GRATEFUL DEAD
Music Hall
Boston MA.
December 1st 1973
A Joe Maloney Master Recording
Transferred and Presented By Krw_co
NEW 2022 TRANSFER

LINEAGE AUDIENCE ANALOG MASTER CASSETTE>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)>
CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV(24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR
KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(24/96KHZ)>TRADERS LITTLE HELPER FLAC (LEVEL 8)
Recorded using a Sony TC-110A deck with built in microphone.

THE BAND
Jerry Garcia     lead guitar vocals
Bob Weir         rhythm guitar vocals
Keith Godchaux   keyboards
Donna Godchaux   vocals
Phil Lesh  bass  vocals
Bill Kreutzmann  drums

SET LIST
Set 1
1 Intro / Tune Up
2 Promised Land
3 Sugaree
4 Mexicali Blues
5 Tennessee Jed
6 Looks Like Rain
(tape flip edit at 00:40:44:05)
7 China Cat Sunflower
8 I Know You Rider
9 Big River
(tape flip edit at 01:05:21:22)
10 Brokedown Palace
11 Weathe Report Suite Prelude
12 Let It Grow
13 Casey Jones
(tape pause edit at 01:37:13:22)
Set 2
14 Around and Around
(tape flip edit at 1:44:59:09)
15 They Love Each Other
16 Clear The Aisles
17 Me and My Uncle
18 Clear The Aisles
19 Don't Ease Me In
(tape flip edit at 02:10:09:04)
20 Me and Bobby McGee
21 Mississippi Half-Step
22 Playing in the Band
23 Uncle John's Band
24 Playing in the Band
(tape flip edit at 02:54:14:05)
25 Row Jimmy
26 Greatest Story Ever Told
27 Not Fade Away
28 Goin' Down the Road Feeling Bad
(tape flip edit at 03:33:50:13)
29 Not Fade Away
30 Audience

JOE'S MEMORIES:
This was the show where I realized that I was a Grateful Dead "fan" and not a true "Deadhead".
I had seen the Dead in Bangor, Maine in April 1971 and it was a great show and a nice experience.
The people who were at that show were there to see the band and listen to the music,
After the release of the "Europe '72" album and reading about the "Wall Of Sound" stage,
I was looking forward to a great show. Unfortunately, it turned out to be a whole different experience.
As we entered the Music Hall, we were amazed by the size of the "Wall Of Sound" and  we were looking forward
to a unique and exciting show. The two sets featured a great selection of songs,
but the audience proved to be a challenge for those of us who were there to sit in our seats to listen and
enjoy the music. As soon as the band took the stage, people stood up, left their seats and flooded the aisles
to get closer to the stage. From that moment, it became a continuous battle between the ushers, who tried to keep
the aisles clear and get people back to their seats, and the ones who kept going back into the aisles to block
the view of those in the closer seats. Besides the people clogging the aisles and blocking everyone's vision,
there were the ones who were under the influences of various "substances",shouting and making a general nuisance of themselves.
I had looked forward to this show for quite a while and it was very frustrating to not be able to be comfortable and enjoy it.
The audiences for certain British and Southern Rock bands were always a little more "boisterous" in Boston,
but they usually listened to the music. Unfortunately, this was a whole different scene.
Although the band was sounding as good as ever and we got to see Jerry without his beard for the first time in a long while,
it just wasn't a good atmosphere to be in. They didn't even have any bright lights to highlight the members of the band as they performed,
so I couldn't even get any good photos of them. Needless to say, this was my last live Dead show.
I still remain a fan, after all these years, but I had to leave the live show experience for the others, who chose to walk, "twirl" and yell.
Eventually, the "tapers" ended up getting the best deal, when special seating areas were set up just for them and they were able to stay apart
from the noise and confusion.

Many Many Thanks To Joe

If you have masters and/or known generation recordings that you need assistance with
transferring/archiving, please contact us via email at krwcoarchiving@gmail.com.

Visit our youtube channel at
https://www.youtube.com/channel/UCETN1cxhiHrPKfzUzmoGTrA
Subscribe if you like what you see. A lot more is on the way.

PLEASE DON'T ALTER OR SELL THIS RECORDING.
AS ALWAYS ENJOY CHEERS KRW_CO

#MD5 checksums generated by xACT 2.50 on 2022-09-25 17:05:01 +0000

957c70d53e7ca075a127c0c483b73147 *Track_01.flac
94c82bfe621568ca7d4d89baa9bd8e9a *Track_02.flac
4a916575dedf3292080e68f9eae03d71 *Track_03.flac
5ab3dd8a58f3a9f7dda2419609017440 *Track_04.flac
ac4506e578fee0fe1deffddbeebb6f70 *Track_05.flac
f79d5d086f815fe2fc464f2f7619f2d9 *Track_06.flac
3f4d7ba45fa84dbe295143a3d96ae27e *Track_07.flac
2b22a06311ead6612a786d8b2a886737 *Track_08.flac
fe59c785658d9eb93a3d61fc96496095 *Track_09.flac
94fa6c69fd7b781277767b14e7654376 *Track_10.flac
9e5590cabbcb332dfdfc295dcaeb6613 *Track_11.flac
68e925ff0486eb0412d009795b3996bb *Track_12.flac
deb09423aa9a5e3c9a7ca986876981b7 *Track_13.flac
0047ac836b5eeb864168c4bac69dcc69 *Track_14.flac
298039ca6368ee7cee379e3fe05a989c *Track_15.flac
9878e5c9c829af560553cefd035b05e2 *Track_16.flac
870abc4b94ad1a489bba6f2c4ceba609 *Track_17.flac
3f80a90338ac0f1faf6037cd4ba75b17 *Track_18.flac
b86eabf1e7d945cb684e4b1503eb7adf *Track_19.flac
4908b5ad28834d3e355c6e54314d9be0 *Track_20.flac
72d750dd2b91c9ceb151bdfb37de89dc *Track_21.flac
1b97d721327c262974cf52331b826032 *Track_22.flac
72d8b79259232d4a753ca54628c57a3a *Track_23.flac
52f6f065060d4a7f2de2a5463cb26b0f *Track_24.flac
656335b19a370a5595abd740f98c6fd8 *Track_25.flac
8960171b9c7d9768cdbde72681fe81d5 *Track_26.flac
2c4a38baf58106c50ee2ac82965ab024 *Track_27.flac
fed3709290b177f1e1984955d50b2d2d *Track_28.flac
4b8b83b710a1086defb7dcbc972a6698 *Track_29.flac
07faae62715c31e5fd4f1c0634d55c03 *Track_30.flac

Track_01.flac:4971ddafe4406077cf66a7f0560b4f5d
Track_02.flac:7dded1a73651cf399f57fbc4e1340ab8
Track_03.flac:838358cce168976a4ca2edcc7c8eaa53
Track_04.flac:fe6e0a0bbe6a3673c9daf6d4e1b1e278
Track_05.flac:692a1452f54a65eed402d747e4908086
Track_06.flac:0db64f28a1b93c06f7c6eb3e0ef524ce
Track_07.flac:21425ce98e4a02b64b9f2870ca40177a
Track_08.flac:f570be11434dc646972f7677a709eade
Track_09.flac:6e7f4602e9cb2b23b02acf0bfb574f41
Track_10.flac:c3ee56c4ce648ec37e75b502c0101668
Track_11.flac:a70a64974f91b202a30315877cf95f00
Track_12.flac:6ddf6b7da4ff21e32c44f5d03383c0f2
Track_13.flac:d8d63d324363efb7075364b56756b003
Track_14.flac:cf60593f4d4df37d1047c7494a3193c0
Track_15.flac:2b0b9a027bd67842ad57b4b9ce7203e0
Track_16.flac:9bac610fe5df80e4e7314741e49408cb
Track_17.flac:193e4c25356bb7ab3370cf3541e54823
Track_18.flac:294c7605b0e2f0e294ae2c1797e92deb
Track_19.flac:b10bb8576865ea55456647a5d2429be7
Track_20.flac:385c05127bb28eaf9b6e532f6978f97a
Track_21.flac:a3ce1eab93e09c8040f8ab0b2a1f1600
Track_22.flac:66f2876c2ccbd40a8252889539c3b11e
Track_23.flac:e4c6ec2a98a5d90625bbf79dafd20bac
Track_24.flac:70e7f6be3f8747f904a8044562c4cc01
Track_25.flac:69bab956117051277051f29853e7b32d
Track_26.flac:c9db3ff50231ab43e0863eb27198f6c1
Track_27.flac:720f7ee766f863ec5dfe662b1f57c942
Track_28.flac:3f59a6758ce55855ce41162bde109a4d
Track_29.flac:4ba32de54cc2dc4cdbcd48a437c267de
Track_30.flac:d813d1ff662453b6f890afdeb959825d