Identifiers for Grateful Dead
1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
Archive Identifier | |
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Date | Venue |
Source | |
gd1988-09-22.150694.senn-me-80.porter.carbonetta.sirmick.flac16 | |
1988-09-22 | Madison Square Garden |
150694 | flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - Taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > DSF 1-bit/5.6MHz - Transferred by Nick Carbonetta; Lineage: DSF 1-bit/5.6MHz > DBPoweramp > wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick October 2020 |
gd1988-09-22.150695.senn-me-80.porter.carbonetta.sirmick.flac24 | |
1988-09-22 | Madison Square Garden |
150695 | flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - Taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > DSF 1-bit/5.6MHz - Transferred by Nick Carbonetta; Lineage: DSF 1-bit/5.6MHz > DBPoweramp > wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > CD Wave > flac 24; edited and mastered SIRMick October 2020 |
gd1988-09-23.nak304.carpenter.88997.sbeok.flac16 | |
1988-09-23 | Madison Square Garden |
88997 | flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > TDK MA-XG 90's, no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. |
gd88-09-23.sbd.miller.5291.sbeok.shnf | |
1988-09-23 | Madison Square Garden |
5291 | Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia |
gd1988-09-23.133796.dts.tobin.flac16 | |
1988-09-23 | Madison Square Garden |
133796 | DTS-Audio-CD 5.1 Mix; SBD (shnid=5291) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 90983) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm 1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin |
gd1988-09-23.133794.upd-sbd.tobin.flac16 | |
1988-09-23 | Madison Square Garden |
133794 | flac16; (original shnid = 5291) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia - pitch correction and patches by Kevin Tobin |
gd1988-09-23.133795.mtx.tobin.flac16 | |
1988-09-23 | Madison Square Garden |
133795 | flac16; Matrix 2 Source Mix - SBD (shnid=5291) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 90983) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm 1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin |
gd1988-09-23.140944.OTS.Schoeps.PCM.Mattes.Miller.Noel.t-flac.1644 | |
1988-09-23 | Madison Square Garden |
140944 | flac16; Recording info: Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Don Crandall & Chris Huron (OTS) |
gd1988-09-23.115860.daweez.d5scott.NeumannKMF4.flac16 | |
1988-09-23 | Madison Square Garden |
115860 | flac16; Source: 2 Neumann KMF4 microphones (6th row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1988-09-23.nak300.damico.90983.sbeok.flac16 | |
1988-09-23 | Madison Square Garden |
90983 | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm 1 > creative extigy soundcard > cool edit pro > flac frontend |
gd1988-09-23.sbd-shchk.miller.79923.sbeok.flac16 | |
1988-09-23 | Madison Square Garden |
79923 | flac16; Soundcheck - Recording Info: SBD -> Cassette Master (Sony D6/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller |
gd1988-09-23.139648.OTS.s2.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac16 | |
1988-09-23 | Madison Square Garden |
139648 | flac16; Set 2 Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Joe Noel Edited & Mastered in Audacity: Flac 16/44; Checksum & tags created in xACT |
gd88-09-24.sbd.rich.425.sbeok.shnf | |
1988-09-24 | Madison Square Garden |
425 | encores missing; no source info; benefit with misc guests; via Rich (yubah); Keith Bode reports he traded around a bootleg CD of this show that matches setlist here- maybe this is his "very high quality bootleg" |
gd1988-09-24.nak304.carpenter.89303.sbeok.flac16 | |
1988-09-24 | Madison Square Garden |
89303 | flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > TDK MA 90's, no Dolby. Mics on stand on floor near sbd. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. |
gd1988-09-24.121064.NeumannKMF4.daweez.d5scott.flac16 | |
1988-09-24 | Madison Square Garden |
121064 | flac16; Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1988-09-24.133967.upd-sbd.tobin.flac16 | |
1988-09-24 | Madison Square Garden |
