Grateful Dead
October 1, 1994
Boston Garden
Boston, MA

source:
AKG 460B/ck61 > custom pre-amp > Teac DA-P20 > Sony D7 (@ 48kHz)

transfer:
Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz, patch) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8)

recorded by Dave Flaschner and Tom McMinn
transferred by Jason Sobel (jasonsobel@gmail.com)
seeded March 25, 2007

notes:
The original DAT recording was made with pre-emphasis.
The Waves Q10 Paragraphic EQ v5.0 plug-in was used to de-emphasize the recording.
The original 48 kHz .wav files from the DAT transfer have been archived, and are available upon request.
Big thanks to Dave for letting me borrow the master DAT tape!

Disc 1 - [69:00]
Set I
01 - [01:26] - intro/tuning
02 - [03:25] - Help On The Way >
03 - [05:43] - Slipknot! >
04 - [12:16] - Franklin's Tower
05 - [05:47] - Walkin' Blues
06 - [10:45] - Althea
07 - [02:50] - Me And My Uncle * >
08 - [07:27] - Big River *
09 - [07:12] - Just Like Tom Thumb's Blues
10 - [07:23] - So Many Roads
11 - [04:48] - The Promised Land

Disc 2 - [61:02]
Set II
01 - [01:55] - intro/tuning
02 - [11:39] - Scarlet Begonias >
03 - [16:45] - Fire On The Mountain
04 - [06:48] - Way To Go Home
05 - [07:49] - Saint Of Circumstance >
06 - [16:08] - Terrapin Station >

Disc 3 - [61:24]
Set II continued
01 - [12:01] - Drums >
02 - [18:09] - Space >
03 - [05:43] - The Last Time >
04 - [11:38] - Stella Blue >
05 - [04:54] - One More Saturday Night
06 - [00:52] - encore break
07 - [08:08] - Liberty

* Bob on acoustic

patch notes:
Dave ran one 3 hour DAT tape for this show, and thus a signficant portion of "Liberty" got cut.
Dave had stopped the tape during the encore break, to try and save some tape for the encore.
I cross-faded the crowd noise after "One More Saturday Night" to make it sound smooth and seamless.
I then used the following source to patch in the end of "Liberty"

PMB Microphones (German) FOB > Sony D7 @ 48k
Taped by Dave Minor
Transfered by Marc Pujol 01/30/2003

The PMB source comes in at [01:16] during Liberty, and the remaining portion of the song is from the PMB source.
I cross-faded the two sources, so the transition is smooth, but you'll hear the different microphone 
characteristics when the PMB source comes in.

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