Identifiers for Grateful Dead
1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
Archive Identifier | |
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Date | Venue |
Source | |
gd1989-10-11.mtx.hansokolow.96599.flac16 | |
1989-10-11 | Brendan Byrne Arena |
96599 | flac16; matrix of SBD: shnid=83292 and AUD: shnid=89613 by hansokolow using ProTools |
gd1989-10-11.147652.UltraMatrix.sbd.cm.miller.flac16 | |
1989-10-11 | Meadowlands Arena |
147652 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 |
gd1989-10-11.147677.pp-aud.bltz.tobin.flac24 | |
1989-10-11 | Meadowkands Arena |
147677 | flac24; Patched & Pitch Corrected Audience - (original shnid = 135411) Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 - pitch correction and patches by Kevin Tobin |
gd1989-10-11.147678.mtx.tobin.flac24 | |
1989-10-11 | Meadowlands Arena |
147678 | flac24; Matrix 2 Source Mix - SBD (shnid = 147618) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 135411) Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 - matrix mixing by Kevin Tobin |
gd1989-10-11.147679.mtx.tobin.flac16 | |
1989-10-11 | Meadowlands Arena |
147679 | flac16; Matrix 2 Source Mix - SBD (shnid = 147618) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 135411) Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 - matrix mixing by Kevin Tobin |
gd1989-10-11.147680.dts.tobin.flac16 | |
1989-10-11 | Meadowlands Arena |
147680 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147618) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 135411) Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 - dts mixing by Kevin Tobin |
gd1989-10-11.147681.5-1.tobin.flac1648 | |
1989-10-11 | Meadowlands Arena |
147681 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147618) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 135411) Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 - surround mixing by Kevin Tobin |
gd1989-10-11.135411.bltz.flac2496 | |
1989-10-11 | Meadowlands Arena |
135411 | flac24; Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 |
gd1989-10-11.138157.Schoeps.fob.unknown.Ammons.t-flac | |
1989-10-11 | Meadowlands Arena |
138157 | flac16/48kHz; Schoeps CMC521 > Panasonic SV250; FOB Taper unknown; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT |
gd1989-10-11.sbd.koehler.13572.shnf | |
1989-10-11 | Brendan Byrne Arena |
13572 | Sbd> Cas(m)> Dat> ZA2/PC> SF> CD Architect> CDR?s; Note- This may be the same source that was cleaned up by Scott Clugston; See Here; Submitted with a reference to "some blips and goofy electronic noises"; via Dave Koehler |
gd1989-10-11.147618.sbd.miller.flac24 | |
1989-10-11 | Meadowlands Arena |
147618 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1989-10-11.125661.AT835.flac16 | |
1989-10-11 | Meadowlands Arena |
125661 | flac16; Taper: M. Laurentus; Taper Section 2, Row T, Seat 8; AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac |
gd89-10-12.sbd.koehler.5925.sbeok.shnf | |
1989-10-12 | Meadowlands Arena |
5925 | Sbd> Cas(m)> Dat> ZA2/PC> SF> CD Architect> CDR?s; via Dave Koehler |
gd89-10-12.sbd.miller.30867.sbeok.shnf | |
1989-10-12 | Meadowlands Arena |
30867 | Lineage: SBD -> Cm -> Dat -> Samplitude -> CD -> EAC -> SHN Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude 2496 v6.0 Dat -> CD -> EAC -> SHN all performed by Charlie Miller |
gd1989-10-12.sbd.walker-scotton.miller.83293.sbeok.flac16 | |
1989-10-12 | Brendan Byrne Arena |
83293 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
gd1989-10-12.mtx.hansokolow.96790.flac16 | |
1989-10-12 | Brendan Byrne Arena |
96790 | flac16; matrix of SBD: shnid=83293 and AUD: shnid=89620 by hansokolow using ProTools |
gd1989-10-12.147659.UltraMatrix.sbd.cm.miller.flac16 | |
1989-10-12 | Meadowlands Arena |
147659 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 |
gd1989-10-12.125669.AT835.flac16 | |
1989-10-12 | Meadowlands Arena |
125669 | flac16; Taper: M. Laurentus; Taper Section 2, Row T, Seat 1; AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac |
gd1989-10-12.Nak300CP1.Baker.Keo.125769.Flac2496 | |
1989-10-12 | Meadowlands Arena |
125769 | flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP1s > Sony D6, Tapes:Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1989-10-12.Nak300CP1.Baker.Keo.125770.Flac1644 | |
1989-10-12 | Meadowlands Arena |
125770 | flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP1s > Sony D6, Tapes:Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1989-10-12.138158.Schoeps.fob.unknown.Ammons.t-flac16 | |
1989-10-12 | Meadowlands Arena |
138158 | flac16/48kHz; Schoeps CMC521 > Panasonic SV250; FOB Taper unknown; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Patch'd, Track'd, Flac'd & Pack'd: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT |
gd1989-10-12.Nak300CP4.Floater.Keo.115444.Flac1644 | |
1989-10-12 | Brendan Byrne Arena |
115444 | flac16; Master Audience Cassette Nakamichi CM300/CP4 Shotguns>Sony D5; Tapes:Maxell XLII-90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper |
gd1989-10-12.142511.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648 | |
1989-10-12 | Meadowlands Arena |
142511 | flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 |
gd1989-10-12.147625.sbd.miller.flac24 | |
1989-10-12 | Meadowlands Arena |
147625 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd89-10-14.sbd.koehler.5926.sbeok.shnf | |
1989-10-14 | Meadowlands Arena |
5926 | Sbd> Cas(m)> Dat> ZA2/PC> SF> CD Architect> CDR?s; via Dave Koehler |
gd1989-10-14.nak304.andrewf.89655.sbeok.flac16 | |
1989-10-14 | Brendan Byrne Arena |
89655 | flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru 1 or 2 decks > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in front row of OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. |
gd1989-10-14.141763.OTS.AKG.Ackerman.Miller.Noel.t-flac2496 | |
1989-10-14 | Meadowlands Arena |
141763 | flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) |
gd1989-10-14.145746.ots.akg460.ackerman.miller.noel.t-flac16 | |
1989-10-14 | Meadowlands Arena |
145746 | flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1 |
gd1989-10-14.147664.UltraMatrix.sbd.cm.miller.flac16 | |
1989-10-14 | Meadowlands Arena |
147664 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 |
gd1989-10-14.138137.Schoeps.FOB.Mattes.Ammons.t-flac16 | |
1989-10-14 | Meadowlands Arena |
138137 | flac16/48kHz; Ted Mattes FOB recording: Schoeps CMC34 w/stand at 110 degrees on Schoeps t-bar > Oade Power Supply > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT; Note: the original seed of this source had Set 1 at 16 bit 48kHz; Set 2 at 16 bit 44.1kHz; the fixed version is all 48kHz |
gd1989-10-14.mtx.hansokolow.96794.flac16 | |
1989-10-14 | Brendan Byrne Arena |
96794 | flac16; matrix of SBD: shnid=83296 and DAUD: shnid=88087 by hansokolow using ProTools |
gd1989-10-14.akg458.pasternak.mallick.107823.flac16 | |
1989-10-14 | Meadowlands Arena |
107823 | flac16; Master: AKG 458's>Sony TC-D5m>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, front row of the taper section Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick |
gd1989-10-14.AKG568sSenn441.AlabamaBob.Currier.Keo.120685.Flac2496 | |
1989-10-14 | Meadowlands Arena |
120685 | flac24; Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes supplied By Mr. Currier; AKG568s With Shotguns+(1)Sennheiser441>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96kHz; Metadata Tagging With Tag&Rename |
gd1989-10-14.AKG568sSenn441.AlabamaBob.Currier.Keo.120686.Flac1644 | |
1989-10-14 | Meadowlands Arena |
120686 | flac16; Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes supplied By Mr. Currier; AKG568s With Shotguns+(1)Sennheiser441>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96kHz; Ditherd/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1989-10-14.sennME80.litzenberger.88087.sbeok.flac16 | |
1989-10-14 | Meadowlands Arena |
88087 | flac16; Sennheiser ME-80's>Technics SVM-D1 (Front of Taper's Section) DAT Master>Sony TCD-D10PROII>Edirol R-4>Wavelab 5(Sample Rate Conversion to 44.1khz & Fades)>CDWAV>FLAC Recorded by Keith Litzenberger & Sam Tzirlin Transfer by Keith Litzenberger |
gd1989-10-14.142512.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648 | |
1989-10-14 | Meadowlands Arena |
142512 | flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 |
gd1989-10-14.147627.sbd.miller.flac24 | |
1989-10-14 | Meadowlands Arena |
147627 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1989-10-14.121841.set2.neumann.daweez-d5scott.flac16 | |
1989-10-14 | Meadowlands Arena |
121841 | flac16; Set 2 Source: 2 Neumann KMF4 microphones - up front/center > Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd89-10-15.sbd.chaser.3159.sbeok.shnf | |
1989-10-15 | Meadowlands Arena |
3159 | SBD> C> DAT> CDR; seeded by Chaser |
gd1989-10-15.senn421.andrewf.89674.sbeok.flac16 | |
1989-10-15 | Brendan Byrne Arena |
89674 | flac16; AUD: Sennheiser MD-421's > patched thru one D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on 8-foot stand, front row of OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. |
gd1989-10-15.147666.UltraMatrix.sbd.cm.miller.flac16 | |
1989-10-15 | Meadowlands Arena |
147666 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 |
gd1989-10-15.149522.DAK.boedicker.flac1644 | |
1989-10-15 | Meadowlands Arena |
149522 | flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Master Cassette Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boeicker, Official Taper Section |
gd1989-10-15.125555.mk4.48khz.flac16 | |
1989-10-15 | Meadowlands Arena |
125555 | flac16/48kHz; Set 1 Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe |
gd1989-10-15.125556.mk4.flac16 | |
1989-10-15 | Meadowlands Arena |
125556 | flac16; Set 1 Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe |
gd1989-10-15.138138.set2.Schoeps.FOB.Mattes.Ammons.t-flac16 | |
1989-10-15 | Meadowlands Arena |
138138 | flac16/48kHz; Set 2 Ted Mattes FOB recording: Schoeps CMC521 > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT |
gd1989-10-15.142542.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648 | |
1989-10-15 | Meadowlands Arena |
142542 | flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 |
gd1989-10-15.akg458.pasternak.mallick.107841.flac16 | |
1989-10-15 | Meadowlands Arena |
107841 | flac16; Master: AKG 458's>Sony TC-D5m>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, front row of the taper section Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick |
gd1989-10-15.147631.ultramatrix.sbd.pearson.miller.flac24 | |
1989-10-15 | Meadowlands Arena |
147631 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1989-10-15.125662.AT835.flac16 | |
1989-10-15 | Meadowlands Arena |
125662 | flac16; Taper: M. Laurentus; Taper Section 2, Row W, Seat 2; AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac |
gd1989-10-15.mtx.hansokolow.96884.flac16 | |
1989-10-15 | Brendan Byrne Arena |
96884 | flac16; matrix of SBD: shnid=3159 and DAUD: shnid=89674 by hansokolow using ProTools |
gd89-10-16.dsbd.barrick.446.sbeok.shnf | |
1989-10-16 | Meadowlands Arena |
446 | source update: DSBD> DAT> WAV> CD-R; via Dave Barrick; 5/00- there may be another version around, possibly reextraction of this- at least 1 track matches the md5 shown here, another track doesn't; listener Jeff Davis reports errors: "some dropouts during the beginning of D1T1, and a dropout around 3:40 of "Space" on Disc 3"; see pub comments for tracking; Update: whole show now released as Nightfall of Diamonds- go buy it |
gd1989-10-16.140163.sbd.miller.flac2496 | |
1989-10-16 | Meadowlands Arena |
140163 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1989-10-16.Nak300CP4.Baker-Fitzy.Keo.126358.Flac2496 | |
1989-10-16 | Meadowlands Arena |
126358 | flac24; Master Audience Recorded By Mr. Baker And Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Set 1 Sony D6, Tape Maxell MX-90, Mr. Baker's, Set 2 Sony TC-D5M, Tape Denon HD-M 100, Fitzy's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1989-10-16.Nak300CP4.Baker-Fitzy.Keo.126359.Flac1644 | |
1989-10-16 | Meadowlands Arena |
126359 | flac16; Master Audience Recorded By Mr. Baker And Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Set 1 Sony D6, Tape Maxell MX-90, Mr. Baker's; Set 2 Sony TC-D5M, Tape Denon HD-M 100, Fitzy's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1989-10-16.142543.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648 | |
1989-10-16 | Meadowlands Arena |
142543 | flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 |
gd1989-10-16.mtx.hansokolow.96899.flac16 | |
1989-10-16 | Brendan Byrne Arena |
96899 | flac16; matrix of DSBD: shnid=446 and AUD: shnid=32131 (Set 1) and DAUD: shnid=34658 (Set 2) by hansokolow using ProTools |
gd1989-10-16.124086.mk4.48khz.flac16 | |
1989-10-16 | Meadowlands Arena |
124086 | flac16/48kHz; Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; Transferred and seeded by: Lenny Stubbe |
gd1989-10-16.124087.mk4.flac16 | |
1989-10-16 | Meadowlands Arena |
124087 | flac16; Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; Transferred and seeded by: Lenny Stubbe |
gd1989-10-16.140263.UltraMatrix.sbd.cm.miller.flac1644 | |
1989-10-16 | Meadowlands Arena |
140263 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1989-10-16.150534.DAK.boedicker.flac16 | |
1989-10-16 | Meadowlands Arena |
150534 | flac16; Source: Dak Shotgun Mics>Sony Wm-D6C Cassette Deck>2 Maxell MX-90 Metal Master Cassette Tapes>Sony TC-D5M Cassette Deck (Playback)> Edirol R-09 GR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section |
gd89-10-18.nak.rob_r.7551.sbefail.shnf | |
1989-10-18 | The Spectrum |
7551 | Digital Audience - Jill & Rob R,3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section. Posted to abgd via ArtCube |
gd89-10-18.sbd-matrix.nawrocki.12091.sbeok.shnf | |
1989-10-18 | The Spectrum |
12091 | Healy Ultramix > MC > DAT > CDR; Beginning of Shakedown, Drumz and Space patched with following source-Digital Audience - Jill & Rob R 3 Nak CM 300's; See info file for details; Seeded to etree by Doug Nawrocki |
gd1989-10-18.101845.wklitz.sennheiserME80.flac | |
1989-10-18 | The Spectrum |
101845 | flac16; Sennheiser ME-80's>Technics SV-MD1 from front left corner of SBD DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC; Recorded By Keith Litzenberger |
gd1989-10-18.100218 | |
1989-10-18 | The Spectrum |
100218 | flac16; Source: Nakamichi cm300/cp4->Sony D-5M (Dolby B encoded)->Maxell MX90 x 2 Lineage: MAC->Sony D-5M (Dolby B decoded)->Korg MR-1000 (1bit/5.5MHz)->AudioGate->(16/44.1) wav-> Soundforge 8.0->flac; Taper: Dave Barfield; Transferred and seeded by M.Watson on July 19, 2009 |
gd1989-10-18.120495.mk21.48khz.flac16 | |
1989-10-18 | The Spectrum |
120495 | flac16/48kHz; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps; CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.18(encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe |
gd1989-10-18.120496.mk21.sbeok.flac16 | |
1989-10-18 | The Spectrum |
120496 | flac16; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.18(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe |
gd1989-10-18.142562.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648 | |
1989-10-18 | The Spectrum |
142562 | flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 |
gd1989-10-18.147723.mtx.tobin.flac16 | |
1989-10-18 | The Spectrum |
147723 | flac16; Matrix 2 Source Mix - SBD (shnid = 147697) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142562) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - matrix mixing by Kevin Tobin |
gd1989-10-18.147724.dts.tobin.flac16 | |
1989-10-18 | The Spectrum |
147724 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147697) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142562) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dts mixing by Kevin Tobin |
gd1989-10-18.147725.5-1.tobin.flac1648 | |
1989-10-18 | The Spectrum |
147725 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147697) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142562) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - surround mixing by Kevin Tobin |
gd1989-10-18.147728.UltraMatrix.sbd.cm.miller.flac16 | |
1989-10-18 | The Spectrum |
147728 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 |
gd1989-10-18.aud.lazycow.89963.flac | |
1989-10-18 | The Spectrum |
89963 | flac16; MAV (Taped by LazyCow camera crew) JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Adobe Audition 3.0 |
gd1989-10-18.147697.sbd.miller.flac24 | |
1989-10-18 | The Spectrum |
147697 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1989-10-18.149607.DAK.Boedicker.flac1644 | |
1989-10-18 | The Spectrum |
149607 | flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassete Deck>2 Maxell MX-90 Monute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section, Section 107 Row 5.Seat 16 |
gd1989-10-18.nak300.juteau.116662.flac | |
1989-10-18 | The Spectrum |
116662 | flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster |
gd89-10-19.nak.rob_r.7595.sbefail.shnf | |
1989-10-19 | The Spectrum |
7595 | Digital Audience - Jill & Rob R, 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section. Seeded to abgd via ArtCube |
gd1989-10-19.sennME80.wklitz.94273.flac1648 | |
1989-10-19 | The Spectrum |
94273 | flac16/48; Sennheiser ME-80's>Technics SV-MD1 from 2 rows in front of Soundboard DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades)>CDWAV>FLAC Recorded, transferred & Uploaded By Keith Litzenberger *48KHZ Version* |
gd1989-10-19.sennME80.wklitz.94274.flac16 | |
1989-10-19 | The Spectrum |
94274 | flac16; Sennheiser ME-80's>Technics SV-MD1 from 2 rows in front of Soundboard DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded, transferred & Uploaded By Keith Litzenberger |
gd1989-10-19.mtx.hansokolow.96967.flac16 | |
1989-10-19 | The Spectrum |
96967 | flac16; matrix of SBD: shnid=83305 and DAUD: shnid=7595 by hansokolow using ProTools |
gd1989-10-19.099977 | |
1989-10-19 | The Spectrum |
99977 | flac16; Source: Nakamichi CM300/CP4->Sony D-5M (Dolby B encoded)->TDK MA-X90 x2->Sony D-5M (Dolby B decoded)->Korg MR-1000 (1bit/5.5MHz)->AudioGate->(16/44.1) wav-> Soundforge 8.0->flac; Taper: Dave Barfield |
gd1989-10-19.149634.DAK.boedicker.flac1644 | |
1989-10-19 | The Spectrum |
149634 | flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section; Section 107, Row 5,Seat 15 |
gd89-10-19.dsbd.eD.7640.sbeok.shnf | |
1989-10-19 | The Spectrum |
7640 | DSBD>C?>DAT>CDR; via eD O'Connor |
gd1989-10-19.120497.mk21.48khz.flac16 | |
1989-10-19 | The Spectrum |
120497 | flac16/48kHz; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.18(encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe |
gd1989-10-19.120498.mk21.sbeok.flac16 | |
1989-10-19 | The Spectrum |
120498 | flac16; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.18(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe |
gd1989-10-19.147722.ultramatrix.sbd.miller.flac24 | |
1989-10-19 | The Spectrum |
147722 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1989-10-19.147729.UltraMatrix.sbd.cm.miller.flac16 | |
1989-10-19 | The Spectrum |
147729 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd1989-10-19.fob.sennme80.wklitz.101809.flac16 | |
1989-10-19 | The Spectrum |
101809 | flac16; Sennheiser ME-80's>Technics SV-MD1 from 2 rows in front of Soundboard DAT MASTER>Sony TCD-D10PROII>Sound Devices 744t>Soundforge 9(Fades/Sample Rate Conversion)>CDWAV>FLAC; Recorded & transferred By Keith Litzenberger on October 7, 2009 |
gd1989-10-19.nak300.s1.juteau.116663.flac | |
1989-10-19 | The Spectrum |
116663 | flac16; Set 1 Only Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster |
gd89-10-20.dsbd.eD.7641.sbeok.shnf | |
1989-10-20 | The Spectrum |
7641 | DSBD>C?>DAT>CDR; via eD O'Connor |
gd89-10-20.sbd-matrix.clugston.13032.sbeok.shnf | |
1989-10-20 | The Spectrum |
13032 | Ultra-Matrix Soundboard DAT > Cassette > DAT > CDR; Audience source supplies first 0:48 of "Hey Pocky Way" (d2t01); Alternate Sbd source supplies balance of "Hey Pocky Way" (d2t01) as well as the first 4:46 of "Scarlet Begonias" (d2t02);Patching / CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston; to abgd via terrapin flyer |
gd1989-10-20.123584.NAK300.tobin.flac16 | |
1989-10-20 | The Spectrum |
123584 | flac16; MAV (Taped by Peanut Production camera crew);Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen. Transfer: S-VHS 1st Gen. -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac Core 2 Duo -> Final Cut Pro 6 -> Compressor 3 -> BHP -> Adobe Audition 3.0 -> R8Brain Pro -> CDWave |
gd1989-10-20.dts.tobin.123591.flac16 | |
1989-10-20 | The Spectrum |
123591 | DTS Audio 5.1; SBD (shn id 83317) SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 123584) MAV (Taped by Peanut Production camera crew);Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen. Transfer: S-VHS 1st Gen. -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac Core 2 Duo -> Final Cut Pro 6 -> Compressor 3 -> BHP -> Adobe Audition 3.0 -> R8Brain Pro -> CDWave - mixing by Kevin Tobin |
gd1989-10-20.099867 | |
1989-10-20 | The Spectrum |
99867 | flac16; Source: (OTS)Nak.300/cp4->Sony D-5M (Dolby B encoded)->TDK MA-X90 x2->Sony D-5M (Dolby B decoded)->Korg MR-1000 (1Bit/5.6MHz)-> AudioGate->wav(16/44.1)->SF8->FLAC; Taper: Dave Barfield |
gd1989-10-20.154035.mtx.photoleon.flac166 | |
1989-10-20 | The Spectrum |
154035 | flac16/44 A Photoleon Matrix: (fob) Schoeps Cmc4 Mk4 @ 110° > Master Dat + Sbd > Master Cassettes. Master Dat Fob Recording By Ted Mattes. Master Cassette Sbd Recording By Bear. Matrix Created By Joe Noel June 4, 2021 |
gd1989-10-20.111527.sbd.BEAR.gems.flac16 | |
1989-10-20 | The Spectrum |
111527 | flac16; SBD Master Cassettes recorded by BEAR; Transferred and Mastered by Jim Blackwood; Tracked in CDWAV Tag&Rename for Meta_Data TradersLittleHelper for FLAC Level 8 by Patrick White |
gd1989-10-20.120499.mk21.48khz.flac16 | |
1989-10-20 | The Spectrum |
120499 | flac16/48kHz; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.18(encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe |
gd1989-10-20.120500.mk21.sbeok.flac16 | |
1989-10-20 | The Spectrum |
120500 | flac16; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.18(encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe |
gd1989-10-20.142563.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648 | |
1989-10-20 | The Spectrum |
142563 | flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 |
gd1989-10-20.147739.5-1.tobin.flac1648 | |
1989-10-20 | The Spectrum |
147739 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shn id 83317) SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 123584) MAV (Taped by Peanut Production camera crew);Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen. Transfer: S-VHS 1st Gen. -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac Core 2 Duo -> Final Cut Pro 6 -> Compressor 3 -> BHP -> Adobe Audition 3.0 -> R8Brain Pro -> CDWave - surround mixing by Kevin Tobin |
gd1989-10-20.147749.sbd.ultramatrix.miller.flac24 | |
1989-10-20 | The Spectrum |
147749 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1989-10-20.149682.DAK.boedicker.flac1644 | |
1989-10-20 | The Spectrum |
149682 | flac16; Source:DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper Taped By Dave Boedicker, Official Taper Section, Section 107, Row 5, Seat 20 |
gd1989-10-20.147902.UltraMatrix.sbd.cm.miller.flac16 | |
1989-10-20 | The Spectrum |
147902 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd1989-10-20.nak300.juteau.116721.flac | |
1989-10-20 | The Spectrum |
116721 | flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster |
gd89-10-22.sbd.brame.12188.sbeok.shnf | |
1989-10-22 | Charlotte Coliseum |
12188 | SBD> ?> CD> EAC> SHN (EAC); DAE & SHN Encoding by Tommy Brame |
gd1989-10-22.nak300.holtz.lmpp.97414.sbeok.flac16 | |
1989-10-22 | Charlotte Coliseum |
97414 | flac16; Source: aud > Nakamichi CM-300s > Sony WD-5 > mac Transfer: mac > Nakamichi CR-5A > Tascam HD-P2 > 24/96 wav > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > flac16 |
gd1989-10-22.147644.nak300CP4.ebel.flac2496 | |
1989-10-22 | Charlotte Coliseum |
147644 | flac24; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel |
gd1989-10-22.149693.boedicker.flac1644 | |
1989-10-22 | Charlotte Coliseum |
149693 | flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8 Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section |
gd1989-10-22.142576.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648 | |
1989-10-22 | Charlotte Coliseum |
142576 | flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 |
gd1989-10-22.147755.sbd.ultramatrix.miller.flac24 | |
1989-10-22 | Charlotte Coliseum |
147755 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1989-10-22.148202.UltraMatrix.sbd.cm.miller.flac16 | |
1989-10-22 | Charlotte Coliseum |
148202 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd1989-10-22.132700cmc521.fob.deal.petty.flac16 | |
1989-10-22 | Charlotte Coliseum |
132700 | flac16; Recording info: FOB/ Schoeps cmc 521's> Colette (active) cables> Schoeps VMS 52 UB p/s> Technics SV-MD1 by Lance Deal; Master DAT's provided by Lance Deal by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty |
gd1989-10-22.mtx.seamons.102399.flac16 | |
1989-10-22 | Charlotte Coliseum |
102399 | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) |
gd89-10-23.sbd.jeffm.2223.sbeok.shnf | |
1989-10-23 | Charlotte Coliseum |
2223 | SBD>Cassette Master> Sonic Solutions> CD> FM> DAT> CDR> EAC> SHN; via Jeff M. |
gd1989-10-23.147645.nak300CP4.ebel.flac2496 | |
1989-10-23 | Charlotte Coliseum |
147645 | flac24; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel |
gd1989-10-23.149694.boedicker.flac1644 | |
1989-10-23 | Charlotte Coliseum |
149694 | flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section |
gd1989-10-23.131026.schoeps.deal.jwpetty.flac16 | |
1989-10-23 | Charlotte Coliseum |
131026 | flac16; Source: Set One is digital FOB/12th Row/Schoeps CMC 54's> DAT; Set Two is an ANALOG transfer from Schoeps CMC 421's in the T.S (AAD); DAT's provided by Lance Deal; Transfer: Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Transferred and liberated to bt.etree on August 24, 2014 by jwpetty |
gd1989-10-23.142577.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648 | |
1989-10-23 | Charlotte Coliseum |
142577 | flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 |
gd1989-10-23.147762.sbd.miller.flac24 | |
1989-10-23 | Charlotte Coliseum |
147762 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1989-10-23.Nak300CP4.JB.Keo.116205.Flac1644 | |
1989-10-23 | Charlotte Coliseum |
116205 | flac16: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper JB,Transfer By Keo Tapes Maxell MX 90,100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper |
gd1989-10-23.Nak300CP4.JB.Keo.116206.Flac2496 | |
1989-10-23 | Charlotte Coliseum |
116206 | flac24: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper JB,Transfer By Keo Tapes Maxell MX 90,100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz No Dithering With These Files |
gd1989-10-23.nak300.holtz.lmpp.96922.flac16 | |
1989-10-23 | Charlotte Coliseum |
96922 | flac16; Source: Audience Recording Lineage: Nak CM-300s with CP-4 caps (OTS on tall stand) > D-5 > MAC > Nak zx-7 > Tascam HD-P2 > 24/96 wave > wavelab 5 > plugs > r8brain pro > 16/44.1 wave > cd wave > flac 16 (TLH lvl 8) |
gd1989-10-23.148155.UltraMatrix.sbd.cm.miller.flac16 | |
1989-10-23 | Charlotte Coliseum |
148155 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd1989-10-23.147913.mtx.tobin.flac24 | |
1989-10-23 | Charlotte Coliseum |
147913 | flac24; Matrix 2 Source Mix - SBD (shnid = 147762) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147645) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - matrix mixing by Kevin Tobin |
gd1989-10-23.147916.mtx.tobin.flac16 | |
1989-10-23 | Charlotte Coliseum |
147916 | flac16; Matrix 2 Source Mix - SBD (shnid = 147762) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147645) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - matrix mixing by Kevin Tobin |
gd1989-10-23.147917.dts.tobin.flac16 | |
1989-10-23 | Charlotte Coliseum |
147917 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147762) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147645) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - matrix mixing by Kevin Tobin |
gd1989-10-23.147918.5-1.tobin.flac1648 | |
1989-10-23 | Charlotte Coliseum |
147918 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147762) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147645) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - surround mixing by Kevin Tobin |
gd89-10-25.sbd.sacks.1828.sbeok.shnf | |
1989-10-25 | Miami Arena |
1828 | Cassette SBD> DATs> CDRs> EAC> SHN; via Peter L., Sean Cribbs, Darrin Sacks |
gd1989-10-25.124034.mk4.48khz.flac16 | |
1989-10-25 | Miami Arena |
124034 | flac16/48kHz; Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB on a stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; Transferred and seeded by: Lenny Stubbe |
gd1989-10-25.140917.UltraMatrix.sbd.cm.miller.flac1644 | |
1989-10-25 | Miami Arena |
140917 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1989-10-25.nak300s.alexander.79611.flac16 | |
1989-10-25 | Miami Arena |
79611 | flac16; Nakamichi 300 shotguns > Sony D5 > MAC taped by Tim Alexander Transfer: MAC playback on Nakamichi DR-1 > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC |
gd1989-10-25.nak300s.alexander.79637.flac24 | |
1989-10-25 | Miami Arena |
79637 | flac24/48; Nakamichi 300 shotguns > Sony D5 (Dolby B) > MAC taped by Tim Alexander Transfer: MAC playback on Nakamichi DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC |
gd1989-10-25.142606.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648 | |
1989-10-25 | Miami Arena |
142606 | flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 |
gd1989-10-25.143033.sbd.miller.fixed.flac2496 | |
1989-10-25 | Miami Arena |
143033 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This source has a fixed Hell In A Bucket |
gd1989-10-25.124035.mk4.flac16 | |
1989-10-25 | Miami Arena |
124035 | flac16; Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB on a stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; Transferred and seeded by: Lenny Stubbe |
gd1989-10-25.143025.mtx.tobin.flac1644 | |
1989-10-25 | Miami Arena |
143025 | flac16; Matrix 2 Source Mix - SBD (shnid = 140815) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142606) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dts mixing by Kevin Tobin |
gd1989-10-25.143027.dts.tobin.flac1644 | |
1989-10-25 | Miami Arena |
143027 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 140815) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142606) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dts mixing by Kevin Tobin |
gd1989-10-25.143028.5-1.tobin.flac1648 | |
1989-10-25 | Miami Arena |
143028 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140815) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142606) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - surround mixing by Kevin Tobin |
gd1989-10-25.140815.sbd.miller.flac2496 | |
1989-10-25 | Miami Arena |
140815 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; fixed version in circulation |
gd1989-10-25.143511.UltraMatrix.sbd.cm.miller.flac1644 | |
1989-10-25 | Miami Arena |
143511 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This source has a fixed Hell In A Bucket; This file set is 16/44.1 |
gd1989-10-26.147714.sbd.miller.flac24 | |
1989-10-26 | Miami Arena |
147714 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd89-10-26.set1-sbd.miller.20614.sbeok.shnf | |
1989-10-26 | Miami Arena |
20614 | Set 1 only. SBD -> Cm -> Dat -> CD -> EAC -> Samplitude v7.02 -> SHN by Charlie Miller |
gd1989-10-26.147752.mtx.tobin.flac16 | |
1989-10-26 | Miami Arena |
147752 | flac16; Matrix 2 Source Mix - SBD (shnid = 147714) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142607) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - matrix mixing by Kevin Tobin |
gd1989-10-26.147753.dts.tobin.flac16 | |
1989-10-26 | Miami Arena |
147753 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147714) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142607) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dts mixing by Kevin Tobin |
gd1989-10-26.147754.5-1.tobin.flac1648 | |
1989-10-26 | Miami Arena |
147754 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147714) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142607) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - surround mixing by Kevin Tobin |
gd1989-10-26.123831.mk4.mattes.hillwig-stubbe.flac1648 | |
1989-10-26 | Miami Arena |
123831 | flac16/48kHz; Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB on a stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe |
gd1989-10-26.123832.mk4.mattes.hillwig-stubbe.flac16 | |
1989-10-26 | Miami Arena |
123832 | flac16; Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB on a stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe |
gd1989-10-26.142607.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648 | |
1989-10-26 | Miami Arena |
142607 | flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 |
gd1989-10-26.schoeps.unknown.fishman.107258.flac16 | |
1989-10-26 | Miami Arena |
107258 | flac16;Schoeps CMC34 > PCM F1 > DAT (Fostex D-10 Playback) > CD (hhb800 standalone) > EAC (0.93b) > WAV > SHN (via MKWACT) |
gd1989-10-26.125695.mtx.dusborne.flac16 | |
1989-10-26 | Miami Arena |
125695 | flac16;2 Source Matrix by dusborne Soundboard (shinid:83428) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Audience (shnid:123831) Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz) Config/Location: ORTF/FOB on a stand Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ) Taped by: Ted Mattes |
gd1989-10-26.sbd.cribbs.1829.shnf | |
1989-10-26 | Miami Arena |
1829 | Soundboard > Cassette > DATs > CDRs > EAC > SHN; via Peter L., Sean Cribbs, Darrin Sacks |
gd1989-10-26.147766.UltraMatrix.sbd.cm.miller.flac16 | |
1989-10-26 | Miami Arena |
147766 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd89-12-06.sbd.miller.14917.sbeok.shnf | |
1989-12-06 | Oakland-Alameda County Coliseum |
14917 | SBD -> Dat (Encore is SBD>Cm>Dat with AUD Patch starting at 4:16) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN (2 Discs SHN / 3 Discs Audio Transfered and Edited By Charlie Miller |
gd1989-12-06.140164.sbd.miller.flac2496 | |
1989-12-06 | Oakland-Alameda County Coliseum |
140164 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1989-12-06.107991.BeyerM160s-SonyD5.D5scott.flac16 | |
1989-12-06 | Oakland-Alameda County Coliseum |
107991 | flac16; Source: 2 Beyer M-160 microphones > Sony TC-D5M ~ Mics @ 6 feet ~ 25 feet from stage-center ~ Maxell MX90's Transfer: Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files |
gd1989-12-06.138926.UltraMatrix.SBD.Gastwirt.Miller.Noel.t-flac16 | |
1989-12-06 | Oakland-Alameda County Coliseum |
138926 | flac16/48kHz; Ultra Matrix Soundboard Master > DAT; Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT |
gd1989-12-06.140264.UltraMatrix.sbd.cm.miller.flac1644 | |
1989-12-06 | Oakland-Alameda County Coliseum |
140264 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1989-12-06.142700.fob.schoeps.cmc3.mk4.mattes.miller.clugston.flac1648 | |
1989-12-06 | Oakland-Alameda County Coliseum |
142700 | flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 |
gd89-12-08.aud.wiley.8961.sbeok.shnf | |
1989-12-08 | Great Western LA |
8961 | AUD>DAT>CDR; Seeded to etree by Tim W |
gd1989-12-08.140166.sbd.miller.flac2496 | |
1989-12-08 | Great Western LA Forum |
140166 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd89-12-08.sbd.ladner.15641.sbeok.hnf | |
1989-12-08 | Great Western LA |
15641 | Source: Set 1 SBD>CM>CM?>DAT>CDR>WAV>SHNv3 Set 2 SBD>CM>DAT>CDR>WAV>SHNv3 (w/ aud splices). See info file for splice details. Source discs via M.Rider. SHN encoding/initial propagation via neo_levo/candyman FTP. |
gd1989-12-08.132701.cmc44.fob.deal.petty.flac16 | |
1989-12-08 | Great Western LA Forum |
132701 | flac16; Recording info on DAT's: FOB/Schoeps cmc 44's; DAT's provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty |
gd1989-12-08.140265.UltraMatrix.sbd.cm.miller.flac1644 | |
1989-12-08 | Great Western LA Forum |
140265 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd89-12-09.sbd.ladner.29754.sbeok.shnf | |
1989-12-09 | Great Western LA Forum |
29754 | Source: SBD > DAT > CDR > WAV > SHNv3. This is shn id 5450 with undocumented changes to d2t01 via LMA. |
gd1989-12-09.sbd.miller-ladner.5450.shnf | |
1989-12-09 | The Fabulous Forum |
5450 | SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer - via C. Miller. DAE, tracking (EAC > cdwave > shntool > mkwact) and FTP/ABGD via C. Ladner; see info file for listening notes |
gd1989-12-09.140275.UltraMatrix.sbd.cm.miller.flac1644 | |
1989-12-09 | Great Western LA Forum |
140275 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; the original source had errors on the last three tracks; please don't circulate that version |
gd1989-12-09.nak300.bowen.foster.102174.flac16 | |
1989-12-09 | Great Western LA Forum |
102174 | flac16; Source: Nakamichi CM-300s w/CP-4's -> Sony TCD-D10 Lineage: M-DAT -> DAT/1 -> Tascam DA-30 -> HHb CDR 800 PRO via analog i/o Location: 2nd row OTS Taped/Transferred: Jeff Bowen CDR>EAC>TLH(6)>FLAC: Brad Foster (10/25/09) |
gd1989-12-09.141796.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648 | |
1989-12-09 | Great Western LA Forum |
141796 | flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 at 110 degrees on stand (FOB) > Oade capacitor supply > Panasonic SV-250 > DAT (48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes |
gd1989-12-09.140180.sbd.fixed.flac2496 | |
1989-12-09 | Great Western LA Forum |
140180 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; the original source had errors on the last three tracks; please don't circulate that version |
gd1989-12-09.140198.dsbd.miller.clugston.flac1648 | |
1989-12-09 | Great Western LA Forum |
140198 | flac16/48 Recording Info: UltraMatrix Master Soundbonard Dat 16/48 > Dat clone 16/48 directly from Dat master. Transfer Info: Dat 16/48 (Sony PCM-R500) > Sound Devices 744T 16/48 > Adobe Audition 3.0 > TLH flac1648. Transfer by Charlie Miller. Mastered by Scott Clugston |
gd1989-12-10.mtx.dts.tobin.102513.flac16 | |
1989-12-10 | Great Western LA Forum |
102513 | DTS-Audio-CD 5.1 Mix; SBD (shn id 5451) SBD > DAT > CDR > WAV > SHNv3; DAE via C. Ladner (EAC > CDWave > SHNTOOL > MKWACT), from Charlie Miller seed + AUD1 (shn id 83792) Sennheiser MKE2002 omni's HRTF -> Sony TC-D5M. Mics at 6'5" Also covering an ortf pair of Neumann km84's -> Sony TC-D5M rig, on a stand. to 24/96 pcm: Sony TC-D5M master deck and master cassette, no n.r. -> Tascam DVRA1000 DSD recorder in pcm mode, 24/96 to flac: Tascam DVRA1000 in USB2.0 mode -> Mac OS-X Tiger import -> xACT by Scott Brown 6/8 level compression. + AUD2 (no shn id) low generation video supplied in dvd format by Dave Minor for video project - dts mixing by Kevin Tobin |
gd1989-12-10.sbd.tobin.patched.102510.flac16 | |
1989-12-10 | Great Western LA Forum |
102510 | flac16; SBD > DAT > CDR > WAV > SHNv3 - pitch correction and patches by Kevin Tobin (update of source ID 5451) |
gd89-12-10.sbd.ladner.5451.sbeok.shnf | |
1989-12-10 | Great Western LA Forum |
5451 | SBD > DAT > CDR > WAV > SHNv3; DAE via C. Ladner (EAC > CDWave > SHNTOOL > MKWACT), from Charlie Miller seed |
gd1989-12-10.158257.PandP-aud.bowen.flac16 | |
1989-12-10 | Great Western LA Forum |
158257 | flac16; Patched & Pitch Corrected Audience - (original shnid = 102175) Source: Nakamichi CM-300s w/CP-4's -> Sony TCD-D10 Lineage: M-DAT -> DAT/1 -> Tascam DA-30 -> HHb CDR 800 PRO via analog i/o Location: 2nd row OTS Taped/Transferred: Jeff Bowen CDR>EAC>TLH(6)>FLAC: Brad Foster (10/25/09) - pitch correction and patches by Kevin Tobin |
gd1989-12-10.158258.mtx.tobin.flac16 | |
1989-12-10 | Great Western LA Forum |
158258 | flac16; Matrix 2 Source Mix - SBD (shnid = 140202) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155895) (original shnid = 102175) Source: Nakamichi CM-300s w/CP-4's -> Sony TCD-D10 Lineage: M-DAT -> DAT/1 -> Tascam DA-30 -> HHb CDR 800 PRO via analog i/o Location: 2nd row OTS Taped/Transferred: Jeff Bowen CDR>EAC>TLH(6)>FLAC: Brad Foster (10/25/09) - matrix mixing by Kevin Tobin |
gd1989-12-10.158260.dts.tobin.flac16 | |
1989-12-10 | Great Western LA Forum |
158260 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 140202) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155895) (original shnid = 102175) Source: Nakamichi CM-300s w/CP-4's -> Sony TCD-D10 Lineage: M-DAT -> DAT/1 -> Tascam DA-30 -> HHb CDR 800 PRO via analog i/o Location: 2nd row OTS Taped/Transferred: Jeff Bowen CDR>EAC>TLH(6)>FLAC: Brad Foster (10/25/09) - dts mixing by Kevin Tobin |
gd1989-12-10.158261.5-1.tobin.flac1648 | |
1989-12-10 | Great Western LA Forum |
158261 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140202) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155895) (original shnid = 102175) Source: Nakamichi CM-300s w/CP-4's -> Sony TCD-D10 Lineage: M-DAT -> DAT/1 -> Tascam DA-30 -> HHb CDR 800 PRO via analog i/o Location: 2nd row OTS Taped/Transferred: Jeff Bowen CDR>EAC>TLH(6)>FLAC: Brad Foster (10/25/09) - surround mixing by Kevin Tobin |
gd1989-12-10.137973.dbx.hale.flac16 | |
1989-12-10 | Great Western Forum |
137973 | flac16; Source: (2) Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; recorded by Gris w/ my gear; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH |
gd1989-12-10.140276.UltraMatrix.sbd.cm.miller.flac1644 | |
1989-12-10 | Great Western Forum |
140276 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1989-12-10.141797.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648 | |
1989-12-10 | Great Western Forum |
141797 | flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 at 110 degrees on stand (FOB) > Oade capacitor supply > Panasonic SV-250 > DAT (48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes |
gd1989-12-10.nak300.bowen.foster.102175.flac16 | |
1989-12-10 | Great Western LA Forum |
102175 | flac16; Source: Nakamichi CM-300s w/CP-4's -> Sony TCD-D10 Lineage: M-DAT -> DAT/1 -> Tascam DA-30 -> HHb CDR 800 PRO via analog i/o Location: 2nd row OTS Taped/Transferred: Jeff Bowen CDR>EAC>TLH(6)>FLAC: Brad Foster (10/25/09) |
gd1989-12-10.140202.sbd.miller.flac2496 | |
1989-12-10 | Great Western Forum |
140202 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1989-12-10.146096.Senn-MKE2002.french.flac1644 | |
1989-12-10 | Great Western LA Forum |
146096 | flac16/44.1khz Ambient Master by Mike French TFH: A Journey to the Impact Zone Sennheiser MKE2002 omni's HRTF -> Sony TC-D5M. Mics at 6'5" FOB/DFC (same spot as 2/89 run, and all 12/89 run) Also covering an ortf pair of Neumann km84's -> Sony TC-D5M rig, on a stand. to 24/96 pcm: Sony TC-D5M master deck and master cassette, no n.r. -> Tascam DVRA1000 DSD recorder in pcm mode, 24/96 to flac: Tascam DVRA1000 in USB2.0 mode -> Mac OS-X Tiger import -> xACT by Scott Brown 6/8 level compression. |
gd1989-12-10.mtx.tobin.102402.flac16 | |
1989-12-10 | Great Western LA Forum |
102402 | flac16; Matrix 3 Source Mix - SBD (shn id 5451) SBD > DAT > CDR > WAV > SHNv3; DAE via C. Ladner (EAC > CDWave > SHNTOOL > MKWACT), from Charlie Miller seed + AUD1 (shn id 83792) Sennheiser MKE2002 omni's HRTF -> Sony TC-D5M. Mics at 6'5" Also covering an ortf pair of Neumann km84's -> Sony TC-D5M rig, on a stand. to 24/96 pcm: Sony TC-D5M master deck and master cassette, no n.r. -> Tascam DVRA1000 DSD recorder in pcm mode, 24/96 to flac: Tascam DVRA1000 in USB2.0 mode -> Mac OS-X Tiger import -> xACT by Scott Brown 6/8 level compression. + AUD2 (no shn id) low generation video supplied in dvd format by Dave Minor for video project - matrix mixing by Kevin Tobin |
gd89-12-27.sbd.clugston.6662.sbefail.shnf | |
1989-12-27 | Oakland-Alameda County Coliseum |
6662 | Dan Healy's Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd |
gd1989-12-27.aud.mpmgumby.105433.flac16 | |
1989-12-27 | Oakland-Alameda County Coliseum |
105433 | flac16; Nakamichi Shotgun Mics>Sony D-5>Marantz PMD430; Recorded by Mike Mahoney |
gd1989-12-27.144152.dts.tobin.flac1644 | |
1989-12-27 | Oakland-Alameda County Coliseum |
144152 | DTS-Audio-CD 5.1 Mix; SBD (shnid = 142853) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142683) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dtsmixing by Kevin Tobin |
gd1989-12-27.144153.5-1.tobin.flac1648 | |
1989-12-27 | Oakland-Alameda County Coliseum |
144153 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 142853) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142683) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - surround mixing by Kevin Tobin |
gd89-12-27.aud.wiley.8960.sbeok.shnf | |
1989-12-27 | Oakland-Alameda County Coliseum |
8960 | AUD>DAT>CDR; Seeded to etree by Tim W |
gd89-12-27.schoeps.ladner.20785.sbeok.shnf | |
1989-12-27 | Oakland-Alameda County Coliseum |
20785 | FOB>Shoeps CMC3/mk-4 > DAT > CDR > WAV > SHNv3; Taper unknown @ this time. |
gd1989-12-27.131027.cmc521.fob.deal.jwpetty.flac16 | |
1989-12-27 | Oakland-Alameda County Coliseum |
131027 | flac16; Digital FOB by Lance Deal using Schoeps CMC 521's (FOB)> Schoeps VMS 52 UB> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Fostex D-5 (AES/EBU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Transferred and liberated to bt.etree on August 24, 2014 by jwpetty |
gd1989-12-27.140420.fob.AA.toak1.flac1644 | |
1989-12-27 | Oakland-Alameda County Coliseum |
140420 | flac16; Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4†TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints |
gd1989-12-27.142852.UltraMatrix.sbd.cm.miller.flac1644 | |
1989-12-27 | Oakland-Alameda County Coliseum |
142852 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1989-12-27.142853.sbd.miller.flac2496 | |
1989-12-27 | Oakland-Alameda County Coliseum |
142853 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1989-12-27.117696.NeumannKMF4.daweez.d5scott.flac16 | |
1989-12-27 | Oakland-Alameda County Coliseum |
117696 | flac16; Set 2 only Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1989-12-27.140369.AA-fob-toak1.flac2448 | |
1989-12-27 | Oakland-Alameda County Coliseum |
140369 | flac24; Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4†TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints |
gd1989-12-27.142683.fob.schoeps.cmc3.mk4.mattes.miller.clugston.flac1648 | |
1989-12-27 | Oakland-Alameda County Coliseum |
142683 | flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 |
gd1989-12-27.144151.mtx.tobin.flac16 | |
1989-12-27 | Oakland-Alameda County Coliseum |
144151 | flac16; Matrix 2 Source Mix - SBD (shnid = 142853) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142683) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - matrix mixing by Kevin Tobin |
gd1989-12-28.139207.FOB.s1.Schoeps.Ammons.Noel.t-flac16 | |
1989-12-28 | Oakland-Alameda County Coliseum |
139207 | flac16/48kHz; Set 1 unknown taper: Schoeps CMC34 at 110 degrees ORTF > Panasonic SV250; hand held on Schoeps t-bar FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel: flac 16/48; Checksum & tags created in xACT |
gd1989-12-28.Nak300CP4.Baker.Keo.126030.Flac2496 | |
1989-12-28 | Oakland-Alameda County Coliseum |
126030 | flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1989-12-28.Nak300CP4.Baker.Keo.126031.Flac1644 | |
1989-12-28 | Oakland-Alameda County Coliseum |
126031 | flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1989-12-28.131028.cmc521.fob.deal.jwpetty.flac16 | |
1989-12-28 | Oakland-Alameda County Coliseum |
131028 | flac16; Digital FOB by Lance Deal using Schoeps CMC 521's (FOB)> Schoeps VMS 52 UB> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Transferred and liberated to bt.etree on August 24, 2014 by jwpetty |
gd1989-12-28.140421.fob.AA.toak1.flac1644 | |
1989-12-28 | Oakland-Alameda County Coliseum |
140421 | flac16; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Front Of Board Master Audience cassette: Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4†TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints |
gd1989-12-28.154423.UltraMatrix.sbd.cm.miller.t.flac16 | |
1989-12-28 | Oakland-Alameda County Coliseum |
154423 | flac1644; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 153956 2496 > 1644 |
gd1989-12-28.117731.NeumannKMF4.daweez.d5scott.flac16 | |
1989-12-28 | Oakland-Alameda County Coliseum |
117731 | flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1989-12-28.142684.schoeps.akg-414.composite.mattes.miller.clugston.flac1648 | |
1989-12-28 | Oakland-Alameda County Coliseum |
gd1989-12-28.sennme80.wklitz.91643.flac | |
1989-12-28 | Oakland Coliseum Arena |
91643 | flac16; Sennheiser ME-80's>Technics SV-MD1 from front of Taper's Section DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades and Sample Rate Conversion)>CDWAV>FLAC Recorded By Keith Litzenberger & Gerry Gordon, All Transfers by Keith Litzenberger |
gd1989-12-28.140375.AA-fob-toak1.flac2448 | |
1989-12-28 | Oakland-Alameda County Coliseum |
140375 | flac24; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Front Of Board Master Audience cassette: Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4†TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints |
gd1989-12-28.142684.schoeps.akg.414.composite.mattes.miller.clugston.flac1648 | |
1989-12-28 | Oakland-Alameda County Coliseum |
gd1989-12-28.142684.schoeps-akg414.composite.mattes.miller.clugston.flac1648 | |
1989-12-28 | Oakland-Alameda County Coliseum |
142684 | flac16/48kHz; Source Info: 1st Set - Ted Mattes' Master (FOB) Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); 2nd Set - Master Audience Dat (OTS) AKG 414 mics > unknown Dat deck (16-bit/48k) > Ted Mattes' Dat (16-bit/48k); Transfer Info: 1st Set: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648; 2nd Set: Master Dat clone (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 |
gd1989-12-28.153956.ultramatrix.miller.flac2496 | |
1989-12-28 | Oakland-Alameda County Coliseum |
153956 | flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 |
gd1989-12-30.139208.FOB.s1.Schoeps.Ammons.Noel.t-flac16 | |
1989-12-30 | Oakland-Alameda County Coliseum |
139208 | flac16/48kHz; Set 1 unknown taper: (FOB) Schoeps CMC34 at 110 degrees ORTF > Panasonic SV250; hand held on Schoeps t-bar; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/48; Checksum & tags created in xACT |
gd89-12-30sbd.gardner.9754.sbeok.shnf | |
1989-12-30 | Oakland-Alameda County Coliseum |
9754 | Tony G shntool fix of original Braverman seed; Ultramatrix (SBD/AUD mix); Lineage: DAT> CD> SHN |
gd1989-12-30.Nak300CP4.Baker.Keo.126075.Flac2496 | |
1989-12-30 | Oakland-Alameda County Coliseum |
126075 | flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1989-12-30.Nak300CP4.Baker.Keo.126076.Flac1644 | |
1989-12-30 | Oakland-Alameda County Coliseum |
126076 | flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1989-12-30.131029.cmc521.fob.deal.jwpetty.flac16 | |
1989-12-30 | Oakland-Alameda County Coliseum |
131029 | flac16; Digital FOB by Lance Deal using Schoeps CMC 521's (FOB)> Schoeps VMS 52 UB> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Panasonic SV-3700 (s/sdif)> M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Transferred and liberated to bt.etree on August 24, 2014 by jwpetty |
gd1989-12-30.141200.sbd.miller.flac2496 | |
1989-12-30 | Oakland-Alameda County Coliseum |
141200 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1989-12-30.142692.fob.schoeps.cmc3.mk4.mattes.miller.clugston.flac1648 | |
1989-12-30 | Oakland-Alameda County Coliseum |
142692 | flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod)> Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 |
gd1989-12-30.158322.mtx.tobin.flac16 | |
1989-12-30 | Oakland-Alameda County Coliseum |
158322 | flac16; Matrix 2 Source Mix - SBD (shnid = 140200) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142692) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod)> Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - matrix mixing by Kevin Tobin |
gd1989-12-30.158323.dts.tobin.flac16 | |
1989-12-30 | Oakland-Alameda County Coliseum |
158323 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 140200) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142692) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod)> Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dts mixing by Kevin Tobin |
gd1989-12-30.158324.5-1.tobin.flac1648 | |
1989-12-30 | Oakland-Alameda County Coliseum |
158324 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140200) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142692) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod)> Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - surround mixing by Kevin Tobin |
gd1989-12-30.nak300.bowen.109948.flac16 | |
1989-12-30 | Oakland-Alameda County Coliseum |
109948 | (OTS) Nakamichi CM-300/CP-4 > TCD-D10 Lineage: DAT-M > Tascam DA-30 > HHb CDR 800 Recorded/Transferred: Jeff Bowen Extraction [CD>EAC>WAV>FLAC]: Brad Foster |
gd1989-12-30.117741.NeumannKMF4.daweez.d5scott.flac16 | |
1989-12-30 | Oakland-Alameda County Coliseum |
117741 | flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1989-12-30.141314.UltraMatrix.sbd.cm.miller.flac1644 | |
1989-12-30 | Oakland-Alameda County Coliseum |
141314 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1989-12-31.154085.sbd.walker.scotton.miller.pitch.corrected.87784.flac16 | |
1989-12-31 | Oakland-Alameda County Coliseum |
154085 | flac16/44 Pitch corrected, re-patched version of shnid 87784 |
gd89-12-31.prefm.miller.23574.sbeok.shnf | |
1989-12-31 | Oakland-Alameda County Coliseum |
23574 | Pre-FM -> Dat -> Samplitude -> CD -> EAC -> SHN; Transfer By Charlie Miller |
gd89-12-31.sbd.bertha-ashley.18674.sbeok.shnf | |
1989-12-31 | Oakland-Alameda County Coliseum |
18674 | SBD>>PreFM>>DAT>>CDA>>WAV(EAC)>> SHN>>DAW(Bertha)>>CDA/SHN |
gd1989-12-31.nak300.bowen.109949.flac16 | |
1989-12-31 | Oakland-Alameda County Coliseum |
109949 | (OTS) Nakamichi CM-300/CP-4 > TCD-D10 Lineage: DAT-M > Tascam DA-30 > HHb CDR 800 Recorded/Transferred: Jeff Bowen Extraction [CD>EAC>WAV>FLAC]: Brad Foster |
gd1989-12-31.142693.fob.bk4011.mattes.miller.clugston.flac1648 | |
1989-12-31 | Oakland-Alameda County Coliseum |
142693 | flac16/48kHz; Source Info: Master (FOB)Audience Dat; B&K 4011 mics (ORTF, 110 degrees)(16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 |
gd89-12-31.sbd.hinko.28735.sbeok.flacf | |
1989-12-31 | Oakland-Alameda County Coliseum |
28735 | Recording Info: Pre-FM -> Dat -> Samplitude -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers By Charlie Miller charliemiller87@earthlink.net; Cleaned and Patched by Darryl Hinko 3/21/05; Patch in Dear Mr Fantasy with unknown AUD |
gd1989-12-31.mtx.hansokolow.96560.flac16 | |
1989-12-31 | Oakland-Alameda County Coliseum Arena |
96560 | flac16; matrix of DSBD: shnid=28735 and DAUD: shnid=92896 by hansokolow using ProTools |
gd1989-12-31.117749.NeumannKMF4.daweez.d5scott.flac16 | |
1989-12-31 | Oakland-Alameda County Coliseum |
117749 | flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1989-12-31.aud.mpmgumby.105224.flac16 | |
1989-12-31 | Oakland-Alameda County Coliseum |
105224 | flac16; Recorded by Mike Mahoney; Nakamichi Shotgun Mics>Sony D-5>Marantz PMD430 |
gd1989-12-31.155442.UltraMatrix.sbd.broadcast-mix.cm.miller.t.flac16 | |
1989-12-31 | Oakland-Alameda County Coliseum |
155442 | flac16/44 Recording Info: UltraMatrix SBD (Broadcast Mix) > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 154970 2496 > 1644 |
gd1989-12-31.154970.ultramatrix.miller.flac2496 | |
1989-12-31 | Oakland-Alameda County Coliseum |
154970 | flac24/96 Recording Info: UltraMatrix SBD (Broadcast Mix) > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 |
gd1989-12-31.sennME80.wklitz.92896.flac16 | |
1989-12-31 | Oakland-Alameda County Coliseum Arena |
92896 | flac16; Sennheiser ME-80's>Technics SV-MD1 (1st few row of OTS) DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades)>CDWAV>FLAC Transferred By Keith Litzenberger |