Identifiers for Grateful Dead
1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
Archive Identifier | |
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Date | Venue |
Source | |
gd1990-09-11.137116.mtx.dusborne.flac16 | |
1990-09-11 | The Spectrum |
137116 | flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:122145) Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Audience (shnid:011808)Source: FOB(Nak. 300's > D-5) > CM >?? > CDR >There maybe another Cass. gen. in the lineage. Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
gd90-09-11.fob-nak300.wiley.11808.sbeok.shnf | |
1990-09-11 | The Spectrum |
11808 | FOB(Nak. 300's>D-5)>CM>??>CDR; See info file for edit notes; via Dan Faust; Seeded to Etree by T. Wiley |
gd90-09-11.sbd-matrix.wiley.11809.sbeok.shnf | |
1990-09-11 | The Spectrum |
11809 | (Healy Mix)SBD>DAT>C>DAT>CDR; with FOB(Nak. 300's>D-5)>CM>??>CDR patches; See info file for details; via Paul B and Dan Faust; Seeded to Etree by T. Wiley |
gd1990-09-11.AKG451.Currier.Keo.121664.Flac2496 | |
1990-09-11 | The Spectrum |
121664 | flac24; Master Audience Recorded By MR. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1990-09-11.142423.s1.FOB.BK.Berner.Ammons.Noel.t-flac1648 | |
1990-09-11 | The Spectrum |
142423 | flac16/48kHz; Set 1 Rich Berner FOB Recording; B&K 4011s @ 110ยบ ORTF > Mod Neumann PS > DAT (Sony D10 Pro). Location; Section 102 Row 16 Seat 9; mics on stand @ 6'; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV |
gd1990-09-11.146063.FOB.BK4011.Brotman.Metchick.Miller.Noel.t-flac1648 | |
1990-09-11 | The Spectrum |
146063 | flac16/48kHz; Recording info: B&K 4011 (110°) > B&K power supply > Master DAT (Panasonic SV-250/48k). Location: FOB; Sec, 102 Row 14, Seat 13 (mics on stand @ 6'); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel |
gd1990-09-12.schoeps.wiley.7741.shnf | |
1990-09-12 | The Spectrum |
7741 | Schoeps CMC-34?s, FOB-AUD> DAT> CDR; via Paul B.; Tim Wiley |
gd1990-09-12.137117.mtx.dusborne.flac16 | |
1990-09-12 | The Spectrum |
137117 | flac16; 2 Source Matrix by Dusborne; Soundboard (Shnid:74247) Recording Info: SBD -> Dat -> Cassette Master (TDK SA100) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC; Audience (Shnid:7741)Source:Schoeps CMC-34?s, FOB-AUD>DAT>CDR |
gd90-09-12.schoeps.fishman.13141.sbeok.shnf | |
1990-09-12 | The Spectrum |
13141 | Schoeps MK4V> DAT> CD-R> EAC> ADDAWAV (for retracking set 1)> CDRWAV> MKWACT> SHN; via JR Fishman |
gd90-09-12.set1-sbd.wiley.8818.sbeok.shnf | |
1990-09-12 | The Spectrum |
8818 | First set only; (Healy Mix) SBD> Cassette Master> ??> CDR; Seeded to etree by Tim W |
gd1990-09-12.142424.FOB.BK.Berner.Ammons.Noel.t-flac1648 | |
1990-09-12 | The Spectrum |
142424 | flac16/48kHz; Rich Berner FOB Recording; B&K 4011s @ 110ยบ ORTF > Mod Neumann PS > DAT (Sony D10 Pro). Location; Section 102 Row 16 Seat 9; mics on stand @ 6'; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV |
gd1990-09-12.146065.FOB.BK4011.Brotman.Metchick.Miller.Noel.t-flac1648 | |
1990-09-12 | The Spectrum |
146065 | flac16/48kHz; Recording info: B&K 4011 (110°) > B&K power supply > Master DAT (Panasonic SV-250/48k); Location: FOB, Sec 102, Row 15 (s1) Row 14 (s2), Seat 13 (mics on stand @ 6'); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel |
gd1990-09-14.bk4011.tdarian.french.88942.sbeok.flac16 | |
1990-09-14 | Madison Square Garden |
88942 | flac16; Ambient Recording by Sean Weber & Rick Katseff B&K 4011's ORTF -> Grace pre -> Panasonic SV250 line-in transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +6dB digital gain added in the transfer from DAT to CDR master |
gd1990-09-14.144756.nak300-cp4.dalton.miller.sirmick.flac1648 | |
1990-09-14 | Madison Square Garden |
144756 | flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick January 2019 |
gd90-09-14.sbd.fishman.7769.sbeok.shnf | |
1990-09-14 | Madison Square Garden |
7769 | analog sbd> dat> cd> eac> cd; via Jeff Fishman; Steve Barbella |
gd90-09-14.schoeps-fob.wiley.11810.sbeok.shnf | |
1990-09-14 | Madison Square Garden |
11810 | Dave Brotman FOB (15th row, center) AUD(Schoeps)> DAT> CDR; via Paul B; Seeded to Etree by T. Wiley |
gd1990-09-14.schoeps.brotman.9623.shnf | |
1990-09-14 | Madison Square Garden |
9623 | Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects). |
gd1990-09-14.117928.NeumannKMF4.daweez.d5scott.flac16 | |
1990-09-14 | Madison Square Garden |
117928 | flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1990-09-14.141164.OTS.AKG.Ackerman.Miller.Noel.t-flac1648 | |
1990-09-14 | Madison Square Garden |
141164 | flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 |
gd1990-09-14.mtx.hansokolow.97443.flac16 | |
1990-09-14 | Madison Square Garden |
97443 | flac16; matrix of DSBD: shnid=74405 and DAUD: shnid=88942 by hansokolow using ProTools |
gd1990-09-14.150531.FOB.BK4011.Brotman.Metchick.Miller.Noel.t.flac1648 | |
1990-09-14 | Madison Square Garden |
150531 | flac16/48kHz; Recording info: (FOB) B&K 4011 (110°) > B&K power supply > Master DAT (Panasonic SV-250/48k); Location: Section 2, row 15, seat 1 (mics on stand at 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Master Digital Audience Recording by Dave Brotman & Jeff Metchick; Transfer by Charlie Miller; Edited & Mastered by Joe Noel (Adobe Audition) August 22, 2020 |
gd1990-09-15.bk4011.tdarian.french.88946.sbeok.flac16 | |
1990-09-15 | Madison Square Garden |
88946 | flac16; Ambient Recording by tdarian - John Corso B&K 4011's ORTF -> Grace Pre -> Panasonic SV250 line-in FOB 17th Row seat 3 near center transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +6dB digital gain added in the transfer from DAT to CDR master |
gd1990-09-15.Nak300CP4.Baker.Keo.131636.Flac1644 | |
1990-09-15 | Madison Square Garden |
131636 | flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1990-09-15.Nak300CP4.Baker.Keo.131637.Flac2496 | |
1990-09-15 | Madison Square Garden |
131637 | flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1990-09-15.AKG451.Currier.Keo.132065.Flac1644 | |
1990-09-15 | Madison Square Garden |
132065 | flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1990-09-15.AKG451.Currier.Keo.132066.Flac2496 | |
1990-09-15 | Madison Square Garden |
132066 | flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1990-09-15.sbd.miller.89070.sbeok.flac16 | |
1990-09-15 | Madison Square Garden |
89070 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
gd1990-09-15.aud.andrewf.92063.flac16 | |
1990-09-15 | Madison Square Garden |
92063 | flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony TC-D5M > Sony TC-D5M > Maxell MX90/100, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Taped and transferred by Andrew F. |
gd90-09-15.brotman.unknown.9047.sbeok.shnf | |
1990-09-15 | Madison Square Garden |
9047 | Recorded by Dave Brotman: FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects). |
gd90-09-15.sbd.barbella.7770.sbeok.shnf | |
1990-09-15 | Madison Square Garden |
7770 | analog sbd>dat>cd>eac>cd; via Jeff Fishman; Steve Barbella |
gd1990-09-15.141165.OTS.AKG.Ackerman.Miller.Noel.t-flac1648 | |
1990-09-15 | Madison Square Garden |
141165 | flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 |
gd1990-09-15.sbd.martman.7746.sbefail.shnf | |
1990-09-15 | Madison Square Garden |
7746 | DSBD> Sony SDT-9000> VDAT> WAV> CDWAV; via Martman |
gd1990-09-15.150667.dak.boedicker.flac1644 | |
1990-09-15 | Madison Square Garden |
150667 | flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 TDK MA-X 90 And 110 Minute Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback) >Edirol R-09 HR (24/44.1 KHZ) >CD Wav Editor>Traders Little Helper >Flac level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section |
gd1990-09-15.144813.set1.nak300.cp4.dalton.miller.sirmick.flac1648 | |
1990-09-15 | Madison Square Garden |
144813 | flac16/48kHz; Set 1 Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick January 2019 |
gd1990-09-16.Set1-AKG451.Currier.Keo.132021.Flac2496 | |
1990-09-16 | Madison Square Garden |
132021 | flac24; Set 1 And Encore Only; Master Audience Recorded By Mr. Currier, Tranfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tape: Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1990-09-16.Set1-AKG451.Currier.Keo.132022.Flac1644 | |
1990-09-16 | Madison Square Garden |
132022 | flac16; Set 1 And Encore Only; Master Audience Recorded By Mr. Currier, Tranfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tape: Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1990-09-16.aud.andrewf.92158.flac16 | |
1990-09-16 | Madison Square Garden |
92158 | flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony TC-D5M > Sony TC-D5M > Maxell MX90/100, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Taped and transferred by Andrew F. |
gd90-09-16.schoeps-fob.sacks.9435.sbeok.shnf | |
1990-09-16 | Madison Square Garden |
9435 | Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects); Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor |
gd1990-09-16.125564.AT835.flac16 | |
1990-09-16 | Madison Square Garden |
125564 | flac16; Taper: M. Laurentus; Loge/Taper Section Sec 57F,Row A,Seat 14; AT835B's- AT 8202’s-SONY TCD-5M-Cassette- Cassette-Tascam DR5 Line In-CD Wave- FLAC |
gd1990-09-16.136806.sbd.GEMS.flac16 | |
1990-09-16 | Madison Square Garden |
136806 | flac16; SBD MTX > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 tape speed correction, Multiband Compression, Equalization, Volume and DC Offset |
gd1990-09-16.sennme80.wklitz.97707.flac16 | |
1990-09-16 | Madison Square Garden |
97707 | flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC; Recorded By Keith Litzenberger |
gd1990-09-16.141166.OTS.AKG.Ackerman.Miller.Noel.t-flac1648 | |
1990-09-16 | Madison Square Garden |
141166 | flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 |
gd1990-09-16.144784.sbd.miller.flac2496 | |
1990-09-16 | Madison Square Garden |
144784 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-09-16.144814.set1.nak300.cp4.dalton.miller.sirmick.flac1648 | |
1990-09-16 | Madison Square Garden |
144814 | flac16/48kHz; Set 1 Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick January 2019 |
gd1990-09-16.144815.UltraMatrix.sbd.cm.miller.flac1644 | |
1990-09-16 | Madison Square Garden |
144815 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This fileset is 16 bit @ 44.1 |
gd1990-09-16.145946.mtx.seamons.ht115.flac16 | |
1990-09-16 | Madison Square Garden |
145946 | flac16; Matrix: SBD (shnid=144815): Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) and AUD (shnid=141166): Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS) |
gd1990-09-18.mtx.hansokolow.96156.flac16 | |
1990-09-18 | Madison Square Garden |
96156 | flac16; matrix of DSBD: shnid=79022 and DAUD: shnid=9772 by hansokolow using ProTools |
gd1990-09-18.at835b.laurentus.96934.flac16 | |
1990-09-18 | Madison Square Garden |
96934 | flac16; Taper: M.Laurentus Loge/Taper Section Sec 56D,Row A,Seat 12 Taper-M. Laurentus AT835B's- AT 8202’s-SONY TCD-5M-Cassette-SoundBlaster Extreme Hi-Fi Line In-Creative Recorder-CD Wave- FLAC (This source was originally seeded missing Heaven's Door & Other One; then reseeded with Heaven's Door added.). A version of this source without the missing songs now circulates. |
gd1990-09-18.at835b.laurentus.fix-96934.97021.flac16 | |
1990-09-18 | Madison Square Garden |
97021 | flac16; Taper: M.Laurentus Loge/Taper Section Sec 56D,Row A,Seat 12 Taper-M. Laurentus AT835B's- AT 8202’s-SONY TCD-5M-Cassette-SoundBlaster Extreme Hi-Fi Line In- Creative Recorder-CD Wave- FLAC; This is the fixed/complete version of source id 96934. |
gd1990-09-18.AKG451.Currier.Keo.131909.Flac2496 | |
1990-09-18 | Madison Square Garden |
131909 | flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1990-09-18.138069.mtx.photoleon.t-flac16 | |
1990-09-18 | Madison Square Garden |
138069 | flac16; Matrix by photoleon; Ambient Recording by Tom Darian; B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open; From Section A Row 19, seat 2 FOB - near center; transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700; and SBD -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC |
gd1990-09-18.147781.UltraMatrix.sbd.cm.miller.flac16 | |
1990-09-18 | Madison Square Garden |
147781 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd1990-09-18.152738.mtx.seamons.ht130.flac16 | |
1990-09-18 | Madison Square Garden |
152738 | flac16; Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 86952 & 141167. |
gd1990-09-18.bk4011.tdarian.french.88968.sbeok.flac16 | |
1990-09-18 | Madison Square Garden |
88968 | flac16; Ambient Recording by tdarian B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open From Section A Row 19, seat 2 FOB - near center transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +2dB digital gain added in the transfer from DAT to CDR master |
gd90-09-18.sbd.miller.12885.sbeok.shnf | |
1990-09-18 | Madison Square Garden |
12885 | Lineage: SBD->Cm->Dat->CD->Cool Edit Pro->CD via Charlie Miller |
gd90-09-18.schoeps-fob.sacks.9772.sbeok.shnf | |
1990-09-18 | Madison Square Garden |
9772 | DFOB MAD>D>CD Recorded by Dave Bratman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects). 4, 1 second d/o's were patched w/ an FOB source; See info file for details; Seeded to etree by Darrin Sacks |
gd1990-09-18.sbd.miller.tetzeli.fix-12885.35162.reflac.flac16 | |
1990-09-18 | Madison Square Garden |
35162 | flac16; Fix of shn id 12885 - SBD->Cm->Dat->CD->Cool Edit Pro->CD>EAC>SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
gd1990-09-18.141167.OTS.AKG.Ackerman.Miller.Noel.t-flac1648 | |
1990-09-18 | Madison Square Garden |
141167 | flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 |
gd1990-09-18.144893.nak300.cp4.dalton.miller.sirmick.flac1648 | |
1990-09-18 | Madison Square Garden |
144893 | flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick February 2019 |
gd1990-09-18.139520.FOB.Schoeps.Katzeff.Gastwirt.Miller.Noel.t-flac1648 | |
1990-09-18 | Madison Square Garden |
139520 | flac16/48kHz; Rick Katzeff FOB Recording: Schoeps CMC 34's (ortf)> M-1000> Oade p/s> SV-255; Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT |
gd1990-09-18.147622.ultramatrix.sbd.miller.flac24 | |
1990-09-18 | Madison Square Garden |
147622 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-09-18.150544.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t.flac1648 | |
1990-09-18 | Madison Square Garden |
150544 | flac16/48kHz; Recording Info: (FOB) Schoeps CMC3-MK4 (ORTF) > M1000 Cables > Oade PS > Master Dat (Panasonic SV-250-48k); Location: Sec A Row 19 Seat 01 (FOB, mics on stand @ 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16-48; Master Digital Audience Recording by Dave Brotman & Jeff Metchick; Transfer by Charlie Miller; Edited & Mastered by Joe Noel (Adobe Audition 2020). August 22, 2020 |
gd1990-09-18.AKG451.Currier.Keo.131908.Flac1644 | |
1990-09-18 | Madison Square Garden |
131908 | flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1990-09-18.124767.AT835.Fix.laurentis.flac16 | |
1990-09-18 | Madison Square Garden |
124767 | flac16; Taper: M. Laurentus; Loge/Taper Section Sec 56D,Row A,Seat 12; AT835B's- AT 8202’s-SONY TCD-5M-Cassette-Tascam DR-5 Line In-CD Wave- Flac |
gd1990-09-18.sbd.richey.11811.sbeok.shnf | |
1990-09-18 | Madison Square Garden |
11811 | SBD>DAT MASTER>DATX2>CD; via the Piper; Seeded to etree by troy richey |
gd1990-09-19.at835b.laurentus.96927.flac16 | |
1990-09-19 | Madison Square Garden |
96927 | flac16; Taper: M.Laurentus Loge/Taper Section Sec 56D,Row B,Seat 2 AT835B's- AT 8202’s-SONY TCD-5M-Cassette-SoundBlaster Extreme Hi-Fi Line In-Creative Recorder-CD Wave- FLAC |
gd1990-09-19.138055.mtx.photoleon.t-flac16 | |
1990-09-19 | Madison Square Garden |
138055 | flac16/48kHz; MTX from Audience recording: Recording by Tom Darian; From Section A Row 19, seat 2 FOB - near center; B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open; Transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +2dB digital gain added in the transfer from DAT to CDR master and SBD Recording: Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD; Set 2: SBD -> Dat Master -> Sonic Solutions -> CD; Transfer Info: CD -> Samplitude Professional v9.1.1 -> FLAC |
gd1990-09-19.149583.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
1990-09-19 | Madison Square Garden |
149583 | flac16/48kHz; Recording info: Schoeps CMC3/MK4 (110°) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250/48k); Location: Section A, Row 18, Seat 1 (mics on stand @ 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel |
gd1990-09-19.bk4011.tdarian.french.88969.sbeok.flac16 | |
1990-09-19 | Madison Square Garden |
88969 | flac16; Ambient recording by tdarian B&K 4011's ORTF -> ProLink cables -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide-open Mics at 6'3" Section A - Row 18 - Seat 2 - FOB near center transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 |
gd90-09-19.bk.sacks.9988.sbeok.shnf | |
1990-09-19 | Madison Square Garden |
9988 | MAD>D>CD; FOB B&K 4011's; Seeded to etree by Darrin Sacks |
gd90-09-19.sbd.ashley.14674.sbeok.shnf | |
1990-09-19 | Madison Square Garden |
14674 | Jay Ashley remaster of previous sbd source. SBD>>DAT>>CASS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN |
gd1990-09-19.143131.OTS.ECM-909A.Sterry.Beckwith.Noel.Miller.t-flac2496 | |
1990-09-19 | Madison Square Garden |
143131 | 24 bit George Sterry (OTS) Recording: Sony ECM-909A > Cassette Master (Sony TC-158SD) Charlie Miller Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > FLAC 24/96 Edited & Mastered by Joe Noel Flac 24/96 > Audacity > Flac 24/96 |
gd1990-09-19.147888.UltraMatrix.sbd.cm.miller.flac16 | |
1990-09-19 | Madison Square Garden |
147888 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd90-09-19.sbd.jeffm.3373.sbeok.shnf | |
1990-09-19 | Madison Square Garden |
3373 | Updated lineage: SBD> CM> DAT> CDR> EAC> SHN; via Jeff M. |
gd90-09-19.schoeps-fob.wiley.11664.sbeok.shnf | |
1990-09-19 | Madison Square Garden |
11664 | Dave Brotman FOB(15th row, Center)-AUD(Scheops)>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley |
gd90-09-19.sbd.wiley.26081.sbeok.shnf | |
1990-09-19 | Madison Square Garden |
26081 | amalgam of 2 previous seeds A and B, remastered by Tim Wiley; see info file for details |
gd1990-09-19.mtx.hansokolow.96157.flac16 | |
1990-09-19 | Madison Square Garden |
96157 | flac16; matrix of DSBD: shnid=3373 and DAUD: shnid=11664 by hansokolow using ProTools |
gd1990-09-19.147623.ultramatrix.sbd.miller.flac24 | |
1990-09-19 | Madison Square Garden |
147623 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-09-19.150545.remaster.149583.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t.flac1648 | |
1990-09-19 | Madison Square Garden |
150545 | flac16/48kHz; Recording Info: Schoeps CMC3-MK4 (110°) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250-48k); Location: Section A, Row 18, Seat 1 (mics on stand @ 6'5"); Transfer Info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16-48; Master Digital Audience Recording by Dave Brotman & Jeff Metchick; Transfer by Charlie Miller; Edited & Mastered by Joe Noel (Adobe Audition 2020); Notes: Remaster of shnid 149583 |
gd1990-09-19.mtx.hansokolow.fix-96157.97641.flac16 | |
1990-09-19 | Madison Square Garden |
97641 | flac16; matrix of DSBD: shnid=85003 and DAUD: shnid=11664 by hansokolow using ProTools |
gd1990-09-20.sbd.eichinger.465.sbeok.shnf | |
1990-09-20 | Madison Square Garden |
465 | set II,E; Ultramix SBD > DAT > CD-R; CD Mastering by C.J. Eichinger; Tape from T. Buller; see pub comments for flaw note |
gd1990-09-20.138036.mtx.photoleon.flac16 | |
1990-09-20 | Madison Square Garden |
138036 | flac16; 2 source matrix: shnid: 108849 - SBD -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC and shnid: 88970 - Ambient Recording by Ted Darian; B&K 4011's ORTF-> ProLink cable-> Neumann p48v-> Sony TCD-D10 DAT 48khz line-in wide open Mics on stand at 6'+; transfer and edit notes: Tascam DA20mkII 48k DAT master> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 |
gd1990-09-20.149578.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
1990-09-20 | Madison Square Garden |
149578 | flac16/48kHz; Recording info: Schoeps CMC3-MK4 (110°) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250-48k). Location: Sec A Row 18 Seat 01 (FOB, mics on stand @ 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 1648 |
gd1990-09-20.152739.mtx.seamons.ht131.flac16 | |
1990-09-20 | Madison Square Garden |
152739 | flac16; Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 108849 & 141168. |
gd1990-09-20.bk4011.tdarian.french.88970.sbeok.flac16 | |
1990-09-20 | Madison Square Garden |
88970 | flac16; Ambient Recording by tdarian B&K 4011's ORTF -> ProLink cable -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide open Mics on stand at 6'+ transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 |
gd1990-09-20.156442.ultramtrix.miller.flac2496 | |
1990-09-20 | Madison Square Garden |
156442 | flac2496 Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 |
gd90-09-20.sbd.ashley.14855.sbeok.shnf | |
1990-09-20 | Madison Square Garden |
14855 | Bertha Remaster of the original DSBD Source. SBD>>Dat>>(*)>>SHN>>DAW(Bertha)>>CDA - Sound A+ |
gd90-09-20.sbd.miller.12111.sbeok.shnf | |
1990-09-20 | Madison Square Garden |
12111 | SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN; Seeded to etree by Charlie Miller |
gd1990-09-20.AT835B.laurentus.96918.flac16 | |
1990-09-20 | Madison Square Garden |
96918 | flac16; Taper: M.Laurentus Loge/Taper Section Sec 56D,Row A,Seat-14 AT835B's- AT 8202’s-SONY TCD-5M-Cassette-SoundBlaster Extreme Hi-Fi Line In-Creative Recorder-CD Wave- FLAC |
gd1990-09-20.141168.OTS.AKG.Ackerman.Miller.Noel.t-flac1648 | |
1990-09-20 | Madison Square Garden |
141168 | flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 |
gd1990-09-20.132709.cmc34.fob.katzeff.deal.petty.flac16 | |
1990-09-20 | Madison Square Garden |
132709 | flac16; Recording info: FOB (Section A, Row 18, Seat 1); Schoeps CMC 34's (ortf)> M-1000> Oade p/s> SV-255 by Rick Katzeff; DAT's provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 23, 2015 by Will Petty |
gd1990-09-20.150669.nak300.boedicker.flac1644 | |
1990-09-20 | Madison Square Garden |
150669 | flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>1 TDM MA-90 Metal Cassette Tape (1stSet) And 1 100 Minute Sony Metal SR Cassette Tape(2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper> Flace Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section |
gd1990-09-20.150546.remaster.149578.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t.flac1648 | |
1990-09-20 | Madison Square Garden |
150546 | flac16/48kHz; Recording Info: Schoeps CMC3-MK4 (ORTF) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250-48k); Location: Sec A Row 18 Seat 01 (FOB, mics on stand @ 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16-48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel; Notes: Remaster of shnid 149578 |
gd1990-09-20.156488.UltraMatrix.sbd.cm.miller.t.flac1644 | |
1990-09-20 | Madison Square Garden |
156488 | flac1644 Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156442 2496 > 1644.1 |
gd1990-09-26.157660.sbd.miller.flac16 | |
1990-09-26 | Club Front |
157660 | flac1644 Notes: -- From GDH production audio files -- Please support the Grateful Dead Hour https://www.gdhour.com/ Charlie Miller |
gd1990-09-27.157661.sbd.miller.flac16 | |
1990-09-27 | Club Front |
157661 | flac1644 -- From GDH production audio files -- Please support the Grateful Dead Hour https://www.gdhour.com/ Charlie Miller |
gd90-09-28.sbd.jeffm.13531.sbeok.shnf | |
1990-09-28 | Front Street |
13531 | Unknown SBD> ? (possible cassette gen)> CDR> EAC> SHN; via Jeff M |
gd1990-09-28.157662.sbd.miller.flac16 | |
1990-09-28 | Club Front |
157662 | flac1644 Notes: -- From GDH production audio files -- Please support the Grateful Dead Hour https://www.gdhour.com/ Charlie Miller |
gd1990-10-13.141086.sbd.miller.flac2496 | |
1990-10-13 | Ice Stadium |
141086 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-10-13.141088.UltraMatrix.sbd.miller.flac1644 | |
1990-10-13 | Ice Stadium |
141088 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-10-13.128225.PER-ERIK.jontebus.flac16 | |
1990-10-13 | Ice Stadium |
128225 | flac16; Recording Info :SONY WM-D6C > MARANTZ EM-8 > Cassette Tape; Transfer Info: Cassette Tape > Nakamichi Dragon Cassette Deck > SONY PCM-M10 (24bit/44,1kHz) > iZotope RX (for hissreduction and sometimes minor eq) > Audacity for Mac (for track splitting) WAV>TLH>FLAC |
gd1990-10-13.138953.aud.liff.lamarre.berger.flac1648 | |
1990-10-13 | Ice Stadium |
138953 | flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger |
gd90-10-13.dsbd.hinko.21971.sbeok.shnf | |
1990-10-13 | Ice Stadium |
21971 | DSBD > CD > EAC > SHN; EAC/SHN by Darryl Hinko |
gd1990-10-13.aud.holtz.GEMS.92841.flac16 | |
1990-10-13 | Ice Stadium |
92841 | flac16; Audience Recording Lineage: Unknown Mics > Sony D-5 > MAC > NAK D3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh) |
gd1990-10-13.sbd.wiley.11627.sbeok.shnf | |
1990-10-13 | Ice Stadium |
11627 | SBD>MC>C>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley |
gd1990-10-17.Nak300CP4.Floater.Keo.112818.Flac1644 | |
1990-10-17 | Gruga Halle |
112818 | flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XL II 90,100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper |
gd1990-10-17.157679.ultramatrix.miller.flac2496 | |
1990-10-17 | GrugaHalle |
157679 | flac2496 Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 |
gd1990-10-17.157680.dsbd.miller.clugston.flac16 | |
1990-10-17 | GrugaHalle |
157680 | flac1644 Source Info: Ultramatrix Soundboard DAT > probable PCM > DAT Transfer Info: DAT (Sony R-500) > Tascam DA-3000 (16/44.1) > Adobe Audition 2022 > TLH flac16 |
gd1990-10-17.157865.UltraMatrix.sbd.cm.miller.t.flac1644 | |
1990-10-17 | GrugaHalle |
157865 | flac1644; Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 157679 2496 > 1644 |
gd1990-10-17.144816.aud.lamarre.berger.flac24 | |
1990-10-17 | GrugaHalle |
144816 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger |
gd1990-10-17.144817.aud.lamarre.berger.flac16 | |
1990-10-17 | GrugaHalle |
144817 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger |
gd90-10-17.dsbd.wiley.11613.sbeok.shnf | |
1990-10-17 | Gruga Halle |
11613 | DSBD>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley |
gd1990-10-17.Nak300CP4.Floater.Keo.112819.Flac2496 | |
1990-10-17 | Gruga Halle |
112819 | flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XL II 90,100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked Metadata Tagging With AudioGate Software To 24 Bit/96 kHz |
gd1990-10-17.143495.nuemannu89.silberman.dalton.miller.sirmick.flac1648 | |
1990-10-17 | GrugaHalle |
143495 | flac16/48kHz; Source: (probably) Neumann U89 > Sonosax SX-M2 > Sony TCD-D10 pro > Dat x 3 (48k) - Taped by Jeff Silberman and provided by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick October 2018 |
gd1990-10-17.143496.mtx.sirmick.flac1644 | |
1990-10-17 | GrugaHalle |
143496 | flac16; Two source matrix 70% sbd/30% aud; Sources: sbd - shnid 11613 DSBD > DAT > CDR; aud - shnid 143495 Neumann U89 > Sonosax SX-M2 > Sony TCD-D10 pro > Dat x 3; edited and matrix SIRMick November 2018 |
gd1990-10-19.sbd.rogers-vernon.8199.shnf | |
1990-10-19 | Internationales Congress Centrum |
8199 | [D]SBD > ? > CDR; via Terry Rogers; Seeded to etree by Matt Vernon |
gd1990-10-19.157674.sbd.anon.gems.flac16 | |
1990-10-19 | Internationales Congress Centrum |
157674 | flac16 Recording info: Soundboard DAT provided by ANON Mastering by Jim Blackwood with help from Jason Chastain Track, FLAC, and pack by Steve Gravel |
gd90-10-19.dsbd-matrix.dieter.12892.sbeok.shnf | |
1990-10-19 | Internationales Congress Centrum |
12892 | DSBD: Healy mix>MD>D>CD; seeded to abgd by dieter |
gd1990-10-19.144894.aud.lamarre.berger.flac24 | |
1990-10-19 | Internationales Congress Centrum |
144894 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger |
gd1990-10-19.144895.aud.lamarre.berger.flac16 | |
1990-10-19 | Internationales Congress Centrum |
144895 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger |
gd1990-10-20.mtx.hansokolow.98728.flac16 | |
1990-10-20 | Internationales Congress Centrum |
98728 | flac16; matrix of SBD: shnid=12931 and DAUD: shnid=90641 by hansokolow using ProTools |
gd1990-10-20.153737.sonyECM.G.willer.flac1644 | |
1990-10-20 | Internationales Congress Centrum |
153737 | flac15/44 Source: Sony ECM-150 -> Sony TCD-D5 Transfer: Master Casette -> B&O Beocord 9000 -> Sony pcm-a1 (96/24) -> audition -> cdwav -> flac Taper: G. [2021-10-01 transfer by Willer [light EQ + levels + normalizing - Downsampled to 44,1/16] |
gd1990-10-20.sbd.rogers-vernon.8245.shnf | |
1990-10-20 | Internationales Congress Centrum |
8245 | Source : SBD > ? > CDR; via Terry Rogers; Seeded to etree by Matt Vernon |
gd1990-10-20.Nak300CP4.Floater.Keo.115551.Flac1644 | |
1990-10-20 | Internationales Congress Centrum |
115551 | flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XLII 90,XLII-S 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper |
gd1990-10-20.Nak300CP4.Floater.Keo.115552.Flac2496 | |
1990-10-20 | Internationales Congress Centrum |
115552 | flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XLII 90,XLII-S 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz |
gd1990-10-20.138476.BK4011.fob.Teitelbaum.Ammons.Noel.t-flac16 | |
1990-10-20 | Internationales Congress Centrum |
138476 | flac16/48kHz; Mark Teitelbaum Recording: B&K 4011 (ORTF) > Neumann power supply > Panasonic SV255; FOB w/ stand; John Ammons Transfer: Tascam DA-20 MKII > Roland SRC-2 > Mac Mini optical input > Audacity 2.1 > WAV @ 48kHz; Joe Noel Edits: (re)Track & Pack: Flac > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT; Set 1 is 48kHz, Set 2 is 44.1kHz |
gd90-10-20.dsbd-matrix.dieter.12931.sbefail.shnf | |
1990-10-20 | Internationales Congress Centrum |
12931 | DSBD: Healy mix>MD>D>CD |
gd1990-10-20.144900.aud.lamarre.berger.flac24 | |
1990-10-20 | Internationales Congress Centrum |
144900 | flac24; source: aud cassette master; taped by Doug Lamarre;sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger |
gd1990-10-20.144901.aud.lamarre.berger.flac16 | |
1990-10-20 | Internationales Congress Centrum |
144901 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger |
gd1990-10-20.139112.aud.liff.lamarre.berger.flac1648 | |
1990-10-20 | Internationales Congress Centrum |
139112 | flac16/48kHz; source: aud dat master > dat> dat; Doug Lamarre’s clone via Dan Liff r.i.p; taped by Jeff Silberman; neumann U89 > sonosax 5000 > sony tcd-d10 pro; transferred & seeded by Rob Berger |
gd1990-10-20.144552.cmc4.flac1648 | |
1990-10-20 | Internationales Congress Centrum |
144552 | flac16/48kHz; Source: Schoeps MK4 > Schoeps CMC4 > VMS52UB > Sony SBM-1 > Panasonic SV-255; Transfer: DAT(c) @48kHz > Tascam DA-P1 > Tascam SS-R1 > Samplitude Pro X3 > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger); Thanks to Dave Flaschner for the DATs; Transfer & edits by Jeff Mitchell |
gd1990-10-20.150273.sbd.ANON.blackwood.flac1644 | |
1990-10-20 | Internationales Congress Centrum |
150273 | flac16; SBD > ? > FLAC |
gd1990-10-22.Nak300CP4.Floater.Keo.114392.Flac1644 | |
1990-10-22 | Festhalle |
114392 | flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XLII 90,XLII-S 100 Taper:Friend Of Floater; Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper |
gd1990-10-22.Nak300CP4.Floater.Keo.114393.Flac2496 | |
1990-10-22 | Festhalle |
114393 | flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100; Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz |
gd1990-10-22.131001.cmc521.deal.jwpetty.flac16 | |
1990-10-22 | Festhalle |
131001 | flac16; Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Fostex D-5> Luminous Monarch cable> M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE/Flac 16-Level 8/md5); Transfer completed August 18, 2014 by jwpetty |
gd1990-10-22.144925.aud.lamarre.berger.flac24 | |
1990-10-22 | Festhalle |
144925 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger |
gd1990-10-22.144926.aud.lamarre.berger.flac16 | |
1990-10-22 | Festhalle |
144926 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger |
gd90-10-22.beyer-fob.unknown.12833.sbefail.shnf | |
1990-10-22 | Festhalle |
12833 | 2 Beyer M160> Sony TCD5M Front Of Board Master Cassette> CDR via unknown seeder |
gd90-10-22.dsbd.hinko.22315.sbeok.shnf | |
1990-10-22 | Festhalle |
22315 | DSBD > CD > EAC > SHN; No cut in Bird Song; EAC/SHN by Darryl Hinko |
gd90-10-22.sbd.fishman.13466.sbeok.shnf | |
1990-10-22 | Festhalle |
13466 | SBD>CM>D>CD>EAC>SHN, transcribed by JR Fishman |
gd90-10-22.sbd.gardner.8722.sbeok.shnf | |
1990-10-22 | Festhalle |
8722 | SBD>DAT>C>DAT>CDR; Seeded to etree by Tony Gardner |
gd1990-10-22.143528.nak300-cp4.dalton.miller.sirmick.flac1648 | |
1990-10-22 | Festhalle |
143528 | flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick |
gd1990-10-24.141756.ultramatrix.dalton.miller.clugston.flac1644 | |
1990-10-24 | Sportsahalle |
141756 | flac16; Source Info: Master UltraMatrix Soundboard Dat > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 |
gd1990-10-24.131010.cmc521.fob.deal.jwpetty.flac16 | |
1990-10-24 | Sportsahalle |
131010 | flac16; Digital FOB (20') Recording by Lance Deal using Schoeps CMC 521's (110°)> Schoeps VMS 52UB p/s> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Liberated on August 21, 2014 by jwpetty |
gd1990-10-24.143962.nak300-cp4.dalton.miller.sirmick.flac1648 | |
1990-10-24 | Sportsahalle |
143962 | flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick December 2018 |
gd90-10-24.sbd.wiley.11612.sbeok.shnf | |
1990-10-24 | Sportsahalle |
11612 | SBD>DAT>C>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable); via Paul B; Seeded to Etree by T. Wiley |
gd1990-10-24.139115.aud.liff.lamarre.berger.flac1648 | |
1990-10-24 | Sportsahalle |
139115 | flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger |
gd1990-10-27.nak300.andrewf.84288.sbeok.flac16 | |
1990-10-27 | Le Zenith |
84288 | flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Set up in the balcony taper section, a few rows from the edge. Mics on stand aprx 5-feet high, aimed at stacks and angled down slightly. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, April 2007. Taped and transferred by Andrew F. |
gd1990-10-27.141604.miller.sbd.flac2496 | |
1990-10-27 | The Zenith |
141604 | flac24/96 Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller. |
gd90-10-27.sbd.braverman.9373.sbefail.shnf | |
1990-10-27 | The Zenith |
9373 | SBD>DAT>CD; via Tommy Danscuk; Seeded to etree by Peter Braverman |
gd1990-10-27.113534.sennme80.grabski.flac16 | |
1990-10-27 | The Zenith |
113534 | flac16; Source: Sennheiser ME-80/K3U > Sony TC-D5M (no dolby); Transfer: Sony TC-D5M (original used for master) > Tascam HD-P2 24/48 > CF Card > Sound Forge 8 (vol/fades) > WaveLab (UV22HR) CD WAVE > FLAC van den Hul The First Ultimate cable used between D-5 and HD-P2; Recorded and transferred by Dean Grabski |
gd1990-10-27.139118.aud.liff.lamarre.berger.flac1648 | |
1990-10-27 | The Zenith |
139118 | flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger |
gd1990-10-27.141693.UltraMatrix.sbd.cm.miller.flac1644 | |
1990-10-27 | The Zenith |
141693 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller. |
gd1990-10-27.144199.nak300-cp4.dalton.miller.sirmick.flac1648 | |
1990-10-27 | The Zenith |
144199 | flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick December 2018 |
gd1990-10-28.113591.sennme80.grabski.flac16 | |
1990-10-28 | The Zenith |
113591 | flac16; RECORDING LINEAGE: Source: Sennheiser ME-80/K3U > Sony TC-D5M (no dolby); Transfer: Sony TC-D5M (original used for master) > Tascam HD-P2 24/48 > CF Card > Sound Forge 8 (vol/fades) > WaveLab (UV22HR) CD WAVE > FLAC van den Hul The First Ultimate cable used between D-5 and HD-P2; Recorded and transferred by Dean Grabski |
gd1990-10-28.Nak300CP4.Floater.Keo.114394.Flac1644 | |
1990-10-28 | The Zenith |
114394 | flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper |
gd1990-10-28.Nak300CP4.Floater.Keo.114395.Flac2496 | |
1990-10-28 | The Zenith |
114395 | flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz |
gd1990-10-28.141694.UltraMatrix.sbd.cm.miller.flac1644 | |
1990-10-28 | The Zenith |
141694 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller. |
gd90-10-28.sbd.jamphan.3264.sbeok.shnf | |
1990-10-28 | The Zenith |
3264 | SBD> DATx3; Conversion: Sony M-1 > Midiman Optical > SPDIF SB Platinum > CoolEdit WAV > CDWav WAV > SHN (mkw); Shns Produced by JamPhan |
gd1990-10-28.141605.sbd.miller.flac2496 | |
1990-10-28 | The Zenith |
141605 | flac24/96 Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller. |
gd1990-10-28.139119.aud.liff.lamarre.berger.flac1648 | |
1990-10-28 | The Zenith |
139119 | flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger |
gd1990-10-28.144200.nak300-cp4.dalton.miller.sirmick.flac1648 | |
1990-10-28 | The Zenith |
144200 | flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick December 2018 |
gd1990-10-30.mtx.dusborne.126879.flac16 | |
1990-10-30 | Wembley Arena |
126879 | flac16; 2 Source matrix by Dave Usborne; Soundboard shnid:34645); dsbd>dat>cd>shn>WAV>FLAC via Bill Tetzeli;Audience (shnid:81706); Taped and transferred by Andrew F;AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks;Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, January 2007 |
gd1990-10-30.143863.nak300-cp4.dalton.miller.sirmick.flac1648 | |
1990-10-30 | Wembly Arena |
143863 | flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick |
gd1990-10-30.136847.sbd.GEMS.flac16 | |
1990-10-30 | Wembley Arena |
136847 | flac16; SBD MTX > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by Norm |
gd90-10-30.dsbd.barbella.6678.sbeok.shnf | |
1990-10-30 | Wembley Arena |
6678 | dsbd> dat> cd> shn; via Steve Barbella |
gd1990-10-30.139120.aud.liff.lamarre.berger.flac1648 | |
1990-10-30 | Wembley Arena |
139120 | flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger |
gd1990-10-30.140864.sbd.miller.flac2496 | |
1990-10-30 | Wembley Arena |
140864 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-10-30.140898.UltraMatrix.sbd.cm.miller.flac1644 | |
1990-10-30 | Wembley Arena |
140898 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-10-30.150234.UltraMatrix.sbd.cm.miller.flac16 | |
1990-10-30 | Wembley Arena |
150234 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
gd1990-10-31.125745.mtx.dusborne.flac16 | |
1990-10-31 | Wembley Arena |
125745 | flac16; 2 Source Matrix by dusborne; Soundboard (shinid:8070) Source: SBD > DAT > CDR > WAV > SHNv3; DAE(EAC) > SHNTOOL > MKWACT via Chris L. and Audience (shnid:90844) Source: Audience Master Cassette Nakamichi 300's Shotguns > Marantz PMD-430 w/Dolby B; Tapers: Alf Houck and Robert Wright Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC; Transfer and Mastered by Bill Koucky March 16, 2008 |
gd1990-10-31.138688.FOB.BK.Schoeps.Teitlebaum.Katzeff.Ammons.Noel.t-flac16 | |
1990-10-31 | Wembley Arena |
138688 | flac16/48kHz; Set I: Mark Teitlebaum FOB recording w/stand; B&K 4011 at 110 degrees ORTF > Neumann PS > Panasonic SV255; Set II: Rick Katzeff FOB recording w/stand; Schoeps CMC34 at 110 degrees ORTF > MIT Cables > Oade PS > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: raw waves track'd, flac'd, pack'd & patch'd in Audacity & exported as flac 16/48; Checksum & tags created in xACT |
gd1990-10-31.143864.nak300-cp4.dalton.miller.sirmick.flac1648 | |
1990-10-31 | Wembly Arena |
143864 | flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick |
gd90-10-31.sbd.ladner.8070.sbeok.shnf | |
1990-10-31 | Wembley Arena |
8070 | SBD > DAT > CDR > WAV > SHNv3; seed discs via Tim Symons, DAE(EAC) > SHNTOOL > MKWACT via neo_levo; reportedly with Werewolves splice, but fewer pops than previous shn sets |
gd1990-10-31.139615.FOB-Schoeps-cmc4-mk41.oade.gastwirt.miller.sirmick.flac1648 | |
1990-10-31 | Wembley Arena |
139615 | flac16/48kHz; Source: (FOB) Schoeps cmc4 mk41 > modified Panasonic SV-250 > Dat x 2 (48k) - Recorded by Jim Oade and provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017 |
gd1990-10-31.nak300.andrewf.85914.flac16 | |
1990-10-31 | Wembley Arena |
85914 | flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX tapes, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Audiophile 2496 analog RCA-In > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, June 2007. Taped and transferred by Andrew F. |
gd1990-10-31.139125.aud.liff.lamarre.berger.flac1648 | |
1990-10-31 | Wembley Arena |
139125 | flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger |
gd1990-10-31.142734.FOB.Schoeps.Katzeff.Mattes.Miller.Noel.fixed.t-flac1648 | |
1990-10-31 | Wembley Arena |
142734 | flac16/48kHz; Rick Katzeff FOB Recording: Schoeps CMC3 MK4 (ORTF)> MIT cables > Jensen 16 P.S. > DAT (Panasonic sv250), mics on stand; 6'3" (s1), 6'5" (s2); Charlie Miller Transfer from clone of master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 |
gd1990-10-31.142715.FOB.Schoeps.Brotman.Mattes.Miller.Noel.t-flac1648 | |
1990-10-31 | Wembley Arena |
142715 | flac16/48kHz; Dave Brotman FOB Recording: Schoeps CMC3 MK4 (ORTF)> MIT cables > Jensen 16 P.S. > DAT (Panasonic sv250), mics on stand; 6'3" (s1), 6'5" (s2); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; fixed version in circulation |
gd1990-10-31.150006.sbd.miller.flac2496 | |
1990-10-31 | Wembley Arena |
150006 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 |
gd1990-11-01.138689.FOB.BK4011.Teitlebaum.Ammons.Noel.t-flac16 | |
1990-11-01 | Wembley Arena |
138689 | flac16/48kHz; Mark Teitlebaum FOB recording w/stand; B&K 4011 at 110 degrees ORTF > Neumann PS > Panasonic SV255; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: raw waves track'd, flac'd, pack'd & patch'd in Audacity & exported as flac 16/48; Checksum & tags created in xACT |
gd1990-11-01.143865.nak300-cp4.dalton.miller.sirmick.flac1648 | |
1990-11-01 | Wembly Arena |
143865 | flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick November 2018 |
gd90-11-01.sbd.ladner.8068.sbeok.shnf | |
1990-11-01 | Wembley Arena |
8068 | SBD > DAT > CDR > WAV > SHNv3; via Tim S., neo_levo |
gd1990-11-01.145544.sbd.miller.flac2496 | |
1990-11-01 | Wembley Arena |
145544 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-11-01.139147.aud.liff.lamarre.berger.flac1648 | |
1990-11-01 | Wembley Arena |
139147 | flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger |
gd1990-11-01.145663.UltraMatrix.sbd.cm.millier.flac16 | |
1990-11-01 | Wembly Arena |
145663 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This file set is 16 bit @ 44.1 |
gd1990-11-01.aud-sbd.romanowski.3861.shnf | |
1990-11-01 | Wembely Arena |
3861 | Set 1= MDAT AUD> DAT> CDR> EAC> SHN (taper unknown); Set 2= MSBD DAT> DAT> CDR> EAC> SHN; transfer by Karen Benbrook; editing and shn by Jeff Romanowski (see his notes in info file) |
gd1990-12-03.150653.FOB.NAK.700.DSD.Mow.Miller.Noel.t.flac2496 | |
1990-12-03 | Oakland-Alameda County Coliseum |
150653 | flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 26, 2020 |
gd1990-12-03.153867.nak104.akg1000s.flac24 | |
1990-12-03 | Oakland-Alameda County Coliseum |
153867 | flac24/96 Recording Info: 2 x Nakamichi 100/CP4 + 2 x AKG C1000S (Cardioid) > Boss BX-4 > Cassette Master (Sony WM-D6C/Maxell Metal 100) > Cassette (Maxell XLII-S90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 |
gd1990-12-03.154445.4mic.mix.1gen.miller.t.flac16 | |
1990-12-03 | Oakland-Alameda County Coliseum |
154445 | flac16/44 Recording Info: 2 x Nakamichi 100/CP4 + 2 x AKG C1000S (Cardioid) > Boss BX-4 > Cassette Master (Sony WM-D6C/Maxell Metal 100) > Cassette (Maxell XLII-S90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 153867 2496 > 1644 |
gd1990-12-03.138092.BK4011.Darroch.Ammons.fob.t-flac16 | |
1990-12-03 | Oakland-Alameda County Coliseum |
138092 | flac16/48kHz; Rob Darroch FOB DFC Recording: B&K 4011s at 110 degrees ORTF on Schoeps T-bar > Neumann Power Supply > Panasonic SV255; 1st set stand at 6'1", 2nd set at 6'3"; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT |
gd1990-12-03.119331.Sennheiser421.d5scott.flac16 | |
1990-12-03 | Oakland-Alameda County Coliseum |
119331 | flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd90-12-03.nak.wiley.13992.sbeok.shnf | |
1990-12-03 | Coliseum Arena |
13992 | AUD(Nak mics + CP4)>DAT>CDR; via Paul B; Seeded to etree by Tim Wiley |
gd1990-12-03.143373.sbd.ultramatrix.miller.flac2496 | |
1990-12-03 | Oakland-Alameda County Coliseum |
143373 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 |
gd1990-12-03.143512.UltraMatrix.sbd.cm.miller.flac1644 | |
1990-12-03 | Oakland-Alameda County Coliseum |
143512 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; This file set is 16/44.1 |
gd1990-12-03.145151.nak300.cp4.dalton.miller.sirmick.flac1648 | |
1990-12-03 | Oakland-Alameda County Coliseum |
145151 | flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick February 2019 |
gd1990-12-03.150691.FOB.NAK.700.DSD.Mow.Miller.Noel.t.flac1644 | |
1990-12-03 | Oakland-Alameda County Coliseum |
150691 | flac16; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson |
gd1990-12-04.143441.DSBD.Reutelhuber.Westcott.Noel.t-flac1648 | |
1990-12-04 | Oakland-Alameda County Coliseum |
143441 | flac16/48kHz; Source: Digital Soundboard > DAT (clone); Transfer: DAT (clone) > Sony PCM-R500 > Marantz PMD661 (via SPDIF) > FLAC 16/48; Edited & Mastered by Joe Noel; Flac > Audacity Flac 16/48 |
gd1990-12-04.150654.FOB.NAK.700.DSD.Mow.Miller.Noel.t.flac2496 | |
1990-12-04 | Oakland-Alameda County Coliseum |
150654 | flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 26, 2020 |
gd1990-12-04.138093.BK4011.Darroch.Ammons.fob.t-flac16 | |
1990-12-04 | Oakland-Alameda County Coliseum |
138093 | flac16/48kHz; Rob Darroch FOB DFC Recording: B&K 4011s at 110 degrees ORTF on Schoeps T-bar > Neumann Power Supply > Panasonic SV255; 1st set stand at 6'3", 2nd set at 6'4"; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT |
gd1990-12-04.143584.sbd.ebel.flac1644 | |
1990-12-04 | Oakland-Alameda County Coliseum |
143584 | flac16/44.1khz Source Info: Soundboard (Ultra-Matrix?) -> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. |
gd90-12-04.sbd.ladner.9365.sbeok.shnf | |
1990-12-04 | Oakland-Alameda County Coliseum |
9365 | SBD>DAT>CDR; Uncle>Big River are from either an Excellent Aud source, or they have a different, Matrix like mix; via neo_levo/candyman ftp - 4/2002 |
gd1990-12-04.143376.sbd.miller.flac2496 | |
1990-12-04 | Oakland-Alameda County Coliseum |
143376 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-12-04.143517.UltraMatrix.sbd.cm.miller.flac1644 | |
1990-12-04 | Oakland-Alameda County Coliseum |
143517 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16/44.1 |
gd1990-12-04.145225.nak300.cp4.dalton.miller.sirmick.flac1648 | |
1990-12-04 | Oakland-Alameda County Coliseum |
145225 | flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick February 2019 |
gd1990-12-04.150692.FOB.NAK.700.DSD.Mow.Miller.Noel.t.flac1644 | |
1990-12-04 | Oakland-Alameda County Coliseum |
150692 | flac16; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson |
gd1990-12-08.124096.sbd.blackwood.flac16 | |
1990-12-08 | Compton Terrace Amphitheatre |
124096 | flac16; Recording Info: Set 1 SBD>CM>DAT>CD>WAV (remaster of shnid=472); Set 2 SBD>CM>CAS1>WAV; Set 2 Transfer Info: Nak CR-7A > MADA-2-> Sequoia 11-> FLAC; Mastered by Jim Blackwood |
gd1990-12-08.130961.cmc321.fob.katzeff.jwpetty.flac16 | |
1990-12-08 | Compton Terrace Amphitheatre |
130961 | flac16; Digital Audience Recording by R. Katzeff/Schoeps CMC321 subs (fob)> ?> sv-250> L. Deal clone; Transfer: Panasonic SV-3500 (spdif)> M-Audio Audiophile 24/96> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE/Flac16-Level 8/ffp); Transfer completed August 14, 2014 by jwpetty; the original seed for this source was missing set2t06; please do not circulate that version |
gd1990-12-08.AKG451.Darby.117559.Flac2448 | |
1990-12-08 | Compton Terrace Amphitheatre |
117559 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet From Center Lawn Stack/6 Feet High)> Sony TC-D5M>Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo |
gd1990-12-08.141700.UltraMatrix.sbd.cm.miller.flac1644 | |
1990-12-08 | Compton Terrace Amphitheatre |
141700 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. |
gd90-12-08.sbd.hollister.472.sbeok.shnf | |
1990-12-08 | Compton Terrace Amphitheatre |
472 | S:PCM> DAT> ZA2> CD; no encore; unfortunate diginoise during Victim (on all DATs); seeded by D. Hollister; via Skank, and/or J. Sachs to abgd?; via A. Stern to etree; note d2t3 gives an error when burning with CDRWin- to fix, Adam suggests opening this track in a wav editor (like CEP) and saving before burning |
gd1990-12-08.141606.sbd.miller.2496 | |
1990-12-08 | Compton Terrace Amphitheatre |
141606 | flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. |
gd1990-12-08.atshot.laporte.89867.sbeok.flac16 | |
1990-12-08 | Compton Terrace Amphitheatre |
89867 | flac16; AT Shotguns > unknown decks x2 > PMD430 Tapers section on lawn behind SBD PMD430 > SB Audigy Line IN > Adobe Audition @24bit/48khz Adobe Audition: Noise Reduction of hiss, fade ins/outs, pop/click eliminator, dithered and resampled to 16bit/44khz. CDwave: tracking Trader's little Helper: flacs |
gd1990-12-09.130925.set1.cmc32S.fob.katzeff.jwpetty.flac16 | |
1990-12-09 | Compton Terrace |
130925 | flac16; Set 1 Master Audience Recording by R. Katzeff/Schoeps CMC32S (fob/spaced 8.5 feet Section D & E/Row 6/Seats 2 & 2)> pro-link> sv-250> clone; Transfer: Fostex D-5 (spdif out)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE/Flac16/ffp) |
gd1990-12-09.141701.UltraMatrix.sbd.cm.miller.flac1644 | |
1990-12-09 | Compton Terrace |
141701 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. |
gd90-12-09.sbd.ladner.5155.sbeok.shnf | |
1990-12-09 | Compton Terrace Amphitheatre |
5155 | SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer - via C. Miller; DAE (EAC > shntool > mkwact) by C. Ladner |
gd1990-12-09.157408.s1.s2p.nak-akg.cm.katz.miller.t.flac1644 | |
1990-12-09 | Compton Terrace |
157408 | flac 1644; Recording Info: Nakamichi CM100/CP4 + AKG C1000S > Boss BX-4 Mixer > Cassette Master (Sony Boombox/TDK XLII-100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 (1 DVD FLAC). All Transfers and Mastering By Charlie Miller. - This is 157407 2496 > 1644 |
gd1990-12-09.157407.s1.s2p.nak-akg.miller.katz.flac24 | |
1990-12-09 | Compton Terrace |
157407 | flac 2496; Recording Info: Nakamichi CM100/CP4 + AKG C1000S > Boss BX-4 Mixer > Cassette Master (Sony Boombox/TDK XLII-100)Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 (1 DVD FLAC) |
gd1990-12-09.141607.sbd.miller.2496 | |
1990-12-09 | Compton Terrace |
141607 | flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. |
gd1990-12-09.aud.gardner.4182.shnf | |
1990-12-09 | Compton Terrace Amphitheatre |
4182 | source: ? (info to follow) betaseed; via Tony Gardner with thanks to Andrew McCall; Space cut |
gd1990-12-09.nak300.laporte.89799.sbeok.flac16 | |
1990-12-09 | Compton Terrace Amphitheatre |
89799 | flac16; Nak 300's > Unknown Deck > Marantz pmd430 Taper section on lawn behind SBD PMD430 > SB Audigy Line IN> Adobe Audition @ 24bit/48khz Adobe Audition: Noise Reduction of hiss, fade ins/outs, pop/click eliminator, dithered and resampled to 16bit/44khz. CDwave: tracking Trader's little Helper: flacs |
gd1990-12-12.sbd.miller.109289.flac16 | |
1990-12-12 | McNichols Sports Arena |
109289 | flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1990-12-12.127359.josephsonC640.chuckm.flac16 | |
1990-12-12 | McNichols Sports Arena |
127359 | flac16; Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1); Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES X-Click, Paragraphic EQ & Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper (SBE check, FLAC & FLAC fingerprint) > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller |
gd1990-12-12.AKG451.Darby.120136.Flac2448 | |
1990-12-12 | McNichols Sports Arena |
120136 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
gd1990-12-12.140146.MTX.PhotoLeon.LL.t-flac16 | |
1990-12-12 | McNichols Sports Arena |
140146 | flac16; Two Source Matrix by PhotoLeon: Source #1 Recording Info: SBD -> Dat (48k) and Source #2 Rick Katzeff recording: Schoeps CMC4 MK2 Omni's > Panasonic SV-250 > DAT (FOB) |
gd1990-12-12.142547.pp-aud.darby.tobin.flac1644 | |
1990-12-12 | McNichols Sports Arena |
142547 | flac16; Patched & Pitch Corrected Audience (original shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin |
gd1990-12-12.142548.mtx.tobin.flac1644 | |
1990-12-12 | McNichols Sports Arena |
142548 | flac16; Matrix 2 Source Mix - SBD (shnid = 109289) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin |
gd1990-12-12.142549.dts.tobin.flac1644 | |
1990-12-12 | McNichols Sports Arena |
142549 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 109289) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin |
gd1990-12-12.142550.5-1.tobin.flac1648 | |
1990-12-12 | McNichols Sports Arena |
142550 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 109289) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin |
gd1990-12-12.dts.tobin.87696.sbeok.flac | |
1990-12-12 | McNichols Arena |
87696 | DTS Audio 5.1; SBD1 (shn id 87461) (1st set only) SBD -> Dat (48k) + SBD2 (shn id 87372) (2nd set only) Healy DAT > PCM > DAT + AUD (shn id 32020) Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master - dts mixing by Kevin Tobin |
gd90-12-12.sbd.zei.2030.sbeok.shnf | |
1990-12-12 | McNichols Sports Arena |
2030 | SBD> D-> CDR-> EAC> SHN; Ripped by John Zei |
gd1990-12-12.140071.FOB.Schoep.Katzeff.Gastwirt.Miller.Noel.t-flac.16 | |
1990-12-12 | McNichols Sports Arena |
140071 | flac16/48kHz; Rick Katzeff recording: Schoeps CMC4 MK2 Omni's > Panasonic SV-250 > DAT (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wave > flac 16/48; Checksum & tags created in xACT |
gd1990-12-12.149544.ultramatrix.sbd.pearson-healy.miller.flac2496 | |
1990-12-12 | McNichols Sports Arena |
149544 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X6 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-12-12.149736.UltraMatrix.sbd.cm.miller.flac16 | |
1990-12-12 | McNichols Sports Arena |
149736 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X6 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd1990-12-12.senn.grabski.32020.sbefail.flac16 | |
1990-12-12 | McNichols Arena |
32020 | flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 >CDWAVE >FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski |
gd1990-12-13.149556.sbd.miller.flac2496 | |
1990-12-13 | McNichols Sports Arena |
149556 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd90-12-13.sbd-matrix.vernon.24411.sbeok.shnf | |
1990-12-13 | McNichols Sports Arena |
24411 | Source: Soundboard Matrix:D-> DAT; Transfer: DAT-> Sony PCM R-300 > RME digi 96/8PAD > Soundforge 6.0 @48k by Marc Pujol; Encoding: 48k -> 44.1k via Cool Edit Pro High Accuracy Setting > Cool Edit (diginoise patches) > CDWAV > mkwact (seekable) by Matt Vernon |
gd1990-12-13.127360.josephsonC640.chuckm.flac16 | |
1990-12-13 | McNichols Sports Arena |
127360 | flac16; Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1); Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, iZotope RX DeClick, WAVES Q10 Paragraphic EQ (high-pass only), WAVES L2 Ultramaximizer, a 2 second section of s1t10 was patched with the analog cassette master of the same source); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller |
gd1990-12-13.josephsonC-640.chuckm.127360 | |
1990-12-13 | McNichols Sports Arena |
gd1990-12-13.138731.OTS.Schoeps.Katzeff.Ammons.Noel.t-flac16 | |
1990-12-13 | McNichols Sports Arena |
138731 | flac16/48kHz; Rick Katzeff recording: Schoeps CMC521 configured in a 90 degree spaced array > Oade PS > Panasonic SV250; front & center taper section; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Wave > Audacity > flac 16/48; Checksum & tags created in xACT |
gd1990-12-13.140290.MTX.PhotoLeon.t-flac1648 | |
1990-12-13 | McNichols Sports Arena |
140290 | flac16/48kHz; Two Source Matrix: Source #1 (shnid: 108981) Recording Info: SBD -> Dat (48k) and Rick Katzeff recording: Schoeps CMC521 configured in a 90 degree spaced array > Oade PS > Panasonic SV250; front & center taper section; Joe Noel Edits: Wave > Audacity > flac 16/48 |
gd90-12-13.sbd.unknown.4988.sbeok.shnf | |
1990-12-13 | McNichols Sports Arena |
4988 | similar to previous shn set except d2t1 checksum differs, and no seeder attribution in info file; noted 8/01 at hydro (with 11/00 datestamp) |
gd1990-12-13.149746.UltraMatrix.sbd.cm.miller.flac16 | |
1990-12-13 | McNichols Sports Arena |
149746 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd1990-12-13.senn.grabski.32021.sbefail.flac16 | |
1990-12-13 | McNichols Arena |
32021 | flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 > CDWAVE > FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski |
gd1990-12-14.127361.josephsonC640.chuckm.flac16 | |
1990-12-14 | McNichols Sports Arena |
127361 | flac16; Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1); Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, iZotope RX DeClick, WAVES Q10 Paragraphic EQ (high-pass only), WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller |
gd1990-12-14.sbd.miller.89127.sbeok.flac16 | |
1990-12-14 | McNichols Arena |
89127 | flac16; Corrected Source Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 |
gd1990-12-14.josephsonC-640.chuckm.127361 | |
1990-12-14 | McNichols Sports Arena |
gd1990-12-14.138732.FOB.OTS.Schoeps.Katzeff.Ammons.Noel.t-flac16 | |
1990-12-14 | McNichols Sports Arena |
138732 | flac16/48kHz; Set 1: Schoeps CMC321 at 110 degrees "RED" > Panasonic SV250; Section AAA, Row 15, Seat 17; mics hand held recorded by Rick Katzeff; Set 2: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV255; front row and center of taper section; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Wave > Audacity > flac 16/48; Checksum & tags created in xACT |
gd1990-12-14.140291.MTX.PhotoLeon.t-flac1648 | |
1990-12-14 | McNichols Sports Arena |
140291 | flac16/48kHz; Two Source Matrix: Source #1 (shnid: 89127) Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) and Source #2 (shnid 138732) Set 1: Schoeps CMC321 at 110 degrees "RED" > Panasonic SV250; Section AAA, Row 15, Seat 17; mics hand held recorded by Rick Katzeff; Set 2: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV255; front row and center of taper section; Joe Noel Edits: Wave > Audacity > flac 16/48 |
gd90-12-14.dsbd.conner.13165.sbeok.shnf | |
1990-12-14 | McNichols Sports Arena |
13165 | DSBD> DAT> Cass> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz. A/D> RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT). Digital Conversion by Charlie Connor via Hugh McCrystal. |
gd1990-12-14.149608.ultramatrix.sbd.pearson-healy.miller.flac2496 | |
1990-12-14 | McNichols Sports Arena |
149608 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
gd1990-12-14.149757.UltraMatrix.sbd.cm.miller.flac16 | |
1990-12-14 | McNichols Sports Arena |
149757 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
gd1990-12-14.senn.grabski.32022.sbefail.flac16 | |
1990-12-14 | McNichols Arena |
32022 | flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 > CDWAVE > FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski |
gd1990-12-14.AKG451.Darby.120164.Flac2448 | |
1990-12-14 | McNichols Sports Arena |
120164 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 3 Seat 6/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
gd1990-12-14.AKG451.Darby.120165.Flac1644 | |
1990-12-14 | McNichols Sports Arena |
120165 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 3 Seat 6/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1990-12-27.116109.NeumannKMF4.daweez.d5scott.flac16 | |
1990-12-27 | Oakland-Alameda County Coliseum |
116109 | flac16; Set 2 source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1990-12-27.138473.sbd.miller.flac24 | |
1990-12-27 | Oakland-Alameda County Coliseum |
138473 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd90-12-27.fob-akg-mahoney-oneill.miller.28385.sbeok.shnf | |
1990-12-27 | Oakland-Alameda County Coliseum |
28385 | set2; FOB AKG 460/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN ; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller |
gd1990-12-27.set2-fixed.sbd.8193.sbefail.shnf | |
1990-12-27 | Coliseum Arena |
8193 | 2nd set only; SBD(matrix)>DAT>CDR; Seeded to etree by Tony Gardner; Note- There is now a 'retracked' version of disc 1 circ'ing, I have included the md5's here. |
gd1990-12-27.138040.BK4011.Schoeps.FOB.Darroch.Katzeff.Buick.Ammons.flac1648 | |
1990-12-27 | Oakland-Alameda County Coliseum |
gd1990-12-27.138040.BK4011.Schoeps.FOB.Darroch.Katzeff.Buick.Ammons.fix.t-flac16 | |
1990-12-27 | Oakland-Alameda County Coliseum |
138040 | flac16/48kHz; source(s): Set I: B&K 4011 > Prolink Cables > Mod Neumann PS > Panasonic SV255; FOB DFC with 6 ft stand; Tapped by Rob Darroch; Set II: Schoeps CMC34 > MIT Cables > Oade PS > Panasonic SV250; FOB DFC hand held by Marcus Buick; Taped by Rick Katzeff and Marcus Buick; Transfer: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave; By John Ammons from his DAT clone of the masters; Wave > xACT > flac > Audacity > labeled > patched > export multiple > flac 16/44 (level 8); Checksum & tags created in xACT; Note: the original seed of this source had Set 1 at 16 bit 44.1 kHz, Set 2 at 16 bit 48kHz; the fixed version is all 48kHz |
gd1990-12-27.138519.ultra.matrix.sbd.miller.flac16 | |
1990-12-27 | Oakland-Alameda County Coliseum |
138519 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138473 24 bit -> 16 bit |
gd90-12-27.set1-akg-set2-sbd.miller.21928.sbeok.shnf | |
1990-12-27 | Oakland-Alameda County Coliseum |
21928 | Set One: AKG 460/CK8X (Front Row Taper's Section) -> Dat (Sony D3) -> PCM -> Dat (Sony R500) -> Samplitude v7.02 Professional -> SHN Set Two: SBD -> Dat -> SHN Recorded By Paul Tumolo Transfered By Charlie Miller and Neil Sturtevant |
gd1990-12-27.127387.nak300.bowen.flac16 | |
1990-12-27 | Oakland-Alameda County Coliseum |
127387 | flac16; Source: Nakamichi CM-300x3; 2 CP-4 Shotgun Capsules + 1 CP-1; Cardioid Capsule > Boss BX-4 Mixer > Sony WM-D6C (MX-S 100 Masters); Transfer: Cassette Masters > Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS; SEC 112; Recorded/Transferred By: Jeff Bowen |
gd1990-12-28.136762.dusio.flac16 | |
1990-12-28 | Oakland-Alameda County Coliseum |
136762 | flac16: Recorded by Chris Dusio AT835's>SonyD6>That's Metal Cassette>ZoomF8>Audacity |
gd1990-12-28.116114.NeumannKMF4.daweez.d5scott.flac16 | |
1990-12-28 | Oakland-Alameda County Coliseum |
116114 | flac16; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1990-12-28.s1.127432.nak300.bowen.flac16 | |
1990-12-28 | Oakland Coliseum Arena |
127432 | flac16; Set 1 Source: Nakamichi CM-300x3; Two CP-4 Shotguns + One CP-1 Cardioid > Boss BX-4 Mixer > Sony WM-D6C (MX-S 90); MX-S 90 Master Transferred: Sony TC-D5M > HHb CDR 800 PRO > CD Master > FLAC (Level 8) Via xACT 2.25; Location: OTS; Exact Row, Seat # Not Recorded; Recorded/Transferred By: Jeff Bowen |
gd1990-12-28.140247.UltraMatrix.sbd.cm.miller.flac1644 | |
1990-12-28 | Oakland-Alameda County Coliseum |
140247 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > Adobe Audition CC2015 > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-12-28.138057.BK4011.Schoeps.Darroch.Katzeff.Ammons.flac1648 | |
1990-12-28 | Oakland-Alameda County Coliseum |
138057 | flac16/48kHz; Set I: B&K 4011 > Schoeps T-bar @ 100 degrees ORTF > ProLink Cables > Mod Neumann PS > Panasonic SV255; hand held by Rob Darroch; Set 2: Schoeps CMC 34 > Schoeps T-bar @ 100 degrees ORTF > MIT Cables >Oade PS > Panasonic SV250; with stand through drums; hand held by Rick Katzeff from Space; Transfer: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave by John Ammons; Wave > Audacity > labeled > patched > export multiple > flac 16/48 (level 8); Checksum & tags created in xACT; Tracking, patch, checksum & tags by Joe Noel |
gd1990-12-28.140147.sbd.miller.flac2496 | |
1990-12-28 | Oakland-Alameda County Coliseum |
140147 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > Adobe Audition CC2015 > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd90-12-28.sbd-matrix.wiley.11498.sbeok.shnf | |
1990-12-28 | Coliseum Arena |
11498 | (Healy Mix)SBD>??>DAT>CDR; Seeded to etree by T. Wiley |
gd1990-12-30.116142.NeumannKMF4.daweez.d5scott.flac16 | |
1990-12-30 | Oakland-Alameda County Coliseum |
116142 | flac16: Recorded by "Da Weez". Transferred and mastered to .wav files by D5scott; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1990-12-30.Aud.Unk.Keo.116104.Flac2496 | |
1990-12-30 | Oakland-Alameda County Coliseum |
116104 | flac24; First or Second Generation Tapes (I Believe); Possible Lineage: Sennheiser 441's>Sony D5>Transfer Decks 2 Sony TCRX-410's No Dolby; Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz |
gd1990-12-30.Aud.Unk.Keo.116105.Flac1644 | |
1990-12-30 | Oakland-Alameda County Coliseum |
116105 | flac16; First or Second Generation Tapes (I Believe); Possible Lineage: Sennheiser 441's>Sony D5>Transfer Decks 2 Sony TCRX-410's No Dolby; Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper |
gd1990-12-30.127333.nak304.bowen.flac16 | |
1990-12-30 | Oakland Coliseum Arena |
127333 | flac16; Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony TC-153SD Master (SA-X100) SA-X100 Masters Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS; Recorded/Transferred By: Jeff Bowen |
gd1990-12-30.138190.BK4001.fob.Darrouch.Ammons.t-flac16 | |
1990-12-30 | Oakland-Alameda County Coliseum |
138190 | flac16/48kHz; Set 1 Rob Darroch recording (hand held): B&K 4011 at 110 degrees ORTF on Schoeps t-bat > Pro-Link Cables > Mod Neumann PS > Panasonic SV255; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT |
gd90-12-30.sbd.miller.22025.sbeok.shnf | |
1990-12-30 | Coliseum Arena |
22025 | Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC 2000 -> CD (Tascam CDRW700) -> EAC -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) - All Transfers and Editing By Charlie Miller |
gd90-12-30.sbd.wiley.11669.sbeok.shnf | |
1990-12-30 | Oakland-Alameda County Coliseum |
11669 | SBD>??>DAT>CDR; Seeded to Etree by T. Wiley |
gd1990-12-30.141848.sbd.miller.flac2496 | |
1990-12-30 | Oakland-Alameda County Coliseum |
141848 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-12-30.141864.UltraMatrix.sbd.cm.miller.flac1644 | |
1990-12-30 | Oakland-Alameda County Coliseum |
141864 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-12-31.126823.FM.flac16 | |
1990-12-31 | Oakland-Alameda County Coliseum |
126823 | flac16; FM live stereo broadcast (not pre-recorded) > Yamaha 500 reciever with digital tuner and wire antenna > (tracks 10-16:) Teac 3340 reel recorder, no dolby (3.3/4 ips) > Maxell UD 7" master reel tape > played on Akai GX-77 reel deck into soundforge (wav) > (tracks 1-9 and 17-20:) Maxell MX 90 minute metal master cassette > Nak. BX- 100 cassette deck (dolby off) > played on tascam 112 into soundforge (wav) > flac (sb's aligned) |
gd1990-12-31.140733.set2.akg.c42.ambient.mics.gans.miller.clugston.flac1644 | |
1990-12-31 | Oakland-Alameda County Coliseum |
140733 | flac16; Set 2 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp |
gd1990-12-31.140734.set2.akg.c42.ambient.mics.gans.miller.clugston.flac2496 | |
1990-12-31 | Oakland-Alameda County Coliseum |
140734 | flac24; Set 2 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 |
gd1990-12-31.116141.NeumannKMF4.daweez.d5scott.flac16 | |
1990-12-31 | Oakland-Alameda County Coliseum |
116141 | flac16: Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1990-12-31.127388.nak300.bowen.flac16 | |
1990-12-31 | Oakland-Alameda County Coliseum |
127388 | flac16; Source: Nakamichi CM-300 CP-4 Shotguns > Sony TC-153SD (TDK SA-X Masters); Cassette Masters Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS; SEC 111, Row N, Seat #3; Recorded/Transferred By: Jeff Bowen |
gd1990-12-31.138041.BK4011.Darroch.Ammons.flac1648 | |
1990-12-31 | Oakland-Alameda County Coliseum |
138041 | flac16/48kHz; Rob Darroch recording [FOB DFC]: Hand held at 110 degrees ORTF on Schoeps T-bar with B&K 4011 > Pro-Link Mic Cables > Modified Neumann PS > Panasonic SV255; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel track, flac & pack: Wave > flac > Audacity > tracked > export multiple > flac 16/44; Checksum & tags created in xACT |
gd1990-12-31.138723.set2.4track-mix.flac24 | |
1990-12-31 | Oakland-Alameda County Coliseum |
138723 | flac24; Soundboard Recording Info: SBD > PCM Master (JVC HR-D570U) > PCM Clone (S-VHS Deck/TDK E-HG); Audience Recording Info: AKG C42 (m/s) > VHS HiFi Master (JVC HR-D570U) > VHS HiFi (S-VHS Deck/TDK E-HG); Soundboard Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Audience Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Mastering Info: KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller |
gd90-12-31.sbd-satellitefeed.hall.1688.sbeok.shnf | |
1990-12-31 | Oakland-Alameda County Coliseum |
1688 | Satellite Feed > 1/2" reel @ 15 ips > DAT >CDR; Montego II > CDWave > Sound Forge XP 4.5; via Mike Hall |
gd1990-12-31.141868.UltraMatrix.sbd.cm.miller.flac1644 | |
1990-12-31 | Oakland-Alameda County Coliseum |
141868 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-12-31.138744.4-track_mix.miller.flac16 | |
1990-12-31 | Oakland-Alameda County Coliseum |
138744 | flac16; Soundboard Recording Info: SBD > PCM Master (JVC HR-D570U) > PCM Clone (S-VHS Deck/TDK E-HG); Audience Recording Info: AKG C42 (m/s) > VHS HiFi Master (JVC HR-D570U) > VHS HiFi (S-VHS Deck/TDK E-HG); Soundboard Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Audience Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Mastering Info: KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller, This is 138723 24 bit -> 16 bit |
gd1990-12-31.140720.set2.sbd.pcm.miller.flac1644 | |
1990-12-31 | Oakland-Alameda County Coliseum |
140720 | flac16; Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller |
gd1990-12-31.141792.sbd.ultra.miller.flac2496 | |
1990-12-31 | Oakland-Alameda County Coliseum |
141792 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |