Identifiers for Grateful Dead
1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
Archive Identifier | |
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Date | Venue |
Source | |
gd1985-04-07.118484.sbd.healy.damico.flac16 | |
1985-04-07 | The Spectrum |
118484 | flac16; Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico |
gd1985-04-07.beyerm160.d5scott.107238.flac16 | |
1985-04-07 | The Spectrum |
107238 | flac16; source: 2 Beyer M160 Microphones > Sony TC-D5M - 25 feet from stage (mic's on a stand @ almost 6 feet) > analog cassette master Maxell MX90's. transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files |
gd1985-04-07.Sennheiser421FOB.35081.shnf | |
1985-04-07 | The Spectrum |
35081 | Sennheiser 421's FOB & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel |
gd1985-04-07.141212.s1.unknown.Bryant.Miller.Noel.t-flac1644 | |
1985-04-07 | The Spectrum |
141212 | flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 |
gd1985-04-07.145487.aud.lamarre.berger.flac24 | |
1985-04-07 | The Spectrum |
145487 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger |
gd1985-04-07.145488.aud.lamarre.berger.flac16 | |
1985-04-07 | The Spectrum |
145488 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger |
gd1985-04-07.nak300.damico.87419.sbeok.flac16 | |
1985-04-07 | The Spectrum |
87419 | flac16; taper : Joe D'Amico nak 300 mics > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend |
gd85-04-08.sbd.gills.20010.sbeok.shnf | |
1985-04-08 | The Spectrum |
20010 | SB> MC> DAT> CD via Kevin Gills |
gd85-04-08.sbd.wiley.8755.sbeok.shnf | |
1985-04-08 | The Spectrum |
8755 | (Healy Mix)SBD>MC>PCM>BETA>DAT>CDR; Seeded to etree by Tim W |
gd85-04-08.schoeps.yuda.3420.sbeok.shnf | |
1985-04-08 | The Spectrum |
3420 | possible reDAE/reSHN of previous shn set; via redbeard to abgd |
gd1985-04-08.aud.holtz.JAZ.96598.flac16 | |
1985-04-08 | The Spectrum |
96598 | flac16; Taper: Greg Holtz Source: Nakamichi 100's & Sennheiser 421's Mix -> D-5 Transfer: (By JAZ) Cassette Master (Maxell Metaxial 90) -> Tascam 112, dolbyB -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8 |
gd1985-04-08.149321.senn441.hunt.mattes.miller.clugston.flac1648 | |
1985-04-08 | The Spectrum |
149321 | flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1985-04-08.149322.senn441.hunt.mattes.miller.clugston.flac2496 | |
1985-04-08 | The Spectrum |
149322 | flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 |
gd1985-04-08.152173.beyerm88s.holbrook.flac1644 | |
1985-04-08 | The Spectrum |
152173 | flac16/44 Source: Master AUDCA: Beyer M88's XY > 4th Sony TCD5M in line no nr > Maxell MX 90s No Dolby Location:200 feet from stage 15 feet ROC (RT rear corner of SBD), 15 feet up Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, JJ Hance, Sean Murtha, Gary Steel, Eric Britt, Mike Davis, Kenny Davis, Mikey |
gd1985-04-08.152174.beyerm88s.holbrook.flac2448 | |
1985-04-08 | The Spectrum |
152174 | flac24/48 Recording Information: Source: Master AUDCA: Beyer M88's XY > 4th Sony TCD5M in line no nr > Maxell MX 90s No Dolby Location:200 feet from stage 15 feet ROC (RT rear corner of SBD), 15 feet up Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, JJ Hance, Sean Murtha, Gary Steel, Eric Britt, Mike Davis, Kenny Davis, Mikey |
gd85-04-08.oade-schoeps.sacks.24227.sbeok.flacf | |
1985-04-08 | The Spectrum |
24227 | Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac |
gd1985-04-08.aud.mccue.ford.117189.sbeok.flac16 | |
1985-04-08 | The Spectrum |
117189 | flac16; Source: MAC; (FOB) unknown mics > Sony D5 > Sony D5 > Sony D5 > Sony D5 > 2 x TDK MA90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (24/88.2)> Lynx AES16> WaveLab 6.10> .wav @24/88.2> r8brain PRO> .wav @ 16/44.1> CD Wave Editor> TLH> flac16. Location: Approx. 20 feet from the stage, Dead Center; Taper: Mark McCue; Transferred and mastered by Alex Ford |
gd1985-04-08.shotgun.bandrofcheck.74161.sbeok.shnf | |
1985-04-08 | The Spectrum |
74161 | Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHN taped and transferred by Charles Bandrofcheck |
gd1985-04-08.nak300.barfield-lane.102065.flac24 | |
1985-04-08 | The Spectrum |
102065 | flac24; Source: Nak 300/CP4 > TCD5m - TDK MA90 (metal), OTS, 12' -- TCD5m (same as recorder) > Minime @ 24/96 > SD744 > Audacity > Flac24; Recorded: David Barfield And/Or David Lane; Transfer: David Barfield |
gd1985-04-08.senn421.cohen.103445.flac16 | |
1985-04-08 | The Spectrum |
103445 | flac16; Recorded by Dave Cohen Back right corner of the Board Sennheisser 421s>Sony TCD5M>Sony WMD6 Maxell XLII cassette masters. Dolby B was NOT used on the Master Cassettes.The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. |
gd1985-04-08.118481.sbd.healy.damico.flac16 | |
1985-04-08 | The Spectrum |
118481 | flac16; Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper : Dan Healy; Editing : Joe D'Amico |
gd1985-04-08.beyerm160.d5scott.107045.flac16 | |
1985-04-08 | The Spectrum |
107045 | flac16; source: 2 Beyer M160 Microphones > Sony TC-D5M - 25 feet from stage (mic's on a stand @ 6 feet) > analog cassette master Maxell MX90's. transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files; recorded and mastered to cdr by D5scott |
gd1985-04-08.sbd.miller.118375.flac16 | |
1985-04-08 | The Spectrum |
118375 | flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat (48) -> WAV; Transfer Info: WAV -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1985-04-08.aud.mccue.ford.117212.flac24 | |
1985-04-08 | The Spectrum |
117212 | flac24; MAC; (FOB) unknown mics > Sony D5 > Sony D5 > Sony D5 > Sony D5 > 2 x TDK MA90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (24/88.2)> Lynx AES16> WaveLab 6.10> .wav @24/88.2> CD Wave Editor> TLH> flac24. Location: Approx. 20 feet from the stage, Dead Center; Recorded by Mark McCue; Transferred and mastered by Alex Ford |
gd1985-04-08.145497.aud.lamarre.berger.flac24 | |
1985-04-08 | The Spectrum |
145497 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger |
gd1985-04-08.145498.aud.lamarre.berger.flac16 | |
1985-04-08 | The Spectrum |
145498 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger |
gd1985-04-08.124854.chasingwilma.flac24 | |
1985-04-08 | The Spectrum |
124854 | flac24; lineage: nakamichi 700 (fob)> optimus> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1985-04-08.nak300.damico.87465.sbeok.flac16 | |
1985-04-08 | The Spectrum |
87465 | flac16; taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon tape deck > creative extigy soundcard > cool edit pro >flac frontend |
gd1985-04-08.Sennheiser421FOB.33804.shnf | |
1985-04-08 | The Spectrum |
33804 | Sennheiser 421's FOB & Sony TCD5M Transfered: Master Casssette; Taped & Transfered by Brian Mandel; Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tool |
gd85-04-13.sbd.popi.6146.sbeok.shnf | |
1985-04-13 | Irvine Meadows |
6146 | sbd> mc> reel> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT |
gd1985-04-13.sbd.miller.77348.sbeok.flac16 | |
1985-04-13 | Irvine Meadows |
77348 | flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Upgrade in circulation |
gd1985-04-13.senn421.mccue.ford.32595.sbeok.shnf | |
1985-04-13 | Irvine Meadows Amphitheater |
32595 | flac16; MAC: (FOB) Sennheiser 421's* > Sony D5 > Maxell XLII-S 90(Set I) & Maxell MX 90(Set II); Tapers: Adam, Justin & Monica; Mark McCue Masters; Transfer, minor editing and conversion by Alex Ford |
gd1985-04-13.fix-shnid-77348.tetzeli.83071.sbeok.flac16 | |
1985-04-13 | Irvine Meadows Amphitheatre |
83071 | flac16; SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC > patches with Cool Edit > FLAC, patched version of shn id 77348 by Bill Tetzeli; Upgrade in circulation |
gd1985-04-13.123130.sbd.miller.flac24 | |
1985-04-13 | Irvine Meadows |
123130 | flac24; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1985-04-13.122198.sbd.miller.flac16 | |
1985-04-13 | Irvine Meadows |
122198 | flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1985-04-13.nak100.holtz.jaz.97199.flac16 | |
1985-04-13 | Irvine Meadows Amphitheatre |
97199 | flac16; Source: Nakamichi cm 100's W/shotguns -> Sony D-5 Transfer: (By JAZ) Cassette Master (maxell super fine epilaxial XLII-s 90's) -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8 |
gd85-04-14.sbd.jeffm.3667.sbeok.shnf | |
1985-04-14 | Irvine Meadows |
3667 | SBD> Master Cassette> DAT> CDR> EAC> SHN; DAE (EAC) + SHN Encoding by Jeff M. |
gd1985-04-14.senn421.mccue.ford.32621.sbeok.shnf | |
1985-04-14 | Irvine Meadows Amphitheater |
32621 | MAC: (FOB) Sennheiser 421's > Sony D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II) Tapers: Adam, Justin & Monica Mark McCue Masters Transfer, minor editing and conversion by Alex Ford 03/08/2006. |
gd1985-04-14.151830.SBD.UNK.Reel.Anon.Noel.t-flac1648 | |
1985-04-14 | Irvine Meadows |
151830 | flac16/48 Source: SBD > unknown > Reel @ 7.5ips Transfer: Reel > Korg MR2000 (1 bit 5.6 mhz) (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 16/48 Reel Source unknown Transfer by Anonymous Edited & Mastered (Adobe Audition) by Joe Noel January 17, 2021 |
gd1985-04-14.152159.sbd.marcus.miller.flac2496 | |
1985-04-14 | Irvine Meadows |
152159 | flac24/96 Recording Info: SBD > Cassette Master (Sony WM-D6) Transfer Info: Cassette Master (Nakamichi Dragon) > Tascam DA-3000 (1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 |
gd1985-04-14.152160.sbd.walker.scotton.miller.flac2496 | |
1985-04-14 | Irvine Meadows |
152160 | flac24/96 Recording Info: SBD > Cassette Master (Dan Healy) > Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 |
gd1985-04-14.152161.sbd.walker.scotton.miller.fixed.flac2496 | |
1985-04-14 | Irvine Meadows |
152161 | flac24/96 FIXED Version: Recording Info: SBD > Cassette Master (Dan Healy) > Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 |
gd1985-04-14.152518.sbd.cm.miller.t.flac16 | |
1985-04-14 | Irvine Meadows |
152518 | flac16/44.1 Recording Info: SBD > Cassette Master (Sony WM-D6) Transfer Info: Cassette Master (Nakamichi Dragon) > Tascam DA-3000 (1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 152159 24 -> 16 @ 44.1 |
gd1985-04-14.152519.sbd.fixed.1st.Gen.miller.t.flac16 | |
1985-04-14 | Irvine Meadows |
152519 | flac16/44.1 FIXED Version: Recording Info: SBD > Cassette Master (Dan Healy) > Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 153161 24 -> 16 @ 44.1 |
gd1985-04-14.144159.sbd.miller.clugston.flac1644 | |
1985-04-14 | Irvine Meadows |
144159 | flac16; Source Info: Master Soundboard Cassettes > Dat (16-bit/44.1k); Transfer Info: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Sound Devices 744T (.wav 16-bit/44.1k) > Adobe Audition 3.01 > TLH flac16 |
gd1985-04-14.143490.s2.FOB.ECM150.Keeler.Miller.Noel.t-flac2496 | |
1985-04-14 | Irvine Meadows |
143490 | flac24; Set 2, Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k) |
gd1985-04-14.145334.s2.fob.sony.ecm150.keeler.miller.noel.t-flac16 | |
1985-04-14 | Irvine Meadows |
145334 | flac16; Set 2, Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k); This file set is 16 bit @ 44.1 |
gd1985-04-14.124931.chasingwilma.flac24 | |
1985-04-14 | Irvine Meadows |
124931 | flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 32621. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate |
gd1985-04-14.nak100.holtz.jaz.97220.flac16 | |
1985-04-14 | Irvine Meadows Amphitheatre |
97220 | flac16; Taper: Greg Holtz Source: Nakamichi cm 100's W/shotguns -> Sony D-5 Transfer: (By JAZ) Cassette Master (maxell super fine epilaxial XLII-s 90's) -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8 |
gd1985-04-21.121757.sbd.Lestatkatt.flac16 | |
1985-04-21 | Marin Veterans Memorial Auditorium |
121757 | flac16; Source: SBD > ?>Low Gen Maxell XLII Cassette>Wav>Soundforge 10 (Tracking, Pitch Correction and *Editing)>Flac |
gd85-04-27.fixedsbd.mattman.20683.sbeok.shnf | |
1985-04-27 | Frost Amphitheatre |
20683 | Pitch-corrected version of shnid=17265. |
gd85-04-27.sbd.jerugim.359.sbeok.shnf | |
1985-04-27 | Frost Amphitheatre |
359 | SBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim; no known flaws |
gd85-04-27.sbd.unknown.17265.sbeok.shnf | |
1985-04-27 | Frost Amphitheatre |
17265 | Source: SBD > MC > DAT > CDR > EAC > mkwACT Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic. |
gd1985-04-27.sbd.miller.25467.sbeok.shnf | |
1985-04-27 | Frost Amphitheatre, Stanford University |
25467 | Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN via Charlie Miller |
gd1985-04-27.senn421.mccue.ford.32648.sbeok.flac | |
1985-04-27 | Frost Amphitheatre |
32648 | flac16; MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)] Tapers: Adam, Justin & Monica Mark McCue Masters Transfer, minor editing and conversion by Alex Ford 3/10 & 11/2006. |
gd1985-04-27.nak700.anon.lmpp.99835.flac16 | |
1985-04-27 | Frost Amphitheatre - Stanford University |
99835 | flac16; Nakamichi 700's > d6 > MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit + > 16/44.1 Wave > Flac |
gd1985-04-27.148416.neumann.km84i.hecht.miller.clugston.flac2496 | |
1985-04-27 | Frost Amphitheatre |
148416 | flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 |
gd1985-04-27.151703.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac2496 | |
1985-04-27 | Frost Amphitheatre |
151703 | flac24/96khz Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB, OTS, MSWS till end of show. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96 Recording by Craig Rogers. Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel. January 20, 2021 |
gd1985-04-27.151947.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac16 | |
1985-04-27 | Frost Amphitheatre |
151947 | Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96 Recording by Craig Rogers |
gd1985-04-27.151970.Mouth.AKG.Rogers.Noel.fixed.151703.t-flac2496 | |
1985-04-27 | Frost Amphitheatre |
151970 | flac24/96 This is a fix of shnid 151703. Channels were reversed on the other release. Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by Craig Rogers. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel.January 20, 2021. |
gd1985-04-27.152283.sbd.walker.scotton.miller.clugston.flac1648 | |
1985-04-27 | Frost Amphitheatre |
152283 | flac16/48 Source Info: Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 |
gd1985-04-27.152284.sbd.walker.scotton.miller.clugston.flac2496 | |
1985-04-27 | Frost Amphitheatre |
152284 | flac24/96 Source Info: Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 |
gd1985-04-27.148348.aud.flac2496 | |
1985-04-27 | Frost Ampitheater |
148348 | Source: Analog Audience maxell mx 90's 3 tapes Namakamichi CM 700 Mics and Custom ps/preamp mixer - > modified dbx 224 (mod'd to run from battery pack) - > Sony TC D5M (dbx encoded) Analog Sound Peservation: Nakamichi CR7a - > dbx nx40 (dbx decoded) - > Audio Technica mixer/line amplifier - > Korg MR 2000 at 1 bit 5.6 MHz - > Audiogate software to create 24-96 files |
gd1985-04-27.nak700.koucky.gmb.76584.sbeok.flac16 | |
1985-04-27 | Frost Amphitheatre |
76584 | flac16; Source: MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s. Recorded by B.Koucky. Transfer: MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9 |
gd1985-04-27.148527.5-1.amdig.flac2448 | |
1985-04-27 | Frost Amphitheatre |
148527 | flac24; 5.1 LPCM Surround Sound (48k) - Original 5.1 DVD-A (78681) DVD-AUDIO 24/48 SBD+AUD Matrix Mix (65%-SBD/20%-AUD1/15%-AUD2)Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584 - extraction/flac/tagging by Kevin Tobin |
gd1985-04-27.148640.danamdig.5.1.2448.dvda | |
1985-04-27 | x |
gd1985-04-27.dts.haugh.78437.flac16 | |
1985-04-27 | Frost Amphitheatre |
78437 | DTS Audio 5.1; 3 source DTS-Audio-CD 5.1 Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584 |
gd1985-04-27.mtx.haugh.78504.flac16 | |
1985-04-27 | Frost Amphitheatre |
78504 | flac16; SBD + AUD Matrix 3 Source Mix (65%-SBD/20%-AUD1/15%-AUD2)Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584 |
gd1985-04-27.mtx.haugh.78681.flac24 | |
1985-04-27 | Frost Amphitheatre |
78681 | flac24; DVD-AUDIO 24/48 SBD+AUD Matrix Mix (65%-SBD/20%-AUD1/15%-AUD2)Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584 |
gd1985-04-27.nak100.holtz.jaz.102035.flac16 | |
1985-04-27 | Frost Amphitheatre |
102035 | flac16; Taper: Greg Holtz Source: Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5; Transfer: (By JAZ) Cassette Master, TDK MA-R90 Alluminum Core-> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD -> R8brain for Sample Rate Conversion to 16bit 44.1kHz -> Traders Little Helper flac8 |
gd1985-04-27.143491.s2.FOB.ECM150.Keeler.Miller.Noel.t-flac2496 | |
1985-04-27 | Frost Amphitheatre |
143491 | flac24; Set 2, Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k |
gd1985-04-27.145335.s2.fob.sony..ecm150.keeler.miller.noel.t-flac16 | |
1985-04-27 | Frost Amphitheatre |
145335 | flac16; Set 2, Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k); This file set is 16 bit @ 44.1 |
gd1985-04-27.148415.neumann.km84i.hecht.miller-clugston.flac1648 | |
1985-04-27 | Frost Amphitheatre |
148415 | flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1985-04-27.124981.chasingwilma.flac24 | |
1985-04-27 | Frost Amphitheatre |
124981 | flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 32648. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate |
gd85-04-28.sbd.barbella.14192.sbeok.shnf | |
1985-04-28 | Frost Amphitheatre |
14192 | Master Soundboard Reel > DAT > CD; Seeded to etree by Steve Barbella |
gd1985-04-28.senn421.mccue.ford.33505.sbeok.flac16 | |
1985-04-28 | Frost Amphitheatre |
33505 | MAC: (FOB) Sennheiser 421's > Sony D5 > Maxell XLII-S 90 (Set I) & TDK MA-R [aluminum core (Set II)]; Tapers: Adam, Justin & Monica; Master Cassettes provided by Mark McCue; Transfer, editing, conversion and seeding to bt.etree.org by Alex Ford. |
gd1985-04-28.148417.fob.neumann.km84i.hecht.miller.clugston.flac1648 | |
1985-04-28 | Frost Amphitheatre |
148417 | flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1985-04-28.148418.fob.neumann.km84i.hecht.miller.clugston.flac2496 | |
1985-04-28 | Frost Amphitheatre |
148418 | flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 |
gd1985-04-28.151704.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac2496 | |
1985-04-28 | Frost Amphitheatre |
151704 | flac24/96khz Source: AKG CE1s > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip (Phil's side) Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96 Recording by KM & Craig Rogers. Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel. January 21, 2021. |
gd1985-04-28.151948.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac16 | |
1985-04-28 | Frost Amphitheatre |
151948 | Source: AKG CE1s > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip (Phil's side) Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96 Recording by KM & Craig Rogers |
gd1985-04-28.151971.Mouth.AKG.Rogers.Noel.fixed.151704.t-flac2496 | |
1985-04-28 | Frost Amphitheatre |
151971 | flac24/96 This is a fix of shnid 151704. Channels were reversed on the original release. Source: AKG CE1s > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip (Phil's side) Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by KM & Craig Rogers. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. January 21, 2021. |
gd1985-04-28.152302.sbd.walker.scotton.miller.clugston.flac1648 | |
1985-04-28 | Frost Amphitheatre |
152302 | flac16/48 Source Info: Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 |
gd1985-04-28.152303.sbd.walker.scotton.miller.clugston.flac2496 | |
1985-04-28 | Frost Amphitheatre |
152303 | flac24/96 Source Info: Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 |
gd85-04-28.sbd.new.miller.28357.sbeok.flacf | |
1985-04-28 | Frost Amphitheatre |
28357 | flac16; SBD> Cassette Master> Dat (48k)?; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller |
gd1985-04-28.124404.nak700.wagner.miller.flac16 | |
1985-04-28 | Frost Amphitheatre |
124404 | flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By: Bob Wagner; All Transfers and Mastering By Charlie Miller |
gd1985-04-28.145342.fob.sony.ecm150.keeler.miller.noel.t-flac16 | |
1985-04-28 | Frost Amphitheatre |
145342 | flac16; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k); This file set is 16 bit @ 44.1 |
gd1985-04-28.sbd.sirmick.77406.flac16 | |
1985-04-28 | Frost Amphitheatre - Stanford University |
77406 | flac16; source: Soundboard > DAT > DAT > CD > wav > shn > wav > flac patch source : SBD -> Cassette Master -> Cassette -> CD (Tascam CDRW5000) see text file for details |
gd1985-04-28.nak100.holtz.jaz.102036.flac16 | |
1985-04-28 | Frost Amphitheatre |
102036 | flac16; Taper: Greg Holtz Source: Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5; Transfer: (By JAZ) Cassette Master, TDK MA-R90 Alluminum Core -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD-> R8brain for sample rate conversion to 16bit 44.1kHz -> Traders Little Helper flac8 |
gd1985-04-28.140825.fob.nak700.wagner.miller.clugston.flac1644 | |
1985-04-28 | Frost Amphitheatre |
140825 | flac16; Recording Info: Bob Wagner's Master FOB Audience Cassettes; Nakamichi CM700 mics > Sony TC-D5M (Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000(DSF 1-bit/5.8 MHz) > dBpoweramp (flac 24-bit/96k) > Adobe Audition 3 24/96 > TLH flac2496; 24 bit > 16 bit via dBpoweramp |
gd1985-04-28.140826.fob.nak700.wagner.miller.clugston.flac2496 | |
1985-04-28 | Frost Amphitheatre |
140826 | flac24; Recording Info: Bob Wagner's Master FOB Audience Cassettes; Nakamichi CM700 mics > Sony TC-D5M (Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000(DSF 1-bit/5.8 MHz) > dBpoweramp (flac 24-bit/96k) > Adobe Audition 3 > TLH flac2496 |
gd1985-04-28.143492.FOB.ECM150.Keeler.Miller.Noel.t-flac2496 | |
1985-04-28 | Frost Amphitheatre |
143492 | flac24; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k) |
gd1985-04-28.125010.chasingwilma.flac24 | |
1985-04-28 | Frost Amphitheatre |
125010 | flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 33505. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate |
gd1985-04-28.nak700.anon.lmpp.105549.flac16 | |
1985-04-28 | Frost Amphitheatre |
105549 | flac16; Source: Audience > Nakamichi 700's > Sony WM-D6 > mac Lineage: mac > Nakamichi DR-1 > Tascam HD-P2 > 24/96 wave > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 Wave > CD Wave > Flac 16 |
gd85-06-14.oade.sacks.4978.sbeok.shnf | |
1985-06-14 | Greek Theatre, U. Of California |
4978 | Schoeps cmc42S (spread around 8') > Oade M118 prototype "b" > Oade Modified PCM-F1 > DATx2 (44.1khz) Recorded by Doug Oade, Taper's Section; Transfer: Sony D7> Sonic Sense Modified Sony 7 Pin Coax > Zoltrix Nightingale > CDWAV > SHN; DAT>SHN conversion and seeding by Darrin Sacks |
gd85-06-14.sbd.carman.13747.sbeok.shnf | |
1985-06-14 | Greek Theatre, U. Of California |
13747 | Updated Source: SBD > Cassette DAT > CDR/? Conversion: CDR > EAC (read offset correct) > CDWave > CoolEditPro > mkwACT > SHN (seekable) by Randy Carman rcarman@cogeco.ca |
gd1985-06-14.senn441.mccue.ford.32867.sbeok.flac16 | |
1985-06-14 | Greek Theater |
32867 | Sennheiser 441's > Sony D5 > Sony D5 > Cassettes Tapers: Adam,Justin & Monica Mark McCue Master 1st deck out Conversion, minor editing, and seeding to bt.etree.org by Alex Ford. |
gd1985-06-14.148768.nak700.severson.miller.clugston.flac1648 | |
1985-06-14 | Greek Theatre, U. Of California |
148768 | flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(12 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1985-06-14.148769.nak700.severson.miller.clugston.flac2496 | |
1985-06-14 | Greek Theatre, U. Of California |
148769 | flac24; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(12 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1985-06-14.152641.OTS-NAK300-SGMasterCassette.Anon.Noel.t-flac2448 | |
1985-06-14 | Greek Theater, U. of California |
152641 | flac24/48 Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high. Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDI Codec. Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel January 26, 2021 |
gd1985-06-14.152788.OTSNAK300-SGMasterCassetteAnonNoelt-flac1648 | |
1985-06-14 | Greek Theatre, U. Of California |
152788 | flac16/48 Source: Nakamichi 300 Shotguns > Sony Tc-d5m > Master Cassette (maxell Mx90s, Dolby B On) Location: Taper Section; Stand 6 To 7 Feet High. Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby> Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq & Software Dolby B Decode Using Nuendo & Ddi Codec. Recorded, Transferred & Mastered By Anon Edited & Add'l Mastering In Adobe Audition By Joe Noel January 26, 2021 |
gd85-06-14.oade-schoeps.sacks.24451.sbeok.flacf | |
1985-06-14 | Greek Theatre, U. Of California |
24451 | Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc42S (spread around 8') > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac |
gd1985-06-14.matrix.chappell.85831.sbeok.flac16 | |
1985-06-14 | Greek Theater |
85831 | flac16; Sick Bits Vol. 22a - SBD/AUD matrix of 3 previously circulating sources: SBD (shnid=13747) + Oade AUD (shnid=24451). Another AUD (shnid=32867) was used to patch crowd and tunings. Matrixed by Chris Chappell. |
gd1985-06-14.135615.sbd-new.miller.flac16 | |
1985-06-14 | Greek Theatre, U. Of California |
135615 | flac16; Recording Info: SBD -> Cassette Master (Dolby B) -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller |
gd1985-06-14.nak700.anon-severson-poris.lmpp.97221.flac16 | |
1985-06-14 | Greek Theatre - University of California |
97221 | flac16; Source: Aud Recording Lineage: 3 Nak 700's (L & R Cardioids, Center Omni - 3 DB Low Pass filter)> -15 db pads> 3 mic mixer Preamp> Patchbay> Sony D6> MAC (Dolby B ) > Nakamichhi ZX-7 > 24/96 Wave > Wavelab 5 > UAD Plugs (Cambridge EQ, Precisions Buss Compressor, Precision Limiter) > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 ) |
gd1985-06-14.sbd.miller.117028.flac16 | |
1985-06-14 | Greek Theatre, U. Of California |
117028 | flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN; Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1985-06-14.141238.s1.unknown.Bryant.Miller.Noel.t-flac1644 | |
1985-06-14 | Greek Theatre, U. Of California |
141238 | flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96;Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 |
gd1985-06-14.140888.s1.unkown.Bryant.Miller.Noel.t-flac2496 | |
1985-06-14 | Greek Theatre, U. Of California |
140888 | flac24; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96;Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT |
gd1985-06-14.145575.SBD.remaster.Miller.Noel.t-flac1648 | |
1985-06-14 | Greek Theatre, U. Of California |
145575 | flac16/48kHz; Recording Info: SBD -> Cassette Master (Dolby B) -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; Edited & patched with Audacity by Joe Noel |
gd1985-06-14.145329.s2-complete.SBD.Miller.Noel.t-flac1648 | |
1985-06-14 | Greek Theatre, U. Of California |
145329 | flac16/48kHz; Set 2 Recording Info: SBD -> Cassette Master (Dolby B) -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; Patch info: shnid 117028 (SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN); the patch was created with Audacity by Joe Noel |
gd1985-06-14.nak300.andrewf.130924.flac1644 | |
1985-06-14 | Greek Theatre, U. Of California |
130924 | flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Fuji FR-Metal 90's, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 08/2014 |
gd1985-06-14.126336.akg.thompson.damico.flac24 | |
1985-06-14 | Greek Theatre, U. Of California |
126336 | flac24; Taper: Danny Thompson; Editing: Joe D'Amico; AKG Se-5 Preis Mics W/ Ce-1 Caps > Uher Cr 240 Was 1st Deck > 2nd Deck Uher Cr 160; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper |
gd1985-06-14.126338.akg.thompson.damico.flac16 | |
1985-06-14 | Greek Theatre, U. Of California |
126338 | flac16; Taper: Danny Thompson; Editing: Joe D'Amico; AKG Se-5 Preis Mics W/ Ce-1 Caps > Uher Cr 240 Was 1st Deck > 2nd Deck Uher Cr 160; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper |
gd1985-06-14.111797.BeyerM160.daweez.d5scott.flac16 | |
1985-06-14 | Greek Theatre, U. Of California |
111797 | flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1985-06-14.135656.sbd.miller.flac1648 | |
1985-06-14 | Greek Theatre, U. Of California |
135656 | flac16/48kHz; Recording Info: SBD -> Cassette Master (Dolby B) -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller |
gd85-06-15.oade.sacks.7086.sbeok.shnf | |
1985-06-15 | Greek Theatre, U. Of California |
7086 | Oade PCM-AUD -- Schoeps MK41 (90 deg -- Tapers' Section) -> CMC4 -> Oade M118 prototype "b" -> Oade Modified PCM-F1 -> DAT; Recorded by Doug Oade; Transfer: (Set I: 48K DAT; Set II: 44.1k DAT, from Doug Oade) Sony PCM-M1 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> Cooledit 2k (sample rate conversion) -> CDWAV -> SHN; DAT>SHN conversion and seeding by Darrin Sacks |
gd85-06-15.sbd.griesman.5682.sbeok.shnf | |
1985-06-15 | Greek Theatre, U. Of California |
5682 | SBD> ?> CD-R> EAC> CDWAV retrack> SHN; via Randy Griesman |
gd1985-06-15.senn441.mccue.ford.33338.sbeok.flac16 | |
1985-06-15 | Greek Theater |
33338 | flac16; Sennheiser 441's > Sony D5 > Sony D5 > Master Cassettes; Tapers: Adam,Justin & Monica Mark McCue Master 1st deck out; Transfer by Mark McCue; Conversion, edits, retracking, seeding to bt.etree.org by Alex Ford |
gd1985-06-15.sbd.griesman.tetzeli.fix-5682.34302.sbeok.shnf | |
1985-06-15 | Greek Theatre - University of California |
34302 | Fix of shnid 5682 by Bill Tetzeli - see info file for details |
gd1985-06-15.sbd.walker-scotton.miller.96317.sbeok.flac16 | |
1985-06-15 | Greek Theatre - University of California |
96317 | flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 ->FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1985-06-15.140073.set2.sbd.pcm.gans.miller.clugston.flac1644 | |
1985-06-15 | Greek Theatre, U. Of California |
140073 | flac16; Set 2 Recording Info: Master Soundboard PCM > PCM; Transfer Info: PCM (Sony SLV-M20HF)> Sony PCM 601ESD> Behringer Ultramatch Pro> Sound Devices 744T (16-bit/44.1k)> Adobe Audition 3.0> TLH flac16 |
gd1985-06-15.148770.nak700.severson.miller.clugston.flac1648 | |
1985-06-15 | Greek Theatre, U. Of California |
148770 | flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(13 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1985-06-15.148771.nak700.severson.miller.clugston.flac2496 | |
1985-06-15 | Greek Theatre, U. Of California |
148771 | flac24; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(13 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1985-06-15.152254.sbd.miller.flac2496 | |
1985-06-15 | Greek Theatre, U. Of California |
152254 | Flac 2496 Recording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
gd1985-06-15.152520.sbd.cm.miller.t.flac16 | |
1985-06-15 | Greek Theatre, U. Of California |
152520 | flac16/44.1 Recording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152254 24 -> 16 @ 44.1 |
gd1985-06-15.152642.OTS-NAK300-SGMasterCassette.Anon.Noel.t-flac2448 | |
1985-06-15 | Greek Theater, U. of California |
152642 | flac24/48 Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high. Transfer: Master Cassette > Nakamichi CR7a playback with no dolby > Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec. Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021 |
gd1985-06-15.152789.OTSNAK300-SGMasterCassetteAnonNoelt-flac1648 | |
1985-06-15 | Greek Theatre, U. Of California |
152789 | flac16/48 Source: Nakamichi 300 Shotguns > Sony Tc-d5m > Master Cassette (maxell Mx90s, Dolby B On) Location: Taper Section; Stand 6 To 7 Feet High. Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby > Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq And Software Dolby B Decode Using Nuendo And Ddicodec. Recorded, Transferred & Mastered By Anon Edited & Add'l Mastering In Adobe Audition By Joe Noel February 17, 2021 |
gd85-06-15.oade-schoeps.sacks.24586.sbeok.flacf | |
1985-06-15 | Greek Theatre, U. Of California |
24586 | Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac |
gd85-06-15.set2.sbd.gans-samaritano.28449.sbeok.flacf | |
1985-06-15 | Greek Theatre, U. Of California |
28449 | flac16; *Set 2 Only* Soundboard->Vault PCM->PCM Clone->Sonic Solutions->Master CD. Master CD->EAC->FLAC. EAC, Re-track, and FLAC by Joe Samaritano |
gd1985-06-15.matrix.chappell.85832.sbeok.flac16 | |
1985-06-15 | Greek Theater |
85832 | flac16; Sick Bits Vol. 22b - SBD/AUD matrix of 3 previously circulating sources: set 1 SBD (shnid=5682) and set 2 SBD (shnid=28449) + Oade AUD (shnid=24586). Matrixed by Chris Chappell. |
gd1985-06-15.112725.BeyerM160.daweez.d5scott.flac16 | |
1985-06-15 | Greek Theatre, U. Of California |
112725 | flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1985-06-15.141239.s1.unknown.Bryant.Miller.Noel.t-flac1644 | |
1985-06-15 | Greek Theatre, U. Of California |
141239 | flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 |
gd1985-06-15.154488.dts.tobin.flac16 | |
1985-06-15 | Greek Theatre, U. Of California |
154488 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 152254) ecording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 24586) Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac - dts mixing by Kevin Tobin |
gd1985-06-15.154489.5-1.tobin.flac1648 | |
1985-06-15 | Greek Theatre, U. Of California |
154489 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 152254) ecording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 24586) Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac - surround mixing by Kevin Tobin |
gd1985-06-15.140889.s1.unkown.Bryant.Miller.Noel.t-flac2496 | |
1985-06-15 | Greek Theatre, U. Of California |
140889 | flac24 Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT |
gd1985-06-15.nak300.andrewf.97124.flac24 | |
1985-06-15 | Greek Theatre - University of California |
97124 | flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > JVC ME-90P Metal tape, with no Dolby. Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009. |
gd1985-06-15.nak300.andrewf.97125.flac16 | |
1985-06-15 | Greek Theatre - University of California |
97125 | flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > JVC ME-90P Metal tape, with no Dolby. Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. January 2009. |
gd85-06-16.oade.sacks.7087.sbeok.shnf | |
1985-06-16 | Greek Theater, U. of California |
7087 | Oade PCM-AUD Schoeps MK41 (90deg spaced spaced 17 cm- aka DIN variant, Tapers' Section)> CMC4> Oade M118 prototype b> Oade Modified PCM-F1> DAT (x1?) (44.1khz); Recorded by Doug Oade; Transfer: Sony d7> Sonic Sense Modified Sony 7 Pin Coax> Zoltrix Nightingale (coax Mod)> CDWAV (no sample Rate Conversion Performed); DAT>SHN conversion and seeding by Darrin Sacks; There are two circulating transcriptions seeded by Darrin Sacks, this seed is from the 44.1kHz DAT source; see alternate seed |
gd85-06-16.sbd.barrick.970.sbefail.shnf | |
1985-06-16 | Greek Theater, U. of California |
970 | SBD> MVHS> DAT> CD-R; via Dave Barrick?; note there is an alternate 3 CD version |
gd85-06-16.sbd.braveman.26080.sbeok.shnf | |
1985-06-16 | Greek Theater, U. of California |
26080 | SBD > Reel Master [?- see pub comments] > DATs; Transfer, by jbraveman: DAT 60ES > M-Audio Audiophile USB > CDWAV > Goldwave (normalization and minor edits) > CDWAV > mkwACT |
gd1985-06-16.sbd-pcm.miller.79021.sbeok.flac16 | |
1985-06-16 | Greek Theater |
79021 | flac16; Recording Info: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC |
gd1985-06-16.senn441.mccue.ford.33669.sbeok.flac16 | |
1985-06-16 | Greek Theater |
33669 | (FOB) 2 Sennheiser 441's > Sony D5 > Master Cassettes Tapers: Adam, Justin and Monica Mark McCue Master Transferred by Mark McCue, conversion and seeding to bt.etree.org by Alex Ford |
gd1985-06-16.oade.sacks.9218.sbefail.shnf | |
1985-06-16 | Greek Theatre - University of California |
9218 | Oade PCM-AUD Schoeps MK41 (90deg spaced spaced 17 cm- aka DIN variant, Tapers' Section)> CMC4> Oade M118 prototype b> Oade Modified PCM-F1> DAT (x3?) (48khz); Recorded by Doug Oade: Transfer: Sony PCM-M1> Sonic Sense Modified Sony 7 Pin Coax> Zoltrix Nightingale (coax Mod)> Cooledit 2k (sample rate conversion)> CDWAV> SHN; Note: There are two circulating transcriptions seeded by Darrin Sacks, this seed is from the 48kHz DAT source; see alternate seed; also to abgd via Charlie Connor |
gd1985-06-16.150523.FOB.Nak.700.Dsd.Mow.Miller.Noel.t.flac2496 | |
1985-06-16 | Greek Theater |
150523 | flac24; (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. July 18, 2020 |
gd1985-06-16.152288.sbd.walker-scotton.miller.flac1696 | |
1985-06-16 | Greek Theater, U. of California |
152288 | flac16/96 Recording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
gd1985-06-16.152304.sbd.miller.scotton-walker.flac2496 | |
1985-06-16 | Greek Theater, U. of California |
152304 | flac24/96 Recording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
gd1985-06-16.152521.sbd.fixed.cm.miller.t.flac16 | |
1985-06-16 | Greek Theatre, U. Of California |
152521 | flac16/44.1 Recording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152304 24 -> 16 @ 44.1 |
gd1985-06-16.152643.OTS-NAK300-SGMasterCassette.Anon.Noel.t-flac2448 | |
1985-06-16 | Greek Theater, U. of California |
152643 | flac24/48 Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high. Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec. Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021 |
gd1985-06-16.152790.OTSNAK300-SGMasterCassetteAnonNoelt-flac1648 | |
1985-06-16 | Greek Theatre, U. Of California |
152790 | flac16/48 Source: Nakamichi 300 Shotguns > Sony Tc-d5m > Master Cassette (maxell Mx90s, Dolby B On) Location: Taper Section; Stand 6 To 7 Feet High. Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby> Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq And Software Dolby B Decode Using Nuendo And Ddicodec. Recorded, Transferred & Mastered By Anon Edited & Add'l Mastering In Adobe Audition By Joe Noel February 17, 2021 |
gd85-06-16.oade-schoeps.sacks.24611.sbeok.flacf | |
1985-06-16 | Greek Theater, U. of California |
24611 | flac16; Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1, Recorded by Oade Brothers; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac, Transferred by Doug Oade, freshly tracked by Darrin Sacks |
gd1985-06-16.matrix.chappell.85833.sbeok.flac16 | |
1985-06-16 | Greek Theater |
85833 | flac16; Sick Bits Vol. 22c - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=79021) + Oade AUD (shnid=24611). Matrixed by Chris Chappell. |
gd1985-06-16.148772.nak700.severson.miller.clugston.flac1648 | |
1985-06-16 | Greek Theater, U. of California |
148772 | flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(11 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1985-06-16.148773.nak700.severson.miller.clugston.flac2496 | |
1985-06-16 | Greek Theater, U. of California |
148773 | flac24; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(11 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1985-06-16.140857.aud.bryant.miller.sirmick.flac2496 | |
1985-06-16 | Greek Theater, U. of California |
140857 | flac24; Source: Unknown mics > cassette master (Sony WM-D6) - Taped By Robert Bryant; Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited amd mastered SIRMick January 2018 |
gd1985-06-16.sbd.miller.105876.flac16 | |
1985-06-16 | Greek Theater, U. of California |
105876 | flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1985-06-16.140862.aud.bryant.miller.sirmick.flac1644 | |
1985-06-16 | Greek Theater, U. of California |
140862 | flac16; Source: Unknown mics > cassette master (Sony WM-D6) - Taped By Robert Bryant; Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited amd mastered SIRMick January 2018 |
gd1985-06-16.150586.FOB.Nak.700.Dsd.Mow.Miller.Noel.t.flac1644 | |
1985-06-16 | Greek Theater, U. of California |
150586 | flac16; Recording Info; (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info; Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k) |
gd1985-06-16.nak300.andrewf.127487.flac2448 | |
1985-06-16 | Greek Theater, U. of California |
127487 | flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Maxell MX-90s, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448. Taped and transferred by Andrew F. 03/2014 |
gd1985-06-16.nak300.andrewf.127488.flac1644 | |
1985-06-16 | Greek Theater, U. of California |
127488 | flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Maxell MX-90s, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. 03/2014 |
gd1985-06-16.akg.keshavan.miller.105543.flac16 | |
1985-06-16 | Greek Theater, U. of California |
105543 | flac16; Recording Info:AKG Mics -> Cassette Master (Sony TC-D5M/TDK MA90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Rango Keshavan; All Transfers and Mastering By Charlie Miller |
gd85-06-21.sbd.barbella.11492.sbeok.shnf | |
1985-06-21 | Alpine Valley Music Theatre |
11492 | Master Soundboard Cassette > DAT > CDR; via Jack Straw; Seeded to etree by steve barbella |
gd1985-06-21.nak100.holtz.86472.sbeok.flac16 | |
1985-06-21 | Alpine Valley Music Theater |
86472 | flac16; MAC; 2 Nakamichi 100s > Sony D5 > 2 Maxell MX 90s Taped by Greg Holtz Transfer: MAC > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L3 UltraMaximizer > WAV @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Greg Holtz. Transfer, edits, conversion and seeding by Alex Ford July 2007. |
gd1985-06-21.mtx.seamons.108266.flac16 | |
1985-06-21 | Alpine Valley Music Theatre |
108266 | flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT) |
gd1985-06-21.117822.BeyerM160.daweez.d5scott.flac16 | |
1985-06-21 | Alpine Valley Music Theatre |
117822 | flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1985-06-21.133591.aud.Holtz.NakCM104.flac2496 | |
1985-06-21 | Alpine Valley Music Theatre |
133591 | flac24; Field: 2x Nakamichi CM100 mics with CP-4 shotgun capsules > Sony TS-D5M analog cassette recorder > Maxell MX-90 cassette tapes; Transfer: MAC > Tascam 112 analog tape deck > Edirol UA-5 USB Audio Interface > 2496 WAVs > Audacity > Trader's Little Helper > FLAC 24/96 |
gd1985-06-21.154485.senn.me80.hessberg.miller.clugston.flac1648 | |
1985-06-21 | Alpine Valley Music Theatre |
154485 | flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1985-06-21.154486.senn.me80.hessberg.miller.clugston.flac2496 | |
1985-06-21 | Alpine Valley Music Theatre |
154486 | flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1985-06-21.141292.aud.bryant.miller.sirmick.flac2496 | |
1985-06-21 | Alpine Valley Music Theatre |
141292 | flac24; Source: Unknown mics > Sony WM-D6 > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018 |
gd1985-06-21.145363.aud.bryant.miller.sirmick.flac16 | |
1985-06-21 | Alpine Valley Music Theatre |
145363 | flac16; Source: Unknown mics > Sony WM-D6 > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018; This file set is 16 bit @ 44.1 |
gd1985-06-21.set2.sbd.marks.russjcan.120969.flac16 | |
1985-06-21 | Alpine Valley Music Theatre |
120969 | flac16; Set 2 Source: Very Low Gen SBD set 2 >NakCR-3A>Sony PCM M-10@24/44.1 M-10>Soundforge9.0>CDWave>TLH |
gd1985-06-22.sbd.greider.keith.2665.sbeok.shnf | |
1985-06-22 | Alpine Valley Music Theatre |
2665 | SBD> ?> CD; Seeded by Andy Greider; Extracted & Shortened by Jim Keith; note cut in space (see pub comment) |
gd1985-06-22.152620.akgc422-davis-murtha.holbrook.flac1644 | |
1985-06-22 | Alpine Valley Music Theatre |
152620 | flac16/44.1 Microphones: AKG C422|AKG S42 XY 90º Cardioid Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel? Transfer by: Kyle Holbrook First AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP |
gd1985-06-22.152621.akgc422-davis-murtha.holbrook.flac2448 | |
1985-06-22 | Alpine Valley Music Theatre |
152621 | flac24/48 Microphones: AKG C422|AKG S42 XY 90º Cardioid Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel? Transfer by: Kyle Holbrook First AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP |
gd1985-06-22.nak100.holtz.86805.sbeok.flac16 | |
1985-06-22 | Alpine Valley Music Theater |
86805 | flac16; (MAC) 4 Nakamichi 100s (2 for each channel) > Sony D5 > 2 Maxell MX90s Taper: Greg Holtz Transfer: MAC > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3(@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L3 UltraMaximizer > WAV @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Transfer, edits, conversion & seeding by Alex Ford August 2007. |
gd1985-06-22.117823.BeyerM160.daweez.d5scott.flac16 | |
1985-06-22 | Alpine Valley Music Theatre |
117823 | flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1985-06-22.133603.aud.Holtz.NakCM104.flac2496 | |
1985-06-22 | Alpine Valley Music Theatre |
133603 | flac24; Field: 4x Nakamichi CM100 mics with CP-4 shotgun capsules front row OTS > Niles Audio Mixer > Sony TS-D5M analog cassette recorder > Maxell MX-90 cassette tapes; Transfer: MAC > Tascam 112 analog tape deck > Edirol UA-5 USB Audio Interface > 2496 WAVs > Audacity > Trader's Little Helper > FLAC 24/96 |
gd1985-06-22.sbd.hillwig.13478.sbeok.shnf | |
1985-06-22 | Alpine Valley Music Theatre |
13478 | SBD > (poss cass gen)? > PCM > DAT @ 44.1 (pre-emphasis on); Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5 > pre-emphasis removed (see notes) > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig; via Bill Gardner, Ghost to etree |
gd1985-06-22.mtx.seamons.109561.flac16 | |
1985-06-22 | Alpine Valley Music Theatre |
109561 | flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) |
gd85-06-24.nak300.lai.360.sbeok.shnf | |
1985-06-24 | River Bend Music Center |
360 | Nak 300 > D5 > CM > CDR; via Chris Vinci, Mike Lai; Some left channel dropouts at beginning of USB |
gd85-06-24.sbd.murphy.2274.sbefail.shnf | |
1985-06-24 | River Bend Music Center |
2274 | fixed version of previous shn set, to boost Samson>He's Gone; via Patrick Murphy; hosted at gdlive.com |
gd85-06-24.set2.oade-schoeps.sacks.24662.sbeok.flacf | |
1985-06-24 | River Bend Music Center |
24662 | Set II Only; Recorded by Jim Oade Transferred by Doug Oade, tracked by Darrin Sacks; Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac |
gd1985-06-24.sbd.harrell.8198.shnf | |
1985-06-24 | River Bend Music Center |
8198 | Sbd > Cm > Dat x 3 > Cdr; NR applied with Cool edit; via Bob harrell; upgrade in circulation |
gd1985-06-24.152622.akgc422-davis-murtha.holbrook.flac1644 | |
1985-06-24 | River Bend Music Center |
152622 | flac16/44.1 Microphones: AKG C422|AKG S42 XY 90º Cardioid see *** Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba Transfer by: Kyle Holbrook Second AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP |
gd1985-06-24.152623.akgc422-davis-murtha.holbrook.flac2448 | |
1985-06-24 | River Bend Music Center |
152623 | flac24/48 Microphones: AKG C422|AKG S42 XY 90º Cardioid see *** Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba Transfer by: Kyle Holbrook Second AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP |
gd1985-06-24.mtx.pytlik.32310.sbeok.flac16 | |
1985-06-24 | River Bend Music Center |
32310 | SBD/AUD Matrix by Timothy Pytlik |
gd1985-06-24.141240.s1.unknown.Bryant.Miller.Noel.t-flac1644 | |
1985-06-24 | River Bend Music Center |
141240 | flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 |
gd85-06-24.sbd.miller.25315.sbeok.shnf | |
1985-06-24 | River Bend Music Center |
25315 | SBD > Cassette Master > PCM > DAT > CD; Transfer: CD > EAC > Cool Edit Pro v2.0 > Samplitude v7.02 Professional > SHN; Transferred and Edited By Charlie Miller; note flaw fix in d3t4 reflected in fixed md5 (see pub comments) |
gd1985-06-24.140890.s1.unkown.Bryant.Miller.Noel.t-flac2496 | |
1985-06-24 | River Bend Music Center |
140890 | flac24; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT |
gd85-06-25.sbd.jeffm.3049.sbeok.shnf | |
1985-06-25 | Blossom Music Center |
3049 | SBD> Master Cassette> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.; Known Flaws: d2t01 two minor clicks during first :02 of Gimme Some Lovin' |
gd85-06-25.sbd.miller.18663.sbeok.shnf | |
1985-06-25 | Blossom Music Center |
18663 | SBD -> Cm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN (2 Discs Audio / 2 Discs SHN) Converted By Charlie Miller |
gd1985-06-25.152624.akgc422-davis-murtha.holbrook.flac1644 | |
1985-06-25 | Blossom Music Center |
152624 | flac16/44.1khz Microphones: AKG C422|AKG S42 XY 90º Cardioid Recorder: Sony TC-D5M [mic master] Location: Pavilion ~100' from stage 30' ROC (Sec 22 Row R) This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Eddie Wahba Transfer by: Kyle Holbrook Third AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP |
gd1985-06-25.152625.akgc422-davis-murtha.holbrook.flac2448 | |
1985-06-25 | Blossom Music Center |
152625 | flac24/48 Microphones: AKG C422|AKG S42 XY 90º Cardioid Recorder: Sony TC-D5M [mic master] Location: Pavilion ~100' from stage 30' ROC (Sec 22 Row R) This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Eddie Wahba Transfer by: Kyle Holbrook Third AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP |
gd1985-06-25.141241.s1.unknown.Bryant.Miller.Noel.t-flac1644 | |
1985-06-25 | Blossom Music Center |
141241 | flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 |
gd1985-06-25.142391.sbd.dalton.miller.clugston.flac1644 | |
1985-06-25 | Blossom Music Center |
142391 | flac16; Source Info: Master Soundboard Cassettes (dolby b) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd1985-06-25.148520.senn.me80.hessberg.miller.clugston.flac1648 | |
1985-06-25 | Blossom Music Center |
148520 | flac16/48kHz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1985-06-25.148521.senn.me80.hessberg.miller.clugston.flac2496 | |
1985-06-25 | Blossom Music Center |
148521 | flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1985-06-25.140891.s1.unkown.Bryant.Miller.Noel.t-flac2496 | |
1985-06-25 | Blossom Music Center |
140891 | flac24; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT |
gd1985-06-25.132561.schopes.Oade.BCE.macdonald.flac16 | |
1985-06-25 | Blossom Music Center |
132561 | flac16; Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Master PCM > DAW (via SEKD Prodif) > Wav; Recorded by the Oade Brothers; Mastered by Dan McDonald |
gd1985-06-25.mtx.seamons.kutik.106640.flac16 | |
1985-06-25 | Blossom Music Center |
106640 | flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) |
gd85-06-27.aud.connor.7006.sbeok.shnf | |
1985-06-27 | Saratoga Performing Arts Center |
7006 | FOB AUD> CM (unknown mics)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT); Digital Mastering by Charlie Connor, from Painoman's Master Analog Cassettes |
gd85-06-27.sbd.clugston.6104.sbeok.shnf | |
1985-06-27 | Saratoga Performing Arts Center |
6104 | Amy's Soundboard VHS > Cassette > DAT> CDR; CD Re-Mastering, EAC'ed / SHN'ed by Scott Clugston |
gd1985-06-27.152626.akgc422-davis-murtha.holbrook.flac1644 | |
1985-06-27 | Saratoga Performing Arts Center |
152626 | flac16/44.1 Microphones: AKG C422|AKG S42 XY s1:60º cardioid s2: 90º cardioid [-10dB pad on] Recorder: Sony TC-D5M [mic master] Location: Lawn ~175' from stage DFC This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney Transfer by: Kyle Holbrook Fourth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP |
gd1985-06-27.152627.akgc422-davis-murtha.holbrook.flac2448 | |
1985-06-27 | Saratoga Performing Arts Center |
152627 | flac24/48 Microphones: AKG C422|AKG S42 XY s1:60º cardioid s2: 90º cardioid [-10dB pad on] Recorder: Sony TC-D5M [mic master] Location: Lawn ~175' from stage DFC This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney Transfer by: Kyle Holbrook Fourth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP |
gd85-06-27.oade-schoeps.sacks.25000.sbeok.flacf | |
1985-06-27 | Saratoga Performing Arts Center |
25000 | Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac. Recorded by Jim Oade; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) |
gd85-06-27.sbd.miller.27863.sbeok.flacf | |
1985-06-27 | Saratoga Performing Arts Center |
27863 | flac16; SBD> Master Cassette> PCM> Dat (unconfirmed- could be SBD> VHS> Cass> Dat> CD); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller |
gd1985-06-27.mtx.seamons.92645.sbeok.flac16 | |
1985-06-27 | Saratoga Performing Arts Center |
92645 | flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) See info file for details |
gd1985-06-27.nak300.morris.106788.flac16 | |
1985-06-27 | Saratoga Performing Arts Center |
106788 | flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded from Orchestra Section 8, Row GG, Seat 122 by Bob Morris. Transfer, edits, patch by Bob Morris 11/09. |
gd1985-06-27.aud.Holtz.Nak100s.112499.flac16 | |
1985-06-27 | Saratoga Performing Arts Center |
112499 | flac16; Field Gear: Nakamichi CM-100's w/CP-4 Shotgun Capsules > Sony D-5 > MAC; Transfer: MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > Trader's Little Helper > FLAC Level 8; Recorded, transferred, tracked & FLAC'd by Greg Holtz |
gd1985-06-27.158249.NAK300.Anon-Noel.t-flac16 | |
1985-06-27 | Saratoga Performing Arts Center |
158249 | flac1644 Source: Nakamichi 300 Shotguns > Sony Tc-d5m > Master Cassette (dolby B On) Location: Mics On Shure S15 Stands (up High), Approx. 25' From Repeaters, Front Of Lawn. Recorded & Transferred By Anon Edited & Mastered (adobe Audition) By Joe Noel April 22, 2022 |
gd1985-06-27.158250.NAK300.Anon-Noel.t-flac2448 | |
1985-06-27 | Saratoga Performing Arts Center |
158250 | flac2448 Source: Nakamichi 300 Shotguns > Sony Tc-d5m > Master Cassette (dolby B On) Location: Mics On Shure S15 Stands (up High), Approx. 25' From Repeaters, Front Of Lawn. Recorded & Transferred By Anon Edited & Mastered (adobe Audition) By Joe Noel April 22, 2022 |
gd1985-06-27.sbd.gmb.79382.flac16 | |
1985-06-27 | Saratoga Performing Arts Center |
79382 | flac16; Source: SBD > MC > DAT(48KHz).Transfer: DAT playback on Sony PCM-R500 > unbalanced XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracked with CDWAV 1.9 > FLAC. DAT via M.Townshend. Transfer, mastering and lossless encoding by C.Ladner |
gd1985-06-27.sbd.gmb.79558.flac24 | |
1985-06-27 | Saratoga Performing Arts Center |
79558 | flac24/96; Source: SBD > MC > DAT(48KHz). Transfer: Playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and digitization > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > tracked with CDWAV 1.9 > FLAC. 24/96 Stereo DVD-A rendering was also generated using Discwelder Chrome II. Transfer, mastering and DVD-Audio rendering by C.Ladner |
gd1985-06-27.nak300.morris.114489.flac24 | |
1985-06-27 | Saratoga Performing Arts Center |
114489 | flac24; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 |
gd1985-06-27.126238.chasingwilma.flac24 | |
1985-06-27 | Saratoga Performing Arts Center |
126238 | flac24; source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1985-06-27.mtx.seamons.fix.92963.sbeok.flac16 | |
1985-06-27 | Saratoga Performing Arts Center |
92963 | flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) July 6, 2008 Speed Corrected July 20. (This source fixes the speed of the previous Seamons source.) |
gd1985-06-27.141598.aud.bryant.miller.sirmick.flac2496 | |
1985-06-27 | Saratoga Performing Arts Center |
141598 | flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; eited and mastered SIRMick April 2018 |
gd1985-06-27.145345.aud.bryant.miller.sirmick.flac16 | |
1985-06-27 | Saratoga Performing Arts Center |
145345 | flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; eited and mastered SIRMick April 2018; This file set is 16 bit @ 44.1 |
gd1985-06-27.135268.senn441.mccue.ford.sbeok.flac16 | |
1985-06-27 | Saratoga Performing Arts Center |
135268 | flac16; MAC Sennheiser 441s > Sony TCM-D5 > TDK MA 90s; Mic info: 2 rows behind board on Jerry side, mics @ 10ft; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatic V3 (@24/88.2)> WaveLab 7.2.1> .wav @24/88.2> UAD-2(editing/mastering)> .wav @24/88.2> UV22HR/Crystal Resampler> .wav @16/44.1> xAct> flac16; Taper: Mark McCue; Transfer, editing and mastering: Alex Ford |
gd85-06-28.sbd.lemon2.5822.sbeok.shnf | |
1985-06-28 | Hershey Park Stadium |
5822 | SBD? liberated bootleg; via lemon2 |
gd85-06-28.fob-senn441.lizzard.25985.sbeok.shnf | |
1985-06-28 | Hershey Park Stadium |
25985 | FOB Sony D-5M Sennheiser 441's Recorded by Steve (the Lizzard) /shninfo_detail.php?shnid=22517 sbe's were repaired with shntool |
gd1985-06-28.nakcm304.suraci.79609.flac16 | |
1985-06-28 | Hershey Park Stadium |
79609 | flac16; Source: Nakamichi CM304's>Sony D5M Location: *At SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 |
gd1985-06-28.senn441.mccue.ford.33339.sbeok.flac16 | |
1985-06-28 | Hershey Park Stadium |
33339 | flac16; (FOB) 2 Sennheiser 441's > Sony D5 > Master Cassettes; Taped transferred by Mark McCue; Retracking, conversion and seeding to bt.etree.org by Alex Ford |
gd1985-06-28.nak300.morris.114680.sbeok.flac16 | |
1985-06-28 | Hershey Park Stadium |
114680 | flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > flac16; Microphones on tripod stand at 7 ft height under an umbrella in the rain; Recorded by Bob Morris |
gd1985-06-28.137289.senn441.phase-fix.mccue.ford.sbeok.flac16 | |
1985-06-28 | Hershey Park Stadium |
137289 | flac16; Phase Fix of source ID 33339; (FOB) 2 Sennheiser 441's (PAS) > Sony D5 > Master Cassettes; Location: 10 yard line, DFC; Original Transfer: MAC> Sony D5> Tascam Stand Alone burner(tracked on the fly)> EAC> HD> CDR> EAC> WinXP Pro> wav files joined> CD Wave Editor(retracking)> Flac Frontend> flac16; New edits: WaveLab 7.2.1 (phase fix and minor edits) > retrack > xAct> flac16; Taped and transferred by Mark McCue; Phase fix/minor edits by Alex Ford |
gd1985-06-28.151829.schoeps.cmc4.mk41.oade.miller.clugston.flac16 | |
1985-06-28 | Hershey Park Stadium |
151829 | flac16/44 Source Info: 1st Set and Morning Dew thru Encore: Oade brothers Master Audience Cassettes ; Schoeps CMC4 MK41 mics > Sony D5M 2nd Set thru I Need A Miracle: Oade brothers Master Audience PCM; Schoeps CMC4 MK41 mics > Modified Sony PCM-F1 Transfer Info: Unknown Playback equipment > HDD via SEK'D Prodif by Doug Oade |
gd1985-06-28.senn.hubbard.76159.sbeok.shnf | |
1985-06-28 | Hershey Park Stadium |
76159 | Sennheiser 4xx's > Marantz PMDxxx > MC Playback on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen) 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwACT > SHN Recorded by Jeff Hubbard |
gd1985-06-28.sbd.miller.107066.flac16 | |
1985-06-28 | Hershey Park Stadium |
107066 | flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1985-06-28.126158.senn441.chasingwilma.flac24 | |
1985-06-28 | Hershey Park Stadium |
126158 | flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 33339. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate |
gd1985-06-28.141599.aud.bryant.miller.sirmick.flac2496 | |
1985-06-28 | Hershey Park Stadium |
141599 | flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick April 2018 |
gd1985-06-28.sbd.braverman.26144.shnf | |
1985-06-28 | Hershey Park Stadium |
26144 | Source: SBD > CM > DAT > DAT > DAT Transfer: DAT 60ES > M-Audio Audiophile USB > CDWAV (48) > Goldwave (normalization 100%, patch, and resample 44.1) > CDWAV tracking > mkwACT SHN; transfer by Joshua Braveman |
gd1985-06-28.sbd.mattman.23593.shnf | |
1985-06-28 | Hershey Park Stadium |
23593 | Set 1 Source: SBD (pitch corrected shnid = 5822). Set 2 Source: SBD>Reel>PCM>DAT. Remastering by MattMan: SHN>WAV>ADOBE AUDITION>CDWAV>SHNTOOL>mkwACT. |
gd1985-06-28.sbd.sirmick.77931.sbeok.flac16 | |
1985-06-28 | Hershey Park Stadium |
77931 | flac16; source: Soundboard > ??? (cass or pcm) > DAT > DAT > WAV > SHN > WAV > FLAC see text file for full details |
gd1985-06-28.111343.BeyerM160.daweez.d5scott.flac16 | |
1985-06-28 | Hershey Park Stadium |
111343 | flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) >Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files |
gd1985-06-28.nak300.morris.114490.flac24 | |
1985-06-28 | Hershey Park Stadium |
114490 | flac24; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 |
gd1985-06-28.126140.chasingwilma.flac24 | |
1985-06-28 | Hershey Park Stadium |
126140 | flac24; source: (3) audio technica atm 11> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1985-06-28.145352.aud.bryant.miller.sirmick.flac16 | |
1985-06-28 | Hershey Park Stadium |
145352 | flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick April 2018; This file set is 16 bit @ 44.1 |
gd1985-06-28.151254.sbd.eaton.dalton.miller.clugston.flac1648 | |
1985-06-28 | Hershey Park Stadium |
151254 | flac16/48khz Source Info: Master Soundboard Cassettes (Sony D5M)> 1st generation cassettes (Sony D5M) > Rob Eaton's DAT (Panasonic SV-3800)(16/48) > Tim Dalton's DAT (Panasonic SV-3700)(16/48) Transfer Info: 1st generation cassettes (unknown deck) > Panasonic SV-3800 DAT (16/48) by Rob Eaton; Rob Eaton's DAT 16/48 (Panasonic SV-3800) > Tim Dalton's DAT (Panasonic SV-3800)(16/48); Tim Dalton's DAT (16/48)(Sony PCM R-500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> .wav (16/48) > Adobe Audition CC 2020 > TLH flac1648 |
gd1985-06-28.132533.mtx.dusborne.flac16 | |
1985-06-28 | Hershey Park Stadium |
132533 | flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:107066) SBD -> Cassette Master -> Dat -> CD; CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; and Audience (shnid:114680) Nakamichi CM-300 (CP-4) x2 > Cassette Master; Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > flac16 by Bob Morris |
gd85-06-30.aud.oade-sacks.set2.7833.sbefail.shnf | |
1985-06-30 | Merriweather Post Pavilion |
7833 | set 2; Daud -- Oade recording: Schoeps CMC441 (@ 90 degrees) > Oade M118 > Oade Modified PCM-F1 > DATs > CDRs > EAC > SHN (Seekable); via Darrin Sacks |
gd85-06-30.aud.set1.mckeown.7893.sbefail.shnf | |
1985-06-30 | Merriweather Post Pavilion |
7893 | set 1; Recorded by Tommy McKeown; Master AUD Sony D5 Sennheiser ME 80 & 441's > Wav > SHN; 5 sec. dropout on left channel during BEW |
gd85-06-30.sbd.georges.366.sbeok.shnf | |
1985-06-30 | Merriweather Post Pavilion |
366 | SBDmc> DAT> CD; via Nick Georges; reported lots of hiss, and inferior "digital manipulation"; additional notes in public comments Note- This show also circ's with 'corrected' track names via ccryder@westerncom.net |
gd85-06-30.sbd.miller.30158.sbeok.flacf | |
1985-06-30 | Merriweather Post Pavilion |
30158 | flac16; SBD -> Cassette Master -> Dat -> CD -> EAC -> FLAC Converted By Charlie Miller |
gd1985-06-30.152701.akgc422.davis-murtha.holbrook.flac1644 | |
1985-06-30 | Merriweather Post Pavilion |
152701 | flac16/44 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~275' from stage (crest of the hill) This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, John Borg, Gary Steel Transfer by: Kyle Holbrook |
gd1985-06-30.152702.akgc422.davis-murtha.holbrook.flac2448 | |
1985-06-30 | Merriweather Post Pavilion |
152702 | flac24/48 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~275' from stage (crest of the hill) This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, John Borg, Gary Steel Transfer by: Kyle Holbrook |
gd85-06-30.oade-schoeps.sacks.25242.sbeok.flacf | |
1985-06-30 | Merriweather Post Pavilion |
25242 | Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac (via Darrin Sacks) |
gd1985-06-30.sbd.miller.89192.sbeok.flac16 | |
1985-06-30 | Merriweather Post Pavilion |
89192 | flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller |
gd1985-06-30.at835-d12e.Ackerman-Taraszki.102134.flac16 | |
1985-06-30 | Merriweather Post Pavilion |
102134 | flac16; Source: (2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5 Conversion: Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16 Recorded by Ray Ackerman Conversion by Ray Ackerman Tracks, FLACs, Tags by Craig Taraszki; Originally seeded 2009-10-21 |
gd1985-06-30.126176.chasingwilma.flac24 | |
1985-06-30 | Merriweather Post Pavilion |
126176 | flac24; source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1985-06-30.138288.senn441.mccue.meade.flac24 | |
1985-06-30 | Merriweather Post Pavilion |
138288 | flac24/48kHz; MAC; Sennheiser 441s > Sony D5; Location: 3 rows behind Healy on left; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> UAD-2(mastering)> .wav @24/88.2> Crystal Resampler> .wav @24/48> xAct> flac24; Tapers: Mark McCue and Davey Meade; Transfer and mastering: Alex Ford |
gd1985-06-30.138280.senn441.mccue.meade.sbeok.flac16 | |
1985-06-30 | Merriweather Post Pavilion |
138280 | flac16; MAC; Sennheiser 441's > Sony D5; Location: 3 rows behind Healy on left; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> UAD-2(mastering)> .wav @24/88.2> Crystal Resampler/UV22HR> .wav @16/44.1> xAct> flac16; Tapers: Mark McCue and Davey Meade; Transfer and mastering: Alex Ford |
gd1985-06-30.145353.ots.at.835b.akg.d12e.blend.ackerman.miller.noel.t-flac16 | |
1985-06-30 | Merriweather Post Pavilion |
145353 | flac16; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1 |
gd1985-06-30.148522.fob.senn.me80.hessberg.miller.clugston.flac1648 | |
1985-06-30 | Merriweather Post Pavilion |
148522 | flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1985-06-30.148523.fob.senn.me80.hessberg.miller.clugston.flac2496 | |
1985-06-30 | Merriweather Post Pavilion |
148523 | flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1985-06-30.nak-beyer.tonys.79641.sbeok.flac16 | |
1985-06-30 | Merriweather Post Pavillion |
79641 | flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci |
gd1985-06-30.cpb.2nd-retransfer.33702.flac16 | |
1985-06-30 | Merriweather Post Pavilion |
33702 | Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC)> SBLive! > Audacity > WAV > CDWave > WAVs > mkwAC > SHNs; Recorded, transferred by Charles Bandrofcheck |
gd1985-06-30.sbd.brame-hinko.23223.sbeok.shnf | |
1985-06-30 | Merriweather Post Pavilion |
23223 | SBDmc>DAT>CD; fixed disc 3 SHNid=366 by Darryl Hinko and Tommy Brame |
gd1985-06-30.akgC422.holbrook.burke.84246.flac24 | |
1985-06-30 | Merriweather Post Pavillion |
84246 | flac24/96; Recordist: Kyle Holbrook Location: Lawn, ~275' from stage lip Mic Config: XY, 90 degrees Source: AKG C422 (Cardioid) > AKG S42 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 |
gd1985-06-30.akgC422.holbrook.burke.84267.sbeok.flac16 | |
1985-06-30 | Merriweather Post Pavillion |
84267 | flac16; Recordist: Kyle Holbrook Location: Lawn, ~275' from stage lip Mic Config: XY, 90 degrees Source: AKG C422 (Cardioid) > AKG S42 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab 5.01b (resample, dither) Dither: MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 All transfers and DSP performed by Tim Burke |
gd1985-06-30.nakcm304-beyerm101.suraci.89039.flac24 | |
1985-06-30 | Merriweather Post Pavillion |
89039 | flac24; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0>Cdwav/tracking>flac24 Taper: Tony Suraci Transfer and upload by Tony Suraci |
gd1985-06-30.mtx.seamons.94642.sbeok.flac16 | |
1985-06-30 | Merriweather Post Pavilion |
94642 | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) |
gd1985-06-30.141619.OTS.AT835b-AKGD12e-Blend.Ackerman.Miller.Noel.t-flac2496 | |
1985-06-30 | Merriweather Post Pavilion |
141619 | flac24; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 |
gd1985-06-30.144154.set2.nak304.guy.pailes.miller.clugston.flac1648 | |
1985-06-30 | Merriweather Post Pavilion |
144154 | flac16/48kHz; 2nd Set Source Info: Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90); Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1985-06-30.144155.set2.nak304.guy.pailes.miller.clugston.flac2496 | |
1985-06-30 | Merriweather Post Pavilion |
144155 | flac24; 2nd Set Source Info: Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90); Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496 |
gd1985-06-30.151255.sbd.marcus.miller.flac1644 | |
1985-06-30 | Merriweather Post Pavilion |
151255 | flac16/44.1khz Recording Info: SBD > Cassette Master (Sony WM-D6C/Dolby C) > DAT > CD > WAV Transfer Info: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/16 |
gd85-07-01.composite.torbjorn.17350.sbeok.shnf | |
1985-07-01 | Merriweather Post Pavilion |
17350 | Hybrid soundboard - Original Paino seed w/ D3 Cribbs Patch and Charlie Miller "Day Job" via Torbjorn |
gd85-07-01.oade.sacks.7892.sbefail.shnf | |
1985-07-01 | Merriweather Post Pavilion |
7892 | Oade recording: Schoeps cmc441 (ortf @90 degrees) > Oade M118 > Modified Sony PCM-F1 > DATs >CDs > EAC > SHN (seekable); plus patches from fob beyer m160 source (see txt); EAC, patching, upload by Darrin Sacks; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments) |
gd85-07-01.sbd.paino.8482.sbeok.shnf | |
1985-07-01 | Merriweather Post Pavilion |
8482 | Fix of previous sbd shn set; See info file for details; Disc 1 & 2: SBDmc>?>DAT>CD>EAC>SHN>CD>EAC Disc 3: SBDmc>?>DAT>CD>EAC Seeded to etree by Paino Man |
gd1985-07-01.sbd.disc3.cribbs.16581.sbeok.shnf | |
1985-07-01 | Merriweather Post Pavilion |
16581 | D3 only; Oade Patched version of previous SBD shn set by Sean Cribbs; upgrade in circulation |
gd1985-07-01.sbd.miller.96421.sbeok.shnf | |
1985-07-01 | Merriweather Post Pavilion |
96421 | Recording Info: SBD -> Cm -> ? -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> CD; Transfered and Edited By Charlie Miller |
gd1985-07-01.152708.akgc422.davis-holbrook.flac1644 | |
1985-07-01 | Merriweather Post Pavilion |
152708 | flac16/44 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~250' from stage (just below crest of the hill) This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, John Borg, Gary Steel Transfer by: Kyle Holbrook Sixth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP |
gd1985-07-01.152709.akgc422.davis-holbrook.flac2448 | |
1985-07-01 | Merriweather Post Pavilion |
152709 | flac24/48 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~250' from stage (just below crest of the hill) This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, John Borg, Gary Steel Transfer by: Kyle Holbrook Sixth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP |
gd85-07-01.oade-schoeps.sacks.25243.sbeok.flacf | |
1985-07-01 | Merriweather Post Pavilion |
25243 | Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 (Oade brothers, via Darrin Sacks) Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > soundforge 6 where necessary for patching > Flac (sector boundaries aligned via flac frontend) |
gd1985-07-01.cpb.2nd-retransfer.32596.sbeok.flac16 | |
1985-07-01 | Merriweather Post Pavilion |
32596 | Unknown shotgun type mics > Sony D6 > Maxell XLII 90's 12" stand Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN by Charles Bandrofcheck. This is the 2nd re-transfer by Charles of his source. |
gd1985-07-01.shotgun.cpb.redo.34164.shnf | |
1985-07-01 | Merriweather Post Pavilion |
34164 | Unknown shotgun mics audience recording by Charles Bandrofcheck. This is a re-record of shnid=32596. Changes are the azimuth adustment on the SD 4050 and the use of Audacity for noise reduction and normalization |
gd1985-07-01.nak100.holtz.jaz.101283.flac16 | |
1985-07-01 | Merriweather Post Pavilion |
101283 | flac16; Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 |
gd1985-07-01.126180.chasingwilma.flac24 | |
1985-07-01 | Merriweather Post Pavilion |
126180 | flac24; source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1985-07-01.nak.tonys.79649.sbeok.flac16 | |
1985-07-01 | Merriweather Post Pavillion |
79649 | flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci |
gd1985-07-01.mtx.seamons.94681.sbeok.flac16 | |
1985-07-01 | Merriweather Post Pavilion |
94681 | flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
gd1985-07-01.beyer-holbrook.burke.85993.flac24 | |
1985-07-01 | Merriweather Post Pavillion |
85993 | flac24/96; Recordist: Kyle Holbrook Location: Reserved Section, ~20' behind SBD, ~10' Left Of Center, ~120' from stage lip, ~7' high Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: AddaWav v1.3 (join the two separate "Drums" tracks) Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.4, FLAC Frontend, Level 8 |
gd1985-07-01.beyerdynamicM201.holbrook.burke.85820.sbeok.flac16 | |
1985-07-01 | Merriweather Post Pavillion |
85820 | flac16; Recordist: Kyle Holbrook Location: Location: Reserved Section, ~20' behind SBD, ~10' Left Of Center, ~120' from stage lip, ~7' high Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab v5.01b (resample, dither) AddaWav v1.3 (join the two separate "Drums" tracks) Dither: MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.4, FLAC Frontend, Level 8 All transfers and DSP performed by Tim Burke |
gd1985-07-01.139047.sbd.gastwirt.miller.sirmick.sbeok.flac16 | |
1985-07-01 | Merriweather Post Pavilion |
139047 | flac16/48kHz; Source: SBD > Cassette Master > DAT (48k); Provided by Rich Gastwirt; Transfer: DAT > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick 2017 |
gd1985-07-01.144156.nak304.guy.pailes.miller.clugston.flac1648 | |
1985-07-01 | Merriweather Post Pavilion |
144156 | flac16/48kHz; Source Info: Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1985-07-01.144157.nak304.guy.pailes.miller.clugston.flac2496 | |
1985-07-01 | Merriweather Post Pavilion |
144157 | flac24; Source Info: Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496 |
gd1985-07-01.151269.sbd.marcus.miller.clugston.flac16 | |
1985-07-01 | Merriweather Post Pavilion |
151269 | flac16/44.1khz Source Info: Master Soundboard Cassettes > 1st generation cassettes (unknown dubbing deck/Dolby C) > DAT > CD > .wav (16-bit/44.1k) Transfer Info: .wav > Adobe Audition 2020 > TLH > flac16 |
gd85-07-02.sbd.bubba420.18249.sbeok.shnf | |
1985-07-02 | Civic Arena |
18249 | Source:SBD>MC>D> -Tape flip after RXR cuts in Promised -cut in brokedown uploaded from furthur via Sbd seeded to etree by bubba420 |
gd85-07-02.senn421.barbella.12082.sbeok.shnf | |
1985-07-02 | Civic Arena |
12082 | FOB Senn. 421's > Sony TC-D5 > DAT > CD; via Storyteller & Mark Horvath; Seeded to etree by Steve Barbella |
gd1985-07-02.fob.senn421.colyard.92906.sbeok.flac16 | |
1985-07-02 | Pittsburgh Civic Arena |
92906 | flac16; MAC; (FOB) 2 x Sennheiser 421 > Sony D5 > 2 x Maxell XLII 90. Recorded by Rick "Coyote" Colyard. Transfer and mastering by Alex Ford. Master Audience Cassettes provided by Rick Colyard via Muletaper. |
gd1985-07-02.152710.akgc422.davis-holbrook.flac1644 | |
1985-07-02 | Civic Arena |
152710 | flac16/44 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: OTS- 100' from stage This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel Transfer by: Kyle Holbrook Seventh AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP |
gd1985-07-02.152711.akgc422.davis-holbrook.flac2448 | |
1985-07-02 | Civic Arena |
152711 | flac24/48 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: OTS- 100' from stage This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel Transfer by: Kyle Holbrook Seventh AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP |
gd85-07-02.oade-schoeps.sacks.25244.sbeok.flacf | |
1985-07-02 | Civic Arena |
25244 | Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac |
gd1985-07-02.111805.BeyerM160.daweez.d5scott.flac16 | |
1985-07-02 | Civic Arena |
111805 | flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1985-07-02.fob.senn441.meade.ford.121191.sbeok.flac16 | |
1985-07-02 | Civic Arena |
121191 | flac16; MAC; (FOB) Sennheiser 441's > Sony D5 > Sony D5 > 2 x TDK MA 90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav (@24/88.2)> WaveLab editing/mastering with UAD-1 in 24/88.2> r8brain PRO> .wav @16/44.1> CD Wave Editor> TLH> flac16(level eight)> Tag&Rename(metadata). Taped by Davey Meade Transferred, edited and mastered by Alex Ford. |
gd1985-07-02.133613.dts.tobin.flac16 | |
1985-07-02 | Civic Arena |
133613 | DTS-Audio-CD 5.1 Mix; SBD (shnid=18249) BD>MC>D> seeded to etree by bubba420 + AUD (shn id 121191) MAC; (FOB) Sennheiser 441's > Sony D5 > Sony D5 > 2 x TDK MA 90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav (@24/88.2)> WaveLab editing/mastering with UAD-1 in 24/88.2> r8brain PRO> .wav @16/44.1> CD Wave Editor> TLH> flac16(level eight)> Tag&Rename(metadata). Taped by Davey Meade Transferred, edited and mastered by Alex Ford. - DTS mixing by Kevin Tobin |
gd1985-07-02.142046.aud.bryant.miller.sirmick.flac2496 | |
1985-07-02 | Civic Arena |
142046 | flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick May 2018 |
gd1985-07-02.133611.upd-sbd.tobin.flac16 | |
1985-07-02 | Civic Arena |
133611 | flac16; Source:SBD>MC>D> - seeded to etree by bubba420 (original shnid 18249) - pitch correction and patches by Kevin Tobin |
gd1985-07-02.133612.mtx.tobin.flac16 | |
1985-07-02 | Civic Arena |
133612 | flac16; Matrix 2 Source Mix - SBD (shnid=18249) BD>MC>D> seeded to etree by bubba420 + AUD (shn id 121191) MAC; (FOB) Sennheiser 441's > Sony D5 > Sony D5 > 2 x TDK MA 90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav (@24/88.2)> WaveLab editing/mastering with UAD-1 in 24/88.2> r8brain PRO> .wav @16/44.1> CD Wave Editor> TLH> flac16(level eight)> Tag&Rename(metadata). Taped by Davey Meade Transferred, edited and mastered by Alex Ford. - matrix mixing by Kevin Tobin |
gd1985-07-02.126240.chasingwilma.flac24 | |
1985-07-02 | Civic Arena |
126240 | flac24; source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1985-07-02.145388.aud.bryant.miller.sirmick.flac16 | |
1985-07-02 | Civic Arena |
145388 | flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick May 2018, This file set is 16 bit @ 44.1 |
gd1985-07-02.154547.senn.me80.hessberg.miller.clugston.flac1648 | |
1985-07-02 | Civic Arena |
154547 | flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1985-07-02.154548.senn.me80.hessberg.miller.clugston.flac2496 | |
1985-07-02 | Civic Arena |
154548 | flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd85-07-13.sbd.georges.372.sbefail.shnf | |
1985-07-13 | Ventura County Fairgrounds |
372 | SBDmc> DAT> CD> eac> cool edit> shn; hiss cleaned up with Cooledit (non-cleaned version may be available from Nick too); crackling sound on both discs here and there apparently due to Phil's equip; via N. Georges |