Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1990-06-09.145489.ultramatrix.gastwirt.miller.sirmick.flac16
1990-06-09Cal Expo
145489flac16; Source: Utramatrix > Dat (44k) - Provided by Rich Gastwirt; Transfer: Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - Transfer by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick February 2019
gd1990-06-09.149620.ultramatrix.sbd.pearson-healy.miller.flac2496
1990-06-09Cal Expo
149620flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd1990-06-09.150584.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac2496
1990-06-09Cal Expo
150584flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 11, 2020
gd1990-06-10.152180.nakcp702.flac2496
1990-06-10Cal Expo
152180flac24/96 FOB Aud Nakamichi CP-702 omni capsules, 12' spread > custom pre-amp/power supply > Dbx Type II noise reduction encoder > Sony TC-D5 cassette Transfer: Master cassette playback on Nakamichi Dragon > Dbx 224X-DS Type II noise reduction decoder > RME Fireface 800, 24-bit 96kHz
gd1990-06-10.147940.sbd.ladner-braverman.flac1644
1990-06-10Cal Expo
147940flac16; Source: SBD/Matrix > DAT > CDR > WAV > SHN > FLAC (See additional notes.)
gd90-06-10.sbd-matrix.miller-ladner.6937.sbeok.shnf
1990-06-10Cal Expo
6937SBD/Matrix > DAT > CDR > WAV > SHN; plus patch from Mike Lai AUD source (see info) EAC, SHNTOOL, and minor repair work (cdwave) via neo_levo; SBD seed via Charlie Miller
gd1990-06-10.111344.NeumannKMF4.daweez.d5scott.flac16
1990-06-10Cal Expo
111344flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1990-06-10.149727.UltraMatrix.sbd.cm.miller.flac16
1990-06-10Cal Expo
149727flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
gd1990-06-10.schoeps.wklitz.97059.sbeok.flac16
1990-06-10Cal Expo Amphitheatre
97059flac16; Schoeps Omni Spaced 27'>Oade?>Technics SV-MD1 in Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC (It's likely that my DAT was patched via analog output of lead deck as the mics were not mine and the Technics has no Digital in.) Processed By Keith Litzenberger
gd1990-06-10.142579.FOB.Schoeps.Weber-Small.Mattes.Miler.Noel.t-flac1648
1990-06-10Cal Expo
142579flac16/48kHz;Sean Weber-Small (FOB) Recording: Schoeps CMC4 MK2 > Oade Power Supply > DAT 48k (Panasonic SV-250). Mics spaced 8' w/ mic stands @ 5' 11"; Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
gd1990-06-10.dts.haugh.29669.sbeok.shnf
1990-06-10Cal Expo Amphitheatre
29669DTS-Audio-CD 5.1 Mix (See Tech Notes in Txt File), Source Info:SBD - SBD: DAT > CDR > WAV > SHN; AUD - FOB: B&K 4011 (ORTF 6'4 mic Stand) > Neumann p48 phantom supply > Sony TCD-D10 pro II 48k); Seeded by Dan@Am-Dig
gd1990-06-10.143345.FOB.Schoeps.Brotman.Miler.Noel.t-flac1648
1990-06-10Cal Expo
143345flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC4/MK2S (Spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
gd1990-06-10.149621.ultramatrix.sbd.pearson-healy.miller.flac2496
1990-06-10Cal Expo
149621flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd1990-06-10.150585.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac2496
1990-06-10Cal Expo
150585flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 14, 2020
gd1990-06-15.142345.OTS.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648
1990-06-15Shoreline Amphitheatre
142345flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman OTS Recording: Schoeps CMC4 MK2's > DAT (Panasonic SV250); Charlie Miller Transfer from DAT clone of master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
gd1990-06-15.sbd.miller.106144.flac16
1990-06-15Shoreline Amphitheatre
106144flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1990-06-15.Nak300CP4.Fitzy.Keo.126232.Flac2496
1990-06-15Shoreline Amphitheatre
126232flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1990-06-15.Nak300CP4.Fitzy.Keo.126233.Flac1644
1990-06-15Shoreline Amphitheatre
126233flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1990-06-15.138464.s2.ots.Scheops.Ammons.Noel.t-flac16
1990-06-15Shoreline Amphitheatre
138464flac16/48kHz; Set 2, unknown taper: Schoeps CMC 42s > Panasonic SV255; mics spaced 9 feet with 6'5" stand; front row taper section; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Pack & Patch: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
gd1990-06-15.143854.sbd.miller.flac2496
1990-06-15Shoreline Amphitheatre
143854flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-06-15.143855.UltraMatrix.sbd.cm.miller.flac1644
1990-06-15Shoreline Amphitheatre
143855flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1
gd90-06-15.naks.jill-rob.7762.sbeok.shnf
1990-06-15Shoreline Amphitheatre
77623 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner
gd90-06-15.sbd.ladner.8570.sbeok.shnf
1990-06-15Shoreline Amphitheatre
8570SBD > DAT > CDR > WAV > SHN; plus AUD patch; DAE(EAC) > boundary/ splice/ tracking(SHNTOOL, SF5) > SHN (MKWACT) via neo_levo
gd1990-06-15.146443.FOB.OTS.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
1990-06-15Shoreline Amphitheatre
146443flac16/48kHz; Dave Brotman & Jeff Metchick Master Digital Recording: Set I: (FOB) Spaced Schoeps CMC4 MK4's > Oade Pre Amp > (-20db pad) > DAT (Panasonic SV255); Location: Row F Seat 21 & 27, mics were on stands at 6' 4" spaced 9' 1"; Set II: (OTS) Schoeps CMC4 MK4's (110°) > Oade Pre Amp > DAT (Panasonic SV250); Location: front row tapers section; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel: Flac 16/48 > Audacity > 16/48
gd1990-06-15.146936.photoLeon.MTX.t-flac16
1990-06-15Shoreline Amphitheatre
146936flac16; Matrix: Source one: Dave Brotman & Jeff Metchick Master Digital (FOB/OTS) Recording: Set I: Spaced Schoeps CMC4 MK4's > Oade Pre Amp > (-20db pad) > DAT (Panasonic SV255); Location: Row F Seat 21 & 27, mics were on stands at 6' 4" spaced 9' 1"; Set II: (OTS) Schoeps CMC4 MK4's (110°) > Oade Pre Amp > DAT (Panasonic SV250); Location: front row tapers section; Source two: Recording Info: SBD -> Dat -> CD; Both sources edited & mastered for matrix by Joe Noel
gd1990-06-16.143425.FOB.s2.Schoeps.Brotman.Miler.Noel.t-flac1648
1990-06-16Shoreline Amphitheatre
143425flac16/48kHz; Set 2 Dave Brotman (FOB) Recording: Schoeps CMC5/MK4 (ortf) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
gd1990-06-16.147584.sbd.ultramatrix.pearson.miller.flac24
1990-06-16Shoreline Amphitheatre
147584flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-06-16.aud.savage-wklitz.96407.flac16
1990-06-16Shoreline Amphitheatre
96407flac16; 1st set: DAT CLONE:AKG 414's>?>Technics SV-MD1 Recorded By Bill Savage; 2nd Set: DAT MASTER:Sennheiser ME-80's>Technics SV-MD1 Recorded By Keith Litzenberger DAT>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Transferred By Keith Litzenberger
gd1990-06-16.sbd.miller.106145.flac16
1990-06-16Shoreline Amphitheatre
106145flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1990-06-16.138399.OTS.BK4011.FOB.Schoeps.Unknown.Ammons.Noel.fixed.t-flac16
1990-06-16Shoreline Amphitheatre
138399flac16/48kHz; unknown taper; Set 1: B&K 4011 at 110 ORTF > Sony D10Pro with 7' stand first row taper section; Set 2: Schoeps CMC54 at 110 ORTF > Aerco Power Supply > M1000 Cables > Panasonic SV255 hand held Section 102 Row R center; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT; the original version had errors in s2t01 and s2t04; please don't circulate that version
gd90-06-16.nak.ladner.7763.sbeok.shnf
1990-06-16Shoreline Amphitheatre
77633 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner
gd90-06-16.sbd.ladner.8571.sbeok.shnf
1990-06-16Shoreline Amphitheatre
8571SBD > DAT > CDR > WAV > SHN; plus AUD patch; DAE(EAC)> boundary/ splice (SHNTOOL)> SHN(MKWACT) > FTP via neo_levo
gd1990-06-16.142612.Schoeps.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648
1990-06-16Shoreline Amphitheatre
142612flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman OTS Recording: Schoeps CMC4/MK4 (110º) > DAT (Panasonic SV250); Charlie Miller Transfer from DAT clone of master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
gd1990-06-16.146444.OTS.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
1990-06-16Shoreline Amphitheatre
146444flac16/48kHz; Dave Brotman & Jeff Metchick Master Digital Recording: Set I: (OTS) Schoeps CMC4/MK2 (110°) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Set II: (FOB) Schoeps CMC5/MK4 (110°) > M1000 Cables > Oade Pre-Amp > Jensen 16 > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Edited & Mastered by Joe Noel: Flac 16/48 > Audacity > Flac 16/48
gd1990-06-16.146937.photoLeon.MTX.t-flac16
1990-06-16Shoreline Amphitheatre
146937flac16; Matrix: Source One: Dave Brotman & Jeff Metchick (FOB) Recording: Schoeps CMC5/MK4 (ortf) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Source Two: Recording Info: SBD > Dat > CD; Transfer Info: CD > Samplitude Professional v11.03 > FLAC; Source Three: Set 1: B&K 4011 at 110 ORTF > Sony D10Pro with 7' stand first row taper section; All Three sources edited & mastered for matrix by Joe Noel
gd1990-06-16.147773.UltraMatrix.sbd.cm.miller.flac16
1990-06-16Shoreline Amphitheatre
147773flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1990-06-17.143426.FOB.Schoeps.Brotman.Miler.Noel.t-flac1648
1990-06-17Shoreline Amphitheatre
143426flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC5/MK4 (ortf) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
gd1990-06-17.149425.UltraMatrix.sbd.cm.miller.flac16
1990-06-17Shoreline Amphitheatre
149425flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller This file set is 16 bit @ 44.1
gd1990-06-17.aud.savage-wklitz.96420.flac16
1990-06-17Shoreline Amphitheatre
96420flac16; 1st Set: DAT MASTER:Sennheiser ME-80's>Technics SV-MD1 Recorded By Keith Litzenberger 2nd Set: DAT CLONE:AKG 414's>?>Technics SV-MD1 Recorded By Bill Savage DAT>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Transferred By Keith Litzenberger
gd1990-06-17.Nak300CP4.Fitzy.Keo.126387.Flac2496
1990-06-17Shoreline Amphitheatre
126387flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1990-06-17.Nak300CP4.Fitzy.Keo.126388.Flac1644
1990-06-17Shoreline Amphitheatre
126388flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1990-06-17.138400.OTS-FOB.Schoeps.Ammons-Noel.t-flac16
1990-06-17Shoreline Amphitheatre
138400flac16/48kHz; unknown taper; Set 1: Schoeps CMC52s > Aerco Power Supply > M1000 Cables > Panasonic SV255; mics spaced 9 feet front row taper section; Set 2: Schoeps CMC44 at 110 degrees ORTF > Panasonic SV250 Section 102; Row M center (FOB); John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
gd90-06-17.nak.ladner.7764.sbeok.shnf
1990-06-17Shoreline Amphitheatre
77643 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner
gd90-06-17.sbd.ladner.10062.sbeok.shnf
1990-06-17Shoreline Amphitheatre
10062SBD>DAT>CDR; via Paul B; Seeded to etree by neo_levo
gd1990-06-17.sbd.miller.106170.flac16
1990-06-17Shoreline Amphitheatre
106170flac16; Recording Info: SBD -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1990-06-17.149334.soundboard.ultramatrix.pearson.miller.flac24
1990-06-17Shoreline Amphitheatre
149334flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-06-17.mtx.hansokolow.97329.flac16
1990-06-17Shoreline Amphitheatre
97329flac16; matrix of DSBD: shnid=10062 and DAUD: shnid=96420 by hansokolow using ProTools
gd1990-06-23.152691.FOBSchoepsMattesMillerNoelreMaster.t-flac1648
1990-06-23Autzen Stadium - University of Oregon
152691flac16/48 Remaster Of Shnid 141894 Source: (fob)schoeps Cmc4 Mk21 (ortf - 90º) > Dat (panasonic Sv250) Transfer: Dat > Sony Pcm R500 > Tascam Da-3000 > Wav 16 48 Recorded By Ted Mattes Transfer By Charlie Miller Edited & Remastered By Joe Noel June 24, 2021
gd1990-06-23.124301.mk2s.hillwig-stubbe.flac16
1990-06-23Autzen Stadium, U. of Oregon
124301flac16; Source: Schoeps CMC3/MK2S > P/S > Panasonic SV255 (48 khz); Config/Location: spaced 8'/FOB/6' stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
gd1990-06-23.141774.sbd.miller.flac2496
1990-06-23Autzen Stadium - University of Oregon
141774flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-06-23.156400.mtx.photoleon.flac16
1990-06-23Autzen Stadium, U. of Oregon
156400Matrix Created In Adobe Audition By Joe Noel Source 1; (152691) (set I & Encore) Recording Info: (fob) Schoeps Cmc3 Mk2s > Panasonic Sv250 > Dat(1) (mics On Stand @ 6' Spaced 8') Source 2; (143537) (set Ii) Recording Info: (fob) Schoeps Cmc5 Mk2s (spaced 9ft Stand 5'10" Off To Right 2ft) > M1000 Cables > Dat (panasonic Sv-255 48k) Source 3; (141861) Recording Info: Ultramatrix Sbd > Cassette Master (tdk Ma-x)
gd1990-06-23.aud.ladner.10261.sbeok.shnf
1990-06-23Autzen Stadium, U. of Oregon
10261Audience (was labeled as SBD>Cm>Dat>Samplitude>CD). Seeded by Charlie Miller via Neo_Levo to candyman and abgd.
gd90-06-23.nak.rob.6945.sbefail.shnf
1990-06-23Autzen Stadium, U. of Oregon
6945Digital Audience - Jill & Rob R. 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section
gd90-06-23.sbd.ladner.28690.sbeok.shnf
1990-06-23Autzen Stadium, U. of Oregon
28690Source: SBD-matrix>CM>DAT>CDR>WAV>SHN; this is shn id 20695 with undocumented changes to d3t3 via Tol and LMA.
gd1990-06-23.akg-nak.miller.99648.sbeok.flac16
1990-06-23Autzen Stadium - University of Oregon
99648flac16; Recording Info: Nakamichi 100/CP4 + AKG C1000S -> Boss BX-4 -> Cassette Master (Sony WM-D6C) -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Mixed, Recorded, Transfered and Mastered By Charlie Miller
gd1990-06-23.124302.mk2s.hillwig-stubbe.flac1648
1990-06-23Autzen Stadium - University of Oregon
124302flac16/48kHz; Source: Schoeps CMC3/MK2S > P/S > Panasonic SV255 (48 khz); Config/Location: spaced 8'/FOB/6' stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
gd1990-06-23.mtx.hansokolow.108310.flac16
1990-06-23Autzen Stadium, U. of Oregon
108310flac16; Matrix by Hansokolow using ProTools of these sources: SBD: shnid=28690 // DAUD: shnid=88105
gd1990-06-23.141861.UltraMatrix.sbd.cm.miller.flac1644
1990-06-23Autzen Stadium - University of Oregon
141861flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-06-23.121911.BeyerM160.d5scott.flac16
1990-06-23Autzen Stadium, U. of Oregon
121911flac16; Source: 2 Beyer M160 microphones - up front/center > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1990-06-23.sennME80.gordon.88105.sbeok.flac16
1990-06-23Autzen Stadium
88105flac16; Sennheiser ME-80's>Technics SVM-D1 (Front Of Taper's Section) Dat Master>Sony TCD-D0PROII>Edirol R-4>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded by G. Gordon using Keith Litzenberger's gear Transfer & Uploaded to Etree by Keith Litzenberger
gd1990-06-23.141894.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648
1990-06-23Autzen Stadium - University of Oregon
141894flac16/48kHz; Ted Mattes Recording (FOB): Schoeps CMC4 MK21 (ORTF - 90º) > DAT (Panasonic SV250); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
gd1990-06-23.143537.FOB.s2.Schoeps.Brotman.Miller.Noel.t-flac1648
1990-06-23Autzen Stadium - University of Oregon
143537flac16/48kHz; Set 2 Dave Brotman (FOB) Recording: (FOB) Schoeps CMC5/MK2S (spaced 9ft stand 5'10" off to right 2ft) > M1000 Cables > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
gd1990-06-23.147807.mac.billtmcdee.t.flac1648
1990-06-23Autzen Stadium - University of Oregon
147807flac16/48kHz; Recording Info: ,Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
gd1990-06-23.147808.mac.billtmcdee.t.flac2496
1990-06-23Autzen Stadium - University of Oregon
147808flac24; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
gd1990-06-24.141784.sbd.miller.flac2496
1990-06-24Autzen Stadium, U. of Oregon
141784flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-06-24.156401.mtx.photoleon.flac16
1990-06-24Autzen Stadium, U. of Oregon
156401Matrix Created In Adobe Audition By Joe Noel Source 1; (143538) Recording Info: (ots) Schoeps Cmc4 Mk21 > Oade Pre-amp > Master Dat (panasonic Sv-250 48k) Transfer Info: Dat Master > Sony Pcm R500 > Tascam Da-3000 > Flac 16 48 Master Digital Audience Recording By Dave Brotman Source 2; (141255) (hsf Only) Recording Info: (fob) Schoeps Cmc52s Omnis 8' Apart On 6' Stands > Master Dat(1) (panasonic Sv250) Source 3; (141862) Recording Info: Ultramatrix Sbd > Cassette Master (tdk Ma-x)
gd90-06-24.nak.unknown.6946.sbeok.shnf
1990-06-24Autzen Stadium, U. of Oregon
6946Digital Audience - Jill & Rob R: 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section
gd90-06-24.sbd.unknown.12092.sbeok.shnf
1990-06-24Autzen Stadium, U. of Oregon
12092sbd>mc>dat>cdr; Unkown seeder
gd1990-06-24.sennME80.wklitz.94258.flac16
1990-06-24Autzen Stadium - University of Oregon
94258flac16; Sennheiser ME-80's>Technics SVM-D1 (Front Of Taper's Section) Dat Master>Sony TCD-D0PROII>Edirol R-4>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded by Gerry Gordon using Keith Litzenberger's gear Transferred & Uploaded by Keith Litzenberger
gd1990-06-24.beyerm160.d5scott.106896.flac16
1990-06-24Autzen Stadium
106896flac16; Source Info: Master audience recording with 2 Beyer M160 microphones > Sony TC-D5M (90 minute Maxell Metal Cassettes). Recorded from about 40 feet from stage-center. Mic's on a stand about 6 feet high. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1990-06-24.mtx.hansokolow.108329.flac16
1990-06-24Autzen Stadium, U. of Oregon
108329flac16; Matrix of these sources: SBD: shnid=12092 // DAUD: shnid=94258
gd1990-06-24.141862.UltraMatrix.sbd.cm.miller.flac1644
1990-06-24Autzen Stadium, U. of Oregon
141862flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-06-24.141255.FOB.OTS.Schoeps.Katzeff.Ammons.Noel.t-flac1648
1990-06-24Autzen Stadium, U. of Oregon
141255flac16/48kHz; Master DAT Recording by Rick Katzeff, Marcus Buick & John Ammons: Set I (HSF only): Schoeps CMC52s omnis 8' apart on 6' stands > Panasonic SV250 (FOB); Master DAT Recording by unknown: Set I (post HSF) & Set II: Schoeps CMC 421 at 90 degrees 'RED' > Oade PS > SV250 (OTS); Transfer by John Ammons: DAT clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
gd1990-06-24.141895.OTS.Schoeps.Mattes.Miller.Noel.t-flac1648
1990-06-24Autzen Stadium, U. of Oregon
141895flac16/48kHz; Ted Mattes Recording (OTS): Schoeps CMC4 MK21 (ORTF - 90º) > DAT (Panasonic SV250); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
gd1990-06-24.143538.OTS.Schoeps.Brotman.Miller.Noel.t-flac1648
1990-06-24Autzen Stadium - University of Oregon
143538flac16/48kHz; Dave Brotman (OTS) Recording: (Schoeps CMC4/MK21 > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
gd1990-06-24.147809.mac.billtmcdee.t.flac1648
1990-06-24Autzen Stadium, U. of Oregon
147809flac16/48kHz; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
gd1990-06-24.147810.mac.billtmcdee.t.flac2496
1990-06-24Autzen Stadium, U. of Oregon
147810flac24; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
gd1990-07-04.137897.dbx.hale.flac16
1990-07-04Sandstone Ampitheatre
137897flac16; Front of lawn, dead center, 16' mic stand; NAK-CM-100 w/CP-4 shotgun capsules left & right and Senheiser-441 panned to center > Tascam PortaOne 4-track Cassette (dbx type II on) > Maxell XLII-S 100's (without the 100's Fire would have cut, so glad they came out w/ 100's); Maxell XLII-S100 > Onkyo TA-2027(I have 2 NAK's and neither one work, bought the Onkyo as it has 1/4" mic inputs L & R) > dbx 224x > Sony M-10 (16 bit WAVE & tracked) > Soundforge 9 (fades at start and tape flipps) > encoded to FLAC (level 8) w/TLH
gd1990-07-04.153738.ultramatrix.miller.flac2496
1990-07-04Sandstone Ampitheatre
153738flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
gd1990-07-04.154442.UltraMatrix.sbd.cm.miller.t.flac16
1990-07-04Sandstone Ampitheatre
154442flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 153738 2496 > 1644
gd1990-07-04.s1.127374.josephsonC640.chuckm.flac16
1990-07-04Sandstone Amphitheatre
127374flac16; Set 1 Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1); Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, iZotope RX DeClick, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, a 1 second section of s1t06 was patched with the analog cassette master of the same source); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC; fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC) Recorded, transfered, processed and distributed by Chuck Miller
gd1990-07-04.143599.FOB.Schoeps.Brotman.Miller.Noel.t-flac1648
1990-07-04Sandstone Ampitheatre
143599flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC5/MK4 (ortf) > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Location: Row V Seats 4 + 5; Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
gd90-07-04.akg.ladner.8573.sbeok.shnf
1990-07-04Sandstone Ampitheatre
8573AUD (AKG 414?s) > DAT (Sony D-3) > CDR > WAV > SHNv3; DAE(EAC)>tracking (CDWAV)> boundary check (SHNTOOL)> SHN(MKWACT)> FTP via neo_levo
gd1990-07-04.AKG451.Darby.117549.Flac2448
1990-07-04Sandstone Ampitheatre
117549flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/20 Feet Directly In Front Of Left Lawn Stack/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes (Sony Metal-ES); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging By Keo With AudioGate Software
gd1990-07-04.AKG451.Darby.117550.Flac1644
1990-07-04Sandstone Ampitheatre
117550flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/20 Feet Directly In Front Of Left Lawn Stack/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes (Sony Metal-ES); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudiGate Software
gd1990-07-04.josephsonC-640.chuckm
1990-07-04Sandstone Amphitheatre
gd1990-07-04.140955.OTS.FOB.Schoeps.Katzeff.Ammons.Noel.t-flac1648
1990-07-04Sandstone Ampitheatre
140955flac16/48kHz; Recording by Rick Katzeff: Set I: Schoeps CMC32s (omni's spaced 8 1/2 feet) > Panasonic SV255 (front row OTS); Set II: Schoeps CMC421 at "100 degrees RED" > Panasonic SV255 (FOB); Transfer by John Ammons: DAT clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
gd90-07-04.sbd.miller.26351.sbeok.shnf
1990-07-04Sandstone Ampitheatre
26351SBD> Dat> Cassette Master; Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller
gd1990-07-04.131537.cmc421.fob.deal.petty.flac16
1990-07-04Sandstone Ampitheatre
131537flac16; Source info: Set 1: Schoeps CMC 421's> Schoeps VMS 52 UB(?)> Technics SVMD1; Set 2: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 14, 2014 by Will Petty
gd1990-07-04.147811.mac.billtmcdee.t.flac1648
1990-07-04Sandstone Ampitheatre
147811flac16/48kHz; Recording Info: , Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
gd1990-07-04.147812.mac.billtmcdee.t.flac2496
1990-07-04Sandstone Ampitheatre
147812flac24; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
gd1990-07-04.133536.aud.Holtz.NakCM104.flac2496
1990-07-04Sandstone Ampitheatre
133536flac24; Field: 2x Nakamichi CM100 mics with CP-4 shotgun capsules > Sony TC-D5M analog cassette recorder > Maxell MX90 tapes; Transfer: MAC > Tascam 112 analog cassette deck > Edirol UA-5 USB Audio Interface > 24/96 > PC > Audacity (tracks and fades) > Trader's Little Helper > flac 24/96
gd1990-07-06.Nak100sSenn421.Hill.Keo.130512.Flac1644
1990-07-06Cardinal Stadium
130512flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Uknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1990-07-06.131218.cmc34.fob.jwpetty.flac16
1990-07-06Cardinal Stadium
131218flac16; Source info: FOB/Schoeps CMC 34's (ortf)> DAT> 1:1 clone DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch>(s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to bt.etree on September 4, 2014 by Will Petty
gd1990-07-06.131219.cmc52S.deal.jwpetty.flac16
1990-07-06Cardinal Stadium
131219flac16; Source info: Schoeps CMC 52 S (spread 8'/Taper Section)> Pro-Link cables> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 4, 2014 by jwpetty
gd1990-07-06.153082.ulramatrix.miller.flac2496
1990-07-06Cardinal Stadium
153082flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24
gd1990-07-06.154443.UltraMatrix.sbd.cm.miller.t.flac16
1990-07-06Cardinal Stadium
154443flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24 - This is 153082 2496 > 1644
gd1990-07-06.143600.FOB.Schoeps.Brotman.Miller.Noel.t-flac1648
1990-07-06Cardinal Stadium
143600flac16/48kHz; Dave Brotman Master DAT Recording: Set I: (FOB) Schoeps CMC5/MK4 (ortf) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Set II: (FOB) Schoeps CMC5/MK21 (spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
gd1990-07-06.Nak300CP4.Baker.Keo.126121.Flac2496
1990-07-06Cardinal Stadium
126121flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1990-07-06.134928.bltz.flac2496
1990-07-06Cardinal Stadium
134928flac24; Source: Schoep CMC 34 Cardioids, O.R.T.F. -> SV255, Section 13-3, Row P, Center. DAT Master -> Clone -> Apogee 701/Beta -> Nak BX125 -> Maxell MX90 (Set 1), TDK MA110 (Set 2) -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
gd1990-07-06.Nak100sSenn421.Hill.Keo.130511.Flac2496
1990-07-06Cardinal Stadium
130511flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Uknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1990-07-06.sbd.fishman.9009.sbeok.shnf
1990-07-06Cardinal Stadium
9009SBD>C>C>DAT>CD>EAC>CDRWAV>WAV>SHN; Speed corrected, see info file for details; Seeded to etree by JR Fishman
gd1990-07-06.sbd.zei.2255.shnf
1990-07-06Cardinal Stadium
2255SBD> D-> CDR-> EAC> SHN; Ripped by John Zei; quick d/o in pre-Drums jam
gd1990-07-06.142685.Schoeps.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648
1990-07-06Cardinal Stadium
142685flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording: Schoeps CMC3 MK4 > Jensen 16 PS > DAT (Panasonic sv250); set I though pre drums mics are hand held, post drums mics are on a stand @ 6'2"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
gd1990-07-06.fob.nak300.holtz.jaz.102291.flac16
1990-07-06Cardinal Stadium
102291flac16; Taper: Greg Holtz Source: Nakamichi CM-300's w/CP-4 shotgun caps FOB > D-5 Transfer: By (JAZ) Master Cassettes (Maxell MX100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8
gd1990-07-08.Nak100sSenn421.Hill.Keo.130548.Flac2496
1990-07-08Three Rivers Stadium
130548flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1990-07-08.Nak100sSenn421.Hill.Keo.130549.Flac1644
1990-07-08Three Rivers Stadium
130549flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1990-07-08.138701.upg-sbd.tobin.flac16
1990-07-08Three Rivers Stadium
138701flac16; Patched/Pitch Corrected Soundboard (original shnid = 16157) SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore - pitch correction and patches by Kevin Tobin
gd1990-07-08.138702.mtx.tobin.flac16
1990-07-08Three Rivers Stadium
138702flac16; Matrix 2 Source Mix - SBD (shnid = 16157) SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore + AUD (shnid = 130548) Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
gd1990-07-08.138703.dts.tobin.flac16
1990-07-08Three Rivers Stadium
138703DTS-Audio-CD 5.1 Mix; SBD (shnid = 16157) SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore + AUD (shnid = 130548) Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
gd1990-07-08.138704.5-1.tobin.flac1648
1990-07-08Three Rivers Stadium
138704flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 16157) SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore + AUD (shnid = 130548) Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin
gd1990-07-08.141773.sbd.miller.flac2496
1990-07-08Three Rivers Stadium
141773flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd90-07-08.sbd.brame.16157.sbeok.shnf
1990-07-08Three Rivers Stadium
16157SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore
gd1990-07-08.138452.OTS-FOB.Schoeps.Katzeff.Ammons.Noel.t-flac16
1990-07-08Three Rivers Stadium
138452flac16/48kHz; Set 1: Unknown Schoeps > DAT; OTS; Set 2: Schoeps CMC34 @ 110 degrees ORTF > Panasonic SV255; FOB (10 rows front of board center) recorded by Rick Katzeff; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
gd1990-07-08.135741.set2.sbd.jc.flac16
1990-07-08Three Rivers Stadium
135741flac16; SBD: ? > cassette/4 (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > shntool > TLH
gd1990-07-08.135742.set2.sbd.jc.flac24
1990-07-08Three Rivers Stadium
135742flac24; SBD: ? > cassette/4 (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > > TLH
gd1990-07-08.nak300.holtz.lmpp.97714.sbeok.flac16
1990-07-08Three Rivers Stadium
97714flac16; Source: aud > Nakamichi CM-300 mics with CP-4 Shotgun Caps > Sony D-5 > mac Transfer: mac > Nakamichi ZX-7 > Tascam HD-P2 > wav 24/96 > adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > Cd Wave > TLH > Flac16
gd1990-07-08.141863.UltraMatrix.sbd.cm.miller.flac1644
1990-07-08Three Rivers Stadium
141863flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-07-08.nak300.bleich-sirmick.109665.sbeok.flac16
1990-07-08Three Rivers Stadium
109665flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac Lineage: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich
gd1990-07-08.142686.Schoeps.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648
1990-07-08Three Rivers Stadium
142686flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman Recording: Set I: (FOB*) Schoeps CMC3 MK4 (ORTF) > DAT. 10 rows FOB; Set II: (FOB) Schoeps CMC MK2y > Jenson 16 PS > DAT (Panasonic sv250). Mics spread 9'5" on stands @ 7'5", row LL; DFC; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
gd1990-07-08.149331.DAK-OTS.boedicker.flac1644
1990-07-08Three Rivers Stadium
149331flac16; Source:DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-89 Minute Metal Master Cassette Tapes>Sony TC-D5 M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section
gd1990-07-10.Nak300CP4.Baker.Keo.130402.Flac1644
1990-07-10Carter-Finley Stadium
130402flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1990-07-10.Nak300CP4.Baker.Keo.130403.Flac2496
1990-07-10Carter-Finley Stadium
130403flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1990-07-10.133954.akg414btl-fob-dantepper.flac16
1990-07-10Carter-Finley Stadium
133954flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
gd1990-07-10.135049.bltz.flac2496
1990-07-10Carter-Finley Stadium
135049flac24; Source: Schoeps CMC-34 Cardioids, ORTF, Hand-held, 8 rows in front-of-board -> ProLink Cables -> Neumann Power Supply -> DAT TCD-10 -> Beta -> Nak 682ZX -> Maxell MX 90 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Set 2, Schoeps CMC-54 Cardioids, ORTF, on stand -> SV-250 Up Front
gd1990-07-10.150396.mtx.tobin.flac16
1990-07-10Carter-Finley Stadium
150396flac16; Matrix 2 Source Mix - SBD (shnid = 150367) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 143601) Dave Brotman Master DAT Recording: (FOB 8 Rows) Schoeps CMC3/MK4 (ortf) > M1000 Cables > JE13 > Dat (Panasonic SV-255/48k); Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 - matrix mixing by Kevin Tobin
gd1990-07-10.150397.dts.tobin.flac16
1990-07-10Carter-Finley Stadium
150397DTS-Audio-CD 5.1 Mix; - SBD (shnid = 150367) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 143601) Dave Brotman Master DAT Recording: (FOB 8 Rows) Schoeps CMC3/MK4 (ortf) > M1000 Cables > JE13 > Dat (Panasonic SV-255/48k); Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 - dts mixing by Kevin Tobin
gd1990-07-10.150398.5-1.tobin.flac1648
1990-07-10Carter-Finley Stadium
150398flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 150367) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 143601) Dave Brotman Master DAT Recording: (FOB 8 Rows) Schoeps CMC3/MK4 (ortf) > M1000 Cables > JE13 > Dat (Panasonic SV-255/48k); Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 - surround mixing by Kevin Tobin
gd1990-07-10.schoeps.lynn.31790.sbefail.flac16
1990-07-10Carter-Finley Stadium
31790flac16; FOB DFC Schoeps MK4s ORTF On Stand->Oade m118->Panasonic SV255@48 kHz Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample) -> CDWAV (track) ->FLAC
gd1990-07-10.AKG451.Currier.Keo.126182.Flac1644
1990-07-10Carter-Finley Stadium
126182flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's > AKG 9V Phantom Power > Marantz PDM 430 > Probaly Dolby (Not Marked) > Tapes Maxell MX 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1990-07-10.AKG451.Currier.Keo.126181.Flac2496
1990-07-10Carter-Finley Stadium
126181flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's > AKG 9V Phantom Power > Marantz PDM 430 > Probaly Dolby (Not Marked) > Tapes Maxell MX 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1990-07-10.142694.Schoeps.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648
1990-07-10Carter-Finley Stadium
142694flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman Recording: (8 rows FOB) Schoeps CMC3 MK4 (ORTF) > DAT. Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
gd1990-07-10.143601.FOB.Schoeps.Brotman.Miller.Noel.t-flac1648
1990-07-10Carter-Finley Stadium
143601flac16/48kHz; Dave Brotman Master DAT Recording: (FOB 8 Rows) Schoeps CMC3/MK4 (ortf) > M1000 Cables > JE13 > Dat (Panasonic SV-255/48k); Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
gd1990-07-10.150367.sbd.miller.flac2496
1990-07-10Carter-Finley Stadium
150367flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24
gd90-07-10.sbd.unknown.8256.sbeok.shnf
1990-07-10Carter-Finley Stadium
8256SBD > MC > DAT > EAC > SHN; Unknown seeder
gd1990-07-10.149323.DAK-OTS.boedicker.flac1644
1990-07-10Carter-Finley Stadium
149323flac16; Source:Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker, Official Taper Section
gd1990-07-10.150501.UltraMatrix.sbd.cm.miller.flac16
1990-07-10Carter-Finley Stadium
150501flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1
gd1990-07-10.sbd.miller.106373.flac16
1990-07-10Carter-Finley Stadium
106373flac16; Recording Info:SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1990-07-12.133957.akg414btl-fob-dantepper.flac16
1990-07-12Robert F. Kennedy Stadium
133957flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
gd1990-07-12.141394.FOB.Schoeps.Katzeff.Ammons.Noel.t-flac1648
1990-07-12Robert F. Kennedy Stadium
141394flac16/48kHz; Rick Katzeff Recording: Spaced Schoeps CMC32s @ 8 1/2' > Panasonic SV250 > DAT [FOB]; John Ammons Transfer: (dat clone from master) Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
gd1990-07-12.Nak100sSenn421.Hill.Keo.130619.Flac1644
1990-07-12Robert F. Kennedy Stadium
130619flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1990-07-12.143602.FOB.Schoeps.Brotman.Miller.Noel.t-flac1648
1990-07-12Robert F. Kennedy Stadium
143602flac16/48kHz; Dave Brotman Master DAT Recording: (FOB) Schoeps CMC3/MK2S (spaced) > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
gd1990-07-12.149523.ultramatrix.sbd.pearson-healy.miller.flac2496
1990-07-12Robert F. Kennedy Stadium
149523flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
gd90-07-12.sbd.mcatee.2582.sbeok.shnf
1990-07-12Robert F. Kennedy Stadium
2582SBD > DAT > DAT clones > ZA-2 > wave (via Cool Edit) > CD-R; transfer by John McAtee; poss cass gen somewhere- see pub comment
gd90-07-12.sbd.miller.21980.sbeok.shnf
1990-07-12Robert F. Kennedy Stadium
21980Recording Info: Set One: SBD -> Dat Set Two: SBD -> Cassette Master (TDK SA-X 100) Transfer Info: Set One: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Set Two: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16bit /44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers and Edits Done By Charlie Miller charliemiller87@earthlink.net 1/27/04
gd90-07-12.sbd.unknown.17688.sbeok.shnf
1990-07-12Robert F. Kennedy Stadium
17688source, lineage unspecified; Posted to a.b.gd.hs
gd1990-07-12.fob.schoeps.unknown.ebel.97709.flac16
1990-07-12Robert F. Kennedy Stadium
97709flac16; Source: FOB-Schoeps CMC3 MK4-> Oade P/S->Sony D10 Pro->DAT->CDR->WAV->FLAC Transfer: Dat Clone->Panasonic SV3700-> Marantz CDR 615-> CDR Ripped with EAC (No Errors)Tracks Named -> Flac (Level 8) with Traders Little Helper and Tagged with Foobar 2000. Transfers by Pete Ebel on March 3, 2009
gd1990-07-12.149730.UltraMatrix.sbd.cm.miller.flac16
1990-07-12Robert F. Kennedy Stadium
149730flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
gd1990-07-12.AKG451.Currier.Keo.121536.Flac2496
1990-07-12Robert F. Kennedy Stadium
121536flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1990-07-12.AKG451.Currier.Keo.121537.Flac1644
1990-07-12Robert F. Kennedy Stadium
121537flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1990-07-12.149329.DAK-OTS.boedicker.flac1644
1990-07-12Robert F. Kennedy Stadium
149329flac16; Source:DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5 Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section
gd1990-07-14.134830.bltz.flac2496
1990-07-14Foxboro Stadium
134830flac24; Source: B&K 4011 Cardioids FOB -> ? -> Nakamichi 682ZX -> Maxell MX 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
gd1990-07-14.141395.FOB.Schoeps.Katzeff.Ammons.Noel.t-flac1648
1990-07-14Foxboro Stadium
141395flac16/48kHz; Rick Katzeff Recording: Spaced Schoeps CMC32s @ 8' > Panasonic SV250 > DAT [FOB]; John Ammons Transfer: (dat clone from master) Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
gd1990-07-14.152771.mtx.tobin.flac16
1990-07-14Foxboro Stadium
152771flac16; Matrix 2 Source Mix - SBD (shnid = 106404) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147814) Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 - matrix mixing by Kevin Tobin
gd1990-07-14.152772.dts.tobin.flac16
1990-07-14Foxboro Stadium
152772DTS-Audio-CD 5.1 Mix; - SBD (shnid = 106404) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147814) Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 - dts mixing by Kevin Tobin
gd1990-07-14.152773.5-1.tobin.flac1648
1990-07-14Foxboro Stadium
152773flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 106404) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147814) Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 - surround mixing by Kevin Tobin
gd1990-07-14.158052.UltraMatrix.sbd.cm.miller.t.flac1644
1990-07-14Foxboro Stadium
158052flac1644 Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 157717 2496 > 1644
gd1990-07-14.128385.mtx.nicksmix.flac16
1990-07-14Foxboro Stadium
128385flac16; 16 bit matrix mix of AUD shnid 121510 and SBD shnid 106404; Mixed by Nick Crump
gd1990-07-14.Nak100sSenn421.Hill.Keo.130834.Flac1644
1990-07-14Foxboro Stadium
130834flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1990-07-14.141748.FOB.MTX.photoLeon.t-flac1644
1990-07-14Foxboro Stadium
141748flac16; A photoLeon Matrix; Source #1: Rick Katzeff Recording: Spaced Schoeps CMC32s @ 8' > Panasonic SV250 > DAT [FOB]. Mics on stands, set I @ 6', set II @ 6'3" and Source #2: Recorded, Transferred and Digitally Mastered by Dan Tepper; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT
gd1990-07-14.143603.FOB.s1.Schoeps.Brotman.Miller.Noel.t-flac1648
1990-07-14Foxboro Stadium
143603flac16/48kHz; Set 1 Dave Brotman Master DAT Recording: (FOB) Schoeps CMC3/MK2S (spaced 8'5" stands 6'3") > JE13 > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
gd90-07-14.sbd.georges.463.sbeok.shnf
1990-07-14Foxboro Stadium
463SBD(?) ("could be DSBD, likely SBDm")> ? ("could also have a cassette gen between the source and DAT, not sure")> DAT> CD> EAC; via Nick Georges; see pub comments for flaw notes
gd1990-07-14.AKG451.Currier.Keo.121511.Flac1644
1990-07-14Foxboro Stadium
121511flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1990-07-14.128386.mtx.nicksmix.flac2496
1990-07-14Foxboro Stadium
128386flac24; 24bit matrix mix of AUD shnid 121510 and SBD shnid 106404; Mixed by Nick Crump
gd1990-07-14.beyer160.lenihan.15508.sbeok.shnf
1990-07-14Foxboro Stadium
155082Beyerm160 > SonyTCD5M Master Cassette> SHN; seeded to abgd by Walstib
gd1990-07-14.nak300.bleich-sirmick.111133.sbeok.flac16
1990-07-14Foxboro Stadium
111133flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped from OTS, and transferred by John Bleich
gd1990-07-14.sbd.unknown.84979.shnf
1990-07-14Foxboro Stadium
84979SBD cass master>DAT>SHN
gd1990-07-14.157717.ultramatrix.miller.flac2496
1990-07-14Foxboro Stadium
157717flac2496 Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
gd1990-07-14.147813.mac.billtmcdee.t.flac1648
1990-07-14Foxboro Stadium
147813flac16/48kHz; Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
gd1990-07-14.147814.mac.billtmcdee.t.flac2496
1990-07-14Foxboro Stadium
147814flac24; Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
gd1990-07-14.149340.DAK-OTS.boedicker.flac1644
1990-07-14Foxboro Stadium
149340flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Master Cassette Tapes>Sony TC-D5 M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section
gd1990-07-14.133966.akg414btl-fob-dantepper.flac16
1990-07-14Foxboro Stadium
133966flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
gd1990-07-14.AKG451.Currier.Keo.121510.Flac2496
1990-07-14Foxboro Stadium
121510flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1990-07-14.sbd.miller.106403.flac16
1990-07-14Foxboro Stadium
106403flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1990-07-14.sbd.miller.106404.flac24
1990-07-14Foxboro Stadium
106404flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-07-14.nak300.holtz.GEMS.92772.flac16
1990-07-14Foxboro Stadium
92772flac16; Source: OTS Audience Recording - set up at the right front lip of the sbd Lineage: Nakamichi CM-300's with CP-4 Shotgun Caps > Sony D-5 > MAC > NAK D3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh)
gd1990-07-16.128387.mtx.nicksmix.flac16
1990-07-16Rich Stadium
128387flac16; 3 source matrix mix of AUD shnid 95580, SBD shnid 95782 and AUD shnid 116444; Mixed by Nick Crump
gd1990-07-16.Nak100sSenn421.Hill.Keo.131228.Flac1644
1990-07-16Rich Stadium
131228flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1990-07-16.Nak100sSenn421.Hill.Keo.131229.Flac2496
1990-07-16Rich Stadium
131229flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1990-07-16.149401.DAK.boedicker.flac1644
1990-07-16Rich Stadium
149401flac16; Source: Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell XL-II 90 And 100 Minute Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
gd1990-07-16.fob.alabamabob.andrewf.95580.flac16
1990-07-16Rich Stadium
95580flac16; FOB AUD: Sennheiser MD-441's > Sony TC-D5M > TDK SA 90's with no Dolby. Mics on stand, 18th row FOB. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.
gd1990-07-16.Nak300.Senn441.JB.Keo.116445.Flac2496
1990-07-16Rich Stadium
116445flac24; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Radio Shack Mixer>Sony D5>Sony D5 Unknown Number Of Patch In Line; Taper JB,Transfer By Keo; Tapes Maxell MX 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
gd1990-07-16.AKG451.Currier.Keo.121581.Flac1644
1990-07-16Rich Stadium
121581flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Traders Little Helper; Metadata Tagging With Tag&Rename
gd1990-07-16.142695.Schoeps.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648
1990-07-16Rich Stadium
142695flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording: Set I: Spaced Schoeps CMC5 MK21 > Jensen PS > DAT (Panasonic SV250); Mics spaced @ 8'5" on stands @ 6'; Set II: Spaced Schoeps CMC3 MK2 > Jensen PS > DAT (Panasonic SV250). Mics spaced @ 8'5" on stands @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
gd1990-07-16.143604.FOB.s1.Schoeps.Brotman.Miller.Noel.t-flac1648
1990-07-16Rich Stadium
143604flac16/48kHz; Set 1 Dave Brotman Master DAT Recording: (FOB/DFC) Schoeps CMC3/MK2S (spaced 8'3" stands 6'4") > JE13 > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
gd90-07-16.sbd.knapp.1316.sbeok.shnf
1990-07-16Rich Stadium
1316SBD> DAT> CD's> EAC> SHN; SHN/upload by Randall Ward, seed via Matt Knapp
gd1990-07-16.sbd.miller.95782.sbeok.flac16
1990-07-16Rich Stadium
95782flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1990-07-16.Nak300.Senn441.JB.Keo.116444.Flac1644
1990-07-16Rich Stadium
116444flac16; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Radio Shack Mixer>Sony D5>Sony D5 Unknown Number Of Patch In Line; Taper JB,Transfer By Keo; Tapes Maxell MX 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
gd1990-07-16.133997.akg414btl-fob-dantepper.flac16
1990-07-16Rich Stadium
133997flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
gd1990-07-16.157718.ultramatrix.miller.flac2496
1990-07-16Rich Stadium
157718flac2496 Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
gd1990-07-16.145658.ultramatrix.gaswirt.miller.sirmicck.flac1648
1990-07-16Rich Stadium
145658flac16/48kHz; Source: Utramatrix > Dat (48k) - Provided by Rich Gastwirt; Transfer: Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick March 2019; a version of this circulated without the encore (s2t15)
gd1990-07-16.fob.nak100.holtz.lmpp.98919.sbeok.flac16
1990-07-16Rich Stadium
98919flac16; Source: Nakamichi CM-100s with CP-4 shotgun caps > D-5 > mac; at the soundboard, a bit right of center if memory serves me correctly Lineage: mac > Nakamichi ZX-7 > Tascam HD-P2 > wav 24/96 > Adobe Audition > Wavelab with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16
gd1990-07-18.nak300.cousinit.97366.flac16
1990-07-18Deer Creek Music Center
97366flac16; Source: NAK550>2 CM300's w/CP4 Shotguns, 1 CM300 (Center Mic) Lineage: MC>WAV>FLAC Recorded and Encoded by Cousinit
gd1990-07-18.138229.Scheops.Katzeff.Ammons.fob.t-flac16
1990-07-18Deer Creek Music Center
138229flac16/48kHz; Rick Katzeff recording: Schoeps CMC34 at 110 degrees ORTF on Schoeps t-bar > Oade PS > Panasonic SV255. 1st set 20th row hand held DFC; 2nd set 25th row DFC with 6'3" stand; John Ammons; Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
gd1990-07-18.147560.sbd.ultramatrix.pearson.miller.flac24
1990-07-18Deer Creek Music Center
147560flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
gd1990-07-18.137862.km54.patched.flac16
1990-07-18Deer Creek Music Center
137862flac16; Updated Source: Neumann KM54 > Neumann P/S > Denon DTR-80P (44.1 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)> Firewire> Macbook> Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.38(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
gd1990-07-18.143605.FOB.Scheops.Brotman.Miller.Noel.t-flac1648
1990-07-18Deer Creek Music Center
143605flac16/48kHz; Dave Brotman Master Dat Recording: (FOB/Row 20/21) Schoeps CMC3/MK4 (ortf) > M1000 > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
gd1990-07-18.156402.mtx.photoleon.flac16
1990-07-18Deer Creek Music Center
156402Matrixes Created (adobe Audition) By Joe Noel Source 1; Shnid 137862 Source: (fob) Neumann Km54 > Neumann P S > Denon Dtr-80pkhz) Source 2; Shnid 147774 Recording: Ultramatrix Sbd > Cassette Master (tdk Ma-x90) Source 3; Shnid 143605 (s2t01; All, S2t02; Start -, S2t10;- Source Info: (fob Row 20 Schoeps Cmc3 Mk4 (ortf) > M1000 > Oade Pre-amp > Dat (panasonic Sv-255 48k)
gd90-07-18.neumann-fob.gardner.7358.sbeok.shnf
1990-07-18Deer Creek Music Center
7358unknown aud>?>cdr>eac>shn; via Paul B.; Tony Gardner
gd90-07-18.sbd.wilson.12760.sbeok.shnf
1990-07-18Deer Creek Music Center
12760whole show, SBD> 5th Gen analog cassette> Sound Forge> CD> EAC> SHN, with AUD splice in Drums tape flip; via Jeff Wilson
gd1990-07-18.sbd.miller.95807.sbeok.flac16
1990-07-18Deer Creek Music Center
95807flac16; Recording Info:Set 1: SBD -> Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD; Set 2: SBD -> Dat Master (48k); Transfer Info:Set 1: CD -> Samplitude Professional v10.1 -> FLAC; Set 2: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1990-07-18.nak300.cohenlee.118904.flac16
1990-07-18Deer Creek Music Center
118904flac16; Recorded by Dave Cohen and Justin Lee 2 Nakamichi CM300 Omnis Spaced at 2 meters>Nakamichi 550 w/dolby B Maxell XLIIS90s cassettes 3/4 of the way back in OTS, DFC; The Master Cassettes were played back with Azimuth adjustment and Dolby Decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Transfer by Dave Cohen
gd1990-07-18.137862.km54.flac16
1990-07-18Deer Creek Music Center
gd1990-07-18.132853.mtx.dusborne.flac16
1990-07-18Deer Creek Music Center
132853flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:095807) Set 1: SBD -> Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD; Set 2: SBD -> Dat Master (48k) and Audience (shnid:118904) 2 Nakamichi CM300 Omnis Spaced at 2 meters -> Nakamichi 550 w/dolby B; Maxell XLIIS90s cassettes
gd90-07-18.sbd.miller.26352.sbeok.shnf
1990-07-18Deer Creek Music Center
26352SBD, mixed source: Set 1: SBD> Dat> Cassette Master; Set 2: SBD> Dat> CD; Set 1 Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller; see pub comments for additional lineage notes
gd1990-07-18.sbd.miller.braverman.fix-26352.32218.sbeok.shnf
1990-07-18Deer Creek Music Center
32218Braverman fix and cleanup of previously circulating Miller source (SHNID 26352). Purports to fix/clean up only d1t01, d1t02, d2t07, and d3t01 through d3t04 of original source. See text file for details.
gd1990-07-18.AKG451.Darby.117697.Flac2448
1990-07-18Deer Creek Music Center
117697flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
gd1990-07-18.AKG451.Darby.117698.Flac1644
1990-07-18Deer Creek Music Center
117698flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
gd1990-07-18.147774.UltraMatrix.sbd.cm.miller.flac16
1990-07-18Deer Creek Music Center
147774flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
gd1990-07-18.147816.mac.billtmcdee.t.flac1648
1990-07-18Deer Creek Music Center
147816flac16/48kHz; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
gd1990-07-18.147817.mac.billtmcdee.t.flac2496
1990-07-18Deer Creek Music Center
147817flac24; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
gd1990-07-18.Nak100sSenn421.Hill.Keo.131337.Flac1644
1990-07-18Deer Creek Music Center
131337flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m > Dolby B, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1990-07-18.Nak100sSenn421.Hill.Keo.131339.Flac2496
1990-07-18Deer Creek Music Center
131339flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m > Dolby B, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1990-07-19.142346.FOB.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648
1990-07-19Deer Creek Music Center
142346flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 (ORTF)> Jensen 16's > DAT (Panasonic sv250); Location: row 5/v center; Charlie Miller Transfer of clone from master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
gd1990-07-19.147566.sbd.ultramatrix.pearson.miller.flac24
1990-07-19Deer Creek Music Center
147566flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-07-19.147777.UltraMatrix.sbd.cm.miller.flac16
1990-07-19Deer Creek Music Center
147777flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1990-07-19.Nak100sSenn421.Hill.Keo.131315.Flac1644
1990-07-19Deer Creek Music Center
131315flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m > Dolby B, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1990-07-19.Nak100sSenn421.Hill.Keo.131316.Flac2496
1990-07-19Deer Creek Music Center
131316flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m > Dolby B, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1990-07-19.154264.mac.billtmcdee.t.flac2496
1990-07-19Deer Creek Music Center
154264flac2496; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
gd1990-07-19.154265.mac.billtmcdee.t.flac1648
1990-07-19Deer Creek Music Center
154265flac1648; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
gd1990-07-19.156403.mtx.photoleon.flac16
1990-07-19Deer Creek Music Center
156403Matrix Created (adobe Audition) By Joe Noel Source 1; Shnid 142346 (set I Only) Recording Info: (fob) Schoeps Cmc3 Mk4 (ortf) > Jensen 16's > Dat(1) (panasonic Sv250) Location: Row 5 V Center Source 2; (set Ii Only) Recording Info: (fob) Schoeps Cmc3 Mk4 (ortf) > M1000 > Oade Pre-amp > Master Dat (panasonic Sv-255 48k) Location: Row V Center Source 3; Shnid 147777 Recording Info: Ultramatrix Sbd > Cassette Master (tdk Ma-x90) Source 4; Shnid 95783 (s2t01;-only) Recording Info: Sbd -> Dat Master (48k)
gd90-07-19.dsbd.garcia420.2177.sbeok.shnf
1990-07-19Deer Creek Music Center
2177DSBRD> DAT> CD-R> EAC> SHN; via Garcia420 to abgd
gd1990-07-19.sbd.garcia420.tetzeli.fix-2177.34617.reflac.flac16
1990-07-19Deer Creek Music Center
34617flac16; Seamless fix of shn id 2177 - DSBD>DAT>CD-R>EAC>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1990-07-19.sbd.walker-scotton.miller.95783.sbeok.flac16
1990-07-19Deer Creek Music Center
95783flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1990-07-19.fob.nak100.holtz.jaz.105263.flac16
1990-07-19Deer Creek Music Center
105263flac16; TAPER: Greg Holtz SOURCE: FOB Sec B Row 17 DFC Nakamichi CM-100's with CP-1 caps -> Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
gd1990-07-19.118893.aud.dak5245-pzm.flac
1990-07-19Deer Creek Music Center
118893flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; This was recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. We were located in the designated "taper" section for this recording. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8)
gd1990-07-19.nak300.cohenlee.118905.flac16
1990-07-19Deer Creek Music Center
118905flac16; Recorded by Dave Cohen and Justin Lee 2 Nakamichi CM300 Omnis Spaced at 2 meters>Nakamichi 550 w/dolby B Maxell XLIIS90s cassettes 3/4 of the way back in OTS, DFC The Master Cassettes were played back with Azimuth adjustment and Dolby Decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Transfer by Dave Cohen
gd1990-07-19.132854.mtx.dusborne.flac16
1990-07-19Deer Creek Music Center
132854flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:095783) SBD -> Dat Master (48k) and Audience (shnid:118905) 2 Nakamichi CM300 Omnis Spaced at 2 meters -> Nakamichi 550 w/dolby B; Maxell XLIIS90s cassettes
gd1990-07-19.AKG451.Darby.117699.Flac2448
1990-07-19Deer Creek Music Center
117699flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
gd1990-07-19.AKG451.Darby.117700.Flac1644
1990-07-19Deer Creek Music Center
117700flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
gd1990-07-21.150458.sbd.miller.flac2496
1990-07-21World Music Theater
150458flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd90-07-21.sbd.conner.7832.sbeok.shnf
1990-07-21World Music Theater
7832Master Soundboard DAT > CDR,EAC'ed / SHN'ed by Scott Clugston; to abgd via Charlie Connor
gd1990-07-21.aud.Holtz.Nak300s.112524.flac16
1990-07-21World Music Theater
112524flac16; Field Gear: Nakamichi CM-300's w/ CP-4 shotgun capsules > Sony D-5 > MAC; Taping location: Front of Lawn; Transfer: MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > TLH > FLAC Level 8; Taped, transferred, mastered, track/FLAC by Greg Holtz
gd1990-07-21.131538.cmc34.fob.katzeff.mattes.petty.flac16
1990-07-21World Music Theater
131538flac16; FOB/Schoeps CMC 34's>(presumed Oade p/s)> (presumed SV-250 or 255) by (likely Katzeff or Mattes); DAT clones provided by Lance Deal; Transfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CD Wave (tracking)> TLH (SBE's/Flac/md5); Transferred and liberated to etree on October 14, 2014 by Will Petty
gd1990-07-21.142004.FOB.Schoeps.Brotman.Mattes.Miller.Noel.t-flac1648
1990-07-21World Music Theater
142004flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 (ORTF) > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
gd1990-07-21.sbd.walker-scotton.miller.95809.sbeok.flac16
1990-07-21World Music Theatre
95809flac16; Recording Info:SBD -> Dat Master (48k); Transfer Info:Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1990-07-21.Nak100sSenn421.Hill.Keo.131365.Flac2496
1990-07-21World Music Theater
131365flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1990-07-21.131366.Nak100sSenn421.Hill.Keo.flac1644
1990-07-21World Music Theater
131366flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1990-07-21.AKG451.Darby.117733.Flac2448
1990-07-21World Music Theater
117733flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
gd1990-07-21.133841.sbd.chasingwilma.flac16
1990-07-21World Music Theater
133841flac16; lineage: sbd/aud matrix>dat>cd> eac> cdwave> traders little helper encoding option 8
gd1990-07-21.AKG451.Darby.117734.Flac1644
1990-07-21World Music Theater
117734flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
gd1990-07-21.143930.FOB.Schoeps.Brotman.Miller.Noel.t-flac1648
1990-07-21World Music Theater
143930flac16/48kHz; Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48
gd1990-07-21.150502.UltraMatrix.sbd.cm.miller.flac16
1990-07-21World Music Theater
150502flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1990-07-21.150562.mtx.tobin.flac16
1990-07-21World Music Theater
150562flac16; Matrix 2 Source Mix - SBD (shnid = 150458) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 143930) Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48 - matrix mixing by Kevin Tobin
gd1990-07-21.150563.dts.tobin.flac16
1990-07-21World Music Theater
150563DTS-Audio-CD 5.1 Mix; - SBD (shnid = 150458) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 143930) Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48 - dts mixing by Kevin Tobin
gd1990-07-21.150564.5-1.tobin.flac1648
1990-07-21World Music Theater
150564flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 150458) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 143930) Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48 - surround mixing by Kevin Tobin
gd90-07-22.sbd.conner.7834.sbeok.shnf
1990-07-22World Music Theater
7834Master Soundboard DAT > CDR,EAC'ed / SHN'ed by Scott Clugston, to abgd via Charlie Connor
gd1990-07-22.aud.Holtz.Nak300s.112525.flac16
1990-07-22World Music Theater
112525flac16; Field Gear: Nakamichi CM-300's w/ CP-4 shotgun capsules > Sony D-5 > MAC; Taping location: 3rd level corporate box inside pavilion; Transfer: MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > TLH > FLAC Level 8; Taped, transferred, mastered, track/FLAC by Greg Holtz
gd1990-07-22.sbd.fix.walker.scotton.miller.115497.flac16
1990-07-22World Music Theater
115497flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes a drop out in d2t03 of source ID 95870
gd1990-07-22.138459.fob.Schoeps.Katzeff.Ammons.Noel.t-flac16
1990-07-22World Music Theater
138459flac16/48kHz; Rick Katzeff recording: FOB Schoeps cardioids* at 110 degrees ORTF > Panasonic SV250 > DAT; Set I is labeled CMC34 & set II is labeled CMC54; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
gd1990-07-22.142005.FOB.Schoeps.Brotman.Mattes.Miller.Noel.t-flac1648
1990-07-22World Music Theater
142005flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 (ORTF) > DAT (Panasonic SV250); Location info: s1, Section 103 Row BB Seat 28 (hand held); s2, same as s1, mics on stand @ 6'2"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
gd1990-07-22.Nak100sSenn421.Hill.Keo.131372.Flac2496
1990-07-22World Music Theater
131372flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1990-07-22.Nak100sSenn421.Hill.Keo.131371.Flac1644
1990-07-22World Music Theater
131371flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1990-07-22.133842.sbd.chasingwilma.flac16
1990-07-22World Music Theater
133842flac16; lineage: sbd/aud matrix>dat>cd> eac> traders little helper encoding option 8
gd1990-07-22.AKG451.Darby.117739.Flac2448
1990-07-22World Music Theater
117739flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
gd1990-07-22.AKG451.Darby.117740.Flac1644
1990-07-22World Music Theater
117740flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
gd1990-07-22.158192.UltraMatrix.sbd.cm.miller.t.flac1644
1990-07-22World Music Theater
158192flac1644 Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 158175 2496 > 1644
gd1990-07-22.143931.FOB.Schoeps.Brotman.Miller.Noel.t-flac1648
1990-07-22World Music Theater
143931flac16/48kHz; Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info (FOB): s1, Section 103 Row BB Seat 28 (hand held); s2, same as s1, mics on stand @ 6'2"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48
gd1990-07-23.138985.FOB.Schoeps.Katzeff.Ammons.Noel.t-flac16
1990-07-23World Music Theater
138985flac16/48kHz; Rick Katzeff FOB Recording: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Checksum & tags created in xACT
gd1990-07-23.147778.UltraMatrix.sbd.cm.miller.flac16
1990-07-23World Music Theater
147778flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1990-07-23.aud.Holtz.Nak300s.112526.flac16
1990-07-23World Music Theater
112526flac16; Field Gear: Nakamichi CM-300's w/ CP-4 shotgun capsules > Sony D-5 > MAC; Taping location: Front Row Lawn; Transfer: MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > TLH > FLAC Level 8; Taped, transferred, mastered, track/FLAC by Greg Holtz
gd1990-07-23.Nak100sSenn421.Hill.Keo.131407.Flac2496
1990-07-23World Music Theater
131407flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1990-07-23.142006.FOB.Schoeps.Brotman.Mattes.Miller.Noel.t-flac1648
1990-07-23World Music Theater
142006flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 ORTF > DAT (Panasonic SV250); Location info: Row 26 Center mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
gd1990-07-23.147719.ultramatrix.sbd.miller.flac24
1990-07-23World Music Theater
147719flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd90-07-23.sbd.oconner.7612.sbeok.shnf
1990-07-23World Music Theater
7612sbd>dat>cd>shn; via Ed O'Connor
gd1990-07-23.135062.bltz.flac2496
1990-07-23World Music Theater
135062flac24; Source: Schoeps CMC-34 Cardioids, 110° ORTF, Up Front/FOB-> ProLink Cables -> Neumann Power Supply -> SV25 -> Nak 682ZX -> TDK MA 110 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
gd1990-07-23.Nak100sSenn421.Hill.Keo.131406.Flac1644
1990-07-23World Music Theater
131406flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1990-07-23.AKG451.Darby.117751.Flac1644
1990-07-23World Music Theater
117751flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
gd1990-07-23.133843.sbd.chasingwilma.flac16
1990-07-23World Music Theater
133843flac16; lineage: sbd/aud matrix>dat>cd> eac> traders little helper encoding option 8
gd1990-07-23.AKG451.Darby.117750.Flac2448
1990-07-23World Music Theater
117750flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
gd1990-07-23.147601.mtx.tobin.flac16
1990-07-23World Music Theater
147601flac16; Matrix 2 Source Mix - SBD (shnid = 95898) Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138985) Rick Katzeff FOB Recording: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Checksum & tags created in xACT - matrix mixing by Kevin Tobin
gd1990-07-23.147602.dts.tobin.flac16
1990-07-23World Music Theater
147602DTS-Audio-CD 5.1 Mix; - SBD (shnid = 95898) Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138985) Rick Katzeff FOB Recording: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Checksum & tags created in xACT - dts mixing by Kevin Tobin
gd1990-07-23.147604.5-1.tobin.flac1648
1990-07-23World Music Theater
147604flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 95898) Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138985) Rick Katzeff FOB Recording: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Checksum & tags created in xACT - surround mixing by Kevin Tobin
gd1990-08-28.157161.sbd.rehearsals.cm.miller.t.flac1644
1990-08-28Club Front
157161flac1644 Recording Info: SBD > Cassette Master (TDK SA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) >Tascam Hi-Res Editor (WAV 24-bit-96k) > Samplitude Pro X6 Suite > FLAC24 (1 DVD FLAC) All Transfers and Mastering by Charlie Miller. May 9, 2022 Notes: -- This is not the full band -- Thanks to David Beckwith for supplying the cassette - This is 156714 2496 -> 1644
gd1990-08-28.156714.sbd.miller.flac2496
1990-08-28Club Front
156714flac2496 Recording Info: SBD > Cassette Master (TDK SA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) >Tascam Hi-Res Editor (WAV 24-bit-96k) > Samplitude Pro X6 Suite > FLAC24 (1 DVD FLAC) All Transfers and Mastering by Charlie Miller. May 9, 2022 Notes: -- This is not the full band -- Thanks to David Beckwith for supplying the cassette
gd1990-08-28.156714.sbd.cm.miller.flac2496
1990-08-28Club Front
gd1990-09-07.Nak300CP4.Baker.Keo.131684.Flac1644
1990-09-07Richfield Coliseum
131684flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: TDK SA-100's; Microphones Set Up Upper seats Last Row Vince's Side; Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1990-09-07.Nak300CP4.Baker.Keo.131685.Flac2496
1990-09-07Richfield Coliseum
131685flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: TDK SA-100's; Microphones Set Up Upper seats Last Row Vince's Side; Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1990-09-07.sbd.miller.92240.sbeok.flac16
1990-09-07Richfield Coliseum
92240flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1990-09-07.138484.fob.Schoeps.Katzeff.Ammons.Noel.t-flac16
1990-09-07Richfield Coliseum
138484flac16/48kHz; Rick Katzeff Recording: Schoeps CMC34 at 110 degrees ORTF > Panasonic SV250; FOB, Row V Center; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
gd90-09-07.sbd.odeo.13253.sbeok.shnf
1990-09-07Richfield Coliseum
13253SBD> Cassette; Conversion: Tascam DA-20 MK II > (via RCA analog for Emphasis removal) Tascam DA-20 >Delta Dio 2496 > Soundforge XP 4.5 > CDRWIN > EAC > SHN, by Rob (Odeo) Harrison
gd1990-09-07.nak300.bleich.sirmick.101018.sbeok.flac16
1990-09-07Richfield Coliseum
101018flac16; Source: Audience > Nakamichi 300s with cp1 caps > Sony WM-D6 > MAC (Sony Metal-SR) Transfer: MAC > Nakamichi BX-125E > EMU 0202 > Wavelab > wav 24/96 > Adobe Audition > Wavelab (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16; Taped by John Bleich from OTS sec 8, row ccc, seat 3
gd1990-09-07.146060.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
1990-09-07Richfield Coliseum
146060flac16/48kHz; Recording info: (FOB) Schoeps CMC3/MK4 (110°) > M1000 Cables > Oade Preamp > Master Dat (Panasonic SV-250/48k). Location: (Sect. 2, Row V, Seat 11, mics hand held); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48 Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel
gd1990-09-07.nak100.holtz.jaz.98877.flac16
1990-09-07Coliseum
98877flac16; Taper: Greg Holtz Source: Nakamichi cm 100's w/shotguns -> Sony D-5 Transfer: Master Cassettes (Maxell MX90) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD Technology -> Traders Little Helper flac8
gd1990-09-08.Nak300CP4.Fitzy.Keo.131695.Flac1644
1990-09-08Richfield Coliseum
131695flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5; Tapes: Maxell XLII-s 90 *, Maxell MX 100; Microphones Set Up Upper seats Last Row Vince's Side Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1990-09-08.Nak300CP4.Fitzy.Keo.131696.Flac2496
1990-09-08Richfield Coliseum
131696flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5; Tapes: Maxell XLII-s 90 *, Maxell MX 100; Microphones Set Up Upper seats Last Row Vince's Side Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
gd1990-09-08.sbd.miller.92241.sbeok.flac16
1990-09-08Coliseum
92241flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd90-09-08.aud.wiley.11662.sbeok.shnf
1990-09-08Richfield Coliseum
11662AUD>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley
gd90-09-08.set2-sbd.fishman.14045.sbeok.shnf
1990-09-08Richfield Coliseum
14045Set 2 only SBD>CM>DAT>CDR>EAC>SHN All transcription and conversion from DAT done by JR Fishman NY, NY fishmanj_98@yahoo.com
gd1990-09-08.nak300.bleich.sirmick.101148.flac16
1990-09-08Richfield Coliseum
101148flac16; Source: Audience > Nakamichi 300s with cp1 caps > Sony WM-D6 > MAC (Maxel XL II-S) Transfer: MAC > Nakamichi BX-125E > EMU 0202 > Wavelab > wav 24/96 > Adobe Audition > Wavelab (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16 Taped by John Bleich from OTS sec 8, row ccc, seat 14
gd1990-09-08.aud.Holtz.Sanken.112302.flac16
1990-09-08Richfield Coliseum
112302flac16; Field Equipment: Sanken 2-way Capsule Stereo Microphone > Sony D-5; Transfer: MAC>Tascam 112 MKII > Edirol R-09 (16/44) > Audacity > TLH > FLAC; Recorded, transferred, tracked & FLAC'd by Greg Holtz
gd1990-09-08.144620.nak300-cp4.dalton.miller.sirmick.flac1648
1990-09-08Richfield Coliseum
144620flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick 2019
gd1990-09-08.146061.s1.OTS.BK4011.Brotman.Metchick.Miller.Noel.t-flac1648
1990-09-08Richfield Coliseum
146061flac16/48kHz; Set 1 Recording info: B&K 4011 (110°) > B&K power supply > Master DAT (Panasonic SV-250/48k) Location: (DFC, Row 1, OTS); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel
gd1990-09-08.nak100.holtz.jaz.98889.flac16
1990-09-08Coliseum
98889flac16; Taper: Greg Holtz Source: Nakamichi cm 100's w/shotguns -> Sony D-5 Transfer: Master Cassettes (Maxell MX90) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD Technology -> Traders Little Helper flac8
gd1990-09-10.137115.mtx.dusborne.flac16
1990-09-10The Spectrum
137115flac16; 2 Source Matrix by Dusborne; Soundboard (Shnid:80955)Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16; Audience (Shnid:11807) Source: AUD(Nak. 300's>D-5)>CM>??>CDR>There maybe another Cass. gen in the lineage. Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
gd90-09-10.aud.wiley.11807.sbeok.shnf
1990-09-10The Spectrum
11807AUD(Nak. 300's>D-5)>CM>??>CDR; See info file for edit notes; via Dan Faust; Seeded to Etree by T. Wiley
gd1990-09-10.142361.FOB.Schoeps.BK.Katzeff.Berner.Ammons.Noel.t-flac1648
1990-09-10The Spectrum
142361flac16/48kHz; Set I - Rick Katzeff Recording; Schoeps CMC44 (110ยบ ORT F) > M100 > DAT (Panasonic SV250). Location; FOB, Sect 102; Row 14; Seat 13; Set II - Rich Berner; B&K 4011's (110ยบ ORTF) > Neumann P.S. > DAT (Sony D10 Pro); Location; Row 16; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV
gd1990-09-10.146062.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
1990-09-10The Spectrum
146062flac16/48kHz; Recording info: Schoeps CMC4/MK4 (110°) > M1000 Cables > Oade Preamp > Master DAT (Panasonic SV-250/48k). Location: FOB; Sec, 102 Row 14, Seat 13 (mics hand held); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel
gd1990-09-11.122144.sbd.miller.flac24
1990-09-11The Spectrum
122144flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
gd1990-09-11.122145.sbd.miller.flac16
1990-09-11The Spectrum
122145flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller