985-06-27Saratoga Performing Arts Center
141598flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; eited and mastered SIRMick April 2018
gd1985-06-27.145345.aud.bryant.miller.sirmick.flac16
1985-06-27Saratoga Performing Arts Center
145345flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; eited and mastered SIRMick April 2018; This file set is 16 bit @ 44.1
gd1985-06-27.135268.senn441.mccue.ford.sbeok.flac16
1985-06-27Saratoga Performing Arts Center
135268flac16; MAC Sennheiser 441s > Sony TCM-D5 > TDK MA 90s; Mic info: 2 rows behind board on Jerry side, mics @ 10ft; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatic V3 (@24/88.2)> WaveLab 7.2.1> .wav @24/88.2> UAD-2(editing/mastering)> .wav @24/88.2> UV22HR/Crystal Resampler> .wav @16/44.1> xAct> flac16; Taper: Mark McCue; Transfer, editing and mastering: Alex Ford
gd85-06-28.sbd.lemon2.5822.sbeok.shnf
1985-06-28Hershey Park Stadium
5822SBD? liberated bootleg; via lemon2
gd85-06-28.fob-senn441.lizzard.25985.sbeok.shnf
1985-06-28Hershey Park Stadium
25985FOB Sony D-5M Sennheiser 441's Recorded by Steve (the Lizzard) /shninfo_detail.php?shnid=22517 sbe's were repaired with shntool
gd1985-06-28.nakcm304.suraci.79609.flac16
1985-06-28Hershey Park Stadium
79609flac16; Source: Nakamichi CM304's>Sony D5M Location: *At SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700
gd1985-06-28.senn441.mccue.ford.33339.sbeok.flac16
1985-06-28Hershey Park Stadium
33339flac16; (FOB) 2 Sennheiser 441's > Sony D5 > Master Cassettes; Taped transferred by Mark McCue; Retracking, conversion and seeding to bt.etree.org by Alex Ford
gd1985-06-28.nak300.morris.114680.sbeok.flac16
1985-06-28Hershey Park Stadium
114680flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > flac16; Microphones on tripod stand at 7 ft height under an umbrella in the rain; Recorded by Bob Morris
gd1985-06-28.137289.senn441.phase-fix.mccue.ford.sbeok.flac16
1985-06-28Hershey Park Stadium
137289flac16; Phase Fix of source ID 33339; (FOB) 2 Sennheiser 441's (PAS) > Sony D5 > Master Cassettes; Location: 10 yard line, DFC; Original Transfer: MAC> Sony D5> Tascam Stand Alone burner(tracked on the fly)> EAC> HD> CDR> EAC> WinXP Pro> wav files joined> CD Wave Editor(retracking)> Flac Frontend> flac16; New edits: WaveLab 7.2.1 (phase fix and minor edits) > retrack > xAct> flac16; Taped and transferred by Mark McCue; Phase fix/minor edits by Alex Ford
gd1985-06-28.151829.schoeps.cmc4.mk41.oade.miller.clugston.flac16
1985-06-28Hershey Park Stadium
151829flac16/44 Source Info: 1st Set and Morning Dew thru Encore: Oade brothers Master Audience Cassettes ; Schoeps CMC4 MK41 mics > Sony D5M 2nd Set thru I Need A Miracle: Oade brothers Master Audience PCM; Schoeps CMC4 MK41 mics > Modified Sony PCM-F1 Transfer Info: Unknown Playback equipment > HDD via SEK'D Prodif by Doug Oade
gd1985-06-28.senn.hubbard.76159.sbeok.shnf
1985-06-28Hershey Park Stadium
76159Sennheiser 4xx's > Marantz PMDxxx > MC Playback on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen) 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwACT > SHN Recorded by Jeff Hubbard
gd1985-06-28.sbd.miller.107066.flac16
1985-06-28Hershey Park Stadium
107066flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1985-06-28.126158.senn441.chasingwilma.flac24
1985-06-28Hershey Park Stadium
126158flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 33339. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
gd1985-06-28.141599.aud.bryant.miller.sirmick.flac2496
1985-06-28Hershey Park Stadium
141599flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick April 2018
gd1985-06-28.sbd.braverman.26144.shnf
1985-06-28Hershey Park Stadium
26144Source: SBD > CM > DAT > DAT > DAT Transfer: DAT 60ES > M-Audio Audiophile USB > CDWAV (48) > Goldwave (normalization 100%, patch, and resample 44.1) > CDWAV tracking > mkwACT SHN; transfer by Joshua Braveman
gd1985-06-28.sbd.mattman.23593.shnf
1985-06-28Hershey Park Stadium
23593Set 1 Source: SBD (pitch corrected shnid = 5822). Set 2 Source: SBD>Reel>PCM>DAT. Remastering by MattMan: SHN>WAV>ADOBE AUDITION>CDWAV>SHNTOOL>mkwACT.
gd1985-06-28.sbd.sirmick.77931.sbeok.flac16
1985-06-28Hershey Park Stadium
77931flac16; source: Soundboard > ??? (cass or pcm) > DAT > DAT > WAV > SHN > WAV > FLAC see text file for full details
gd1985-06-28.111343.BeyerM160.daweez.d5scott.flac16
1985-06-28Hershey Park Stadium
111343flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) >Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
gd1985-06-28.nak300.morris.114490.flac24
1985-06-28Hershey Park Stadium
114490flac24; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
gd1985-06-28.126140.chasingwilma.flac24
1985-06-28Hershey Park Stadium
126140flac24; source: (3) audio technica atm 11> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
gd1985-06-28.145352.aud.bryant.miller.sirmick.flac16
1985-06-28Hershey Park Stadium
145352flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick April 2018; This file set is 16 bit @ 44.1
gd1985-06-28.151254.sbd.eaton.dalton.miller.clugston.flac1648
1985-06-28Hershey Park Stadium
151254flac16/48khz Source Info: Master Soundboard Cassettes (Sony D5M)> 1st generation cassettes (Sony D5M) > Rob Eaton's DAT (Panasonic SV-3800)(16/48) > Tim Dalton's DAT (Panasonic SV-3700)(16/48) Transfer Info: 1st generation cassettes (unknown deck) > Panasonic SV-3800 DAT (16/48) by Rob Eaton; Rob Eaton's DAT 16/48 (Panasonic SV-3800) > Tim Dalton's DAT (Panasonic SV-3800)(16/48); Tim Dalton's DAT (16/48)(Sony PCM R-500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> .wav (16/48) > Adobe Audition CC 2020 > TLH flac1648
gd1985-06-28.132533.mtx.dusborne.flac16
1985-06-28Hershey Park Stadium
132533flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:107066) SBD -> Cassette Master -> Dat -> CD; CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; and Audience (shnid:114680) Nakamichi CM-300 (CP-4) x2 > Cassette Master; Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > flac16 by Bob Morris
gd85-06-30.aud.oade-sacks.set2.7833.sbefail.shnf
1985-06-30Merriweather Post Pavilion
7833set 2; Daud -- Oade recording: Schoeps CMC441 (@ 90 degrees) > Oade M118 > Oade Modified PCM-F1 > DATs > CDRs > EAC > SHN (Seekable); via Darrin Sacks
gd85-06-30.aud.set1.mckeown.7893.sbefail.shnf
1985-06-30Merriweather Post Pavilion
7893set 1; Recorded by Tommy McKeown; Master AUD Sony D5 Sennheiser ME 80 & 441's > Wav > SHN; 5 sec. dropout on left channel during BEW
gd85-06-30.sbd.georges.366.sbeok.shnf
1985-06-30Merriweather Post Pavilion
366SBDmc> DAT> CD; via Nick Georges; reported lots of hiss, and inferior "digital manipulation"; additional notes in public comments Note- This show also circ's with 'corrected' track names via ccryder@westerncom.net
gd85-06-30.sbd.miller.30158.sbeok.flacf
1985-06-30Merriweather Post Pavilion
30158flac16; SBD -> Cassette Master -> Dat -> CD -> EAC -> FLAC Converted By Charlie Miller
gd1985-06-30.152701.akgc422.davis-murtha.holbrook.flac1644
1985-06-30Merriweather Post Pavilion
152701flac16/44 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~275' from stage (crest of the hill) This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, John Borg, Gary Steel Transfer by: Kyle Holbrook
gd1985-06-30.152702.akgc422.davis-murtha.holbrook.flac2448
1985-06-30Merriweather Post Pavilion
152702flac24/48 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~275' from stage (crest of the hill) This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, John Borg, Gary Steel Transfer by: Kyle Holbrook
gd85-06-30.oade-schoeps.sacks.25242.sbeok.flacf
1985-06-30Merriweather Post Pavilion
25242Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac (via Darrin Sacks)
gd1985-06-30.sbd.miller.89192.sbeok.flac16
1985-06-30Merriweather Post Pavilion
89192flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller
gd1985-06-30.at835-d12e.Ackerman-Taraszki.102134.flac16
1985-06-30Merriweather Post Pavilion
102134flac16; Source: (2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5 Conversion: Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16 Recorded by Ray Ackerman Conversion by Ray Ackerman Tracks, FLACs, Tags by Craig Taraszki; Originally seeded 2009-10-21
gd1985-06-30.126176.chasingwilma.flac24
1985-06-30Merriweather Post Pavilion
126176flac24; source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
gd1985-06-30.138288.senn441.mccue.meade.flac24
1985-06-30Merriweather Post Pavilion
138288flac24/48kHz; MAC; Sennheiser 441s > Sony D5; Location: 3 rows behind Healy on left; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> UAD-2(mastering)> .wav @24/88.2> Crystal Resampler> .wav @24/48> xAct> flac24; Tapers: Mark McCue and Davey Meade; Transfer and mastering: Alex Ford
gd1985-06-30.138280.senn441.mccue.meade.sbeok.flac16
1985-06-30Merriweather Post Pavilion
138280flac16; MAC; Sennheiser 441's > Sony D5; Location: 3 rows behind Healy on left; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> UAD-2(mastering)> .wav @24/88.2> Crystal Resampler/UV22HR> .wav @16/44.1> xAct> flac16; Tapers: Mark McCue and Davey Meade; Transfer and mastering: Alex Ford
gd1985-06-30.145353.ots.at.835b.akg.d12e.blend.ackerman.miller.noel.t-flac16
1985-06-30Merriweather Post Pavilion
145353flac16; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1
gd1985-06-30.148522.fob.senn.me80.hessberg.miller.clugston.flac1648
1985-06-30Merriweather Post Pavilion
148522flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1985-06-30.148523.fob.senn.me80.hessberg.miller.clugston.flac2496
1985-06-30Merriweather Post Pavilion
148523flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1985-06-30.nak-beyer.tonys.79641.sbeok.flac16
1985-06-30Merriweather Post Pavillion
79641flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
gd1985-06-30.cpb.2nd-retransfer.33702.flac16
1985-06-30Merriweather Post Pavilion
33702Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC)> SBLive! > Audacity > WAV > CDWave > WAVs > mkwAC > SHNs; Recorded, transferred by Charles Bandrofcheck
gd1985-06-30.sbd.brame-hinko.23223.sbeok.shnf
1985-06-30Merriweather Post Pavilion
23223SBDmc>DAT>CD; fixed disc 3 SHNid=366 by Darryl Hinko and Tommy Brame
gd1985-06-30.akgC422.holbrook.burke.84246.flac24
1985-06-30Merriweather Post Pavillion
84246flac24/96; Recordist: Kyle Holbrook Location: Lawn, ~275' from stage lip Mic Config: XY, 90 degrees Source: AKG C422 (Cardioid) > AKG S42 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8
gd1985-06-30.akgC422.holbrook.burke.84267.sbeok.flac16
1985-06-30Merriweather Post Pavillion
84267flac16; Recordist: Kyle Holbrook Location: Lawn, ~275' from stage lip Mic Config: XY, 90 degrees Source: AKG C422 (Cardioid) > AKG S42 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab 5.01b (resample, dither) Dither: MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 All transfers and DSP performed by Tim Burke
gd1985-06-30.nakcm304-beyerm101.suraci.89039.flac24
1985-06-30Merriweather Post Pavillion
89039flac24; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0>Cdwav/tracking>flac24 Taper: Tony Suraci Transfer and upload by Tony Suraci
gd1985-06-30.mtx.seamons.94642.sbeok.flac16
1985-06-30Merriweather Post Pavilion
94642flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
gd1985-06-30.141619.OTS.AT835b-AKGD12e-Blend.Ackerman.Miller.Noel.t-flac2496
1985-06-30Merriweather Post Pavilion
141619flac24; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
gd1985-06-30.144154.set2.nak304.guy.pailes.miller.clugston.flac1648
1985-06-30Merriweather Post Pavilion
144154flac16/48kHz; 2nd Set Source Info: Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90); Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1985-06-30.144155.set2.nak304.guy.pailes.miller.clugston.flac2496
1985-06-30Merriweather Post Pavilion
144155flac24; 2nd Set Source Info: Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90); Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
gd1985-06-30.151255.sbd.marcus.miller.flac1644
1985-06-30Merriweather Post Pavilion
151255flac16/44.1khz Recording Info: SBD > Cassette Master (Sony WM-D6C/Dolby C) > DAT > CD > WAV Transfer Info: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/16
gd85-07-01.composite.torbjorn.17350.sbeok.shnf
1985-07-01Merriweather Post Pavilion
17350Hybrid soundboard - Original Paino seed w/ D3 Cribbs Patch and Charlie Miller "Day Job" via Torbjorn
gd85-07-01.oade.sacks.7892.sbefail.shnf
1985-07-01Merriweather Post Pavilion
7892Oade recording: Schoeps cmc441 (ortf @90 degrees) > Oade M118 > Modified Sony PCM-F1 > DATs >CDs > EAC > SHN (seekable); plus patches from fob beyer m160 source (see txt); EAC, patching, upload by Darrin Sacks; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments)
gd85-07-01.sbd.paino.8482.sbeok.shnf
1985-07-01Merriweather Post Pavilion
8482Fix of previous sbd shn set; See info file for details; Disc 1 & 2: SBDmc>?>DAT>CD>EAC>SHN>CD>EAC Disc 3: SBDmc>?>DAT>CD>EAC Seeded to etree by Paino Man
gd1985-07-01.sbd.disc3.cribbs.16581.sbeok.shnf
1985-07-01Merriweather Post Pavilion
16581D3 only; Oade Patched version of previous SBD shn set by Sean Cribbs; upgrade in circulation
gd1985-07-01.sbd.miller.96421.sbeok.shnf
1985-07-01Merriweather Post Pavilion
96421Recording Info: SBD -> Cm -> ? -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> CD; Transfered and Edited By Charlie Miller
gd1985-07-01.152708.akgc422.davis-holbrook.flac1644
1985-07-01Merriweather Post Pavilion
152708flac16/44 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~250' from stage (just below crest of the hill) This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, John Borg, Gary Steel Transfer by: Kyle Holbrook Sixth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
gd1985-07-01.152709.akgc422.davis-holbrook.flac2448
1985-07-01Merriweather Post Pavilion
152709flac24/48 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~250' from stage (just below crest of the hill) This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, John Borg, Gary Steel Transfer by: Kyle Holbrook Sixth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
gd85-07-01.oade-schoeps.sacks.25243.sbeok.flacf
1985-07-01Merriweather Post Pavilion
25243Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 (Oade brothers, via Darrin Sacks)
Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > soundforge 6 where necessary for patching > Flac (sector boundaries aligned via flac frontend)
gd1985-07-01.cpb.2nd-retransfer.32596.sbeok.flac16
1985-07-01Merriweather Post Pavilion
32596Unknown shotgun type mics > Sony D6 > Maxell XLII 90's 12" stand Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN by Charles Bandrofcheck. This is the 2nd re-transfer by Charles of his source.
gd1985-07-01.shotgun.cpb.redo.34164.shnf
1985-07-01Merriweather Post Pavilion
34164Unknown shotgun mics audience recording by Charles Bandrofcheck. This is a re-record of shnid=32596. Changes are the azimuth adustment on the SD 4050 and the use of Audacity for noise reduction and normalization
gd1985-07-01.nak100.holtz.jaz.101283.flac16
1985-07-01Merriweather Post Pavilion
101283flac16; Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8
gd1985-07-01.126180.chasingwilma.flac24
1985-07-01Merriweather Post Pavilion
126180flac24; source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
gd1985-07-01.nak.tonys.79649.sbeok.flac16
1985-07-01Merriweather Post Pavillion
79649flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
gd1985-07-01.mtx.seamons.94681.sbeok.flac16
1985-07-01Merriweather Post Pavilion
94681flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
gd1985-07-01.beyer-holbrook.burke.85993.flac24
1985-07-01Merriweather Post Pavillion
85993flac24/96; Recordist: Kyle Holbrook Location: Reserved Section, ~20' behind SBD, ~10' Left Of Center, ~120' from stage lip, ~7' high Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: AddaWav v1.3 (join the two separate "Drums" tracks) Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.4, FLAC Frontend, Level 8
gd1985-07-01.beyerdynamicM201.holbrook.burke.85820.sbeok.flac16
1985-07-01Merriweather Post Pavillion
85820flac16; Recordist: Kyle Holbrook Location: Location: Reserved Section, ~20' behind SBD, ~10' Left Of Center, ~120' from stage lip, ~7' high Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab v5.01b (resample, dither) AddaWav v1.3 (join the two separate "Drums" tracks) Dither: MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.4, FLAC Frontend, Level 8 All transfers and DSP performed by Tim Burke
gd1985-07-01.139047.sbd.gastwirt.miller.sirmick.sbeok.flac16
1985-07-01Merriweather Post Pavilion
139047flac16/48kHz; Source: SBD > Cassette Master > DAT (48k); Provided by Rich Gastwirt; Transfer: DAT > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick 2017
gd1985-07-01.144156.nak304.guy.pailes.miller.clugston.flac1648
1985-07-01Merriweather Post Pavilion
144156flac16/48kHz; Source Info: Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1985-07-01.144157.nak304.guy.pailes.miller.clugston.flac2496
1985-07-01Merriweather Post Pavilion
144157flac24; Source Info: Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
gd1985-07-01.151269.sbd.marcus.miller.clugston.flac16
1985-07-01Merriweather Post Pavilion
151269flac16/44.1khz Source Info: Master Soundboard Cassettes > 1st generation cassettes (unknown dubbing deck/Dolby C) > DAT > CD > .wav (16-bit/44.1k) Transfer Info: .wav > Adobe Audition 2020 > TLH > flac16
gd85-07-02.sbd.bubba420.18249.sbeok.shnf
1985-07-02Civic Arena
18249Source:SBD>MC>D> -Tape flip after RXR cuts in Promised -cut in brokedown uploaded from furthur via Sbd seeded to etree by bubba420
gd85-07-02.senn421.barbella.12082.sbeok.shnf
1985-07-02Civic Arena
12082FOB Senn. 421's > Sony TC-D5 > DAT > CD; via Storyteller & Mark Horvath; Seeded to etree by Steve Barbella
gd1985-07-02.fob.senn421.colyard.92906.sbeok.flac16
1985-07-02Pittsburgh Civic Arena
92906flac16; MAC; (FOB) 2 x Sennheiser 421 > Sony D5 > 2 x Maxell XLII 90. Recorded by Rick "Coyote" Colyard. Transfer and mastering by Alex Ford. Master Audience Cassettes provided by Rick Colyard via Muletaper.
gd1985-07-02.152710.akgc422.davis-holbrook.flac1644
1985-07-02Civic Arena
152710flac16/44 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: OTS- 100' from stage This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel Transfer by: Kyle Holbrook Seventh AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
gd1985-07-02.152711.akgc422.davis-holbrook.flac2448
1985-07-02Civic Arena
152711flac24/48 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: OTS- 100' from stage This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel Transfer by: Kyle Holbrook Seventh AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
gd85-07-02.oade-schoeps.sacks.25244.sbeok.flacf
1985-07-02Civic Arena
25244Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
gd1985-07-02.111805.BeyerM160.daweez.d5scott.flac16
1985-07-02Civic Arena
111805flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1985-07-02.fob.senn441.meade.ford.121191.sbeok.flac16
1985-07-02Civic Arena
121191flac16; MAC; (FOB) Sennheiser 441's > Sony D5 > Sony D5 > 2 x TDK MA 90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav (@24/88.2)> WaveLab editing/mastering with UAD-1 in 24/88.2> r8brain PRO> .wav @16/44.1> CD Wave Editor> TLH> flac16(level eight)> Tag&Rename(metadata). Taped by Davey Meade Transferred, edited and mastered by Alex Ford.
gd1985-07-02.133613.dts.tobin.flac16
1985-07-02Civic Arena
133613DTS-Audio-CD 5.1 Mix; SBD (shnid=18249) BD>MC>D> seeded to etree by bubba420 + AUD (shn id 121191) MAC; (FOB) Sennheiser 441's > Sony D5 > Sony D5 > 2 x TDK MA 90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav (@24/88.2)> WaveLab editing/mastering with UAD-1 in 24/88.2> r8brain PRO> .wav @16/44.1> CD Wave Editor> TLH> flac16(level eight)> Tag&Rename(metadata). Taped by Davey Meade Transferred, edited and mastered by Alex Ford. - DTS mixing by Kevin Tobin
gd1985-07-02.142046.aud.bryant.miller.sirmick.flac2496
1985-07-02Civic Arena
142046flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick May 2018
gd1985-07-02.133611.upd-sbd.tobin.flac16
1985-07-02Civic Arena
133611flac16; Source:SBD>MC>D> - seeded to etree by bubba420 (original shnid 18249) - pitch correction and patches by Kevin Tobin
gd1985-07-02.133612.mtx.tobin.flac16
1985-07-02Civic Arena
133612flac16; Matrix 2 Source Mix - SBD (shnid=18249) BD>MC>D> seeded to etree by bubba420 + AUD (shn id 121191) MAC; (FOB) Sennheiser 441's > Sony D5 > Sony D5 > 2 x TDK MA 90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav (@24/88.2)> WaveLab editing/mastering with UAD-1 in 24/88.2> r8brain PRO> .wav @16/44.1> CD Wave Editor> TLH> flac16(level eight)> Tag&Rename(metadata). Taped by Davey Meade Transferred, edited and mastered by Alex Ford. - matrix mixing by Kevin Tobin
gd1985-07-02.126240.chasingwilma.flac24
1985-07-02Civic Arena
126240flac24; source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
gd1985-07-02.145388.aud.bryant.miller.sirmick.flac16
1985-07-02Civic Arena
145388flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick May 2018, This file set is 16 bit @ 44.1
gd1985-07-02.154547.senn.me80.hessberg.miller.clugston.flac1648
1985-07-02Civic Arena
154547flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1985-07-02.154548.senn.me80.hessberg.miller.clugston.flac2496
1985-07-02Civic Arena
154548flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd85-07-13.sbd.georges.372.sbefail.shnf
1985-07-13Ventura County Fairgrounds
372SBDmc> DAT> CD> eac> cool edit> shn; hiss cleaned up with Cooledit (non-cleaned version may be available from Nick too); crackling sound on both discs here and there apparently due to Phil's equip; via N. Georges