Grateful Dead
1989-12-28
Oakland Coliseum Arena
Oakland, CA

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*********** 24 Bit version NOT intended to burn direct to CD *********

Recorded and Mastered by ArchivalAudio [Ian Stoy]
ArchivalAudio [at] gmail [dot] com
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Front Of Board Master Audience cassette:

Toa K1’s head high >  Sony WM-D6c
media: Maxell (Metal position IV) MX c90’s  Dolby C on
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Mastering:
Tascam  302  Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48
Transcend  600x SDHD class10 U1 128gb
Transcend usb 3 card reader > MacMini  3 GHz i7/16GB DDDR3
Audacity: Fades/Tracking normalize to -.9db  remove DC offset > flac24
xACT Flac Fingerprints
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An ArchivalAudio Production 12/2017

First shared at Lossless Legs www.shnflac.net

Grateful Dead 1989-12-27 Oakland Coliseum Arena - Oakland, CA


12/28/89
Oakland Coliseum Arena - Oakland, CA

Set 1:
Crowd / Tuning
Let The Good Times Roll >
Feel Like A Stranger
Dire Wolf
Little Red Rooster
Ramble On Rose
Queen Jane Approximately
Just A Little Light
Let It Grow

Set 2:
Foolish Heart >
Looks Like Rain
Eyes Of The World
Drums
Gimme Some Lovin' >
All Along The Watchtower >
Stella Blue >
Turn On Your Love Light

Encore:
Pre Encore Tuning
U.S. Blues



http://www.setlists.net/?show_id=1928



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Notes:
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I was taping with taper buddy, John DeTally and we were up front in the quite zone with John Ammons, and I think Clay and or Sean, though I am not sure of who exactly we were with, we were acting as quiet blockers and redirecting folks around as best we could. John DeTally and I took turns wearing the mics and running the decks, both WM-D6C's Mine first then his.  The blanket space was about half way between the house soundboard mix position and the stage and was fairly large I believe it was 4 large king size tie died sheets sewn together... plus made a few others surrounding the quite fob taping zone... It sounds very sweet way up in there.

I had DIY'd my To a K1 capsules  to be "active" from the bodies sometime in 1988 , I believe. Later Some on I knew "machines some threaded parts, though out of aluminum, and with the fine threading it proved to be too soft and would occasionally lose connections, I think for this run I simply had the cables electrical taped on to the caps and bodies. There were multiple pops and high transient clips and crackles, in the left channel. I only ran 12/27 and 12/28 upfront, I did not want the stress on 12./30 or 12/31 so I ran from way in the back in the Official Taping Section (OTS) which was not even on the floor, but in the back elevated stands.
Finally I am able to master both of these FOB nights, and use the right channel to patch the left, where needed. It is certainly a labor of love, but well worth the effort I hope that you enjoy the recordings too.

No EQ or other effects were applied.


Tech Notes:

first 3 minutes of set 1 had multiple patches in LTGTR with the right used for left (AKA mono). Only about 30 seconds of LTGTR patched.
The rest of set one is unpatched.

No patches in second set

For many years this was the only source I had to listen to my own and is why I started taping, so I could hear the shows I attended.

enjoy - ArchivalAudio

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