133967 | flac16; (original shnid = 82486) Recorded by David Minches FM>Sony PCM-601>NEC DX-5000 (Maxell XL-Pro)>Digital Domain VSP-P>Tascam DA-30>Egosys Waveterminal 2496>Cool Edit 2000>CDR Transfer and FLAC encoding by David Minches - pitch correction and patches by Kevin Tobin |
gd1988-09-24.133968.mtx.tobin.flac16 | |
1988-09-24 | Madison Square Garden |
133968 | flac16; Matrix 2 Source Mix - SBD (shnid=82486) Recorded by David Minches FM>Sony PCM-601>NEC DX-5000 (Maxell XL-Pro)>Digital Domain VSP-P>Tascam DA-30>Egosys Waveterminal 2496>Cool Edit 2000>CDR Transfer and FLAC encoding by David Minches + AUD (shn id 121064) Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - matrix mixing by Kevin Tobin |
gd1988-09-24.133969.dts.tobin.flac16 | |
1988-09-24 | Madison Square Garden |
133969 | DTS-Audio-CD 5.1 Mix; SBD (shnid=82486) Recorded by David Minches FM>Sony PCM-601>NEC DX-5000 (Maxell XL-Pro)>Digital Domain VSP-P>Tascam DA-30>Egosys Waveterminal 2496>Cool Edit 2000>CDR Transfer and FLAC encoding by David Minches + AUD (shn id 121064) Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - dts mixing by Kevin Tobin |
gd1988-09-24.142104.sbd.miller.mixed.flac2496 | |
1988-09-24 | Madison Square Garden |
142104 | flac24; Soundboard Recording Info: SBD > PCM Master (Sony ES-HG); Soundboard Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.6 MHz); Audience Recording Info: AKG C42 (m/s) > Beta HiFi Master (Sony ES-HG); Audience Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz); Mastering Info: DSF > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller |
gd1988-09-24.142105.sbd.miller.flac2496 | |
1988-09-24 | Madison Square Garden |
142105 | flac16; Recording Info: SBD > PCM Master (Sony ES-HG); Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller |
gd1988-09-24.142129.4-TrackMixdown.bm.miller.flac1644 | |
1988-09-24 | Madison Square Garden |
142129 | flac16; Soundboard Recording Info: SBD > PCM Master (Sony ES-HG); Soundboard Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.6 MHz); Audience Recording Info: AKG C42 (m/s) > Beta HiFi Master (Sony ES-HG); Audience Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz); Mastering Info: DSF > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller |
gd1988-09-24.142132.BHiFiM.AKG-C42m-s.miller.flac1644 | |
1988-09-24 | Madison Square Garden |
142132 | flac16; Recording Info: AKG C42 (m/s) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
gd1988-09-24.fm.minches.82486.sbeok.flac16 | |
1988-09-24 | Madison Square Garden |
82486 | flac16; Recorded by David Minches FM>Sony PCM-601>NEC DX-5000 (Maxell XL-Pro)>Digital Domain VSP-P>Tascam DA-30>Egosys Waveterminal 2496>Cool Edit 2000>CDR Transfer and FLAC encoding by David Minches |
gd1988-09-24.fm.unknown.83073.sbeok.shnf | |
1988-09-24 | Madison Square Garden |
83073 | Main source: Unknown FM or pre-FM source (shnid 425) Patch source: FM > C > poss. extra C gen > Tascam HD-P2 > .wav > SHN provided by Joey Browning (provides encores) |
gd1988-09-24.142112.akgc42.miller.flac2496 | |
1988-09-24 | Madison Square Garden |
142112 | flac24; Recording Info: AKG C42 (m/s) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
gd88-09-30.set1aud-set2sbd.miller.21093.sbeok.shnf | |
1988-09-30 | Shoreline Amphitheatre |
21093 | Set One Recording Info:(FOB/Section 102 Nakamichi CM700/CP701 -> dbx II -> Cassette Master (Sony TC-D5M); Set One Transfer Info: Cassette Master (Nakamichi Cassette Deck 1) -> dbx 224x -> Mytek 8X96ADC -> Nuendo (24bit) -> Samplitude v7.02 -> SHN (2 Discs Audio / 2 Discs SHN); Set Two Recording Info: SBD -> Cassette Master -> Dat -> CD > EAC -> SHN; Process Info: --slight eq with waves Q10 and slight dynamic expansion with waves C4 and rendered down to a 16 bit file with waves L2; Editing Info: --Tracked and Normalized with Samplitude v7.02 Professional; Recorded and Transfered BY Bill Reutelhuber; Edited and SHN'd By Charlie Miller 12/15/03 |
gd88-09-30.set2-sbd.sacks.7585.sbeok.shnf | |
1988-09-30 | Shoreline Amphitheatre |
7585 | 2nd set only; Soundboard Cassette >DAT> CDR> EAC> seekable SHN; via Darrin Sacks |
gd1988-09-30.142152.UltraMatrix.cm.sbd.miller.flac1644 | |
1988-09-30 | Shoreline Amphitheatre |
142152 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1988-09-30.beyerM88.russjcan.94477.flac16 | |
