Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1988-06-28.132524.Nak100CP4.Seremetcc.Keo.Flac1644
1988-06-28Saratoga Performing Arts Center
132524flac16; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD-8-100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd88-06-28.fm-matrix.braverman.17956.sbeok.shnf
1988-06-28Saratoga Performing Arts Center
17956FM (matrix): DAT> CD> TrackThief> AIFF> Peak> WAV> SHN via Braverman (upgrade of prior seeds from this source)
gd1988-06-28.sbd.130781.MrBill.flac16
1988-06-28Saratoga Performing Arts Center
130781flac16; Recording Info: SBD > MC > DAT > CDR > SHN; Transfer Info: SHN > TLH > WAV > Sound Forge 10 > TLH > FLAC; Retracked, remastered version of shnid 7831; Retracked and mastered by Bill Guarneri, July 30, 2014
gd1988-06-28.145612.ots.akg460.ackerman.miller.noel.t-flac16
1988-06-28Saratoga Performing Arts Center
145612flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k), Edited & Mastered by Joe Noel, WAV > Audacity > FLAC 24/96, April 10, 2018; This file set is 16 bit @ 44.1
gd1988-06-28.Nak300Nak100.Fitzy.Keo.130426.Flac1644
1988-06-28Saratoga Performing Arts Center
130426flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Nakamichi CM100/CP4 Shotguns > Unknown Mixer > Sony TC-D5m, Tapes Maxell MX-90's; Recorded From The Official Taper's Section; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1988-06-28.Nak300Nak100.Fitzy.Keo.130427.Flac2496
1988-06-28Saratoga Performing Arts Center
130427flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Nakamichi CM100/CP4 Shotguns > Unknown Mixer > Sony TC-D5m, Tapes Maxell MX-90's; Recorded From The Official Taper's Section; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
gd88-06-30.schoeps-fob.gustin.414.sbeok.shnf
1988-06-30Silver Stadium
414FOB split Schoeps CMC5/mk21's > PCM > DAT; Conversion: DAT->Montego II->HD via Soundforge->CDWav->MKW .shn; via A. Gustin
gd1988-06-30.akg460.ackerman.andrewf.81533.sbeok.flac16
1988-06-30Silver Stadium
81533flac16; AUD Source: AKG 460's with CK3 hypercardioid capsules > Sony TC-D5M. Set up FOB, even with the front of the board. Taped by Ray Ackerman. Transfer: MAC > CD by Ray Ackerman (equipment unknown). CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, January 2007 by Andrew F
gd1988-06-30.aud-set2.herbst.gems.80269.sbeok.flac16
1988-06-30Silver Stadium
80269flac16; Set 2 only: MAC > C1 (Maxell XLII 90) > Nakamichi 480, azimuth aligned > Tascam DA-40 (A/D only) > M-Audio Audiophile 192 > Adobe Audition > CDWave > FLAC Frontend
gd1988-06-30.144572.FOB.AKG.Kyocera-Remaster.Ackerman.Noel.t-flac2496
1988-06-30Silver Stadium
144572flac24; Ray Ackerman's Master Audience Cassette Recording & Transfer; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette; Located, front left side of sound board; Transfer: Master Cassettes > Kyocera D811 > Grace V3 > M-Audio MicroTrack II > WAV 96Hz/24bit; Edited & Mastered w/ Audacity by Joe Noel
gd1988-06-30.135156.set2.bltz.flac2496
1988-06-30Silver Stadium
135156flac24; Set 2 Source: Nakamichi CM-300s/Shotguns -> Sony Walkman Pro/TDK MX-S 100 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Recorded, tracked and seeded by bltz
gd1988-06-30.138070.set2.Schoeps.CMC42s.PCM.Mattes.FIX.flac1644
1988-06-30Silver Stadium
138070flac16; Set 2 Source: FOB recording by Ted Mattes; Schoeps CMC42s (omnis spaced 8 feet) > Apogee Mod Sony PCM F1 FOB; Transfer: John Ammons; Beta master > DAT > CD > Audacity; Patch, tags & checksums: Joe Noel in Audacity & xACT; fixed version cirulated 2017/03/29: cut between BION removed duplicate patch removed from end of space (crossfades re-applied) re-tracked; please don't circuulate the original source
gd1988-06-30.141704.FOB.AKG.Ackerman.Miller.Noel.t-flac2496
1988-06-30Silver Stadium
141704flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
gd1988-06-30.142404.Crandall.Kemble.Mattes.Donaldson.Ammons.Noel.t-flac1644
1988-06-30Silver Stadium
142404flac16; Ted Mattes FOB Recording: Schoeps CMC42s (omnis spaced 8 feet) > Apogee Mod Sony PCM F1 > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Flac 16/44
gd88-06-30.sbd.set2.dodd.19530.sbeok.shnf
1988-06-30Silver Stadium
19530Set 2 SBD > DAT [vault] > DAT [vault clone] > CDR. Discs kindly provided by Zeb Weber via David Gans. cd > eac > shnv3 by Ernie Dodd. [Note: This is a more complete and uncensored version of this source (/shninfo_detail.php?shnid=6670).]
gd1988-06-30.146890.FOB-Schoeps.PCM.t-flac16
1988-06-30Silver Stadium
146890flac16; John Kemble & Don Crandall (FOB) Recording: Schoeps CMC4 + 41 Cardiod capsules @ 110ยบ > MIT Proline XLR cables > OADE 48V "wonder cap" power supply > PCM (Sony PCM-F1/SL-2000) > PCM(2); Bill Reutelhuber transfer: PCM(2) > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Flac 16/44; Edited & Mastered by Joe Noel Flac > Audacity > Flac 16/44
gd1988-06-30.sbd.miller.96071.sbeok.flac16
1988-06-30Rochester Silver Stadium
96071flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Set 2: SBD -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Set 2: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1988-06-30.145661.fob.akg460.ackerman.noel.t-flac16
1988-06-30Silver Stadium
145661flac16; Ray Ackerman's Master Audience Cassette Recording & Transfer; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette; Located, front left side of sound board; Transfer: Master Cassettes > Kyocera D811 > Grace V3 > M-Audio MicroTrack II > WAV 96Hz/24bit; Edited & Mastered w/ Audacity by Joe Noel. This file set is 16 bit @ 44.1
gd88-07-02.sbd.jeffm.2328.sbeok.shnf
1988-07-02Oxford Plains Speedway
2328SBD> Master Cassette> DAT> CDR> EAC> SHN; via Jeff M.
gd1988-07-02.nak100.unknown.32636.sbeok.flac16
1988-07-02Oxford Plains Speedway
32636Nakamichi 100's > Marantz 430-PDM [Maxell metals w/ dbx] Sony 59 ES > wavelab > cd wave > flac
gd1988-07-02.124766.AT835.laurentis.flac16
1988-07-02Oxford Plains Speedway
124766flac16; Taper: M. Laurentus; FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
gd1988-07-02.140673.s1.FOB.Schoeps.Bryant.Gastwirt.Miller.Noel.t-flac1644
1988-07-02Oxford Plains Speedway
140673flac16; Set 1 from Robert Bryant (from an Oade Bros. patch) FOB; Recording: Schoeps MK2 spaced omni's > Sony F1 > PCM > DAT; Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT
gd1988-07-02.140674.FOB.Neumann.Silberman.Ammons.Noel.t-flac1644
1988-07-02Oxford Plains Speedway
140674flac16; Jeff Silberman Master FOB Recording: Neumann U89 spaced omnis -> Technics SV-100 -> PCM; John Ammons Transfer: Tascam DA20 Mark II -> Roland SRC-2 -> Mac Mini > Audacity 3.0 @ 44K -> WAV; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT
gd1988-07-02.141757.FOB.AKG.Ackerman.Miller.Noel.t-flac2496
1988-07-02Oxford Plains Speedway
141757flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
gd1988-07-02.158161.Nak300.carpenter.flac2448
1988-07-02Oxford Plains Speedway
158161flac2448 Lineage: Nak 300s -> Sony TCD5M ( no dolby )-> Maxell MX 90s-> Nakamichi CR3a -> M-Audio 192-6-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, SBE, flac, checksums. Taped and Transferred by Ted Carpenter
gd1988-07-02.150323.aud.CMC42s.FOB.flac16
1988-07-02Oxford Plains Speedway
150323flac16; FOB Schoeps CMC42s (8ft. spaced omni) > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
gd1988-07-02.mtx-v2.dts.haugh.92582.flac16
1988-07-02Oxford Plains Speedway
92582DTS Audio 5.1; DTS-Audio-CD 5.1 Mix, see info file for details
gd1988-07-02.mtx-v2.haugh.92583.flac16
1988-07-02Oxford Plains Speedway
92583flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
gd1988-07-02.mlp.haugh.98645.dvda
1988-07-02Oxford Plains Speedway
98645DVD-VA: (Video Audio) DVD-Audio 5.1 Surround Sound (MLP Encoded 6ch x 16/44) SBD (ShnID = 86817) Transfer Info: SBD > DAT (48k) DAT (Sony R500) > Samplitude Professional v9.11 > FLAC and AUD (ShnID = 1031) Source: FOB Schoeps CMC42s, Spaced Omni > Sony PCM F1/SL2000 > PCM 601ES > DAT; Taper: Rich Gastwirt
gd1988-07-02.138736.set2.5-1.tobin.flac1648
1988-07-02Oxford Plains Speedway
138736flac16/48kHz; 5.1 LPCM Surround Sound (48k) Set 2 Only - SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin
gd1988-07-02.138737.set2.mtx.tobin.flac16
1988-07-02Oxford Plains Speedway
138737flac16; Matrix 2 Source Mix Set 2 Only - SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
gd1988-07-02.138738.set2.dts.tobin.flac16
1988-07-02Oxford Plains Speedway
138738DTS-Audio-CD 5.1 Mix; Set 2 Only SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin
gd1988-07-02.147158.sennme80.porter.carbonetta.sirmick.flac24
1988-07-02Oxford Plains Speedway
147158flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited asnd mastered SIRMick July 2019
gd1988-07-02.Nak300CP4.Fitzy.Keo.124844.Flac2496
1988-07-02Oxford Plains Speedway
124844flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1988-07-02.Nak300CP4.Fitzy.Keo.124845.Flac1644
1988-07-02Oxford Plains Speedway
124845flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd88-07-02.DTS.matrix.dan.21434.sbeok.shnf
1988-07-02Oxford Plains Speedway
21434Source: SBD + AUD '5.1 DTS'; FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR; SBD > Dat > Sonic Solutions > CDR
gd88-07-02.sbd-matrix.dan.21211.sbeok.shnf
1988-07-02Oxford Plains Speedway
21211Source: SBD + AUD 'Matrix Mix' Source 1) FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR Source 2) SBD > Dat > Sonic Solutions > CDR Both sources were extracted using EAC and time aligned/mixed/shn'ed by dan@am-dig.com using Cool Edit 2k (see additional notes in text file)
gd1988-07-02.nakcm304.beyerm101.suraci.82762.sbeok.flac16
1988-07-02Oxford Plains Speedway
82762flac16; Source: Nakamichi CM304's>BeyerM101>Sony Mixer>Sony D5M Location: At SBD*, Stand at 8 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
gd1988-07-02.sbd.miller.86817.sbeok.flac
1988-07-02Oxford Plains Speedway
86817flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
gd1988-07-02.132393.Nak100CP4.Seremetcc.Keo.Flac1644
1988-07-02Oxford Plains Speedway
132393flac16; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD8 100's; Recorded By The Soundboard; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1988-07-02.142977.Senn.Porter.Wescott.Noel.t-flac1648
1988-07-02Oxford Plains Speedway
142977flac16/48kHz; Recording by Stephen Porter: Sennheiser Me80 > Sony D5 > Master Cassette (Maxell XLII-S 90); Transfer by Kris Wescott: Master Cassette > Nakamichi CR7a (dolby on) > Korg mr1000 1 bit @ 5.6 mhz > WAV 1648
gd1988-07-02.145666.fob.akg460.ackerman.miller.noel.t-flac16
1988-07-02Oxford Plains Speedway
145666flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1
gd1988-07-02.150683.sbd.miller.flac2496
1988-07-02Oxford Plains Speedway
150683flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd1988-07-02.150701.UltraMatrix.sbd.cm.miller.flac16
1988-07-02Oxford Plains Speedway
150701flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
gd1988-07-02.132394.Nak100CP4.Seremetcc.Keo.Flac2496
1988-07-02Oxford Plains Speedway
132394flac24; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD8 100's; Recorded By The Soundboard; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1988-07-02.nak300.morris.crazyfingers.106588.flac16
1988-07-02Oxford Plains Speedway
106588flac16; (FOB) Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/TDK MA 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded FOB by Bob Morris
gd1988-07-02.156917.nak700.werner.flac1644
1988-07-02Oxford Plains Speedway
156917flac1644 Nakamichi CM-700's w/-15db attenuation > Sony TC-D5M (Mark) > Sony TC-D5M (me, dolby B ?) FOB, about 25-30 feet from stage, just left of center, slightly in the Phil zone. Mics on stand, about 6 feet high. Transfer: Nakamichi CR-7A > Edirol R-09HR or Sony PCM-M10. 24bit@44.1kHz Edited it Audacity. Tracked in CDWave. Recorded, Mastered & Edited by Joel Werner
gd88-07-03.sbd.ststephen.3908.sbeok.shnf
1988-07-03Oxford Plains Speedway
3908SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko
gd1988-07-03.139081.mtx.tobin.flac16
1988-07-03Oxford Plains Speedway
139081flac16; Matrix 2 Source Mix - SBD (shnid = 3908) SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko + AUD (shnid = 124810) FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus - matrix mixing by Kevin Tobin
gd1988-07-03.139082.dts.tobin.flac16
1988-07-03Oxford Plains Speedway
139082DTS-Audio-CD 5.1 Mix; SBD (shnid = 3908) SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko + AUD (shnid = 124810) FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus - dts mixing by Kevin Tobin
gd1988-07-03.139083.5-1.tobin.flac1648
1988-07-03Oxford Plains Speedway
139083flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 3908) SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko + AUD (shnid = 124810) FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus - surround mixing by Kevin Tobin
gd1988-07-03.140675.FOB.Neumann.Silberman.Ammons.Noel.t-flac1644
1988-07-03Oxford Plains Speedway
140675flac16; Jeff Silberman Master FOB Recording: Neumann U89 spaced omnis -> Technics SV-100 -> PCM; John Ammons Transfer: Tascam DA20 Mark II -> Roland SRC-2 -> Mac Mini > Audacity 3.0 @ 44K -> WAV; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT
gd1988-07-03.141758.FOB.AKG.Ackerman.Miller.Noel.t-flac2496
1988-07-03Oxford Plains Speedway
141758flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
gd1988-07-03.147523.sennme80.porter.carbonetta.sirmick.flac24
1988-07-03Oxford Plains Speedway
147523flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick September 2019
gd1988-07-03.nakcm304.beyerm101.suraci.82801.sbeok.flac16
1988-07-03Oxford Plains Speedway
82801flac16; Source: Nakamichi CM304's>BeyerM101>Sony Mixer>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
gd1988-07-03.150324.aud.CMC42s.FOB.flac16
1988-07-03Oxford Plains Speedway
150324flac16; FOB Schoeps CMC42s (8ft. spaced omni) > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
gd1988-07-03.mtx.dts.haugh.92584.flac16
1988-07-03Oxford Plains Speedway
92584DTS Audio 5.1; DTS-Audio-CD 5.1 Mix, see info file for details
gd1988-07-03.mtx.haugh.92585.flac16
1988-07-03Oxford Plains Speedway
92585flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
gd1988-07-03.fob.schoeps.houck.107117.flac16
1988-07-03Oxford Plains Speedway
107117flac16; (FOB) Schoeps CMC42s (Spaced Omni) > Sony PCM F1/SL2000 > PCM 601ES > Dan Houck's DAT; Lineage: Sony TCD-790 > Hucht Copyprocessor MKII > Tascam HD-P2 > WAV > FLAC
gd1988-07-03.nak300.carpenter.andrewf.92586.sbeok.flac16
1988-07-03Oxford Plains Speedway
92586flac16; FOB AUD: Nakamichi CM-300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, July 2008. Transfer by Andrew F.
gd1988-07-03.132398.Nak100CP4.Seremetcc.Keo.Flac1644
1988-07-03Oxford Plains Speedway
132398flac16; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD 430 > Tapes Denon HD 8-100's; Recorded From The Repeater Stack; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1988-07-03.132399.Nak100CP4.Seremetcc.Keo.Flac2496
1988-07-03Oxford Plains Speedway
132399flac24; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD 430 > Tapes:Denon HD 8-100's; Recorded From The Repeater Stack; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
gd1988-07-03.142978.Senn.Porter.Wescott.Noel.t-flac1648
1988-07-03Oxford Plains Speedway
142978flac16/48kHz; Recording by Stephen Porter: Sennheiser Me80 > Sony D5 > Master Cassette (Maxell XLII-S 90); Transfer by Kris Wescott: Master Cassette > Nakamichi CR7a (dolby on) > Korg mr1000 1 bit @ 5.6 mhz > WAV 1648
gd1988-07-03.145667.fob.akg460.ackerman.miller.noel.t-flac16
1988-07-03Oxford Plains Speedway
145667flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1
gd1988-07-03.124810.AT835.laurentis.flac16
1988-07-03Oxford Plains Speedway
124810flac16; FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus
gd1988-07-03.nak300.morris.crazyfingers.106587.flac16
1988-07-03Oxford Plains Speedway
106587flac16; (FOB) Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/TDK MA 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded FOB by Bob Morris
gd1988-07-03.beyer201.connor.3325.sbeok.shnf
1988-07-03Oxford Plains Speedway
3325(FOB) AUD> Beyer Dynamic 201's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav v1.6 (tracking only)> SHNv3 (MKW ACT); taped, mastered and seeded to abgd by Charlie Connor
gd88-07-15.sbd.clugston.10343.sbeok.shnf
1988-07-15Greek Theatre, U. Of California
10343Sources: Primary Source: Prev Braverman Matrix Seed Seconday Source: Prev Gardner Seed of Sean Weber-Small's Aud PCM Master The secondary source supplies a patch in Estimated Prophet(d2t05) from 3:03 thru 3:07; Patched by Scott Clugston. Vined and posted to abgd via Charlie Connor
gd1988-07-15.137888.dbx.hale.flac16
1988-07-15Greek Theatre, U. Of California
137888flac16; NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH
gd1988-07-15.138063.HealyFM.hale.flac16
1988-07-15Greek Theatre, U. Of California
138063flac16; Fixed version Source Info: Healy-FM > FM Receiver(RCA output) > D-6 (Dolby C on) > Maxell MX-90; Transfer Info: Maxell MX-90 > Onkyo TA-2027(Dolby C on/azimuth adjusted) > Carver HR-722 > Sony M-10 (Wave 24bit/96k/tracked) > Soundforge 9 (fades / patch) > Converted to 16bit/44k w/ Audacity > Encoded to FLAC (level 8) w/ TLH; Original source marked pre-FM and had some files that were 44.1kHz and others 96kHz
gd1988-07-15.140749.schoeps.cmc3.mk41.mattes.miller.clugston.flac1644
1988-07-15Greek Theatre, U. Of California
140749flac16; Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd88-07-15.schoeps-weber-small.gardner.9244.sbefail.shnf
1988-07-15Greek Theatre, U. Of California
92442nd Row Behind Healy (see notes): Schoeps CMC42S (Spaced Omni 14' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters; Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner
gd1988-07-15.143187.OTS.Schoeps.Weber-Small-Ammons-PhiilyCrew-Noel.t-flac1644
1988-07-15Greek Theatre, U. Of California
143187flac16; Sean Weber-Small recording: Schoeps CMC42S (Spaced Omni 14' Split)> Oade Power Supply> PCM (Sony PCM-F1 w/ Apogee modified A/D filters); Location (OTS, 2nd Row behind Healy); A Philly Crew transfer: PCM(1)> Sony PCM601esd (spdif out)> VX Pocket (spdif in)> Nuendo> FLAC 16/44
gd1988-07-15.sbd.clugston.braverman.tetzeli.fix-10343.34751.flac16
1988-07-15Greek Theater - University of California
34751flac16; Seamless fix of shn id 10343 - Ultramatrix>DAT>?>CD>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1988-07-15.138064.prefm.hale.flac24
1988-07-15Greek Theatre, U. Of California
138064flac24; Some file are 24 bit and others are 16bit; Source Info: pre-FM > FM Receiver(RCA output) > D-6 (Dolby C on) > Maxell MX-90; Transfer Info: Maxell MX-90 > Onkyo TA-2027(Dolby C on) > Carver HR-722 > Sony M-10 (Wave 24bit/96k/tracked) > Soundforge 9 (fades / patch) > Encoded to FLAC (level 8) w/ TLH; this entry is for documentation purposes
gd1988-07-15.141959.pp-aud.tobin.flac1644
1988-07-15Greek Theatre, U. Of California
141959flac16; Patched and Pitch Corrected Audience - AUD (original shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - pitch correction and patches by Kevin Tobin
gd1988-07-15.141960.mtx.tobin.flac1644
1988-07-15Greek Theatre, U. Of California
141960flac16; Matrix 2 Source Mix - SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - matrix mixing by Kevin Tobin
gd1988-07-15.141961.dts.tobin.flac1644
1988-07-15Greek Theatre, U. Of California
141961DTS-Audio-CD 5.1 Mix; SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - dts mixing by Kevin Tobin
gd1988-07-15.141962.5-1.tobin.flac1648
1988-07-15Greek Theatre, U. Of California
141962flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - mixing by Kevin Tobin; Fixed version in circulation
gd1988-07-15.141964.UltraMatrix.sbd.cm.miller.flac1644
1988-07-15Greek Theatre, U. Of California
141964flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-07-15.142014.5-1.tobin.flac1648
1988-07-15Greek Theatre, U. Of California
142014flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - surround mixing by Kevin Tobin
gd1988-07-15.143155.pre-fm.bm.miller.flac1644
1988-07-15Greek Theatre, U. Of California
143155flac16; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller This file set is 16 bit @ 44.1
gd1988-07-15.143091.preFM.beta.miller.flac2496
1988-07-15Greek Theatre, U. Of California
143091flac24; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-07-15.141922.sbd.miller.flac2496
1988-07-15Greek Theatre, U. Of California
141922flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-07-15.sbd.braverman.10079.sbeok.shnf
1988-07-15Greek Theater - University of California
10079Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.); via Steve Aserkoff; Seeded to etree by Peter Braverman
gd88-07-16.sbd-matrix.braverman.10080.sbeok.shnf
1988-07-16Greek Theatre, U. Of California
10080Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.); via Steve Aserkoff; Seeded to etree by Peter Braverman
gd1988-07-16.138037.hale.dbx.flac16
1988-07-16Greek Theatre, U. Of California
138037flac16; Source: NAK-CM100-CP4 Shotguns(2) TOA-K1 Cardoids(2) > Tascam PortaOne 4-Track; Cassette w/DBX Type II on > Maxell XLII-S90; Set up right of center on the hill behind seating and walkway on 2 mic stands 8'&12' high; Processing: Maxell XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps/start/end and patching) > encoded to FLAC (level 8) w/ TLH FM masters for patch processed the same as the audience masters (w/out dbx-224X) Maxell MX-90 > w/Onkyo TA-2027(Dolby C on)
gd1988-07-16.139808.sbd.ultramatrix.pcm.miller.flac1644
1988-07-16Greek Theatre, U. Of California
139808flac16; Recording Info: UltraMatrix SBD (Broadcast Mix) > PCM Master; Transfer Info: PCM Master (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
gd1988-07-16.140750.schoeps.cmc3.mk41.mattes.miller.clugston.flac1644
1988-07-16Greek Theatre, U. Of California
140750flac16; Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1988-07-16.143156.sbd.beta.miller.flac2496
1988-07-16Greek Theatre, U. Of California
143156flac24; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-07-16.nak700.reutelhuber.russjcan.107042.flac16
1988-07-16Greek Theatre, U. Of California
107042flac16; Nak700/cp701>Bill Box>dbx224>D5: Nak>dbx224>mytek8x96AD6(24bit)ftp>r8brain>audacity>cdwave>tlh; Recorded and Transferred by Bill Reutelhuber
gd1988-07-16.sbd.miller.87751.sbeok.flac16
1988-07-16Greek Theater - University of California
87751flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1988-07-16.143160.pre-fm.bm.miller.flac1644
1988-07-16Greek Theatre, U. Of California
143160flac16; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-07-16.140549.sbd.gans.miller.clugston.flac1644
1988-07-16Greek Theatre, U. Of California
140549flac16; Recording Info: UltraMatrix SBD (Broadcast Mix) > Ultra Hi-FI VHS Master; Transfer Info: Ultra Hi-Fi VHS Master (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1 bit/5.8 MHz) > Adobe Audition 3.0 24/96 > TLH flac2496
gd1988-07-16.140495.sbd.gans.miller.clugston.flac2496
1988-07-16Greek Theatre, U. Of California
140495flac24; Recording Info: UltraMatrix SBD (Broadcast Mix) > Ultra Hi-FI VHS Master; Transfer Info: Ultra Hi-Fi VHS Master (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1 bit/5.8 MHz) > Adobe Audition 3.0 24/96 > TLH flac2496
gd88-07-17.sbd-matrix.braverman.10081.sbeok.shnf
1988-07-17Greek Theatre, U. Of California
10081Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.); via Steve Aserkoff; Seeded to etree by Peter Braverman.; Note- This may be an FM source; See user comments
gd88-07-17.schoeps.gardner.9245.sbeok.shnf
1988-07-17Greek Theatre, U. Of California
92452nd Row Behind Healy (see notes). Schoeps CMC42S (Spaced Omni 10' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters. Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner
gd1988-07-17.140511.set1.fob.akg.414btl.pcm.gastwirt.miller.clugston.flac1644
1988-07-17Greek Theatre, U. Of California
140511flac16; Set 1 Recording Info: (FOB) Master Audience PCM; AKG 414btl mics, Master PCM > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16
gd1988-07-17.143157.inhouse-FM.miller.flac2496
1988-07-17Greek Theatre, U. Of California
143157flac24; Recording Info: In-House FM (SBD) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd88-07-17.sbd.jeffm.1808.sbeok.shnf
1988-07-17Greek Theatre, U. Of California
1808SBD> DAT Master> CDR> EAC> WAV> SHN; known flaws: d2t05 - d/o's 4:34, 5:06; via Jeff M.; Note- This may be an FM source; See user comments
gd1988-07-17.140512.set2.sbd.gans.miller.clugston.fixed.flac2496
1988-07-17Greek Theatre, U. Of California
140512flac24; Set 2 Recording Info: UltraMatrix SBD (Broadcast Mix) > Ultra Hi-Fi VHS Master; Transfer Info: Ultra Hi-Fi VHS Master (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1 bit/5.8 MHz) > Adobe Audition 3.0 24/96 > TLH flac2496; the original source had errors, please don't circulate that version
gd1988-07-17.143211.sbd.bm.miller.flac1644
1988-07-17Greek Theatre, U. Of California
143211flac16; Recording Info: In-House FM (SBD) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1
gd1988-07-17.138013.hale.dbx.flac16
1988-07-17Greek Theatre, U. Of California
138013flac16; NAK-CM100-CP4 Shotguns(2) TOA-K1 Cardoids (2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up right of center on hill behind seating and walkway on 2 mic stands 8'&12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flips/start/end and patch) > encoded to FLAC (level 8) w/ TLH
gd1988-07-17.sbd.miller.87752.sbeok.flac16
1988-07-17Greek Theater - University of California
87752flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1988-07-17.143158.sbd.beta.miller.flac2496
1988-07-17Greek Theatre, U. Of California
143158flac24; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-07-17.143173.pre-fm.bm.miller.flac1644
1988-07-17Greek Theatre, U. Of California
143173flac16; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-07-17.140579.set2.sbd.gans.miller.clugston.flac1644
1988-07-17Greek Theatre, U. Of California
140579flac16; Set 2 Recording Info: UltraMatrix SBD (Broadcast Mix) > Ultra Hi-Fi VHS Master; Transfer Info: Ultra Hi-Fi VHS Master (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1 bit/5.8 MHz) > Adobe Audition 3.0 24/96 > TLH flac2496; channels are correct on this 16 bit
gd88-07-29.sbd.hayum.5395.sbeok.shnf
1988-07-29Laguna Seca Recreation Area
5395Soundboard (was originally labeled as Aud CM-> DAT-> CDR-> EAC w/correct offsets using Secure Mode w/C2 (Plextor UW)-> SHN (MKW)); encore is different AUD source; see notes in info file; via Andy Hayum with thanks to Ken Doughty, Karen Lutz Benbrook
gd1988-07-29.fob.nak100.holtz.jaz.102903.flac16
1988-07-29Laguna Seca Recreation Area
102903flac16; TAPER: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps (Hand Held FOB) Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8
gd1988-07-29.set2.sbd.russjcan.105341.flac16
1988-07-29Laguna Seca Recreation Area
105341flac16; Second Set Only 3rd gen sbd>NakCR-3A>AudigySE>Audacity>CDwave>TLH
gd1988-07-29.sbd.miller.106034.flac16
1988-07-29Laguna Seca Recreation Area
106034flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1988-07-29.pzm.russjcan.93970.sbeok.flac16
1988-07-29Laguna Seca Raceway
93970flac16; Hat Mounted Realistic pzm's w/sony WMD6-C 45 feet away,dead center MAC>D6>HD>Audacity>CDWave>TLH
gd1988-07-29.schoeps.litzenberger.watson.86255.sbefail.flac16
1988-07-29Laguna Seca Raceway
86255flac16; Source: Schoeps cmc 4/mk2-> Sony pcm-f1->Beta->Dat->Sony pcm R-500(playback)->vx pocket v2->SF6 Taper: unknown
gd88-07-30.sbd-aud.goetz.19585.sbeok.shnf
1988-07-30Laguna Seca Recreation Area
19585mixed sources: set1: sbd matrix> unknown cassette generations> ?dat?> cdr> wav> shn; set 2: aud (unknown taper)> unknown cassette generations> ?dat?> cdr> wav> shn; EAC> SHN by Robert Goetz from Mike Rider's source disc
gd1988-07-30.beyer.connor.82207.sbeok.flac16
1988-07-30Laguna Seca Raceway
82207flac 16:Primary Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's) Secondary Source: Bill Reutelhuber's Nakamichi CM700/CP701>dbx type II encoder>Cassette Master (Sony TC-D5M) (shn id 21092)Transfer:Nakamichi DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16 Level 8: Taped and transferred by Charlie Connor
gd88-07-30.nak700-reutelhuber.miller.21092.sbeok.shnf
1988-07-30Laguna Seca Recreation Area
21092Recording Info:(FOB/Split 10 to 20 Feet)Nakamichi CM700/CP701 -> dbx type II encoder -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi Cassette Deck 1) -> dbx 224x -> Mytek 8X96ADC -> Nuendo (24bit) -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN); Process Info: Very slight eq with waves Q10 and rendered to a 16 bit file with waves L2; Editing Info: Normalized and Tracked with Samplitude v7.02 Professional; Recorded and Transfered BY Bill Reutelhuber; Edited By Charlie Miller 12/15/03
gd1988-07-30.fob.nak100.holtz.jaz.102904.flac16
1988-07-30Laguna Seca Recreation Area
102904flac16; Taper: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps (In Hat FOB) Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8
gd1988-07-30.pzm.russjcan.94495.flac16
1988-07-30Laguna Seca Raceway
94495flac16; Hat Mounted Realistic pzm's w/D6 45 feet,dfc MAC>D6>HD>Audacity>CDwave>TLH
gd88-07-31.sbd.dauria.1669.sbeok.shnf
1988-07-31Laguna Seca Recreation Area
1669SBD > MR > DAT @48Khz; Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHN3 (seekable); via John D'Auria; d2 tracked for 80 min; small glitch in Bucket, no other flaws
gd1988-07-31.akg.thompson.motb.85999.sbeok.flac16
1988-07-31Laguna Seca Raceway
85999flac16; Source: Audience FOB Recording, DFC Media: TDK-SA-X Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > AES > Sound Devices 722 > WAV
gd1988-07-31.142255.sbd.ultramatrix.mattes.miller.clugston.flac1644
1988-07-31Laguna Seca Recreation Area
142255flac16; Source Info: Master Soundboard Cassette > PCM; Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
gd1988-07-31.fob.nak100.holtz.jaz.102905.flac16
1988-07-31Laguna Seca Recreation Area
102905flac16; Taper: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps (In Hat FOB) Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8
gd1988-07-31.142396.s1.sbd.miller.flac1648
1988-07-31Laguna Seca Recreation Area
142396flac16/48kHz; Set 1 Recording Info: UltraMatrix SBD > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller
gd88-08-26.schoeps-fob.gardner.8215.sbeok.shnf
1988-08-26Tacoma Dome
8215FOB Schoeps CMC34 --> Sony PCM-601ES --> DAT; Seeded to etree by Bill Gardner
gd1988-08-26.152077.nak700.severson.miller.clugston.flac1648
1988-08-26Tacoma Dome
152077flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
gd1988-08-26.152078.nak700.severson.miller.clugston.flac2496
1988-08-26Tacoma Dome
152078flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
gd1988-08-26.152393.ultramatrix.miller.fixed.flac2496
1988-08-26Tacoma Dome
152393flac24/96 repaired the flutter from shnid=143062 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > Izotope RX8 Advanced > FLAC/24
gd1988-08-26.152580.UltraMatrix.sbd.cm.miller.t.flac16
1988-08-26Tacoma Dome
152580flac16/44 repaired the flutter from shnid=143062 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > Izotope RX8 Advanced > FLAC/24 - This is 152393 24 -> 16 @ 44.1
gd1988-08-26.143125.sbd.ultramatrix.block.blackwood.miller.clugston.flac1648
1988-08-26Tacoma Dome
143125flac16/48kHz; Master UltraMatrix Soundboard Dat > Steve Block's cassettes > Jim Blackwood's Dat (16-bit/48k)Transfer Info: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Sound Devices 744T (.wav 16-bit/48k) > Adobe Audition 3.01 > TLH flac1648
gd1988-08-26.143143.sbd.UltraMatrix.cm.miller.flac1644
1988-08-26Tacoma Dome
143143flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24. this file set is 16 bit at 44.1
gd1988-08-26.143062.sbd.miller.flac2496
1988-08-26Tacoma Dome
143062flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
gd88-08-28.sbd.wiley.16085.sbeok.shnf
1988-08-28Autzen Stadium, U. of Oregon
16085SBD>MC>DAT>CDR; via Paul G; Seeded by T. Wiley
gd1988-08-28.152079.fob.nak700.severson.miller.clugston.flac1648
1988-08-28Autzen Stadium, University Of Oregon
152079flac16/48 Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
gd1988-08-28.152080.fob.nak700.severson.miller.clugston.flac2496
1988-08-28Autzen Stadium, University Of Oregon
152080flac24/96 Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
gd88-08-28.sbd.ladner.31107.sbeok.flacf
1988-08-28Autzen Stadium, U. of Oregon
31107flac16; Source: Healy SBD Ultramix Patch > Sony D5 > MSC(TDK MA-XG90 Type IV Cassettes). Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. Transfer and encoding by C. Ladner.
gd1988-08-28.139356.cmc34.set1.ebel.flac1644
1988-08-28Autzen Stadium
139356flac16 44.1khz Set 1 Only. Source: Schoeps CMC 34-> PCM-> DAT Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel
gd1988-08-28.140488.sonywmd3.flac1644
1988-08-28Autzen Stadium, U. of Oregon
140488flac16; Sony WM-D3 with stock mic > Maxell XL-II 90 minute cassette > Nakamichi CR-7A azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 2.0 (16/44.1 capture to .wav) > iZotope RX and Ozone > FLAC
gd88-09-02.nakamichi.leeds.16156.sbeok.shnf
1988-09-02Capital Centre
16156NAK 300's + CP4(XY)-> Sony D5-> Lucid AD9624-> DAT@48KHZ-> Tascam CDRW 700; Cassette Playback on Nakamichi CR 7.AES/EBU out of AD into Fostex D5; Conversion: EAC>CD WAV> COOL EDIT PRO >MKW >SHN (Seekable); Converted and seeded to etree by Steven Leeds; Thanks to Mark Lynn and Mike B for the source discs, to Willy for the patch source
gd1988-09-02.140732.schoeps.cmc3.mk41.mattes.miller.clugston.flac1644
1988-09-02Capital Centre
140732flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (5th row center, OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd88-09-02.sbd.miller.27748.sbeok.flacf
1988-09-02Capital Centre
27748flac16; SBD> Cassette Master> Dat (SV3800/48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller
gd1988-09-02.nak100.mchugh.bzl.82922.sbeok.flac16
1988-09-02Capital Centre
82922flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac
gd1988-09-02.sbd.miller.28799.sbeok.flac16
1988-09-02Capital Centre
28799flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat (SV3800/48k) Set 2: SBD -> Dat -> Sonic Solutions -> CD Transfer Info: Set 1: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC Set 2: CD -> EAC -> Samplitude Professional v8.0 -> FLAC
gd1988-09-02.senn4xx.hubbard.bandrofcheck.82542.sbeok.flac16
1988-09-02Capital Centre
82542flac16; Sennheiser 4xx's > Marantz PMDxxx > MC Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck
gd1988-09-02.157432.ultramatrix.miller.flac2496
1988-09-02Capital Centre
157432flac2496; Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24
gd1988-09-02.157720.UltraMatrix.sbd.cm.miller.t.flac1644
1988-09-02Capital Centre
157720flac1644; Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24 - This is 157432 2496 > 1644
gd88-09-03.sbd-encores.miller.31224.sbeok.flacf
1988-09-03Capital Centre
31224flac16; Vault dat SBD via Charlie Miller
gd88-09-03.sbd.miller.27749.sbeok.flacf
1988-09-03Capital Centre
27749flac16; verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller. (Note: The encore tracks circulate from the vault digital DAT separately here
gd88-09-03.aud.miller.5913.sbeok.shnf
1988-09-03Capital Centre
5913Updated source: Unknown Mics> Cm> Sound Forge> Dat> CD> Cool Edit Pro> CD (Patched w/(FOB) Senn ME80>Cm), by Charlie Miller; EAC > MKW > SHNv3 by DES; level adjustments during d1t1,2; d2 tracked for 80 min
gd1988-09-03.akgmics.suraci.82980.sbeok.flac16
1988-09-03Capital Center
82980flac16; Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Rig owner name unknown, Sony D5 - Tony Suraci Transfer and upload by Tony Suraci
gd1988-09-03.157832.UltraMatrix.sbd.cm.miller.t.flac1644
1988-09-03Capital Centre
157832flac1644; Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24 - This is 157681 2496 > 1644
gd1988-09-03.142142.OTS.Schoeps.PCM.Mattes.Miller.Noel.t-flac1644
1988-09-03Capital Centre
142142flac16; Don Crandall & Chris Huron OTS Recording: Schoeps CMC3 MK41 > PCM (Nakamichi DMP-100); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
gd1988-09-03.150549.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac2496
1988-09-03Capital Centre
150549flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel
gd1988-09-03.nak100.mchugh.82967.sbeok.flac16
1988-09-03Capital Centre
82967flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac
gd1988-09-03.senn4xx.hubbard.bandrofcheck.82511.sbeok.flac16
1988-09-03Capital Centre
82511flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck
gd1988-09-03.157681.ultramarix.miller.flac2496
1988-09-03Capital Centre
157681flac2496; Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24
gd88-09-05.nakamichi.leeds.16440.sbeok.shnf
1988-09-05Capital Centre
16440NAK 300's+CP4(XY)-> Sony D5-> Lucid AD9624-> DAT@48KHZ-> Tascam CDRW 700; Cassette Playback on Nakamichi CR 7; AES/EBU out of AD into Fostex D5; Conversion: EAC> CD WAV> COOL EDIT PRO >MKW >SHN (Seekable); via Steven Leeds, with thanks to Mark Lynn and Mike B for discs
gd1988-09-05.142143.FOB.Schoeps.PCM.Mattes.Miller.Noel.t-flac1644
1988-09-05Capital Centre
142143flac16; Don Crandall & Chris Huron FOB Recording: Schoeps sub cards @ 130ยบ > PCM (Nakamichi DMP-100); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
gd1988-09-05.nak100.mchugh.83250.sbeok.flac16
1988-09-05Capital Centre
83250flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac
gd1988-09-05.sbd-set1.miller.80630.sbeok.flac16
1988-09-05Capital Centre
80630flac16; Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1988-09-05.139473.mtx.tobin.flac16
1988-09-05Capital Centre
139473flac16; Matrix 3 Source Mix - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - matrix mixing by Kevin Tobin
gd1988-09-05.139474.dts.tobin.flac16
1988-09-05Capital Centre
139474DTS-Audio-CD 5.1 Mix; - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - dts mixing by Kevin Tobin
gd1988-09-05.139475.5-1.tobin.flac1648
1988-09-05Capital Centre
139475flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - mixing by Kevin Tobin
gd1988-09-05.140015.me80.boedicker.flac1644
1988-09-05Capital Centre
140015flac16; Source: Sennheiser ME-80 Mics>Unknown Lead Deck> Sony WM-D6C Cassette Deck>TDK MA 90 Metal Cassette Master Tapes>Sony TC-D5M; Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>Edirol R-09 HR(Playback)>CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Section 128,Row EE Seats 4 Official Taper Section
gd88-09-06.aud.ingle.9984.sbeok.shnf
1988-09-06Capital Centre
9984AUD>PCM>DAT>CDR (Schoeps CMC-34?s); via Paul Raoul; Seeded to etree by Brad Ingle
gd1988-09-06.140020.nak300.boedicker.flac1644
1988-09-06Capital Centre
140020flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Nakamichi 550 Cassette Deck (Lead Deck) >Sony WM-D6C Cassette Deck>TDK MA-90 Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section, Section 128 Row Bb,Seat 8
gd1988-09-06.142144.OTS.Schoeps.PCM.Mattes.Miller.Noel.t-flac1644
1988-09-06Capital Centre
142144flac16; Don Crandall & Chris Huron OTS Recording: Schoeps CMC3 MK41 > PCM (Nakamichi DMP-100); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
gd1988-09-06.nak100.mchugh.hanscom.bzl.83295.sbeok.flac16
1988-09-06Capital Centre
83295flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Transfer by Dave Hanscom Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files, mkw to encode to shn. This is done by Bzl > flac
gd88-09-08.sbd.donaldson.1561.sbeok.shnf
1988-09-08The Spectrum
1561SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree (A re-tracked version circulates as of April, 2009. The audio data is identical. The "fixed info file is below.)
gd1988-09-08.110021.beyer.Boeditaper.flac16
1988-09-08The Spectrum
110021flac16; Source:Sony D6 Cassette Master>Beyer M160 Mics>Sony Tc-WE 325 Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac
gd1988-09-08.141741.OTS.AKG.Ackerman.Miller.Noel.t-flac2496
1988-09-08The Spectrum
141741flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
gd1988-09-08.147973.sbd.ultramatrix.miller.pc.flac24
1988-09-08The Spectrum
147973flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is a pitch corrected version of shnid=147775 (tracks 04 through 06 were fixed)
gd1988-09-08.147850.UltraMatrix.sbd.cm.miller.flac16
1988-09-08The Spectrum
147850flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, this file set is 16 bit @ 44.1
gd1988-09-08.120487.mk41.sbeok.flac16
1988-09-08The Spectrum
120487flac16; Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe
gd1988-09-08.136886.upg-sbd.tobin.flac16
1988-09-08The Spectrum
136886flac16; (original shnid = 1561) SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree - pitch correction and patches by Kevin Tobin
gd1988-09-08.136887.mtx.tobin.flac16
1988-09-08The Spectrum
136887flac16; Matrix 2 Source Mix - SBD (shnid=1561) SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files + AUD (shn id 120487) Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - matrix mixing by Kevin Tobin
gd1988-09-08.136888.dts.tobin.flac16
1988-09-08The Spectrum
136888DTS-Audio-CD 5.1 Mix; SBD (shnid=1561) SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree + AUD (shn id 120487) Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - DTS mixing by Kevin Tobin
gd1988-09-08.136889.5-1.tobin.flac1648
1988-09-08The Spectrum
136889flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=1561) SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree + AUD (shn id 120487) Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - mixing by Kevin Tobin
gd1988-09-08.142147.OTS.Schoeps.PCM.Mattes.Miller.Noel.t-flac1644
1988-09-08The Spectrum
142147flac16; Don Crandall & Chris Huron Recording (OTS): Schoeps CMC4/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
gd1988-09-08.109176.nakcm300-pasternak.mallick.flac16
1988-09-08The Spectrum
109176flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
gd1988-09-08.Nak300CP4.Floater.Keo.116062.Flac1644
1988-09-08The Spectrum
116062flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper Flaoter,Transfer By Keo; Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
gd1988-09-08.Nak300CP4.Floater.Keo116063.Flac2496
1988-09-08The Spectrum
116063flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Flaoter,Transfer By Keo; Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
gd1988-09-08.148085.sbd.ultramatrix.miller.pc.flac24
1988-09-08The Spectrum
148085flac16/48kHz; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is a pitch corrected version of shnid=147775 (tracks 04 through 06 were fixed); This file set is 16 bit @ 44.1
gd1988-09-08.145670.ots.akg460.ackerman.miller.noel.t-flac16
1988-09-08The Spectrum
145670flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1
gd1988-09-08.147775.sbd.ultramatrix.miller.flac24
1988-09-08The Spectrum
147775flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd88-09-09.sbd.unknown.14840.sbeok.shnf
1988-09-09The Spectrum
14840SBD > Cass Master > DAT > CDR > CDR > EAC > SHN
gd1988-09-09.141742.OTS.AKG.Ackerman.Miller.Noel.t-flac2496
1988-09-09The Spectrum
141742flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
gd1988-09-09.109517.nak-pasternak.mallick.flac16
1988-09-09The Spectrum
109517flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
gd1988-09-09.120488.mk41.sbeok.flac16
1988-09-09The Spectrum
120488flac16; Source: Schoeps CMC3/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 16th row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe
gd1988-09-09.142148.FOB.Schoeps.PCM.Mattes.Miller.Noel.t-flac1644
1988-09-09The Spectrum
142148flac16; Don Crandall & Chris Huron Recording (FOB): Schoeps CMC3/MK4 ORTF > PCM (Nakamichi DMP-100); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
gd1988-09-09.147844.sbd.ultramatrix.miller.flac24
1988-09-09The Spectrum
147844flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-09-09.148147.UltraMatrix.sbd.cm.miller.flac16
1988-09-09The Spectrum
148147flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1988-09-09.145671.ots.akg460.ackerman.miller.noel.t-flac16
1988-09-09The Spectrum
145671flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1
gd1988-09-09.akg.unknown.26465.sbeok.flac16
1988-09-09The Spectrum
26465flac16; AKG 414's> SonyD5> MC> CDR> EAC> WAV> FLAC
gd88-09-11.set2.dsbd.fishman.17408.sbefail.shnf
1988-09-11The Spectrum
17408Matrix DSBD>D>CD>EAC>WAV>Cool Edit Processing (drop out cross-fades)>SHN (seekable, via MKWACT) via Fishman
gd88-09-11.sbd.ashley-bertha.14841.sbeok.shnf
1988-09-11The Spectrum
14841Bertha Remaster of the Soundboard/Cassette source. SBD(Healy Mix)>>DAT>>(*)CASS>>DAT>>>CDR>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A- Note- Changes were made to d2t02 and d2t03 immediately before distribution. It is believed that the pre-change shns do not circulate.
gd1988-09-11.092003
1988-09-11The Spectrum
92003flac16; Tapers: David Barfield and David Lane Source: (OTS) Nakamichi cm300/cp4->D-5M->Maxell MX90 x 2 Transfer: MAC->Nakamichi MR-1->Korg MR-1000I(DFF 1 Bit/5.6 Mhz)->Audio Gate->16/44.1 wav->FLAC Transferred and seeded on 5/25/2008 by: M. Watson
gd1988-09-11.149209.Ultramatrix.sbd.cm.miller.flac24
1988-09-11The Spectrum
149209flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-09-11.149212.UltraMatrix.sbd.cm.miller.flac16
1988-09-11The Spectrum
149212flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1988-09-11.nakcm304.suraci.83070.sbeok.flac16
1988-09-11The Spectrum
83070flac16; Source: Nak CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
gd1988-09-11.109518.nak-pasternak.mallick.flac16
1988-09-11The Spectrum
109518flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
gd1988-09-11.110569.nak300.boeditaper.flac16
1988-09-11The Spectrum
110569flac16; Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-WE325 Home Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac. Taped By Boeditaper
gd1988-09-11.120489.mk4.sbeok.flac16
1988-09-11The Spectrum
120489flac16; Source: Schoeps CMC3/MK4 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 17th row; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe
gd1988-09-11.149233.mtx.tobin.flac16
1988-09-11The Spectrum
149233flac16; Matrix 2 Audience Source Mix - SBD (shnid = 149209) Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120489) Source: Schoeps CMC3/MK4 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 17th row; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - matrix mixing by Kevin Tobin
gd1988-09-11.149234.dts.tobin.flac16
1988-09-11The Spectrum
149234DTS-Audio-CD 5.1 Mix; SBD (shnid = 149209) Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120489) Source: Schoeps CMC3/MK4 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 17th row; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - dts mixing by Kevin Tobin
gd1988-09-11.149235.5-1.tobin.flac1648
1988-09-11The Spectrum
149235flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 149209) Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120489) Source: Schoeps CMC3/MK4 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 17th row; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - surround mixing by Kevin Tobin
gd1988-09-11.156409.FOB-Schoeps-PCM-Master-Mattes-Anon-Noel.t-flac16
1988-09-11The Spectrum
156409Recording Info: (fob) Schoeps Cmc441 (ortf) > Nakamichi Dmp-100 Deck > Sony Sl-2000 > Pcm (master) Location: 16th Row, Center Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 Master Audience Pcm Recorded By Ted Mattes & Paul Thompson Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 06, 2021
gd1988-09-11.mtx-set1.tobin.81175.sbeok.flac16
1988-09-11The Spectrum
81175flac16; 1st set only: SBD (Healy Mix) > MC > CD (via Lisa Biasi) speed correction and patching by Kevin Tobin
gd88-09-12.sbd-matrix.wiley.8477.sbefail.shnf
1988-09-12The Spectrum
8477(Healy Mix) SBD>DAT>CDR; Seeded to etree by Tim Wiley
gd1988-09-12.109514.nak-pasternak.mallick.flac16
1988-09-12The Spectrum
109514flac16; Nakamichi CM300/cp4\'s>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak. Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
gd1988-09-12.149414.UltraMatrix.sbd.cm.miller.flac16
1988-09-12The Spectrum
149414flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller This file set is 16 bit @ 44.1
gd88-09-12.matrix.nawrocki.11265.sbeok.shnf
1988-09-12The Spectrum
11265SBD/Matrix > MC > DAT > CDR; via Dan Szymanski; Seeded to etree by Doug Nawrocki
gd1988-09-12.109019.SennheiserKMF4s-SonyD5.D5scott.flac16
1988-09-12The Spectrum
109019flac16; source: 2 Neumann KMF4's > Sony TC-D5M (10th row-center) - analog master cassettes - Maxell MX-90's transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1988-09-12.110575.sennme80.boeditaper.flac16
1988-09-12The Spectrum
110575flac16; Source:Sony D6 Cassette Master>Sennheiser ME-80 Mics>Sony TC-WE 325 Home Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac. Taped By boeditaper
gd1988-09-12.123923.mk41.flac16
1988-09-12The Spectrum
123923flac16; Source: Schoeps CMC4/MK41 > Oade P/S? > PCM (Master) > PCM (Clone1); Location: FOB 16th row center; PCM Transfer: Sony PCM 601ES > DAT (0) (44.1khz); Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT (0) provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe
gd1988-09-12.149279.ultramatrix.healy-pearson.miller.flac2496
1988-09-12The Spectrum
149279flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd88-09-14.sbd.munder-des.5573.sbeok.shnf
1988-09-14Madison Square Garden
5573SBD> MC> DAT> CDR> EAC> WAV> SHN; via Nick Scarano; Nick's initial shn set was missing encore- encore track added from previous shn set thanks to DES and Willy- both versions (+/- encore) may circulate
gd88-09-14.sbd.ashley-bertha.7488.sbeok.shnf
1988-09-14Madison Square Garden
7488Jay Ashley (Bertha) remaster of original shn set; SBD> CM> DAT> CDA> DAW (Bertha)> CDA
gd1988-09-14.nak304.andrewf.89084.sbeok.flac16
1988-09-14Madison Square Garden
89084flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
gd1988-09-14.125771.AT835.flac16
1988-09-14Madison Square Garden
125771flac16; Taper: M. Laurentus; Taper Section: 57D, Row A, Seat 2; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
gd1988-09-14.142091.sbd.miller.flac2496
1988-09-14Madison Square Garden
142091flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-09-14.134426.upg-sbd.tobin.flac16
1988-09-14Madison Square Garden
134426flac16; (original shnid = 5573) SBD> MC> DAT> CDR> EAC> WAV> SHN; via Nick Scarano; Nick's initial shn set was missing encore- encore track added from previous shn set thanks to DES and Willy- both versions (+/- encore) may circulate - pitch correction and patches by Kevin Tobin
gd1988-09-14.134427.upg-aud.tobin.flac16
1988-09-14Madison Square Garden
134427flac16; (original shnid = 90707) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin
gd1988-09-14.134428.mtx.tobin.flac16
1988-09-14Madison Square Garden
134428flac16; Matrix 2 Source Mix - SBD (shnid=5573) SBD> MC> DAT> CDR> EAC> WAV> SHN; via Nick Scarano; Nick's initial shn set was missing encore- encore track added from previous shn set thanks to DES and Willy- both versions (+/- encore) may circulate + AUD (shn id 90707) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
gd1988-09-14.134429.dts.tobin.flac16
1988-09-14Madison Square Garden
134429DTS-Audio-CD 5.1 Mix; SBD (shnid=5573) SBD> MC> DAT> CDR> EAC> WAV> SHN; via Nick Scarano; Nick's initial shn set was missing encore- encore track added from previous shn set thanks to DES and Willy- both versions (+/- encore) may circulate + AUD (shn id 90707) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
gd1988-09-14.142128.UltraMatrix.sbd.cm.miller.flac1644
1988-09-14Madison Square Garden
142128flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-09-14.142130.FOB.Schoeps.PCM.Mattes.Miller.Noel.t-flac.1644
1988-09-14Madison Square Garden
142130flac16; Ted Mattes & Paul Thompson Master (FOB) Recording: Schoeps CMC3/MK4 (ORTF) > PCM (Nakamichi DMP-100, 14-bit); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
gd1988-09-14.nak300.damico.90707.sbeok.flac16
1988-09-14Madison Square Garden
90707flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
gd1988-09-14.139048.Schoeps.Bryant.Gastwirt.Miller.Noel.t-flac16
1988-09-14Madison Square Garden
139048flac16/48kHz; Robert Bryant (patched out of Oade Brothers) recording: Schoeps CMC4 MK41 > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edited & Mastered in Audacity: Wave > Flac 16/48; Checksum & tags created in xACT
gd1988-09-14.144150.sennme80.porter.cabononetta.sirmick.flac1644
1988-09-14Madison Square Garden
144150flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 16/44.1 - Transferred by Nick Carbonetta; Lineage: wav 16/44.1 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 16; edited and mastered SIRMick December 2018
gd88-09-15.sbd.barbella.5068.sbeok.shnf
1988-09-15Madison Square Garden
5068SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min
gd1988-09-15.125772.AT835.flac16
1988-09-15Madison Square Garden
125772flac16; Taper: M. Laurentus; Taper Section: 57F, Row C, Seat 5; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
gd1988-09-15.132909.mtx.tobin.flac16
1988-09-15Madison Square Garden
132909flac16; Matrix 2 Source Mix - SBD (shnid=5068) SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min + AUD (shn id 88535) AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - matrix mixing by Kevin Tobin
gd1988-09-15.132910.dts.tobin.flac16
1988-09-15Madison Square Garden
132910DTS-Audio-CD 5.1 Mix; SBD (shnid=5068) SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min + AUD (shn id 88535) AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - dts mixing by Kevin Tobin
gd1988-09-15.143842.sennme-80.porter.carbonetta.sirmick.flac1644
1988-09-15Madison Square Garden
143842flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Steve Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 16/44.1 - Transferred by Nick Carbonetta; Lineage: Wav 16/44.1 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 16; edited and mastered SIRMick November 2018
gd1988-09-15.nak300.andrewf.88535.sbeok.flac16
1988-09-15Madison Square Garden
88535flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
gd1988-09-15.nak300.damico.90744.sbeok.flac16
1988-09-15Madison Square Garden
90744flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
gd1988-09-15.139644.OTS.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac16
1988-09-15Madison Square Garden
139644flac16; Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity by Joe Noel: Flac 16/44; Checksum & tags created in xACT
gd88-09-16.sbd.miller.5289.sbeok.shnf
1988-09-16Madison Square Garden
5289Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia
gd88-09-16.sbd.ashley-bertha.13603.sbeok.shnf
1988-09-16Madison Square Garden
13603Jay Ashley (Bertha) Remaster of the Jim Wise release. SBD>>MC>>DAT>>(*)>>CDA>>DAW(Bertha)>>CDA - Sound A
gd1988-09-16.fob.senn441.mccue-zaleski.ford.105567.flac16
1988-09-16Madison Square Garden
105567flac16; MAC; (FOB) MAC; (FOB) Sennheiser 421s > Sony D5 > 2 x Maxell XLII-S 90 Transfer: MAC> Nakamichi Dragon> Kind Kables RCA/XLR> Lunatec V3(@24/88.2)> coax> Audiophile 2496> WaveLab 6.10> .wav @ 24/88.2> Waves L3 UltraMaximizer> CD Wave Editor> Trader's Little Helper> flac16. Editing and Mastering in WaveLab 6.10 with UAD in 24/88.2. Flac files tagged. Taped by Mark McCue and Lucien Zaleski. Transferred, Edited and Mastered by Alex Ford.
gd1988-09-16.132966.mtx.tobin.flac16
1988-09-16Madison Square Garden
132966flac16; Matrix 2 Source Mix - SBD (shnid=5289) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 90776) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
gd1988-09-16.132967.dts.tobin.flac16
1988-09-16Madison Square Garden
132967DTS-Audio-CD 5.1 Mix; SBD (shnid=5289) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 90776) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
gd1988-09-16.140945.OTS.Schoeps.PCM.Mattes.Miller.Noel.t-flac.1644
1988-09-16Madison Square Garden
140945flac16; Recording info: Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Paul Thompson & Ted Mattes (OTS)
gd1988-09-16.nak300.damico.90776.sbeok.flac16
1988-09-16Madison Square Garden
90776flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
gd1988-09-16.139634.OTS.s1.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac16
1988-09-16Madison Square Garden
139634flac 16 44.1khz Set 1 Only. From the Gastwirt Collection. Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT. Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44 Edited & Mastered by Joe Noel in Audacity: Wave > Flac 16/44
gd1988-09-16.149116.sennme-80.porter.carbonetta.sirmick.flac16
1988-09-16Madison Square Garden
149116flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16
gd1988-09-16.149117.sennme-80.porter.carbonetta.sirmick.flac24
1988-09-16Madison Square Garden
149117flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick February 2020
gd1988-09-16.aud-dmow.31965.sbeok.flac16
1988-09-16Madison Square Garden
31965flac16; AKG D224E (XY) > Sony TC D5M > Maxell MX Taper: Doug Mow Transfer: Cassette Master > Sony D5 > Edirol UA5 custom Oade mod > USB > IBM R40 > Soundforge > WAV > CDR > EAC > WinXP Pro > Flac Frontend > FLAC16.
gd1988-09-18.148684.sennme80.porter.carbonetta.sirmick.flac16
1988-09-18Madison Square Garden
148684flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick January 2020
gd1988-09-18.148685.sennme80.porter.carbonetta.sirmick.flac24
1988-09-18Madison Square Garden
148685flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2020
gd88-09-18.sbd.eD.12746.sbeok.shnf
1988-09-18Madison Square Garden
12746SBD>MC>C?>DAT>CDR; via Jools; Seeded to etree by eD
gd1988-09-18.114059.NeumannKMF4.daweez.d5scott.flac16
1988-09-18Madison Square Garden
114059flac16; Source: 2 Neumann KMF4 microphones (15th row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1988-09-18.140946.OTS.Schoeps.PCM.Mattes.Miller.Noel.t-flac.1644
1988-09-18Madison Square Garden
140946flac16; Recording info: Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Don Crandall & Chris Huron (OTS)
gd1988-09-18.nak300.damico.90920.sbeok.flac16
1988-09-18Madison Square Garden
90920flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend
gd1988-09-18.139645.OTS.s2.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac16
1988-09-18Madison Square Garden
139645flac16; Set 2 Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Flac 16/44; Checksum & tags created in xACT
gd1988-09-18.139685.cmc4-mk41.oade.varnum.ebel.flac1644
1988-09-18Madison Square Garden
139685flac16 44.1khz Source Info: TS Schoeps CMC4 MK41 (Hyper Cards)-> PCM-> DAT (Jim Oade)-> DAT (Ryan Varnum). Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers By Pete Ebel.
gd1988-09-18.133003.upg-sbd.tobin.flac16
1988-09-18Madison Square Garden
133003flac16; SBD>MC>C?>DAT>CDR; via Jools; Seeded to etree by eD (original shnid 12746) - pitch correction and patches by Kevin Tobin
gd1988-09-18.133004.upg-aud.tobin.flac16
1988-09-18Madison Square Garden
133004flac16; (original shnid = 90920) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin
gd1988-09-18.133005.mtx.tobin.flac16
1988-09-18Madison Square Garden
133005flac16; Matrix 2 Source Mix - SBD (shnid=12746) SBD>MC>C?>DAT>CDR; via Jools; Seeded to etree by eD + AUD (shn id 90920) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - matrix mixing by Kevin Tobin
gd1988-09-18.133006.dts.tobin.flac16
1988-09-18Madison Square Garden
133006DTS-Audio-CD 5.1 Mix; SBD (shnid=12746) SBD>MC>C?>DAT>CDR; via Jools; Seeded to etree by eD + AUD (shn id 90920) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - dts mixing by Kevin Tobin
gd1988-09-18.125777.AT835.flac16
1988-09-18Madison Square Garden
125777flac16; Taper: M. Laurentus; Taper Section: 58A, Row B, Seat 2; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
gd1988-09-19.fob.senn421.mccue-zaleski.ford.106202.flac16
1988-09-19Madison Square Garden
106202flac16; MAC; (FOB) Sennheiser 421s > Sony D5 > 2 x Maxell XLII-S 90. Transfer: MAC> Nakamichi Dragon> Kind Kables RCA/XLR> Lunatec V3(@24/88.2)> coax> Audiophile 2496>WaveLab 6.10> .wav @ 24/88.2> R8Brain> .wav @ 16/44.1> CD Wave Editor> TLH> flac16(level eight). Taped by Mark McCue and Lucien Zaleski. Transferred, Edited and Mastered by Alex Ford.
gd1988-09-19.148730.nak300.boedicker.flac1644
1988-09-19Madison Square Garden
148730flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>2 TDK SA-X 90 Minute Cassette Master Tapes> Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flav Level 8; Sector Boundaries Aligned Uisng Traders Little Helper; Taped By Dave Boedicker, Official Taper Section
gd1988-09-19.156567.5-1.tobin.flac1648
1988-09-19Madison Square Garden
156567flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=15076) SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley + AUD (shn id 90976) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
gd88-09-19.sbd.wiley.15076.sbeok.shnf
1988-09-19Madison Square Garden
15076SBD>MC>DAT>CDR ; Via Paul G ; Seeded by T. Wiley
gd1988-09-19.nak300.damico.90976.sbeok.flac16
1988-09-19Madison Square Garden
90976flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
gd1988-09-19.139646.OTS.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac16
1988-09-19Madison Square Garden
139646flac16; Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity by Joe Noel: Flac 16/44; Checksum & tags created in xACT
gd1988-09-19.149277.sennme-80.porter.carbonetta.sirmick.flac16
1988-09-19Madison Square Garden
149277flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick March 2020
gd1988-09-19.149278.sennme-80.porter.carbonetta.sirmick.flac24
1988-09-19Madison Square Garden
149278flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick March 2020
gd1988-09-19.133318.sbd.tobin.flac16
1988-09-19Madison Square Garden
133318flac16; SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley (original shnid 15076) - pitch correction and patches by Kevin Tobin
gd1988-09-19.133319.mtx.tobin.flac16
1988-09-19Madison Square Garden
133319flac16; Matrix 2 Source Mix - SBD (shnid=15076) SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley + AUD (shn id 90976) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
gd1988-09-19.133320.dts.tobin.flac16
1988-09-19Madison Square Garden
133320DTS-Audio-CD 5.1 Mix; SBD (shnid=15076) SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley + AUD (shn id 90976) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
gd1988-09-19.125780.AT835.flac16
1988-09-19Madison Square Garden
125780flac16; Taper: M. Laurentus; Taper Section: 57A, Row D, Seat 3; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
gd1988-09-20.150341.sennme-80.porter.carbonetta.sirmick.flac16
1988-09-20Madison Square Garden
150341flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac16; edited and mastered SIRMick July 2020
gd1988-09-20.150342.sennme-80.porter.carbonetta.sirmick.flac24
1988-09-20Madison Square Garden
150342flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > CD Wave > flac24; edited and mastered SIRMick July 2020
gd1988-09-20.152253.ultramatrix.miller.flac2496
1988-09-20Madison Square Garden
152253flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Samplitude Pro X5 Suite > FLAC/24
gd1988-09-20.152581.UltraMatrix.sbd.cm.miller.t.flac16
1988-09-20Madison Square Garden
152581flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Samplitude Pro X5 Suite > FLAC/24 - This is 152253 24 -> 16 @ 44.1
gd88-09-20.sbd.jeff.2422.sbeok.shnf
1988-09-20Madison Square Garden
2422SBD> DAT> Casette Master> DAT> Montego II> CDR> EAC> SHN; via Jeff M.; includes encore, has small cut d1t7; upgrade relative to previous shn set
gd1988-09-20.116442.NeumannKMF4.daweez.d5scott.flac16
1988-09-20Madison Square Garden
116442flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd88-09-20.set1.sbd.gans-samaritano.28450.sbeok.flacf
1988-09-20Madison Square Garden
28450flac16; *Set 1 Only* Soundboard->DAT Master(48k)->DAT Clone->Sonic Solutions->CD->CD. CD->EAC->FLAC. EAC, Track, and FLAC by Joe Samaritano
gd1988-09-20.138359.aud.gastwirt.miller.sirmick.sbeok.flac16
1988-09-20Madison Square Garden
138359flac16; Source: Unknown audience recording > dat (44.1k); Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transfered by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick May 2017
gd1988-09-20.142131.OTS.Schoeps.PCM.Mattes.Miller.Noel.t-flac1644
1988-09-20Madison Square Garden
142131flac16; Don Crandall & Chris Huron Recording (OTS): Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
gd1988-09-20.nak304.andrewf.89256.sbeok.flac16
1988-09-20Madison Square Garden
89256flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand, set up next to the lighting board, just in front of the OTS area. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
gd1988-09-20.nak300.damico.90977.sbeok.flac16
1988-09-20Madison Square Garden
90977flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
gd1988-09-20.sbd.130698.MrBill.flac16
1988-09-20Madison Square Garden
130698flac16; Recording Info: SBD > DAT > C > DAT; Transfer Info:; DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC
gd1988-09-20.139647.OTS.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac16
1988-09-20Madison Square Garden
139647flac16; Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity by Joe Noel: Flac 16/44; Checksum & tags created in xACT
gd1988-09-20.133538.upg-sbd.tobin.flac16
1988-09-20Madison Square Garden
133538flac16; Recording Info: SBD > DAT > C > DAT; Transfer Info:; DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC (original shnid 130698) - pitch correction and patches by Kevin Tobin
gd1988-09-20.133539.mtx.tobin.flac16
1988-09-20Madison Square Garden
133539flac16; Matrix 2 Source Mix - SBD (shnid=130698) Recording Info: SBD > DAT > C > DAT; Transfer Info:; DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC + AUD (shn id 90977) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - matrix mixing by Kevin Tobin
gd1988-09-20.133540.dts.tobin.flac16
1988-09-20Madison Square Garden
133540DTS-Audio-CD 5.1 Mix; SBD (shnid=130698) Recording Info: SBD > DAT > C > DAT; Transfer Info:; DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC + AUD (shn id 90977) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - dts mixing by Kevin Tobin
gd1988-09-20.akg.mow.31991.sbeok.flac16
1988-09-20Madison Square Garden
31991flac16; AKG 224E > Sony D5 > Maxell MX Master Taper: Doug Mow Transfer: Cassette Master > Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/Windows XP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Flac Frontend > FLAC16.
gd88-09-22.sbd.miller.5290.sbeok.shnf
1988-09-22Madison Square Garden
5290Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia; see info file for flaw notes
gd1988-09-22.133700.dts.tobin.flac16
1988-09-22Madison Square Garden
133700DTS-Audio-CD 5.1 Mix; SBD (shnid=5290) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 124922) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 - dts mixing by Kevin Tobin
gd1988-09-22.149942.akg.dyche.flac1644
1988-09-22Madison Square Garden
149942flac16; AKG 224’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche
gd1988-09-22.nak304.andrewf.89048.sbeok.flac16
1988-09-22Madison Square Garden
89048flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
gd1988-09-22.Nak300CP4.Fitzy.Keo.124921.Flac2496
1988-09-22Madison Square Garden
124921flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1988-09-22.Nak300CP4.Fitzy.Keo.124922.Flac1644
1988-09-22Madison Square Garden
124922flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1988-09-22.140947.OTS.Schoeps.PCM.Mattes.Miller.Noel.t-flac.1644
1988-09-22Madison Square Garden
140947flac16; Recording info: Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Don Crandall & Chris Huron (OTS)
gd1988-09-22.133697.upd-sbd.tobin.flac16
1988-09-22Madison Square Garden
133697flac16; (original shnid = 5290) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia - pitch correction and patches by Kevin Tobin; original d1t6 seeded was corrupt
gd1988-09-22.133698.upd-aud.tobin.flac16
1988-09-22Madison Square Garden
133698flac16; (original shnid = 124922) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 - pitch correction and patches by Kevin Tobin
gd1988-09-22.133699.mtx.tobin.flac16
1988-09-22Madison Square Garden
133699flac16; Matrix 2 Source Mix - SBD (shnid=5290) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 124922) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 - matrix mixing by Kevin Tobin