Grateful Dead
Pauley Pavillion - UCLA
Los Angeles, CA
11/25/79

DTS-Audio-CD 5.1 Mix

Set 1:
d1t01 - Jack Straw
d1t02 - Tennessee Jed
d1t03 - Me And My Uncle ->
d1t04 - Big River
d1t05 - Loser
d1t06 - New Minglewood Blues
d1t07 - Easy To Love You
d1t08 - Althea
d1t09 - Lost Sailor ->
d1t10 - Saint Of Circumstance ->
d1t11 - Deal

Set 2:
d2t01 - Shakedown Street ->
d2t02 - Bertha
d2t03 - Looks Like Rain
d2t04 - He's Gone ->
d2t05 - The Other One ->
d2t06 - Drums ->
d3t01 - Space ->
d3t02 - Truckin' ->
d3t03 - Stella Blue ->
d3t04 - Good Lovin'

Encore:
d3t05 - Johnny B. Goode

Audio Source Information
SBD (shnid=25069)
Recording Info:
SBD -> Master Cassette -> PCM -> Dat (44.1k)

Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN
(3 Discs Audio / 2 Discs SHN)

Patch Info:
Nakamichi 700 -> Master Cassette -> Reel -> CD (Possibly One More Reel Gen)
Patch Source Discs Provided By David Hollister
d2t02 Bertha (0:52 - 1:28)
d2t06 Drums (8:09) Through d2t07 Space (0:35)

Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
8/30/04

Notes:
-- Drop-outs in Easy To Love You removed with crossfades (No patch available)
-- Seamless transition between discs 2 and 3
-- Old source has really bad noise reduction applied to it, this copy doesn't
-- Numerous static pops removed with Cool Edit Pro v2.0

AUD (shnid=90636)
MOTB Release: 0062 16/44.1
Release Date: 2008-03-07
Band: Grateful Dead
Date: 1979-11-25 (Sunday)
Venue: Pauley Pavilion - University of California
Location: Los Angeles, CA
Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC)
Medium Stock Brands: MAC = Maxell UD XL II
Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC
Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taped By: Bob Menke
Transfer By: Bob Menke
Mastering By: Derek McCabe
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave.  Audition 3.0 was used to align & synch the SBD & AUD sources.  Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels.  Surcode CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 18-MAR-2008  
---------------------------------------------------------
Audio Patches:

1) At the beginning of soundboard, 28.432 seconds were missing from the soundboard source and was filled in with audio from the audience source. 

2) Between Jack Straw and Tennessee Jed, 14.328 seconds were missing from the audience source and was filled in with audio from the soundboard source. 

3) Between Jack Straw and Tennessee Jed, 08.528 seconds were missing from the audience source and was filled in with audio from the soundboard source. 

4) Towards the end of Big River, there were multiple right channel drop outs of 1 second or less on the soundboard and these were filled in with audio from the audience source.

5) Between Loser and New Minglewood Blues, 05.091 seconds were missing from the audience source and was filled in with audio from the soundboard source. 

6) Between New Minglewood Blues and Easy To Love You, 10.452 seconds were missing from the audience source and was filled in with audio from the soundboard source. 

7) Also between New Minglewood Blues and Easy To Love You, 27.904 seconds were missing from the soundboard source and was filled in with audio from the audience source. 

8) About 2 minutes into Easy To Love You, 37.773 seconds were missing from the soundboard source and was filled in with audio from the audience source. 

9) Between Easy To Love You and Althea, 41.000 seconds were missing from the audience source and was filled in with audio from the soundboard source. 

10) Between Althea and Lost Sailor, 26.391 seconds were missing from the audience source and was filled in with audio from the soundboard source. 

11) At the beginning of second set, 15.765 seconds were missing from the soundboard source and was filled in with audio from the audience source. 

12) Between Lost Sailor and He's Gone, 41.300 seconds were missing from the audience source and was filled in with audio from the soundboard source. 

13) Between Drums and Space, 37.448 seconds were missing from the audience source and was filled in with audio from the soundboard source. 

14) Between Good Lovin' and Johnny B. Goode, 14.203 seconds were missing from the audience source and was filled in with audio from the soundboard source. 

15) Matrix\DTS were synced using the soundboard as a reference as the MOTB audience 1st set ran rather fast at approx 2.5% or 2.10 seconds per minute. The second set was much closer where the MOTB audience only ran slightly fast at approx .5% or .25 seconds per minute.
---------------------------------------------------------------------------
DTS-Audio-CD Info

Front  
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -0db SBD

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -0db SBD
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Productions

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