1988-09-30 | Shoreline Amphitheatre |
94477 | flac16; Beyer M-88's w/D6 OTS MAC>D6>HD>Audacity>CDWave>TLH |
gd1988-09-30.142145.sbd.miller.flac2496 | |
1988-09-30 | Shoreline Amphitheatre |
142145 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd88-10-01.sbd.sacks.7728.sbeok.shnf | |
1988-10-01 | Shoreline Amphitheatre |
7728 | SBD> Cass> DAT> CDR> EAC> SHN (seekable); via Darrin Sacks to abgd, etree |
gd1988-10-01.142331.sbd.miller.flac2496 | |
1988-10-01 | Shoreline Amphitheatre |
142331 | flac24; Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1988-10-01.ec7.s2.bowen.116400.flac | |
1988-10-01 | Shoreline Amphitheatre |
116400 | flac16; Set 2 Only Source: (OTS) Superscope EC-7's > Marantz PMD-430; Lineage: Cass/M > Sony D5 > HHb 800 > EAC > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster |
gd1988-10-01.142489.sbd.bm.miller.flac1644 | |
1988-10-01 | Shoreline Amphitheatre |
142489 | flac16; Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1988-10-01.beyerM88.russjcan.94478.flac16 | |
1988-10-01 | Shoreline Amphitheatre |
94478 | flac16; Beyer M-88's w/D6 OTS MAC>D6>HD>Audacity>CDWave>TLH |
gd88-10-02.sbd.sacks.7637.sbeok.shnf | |
1988-10-02 | Shoreline Amphitheatre |
7637 | SBD> Cass> DAT> CDR> EAC>SHN (seekable); via Darrin Sacks to abgd, etree |
gd1988-10-02.142403.s2.sbd.miller.flac2496 | |
1988-10-02 | Shoreline Amphitheatre |
142403 | flac24; Set 2 Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1988-10-02.142490.s2.sbd.bm.miller.flac1644 | |
1988-10-02 | Shoreline Amphitheatre |
142490 | flac16; Set 2 Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1988-10-02.beyerM88.russjcan.94479.flac16 | |
1988-10-02 | Shoreline Amphitheatre |
94479 | flac16; Beyer M-88's w/D6 OTS MAC>D6>HD>Audacity>CDWave>TLH |
gd1988-10-02.sbd.sacks.tetzeli.fix-7637.34467.reflac.flac16 | |
1988-10-02 | Shoreline Amphitheatre |
34467 | flac16; Seamless fix of shn id 7637 - Cassette Soundboard>DAT>CDR>EAC>SHN(seekable)>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
gd1988-10-14.138829.aud.lamarre.berger.flac16 | |
1988-10-14 | Miami Arena |
138829 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; taper section, section 101, row t, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger |
gd1988-10-14.138830.aud.lamarre.berger.flac24 | |
1988-10-14 | Miami Arena |
138830 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; taper section, section 101, row t, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger |
gd88-10-14.sbd.fishman.22791.sbeok.shnf | |
1988-10-14 | Miami Arena |
22791 | REPITCHED VERSION (2/22/04) using Charlie Miller's original SHN's; done by JR Fishman. See info file for additional edits |
gd1988-10-14.146317.OTS-NAK300.Hessberg.Miller.Noel.t-flac2496 | |
1988-10-14 | Miami Arena |
146317 | flac24; Recording Info: Nakamichi 300 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg |
gd1988-10-14.134022.mtx.tobin.flac16 | |
1988-10-14 | Miami Arena |
134022 | flac16; Matrix 2 Source Mix - SBD (shnid=22289) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller + AUD (shn id 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - matrix mixing by Kevin Tobin |
gd1988-10-14.134023.dts.tobin.flac16 | |
1988-10-14 | Miami Arena |
134023 | DTS-Audio-CD 5.1 Mix; SBD (shnid=22289) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller + AUD (shn id 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - dts mixing by Kevin Tobin |
gd1988-10-14.134024.upd-aud.tobin.flac16 | |
1988-10-14 | Miami Arena |
134024 | flac16; (original shnid = 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - pitch correction and patches by Kevin Tobin |
gd1988-10-14.nak100.holtz.gems.83676.sbeok.flac16 | |
1988-10-14 | Miami Arena |
83676 | flac16; Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz |
gd1988-10-14.148492.nak300.hessberg.miller.clugston.flac1648 | |
1988-10-14 | Miami Arena |
148492 | flac16/48kHz; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1988-10-14.148493.nak300.hessberg.miller.clugston.flac2496 | |
1988-10-14 | Miami Arena |
148493 | flac24; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1988-10-14.141685.UltraMatrix.sbd.cm.miller.flac1644 | |
1988-10-14 | Miami Arena |
141685 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1988-10-14.141625.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644 | |
1988-10-14 | Miami Arena |
141625 | flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd1988-10-14.141626.sbd.miller.flac2496 | |
1988-10-14 | Miami Arena |
141626 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1988-10-14.sbd.miller.22289.sbeok.shnf | |
1988-10-14 | Miami Arena |
22289 | Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller |
gd88-10-15.aud.leeds.17181.sbeok.shnf | |
1988-10-15 | Bayfront Center Arena |
17181 | UNKNOWN AUD>?>?>SHN Conversion: MKW>WAVE LAB>CD WAVE>MKW>SHN (Seekable) by Steven Leeds |
gd1988-10-15.138836.aud.lamarre.berger.flac16 | |
1988-10-15 | Bayfront Center Arena |
138836 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 4, seat 3; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger |
gd1988-10-15.138837.aud.lamarre.berger.flac24 | |
1988-10-15 | Bayfront Center Arena |
138837 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 4, seat 3; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger |
gd1988-10-15.152002.ultramatrix.miller.flac2496 | |
1988-10-15 | Bayfront Center Arena |
152002 | flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Izotope RX8 Advanced (WOW & Flutter Repair) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC/24 |
gd1988-10-15.152008.UltraMatrix.sbd.cm.miller.t.flac16 | |
1988-10-15 | Bayfront Center Arena |
152008 | flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Izotope RX8 Advanced (WOW & Flutter Repair) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC/24 - 152002 24 > 16 @ 44.1 |
gd1988-10-15.141447.fob.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644 | |
1988-10-15 | Bayfront Center Arena |
141447 | flac16; Source Info: Ted Mattes' Master (FOB) Audience PCM; Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd1988-10-15.142462.sbd-aud.composite.eaton.miller.clugston.flac1648 | |
1988-10-15 | Bayfront Center Arena |
142462 | flac16/48kHz; Source Info: 1st Set - Master UltraMatrix Soundboard Dat > Technics Reel to Reel > Panasonic SV-3800 Dat (16/48k); 2nd Set - Audience recording of unknown provenance; Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000(wav 16-bit/48k)> Adobe Audition 3.0 > TLH flac1648 |
gd1988-10-15.146318.OTS-NAK300.Hessberg.Miller.Noel.t-flac2496 | |
1988-10-15 | Bayfront Center Arena |
146318 | flac24; Recording Info: Nakamichi 300 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg |
gd88-10-15.set2.partial.miller.28438.sbeok.flacf | |
1988-10-15 | Bayfront Center Arena |
28438 | flac16; Recording Info: SBD -> Dat Master (48k) -> Dat (Cloned From Vault Master) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller (Set 2 partial) |
gd1988-10-15.148494.nak300.hessberg.miller.clugston.flac1648 | |
1988-10-15 | Bayfront Center Arena |
148494 | flac16/48kHz; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1988-10-15.148495.nak300.hessberg.miller.clugston.flac2496 | |
1988-10-15 | Bayfront Center Arena |
148495 | flac24; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd88-10-16.aud.ingle.10058.sbeok.shnf | |
1988-10-16 | Bayfront Center |
10058 | AUD>MC>DAT>CDR; via Paul Raoul; Seeded to etree by Brad Ingle |
gd1988-10-16.138840.aud.lamarre.berger.flac16 | |
1988-10-16 | Bayfront Center |
138840 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 3, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger |
gd1988-10-16.138841.aud.lamarre.berger.flac24 | |
1988-10-16 | Bayfront Center |
138841 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 3, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger |
gd88-10-16.set2.aud.mattman.26381.sbeok.flacf | |
1988-10-16 | Bayfront Center |
26381 | flac16; Remaster of shnid=10058, including secondary AUD patches from AUD> 2nd gen VHS, EQ and pitch correction; AUD> MC> DAT> CDR> SHN> WAV> ADOBE AUDITION> CDWAV> SHNTOOL> FLAC, by MattMan |
gd1988-10-16.sbd.miller.92389.sbeok.flac16 | |
1988-10-16 | Bayfront Center |
92389 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-x90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
gd1988-10-16.146319.OTS-NAK300.Hessberg.Miller.Noel.t-flac2496 | |
1988-10-16 | Bayfront Center Arena |
146319 | flac24; Recording Info: Nakamichi 300 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg |
gd1988-10-16.148496.nak300.hessberg.miller.clugston.flac1648 | |
1988-10-16 | Bayfront Center |
148496 | flac16/48kHz; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1988-10-16.148497.nak300.hessberg.miller.clugston.flac2496 | |
1988-10-16 | Bayfront Center Arena |
148497 | flac24; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1988-10-16.aud.koucky.gmb.86914.sbeok.flac16 | |
1988-10-16 | Bayfront Center |
86914 | flac16; Source: Master Analog Cassettes Nakamichi 300’s > Sony D5. Tapers section Maxell MX90 Type IV cassettes. Taped by B.Koucky. Transfer: MAC playback on azimuth adjusted Nakamich CR-7A > Lynx RCA-XLR cables > Lunatec V3 (96KHz) > AES/EBU digital out > LynxTwo Soundcard, Pro-mode Sync > recorded to harddrive with Wavelab 5 as 24 bit/96 KHz PCM WAV > Waves Z-Noise and Ozone 3 > MBIT+ > 16/44.1 > CDWAV 1.9 > FLAC (level 8). Transfer and mastering by Chris L. |
gd1988-10-16.senn.mccue.ford.28478.sbeok.flac16 | |
1988-10-16 | Bayfront Center |
28478 | flac16; UPDATED source info: 2 Sennheiser ME80 shotguns > Sony D-5 > Maxell MX 90 (first set), TDK MA-XG90 (2nd set). Taper: Mark McCue Lineage: Sony D5 > Tascam CDR4U stand alone burner > CDR > EAC (no errors) > Win XP Pro > FLAC Frontend > FLAC 16. transfer from Sony D5 through CDR by Mark McCue. transfer from CDR through FLAC16 by Alex Ford on 03/08/05. |
gd1988-10-16.141448.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644 | |
1988-10-16 | Bayfront Center |
141448 | flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd1988-10-16.141650.sbd.miller.flac2496 | |
1988-10-16 | Bayfront Center |
141650 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1988-10-16.141686.UltraMatrix.sbd.cm.miller.flac1644 | |
1988-10-16 | Bayfront Center |
141686 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd88-10-18.sbd-matrix.leeds.17079.sbeok.shnf | |
1988-10-18 | Keifer Lakefront Arena |
17079 | SBD(Healy Mix)>MC>HiFi VHS>DAT>CDR>CD WAVE>WAVE LAB>MKW>SHN (Seekable); See info file for notes; Seeded to etree 05/07/03 by Steven Leeds |
gd1988-10-18.151208.ultramatrix.voss.miller.flac2496 | |
1988-10-18 | Keifer Lakefront Arena |
151208 | flac24/96khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
gd1988-10-18.upg-sbd.tobin.122733.flac16 | |
1988-10-18 | Keifer Lakefront Arena |
122733 | flac16; SBD(Healy Mix)>MC>HiFi VHS>DAT>CDR>CD WAVE>WAVE LAB>MKW>SHN - patched and speed corrected version of shnid 17079 by Kevin Tobin |
gd1988-10-18.151615.UltraMatrix.sbd.cm.voss.miller.t.flac16 | |
1988-10-18 | Keifer Lakefront Arena |
151615 | flac16/44khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151208 24 -> 16 @ 44.1 |
gd1988-10-18.122747.aud.flac16 | |
1988-10-18 | Keifer Lakefront Arena |
122747 | flac16; Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project |
gd1988-10-18.115801.aud.encores.RSTERRAPIN.flac16 | |
1988-10-18 | Keifer Lakefront Arena |
115801 | flac16; Encores Only, AUD > ? > FLAC |
gd1988-10-18.AKG414.White.Keo.116241.Flac1644 | |
1988-10-18 | Keifer Lakefront Arena |
116241 | flac16; Master Audience AKG414>Technics Dat>Sony D6 Dolby C; Taper White,Transfer By Keo; Tapes Maxell MX 90's; Transfer With Nakamichi MR-1,No Dolby C>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper |
gd1988-10-18.141504.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644 | |
1988-10-18 | Keifer Lakefront Arena |
141504 | flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd1988-10-20.aud.dogman.gems.105858.flac16 | |
1988-10-20 | The Summit |
105858 | flac16; Taper: Alan "Dogman" Miller. Lineage AKG Microphones > Nakamichi550 1st Generation Maxell XLII-S Tapes ( the masters are gone ). Nakamichi DR-1 [no dolby] > Lynx2 Studio Reference Interface > Wavelab 6.01 at 24 BIT 48 kHz Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz. Tracked in CDWAV Tag&Rename for Meta_Data. Trader's Little Helper for FLAC Level8 by Patrick White (wharfratpat@shnflac.net) |
gd1988-10-20.152119.ultramatrix.healy-pearson.miller.flac2496 | |
1988-10-20 | The Summit |
152119 | flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MX-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Izotope RX8 Advanced > Samplitude Pro X5 Suite > FLAC/24 |
gd1988-10-20.152172.UltraMatrix.sbd.cm.miller.t.flac16 | |
1988-10-20 | The Summit |
152172 | flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MX-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Izotope RX8 Advanced > Samplitude Pro X5 Suite > FLAC/24 - 152119 24 > 16 @ 44.1 |
gd1988-10-20.Senn441.White.Keo.116358.Flac2496 | |
1988-10-20 | The Summit |
116358 | flac24; Master Audience Sennheiser 441's>Sony D5>Sony D6 (Patched) Dolby C On; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz |
gd1988-10-20.141656.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644 | |
1988-10-20 | The Summit |
141656 | flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Schoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd1988-10-20.Senn441.White.Keo.116357.Flac1644 | |
1988-10-20 | The Summit |
116357 | flac16; Master Audience Sennheiser 441's>Sony D5>Sony D6 (Patched) Dolby C On; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper |
gd88-10-21.sbd.dodd.16188.sbeok.shnf | |
1988-10-21 | Reunion Arena |
16188 | MSC>?>DAT>CDR Eac > cool edit > shntool > cdwav > shnv3 Dat> Cdr by Andy Lemieux Eac > shnv3(secure with proper offsets) by Ernie Dodd |
gd88-10-21.dsbd.miller.30814.sbeok.flacf | |
1988-10-21 | Reunion Arena |
30814 | Recording Info: SBD -> Dat; Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC); Transferred and Edited By Charlie Miller charliemiller87@earthlink.net |
gd1988-10-21.141026.cmc4-mk4.ebel.flac1644 | |
1988-10-21 | Reunion Arena |
141026 | flac16/44.1 Source Info: FOB Schoeps CMC 4 Mk4-> Sony F1 PCM-> DAT (Lance Deal?) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel |
gd88-10-21.aud.ford-bryson.31108.sbeok.flacf | |
1988-10-21 | Reunion Arena |
31108 | Unknown Nakamichi mics > ? > Sony D-5 > Master Cassette > 1st Generation Cassette (2 Maxell XLII's) Taper: Unknown Lineage: 2 Maxell XLII's > Nakamichi Cassette Deck 2 > UA-5 @ 16 bit/44.1 kHz (analog in) > USB > WinXP Pro > Cool Edit Pro 2.0 > CDWave Editor > TLH (sbe fix) > Flac Frontend > FLAC16. Transfer and seeding to bt.etree.org by Alex Ford 10/06/2005 A very special thanks goes out to Barry B. for supplying (and trusting) me with his 1st Gen Cassettes. |
gd1988-10-21.141657.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644 | |
1988-10-21 | Reunion Arena |
141657 | flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Schoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd1988-10-21.FOB.UnkRealistic.White.Keo.116360.Flac2496 | |
1988-10-21 | Reunion Arena |
116360 | flac24; Master Audience Unknown Realistic Mics>Sony D6,Dolby C On; Recorded Third Row In Front Of The Left Speaker Stack; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz |
gd1988-10-21.FOB.UnkRealistic.White.Keo.116361.Flac1644 | |
1988-10-21 | Reunion Arena |
116361 | flac16; Master Audience Unknown Realistic Mics>Sony D6,Dolby C On; Recorded Third Row In Front Of The Left Speaker Stack; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua Top 16/44; SBE's Checked/Fixed with Trader's Little Helper |
gd88-12-09.aud.willy.16093.sbeok.shnf | |
1988-12-09 | Long Beach Arena |
16093 | AUD>DAT>CD; via Paul B; Seeded to etree by Willy |
gd88-12-09.set2-sbd.leeds.16465.sbeok.shnf | |
1988-12-09 | Long Beach Arena |
16465 | Set 2; Master Soundboard Cassette >DAT >CD; via Mark Lynn and Mike B, encoded by Steven Leeds |
gd1988-12-09.152145.ultramatrix.miller.flac1644 | |
1988-12-09 | Long Beach Arena |
152145 | Recording Info: UltraMatrix SBD > Cassette Master (Don Pearson) > Cassette (Dolby C) > WAV (16-bit/44.1k) Mastering Info: WAV > Samplitude Pro X5 Suite > FLAC/16 |
gd1988-12-09.152483.SennMKE2002.french.brown-onemoreshot.flac2496 | |
1988-12-09 | Long Beach Arena |
152483 | flac24/96 Ambient Master by Mike French "Moke". A solo effort Tapers From Hell: A Journey to the Impact Zone Sennheiser MKE2002 omni's (x2) HRTF @ 6'4" -> Sony TC-D5M no dolby n.r.. From 16th row, center section, FOB,.. Not true center, but a few feet left of center. Solo effort, no blockers or quiet zone. To the digital realm @ 24/96: Sony TC-D5M master deck, and master cassette no n.r. -> Tascam DVRA1000 DSD recorder in PCM Mode 24/96, mastered directly to DVD+RW. By MF Master DVD+RW disc imported to Mac G4 Tiger 10.4 Track divisions, and fades by Sound Studios 2.2.4. Flac by xACT by Scott Brown @ 6/8 By MF |
gd1988-12-09.151088.aud.lohr.vernon.flac1648 | |
1988-12-09 | Long Beach Arena |
151088 | flac16/48khz Source : Unknown mics > DAT > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 |
gd1988-12-09.151089.aud.lohr.vernon.flac2496 | |
1988-12-09 | Long Beach Arena |
151089 | flac24/96khz Source : Unknown mics > DAT > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) |
gd88-12-10.aud.willy.16094.sbeok.shnf | |
1988-12-10 | Long Beach Arena |
16094 | AUD>DAT>CD; via Paul B; Seeded to etree by Willy |
gd1988-12-10.152146.ultramatrix.miller.flac1644 | |
1988-12-10 | Long Beach Arena |
152146 | Recording Info: UltraMatrix SBD > Cassette Master (Don Pearson) > Cassette (Dolby C) > WAV (16-bit/44.1k) Mastering Info: WAV > Samplitude Pro X5 Suite > FLAC/16 |
gd1988-12-10.151090.aud.lohr.vernon.flac1648 | |
1988-12-10 | Long Beach Arena |
151090 | flac16/48khz Source : Unknown mics > DAT > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp >1648 |
gd1988-12-10.151091.aud.lohr.vernon.flac2496 | |
1988-12-10 | Long Beach Arena |
151091 | flac24/96khz Source : Unknown mics > DAT > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) |
gd88-12-11.aud.willy.16095.sbeok.shnf | |
1988-12-11 | Long Beach Arena |
16095 | AUD>DAT>CD; via Paul B; Seeded to etree by Willy |
gd1988-12-11.152147.ultramatrix.miller.flc1644 | |
1988-12-11 | Long Beach Arena |
152147 | Recording Info: UltraMatrix SBD > Cassette Master (Don Pearson) > Cassette (Dolby C) > WAV (16-bit/44.1k) Mastering Info: WAV > Samplitude Pro X5 Suite > FLAC/16 |
gd1988-12-11.151092.aud.lohr.vernon.flac1648 | |
1988-12-11 | Long Beach Arena |
151092 | flac16/48khz Source : Unknown mics > DAT > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 |
gd1988-12-11.151093.aud.lohr.vernon.flac2496 | |
1988-12-11 | Long Beach Arena |
151093 | flac24/96khz Source : Unknown mics > DAT > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) |
gd88-12-28.sbd-matrix.3914.sbeok.shnf | |
1988-12-28 | Oakland-Alameda County Coliseum |
3914 | Healy Mix (SBD+AKG C 424b mic)> PCM> DAT> EventGina> WAV> CD> EAC> SHN; to abgd as well as etree? |
gd1988-12-28.nak100.holtz.97099.flac16 | |
1988-12-28 | Oakland Coliseum Arena |
97099 | flac16; Source: aud > Nak CM-100's with CP-4 shotgun mics > D-5 > mac taped from the official tapers section Transfer: mac > Nakamichi CR-5A > Tascam HDP2 > wav 24/96 > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16 |
gd1988-12-28.117670.NeumannKMF4.daweez.d5scott.flac16 | |
1988-12-28 | Oakland-Alameda County Coliseum |
117670 | flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1988-12-28.137866.sbd.GEMS.flac16 | |
1988-12-28 | Oakland-Alameda County Coliseum |
137866 | flac16; Healy Matrix -> Beta; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF->Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF->RME FIREFACE 800-> FireWire 400->Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab7; Audition CC 2015 Mastering and Patching by Jason Chastain; Track, FLAC, Pack by mdftunes |
gd1988-12-28.149731.ultramatrix.sbd.pearson-healy.miller.flac2496 | |
1988-12-28 | Oakland-Alameda County Coliseum |
149731 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1988-12-28.141658.fob.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644 | |
1988-12-28 | Oakland-Alameda County Coliseum |
141658 | flac16; Source Info: Ted Mattes' (with an assist to Jeff Travitz) Master (FOB) Audience PCM; Schoeps CMC4/MK4 > Sony PCM-F1 with Apogee filters; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam SS-CDR2000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd1988-12-28.149778.sbd.cm.miller.flac16 | |
1988-12-28 | Oakland-Alameda County Coliseum, |
149778 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd1988-12-28.sbd.unknown.tetzeli.fix-3914.75302.reflac.flac16 | |
1988-12-28 | Oakland Coliseum Arena |
75302 | flac16; Seamless fix of shn id 3914 - SBD: Healy Mix>PCM>DAT>EventGina>WAV>CD>EAC>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
gd1988-12-29.152285.ultramatrix.miller.flac2496 | |
1988-12-29 | Oakland-Alameda County Coliseum |
152285 | flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
gd1988-12-29.152582.UltraMatrix.sbd.cm.miller.t.flac16 | |
1988-12-29 | Oakland-Alameda County Coliseum |
152582 | flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 -This is 152285 24 -> 16 @ 44.1 |
gd88-12-29.sbd.popi.6313.sbeok.shnf | |
1988-12-29 | Oakland-Alameda County Coliseum |
6313 | sbd> dats> wav> shn; dat> wav> shn by popi n. feeldz, from Michael Grossman DAT seed |
gd1988-12-29.fob.nak100.holtz.lmpp.98925.flac16 | |
1988-12-29 | Oakland Coliseum Arena |
98925 | flac16; 2 Nak 100's w/ CP-4 Guns > Sony D5 > MAC > Nak dr-1 > 24/96 Wave > Wavelab 5 > UAD Plugs > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 ) |
gd88-12-29.dsbd-matrix.gardner.7347.sbeok.shnf | |
1988-12-29 | Oakland-Alameda County Coliseum |
7347 | Ultra-Matrix DSBD>DAT>CDR>EAC>HD>SHN; via Glenn Gillis; Tony Gardner |
gd1988-12-29.141659.fob.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644 | |
1988-12-29 | Oakland-Alameda County Coliseum |
141659 | flac16; Source Info: Ted Mattes' (with an assist to Jeff Travitz) Master (FOB) Audience PCM; Schoeps CMC4/MK4 > Sony PCM-F1 with Apogee filters; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam SS-CDR2000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd1988-12-29.137692.sbd.GEMS.flac16 | |
1988-12-29 | Oakland-Alameda County Coliseum |
137692 | flac16; Healy Matrix -> Beta; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab7; Audition CC 2015 Mastering and Patching by Jason Chastain; Critical Listening Assistance and Track, FLAC, Pack by Norm |
gd1988-12-29.140701.ultramatrix.sbd.pcm.miller.flac1644 | |
1988-12-29 | Oakland-Alameda County Coliseum |
140701 | flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony F1/Sony PRO-XL500); Transfer Info: PCM Master (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller |
gd88-12-31.matrix.ashley-bertha.9396.sbeok.shnf | |
1988-12-31 | Oakland-Alameda County Coliseum |
9396 | Jay Ashley (Bertha) Remaster of Healy SBD Mix; SBD(Healy Mix>>PCM>>DAT>>DALCardDeluxe>>WAV>>CDA>SHN>>DAW(Bertha)>>CDA |
gd88-12-31.matrix.unknown.3189.sbeok.shnf | |
1988-12-31 | Oakland-Alameda County Coliseum |
3189 | Healy Mix (SBD+AKG C 424b mic)> PCM> DAT> DALCardDeluxe> WAV> CD> EAC> SHN; via Stagger? to abgd, thence to etree; some balloon pops edited down or out |
gd1988-12-31.152286.ultramatrix.miller.flac2496 | |
1988-12-31 | Oakland-Alameda County Coliseum |
152286 | flac24/96 Recording Info: UltraMatrix SBD (Broadcast Mix) > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
gd1988-12-31.152583.UltraMatrix.sbd.cm.miller.t.flac16 | |
1988-12-31 | Oakland-Alameda County Coliseum |
152583 | flac16/44 Recording Info: UltraMatrix SBD (Broadcast Mix) > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152286 24 -> 16 @ 44.1 |
gd1988-12-31.136731.pre-fm.GEMS.flac16 | |
1988-12-31 | Oakland-Alameda County Coliseum |
136731 | flac16; Healy Matrix pre-fm -> Beta; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; tracking with Audacity-> flac level 8->tagged with Tag&Rename and checksums with TLH by Norm; 16 bit 44.1kHz a project **GEMS** |
gd1988-12-31.sbd.walker-scotton.miller.85966.sbeok.flac16 | |
1988-12-31 | Oakland Coliseum Arena |
85966 | flac16; SBD -> Cassette Master (Sony D5/TDK MAX-G90) All Transfers and Mastering By Charlie Miller |
gd1988-12-31.149469.nak300-cp4.boedicker.flac1644 | |
1988-12-31 | Oakland-Alameda County Coliseum |
149469 | flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>3 TDK SA-X 90 Minute Master Cassette Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section |
gd1988-12-31.138904.s1.schoeps-cmc4-mk4.gastwirt.miller.sirmick.sbeok.flac16 | |
1988-12-31 | Oakland-Alameda County Coliseum |
138904 | flac16; Set 1 Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (44.1k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017 |
gd1988-12-31.140702.ultramatrix.sbd.pcm.miller.flac1644 | |
1988-12-31 | Oakland-Alameda County Coliseum |
140702 | flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony F1/Sony PRO-XL500); Transfer Info: PCM Master (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller |