Identifiers for Grateful Dead
1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
Archive Identifier | |
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Date | Venue |
Source | |
gd1990-06-09.145489.ultramatrix.gastwirt.miller.sirmick.flac16 | |
1990-06-09 | Cal Expo |
145489 | flac16; Source: Utramatrix > Dat (44k) - Provided by Rich Gastwirt; Transfer: Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - Transfer by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick February 2019 |
gd1990-06-09.149620.ultramatrix.sbd.pearson-healy.miller.flac2496 | |
1990-06-09 | Cal Expo |
149620 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
gd1990-06-09.150584.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac2496 | |
1990-06-09 | Cal Expo |
150584 | flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 11, 2020 |
gd1990-06-10.152180.nakcp702.flac2496 | |
1990-06-10 | Cal Expo |
152180 | flac24/96 FOB Aud Nakamichi CP-702 omni capsules, 12' spread > custom pre-amp/power supply > Dbx Type II noise reduction encoder > Sony TC-D5 cassette Transfer: Master cassette playback on Nakamichi Dragon > Dbx 224X-DS Type II noise reduction decoder > RME Fireface 800, 24-bit 96kHz |
gd1990-06-10.147940.sbd.ladner-braverman.flac1644 | |
1990-06-10 | Cal Expo |
147940 | flac16; Source: SBD/Matrix > DAT > CDR > WAV > SHN > FLAC (See additional notes.) |
gd90-06-10.sbd-matrix.miller-ladner.6937.sbeok.shnf | |
1990-06-10 | Cal Expo |
6937 | SBD/Matrix > DAT > CDR > WAV > SHN; plus patch from Mike Lai AUD source (see info) EAC, SHNTOOL, and minor repair work (cdwave) via neo_levo; SBD seed via Charlie Miller |
gd1990-06-10.111344.NeumannKMF4.daweez.d5scott.flac16 | |
1990-06-10 | Cal Expo |
111344 | flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1990-06-10.149727.UltraMatrix.sbd.cm.miller.flac16 | |
1990-06-10 | Cal Expo |
149727 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
gd1990-06-10.schoeps.wklitz.97059.sbeok.flac16 | |
1990-06-10 | Cal Expo Amphitheatre |
97059 | flac16; Schoeps Omni Spaced 27'>Oade?>Technics SV-MD1 in Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC (It's likely that my DAT was patched via analog output of lead deck as the mics were not mine and the Technics has no Digital in.) Processed By Keith Litzenberger |
gd1990-06-10.142579.FOB.Schoeps.Weber-Small.Mattes.Miler.Noel.t-flac1648 | |
1990-06-10 | Cal Expo |
142579 | flac16/48kHz;Sean Weber-Small (FOB) Recording: Schoeps CMC4 MK2 > Oade Power Supply > DAT 48k (Panasonic SV-250). Mics spaced 8' w/ mic stands @ 5' 11"; Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |
gd1990-06-10.dts.haugh.29669.sbeok.shnf | |
1990-06-10 | Cal Expo Amphitheatre |
29669 | DTS-Audio-CD 5.1 Mix (See Tech Notes in Txt File), Source Info:SBD - SBD: DAT > CDR > WAV > SHN; AUD - FOB: B&K 4011 (ORTF 6'4 mic Stand) > Neumann p48 phantom supply > Sony TCD-D10 pro II 48k); Seeded by Dan@Am-Dig |
gd1990-06-10.143345.FOB.Schoeps.Brotman.Miler.Noel.t-flac1648 | |
1990-06-10 | Cal Expo |
143345 | flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC4/MK2S (Spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |
gd1990-06-10.149621.ultramatrix.sbd.pearson-healy.miller.flac2496 | |
1990-06-10 | Cal Expo |
149621 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
gd1990-06-10.150585.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac2496 | |
1990-06-10 | Cal Expo |
150585 | flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 14, 2020 |
gd1990-06-15.142345.OTS.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648 | |
1990-06-15 | Shoreline Amphitheatre |
142345 | flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman OTS Recording: Schoeps CMC4 MK2's > DAT (Panasonic SV250); Charlie Miller Transfer from DAT clone of master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 |
gd1990-06-15.sbd.miller.106144.flac16 | |
1990-06-15 | Shoreline Amphitheatre |
106144 | flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1990-06-15.Nak300CP4.Fitzy.Keo.126232.Flac2496 | |
1990-06-15 | Shoreline Amphitheatre |
126232 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1990-06-15.Nak300CP4.Fitzy.Keo.126233.Flac1644 | |
1990-06-15 | Shoreline Amphitheatre |
126233 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1990-06-15.138464.s2.ots.Scheops.Ammons.Noel.t-flac16 | |
1990-06-15 | Shoreline Amphitheatre |
138464 | flac16/48kHz; Set 2, unknown taper: Schoeps CMC 42s > Panasonic SV255; mics spaced 9 feet with 6'5" stand; front row taper section; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Pack & Patch: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT |
gd1990-06-15.143854.sbd.miller.flac2496 | |
1990-06-15 | Shoreline Amphitheatre |
143854 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-06-15.143855.UltraMatrix.sbd.cm.miller.flac1644 | |
1990-06-15 | Shoreline Amphitheatre |
143855 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 |
gd90-06-15.naks.jill-rob.7762.sbeok.shnf | |
1990-06-15 | Shoreline Amphitheatre |
7762 | 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner |
gd90-06-15.sbd.ladner.8570.sbeok.shnf | |
1990-06-15 | Shoreline Amphitheatre |
8570 | SBD > DAT > CDR > WAV > SHN; plus AUD patch; DAE(EAC) > boundary/ splice/ tracking(SHNTOOL, SF5) > SHN (MKWACT) via neo_levo |
gd1990-06-15.146443.FOB.OTS.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
1990-06-15 | Shoreline Amphitheatre |
146443 | flac16/48kHz; Dave Brotman & Jeff Metchick Master Digital Recording: Set I: (FOB) Spaced Schoeps CMC4 MK4's > Oade Pre Amp > (-20db pad) > DAT (Panasonic SV255); Location: Row F Seat 21 & 27, mics were on stands at 6' 4" spaced 9' 1"; Set II: (OTS) Schoeps CMC4 MK4's (110°) > Oade Pre Amp > DAT (Panasonic SV250); Location: front row tapers section; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel: Flac 16/48 > Audacity > 16/48 |
gd1990-06-15.146936.photoLeon.MTX.t-flac16 | |
1990-06-15 | Shoreline Amphitheatre |
146936 | flac16; Matrix: Source one: Dave Brotman & Jeff Metchick Master Digital (FOB/OTS) Recording: Set I: Spaced Schoeps CMC4 MK4's > Oade Pre Amp > (-20db pad) > DAT (Panasonic SV255); Location: Row F Seat 21 & 27, mics were on stands at 6' 4" spaced 9' 1"; Set II: (OTS) Schoeps CMC4 MK4's (110°) > Oade Pre Amp > DAT (Panasonic SV250); Location: front row tapers section; Source two: Recording Info: SBD -> Dat -> CD; Both sources edited & mastered for matrix by Joe Noel |
gd1990-06-16.143425.FOB.s2.Schoeps.Brotman.Miler.Noel.t-flac1648 | |
1990-06-16 | Shoreline Amphitheatre |
143425 | flac16/48kHz; Set 2 Dave Brotman (FOB) Recording: Schoeps CMC5/MK4 (ortf) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |
gd1990-06-16.147584.sbd.ultramatrix.pearson.miller.flac24 | |
1990-06-16 | Shoreline Amphitheatre |
147584 | flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-06-16.aud.savage-wklitz.96407.flac16 | |
1990-06-16 | Shoreline Amphitheatre |
96407 | flac16; 1st set: DAT CLONE:AKG 414's>?>Technics SV-MD1 Recorded By Bill Savage; 2nd Set: DAT MASTER:Sennheiser ME-80's>Technics SV-MD1 Recorded By Keith Litzenberger DAT>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Transferred By Keith Litzenberger |
gd1990-06-16.sbd.miller.106145.flac16 | |
1990-06-16 | Shoreline Amphitheatre |
106145 | flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1990-06-16.138399.OTS.BK4011.FOB.Schoeps.Unknown.Ammons.Noel.fixed.t-flac16 | |
1990-06-16 | Shoreline Amphitheatre |
138399 | flac16/48kHz; unknown taper; Set 1: B&K 4011 at 110 ORTF > Sony D10Pro with 7' stand first row taper section; Set 2: Schoeps CMC54 at 110 ORTF > Aerco Power Supply > M1000 Cables > Panasonic SV255 hand held Section 102 Row R center; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT; the original version had errors in s2t01 and s2t04; please don't circulate that version |
gd90-06-16.nak.ladner.7763.sbeok.shnf | |
1990-06-16 | Shoreline Amphitheatre |
7763 | 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner |
gd90-06-16.sbd.ladner.8571.sbeok.shnf | |
1990-06-16 | Shoreline Amphitheatre |
8571 | SBD > DAT > CDR > WAV > SHN; plus AUD patch; DAE(EAC)> boundary/ splice (SHNTOOL)> SHN(MKWACT) > FTP via neo_levo |
gd1990-06-16.142612.Schoeps.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648 | |
1990-06-16 | Shoreline Amphitheatre |
142612 | flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman OTS Recording: Schoeps CMC4/MK4 (110º) > DAT (Panasonic SV250); Charlie Miller Transfer from DAT clone of master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 |
gd1990-06-16.146444.OTS.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
1990-06-16 | Shoreline Amphitheatre |
146444 | flac16/48kHz; Dave Brotman & Jeff Metchick Master Digital Recording: Set I: (OTS) Schoeps CMC4/MK2 (110°) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Set II: (FOB) Schoeps CMC5/MK4 (110°) > M1000 Cables > Oade Pre-Amp > Jensen 16 > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Edited & Mastered by Joe Noel: Flac 16/48 > Audacity > Flac 16/48 |
gd1990-06-16.146937.photoLeon.MTX.t-flac16 | |
1990-06-16 | Shoreline Amphitheatre |
146937 | flac16; Matrix: Source One: Dave Brotman & Jeff Metchick (FOB) Recording: Schoeps CMC5/MK4 (ortf) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Source Two: Recording Info: SBD > Dat > CD; Transfer Info: CD > Samplitude Professional v11.03 > FLAC; Source Three: Set 1: B&K 4011 at 110 ORTF > Sony D10Pro with 7' stand first row taper section; All Three sources edited & mastered for matrix by Joe Noel |
gd1990-06-16.147773.UltraMatrix.sbd.cm.miller.flac16 | |
1990-06-16 | Shoreline Amphitheatre |
147773 | flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd1990-06-17.143426.FOB.Schoeps.Brotman.Miler.Noel.t-flac1648 | |
1990-06-17 | Shoreline Amphitheatre |
143426 | flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC5/MK4 (ortf) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |
gd1990-06-17.149425.UltraMatrix.sbd.cm.miller.flac16 | |
1990-06-17 | Shoreline Amphitheatre |
149425 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller This file set is 16 bit @ 44.1 |
gd1990-06-17.aud.savage-wklitz.96420.flac16 | |
1990-06-17 | Shoreline Amphitheatre |
96420 | flac16; 1st Set: DAT MASTER:Sennheiser ME-80's>Technics SV-MD1 Recorded By Keith Litzenberger 2nd Set: DAT CLONE:AKG 414's>?>Technics SV-MD1 Recorded By Bill Savage DAT>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Transferred By Keith Litzenberger |
gd1990-06-17.Nak300CP4.Fitzy.Keo.126387.Flac2496 | |
1990-06-17 | Shoreline Amphitheatre |
126387 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1990-06-17.Nak300CP4.Fitzy.Keo.126388.Flac1644 | |
1990-06-17 | Shoreline Amphitheatre |
126388 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1990-06-17.138400.OTS-FOB.Schoeps.Ammons-Noel.t-flac16 | |
1990-06-17 | Shoreline Amphitheatre |
138400 | flac16/48kHz; unknown taper; Set 1: Schoeps CMC52s > Aerco Power Supply > M1000 Cables > Panasonic SV255; mics spaced 9 feet front row taper section; Set 2: Schoeps CMC44 at 110 degrees ORTF > Panasonic SV250 Section 102; Row M center (FOB); John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT |
gd90-06-17.nak.ladner.7764.sbeok.shnf | |
1990-06-17 | Shoreline Amphitheatre |
7764 | 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner |
gd90-06-17.sbd.ladner.10062.sbeok.shnf | |
1990-06-17 | Shoreline Amphitheatre |
10062 | SBD>DAT>CDR; via Paul B; Seeded to etree by neo_levo |
gd1990-06-17.sbd.miller.106170.flac16 | |
1990-06-17 | Shoreline Amphitheatre |
106170 | flac16; Recording Info: SBD -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1990-06-17.149334.soundboard.ultramatrix.pearson.miller.flac24 | |
1990-06-17 | Shoreline Amphitheatre |
149334 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-06-17.mtx.hansokolow.97329.flac16 | |
1990-06-17 | Shoreline Amphitheatre |
97329 | flac16; matrix of DSBD: shnid=10062 and DAUD: shnid=96420 by hansokolow using ProTools |
gd1990-06-23.152691.FOBSchoepsMattesMillerNoelreMaster.t-flac1648 | |
1990-06-23 | Autzen Stadium - University of Oregon |
152691 | flac16/48 Remaster Of Shnid 141894 Source: (fob)schoeps Cmc4 Mk21 (ortf - 90º) > Dat (panasonic Sv250) Transfer: Dat > Sony Pcm R500 > Tascam Da-3000 > Wav 16 48 Recorded By Ted Mattes Transfer By Charlie Miller Edited & Remastered By Joe Noel June 24, 2021 |
gd1990-06-23.124301.mk2s.hillwig-stubbe.flac16 | |
1990-06-23 | Autzen Stadium, U. of Oregon |
124301 | flac16; Source: Schoeps CMC3/MK2S > P/S > Panasonic SV255 (48 khz); Config/Location: spaced 8'/FOB/6' stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe |
gd1990-06-23.141774.sbd.miller.flac2496 | |
1990-06-23 | Autzen Stadium - University of Oregon |
141774 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-06-23.156400.mtx.photoleon.flac16 | |
1990-06-23 | Autzen Stadium, U. of Oregon |
156400 | Matrix Created In Adobe Audition By Joe Noel Source 1; (152691) (set I & Encore) Recording Info: (fob) Schoeps Cmc3 Mk2s > Panasonic Sv250 > Dat(1) (mics On Stand @ 6' Spaced 8') Source 2; (143537) (set Ii) Recording Info: (fob) Schoeps Cmc5 Mk2s (spaced 9ft Stand 5'10" Off To Right 2ft) > M1000 Cables > Dat (panasonic Sv-255 48k) Source 3; (141861) Recording Info: Ultramatrix Sbd > Cassette Master (tdk Ma-x) |
gd1990-06-23.aud.ladner.10261.sbeok.shnf | |
1990-06-23 | Autzen Stadium, U. of Oregon |
10261 | Audience (was labeled as SBD>Cm>Dat>Samplitude>CD). Seeded by Charlie Miller via Neo_Levo to candyman and abgd. |
gd90-06-23.nak.rob.6945.sbefail.shnf | |
1990-06-23 | Autzen Stadium, U. of Oregon |
6945 | Digital Audience - Jill & Rob R. 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section |
gd90-06-23.sbd.ladner.28690.sbeok.shnf | |
1990-06-23 | Autzen Stadium, U. of Oregon |
28690 | Source: SBD-matrix>CM>DAT>CDR>WAV>SHN; this is shn id 20695 with undocumented changes to d3t3 via Tol and LMA. |
gd1990-06-23.akg-nak.miller.99648.sbeok.flac16 | |
1990-06-23 | Autzen Stadium - University of Oregon |
99648 | flac16; Recording Info: Nakamichi 100/CP4 + AKG C1000S -> Boss BX-4 -> Cassette Master (Sony WM-D6C) -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Mixed, Recorded, Transfered and Mastered By Charlie Miller |
gd1990-06-23.124302.mk2s.hillwig-stubbe.flac1648 | |
1990-06-23 | Autzen Stadium - University of Oregon |
124302 | flac16/48kHz; Source: Schoeps CMC3/MK2S > P/S > Panasonic SV255 (48 khz); Config/Location: spaced 8'/FOB/6' stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe |
gd1990-06-23.mtx.hansokolow.108310.flac16 | |
1990-06-23 | Autzen Stadium, U. of Oregon |
108310 | flac16; Matrix by Hansokolow using ProTools of these sources: SBD: shnid=28690 // DAUD: shnid=88105 |
gd1990-06-23.141861.UltraMatrix.sbd.cm.miller.flac1644 | |
1990-06-23 | Autzen Stadium - University of Oregon |
141861 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-06-23.121911.BeyerM160.d5scott.flac16 | |
1990-06-23 | Autzen Stadium, U. of Oregon |
121911 | flac16; Source: 2 Beyer M160 microphones - up front/center > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1990-06-23.sennME80.gordon.88105.sbeok.flac16 | |
1990-06-23 | Autzen Stadium |
88105 | flac16; Sennheiser ME-80's>Technics SVM-D1 (Front Of Taper's Section) Dat Master>Sony TCD-D0PROII>Edirol R-4>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded by G. Gordon using Keith Litzenberger's gear Transfer & Uploaded to Etree by Keith Litzenberger |
gd1990-06-23.141894.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648 | |
1990-06-23 | Autzen Stadium - University of Oregon |
141894 | flac16/48kHz; Ted Mattes Recording (FOB): Schoeps CMC4 MK21 (ORTF - 90º) > DAT (Panasonic SV250); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 |
gd1990-06-23.143537.FOB.s2.Schoeps.Brotman.Miller.Noel.t-flac1648 | |
1990-06-23 | Autzen Stadium - University of Oregon |
143537 | flac16/48kHz; Set 2 Dave Brotman (FOB) Recording: (FOB) Schoeps CMC5/MK2S (spaced 9ft stand 5'10" off to right 2ft) > M1000 Cables > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |
gd1990-06-23.147807.mac.billtmcdee.t.flac1648 | |
1990-06-23 | Autzen Stadium - University of Oregon |
147807 | flac16/48kHz; Recording Info: ,Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 |
gd1990-06-23.147808.mac.billtmcdee.t.flac2496 | |
1990-06-23 | Autzen Stadium - University of Oregon |
147808 | flac24; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 |
gd1990-06-24.141784.sbd.miller.flac2496 | |
1990-06-24 | Autzen Stadium, U. of Oregon |
141784 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-06-24.156401.mtx.photoleon.flac16 | |
1990-06-24 | Autzen Stadium, U. of Oregon |
156401 | Matrix Created In Adobe Audition By Joe Noel Source 1; (143538) Recording Info: (ots) Schoeps Cmc4 Mk21 > Oade Pre-amp > Master Dat (panasonic Sv-250 48k) Transfer Info: Dat Master > Sony Pcm R500 > Tascam Da-3000 > Flac 16 48 Master Digital Audience Recording By Dave Brotman Source 2; (141255) (hsf Only) Recording Info: (fob) Schoeps Cmc52s Omnis 8' Apart On 6' Stands > Master Dat(1) (panasonic Sv250) Source 3; (141862) Recording Info: Ultramatrix Sbd > Cassette Master (tdk Ma-x) |
gd90-06-24.nak.unknown.6946.sbeok.shnf | |
1990-06-24 | Autzen Stadium, U. of Oregon |
6946 | Digital Audience - Jill & Rob R: 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section |
gd90-06-24.sbd.unknown.12092.sbeok.shnf | |
1990-06-24 | Autzen Stadium, U. of Oregon |
12092 | sbd>mc>dat>cdr; Unkown seeder |
gd1990-06-24.sennME80.wklitz.94258.flac16 | |
1990-06-24 | Autzen Stadium - University of Oregon |
94258 | flac16; Sennheiser ME-80's>Technics SVM-D1 (Front Of Taper's Section) Dat Master>Sony TCD-D0PROII>Edirol R-4>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded by Gerry Gordon using Keith Litzenberger's gear Transferred & Uploaded by Keith Litzenberger |
gd1990-06-24.beyerm160.d5scott.106896.flac16 | |
1990-06-24 | Autzen Stadium |
106896 | flac16; Source Info: Master audience recording with 2 Beyer M160 microphones > Sony TC-D5M (90 minute Maxell Metal Cassettes). Recorded from about 40 feet from stage-center. Mic's on a stand about 6 feet high. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files |
gd1990-06-24.mtx.hansokolow.108329.flac16 | |
1990-06-24 | Autzen Stadium, U. of Oregon |
108329 | flac16; Matrix of these sources: SBD: shnid=12092 // DAUD: shnid=94258 |
gd1990-06-24.141862.UltraMatrix.sbd.cm.miller.flac1644 | |
1990-06-24 | Autzen Stadium, U. of Oregon |
141862 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-06-24.141255.FOB.OTS.Schoeps.Katzeff.Ammons.Noel.t-flac1648 | |
1990-06-24 | Autzen Stadium, U. of Oregon |
141255 | flac16/48kHz; Master DAT Recording by Rick Katzeff, Marcus Buick & John Ammons: Set I (HSF only): Schoeps CMC52s omnis 8' apart on 6' stands > Panasonic SV250 (FOB); Master DAT Recording by unknown: Set I (post HSF) & Set II: Schoeps CMC 421 at 90 degrees 'RED' > Oade PS > SV250 (OTS); Transfer by John Ammons: DAT clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave |
gd1990-06-24.141895.OTS.Schoeps.Mattes.Miller.Noel.t-flac1648 | |
1990-06-24 | Autzen Stadium, U. of Oregon |
141895 | flac16/48kHz; Ted Mattes Recording (OTS): Schoeps CMC4 MK21 (ORTF - 90º) > DAT (Panasonic SV250); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 |
gd1990-06-24.143538.OTS.Schoeps.Brotman.Miller.Noel.t-flac1648 | |
1990-06-24 | Autzen Stadium - University of Oregon |
143538 | flac16/48kHz; Dave Brotman (OTS) Recording: (Schoeps CMC4/MK21 > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |
gd1990-06-24.147809.mac.billtmcdee.t.flac1648 | |
1990-06-24 | Autzen Stadium, U. of Oregon |
147809 | flac16/48kHz; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 |
gd1990-06-24.147810.mac.billtmcdee.t.flac2496 | |
1990-06-24 | Autzen Stadium, U. of Oregon |
147810 | flac24; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 |
gd1990-07-04.137897.dbx.hale.flac16 | |
1990-07-04 | Sandstone Ampitheatre |
137897 | flac16; Front of lawn, dead center, 16' mic stand; NAK-CM-100 w/CP-4 shotgun capsules left & right and Senheiser-441 panned to center > Tascam PortaOne 4-track Cassette (dbx type II on) > Maxell XLII-S 100's (without the 100's Fire would have cut, so glad they came out w/ 100's); Maxell XLII-S100 > Onkyo TA-2027(I have 2 NAK's and neither one work, bought the Onkyo as it has 1/4" mic inputs L & R) > dbx 224x > Sony M-10 (16 bit WAVE & tracked) > Soundforge 9 (fades at start and tape flipps) > encoded to FLAC (level 8) w/TLH |
gd1990-07-04.153738.ultramatrix.miller.flac2496 | |
1990-07-04 | Sandstone Ampitheatre |
153738 | flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 |
gd1990-07-04.154442.UltraMatrix.sbd.cm.miller.t.flac16 | |
1990-07-04 | Sandstone Ampitheatre |
154442 | flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 153738 2496 > 1644 |
gd1990-07-04.s1.127374.josephsonC640.chuckm.flac16 | |
1990-07-04 | Sandstone Amphitheatre |
127374 | flac16; Set 1 Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1); Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, iZotope RX DeClick, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, a 1 second section of s1t06 was patched with the analog cassette master of the same source); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC; fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC) Recorded, transfered, processed and distributed by Chuck Miller |
gd1990-07-04.143599.FOB.Schoeps.Brotman.Miller.Noel.t-flac1648 | |
1990-07-04 | Sandstone Ampitheatre |
143599 | flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC5/MK4 (ortf) > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Location: Row V Seats 4 + 5; Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 |
gd90-07-04.akg.ladner.8573.sbeok.shnf | |
1990-07-04 | Sandstone Ampitheatre |
8573 | AUD (AKG 414?s) > DAT (Sony D-3) > CDR > WAV > SHNv3; DAE(EAC)>tracking (CDWAV)> boundary check (SHNTOOL)> SHN(MKWACT)> FTP via neo_levo |
gd1990-07-04.AKG451.Darby.117549.Flac2448 | |
1990-07-04 | Sandstone Ampitheatre |
117549 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/20 Feet Directly In Front Of Left Lawn Stack/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes (Sony Metal-ES); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging By Keo With AudioGate Software |
gd1990-07-04.AKG451.Darby.117550.Flac1644 | |
1990-07-04 | Sandstone Ampitheatre |
117550 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/20 Feet Directly In Front Of Left Lawn Stack/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes (Sony Metal-ES); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudiGate Software |
gd1990-07-04.josephsonC-640.chuckm | |
1990-07-04 | Sandstone Amphitheatre |
gd1990-07-04.140955.OTS.FOB.Schoeps.Katzeff.Ammons.Noel.t-flac1648 | |
1990-07-04 | Sandstone Ampitheatre |
140955 | flac16/48kHz; Recording by Rick Katzeff: Set I: Schoeps CMC32s (omni's spaced 8 1/2 feet) > Panasonic SV255 (front row OTS); Set II: Schoeps CMC421 at "100 degrees RED" > Panasonic SV255 (FOB); Transfer by John Ammons: DAT clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave |
gd90-07-04.sbd.miller.26351.sbeok.shnf | |
1990-07-04 | Sandstone Ampitheatre |
26351 | SBD> Dat> Cassette Master; Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller |
gd1990-07-04.131537.cmc421.fob.deal.petty.flac16 | |
1990-07-04 | Sandstone Ampitheatre |
131537 | flac16; Source info: Set 1: Schoeps CMC 421's> Schoeps VMS 52 UB(?)> Technics SVMD1; Set 2: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 14, 2014 by Will Petty |
gd1990-07-04.147811.mac.billtmcdee.t.flac1648 | |
1990-07-04 | Sandstone Ampitheatre |
147811 | flac16/48kHz; Recording Info: , Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 |
gd1990-07-04.147812.mac.billtmcdee.t.flac2496 | |
1990-07-04 | Sandstone Ampitheatre |
147812 | flac24; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 |
gd1990-07-04.133536.aud.Holtz.NakCM104.flac2496 | |
1990-07-04 | Sandstone Ampitheatre |
133536 | flac24; Field: 2x Nakamichi CM100 mics with CP-4 shotgun capsules > Sony TC-D5M analog cassette recorder > Maxell MX90 tapes; Transfer: MAC > Tascam 112 analog cassette deck > Edirol UA-5 USB Audio Interface > 24/96 > PC > Audacity (tracks and fades) > Trader's Little Helper > flac 24/96 |
gd1990-07-06.Nak100sSenn421.Hill.Keo.130512.Flac1644 | |
1990-07-06 | Cardinal Stadium |
130512 | flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Uknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1990-07-06.131218.cmc34.fob.jwpetty.flac16 | |
1990-07-06 | Cardinal Stadium |
131218 | flac16; Source info: FOB/Schoeps CMC 34's (ortf)> DAT> 1:1 clone DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch>(s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to bt.etree on September 4, 2014 by Will Petty |
gd1990-07-06.131219.cmc52S.deal.jwpetty.flac16 | |
1990-07-06 | Cardinal Stadium |
131219 | flac16; Source info: Schoeps CMC 52 S (spread 8'/Taper Section)> Pro-Link cables> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 4, 2014 by jwpetty |
gd1990-07-06.153082.ulramatrix.miller.flac2496 | |
1990-07-06 | Cardinal Stadium |
153082 | flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24 |
gd1990-07-06.154443.UltraMatrix.sbd.cm.miller.t.flac16 | |
1990-07-06 | Cardinal Stadium |
154443 | flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24 - This is 153082 2496 > 1644 |
gd1990-07-06.143600.FOB.Schoeps.Brotman.Miller.Noel.t-flac1648 | |
1990-07-06 | Cardinal Stadium |
143600 | flac16/48kHz; Dave Brotman Master DAT Recording: Set I: (FOB) Schoeps CMC5/MK4 (ortf) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Set II: (FOB) Schoeps CMC5/MK21 (spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 |
gd1990-07-06.Nak300CP4.Baker.Keo.126121.Flac2496 | |
1990-07-06 | Cardinal Stadium |
126121 | flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1990-07-06.134928.bltz.flac2496 | |
1990-07-06 | Cardinal Stadium |
134928 | flac24; Source: Schoep CMC 34 Cardioids, O.R.T.F. -> SV255, Section 13-3, Row P, Center. DAT Master -> Clone -> Apogee 701/Beta -> Nak BX125 -> Maxell MX90 (Set 1), TDK MA110 (Set 2) -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 |
gd1990-07-06.Nak100sSenn421.Hill.Keo.130511.Flac2496 | |
1990-07-06 | Cardinal Stadium |
130511 | flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Uknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1990-07-06.sbd.fishman.9009.sbeok.shnf | |
1990-07-06 | Cardinal Stadium |
9009 | SBD>C>C>DAT>CD>EAC>CDRWAV>WAV>SHN; Speed corrected, see info file for details; Seeded to etree by JR Fishman |
gd1990-07-06.sbd.zei.2255.shnf | |
1990-07-06 | Cardinal Stadium |
2255 | SBD> D-> CDR-> EAC> SHN; Ripped by John Zei; quick d/o in pre-Drums jam |
gd1990-07-06.142685.Schoeps.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648 | |
1990-07-06 | Cardinal Stadium |
142685 | flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording: Schoeps CMC3 MK4 > Jensen 16 PS > DAT (Panasonic sv250); set I though pre drums mics are hand held, post drums mics are on a stand @ 6'2"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 |
gd1990-07-06.fob.nak300.holtz.jaz.102291.flac16 | |
1990-07-06 | Cardinal Stadium |
102291 | flac16; Taper: Greg Holtz Source: Nakamichi CM-300's w/CP-4 shotgun caps FOB > D-5 Transfer: By (JAZ) Master Cassettes (Maxell MX100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 |
gd1990-07-08.Nak100sSenn421.Hill.Keo.130548.Flac2496 | |
1990-07-08 | Three Rivers Stadium |
130548 | flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1990-07-08.Nak100sSenn421.Hill.Keo.130549.Flac1644 | |
1990-07-08 | Three Rivers Stadium |
130549 | flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1990-07-08.138701.upg-sbd.tobin.flac16 | |
1990-07-08 | Three Rivers Stadium |
138701 | flac16; Patched/Pitch Corrected Soundboard (original shnid = 16157) SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore - pitch correction and patches by Kevin Tobin |
gd1990-07-08.138702.mtx.tobin.flac16 | |
1990-07-08 | Three Rivers Stadium |
138702 | flac16; Matrix 2 Source Mix - SBD (shnid = 16157) SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore + AUD (shnid = 130548) Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin |
gd1990-07-08.138703.dts.tobin.flac16 | |
1990-07-08 | Three Rivers Stadium |
138703 | DTS-Audio-CD 5.1 Mix; SBD (shnid = 16157) SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore + AUD (shnid = 130548) Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin |
gd1990-07-08.138704.5-1.tobin.flac1648 | |
1990-07-08 | Three Rivers Stadium |
138704 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 16157) SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore + AUD (shnid = 130548) Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin |
gd1990-07-08.141773.sbd.miller.flac2496 | |
1990-07-08 | Three Rivers Stadium |
141773 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd90-07-08.sbd.brame.16157.sbeok.shnf | |
1990-07-08 | Three Rivers Stadium |
16157 | SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore |
gd1990-07-08.138452.OTS-FOB.Schoeps.Katzeff.Ammons.Noel.t-flac16 | |
1990-07-08 | Three Rivers Stadium |
138452 | flac16/48kHz; Set 1: Unknown Schoeps > DAT; OTS; Set 2: Schoeps CMC34 @ 110 degrees ORTF > Panasonic SV255; FOB (10 rows front of board center) recorded by Rick Katzeff; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT |
gd1990-07-08.135741.set2.sbd.jc.flac16 | |
1990-07-08 | Three Rivers Stadium |
135741 | flac16; SBD: ? > cassette/4 (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > shntool > TLH |
gd1990-07-08.135742.set2.sbd.jc.flac24 | |
1990-07-08 | Three Rivers Stadium |
135742 | flac24; SBD: ? > cassette/4 (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > > TLH |
gd1990-07-08.nak300.holtz.lmpp.97714.sbeok.flac16 | |
1990-07-08 | Three Rivers Stadium |
97714 | flac16; Source: aud > Nakamichi CM-300 mics with CP-4 Shotgun Caps > Sony D-5 > mac Transfer: mac > Nakamichi ZX-7 > Tascam HD-P2 > wav 24/96 > adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > Cd Wave > TLH > Flac16 |
gd1990-07-08.141863.UltraMatrix.sbd.cm.miller.flac1644 | |
1990-07-08 | Three Rivers Stadium |
141863 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-07-08.nak300.bleich-sirmick.109665.sbeok.flac16 | |
1990-07-08 | Three Rivers Stadium |
109665 | flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac Lineage: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich |
gd1990-07-08.142686.Schoeps.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648 | |
1990-07-08 | Three Rivers Stadium |
142686 | flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman Recording: Set I: (FOB*) Schoeps CMC3 MK4 (ORTF) > DAT. 10 rows FOB; Set II: (FOB) Schoeps CMC MK2y > Jenson 16 PS > DAT (Panasonic sv250). Mics spread 9'5" on stands @ 7'5", row LL; DFC; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 |
gd1990-07-08.149331.DAK-OTS.boedicker.flac1644 | |
1990-07-08 | Three Rivers Stadium |
149331 | flac16; Source:DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-89 Minute Metal Master Cassette Tapes>Sony TC-D5 M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section |
gd1990-07-10.Nak300CP4.Baker.Keo.130402.Flac1644 | |
1990-07-10 | Carter-Finley Stadium |
130402 | flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1990-07-10.Nak300CP4.Baker.Keo.130403.Flac2496 | |
1990-07-10 | Carter-Finley Stadium |
130403 | flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1990-07-10.133954.akg414btl-fob-dantepper.flac16 | |
1990-07-10 | Carter-Finley Stadium |
133954 | flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper |
gd1990-07-10.135049.bltz.flac2496 | |
1990-07-10 | Carter-Finley Stadium |
135049 | flac24; Source: Schoeps CMC-34 Cardioids, ORTF, Hand-held, 8 rows in front-of-board -> ProLink Cables -> Neumann Power Supply -> DAT TCD-10 -> Beta -> Nak 682ZX -> Maxell MX 90 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Set 2, Schoeps CMC-54 Cardioids, ORTF, on stand -> SV-250 Up Front |
gd1990-07-10.150396.mtx.tobin.flac16 | |
1990-07-10 | Carter-Finley Stadium |
150396 | flac16; Matrix 2 Source Mix - SBD (shnid = 150367) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 143601) Dave Brotman Master DAT Recording: (FOB 8 Rows) Schoeps CMC3/MK4 (ortf) > M1000 Cables > JE13 > Dat (Panasonic SV-255/48k); Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 - matrix mixing by Kevin Tobin |
gd1990-07-10.150397.dts.tobin.flac16 | |
1990-07-10 | Carter-Finley Stadium |
150397 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 150367) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 143601) Dave Brotman Master DAT Recording: (FOB 8 Rows) Schoeps CMC3/MK4 (ortf) > M1000 Cables > JE13 > Dat (Panasonic SV-255/48k); Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 - dts mixing by Kevin Tobin |
gd1990-07-10.150398.5-1.tobin.flac1648 | |
1990-07-10 | Carter-Finley Stadium |
150398 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 150367) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 143601) Dave Brotman Master DAT Recording: (FOB 8 Rows) Schoeps CMC3/MK4 (ortf) > M1000 Cables > JE13 > Dat (Panasonic SV-255/48k); Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 - surround mixing by Kevin Tobin |
gd1990-07-10.schoeps.lynn.31790.sbefail.flac16 | |
1990-07-10 | Carter-Finley Stadium |
31790 | flac16; FOB DFC Schoeps MK4s ORTF On Stand->Oade m118->Panasonic SV255@48 kHz Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample) -> CDWAV (track) ->FLAC |
gd1990-07-10.AKG451.Currier.Keo.126182.Flac1644 | |
1990-07-10 | Carter-Finley Stadium |
126182 | flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's > AKG 9V Phantom Power > Marantz PDM 430 > Probaly Dolby (Not Marked) > Tapes Maxell MX 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1990-07-10.AKG451.Currier.Keo.126181.Flac2496 | |
1990-07-10 | Carter-Finley Stadium |
126181 | flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's > AKG 9V Phantom Power > Marantz PDM 430 > Probaly Dolby (Not Marked) > Tapes Maxell MX 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1990-07-10.142694.Schoeps.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648 | |
1990-07-10 | Carter-Finley Stadium |
142694 | flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman Recording: (8 rows FOB) Schoeps CMC3 MK4 (ORTF) > DAT. Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 |
gd1990-07-10.143601.FOB.Schoeps.Brotman.Miller.Noel.t-flac1648 | |
1990-07-10 | Carter-Finley Stadium |
143601 | flac16/48kHz; Dave Brotman Master DAT Recording: (FOB 8 Rows) Schoeps CMC3/MK4 (ortf) > M1000 Cables > JE13 > Dat (Panasonic SV-255/48k); Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 |
gd1990-07-10.150367.sbd.miller.flac2496 | |
1990-07-10 | Carter-Finley Stadium |
150367 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 |
gd90-07-10.sbd.unknown.8256.sbeok.shnf | |
1990-07-10 | Carter-Finley Stadium |
8256 | SBD > MC > DAT > EAC > SHN; Unknown seeder |
gd1990-07-10.149323.DAK-OTS.boedicker.flac1644 | |
1990-07-10 | Carter-Finley Stadium |
149323 | flac16; Source:Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker, Official Taper Section |
gd1990-07-10.150501.UltraMatrix.sbd.cm.miller.flac16 | |
1990-07-10 | Carter-Finley Stadium |
150501 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
gd1990-07-10.sbd.miller.106373.flac16 | |
1990-07-10 | Carter-Finley Stadium |
106373 | flac16; Recording Info:SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1990-07-12.133957.akg414btl-fob-dantepper.flac16 | |
1990-07-12 | Robert F. Kennedy Stadium |
133957 | flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper |
gd1990-07-12.141394.FOB.Schoeps.Katzeff.Ammons.Noel.t-flac1648 | |
1990-07-12 | Robert F. Kennedy Stadium |
141394 | flac16/48kHz; Rick Katzeff Recording: Spaced Schoeps CMC32s @ 8 1/2' > Panasonic SV250 > DAT [FOB]; John Ammons Transfer: (dat clone from master) Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave |
gd1990-07-12.Nak100sSenn421.Hill.Keo.130619.Flac1644 | |
1990-07-12 | Robert F. Kennedy Stadium |
130619 | flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1990-07-12.143602.FOB.Schoeps.Brotman.Miller.Noel.t-flac1648 | |
1990-07-12 | Robert F. Kennedy Stadium |
143602 | flac16/48kHz; Dave Brotman Master DAT Recording: (FOB) Schoeps CMC3/MK2S (spaced) > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 |
gd1990-07-12.149523.ultramatrix.sbd.pearson-healy.miller.flac2496 | |
1990-07-12 | Robert F. Kennedy Stadium |
149523 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 |
gd90-07-12.sbd.mcatee.2582.sbeok.shnf | |
1990-07-12 | Robert F. Kennedy Stadium |
2582 | SBD > DAT > DAT clones > ZA-2 > wave (via Cool Edit) > CD-R; transfer by John McAtee; poss cass gen somewhere- see pub comment |
gd90-07-12.sbd.miller.21980.sbeok.shnf | |
1990-07-12 | Robert F. Kennedy Stadium |
21980 | Recording Info: Set One: SBD -> Dat Set Two: SBD -> Cassette Master (TDK SA-X 100) Transfer Info: Set One: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Set Two: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16bit /44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers and Edits Done By Charlie Miller charliemiller87@earthlink.net 1/27/04 |
gd90-07-12.sbd.unknown.17688.sbeok.shnf | |
1990-07-12 | Robert F. Kennedy Stadium |
17688 | source, lineage unspecified; Posted to a.b.gd.hs |
gd1990-07-12.fob.schoeps.unknown.ebel.97709.flac16 | |
1990-07-12 | Robert F. Kennedy Stadium |
97709 | flac16; Source: FOB-Schoeps CMC3 MK4-> Oade P/S->Sony D10 Pro->DAT->CDR->WAV->FLAC Transfer: Dat Clone->Panasonic SV3700-> Marantz CDR 615-> CDR Ripped with EAC (No Errors)Tracks Named -> Flac (Level 8) with Traders Little Helper and Tagged with Foobar 2000. Transfers by Pete Ebel on March 3, 2009 |
gd1990-07-12.149730.UltraMatrix.sbd.cm.miller.flac16 | |
1990-07-12 | Robert F. Kennedy Stadium |
149730 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
gd1990-07-12.AKG451.Currier.Keo.121536.Flac2496 | |
1990-07-12 | Robert F. Kennedy Stadium |
121536 | flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1990-07-12.AKG451.Currier.Keo.121537.Flac1644 | |
1990-07-12 | Robert F. Kennedy Stadium |
121537 | flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1990-07-12.149329.DAK-OTS.boedicker.flac1644 | |
1990-07-12 | Robert F. Kennedy Stadium |
149329 | flac16; Source:DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5 Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section |
gd1990-07-14.134830.bltz.flac2496 | |
1990-07-14 | Foxboro Stadium |
134830 | flac24; Source: B&K 4011 Cardioids FOB -> ? -> Nakamichi 682ZX -> Maxell MX 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 |
gd1990-07-14.141395.FOB.Schoeps.Katzeff.Ammons.Noel.t-flac1648 | |
1990-07-14 | Foxboro Stadium |
141395 | flac16/48kHz; Rick Katzeff Recording: Spaced Schoeps CMC32s @ 8' > Panasonic SV250 > DAT [FOB]; John Ammons Transfer: (dat clone from master) Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave |
gd1990-07-14.152771.mtx.tobin.flac16 | |
1990-07-14 | Foxboro Stadium |
152771 | flac16; Matrix 2 Source Mix - SBD (shnid = 106404) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147814) Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 - matrix mixing by Kevin Tobin |
gd1990-07-14.152772.dts.tobin.flac16 | |
1990-07-14 | Foxboro Stadium |
152772 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 106404) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147814) Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 - dts mixing by Kevin Tobin |
gd1990-07-14.152773.5-1.tobin.flac1648 | |
1990-07-14 | Foxboro Stadium |
152773 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 106404) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147814) Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 - surround mixing by Kevin Tobin |
gd1990-07-14.158052.UltraMatrix.sbd.cm.miller.t.flac1644 | |
1990-07-14 | Foxboro Stadium |
158052 | flac1644 Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 157717 2496 > 1644 |
gd1990-07-14.128385.mtx.nicksmix.flac16 | |
1990-07-14 | Foxboro Stadium |
128385 | flac16; 16 bit matrix mix of AUD shnid 121510 and SBD shnid 106404; Mixed by Nick Crump |
gd1990-07-14.Nak100sSenn421.Hill.Keo.130834.Flac1644 | |
1990-07-14 | Foxboro Stadium |
130834 | flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1990-07-14.141748.FOB.MTX.photoLeon.t-flac1644 | |
1990-07-14 | Foxboro Stadium |
141748 | flac16; A photoLeon Matrix; Source #1: Rick Katzeff Recording: Spaced Schoeps CMC32s @ 8' > Panasonic SV250 > DAT [FOB]. Mics on stands, set I @ 6', set II @ 6'3" and Source #2: Recorded, Transferred and Digitally Mastered by Dan Tepper; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT |
gd1990-07-14.143603.FOB.s1.Schoeps.Brotman.Miller.Noel.t-flac1648 | |
1990-07-14 | Foxboro Stadium |
143603 | flac16/48kHz; Set 1 Dave Brotman Master DAT Recording: (FOB) Schoeps CMC3/MK2S (spaced 8'5" stands 6'3") > JE13 > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 |
gd90-07-14.sbd.georges.463.sbeok.shnf | |
1990-07-14 | Foxboro Stadium |
463 | SBD(?) ("could be DSBD, likely SBDm")> ? ("could also have a cassette gen between the source and DAT, not sure")> DAT> CD> EAC; via Nick Georges; see pub comments for flaw notes |
gd1990-07-14.AKG451.Currier.Keo.121511.Flac1644 | |
1990-07-14 | Foxboro Stadium |
121511 | flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1990-07-14.128386.mtx.nicksmix.flac2496 | |
1990-07-14 | Foxboro Stadium |
128386 | flac24; 24bit matrix mix of AUD shnid 121510 and SBD shnid 106404; Mixed by Nick Crump |
gd1990-07-14.beyer160.lenihan.15508.sbeok.shnf | |
1990-07-14 | Foxboro Stadium |
15508 | 2Beyerm160 > SonyTCD5M Master Cassette> SHN; seeded to abgd by Walstib |
gd1990-07-14.nak300.bleich-sirmick.111133.sbeok.flac16 | |
1990-07-14 | Foxboro Stadium |
111133 | flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped from OTS, and transferred by John Bleich |
gd1990-07-14.sbd.unknown.84979.shnf | |
1990-07-14 | Foxboro Stadium |
84979 | SBD cass master>DAT>SHN |
gd1990-07-14.157717.ultramatrix.miller.flac2496 | |
1990-07-14 | Foxboro Stadium |
157717 | flac2496 Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 |
gd1990-07-14.147813.mac.billtmcdee.t.flac1648 | |
1990-07-14 | Foxboro Stadium |
147813 | flac16/48kHz; Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 |
gd1990-07-14.147814.mac.billtmcdee.t.flac2496 | |
1990-07-14 | Foxboro Stadium |
147814 | flac24; Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 |
gd1990-07-14.149340.DAK-OTS.boedicker.flac1644 | |
1990-07-14 | Foxboro Stadium |
149340 | flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Master Cassette Tapes>Sony TC-D5 M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section |
gd1990-07-14.133966.akg414btl-fob-dantepper.flac16 | |
1990-07-14 | Foxboro Stadium |
133966 | flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper |
gd1990-07-14.AKG451.Currier.Keo.121510.Flac2496 | |
1990-07-14 | Foxboro Stadium |
121510 | flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1990-07-14.sbd.miller.106403.flac16 | |
1990-07-14 | Foxboro Stadium |
106403 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1990-07-14.sbd.miller.106404.flac24 | |
1990-07-14 | Foxboro Stadium |
106404 | flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-07-14.nak300.holtz.GEMS.92772.flac16 | |
1990-07-14 | Foxboro Stadium |
92772 | flac16; Source: OTS Audience Recording - set up at the right front lip of the sbd Lineage: Nakamichi CM-300's with CP-4 Shotgun Caps > Sony D-5 > MAC > NAK D3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh) |
gd1990-07-16.128387.mtx.nicksmix.flac16 | |
1990-07-16 | Rich Stadium |
128387 | flac16; 3 source matrix mix of AUD shnid 95580, SBD shnid 95782 and AUD shnid 116444; Mixed by Nick Crump |
gd1990-07-16.Nak100sSenn421.Hill.Keo.131228.Flac1644 | |
1990-07-16 | Rich Stadium |
131228 | flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1990-07-16.Nak100sSenn421.Hill.Keo.131229.Flac2496 | |
1990-07-16 | Rich Stadium |
131229 | flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1990-07-16.149401.DAK.boedicker.flac1644 | |
1990-07-16 | Rich Stadium |
149401 | flac16; Source: Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell XL-II 90 And 100 Minute Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section |
gd1990-07-16.fob.alabamabob.andrewf.95580.flac16 | |
1990-07-16 | Rich Stadium |
95580 | flac16; FOB AUD: Sennheiser MD-441's > Sony TC-D5M > TDK SA 90's with no Dolby. Mics on stand, 18th row FOB. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F. |
gd1990-07-16.Nak300.Senn441.JB.Keo.116445.Flac2496 | |
1990-07-16 | Rich Stadium |
116445 | flac24; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Radio Shack Mixer>Sony D5>Sony D5 Unknown Number Of Patch In Line; Taper JB,Transfer By Keo; Tapes Maxell MX 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz |
gd1990-07-16.AKG451.Currier.Keo.121581.Flac1644 | |
1990-07-16 | Rich Stadium |
121581 | flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Traders Little Helper; Metadata Tagging With Tag&Rename |
gd1990-07-16.142695.Schoeps.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648 | |
1990-07-16 | Rich Stadium |
142695 | flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording: Set I: Spaced Schoeps CMC5 MK21 > Jensen PS > DAT (Panasonic SV250); Mics spaced @ 8'5" on stands @ 6'; Set II: Spaced Schoeps CMC3 MK2 > Jensen PS > DAT (Panasonic SV250). Mics spaced @ 8'5" on stands @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 |
gd1990-07-16.143604.FOB.s1.Schoeps.Brotman.Miller.Noel.t-flac1648 | |
1990-07-16 | Rich Stadium |
143604 | flac16/48kHz; Set 1 Dave Brotman Master DAT Recording: (FOB/DFC) Schoeps CMC3/MK2S (spaced 8'3" stands 6'4") > JE13 > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 |
gd90-07-16.sbd.knapp.1316.sbeok.shnf | |
1990-07-16 | Rich Stadium |
1316 | SBD> DAT> CD's> EAC> SHN; SHN/upload by Randall Ward, seed via Matt Knapp |
gd1990-07-16.sbd.miller.95782.sbeok.flac16 | |
1990-07-16 | Rich Stadium |
95782 | flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1990-07-16.Nak300.Senn441.JB.Keo.116444.Flac1644 | |
1990-07-16 | Rich Stadium |
116444 | flac16; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Radio Shack Mixer>Sony D5>Sony D5 Unknown Number Of Patch In Line; Taper JB,Transfer By Keo; Tapes Maxell MX 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper |
gd1990-07-16.133997.akg414btl-fob-dantepper.flac16 | |
1990-07-16 | Rich Stadium |
133997 | flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper |
gd1990-07-16.157718.ultramatrix.miller.flac2496 | |
1990-07-16 | Rich Stadium |
157718 | flac2496 Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 |
gd1990-07-16.145658.ultramatrix.gaswirt.miller.sirmicck.flac1648 | |
1990-07-16 | Rich Stadium |
145658 | flac16/48kHz; Source: Utramatrix > Dat (48k) - Provided by Rich Gastwirt; Transfer: Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick March 2019; a version of this circulated without the encore (s2t15) |
gd1990-07-16.fob.nak100.holtz.lmpp.98919.sbeok.flac16 | |
1990-07-16 | Rich Stadium |
98919 | flac16; Source: Nakamichi CM-100s with CP-4 shotgun caps > D-5 > mac; at the soundboard, a bit right of center if memory serves me correctly Lineage: mac > Nakamichi ZX-7 > Tascam HD-P2 > wav 24/96 > Adobe Audition > Wavelab with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16 |
gd1990-07-18.nak300.cousinit.97366.flac16 | |
1990-07-18 | Deer Creek Music Center |
97366 | flac16; Source: NAK550>2 CM300's w/CP4 Shotguns, 1 CM300 (Center Mic) Lineage: MC>WAV>FLAC Recorded and Encoded by Cousinit |
gd1990-07-18.138229.Scheops.Katzeff.Ammons.fob.t-flac16 | |
1990-07-18 | Deer Creek Music Center |
138229 | flac16/48kHz; Rick Katzeff recording: Schoeps CMC34 at 110 degrees ORTF on Schoeps t-bar > Oade PS > Panasonic SV255. 1st set 20th row hand held DFC; 2nd set 25th row DFC with 6'3" stand; John Ammons; Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT |
gd1990-07-18.147560.sbd.ultramatrix.pearson.miller.flac24 | |
1990-07-18 | Deer Creek Music Center |
147560 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 |
gd1990-07-18.137862.km54.patched.flac16 | |
1990-07-18 | Deer Creek Music Center |
137862 | flac16; Updated Source: Neumann KM54 > Neumann P/S > Denon DTR-80P (44.1 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)> Firewire> Macbook> Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.38(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe |
gd1990-07-18.143605.FOB.Scheops.Brotman.Miller.Noel.t-flac1648 | |
1990-07-18 | Deer Creek Music Center |
143605 | flac16/48kHz; Dave Brotman Master Dat Recording: (FOB/Row 20/21) Schoeps CMC3/MK4 (ortf) > M1000 > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 |
gd1990-07-18.156402.mtx.photoleon.flac16 | |
1990-07-18 | Deer Creek Music Center |
156402 | Matrixes Created (adobe Audition) By Joe Noel Source 1; Shnid 137862 Source: (fob) Neumann Km54 > Neumann P S > Denon Dtr-80pkhz) Source 2; Shnid 147774 Recording: Ultramatrix Sbd > Cassette Master (tdk Ma-x90) Source 3; Shnid 143605 (s2t01; All, S2t02; Start -, S2t10;- Source Info: (fob Row 20 Schoeps Cmc3 Mk4 (ortf) > M1000 > Oade Pre-amp > Dat (panasonic Sv-255 48k) |
gd90-07-18.neumann-fob.gardner.7358.sbeok.shnf | |
1990-07-18 | Deer Creek Music Center |
7358 | unknown aud>?>cdr>eac>shn; via Paul B.; Tony Gardner |
gd90-07-18.sbd.wilson.12760.sbeok.shnf | |
1990-07-18 | Deer Creek Music Center |
12760 | whole show, SBD> 5th Gen analog cassette> Sound Forge> CD> EAC> SHN, with AUD splice in Drums tape flip; via Jeff Wilson |
gd1990-07-18.sbd.miller.95807.sbeok.flac16 | |
1990-07-18 | Deer Creek Music Center |
95807 | flac16; Recording Info:Set 1: SBD -> Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD; Set 2: SBD -> Dat Master (48k); Transfer Info:Set 1: CD -> Samplitude Professional v10.1 -> FLAC; Set 2: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1990-07-18.nak300.cohenlee.118904.flac16 | |
1990-07-18 | Deer Creek Music Center |
118904 | flac16; Recorded by Dave Cohen and Justin Lee 2 Nakamichi CM300 Omnis Spaced at 2 meters>Nakamichi 550 w/dolby B Maxell XLIIS90s cassettes 3/4 of the way back in OTS, DFC; The Master Cassettes were played back with Azimuth adjustment and Dolby Decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Transfer by Dave Cohen |
gd1990-07-18.137862.km54.flac16 | |
1990-07-18 | Deer Creek Music Center |
gd1990-07-18.132853.mtx.dusborne.flac16 | |
1990-07-18 | Deer Creek Music Center |
132853 | flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:095807) Set 1: SBD -> Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD; Set 2: SBD -> Dat Master (48k) and Audience (shnid:118904) 2 Nakamichi CM300 Omnis Spaced at 2 meters -> Nakamichi 550 w/dolby B; Maxell XLIIS90s cassettes |
gd90-07-18.sbd.miller.26352.sbeok.shnf | |
1990-07-18 | Deer Creek Music Center |
26352 | SBD, mixed source: Set 1: SBD> Dat> Cassette Master; Set 2: SBD> Dat> CD; Set 1 Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller; see pub comments for additional lineage notes |
gd1990-07-18.sbd.miller.braverman.fix-26352.32218.sbeok.shnf | |
1990-07-18 | Deer Creek Music Center |
32218 | Braverman fix and cleanup of previously circulating Miller source (SHNID 26352). Purports to fix/clean up only d1t01, d1t02, d2t07, and d3t01 through d3t04 of original source. See text file for details. |
gd1990-07-18.AKG451.Darby.117697.Flac2448 | |
1990-07-18 | Deer Creek Music Center |
117697 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo |
gd1990-07-18.AKG451.Darby.117698.Flac1644 | |
1990-07-18 | Deer Creek Music Center |
117698 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software |
gd1990-07-18.147774.UltraMatrix.sbd.cm.miller.flac16 | |
1990-07-18 | Deer Creek Music Center |
147774 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
gd1990-07-18.147816.mac.billtmcdee.t.flac1648 | |
1990-07-18 | Deer Creek Music Center |
147816 | flac16/48kHz; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 |
gd1990-07-18.147817.mac.billtmcdee.t.flac2496 | |
1990-07-18 | Deer Creek Music Center |
147817 | flac24; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 |
gd1990-07-18.Nak100sSenn421.Hill.Keo.131337.Flac1644 | |
1990-07-18 | Deer Creek Music Center |
131337 | flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m > Dolby B, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1990-07-18.Nak100sSenn421.Hill.Keo.131339.Flac2496 | |
1990-07-18 | Deer Creek Music Center |
131339 | flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m > Dolby B, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1990-07-19.142346.FOB.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648 | |
1990-07-19 | Deer Creek Music Center |
142346 | flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 (ORTF)> Jensen 16's > DAT (Panasonic sv250); Location: row 5/v center; Charlie Miller Transfer of clone from master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 |
gd1990-07-19.147566.sbd.ultramatrix.pearson.miller.flac24 | |
1990-07-19 | Deer Creek Music Center |
147566 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-07-19.147777.UltraMatrix.sbd.cm.miller.flac16 | |
1990-07-19 | Deer Creek Music Center |
147777 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd1990-07-19.Nak100sSenn421.Hill.Keo.131315.Flac1644 | |
1990-07-19 | Deer Creek Music Center |
131315 | flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m > Dolby B, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1990-07-19.Nak100sSenn421.Hill.Keo.131316.Flac2496 | |
1990-07-19 | Deer Creek Music Center |
131316 | flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m > Dolby B, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1990-07-19.154264.mac.billtmcdee.t.flac2496 | |
1990-07-19 | Deer Creek Music Center |
154264 | flac2496; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 |
gd1990-07-19.154265.mac.billtmcdee.t.flac1648 | |
1990-07-19 | Deer Creek Music Center |
154265 | flac1648; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 |
gd1990-07-19.156403.mtx.photoleon.flac16 | |
1990-07-19 | Deer Creek Music Center |
156403 | Matrix Created (adobe Audition) By Joe Noel Source 1; Shnid 142346 (set I Only) Recording Info: (fob) Schoeps Cmc3 Mk4 (ortf) > Jensen 16's > Dat(1) (panasonic Sv250) Location: Row 5 V Center Source 2; (set Ii Only) Recording Info: (fob) Schoeps Cmc3 Mk4 (ortf) > M1000 > Oade Pre-amp > Master Dat (panasonic Sv-255 48k) Location: Row V Center Source 3; Shnid 147777 Recording Info: Ultramatrix Sbd > Cassette Master (tdk Ma-x90) Source 4; Shnid 95783 (s2t01;-only) Recording Info: Sbd -> Dat Master (48k) |
gd90-07-19.dsbd.garcia420.2177.sbeok.shnf | |
1990-07-19 | Deer Creek Music Center |
2177 | DSBRD> DAT> CD-R> EAC> SHN; via Garcia420 to abgd |
gd1990-07-19.sbd.garcia420.tetzeli.fix-2177.34617.reflac.flac16 | |
1990-07-19 | Deer Creek Music Center |
34617 | flac16; Seamless fix of shn id 2177 - DSBD>DAT>CD-R>EAC>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
gd1990-07-19.sbd.walker-scotton.miller.95783.sbeok.flac16 | |
1990-07-19 | Deer Creek Music Center |
95783 | flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1990-07-19.fob.nak100.holtz.jaz.105263.flac16 | |
1990-07-19 | Deer Creek Music Center |
105263 | flac16; TAPER: Greg Holtz SOURCE: FOB Sec B Row 17 DFC Nakamichi CM-100's with CP-1 caps -> Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename |
gd1990-07-19.118893.aud.dak5245-pzm.flac | |
1990-07-19 | Deer Creek Music Center |
118893 | flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; This was recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. We were located in the designated "taper" section for this recording. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8) |
gd1990-07-19.nak300.cohenlee.118905.flac16 | |
1990-07-19 | Deer Creek Music Center |
118905 | flac16; Recorded by Dave Cohen and Justin Lee 2 Nakamichi CM300 Omnis Spaced at 2 meters>Nakamichi 550 w/dolby B Maxell XLIIS90s cassettes 3/4 of the way back in OTS, DFC The Master Cassettes were played back with Azimuth adjustment and Dolby Decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Transfer by Dave Cohen |
gd1990-07-19.132854.mtx.dusborne.flac16 | |
1990-07-19 | Deer Creek Music Center |
132854 | flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:095783) SBD -> Dat Master (48k) and Audience (shnid:118905) 2 Nakamichi CM300 Omnis Spaced at 2 meters -> Nakamichi 550 w/dolby B; Maxell XLIIS90s cassettes |
gd1990-07-19.AKG451.Darby.117699.Flac2448 | |
1990-07-19 | Deer Creek Music Center |
117699 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo |
gd1990-07-19.AKG451.Darby.117700.Flac1644 | |
1990-07-19 | Deer Creek Music Center |
117700 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software |
gd1990-07-21.150458.sbd.miller.flac2496 | |
1990-07-21 | World Music Theater |
150458 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd90-07-21.sbd.conner.7832.sbeok.shnf | |
1990-07-21 | World Music Theater |
7832 | Master Soundboard DAT > CDR,EAC'ed / SHN'ed by Scott Clugston; to abgd via Charlie Connor |
gd1990-07-21.aud.Holtz.Nak300s.112524.flac16 | |
1990-07-21 | World Music Theater |
112524 | flac16; Field Gear: Nakamichi CM-300's w/ CP-4 shotgun capsules > Sony D-5 > MAC; Taping location: Front of Lawn; Transfer: MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > TLH > FLAC Level 8; Taped, transferred, mastered, track/FLAC by Greg Holtz |
gd1990-07-21.131538.cmc34.fob.katzeff.mattes.petty.flac16 | |
1990-07-21 | World Music Theater |
131538 | flac16; FOB/Schoeps CMC 34's>(presumed Oade p/s)> (presumed SV-250 or 255) by (likely Katzeff or Mattes); DAT clones provided by Lance Deal; Transfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CD Wave (tracking)> TLH (SBE's/Flac/md5); Transferred and liberated to etree on October 14, 2014 by Will Petty |
gd1990-07-21.142004.FOB.Schoeps.Brotman.Mattes.Miller.Noel.t-flac1648 | |
1990-07-21 | World Music Theater |
142004 | flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 (ORTF) > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 |
gd1990-07-21.sbd.walker-scotton.miller.95809.sbeok.flac16 | |
1990-07-21 | World Music Theatre |
95809 | flac16; Recording Info:SBD -> Dat Master (48k); Transfer Info:Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1990-07-21.Nak100sSenn421.Hill.Keo.131365.Flac2496 | |
1990-07-21 | World Music Theater |
131365 | flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1990-07-21.131366.Nak100sSenn421.Hill.Keo.flac1644 | |
1990-07-21 | World Music Theater |
131366 | flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1990-07-21.AKG451.Darby.117733.Flac2448 | |
1990-07-21 | World Music Theater |
117733 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo |
gd1990-07-21.133841.sbd.chasingwilma.flac16 | |
1990-07-21 | World Music Theater |
133841 | flac16; lineage: sbd/aud matrix>dat>cd> eac> cdwave> traders little helper encoding option 8 |
gd1990-07-21.AKG451.Darby.117734.Flac1644 | |
1990-07-21 | World Music Theater |
117734 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software |
gd1990-07-21.143930.FOB.Schoeps.Brotman.Miller.Noel.t-flac1648 | |
1990-07-21 | World Music Theater |
143930 | flac16/48kHz; Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48 |
gd1990-07-21.150502.UltraMatrix.sbd.cm.miller.flac16 | |
1990-07-21 | World Music Theater |
150502 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd1990-07-21.150562.mtx.tobin.flac16 | |
1990-07-21 | World Music Theater |
150562 | flac16; Matrix 2 Source Mix - SBD (shnid = 150458) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 143930) Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48 - matrix mixing by Kevin Tobin |
gd1990-07-21.150563.dts.tobin.flac16 | |
1990-07-21 | World Music Theater |
150563 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 150458) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 143930) Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48 - dts mixing by Kevin Tobin |
gd1990-07-21.150564.5-1.tobin.flac1648 | |
1990-07-21 | World Music Theater |
150564 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 150458) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 143930) Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48 - surround mixing by Kevin Tobin |
gd90-07-22.sbd.conner.7834.sbeok.shnf | |
1990-07-22 | World Music Theater |
7834 | Master Soundboard DAT > CDR,EAC'ed / SHN'ed by Scott Clugston, to abgd via Charlie Connor |
gd1990-07-22.aud.Holtz.Nak300s.112525.flac16 | |
1990-07-22 | World Music Theater |
112525 | flac16; Field Gear: Nakamichi CM-300's w/ CP-4 shotgun capsules > Sony D-5 > MAC; Taping location: 3rd level corporate box inside pavilion; Transfer: MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > TLH > FLAC Level 8; Taped, transferred, mastered, track/FLAC by Greg Holtz |
gd1990-07-22.sbd.fix.walker.scotton.miller.115497.flac16 | |
1990-07-22 | World Music Theater |
115497 | flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes a drop out in d2t03 of source ID 95870 |
gd1990-07-22.138459.fob.Schoeps.Katzeff.Ammons.Noel.t-flac16 | |
1990-07-22 | World Music Theater |
138459 | flac16/48kHz; Rick Katzeff recording: FOB Schoeps cardioids* at 110 degrees ORTF > Panasonic SV250 > DAT; Set I is labeled CMC34 & set II is labeled CMC54; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT |
gd1990-07-22.142005.FOB.Schoeps.Brotman.Mattes.Miller.Noel.t-flac1648 | |
1990-07-22 | World Music Theater |
142005 | flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 (ORTF) > DAT (Panasonic SV250); Location info: s1, Section 103 Row BB Seat 28 (hand held); s2, same as s1, mics on stand @ 6'2"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 |
gd1990-07-22.Nak100sSenn421.Hill.Keo.131372.Flac2496 | |
1990-07-22 | World Music Theater |
131372 | flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1990-07-22.Nak100sSenn421.Hill.Keo.131371.Flac1644 | |
1990-07-22 | World Music Theater |
131371 | flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1990-07-22.133842.sbd.chasingwilma.flac16 | |
1990-07-22 | World Music Theater |
133842 | flac16; lineage: sbd/aud matrix>dat>cd> eac> traders little helper encoding option 8 |
gd1990-07-22.AKG451.Darby.117739.Flac2448 | |
1990-07-22 | World Music Theater |
117739 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo |
gd1990-07-22.AKG451.Darby.117740.Flac1644 | |
1990-07-22 | World Music Theater |
117740 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software |
gd1990-07-22.158192.UltraMatrix.sbd.cm.miller.t.flac1644 | |
1990-07-22 | World Music Theater |
158192 | flac1644 Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 158175 2496 > 1644 |
gd1990-07-22.143931.FOB.Schoeps.Brotman.Miller.Noel.t-flac1648 | |
1990-07-22 | World Music Theater |
143931 | flac16/48kHz; Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info (FOB): s1, Section 103 Row BB Seat 28 (hand held); s2, same as s1, mics on stand @ 6'2"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48 |
gd1990-07-23.138985.FOB.Schoeps.Katzeff.Ammons.Noel.t-flac16 | |
1990-07-23 | World Music Theater |
138985 | flac16/48kHz; Rick Katzeff FOB Recording: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Checksum & tags created in xACT |
gd1990-07-23.147778.UltraMatrix.sbd.cm.miller.flac16 | |
1990-07-23 | World Music Theater |
147778 | flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
gd1990-07-23.aud.Holtz.Nak300s.112526.flac16 | |
1990-07-23 | World Music Theater |
112526 | flac16; Field Gear: Nakamichi CM-300's w/ CP-4 shotgun capsules > Sony D-5 > MAC; Taping location: Front Row Lawn; Transfer: MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > TLH > FLAC Level 8; Taped, transferred, mastered, track/FLAC by Greg Holtz |
gd1990-07-23.Nak100sSenn421.Hill.Keo.131407.Flac2496 | |
1990-07-23 | World Music Theater |
131407 | flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1990-07-23.142006.FOB.Schoeps.Brotman.Mattes.Miller.Noel.t-flac1648 | |
1990-07-23 | World Music Theater |
142006 | flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 ORTF > DAT (Panasonic SV250); Location info: Row 26 Center mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 |
gd1990-07-23.147719.ultramatrix.sbd.miller.flac24 | |
1990-07-23 | World Music Theater |
147719 | flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd90-07-23.sbd.oconner.7612.sbeok.shnf | |
1990-07-23 | World Music Theater |
7612 | sbd>dat>cd>shn; via Ed O'Connor |
gd1990-07-23.135062.bltz.flac2496 | |
1990-07-23 | World Music Theater |
135062 | flac24; Source: Schoeps CMC-34 Cardioids, 110° ORTF, Up Front/FOB-> ProLink Cables -> Neumann Power Supply -> SV25 -> Nak 682ZX -> TDK MA 110 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 |
gd1990-07-23.Nak100sSenn421.Hill.Keo.131406.Flac1644 | |
1990-07-23 | World Music Theater |
131406 | flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1990-07-23.AKG451.Darby.117751.Flac1644 | |
1990-07-23 | World Music Theater |
117751 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software |
gd1990-07-23.133843.sbd.chasingwilma.flac16 | |
1990-07-23 | World Music Theater |
133843 | flac16; lineage: sbd/aud matrix>dat>cd> eac> traders little helper encoding option 8 |
gd1990-07-23.AKG451.Darby.117750.Flac2448 | |
1990-07-23 | World Music Theater |
117750 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo |
gd1990-07-23.147601.mtx.tobin.flac16 | |
1990-07-23 | World Music Theater |
147601 | flac16; Matrix 2 Source Mix - SBD (shnid = 95898) Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138985) Rick Katzeff FOB Recording: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Checksum & tags created in xACT - matrix mixing by Kevin Tobin |
gd1990-07-23.147602.dts.tobin.flac16 | |
1990-07-23 | World Music Theater |
147602 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 95898) Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138985) Rick Katzeff FOB Recording: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Checksum & tags created in xACT - dts mixing by Kevin Tobin |
gd1990-07-23.147604.5-1.tobin.flac1648 | |
1990-07-23 | World Music Theater |
147604 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 95898) Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138985) Rick Katzeff FOB Recording: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Checksum & tags created in xACT - surround mixing by Kevin Tobin |
gd1990-08-28.157161.sbd.rehearsals.cm.miller.t.flac1644 | |
1990-08-28 | Club Front |
157161 | flac1644 Recording Info: SBD > Cassette Master (TDK SA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) >Tascam Hi-Res Editor (WAV 24-bit-96k) > Samplitude Pro X6 Suite > FLAC24 (1 DVD FLAC) All Transfers and Mastering by Charlie Miller. May 9, 2022 Notes: -- This is not the full band -- Thanks to David Beckwith for supplying the cassette - This is 156714 2496 -> 1644 |
gd1990-08-28.156714.sbd.miller.flac2496 | |
1990-08-28 | Club Front |
156714 | flac2496 Recording Info: SBD > Cassette Master (TDK SA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) >Tascam Hi-Res Editor (WAV 24-bit-96k) > Samplitude Pro X6 Suite > FLAC24 (1 DVD FLAC) All Transfers and Mastering by Charlie Miller. May 9, 2022 Notes: -- This is not the full band -- Thanks to David Beckwith for supplying the cassette |
gd1990-08-28.156714.sbd.cm.miller.flac2496 | |
1990-08-28 | Club Front |
gd1990-09-07.Nak300CP4.Baker.Keo.131684.Flac1644 | |
1990-09-07 | Richfield Coliseum |
131684 | flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: TDK SA-100's; Microphones Set Up Upper seats Last Row Vince's Side; Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1990-09-07.Nak300CP4.Baker.Keo.131685.Flac2496 | |
1990-09-07 | Richfield Coliseum |
131685 | flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: TDK SA-100's; Microphones Set Up Upper seats Last Row Vince's Side; Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1990-09-07.sbd.miller.92240.sbeok.flac16 | |
1990-09-07 | Richfield Coliseum |
92240 | flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
gd1990-09-07.138484.fob.Schoeps.Katzeff.Ammons.Noel.t-flac16 | |
1990-09-07 | Richfield Coliseum |
138484 | flac16/48kHz; Rick Katzeff Recording: Schoeps CMC34 at 110 degrees ORTF > Panasonic SV250; FOB, Row V Center; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT |
gd90-09-07.sbd.odeo.13253.sbeok.shnf | |
1990-09-07 | Richfield Coliseum |
13253 | SBD> Cassette; Conversion: Tascam DA-20 MK II > (via RCA analog for Emphasis removal) Tascam DA-20 >Delta Dio 2496 > Soundforge XP 4.5 > CDRWIN > EAC > SHN, by Rob (Odeo) Harrison |
gd1990-09-07.nak300.bleich.sirmick.101018.sbeok.flac16 | |
1990-09-07 | Richfield Coliseum |
101018 | flac16; Source: Audience > Nakamichi 300s with cp1 caps > Sony WM-D6 > MAC (Sony Metal-SR) Transfer: MAC > Nakamichi BX-125E > EMU 0202 > Wavelab > wav 24/96 > Adobe Audition > Wavelab (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16; Taped by John Bleich from OTS sec 8, row ccc, seat 3 |
gd1990-09-07.146060.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
1990-09-07 | Richfield Coliseum |
146060 | flac16/48kHz; Recording info: (FOB) Schoeps CMC3/MK4 (110°) > M1000 Cables > Oade Preamp > Master Dat (Panasonic SV-250/48k). Location: (Sect. 2, Row V, Seat 11, mics hand held); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48 Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel |
gd1990-09-07.nak100.holtz.jaz.98877.flac16 | |
1990-09-07 | Coliseum |
98877 | flac16; Taper: Greg Holtz Source: Nakamichi cm 100's w/shotguns -> Sony D-5 Transfer: Master Cassettes (Maxell MX90) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD Technology -> Traders Little Helper flac8 |
gd1990-09-08.Nak300CP4.Fitzy.Keo.131695.Flac1644 | |
1990-09-08 | Richfield Coliseum |
131695 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5; Tapes: Maxell XLII-s 90 *, Maxell MX 100; Microphones Set Up Upper seats Last Row Vince's Side Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1990-09-08.Nak300CP4.Fitzy.Keo.131696.Flac2496 | |
1990-09-08 | Richfield Coliseum |
131696 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5; Tapes: Maxell XLII-s 90 *, Maxell MX 100; Microphones Set Up Upper seats Last Row Vince's Side Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1990-09-08.sbd.miller.92241.sbeok.flac16 | |
1990-09-08 | Coliseum |
92241 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
gd90-09-08.aud.wiley.11662.sbeok.shnf | |
1990-09-08 | Richfield Coliseum |
11662 | AUD>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley |
gd90-09-08.set2-sbd.fishman.14045.sbeok.shnf | |
1990-09-08 | Richfield Coliseum |
14045 | Set 2 only SBD>CM>DAT>CDR>EAC>SHN All transcription and conversion from DAT done by JR Fishman NY, NY fishmanj_98@yahoo.com |
gd1990-09-08.nak300.bleich.sirmick.101148.flac16 | |
1990-09-08 | Richfield Coliseum |
101148 | flac16; Source: Audience > Nakamichi 300s with cp1 caps > Sony WM-D6 > MAC (Maxel XL II-S) Transfer: MAC > Nakamichi BX-125E > EMU 0202 > Wavelab > wav 24/96 > Adobe Audition > Wavelab (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16 Taped by John Bleich from OTS sec 8, row ccc, seat 14 |
gd1990-09-08.aud.Holtz.Sanken.112302.flac16 | |
1990-09-08 | Richfield Coliseum |
112302 | flac16; Field Equipment: Sanken 2-way Capsule Stereo Microphone > Sony D-5; Transfer: MAC>Tascam 112 MKII > Edirol R-09 (16/44) > Audacity > TLH > FLAC; Recorded, transferred, tracked & FLAC'd by Greg Holtz |
gd1990-09-08.144620.nak300-cp4.dalton.miller.sirmick.flac1648 | |
1990-09-08 | Richfield Coliseum |
144620 | flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick 2019 |
gd1990-09-08.146061.s1.OTS.BK4011.Brotman.Metchick.Miller.Noel.t-flac1648 | |
1990-09-08 | Richfield Coliseum |
146061 | flac16/48kHz; Set 1 Recording info: B&K 4011 (110°) > B&K power supply > Master DAT (Panasonic SV-250/48k) Location: (DFC, Row 1, OTS); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel |
gd1990-09-08.nak100.holtz.jaz.98889.flac16 | |
1990-09-08 | Coliseum |
98889 | flac16; Taper: Greg Holtz Source: Nakamichi cm 100's w/shotguns -> Sony D-5 Transfer: Master Cassettes (Maxell MX90) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD Technology -> Traders Little Helper flac8 |
gd1990-09-10.137115.mtx.dusborne.flac16 | |
1990-09-10 | The Spectrum |
137115 | flac16; 2 Source Matrix by Dusborne; Soundboard (Shnid:80955)Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16; Audience (Shnid:11807) Source: AUD(Nak. 300's>D-5)>CM>??>CDR>There maybe another Cass. gen in the lineage. Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
gd90-09-10.aud.wiley.11807.sbeok.shnf | |
1990-09-10 | The Spectrum |
11807 | AUD(Nak. 300's>D-5)>CM>??>CDR; See info file for edit notes; via Dan Faust; Seeded to Etree by T. Wiley |
gd1990-09-10.142361.FOB.Schoeps.BK.Katzeff.Berner.Ammons.Noel.t-flac1648 | |
1990-09-10 | The Spectrum |
142361 | flac16/48kHz; Set I - Rick Katzeff Recording; Schoeps CMC44 (110ยบ ORT F) > M100 > DAT (Panasonic SV250). Location; FOB, Sect 102; Row 14; Seat 13; Set II - Rich Berner; B&K 4011's (110ยบ ORTF) > Neumann P.S. > DAT (Sony D10 Pro); Location; Row 16; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV |
gd1990-09-10.146062.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648 | |
1990-09-10 | The Spectrum |
146062 | flac16/48kHz; Recording info: Schoeps CMC4/MK4 (110°) > M1000 Cables > Oade Preamp > Master DAT (Panasonic SV-250/48k). Location: FOB; Sec, 102 Row 14, Seat 13 (mics hand held); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel |
gd1990-09-11.122144.sbd.miller.flac24 | |
1990-09-11 | The Spectrum |
122144 | flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1990-09-11.122145.sbd.miller.flac16 | |
1990-09-11 | The Spectrum |
122145 | flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller |