Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1984-10-11.132352.Nak100CP4.Hill.Keo.Flac2496
1984-10-11Augusta Civic Center
132352flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
gd1984-10-11.fob.senn441.andrewf.94404.sbeok.flac16
1984-10-11Augusta Civic Center
94404flac16; FOB AUD: Sennhesier MD-441's > Sony TC-D5M > Maxell UD-XLII 90's, no Dolby. Mics on seven-foot stood, angled up at stacks, approx 25 feet from the stage, in the center. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Taped & transferred by Andrew F.
gd1984-10-11.124355.chasingwilma.flac24
1984-10-11Augusta Civic Center
124355flac24; lineage: (2)nakamichi 300 cp1 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
gd1984-10-11.141028.FOB.Neumann.billydee.Sellers.Noel.t-flac1644
1984-10-11Augusta Civic Center
141028flac16; billydee recording (patched out of): Neumann km84i's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd84-10-11.oade.sacks.17411.sbeok.shnf
1984-10-11Augusta Civic Center
17411Retracked and sector boundary errors fixed version of previous Oade Schoeps source; Source: FOB Schoeps MK41/CMC4 > Oade M118 > Sony TC D-5 Cassette Master > PCM > DAT @44.1khz; seeded by Sacks via Clifton
gd1984-10-11.beyerm160.mccabe.ladner.33825.sbeok.flac16
1984-10-11Augusta Civic Center
33825Source: FOB Beyer M160s > Sony TCD5M > Master Audience Cassette (Maxell MX90 Type IV Cassettes). Transfer: MAC playback on Nakamich DR-2 > Audiophile 2496 > recorded as 24bit /96 KHz WAV > Wavelab/Waves L3 (see notes) > rendered to 16/44.1 WAV > CDWAV 1.9 > FLAC (level 8).
gd1984-10-11.schoeps.oade.sacks.8794.sbefail.shnf
1984-10-11Augusta Civic Center
8794Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor; upgrade in circulation
gd1984-10-11.nak700.rolfe.minches.99190.flac16
1984-10-11Augusta Civic Center
99190flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
gd1984-10-11.fob.nak100.holtz-bolton.jaz.100420.flac16
1984-10-11Augusta Civic Center
100420flac16; FOB AUD: Nakamichi CM100 mics w/CP-4 shotgun capsules > Sony TC-D5M cassette deck. Situated exact center, directly in front of the soundboard, mic stand at about 7', shotguns pointing at stacks Transfer: MAC > Nakamichi DR-1 cassette deck > HHb 850 Standalone CD Burner > CDR > EAC > Cool Edit Pro > CD Wave > FLAC Level 8; Recorded by Greg Holtz & Tony Bolton
gd1984-10-11.110034.beyer-senn-daweez.D5scott.flac16
1984-10-11Augusta Civic Center
110034flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-10-11.132793.fob-schoeps.oade.BCE.flac16
1984-10-11Augusta Civic Center
132793flac16; Remaster of Oade source 8794; Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut and Flac files created in Audacity 2.0.5
gd1984-10-11.137264.aud.lamarre.berger.flac24
1984-10-11Augusta Civic Center
137264flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger
gd1984-10-11.137265.aud.lamarre.berger.flac16
1984-10-11Augusta Civic Center
137265flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger
gd1984-10-11.nak300.morris.crazyfingers.106646.flac16
1984-10-11Augusta Civic Center
106646flac16; Recorded by Bob Morris.Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
gd1984-10-11.139116.FOB.Neumann.billydee.Sellers.Noel.t-flac24
1984-10-11Augusta Civic Center
139116flac24; billydee recording (patched out of): Neumann km84i's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT
gd1984-10-11.143631.nak.blend.guy.miller.clugston.flac1648
1984-10-11Augusta Civic Center
143631flac16; Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mics w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1984-10-11.143632.nak.blend.guy.miller.clugston.flac2496
1984-10-11Augusta Civic Center
143632flac24; Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mics w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
gd1984-10-11.nak300.morris.113965.flac24
1984-10-11Augusta Civic Center
113965flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
gd84-10-12.beyer-ficca.ficca.20022.sbeok.shnf
1984-10-12Augusta Civic Center
20022Master Tapes by Ficca Source: FOB Center Sony TCD5M with 2 Beyer Dynamic 160's > Sony CDR-W66 > EAC > CDWave > CDA encoded by Ficca
gd84-10-12.aud.ladner.30192.sbeok.flacf
1984-10-12Augusta Civic Center
30192flac16; Source Update: Note that the seeder Mtownshend indicates that this recording most likely is from an audience source. See the public comments regarding the source of this recording. (Had been marked:SBD/AUD Healy Matrix)
gd1984-10-12.132345.Nak100CP4.Hill.Keo.Flac1644
1984-10-12Augusta Civic Center
132345flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1984-10-12.139563.FOB.Neumann.McSheffrey.Gastwirt.Miller.Noel.t-flac16
1984-10-12Augusta Civic Center
139563flac16; Dan McSheffrey recording: Neumann KM84 > Nakamichi DMP-100 PCM > Dat (FOB); Charlie Miller transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered by Joe Noel in Audacity: Wave > Flac 16/44; Checksum & tags created in xACT
gd1984-10-12.148413.fob.neumann.km84i.hecht.miller.clugston.flac1648
1984-10-12Augusta Civic Center
148413flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp(24/96k)> Adobe CC 2019(24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1984-10-12.148414.fob.neumann.km84i.hecht.miller.clugston.flac2496
1984-10-12Augusta Civic Center
148414flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp(24/96k)> Adobe CC 2019(24-bit/96k) > TLH flac2496
gd84-10-12.sbd.clugston.5585.sbeok.shnf
1984-10-12Augusta Civic Center
5585Master Soundboard Cassette > Reel to Reel > DAT> CDR; with patches from Mike Rice's Master Audience Cassette: Nakamichi CM100 mics + CP4's> Sony D5; CDR ReMastering, Patching, EAC'ed, SHN'ed by Scott Clugston; see info file for details
gd84-10-12-oade.sacks.8795.sbefail.shnf
1984-10-12Augusta Civic Center
8795Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable);Seeded by Darrin Sacks; also to abgd via Charlie Connor; upgrade in circulation
gd1984-10-12.143086.schoeps.sterry.beckwith.miller.clugston.flac1648
1984-10-12Augusta Civic Center
143086flac16/48kHz; George Sterry's Master Audience Cassettes; Schoeps mics (model unknown) > Sony TC-158SD(Maxell UDXLII-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1984-10-12.143087.schoeps.sterry.beckwith.miller.clugston.flac2496
1984-10-12Augusta Civic Center
143087flac24; George Sterry's Master Audience Cassettes; Schoeps mics (model unknown) > Sony TC-158SD(Maxell UDXLII-C90)Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496
gd1984-10-12.fob.townshend.85219.sbeok.flac16
1984-10-12Augusta Civic Center
85219flac 16; Recording by Mtownshend:FOB -> Sony TC D5 -> PCM -> DAT (@44.1k) Transfer/mastering: Panasonic (optical out) -> E-MU 1010 (analog out) -> analog rack (ADAT out) -> E-MU 1010 -> Wavelab Tracking and Compression: CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper
gd1984-10-12.schoeps.oade.sacks.17412.sbeok.shnf
1984-10-12Augusta Civic Center
17412Oade Schoeps retracked for 2 disks and free of sector boundary errors via Clifton; Source: FOB Schoeps MK41/CMC4 > Oade M118 > Sony TC D-5 Cassette Master > PCM > DAT @44.1khz; upgrade in circulation
gd1984-10-12.schoeps.oade.sacks.nawrocki.fix-17412.18436.sbefail.shnf
1984-10-12Augusta Civic Center
18436Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable) ***7.16.03*** Beginning of CR&S patched with alternate FOB Schoeps source, lineage is below. Patched with Cool Edit Pro 2.0 in multitrack view > mkwACT by Doug Nawrocki. d2t01 is the only md5 that differs from the original. Patch source lineage: MAC(FOB 2 Schoeps MK41/CMC4 > Sony TCD-5M) > WAV > SHN digital transfer: Kenwood KX1030 cassette deck > EMI 6|2m (16 bit @ 44.1khz) > Peak 3.21 > WAV > Shorten 1.1a4 > SHN
gd1984-10-12.nak700.rolfe.minches.99198.flac16
1984-10-12Augusta Civic Center
99198flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
gd1984-10-12.110040.beyer-senn-daweez.D5scott.flac16
1984-10-12Augusta Civic Center
110040flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front)> Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-10-12.132814.sbd.flac16
1984-10-12Augusta Civic Center
132814flac16; MSC > Reel > DAT > CDR > EAC > WAV > TLH > FLAC
gd1984-10-12.137579.aud.lamarre.berger.flac16
1984-10-12Augusta Civic Center
137579flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger
gd1984-10-12.137580.aud.lamarre.berger.flac24
1984-10-12Augusta Civic Center
137580flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger
gd1984-10-12.124399.chasingwilma.flac24
1984-10-12Augusta Civic Center
124399flac24; lineage: (3)audio technica atm11fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
gd1984-10-12.132822.fob-schoeps.oade.BCE.flac16
1984-10-12Augusta Civic Center
132822flac16; Remastered version of the original Oade source 8795 by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut and Flac files created in Audacity 2.0.6
gd84-10-12.nak-rice.clugston.356.sbeok.shnf
1984-10-12Augusta Civic Center
356MAC > CDR > CDR > CDR > SHN; Mike Rice's Master Audience Cassette; Nakamichi CM100 mics w/ shotgun capsules > Sony D5 cassette deck: Master cassette played back via a Nakamichi DR-1 cassette deck> HHb 850 CDR; EAC>?CEP editing > CDWav? > CDRWin > Matsushita 7582 4x CDR; via Gregg Nixon, Scott Clugston, John Oleynick; see info file for flaw notes
gd1984-10-12.nak300.morris.crazyfingers.106647.flac16
1984-10-12Augusta Civic Center
106647flac16; Recorded by Bob Morris. Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
gd1984-10-12.132346.Nak100CP4.Hill.Keo.Flac2496
1984-10-12Augusta Civic Center
132346flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
gd1984-10-12.139117.FOB.Neumann.U87.billydee.Sellers.Noel.t-flac24
1984-10-12Augusta Civic Center
139117flac24; billydee recording (patched out of Rob Eaton*): Neumann U87 (15' apart) > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT
gd1984-10-12.143637.set2.nak.blend.guy.miller.clugston.flac1648
1984-10-12Augusta Civic Center
143637flac16; 2nd Set Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mic w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1984-10-12.143638.set2.nak.blend.guy.miller.clugston.flac2496
1984-10-12Augusta Civic Center
143638flac24; 2nd Set Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mic w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
gd1984-10-12.nak300.morris.113966.flac24
1984-10-12Augusta Civic Center
113966flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
gd1984-10-12.nak100.holtz.gems.101952.flac16
1984-10-12Augusta Civic Center
101952flac16; Lineage: Nakamichi CM-100 mics with CP-4 shotgun caps to a Sony D-5 stereo cassette recorder; Master Cassette >> Nakamichi DR-1 >> Korg MR-1000 at 1bit/5.6mHZ DSD Korg AudioGate Software for DSD to PCM WAV conversion at 24bit/44.1kHz Transfers, Editing and Mastering by Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither TradersLilHelper for FLAC8 Meta-Data with Tag&ReName
gd84-10-14.nak300.jeffm.3592.sbeok.shnf
1984-10-14Hartford Civic Center
3592FOB> Nakamichi 300's> CP4Cassette Master> DAT> CDR> Eac> SHN; DAE(EAC) + SHN Encoding by Jeff M.; see info file for notes
gd1984-10-14.124467.chasingwilma.flac24
1984-10-14Hartford Civic Center
124467flac24; lineage: (2)nakamichi 300 cp4> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
gd1984-10-14.148573.fob.senn.me80.hessberg.miller.clugston.flac1648
1984-10-14Hartford Civic Center
148573flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1984-10-14.148574.fob.senn.me80.hessberg.miller.clugston.flac2496
1984-10-14Hartford Civic Center
148574flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1984-10-14.fob.unknown.77477.sbeok.flac16
1984-10-14Hartford Civic Center
77477fob-aud (Lineage Unknown) Seeded to abgd by Seth Jackson
gd1984-10-14.sennme80.zaleski.ford.78934.sbeok.flac16
1984-10-14Hartford Civic Center
78934flac16; 1st Gen; Sennhieser ME80s > Sony D5 > TDK MA90s Taper: Lucian Zaleski Transfer: Nakamichi CD2 [azimuth adjusted]>Kind Kables rca/xlr>Lunatec V3>coax>Audiophile 2496>CEP 2.0>CD Wave Editor>Flac Frontend>FLAC16. 1st Gen cassettes provided by Mark McCue. Transfer, edits, conversion and upload to bt.etree.org Alex Ford 10/09/2006.
gd1984-10-14.fob.beyerm88.suraci.77990.sbeok.flac16
1984-10-14Hartford Civic Center
77990flac16; Source: *Beyer M88's>Sony D5M Location: FOB/DFC Sec. 2 Row M Stand at 7 Feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700
gd1984-10-14.senn421.pauline.miller.patch-91385.98557.flac16
1984-10-14Hartford Civic Center
98557flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S90). Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; NOTE: This is source ID 91385 with a new patch added in Drums to make the show complete
gd1984-10-14.nak300.morris.crazyfingers.106648.flac16
1984-10-14Hartford Civic Center
106648flac16; Recorded FOB from Section 2, Row J, Seat 10 by Bob Morris. (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
gd1984-10-14.110042.beyer-senn-daweez.D5scott.flac16
1984-10-14Hartford Civic Center
110042Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Beyer M160 & 1 Sennheiser 421 microphones (14th row)> Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-10-14.nak300.morris.113967.flac24
1984-10-14Hartford Civic Center
113967flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
gd1984-10-14.143829.nak.blend.guy.miller.clugston.flac1648
1984-10-14Hartford Civic Center
143829flac16/48kHz; Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mic w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1984-10-14.143830.nak.blend.guy.miller.clugston.flac2496
1984-10-14Hartford Civic Center
143830flac24; Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mic w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
gd1984-10-14.151292.set2.sbd.miller.flac1648
1984-10-14Hartford Civic Center
151292flac16/48 Set 2 Only: First SBD For This Date.
Recording Info: SBD > Cassette Master > Reel (Technics) > DAT (Panasonic SV-3800-48k).
Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-48k)
Additional Mastering: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC16
Transfers by Rob Eaton. Mastering by Charlie Miller. December 29, 2020
gd1984-10-14.132341.Nak100CP4.Hill.Keo.Flac1644
1984-10-14Hartford Civic Center
132341flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes: Maxell UDXLLII 90's; Tapes Labelled: Master-Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1984-10-14.132342.Nak100CP4.Hill.Keo.Flac2496
1984-10-14Hartford Civic Center
132342flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes: Maxell UDXLLII 90's; Tapes Labelled: Master-Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
gd1984-10-14.senn421.pauline.miller.91385.sbeok.flac16
1984-10-14Hartford Civic Center
91385flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller
gd1984-10-15.132331.Nak100CP4.Hill.Keo.Flac1644
1984-10-15Hartford Civic Center
132331flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes: Maxell UDXLLII 90's; Tapes Labelled: Master-Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1984-10-15.132332.Nak100CP4.Hill.Keo.Flac2496
1984-10-15Hartford Civic Center
132332flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes: Maxell UDXLLII 90's; Tapes Labelled: Master-Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
gd1984-10-15.150964.sbd.eaton-latvala.miller.flac1644
1984-10-15Hartford Civic Center
150964Recording Info: SBD > PCM Master > DAT (Panasonic SV-3700) > DAT (Panasonic SV-3800) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC (3 Discs Audio) Original Transfer and Mastering by Rob Eaton. Additional Mastering by Charlie Miller. November 27, 2020
gd1984-10-15.157543.nak300.carpenter.flac2448
1984-10-15Hartford Civic Center
157543flac2448 Lineage: Nak CM300s with cp4 Caps. -> Sony TCD5m - no dolby Maxell XL-IIS 90s-> Nakamichi CR3a -> M-Audio 192-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, flac, checksums. taped and transferred by Ted Carpenter
gd1984-10-15.fob.unknown.4771.sbeok.shnf
1984-10-15Hartford Civic Center
4771Aud>? (lineage Unknown); Seeded to abgd by Seth Jackson
gd1984-10-15.senn421.adam-mccue.ford.79023.sbeok.flac16
1984-10-15Hartford Civic Center
79023flac16; Source: Source update: Master Audience Cassette; (FOB) Sennheiser 421s > Sony D5 > D5 > D6 > 2 TDK MA90s Mic Config: pointed at the stacks, upper chest level Location: FOB, 15th or 17th row, slightly LOC Tapers: long forgotten taper, Adam, & Mark McCue Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > Kind Kables rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > CD Wave Editor > TLH > FLAC16
gd84-10-15.senn.miller.22022.sbeok.shnf
1984-10-15Hartford Civic Center
22022Recording Info: (FOB) Senn 421 -> Cassette Master -> Dat -> CD Transfer Info: EAC -> Samplitude v7.02 Professional -> SHN - Transfered and Edited By Charlie Miller
gd1984-10-15.nak300.morris.crazyfingers.106649.flac16
1984-10-15Hartford Civic Center
106649flac16; Recorded FOB from Section 2, Row K, Seat 12 by Bob Morris. (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
gd1984-10-15.110044.beyer-senn-daweez.D5scott.flac16
1984-10-15Hartford Civic Center
110044flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-10-15.nak300.morris.113968.flac24
1984-10-15Hartford Civic Center
113968flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
gd1984-10-15.151235.mtx.seamons.ht126.flac16
1984-10-15Hartford Civic Center
151235flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
gd1984-10-15.senn421.pauline.miller.91434.sbeok.flac16
1984-10-15Civic Center
91434flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller
gd84-10-17.nak.willy.15125.sbeok.shnf
1984-10-17Meadowlands Arena
15125AUD(Nak 300?s)>MC>DAT>CD via Paul B encoded by Willy
gd1984-10-17.110051.beyer-senn-daweez.D5scott.flac16
1984-10-17Meadowlands Arena
110051flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd84-10-17.set2-sbd.ladner.21783.sbeok.shnf
1984-10-17Meadowlands Arena
21783Source: SBD > MC>DAT via J.Powell encoded by C.Ladner.; upgrade in circulation
gd1984-10-17.nak700.mow.ford.27975.sbeok.flac16
1984-10-17Brendan Byrne Arena
27975flac16; 3 Nak CM700 (DIN; Row S, DFC) > Sony TC-D5M > Maxell MX tape; Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; Taped, transferred by Doug Mow; CDR> FLAC16 and minor editing by Alex Ford
gd1984-10-17.sbd.miller.32057.sbeok.flac16
1984-10-17Brendan Byrne Arena
32057flac16; Recording Info: Set 1: SBD -> Master Cassette -> ? -> Cassette (Dolby C) Set 2: SBD -> Master Cassette -> Dat -> CD -> EAC -> SHN Transfer Info: Set 1: Cassette (Sony TC-WE475/Dolby C) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Set 2: SHN -> WAV -> FLAC
gd1984-10-17.beyerm88.suraci.78015.flac16
1984-10-17Brendon Byrne Arena
78015flac16; Source: Beyer M88's>Sony D5M(XLIIS/Set 1, MX/Set 2) Location: FOB/DFC Sec. 8, Row G(7 rows from stage)Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony Suraci/aka Nak700
gd1984-10-17.132253.Nak100CP4.Hill.Keo.Flac2496
1984-10-17Meadowlands Arena
132253flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
gd1984-10-17.nak300.morris.crazyfingers.106650.flac16
1984-10-17Meadowlands Arena
106650flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded from Floor Section 7, Row Y, Seat 4 by Bob Morris.
gd1984-10-17.nak300.morris.113969.flac24
1984-10-17Meadowlands Arena
113969flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
gd1984-10-18.128497.schoeps.oade.BCE.flac16
1984-10-18Meadowlands Arena
128497flac16; Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply > modified Sony TCD-D5M. Later, Sony TCD-D5M > DAW (via SEKD Prodif) > Wav16/44 (set 1) & 16/48 (set 2); Transfer and mastering by droncit 4/29/2014
gd1984-10-18.142353.km86.flac2496
1984-10-18Meadowlands Arena
142353flac24; Recording Info: Neumann KM86 (cardioid) > Master Reel (Uher Deck 1/2 trk Scotch Reels); Transfer Info: Master Reel (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Adobe Audition CC2015 > Samplitude Pro X3 > FLAC/24; Recorded by Frank Streeter and Rob Eaton; Transferred by Matt Smith; Mastered by Charlie Miller
gd1984-10-18.149997.mke2002.holbrook.flac1644
1984-10-18Meadowlands Arena
149997flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head 45 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLII 90 s2:Maxell MX 90 No Dolby -Lead deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Gary Steel
gd1984-10-18.149998.mke2002.holbrook.flac2448
1984-10-18Meadowlands Arena
149998flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head 45 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLII 90 s2:Maxell MX 90 No Dolby -Lead deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Gary Steel
gd84-10-18.nak.miller.17273.sbeok.shnf
1984-10-18Meadowlands Arena
17273(FOB) Nakamichi CM300/CP1 -> Cm (Sony D5) -> Dat (48k) > Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. All transfers and remastering done by Charlie Miller
gd84-10-18.nak701-beach.21131.sbeok.shnf
1984-10-18Meadowlands Arena
211313 Nak 701s > D5 > MX-100 > D10 > SHN
gd1984-10-18.nak300.damico.87016.sbeok.flac16
1984-10-18Brendan Byrne Arena
87016flac16; taper : Joe D'Amico aka joebeacon nak 300 mics > sony d5 converted : nak dragon deck > behringer ultra curve pro 24 bit main frame >creative extigy soundcard > cool edit pro > flac frontend
gd1984-10-18.nak700.mow.ford.28290.sbeok.flac16
1984-10-18Brendan Byrne Arena
28290flac16; 3 Nak CM700 (Row N, DFC, DIN)> Sony TC-D5M > Maxell MX tape; Transfer: Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; Taped, transferred by Doug Mow; EAC> flac by Alex Ford
gd1984-10-18.110052.beyer-senn-daweez.D5scott.flac16
1984-10-18Meadowlands Arena
110052flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-10-18.120142.aud.roberts.flac16
1984-10-18Meadowlands Arena
120142flac16; Source: Teac ME-20 > WMD6 FOB Sec 8 Row A Seat 14; Conversion: HK TD302Bk> PMD661; Recorded by Stan Roberts
gd1984-10-18.beyerm88.suraci.78116.flac16
1984-10-18Brendon Byrne Arena
78116flac16; Source: *Beyer M88's>SonyD5M(XLIIS/set 1, MX/Set 2) Location: FOB/Right Sec. 7, Row M, stand at 8 feet Transfer: Sony D5ProII>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped and Transferred by Tony Suraci
gd1984-10-18.nak300.morris.crazyfingers.106651.flac16
1984-10-18Meadowlands Arena
106651flac16; Recorded from Floor Section 7, Row Y, Seat 4 by Bob Morris. Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
gd1984-10-18.nak300.morris.113970.flac24
1984-10-18Meadowlands Arena
113970flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
gd1984-10-18.142514.neumann.mr.miller.flac1644
1984-10-18Meadowlands Arena
142514flac16; Recording Info: Neumann KM86 (cardioid) > Master Reel (Uher Deck 1/2 trk Scotch Reels); Transfer Info: Master Reel (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Adobe Audition CC2015 > Samplitude Pro X3 > FLAC/24; Recorded by Frank Streeter and Rob Eaton; Transferred by Matt Smith; Mastered by Charlie Miller
gd1984-10-18.senn421.pauline.miller.91464.sbeok.flac16
1984-10-18Brendan Byrne Arena
91464flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller
gd1984-10-20.Nak100CP4.Hill.Keo.131799.Flac2496
1984-10-20Carrier Dome, Syracuse U
131799flac24; Master Audience Recorded By Sandy For Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1984-10-20.140928.fob.senn441.ackerman.miller.clugston.flac1644
1984-10-20Carrier Dome, Syracuse U
140928flac16; Source Info: Ray Ackerman's (FOB) Master Audience Cassette (first row in front of soundboard); Sennheiser 441 mics > Sony D5 > Sony D6; Transfer Info: Cassette (Nakamichi mkii)> Grace Design Lunatec V3 > Oade modified M-Audio MicroTrack II (wav 24 bit/96k)> Adobe Audition 3 > TLH flac24/96; 24 bit > 16 bit via dBpoweramp
gd1984-10-20.140929.fob.senn441.ackerman.miller.clugston.flac2496
1984-10-20Carrier Dome, Syracuse U
140929flac24; Source Info: Ray Ackerman's (FOB) Master Audience Cassette (first row in front of soundboard); Sennheiser 441 mics > Sony D5 > Sony D6; Transfer Info: Cassette (Nakamichi mkii)> Grace Design Lunatec V3 > Oade modified M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3 > TLH flac24/96
gd1984-10-20.150967.sbd.eaton-latvala.miller.flac1644
1984-10-20Carrier Dome, Syracuse U
150967Recording Info: SBD > PCM Master > DAT (Panasonic SV-3700) > DAT (Panasonic SV-3800) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC. (3 Discs Audio) Original Transfer and Mastering by Rob Eaton. Additional Mastering by Charlie Miller. November 28, 2020
gd1984-10-20.152671.FOBNak100-SGMasterCassette.Anon.Noel.t-flac2448
1984-10-20Carrier Dome, Syracuse U
152671flac24/48 Source: Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On)
Location: Three Rows Directly In Front Of Healy (sorry Dan!); Stand 6 To 7 Feet High.
gd1984-10-20.152672.FOBNak100-SGMasterCassetteAnonNoel.t-flac16
1984-10-20Carrier Dome, Syracuse U
152672flac16 This Is A 16bit File Set, Dithered Using Dbpoweramp Source: Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Location: Three Rows Directly In Front Of Healy (sorry Dan!); Stand 6 To 7 Feet High. Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby> Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq & Software Dolby B Decode Using Nuendo & Ddicodec. Recorded, Transferred & Mastered By Anon Edited With Add'l Mastering In Adobe Audition By Joe Noel February 16, 2021
gd1984-10-20.sbd.miller.105445.flac16
1984-10-20Carrier Dome, Syracuse U
105445flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a re-master of source ID 15673
gd1984-10-20.122859.mtx.dusborne.flac16
1984-10-20Carrier Dome, Syracuse U
122859flac16; Matrix from: Soundboard (shnid:105445) SBD -> Cassette Master -> Dat -> CD; All Transfers and Mastering By Charlie Miller and Audience (shnid:110063)source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav files by D5scott
gd1984-10-20.124527.chasingwilma.flac24
1984-10-20Carrier Dome, Syracuse U
124527flac24; lineage: sennheiser 441 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
gd84-10-20.sbd.mattman.15673.sbeok.shnf
1984-10-20Carrier Dome, Syracuse U
15673SBD> CM> DAT> computer processing> CDR> EAC> SHNTOOL> MKWACT; Editing by MattMan, from Alan Matta source discs; Upgrade in circulation
gd1984-10-20.nak300.carpenter.wise.andrewf.33341.sbeok.flac16
1984-10-20Carrier Dome - Syracuse University
33341flac16; FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M, onto Maxell UD-XLII tape, with no Dolby. Taped by Ted Carpenter
gd1984-10-20.nak300.unknown.lai.1871.sbeok.shnf
1984-10-20Carrier Dome - Syracuse University
1871nak300> cassette master> cd wav> cool edit pro> shn> cdr; transfer by Mike Lai from Bruce Fried seed; upgrade in circulation
gd1984-10-20.nak300.carpenter.108304.flac2496
1984-10-20Carrier Dome, Syracuse U
108304flac24; FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell UD-XLII 90's w/no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496 Tagged. Transfer by Andrew F.
gd1984-10-20.aud.morris.108407.flac24
1984-10-20Carrier Dome, Syracuse U
108407flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded from Floor Section 3, Row L, Seat 9 by Bob Morris
gd1984-10-20.110063.beyer-senn-daweez.D5scott.flac16
1984-10-20Carrier Dome, Syracuse U
110063flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1984-10-20.128437.set2.schoeps.oade.BCE.flac16
1984-10-20Carrier Dome, Syracuse U
128437flac16; Set 2 Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper
gd1984-10-20.nak300.morris.crazyfingers.106652.flac16
1984-10-20Carrier Dome, Syracuse U
106652flac16; Recorded from Floor Section 3, Row L, Seat 9 by Bob Morris.Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
gd1984-10-20.Nak100CP4.Hill.Keo.131798.Flac1644
1984-10-20Carrier Dome, Syracuse U
131798flac16; Master Audience Recorded By Sandy For Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 24/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1984-10-27.sbd.walker-scotton.miller.106797.flac16
1984-10-27Berkeley Community Theater
106797flac16; SBD > Cassette Master > Cassette > FLAC; All Transfers and Mastering By Charlie Miller (note: This source was originally seeded as part of a collection of uncirculated SBD tracks.)
gd1984-10-27.145576.aud.lamarre.berger.flac24
1984-10-27Berkeley Community Theater
145576flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row nn, seat 15; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd1984-10-27.145577.aud.lamarre.berger.flac16
1984-10-27Berkeley Community Theater
145577flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row nn, seat 15; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd84-10-27.senn.vernon.17414.sbeok.shnf
1984-10-27Berkeley Community Theater
17414Senn 441?s>Sony D-5. AUD>MC>DAT>CDR via Raoul Duke encoded by Willy and Matt Vernon
gd1984-10-27.sbd.123743.miller.flac16
1984-10-27Berkeley Community Theater
123743flac16; Partial SBD > Cassette Master > Cassette > FLAC; All Transfers and Mastering By Charlie Miller
gd1984-10-28.nak700-nak100.abrams-prior.abrams.88181.sbeok.flac16
1984-10-28Berkeley Community Theatre
88181flac16; Taped by Jay Abrams (jra-sm) and Keith Prior Digitized and edited by Jay Abrams Location: Section CTR - Row GG - Seat 23 Source: Quad Nakimichi's - (Nakimichi 700's and Nakimichi 100's) - mixed down to two channels at show Sony WM-D6C > Maxell Metal - Dolby C > Wav > CD Wav > xAct encoding to Flac
gd1984-10-28.nak700-senn441.parrish.weiner.29080.sbeok.flac16
1984-10-28Berkeley Community Theatre
29080flac16; AudMC > DAT > CD > EAC > FLAC Recoreded by Michael Parrish from taper section with 2 Nak mini-700s (with pressure zones) and 2 Senn 441s > battery powered DBX 224X > Sony D-6 (master cassette) - CD>FLAC by Noah Weiner, April 2005.
gd1984-10-28.aud.walker-cotton.miller.106167.flac16
1984-10-28Berkeley Community Theater
106167flac16; Recording Info: Nakamichi 300/CP1 Mics -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd84-10-28.sbd.ladner.21935.sbeok.shnf
1984-10-28Berkeley Community Theater
21935Source: SBD>MC>DAT>CDR>WAV>SHN - entire first set except for aud splice during LLR. First three tracks of second set are SBD with the remainder from an unlineaged FOB audience recording.
gd84-10-28.senn.vernon.17358.sbeok.shnf
1984-10-28Berkeley Community Theater
17358Source: Senn 441?s>Sony D-5. Lineage: AUD>MC>DAT>CDR. Encoding by Willy Munder and Matt Vernon
gd1984-10-28.145578.aud.lamarre.berger.flac24
1984-10-28Berkeley Community Theater
145578flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row OO, seat 1; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd1984-10-28.145579.aud.lamarre.berger.flac16
1984-10-28Berkeley Community Theater
145579flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row OO, seat 1; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd1984-10-30.150782.mke2002.murtha.holbrook.flac2448
1984-10-30Berkeley Community Theater
150782flac24/48khz Source: MAUD CA Sennheiser mke2002 Binaural mics, worn on Seans head > Sony TCD5M|TDK MA90 x2 Location: Upper balcony, ROC Row O Seat 22 Lineage: Nakmichi LX5 > Marantz PMD661|SD Recorded by: Sean Murtha, Gary Steel, Executive Crew Transferred: Kyle Holbrook
gd1984-10-30.150783.mke2002.murtha.holbrook.flac1644
1984-10-30Berkeley Community Theater
150783flac16/44.1khz Source: MAUD CA Sennheiser mke2002 Binaural mics, worn on Seans head > Sony TCD5M|TDK MA90 x2 Location: Upper balcony, ROC Row O Seat 22 Lineage: Nakmichi LX5 > Marantz PMD661|SD Recorded by: Sean Murtha, Gary Steel, Executive Crew Transferred: Kyle Holbrook
gd1984-10-30.145582.aud.lamarre.berger.flac24
1984-10-30Berkeley Community Theater
145582flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row mm, seat 11; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd1984-10-30.145583.aud.lamarre.berger.flac16
1984-10-30Berkeley Community Theater
145583flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row mm, seat 11; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd84-10-30.mixed.ladner.22256.sbeok.shnf
1984-10-30Berkeley Community Theater
22256Source: Set 1: SBD>MC>DAT>CDR>WAV>SHN. Set 2: SBD>MC>DAT>CDR>WAV>SHN (first 3 tracks) AUD(Senn 441?s>Sony D-5)>MC>DAT>CDR>WAV>SHN (remainder of second set + encore)
gd1984-10-30.aud.walker-scotton.miller.106168.flac16
1984-10-30Berkeley Community Theater
106168flac16; Recording Info: Nakamichi 300/CP1 Mics -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd84-10-30.senn.vernon.17415.sbeok.shnf
1984-10-30Berkeley Community Theater
17415Senn 441?s>Sony D-5. Lineage: AUD>MC>DAT>CDR via Raoul Duke encoded by Willy Munder and Matt Vernon
gd84-10-31.senn.14947.sbeok.shnf
1984-10-31Berkeley Community Theater
14947Source: AUD (Sennheiser 441) > CM > CDR > WAV > SHN. Thanks to Dr. B.Fried for the cassette masters. Original SHN conversion by Mike Lai. Note- This is a re-seed of previous seed by C Ladner; See info file for details
gd1984-10-31.sbd.walker-scotton.miller.106798.flac16
1984-10-31Berkeley Community Theater
106798flac16; SBD > Cassette Master > Cassette > FLAC; All Transfers and Mastering By Charlie Miller (note: This source was originally seeded as part of a collection of uncirculated SBD tracks.)
gd1984-10-31.142494.sbd.patched.flac1648
1984-10-31Berkeley Community Theater
142494flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
gd1984-10-31.142422.sbd.miller.flac1648
1984-10-31Berkeley Community Theater
142422flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
gd1984-10-31.145613.aud.lamarre.berger.flac24
1984-10-31Berkeley Community Theater
145613flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90's; center floor, row OO, seat 13; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd1984-10-31.145614.aud.lamarre.berger.flac16
1984-10-31Berkeley Community Theater
145614flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90's; center floor, row OO, seat 13; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd1984-11-02.152202.sbd.eichorn.flac16
1984-11-02Berkeley Community Theater
152202flac14/44 Speed-correction done with Celemony Capstan by Roger Eichorn
gd1984-11-02.147485.aud.lamarre.berger.flac16
1984-11-02Berkeley Community Theater
147485flac16; source: aud cassette master; sennheiser 441's > sony d5; center floor, row nn, seat 27; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger
gd1984-11-02.147486.aud.lamarre.berger.flac24
1984-11-02Berkeley Community Theater
147486flac24; source: aud cassette master; sennheiser 441's > sony d5; center floor, row nn, seat 27; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger
gd84-11-02.sbd.connor.10172.sbeok.shnf
1984-11-02Berkeley Community Theater
10172Set 1: SBD>Master Cassette> Cassette> DAT> CD> SHN:Set 2: SBD>PCM>DAT@44.1>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 >CDWav beta1.6(tracking only)> SHNv3 (MKW ACT) Set 1 source via Trip Bates shntool fixed version of Braverman SBD seed; Set 2 source: DAT via Joe Samaritano. Seeded to Fungus and abgd by Charlie Connor
gd1984-11-02.sbd.braverman.9753.sbeok.shnf
1984-11-02Berkeley Community Theatre
9753Tony G shntool fix of original Braverman SBD seed; ; upgrade in circulation
gd1984-11-02.senn421.unknown.gastwirt.gems.77878.sbeok.flac16
1984-11-02Berkeley Community Theatre
77878flac16; Sennheiser 421s? > PCM > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 > shntool > FLAC (lvl8)
gd1984-11-02.137968.sbd.msc.happyjack.flac24
1984-11-02Berkeley Community Theater
137968flac24; Monitor Mix Source: Soundboard (monitor mix) > Sony TC-D5 > Master [Maxell XLII-S90 cassette] Clone was made on a Aiwa CX-NA555 to a Maxell XLII-S90 cassette; Transfer: Sharp RT100 Deck[Clone Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/27/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Master Audience Source: Power Cards direct mics > Sony TC-D5 [Nakamichi SX-C90 Cassette] Transfer: Sharp RT100 Deck[Master Cassette & Clone Cassette] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/28/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Lineage: 96.00kHz/24bit wav > Adobe Audition 3.0. > WaveLab6 > iZotope Ozone 3 > CD Wave > TLH > Flac 24
gd1984-11-02.137969.sbd.msc.happyjack.flac16
1984-11-02Berkeley Community Theater
137969flac16; Monitor Mix Source: Soundboard (monitor mix) > Sony TC-D5 > Master [Maxell XLII-S90 cassette] Clone was made on a Aiwa CX-NA555 to a Maxell XLII-S90 cassette; Transfer: Sharp RT100 Deck[Clone Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/27/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Master Audience Recording Source: Power Cards direct mics > Sony TC-D5 [Nakamichi SX-C90 Cassette] Transfer: Sharp RT100 Deck[Master Cassette & Clone Cassette] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/28/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Lineage: 96.00kHz/24bit wav > Adobe Audition 3.0. > WaveLab6 > iZotope Ozone 3 > CD Wave > TLH > Flac 16; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping
gd1984-11-02.sbd.miller.braverman.9382.sbeok.shnf
1984-11-02Berkeley Community Theatre
9382Set 1: SBD> Master Cassette> Cassette> DAT> CD; Set 2: SBD> PCM> DAT> CD; via Charlie Miller; Seeded to etree by Peter Braverman; upgrade in circulation
gd1984-11-03.150801.mke2002.murthas.holbrook.flac1644
1984-11-03Berkeley Community Theater
150801flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head front Row Balcony 145 feet from stage DFC >Nakamichi 550 Maxell UDXLIIS 90 x 3 No Dolby -Lead deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Gary Steel
gd1984-11-03.150802.mke2002.murthas.holbrook.flac2448
1984-11-03Berkeley Community Theater
150802flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head front Row Balcony 145 feet from stage DFC >Nakamichi 550 Maxell UDXLIIS 90 x 3 No Dolby -Lead deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Gary Steel
gd1984-11-03.147478.aud.lamarre.berger.flac16
1984-11-03Berkeley Community Theater
147478flac16; source: aud cassette master; sennheiser 441's > sony d5 center floor, row nn, seat 19; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger
gd1984-11-03.147479.aud.lamarre.berger.flac24
1984-11-03Berkeley Community Theater
147479flac24; source: aud cassette master; sennheiser 441's > sony d5; center floor, row nn, seat 19; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger
gd1984-11-03.sbd.greenbereg.powell.21761.sbeok.shnf
1984-11-03Berkeley Community Theatre
21761MSP > D > CD patched with MAC > C > C > D EAC & SHN conversion by John Mollman from Jim Powell's seed
gd1984-11-03.senn421.unknown.gastwirt.gems.78704.sbeok.flac16
1984-11-03Berkeley Community Theatre
78704flac16; Sennheiser 421s > PCM > DAT > Sony DTC-2000ES > M-Audio Delta 410 > Soundforge 8.0 wav > Adobe Audition 1.5 > Shntool > FLAC lvl8
gd1984-11-03.sbd.miller.110773.flac16
1984-11-03Berkeley Community Theater
110773flac16; Recording Info: SBD -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd84-11-03.aud.willy-vernon.18111.sbeok.shnf
1984-11-03Berkeley Community Theater
18111AUD>MC>DAT>CDR via Raoul Duke, encoded by Willy and Matt Vernon
gd84-11-03.sbd.braverman.8212.sbefail.shnf
1984-11-03Berkeley Community Theater
8212SBD> MC> DAT> CD; Seeded to etree by Peter Braverman
gd1984-12-28.140168.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac1644
1984-12-28San Francisco Civic Auditorium
140168flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp
gd1984-12-28.140169.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac2496
1984-12-28San Francisco Civic Auditorium
140169flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
gd1984-12-28.148397.2nd.set.fob.neumann.km84i.hecht.miller.clugston.flac1648
1984-12-28San Francisco Civic Auditorium
148397flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1984-12-28.148398.2nd.set.fob.neumann.km84i.hecht.miller.clugston.flac2496
1984-12-28San Francisco Civic Auditorium
148398flac24; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1984-12-28.151175.beyerm88.holbrook.flac1644
1984-12-28San Francisco Civic Auditorium
151175flac16/44.1khz Source: Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD) Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
gd1984-12-28.151176.beyerm88.holbrook.flac2448
1984-12-28San Francisco Civic Auditorium
151176flac24/48khz Source: Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD) Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
gd1984-12-28.151177.mke2002.holbrook.flac1644
1984-12-28San Francisco Civic Auditorium
151177flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4' pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
gd1984-12-28.151178.mke2002.holbrook.flac2448
1984-12-28San Francisco Civic Auditorium
151178flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4' pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
gd1984-12-28.152227.nak700.severson.miller.clugston.flac1648
1984-12-28San Francisco Civic Auditorium
152227flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1984-12-28.152228.nak700.severson.miller.clugston.flac2496
1984-12-28San Francisco Civic Auditorium
152228flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1984-12-28.senn421.adam.80953.sbeok.flac16
1984-12-28San Francisco Civic Auditorium
80953flac16; Source: MAC: Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Location: 1st row balcony lip, DEAD Center Taper: Adam Transfer: MAC: Nakamichi CD2(played back on type IV setting, azimuth adjusted) > rca/xlr > Luntec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, conversion and upload to bt.etree.org by Alex Ford.
gd84-12-28.aud.unknown.16584.sbeok.shnf
1984-12-28San Francisco Civic Auditorium
16584Audience cassette > ? > DAT > CDR > SHN
gd1984-12-28.132495.schoeps.Oade.BCE.flac16
1984-12-28San Francisco Civic Auditorium
132495flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dan McDonald
gd1984-12-28.142611.sbd.miller.flac1648
1984-12-28San Francisco Civic Auditorium
142611flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
gd1984-12-28.senn441.kutik.106103.flac16
1984-12-28San Francisco Civic Auditorium
106103flac16; Sennheiser 441 > Sony TCD5-M > Maxell MX CM>Nakamichi CR7A > Edirol R4Pro (Oade Preamp Mod ) > WaveBurner > xACT > FLAC
gd84-12-29.aud.12926.sbefail.shnf
1984-12-29San Francisco Civic Auditorium
12926AUD>?>CDR>EAC>SHN>WAV(re-tracked)>SHN; via Brian Bontempo; Seeded to etree by jim@juddcreek
gd84-12-29.oade-schoeps.ladner.24294.sbeok.shnf
1984-12-29San Francisco Civic Auditorium
24294Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN
gd1984-12-29.148399.fob.neumann.km84i.hecht.miller.clugston.flac1648
1984-12-29San Francisco Civic Auditorium
148399flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1984-12-29.148400.fob.neumann.km84i.hecht.miller.clugston.flac2496
1984-12-29San Francisco Civic Auditorium
148400flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1984-12-29.150894.fm.waddell.haines.clugston.flac1648
1984-12-29San Francisco Civic Auditorium
150894flac16/48khz Source Info: FM Broadcast Mix > (?PCM?) > Cassettes Transfer Info: Cassettes (analog master?)(Nakamichi CR7-A) > Sound Devices MixPre-3M (24/48) > Adobe Audition CC 2019 > TLH flac2448
gd1984-12-29.150895.fm.waddell.haines.clugston.flac2448
1984-12-29San Francisco Civic Auditorium
150895flac24/48khz Source Info: FM Broadcast Mix > (?PCM?) > Cassette Transfer Info: Cassettes (analog master?)(Nakamichi CR7-A) > Sound Devices MixPre-3M (24/48) > Adobe Audition CC 2019 > TLH flac2448
gd1984-12-29.152535.nak700.severson.miller.clugston.flac1648
1984-12-29San Francisco Civic Auditorium
152535flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1984-12-29.152536.nak700.severson.miller.clugston.flac2496
1984-12-29San Francisco Civic Auditorium
152536flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1984-12-29.Senn421.Darby.118252.Flac1644
1984-12-29San Francisco Civic Auditorium
118252flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
gd1984-12-29.151201.mke2002.holbrook.flac1644
1984-12-29San Francisco Civic Auditorium
151201flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals headworn > lead Sony TCD5M > s1:maxell UDXLIIS90 No Dolby; s2:Maxell MX90 No Dolby -lead deck run by CK. Source 2: # MAUDCA (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M) Kirshner|Miller Location: 40-50 feet from stage DFC on Kyle's head Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
gd1984-12-29.151202.mke2002.holbrook.flac2448
1984-12-29San Francisco Civic Auditorium
151202flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals headworn > lead Sony TCD5M > s1:maxell UDXLIIS90 No Dolby; s2:Maxell MX90 No Dolby -lead deck run by CK. Source 2: # MAUDCA (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M) Kirshner|Miller Location: 40-50 feet from stage DFC on Kyle's head Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
gd1984-12-29.aud.unknown.laddner.87705.sbeok.shnf
1984-12-29San Francisco Civic Center
87705Source Update: Unknown Audience Source (Had been marked:MSC > C > DAT > WAV > SHN with patches from Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN)
gd1984-12-29.senn421.mccue.ford.81758.sbeok.flac16
1984-12-29San Francisco Civic Center
81758flac16; MAC; 2 Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Location: Front row of balcony, Dead Center Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Taper: Mark McCue Lineage: MAC > Nakamichi Cassette Deck 2(azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(A/D at 24bit/96kHz) > coax > Audiophile 2496 > WaveLab 5 > editing > Waves L3 UltraMaximizer > 16 bit 44.1 kHz > CDWave Editor > TLH > FLAC16
gd1984-12-29.nak100.holtz-bolton.jaz.105032.flac16
1984-12-29San Francisco Civic Auditorium
105032flac16; TAPER: Greg Holtz & Tony Bolton. SOURCE: Front Row Balcony, Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M. TRANSFER: By (JAZ) Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
gd1984-12-29.sbd.walker-scotton.miller.106169.flac16
1984-12-29San Francisco Civic Auditorium
106169flac16; Recording Info: SBD -> ? -> Cassette (Maxell XLII-S90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1984-12-29.132520.fob-schoeps.Oade.BCE.flac16
1984-12-29San Francisco Civic Auditorium
132520flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Recorded by the Oade Brothers; Mastering by Dan McDonald & Dave Usborne
gd1984-12-29.142761.sbd.miller.flac1648
1984-12-29San Francisco Civic Auditorium
142761flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
gd1984-12-29.140187.fob.cmc4-mk41.oade.bryant.wise.miller.clugston.flac1644
1984-12-29San Francisco Civic Auditorium
140187flac16; Recording Info: 1st Set: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); 2nd Set: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: 1st Set: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 24/96 > dBpoweramp 16/44 > Adobe Audition 3.0 > TLH flac16; 2nd Set: Master PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
gd1984-12-31.nak300.russjcan.96435.sbeok.flac16
1984-12-31San Francisco Civic Center
96435flac16; Nak 300 shotguns w/D6 OTS MAC>NakCR-3A>HD>Audacity>CDwave>TLH; recorded and transferred by Russ Cansler
gd1984-12-31.sbd.walker-scotton.miller.106251.flac16
1984-12-31San Francisco Civic Auditorium
106251flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLII-S90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
gd1984-12-31.147328.sbd.clugston.flac16
1984-12-31San Francisco Civic Auditorium
147328flac16; Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1; Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16
gd1984-12-31.148401.fob.neumann.km84i.hecht.miller.clugston.flac1648
1984-12-31San Francisco Civic Auditorium
148401flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1984-12-31.148402.fob.neumann.km84i.hecht.miller.clugston.flac2496
1984-12-31San Francisco Civic Auditorium
148402flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1984-12-31.150896.sbd.clugston.flac16
1984-12-31San Francisco Civic Auditorium
150896flac16 this is a fixed version of shnid147328 (patched "Fire On The Mountain") Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1 Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16
gd84-12-31.sbd.gorinsky.6395.sbeok.shnf
1984-12-31San Francisco Civic Auditorium
6395SB > MR > ?? [apparently FM] > DAT > CDR > EAC> SHN; EAC, SHN, etreed by G.Gorinsky; with thanks to Bill Golden
gd1984-12-31.Senn421.Darby.118305.Flac2448
1984-12-31San Francisco Civic Auditorium
118305flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
gd1984-12-31.Senn421.Darby.118306.Flac1644
1984-12-31San Francisco Civic Auditorium
118306flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
gd1984-12-31.121725.sbd.miller.flac16
1984-12-31San Francisco Civic Auditorium
121725flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLII-S90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; This is a remaster of source ID 106251; All Transfers and Mastering By Charlie Miller
gd1984-12-31.fm.menke.miller.32347.sbeok.flac16
1984-12-31San Francisco Civic Center
32347flac16; Recording Info: FM -> Master Reel (1/4 Track 7.5ips Dolby B Tandberg Deck) -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC
gd1984-12-31.senn421.mccue.ford.82046.sbeok.flac16
1984-12-31San Francisco Civic Center
82046flac16; MAC; 2 Sennheiser 421s > Sony D5 > TDK MA-R 90 (Set I & II) & Maxell MX 90 (Set III) Location: 1st row of balcony, Dead Center Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3 (24bit/96kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24bit/96kHz .wav files (1 per tape side) > Waves L3 UltraMaximizer(dither) > 16bit/44.1kHz > CD Wave Editor > TLH > FLAC16.
gd1984-12-31.140160.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac1644
1984-12-31San Francisco Civic Auditorium
140160flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
gd1984-12-31.140161.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac2496
1984-12-31San Francisco Civic Auditorium
140161flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
gd1984-12-31.082395.cpb.IViews.flac1644
1984-12-31San Francisco Civic Auditorium
82395flac16; WETA FM (Wash. D.C.) -> unknown cassette recorder (MC) MC > Playback on Marantz PRD505 > Marantz Integrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs.
gd1984-12-31.151277.senn421.holbrook.flac1644
1984-12-31San Francisco Civic Auditorium
151277flac16/44.1khz Master: Sennheiser 421's, NORTF, front row balcony 150 feet from stage>Sony TCD5M; Maxell MX 90 w/dolby B Nr second deck in line; patched from Eddie Claridge mics & rig. Transfer: Nakamichi LX-5|ESI Juli@ @24/48||WIN10| Audacity| cdwav editor | TLH | FLAC Recorded by: Executive Crew- Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode Transferred by Kyle Holbrook
gd1984-12-31.151278.senn421.holbrook.flac2448
1984-12-31San Francisco Civic Auditorium
151278flac24/48khz Master: Sennheiser 421's, NORTF, front row balcony 150 feet from stage>Sony TCD5M; Maxell MX 90 w/dolby B Nr second deck in line; patched from Eddie Claridge mics & rig. Transfer: Nakamichi LX-5|ESI Juli@ @24/48||WIN10| Audacity| cdwav editor | TLH | FLAC Recorded by: Executive Crew- Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode Transferred by Kyle Holbrook
gd1984-12-31.154657.mtx.tobin.flac16
1984-12-31San Francisco Civic Auditorium
154657flac16; Matrix 2 Source Mix - SBD (shnid = 150896) Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1 Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16 + AUD (shnid = 140161) Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 - matrix mixing by Kevin Tobin
gd1984-12-31.154658.dts.tobin.flac16
1984-12-31San Francisco Civic Auditorium
154658DTS-Audio-CD 5.1 Mix; - SBD (shnid = 150896) Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1 Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16 + AUD (shnid = 140161) Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 - dts mixing by Kevin Tobin
gd1984-12-31.154659.5-1.tobin.flac1648
1984-12-31San Francisco Civic Auditorium
154659flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 150896) Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1 Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16 + AUD (shnid = 140161) Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 - surround mixing by Kevin Tobin
gd1984-12-31.nak100.holtz-bolton.jaz.105154.flac16
1984-12-31San Francisco Civic Auditorium
105154flac16; TAPER: Greg Holtz & Tony Bolton SOURCE: Front Row Balcony, Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename