Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1990-09-11.137116.mtx.dusborne.flac16
1990-09-11The Spectrum
137116flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:122145) Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Audience (shnid:011808)Source: FOB(Nak. 300's > D-5) > CM >?? > CDR >There maybe another Cass. gen. in the lineage. Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
gd90-09-11.fob-nak300.wiley.11808.sbeok.shnf
1990-09-11The Spectrum
11808FOB(Nak. 300's>D-5)>CM>??>CDR; See info file for edit notes; via Dan Faust; Seeded to Etree by T. Wiley
gd90-09-11.sbd-matrix.wiley.11809.sbeok.shnf
1990-09-11The Spectrum
11809(Healy Mix)SBD>DAT>C>DAT>CDR; with FOB(Nak. 300's>D-5)>CM>??>CDR patches; See info file for details; via Paul B and Dan Faust; Seeded to Etree by T. Wiley
gd1990-09-11.AKG451.Currier.Keo.121664.Flac2496
1990-09-11The Spectrum
121664flac24; Master Audience Recorded By MR. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1990-09-11.142423.s1.FOB.BK.Berner.Ammons.Noel.t-flac1648
1990-09-11The Spectrum
142423flac16/48kHz; Set 1 Rich Berner FOB Recording; B&K 4011s @ 110ยบ ORTF > Mod Neumann PS > DAT (Sony D10 Pro). Location; Section 102 Row 16 Seat 9; mics on stand @ 6'; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV
gd1990-09-11.146063.FOB.BK4011.Brotman.Metchick.Miller.Noel.t-flac1648
1990-09-11The Spectrum
146063flac16/48kHz; Recording info: B&K 4011 (110°) > B&K power supply > Master DAT (Panasonic SV-250/48k). Location: FOB; Sec, 102 Row 14, Seat 13 (mics on stand @ 6'); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel
gd1990-09-12.schoeps.wiley.7741.shnf
1990-09-12The Spectrum
7741Schoeps CMC-34?s, FOB-AUD> DAT> CDR; via Paul B.; Tim Wiley
gd1990-09-12.137117.mtx.dusborne.flac16
1990-09-12The Spectrum
137117flac16; 2 Source Matrix by Dusborne; Soundboard (Shnid:74247) Recording Info: SBD -> Dat -> Cassette Master (TDK SA100) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC; Audience (Shnid:7741)Source:Schoeps CMC-34?s, FOB-AUD>DAT>CDR
gd90-09-12.schoeps.fishman.13141.sbeok.shnf
1990-09-12The Spectrum
13141Schoeps MK4V> DAT> CD-R> EAC> ADDAWAV (for retracking set 1)> CDRWAV> MKWACT> SHN; via JR Fishman
gd90-09-12.set1-sbd.wiley.8818.sbeok.shnf
1990-09-12The Spectrum
8818First set only; (Healy Mix) SBD> Cassette Master> ??> CDR; Seeded to etree by Tim W
gd1990-09-12.142424.FOB.BK.Berner.Ammons.Noel.t-flac1648
1990-09-12The Spectrum
142424flac16/48kHz; Rich Berner FOB Recording; B&K 4011s @ 110ยบ ORTF > Mod Neumann PS > DAT (Sony D10 Pro). Location; Section 102 Row 16 Seat 9; mics on stand @ 6'; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV
gd1990-09-12.146065.FOB.BK4011.Brotman.Metchick.Miller.Noel.t-flac1648
1990-09-12The Spectrum
146065flac16/48kHz; Recording info: B&K 4011 (110°) > B&K power supply > Master DAT (Panasonic SV-250/48k); Location: FOB, Sec 102, Row 15 (s1) Row 14 (s2), Seat 13 (mics on stand @ 6'); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel
gd1990-09-14.bk4011.tdarian.french.88942.sbeok.flac16
1990-09-14Madison Square Garden
88942flac16; Ambient Recording by Sean Weber & Rick Katseff B&K 4011's ORTF -> Grace pre -> Panasonic SV250 line-in transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +6dB digital gain added in the transfer from DAT to CDR master
gd1990-09-14.144756.nak300-cp4.dalton.miller.sirmick.flac1648
1990-09-14Madison Square Garden
144756flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick January 2019
gd90-09-14.sbd.fishman.7769.sbeok.shnf
1990-09-14Madison Square Garden
7769analog sbd> dat> cd> eac> cd; via Jeff Fishman; Steve Barbella
gd90-09-14.schoeps-fob.wiley.11810.sbeok.shnf
1990-09-14Madison Square Garden
11810Dave Brotman FOB (15th row, center) AUD(Schoeps)> DAT> CDR; via Paul B; Seeded to Etree by T. Wiley
gd1990-09-14.schoeps.brotman.9623.shnf
1990-09-14Madison Square Garden
9623Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects).
gd1990-09-14.117928.NeumannKMF4.daweez.d5scott.flac16
1990-09-14Madison Square Garden
117928flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1990-09-14.141164.OTS.AKG.Ackerman.Miller.Noel.t-flac1648
1990-09-14Madison Square Garden
141164flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
gd1990-09-14.mtx.hansokolow.97443.flac16
1990-09-14Madison Square Garden
97443flac16; matrix of DSBD: shnid=74405 and DAUD: shnid=88942 by hansokolow using ProTools
gd1990-09-14.150531.FOB.BK4011.Brotman.Metchick.Miller.Noel.t.flac1648
1990-09-14Madison Square Garden
150531flac16/48kHz; Recording info: (FOB) B&K 4011 (110°) > B&K power supply > Master DAT (Panasonic SV-250/48k); Location: Section 2, row 15, seat 1 (mics on stand at 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Master Digital Audience Recording by Dave Brotman & Jeff Metchick; Transfer by Charlie Miller; Edited & Mastered by Joe Noel (Adobe Audition) August 22, 2020
gd1990-09-15.bk4011.tdarian.french.88946.sbeok.flac16
1990-09-15Madison Square Garden
88946flac16; Ambient Recording by tdarian - John Corso B&K 4011's ORTF -> Grace Pre -> Panasonic SV250 line-in FOB 17th Row seat 3 near center transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +6dB digital gain added in the transfer from DAT to CDR master
gd1990-09-15.Nak300CP4.Baker.Keo.131636.Flac1644
1990-09-15Madison Square Garden
131636flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1990-09-15.Nak300CP4.Baker.Keo.131637.Flac2496
1990-09-15Madison Square Garden
131637flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1990-09-15.AKG451.Currier.Keo.132065.Flac1644
1990-09-15Madison Square Garden
132065flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1990-09-15.AKG451.Currier.Keo.132066.Flac2496
1990-09-15Madison Square Garden
132066flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1990-09-15.sbd.miller.89070.sbeok.flac16
1990-09-15Madison Square Garden
89070flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1990-09-15.aud.andrewf.92063.flac16
1990-09-15Madison Square Garden
92063flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony TC-D5M > Sony TC-D5M > Maxell MX90/100, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Taped and transferred by Andrew F.
gd90-09-15.brotman.unknown.9047.sbeok.shnf
1990-09-15Madison Square Garden
9047Recorded by Dave Brotman: FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects).
gd90-09-15.sbd.barbella.7770.sbeok.shnf
1990-09-15Madison Square Garden
7770analog sbd>dat>cd>eac>cd; via Jeff Fishman; Steve Barbella
gd1990-09-15.141165.OTS.AKG.Ackerman.Miller.Noel.t-flac1648
1990-09-15Madison Square Garden
141165flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
gd1990-09-15.sbd.martman.7746.sbefail.shnf
1990-09-15Madison Square Garden
7746DSBD> Sony SDT-9000> VDAT> WAV> CDWAV; via Martman
gd1990-09-15.150667.dak.boedicker.flac1644
1990-09-15Madison Square Garden
150667flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 TDK MA-X 90 And 110 Minute Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback) >Edirol R-09 HR (24/44.1 KHZ) >CD Wav Editor>Traders Little Helper >Flac level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
gd1990-09-15.144813.set1.nak300.cp4.dalton.miller.sirmick.flac1648
1990-09-15Madison Square Garden
144813flac16/48kHz; Set 1 Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick January 2019
gd1990-09-16.Set1-AKG451.Currier.Keo.132021.Flac2496
1990-09-16Madison Square Garden
132021flac24; Set 1 And Encore Only; Master Audience Recorded By Mr. Currier, Tranfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tape: Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1990-09-16.Set1-AKG451.Currier.Keo.132022.Flac1644
1990-09-16Madison Square Garden
132022flac16; Set 1 And Encore Only; Master Audience Recorded By Mr. Currier, Tranfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tape: Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1990-09-16.aud.andrewf.92158.flac16
1990-09-16Madison Square Garden
92158flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony TC-D5M > Sony TC-D5M > Maxell MX90/100, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Taped and transferred by Andrew F.
gd90-09-16.schoeps-fob.sacks.9435.sbeok.shnf
1990-09-16Madison Square Garden
9435Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects); Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor
gd1990-09-16.125564.AT835.flac16
1990-09-16Madison Square Garden
125564flac16; Taper: M. Laurentus; Loge/Taper Section Sec 57F,Row A,Seat 14; AT835B's- AT 8202’s-SONY TCD-5M-Cassette- Cassette-Tascam DR5 Line In-CD Wave- FLAC
gd1990-09-16.136806.sbd.GEMS.flac16
1990-09-16Madison Square Garden
136806flac16; SBD MTX > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 tape speed correction, Multiband Compression, Equalization, Volume and DC Offset
gd1990-09-16.sennme80.wklitz.97707.flac16
1990-09-16Madison Square Garden
97707flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC; Recorded By Keith Litzenberger
gd1990-09-16.141166.OTS.AKG.Ackerman.Miller.Noel.t-flac1648
1990-09-16Madison Square Garden
141166flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
gd1990-09-16.144784.sbd.miller.flac2496
1990-09-16Madison Square Garden
144784flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-09-16.144814.set1.nak300.cp4.dalton.miller.sirmick.flac1648
1990-09-16Madison Square Garden
144814flac16/48kHz; Set 1 Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick January 2019
gd1990-09-16.144815.UltraMatrix.sbd.cm.miller.flac1644
1990-09-16Madison Square Garden
144815flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This fileset is 16 bit @ 44.1
gd1990-09-16.145946.mtx.seamons.ht115.flac16
1990-09-16Madison Square Garden
145946flac16; Matrix: SBD (shnid=144815): Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) and AUD (shnid=141166): Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS)
gd1990-09-18.mtx.hansokolow.96156.flac16
1990-09-18Madison Square Garden
96156flac16; matrix of DSBD: shnid=79022 and DAUD: shnid=9772 by hansokolow using ProTools
gd1990-09-18.at835b.laurentus.96934.flac16
1990-09-18Madison Square Garden
96934flac16; Taper: M.Laurentus Loge/Taper Section Sec 56D,Row A,Seat 12 Taper-M. Laurentus AT835B's- AT 8202’s-SONY TCD-5M-Cassette-SoundBlaster Extreme Hi-Fi Line In-Creative Recorder-CD Wave- FLAC (This source was originally seeded missing Heaven's Door & Other One; then reseeded with Heaven's Door added.). A version of this source without the missing songs now circulates.
gd1990-09-18.at835b.laurentus.fix-96934.97021.flac16
1990-09-18Madison Square Garden
97021flac16; Taper: M.Laurentus Loge/Taper Section Sec 56D,Row A,Seat 12 Taper-M. Laurentus AT835B's- AT 8202’s-SONY TCD-5M-Cassette-SoundBlaster Extreme Hi-Fi Line In- Creative Recorder-CD Wave- FLAC; This is the fixed/complete version of source id 96934.
gd1990-09-18.AKG451.Currier.Keo.131909.Flac2496
1990-09-18Madison Square Garden
131909flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1990-09-18.138069.mtx.photoleon.t-flac16
1990-09-18Madison Square Garden
138069flac16; Matrix by photoleon; Ambient Recording by Tom Darian; B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open; From Section A Row 19, seat 2 FOB - near center; transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700; and SBD -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC
gd1990-09-18.147781.UltraMatrix.sbd.cm.miller.flac16
1990-09-18Madison Square Garden
147781flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1990-09-18.152738.mtx.seamons.ht130.flac16
1990-09-18Madison Square Garden
152738flac16; Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 86952 & 141167.
gd1990-09-18.bk4011.tdarian.french.88968.sbeok.flac16
1990-09-18Madison Square Garden
88968flac16; Ambient Recording by tdarian B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open From Section A Row 19, seat 2 FOB - near center transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +2dB digital gain added in the transfer from DAT to CDR master
gd90-09-18.sbd.miller.12885.sbeok.shnf
1990-09-18Madison Square Garden
12885Lineage: SBD->Cm->Dat->CD->Cool Edit Pro->CD via Charlie Miller
gd90-09-18.schoeps-fob.sacks.9772.sbeok.shnf
1990-09-18Madison Square Garden
9772DFOB MAD>D>CD Recorded by Dave Bratman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects). 4, 1 second d/o's were patched w/ an FOB source; See info file for details; Seeded to etree by Darrin Sacks
gd1990-09-18.sbd.miller.tetzeli.fix-12885.35162.reflac.flac16
1990-09-18Madison Square Garden
35162flac16; Fix of shn id 12885 - SBD->Cm->Dat->CD->Cool Edit Pro->CD>EAC>SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1990-09-18.141167.OTS.AKG.Ackerman.Miller.Noel.t-flac1648
1990-09-18Madison Square Garden
141167flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
gd1990-09-18.144893.nak300.cp4.dalton.miller.sirmick.flac1648
1990-09-18Madison Square Garden
144893flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick February 2019
gd1990-09-18.139520.FOB.Schoeps.Katzeff.Gastwirt.Miller.Noel.t-flac1648
1990-09-18Madison Square Garden
139520flac16/48kHz; Rick Katzeff FOB Recording: Schoeps CMC 34's (ortf)> M-1000> Oade p/s> SV-255; Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT
gd1990-09-18.147622.ultramatrix.sbd.miller.flac24
1990-09-18Madison Square Garden
147622flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-09-18.150544.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t.flac1648
1990-09-18Madison Square Garden
150544flac16/48kHz; Recording Info: (FOB) Schoeps CMC3-MK4 (ORTF) > M1000 Cables > Oade PS > Master Dat (Panasonic SV-250-48k); Location: Sec A Row 19 Seat 01 (FOB, mics on stand @ 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16-48; Master Digital Audience Recording by Dave Brotman & Jeff Metchick; Transfer by Charlie Miller; Edited & Mastered by Joe Noel (Adobe Audition 2020). August 22, 2020
gd1990-09-18.AKG451.Currier.Keo.131908.Flac1644
1990-09-18Madison Square Garden
131908flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1990-09-18.124767.AT835.Fix.laurentis.flac16
1990-09-18Madison Square Garden
124767flac16; Taper: M. Laurentus; Loge/Taper Section Sec 56D,Row A,Seat 12; AT835B's- AT 8202’s-SONY TCD-5M-Cassette-Tascam DR-5 Line In-CD Wave- Flac
gd1990-09-18.sbd.richey.11811.sbeok.shnf
1990-09-18Madison Square Garden
11811SBD>DAT MASTER>DATX2>CD; via the Piper; Seeded to etree by troy richey
gd1990-09-19.at835b.laurentus.96927.flac16
1990-09-19Madison Square Garden
96927flac16; Taper: M.Laurentus Loge/Taper Section Sec 56D,Row B,Seat 2 AT835B's- AT 8202’s-SONY TCD-5M-Cassette-SoundBlaster Extreme Hi-Fi Line In-Creative Recorder-CD Wave- FLAC
gd1990-09-19.138055.mtx.photoleon.t-flac16
1990-09-19Madison Square Garden
138055flac16/48kHz; MTX from Audience recording: Recording by Tom Darian; From Section A Row 19, seat 2 FOB - near center; B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open; Transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +2dB digital gain added in the transfer from DAT to CDR master and SBD Recording: Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD; Set 2: SBD -> Dat Master -> Sonic Solutions -> CD; Transfer Info: CD -> Samplitude Professional v9.1.1 -> FLAC
gd1990-09-19.149583.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
1990-09-19Madison Square Garden
149583flac16/48kHz; Recording info: Schoeps CMC3/MK4 (110°) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250/48k); Location: Section A, Row 18, Seat 1 (mics on stand @ 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel
gd1990-09-19.bk4011.tdarian.french.88969.sbeok.flac16
1990-09-19Madison Square Garden
88969flac16; Ambient recording by tdarian B&K 4011's ORTF -> ProLink cables -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide-open Mics at 6'3" Section A - Row 18 - Seat 2 - FOB near center transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700
gd90-09-19.bk.sacks.9988.sbeok.shnf
1990-09-19Madison Square Garden
9988MAD>D>CD; FOB B&K 4011's; Seeded to etree by Darrin Sacks
gd90-09-19.sbd.ashley.14674.sbeok.shnf
1990-09-19Madison Square Garden
14674Jay Ashley remaster of previous sbd source. SBD>>DAT>>CASS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN
gd1990-09-19.143131.OTS.ECM-909A.Sterry.Beckwith.Noel.Miller.t-flac2496
1990-09-19Madison Square Garden
14313124 bit George Sterry (OTS) Recording: Sony ECM-909A > Cassette Master (Sony TC-158SD)
Charlie Miller Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > FLAC 24/96
Edited & Mastered by Joe Noel Flac 24/96 > Audacity > Flac 24/96
gd1990-09-19.147888.UltraMatrix.sbd.cm.miller.flac16
1990-09-19Madison Square Garden
147888flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd90-09-19.sbd.jeffm.3373.sbeok.shnf
1990-09-19Madison Square Garden
3373Updated lineage: SBD> CM> DAT> CDR> EAC> SHN; via Jeff M.
gd90-09-19.schoeps-fob.wiley.11664.sbeok.shnf
1990-09-19Madison Square Garden
11664Dave Brotman FOB(15th row, Center)-AUD(Scheops)>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley
gd90-09-19.sbd.wiley.26081.sbeok.shnf
1990-09-19Madison Square Garden
26081amalgam of 2 previous seeds A and B, remastered by Tim Wiley; see info file for details
gd1990-09-19.mtx.hansokolow.96157.flac16
1990-09-19Madison Square Garden
96157flac16; matrix of DSBD: shnid=3373 and DAUD: shnid=11664 by hansokolow using ProTools
gd1990-09-19.147623.ultramatrix.sbd.miller.flac24
1990-09-19Madison Square Garden
147623flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-09-19.150545.remaster.149583.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t.flac1648
1990-09-19Madison Square Garden
150545flac16/48kHz; Recording Info: Schoeps CMC3-MK4 (110°) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250-48k); Location: Section A, Row 18, Seat 1 (mics on stand @ 6'5"); Transfer Info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16-48; Master Digital Audience Recording by Dave Brotman & Jeff Metchick; Transfer by Charlie Miller; Edited & Mastered by Joe Noel (Adobe Audition 2020); Notes: Remaster of shnid 149583
gd1990-09-19.mtx.hansokolow.fix-96157.97641.flac16
1990-09-19Madison Square Garden
97641flac16; matrix of DSBD: shnid=85003 and DAUD: shnid=11664 by hansokolow using ProTools
gd1990-09-20.sbd.eichinger.465.sbeok.shnf
1990-09-20Madison Square Garden
465set II,E; Ultramix SBD > DAT > CD-R; CD Mastering by C.J. Eichinger; Tape from T. Buller; see pub comments for flaw note
gd1990-09-20.138036.mtx.photoleon.flac16
1990-09-20Madison Square Garden
138036flac16; 2 source matrix: shnid: 108849 - SBD -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC and shnid: 88970 - Ambient Recording by Ted Darian; B&K 4011's ORTF-> ProLink cable-> Neumann p48v-> Sony TCD-D10 DAT 48khz line-in wide open Mics on stand at 6'+; transfer and edit notes: Tascam DA20mkII 48k DAT master> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700
gd1990-09-20.149578.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
1990-09-20Madison Square Garden
149578flac16/48kHz; Recording info: Schoeps CMC3-MK4 (110°) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250-48k). Location: Sec A Row 18 Seat 01 (FOB, mics on stand @ 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 1648
gd1990-09-20.152739.mtx.seamons.ht131.flac16
1990-09-20Madison Square Garden
152739flac16; Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 108849 & 141168.
gd1990-09-20.bk4011.tdarian.french.88970.sbeok.flac16
1990-09-20Madison Square Garden
88970flac16; Ambient Recording by tdarian B&K 4011's ORTF -> ProLink cable -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide open Mics on stand at 6'+ transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700
gd1990-09-20.156442.ultramtrix.miller.flac2496
1990-09-20Madison Square Garden
156442flac2496 Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
gd90-09-20.sbd.ashley.14855.sbeok.shnf
1990-09-20Madison Square Garden
14855Bertha Remaster of the original DSBD Source. SBD>>Dat>>(*)>>SHN>>DAW(Bertha)>>CDA - Sound A+
gd90-09-20.sbd.miller.12111.sbeok.shnf
1990-09-20Madison Square Garden
12111SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN; Seeded to etree by Charlie Miller
gd1990-09-20.AT835B.laurentus.96918.flac16
1990-09-20Madison Square Garden
96918flac16; Taper: M.Laurentus Loge/Taper Section Sec 56D,Row A,Seat-14 AT835B's- AT 8202’s-SONY TCD-5M-Cassette-SoundBlaster Extreme Hi-Fi Line In-Creative Recorder-CD Wave- FLAC
gd1990-09-20.141168.OTS.AKG.Ackerman.Miller.Noel.t-flac1648
1990-09-20Madison Square Garden
141168flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
gd1990-09-20.132709.cmc34.fob.katzeff.deal.petty.flac16
1990-09-20Madison Square Garden
132709flac16; Recording info: FOB (Section A, Row 18, Seat 1); Schoeps CMC 34's (ortf)> M-1000> Oade p/s> SV-255 by Rick Katzeff; DAT's provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 23, 2015 by Will Petty
gd1990-09-20.150669.nak300.boedicker.flac1644
1990-09-20Madison Square Garden
150669flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>1 TDM MA-90 Metal Cassette Tape (1stSet) And 1 100 Minute Sony Metal SR Cassette Tape(2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper> Flace Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section
gd1990-09-20.150546.remaster.149578.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t.flac1648
1990-09-20Madison Square Garden
150546flac16/48kHz; Recording Info: Schoeps CMC3-MK4 (ORTF) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250-48k); Location: Sec A Row 18 Seat 01 (FOB, mics on stand @ 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16-48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel; Notes: Remaster of shnid 149578
gd1990-09-20.156488.UltraMatrix.sbd.cm.miller.t.flac1644
1990-09-20Madison Square Garden
156488flac1644 Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156442 2496 > 1644.1
gd1990-09-26.157660.sbd.miller.flac16
1990-09-26Club Front
157660flac1644 Notes: -- From GDH production audio files -- Please support the Grateful Dead Hour https://www.gdhour.com/ Charlie Miller
gd1990-09-27.157661.sbd.miller.flac16
1990-09-27Club Front
157661flac1644 -- From GDH production audio files -- Please support the Grateful Dead Hour https://www.gdhour.com/ Charlie Miller
gd90-09-28.sbd.jeffm.13531.sbeok.shnf
1990-09-28Front Street
13531Unknown SBD> ? (possible cassette gen)> CDR> EAC> SHN; via Jeff M
gd1990-09-28.157662.sbd.miller.flac16
1990-09-28Club Front
157662flac1644 Notes: -- From GDH production audio files -- Please support the Grateful Dead Hour https://www.gdhour.com/ Charlie Miller
gd1990-10-13.141086.sbd.miller.flac2496
1990-10-13Ice Stadium
141086flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-10-13.141088.UltraMatrix.sbd.miller.flac1644
1990-10-13Ice Stadium
141088flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-10-13.128225.PER-ERIK.jontebus.flac16
1990-10-13Ice Stadium
128225flac16; Recording Info :SONY WM-D6C > MARANTZ EM-8 > Cassette Tape; Transfer Info: Cassette Tape > Nakamichi Dragon Cassette Deck > SONY PCM-M10 (24bit/44,1kHz) > iZotope RX (for hissreduction and sometimes minor eq) > Audacity for Mac (for track splitting) WAV>TLH>FLAC
gd1990-10-13.138953.aud.liff.lamarre.berger.flac1648
1990-10-13Ice Stadium
138953flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger
gd90-10-13.dsbd.hinko.21971.sbeok.shnf
1990-10-13Ice Stadium
21971DSBD > CD > EAC > SHN; EAC/SHN by Darryl Hinko
gd1990-10-13.aud.holtz.GEMS.92841.flac16
1990-10-13Ice Stadium
92841flac16; Audience Recording Lineage: Unknown Mics > Sony D-5 > MAC > NAK D3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh)
gd1990-10-13.sbd.wiley.11627.sbeok.shnf
1990-10-13Ice Stadium
11627SBD>MC>C>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley
gd1990-10-17.Nak300CP4.Floater.Keo.112818.Flac1644
1990-10-17Gruga Halle
112818flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XL II 90,100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
gd1990-10-17.157679.ultramatrix.miller.flac2496
1990-10-17GrugaHalle
157679flac2496 Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
gd1990-10-17.157680.dsbd.miller.clugston.flac16
1990-10-17GrugaHalle
157680flac1644 Source Info: Ultramatrix Soundboard DAT > probable PCM > DAT Transfer Info: DAT (Sony R-500) > Tascam DA-3000 (16/44.1) > Adobe Audition 2022 > TLH flac16
gd1990-10-17.157865.UltraMatrix.sbd.cm.miller.t.flac1644
1990-10-17GrugaHalle
157865flac1644; Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 157679 2496 > 1644
gd1990-10-17.144816.aud.lamarre.berger.flac24
1990-10-17GrugaHalle
144816flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger
gd1990-10-17.144817.aud.lamarre.berger.flac16
1990-10-17GrugaHalle
144817flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger
gd90-10-17.dsbd.wiley.11613.sbeok.shnf
1990-10-17Gruga Halle
11613DSBD>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley
gd1990-10-17.Nak300CP4.Floater.Keo.112819.Flac2496
1990-10-17Gruga Halle
112819flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XL II 90,100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
gd1990-10-17.143495.nuemannu89.silberman.dalton.miller.sirmick.flac1648
1990-10-17GrugaHalle
143495flac16/48kHz; Source: (probably) Neumann U89 > Sonosax SX-M2 > Sony TCD-D10 pro > Dat x 3 (48k) - Taped by Jeff Silberman and provided by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick October 2018
gd1990-10-17.143496.mtx.sirmick.flac1644
1990-10-17GrugaHalle
143496flac16; Two source matrix 70% sbd/30% aud; Sources: sbd - shnid 11613 DSBD > DAT > CDR; aud - shnid 143495 Neumann U89 > Sonosax SX-M2 > Sony TCD-D10 pro > Dat x 3; edited and matrix SIRMick November 2018
gd1990-10-19.sbd.rogers-vernon.8199.shnf
1990-10-19Internationales Congress Centrum
8199[D]SBD > ? > CDR; via Terry Rogers; Seeded to etree by Matt Vernon
gd1990-10-19.157674.sbd.anon.gems.flac16
1990-10-19Internationales Congress Centrum
157674flac16 Recording info: Soundboard DAT provided by ANON

Mastering by Jim Blackwood with help from Jason Chastain
Track, FLAC, and pack by Steve Gravel
gd90-10-19.dsbd-matrix.dieter.12892.sbeok.shnf
1990-10-19Internationales Congress Centrum
12892DSBD: Healy mix>MD>D>CD; seeded to abgd by dieter
gd1990-10-19.144894.aud.lamarre.berger.flac24
1990-10-19Internationales Congress Centrum
144894flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger
gd1990-10-19.144895.aud.lamarre.berger.flac16
1990-10-19Internationales Congress Centrum
144895flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger
gd1990-10-20.mtx.hansokolow.98728.flac16
1990-10-20Internationales Congress Centrum
98728flac16; matrix of SBD: shnid=12931 and DAUD: shnid=90641 by hansokolow using ProTools
gd1990-10-20.153737.sonyECM.G.willer.flac1644
1990-10-20Internationales Congress Centrum
153737flac15/44 Source: Sony ECM-150 -> Sony TCD-D5 Transfer: Master Casette -> B&O Beocord 9000 -> Sony pcm-a1 (96/24) -> audition -> cdwav -> flac Taper: G. [2021-10-01 transfer by Willer [light EQ + levels + normalizing - Downsampled to 44,1/16]
gd1990-10-20.sbd.rogers-vernon.8245.shnf
1990-10-20Internationales Congress Centrum
8245Source : SBD > ? > CDR; via Terry Rogers; Seeded to etree by Matt Vernon
gd1990-10-20.Nak300CP4.Floater.Keo.115551.Flac1644
1990-10-20Internationales Congress Centrum
115551flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XLII 90,XLII-S 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
gd1990-10-20.Nak300CP4.Floater.Keo.115552.Flac2496
1990-10-20Internationales Congress Centrum
115552flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XLII 90,XLII-S 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
gd1990-10-20.138476.BK4011.fob.Teitelbaum.Ammons.Noel.t-flac16
1990-10-20Internationales Congress Centrum
138476flac16/48kHz; Mark Teitelbaum Recording: B&K 4011 (ORTF) > Neumann power supply > Panasonic SV255; FOB w/ stand; John Ammons Transfer: Tascam DA-20 MKII > Roland SRC-2 > Mac Mini optical input > Audacity 2.1 > WAV @ 48kHz; Joe Noel Edits: (re)Track & Pack: Flac > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT; Set 1 is 48kHz, Set 2 is 44.1kHz
gd90-10-20.dsbd-matrix.dieter.12931.sbefail.shnf
1990-10-20Internationales Congress Centrum
12931DSBD: Healy mix>MD>D>CD
gd1990-10-20.144900.aud.lamarre.berger.flac24
1990-10-20Internationales Congress Centrum
144900flac24; source: aud cassette master; taped by Doug Lamarre;sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger
gd1990-10-20.144901.aud.lamarre.berger.flac16
1990-10-20Internationales Congress Centrum
144901flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger
gd1990-10-20.139112.aud.liff.lamarre.berger.flac1648
1990-10-20Internationales Congress Centrum
139112flac16/48kHz; source: aud dat master > dat> dat; Doug Lamarre’s clone via Dan Liff r.i.p; taped by Jeff Silberman; neumann U89 > sonosax 5000 > sony tcd-d10 pro; transferred & seeded by Rob Berger
gd1990-10-20.144552.cmc4.flac1648
1990-10-20Internationales Congress Centrum
144552flac16/48kHz; Source: Schoeps MK4 > Schoeps CMC4 > VMS52UB > Sony SBM-1 > Panasonic SV-255; Transfer: DAT(c) @48kHz > Tascam DA-P1 > Tascam SS-R1 > Samplitude Pro X3 > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger); Thanks to Dave Flaschner for the DATs; Transfer & edits by Jeff Mitchell
gd1990-10-20.150273.sbd.ANON.blackwood.flac1644
1990-10-20Internationales Congress Centrum
150273flac16; SBD > ? > FLAC
gd1990-10-22.Nak300CP4.Floater.Keo.114392.Flac1644
1990-10-22Festhalle
114392flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XLII 90,XLII-S 100 Taper:Friend Of Floater; Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
gd1990-10-22.Nak300CP4.Floater.Keo.114393.Flac2496
1990-10-22Festhalle
114393flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100; Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
gd1990-10-22.131001.cmc521.deal.jwpetty.flac16
1990-10-22Festhalle
131001flac16; Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Fostex D-5> Luminous Monarch cable> M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE/Flac 16-Level 8/md5); Transfer completed August 18, 2014 by jwpetty
gd1990-10-22.144925.aud.lamarre.berger.flac24
1990-10-22Festhalle
144925flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger
gd1990-10-22.144926.aud.lamarre.berger.flac16
1990-10-22Festhalle
144926flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger
gd90-10-22.beyer-fob.unknown.12833.sbefail.shnf
1990-10-22Festhalle
128332 Beyer M160> Sony TCD5M Front Of Board Master Cassette> CDR via unknown seeder
gd90-10-22.dsbd.hinko.22315.sbeok.shnf
1990-10-22Festhalle
22315DSBD > CD > EAC > SHN; No cut in Bird Song; EAC/SHN by Darryl Hinko
gd90-10-22.sbd.fishman.13466.sbeok.shnf
1990-10-22Festhalle
13466SBD>CM>D>CD>EAC>SHN, transcribed by JR Fishman
gd90-10-22.sbd.gardner.8722.sbeok.shnf
1990-10-22Festhalle
8722SBD>DAT>C>DAT>CDR; Seeded to etree by Tony Gardner
gd1990-10-22.143528.nak300-cp4.dalton.miller.sirmick.flac1648
1990-10-22Festhalle
143528flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick
gd1990-10-24.141756.ultramatrix.dalton.miller.clugston.flac1644
1990-10-24Sportsahalle
141756flac16; Source Info: Master UltraMatrix Soundboard Dat > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16
gd1990-10-24.131010.cmc521.fob.deal.jwpetty.flac16
1990-10-24Sportsahalle
131010flac16; Digital FOB (20') Recording by Lance Deal using Schoeps CMC 521's (110°)> Schoeps VMS 52UB p/s> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Liberated on August 21, 2014 by jwpetty
gd1990-10-24.143962.nak300-cp4.dalton.miller.sirmick.flac1648
1990-10-24Sportsahalle
143962flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick December 2018
gd90-10-24.sbd.wiley.11612.sbeok.shnf
1990-10-24Sportsahalle
11612SBD>DAT>C>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable); via Paul B; Seeded to Etree by T. Wiley
gd1990-10-24.139115.aud.liff.lamarre.berger.flac1648
1990-10-24Sportsahalle
139115flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger
gd1990-10-27.nak300.andrewf.84288.sbeok.flac16
1990-10-27Le Zenith
84288flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Set up in the balcony taper section, a few rows from the edge. Mics on stand aprx 5-feet high, aimed at stacks and angled down slightly. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, April 2007. Taped and transferred by Andrew F.
gd1990-10-27.141604.miller.sbd.flac2496
1990-10-27The Zenith
141604flac24/96 Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller.
gd90-10-27.sbd.braverman.9373.sbefail.shnf
1990-10-27The Zenith
9373SBD>DAT>CD; via Tommy Danscuk; Seeded to etree by Peter Braverman
gd1990-10-27.113534.sennme80.grabski.flac16
1990-10-27The Zenith
113534flac16; Source: Sennheiser ME-80/K3U > Sony TC-D5M (no dolby); Transfer: Sony TC-D5M (original used for master) > Tascam HD-P2 24/48 > CF Card > Sound Forge 8 (vol/fades) > WaveLab (UV22HR) CD WAVE > FLAC van den Hul The First Ultimate cable used between D-5 and HD-P2; Recorded and transferred by Dean Grabski
gd1990-10-27.139118.aud.liff.lamarre.berger.flac1648
1990-10-27The Zenith
139118flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger
gd1990-10-27.141693.UltraMatrix.sbd.cm.miller.flac1644
1990-10-27The Zenith
141693flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller.
gd1990-10-27.144199.nak300-cp4.dalton.miller.sirmick.flac1648
1990-10-27The Zenith
144199flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick December 2018
gd1990-10-28.113591.sennme80.grabski.flac16
1990-10-28The Zenith
113591flac16; RECORDING LINEAGE: Source: Sennheiser ME-80/K3U > Sony TC-D5M (no dolby); Transfer: Sony TC-D5M (original used for master) > Tascam HD-P2 24/48 > CF Card > Sound Forge 8 (vol/fades) > WaveLab (UV22HR) CD WAVE > FLAC van den Hul The First Ultimate cable used between D-5 and HD-P2; Recorded and transferred by Dean Grabski
gd1990-10-28.Nak300CP4.Floater.Keo.114394.Flac1644
1990-10-28The Zenith
114394flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
gd1990-10-28.Nak300CP4.Floater.Keo.114395.Flac2496
1990-10-28The Zenith
114395flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
gd1990-10-28.141694.UltraMatrix.sbd.cm.miller.flac1644
1990-10-28The Zenith
141694flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller.
gd90-10-28.sbd.jamphan.3264.sbeok.shnf
1990-10-28The Zenith
3264SBD> DATx3; Conversion: Sony M-1 > Midiman Optical > SPDIF SB Platinum > CoolEdit WAV > CDWav WAV > SHN (mkw); Shns Produced by JamPhan
gd1990-10-28.141605.sbd.miller.flac2496
1990-10-28The Zenith
141605flac24/96 Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller.
gd1990-10-28.139119.aud.liff.lamarre.berger.flac1648
1990-10-28The Zenith
139119flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger
gd1990-10-28.144200.nak300-cp4.dalton.miller.sirmick.flac1648
1990-10-28The Zenith
144200flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick December 2018
gd1990-10-30.mtx.dusborne.126879.flac16
1990-10-30Wembley Arena
126879flac16; 2 Source matrix by Dave Usborne; Soundboard shnid:34645); dsbd>dat>cd>shn>WAV>FLAC via Bill Tetzeli;Audience (shnid:81706); Taped and transferred by Andrew F;AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks;Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, January 2007
gd1990-10-30.143863.nak300-cp4.dalton.miller.sirmick.flac1648
1990-10-30Wembly Arena
143863flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick
gd1990-10-30.136847.sbd.GEMS.flac16
1990-10-30Wembley Arena
136847flac16; SBD MTX > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by Norm
gd90-10-30.dsbd.barbella.6678.sbeok.shnf
1990-10-30Wembley Arena
6678dsbd> dat> cd> shn; via Steve Barbella
gd1990-10-30.139120.aud.liff.lamarre.berger.flac1648
1990-10-30Wembley Arena
139120flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger
gd1990-10-30.140864.sbd.miller.flac2496
1990-10-30Wembley Arena
140864flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-10-30.140898.UltraMatrix.sbd.cm.miller.flac1644
1990-10-30Wembley Arena
140898flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-10-30.150234.UltraMatrix.sbd.cm.miller.flac16
1990-10-30Wembley Arena
150234flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1
gd1990-10-31.125745.mtx.dusborne.flac16
1990-10-31Wembley Arena
125745flac16; 2 Source Matrix by dusborne; Soundboard (shinid:8070) Source: SBD > DAT > CDR > WAV > SHNv3; DAE(EAC) > SHNTOOL > MKWACT via Chris L. and Audience (shnid:90844) Source: Audience Master Cassette Nakamichi 300's Shotguns > Marantz PMD-430 w/Dolby B; Tapers: Alf Houck and Robert Wright Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC; Transfer and Mastered by Bill Koucky March 16, 2008
gd1990-10-31.138688.FOB.BK.Schoeps.Teitlebaum.Katzeff.Ammons.Noel.t-flac16
1990-10-31Wembley Arena
138688flac16/48kHz; Set I: Mark Teitlebaum FOB recording w/stand; B&K 4011 at 110 degrees ORTF > Neumann PS > Panasonic SV255; Set II: Rick Katzeff FOB recording w/stand; Schoeps CMC34 at 110 degrees ORTF > MIT Cables > Oade PS > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: raw waves track'd, flac'd, pack'd & patch'd in Audacity & exported as flac 16/48; Checksum & tags created in xACT
gd1990-10-31.143864.nak300-cp4.dalton.miller.sirmick.flac1648
1990-10-31Wembly Arena
143864flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick
gd90-10-31.sbd.ladner.8070.sbeok.shnf
1990-10-31Wembley Arena
8070SBD > DAT > CDR > WAV > SHNv3; seed discs via Tim Symons, DAE(EAC) > SHNTOOL > MKWACT via neo_levo; reportedly with Werewolves splice, but fewer pops than previous shn sets
gd1990-10-31.139615.FOB-Schoeps-cmc4-mk41.oade.gastwirt.miller.sirmick.flac1648
1990-10-31Wembley Arena
139615flac16/48kHz; Source: (FOB) Schoeps cmc4 mk41 > modified Panasonic SV-250 > Dat x 2 (48k) - Recorded by Jim Oade and provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017
gd1990-10-31.nak300.andrewf.85914.flac16
1990-10-31Wembley Arena
85914flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX tapes, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Audiophile 2496 analog RCA-In > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, June 2007. Taped and transferred by Andrew F.
gd1990-10-31.139125.aud.liff.lamarre.berger.flac1648
1990-10-31Wembley Arena
139125flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger
gd1990-10-31.142734.FOB.Schoeps.Katzeff.Mattes.Miller.Noel.fixed.t-flac1648
1990-10-31Wembley Arena
142734flac16/48kHz; Rick Katzeff FOB Recording: Schoeps CMC3 MK4 (ORTF)> MIT cables > Jensen 16 P.S. > DAT (Panasonic sv250), mics on stand; 6'3" (s1), 6'5" (s2); Charlie Miller Transfer from clone of master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
gd1990-10-31.142715.FOB.Schoeps.Brotman.Mattes.Miller.Noel.t-flac1648
1990-10-31Wembley Arena
142715flac16/48kHz; Dave Brotman FOB Recording: Schoeps CMC3 MK4 (ORTF)> MIT cables > Jensen 16 P.S. > DAT (Panasonic sv250), mics on stand; 6'3" (s1), 6'5" (s2); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; fixed version in circulation
gd1990-10-31.150006.sbd.miller.flac2496
1990-10-31Wembley Arena
150006flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24
gd1990-11-01.138689.FOB.BK4011.Teitlebaum.Ammons.Noel.t-flac16
1990-11-01Wembley Arena
138689flac16/48kHz; Mark Teitlebaum FOB recording w/stand; B&K 4011 at 110 degrees ORTF > Neumann PS > Panasonic SV255; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: raw waves track'd, flac'd, pack'd & patch'd in Audacity & exported as flac 16/48; Checksum & tags created in xACT
gd1990-11-01.143865.nak300-cp4.dalton.miller.sirmick.flac1648
1990-11-01Wembly Arena
143865flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick November 2018
gd90-11-01.sbd.ladner.8068.sbeok.shnf
1990-11-01Wembley Arena
8068SBD > DAT > CDR > WAV > SHNv3; via Tim S., neo_levo
gd1990-11-01.145544.sbd.miller.flac2496
1990-11-01Wembley Arena
145544flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-11-01.139147.aud.liff.lamarre.berger.flac1648
1990-11-01Wembley Arena
139147flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger
gd1990-11-01.145663.UltraMatrix.sbd.cm.millier.flac16
1990-11-01Wembly Arena
145663flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This file set is 16 bit @ 44.1
gd1990-11-01.aud-sbd.romanowski.3861.shnf
1990-11-01Wembely Arena
3861Set 1= MDAT AUD> DAT> CDR> EAC> SHN (taper unknown); Set 2= MSBD DAT> DAT> CDR> EAC> SHN; transfer by Karen Benbrook; editing and shn by Jeff Romanowski (see his notes in info file)
gd1990-12-03.150653.FOB.NAK.700.DSD.Mow.Miller.Noel.t.flac2496
1990-12-03Oakland-Alameda County Coliseum
150653flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 26, 2020
gd1990-12-03.153867.nak104.akg1000s.flac24
1990-12-03Oakland-Alameda County Coliseum
153867flac24/96 Recording Info: 2 x Nakamichi 100/CP4 + 2 x AKG C1000S (Cardioid) > Boss BX-4 > Cassette Master (Sony WM-D6C/Maxell Metal 100) > Cassette (Maxell XLII-S90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
gd1990-12-03.154445.4mic.mix.1gen.miller.t.flac16
1990-12-03Oakland-Alameda County Coliseum
154445flac16/44 Recording Info: 2 x Nakamichi 100/CP4 + 2 x AKG C1000S (Cardioid) > Boss BX-4 > Cassette Master (Sony WM-D6C/Maxell Metal 100) > Cassette (Maxell XLII-S90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 153867 2496 > 1644
gd1990-12-03.138092.BK4011.Darroch.Ammons.fob.t-flac16
1990-12-03Oakland-Alameda County Coliseum
138092flac16/48kHz; Rob Darroch FOB DFC Recording: B&K 4011s at 110 degrees ORTF on Schoeps T-bar > Neumann Power Supply > Panasonic SV255; 1st set stand at 6'1", 2nd set at 6'3"; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
gd1990-12-03.119331.Sennheiser421.d5scott.flac16
1990-12-03Oakland-Alameda County Coliseum
119331flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd90-12-03.nak.wiley.13992.sbeok.shnf
1990-12-03Coliseum Arena
13992AUD(Nak mics + CP4)>DAT>CDR; via Paul B; Seeded to etree by Tim Wiley
gd1990-12-03.143373.sbd.ultramatrix.miller.flac2496
1990-12-03Oakland-Alameda County Coliseum
143373flac24; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
gd1990-12-03.143512.UltraMatrix.sbd.cm.miller.flac1644
1990-12-03Oakland-Alameda County Coliseum
143512flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; This file set is 16/44.1
gd1990-12-03.145151.nak300.cp4.dalton.miller.sirmick.flac1648
1990-12-03Oakland-Alameda County Coliseum
145151flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick February 2019
gd1990-12-03.150691.FOB.NAK.700.DSD.Mow.Miller.Noel.t.flac1644
1990-12-03Oakland-Alameda County Coliseum
150691flac16; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson
gd1990-12-04.143441.DSBD.Reutelhuber.Westcott.Noel.t-flac1648
1990-12-04Oakland-Alameda County Coliseum
143441flac16/48kHz; Source: Digital Soundboard > DAT (clone); Transfer: DAT (clone) > Sony PCM-R500 > Marantz PMD661 (via SPDIF) > FLAC 16/48; Edited & Mastered by Joe Noel; Flac > Audacity Flac 16/48
gd1990-12-04.150654.FOB.NAK.700.DSD.Mow.Miller.Noel.t.flac2496
1990-12-04Oakland-Alameda County Coliseum
150654flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 26, 2020
gd1990-12-04.138093.BK4011.Darroch.Ammons.fob.t-flac16
1990-12-04Oakland-Alameda County Coliseum
138093flac16/48kHz; Rob Darroch FOB DFC Recording: B&K 4011s at 110 degrees ORTF on Schoeps T-bar > Neumann Power Supply > Panasonic SV255; 1st set stand at 6'3", 2nd set at 6'4"; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
gd1990-12-04.143584.sbd.ebel.flac1644
1990-12-04Oakland-Alameda County Coliseum
143584flac16/44.1khz Source Info: Soundboard (Ultra-Matrix?) -> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel.
gd90-12-04.sbd.ladner.9365.sbeok.shnf
1990-12-04Oakland-Alameda County Coliseum
9365SBD>DAT>CDR; Uncle>Big River are from either an Excellent Aud source, or they have a different, Matrix like mix; via neo_levo/candyman ftp - 4/2002
gd1990-12-04.143376.sbd.miller.flac2496
1990-12-04Oakland-Alameda County Coliseum
143376flac24; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-12-04.143517.UltraMatrix.sbd.cm.miller.flac1644
1990-12-04Oakland-Alameda County Coliseum
143517flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16/44.1
gd1990-12-04.145225.nak300.cp4.dalton.miller.sirmick.flac1648
1990-12-04Oakland-Alameda County Coliseum
145225flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick February 2019
gd1990-12-04.150692.FOB.NAK.700.DSD.Mow.Miller.Noel.t.flac1644
1990-12-04Oakland-Alameda County Coliseum
150692flac16; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson
gd1990-12-08.124096.sbd.blackwood.flac16
1990-12-08Compton Terrace Amphitheatre
124096flac16; Recording Info: Set 1 SBD>CM>DAT>CD>WAV (remaster of shnid=472); Set 2 SBD>CM>CAS1>WAV; Set 2 Transfer Info: Nak CR-7A > MADA-2-> Sequoia 11-> FLAC; Mastered by Jim Blackwood
gd1990-12-08.130961.cmc321.fob.katzeff.jwpetty.flac16
1990-12-08Compton Terrace Amphitheatre
130961flac16; Digital Audience Recording by R. Katzeff/Schoeps CMC321 subs (fob)> ?> sv-250> L. Deal clone; Transfer: Panasonic SV-3500 (spdif)> M-Audio Audiophile 24/96> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE/Flac16-Level 8/ffp); Transfer completed August 14, 2014 by jwpetty; the original seed for this source was missing set2t06; please do not circulate that version
gd1990-12-08.AKG451.Darby.117559.Flac2448
1990-12-08Compton Terrace Amphitheatre
117559flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet From Center Lawn Stack/6 Feet High)> Sony TC-D5M>Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
gd1990-12-08.141700.UltraMatrix.sbd.cm.miller.flac1644
1990-12-08Compton Terrace Amphitheatre
141700flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller.
gd90-12-08.sbd.hollister.472.sbeok.shnf
1990-12-08Compton Terrace Amphitheatre
472S:PCM> DAT> ZA2> CD; no encore; unfortunate diginoise during Victim (on all DATs); seeded by D. Hollister; via Skank, and/or J. Sachs to abgd?; via A. Stern to etree; note d2t3 gives an error when burning with CDRWin- to fix, Adam suggests opening this track in a wav editor (like CEP) and saving before burning
gd1990-12-08.141606.sbd.miller.2496
1990-12-08Compton Terrace Amphitheatre
141606flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller.
gd1990-12-08.atshot.laporte.89867.sbeok.flac16
1990-12-08Compton Terrace Amphitheatre
89867flac16; AT Shotguns > unknown decks x2 > PMD430 Tapers section on lawn behind SBD PMD430 > SB Audigy Line IN > Adobe Audition @24bit/48khz Adobe Audition: Noise Reduction of hiss, fade ins/outs, pop/click eliminator, dithered and resampled to 16bit/44khz. CDwave: tracking Trader's little Helper: flacs
gd1990-12-09.130925.set1.cmc32S.fob.katzeff.jwpetty.flac16
1990-12-09Compton Terrace
130925flac16; Set 1 Master Audience Recording by R. Katzeff/Schoeps CMC32S (fob/spaced 8.5 feet Section D & E/Row 6/Seats 2 & 2)> pro-link> sv-250> clone; Transfer: Fostex D-5 (spdif out)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE/Flac16/ffp)
gd1990-12-09.141701.UltraMatrix.sbd.cm.miller.flac1644
1990-12-09Compton Terrace
141701flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller.
gd90-12-09.sbd.ladner.5155.sbeok.shnf
1990-12-09Compton Terrace Amphitheatre
5155SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer - via C. Miller; DAE (EAC > shntool > mkwact) by C. Ladner
gd1990-12-09.157408.s1.s2p.nak-akg.cm.katz.miller.t.flac1644
1990-12-09Compton Terrace
157408flac 1644; Recording Info: Nakamichi CM100/CP4 + AKG C1000S > Boss BX-4 Mixer > Cassette Master (Sony Boombox/TDK XLII-100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 (1 DVD FLAC). All Transfers and Mastering By Charlie Miller. - This is 157407 2496 > 1644
gd1990-12-09.157407.s1.s2p.nak-akg.miller.katz.flac24
1990-12-09Compton Terrace
157407flac 2496; Recording Info: Nakamichi CM100/CP4 + AKG C1000S > Boss BX-4 Mixer > Cassette Master (Sony Boombox/TDK XLII-100)Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 (1 DVD FLAC)
gd1990-12-09.141607.sbd.miller.2496
1990-12-09Compton Terrace
141607flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller.
gd1990-12-09.aud.gardner.4182.shnf
1990-12-09Compton Terrace Amphitheatre
4182source: ? (info to follow) betaseed; via Tony Gardner with thanks to Andrew McCall; Space cut
gd1990-12-09.nak300.laporte.89799.sbeok.flac16
1990-12-09Compton Terrace Amphitheatre
89799flac16; Nak 300's > Unknown Deck > Marantz pmd430 Taper section on lawn behind SBD PMD430 > SB Audigy Line IN> Adobe Audition @ 24bit/48khz Adobe Audition: Noise Reduction of hiss, fade ins/outs, pop/click eliminator, dithered and resampled to 16bit/44khz. CDwave: tracking Trader's little Helper: flacs
gd1990-12-12.sbd.miller.109289.flac16
1990-12-12McNichols Sports Arena
109289flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1990-12-12.127359.josephsonC640.chuckm.flac16
1990-12-12McNichols Sports Arena
127359flac16; Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1); Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES X-Click, Paragraphic EQ & Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper (SBE check, FLAC & FLAC fingerprint) > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
gd1990-12-12.AKG451.Darby.120136.Flac2448
1990-12-12McNichols Sports Arena
120136flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
gd1990-12-12.140146.MTX.PhotoLeon.LL.t-flac16
1990-12-12McNichols Sports Arena
140146flac16; Two Source Matrix by PhotoLeon: Source #1 Recording Info: SBD -> Dat (48k) and Source #2 Rick Katzeff recording: Schoeps CMC4 MK2 Omni's > Panasonic SV-250 > DAT (FOB)
gd1990-12-12.142547.pp-aud.darby.tobin.flac1644
1990-12-12McNichols Sports Arena
142547flac16; Patched & Pitch Corrected Audience (original shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin
gd1990-12-12.142548.mtx.tobin.flac1644
1990-12-12McNichols Sports Arena
142548flac16; Matrix 2 Source Mix - SBD (shnid = 109289) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
gd1990-12-12.142549.dts.tobin.flac1644
1990-12-12McNichols Sports Arena
142549DTS-Audio-CD 5.1 Mix; - SBD (shnid = 109289) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin
gd1990-12-12.142550.5-1.tobin.flac1648
1990-12-12McNichols Sports Arena
142550flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 109289) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin
gd1990-12-12.dts.tobin.87696.sbeok.flac
1990-12-12McNichols Arena
87696DTS Audio 5.1; SBD1 (shn id 87461) (1st set only) SBD -> Dat (48k) + SBD2 (shn id 87372) (2nd set only) Healy DAT > PCM > DAT + AUD (shn id 32020) Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master - dts mixing by Kevin Tobin
gd90-12-12.sbd.zei.2030.sbeok.shnf
1990-12-12McNichols Sports Arena
2030SBD> D-> CDR-> EAC> SHN; Ripped by John Zei
gd1990-12-12.140071.FOB.Schoep.Katzeff.Gastwirt.Miller.Noel.t-flac.16
1990-12-12McNichols Sports Arena
140071flac16/48kHz; Rick Katzeff recording: Schoeps CMC4 MK2 Omni's > Panasonic SV-250 > DAT (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wave > flac 16/48; Checksum & tags created in xACT
gd1990-12-12.149544.ultramatrix.sbd.pearson-healy.miller.flac2496
1990-12-12McNichols Sports Arena
149544flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X6 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-12-12.149736.UltraMatrix.sbd.cm.miller.flac16
1990-12-12McNichols Sports Arena
149736flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X6 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1990-12-12.senn.grabski.32020.sbefail.flac16
1990-12-12McNichols Arena
32020flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 >CDWAVE >FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski
gd1990-12-13.149556.sbd.miller.flac2496
1990-12-13McNichols Sports Arena
149556flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd90-12-13.sbd-matrix.vernon.24411.sbeok.shnf
1990-12-13McNichols Sports Arena
24411Source: Soundboard Matrix:D-> DAT; Transfer: DAT-> Sony PCM R-300 > RME digi 96/8PAD > Soundforge 6.0 @48k by Marc Pujol; Encoding: 48k -> 44.1k via Cool Edit Pro High Accuracy Setting > Cool Edit (diginoise patches) > CDWAV > mkwact (seekable) by Matt Vernon
gd1990-12-13.127360.josephsonC640.chuckm.flac16
1990-12-13McNichols Sports Arena
127360flac16; Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1); Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, iZotope RX DeClick, WAVES Q10 Paragraphic EQ (high-pass only), WAVES L2 Ultramaximizer, a 2 second section of s1t10 was patched with the analog cassette master of the same source); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
gd1990-12-13.josephsonC-640.chuckm.127360
1990-12-13McNichols Sports Arena
gd1990-12-13.138731.OTS.Schoeps.Katzeff.Ammons.Noel.t-flac16
1990-12-13McNichols Sports Arena
138731flac16/48kHz; Rick Katzeff recording: Schoeps CMC521 configured in a 90 degree spaced array > Oade PS > Panasonic SV250; front & center taper section; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Wave > Audacity > flac 16/48; Checksum & tags created in xACT
gd1990-12-13.140290.MTX.PhotoLeon.t-flac1648
1990-12-13McNichols Sports Arena
140290flac16/48kHz; Two Source Matrix: Source #1 (shnid: 108981) Recording Info: SBD -> Dat (48k) and Rick Katzeff recording: Schoeps CMC521 configured in a 90 degree spaced array > Oade PS > Panasonic SV250; front & center taper section; Joe Noel Edits: Wave > Audacity > flac 16/48
gd90-12-13.sbd.unknown.4988.sbeok.shnf
1990-12-13McNichols Sports Arena
4988similar to previous shn set except d2t1 checksum differs, and no seeder attribution in info file; noted 8/01 at hydro (with 11/00 datestamp)
gd1990-12-13.149746.UltraMatrix.sbd.cm.miller.flac16
1990-12-13McNichols Sports Arena
149746flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1990-12-13.senn.grabski.32021.sbefail.flac16
1990-12-13McNichols Arena
32021flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 > CDWAVE > FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski
gd1990-12-14.127361.josephsonC640.chuckm.flac16
1990-12-14McNichols Sports Arena
127361flac16; Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1); Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, iZotope RX DeClick, WAVES Q10 Paragraphic EQ (high-pass only), WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
gd1990-12-14.sbd.miller.89127.sbeok.flac16
1990-12-14McNichols Arena
89127flac16; Corrected Source Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16
gd1990-12-14.josephsonC-640.chuckm.127361
1990-12-14McNichols Sports Arena
gd1990-12-14.138732.FOB.OTS.Schoeps.Katzeff.Ammons.Noel.t-flac16
1990-12-14McNichols Sports Arena
138732flac16/48kHz; Set 1: Schoeps CMC321 at 110 degrees "RED" > Panasonic SV250; Section AAA, Row 15, Seat 17; mics hand held recorded by Rick Katzeff; Set 2: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV255; front row and center of taper section; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Wave > Audacity > flac 16/48; Checksum & tags created in xACT
gd1990-12-14.140291.MTX.PhotoLeon.t-flac1648
1990-12-14McNichols Sports Arena
140291flac16/48kHz; Two Source Matrix: Source #1 (shnid: 89127) Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) and Source #2 (shnid 138732) Set 1: Schoeps CMC321 at 110 degrees "RED" > Panasonic SV250; Section AAA, Row 15, Seat 17; mics hand held recorded by Rick Katzeff; Set 2: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV255; front row and center of taper section; Joe Noel Edits: Wave > Audacity > flac 16/48
gd90-12-14.dsbd.conner.13165.sbeok.shnf
1990-12-14McNichols Sports Arena
13165DSBD> DAT> Cass> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz. A/D> RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT). Digital Conversion by Charlie Connor via Hugh McCrystal.
gd1990-12-14.149608.ultramatrix.sbd.pearson-healy.miller.flac2496
1990-12-14McNichols Sports Arena
149608flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd1990-12-14.149757.UltraMatrix.sbd.cm.miller.flac16
1990-12-14McNichols Sports Arena
149757flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
gd1990-12-14.senn.grabski.32022.sbefail.flac16
1990-12-14McNichols Arena
32022flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 > CDWAVE > FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski
gd1990-12-14.AKG451.Darby.120164.Flac2448
1990-12-14McNichols Sports Arena
120164flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 3 Seat 6/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
gd1990-12-14.AKG451.Darby.120165.Flac1644
1990-12-14McNichols Sports Arena
120165flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 3 Seat 6/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1990-12-27.116109.NeumannKMF4.daweez.d5scott.flac16
1990-12-27Oakland-Alameda County Coliseum
116109flac16; Set 2 source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1990-12-27.138473.sbd.miller.flac24
1990-12-27Oakland-Alameda County Coliseum
138473flac24; Recording Info: Ultra Matrix SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd90-12-27.fob-akg-mahoney-oneill.miller.28385.sbeok.shnf
1990-12-27Oakland-Alameda County Coliseum
28385set2; FOB AKG 460/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN ; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller
gd1990-12-27.set2-fixed.sbd.8193.sbefail.shnf
1990-12-27Coliseum Arena
81932nd set only; SBD(matrix)>DAT>CDR; Seeded to etree by Tony Gardner; Note- There is now a 'retracked' version of disc 1 circ'ing, I have included the md5's here.
gd1990-12-27.138040.BK4011.Schoeps.FOB.Darroch.Katzeff.Buick.Ammons.flac1648
1990-12-27Oakland-Alameda County Coliseum
gd1990-12-27.138040.BK4011.Schoeps.FOB.Darroch.Katzeff.Buick.Ammons.fix.t-flac16
1990-12-27Oakland-Alameda County Coliseum
138040flac16/48kHz; source(s): Set I: B&K 4011 > Prolink Cables > Mod Neumann PS > Panasonic SV255; FOB DFC with 6 ft stand; Tapped by Rob Darroch; Set II: Schoeps CMC34 > MIT Cables > Oade PS > Panasonic SV250; FOB DFC hand held by Marcus Buick; Taped by Rick Katzeff and Marcus Buick; Transfer: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave; By John Ammons from his DAT clone of the masters; Wave > xACT > flac > Audacity > labeled > patched > export multiple > flac 16/44 (level 8); Checksum & tags created in xACT; Note: the original seed of this source had Set 1 at 16 bit 44.1 kHz, Set 2 at 16 bit 48kHz; the fixed version is all 48kHz
gd1990-12-27.138519.ultra.matrix.sbd.miller.flac16
1990-12-27Oakland-Alameda County Coliseum
138519flac16; Recording Info: Ultra Matrix SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138473 24 bit -> 16 bit
gd90-12-27.set1-akg-set2-sbd.miller.21928.sbeok.shnf
1990-12-27Oakland-Alameda County Coliseum
21928Set One: AKG 460/CK8X (Front Row Taper's Section) -> Dat (Sony D3) -> PCM -> Dat (Sony R500) -> Samplitude v7.02 Professional -> SHN Set Two: SBD -> Dat -> SHN Recorded By Paul Tumolo Transfered By Charlie Miller and Neil Sturtevant
gd1990-12-27.127387.nak300.bowen.flac16
1990-12-27Oakland-Alameda County Coliseum
127387flac16; Source: Nakamichi CM-300x3; 2 CP-4 Shotgun Capsules + 1 CP-1; Cardioid Capsule > Boss BX-4 Mixer > Sony WM-D6C (MX-S 100 Masters); Transfer: Cassette Masters > Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS; SEC 112; Recorded/Transferred By: Jeff Bowen
gd1990-12-28.136762.dusio.flac16
1990-12-28Oakland-Alameda County Coliseum
136762flac16: Recorded by Chris Dusio AT835's>SonyD6>That's Metal Cassette>ZoomF8>Audacity
gd1990-12-28.116114.NeumannKMF4.daweez.d5scott.flac16
1990-12-28Oakland-Alameda County Coliseum
116114flac16; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1990-12-28.s1.127432.nak300.bowen.flac16
1990-12-28Oakland Coliseum Arena
127432flac16; Set 1 Source: Nakamichi CM-300x3; Two CP-4 Shotguns + One CP-1 Cardioid > Boss BX-4 Mixer > Sony WM-D6C (MX-S 90); MX-S 90 Master Transferred: Sony TC-D5M > HHb CDR 800 PRO > CD Master > FLAC (Level 8) Via xACT 2.25; Location: OTS; Exact Row, Seat # Not Recorded; Recorded/Transferred By: Jeff Bowen
gd1990-12-28.140247.UltraMatrix.sbd.cm.miller.flac1644
1990-12-28Oakland-Alameda County Coliseum
140247flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > Adobe Audition CC2015 > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-12-28.138057.BK4011.Schoeps.Darroch.Katzeff.Ammons.flac1648
1990-12-28Oakland-Alameda County Coliseum
138057flac16/48kHz; Set I: B&K 4011 > Schoeps T-bar @ 100 degrees ORTF > ProLink Cables > Mod Neumann PS > Panasonic SV255; hand held by Rob Darroch; Set 2: Schoeps CMC 34 > Schoeps T-bar @ 100 degrees ORTF > MIT Cables >Oade PS > Panasonic SV250; with stand through drums; hand held by Rick Katzeff from Space; Transfer: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave by John Ammons; Wave > Audacity > labeled > patched > export multiple > flac 16/48 (level 8); Checksum & tags created in xACT; Tracking, patch, checksum & tags by Joe Noel
gd1990-12-28.140147.sbd.miller.flac2496
1990-12-28Oakland-Alameda County Coliseum
140147flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > Adobe Audition CC2015 > FLAC/24; All Transfers and Mastering By Charlie Miller
gd90-12-28.sbd-matrix.wiley.11498.sbeok.shnf
1990-12-28Coliseum Arena
11498(Healy Mix)SBD>??>DAT>CDR; Seeded to etree by T. Wiley
gd1990-12-30.116142.NeumannKMF4.daweez.d5scott.flac16
1990-12-30Oakland-Alameda County Coliseum
116142flac16: Recorded by "Da Weez". Transferred and mastered to .wav files by D5scott; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1990-12-30.Aud.Unk.Keo.116104.Flac2496
1990-12-30Oakland-Alameda County Coliseum
116104flac24; First or Second Generation Tapes (I Believe); Possible Lineage: Sennheiser 441's>Sony D5>Transfer Decks 2 Sony TCRX-410's No Dolby; Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
gd1990-12-30.Aud.Unk.Keo.116105.Flac1644
1990-12-30Oakland-Alameda County Coliseum
116105flac16; First or Second Generation Tapes (I Believe); Possible Lineage: Sennheiser 441's>Sony D5>Transfer Decks 2 Sony TCRX-410's No Dolby; Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
gd1990-12-30.127333.nak304.bowen.flac16
1990-12-30Oakland Coliseum Arena
127333flac16; Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony TC-153SD Master (SA-X100) SA-X100 Masters Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS; Recorded/Transferred By: Jeff Bowen
gd1990-12-30.138190.BK4001.fob.Darrouch.Ammons.t-flac16
1990-12-30Oakland-Alameda County Coliseum
138190flac16/48kHz; Set 1 Rob Darroch recording (hand held): B&K 4011 at 110 degrees ORTF on Schoeps t-bat > Pro-Link Cables > Mod Neumann PS > Panasonic SV255; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
gd90-12-30.sbd.miller.22025.sbeok.shnf
1990-12-30Coliseum Arena
22025Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC 2000 -> CD (Tascam CDRW700) -> EAC -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) - All Transfers and Editing By Charlie Miller
gd90-12-30.sbd.wiley.11669.sbeok.shnf
1990-12-30Oakland-Alameda County Coliseum
11669SBD>??>DAT>CDR; Seeded to Etree by T. Wiley
gd1990-12-30.141848.sbd.miller.flac2496
1990-12-30Oakland-Alameda County Coliseum
141848flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-12-30.141864.UltraMatrix.sbd.cm.miller.flac1644
1990-12-30Oakland-Alameda County Coliseum
141864flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-12-31.126823.FM.flac16
1990-12-31Oakland-Alameda County Coliseum
126823flac16; FM live stereo broadcast (not pre-recorded) > Yamaha 500 reciever with digital tuner and wire antenna > (tracks 10-16:) Teac 3340 reel recorder, no dolby (3.3/4 ips) > Maxell UD 7" master reel tape > played on Akai GX-77 reel deck into soundforge (wav) > (tracks 1-9 and 17-20:) Maxell MX 90 minute metal master cassette > Nak. BX- 100 cassette deck (dolby off) > played on tascam 112 into soundforge (wav) > flac (sb's aligned)
gd1990-12-31.140733.set2.akg.c42.ambient.mics.gans.miller.clugston.flac1644
1990-12-31Oakland-Alameda County Coliseum
140733flac16; Set 2 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp
gd1990-12-31.140734.set2.akg.c42.ambient.mics.gans.miller.clugston.flac2496
1990-12-31Oakland-Alameda County Coliseum
140734flac24; Set 2 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496
gd1990-12-31.116141.NeumannKMF4.daweez.d5scott.flac16
1990-12-31Oakland-Alameda County Coliseum
116141flac16: Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1990-12-31.127388.nak300.bowen.flac16
1990-12-31Oakland-Alameda County Coliseum
127388flac16; Source: Nakamichi CM-300 CP-4 Shotguns > Sony TC-153SD (TDK SA-X Masters); Cassette Masters Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS; SEC 111, Row N, Seat #3; Recorded/Transferred By: Jeff Bowen
gd1990-12-31.138041.BK4011.Darroch.Ammons.flac1648
1990-12-31Oakland-Alameda County Coliseum
138041flac16/48kHz; Rob Darroch recording [FOB DFC]: Hand held at 110 degrees ORTF on Schoeps T-bar with B&K 4011 > Pro-Link Mic Cables > Modified Neumann PS > Panasonic SV255; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel track, flac & pack: Wave > flac > Audacity > tracked > export multiple > flac 16/44; Checksum & tags created in xACT
gd1990-12-31.138723.set2.4track-mix.flac24
1990-12-31Oakland-Alameda County Coliseum
138723flac24; Soundboard Recording Info: SBD > PCM Master (JVC HR-D570U) > PCM Clone (S-VHS Deck/TDK E-HG); Audience Recording Info: AKG C42 (m/s) > VHS HiFi Master (JVC HR-D570U) > VHS HiFi (S-VHS Deck/TDK E-HG); Soundboard Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Audience Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Mastering Info: KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller
gd90-12-31.sbd-satellitefeed.hall.1688.sbeok.shnf
1990-12-31Oakland-Alameda County Coliseum
1688Satellite Feed > 1/2" reel @ 15 ips > DAT >CDR; Montego II > CDWave > Sound Forge XP 4.5; via Mike Hall
gd1990-12-31.141868.UltraMatrix.sbd.cm.miller.flac1644
1990-12-31Oakland-Alameda County Coliseum
141868flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-12-31.138744.4-track_mix.miller.flac16
1990-12-31Oakland-Alameda County Coliseum
138744flac16; Soundboard Recording Info: SBD > PCM Master (JVC HR-D570U) > PCM Clone (S-VHS Deck/TDK E-HG); Audience Recording Info: AKG C42 (m/s) > VHS HiFi Master (JVC HR-D570U) > VHS HiFi (S-VHS Deck/TDK E-HG); Soundboard Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Audience Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Mastering Info: KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller, This is 138723 24 bit -> 16 bit
gd1990-12-31.140720.set2.sbd.pcm.miller.flac1644
1990-12-31Oakland-Alameda County Coliseum
140720flac16; Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
gd1990-12-31.141792.sbd.ultra.miller.flac2496
1990-12-31Oakland-Alameda County Coliseum
141792flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller