Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1991-09-17.fob.brennecke-young.GEMS.97390.flac16
1991-09-17Madison Square Garden
97390flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
gd1991-09-17.150054.sbd.miller.flac2496
1991-09-17Madison Square Garden
150054flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1991-09-17.113421.Nak300CP4.Floater.Keo.Flac2496
1991-09-17Madison Square Garden
113421flac24: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell Metal Capsule 100's Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz No Dithering With These Files
gd1991-09-17.113422.Nak300CP4.Floater.Keo.Flac1644
1991-09-17Madison Square Garden
113422flac16: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell Metal Capsule 100's Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With AudioGate Software To 16/44 SBE's Checked/Fixed With Trader's Little Helper
gd1991-09-17.150293.sbd.cm.miller.flac16
1991-09-17Madison Square Garden
150293flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1991-09-17.senn-ME80.wklitz.94213.flac16
1991-09-17Madison Square Garden
94213flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
gd1991-09-17.nak300.gidley.121837.flac2448
1991-09-17Madison Square Garden
121837flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012
gd91-09-18.sbd.jerugim.2788.sbeok.shnf
1991-09-18Madison Square Garden
2788DSBD -> DAT -> CD -> EAC -> SHN; via Adam Jerugim
gd1991-09-18.sennME80.wklitz.94309.flac16
1991-09-18Madison Square Garden
94309flac16; Sennheiser ME-80\'s>Technics SV-MD1>Sony TCD-D3 DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
gd1991-09-18.nak300.gidley.andrewf.121805.flac2448
1991-09-18Madison Square Garden
121805flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012
gd1991-09-18.152268.sennme88.rogosa.miller.sirmick.flac1648
1991-09-18Madison Square Garden
152268flac16/48 Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick April 2021
gd1991-09-18.dmtx.hansokolow.110645.flac16
1991-09-18Madison Square Garden
110645flac16; This is a matrix of these sources: SBD: shnid=2788 (DSBD -> DAT -> CD -> EAC -> SHN) // DAUD: shnid=97391 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)
gd1991-09-18.fob.brennecke-young.GEMS.97391.flac16
1991-09-18Madison Square Garden
97391flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
gd1991-09-18.150680.sbd.cm.miller.flac16
1991-09-18Madison Square Garden
150680flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd91-09-20.aud.horwath-goetz.18596.sbeok.shnf
1991-09-20Boston Garden
18596Recorded with nakamichi 300 plus cp4 (shotguns) from the taping section by Mark Horvath
gd91-09-20.sbd.ladner.21647.sbeok.shnf
1991-09-20Boston Garden
21647Unknown SBD source. Hosted by tol.etree.org; seeded via bittorrent by Tony G.
gd1991-09-20.139815.aud.liff.lamarre.berger.flac1648
1991-09-20Boston Garden
139815flac16/48kHz; source: daud; taped by Dan Liff R.I.P; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded - Rob Berger
gd1991-09-20.149655.sbd.cm.miller.flac16
1991-09-20Boston Garden
149655flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1991-09-20.151922.FOB-Schoeps.Master-DAT.ONeill.Mahoney.Noel.t-flac1648
1991-09-20Boston Garden
151922flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: FOB/DFC; Sec BB Row 19 Seat 15; Set 1 (handheld), Set 2 (stand) Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited and Mastered (Adobe Audition) by Joe Noel. January 24, 2021 Notes: Set I fresh transfer and mastering of shnid 101438 Set II new to circulation
gd1991-09-20.152512.cm100.fob.flac16
1991-09-20Boston Garden
152512flac16/44 Nakamichi CM-100 (CP-4) > Casio DA-7 DAT (16/44,1) (FOB), 6' high on stand :)
gd1991-09-20.111352.mtx.fix.sirmick.sbeok.flac16
1991-09-20Boston Garden
111352flac16; Matrix 50% sbd/50% aud; Sources: SBD > DAT > CDR > WAV > SHNv3 (shnid 5700) thanks to Andy 'Bear' G. for the seeds. DAE (eac) > tracking (cdwave) > bourndary checking (shntool) > SHNv3 (mkwact) > FTP via Chris L. and aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S 90 (shnid 94608) taped by John Bleich from section U, row k, seat 7 transfer: mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > iZotope RX Advanced wav (16/44.1) > CD Wave > TLH > flac 16; editing and matrix by SIRMick
gd1991-09-20.111333.mtx.sirmick.sbeok.flac16
1991-09-20Boston Garden
111333flac16; matrix 50% sbd/50% aud; Sources: SBD > DAT > CDR > WAV > SHNv3 (shnid 5700) thanks to Andy 'Bear' G. for the seeds. DAE (eac) > tracking (cdwave) > bourndary checking (shntool) > SHNv3 (mkwact) > FTP via Chris L. and aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S 90 (shnid 94608) taped by John Bleich from section U, row k, seat 7 transfer: mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > iZotope RX Advanced wav (16/44.1) > CD Wave > TLH > flac 16; Upgrade in circulation
gd1991-09-20.AKG451.Currier.Keo.124201.Flac2496
1991-09-20Boston Garden
124201flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
gd1991-09-20.AKG451.Currier.Keo.124202.Flac1644
1991-09-20Boston Garden
124202flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1991-09-20.138147.dsbd.GEMS.flac1648
1991-09-20Boston Garden
138147flac16/48kHz; DSBD Masters; DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017
gd1991-09-20.fob.oneil.brennecke-young.gems.101438.flac16
1991-09-20Boston Garden
101438flac16; Lineage: Set 2 Master DAT, Set 1 Clone of Master DAT Recording Equipment: Set 1 - Schoeps CMC34 (ORTF) > Oade Supply > Panasonic sv255 Set 2 - B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: Set 1 FOB - Set 2 FOB Section BB Row 24 Seat 3 Recorded By: Set 1 by Dan Oneil and Set 2 by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither
gd1991-09-20.148910.NeumanKMi86.dalton.miller.sirmick.flac1648
1991-09-20Boston Garden
148910flac16/48kHz; Source: Neuman KMi86 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick February 2020
gd1991-09-20.149505.sbd.miller.flac2496
1991-09-20Boston Garden
149505flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1991-09-20.133731.mtx.dusborne.flac16
1991-09-20Boston Garden
133731flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:034799) SBD > DAT > CDR > WAV > SHNv3 and Audience (shnid:101438) Set 1 - Schoeps CMC34 (ORTF) > Oade Supply > Panasonic sv255; Set 2 - B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro 16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0
gd1991-09-20.nak300.bleich.sirmick.94608.sbeok.flac16
1991-09-20Boston Garden
94608flac16; Source: aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S 90 taped by John Bleich from section U, row k, seat 7 transfer: mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > flac mastered with iZotope Ozone and iZotope RX Advanced transferred, edited and mastered SIRMick
gd1991-09-20.sbd.ladner.5700.shnf
1991-09-20Boston Garden
5700SBD > DAT > CDR > WAV > SHNv3; via Chris L. from Andy 'Bear' G. seed
gd1991-09-20.153420.mtx.photoleon.flac16
1991-09-20Boston Garden
153420flac16/44 A Photoleon Matrix: Source: (fob) Schoeps Cmc34> Master Dat + Sbd > Cassette Master. Fob Recording By Dan O'neill. Sbd Recording By Don Pearson & Dan Healy. Matrix Created By Joe Noel September 15, 2021
gd91-09-21.sbd.mccall.529.sbeok.shnf
1991-09-21Boston Garden
529sbd> DAT> CD-R> EAC> SHN (no cass in gen); seed via A. McCall, via A. Eaglestone to BUDD et al offer; 11/00 at gdlive.com
gd1991-09-21.139816.aud.liff.lamarre.berger.flac1648
1991-09-21Boston Garden
139816flac16/48kHz; source: daud; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded - Rob Berger
gd1991-09-21.149996.sbd.pearson-healy.miller.flac2496
1991-09-21Boston Garden
149996flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1991-09-21.151923.FOB-Schoeps.Master-DAT.ONeill.Mahoney.Noel.t-flac1648
1991-09-21Boston Garden
151923flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: FOB-DFC; Sec BB Row 19 Seat 15; Set 1 (handheld), Set 2 (stand) Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 25, 2021.
gd1991-09-21.138148.dsbd.GEMS.flac16
1991-09-21Boston Garden
138148flac16; DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017
gd1991-09-21.150164.sbd.cm.miller.flac16
1991-09-21Boston Garden
150164flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1991-09-21.fob.bk4011.brennecke-young.gems.101439.flac16
1991-09-21Boston Garden
101439flac16; Lineage: Set 1 Clone of Master DAT, Set 2 Master DAT Set 1 Clone of Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither
gd1991-09-21.AKG451.Currier.Keo.124450.Flac1644
1991-09-21Boston Garden
124450flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flcked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1991-09-21.154722.senn-me88.rogosa.miller.sirmick.flac1648
1991-09-21Boston Garden
154722flac16/48 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick December 2021
gd1991-09-21.149852.Neuman-TLM170.dalton.miller.sirmick.flac1648
1991-09-21Boston Garden
149852flac16/48kHz; Source: Neuman TLM170 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > CD Wave > flac 1648
gd1991-09-21.nak300.morris.crazyfingers.106585.flac16
1991-09-21Boston Garden
106585flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell MX-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded from Floor Section BB, Row 31, Seat 14 by Bob & Sam Morris
gd91-09-22.sbd.fishman.17180.sbeok.shnf
1991-09-22Boston Garden
17180DSBD>DAT>CD-R>EAC>WAV>ADDAWAV>CDRWAV>SHN (via MKWACT) via J. Fishman
gd1991-09-22.sbd.serafin.7692.shnf
1991-09-22Boston Garden
7692updated lineage SBD > ? [reputed GD master multitrack- see pub comment] > DAT > SSSB; via Jay Serafin; GDLive
gd1991-09-22.139817.aud.liff.lamarre.berger.flac1648
1991-09-22Boston Garden
139817flac16/48kHz; source: daud; taped by Dan Liff r.i.p; neumann rsm 190i > sony tcd-d10 pro; transferred & seeded - Rob Berger
gd1991-09-22.150325.Neuman-TLM170.dalton.miller.sirmick.flac1648
1991-09-22Boston Garden
150325flac16/48kHz; Source: Neuman TLM170 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > CD Wave > flac 1648; edited and mastered SIRMick July 2020
gd1991-09-22.138149.dsbd.GEMS.flac16
1991-09-22Boston Garden
138149flac16; DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017
gd1991-09-22.fob.bk4011.brennecke-young.gems.101440.flac16
1991-09-22Boston Garden
101440flac16; Set 1 Only - Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither
gd1991-09-22.AKG451.Currier.Keo.124593.Flac2496
1991-09-22Boston Garden
124593flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
gd1991-09-22.155571.senn-me88.rogosa.miller.sirmick.flac1648
1991-09-22Boston Garden
155571flac16/48Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick 02/03/2022
gd1991-09-22.AKG451.Currier.Keo.124594.Flac1644
1991-09-22Boston Garden
124594flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1991-09-22.150681.sbd.cm.miller.flac16
1991-09-22Boston Garden
150681flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
gd1991-09-22.134354.mtx.dusborne.flac16
1991-09-22Boston Garden
134354flac16; 3 Source Matrix byDusborne;Soundboard (shnid:83156)Soundboard -> DAT @ 48kHz,Audience set 1(shnid:101440)B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro,16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0, Audience Set 2 (shnid:124594)AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's,Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz
gd91-09-24.sbd.allred.2374.sbeok.shnf
1991-09-24Boston Garden
2374SBD > MC > DAT > CDR; vtree round 2 (8/00), to etree 11/00
gd91-09-24.sbd.miller.25939.sbeok.shnf
1991-09-24Boston Garden
25939SBD> Dat x 3; Transfer: Dat (Tascam DA20)> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> SHN; All Transfers and Editing by Charlie Miller; reported upgrade to previous circulating copies
gd1991-09-24.139829.aud.liff.lamarre.berger.flac1648
1991-09-24Boston Garden
139829flac16/48kHz; source: daud; neumann rsm 190iS > sony tcd-d10 pro; taped by Dan Liff r.i.p; transferred & seeded - Rob Berger
gd1991-09-24.150196.fob.Schoeps-cmc4-mk4ortf.gastwirt.miller.sirmick.sbeok.flac1648
1991-09-24Boston Garden
150196flac16/48kHz; Source: (FOB) Schoeps cmc4/mk4 (ortf) > Oade modified Panasonic SV-255 > dat master (48k) - Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfered by Charlie Miller; Lineage: wav 16/48 > iZotope RX7 Advanced > CD Wave > Flac 16/48; edited and mastered SIRMick Junwe 2020
gd1991-09-24.set2-sbd.mark.97595.flac2496
1991-09-24Boston Garden
97595flac24; Set 2 Recording Info: SBD -> Dat x (presumably? - best guess for the era) -> Analog Master -> First Generation Cassette Transfer Info: First Generation Cassette -> Sony TC WE475 Cassette Deck -> Rotel 680BX preamplifier -> M-Audio Audiophile 192 at 96,000 Hz 24bit -> Soundforge 8 -> .flac level 6 via Traders Little Helper
gd1991-09-24.Nak300CP4.Floater.Keo.116036.Flac2496
1991-09-24Boston Garden
116036flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell MX 90,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
gd1991-09-24.fob.bk4011.brennecke-young.gems.101441.flac16
1991-09-24Boston Garden
101441flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 24 Seat 10 Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither
gd1991-09-24.138150.dsbd.GEMS.flac16
1991-09-24Boston Garden
138150flac16; DSBD Masters; DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017
gd1991-09-24.Nak300CP4.Floater.Keo.116037.Flac1644
1991-09-24Boston Garden
116037flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell MX 90,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
gd1991-09-24.155581.senn-me88.rogosa.miller.sirmick.flac1648
1991-09-24Boston Garden
155581flac16/48 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick February 2022
gd1991-09-24.150682.sbd.cm.miller.flac16
1991-09-24Boston Garden
150682flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
gd1991-09-24.nak.boedicker.flac1644
1991-09-24Boston Garden
148445flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Master>2 Maxell XL-II-S Tapes (1 90 Minite For 1st Set, 1 100 Minute Tape For 2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (34/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section, Section U, Row E, Seat 10
gd1991-09-24.153421.mtx.photoleon.flac16
1991-09-24Boston Garden
153421flac16/44 A Photoleon Matrix: Source; (fob) B&k 4011> Dat Master + (eof) Schoeps Cmc3 Mk4> Dat Master + Sbd> Cassette Master. Fob Recording By James Young & Clay Brennecke. Eof Recording By Andrew F. Sbd Recording By Don Pearson & Dan Healy. Matrix Created By Joe Noel August 17, 2021
gd1991-09-24.134355.mtx.dusborne.flac16
1991-09-24Boston Garden
134355flac16; 2 Source Matrix byDusborne; Soundboard (shnid:025939,SBD -> Dat x 3,Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> Samplitude v7.02 Professional -> SHN, Audience (shnid:101441),Master DAT,B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro,Transfer:16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0
gd1991-09-24.sbd.serafin.7693.sbefail.shnf
1991-09-24Boston Garden
7693updated lineage: SBD > ? [reputed GD master multitrack- see pub comment] > DAT > SSSB; via Jay Serafin; GDLive
gd91-09-25.nak.dodd.16667.sbeok.shnf
1991-09-25Boston Garden
16667Nakamichi CM300 + CP4REAR > d-5>cm >cdr Taped and discs kindly provided by Mark Horvath Eac > cool edit pro > shntool > cdwav > shnv3 By Ernie Dodd
gd1991-09-25.148726.Neumann.Dalton-Miller-Noel.t-flac1648
1991-09-25Boston Garden
148726flac16/48kHz; Source: Set I Neumann TLM 170 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT; Set II Neumann KMi86 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT; Transfer: Master DAT > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Master Digital Audience recording by Tim Dalton; Transfer by Charlie Miller; Edited & Mastered w/ Adobe Audition by Joe Noel
gd1991-09-25.149681.sbd.cm.miller.flac16
1991-09-25Boston Garden
149681flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1991-09-25.fob.bk4011.brennecke-young.gems.101442.flac
1991-09-25Boston Garden
101442flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither
gd1991-09-25.138151.dsbd.GEMS.flac16
1991-09-25Boston Garden
138151flac16; DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017
gd1991-09-25.149672.sbd.pearson-healy.miller.flac2496
1991-09-25Boston Garden, Boston
149672flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1991-09-25.148533.dak.boedicker.flac1644
1991-09-25Boston Garden
148533flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Master>1 Maxell XL-II-S Tapes (1 90 Minute For 1st Set, 1 TDK SA-X 100 Minute Tape For 2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (34/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section, Section M, Row K, Seat 10
gd1991-09-25.139839.aud.liff.lamarre.berger.flac1648
1991-09-25Boston Garden
139839flac16/48kHz; source: daud; neumann rsm 190iS > sony tcd-d10 pro; taped by Dan Liff r.i.p; transferred & seeded - Rob Berger
gd91-09-26.sbd.fishman.21242.sbeok.shnf
1991-09-26Boston Garden
21242SBD(1)>DAT>CD>EAC>CDWAVE>MKWACT>SHN This may be a digital soundboard. There is no wow and flutter in Eyes of the World as existed in older versions of the 9/26/91 SBD. Thanks to an old friend Dougal Donaldson for providing me with the source DATS some years back. Listener reports probably one cassette generation. Transfers and conversions all done by JR Fishman
gd1991-09-26.sennME80.wklitz.94247.flac16
1991-09-26Boston Garden
94247flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
gd1991-09-26.Nak300CP4.JB.Keo.121758.Flac2496
1991-09-26Boston Garden
121758flac24; Master Audience Recorded By JB, Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony TC-D5M; Tapes:Set 1 Maxell MX 100, set 2 3M Black Watch 4040 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
gd1991-09-26.148727.Neumann.Dalton-Miller-Noel.t-flac1648
1991-09-26Boston Garden
148727flac16/48kHz; Source: Set I Neumann TLM 170 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT; Set II Neumann KMi86 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT; Transfer: Master DAT > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Master Digital Audience recording by Tim Dalton; Transfer by Charlie Miller; Edited & Mastered w/ Adobe Audition by Joe Noel
gd1991-09-26.149553.sbd.miller.flac2496
1991-09-26Boston Garden
149553flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
gd1991-09-26.AKG451.Currier.Keo.124758.Flac2496
1991-09-26Boston Garden
124758flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
gd1991-09-26.AKG451.Currier.Keo.124759.Flac1644
1991-09-26Boston Garden
124759flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1991-09-26.mtx.seamons.95247.sbeok.flac16
1991-09-26Boston Garden
95247flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
gd1991-09-26.mtx.haugh.101543.flac16
1991-09-26Boston Garden
101543flac16; Matrix of Soundboard (shnid 95534) and Front of Board Audience (shnid 101443) -> Matrix by Amdig
gd1991-09-26.fob.bk4011.brennecke-young.gems.101443.flac16
1991-09-26Boston Garden
101443flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 18 Seat 15 Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither
gd1991-09-26.dts.mtx.haugh.102067.flac16
1991-09-26Boston Garden
102067DTS Audio 5.1; Mix of SBD (shnID = 95534) SBD > DAT > CD > EAC > SHN; Via A. Kowalski and AUD (shnID = 101443) FOB Digital Audience Recording
gd1991-09-26.138152.dsbd.GEMS.flac16
1991-09-26Boston Garden
138152flac16; DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017
gd1991-09-26.149662.sbd.cm.miller.flac16
1991-09-26Boston Garden
149662flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
gd1991-09-26.sbd.miller.95534.sbeok.flac16
1991-09-26Boston Garden
95534flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v7.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1991-09-26.156741.sennME88.rogosa.miller.sirmick.complete.flac1648
1991-09-26Boston Garden
156741flac1648 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48
gd1991-09-26.148585.dak.boedicker.flac1644
1991-09-26Boston Garden
148585flac16; Source:DAK Shotgun Mics>Sony WM-D6C Cassette Master>1 Maxell XL-II-S Tapes (1 90 Minute For 1st Set,1TDK SA-X 100 Minute Tape For 2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (34/44.1 KHZ)>Cd Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section, Section U, Row E,Seat 7
gd1991-09-26.139874.aud.liff.lamarre.berger.flac1648
1991-09-26Boston Garden
139874flac16/48kHz; source: daud; neumann rsm 190iS > sony tcd-d10 pro; taped by Dan Liff r.i.p; transferred & seeded - Rob Berger
gd1991-09-26.153422.mtx.photoleon.flac16
1991-09-26Boston Garden
153422flac16/44 A Photoleon Matrix: Source: (fob) B&k 4011> Master Dat + (ots) Neumann Tlm 170> Master Dat + Sbd (dat). Fob Recording By James Young & Clay Brennecke. Ots Recording By Tim Dalton. Sbd Shared By Po & Stucco Tina Holmes. Matrix Created By Joe Noel August 12, 2021
gd1991-09-26.Nak300CP4.JB.Keo.121759.Flac1644
1991-09-26Boston Garden
121759flac16; Master Audience Recorded By JB, Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony TC-D5M; Tapes:Set 1 Maxell MX 100, set 2 3M Black Watch 4040 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1991-10-04.151511.sbd.hance.sirmick.fixed-retracked.flac16
1991-10-04Rainbow Theatre
151511flac16/44.1khz Fixed & Retracked Version: Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16
gd1991-10-04.151512.sbd.hance.sirmick.fixed-retracked.flac24
1991-10-04Rainbow Theatre
151512flac24/96khz Fixed & Retracked version: Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > Flac 24
gd91-10-27.sbd.martinson.537.sbeok.shnf
1991-10-27Oakland-Alameda County Coliseum
537SBD> DAT> ZA2> Soundforge 4> CD Architect> CDR> EAC> shn; via Eric, Jeff
gd1991-10-27.young-buick.gems.102206.flac16
1991-10-27Oakland-Alameda County Coliseum
102206flac16; Lineage: Clone of Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by James Young and Marcus Buick Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging
gd1991-10-27.139272.sbd.miller.flac24
1991-10-27Oakland-Alameda County Coliseum
139272flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1991-10-27.139300.sbd.cm.miller.flac16
1991-10-27Oakland-Alameda County Coliseum
139300flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139272 24 bit -> 16 bit
gd1991-10-27.AKG451.Darby.120119.Flac2448
1991-10-27Oakland-Alameda County Coliseum
120119flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
gd1991-10-27.AKG451.Darby.120120.Flac1644
1991-10-27Oakland Alameda County Coliseum Arena
120120flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1991-10-27.137738.sbd.miller.us.dat.flac1648
1991-10-27Oakland-Alameda County Coliseum
137738flac16/48kHz; Recording Info: SBD > Dat Master (48k); Transfer Info: Dat Master (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
gd91-10-28.sbd.vernon.12789.sbeok.shnf
1991-10-28Oakland-Alameda County Coliseum
12789SBD> DAT (n clones)> PCM> DAT; Conversion: Tascam DA-20 MK II > Delta Dio 2496 > Soundforge XP 4.5 > CDWave > SHN by Rob (Odeo) Harrison; tracked for 2x80
gd1991-10-28.young-buick.gems.102207.flac16
1991-10-28Oakland-Alameda County Coliseum
102207flac16; Lineage: Clone of Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by James Young and Marcus Buick Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging
gd1991-10-28.139274.sbd.miller.flac24
1991-10-28Oakland-Alameda County Coliseum
139274flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1991-10-28.139303.sbd.cm.miller.flac16
1991-10-28Oakland-Alameda County Coliseum
139303flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139274 24 bit -> 16 bit
gd1991-10-28.AKG451.Darby.120099.Flac2448
1991-10-28Oakland-Alameda County Coliseum
120099flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
gd1991-10-28.AKG451.Darby.120100.Flac1644
1991-10-28Oakland-Alameda County Coliseum
120100flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Traders Little Helper; Metadata Tagging With Tag&Rename
gd1991-10-28.148756.SBD.Dalton-Miller-Noel.t-flac16
1991-10-28Oakland-Alameda County Coliseum
148756flac16; Recording info: Soundboard > DAT; Transfer: DAT > Sony PCM r500 > Tascam DA-3000 > wav 16/48
gd91-10-30.senn.oconnor.9762.sbeok.shnf
1991-10-30Oakland-Alameda County Coliseum
9762Senn 421's>DAT>CDR; via Paul; Seeded to etree by eD(efojr)
gd1991-10-30.young-buick.gems.102209.flac16
1991-10-30Oakland-Alameda County Coliseum
102209flac16; Lineage: Clone of Master DAT Recording Equipment: Schoeps CMC34 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by James Young and Marcus Buick Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging
gd1991-10-30.139275.sbd.cm.miller.flac24
1991-10-30Oakland-Alameda County Coliseum
139275flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd91-10-30.dsbd.hinko.25262.sbeok.shnf
1991-10-30Oakland-Alameda County Coliseum
25262DSBD > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
gd1991-10-30.139304.sbd.cm.miller.flac16
1991-10-30Oakland-Alameda County Coliseum
139304flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139275 24 bit -> 16 bit
gd1991-10-30.AKG451.Darby.120060.Flac2448
1991-10-30Oakland-Alameda County Coliseum
120060flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
gd1991-10-30.AKG451.Darby.120061.Flac1644
1991-10-30Oakland-Alameda County Coliseum
120061flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd91-10-31.sbd.gardner.2897.sbeok.shnf
1991-10-31Oakland-Alameda County Coliseum
2897sbd> ?> shn; via Tony Gardner
gd1991-10-31.139276.sbd.miller.flac24
1991-10-31Oakland-Alameda County Coliseum
139276flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1991-10-31.139305.sbd.cm.miller.flac16
1991-10-31Oakland-Alameda County Coliseum
139305flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139276 24 bit -> 16 bit
gd91-10-31.set2.matrix.loy.30699.sbeok.flacf
1991-10-31Oakland-Alameda County Coliseum
30699Matrix by RJ Hythloday of sbd > (?) > shn(id=2897)& FOB recorded by Marcus Buick Transferred By Charlie Miller
gd91-10-31.set2.fob-schoeps-buick.miller.28612.sbeok.shnf
1991-10-31Oakland-Alameda County Coliseum
28612Recording Info: (FOB) Schoeps CMC3/MK4 -> 'Tao Research" Oade -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Recorded By Marcus Buick (mics in a giant costume hat) Transferred By Charlie Miller
gd1991-10-31.dts.mtx.haugh.103307.flac16
1991-10-31Oakland-Alameda County Coliseum
103307DTS-Audio-CD 5.1 Mix; Source Info: SBD (shnID = 32241) DSBD > DAT > CD > EAC > FLAC and AUD (shnID = 101443) Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 18 Seat 15 Recorded by James Young and Clay Brennecke
gd1991-11-03.sbd.miller.107797.flac16
1991-11-03Polo Field, Golden Gate Park
107797flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1991-11-03.150807.ultra.miller.flac1648
1991-11-03Polo Field, Golden Gate Park
150807flac16/48kHz; Recording Info: UltraMatrix SBD > DAT Master (48k); Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller
gd1991-11-03.150808.sbd.miller.flac2496
1991-11-03Polo Field, Golden Gate Park
150808flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd1991-11-03.153780.mtx.tobin.flac24
1991-11-03Polo Field, Golden Gate Park
153780flac24; Matrix 2 Source Mix - SBD (shnid = 150808) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller + AUD (shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - matrix mixing by Kevin Tobin
gd1991-11-03.153781.mtx.tobin.flac16
1991-11-03Polo Field, Golden Gate Park
153781fflac16; Matrix 2 Source Mix - SBD (shnid = 150808) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller + AUD (shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - matrix mixing by Kevin Tobin
gd1991-11-03.153782.dts.tobin.flac16
1991-11-03Polo Field, Golden Gate Park
153782DTS-Audio-CD 5.1 Mix; - SBD (shnid = 150808) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller + AUD (shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - dts mixing by Kevin Tobin
gd1991-11-03.153783.5-1.tobin.flac1648
1991-11-03Polo Field, Golden Gate Park
153783flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 150808) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller + AUD (shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - surround mixing by Kevin Tobin
gd1991-11-03.153784.pitch-corr-aud.darby.tobin.flac24
1991-11-03Polo Field, Golden Gate Park
153785flac16; Pitch Corrected Audience - (original shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - pitch correction by Kevin Tobin
gd1991-11-03.153785.pitch-corr-aud.darby.tobin.flac16
1991-11-03Polo Field, Golden Gate Park
153784flac24; Pitch Corrected Audience - (original shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - pitch correction by Kevin Tobin
gd1991-11-03.AKG451.Darby.117752.Flac2448
1991-11-03Polo Field, Golden Gate Park
117752flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
gd1991-11-03.AKG451.Darby.117753.Flac1644
1991-11-03Polo Field, Golden Gate Park
117753flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software By Keo
gd91-12-27.schoeps.oconnor.12094.sbeok.shnf
1991-12-27Oakland-Alameda County Coliseum
12094AUD> DAT> CDR; Schoeps MK4's; via Billy DeLyon; Seeded to etree by eD
gd91-12-27.sbd.hinko.25944.sbeok.shnf
1991-12-27Oakland-Alameda County Coliseum
25944DSBD > DAT > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko, with patches added from previous AUD source
gd1991-12-27.sbd.miller.105582.flac16
1991-12-27Oakland-Alameda County Coliseum
105582flac16; Recording Info:SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1991-12-27.127428.nak.bowen.flac16
1991-12-27Oakland Coliseum Arena
127428flac16; Source: Nakamichi CM-300x3; Two CP-4 Shotguns + One CP-1 Cardioid > Boss BX-4 Mixer > Sony WM-D6C (w/Dolby C) > Cassette Master (MX-S 100); Masters Transferred Via: WM-D6C (Original Record Deck w/Dolby C) > HHb CDR 800 > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS, Low And Center (Exact Row, Seat # Not Recorded); Recorded/Transferred By: Jeff Bowen
gd1991-12-27.144615.sbd.ultramatrox.miller.flac1644
1991-12-27Oakland-Alameda County Coliseum
144615flac16; Recording Info: UltraMatrix SBD > Dat Master (44.1k); Transfer Info: Dat Master (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
gd1991-12-27.150796.sbd.healy-pearson.miller.flac2496
1991-12-27Oakland-Alameda County Coliseum
150796flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd91-12-28.bk4011.unknown.4534.sbeok.shnf
1991-12-28Oakland-Alameda County Coliseum
4534FOB/DFC B&K 4011 ORTF > Canari ?(Canare cables?) > Neumann (phantom?) > Sony TDC D10 Pro 2 (w/Oade modification)
gd1991-12-28.143857.sbd.cm.miller.flac1644
1991-12-28Oakland-Alameda County Coliseum
143857flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; This file set is 16 bit @ 44.1
gd1991-12-28.fob.bk4011.buick-young.gems.104999.flac16
1991-12-28Oakland-Alameda County Coliseum
104999flac16; Lineage: Clone of Master DAT Recording Equipment: B&K 4011 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging
gd1991-12-28.143856.sbd.miller.flac2496
1991-12-28Oakland-Alameda County Coliseum
143856flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
gd91-12-28.sbd.miller.21615.sbeok.shnf
1991-12-28Oakland-Alameda County Coliseum
21615Set 1: SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN Set 2: SBD -> Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN
gd1991-12-28.mtx.hansokolow.97730.flac16
1991-12-28Oakland-Alameda County Coliseum Stadium
97730flac16; matrix of DSBD: shnid=76116 and DAUD: shnid=4534 by hansokolow using ProTools
gd1991-12-28.143947.mtx.tobin.flac1644
1991-12-28Oakland-Alameda County Coliseum
143947flac16; Matrix 2 Source Mix - SBD (shnid = 143856) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 104999) Lineage: Clone of Master DAT Recording Equipment: B&K 4011 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging - matrix mixing by Kevin Tobin
gd1991-12-28.143948.dts.tobin.flac1644
1991-12-28Oakland-Alameda County Coliseum
143948DTS-Audio-CD 5.1 Mix; SBD (shnid = 143856) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 104999) Lineage: Clone of Master DAT Recording Equipment: B&K 4011 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging - dts mixing by Kevin Tobin
gd1991-12-28.143949.5-1.tobin.flac1648
1991-12-28Oakland-Alameda County Coliseum
143949flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 143856) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 104999) Lineage: Clone of Master DAT Recording Equipment: B&K 4011 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging - surround mixing by Kevin Tobin
gd1991-12-28.144616.sbd.ultramatrix.miller.flac1644
1991-12-28Oakland-Alameda County Coliseum
144616flac16; Recording Info: UltraMatrix SBD > Dat Master (44.1k); Transfer Info: Dat Master (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
gd1991-12-28.148757.FOB.Schoeps.Dalton-Miller-Noel.t-flac1648
1991-12-28Oakland-Alameda County Coliseum
148757flac16/48kHz; Recording info: (FOB) Schoeps MK-4 > Oade Custom Pre Amp > Sony D3 > Master DAT; Transfer: Master DAT > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Master Digital Audience Recording by Tim Dalton
gd91-12-30.b_ks.georges.6812.sbeok.shnf
1991-12-30Oakland-Alameda County Coliseum
6812FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act.
gd1991-12-30.135051.mtx.tobin.flac16
1991-12-30Oakland-Alameda County Coliseum
135051flac16; Matrix 2 Source Mix - SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - matrix mixing by Kevin Tobin
gd1991-12-30.135052.dts.tobin.flac16
1991-12-30Oakland-Alameda County Coliseum
135052DTS-Audio-CD 5.1 Mix; SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - dts mixing by Kevin Tobin
gd1991-12-30.150304.FOB.DFC.BK4011.Buick.Noel.t-flac1648
1991-12-30Oakland-Alameda County Coliseum
150304flac16/48kHz; Recording: B&K4011 (@110-ORTF) > MIT shotgun XLR > TAO/Oadie PS > MIT shotgun XLR > Panasonic SV255 > Master DAT (BüStand); Transfer: Master DAT > Peter Oshman’s Panasonic SV3800 > S/PDIF(16bit 48kHz) > Edirol R4 > WAV48/16; Master Digital FOB Recording & Transfer by Marcus Buick; Edited & Mastered by Joe Noel
gd1991-12-30.150859.sbd.miller.flac2496
1991-12-30Oakland-Alameda County Coliseum
150859flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd1991-12-30.135054.sur5-1.tobin.flac1648
1991-12-30Oakland-Alameda County Coliseum
135054flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - mixing by Kevin Tobin
gd1991-12-30.fob.bk4011.buick-young.gems.105000.flac16
1991-12-30Oakland-Alameda County Coliseum
105000flac16; Lineage: Clone of Master DAT Recording Equipment: B&K4011s > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging
gd1991-12-30.148758.FOB.Schoeps.Dalton-Miller-Noel.t-flac1648
1991-12-30Oakland-Alameda County Coliseum
148758flac16/48kHz; Recording info: (FOB) Schoeps MK-4 > Oade Custom Pre Amp > Sony D3 > Master DAT (see notes); Transfer: DAT > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Master Digital Audience Recording by Tim Dalton
gd91-12-31.sbd.ladner.5921.sbeok.shnf
1991-12-31Oakland-Alameda County Coliseum
5921SBD > Satellite Feed > DAT> CDR > WAV > SHNv3; DAE (EAC) > tracking (cdwave) > boundary checking (shntool) > SHNv3 (mkwact) via C.Ladner, from C.Larson for seed discs
gd1991-12-31.sennME80.wklitz.94248.flac16
1991-12-31Oakland-Alameda County Coliseum Stadium
94248flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger from front row Taper's Section
gd1991-12-31.149557.sbd.miller.flac2496
1991-12-31Oakland-Alameda County Coliseum
149557flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
gd1991-12-31.149558.ultramatrix.sbd.miller.flac1648
1991-12-31Oakland-Alameda County Coliseum
149558flac16/48kHz; Recording Info: UltraMatrix SBD (Broadcast Mix) > DAT Master (48k); Transfer Info: DAT Master (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
gd1991-12-31.150302.FOB.DFC.Schoeps.Buick.Noel.t-flac1648
1991-12-31Oakland-Alameda County Coliseum
150302flac16/48kHz; Recording: Schoeps MK4 CMC3mod (ORTF, FOB/DFC) > MIT shotgun XLR> TAO/Oadie > MIT shotgun XLR > Panasonic SV250mod > Master DAT (BŸStand); Transfer: Master DAT> Panasonic SV3800 > S/PDIF(16bit48kHz) > Edirol-R4 > WAV 48/16; Master Digital FOB Recording & Transfer by Marcus Buick; Edited & Mastered by Joe Noel
gd1991-12-31.149663.sbd.cm.miller.flac16
1991-12-31Oakland-Alameda County Coliseum
149663flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1