Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1988-09-22.150694.senn-me-80.porter.carbonetta.sirmick.flac16
1988-09-22Madison Square Garden
150694flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - Taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > DSF 1-bit/5.6MHz - Transferred by Nick Carbonetta; Lineage: DSF 1-bit/5.6MHz > DBPoweramp > wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick October 2020
gd1988-09-22.150695.senn-me-80.porter.carbonetta.sirmick.flac24
1988-09-22Madison Square Garden
150695flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - Taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > DSF 1-bit/5.6MHz - Transferred by Nick Carbonetta; Lineage: DSF 1-bit/5.6MHz > DBPoweramp > wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > CD Wave > flac 24; edited and mastered SIRMick October 2020
gd1988-09-23.nak304.carpenter.88997.sbeok.flac16
1988-09-23Madison Square Garden
88997flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > TDK MA-XG 90's, no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
gd88-09-23.sbd.miller.5291.sbeok.shnf
1988-09-23Madison Square Garden
5291Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia
gd1988-09-23.133796.dts.tobin.flac16
1988-09-23Madison Square Garden
133796DTS-Audio-CD 5.1 Mix; SBD (shnid=5291) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 90983) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm 1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
gd1988-09-23.133794.upd-sbd.tobin.flac16
1988-09-23Madison Square Garden
133794flac16; (original shnid = 5291) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia - pitch correction and patches by Kevin Tobin
gd1988-09-23.133795.mtx.tobin.flac16
1988-09-23Madison Square Garden
133795flac16; Matrix 2 Source Mix - SBD (shnid=5291) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 90983) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm 1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
gd1988-09-23.140944.OTS.Schoeps.PCM.Mattes.Miller.Noel.t-flac.1644
1988-09-23Madison Square Garden
140944flac16; Recording info: Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Don Crandall & Chris Huron (OTS)
gd1988-09-23.115860.daweez.d5scott.NeumannKMF4.flac16
1988-09-23Madison Square Garden
115860flac16; Source: 2 Neumann KMF4 microphones (6th row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1988-09-23.nak300.damico.90983.sbeok.flac16
1988-09-23Madison Square Garden
90983flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm 1 > creative extigy soundcard > cool edit pro > flac frontend
gd1988-09-23.sbd-shchk.miller.79923.sbeok.flac16
1988-09-23Madison Square Garden
79923flac16; Soundcheck - Recording Info: SBD -> Cassette Master (Sony D6/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller
gd1988-09-23.139648.OTS.s2.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac16
1988-09-23Madison Square Garden
139648flac16; Set 2 Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Joe Noel Edited & Mastered in Audacity: Flac 16/44; Checksum & tags created in xACT
gd88-09-24.sbd.rich.425.sbeok.shnf
1988-09-24Madison Square Garden
425encores missing; no source info; benefit with misc guests; via Rich (yubah); Keith Bode reports he traded around a bootleg CD of this show that matches setlist here- maybe this is his "very high quality bootleg"
gd1988-09-24.nak304.carpenter.89303.sbeok.flac16
1988-09-24Madison Square Garden
89303flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > TDK MA 90's, no Dolby. Mics on stand on floor near sbd. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
gd1988-09-24.121064.NeumannKMF4.daweez.d5scott.flac16
1988-09-24Madison Square Garden
121064flac16; Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1988-09-24.133967.upd-sbd.tobin.flac16
1988-09-24Madison Square Garden
133967flac16; (original shnid = 82486) Recorded by David Minches FM>Sony PCM-601>NEC DX-5000 (Maxell XL-Pro)>Digital Domain VSP-P>Tascam DA-30>Egosys Waveterminal 2496>Cool Edit 2000>CDR Transfer and FLAC encoding by David Minches - pitch correction and patches by Kevin Tobin
gd1988-09-24.133968.mtx.tobin.flac16
1988-09-24Madison Square Garden
133968flac16; Matrix 2 Source Mix - SBD (shnid=82486) Recorded by David Minches FM>Sony PCM-601>NEC DX-5000 (Maxell XL-Pro)>Digital Domain VSP-P>Tascam DA-30>Egosys Waveterminal 2496>Cool Edit 2000>CDR Transfer and FLAC encoding by David Minches + AUD (shn id 121064) Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - matrix mixing by Kevin Tobin
gd1988-09-24.133969.dts.tobin.flac16
1988-09-24Madison Square Garden
133969DTS-Audio-CD 5.1 Mix; SBD (shnid=82486) Recorded by David Minches FM>Sony PCM-601>NEC DX-5000 (Maxell XL-Pro)>Digital Domain VSP-P>Tascam DA-30>Egosys Waveterminal 2496>Cool Edit 2000>CDR Transfer and FLAC encoding by David Minches + AUD (shn id 121064) Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - dts mixing by Kevin Tobin
gd1988-09-24.142104.sbd.miller.mixed.flac2496
1988-09-24Madison Square Garden
142104flac24; Soundboard Recording Info: SBD > PCM Master (Sony ES-HG); Soundboard Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.6 MHz); Audience Recording Info: AKG C42 (m/s) > Beta HiFi Master (Sony ES-HG); Audience Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz); Mastering Info: DSF > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller
gd1988-09-24.142105.sbd.miller.flac2496
1988-09-24Madison Square Garden
142105flac16; Recording Info: SBD > PCM Master (Sony ES-HG); Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
gd1988-09-24.142129.4-TrackMixdown.bm.miller.flac1644
1988-09-24Madison Square Garden
142129flac16; Soundboard Recording Info: SBD > PCM Master (Sony ES-HG); Soundboard Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.6 MHz); Audience Recording Info: AKG C42 (m/s) > Beta HiFi Master (Sony ES-HG); Audience Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz); Mastering Info: DSF > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller
gd1988-09-24.142132.BHiFiM.AKG-C42m-s.miller.flac1644
1988-09-24Madison Square Garden
142132flac16; Recording Info: AKG C42 (m/s) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd1988-09-24.fm.minches.82486.sbeok.flac16
1988-09-24Madison Square Garden
82486flac16; Recorded by David Minches FM>Sony PCM-601>NEC DX-5000 (Maxell XL-Pro)>Digital Domain VSP-P>Tascam DA-30>Egosys Waveterminal 2496>Cool Edit 2000>CDR Transfer and FLAC encoding by David Minches
gd1988-09-24.fm.unknown.83073.sbeok.shnf
1988-09-24Madison Square Garden
83073Main source: Unknown FM or pre-FM source (shnid 425) Patch source: FM > C > poss. extra C gen > Tascam HD-P2 > .wav > SHN provided by Joey Browning (provides encores)
gd1988-09-24.142112.akgc42.miller.flac2496
1988-09-24Madison Square Garden
142112flac24; Recording Info: AKG C42 (m/s) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd88-09-30.set1aud-set2sbd.miller.21093.sbeok.shnf
1988-09-30Shoreline Amphitheatre
21093Set One Recording Info:(FOB/Section 102 Nakamichi CM700/CP701 -> dbx II -> Cassette Master (Sony TC-D5M); Set One Transfer Info: Cassette Master (Nakamichi Cassette Deck 1) -> dbx 224x -> Mytek 8X96ADC -> Nuendo (24bit) -> Samplitude v7.02 -> SHN (2 Discs Audio / 2 Discs SHN); Set Two Recording Info: SBD -> Cassette Master -> Dat -> CD > EAC -> SHN; Process Info: --slight eq with waves Q10 and slight dynamic expansion with waves C4 and rendered down to a 16 bit file with waves L2; Editing Info: --Tracked and Normalized with Samplitude v7.02 Professional; Recorded and Transfered BY Bill Reutelhuber; Edited and SHN'd By Charlie Miller 12/15/03
gd88-09-30.set2-sbd.sacks.7585.sbeok.shnf
1988-09-30Shoreline Amphitheatre
75852nd set only; Soundboard Cassette >DAT> CDR> EAC> seekable SHN; via Darrin Sacks
gd1988-09-30.142152.UltraMatrix.cm.sbd.miller.flac1644
1988-09-30Shoreline Amphitheatre
142152flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-09-30.beyerM88.russjcan.94477.flac16
1988-09-30Shoreline Amphitheatre
94477flac16; Beyer M-88's w/D6 OTS MAC>D6>HD>Audacity>CDWave>TLH
gd1988-09-30.142145.sbd.miller.flac2496
1988-09-30Shoreline Amphitheatre
142145flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd88-10-01.sbd.sacks.7728.sbeok.shnf
1988-10-01Shoreline Amphitheatre
7728SBD> Cass> DAT> CDR> EAC> SHN (seekable); via Darrin Sacks to abgd, etree
gd1988-10-01.142331.sbd.miller.flac2496
1988-10-01Shoreline Amphitheatre
142331flac24; Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-10-01.ec7.s2.bowen.116400.flac
1988-10-01Shoreline Amphitheatre
116400flac16; Set 2 Only Source: (OTS) Superscope EC-7's > Marantz PMD-430; Lineage: Cass/M > Sony D5 > HHb 800 > EAC > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster
gd1988-10-01.142489.sbd.bm.miller.flac1644
1988-10-01Shoreline Amphitheatre
142489flac16; Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-10-01.beyerM88.russjcan.94478.flac16
1988-10-01Shoreline Amphitheatre
94478flac16; Beyer M-88's w/D6 OTS MAC>D6>HD>Audacity>CDWave>TLH
gd88-10-02.sbd.sacks.7637.sbeok.shnf
1988-10-02Shoreline Amphitheatre
7637SBD> Cass> DAT> CDR> EAC>SHN (seekable); via Darrin Sacks to abgd, etree
gd1988-10-02.142403.s2.sbd.miller.flac2496
1988-10-02Shoreline Amphitheatre
142403flac24; Set 2 Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-10-02.142490.s2.sbd.bm.miller.flac1644
1988-10-02Shoreline Amphitheatre
142490flac16; Set 2 Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-10-02.beyerM88.russjcan.94479.flac16
1988-10-02Shoreline Amphitheatre
94479flac16; Beyer M-88's w/D6 OTS MAC>D6>HD>Audacity>CDWave>TLH
gd1988-10-02.sbd.sacks.tetzeli.fix-7637.34467.reflac.flac16
1988-10-02Shoreline Amphitheatre
34467flac16; Seamless fix of shn id 7637 - Cassette Soundboard>DAT>CDR>EAC>SHN(seekable)>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1988-10-14.138829.aud.lamarre.berger.flac16
1988-10-14Miami Arena
138829flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; taper section, section 101, row t, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
gd1988-10-14.138830.aud.lamarre.berger.flac24
1988-10-14Miami Arena
138830flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; taper section, section 101, row t, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
gd88-10-14.sbd.fishman.22791.sbeok.shnf
1988-10-14Miami Arena
22791REPITCHED VERSION (2/22/04) using Charlie Miller's original SHN's; done by JR Fishman. See info file for additional edits
gd1988-10-14.146317.OTS-NAK300.Hessberg.Miller.Noel.t-flac2496
1988-10-14Miami Arena
146317flac24; Recording Info: Nakamichi 300 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg
gd1988-10-14.134022.mtx.tobin.flac16
1988-10-14Miami Arena
134022flac16; Matrix 2 Source Mix - SBD (shnid=22289) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller + AUD (shn id 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - matrix mixing by Kevin Tobin
gd1988-10-14.134023.dts.tobin.flac16
1988-10-14Miami Arena
134023DTS-Audio-CD 5.1 Mix; SBD (shnid=22289) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller + AUD (shn id 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - dts mixing by Kevin Tobin
gd1988-10-14.134024.upd-aud.tobin.flac16
1988-10-14Miami Arena
134024flac16; (original shnid = 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - pitch correction and patches by Kevin Tobin
gd1988-10-14.nak100.holtz.gems.83676.sbeok.flac16
1988-10-14Miami Arena
83676flac16; Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz
gd1988-10-14.148492.nak300.hessberg.miller.clugston.flac1648
1988-10-14Miami Arena
148492flac16/48kHz; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1988-10-14.148493.nak300.hessberg.miller.clugston.flac2496
1988-10-14Miami Arena
148493flac24; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1988-10-14.141685.UltraMatrix.sbd.cm.miller.flac1644
1988-10-14Miami Arena
141685flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-10-14.141625.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644
1988-10-14Miami Arena
141625flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1988-10-14.141626.sbd.miller.flac2496
1988-10-14Miami Arena
141626flac24; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-10-14.sbd.miller.22289.sbeok.shnf
1988-10-14Miami Arena
22289Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller
gd88-10-15.aud.leeds.17181.sbeok.shnf
1988-10-15Bayfront Center Arena
17181UNKNOWN AUD>?>?>SHN Conversion: MKW>WAVE LAB>CD WAVE>MKW>SHN (Seekable) by Steven Leeds
gd1988-10-15.138836.aud.lamarre.berger.flac16
1988-10-15Bayfront Center Arena
138836flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 4, seat 3; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
gd1988-10-15.138837.aud.lamarre.berger.flac24
1988-10-15Bayfront Center Arena
138837flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 4, seat 3; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
gd1988-10-15.152002.ultramatrix.miller.flac2496
1988-10-15Bayfront Center Arena
152002flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Izotope RX8 Advanced (WOW & Flutter Repair) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC/24
gd1988-10-15.152008.UltraMatrix.sbd.cm.miller.t.flac16
1988-10-15Bayfront Center Arena
152008flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Izotope RX8 Advanced (WOW & Flutter Repair) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC/24 - 152002 24 > 16 @ 44.1
gd1988-10-15.141447.fob.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644
1988-10-15Bayfront Center Arena
141447flac16; Source Info: Ted Mattes' Master (FOB) Audience PCM; Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1988-10-15.142462.sbd-aud.composite.eaton.miller.clugston.flac1648
1988-10-15Bayfront Center Arena
142462flac16/48kHz; Source Info: 1st Set - Master UltraMatrix Soundboard Dat > Technics Reel to Reel > Panasonic SV-3800 Dat (16/48k); 2nd Set - Audience recording of unknown provenance; Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000(wav 16-bit/48k)> Adobe Audition 3.0 > TLH flac1648
gd1988-10-15.146318.OTS-NAK300.Hessberg.Miller.Noel.t-flac2496
1988-10-15Bayfront Center Arena
146318flac24; Recording Info: Nakamichi 300 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg
gd88-10-15.set2.partial.miller.28438.sbeok.flacf
1988-10-15Bayfront Center Arena
28438flac16; Recording Info: SBD -> Dat Master (48k) -> Dat (Cloned From Vault Master) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller (Set 2 partial)
gd1988-10-15.148494.nak300.hessberg.miller.clugston.flac1648
1988-10-15Bayfront Center Arena
148494flac16/48kHz; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1988-10-15.148495.nak300.hessberg.miller.clugston.flac2496
1988-10-15Bayfront Center Arena
148495flac24; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd88-10-16.aud.ingle.10058.sbeok.shnf
1988-10-16Bayfront Center
10058AUD>MC>DAT>CDR; via Paul Raoul; Seeded to etree by Brad Ingle
gd1988-10-16.138840.aud.lamarre.berger.flac16
1988-10-16Bayfront Center
138840flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 3, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
gd1988-10-16.138841.aud.lamarre.berger.flac24
1988-10-16Bayfront Center
138841flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 3, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
gd88-10-16.set2.aud.mattman.26381.sbeok.flacf
1988-10-16Bayfront Center
26381flac16; Remaster of shnid=10058, including secondary AUD patches from AUD> 2nd gen VHS, EQ and pitch correction; AUD> MC> DAT> CDR> SHN> WAV> ADOBE AUDITION> CDWAV> SHNTOOL> FLAC, by MattMan
gd1988-10-16.sbd.miller.92389.sbeok.flac16
1988-10-16Bayfront Center
92389flac16; Recording Info: SBD -> Cassette Master (TDK SA-x90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1988-10-16.146319.OTS-NAK300.Hessberg.Miller.Noel.t-flac2496
1988-10-16Bayfront Center Arena
146319flac24; Recording Info: Nakamichi 300 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg
gd1988-10-16.148496.nak300.hessberg.miller.clugston.flac1648
1988-10-16Bayfront Center
148496flac16/48kHz; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1988-10-16.148497.nak300.hessberg.miller.clugston.flac2496
1988-10-16Bayfront Center Arena
148497flac24; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1988-10-16.aud.koucky.gmb.86914.sbeok.flac16
1988-10-16Bayfront Center
86914flac16; Source: Master Analog Cassettes Nakamichi 300’s > Sony D5. Tapers section Maxell MX90 Type IV cassettes. Taped by B.Koucky. Transfer: MAC playback on azimuth adjusted Nakamich CR-7A > Lynx RCA-XLR cables > Lunatec V3 (96KHz) > AES/EBU digital out > LynxTwo Soundcard, Pro-mode Sync > recorded to harddrive with Wavelab 5 as 24 bit/96 KHz PCM WAV > Waves Z-Noise and Ozone 3 > MBIT+ > 16/44.1 > CDWAV 1.9 > FLAC (level 8). Transfer and mastering by Chris L.
gd1988-10-16.senn.mccue.ford.28478.sbeok.flac16
1988-10-16Bayfront Center
28478flac16; UPDATED source info: 2 Sennheiser ME80 shotguns > Sony D-5 > Maxell MX 90 (first set), TDK MA-XG90 (2nd set). Taper: Mark McCue Lineage: Sony D5 > Tascam CDR4U stand alone burner > CDR > EAC (no errors) > Win XP Pro > FLAC Frontend > FLAC 16. transfer from Sony D5 through CDR by Mark McCue. transfer from CDR through FLAC16 by Alex Ford on 03/08/05.
gd1988-10-16.141448.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644
1988-10-16Bayfront Center
141448flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1988-10-16.141650.sbd.miller.flac2496
1988-10-16Bayfront Center
141650flac24; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-10-16.141686.UltraMatrix.sbd.cm.miller.flac1644
1988-10-16Bayfront Center
141686flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd88-10-18.sbd-matrix.leeds.17079.sbeok.shnf
1988-10-18Keifer Lakefront Arena
17079SBD(Healy Mix)>MC>HiFi VHS>DAT>CDR>CD WAVE>WAVE LAB>MKW>SHN (Seekable); See info file for notes; Seeded to etree 05/07/03 by Steven Leeds
gd1988-10-18.151208.ultramatrix.voss.miller.flac2496
1988-10-18Keifer Lakefront Arena
151208flac24/96khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
gd1988-10-18.upg-sbd.tobin.122733.flac16
1988-10-18Keifer Lakefront Arena
122733flac16; SBD(Healy Mix)>MC>HiFi VHS>DAT>CDR>CD WAVE>WAVE LAB>MKW>SHN - patched and speed corrected version of shnid 17079 by Kevin Tobin
gd1988-10-18.151615.UltraMatrix.sbd.cm.voss.miller.t.flac16
1988-10-18Keifer Lakefront Arena
151615flac16/44khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151208 24 -> 16 @ 44.1
gd1988-10-18.122747.aud.flac16
1988-10-18Keifer Lakefront Arena
122747flac16; Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project
gd1988-10-18.115801.aud.encores.RSTERRAPIN.flac16
1988-10-18Keifer Lakefront Arena
115801flac16; Encores Only, AUD > ? > FLAC
gd1988-10-18.AKG414.White.Keo.116241.Flac1644
1988-10-18Keifer Lakefront Arena
116241flac16; Master Audience AKG414>Technics Dat>Sony D6 Dolby C; Taper White,Transfer By Keo; Tapes Maxell MX 90's; Transfer With Nakamichi MR-1,No Dolby C>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
gd1988-10-18.141504.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644
1988-10-18Keifer Lakefront Arena
141504flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1988-10-20.aud.dogman.gems.105858.flac16
1988-10-20The Summit
105858flac16; Taper: Alan "Dogman" Miller. Lineage AKG Microphones > Nakamichi550 1st Generation Maxell XLII-S Tapes ( the masters are gone ). Nakamichi DR-1 [no dolby] > Lynx2 Studio Reference Interface > Wavelab 6.01 at 24 BIT 48 kHz Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz. Tracked in CDWAV Tag&Rename for Meta_Data. Trader's Little Helper for FLAC Level8 by Patrick White (wharfratpat@shnflac.net)
gd1988-10-20.152119.ultramatrix.healy-pearson.miller.flac2496
1988-10-20The Summit
152119flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MX-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Izotope RX8 Advanced > Samplitude Pro X5 Suite > FLAC/24
gd1988-10-20.152172.UltraMatrix.sbd.cm.miller.t.flac16
1988-10-20The Summit
152172flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MX-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Izotope RX8 Advanced > Samplitude Pro X5 Suite > FLAC/24 - 152119 24 > 16 @ 44.1
gd1988-10-20.Senn441.White.Keo.116358.Flac2496
1988-10-20The Summit
116358flac24; Master Audience Sennheiser 441's>Sony D5>Sony D6 (Patched) Dolby C On; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
gd1988-10-20.141656.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644
1988-10-20The Summit
141656flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Schoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1988-10-20.Senn441.White.Keo.116357.Flac1644
1988-10-20The Summit
116357flac16; Master Audience Sennheiser 441's>Sony D5>Sony D6 (Patched) Dolby C On; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
gd88-10-21.sbd.dodd.16188.sbeok.shnf
1988-10-21Reunion Arena
16188MSC>?>DAT>CDR Eac > cool edit > shntool > cdwav > shnv3 Dat> Cdr by Andy Lemieux Eac > shnv3(secure with proper offsets) by Ernie Dodd
gd88-10-21.dsbd.miller.30814.sbeok.flacf
1988-10-21Reunion Arena
30814Recording Info: SBD -> Dat; Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC); Transferred and Edited By Charlie Miller charliemiller87@earthlink.net
gd1988-10-21.141026.cmc4-mk4.ebel.flac1644
1988-10-21Reunion Arena
141026flac16/44.1 Source Info: FOB Schoeps CMC 4 Mk4-> Sony F1 PCM-> DAT (Lance Deal?) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd88-10-21.aud.ford-bryson.31108.sbeok.flacf
1988-10-21Reunion Arena
31108Unknown Nakamichi mics > ? > Sony D-5 > Master Cassette > 1st Generation Cassette (2 Maxell XLII's) Taper: Unknown Lineage: 2 Maxell XLII's > Nakamichi Cassette Deck 2 > UA-5 @ 16 bit/44.1 kHz (analog in) > USB > WinXP Pro > Cool Edit Pro 2.0 > CDWave Editor > TLH (sbe fix) > Flac Frontend > FLAC16. Transfer and seeding to bt.etree.org by Alex Ford 10/06/2005 A very special thanks goes out to Barry B. for supplying (and trusting) me with his 1st Gen Cassettes.
gd1988-10-21.141657.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644
1988-10-21Reunion Arena
141657flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Schoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1988-10-21.FOB.UnkRealistic.White.Keo.116360.Flac2496
1988-10-21Reunion Arena
116360flac24; Master Audience Unknown Realistic Mics>Sony D6,Dolby C On; Recorded Third Row In Front Of The Left Speaker Stack; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
gd1988-10-21.FOB.UnkRealistic.White.Keo.116361.Flac1644
1988-10-21Reunion Arena
116361flac16; Master Audience Unknown Realistic Mics>Sony D6,Dolby C On; Recorded Third Row In Front Of The Left Speaker Stack; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua Top 16/44; SBE's Checked/Fixed with Trader's Little Helper
gd88-12-09.aud.willy.16093.sbeok.shnf
1988-12-09Long Beach Arena
16093AUD>DAT>CD; via Paul B; Seeded to etree by Willy
gd88-12-09.set2-sbd.leeds.16465.sbeok.shnf
1988-12-09Long Beach Arena
16465Set 2; Master Soundboard Cassette >DAT >CD; via Mark Lynn and Mike B, encoded by Steven Leeds
gd1988-12-09.152145.ultramatrix.miller.flac1644
1988-12-09Long Beach Arena
152145Recording Info: UltraMatrix SBD > Cassette Master (Don Pearson) > Cassette (Dolby C) > WAV (16-bit/44.1k)
Mastering Info: WAV > Samplitude Pro X5 Suite > FLAC/16
gd1988-12-09.152483.SennMKE2002.french.brown-onemoreshot.flac2496
1988-12-09Long Beach Arena
152483flac24/96 Ambient Master by Mike French "Moke". A solo effort Tapers From Hell: A Journey to the Impact Zone Sennheiser MKE2002 omni's (x2) HRTF @ 6'4" -> Sony TC-D5M no dolby n.r.. From 16th row, center section, FOB,.. Not true center, but a few feet left of center. Solo effort, no blockers or quiet zone. To the digital realm @ 24/96: Sony TC-D5M master deck, and master cassette no n.r. -> Tascam DVRA1000 DSD recorder in PCM Mode 24/96, mastered directly to DVD+RW. By MF Master DVD+RW disc imported to Mac G4 Tiger 10.4 Track divisions, and fades by Sound Studios 2.2.4. Flac by xACT by Scott Brown @ 6/8 By MF
gd1988-12-09.151088.aud.lohr.vernon.flac1648
1988-12-09Long Beach Arena
151088flac16/48khz Source : Unknown mics > DAT > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
gd1988-12-09.151089.aud.lohr.vernon.flac2496
1988-12-09Long Beach Arena
151089flac24/96khz Source : Unknown mics > DAT > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
gd88-12-10.aud.willy.16094.sbeok.shnf
1988-12-10Long Beach Arena
16094AUD>DAT>CD; via Paul B; Seeded to etree by Willy
gd1988-12-10.152146.ultramatrix.miller.flac1644
1988-12-10Long Beach Arena
152146Recording Info: UltraMatrix SBD > Cassette Master (Don Pearson) > Cassette (Dolby C) > WAV (16-bit/44.1k)
Mastering Info: WAV > Samplitude Pro X5 Suite > FLAC/16
gd1988-12-10.151090.aud.lohr.vernon.flac1648
1988-12-10Long Beach Arena
151090flac16/48khz Source : Unknown mics > DAT > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp >1648
gd1988-12-10.151091.aud.lohr.vernon.flac2496
1988-12-10Long Beach Arena
151091flac24/96khz Source : Unknown mics > DAT > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
gd88-12-11.aud.willy.16095.sbeok.shnf
1988-12-11Long Beach Arena
16095AUD>DAT>CD; via Paul B; Seeded to etree by Willy
gd1988-12-11.152147.ultramatrix.miller.flc1644
1988-12-11Long Beach Arena
152147Recording Info: UltraMatrix SBD > Cassette Master (Don Pearson) > Cassette (Dolby C) > WAV (16-bit/44.1k)
Mastering Info: WAV > Samplitude Pro X5 Suite > FLAC/16
gd1988-12-11.151092.aud.lohr.vernon.flac1648
1988-12-11Long Beach Arena
151092flac16/48khz Source : Unknown mics > DAT > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
gd1988-12-11.151093.aud.lohr.vernon.flac2496
1988-12-11Long Beach Arena
151093flac24/96khz Source : Unknown mics > DAT > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
gd88-12-28.sbd-matrix.3914.sbeok.shnf
1988-12-28Oakland-Alameda County Coliseum
3914Healy Mix (SBD+AKG C 424b mic)> PCM> DAT> EventGina> WAV> CD> EAC> SHN; to abgd as well as etree?
gd1988-12-28.nak100.holtz.97099.flac16
1988-12-28Oakland Coliseum Arena
97099flac16; Source: aud > Nak CM-100's with CP-4 shotgun mics > D-5 > mac taped from the official tapers section Transfer: mac > Nakamichi CR-5A > Tascam HDP2 > wav 24/96 > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16
gd1988-12-28.117670.NeumannKMF4.daweez.d5scott.flac16
1988-12-28Oakland-Alameda County Coliseum
117670flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1988-12-28.137866.sbd.GEMS.flac16
1988-12-28Oakland-Alameda County Coliseum
137866flac16; Healy Matrix -> Beta; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF->Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF->RME FIREFACE 800-> FireWire 400->Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab7; Audition CC 2015 Mastering and Patching by Jason Chastain; Track, FLAC, Pack by mdftunes
gd1988-12-28.149731.ultramatrix.sbd.pearson-healy.miller.flac2496
1988-12-28Oakland-Alameda County Coliseum
149731flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1988-12-28.141658.fob.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644
1988-12-28Oakland-Alameda County Coliseum
141658flac16; Source Info: Ted Mattes' (with an assist to Jeff Travitz) Master (FOB) Audience PCM; Schoeps CMC4/MK4 > Sony PCM-F1 with Apogee filters; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam SS-CDR2000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1988-12-28.149778.sbd.cm.miller.flac16
1988-12-28Oakland-Alameda County Coliseum,
149778flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1988-12-28.sbd.unknown.tetzeli.fix-3914.75302.reflac.flac16
1988-12-28Oakland Coliseum Arena
75302flac16; Seamless fix of shn id 3914 - SBD: Healy Mix>PCM>DAT>EventGina>WAV>CD>EAC>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1988-12-29.152285.ultramatrix.miller.flac2496
1988-12-29Oakland-Alameda County Coliseum
152285flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
gd1988-12-29.152582.UltraMatrix.sbd.cm.miller.t.flac16
1988-12-29Oakland-Alameda County Coliseum
152582flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 -This is 152285 24 -> 16 @ 44.1
gd88-12-29.sbd.popi.6313.sbeok.shnf
1988-12-29Oakland-Alameda County Coliseum
6313sbd> dats> wav> shn; dat> wav> shn by popi n. feeldz, from Michael Grossman DAT seed
gd1988-12-29.fob.nak100.holtz.lmpp.98925.flac16
1988-12-29Oakland Coliseum Arena
98925flac16; 2 Nak 100's w/ CP-4 Guns > Sony D5 > MAC > Nak dr-1 > 24/96 Wave > Wavelab 5 > UAD Plugs > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 )
gd88-12-29.dsbd-matrix.gardner.7347.sbeok.shnf
1988-12-29Oakland-Alameda County Coliseum
7347Ultra-Matrix DSBD>DAT>CDR>EAC>HD>SHN; via Glenn Gillis; Tony Gardner
gd1988-12-29.141659.fob.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644
1988-12-29Oakland-Alameda County Coliseum
141659flac16; Source Info: Ted Mattes' (with an assist to Jeff Travitz) Master (FOB) Audience PCM; Schoeps CMC4/MK4 > Sony PCM-F1 with Apogee filters; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam SS-CDR2000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1988-12-29.137692.sbd.GEMS.flac16
1988-12-29Oakland-Alameda County Coliseum
137692flac16; Healy Matrix -> Beta; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab7; Audition CC 2015 Mastering and Patching by Jason Chastain; Critical Listening Assistance and Track, FLAC, Pack by Norm
gd1988-12-29.140701.ultramatrix.sbd.pcm.miller.flac1644
1988-12-29Oakland-Alameda County Coliseum
140701flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony F1/Sony PRO-XL500); Transfer Info: PCM Master (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
gd88-12-31.matrix.ashley-bertha.9396.sbeok.shnf
1988-12-31Oakland-Alameda County Coliseum
9396Jay Ashley (Bertha) Remaster of Healy SBD Mix; SBD(Healy Mix>>PCM>>DAT>>DALCardDeluxe>>WAV>>CDA>SHN>>DAW(Bertha)>>CDA
gd88-12-31.matrix.unknown.3189.sbeok.shnf
1988-12-31Oakland-Alameda County Coliseum
3189Healy Mix (SBD+AKG C 424b mic)> PCM> DAT> DALCardDeluxe> WAV> CD> EAC> SHN; via Stagger? to abgd, thence to etree; some balloon pops edited down or out
gd1988-12-31.152286.ultramatrix.miller.flac2496
1988-12-31Oakland-Alameda County Coliseum
152286flac24/96 Recording Info: UltraMatrix SBD (Broadcast Mix) > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
gd1988-12-31.152583.UltraMatrix.sbd.cm.miller.t.flac16
1988-12-31Oakland-Alameda County Coliseum
152583flac16/44 Recording Info: UltraMatrix SBD (Broadcast Mix) > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152286 24 -> 16 @ 44.1
gd1988-12-31.136731.pre-fm.GEMS.flac16
1988-12-31Oakland-Alameda County Coliseum
136731flac16; Healy Matrix pre-fm -> Beta; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; tracking with Audacity-> flac level 8->tagged with Tag&Rename and checksums with TLH by Norm; 16 bit 44.1kHz a project **GEMS**
gd1988-12-31.sbd.walker-scotton.miller.85966.sbeok.flac16
1988-12-31Oakland Coliseum Arena
85966flac16; SBD -> Cassette Master (Sony D5/TDK MAX-G90) All Transfers and Mastering By Charlie Miller
gd1988-12-31.149469.nak300-cp4.boedicker.flac1644
1988-12-31Oakland-Alameda County Coliseum
149469flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>3 TDK SA-X 90 Minute Master Cassette Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section
gd1988-12-31.138904.s1.schoeps-cmc4-mk4.gastwirt.miller.sirmick.sbeok.flac16
1988-12-31Oakland-Alameda County Coliseum
138904flac16; Set 1 Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (44.1k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017
gd1988-12-31.140702.ultramatrix.sbd.pcm.miller.flac1644
1988-12-31Oakland-Alameda County Coliseum
140702flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony F1/Sony PRO-XL500); Transfer Info: PCM Master (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller