Identifiers for Grateful Dead
1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
Archive Identifier | |
---|---|
Date | Venue |
Source | |
gd1973-11-21.133522.mtx.dusborne.flac16 | |
1973-11-21 | Denver Coliseum |
133522 | flac; 2 Source Matrix by Dusborne; Soundboard(shnid:97468) SBD -> Master Reel -> Cassette -> Dat -> CD; CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC and Audience(shnid:22096) Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
gd73-11-23.sbd.orf.194.sbeok.shnf | |
1973-11-23 | County Coliseum |
194 | SBD > Reel > Cassette > Datx2 > CDR; via L. Orf; reel flips in d1t1, d1t7 (smoothed), d3t2; superior version relative to version circulated 3/8 |
gd1973-11-23.sbd.miller.112801.flac16 | |
1973-11-23 | County Coliseum |
112801 | flac16; Recording Info:SBD -> Reel Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1973-11-23.sbd.orf.clevenger.6702.sbeok.shnf | |
1973-11-23 | County Coliseum |
6702 | retracked, edited version of previous shn set, for 90 min CDs (see info), by Bob Clevenger |
gd73-11-25.sbd.sacks.2213.sbeok.shnf | |
1973-11-25 | Feyline Field |
2213 | MSR> Cass.> DATs> CDRs> EAC> SHN; via Darrin Sacks; see info file for known flaws; note md5s for d2t8-10 filler tracks (12/4/71) added here 1/24/01 |
gd1973-11-25.150853.sbd.miller.flac1644 | |
1973-11-25 | Feyline Field |
150853 | flac16/44.1khz Recording Info: SBD > Reel Master > Dat (44.1k) Transfer Info: Dat (Tascam DA-40) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC |
gd1973-11-25.150897.sbd.patched.miller.flac1644 | |
1973-11-25 | Feyline Field |
150897 | flac16/44khz 1Recording Info: SBD > Reel Master > Dat (44.1k) Transfer Info: Dat (Tascam DA-40) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC |
gd1973-11-25.sbd.miller.113007.flac16 | |
1973-11-25 | Feyline Field |
113007 | flac16; Recording Info:SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd73-11-28.sbd-seastones.finney.968.sbefail.shnf | |
1973-11-28 | Palace of Fine Arts |
968 | Seastones collection: 4 disc set includes 3 separate sessions labelled as 11/28/73, plus 6/6/75; misc. filler bits; via D. Finney |
gd73-11-30.aud.vernon.17277.sbeok.shnf | |
1973-11-30 | Boston Music Hall |
17277 | unknown audience recording via David Minor encoded by Matt Vernon and Marc Pujol |
gd73-11-30.sbd.vernon.8099.sbeok.shnf | |
1973-11-30 | Boston Music Hall |
8099 | sbd > ? > CDR; Some songs from this date are featured on Dick's Picks 14; go buy it |
gd1973-11-30.155310.aud.partial.flac1644 | |
1973-11-30 | Music Hall |
155310 | flac1644; Partial; Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2022 |
gd1973-11-30.124131.mtx.dusborne.flac16 | |
1973-11-30 | Music Hall |
124131 | flac16; 2 source matrix by dusborne; Soundboard (shnid:8099) sbd > ? > CDR > EAC(secure) > mkwact(seekable) and Audience (shnid:17277) Source: AUDMC(unknown mics) > ? > C > DAT; DAT > WAV(48Khz) Marc Pujol Encoding: WAV(48kHz) > Cool Edit > CDWav > mkwact > SHN |
gd73-12-01.aud.vernon.18094.sbeok.shnf | |
1973-12-01 | Boston Music Hall |
18094 | AUDMC(unknown mics) > ? > C > DAT via David Minor, encoded by Marc Pujol and Matt Vernon |
gd1973-12-01.sbd.gardner.4337.shnf | |
1973-12-01 | Boston Music Hall |
4337 | SBD> MR> DAT> Sonic Solutions> CDR; shn by Tony Gardner, from Paul B.'s discs; note more complete than previous shn versions |
gd1973-12-01.aud.degen.110781.flac1644 | |
1973-12-01 | Music Hall |
110781 | flac16; FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend. Transfer: Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. |
gd1973-12-01.124132.mtx.dusborne.flac16 | |
1973-12-01 | Music Hall |
124132 | flac16; 2 source matrix by dusborne Soundboard (shnid:112205) SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional 11.2 -> FLAC and Audience (shnid:110781) FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend. Transfer: Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. |
gd1973-12-01.sbd.clugston.4972.sbefail.shnf | |
1973-12-01 | Boston Music Hall |
4972 | same info file as previous shn set, but md5s differ; poss reDAE/reshn by unIDed person? |
gd1973-12-01.sbd.clugston.6648.sbefail.shnf | |
1973-12-01 | Boston Music Hall |
6648 | Master Soundboard Reels > PCM > DAT> CDR; CD Mastering by Scott Clugston |
gd1973-12-01.sbd.miller.112205.flac16 | |
1973-12-01 | Music Hall |
112205 | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional 11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1973-12-01.158193.aud.maloney.flac2496 | |
1973-12-01 | Music Hall |
158193 | flac2496 Source: Recorded using a Sony TC-110A deck with built in microphone by Joe Maloney. Transfer (2022): Audience analog master cassette>Nakamichi DR-1 (w/manual azimuth adjustment)>Creative Soundblaster X-Fi HD Model #SB1240 WAV(24/96kHz)>MAGIX Audio Cleaning Lab for KRW track marks, volume adjustment, and edits>WAV(24/96kHz)>Trader's Little Helper FLAC (level 8) |
gd1973-12-01.158194.aud.maloney.flac16 | |
1973-12-01 | Music Hall |
158194 | flac1644 Source: Recorded using a Sony TC-110A deck with built in microphone by Joe Maloney. Transfer (2022): Audience analog master cassette>Nakamichi DR-1 (w/manual azimuth adjustment)>Creative Soundblaster X-Fi HD Model #SB1240 WAV(24/96kHz)>MAGIX Audio Cleaning Lab for KRW track marks, volume adjustment, and edits>WAV(16/44.1kHz)>Trader's Little Helper FLAC (level 8) |
gd73-12-02.aud.vernon.17278.sbeok.shnf | |
1973-12-02 | Boston Music Hall |
17278 | unknown audience tape via David Minor encoded by Matt Vernon and Marc Pujol |
gd73-12-02.sbd.clugston.3415.sbeok.shnf | |
1973-12-02 | Boston Music Hall |
3415 | Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston;a few seconds of overlap between d2,3; to abgd |
gd1973-12-02.aud.degen.partial.110782.flac1644 | |
1973-12-02 | Music Hall |
110782 | flac16; FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassette, kindly provided by Tim Friend. Transfer: Maxell UD90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. |
gd1973-12-02.124133.mtx.dusborne.flac16 | |
1973-12-02 | Music Hall |
124133 | flac16; 3 source matrix by dusborne Soundboard (shnid:3415) Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston; Audience (shnid:17278) Source: MAC > ? > C > DAT > CDR DAT > WAV(48kHz) by Marc Pujol; Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN(seekable) by mvernon54@attbi.com; and Audience (shnid:110782) FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. Transfer: Maxell UD90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. |
gd1973-12-02.sbd.clugston.lai.4733.sbefail.shnf | |
1973-12-02 | Boston Music Hall |
4733 | same info file as previous shn set, but md5s differ; poss reDAE/reshn by unIDed person?; hosted by Mike Lai |
gd1973-12-02.150276.s2.sbd.miller.flac1648 | |
1973-12-02 | Music Hall |
150276 | flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > DAT (48k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller |
gd73-12-04pt.sbd.elliot.11799.sbeok.shnf | |
1973-12-04 | Cincinnati Gardens |
11799 | Partial; Last two songs and encore; See info file for details; master soundboard cassette > reel > pcm > dat > cdr; Seeded to etree by Jools |
gd73-12-04.s1-sbd.miller.30656.sbeok.flacf | |
1973-12-04 | Cincinnati Gardens |
30656 | flac16; SET ONE ONLY SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller |
gd1973-12-04.sbd.miller.86845.flac16 | |
1973-12-04 | Cincinnati Gardens |
86845 | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller (note: this source includes the encore missing from shn id 86839). |
gd73-12-06.sbd.kaplan-fink-hamilton.4452.sbeok.shnf | |
1973-12-06 | Public Hall |
4452 | SBD MR > 1 cass gen > DAT > (AUD patching)> CD > EAC > SHN> slight retrack for d2t3, d3t1, d3t4> shnv2 on those tracks; d3 tracked for 80 min; see notes in info file; seed via David Gans, Jim Powell, Dave Greenberg; shns via Seth Kaplan, Alan Fink, G.S. Hamilton |
gd73-12-06.sbd-part.nayfield.clevenger.fix-195.6703.shnf | |
1973-12-06 | Cleveland Music Hall |
6703 | retracked, slightly edited version of previous shn set, for 1x90 min CD (see info), by Bob Clevenger |
gd1973-12-06.sbd.remaster.102750.flac16 | |
1973-12-06 | Public Hall |
102750 | flac16; Recording Info: SBD > MR > cassette > DAT > CD; Transfer Info: CD > Wav > Sound Forge 9 for compression, volume and EQ > FLAC; remastered version of source ID 4452 |
gd1973-12-06.132361.sbd.miller.flac16 | |
1973-12-06 | Public Hall |
132361 | flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1973-12-06.147505.sbd.pc.miller.flac1644 | |
1973-12-06 | Public Hall |
147505 | flac16; Recording Info: SBD > Master Reel > Dat; Transfer Info: Dat > Samplitude Professional v11.2.1 > FLAC; Remastering Info: FLAC > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/16 |
gd1973-12-06.partial.sbd.nayfield.195.sbeok.shnf | |
1973-12-06 | Cleveland Public Hall |
195 | partial; S:MR> Cass> SonicSolutions> DAT> ZA2> CD; via R. Nayfield (from Gans seed?); Reel Splice in Eyes from master |
gd1973-12-06.sbd.miller.105560.flac16 | |
1973-12-06 | Public Hall |
105560 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of source ID 4452 |
gd73-12-08.sbd.gustin.1811.sbeok.shnf | |
1973-12-08 | Cameron Indoor Stadium, Duke U |
1811 | SBD:MR> C> DAT> CD> EAC> SHN; via Kirby (Chalupa) Bell, Andy Gustin; note Beginning of Bertha is clipped, JBG is from an AUD source |
gd1973-12-08.141376.sbd.latvala.eaton.miller.clugston.flac1644 | |
1973-12-08 | Cameron Indoor Stadium, Duke U |
141376 | flac16; Recording Info: Master Soundboard Reel > Dat (16/44.1k)(Dick Latvala); Transfer Info: Dat (Panasonic SV-3800) > Pro Tools (.wav 16/44.1k) > Samplitude Professional v10.22 > Adobe Audition 3.0 > TLH flac16 |
gd1973-12-08.152572.aud.lamarre.vernon.sirmick.flac16 | |
1973-12-08 | Cameron Indoor Stadium, Duke University |
152572 | flac16/44 Source: Unknown Audience Cassette (high gen) - from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick June 2021 |
gd1973-12-08.152573.aud.lamarre.vernon.sirmick.flac24 | |
1973-12-08 | Cameron Indoor Stadium, Duke University |
152573 | flac24/96 Source: Unknown Audience Cassette (high gen) - from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac24 edited and mastered SIRMick June 2021 |
gd1973-12-08.sbd.miller.105607.flac16 | |
1973-12-08 | Cameron Indoor Stadium, Duke U |
105607 | flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 1811 |
gd1973-12-08.aud.moore.berger.106138.flac24 | |
1973-12-08 | Cameron Indoor Stadium, Duke U |
106138 | flac24; source: aud 1st gen reel* taped by Jerry Moore mastered on sony tc-110 lineage: aud cassette master>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 2496>pc>adobe audition 2.0 (levels, dc offset)>cd wave>flac |
gd1973-12-08.aud.moore.berger.106139.flac16 | |
1973-12-08 | Cameron Indoor Stadium, Duke U |
106139 | flac16; source: aud 1st gen reel* taped by Jerry Moore mastered on sony tc-110 lineage: aud cassette master>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 2496>pc>adobe audition 2.0(levels, dc offset)>cd wave>16/44.1>flac transferred & seeded by Rob Berger |
gd1973-12-08.sbd.remaster.105268.flac16 | |
1973-12-08 | Cameron Indoor Stadium, Duke U |
105268 | flac16; Sbd > MR > C > DAT > CD Re-master of shnid 1811 |
gd1973-12-08.sbd.unknown.7586.shnf | |
1973-12-08 | Cameron Indoor Stadium - Duke University |
7586 | Stereo Soundboard > Master Reel > ? > CD > SHN; via unknown person; May be a re-eac of previous shn set |
gd73-12-10pt.sbd.elliot.11800.sbeok.shnf | |
1973-12-10 | Charlotte Coliseum |
11800 | Partial; Half of last song and encore; See info file for details; master soundboard cassette > reel > pcm > dat > cdr; Seeded to etree by Jools |
gd73-12-12.sbd.hobbs.6023.sbeok.shnf | |
1973-12-12 | The Omni |
6023 | nearly complete, with soundcheck; MR > C > DAT > CDR; via Trei Hobbs |
gd1973-12-12.sbd.remaster.102910.flac16 | |
1973-12-12 | The Omni |
102910 | flac16; Remaster of SHNID 6023 (Recording Info: Sbd > MR > C > CDR) Transfer Info: CDR > Soundforge 8 for many adjustments > Flac Transfer notes: Soundcheck recording changes: Volume increase, EQ and balance adjustments. Main show recording changes: Pitch of entire show was slowed to match A=440. It's close but not perfect, as pitch varied throughout. Volume was increased to modern standards Tape hiss, while still present, was reduced, without compromising overall fidelity. |
gd1973-12-12.sbd.soundcheck-from-2595.3401.shnf | |
1973-12-12 | Omni Coliseum |
3401 | souncheck apparently circulates as filler on circulating copy of 11/4/77. |
gd1973-12-12.sbd.miller.124585.flac16 | |
1973-12-12 | The Omni |
124585 | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a re-master of source ID 105561 |
gd73-12-18.sbd.hamilton.12214.sbeok.shnf | |
1973-12-18 | Curtis Hixon Convention Hall |
12214 | SBD Reel master > cassette > DAT > CDR (unknown gens) > EAC > CDWav retracking> SHN; Extraction, retracking, shortening by G.S. Hamilton (for real). Please use md5s to ID copies in circulation. Note d2 has 9 tracks; alternate shn set in circulation has 7 d2 tracks and is not really via Greg, but is apparently from another CD set. (This has same reel change in Wharf Rat (d3t04) @ 6:36.); note noise reduction notes in pub comments apparently pertain to alternate shn set only, no NR on this entry |
gd1973-12-18.122508.aud.adamg.droncit.flac16 | |
1973-12-18 | Curtis Hixon Convention Hall |
122508 | flac16; Audience Cassette->Nakamichi Dragon->Sony PCMR300 Dat (16/44.1)->Sound Forge eq and normalization |
gd1973-12-18.123373.mtx.barry.flac | |
1973-12-18 | Curtis Hixon Convention Hall |
123373 | flac16; matrix of shnid 122508 (source 1 AUD) and shnid 116498 (source 2 SBD); matrixed by Monte Barry |
gd1973-12-18.126123.mtx.dusborne.droncit.flac16 | |
1973-12-18 | Curtis Hixon Convention Hall |
126123 | flac16; 3 source matrix: Soundboard (shnid 97511); AdamG's audience recording (new flat transfer); and Dan McDonald's audience recording (new flat transfer) |
gd1973-12-18.sbd.hamilton.3119.shnf | |
1973-12-18 | Curtis Hixon Convention Hall |
3119 | SBD Reel master > cassette > DAT > CDR (unknown gens); info file circulating with the shn set falsely says this is via G.S. Hamilton- it is not. Please use md5s to ID copies in circulation. This copy has 7 tracks in d2, Greg's real shn set has 9. Reel change in Wharf Rat (d3t04) @ 6:36; reported noise reduction on this copy- see comments |
gd1973-12-18.sbd.miller.97511.sbeok.flac16 | |
1973-12-18 | Curtis Hixon Convention Hall |
97511 | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller; Upgrade in circulation |
gd1973-12-18.sbd.miller.113498.flac16 | |
1973-12-18 | Curtis Hixon Convention Hall |
113498 | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd73-12-19.aud.clugston.8602.sbeok.shnf | |
1973-12-19 | Curtis Hixon Convention Hall |
8602 | Audience; MAC>PCM>Cassette>CD; Seeded to etree by Scott Clugston; Note- Parts of this show appear on DP1; go buy it |
gd73-12-19.sbd.finney.outtakes.197.sbeok.shnf | |
1973-12-19 | Curtis Hixon Convention Hall |
197 | "DP 1 Leftovers"; via Gans, D. Finney; rest is on Dick's Picks 1- go buy it |
gd1973-12-19.sbd.miller.97361.sbeok.flac16 | |
1973-12-19 | Curtis Hixon Convention Hall |
97361 | flac16; Recording Info:SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1973-12-19.126124.mtx.dusborne.droncit.flac16 | |
1973-12-19 | Curtis Hixon Convention Hall |
126124 | flac16; Matrix from sources: soundboard: 97361; and Dan McDonald's audience tape (new flat transfer) |
gd1973-12-19.107984.sbd.dan.patch-97361.flac16 | |
1973-12-19 | Curtis Hixon Convention Hall |
gd1973-12-19.sbd-part.dan.patch-97361.107984.flac16 | |
1973-12-19 | Curtis Hixon Convention Hall |
107984 | flac16; soundboard source shnid=97361: (Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC); Patch source: Sony EMC-22 mic-> cheap mono cassette (probably Sony) - TDK SD C90s -> Tascam 112-> M-Audio Audiophile 24/96 at 24 bit, 96 kHz. Converted to 16-bit, 44.1 kHz and edited using Diamond Cut 7.5 Forensics. Also used DC 7.5 to correct for a slight azimuth alignment problem, cross-faded and cut on sector boundaries. Converted to flac with trader's little helper |
gd1973-12-19.sbd.miller.113503.flac16 | |
1973-12-19 | Curtis Hixon Convention Hall |
113503 | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |