Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1973-11-21.133522.mtx.dusborne.flac16
1973-11-21Denver Coliseum
133522flac; 2 Source Matrix by Dusborne; Soundboard(shnid:97468) SBD -> Master Reel -> Cassette -> Dat -> CD; CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC and Audience(shnid:22096) Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
gd73-11-23.sbd.orf.194.sbeok.shnf
1973-11-23County Coliseum
194SBD > Reel > Cassette > Datx2 > CDR; via L. Orf; reel flips in d1t1, d1t7 (smoothed), d3t2; superior version relative to version circulated 3/8
gd1973-11-23.sbd.miller.112801.flac16
1973-11-23County Coliseum
112801flac16; Recording Info:SBD -> Reel Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1973-11-23.sbd.orf.clevenger.6702.sbeok.shnf
1973-11-23County Coliseum
6702retracked, edited version of previous shn set, for 90 min CDs (see info), by Bob Clevenger
gd73-11-25.sbd.sacks.2213.sbeok.shnf
1973-11-25Feyline Field
2213MSR> Cass.> DATs> CDRs> EAC> SHN; via Darrin Sacks; see info file for known flaws; note md5s for d2t8-10 filler tracks (12/4/71) added here 1/24/01
gd1973-11-25.150853.sbd.miller.flac1644
1973-11-25Feyline Field
150853flac16/44.1khz Recording Info: SBD > Reel Master > Dat (44.1k) Transfer Info: Dat (Tascam DA-40) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC
gd1973-11-25.150897.sbd.patched.miller.flac1644
1973-11-25Feyline Field
150897flac16/44khz 1Recording Info: SBD > Reel Master > Dat (44.1k) Transfer Info: Dat (Tascam DA-40) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC
gd1973-11-25.sbd.miller.113007.flac16
1973-11-25Feyline Field
113007flac16; Recording Info:SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd73-11-28.sbd-seastones.finney.968.sbefail.shnf
1973-11-28Palace of Fine Arts
968Seastones collection: 4 disc set includes 3 separate sessions labelled as 11/28/73, plus 6/6/75; misc. filler bits; via D. Finney
gd73-11-30.aud.vernon.17277.sbeok.shnf
1973-11-30Boston Music Hall
17277unknown audience recording via David Minor encoded by Matt Vernon and Marc Pujol
gd73-11-30.sbd.vernon.8099.sbeok.shnf
1973-11-30Boston Music Hall
8099sbd > ? > CDR; Some songs from this date are featured on Dick's Picks 14; go buy it
gd1973-11-30.155310.aud.partial.flac1644
1973-11-30Music Hall
155310flac1644; Partial; Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2022
gd1973-11-30.124131.mtx.dusborne.flac16
1973-11-30Music Hall
124131flac16; 2 source matrix by dusborne; Soundboard (shnid:8099) sbd > ? > CDR > EAC(secure) > mkwact(seekable) and Audience (shnid:17277) Source: AUDMC(unknown mics) > ? > C > DAT; DAT > WAV(48Khz) Marc Pujol Encoding: WAV(48kHz) > Cool Edit > CDWav > mkwact > SHN
gd73-12-01.aud.vernon.18094.sbeok.shnf
1973-12-01Boston Music Hall
18094AUDMC(unknown mics) > ? > C > DAT via David Minor, encoded by Marc Pujol and Matt Vernon
gd1973-12-01.sbd.gardner.4337.shnf
1973-12-01Boston Music Hall
4337SBD> MR> DAT> Sonic Solutions> CDR; shn by Tony Gardner, from Paul B.'s discs; note more complete than previous shn versions
gd1973-12-01.aud.degen.110781.flac1644
1973-12-01Music Hall
110781flac16; FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend. Transfer: Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.
gd1973-12-01.124132.mtx.dusborne.flac16
1973-12-01Music Hall
124132flac16; 2 source matrix by dusborne Soundboard (shnid:112205) SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional 11.2 -> FLAC and Audience (shnid:110781) FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend. Transfer: Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.
gd1973-12-01.sbd.clugston.4972.sbefail.shnf
1973-12-01Boston Music Hall
4972same info file as previous shn set, but md5s differ; poss reDAE/reshn by unIDed person?
gd1973-12-01.sbd.clugston.6648.sbefail.shnf
1973-12-01Boston Music Hall
6648Master Soundboard Reels > PCM > DAT> CDR; CD Mastering by Scott Clugston
gd1973-12-01.sbd.miller.112205.flac16
1973-12-01Music Hall
112205flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional 11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1973-12-01.158193.aud.maloney.flac2496
1973-12-01Music Hall
158193flac2496 Source: Recorded using a Sony TC-110A deck with built in microphone by Joe Maloney.
Transfer (2022): Audience analog master cassette>Nakamichi DR-1 (w/manual azimuth adjustment)>Creative Soundblaster X-Fi HD Model #SB1240 WAV(24/96kHz)>MAGIX Audio Cleaning Lab for KRW track marks, volume adjustment, and edits>WAV(24/96kHz)>Trader's Little Helper FLAC (level 8)
gd1973-12-01.158194.aud.maloney.flac16
1973-12-01Music Hall
158194flac1644 Source: Recorded using a Sony TC-110A deck with built in microphone by Joe Maloney.
Transfer (2022): Audience analog master cassette>Nakamichi DR-1 (w/manual azimuth adjustment)>Creative Soundblaster X-Fi HD Model #SB1240 WAV(24/96kHz)>MAGIX Audio Cleaning Lab for KRW track marks, volume adjustment, and edits>WAV(16/44.1kHz)>Trader's Little Helper FLAC (level 8)
gd73-12-02.aud.vernon.17278.sbeok.shnf
1973-12-02Boston Music Hall
17278unknown audience tape via David Minor encoded by Matt Vernon and Marc Pujol
gd73-12-02.sbd.clugston.3415.sbeok.shnf
1973-12-02Boston Music Hall
3415Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston;a few seconds of overlap between d2,3; to abgd
gd1973-12-02.aud.degen.partial.110782.flac1644
1973-12-02Music Hall
110782flac16; FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassette, kindly provided by Tim Friend. Transfer: Maxell UD90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.
gd1973-12-02.124133.mtx.dusborne.flac16
1973-12-02Music Hall
124133flac16; 3 source matrix by dusborne Soundboard (shnid:3415) Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston; Audience (shnid:17278) Source: MAC > ? > C > DAT > CDR DAT > WAV(48kHz) by Marc Pujol; Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN(seekable) by mvernon54@attbi.com; and Audience (shnid:110782) FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. Transfer: Maxell UD90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.
gd1973-12-02.sbd.clugston.lai.4733.sbefail.shnf
1973-12-02Boston Music Hall
4733same info file as previous shn set, but md5s differ; poss reDAE/reshn by unIDed person?; hosted by Mike Lai
gd1973-12-02.150276.s2.sbd.miller.flac1648
1973-12-02Music Hall
150276flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > DAT (48k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller
gd73-12-04pt.sbd.elliot.11799.sbeok.shnf
1973-12-04Cincinnati Gardens
11799Partial; Last two songs and encore; See info file for details; master soundboard cassette > reel > pcm > dat > cdr; Seeded to etree by Jools
gd73-12-04.s1-sbd.miller.30656.sbeok.flacf
1973-12-04Cincinnati Gardens
30656flac16; SET ONE ONLY SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller
gd1973-12-04.sbd.miller.86845.flac16
1973-12-04Cincinnati Gardens
86845flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller (note: this source includes the encore missing from shn id 86839).
gd73-12-06.sbd.kaplan-fink-hamilton.4452.sbeok.shnf
1973-12-06Public Hall
4452SBD MR > 1 cass gen > DAT > (AUD patching)> CD > EAC > SHN> slight retrack for d2t3, d3t1, d3t4> shnv2 on those tracks; d3 tracked for 80 min; see notes in info file; seed via David Gans, Jim Powell, Dave Greenberg; shns via Seth Kaplan, Alan Fink, G.S. Hamilton
gd73-12-06.sbd-part.nayfield.clevenger.fix-195.6703.shnf
1973-12-06Cleveland Music Hall
6703retracked, slightly edited version of previous shn set, for 1x90 min CD (see info), by Bob Clevenger
gd1973-12-06.sbd.remaster.102750.flac16
1973-12-06Public Hall
102750flac16; Recording Info: SBD > MR > cassette > DAT > CD; Transfer Info: CD > Wav > Sound Forge 9 for compression, volume and EQ > FLAC; remastered version of source ID 4452
gd1973-12-06.132361.sbd.miller.flac16
1973-12-06Public Hall
132361flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1973-12-06.147505.sbd.pc.miller.flac1644
1973-12-06Public Hall
147505flac16; Recording Info: SBD > Master Reel > Dat; Transfer Info: Dat > Samplitude Professional v11.2.1 > FLAC; Remastering Info: FLAC > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/16
gd1973-12-06.partial.sbd.nayfield.195.sbeok.shnf
1973-12-06Cleveland Public Hall
195partial; S:MR> Cass> SonicSolutions> DAT> ZA2> CD; via R. Nayfield (from Gans seed?); Reel Splice in Eyes from master
gd1973-12-06.sbd.miller.105560.flac16
1973-12-06Public Hall
105560flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of source ID 4452
gd73-12-08.sbd.gustin.1811.sbeok.shnf
1973-12-08Cameron Indoor Stadium, Duke U
1811SBD:MR> C> DAT> CD> EAC> SHN; via Kirby (Chalupa) Bell, Andy Gustin; note Beginning of Bertha is clipped, JBG is from an AUD source
gd1973-12-08.141376.sbd.latvala.eaton.miller.clugston.flac1644
1973-12-08Cameron Indoor Stadium, Duke U
141376flac16; Recording Info: Master Soundboard Reel > Dat (16/44.1k)(Dick Latvala); Transfer Info: Dat (Panasonic SV-3800) > Pro Tools (.wav 16/44.1k) > Samplitude Professional v10.22 > Adobe Audition 3.0 > TLH flac16
gd1973-12-08.152572.aud.lamarre.vernon.sirmick.flac16
1973-12-08Cameron Indoor Stadium, Duke University
152572flac16/44 Source: Unknown Audience Cassette (high gen) - from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick June 2021
gd1973-12-08.152573.aud.lamarre.vernon.sirmick.flac24
1973-12-08Cameron Indoor Stadium, Duke University
152573flac24/96 Source: Unknown Audience Cassette (high gen) - from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac24 edited and mastered SIRMick June 2021
gd1973-12-08.sbd.miller.105607.flac16
1973-12-08Cameron Indoor Stadium, Duke U
105607flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 1811
gd1973-12-08.aud.moore.berger.106138.flac24
1973-12-08Cameron Indoor Stadium, Duke U
106138flac24; source: aud 1st gen reel* taped by Jerry Moore mastered on sony tc-110 lineage: aud cassette master>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 2496>pc>adobe audition 2.0 (levels, dc offset)>cd wave>flac
gd1973-12-08.aud.moore.berger.106139.flac16
1973-12-08Cameron Indoor Stadium, Duke U
106139flac16; source: aud 1st gen reel* taped by Jerry Moore mastered on sony tc-110 lineage: aud cassette master>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 2496>pc>adobe audition 2.0(levels, dc offset)>cd wave>16/44.1>flac transferred & seeded by Rob Berger
gd1973-12-08.sbd.remaster.105268.flac16
1973-12-08Cameron Indoor Stadium, Duke U
105268flac16; Sbd > MR > C > DAT > CD Re-master of shnid 1811
gd1973-12-08.sbd.unknown.7586.shnf
1973-12-08Cameron Indoor Stadium - Duke University
7586Stereo Soundboard > Master Reel > ? > CD > SHN; via unknown person; May be a re-eac of previous shn set
gd73-12-10pt.sbd.elliot.11800.sbeok.shnf
1973-12-10Charlotte Coliseum
11800Partial; Half of last song and encore; See info file for details; master soundboard cassette > reel > pcm > dat > cdr; Seeded to etree by Jools
gd73-12-12.sbd.hobbs.6023.sbeok.shnf
1973-12-12The Omni
6023nearly complete, with soundcheck; MR > C > DAT > CDR; via Trei Hobbs
gd1973-12-12.sbd.remaster.102910.flac16
1973-12-12The Omni
102910flac16; Remaster of SHNID 6023 (Recording Info: Sbd > MR > C > CDR) Transfer Info: CDR > Soundforge 8 for many adjustments > Flac Transfer notes: Soundcheck recording changes: Volume increase, EQ and balance adjustments. Main show recording changes: Pitch of entire show was slowed to match A=440. It's close but not perfect, as pitch varied throughout. Volume was increased to modern standards Tape hiss, while still present, was reduced, without compromising overall fidelity.
gd1973-12-12.sbd.soundcheck-from-2595.3401.shnf
1973-12-12Omni Coliseum
3401souncheck apparently circulates as filler on circulating copy of 11/4/77.
gd1973-12-12.sbd.miller.124585.flac16
1973-12-12The Omni
124585flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a re-master of source ID 105561
gd73-12-18.sbd.hamilton.12214.sbeok.shnf
1973-12-18Curtis Hixon Convention Hall
12214SBD Reel master > cassette > DAT > CDR (unknown gens) > EAC > CDWav retracking> SHN; Extraction, retracking, shortening by G.S. Hamilton (for real). Please use md5s to ID copies in circulation. Note d2 has 9 tracks; alternate shn set in circulation has 7 d2 tracks and is not really via Greg, but is apparently from another CD set. (This has same reel change in Wharf Rat (d3t04) @ 6:36.); note noise reduction notes in pub comments apparently pertain to alternate shn set only, no NR on this entry
gd1973-12-18.122508.aud.adamg.droncit.flac16
1973-12-18Curtis Hixon Convention Hall
122508flac16; Audience Cassette->Nakamichi Dragon->Sony PCMR300 Dat (16/44.1)->Sound Forge eq and normalization
gd1973-12-18.123373.mtx.barry.flac
1973-12-18Curtis Hixon Convention Hall
123373flac16; matrix of shnid 122508 (source 1 AUD) and shnid 116498 (source 2 SBD); matrixed by Monte Barry
gd1973-12-18.126123.mtx.dusborne.droncit.flac16
1973-12-18Curtis Hixon Convention Hall
126123flac16; 3 source matrix: Soundboard (shnid 97511); AdamG's audience recording (new flat transfer); and Dan McDonald's audience recording (new flat transfer)
gd1973-12-18.sbd.hamilton.3119.shnf
1973-12-18Curtis Hixon Convention Hall
3119SBD Reel master > cassette > DAT > CDR (unknown gens); info file circulating with the shn set falsely says this is via G.S. Hamilton- it is not. Please use md5s to ID copies in circulation. This copy has 7 tracks in d2, Greg's real shn set has 9. Reel change in Wharf Rat (d3t04) @ 6:36; reported noise reduction on this copy- see comments
gd1973-12-18.sbd.miller.97511.sbeok.flac16
1973-12-18Curtis Hixon Convention Hall
97511flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller; Upgrade in circulation
gd1973-12-18.sbd.miller.113498.flac16
1973-12-18Curtis Hixon Convention Hall
113498flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd73-12-19.aud.clugston.8602.sbeok.shnf
1973-12-19Curtis Hixon Convention Hall
8602Audience; MAC>PCM>Cassette>CD; Seeded to etree by Scott Clugston; Note- Parts of this show appear on DP1; go buy it
gd73-12-19.sbd.finney.outtakes.197.sbeok.shnf
1973-12-19Curtis Hixon Convention Hall
197"DP 1 Leftovers"; via Gans, D. Finney; rest is on Dick's Picks 1- go buy it
gd1973-12-19.sbd.miller.97361.sbeok.flac16
1973-12-19Curtis Hixon Convention Hall
97361flac16; Recording Info:SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1973-12-19.126124.mtx.dusborne.droncit.flac16
1973-12-19Curtis Hixon Convention Hall
126124flac16; Matrix from sources: soundboard: 97361; and Dan McDonald's audience tape (new flat transfer)
gd1973-12-19.107984.sbd.dan.patch-97361.flac16
1973-12-19Curtis Hixon Convention Hall
gd1973-12-19.sbd-part.dan.patch-97361.107984.flac16
1973-12-19Curtis Hixon Convention Hall
107984flac16; soundboard source shnid=97361: (Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC); Patch source: Sony EMC-22 mic-> cheap mono cassette (probably Sony) - TDK SD C90s -> Tascam 112-> M-Audio Audiophile 24/96 at 24 bit, 96 kHz. Converted to 16-bit, 44.1 kHz and edited using Diamond Cut 7.5 Forensics. Also used DC 7.5 to correct for a slight azimuth alignment problem, cross-faded and cut on sector boundaries. Converted to flac with trader's little helper
gd1973-12-19.sbd.miller.113503.flac16
1973-12-19Curtis Hixon Convention Hall
113503flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller