Identifiers for Grateful Dead
1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
Archive Identifier | |
---|---|
Date | Venue |
Source | |
gd1984-10-11.132352.Nak100CP4.Hill.Keo.Flac2496 | |
1984-10-11 | Augusta Civic Center |
132352 | flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename |
gd1984-10-11.fob.senn441.andrewf.94404.sbeok.flac16 | |
1984-10-11 | Augusta Civic Center |
94404 | flac16; FOB AUD: Sennhesier MD-441's > Sony TC-D5M > Maxell UD-XLII 90's, no Dolby. Mics on seven-foot stood, angled up at stacks, approx 25 feet from the stage, in the center. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Taped & transferred by Andrew F. |
gd1984-10-11.124355.chasingwilma.flac24 | |
1984-10-11 | Augusta Civic Center |
124355 | flac24; lineage: (2)nakamichi 300 cp1 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1984-10-11.141028.FOB.Neumann.billydee.Sellers.Noel.t-flac1644 | |
1984-10-11 | Augusta Civic Center |
141028 | flac16; billydee recording (patched out of): Neumann km84i's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 |
gd84-10-11.oade.sacks.17411.sbeok.shnf | |
1984-10-11 | Augusta Civic Center |
17411 | Retracked and sector boundary errors fixed version of previous Oade Schoeps source; Source: FOB Schoeps MK41/CMC4 > Oade M118 > Sony TC D-5 Cassette Master > PCM > DAT @44.1khz; seeded by Sacks via Clifton |
gd1984-10-11.beyerm160.mccabe.ladner.33825.sbeok.flac16 | |
1984-10-11 | Augusta Civic Center |
33825 | Source: FOB Beyer M160s > Sony TCD5M > Master Audience Cassette (Maxell MX90 Type IV Cassettes). Transfer: MAC playback on Nakamich DR-2 > Audiophile 2496 > recorded as 24bit /96 KHz WAV > Wavelab/Waves L3 (see notes) > rendered to 16/44.1 WAV > CDWAV 1.9 > FLAC (level 8). |
gd1984-10-11.schoeps.oade.sacks.8794.sbefail.shnf | |
1984-10-11 | Augusta Civic Center |
8794 | Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor; upgrade in circulation |
gd1984-10-11.nak700.rolfe.minches.99190.flac16 | |
1984-10-11 | Augusta Civic Center |
99190 | flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding |
gd1984-10-11.fob.nak100.holtz-bolton.jaz.100420.flac16 | |
1984-10-11 | Augusta Civic Center |
100420 | flac16; FOB AUD: Nakamichi CM100 mics w/CP-4 shotgun capsules > Sony TC-D5M cassette deck. Situated exact center, directly in front of the soundboard, mic stand at about 7', shotguns pointing at stacks Transfer: MAC > Nakamichi DR-1 cassette deck > HHb 850 Standalone CD Burner > CDR > EAC > Cool Edit Pro > CD Wave > FLAC Level 8; Recorded by Greg Holtz & Tony Bolton |
gd1984-10-11.110034.beyer-senn-daweez.D5scott.flac16 | |
1984-10-11 | Augusta Civic Center |
110034 | flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files |
gd1984-10-11.132793.fob-schoeps.oade.BCE.flac16 | |
1984-10-11 | Augusta Civic Center |
132793 | flac16; Remaster of Oade source 8794; Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut and Flac files created in Audacity 2.0.5 |
gd1984-10-11.137264.aud.lamarre.berger.flac24 | |
1984-10-11 | Augusta Civic Center |
137264 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger |
gd1984-10-11.137265.aud.lamarre.berger.flac16 | |
1984-10-11 | Augusta Civic Center |
137265 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger |
gd1984-10-11.nak300.morris.crazyfingers.106646.flac16 | |
1984-10-11 | Augusta Civic Center |
106646 | flac16; Recorded by Bob Morris.Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) |
gd1984-10-11.139116.FOB.Neumann.billydee.Sellers.Noel.t-flac24 | |
1984-10-11 | Augusta Civic Center |
139116 | flac24; billydee recording (patched out of): Neumann km84i's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT |
gd1984-10-11.143631.nak.blend.guy.miller.clugston.flac1648 | |
1984-10-11 | Augusta Civic Center |
143631 | flac16; Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mics w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1984-10-11.143632.nak.blend.guy.miller.clugston.flac2496 | |
1984-10-11 | Augusta Civic Center |
143632 | flac24; Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mics w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496 |
gd1984-10-11.nak300.morris.113965.flac24 | |
1984-10-11 | Augusta Civic Center |
113965 | flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 |
gd84-10-12.beyer-ficca.ficca.20022.sbeok.shnf | |
1984-10-12 | Augusta Civic Center |
20022 | Master Tapes by Ficca Source: FOB Center Sony TCD5M with 2 Beyer Dynamic 160's > Sony CDR-W66 > EAC > CDWave > CDA encoded by Ficca |
gd84-10-12.aud.ladner.30192.sbeok.flacf | |
1984-10-12 | Augusta Civic Center |
30192 | flac16; Source Update: Note that the seeder Mtownshend indicates that this recording most likely is from an audience source. See the public comments regarding the source of this recording. (Had been marked:SBD/AUD Healy Matrix) |
gd1984-10-12.132345.Nak100CP4.Hill.Keo.Flac1644 | |
1984-10-12 | Augusta Civic Center |
132345 | flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1984-10-12.139563.FOB.Neumann.McSheffrey.Gastwirt.Miller.Noel.t-flac16 | |
1984-10-12 | Augusta Civic Center |
139563 | flac16; Dan McSheffrey recording: Neumann KM84 > Nakamichi DMP-100 PCM > Dat (FOB); Charlie Miller transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered by Joe Noel in Audacity: Wave > Flac 16/44; Checksum & tags created in xACT |
gd1984-10-12.148413.fob.neumann.km84i.hecht.miller.clugston.flac1648 | |
1984-10-12 | Augusta Civic Center |
148413 | flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp(24/96k)> Adobe CC 2019(24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1984-10-12.148414.fob.neumann.km84i.hecht.miller.clugston.flac2496 | |
1984-10-12 | Augusta Civic Center |
148414 | flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp(24/96k)> Adobe CC 2019(24-bit/96k) > TLH flac2496 |
gd84-10-12.sbd.clugston.5585.sbeok.shnf | |
1984-10-12 | Augusta Civic Center |
5585 | Master Soundboard Cassette > Reel to Reel > DAT> CDR; with patches from Mike Rice's Master Audience Cassette: Nakamichi CM100 mics + CP4's> Sony D5; CDR ReMastering, Patching, EAC'ed, SHN'ed by Scott Clugston; see info file for details |
gd84-10-12-oade.sacks.8795.sbefail.shnf | |
1984-10-12 | Augusta Civic Center |
8795 | Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable);Seeded by Darrin Sacks; also to abgd via Charlie Connor; upgrade in circulation |
gd1984-10-12.143086.schoeps.sterry.beckwith.miller.clugston.flac1648 | |
1984-10-12 | Augusta Civic Center |
143086 | flac16/48kHz; George Sterry's Master Audience Cassettes; Schoeps mics (model unknown) > Sony TC-158SD(Maxell UDXLII-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1984-10-12.143087.schoeps.sterry.beckwith.miller.clugston.flac2496 | |
1984-10-12 | Augusta Civic Center |
143087 | flac24; George Sterry's Master Audience Cassettes; Schoeps mics (model unknown) > Sony TC-158SD(Maxell UDXLII-C90)Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496 |
gd1984-10-12.fob.townshend.85219.sbeok.flac16 | |
1984-10-12 | Augusta Civic Center |
85219 | flac 16; Recording by Mtownshend:FOB -> Sony TC D5 -> PCM -> DAT (@44.1k) Transfer/mastering: Panasonic (optical out) -> E-MU 1010 (analog out) -> analog rack (ADAT out) -> E-MU 1010 -> Wavelab Tracking and Compression: CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper |
gd1984-10-12.schoeps.oade.sacks.17412.sbeok.shnf | |
1984-10-12 | Augusta Civic Center |
17412 | Oade Schoeps retracked for 2 disks and free of sector boundary errors via Clifton; Source: FOB Schoeps MK41/CMC4 > Oade M118 > Sony TC D-5 Cassette Master > PCM > DAT @44.1khz; upgrade in circulation |
gd1984-10-12.schoeps.oade.sacks.nawrocki.fix-17412.18436.sbefail.shnf | |
1984-10-12 | Augusta Civic Center |
18436 | Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable) ***7.16.03*** Beginning of CR&S patched with alternate FOB Schoeps source, lineage is below. Patched with Cool Edit Pro 2.0 in multitrack view > mkwACT by Doug Nawrocki. d2t01 is the only md5 that differs from the original. Patch source lineage: MAC(FOB 2 Schoeps MK41/CMC4 > Sony TCD-5M) > WAV > SHN digital transfer: Kenwood KX1030 cassette deck > EMI 6|2m (16 bit @ 44.1khz) > Peak 3.21 > WAV > Shorten 1.1a4 > SHN |
gd1984-10-12.nak700.rolfe.minches.99198.flac16 | |
1984-10-12 | Augusta Civic Center |
99198 | flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding |
gd1984-10-12.110040.beyer-senn-daweez.D5scott.flac16 | |
1984-10-12 | Augusta Civic Center |
110040 | flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front)> Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files |
gd1984-10-12.132814.sbd.flac16 | |
1984-10-12 | Augusta Civic Center |
132814 | flac16; MSC > Reel > DAT > CDR > EAC > WAV > TLH > FLAC |
gd1984-10-12.137579.aud.lamarre.berger.flac16 | |
1984-10-12 | Augusta Civic Center |
137579 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger |
gd1984-10-12.137580.aud.lamarre.berger.flac24 | |
1984-10-12 | Augusta Civic Center |
137580 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger |
gd1984-10-12.124399.chasingwilma.flac24 | |
1984-10-12 | Augusta Civic Center |
124399 | flac24; lineage: (3)audio technica atm11fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1984-10-12.132822.fob-schoeps.oade.BCE.flac16 | |
1984-10-12 | Augusta Civic Center |
132822 | flac16; Remastered version of the original Oade source 8795 by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut and Flac files created in Audacity 2.0.6 |
gd84-10-12.nak-rice.clugston.356.sbeok.shnf | |
1984-10-12 | Augusta Civic Center |
356 | MAC > CDR > CDR > CDR > SHN; Mike Rice's Master Audience Cassette; Nakamichi CM100 mics w/ shotgun capsules > Sony D5 cassette deck: Master cassette played back via a Nakamichi DR-1 cassette deck> HHb 850 CDR; EAC>?CEP editing > CDWav? > CDRWin > Matsushita 7582 4x CDR; via Gregg Nixon, Scott Clugston, John Oleynick; see info file for flaw notes |
gd1984-10-12.nak300.morris.crazyfingers.106647.flac16 | |
1984-10-12 | Augusta Civic Center |
106647 | flac16; Recorded by Bob Morris. Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) |
gd1984-10-12.132346.Nak100CP4.Hill.Keo.Flac2496 | |
1984-10-12 | Augusta Civic Center |
132346 | flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename |
gd1984-10-12.139117.FOB.Neumann.U87.billydee.Sellers.Noel.t-flac24 | |
1984-10-12 | Augusta Civic Center |
139117 | flac24; billydee recording (patched out of Rob Eaton*): Neumann U87 (15' apart) > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT |
gd1984-10-12.143637.set2.nak.blend.guy.miller.clugston.flac1648 | |
1984-10-12 | Augusta Civic Center |
143637 | flac16; 2nd Set Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mic w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1984-10-12.143638.set2.nak.blend.guy.miller.clugston.flac2496 | |
1984-10-12 | Augusta Civic Center |
143638 | flac24; 2nd Set Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mic w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496 |
gd1984-10-12.nak300.morris.113966.flac24 | |
1984-10-12 | Augusta Civic Center |
113966 | flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 |
gd1984-10-12.nak100.holtz.gems.101952.flac16 | |
1984-10-12 | Augusta Civic Center |
101952 | flac16; Lineage: Nakamichi CM-100 mics with CP-4 shotgun caps to a Sony D-5 stereo cassette recorder; Master Cassette >> Nakamichi DR-1 >> Korg MR-1000 at 1bit/5.6mHZ DSD Korg AudioGate Software for DSD to PCM WAV conversion at 24bit/44.1kHz Transfers, Editing and Mastering by Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither TradersLilHelper for FLAC8 Meta-Data with Tag&ReName |
gd84-10-14.nak300.jeffm.3592.sbeok.shnf | |
1984-10-14 | Hartford Civic Center |
3592 | FOB> Nakamichi 300's> CP4Cassette Master> DAT> CDR> Eac> SHN; DAE(EAC) + SHN Encoding by Jeff M.; see info file for notes |
gd1984-10-14.124467.chasingwilma.flac24 | |
1984-10-14 | Hartford Civic Center |
124467 | flac24; lineage: (2)nakamichi 300 cp4> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd1984-10-14.148573.fob.senn.me80.hessberg.miller.clugston.flac1648 | |
1984-10-14 | Hartford Civic Center |
148573 | flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1984-10-14.148574.fob.senn.me80.hessberg.miller.clugston.flac2496 | |
1984-10-14 | Hartford Civic Center |
148574 | flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1984-10-14.fob.unknown.77477.sbeok.flac16 | |
1984-10-14 | Hartford Civic Center |
77477 | fob-aud (Lineage Unknown) Seeded to abgd by Seth Jackson |
gd1984-10-14.sennme80.zaleski.ford.78934.sbeok.flac16 | |
1984-10-14 | Hartford Civic Center |
78934 | flac16; 1st Gen; Sennhieser ME80s > Sony D5 > TDK MA90s Taper: Lucian Zaleski Transfer: Nakamichi CD2 [azimuth adjusted]>Kind Kables rca/xlr>Lunatec V3>coax>Audiophile 2496>CEP 2.0>CD Wave Editor>Flac Frontend>FLAC16. 1st Gen cassettes provided by Mark McCue. Transfer, edits, conversion and upload to bt.etree.org Alex Ford 10/09/2006. |
gd1984-10-14.fob.beyerm88.suraci.77990.sbeok.flac16 | |
1984-10-14 | Hartford Civic Center |
77990 | flac16; Source: *Beyer M88's>Sony D5M Location: FOB/DFC Sec. 2 Row M Stand at 7 Feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700 |
gd1984-10-14.senn421.pauline.miller.patch-91385.98557.flac16 | |
1984-10-14 | Hartford Civic Center |
98557 | flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S90). Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; NOTE: This is source ID 91385 with a new patch added in Drums to make the show complete |
gd1984-10-14.nak300.morris.crazyfingers.106648.flac16 | |
1984-10-14 | Hartford Civic Center |
106648 | flac16; Recorded FOB from Section 2, Row J, Seat 10 by Bob Morris. (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) |
gd1984-10-14.110042.beyer-senn-daweez.D5scott.flac16 | |
1984-10-14 | Hartford Civic Center |
110042 | Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Beyer M160 & 1 Sennheiser 421 microphones (14th row)> Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files |
gd1984-10-14.nak300.morris.113967.flac24 | |
1984-10-14 | Hartford Civic Center |
113967 | flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 |
gd1984-10-14.143829.nak.blend.guy.miller.clugston.flac1648 | |
1984-10-14 | Hartford Civic Center |
143829 | flac16/48kHz; Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mic w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1984-10-14.143830.nak.blend.guy.miller.clugston.flac2496 | |
1984-10-14 | Hartford Civic Center |
143830 | flac24; Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mic w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496 |
gd1984-10-14.151292.set2.sbd.miller.flac1648 | |
1984-10-14 | Hartford Civic Center |
151292 | flac16/48 Set 2 Only: First SBD For This Date. Recording Info: SBD > Cassette Master > Reel (Technics) > DAT (Panasonic SV-3800-48k). Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-48k) Additional Mastering: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC16 Transfers by Rob Eaton. Mastering by Charlie Miller. December 29, 2020 |
gd1984-10-14.132341.Nak100CP4.Hill.Keo.Flac1644 | |
1984-10-14 | Hartford Civic Center |
132341 | flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes: Maxell UDXLLII 90's; Tapes Labelled: Master-Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1984-10-14.132342.Nak100CP4.Hill.Keo.Flac2496 | |
1984-10-14 | Hartford Civic Center |
132342 | flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes: Maxell UDXLLII 90's; Tapes Labelled: Master-Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename |
gd1984-10-14.senn421.pauline.miller.91385.sbeok.flac16 | |
1984-10-14 | Hartford Civic Center |
91385 | flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller |
gd1984-10-15.132331.Nak100CP4.Hill.Keo.Flac1644 | |
1984-10-15 | Hartford Civic Center |
132331 | flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes: Maxell UDXLLII 90's; Tapes Labelled: Master-Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1984-10-15.132332.Nak100CP4.Hill.Keo.Flac2496 | |
1984-10-15 | Hartford Civic Center |
132332 | flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes: Maxell UDXLLII 90's; Tapes Labelled: Master-Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename |
gd1984-10-15.150964.sbd.eaton-latvala.miller.flac1644 | |
1984-10-15 | Hartford Civic Center |
150964 | Recording Info: SBD > PCM Master > DAT (Panasonic SV-3700) > DAT (Panasonic SV-3800) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC (3 Discs Audio) Original Transfer and Mastering by Rob Eaton. Additional Mastering by Charlie Miller. November 27, 2020 |
gd1984-10-15.157543.nak300.carpenter.flac2448 | |
1984-10-15 | Hartford Civic Center |
157543 | flac2448 Lineage: Nak CM300s with cp4 Caps. -> Sony TCD5m - no dolby Maxell XL-IIS 90s-> Nakamichi CR3a -> M-Audio 192-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, flac, checksums. taped and transferred by Ted Carpenter |
gd1984-10-15.fob.unknown.4771.sbeok.shnf | |
1984-10-15 | Hartford Civic Center |
4771 | Aud>? (lineage Unknown); Seeded to abgd by Seth Jackson |
gd1984-10-15.senn421.adam-mccue.ford.79023.sbeok.flac16 | |
1984-10-15 | Hartford Civic Center |
79023 | flac16; Source: Source update: Master Audience Cassette; (FOB) Sennheiser 421s > Sony D5 > D5 > D6 > 2 TDK MA90s Mic Config: pointed at the stacks, upper chest level Location: FOB, 15th or 17th row, slightly LOC Tapers: long forgotten taper, Adam, & Mark McCue Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > Kind Kables rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > CD Wave Editor > TLH > FLAC16 |
gd84-10-15.senn.miller.22022.sbeok.shnf | |
1984-10-15 | Hartford Civic Center |
22022 | Recording Info: (FOB) Senn 421 -> Cassette Master -> Dat -> CD Transfer Info: EAC -> Samplitude v7.02 Professional -> SHN - Transfered and Edited By Charlie Miller |
gd1984-10-15.nak300.morris.crazyfingers.106649.flac16 | |
1984-10-15 | Hartford Civic Center |
106649 | flac16; Recorded FOB from Section 2, Row K, Seat 12 by Bob Morris. (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) |
gd1984-10-15.110044.beyer-senn-daweez.D5scott.flac16 | |
1984-10-15 | Hartford Civic Center |
110044 | flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files |
gd1984-10-15.nak300.morris.113968.flac24 | |
1984-10-15 | Hartford Civic Center |
113968 | flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 |
gd1984-10-15.151235.mtx.seamons.ht126.flac16 | |
1984-10-15 | Hartford Civic Center |
151235 | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) |
gd1984-10-15.senn421.pauline.miller.91434.sbeok.flac16 | |
1984-10-15 | Civic Center |
91434 | flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller |
gd84-10-17.nak.willy.15125.sbeok.shnf | |
1984-10-17 | Meadowlands Arena |
15125 | AUD(Nak 300?s)>MC>DAT>CD via Paul B encoded by Willy |
gd1984-10-17.110051.beyer-senn-daweez.D5scott.flac16 | |
1984-10-17 | Meadowlands Arena |
110051 | flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files |
gd84-10-17.set2-sbd.ladner.21783.sbeok.shnf | |
1984-10-17 | Meadowlands Arena |
21783 | Source: SBD > MC>DAT via J.Powell encoded by C.Ladner.; upgrade in circulation |
gd1984-10-17.nak700.mow.ford.27975.sbeok.flac16 | |
1984-10-17 | Brendan Byrne Arena |
27975 | flac16; 3 Nak CM700 (DIN; Row S, DFC) > Sony TC-D5M > Maxell MX tape; Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; Taped, transferred by Doug Mow; CDR> FLAC16 and minor editing by Alex Ford |
gd1984-10-17.sbd.miller.32057.sbeok.flac16 | |
1984-10-17 | Brendan Byrne Arena |
32057 | flac16; Recording Info: Set 1: SBD -> Master Cassette -> ? -> Cassette (Dolby C) Set 2: SBD -> Master Cassette -> Dat -> CD -> EAC -> SHN Transfer Info: Set 1: Cassette (Sony TC-WE475/Dolby C) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Set 2: SHN -> WAV -> FLAC |
gd1984-10-17.beyerm88.suraci.78015.flac16 | |
1984-10-17 | Brendon Byrne Arena |
78015 | flac16; Source: Beyer M88's>Sony D5M(XLIIS/Set 1, MX/Set 2) Location: FOB/DFC Sec. 8, Row G(7 rows from stage)Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony Suraci/aka Nak700 |
gd1984-10-17.132253.Nak100CP4.Hill.Keo.Flac2496 | |
1984-10-17 | Meadowlands Arena |
132253 | flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename |
gd1984-10-17.nak300.morris.crazyfingers.106650.flac16 | |
1984-10-17 | Meadowlands Arena |
106650 | flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded from Floor Section 7, Row Y, Seat 4 by Bob Morris. |
gd1984-10-17.nak300.morris.113969.flac24 | |
1984-10-17 | Meadowlands Arena |
113969 | flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 |
gd1984-10-18.128497.schoeps.oade.BCE.flac16 | |
1984-10-18 | Meadowlands Arena |
128497 | flac16; Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply > modified Sony TCD-D5M. Later, Sony TCD-D5M > DAW (via SEKD Prodif) > Wav16/44 (set 1) & 16/48 (set 2); Transfer and mastering by droncit 4/29/2014 |
gd1984-10-18.142353.km86.flac2496 | |
1984-10-18 | Meadowlands Arena |
142353 | flac24; Recording Info: Neumann KM86 (cardioid) > Master Reel (Uher Deck 1/2 trk Scotch Reels); Transfer Info: Master Reel (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Adobe Audition CC2015 > Samplitude Pro X3 > FLAC/24; Recorded by Frank Streeter and Rob Eaton; Transferred by Matt Smith; Mastered by Charlie Miller |
gd1984-10-18.149997.mke2002.holbrook.flac1644 | |
1984-10-18 | Meadowlands Arena |
149997 | flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head 45 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLII 90 s2:Maxell MX 90 No Dolby -Lead deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Gary Steel |
gd1984-10-18.149998.mke2002.holbrook.flac2448 | |
1984-10-18 | Meadowlands Arena |
149998 | flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head 45 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLII 90 s2:Maxell MX 90 No Dolby -Lead deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Gary Steel |
gd84-10-18.nak.miller.17273.sbeok.shnf | |
1984-10-18 | Meadowlands Arena |
17273 | (FOB) Nakamichi CM300/CP1 -> Cm (Sony D5) -> Dat (48k) > Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. All transfers and remastering done by Charlie Miller |
gd84-10-18.nak701-beach.21131.sbeok.shnf | |
1984-10-18 | Meadowlands Arena |
21131 | 3 Nak 701s > D5 > MX-100 > D10 > SHN |
gd1984-10-18.nak300.damico.87016.sbeok.flac16 | |
1984-10-18 | Brendan Byrne Arena |
87016 | flac16; taper : Joe D'Amico aka joebeacon nak 300 mics > sony d5 converted : nak dragon deck > behringer ultra curve pro 24 bit main frame >creative extigy soundcard > cool edit pro > flac frontend |
gd1984-10-18.nak700.mow.ford.28290.sbeok.flac16 | |
1984-10-18 | Brendan Byrne Arena |
28290 | flac16; 3 Nak CM700 (Row N, DFC, DIN)> Sony TC-D5M > Maxell MX tape; Transfer: Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; Taped, transferred by Doug Mow; EAC> flac by Alex Ford |
gd1984-10-18.110052.beyer-senn-daweez.D5scott.flac16 | |
1984-10-18 | Meadowlands Arena |
110052 | flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files |
gd1984-10-18.120142.aud.roberts.flac16 | |
1984-10-18 | Meadowlands Arena |
120142 | flac16; Source: Teac ME-20 > WMD6 FOB Sec 8 Row A Seat 14; Conversion: HK TD302Bk> PMD661; Recorded by Stan Roberts |
gd1984-10-18.beyerm88.suraci.78116.flac16 | |
1984-10-18 | Brendon Byrne Arena |
78116 | flac16; Source: *Beyer M88's>SonyD5M(XLIIS/set 1, MX/Set 2) Location: FOB/Right Sec. 7, Row M, stand at 8 feet Transfer: Sony D5ProII>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped and Transferred by Tony Suraci |
gd1984-10-18.nak300.morris.crazyfingers.106651.flac16 | |
1984-10-18 | Meadowlands Arena |
106651 | flac16; Recorded from Floor Section 7, Row Y, Seat 4 by Bob Morris. Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) |
gd1984-10-18.nak300.morris.113970.flac24 | |
1984-10-18 | Meadowlands Arena |
113970 | flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 |
gd1984-10-18.142514.neumann.mr.miller.flac1644 | |
1984-10-18 | Meadowlands Arena |
142514 | flac16; Recording Info: Neumann KM86 (cardioid) > Master Reel (Uher Deck 1/2 trk Scotch Reels); Transfer Info: Master Reel (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Adobe Audition CC2015 > Samplitude Pro X3 > FLAC/24; Recorded by Frank Streeter and Rob Eaton; Transferred by Matt Smith; Mastered by Charlie Miller |
gd1984-10-18.senn421.pauline.miller.91464.sbeok.flac16 | |
1984-10-18 | Brendan Byrne Arena |
91464 | flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller |
gd1984-10-20.Nak100CP4.Hill.Keo.131799.Flac2496 | |
1984-10-20 | Carrier Dome, Syracuse U |
131799 | flac24; Master Audience Recorded By Sandy For Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1984-10-20.140928.fob.senn441.ackerman.miller.clugston.flac1644 | |
1984-10-20 | Carrier Dome, Syracuse U |
140928 | flac16; Source Info: Ray Ackerman's (FOB) Master Audience Cassette (first row in front of soundboard); Sennheiser 441 mics > Sony D5 > Sony D6; Transfer Info: Cassette (Nakamichi mkii)> Grace Design Lunatec V3 > Oade modified M-Audio MicroTrack II (wav 24 bit/96k)> Adobe Audition 3 > TLH flac24/96; 24 bit > 16 bit via dBpoweramp |
gd1984-10-20.140929.fob.senn441.ackerman.miller.clugston.flac2496 | |
1984-10-20 | Carrier Dome, Syracuse U |
140929 | flac24; Source Info: Ray Ackerman's (FOB) Master Audience Cassette (first row in front of soundboard); Sennheiser 441 mics > Sony D5 > Sony D6; Transfer Info: Cassette (Nakamichi mkii)> Grace Design Lunatec V3 > Oade modified M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3 > TLH flac24/96 |
gd1984-10-20.150967.sbd.eaton-latvala.miller.flac1644 | |
1984-10-20 | Carrier Dome, Syracuse U |
150967 | Recording Info: SBD > PCM Master > DAT (Panasonic SV-3700) > DAT (Panasonic SV-3800) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC. (3 Discs Audio) Original Transfer and Mastering by Rob Eaton. Additional Mastering by Charlie Miller. November 28, 2020 |
gd1984-10-20.152671.FOBNak100-SGMasterCassette.Anon.Noel.t-flac2448 | |
1984-10-20 | Carrier Dome, Syracuse U |
152671 | flac24/48 Source: Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Location: Three Rows Directly In Front Of Healy (sorry Dan!); Stand 6 To 7 Feet High. |
gd1984-10-20.152672.FOBNak100-SGMasterCassetteAnonNoel.t-flac16 | |
1984-10-20 | Carrier Dome, Syracuse U |
152672 | flac16 This Is A 16bit File Set, Dithered Using Dbpoweramp Source: Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Location: Three Rows Directly In Front Of Healy (sorry Dan!); Stand 6 To 7 Feet High. Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby> Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq & Software Dolby B Decode Using Nuendo & Ddicodec. Recorded, Transferred & Mastered By Anon Edited With Add'l Mastering In Adobe Audition By Joe Noel February 16, 2021 |
gd1984-10-20.sbd.miller.105445.flac16 | |
1984-10-20 | Carrier Dome, Syracuse U |
105445 | flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a re-master of source ID 15673 |
gd1984-10-20.122859.mtx.dusborne.flac16 | |
1984-10-20 | Carrier Dome, Syracuse U |
122859 | flac16; Matrix from: Soundboard (shnid:105445) SBD -> Cassette Master -> Dat -> CD; All Transfers and Mastering By Charlie Miller and Audience (shnid:110063)source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav files by D5scott |
gd1984-10-20.124527.chasingwilma.flac24 | |
1984-10-20 | Carrier Dome, Syracuse U |
124527 | flac24; lineage: sennheiser 441 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit |
gd84-10-20.sbd.mattman.15673.sbeok.shnf | |
1984-10-20 | Carrier Dome, Syracuse U |
15673 | SBD> CM> DAT> computer processing> CDR> EAC> SHNTOOL> MKWACT; Editing by MattMan, from Alan Matta source discs; Upgrade in circulation |
gd1984-10-20.nak300.carpenter.wise.andrewf.33341.sbeok.flac16 | |
1984-10-20 | Carrier Dome - Syracuse University |
33341 | flac16; FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M, onto Maxell UD-XLII tape, with no Dolby. Taped by Ted Carpenter |
gd1984-10-20.nak300.unknown.lai.1871.sbeok.shnf | |
1984-10-20 | Carrier Dome - Syracuse University |
1871 | nak300> cassette master> cd wav> cool edit pro> shn> cdr; transfer by Mike Lai from Bruce Fried seed; upgrade in circulation |
gd1984-10-20.nak300.carpenter.108304.flac2496 | |
1984-10-20 | Carrier Dome, Syracuse U |
108304 | flac24; FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell UD-XLII 90's w/no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496 Tagged. Transfer by Andrew F. |
gd1984-10-20.aud.morris.108407.flac24 | |
1984-10-20 | Carrier Dome, Syracuse U |
108407 | flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded from Floor Section 3, Row L, Seat 9 by Bob Morris |
gd1984-10-20.110063.beyer-senn-daweez.D5scott.flac16 | |
1984-10-20 | Carrier Dome, Syracuse U |
110063 | flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files |
gd1984-10-20.128437.set2.schoeps.oade.BCE.flac16 | |
1984-10-20 | Carrier Dome, Syracuse U |
128437 | flac16; Set 2 Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper |
gd1984-10-20.nak300.morris.crazyfingers.106652.flac16 | |
1984-10-20 | Carrier Dome, Syracuse U |
106652 | flac16; Recorded from Floor Section 3, Row L, Seat 9 by Bob Morris.Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) |
gd1984-10-20.Nak100CP4.Hill.Keo.131798.Flac1644 | |
1984-10-20 | Carrier Dome, Syracuse U |
131798 | flac16; Master Audience Recorded By Sandy For Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 24/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1984-10-27.sbd.walker-scotton.miller.106797.flac16 | |
1984-10-27 | Berkeley Community Theater |
106797 | flac16; SBD > Cassette Master > Cassette > FLAC; All Transfers and Mastering By Charlie Miller (note: This source was originally seeded as part of a collection of uncirculated SBD tracks.) |
gd1984-10-27.145576.aud.lamarre.berger.flac24 | |
1984-10-27 | Berkeley Community Theater |
145576 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row nn, seat 15; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger |
gd1984-10-27.145577.aud.lamarre.berger.flac16 | |
1984-10-27 | Berkeley Community Theater |
145577 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row nn, seat 15; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger |
gd84-10-27.senn.vernon.17414.sbeok.shnf | |
1984-10-27 | Berkeley Community Theater |
17414 | Senn 441?s>Sony D-5. AUD>MC>DAT>CDR via Raoul Duke encoded by Willy and Matt Vernon |
gd1984-10-27.sbd.123743.miller.flac16 | |
1984-10-27 | Berkeley Community Theater |
123743 | flac16; Partial SBD > Cassette Master > Cassette > FLAC; All Transfers and Mastering By Charlie Miller |
gd1984-10-28.nak700-nak100.abrams-prior.abrams.88181.sbeok.flac16 | |
1984-10-28 | Berkeley Community Theatre |
88181 | flac16; Taped by Jay Abrams (jra-sm) and Keith Prior Digitized and edited by Jay Abrams Location: Section CTR - Row GG - Seat 23 Source: Quad Nakimichi's - (Nakimichi 700's and Nakimichi 100's) - mixed down to two channels at show Sony WM-D6C > Maxell Metal - Dolby C > Wav > CD Wav > xAct encoding to Flac |
gd1984-10-28.nak700-senn441.parrish.weiner.29080.sbeok.flac16 | |
1984-10-28 | Berkeley Community Theatre |
29080 | flac16; AudMC > DAT > CD > EAC > FLAC Recoreded by Michael Parrish from taper section with 2 Nak mini-700s (with pressure zones) and 2 Senn 441s > battery powered DBX 224X > Sony D-6 (master cassette) - CD>FLAC by Noah Weiner, April 2005. |
gd1984-10-28.aud.walker-cotton.miller.106167.flac16 | |
1984-10-28 | Berkeley Community Theater |
106167 | flac16; Recording Info: Nakamichi 300/CP1 Mics -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd84-10-28.sbd.ladner.21935.sbeok.shnf | |
1984-10-28 | Berkeley Community Theater |
21935 | Source: SBD>MC>DAT>CDR>WAV>SHN - entire first set except for aud splice during LLR. First three tracks of second set are SBD with the remainder from an unlineaged FOB audience recording. |
gd84-10-28.senn.vernon.17358.sbeok.shnf | |
1984-10-28 | Berkeley Community Theater |
17358 | Source: Senn 441?s>Sony D-5. Lineage: AUD>MC>DAT>CDR. Encoding by Willy Munder and Matt Vernon |
gd1984-10-28.145578.aud.lamarre.berger.flac24 | |
1984-10-28 | Berkeley Community Theater |
145578 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row OO, seat 1; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger |
gd1984-10-28.145579.aud.lamarre.berger.flac16 | |
1984-10-28 | Berkeley Community Theater |
145579 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row OO, seat 1; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger |
gd1984-10-30.150782.mke2002.murtha.holbrook.flac2448 | |
1984-10-30 | Berkeley Community Theater |
150782 | flac24/48khz Source: MAUD CA Sennheiser mke2002 Binaural mics, worn on Seans head > Sony TCD5M|TDK MA90 x2 Location: Upper balcony, ROC Row O Seat 22 Lineage: Nakmichi LX5 > Marantz PMD661|SD Recorded by: Sean Murtha, Gary Steel, Executive Crew Transferred: Kyle Holbrook |
gd1984-10-30.150783.mke2002.murtha.holbrook.flac1644 | |
1984-10-30 | Berkeley Community Theater |
150783 | flac16/44.1khz Source: MAUD CA Sennheiser mke2002 Binaural mics, worn on Seans head > Sony TCD5M|TDK MA90 x2 Location: Upper balcony, ROC Row O Seat 22 Lineage: Nakmichi LX5 > Marantz PMD661|SD Recorded by: Sean Murtha, Gary Steel, Executive Crew Transferred: Kyle Holbrook |
gd1984-10-30.145582.aud.lamarre.berger.flac24 | |
1984-10-30 | Berkeley Community Theater |
145582 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row mm, seat 11; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger |
gd1984-10-30.145583.aud.lamarre.berger.flac16 | |
1984-10-30 | Berkeley Community Theater |
145583 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row mm, seat 11; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger |
gd84-10-30.mixed.ladner.22256.sbeok.shnf | |
1984-10-30 | Berkeley Community Theater |
22256 | Source: Set 1: SBD>MC>DAT>CDR>WAV>SHN. Set 2: SBD>MC>DAT>CDR>WAV>SHN (first 3 tracks) AUD(Senn 441?s>Sony D-5)>MC>DAT>CDR>WAV>SHN (remainder of second set + encore) |
gd1984-10-30.aud.walker-scotton.miller.106168.flac16 | |
1984-10-30 | Berkeley Community Theater |
106168 | flac16; Recording Info: Nakamichi 300/CP1 Mics -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd84-10-30.senn.vernon.17415.sbeok.shnf | |
1984-10-30 | Berkeley Community Theater |
17415 | Senn 441?s>Sony D-5. Lineage: AUD>MC>DAT>CDR via Raoul Duke encoded by Willy Munder and Matt Vernon |
gd84-10-31.senn.14947.sbeok.shnf | |
1984-10-31 | Berkeley Community Theater |
14947 | Source: AUD (Sennheiser 441) > CM > CDR > WAV > SHN. Thanks to Dr. B.Fried for the cassette masters. Original SHN conversion by Mike Lai. Note- This is a re-seed of previous seed by C Ladner; See info file for details |
gd1984-10-31.sbd.walker-scotton.miller.106798.flac16 | |
1984-10-31 | Berkeley Community Theater |
106798 | flac16; SBD > Cassette Master > Cassette > FLAC; All Transfers and Mastering By Charlie Miller (note: This source was originally seeded as part of a collection of uncirculated SBD tracks.) |
gd1984-10-31.142494.sbd.patched.flac1648 | |
1984-10-31 | Berkeley Community Theater |
142494 | flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k |
gd1984-10-31.142422.sbd.miller.flac1648 | |
1984-10-31 | Berkeley Community Theater |
142422 | flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k |
gd1984-10-31.145613.aud.lamarre.berger.flac24 | |
1984-10-31 | Berkeley Community Theater |
145613 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90's; center floor, row OO, seat 13; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger |
gd1984-10-31.145614.aud.lamarre.berger.flac16 | |
1984-10-31 | Berkeley Community Theater |
145614 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90's; center floor, row OO, seat 13; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger |
gd1984-11-02.152202.sbd.eichorn.flac16 | |
1984-11-02 | Berkeley Community Theater |
152202 | flac14/44 Speed-correction done with Celemony Capstan by Roger Eichorn |
gd1984-11-02.147485.aud.lamarre.berger.flac16 | |
1984-11-02 | Berkeley Community Theater |
147485 | flac16; source: aud cassette master; sennheiser 441's > sony d5; center floor, row nn, seat 27; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger |
gd1984-11-02.147486.aud.lamarre.berger.flac24 | |
1984-11-02 | Berkeley Community Theater |
147486 | flac24; source: aud cassette master; sennheiser 441's > sony d5; center floor, row nn, seat 27; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger |
gd84-11-02.sbd.connor.10172.sbeok.shnf | |
1984-11-02 | Berkeley Community Theater |
10172 | Set 1: SBD>Master Cassette> Cassette> DAT> CD> SHN:Set 2: SBD>PCM>DAT@44.1>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 >CDWav beta1.6(tracking only)> SHNv3 (MKW ACT) Set 1 source via Trip Bates shntool fixed version of Braverman SBD seed; Set 2 source: DAT via Joe Samaritano. Seeded to Fungus and abgd by Charlie Connor |
gd1984-11-02.sbd.braverman.9753.sbeok.shnf | |
1984-11-02 | Berkeley Community Theatre |
9753 | Tony G shntool fix of original Braverman SBD seed; ; upgrade in circulation |
gd1984-11-02.senn421.unknown.gastwirt.gems.77878.sbeok.flac16 | |
1984-11-02 | Berkeley Community Theatre |
77878 | flac16; Sennheiser 421s? > PCM > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 > shntool > FLAC (lvl8) |
gd1984-11-02.137968.sbd.msc.happyjack.flac24 | |
1984-11-02 | Berkeley Community Theater |
137968 | flac24; Monitor Mix Source: Soundboard (monitor mix) > Sony TC-D5 > Master [Maxell XLII-S90 cassette] Clone was made on a Aiwa CX-NA555 to a Maxell XLII-S90 cassette; Transfer: Sharp RT100 Deck[Clone Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/27/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Master Audience Source: Power Cards direct mics > Sony TC-D5 [Nakamichi SX-C90 Cassette] Transfer: Sharp RT100 Deck[Master Cassette & Clone Cassette] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/28/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Lineage: 96.00kHz/24bit wav > Adobe Audition 3.0. > WaveLab6 > iZotope Ozone 3 > CD Wave > TLH > Flac 24 |
gd1984-11-02.137969.sbd.msc.happyjack.flac16 | |
1984-11-02 | Berkeley Community Theater |
137969 | flac16; Monitor Mix Source: Soundboard (monitor mix) > Sony TC-D5 > Master [Maxell XLII-S90 cassette] Clone was made on a Aiwa CX-NA555 to a Maxell XLII-S90 cassette; Transfer: Sharp RT100 Deck[Clone Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/27/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Master Audience Recording Source: Power Cards direct mics > Sony TC-D5 [Nakamichi SX-C90 Cassette] Transfer: Sharp RT100 Deck[Master Cassette & Clone Cassette] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/28/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Lineage: 96.00kHz/24bit wav > Adobe Audition 3.0. > WaveLab6 > iZotope Ozone 3 > CD Wave > TLH > Flac 16; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping |
gd1984-11-02.sbd.miller.braverman.9382.sbeok.shnf | |
1984-11-02 | Berkeley Community Theatre |
9382 | Set 1: SBD> Master Cassette> Cassette> DAT> CD; Set 2: SBD> PCM> DAT> CD; via Charlie Miller; Seeded to etree by Peter Braverman; upgrade in circulation |
gd1984-11-03.150801.mke2002.murthas.holbrook.flac1644 | |
1984-11-03 | Berkeley Community Theater |
150801 | flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head front Row Balcony 145 feet from stage DFC >Nakamichi 550 Maxell UDXLIIS 90 x 3 No Dolby -Lead deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Gary Steel |
gd1984-11-03.150802.mke2002.murthas.holbrook.flac2448 | |
1984-11-03 | Berkeley Community Theater |
150802 | flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head front Row Balcony 145 feet from stage DFC >Nakamichi 550 Maxell UDXLIIS 90 x 3 No Dolby -Lead deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Gary Steel |
gd1984-11-03.147478.aud.lamarre.berger.flac16 | |
1984-11-03 | Berkeley Community Theater |
147478 | flac16; source: aud cassette master; sennheiser 441's > sony d5 center floor, row nn, seat 19; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger |
gd1984-11-03.147479.aud.lamarre.berger.flac24 | |
1984-11-03 | Berkeley Community Theater |
147479 | flac24; source: aud cassette master; sennheiser 441's > sony d5; center floor, row nn, seat 19; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger |
gd1984-11-03.sbd.greenbereg.powell.21761.sbeok.shnf | |
1984-11-03 | Berkeley Community Theatre |
21761 | MSP > D > CD patched with MAC > C > C > D EAC & SHN conversion by John Mollman from Jim Powell's seed |
gd1984-11-03.senn421.unknown.gastwirt.gems.78704.sbeok.flac16 | |
1984-11-03 | Berkeley Community Theatre |
78704 | flac16; Sennheiser 421s > PCM > DAT > Sony DTC-2000ES > M-Audio Delta 410 > Soundforge 8.0 wav > Adobe Audition 1.5 > Shntool > FLAC lvl8 |
gd1984-11-03.sbd.miller.110773.flac16 | |
1984-11-03 | Berkeley Community Theater |
110773 | flac16; Recording Info: SBD -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd84-11-03.aud.willy-vernon.18111.sbeok.shnf | |
1984-11-03 | Berkeley Community Theater |
18111 | AUD>MC>DAT>CDR via Raoul Duke, encoded by Willy and Matt Vernon |
gd84-11-03.sbd.braverman.8212.sbefail.shnf | |
1984-11-03 | Berkeley Community Theater |
8212 | SBD> MC> DAT> CD; Seeded to etree by Peter Braverman |
gd1984-12-28.140168.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac1644 | |
1984-12-28 | San Francisco Civic Auditorium |
140168 | flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp |
gd1984-12-28.140169.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac2496 | |
1984-12-28 | San Francisco Civic Auditorium |
140169 | flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 |
gd1984-12-28.148397.2nd.set.fob.neumann.km84i.hecht.miller.clugston.flac1648 | |
1984-12-28 | San Francisco Civic Auditorium |
148397 | flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1984-12-28.148398.2nd.set.fob.neumann.km84i.hecht.miller.clugston.flac2496 | |
1984-12-28 | San Francisco Civic Auditorium |
148398 | flac24; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 |
gd1984-12-28.151175.beyerm88.holbrook.flac1644 | |
1984-12-28 | San Francisco Civic Auditorium |
151175 | flac16/44.1khz Source: Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD) Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode |
gd1984-12-28.151176.beyerm88.holbrook.flac2448 | |
1984-12-28 | San Francisco Civic Auditorium |
151176 | flac24/48khz Source: Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD) Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode |
gd1984-12-28.151177.mke2002.holbrook.flac1644 | |
1984-12-28 | San Francisco Civic Auditorium |
151177 | flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4' pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode |
gd1984-12-28.151178.mke2002.holbrook.flac2448 | |
1984-12-28 | San Francisco Civic Auditorium |
151178 | flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4' pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode |
gd1984-12-28.152227.nak700.severson.miller.clugston.flac1648 | |
1984-12-28 | San Francisco Civic Auditorium |
152227 | flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 |
gd1984-12-28.152228.nak700.severson.miller.clugston.flac2496 | |
1984-12-28 | San Francisco Civic Auditorium |
152228 | flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 |
gd1984-12-28.senn421.adam.80953.sbeok.flac16 | |
1984-12-28 | San Francisco Civic Auditorium |
80953 | flac16; Source: MAC: Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Location: 1st row balcony lip, DEAD Center Taper: Adam Transfer: MAC: Nakamichi CD2(played back on type IV setting, azimuth adjusted) > rca/xlr > Luntec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, conversion and upload to bt.etree.org by Alex Ford. |
gd84-12-28.aud.unknown.16584.sbeok.shnf | |
1984-12-28 | San Francisco Civic Auditorium |
16584 | Audience cassette > ? > DAT > CDR > SHN |
gd1984-12-28.132495.schoeps.Oade.BCE.flac16 | |
1984-12-28 | San Francisco Civic Auditorium |
132495 | flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dan McDonald |
gd1984-12-28.142611.sbd.miller.flac1648 | |
1984-12-28 | San Francisco Civic Auditorium |
142611 | flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k |
gd1984-12-28.senn441.kutik.106103.flac16 | |
1984-12-28 | San Francisco Civic Auditorium |
106103 | flac16; Sennheiser 441 > Sony TCD5-M > Maxell MX CM>Nakamichi CR7A > Edirol R4Pro (Oade Preamp Mod ) > WaveBurner > xACT > FLAC |
gd84-12-29.aud.12926.sbefail.shnf | |
1984-12-29 | San Francisco Civic Auditorium |
12926 | AUD>?>CDR>EAC>SHN>WAV(re-tracked)>SHN; via Brian Bontempo; Seeded to etree by jim@juddcreek |
gd84-12-29.oade-schoeps.ladner.24294.sbeok.shnf | |
1984-12-29 | San Francisco Civic Auditorium |
24294 | Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN |
gd1984-12-29.148399.fob.neumann.km84i.hecht.miller.clugston.flac1648 | |
1984-12-29 | San Francisco Civic Auditorium |
148399 | flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1984-12-29.148400.fob.neumann.km84i.hecht.miller.clugston.flac2496 | |
1984-12-29 | San Francisco Civic Auditorium |
148400 | flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 |
gd1984-12-29.150894.fm.waddell.haines.clugston.flac1648 | |
1984-12-29 | San Francisco Civic Auditorium |
150894 | flac16/48khz Source Info: FM Broadcast Mix > (?PCM?) > Cassettes Transfer Info: Cassettes (analog master?)(Nakamichi CR7-A) > Sound Devices MixPre-3M (24/48) > Adobe Audition CC 2019 > TLH flac2448 |
gd1984-12-29.150895.fm.waddell.haines.clugston.flac2448 | |
1984-12-29 | San Francisco Civic Auditorium |
150895 | flac24/48khz Source Info: FM Broadcast Mix > (?PCM?) > Cassette Transfer Info: Cassettes (analog master?)(Nakamichi CR7-A) > Sound Devices MixPre-3M (24/48) > Adobe Audition CC 2019 > TLH flac2448 |
gd1984-12-29.152535.nak700.severson.miller.clugston.flac1648 | |
1984-12-29 | San Francisco Civic Auditorium |
152535 | flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 |
gd1984-12-29.152536.nak700.severson.miller.clugston.flac2496 | |
1984-12-29 | San Francisco Civic Auditorium |
152536 | flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 |
gd1984-12-29.Senn421.Darby.118252.Flac1644 | |
1984-12-29 | San Francisco Civic Auditorium |
118252 | flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software |
gd1984-12-29.151201.mke2002.holbrook.flac1644 | |
1984-12-29 | San Francisco Civic Auditorium |
151201 | flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals headworn > lead Sony TCD5M > s1:maxell UDXLIIS90 No Dolby; s2:Maxell MX90 No Dolby -lead deck run by CK. Source 2: # MAUDCA (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M) Kirshner|Miller Location: 40-50 feet from stage DFC on Kyle's head Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode |
gd1984-12-29.151202.mke2002.holbrook.flac2448 | |
1984-12-29 | San Francisco Civic Auditorium |
151202 | flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals headworn > lead Sony TCD5M > s1:maxell UDXLIIS90 No Dolby; s2:Maxell MX90 No Dolby -lead deck run by CK. Source 2: # MAUDCA (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M) Kirshner|Miller Location: 40-50 feet from stage DFC on Kyle's head Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode |
gd1984-12-29.aud.unknown.laddner.87705.sbeok.shnf | |
1984-12-29 | San Francisco Civic Center |
87705 | Source Update: Unknown Audience Source (Had been marked:MSC > C > DAT > WAV > SHN with patches from Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN) |
gd1984-12-29.senn421.mccue.ford.81758.sbeok.flac16 | |
1984-12-29 | San Francisco Civic Center |
81758 | flac16; MAC; 2 Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Location: Front row of balcony, Dead Center Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Taper: Mark McCue Lineage: MAC > Nakamichi Cassette Deck 2(azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(A/D at 24bit/96kHz) > coax > Audiophile 2496 > WaveLab 5 > editing > Waves L3 UltraMaximizer > 16 bit 44.1 kHz > CDWave Editor > TLH > FLAC16 |
gd1984-12-29.nak100.holtz-bolton.jaz.105032.flac16 | |
1984-12-29 | San Francisco Civic Auditorium |
105032 | flac16; TAPER: Greg Holtz & Tony Bolton. SOURCE: Front Row Balcony, Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M. TRANSFER: By (JAZ) Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename |
gd1984-12-29.sbd.walker-scotton.miller.106169.flac16 | |
1984-12-29 | San Francisco Civic Auditorium |
106169 | flac16; Recording Info: SBD -> ? -> Cassette (Maxell XLII-S90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1984-12-29.132520.fob-schoeps.Oade.BCE.flac16 | |
1984-12-29 | San Francisco Civic Auditorium |
132520 | flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Recorded by the Oade Brothers; Mastering by Dan McDonald & Dave Usborne |
gd1984-12-29.142761.sbd.miller.flac1648 | |
1984-12-29 | San Francisco Civic Auditorium |
142761 | flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k |
gd1984-12-29.140187.fob.cmc4-mk41.oade.bryant.wise.miller.clugston.flac1644 | |
1984-12-29 | San Francisco Civic Auditorium |
140187 | flac16; Recording Info: 1st Set: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); 2nd Set: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: 1st Set: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 24/96 > dBpoweramp 16/44 > Adobe Audition 3.0 > TLH flac16; 2nd Set: Master PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 |
gd1984-12-31.nak300.russjcan.96435.sbeok.flac16 | |
1984-12-31 | San Francisco Civic Center |
96435 | flac16; Nak 300 shotguns w/D6 OTS MAC>NakCR-3A>HD>Audacity>CDwave>TLH; recorded and transferred by Russ Cansler |
gd1984-12-31.sbd.walker-scotton.miller.106251.flac16 | |
1984-12-31 | San Francisco Civic Auditorium |
106251 | flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLII-S90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation |
gd1984-12-31.147328.sbd.clugston.flac16 | |
1984-12-31 | San Francisco Civic Auditorium |
147328 | flac16; Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1; Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16 |
gd1984-12-31.148401.fob.neumann.km84i.hecht.miller.clugston.flac1648 | |
1984-12-31 | San Francisco Civic Auditorium |
148401 | flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1984-12-31.148402.fob.neumann.km84i.hecht.miller.clugston.flac2496 | |
1984-12-31 | San Francisco Civic Auditorium |
148402 | flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 |
gd1984-12-31.150896.sbd.clugston.flac16 | |
1984-12-31 | San Francisco Civic Auditorium |
150896 | flac16 this is a fixed version of shnid147328 (patched "Fire On The Mountain") Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1 Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16 |
gd84-12-31.sbd.gorinsky.6395.sbeok.shnf | |
1984-12-31 | San Francisco Civic Auditorium |
6395 | SB > MR > ?? [apparently FM] > DAT > CDR > EAC> SHN; EAC, SHN, etreed by G.Gorinsky; with thanks to Bill Golden |
gd1984-12-31.Senn421.Darby.118305.Flac2448 | |
1984-12-31 | San Francisco Civic Auditorium |
118305 | flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo |
gd1984-12-31.Senn421.Darby.118306.Flac1644 | |
1984-12-31 | San Francisco Civic Auditorium |
118306 | flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software |
gd1984-12-31.121725.sbd.miller.flac16 | |
1984-12-31 | San Francisco Civic Auditorium |
121725 | flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLII-S90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; This is a remaster of source ID 106251; All Transfers and Mastering By Charlie Miller |
gd1984-12-31.fm.menke.miller.32347.sbeok.flac16 | |
1984-12-31 | San Francisco Civic Center |
32347 | flac16; Recording Info: FM -> Master Reel (1/4 Track 7.5ips Dolby B Tandberg Deck) -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC |
gd1984-12-31.senn421.mccue.ford.82046.sbeok.flac16 | |
1984-12-31 | San Francisco Civic Center |
82046 | flac16; MAC; 2 Sennheiser 421s > Sony D5 > TDK MA-R 90 (Set I & II) & Maxell MX 90 (Set III) Location: 1st row of balcony, Dead Center Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3 (24bit/96kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24bit/96kHz .wav files (1 per tape side) > Waves L3 UltraMaximizer(dither) > 16bit/44.1kHz > CD Wave Editor > TLH > FLAC16. |
gd1984-12-31.140160.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac1644 | |
1984-12-31 | San Francisco Civic Auditorium |
140160 | flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 |
gd1984-12-31.140161.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac2496 | |
1984-12-31 | San Francisco Civic Auditorium |
140161 | flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 |
gd1984-12-31.082395.cpb.IViews.flac1644 | |
1984-12-31 | San Francisco Civic Auditorium |
82395 | flac16; WETA FM (Wash. D.C.) -> unknown cassette recorder (MC) MC > Playback on Marantz PRD505 > Marantz Integrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. |
gd1984-12-31.151277.senn421.holbrook.flac1644 | |
1984-12-31 | San Francisco Civic Auditorium |
151277 | flac16/44.1khz Master: Sennheiser 421's, NORTF, front row balcony 150 feet from stage>Sony TCD5M; Maxell MX 90 w/dolby B Nr second deck in line; patched from Eddie Claridge mics & rig. Transfer: Nakamichi LX-5|ESI Juli@ @24/48||WIN10| Audacity| cdwav editor | TLH | FLAC Recorded by: Executive Crew- Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode Transferred by Kyle Holbrook |
gd1984-12-31.151278.senn421.holbrook.flac2448 | |
1984-12-31 | San Francisco Civic Auditorium |
151278 | flac24/48khz Master: Sennheiser 421's, NORTF, front row balcony 150 feet from stage>Sony TCD5M; Maxell MX 90 w/dolby B Nr second deck in line; patched from Eddie Claridge mics & rig. Transfer: Nakamichi LX-5|ESI Juli@ @24/48||WIN10| Audacity| cdwav editor | TLH | FLAC Recorded by: Executive Crew- Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode Transferred by Kyle Holbrook |
gd1984-12-31.154657.mtx.tobin.flac16 | |
1984-12-31 | San Francisco Civic Auditorium |
154657 | flac16; Matrix 2 Source Mix - SBD (shnid = 150896) Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1 Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16 + AUD (shnid = 140161) Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 - matrix mixing by Kevin Tobin |
gd1984-12-31.154658.dts.tobin.flac16 | |
1984-12-31 | San Francisco Civic Auditorium |
154658 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 150896) Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1 Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16 + AUD (shnid = 140161) Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 - dts mixing by Kevin Tobin |
gd1984-12-31.154659.5-1.tobin.flac1648 | |
1984-12-31 | San Francisco Civic Auditorium |
154659 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 150896) Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1 Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16 + AUD (shnid = 140161) Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 - surround mixing by Kevin Tobin |
gd1984-12-31.nak100.holtz-bolton.jaz.105154.flac16 | |
1984-12-31 | San Francisco Civic Auditorium |
105154 | flac16; TAPER: Greg Holtz & Tony Bolton SOURCE: Front Row Balcony, Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename |