Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1979-11-01.151772.Nak.300.Jaeger.Noel.remaster.77329.t-flac16
1979-11-01Nassau Veterans Memorial Coliseum
151772Source: 2 Nakamichi 300s > Nakamichi 550 > Master Audience Cassettes
Recording by Pete Jaeger.
Edited & Remastered (Adobe Audition) by Joe Noel. January 30, 2021.
Remaster of SHIND 77329
gd1979-11-01.152532.mtx.photoleon.flac1644
1979-11-01Nassau Veterans Memorial Coliseum
152532flac16/44 A photoLeon Matrix Source #1 (151772); 2 Nakamichi 300s > Nakamichi 550 > Master Audience Cassettes Recording by Pete Jaeger Edited & reMastered (Adobe Audition) by Joe Noel January 30, 2021 Source #2 (113354); SBD > Master Cassette (Sony TC-D5M/UDXL-II) > Dat (Panasonic SV3800/48k) Transfer: Dat (Sony R500) > Tascam SS-R05 > Adobe Audition v3.0 > Samplitude Professional v11.2 > FLAC Transfer & Mastering by Charlie Miller May 5, 2011 Matrix created in Adobe Audition by Joe Noel May 02, 2021
gd1979-11-01.jaeger-nak300.77329.flac16
1979-11-01Nassau Coliseum
77329flac16; Recording by Pete Jaeger: Master Audience Cassette; 2 Nakamichi 300s> Nakamichi 550 via David Minches
gd1979-11-01.mtx.groves.91762.sbeok.flac16
1979-11-01Nassau Veterans Memorial Coliseum
91762flac16; SBD and Audience Matrix Mix from SBD: shnid 23445 SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller and Audience: shnid 22316 Recording by Pete Jaeger: Master Audience Cassette; 2 Nakamichi 300s> Nakamichi 550
gd1979-11-01.sbd.clugston.2412.shnf
1979-11-01Nassau Coliseum
2412Master Soundboard Cassette > Cassette > Hi-Fi VHS > DAT > CDR, with nearly complete patches from AUD Nak CM300 (see info file for details); mastered by Scott Clugston; d2 tracked for 80 min; 9/01 update: upgrade now in circulation
gd1979-11-01.sbd.miller.23445.shnf
1979-11-01Nassau Veterans Memorial Coliseum
23445SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info:Master Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN; Transferred and Edited By charliemiller87@earthlink.net Charlie Miller; Note: had originally circulated only as set 2; upgrade now in circulation
gd1979-11-01.sbd.miller.113354.flac16
1979-11-01Nassau Coliseum
113354flac16; Recording Info:SBD -> Master Cassette (Sony TC-D5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info:Dat (Sony R500) -> Tascasm SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1979-11-01.mtx.seamons.ht102.128311.flac16
1979-11-01Nassau Coliseum
128311flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
gd79-11-02.aud.schlissel.12761.sbeok.shnf
1979-11-02Nassau Coliseum
12761AUD> MC> DAT> CDR; via Paul B, Alan Schlissel
gd79-11-02.sbd.macdonald.7920.sbeok.shnf
1979-11-02Nassau Coliseum
7920SBD> MR> Dick's cassette> DAT> CD; via Alasdair Macdonald
gd1979-11-02.fob.nak700.glassberg.MOTB-0077.94220.flac16
1979-11-02Nassau Veterans Memorial Coliseum
94220flac16; 2 x Nakamichi CM-700's => Sony TCD5 >> 37th Row Center on the Pole >> MAC >> Nakamichi DR-1 >> Benchmark ADC-1 >> AES >> Sound Devices 722 >> 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Green
gd1979-11-02.fob.nak700.glassberg.MOTB-0077.94221.flac24
1979-11-02Nassau Veterans Memorial Coliseum
94221flac24; 2 x Nakamichi CM-700's => Sony TCD5 >> 37th Row Center on the Pole >> MAC >> Nakamichi DR-1 >> Benchmark ADC-1 >> AES >> Sound Devices 722 >> 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Green
gd1979-11-02.152533.mtx.photoleon.flac1644
1979-11-02Nassau Veterans Memorial Coliseum
152533flac16/44 A photoLeon Matrix Source #1 (142393); 2 x Nakamichi CM-700's > Sony TCD5 > 37th Row Center on the Pole > MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Green August 27, 2008 Source #2 (142393); SBD > Master Cassette (Sony TC-D5M/UDXL-II) > Dat (Panasonic SV3800/48k) Transfer: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k DATs provided by Rob Eaton Transfer & Mastering by Charlie Miller June 24, 2018 Matrix created in Adobe Audition by Joe Noel May 04, 2021
gd1979-11-02.154424.nak100.eaton.miller.flac.24
1979-11-02Nassau Coliseum
154424flac24/96 Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools > WAV (24-bit/96k) Additional Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 Recorded, Transferred and Mastered by Rob Eaton Additional Editing by Charlie Miller
gd1979-11-02.142393.sbd.miller.flac1648
1979-11-02Nassau Coliseum
142393flac16/48kHz; Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II) > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k
gd1979-11-02.mtx.seamons.124392.flac16
1979-11-02Nassau Coliseum
124392flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
gd1979-11-02.sbd.unknown.4672.shnf
1979-11-02Nassau Coliseum
4672SBD > Cass (Dolby S) > Nak DR-3 (playback) > RME 96/8 PST > SHN; First 30-60 seconds of Miss 1/2 Step is missing; to abgd; note spaces in filenames- may need rename : upgrade now in circulation
gd1979-11-02.sonyECM.moskal.mandel.96553.flac16
1979-11-02Nassau Veterans Memorial Coliseum
96553flac16; Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: Behind Stage Right 30' 300 Section elevation Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/flac Conversion: Brian Mandel Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac
gd1979-11-02.154496.fob.nak100.cm.eaton.miller.t.flac.16
1979-11-02Nassau Veterans Memorial Coliseum
154496flac16/44 Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools > WAV (24-bit/96k) Additional Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 Recorded, Transferred and Mastered by Rob Eaton Additional Editing by Charlie Miller - This is 154424 2496 > 1644
gd1979-11-04.senn-unknown.minches.84210.flac16
1979-11-04Civic Center
84210flac16; Unknown Taper: Master recorded with 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Master played back on unknown deck to unknown deck to record 1st Generation Cassette 1st Generation Cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding Transfer and FLAC encoding by David Minches
gd1979-11-04.sbd.macdonald.7919.shnf
1979-11-04Civic Center
7919SB>MR>Dick Latvala's cass>DAT>CD>EAC>minor editing>.shn & CD-R; Reported upgrade to previous shn set; see info file for details; Timings are the same; via Alasdair Macdonald
gd1979-11-04.sbd.clugston.6947.shnf
1979-11-04Civic Center
6947Master Soundboard Cassette > Cassette > DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; misc cuts, missing USB
gd1979-11-04.sbd.128814.MrBill.flac16
1979-11-04Providence Civic Center
128814flac16; Recording Info: SBD > MC > C > DAT > CDR. Transfer Info: CDR > wav > Sound Forge 10 >TLH > flac
gd1979-11-04.142917.sbd.miller.flac1648
1979-11-04Providence Civic Center
142917flac16/48kHz; Recording Info: SBD > Cassette Master (Sony TC-D5/Maxell UDXL-II) > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k
gd1979-11-04.akgd200.friend.andrewf.101485.flac24
1979-11-04Providence Civic Center
101485flac24; AUD: AKG D200's > Technics RS-646DS (lead deck) > Sony TC-153SD (Tim's deck) > Maxell XL-II 90's. Mics on stand, set up behind the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. 09/2009
gd1979-11-04.akgd200.friend.andrewf.101486.flac16
1979-11-04Providence Civic Center
101486flac16; AUD: AKG D200's > Technics RS-646DS (lead deck) > Sony TC-153SD (Tim's deck) > Maxell XL-II 90's. Mics on stand, set up behind the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain TLH > FLAC 1644. Transfer by Andrew F. 09/2009
gd79-11-05.sbd.wier.12177.sbeok.shnf
1979-11-05The Spectrum
12177Third in the series :O); This is the previous shn set with a shntool fix and silence removed from d2 (by Charles Weir); See info file for details; Master Soundboard Cassette > Cassette > DAT > CDR. : upgrade now in circulation
gd1979-11-05.sbd.clugston.2410.shnf
1979-11-05Spectrum
2410Master Soundboard Cassette > Cassette > DAT > CDR; pitch corrected and with AUD Nak CM300 patches (see info file for details); mastered by Scott Clugston : upgrade now in circulation
gd1979-11-05.nak300.sharpless.89053.sbeok.flac16
1979-11-05The Spectrum
89053flac16; Unknown Taper; Recorded with 3 Nak 300s> Nak 550 2nd Generation Audience Cassette provided by Gordon Sharpless Transfer and FLAC encoding by David Minches: 2nd Generation Cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
gd79-11-05.set2-patched-sbd.miller.28932.sbeok.flac
1979-11-05The Spectrum
28932Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Master Dat (Sony R700) -> CD (HHB CDR800) Dat > CD Transfer By Jim Wise Patched By Charlie Miller charliemiller87@earthlink.net Patch Info: Estimated Prophet has a tape flip which I pacthed with SBD>Cm>Cass>Dat>CD. End of Lost Sailor through the end of the show patched with Nakamichi 300 -> Cassette Master > C2 > CD
gd79-11-06.sbd.clugston.2417.sbeok.shnf
1979-11-06The Spectrum
2417Master Soundboard Cassette > Cassette > DAT > CDR; mastered by Scott Clugston: upgrade now in circulation
gd79-11-06.sbd.miller.29735.flac16
1979-11-06The Spectrum
29735flac16; SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat/0 (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller
gd1979-11-06.150952.nak100.eaton.miller.flac2496
1979-11-06The Spectrum
150952flac24/96khz Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k)
gd1979-11-06.150953.sbd.newhouse.miller.flac2496
1979-11-06The Spectrum
150953flac24/96khz Recording Info: SBD > Cassette Master (Nakamichi 550/TDK-SA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
gd1979-11-06.151466.fob.Nak100.eaton.miller.t.flac16
1979-11-06The Spectrum
151466flac16/44khz Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) 150952 24 -> 16 @ 44.1
gd1979-11-06.151467.sbd.cm.newhouse.miller.t.flac16
1979-11-06The Spectrum
151467flac16/44khz Recording Info: SBD > Cassette Master (Nakamichi 550/TDK-SA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 150953 24 -> 16 @ 44.1
gd1979-11-06.sbd.stankiewicz.125956.flac2496
1979-11-06The Spectrum
125956flac24; Source: SBD > Nakamichi 550 > Cassette > Cassette. Transfer: Cassette > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged.
gd1979-11-06.sbd.stankiewicz.125957.flac1644
1979-11-06The Spectrum
125957flac16; Source: SBD > Nakamichi 550 > Cassette > Cassette. Transfer: Cassette > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.
gd79-11-08.sbd.litfin.18126.sbeok.shnf
1979-11-08Capital Centre
18126This shn set combines into a single seed the set 1 and set 2 shn sets previously seeded to etree as singles; see info file for details; seeded to etree via D Litfin; edits/encoding by D Litfin; updated source: both sets SBD> Cm> Cass> Dat> Sound Forge> CD (including digital noise reduction) [Had been marked SDB> MR> D> CDR] : upgrade now in circulation
gd1979-11-08.set2-sbd.lai.macneil.8546.shnf
1979-11-08Capitol Center
8546retracked version of previous set 2 shn set, for 1x80; md5s do not change, redundant tracks omitted; via Dan MacNeill; updated source: SBD> Cm> Cass> Dat> Sound Forge> CD (including digital noise reduction) [Had been marked sdb> master reel> dat> cdr] : upgrade now in circulation
gd79-11-08.sbd.miller.29503.sbeok.flacf
1979-11-08Capital Centre
29503flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC
gd1979-11-08.132330.aud.unk.flac1644
1979-11-08Capital Centre
132330flac16; AUD of unknown lineage; TDK D90's (c1979) > Nakamichi CR-5A > Edirol FA-66 Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F 01/2015
gd1979-11-08.132455.flac16
1979-11-08Capital Centre
132455flac16; mac > hd or maybe the label was swapped and this is a first gen; unk equip. could be 2xshure sm58>sony 152
gd1979-11-08.150270.set2.sbd.gems.flac1644
1979-11-08Capital Centre
150270flac16; Set 2 Only; SBD > ? > FLAC
gd79-11-09.sbd.stern.318.sbeok.shnf
1979-11-09Community War Memorial Auditorium
318Updated source: SBD> Cm> Cass> Dat> Sound Forge> CD; 6ote d1t1 is JBG from 11/8/79 encore; to abgd previously; via A. Stern; note variable right-channel static throughout. : upgrade now in circulation
gd1979-11-09.150448.sbd.gems.flac16
1979-11-09Community War Memorial Auditorium
150448flac16; Soundboard Cassette Master > ? > flac; Speed Corrections by Jason Chastain; Audio Mastering by Jamie Waddell
gd1979-11-09.152437.shure-stevenson-onemoreshot.flacf
1979-11-09Community War Memorial Auditorium
152437flac16/44 shure mic's,sony cas,master cas,cd,eac,wav,flac. recorded 15'from stage center by jeff stevenson hand held mic's
gd1979-11-09.aud.dennisc-andrewf.76499.flac16
1979-11-09Community War Memorial Auditorium
76499flac16; 2 Songs from AUD of unknown lineage via Andrew F and Dennis C (Seeded as filler on 12/10/79 aud from same seeders)
gd1979-11-09.sbd.stern.tetzeli.fix-318.34936.reflac.flac16
1979-11-09Buffalo Auditorium
34936flac16; SBD> Cm> Cass> Dat> Sound Forge> CD > WAV > SHN > WAV > FLAC - Fix of shn id 318. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd79-11-10.sbd.clugston.14108.sbeok.shnf
1979-11-10Crisler Arena
14108Master Soundboard Cassette > Reel to Reel > DAT> CDR, with AUD patches (see notes); via Scott Clugston; to abgd
gd1979-11-10.sbd.willy.10457.shnf
1979-11-10Chrisler Arena
10457SBD>MR>DAT>CDR; Missing first three 1/2 songs of first set; via Paul B; Seeded to etree by Willy : upgrade now in circulation
gd1979-11-10.152823.sbd.dalton.miller.clugston.flac16
1979-11-10Crisler Arena
152823Source Info: Master Soundboard Cassettes > 1st generation cassettes > Tim Dalton's Beta PCM
Transfer Info: Tim Dalton's Beta PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1 > Adobe Audition 2020 > TLH flac16
gd1979-11-10.137649.sbd.miller.flac24
1979-11-10Go To Heaven Outtakes
137649flac24; Recording Info: SBD > Master Reels (24-track) > Betty's Cassette (Maxell UD-XLII); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1979-11-10.137673.GTH.sbd.miller.flac16
1979-11-10Go To Heaven Outtakes
137673flac16; Recording Info: SBD > Master Reels (24-track) > Betty's Cassette (Maxell UD-XLII); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, Thiss is 137649 24 bit > 16 bit with r8brain
gd79-11-23.sbd.unknown.7861.sbeok.shnf
1979-11-23Golden Hall, Community Concourse
7861SBD:MC>Cas>DAT>CD, patches from 3rd generation reel source
gd1979-11-23.136697.sbd.miller.flac16
1979-11-23Golden Hall, Community Concourse
136697flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Mastering Info: Audition CC 2015 -> Samplitude Pro 11.2.1 -> FLAC; All Mastering By Charlie Miller
gd1979-11-23.wagner-nak700.minches.77330.flac16
1979-11-23Golden Hall, Community Concourse
77330flac16; Recording by Bob Wagner: A:C:R:D Nak 700s>Sony TC-158 via David Minches
gd79-11-24.sbd.clugston.10022.sbeok.shnf
1979-11-24Golden Hall, Community Concourse
10022Sources:Primary Source:MSC>??>DAT>CDR>EAC>Shn;Alternate Soundboard Source MSC>C>CDR supplies patches in Lost Sailor, Sugar Mag, OMSN,. 2nd Alt Source; Master Aud Cassette>NakCM700>Sony TC-158>Reel>DAT>CDR source supplies patches in China Cat Sunflower , Playin, and Sugar Mag. This source is missing the material needed to patch "Althea" (d1t08). Primary Source Shs via Eric Salmassy; Cd remastered; patched and reshn'ed by Scott Clugston; to Fungus and abgd via Charlie Connor (Note: A sbe-fixed version is circulating as of 4/2008.)
gd1979-11-24.145589.fob.sony.ecm270.severson.miller.clugston.flac1648
1979-11-24Golden Hall, Community Concourse
145589flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, section 401, row 8 seats 7 & 8)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1979-11-24.145590.fob.sony.ecm270.severson.miller.clugston.flac2496
1979-11-24Golden Hall, Community Concourse
145590flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, section 401, row 8 seats 7 & 8)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1979-11-24.fob.menke.motb-0133.106307.flac16
1979-11-24Golden Hall, Community Concourse
106307flac16; 2 x Nak cm700's >> Sony TC-D5 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
gd1979-11-24.mtx.seamons.113741.flac16
1979-11-24Golden Hall, Community Concourse
113741flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
gd1979-11-24.sbd.miller.113499.flac16
1979-11-24Golden Hall, Community Concourse
113499flac16; Recording Info: SBD -> Cassette Master; Transfer Info: Cassette Master (Tascam 122MKII) -> Sound Devices 744T -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Mastering By Charlie Miller
gd79-11-25.sbd.dan.7192.sbeok.shnf
1979-11-25Pauley Pavilion, UCLA
7192SBD Cassmaster-> PCM-> DAT-> CDRs-> EAC-> SHN (Unconfirmed); Small splices in The Other One and Bertha, some digipops; via Cozmichuck and Dan : upgrade now in circulation
gd79-11-25.sbd.miller.25609.sbeok.shnf
1979-11-25Pauley Pavilion, UCLA
25609Recording Info: SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info: Nakamichi 700 -> Master Cassette -> Reel -> CD (Possibly One More Reel Gen) via Charlie Miller : upgrade now in circulation
gd1979-11-25.nak700.menke.motb.90636.sbeok.flac16
1979-11-25Pauley Pavilion - University of California
90636flac16; Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
gd1979-11-25.nak700.menke.motb.90638.sbeok.flac24
1979-11-25Pauley Pavilion - University of California
90638flac24; Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
gd1979-11-25.sbd.miller.84489.flac16
1979-11-25Pauly Pavillion
84489flac16; Recording Info: SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Nakamichi 700 -> Master Cassette -> Reel -> CD (Possibly One More Reel Gen); repatched version of shn id 25609 (this has a new patch in Bertha)
gd1979-11-25.145601.fob.sony.ecm270.severson.miller.clugston.flac1648
1979-11-25Pauley Pavilion, UCLA
145601flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, 40' from stage)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1979-11-25.145602.fob.sony.ecm270.severson.miller.clugston.flac2496
1979-11-25Pauley Pavilion, UCLA
145602flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, 40' from stage)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1979-11-25.dts.tobin.90872.sbeok.flac
1979-11-25Pauley Pavilion - University of California
90872DTS Audio 5.1; SBD (shn id 25069) SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN + AUD (shn id 90636) Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - dts mixing by Kevin Tobin
gd1979-11-25.mtx.tobin.90846.sbeok.flac16
1979-11-25Pauley Pavilion - University of California
90846flac16; Matrix 2 Source Mix - SBD (shn id 25069) SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN + AUD (shn id 90636) Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - matrix mixing by Kevin Tobin
gd1979-11-25.aud.severson.minches.90720.flac1644
1979-11-25Pauley Pavilion - University of California
90720flac16; Recorded by Mark Severson; 2 Sony ECM-270s on stand 40' from stage> Sony TC-D5 (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
gd79-11-29.sbd.clugston.12376.sbeok.shnf
1979-11-29Cleveland Public Hall
12376Master Soundboard Cassette > Cassette > DAT> Cassette > DAT > CDR complete via Scott Clugston : upgrade now in circulation
gd1979-11-29.151719.1.2p.fob.shure.sm57.sublette.mattes.miller.clugston.flac2496
1979-11-29Cleveland Public Hall
151719flac24/96 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496
gd1979-11-29.151720.1.2p.fob.shure.sm57.sublette.mattes.miller.clugston.flac1648
1979-11-29Cleveland Public Hall
151720flac16/48 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496
gd1979-11-29.set2.sbd.jim.11630.shnf
1979-11-29Cleveland Public Hall
116302nd Set Only; SBD>?>CDR; via Dr. Sketchy, Stillman; Seeded to etree by jim@juddcreek : upgrade now in circulation
gd79-11-29.sbd.miller.29421.sbeok.flacf
1979-11-29Cleveland Public Hall
29421flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller; upgrade now in circulation
gd1979-11-29.sbd.miller.95831.sbeok.flac16
1979-11-29Cleveland Public Auditorium
95831flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 29421
gd79-11-30.sbd.clugston.3118.sbeok.shnf
1979-11-30Stanley Theater
3118Master Soundboard Cassette > Cassette > DAT > CDR, with patches from AUD Nakamichi CM700 source (see info file for details); patching, CD mastering, EAC> SHN by Scott Clugston; d3 tracked for 80 min : upgrade now in circulation
gd1979-11-30.sbd.clugston.miller.fix-3118.21784.sbeok.shnf
1979-11-30Stanley Theatre
21784Fixed version of /shn/3118 via cm : upgrade now in circulation
gd1979-11-30.148525.fob.naks.wagner.miller.clugston.flac1648
1979-11-30Stanley Theater
148525flac16/48kHz; Source Info: 1st Set: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 300 mics > Sony TC-158 (in the pit); 2nd Set: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-158 (in the pit); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1979-11-30.148526.fob.naks.wagner.miller.clugston.flac2496
1979-11-30Stanley Theater
148526flac24; Source Info: 1st Set: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 300 mics > Sony TC-158 (in the pit); 2nd Set: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-158 (in the pit); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1979-11-30.mtx.dusborne.126893.flac16
1979-11-30Stanley Theater
126893flac16; 2 Source matrix by Dave Usborne;Soundboard (shnid:95832); All Transfers and Mastering By Charlie Miller;Recording Info:SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k);Transfer Info:Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 ->Adobe Audition v1.5 -> FLAC; Audience (shnid:76348);Taped and Transferred by Charlie Connor; Source: (FOB, 10th Row Center Stage)>Sony ECM 990>JVC 1636mkII(CM);Transfer:Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.57 (tracking only)>SHNv3 (MKW ACT)
gd1979-11-30.sbd.miller.95832.sbeok.flac16
1979-11-30Stanley Theatre
95832flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 29424
gd1979-11-30.sbd.clugston.miller.fix-3118.33215.sbeok.shnf
1979-11-30Stanley Theatre
33215Soundboard > Master Soundboard Cassette > Cassette > DAT > CDR, with patches from AUD Nakamichi CM700 source. Note: This is the Clugston source with minor fixes by Charlie Miller. Charlie has circulated a more recent soundboard recording since this fix. : upgrade now in circulation
gd79-11-30.sbd.miller.29424.sbeok.flacf
1979-11-30Stanley Theater
29424flac16; SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller; Note: since no one had the previous seed I am just updating this source.
gd1979-11-30.sbd.delaney.24226.shnf
1979-11-30Stanley Theatre
24226SBD > DAT > CDREAC'ed / SHN'ed by Bob Delaney. Circulated 04/19/2004 via Tom Donaldson : upgrade now in circulation
gd79-12-01.sbd.barbella.6022.sbeok.shnf
1979-12-01Stanley Theater
6022mixed source: set 1: SBD> Rm> Cass> Dat> CD> EAC> SHN, Set 2: SBD> Rm> Dat> CD> EAC> SHN; via Skip Jenkins vine, from Charlie Miller seed; EAC>SHN by Steve Barbella; missing Easy to Love You, Splice in LLR, otherwise complete : upgrade now in circulation
gd79-12-01.sbd.set2.clugston.319.sbefail.shnf
1979-12-01Stanley Theater
319set 2; MSR > Cassette > DAT > CDR; via S. Clugston, L. Revell; note reportedly no 10s dropout in LLR : upgrade now in circulation
gd1979-12-01.aud.unknown.31330.flac16
1979-12-01Stanley Theater
31330flac16; AUD (unknown equipment and lineage, speculated to have been taped by Scott Jones with Shure > Sony TC-158) via Andrew F
gd1979-12-01.aud.unknown.120453.sbeok.flac16
1979-12-01Stanley Theater
120453flac16; Low-gen Audience Cassette (Maxell UDXLII-C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9 > CD Wave Editor > Trader's Little Helper > Flac16 Transfer, edit, pitch correction by Bob Morris, May 2012
gd1979-12-01.dts.haugh.34294.flac
1979-12-01Stanley Theater
34294flac16; Source: DTS-Audio-CD 5.1 Mix of SBD: shn id 29429 and AUD: shn id 31330 Multichannel Mix by Dan dan@am-dig.com
gd1979-12-01.sick-bits-15.matrix.chappell.31946.flac16
1979-12-01Stanley Theater
31946flac16; Sick Bits Vol. 15: SBD/AUD Matrix[SBD: (shnid=29429) AUD: (shnid=31330)] via Chris Chappell
gd79-12-01.sbd.miller.29429.sbeok.flacf
1979-12-01Stanley Theater
29429flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller; upgrade now in circulation
gd1979-12-01.sbd.miller.96408.sbeok.flac16
1979-12-01Stanley Theatre
96408flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller; this is a re-master of source id 29429
gd1979-12-01.senn-barnehama.minches.82489.flac16
1979-12-01Stanley Theater
82489flac16; Recording by Joel Barnehama: Master Audience Cassette; 2 Sennheiser 421s> Nakamichi 550 Transfer and SHN encoding by David Minches: Master played back on Nak Dragon> Digital Audio Labs Card Deluxe (24/96)>Adobe Audition> (dither/downsample)> FLAC encoding
gd1979-12-01.148531.fob.nak700.wagner.miller.clugston.flac1648
1979-12-01Stanley Theater
148531flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted on railing in front of the soundboard)> Sony TC-158 (see notes); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1979-12-01.148532.fob.nak700.wagner.miller.clugston.flac2496
1979-12-01Stanley Theater
148532flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted on railing in front of the soundboard)> Sony TC-158 (see notes); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1979-12-01.151468.s1.aud.s2.sbd.cm.miller.t.flac16
1979-12-01Stanley Theater
151468flac16/44khz Recording Info: Set 1: AUD (Unknown Mics) > Cassette Master (Nakamichi 350) Set 2: SBD > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k) 150983 24 -> 16 @ 44.1
gd79-12-03.sbd.orf.320.sbeok.shnf
1979-12-03Uptown Theater
320SBD > Cassette Master > C0 > DAT > SHN (Latvala vault leak); via L. Orf; known flaws: from master, first few seconds of some songs clipped (Orf smoothed with fades), levels low from DAT- left alone (note encore louder) : upgrade now in circulation
gd79-12-03.sbd.bongripper.1241.shnf
1979-12-03Uptown Theater
1241"analog> PCMWAVs very close to the master reels"; see notes and flaws discussed in info files; via BongRipper to abgd; later via tol to etree
gd1979-12-03.135897.mtx.dusborne.flac16
1979-12-03Uptown Theater
135897flac16; 2 source matrix by dusborne; Soundboard (shnid:29434), Recording Info: Set 1: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Set 2: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: Set 1: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC; Set 2: CD -> EAC -> Samplitude Professional v8.0 -> FLAC, Transferred and Edited By Charlie Miller and Audience (shnid:83611),Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC * from 1st generation cassette from same master; master played back on Nak 550> Nak 250
gd1979-12-03.senn-frisch.minches.83611.flac16
1979-12-03Uptown Theater
83611flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding * from 1st generation cassette from same master; master played back on Nak 550> Nak 250
gd79-12-03.sbd.miller.29434.sbeok.flacf
1979-12-03Uptown Theater
29434flac16; Set 1: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Set 2: SBD -> Cassette Master -> Cassette -> Dat -> CD Transferred and Edited By Charlie Miller
gd79-12-04.sbd.clugston.2535.sbeok.shnf
1979-12-04Uptown Theater
2535Master Soundboard Cassette -> Cassette -> DAT; DAT -> CD -> EAC -> SHN conversion by Scott Clugston; to etree via Adam Jerugim; static from MR in d1t3,6 : seamless version upgrade now in circulation
gd1979-12-04.sbd.130387.MrBill.flac16
1979-12-04Uptown Theater
130387flac16; Recording Info: SBD > MC > C > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC
gd1979-12-04.frisch.minches.83593.flac16
1979-12-04Uptown Theater
83593flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding
gd1979-12-04.135898.mtx.dusborne.flac16
1979-12-04Uptown Theater
135898flac16; 2 source matrix by dusborne;Soundboard (shnid:34937), Master Soundboard Cassette -> Cassette -> DAT -> CD -> EAC -> SHN; Audience (shnid:83593), Recording by Ira Frisch:Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550Transfer and FLAC encoding by David Minches:Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding
gd1979-12-04.sbd.clugston.tetzeli.fix-2535.34937.reflac.flac16
1979-12-04Uptown Theater
34937flac16; lineage: Master Soundboard Cassette -> Cassette -> DAT transfer: DAT -> CD -> EAC -> SHN - Fix of shn id 2535. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd79-12-05.aud.warner.19418.sbeok.shnf
1979-12-05Uptown Theater
19418MAC (Unknown equipment) > Unknown analog generations > Nakamichi RX-505 cassette > 20-bit conversion with Burr-Brown ADC, dithered to 16-bit for output > HHB CDR8930 > EAC > CoolEdit > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
gd79-12-05.sbd.pset2.ladner.9359.sbeok.shnf
1979-12-05Uptown Theater
93592nd set minus ship of fools and don't ease; See info file for details; SBD>MC>DAT>CDR; via neo_levo/candyman FTP: upgrade now in circulation
gd1979-12-05.sbd.miller.112163.flac16
1979-12-05Uptown Theater
112163flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) -> Data DVD; Transfer Info: Data DVD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1979-12-05.aud-sbd.long.19418-and-31959.34874.sbeok.flac16
1979-12-05Uptown Theater
34874flac16; composite of shn id 19418 (set1 aud) + shn id 31959 (set2 sbd) with minor edit to smooth transition by Andrew Long
gd1979-12-05.mtx.seamons.112235.flac16
1979-12-05Uptown Theater
112235flac16:Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/couple areas of EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
gd1979-12-05.senn-frisch.minches.83532.flac16
1979-12-05Uptown Theater
83532flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and SHN encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding
gd1979-12-05.set2-sbd.miller.31959.flac16
1979-12-05Uptown Theater
31959flac16; SBD (set 2 only) -> Cassette Master -> Dat (44.1k) Transferred and Remastered By Charlie Miller
gd79-12-07.naks.chase.9114.sbeok.shnf
1979-12-07Indiana Convention Center
9114MAC (3 Nak CM-300s-> Sony TC-158)>R>D>CD); via Jack Warner; Don Chase; Seeded to etree by Matt Vernon;upgrade now in circulation
gd1979-12-07.sbd.miller.23682.sbeok.shnf
1979-12-07Indiana Convention Center
23682Updated source info: SBD ->Cass Master > Reel > Dat (48k) Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Dat Supplied By Rob Eaton; Transferred By Charlie Miller (had been marked: BD -> Master Cassette -> Cassette -> Dat (48k))
gd1979-12-07.aud.miller.14842.shnf
1979-12-07Indiana Convention Center
14842(3) Nak 300>Cm>Reel>CD shn'd by Charlie Miller : same source as shnid 9114
gd79-12-09.aud-nak.warner.8833.sbeok.shnf
1979-12-09Kiel Auditorium
8833MAC(Nak CM-700s-> Sony TC-158)>R>D>CD; via Jack Warner; Don Chase
gd79-12-09.sbd.miller.27751.sbeok.flacf
1979-12-09Kiel Auditorium
27751flac16; SBD> Cassette Master> Reel (Technics)> Dat (3800/48k), plus patch from Nak 700> Cass> Reel source; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; transferred and edited by Charlie Miller
gd1979-12-09.128713.naks.mason.flac16
1979-12-09Kiel Auditorium
128713flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones. Transferred on a Nak CR 7A
gd79-12-10.sbd.ststephen.3371.sbeok.shnf
1979-12-10Soldiers' and Sailors' Memorial Hall
3371SBD> Cm> (set 1 = Reel, set 2 = ?)> Dat> CD> EAC> SHN; with AUD patch; see info file for notes; via Steve;upgrade now in circulation
gd1979-12-10.nak700-minches.77331.flac16
1979-12-10Soldiers' and Sailors' Memorial Hall
77331flac16; Source: A:C:R:D Recorded with Nak 700s>Sony TC-D5 Played back on Akai GX-4000D R2R; Edited and normalized with Cool Edit Transfer and Flac encoding by David Minches
gd1979-12-10.sbd.ststephen.tetzeli.fix-3371.34938.reflac.flac16
1979-12-10Soldiers and Sailors Memorial Hall
34938flac16; Set 1 SBD>Cm>Reel>Dat>CD>EAC>SHN, Set 2 SBD>Cm>?>Dat>CD>EAC>SHN - Fix of shn id 3371 via Bill Tetzeli
gd1979-12-10.128746.naks.mason.flac16
1979-12-10Soldiers' and Sailors' Memorial Hall
128746flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on a Nak Cr7A
gd1979-12-10.sonyecm-walker.walker-scotton-miller.89136.flac16
1979-12-10Soldiers & Sailors Memorial Auditorium
89136flac16; Recording by Joani Walker: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1979-12-10.126986.mtx.dusborne.flac16
1979-12-10Soldiers' and Sailors' Memorial Hall
126986flac16; 2 Source Matrix by dusborne; Soundboard (shnid:34938) Set 1 SBD>Cm>Reel>Dat>CD>EAC>SHN; Set 2 SBD>Cm>?>Dat>CD>EAC>SHN; Fix of shnid 3371 and Audience (shnid:89136) Recording Info: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/TDK SA-C90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd79-12-11.naks.chase.9799.sbeok.shnf
1979-12-11Soldiers' and Sailors' Memorial Hall
9799Nak CM-700s-> Sony TC-D5; MAC>R>D>CD; via Jack Warner; Seeded to etree by Don Chase
gd79-12-11.sbd.barbella.5981.sbeok.shnf
1979-12-11Soldiers' and Sailors' Memorial Hall
5981SBD> Cm> Cass> Dat> CD (Tascam CDRW700)> EAC> CD; Tracked with CDWav; via Charlie Miller, Ron Speer, Jim Parzych, Steve Barbella (see notes);upgrade now in circulation
gd1979-12-11.sbd.miller.89165.flac16
1979-12-11Soldiers & Sailors Memorial Hall
89165flac16; Recording Info: SBD -> Cassette Master (Nak 550) -> Cassette (Sony D5) Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1979-12-11.sonyECM250.walker-scotton.miller.89166.sbeok.flac16
1979-12-11Soldiers & Sailors Memorial Hall
89166flac16; Recording by Joani Walker: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1979-12-11.mtx.haugh-miller.92287.flac24
1979-12-11Soldiers & Sailors Memorial Hall
92287flac24; DVD-AUDIO 24/48 SBD+AUD Matrix Mix (60%-SBD/40%-AUD); see info files for sources used
gd1979-12-11.mtx.haugh-miller.92439.flac16
1979-12-11Soldiers & Sailors Memorial Hall
92439flac16; SBD + AUD Matrix (60%-SBD/40%-AUD) Mixed by Dan Haugh
gd79-12-11.sbd.miller.28890.sbeok.flacf
1979-12-11Soldiers' and Sailors' Memorial Hall
28890flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (44.1k). Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller charliemiller87@earthlink.net : upgrade now in circulation
gd79-12-11.sbd.miller.32058.sbeok.flacf
1979-12-11Soldiers' and Sailors' Memorial Hall
32058flac16; SBD -> Cassette Master -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller : upgrade now in circulation
gd1979-12-11.128800.naks.mason.partial.flac16
1979-12-11Soldiers' and Sailors' Memorial Hall
128800flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on a Nak CR 7A; a complete version now in circulation
gd1979-12-11.sbd.miller.103092.flac16
1979-12-11Soldiers' and Sailors' Memorial Hall
103092flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550) -> Cassette (Sony D5); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Remaster of shnid 89165
gd1979-12-11.haugh.miller.91366.dvda
1979-12-11Soldier's and Sailors Memorial Auditorium
91366DVD-Audio; (6ch x 24/48) 5.1 Mix; sources are shnid 89165 and shnid 89166 (Audio only, no video)
gd79-12-26.aud.soundcheck.miller.17418.sbeok.shnf
1979-12-26Oakland Auditorium Arena
17418AUD>Cm>?>Cass>MiniDisc>Samplitude>SHN Soundcheck via Charlie Miller : upgrade now in circulation
gd79-12-26.rolfe.vernon.16092.sbeok.shnf
1979-12-26Oakland Auditorium Arena
16092Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor encoded by Matt Vernon with Soundcheck.
gd1979-12-26.128505.naks.mason.set2.flac16
1979-12-26Oakland Auditorium Arena
128505flac16; Set 2 Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; first generation "safety tape" transferred on a Nakamichi CR-7A
gd1979-12-26.sonyECM250.walker-scotton.miller.89187.sbeok.flac16
1979-12-26Oakland Auditorium Arena
89187flac16; Recording by Joani Walker (Soundcheck by David Gans): Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1979-12-26.sbd.evans.gems.81323.sbeok.flac16
1979-12-26Oakland Auditorium
81323flac16; Lineage: SBD Transfer: SBD -> ? -> DAT; DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing:- All editing and mastering by Jamie Waddell Wavelab 6.0- BBE, L3(type 1 dither)>16/44.1 SBE FREE
gd1979-12-26.144774.fob.sony.ecm270.severson.miller.clugston.flac2496
1979-12-26Oakland Auditorium Arena
144774flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1979-12-26.144773.fob.sony.ecm270.severson.miller.clugston.flac1648
1979-12-26Oakland Auditorium Arena
144773flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1979-12-26.150235.s2.sbd.miller.flac1648
1979-12-26Oakland Auditorium Arena
150235flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > DAT (48k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller
gd79-12-27.rolfe.vernon.15081.sbeok.shnf
1979-12-27Oakland Auditorium Arena
15081Recording by Steve Rolfe: nak 700's > d5 > DAT > cdr via Dave Minor, encoding Matt Vernon
gd1979-12-27.senn421.frisch.minches.83944.sbeok.flac16
1979-12-27Oakland Auditorium Arena
83944flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
gd1979-12-27.set1.sbd.miller.81601.sbeok.flac16
1979-12-27Oakland Auditorium Arena
81601flac16; 1st Set Only, Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
gd1979-12-27.144775.fob.akg.d1000e.severson.miller.clugston.flac1648
1979-12-27Oakland Auditorium Arena
144775flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1979-12-27.144776.fob.akg.d1000e.severson.miller.clugston.flac2496
1979-12-27Oakland Auditorium Arena
144776flac24; Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1979-12-27.aud.clugston.5593.shnf
1979-12-27Oakland Auditorium
5593Recording by Steve Rolfe: Master Audience Cassette; Nakamichi CM700 mics > Sony TC-158 cassette deck > DBX encoded Reel to Reel > DBX decoded > Panasonic SV3700 DAT > CDR; EAC'ed / SHN'ed by Scott Clugston : upgrade now in circulation
gd1979-12-27.senn421.walker-scotton.miller.89199.flac16
1979-12-27Oakland Auditorium Arena
89199flac16; Recording by Joani Walker: Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1979-12-27.154875.akg.se5.wiseman.miller.clugston.flac1648
1979-12-27Oakland Auditorium Arena
154875flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (1st Set + Encore -Maxell UDXLII 90, 2nd set Scotch Chrome Type II 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd1979-12-27.154876.akg.se5.wiseman.miller.clugston.flac2496
1979-12-27Oakland Auditorium Arena
154876flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (1st Set + Encore -Maxell UDXLII 90, 2nd set Scotch Chrome Type II 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd79-12-28.rolfe.vernon.16117.sbeok.shnf
1979-12-28Oakland Auditorium Arena
16117Recording by Steve Rolfe: nak 700's > d5 > DAT > cdr taped via Dave Minor encoded by Matt Vernon
gd79-12-28.sbd.lai.4145.sbefail.shnf
1979-12-28Oakland Auditorium Arena
4145SBD; transferred and seeded by Mike Lai, from Bruce Fried DAT; 7/26/01 update: d2t1 md5 had been missing here, complete md5s now shown : upgrade now in circulation
gd1979-12-28.mtx.seamons.94267.sbeok.flac16
1979-12-28Oakland Auditorium
94267flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
gd1979-12-28.134499.sbd.miller.flac16
1979-12-28Oakland Auditorium Arena
134499flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1979-12-28.144777.fob.akg.d1000e.severson.miller.clugston.flac1648
1979-12-28Oakland Auditorium Arena
144777flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1979-12-28.144778.fob.akg.d1000e.severson.miller.clugston.flac2496
1979-12-28Oakland Auditorium Arena
144778flac24; Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1979-12-28.sbd.ladner.gmb.87394.sbeok.flac16
1979-12-28Oakland Auditorium Arena
87394flac16; SBD > MR > PCM > DAT > WAV > FLAC. Seeded by the Green Mountain Bros.
gd1979-12-28.154877.akg.se5.wiseman.miller.clugston.flac1648
1979-12-28Oakland Auditorium Arena
154877flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK KR 90 except Casey Jones and One More Saturday Night - Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd1979-12-28.154878.akg.se5.wiseman.miller.clugston.flac2496
1979-12-28Oakland Auditorium Arena
154878flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK KR 90 except Casey Jones and One More Saturday Night - Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd1979-12-28.140817.sbd.pcm.miller.clugston.flac1644
1979-12-28Oakland Auditorium Arena
140817flac16; Recording Info: Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000(wav 16-bit/44.1k) > Adobe Audition 3.0 > TLH flac16; fixed version in circulation
gd1979-12-28.140833.sbd.pcm.miller.clugston.fixed.flac1644
1979-12-28Oakland Auditorium Arena
140833flac16; Recording Info: Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000(wav 16-bit/44.1k) > Adobe Audition 3.0 > TLH flac16; this sources fixes two 2 dropouts in the previous source
gd1979-12-28.senn421.walker-scotton.miller.pitch-corrected.103117.flac16
1979-12-28Oakland Auditorium Arena
103117flac16;Recording Info:Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller; Remaster of shnid 89273
gd1979-12-28.sbd-fried.lai.19918.shnf
1979-12-28Oakland Auditorium
19918sector boundary errors fixed with shntool and new md5 generated of previous sbd source : upgrade now in circulation
gd1979-12-29.137650.sen421.miller.sirmick.sbeok.flac16
1979-12-29Winterland Arena
137650flac16; Updated Source Info: Audience recording (Sennheiser 421s) > Cass x 2 > cdr > eac > wav 16/44.1; Recorded by Ron Ellner; Lineage: wav 16/44.1 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wav TLH > Flac16; edited and mastered SIRMick
gd79-12-30.rolfe.vernon.18221.sbeok.shnf
1979-12-30Oakland Auditorium Arena
18221Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor, encoding Matt Vernon
gd79-12-30.sbd.ladner.4797.sbeok.shnf
1979-12-30Oakland Auditorium Arena
4797SBD> MC> DAT> CD (except for Truckin' which is from an unknown AUD source); seeds via Charlie Miller; DAE and hosting by neo_levo;upgrade now in circulation
gd1979-12-30.144785.fob.sony.ecm270.severson.miller.clugston.flac1648
1979-12-30Oakland Auditorium Arena
144785flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1979-12-30.144786.fob.sony.ecm270.severson.miller.clugston.flac2496
1979-12-30Oakland Auditorium Arena
144786flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1979-12-30.sonyecm.severson.minches.90677.sbeok.flac16
1979-12-30Oakland Auditorium
90677flac16; Recorded by Mark Severson; 2 Sony ECM-270s on stand 35' from stage> Sony TC-D5 (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
gd1979-12-30.154879.akg.se5.wiseman.miller.clugston.flac1648
1979-12-30Oakland Auditorium Arena
154879flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd1979-12-30.154880.akg.se5.wiseman.miller.clugston.flac2496
1979-12-30Oakland Auditorium Arena
154880flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd1979-12-30.sbd.ladner.tetzeli.fix-4797.35219.reflac.flac16
1979-12-30Oakland Auditorium Arena
35219flac16; SBD>MC>DAT>CD - Seamless fix of shn id 4797. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd79-12-31.rolfe.vernon.18589.sbeok.shnf
1979-12-31Oakland Auditorium Arena
18589Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor encoded and patched by Matt Vernon
gd79-12-31.sbd.hinko.17281.sbeok.shnf
1979-12-31Oakland Auditorium Arena
17281SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko
gd1979-12-31.nak700.rolfe.clugston.5477.sbeok.shnf
1979-12-31Oakland Auditorium Arena
5477Recording by Steve Rolfe: Master Audience Cassette: Nakamichi CM700 mics > Sony TC-158 cassette deck > DAT > CDR; CD Remastering, EAC'ed / SHN'ed by Scott Clugston; d3 tracked for 80 min : upgrade now in circulation
gd1979-12-31.mtx.tobin.126184.flac16
1979-12-31Oakland Auditorium Arena
126184flac16; Matrix 3 Source Mix - SBD1 (shnid=17281) SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko + AUD1 (shn id 88768) Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 + SBD2 (no shn id) low generation video - matrix mixing by Kevin Tobin
gd1979-12-31.upg-sbd.Tobin.126183.flac16
1979-12-31Oakland Auditorium Arena
126183flac16; SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko (original shn 17281) - patches and pitch correction by Kevin Tobin
gd1979-12-31.aud.gorinsky.6031.shnf
1979-12-31Oakland Auditorium
6031Recording by Steve Rolfe: AUD > NAK 700s >Sony TC-158 > MC > DAT > CDR > EAC > SHN; EAC> SHN> etree by G. Gorinsky, with thanks to Glenn Gillis; cut in NFA : upgrade now in circulation
gd1979-12-31.156628.5.1.tobin.flac1648
1979-12-31Oakland Auditorium Arena
156628flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 126183) SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko (original shn 17281) - patches and pitch correction by Kevin Tobin + AUD (shnid = 155895) (original shnid = 88768) Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 - surround mixing by Kevin Tobin
gd1979-12-31.154881.akg.se5.wiseman.miller.clugston.flac1648
1979-12-31Oakland Auditorium Arena
154881flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd1979-12-31.154882.akg.se5.wiseman.miller.clugston.flac2496
1979-12-31Oakland Auditorium Arena
154882flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
gd1979-12-31.sonyecm-walker.walker-scotton-miller.88768.flac16
1979-12-31Oakland Auditorium
88768flac16;Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16
gd1979-12-31.144795.fob.sony.ecm270.severson.miller.clugston.flac1648
1979-12-31Oakland Auditorium Arena
144795flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, 35' from stage, several feet left of the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1979-12-31.144796.fob.sony.ecm270.severson.miller.clugston.flac2496
1979-12-31Oakland Auditorium Arena
144796flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, 35' from stage, several feet left of the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496