Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd87-05-10.sbd.schneiderman.2256.sbeok.shnf
1987-05-10Laguna Seca Recreation Area
2256DSBD> PCM> DAT> zefiro2> soundforge> CDR> EAC> SHN; via Karl Schneiderman, John Zei
gd1987-05-10.142116.sbd.ultramatrix.pcm.miller.flac1644
1987-05-10Laguna Seca Recreation Area
142116flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony Betamax/TDK E-HG L-750); Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
gd1987-05-10.148844.sbd.waddell.ashley.flac1644
1987-05-10Laguna Seca Recreation Area
148844flac16; Bertha Remaster of source ID 137069: PCM Soundboard Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
gd1987-05-10.pzm.russjcan.92344.sbeok.flac16
1987-05-10Laguna Seca Raceway
92344flac16; Hat-Mounted Realistic PZM's with Sony WMD6-C No nr 1st set 20 feet away, dead center 2nd set 100 feet away, dead center TDK MA-X 90 Master>D6>HD>Audacity>CDWave>TLH>torrent Recorded and Transfered by Russjcan
gd1987-05-10.137069.sbd.GEMS.flac16
1987-05-10Laguna Seca Recreation Area
137069flac16; PCM Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by John Wenzel; 16 bit 44.1kHz a project **GEMS** Betamania Release 2016-10-17
gd1987-05-10.142133.UltraMatrix.sbd.BHiFiM.miller.flac1644
1987-05-10Laguna Seca Recreation Area
142133flac16; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK E-HG L-750); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1987-05-10.142115.sbd.ultramatrix.betaHiFi.miller.flac2496
1987-05-10Laguna Seca Recreation Area
142115flac24; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK E-HG L-750); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1987-06-01.147314.sbd.flac1648
1987-06-01Club Front
147314flac16/48khz source: cassette (soundboard) > DAT > Maxell DM 120 Digital Audio Tape Back Coated (DAT clone 26-11-1996 from Jed) > ***Transfer 15-May-2019 by LTA*** TASCAM DA-30 Digital Audio Tape Recorder (Digital Output Coaxial S/PDIF IEC 958 Type II) > Cable Mountain 24k Gold Plated Single RG59 Shielded Coaxial Phono Cable for SPDIF/Digital Audio > M-Audio MicroTrack II Professional 2-Channel Mobile Digital Recorder (S/PDIF) (WAV 16/48) > Hi-Speed USB Revision 2.0 Shielded 28AWG/2C+28AWG/2C E101344 AVM Style 2725 80° C 30 V Space Shuttle-C > AppleUSBXHCIAR USB 3.1 Bus > iMac18,3 4,2 GHz Intel Core i7 / macOS Mojave 10.14.4 (18E226) > WAV 16/48 > HairerSoft Amadeus Pro 2.4.7 (2023) (balance, tracking) > iZotope RX 7 Audio Editor (64 bit) 7.00.218 > xACT 2.47 (7974) > FLAC16/48
gd87-06-12.beyer.eD.11496.sbeok.shnf
1987-06-12Ventura County Fairgrounds
11496FOB-AUD>MC>CDR; Beyer 160?s>Sony TC-D5; via Paul; Seeded to etree by eD(efojr)
gd87-06-12.sbd.bertha-ashley.14854.sbeok.shnf
1987-06-12Ventura County Fairgrounds
14854Bertha Remaster of the original MSC source . SBD>>MC>>PCM>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A
gd1987-06-12.142923.sbd.ultramatrix.pcm.composite.eaton.miller.clugston.flac1644
1987-06-12Ventura County Fairgrounds
142923flac16/44.1 Source Info: 1st Set: Master UltraMatrix PCM > Cassette > Dat (16-bit/44.1k) 2nd Set: Master UltraMatrix PCM > Dat (16-bit/44.1k) Transfer Info: Dat (Sony R-500)> Apogee aes/ebu cable > Tascam DA-3000(.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16. Rob Eaton source Dat, Charlie Miller transfer, mastering by Scott Clugston.
gd1987-06-12.151117.aud.lohr.vernon.flac1648
1987-06-12Ventura County Fairgrounds
151117flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
gd1987-06-12.151118.aud.lohr.vernon.flac2496
1987-06-12Ventura County Fairgrounds
151118flac24/96 Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
gd1987-06-12.135927.chasingwilma.flac24
1987-06-12Ventura County Fairgrounds
135927flac24; lineage:beyers 160 fob> tcd-d5> tcd-d5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
gd1987-06-12.142921.sbd.miller.flac2496
1987-06-12Ventura County Fairgrounds
142921flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 All Transfers and Mastering by Charlie Miller.
gd1987-06-12.143510.UltraMatrix.sbd.cm.miller.flac1644
1987-06-12Ventura County Fairgrounds
143510flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 All Transfers and Mastering by Charlie Miller; This file set is 16/44.1
gd87-06-13.sbd.clugston.11895.sbefail.shnf
1987-06-13Ventura County Fairgrounds
11895Master Soundboard Cassette > PCM > DAT> CDR EAC'ed, SHN'ed and Seeded to Etree by Scott Clugston; Also to abgd via Charlie Connor
gd87-06-13.sbd.paino.10309.sbeok.shnf
1987-06-13Ventura County Fairgrounds
10309Matrix SBD>CASS>DAT>CD; via Israel Regardie; Seeded to etree by PainoMan
gd1987-06-13.135928.chasingwilma.flac24
1987-06-13Ventura County Fairgrounds
135928flac24; lineage:beyers 160 fob> tcd-d5> tcd-d5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
gd1987-06-13.151119.aud.lohr.vernon.flac1648
1987-06-13Ventura County Fairgrounds
151119flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
gd1987-06-13.151120.aud.lohr.vernon.flac2496
1987-06-13Ventura County Fairgrounds
151120flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
gd87-06-14.sbd.clugston.11896.sbefail.shnf
1987-06-14Ventura County Fairgrounds
11896Master Soundboard Cassette > PCM > DAT> CDR; CD Re-Mastering by Scott Clugston; EAC'ed, SHN'ed and Seeded to Etree by Scott Clugston; Also to abgd via Charlie Connor
gd1987-06-14.fob.thompson.motb.0017.84953.flac24
1987-06-14Ventura County Fairgrounds
84953flac24; Source: Audience FOB Recording, DFC Media: TDK SA-X Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > AES > Sound Devices 722 > WAV Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: D. Thompson Transfer by: A. Egert Mastering by: B. Koucky
gd1987-06-14.151121.aud.lohr.vernon.flac1648
1987-06-14Ventura County Fairgrounds
151121flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
gd1987-06-14.151122.aud.lohr.vernon.flac2496
1987-06-14Ventura County Fairgrounds
151122flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
gd1987-06-14.135940.chasingwilma.flac24
1987-06-14Ventura County Fairgrounds
135940flac24; lineage:beyers 160 fob> tcd-d5> tcd-d5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
gd1987-06-14.sbd.painoman.17347.shnf
1987-06-14Ventura County Fairgrounds
17347Matrix SBD>CASS>DAT>CD; via Israel Regardie
gd87-06-19.matrix.ladner.11560.sbeok.shnf
1987-06-19Greek Theatre, U. Of California
11560SBD>Cm>PCM>Dat>CD; Missing Drums/Space; via C. Miller; Seeded to etree by C. Ladner
gd87-06-19.sbd.clugston.11942.sbefail.shnf
1987-06-19Greek Theatre, U. Of California
11942Master Soundboard Cassette> DAT> CDR; EAC'ed/SHN'ed & Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor
gd1987-06-19.135307.bltz.flac24
1987-06-19Greek Theatre, U. Of California
135307flac24; Source: Previously unreleased Cassette original master. Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/Triad Metal-Position MG-X 90 -> JVC TD-W354 -> (analog) Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24; Recorded, tracked and seeded by bltz
gd1987-06-19.104894
1987-06-19Greek Theatre, U. Of California
104894flac16; Source: (OTS) Nakamichi cm300/cp4->Sony D-5M(Dolby B Encoded)->Maxell MX90; Lineage: MAC->Sony D-5M(Dolby B Decoded)->Korg MR-1000 (1 Bit/5.6 MHz)->Korg AudioGate->(16/44.1) wav.->SF8->flac Taped by Dave Barfield and/or Dave Lane; Transferred and Seeded by M. Watson
gd1987-06-19.138259.Schoeps.bryant.miller.sirmick.sbeok.flac16
1987-06-19Greek Theatre, U. Of California
138259flac16; Source: Audience recording > Schoeps omnis > pcm > dat (44.1k); Recorded by Robert Bryant (patched out of the Oades) and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; dited and mastered SIRMick May 2017
gd1987-06-19.138871.akg.thompson-damico.flac1644
1987-06-19Greek Theatre, U. Of California
138871flac16 44.1khz AKG 460 Preis W/CK61 Caps > Uher Cr240. Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Trader's Little Helper. Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon
gd1987-06-19.138872.akg.thompson-damico.flac2496
1987-06-19Greek Theatre, U. Of California
138872flac24 96 khz AKG 460 Preis W/CK61 Caps > Uher Cr240. Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Trader's Little Helper. Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon
gd87-06-20.matrix.ladner.11561.sbeok.shnf
1987-06-20Greek Theatre, U. Of California
11561SBD/Matrix>Cm>PCM>DAT>CD; via cm; Seeded to etree by neo_levo
gd87-06-20.sbd.clugston.11943.sbefail.shnf
1987-06-20Greek Theatre, U. Of California
11943Master Soundboard Cassette> DAT> CDR; EAC'ed/SHN'ed & Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor
gd1987-06-20.sbd.miller.93080.sbeok.flac16
1987-06-20Greek Theatre - University of California
93080flac16; Recording Info:SBD -> PCM -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1987-06-20.mtx.dts.haugh.93386.flac16
1987-06-20Greek Theatre - University of California
93386DTS Audio 5.1; DTS-Audio-CD 5.1 Mix of SBD (ShnID = 93080) and AUD (ShnID = 77988). See info file for details.
gd1987-06-20.135308.bltz.flac24
1987-06-20Greek Theatre, U. Of California
135308flac24; Source: Previously unreleased Cassette original master. Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/ (Triad Metal-Position MG-X 90 for Set 1 and Maxell MX 90 for Set 2) -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24; Recorded, tracked and seeded by bltz
gd1987-06-20.138260.AKG414.bryant.miller.sirmick.sbeok.flac16
1987-06-20Greek Theatre, U. Of California
138260flac16; Source: AKG 414 B/TL cardioids > ORTF > Oade PS > Sony PCM FI > dat (44.1); Recorded by Robert Bryant and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick May 2017
gd1987-06-20.124397.beacon.akg460.flac24
1987-06-20Greek Theatre, U. Of California
124397flac24; Taper: Danny Thompson; Editing: Joe D'Amico; AKG C 460 Mics W/ CK61 Capsules > Uher Cr 240 Tape Deck; Master Tapes > Nak Dragon > Korg MR-1000 > Adobe Audition CS6 > Traders Little Helper; FOB About 9th Row Jerry's Side
gd1987-06-20.124398.beacon.akg460.flac16
1987-06-20Greek Theatre, U. Of California
124398flac16; Taper: Danny Thompson; Editing: Joe D'Amico; AKG C 460 Mics W/ CK61 Capsules > Uher Cr 240 Tape Deck; Master Tapes > Nak Dragon > Korg MR-1000 > Adobe Audition CS6 > Traders Little Helper; FOB About 9th Row Jerry's Side
gd1987-06-20.nakcm304.suraci.81744.sbeok.flac16
1987-06-20Greek Theater
81744flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
gd1987-06-20.146928.senn441.corso-rossi.ford.sbeok.flac16
1987-06-20Greek Theatre, U. Of California
146928flac16; MAC; Sennheiser 441s(left of board) > Sony D5 > Maxell XLII90 + Maxell MX90; Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3> Lynx AES16> .wav @24/88.2> WaveLab 7.2.1> UAD-2> Crystal Resampler/UV22HR> .wav @16/44.1> xAct> flac16
gd87-06-21.matrix.ladner.11497.sbeok.shnf
1987-06-21Greek Theatre, U. Of California
11497Missing China Doll & Drums; SBD>Cm>PCM>Dat>CD; via C Miller; Seeded to etree by Chris L
gd87-06-21.set1aud-set2sbd.clugston.13567.sbeok.shnf
1987-06-21Greek Theatre, U. Of California
135671st Set and Encore: Nak CM300 Audience source 2nd Set: Master Soundboard Cassette> ?? > DAT> CDR
gd1987-06-21.152598.nak700.severson.miller.clugston.flac1648
1987-06-21Greek Theatre, University Of California
152598flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
gd1987-06-21.152599.nak700.severson.miller.clugston.flac2496
1987-06-21Greek Theatre, University Of California
152599flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
gd1987-06-21.138261.AKG414.bryant.miller.sirmick.sbeok.flac16
1987-06-21Greek Theatre, U. Of California
138261flac16; Source: AKG 414 B/TL cardioids > ORTF > Oade PS > Sony PCM FI > dat (44.1); Taped by Robert Bryant and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick May 2017
gd1987-06-21.135385.bltz.flac24
1987-06-21Greek Theatre, U. Of California
135385flac24; Source: Previously unreleased Cassette original master. Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/Maxell MX 90 -> JVC TD-W354 (analog) -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24
gd1987-06-21.nakcm304.suraci.81798.sbeok.flac16
1987-06-21Greek Theater
81798flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
gd1987-06-21.sbd.painoman.17348.sbeok.shnf
1987-06-21Greek Theatre - University of California
17348SBD Source: SBD>PCM>CASS>DAT>CD; AUD Source: AUD>PCM>DAT>CD; via Sir Peter Pendragon
gd1987-06-26.131214.datbrad.flac16
1987-06-26Alpine Valley Music Theatre
131214flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
gd87-06-27.bille.kerbel.8139.sbeok.shnf
1987-06-27Alpine Valley Music Theatre
8139AUD> Nakamichi 300 microphones> Sony D5 deck> master cassette; Playback/CD Transfer: Master cassette played on Denon DRM740 and fed to Tascam CDRW700; Recorded, transferred by Scott Bille; Eac(secure)> Shn by Greg Kerbel; Seeded through the 80\'s Audience Perma-Tree, BUDD, Philzone; see flaw notes in info file
gd1987-06-27.131215.datbrad.flac16
1987-06-27Alpine Valley Music Theatre
131215flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
gd1987-06-27.117501.Senn421.Darby.Flac2448
1987-06-27Alpine Valley Music Theatre
117501flac24; Sennheiser MD421's (X/Y/35 Ft. Away From Left Lawn Stack/6' High)> Sony TC-D5M Tapes:TDK MA Set 1,Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software
gd1987-06-27.nak300.damico.89731.sbeok.flac16
1987-06-27Alpine Valley Music Theatre
89731flac16; taper : Joe D'Amico nak 300 mics > sony d-5 front of board nak dragon tape deck > sony sbm1 > creative extigy sooundcard > cool edit pro > flac frontend
gd1987-06-27.148848.senn.me80.hessberg.miller.clugston.flac1648
1987-06-27Alpine Valley Music Theatre
148848flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1987-06-27.148849.senn.me80.hessberg.miller.clugston.flac2496
1987-06-27Alpine Valley Music Theatre
148849flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd87-06-28.bille.kerbel.8140.sbeok.shnf
1987-06-28Alpine Valley Music Theatre
8140AUD> Nakamichi 300 microphones> Sony D5 deck> master cassette; Playback/CD Transfer: Master cassette played on Denon DRM740 and fed to Tascam CDRW700; Recorded, transferred by Scott Bille; Eac(secure)> Shn by Greg Kerbel; Seeded through the 80s Audience Perma-Tree, BUDD, Philzone; see flaw notes in info file
gd1987-06-28.131216.datbrad.flac16
1987-06-28Alpine Valley Music Theatre
131216flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
gd1987-06-28.nak100.cohen-lee.105601.flac16
1987-06-28Alpine Valley Music Theatre
105601flac16; Front Row Lawn DFC 2 Nakamichi CM100s/CP4>Nakamichi550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B on Maxell MX90 cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
gd1987-06-28.nak300.damico.89976.sbeok.flac16
1987-06-28Alpine Valley Music Theatre
89976flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend
gd87-06-30.schoeps.ladner.8577.sbeok.shnf
1987-06-30Kingswood Music Theater
8577AUD (mic. unk) > DAT > CDR > SHN; DAE (EAC)> SHN (MKWACT)> FTP via C. Ladner; with thanks to Paul B. for the seeds
gd1987-06-30.148701.fob.senn.me80.hessberg.miller.clugston.flac1648
1987-06-30Kingswood Music Theater
148701flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1987-06-30.148702.fob.senn.me80.hessberg.miller.clugston.flac2496
1987-06-30Kingswood Music Theater
148702flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1987-06-30.sbd-mtx.hinko.tetzeli.34404.sbeok.shnf
1987-06-30Kingswood Music Theatre
34404Seamless fix of shn id 13443 - Ultra Matrix MSC>DAT>CDR>EAC>SHN (Seekable)w/AUD patches
gd1987-06-30.136800.sbd.GEMS.flac16
1987-06-30Kingswood Music Theater
136800flac16; Sbd > ? > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
gd1987-06-30.136770.aud.jc.flac16
1987-06-30Kingswood Music Theater
136770flac16; Set 2 only - Audience > unknown > cassette (John) > Sony TC-R303 > Zoom h4n > Audition CC 2015 > shntool > TLH
gd1987-06-30.141750.sbd.miller.flac2496
1987-06-30Kingswood Music Theater
141750flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1987-06-30.141896.UltraMatrix.sbd.cm.miller.flac1644
1987-06-30Kingswood Music Theater
141896flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd87-07-02.beyerm88.connor.22057.sbeok.shnf
1987-07-02Silver Stadium
22057Primary Source: Charlie Connor's Cassette Master Secondary Source: Healy Ultramix Previously seeded by Doug Nawrocki; The Secondary Source supplies all of the first set and Patches at 0:04-0:24 and 01:35-01:45 of D3t01 (Space). In my most definitely biased opinion the Aud is a slightly better mix. posted to abgd and tol via Charlie Connor
gd87-07-02.sbd.nawrocki.6473.sbefail.shnf
1987-07-02Silver Stadium
6473update: Healy Ultramix > cass> DAT > CDR > EAC > addawav> CDWave > mkwACT; EAC> Seeded by Doug Nawrocki
gd1987-07-02.151601.UltraMatrix.sbd.cm.miller.t.flac16
1987-07-02Silver Stadium
151601flac16/44khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 All Transfers and Mastering By Charlie Miller - 150917 24 -> 16 @ 44.1
gd1987-07-02.beyer.connor.tetzeli.fix-22057.35441.reflac.flac16
1987-07-02Silver Stadium
35441flac16; Seamless fix of shn id 22057 - First Set:Healy Ultramix > C > DAT > CDR > *EAC > CDWave > SHN > (WAV > FLAC) Second Set: Beyer M88's>Sony TCD5M>CM (Note: The original .flac file set had replay gain applied; it should not be circulated.) Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1987-07-02.Nak300CP4.Floater.Keo.115812.Flac2496
1987-07-02Silver Stadium
115812flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
gd1987-07-02.Nak300CP4.Floater.Keo.115813.Flac1644
1987-07-02Silver Stadium
115813flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
gd1987-07-02.134827.bltz.flac2496
1987-07-02Silver Stadium
134827flac24; Source: Nakamichi CM-300s With Shotguns -> Sony Walkman Pro/Maxell XL2-S 90 (Original Master -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
gd1987-07-02.136305.chasingwilma.flac24
1987-07-02Silver Stadium
136305flac24; source: beyers 160 fob>sony d-5>mc> c; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
gd1987-07-02.150917.sbd.miller.flac2496
1987-07-02Silver Stadium
150917flac24 Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
All Transfers and Mastering By Charlie Miller
gd87-07-04.fob-senn.lai.3858.sbeok.shnf
1987-07-04Sullivan Stadium
3858FOB> aud> senn me80> cassette master> cdr; conversion by Mike Lai from Bruce Fried DAT
gd1987-07-04.sbd.miller.101650.flac16
1987-07-04Sullivan Stadium
101650flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1987-07-04.aud.unknown.andrewf.87743.sbeok.flac16
1987-07-04Sullivan Stadium
87743flac16; AUD Source: First gen cassettes (MAC > C) from unknown equipment Transfer: TDK SA-90's > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
gd1987-07-04.senn.lai.30370.sbeok.shnf
1987-07-04Sullivan Stadium
30370FOB> aud> senn me80> cassette master> cdr; This apprears to be shn id 3858 with undocumented changes to d3t01 and d3t03 via archive.org
gd1987-07-04.143049.dts.tobin.flac1644
1987-07-04Sullivan Stadium
143049DTS-Audio-CD 5.1 Mix;; SBD (shnid = 101650) Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139594) Dan McSheffrey recording: (FOB) AKG 460/CK2 > PCM (Sony PCM-F1) > Dat (44.1k); Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel: wav 16/44 > flac 16/44; Checksum & tags created in xACT - dts mixing by Kevin Tobin
gd1987-07-04.143052.5-1.tobin.flac1648
1987-07-04Sullivan Stadium
143052flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 101650) Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139594) Dan McSheffrey recording: (FOB) AKG 460/CK2 > PCM (Sony PCM-F1) > Dat (44.1k); Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel: wav 16/44 > flac 16/44; Checksum & tags created in xACT - surround mixing by Kevin Tobin
gd1987-07-04.139594.FOB.AKG.McSheffrey.Gastwirt.Miller.Noel.t-flac16
1987-07-04Sullivan Stadium
139594flac16; Dan McSheffrey recording: (FOB) AKG 460/CK2 > PCM (Sony PCM-F1) > Dat (44.1k); Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel: wav 16/44 > flac 16/44; Checksum & tags created in xACT
gd1987-07-04.143048.mtx.tobin.flac1644
1987-07-04Sullivan Stadium
143048flac16; Matrix 2 Source Mix - SBD (shnid = 101650) Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139594) Dan McSheffrey recording: (FOB) AKG 460/CK2 > PCM (Sony PCM-F1) > Dat (44.1k); Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel: wav 16/44 > flac 16/44; Checksum & tags created in xACT - matrix mixing by Kevin Tobin
gd1987-07-04.145605.senn421.hessberg.miller.clugston.flac2496
1987-07-04Sullivan Stadium
145605flac24; Michael Hessberg's Master Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1987-07-04.sbd-set2.unknown.97513.shnf
1987-07-04Sullivan Stadium
97513Soundboard > ? > SHN
gd87-07-06.aud.gardner.3829.sbeok.shnf
1987-07-06Civic Arena
3829unknown AUD> ?> CDR> EAC> cdwav> shn; via Tony Gardner with thanks to Willy Keats
gd1987-07-06.senn421.zaleski.gems.84623.sbeok.flac16
1987-07-06Pittsburgh Civic Arena
84623flac16; Source: 2 Sennheiser 421s > Sony D5 > Sony D5 > TDK; Transfer: Master Cassettes > Nakamichi Dragon > Kind Kables > Lunatec V3 > coax > Audiophile 2496 > WaveLab 5 > WAV @24/96 > TLH > FLAC24; Editing : FLAC24 > Wavelab 5.0 using Ozone and L3 for dither > FLAC16
gd1987-07-06.142126.UltraMatrix.sbd.BHiFiM.miller.flac1644
1987-07-06Civic Arena
142126flac16; Recording Info: UltraMatrix SBD > Beta HiFi Master (TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd87-07-06.beyerM88s.connor.2583.sbeok.shnf
1987-07-06Civic Arena
2583AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, and posted to abgd by Charlie Connor
gd1987-07-06.134826.bltz.flac2496
1987-07-06Civic Arena
134826flac24; Source: Nakamichi CM-300s With Shotguns -> Sony Walkman Pro/Maxell XL2-S 90 (Original Master -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
gd1987-07-06.142086.sbd.miller.flac2496
1987-07-06Civic Arena
142086flac24; Recording Info: UltraMatrix SBD > Beta HiFi Master (TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd1987-07-06.142087.fob.oade.schoeps.cmc3.mk41.jacobs.miller.clugston.flac1644
1987-07-06Civic Arena
142087flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
gd1987-07-06.138790.pcm.sbd.miller.flac1644
1987-07-06Civic Arena
138790flac16; Recording Info: UltraMatrix SBD > PCM Master; Transfer Info: PCM Master (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
gd1987-07-06.148854.senn441.mattes.miller.clugston.flac1648
1987-07-06Civic Arena
148854flac16/48kHz; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1987-07-06.148855.senn441.mattes.miller.clugston.flac2496
1987-07-06Civic Arena
148855flac24; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd87-07-07.beyer.connor.2584.sbeok.shnf
1987-07-07Roanoke Civic Center
2584AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred and posted to abgd by Charlie Connor
gd1987-07-07.aud.bandrofcheck.82271.sbeok.flac16
1987-07-07Roanoke Civic Center
82271flac16; Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs.
gd1987-07-07.nak300.koucky.ladner.35152.sbeok.flac16
1987-07-07Roanoke Civic Center
35152flac16; Source: Nakamichi 300s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8). Transfer/mastering/encoding/initial torrenting at bt.etree.org via C.Ladner, June 2006.
gd1987-07-07.nak300.cohen.102909.sbeok.flac16
1987-07-07Roanoke Civic Center
102909flac16; Recorded by Dave Cohen 4th row behind Board, DFC (Sec.LT4, Row D, Seat 2) 2 Nakamichi CM100s/CP4>Sony TCD5M w/ Dolby Maxell MX90 cassettes Master Cassettes were played back with Azimuth adjustment and Dolby decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager
gd87-07-07.schoeps.wigley.2309.sbeok.shnf
1987-07-07Roanoke Civic Center
2309Schoeps > PCM > DAT > CD > EAC > SHN; [no info file?]; via Steve Wigley, Randy to offers
gd1987-07-07.124756.weber-small.hillwig.cmc44.flac16
1987-07-07Roanoke Civic Center
124756flac16; Recording: Schoeps CMC44 (OTS) > Oade Power Supply > Sony PCM-F1 (with Apogee modified A/D filters) by Sean Weber-Small; Transfer: DAT Clone @ 44.1 kHz with pre-emphasis on. Sony PCM-2600 > Turtle Beach Fiji > Soundforge 4.5 > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig
gd87-07-08.schoeps.becker.3343.sbeok.shnf
1987-07-08Roanoke Civic Center
3343FOB Schoeps > PCM > DAT @ 44.1 khz; DAT > CD Conversion: Don Becker; Equipment: PCM-M1 > Oade Active Cable > Sek'd Prodif Plus > Samplitude v5.5 > CDWAV
gd1987-07-08.nak300.koucky.ladner.35399.sbeok.flac16
1987-07-08Roanoke Civic Center
35399flac16; Source: Taper's section at the SBD, Nakamichi 300s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8) Transfer/mastering/encoding/initial torrenting at bt.etree.org via C.Ladner
gd1987-07-08.sbd.miller.90146.sbeok.flac16
1987-07-08Roanoke Civic Center
90146flac16; Recording Info: SBD -> Cassette Master -> Dat -> FLAC Transfer Info: FLAC -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
gd1987-07-08.142149.s2.FOB-schoeps-cmc-mk4-ortf.gastwirt.miller.sirmick.flac1644
1987-07-08Roanoke Civic Center
142149flac16; Set 2 Source: (FOB) Schoeps cmc mk4 (ortf) > pcm > dat - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited an mastered SIRMick June 2018
gd1987-07-08.nak300.cohen.105726.sbeok.flac16
1987-07-08Roanoke Civic Center
105726flac16; Recorded by Dave Cohen 5th row behind Board, DFC (Sec LT5 Row E Seat 5) 2 Nakamichi CM100s/CP4>Sony TCD5M w/Dolby Maxell MX90s cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby Decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Transferred by Dave Cohen November 2009.
gd1987-07-08.fob.unknown.1600.shnf
1987-07-08Roanoke Civic Center
1600FOB aud.->DAT->WAV->SHN; can fit on 2x80; via DonBean?; note no md5s with shn set- ones shown here were generated by Joe Sary after download
gd87-07-08.beyerM88s.connor.2318.sbefail.shnf
1987-07-08Roanoke Civic Center
2318AUD (taper's section)> Beyer Dynamic M88's> D5 (CM)> Nak MR2 (Playback)> Panasonic 3700 (ADC only, no DAT stage)> ZA2> Sound Forge (crossfading over tape flips only)> CDRx1> EAC> SHN; taped by Charlie Connor; A>D conversion by Stephen Agan; via Charlie Connor to abgd
gd1987-07-08.134871.bltz.flac2496
1987-07-08Roanoke Civic Center
134871flac24; Source: Nakamichi CM-300s/2-Mic CP-4 super-directional shotgun capsule -> Sony Walkman Pro/Maxell XLII-S 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
gd1987-07-08.124757.weber-small.hillwig.cmc44.flac16
1987-07-08Roanoke Civic Center
124757flac16; Recording: Schoeps CMC44 (OTS) > Oade Power Supply > Sony PCM-F1 (with Apogee modified A/D filters) by Sean Weber-Small; Transfer: DAT Clone @ 44.1 kHz with pre-emphasis on. Sony PCM-2600 > Turtle Beach Fiji > Soundforge 4.5 > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig
gd87-07-10.senn.lai.3859.sbeok.shnf
1987-07-10John F Kennedy Stadium
3859FOB> aud> senn me80> cassette master> cdr; conversion by Mike Lai from Bruce Fried DAT
gd1987-07-10.sbd.miller.101651.flac16
1987-07-10John F Kennedy Stadium
101651flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1987-07-10.fob.nak300.rob.damico.102170.flac16
1987-07-10John F Kennedy Stadium
102170flac16; Nak 300 Mics > Sony D-5 Taper: Rob Editing: Joe D'Amico "AKA" Joebeacon This Is From My 1st Gen Tape . My Buddy Rob Taped This Up Front Way In Front Of The Board
gd1987-07-10.149955.UltraMatrix.sbd.cm.miller.flac16
1987-07-10John F Kennedy Stadium
149955flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1987-07-10.149959.sbd.beta.HiFi.master-mono.miller.flac16
1987-07-10John F Kennedy Stadium
149959flac16; Recording Info: SBD (Mono) > Beta HiFi Master (TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
gd1987-07-10.aud.carpenter.87266.sbeok.flac16
1987-07-10JFK Stadium
87266flac16; AUD: Nakamichi CM-700's > patched from one Sony D5 > Sony TC-D5M > Maxell MX-90's (no Dolby), set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
gd1987-07-10.sbd-set2.unknown.93077.shnf
1987-07-10JFK Stadium
93077Soundboard (except Queen Jane Approximately)
gd1987-07-10.nak300.s1.rob.bowen.116336.flac
1987-07-10John F Kennedy Stadium
116336flac16; Set 1 Only Source: Nakamichi cm300/cp4's > Sony D5; Lineage: Cass/2 > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded: Rob ?; Transferred: Jeff Bowen; Extraction: Brad Foster
gd1987-07-10.149827.ultra.sbd.miller.flac2496
1987-07-10John F Kennedy Stadium
149827flac24; Recording Info: SBD (Mono) > Beta HiFi Master (TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1987-07-10.149828.sbd.miller.flac2496
1987-07-10John F Kennedy Stadium
149828flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1987-07-10.sbd-set2.unknown.97490.shnf
1987-07-10JFK Stadium
97490Soundboard > ? > SHN (One track patched from an unknown audience source.) (An alternate file set from this show also circulates possibly representing an EAC version.)
gd87-07-12.sbd.agan.3860.sbefail.shnf
1987-07-12Giants Stadium
3860SBD; via Stephen Agan, Mike Lai; Note- This is an aud recording except (apparently) for a few of the 'w/Dylan' tracks; See the 'user comments' for details
gd1987-07-12.149437.fob.senn421.hessberg.miller.clugston.flac1648
1987-07-12Giants Stadium
149437flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1987-07-12.149438.fob.senn421.hessberg.miller.clugston.flac2496
1987-07-12Giants Stadium
149438flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1987-07-12.sbd-aud.lai.tetzeli.fix-3860.84935.sbeok.flac16
1987-07-12Giants Stadium
84935flac16; Pitch adjusted version of Source A (Entire GD set, last 3 tracks): likely AUD FOB CM> C> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz; A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); Source B (first 3 songs of Dylan set): Unknown AUD Source C (d2t13-d3t08): Unknown SBD Edit: SHNs > WAV > time/pitch stretching in CE Pro (see below) > FLAC by Bill Tetzeli
gd1987-07-12.sbd-aud.miller.84266.sbeok.flac16
1987-07-12Giants Stadium
84266flac16; Recording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
gd1987-07-12.aud.unknown.rumrunners.106804.flac16
1987-07-12Giants Stadium
106804flac16; 48k trade dat described as AUD PCM>DAT; Transfer 3/31/10: 48k dat > midiman delta dio 2496 > cooledit > wav > flac; cooledit used to convert to 44k at highest quality, for splitting tracks, patching, and editing
gd1987-07-12.137179.mtx.tobin.flac16
1987-07-12Giants Stadium
137179flac16; Matrix 2 Source Mix - SBD (shnid=84266) Recording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid=406819) Master: Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick - matrix mixing by Kevin Tobin
gd1987-07-12.137180.dts.tobin.flac16
1987-07-12Giants Stadium
137180DTS-Audio-CD 5.1 Mix; SBD (shnid=84266) SRecording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid=406819) Master: Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick - DTS mixing by Kevin Tobin
gd1987-07-12.nakcm100-cp4.pasternak.106819.flac16
1987-07-12Giants Stadium
106819Master: Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
gd1987-07-12.142137.fob.schoeps.dalton.miller.clugston.flac1644
1987-07-12Giants Stadium
142137flac16; Source Info: 1st & 2nd Set: (FOB) Schoeps > PCM > PCM; 3rd Set: (FOB) Schoeps > PCM > Dat > CD (shnid 84266); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1987-07-12.144301.set3.sbd.tobin.flac1644
1987-07-12Giants Stadium
144301flac16; Set 3 Source info: SBD > Sony CCD-V90 (Patched out of screen feed) > 8mm Master (Maxell P6 120) Transfer: Master 8mm > Sony DCR-TRV230 > Datvideo TBC100 > ATI Wonder HD 600 > USB > HD > VirtualDub (.avi) > TMPGEnc Video Mastering 6 > WaveLab 6.0 > RBrain Pro > Flac 16/44 Taped by Don Pearson, Tapes Provided by Charlie Miller, Transfer and Mastered by Kevin Tobin
gd1987-07-12.137381.akg460.flac1644
1987-07-12Giants Stadium
137381flac16; Set 1 & 2: FOB AKG460 Omni (no other info given); Set 3: Unknown (likely the same source as #106804); DAT(c) @ 44.1 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (align on sector boundaries, flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell
gd1987-07-12.144319.set3.mtx.tobin.flac1644
1987-07-12Giants Stadium
144319flac16; Matrix 2 Source Mix - Set 3 Source Info: SBD (shnid=144301) SBD > Sony CCD-V90 (Patched out of screen feed) > 8mm Master (Maxell P6 120) Transfer: Master 8mm > Sony DCR-TRV230 > Datvideo TBC100 > ATI Wonder HD 600 > USB > HD > VirtualDub (.avi) > TMPGEnc Video Mastering 6 > WaveLab 6.0 > RBrain Pro > Flac 16/44 Taped by Don Pearson, Tapes Provided by Charlie Miller, Transfer and Mastered by Kevin Tobin + AUD (shnid=84266) (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
gd1987-07-12.144320.set3.dts.tobin.flac1644
1987-07-12Giants Stadium
144320DTS-Audio-CD 5.1 Mix; Set 3 Source Info: SBD (shnid=144301) SBD > Sony CCD-V90 (Patched out of screen feed) > 8mm Master (Maxell P6 120) Transfer: Master 8mm > Sony DCR-TRV230 > Datvideo TBC100 > ATI Wonder HD 600 > USB > HD > VirtualDub (.avi) > TMPGEnc Video Mastering 6 > WaveLab 6.0 > RBrain Pro > Flac 16/44 Taped by Don Pearson, Tapes Provided by Charlie Miller, Transfer and Mastered by Kevin Tobin + AUD (shnid=84266) (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin
gd1987-07-12.144321.set3.5-1.tobin.flac1648
1987-07-12Giants Stadium
144321flac16/48kHz; 5.1 LPCM Surround Sound (48k)Set 3 Source Info: SBD (shnid=144301) SBD > Sony CCD-V90 (Patched out of screen feed) > 8mm Master (Maxell P6 120) Transfer: Master 8mm > Sony DCR-TRV230 > Datvideo TBC100 > ATI Wonder HD 600 > USB > HD > VirtualDub (.avi) > TMPGEnc Video Mastering 6 > WaveLab 6.0 > RBrain Pro > Flac 16/44 Taped by Don Pearson, Tapes Provided by Charlie Miller, Transfer and Mastered by Kevin Tobin + AUD (shnid=84266) (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller - surround mixing by Kevin Tobin -
gd1987-07-12.sbd-set3.unknown.97491.shnf
1987-07-12Giants Stadium
97491Soundboard > ? > SHN (except AUD PCM>DAT 1st 3 tracks)
gd1987-07-12.137181.5-1.tobin.flac1648
1987-07-12Giants Stadium
137181flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=84266) SRecording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid=406819) Master: Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick - mixing by Kevin Tobin
gd1989-07-13.140352.sbd.miller.flac2496
1987-07-13Robert F. Kennedy Stadium
140352flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1987-07-19.137294.set3.aud.GEMS.flac16
1987-07-19Autzen Stadium, U. of Oregon
137294flac16; Set 3 Unknown Audience recording; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400->Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; Track, FLAC and Pack by Drew Frazer
gd1987-07-19.152142.fob.nak700.severson.miller.clugston.flac1648
1987-07-19Autzen Stadium, University Of Oregon
152142Flac 16.48 Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
gd1987-07-19.152143.fob.nak700.severson.miller.clugston.flac2496
1987-07-19Autzen Stadium, University Of Oregon
152143Flac 24/96 Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
gd1987-07-19.152796.ddbd.dolphinsmile.flac1648
1987-07-19Autzen Stadium, University Of Oregon
152796Flac1648 from my dat, from back in the day : DSDB>clone to me>File cloned in Microtrack using a Tascam Dat deck>Goldwave tracking>TLH8 Dolphinsmile
gd1987-07-19.SbdAud.dad.97651.flac16
1987-07-19Autzen Stadium - University of Oregon
97651Primary source: Soundboard Sony multi-track PCM master > mixdown cassette [recorded on Sony TCD5M] > Sony F1 PCM Beta tape > PCM Beta clone > CD [digital transfer with HHB standalone]. with splices from: Secondary source: Unknown lineage (low gen.) audience recording from PCM Beta tape copy Combination REMASTER info: Audience PCM Beta tape > Sony SL-HF900 Beta deck > Sony PCM601ESD interface and Soundboard CD received in trade > Macintosh with DigiDesign AudioMedia III soundcard > Pro Tools [speed match, seamless edits, normalization and tracking] > AIFF > xACT (FLAC level 8 files with sector boundaries verified). md5 file created with checkSUM+. No equalization or noise reduction was used in the remastering process. [Torrented at Dime-A-Dozen]
gd87-07-19.sbd.fishman.13023.sbeok.shnf
1987-07-19Autzen Stadium, U. of Oregon
13023Source: Matrix DSBD>D>CD-R>EAC (0.93) >SHN (MKWACT 97) via JR Fishman
gd1987-07-19.141646.sbd.dolphinsmile.flac1648
1987-07-19Autzen Stadium, U. of Oregon
141646flac16/48kHz; Set 3 Dsdb>cassette>Dat>clone to me>File cloned in Microtrack>Goldwave tracking and removal of gaps between songs>TLH8
gd1987-07-19.149748.ultramatrix.sbd.pearson-healy.miller.flac2496
1987-07-19Autzen Stadium, University Of Oregon
149748flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24
gd1987-07-19.149779.UltraMatrix.sbd.cm.miller.flac16
1987-07-19Autzen Stadium, University Of Oregon
149779flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
gd1987-07-19.sbd-set3.unknown.97492.shnf
1987-07-19Autzen Stadium - University of Oregon
97492Soundboard > ? > SHN
gd1987-07-19.aud-sbd.painoman.17352.sbeok.shnf
1987-07-19Autzen Stadium - University of Oregon
17352AUD Source (Discs 1 & 2): AUD>CASS>DAT>CD; SBD Source (Disc 3): SBD>?>CD; via Sir Peter Pendragon
gd1987-07-19.136765.sbd.GEMS.flac16
1987-07-19Autzen Stadium, U. of Oregon
136765flac16; Healy matrix -> PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; tracking with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm
gd1987-07-24.138228.AKG460omni.gastwirt.miller.sirmick.sbeok.flac16
1987-07-24Oakland-Alameda County Stadium
138228flac16; Source: AKG 460 omni > Sony PCM-F1 > Dat; Recorded Fob; From the collection of Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transferred by Charle Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced Audio Editor > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick May 2017
gd1987-07-24.141768.schoeps.ccm4.daspyknows.flac1644
1987-07-24Oakland-Alameda County Stadium
141768flac16; Set 3 Recorded by Daspyknows and friends; Dead Center FOB; Schoeps CCM4 Sony PCM-F1/SL2000; Transferred by NickyC; Processed using Soundforge 11; TLH to convert to Flac
gd1987-07-24.schoeps.painoman.17353.sbeok.shnf
1987-07-24Oakland-Alameda County Coliseum Stadium
17353AUD (schoeps CMC 32s)>DAT>CDM; via Sir Peter Pendragon; Includes Dylan/Dead set
gd1987-07-24.sbdAud.dad.97493.flac16
1987-07-24Oakland-Alameda County Coliseum Stadium
97493flac16; Lineage: Primary Source: Soundboard Sony Multi-track PCM Master > Mixdown Cassette [recorded On Sony TCD5M] > Sony F1 PCM Beta Tape > Beta PCM Clone > CD [digital Transfer To Hhb Standalone] With Splices From: Secondary Source: Dan Healy's Audience Master - Microphones Hung In Front Of The House Sound Booth Above The Crowd > Sony F1 PCM Beta Tape Master > Beta PCM Clone > CD [digital Transfer To HHB Standalone] Combination Remaster Info: CD's > Macintosh with DigiDesign AudioMedia III soundcard > Pro Tools [speed match, seamless edits, normalization and tracking] > AIFF > xACT (FLAC level 8 files with sector boundaries verified). md5 file created with checkSUM+. No equalization or noise reduction was used in the remastering process
gd1987-07-24.sbd-set3.unknown.97494.shnf
1987-07-24Oakland-Alameda County Coliseum Stadium
97494Soundboard > ? > SHN
gd1987-07-26.aud.seaweed.124098.flac1644
1987-07-26Anaheim Stadium
124098flac16; Source: 1x Sennheiser MD-421 (mono) > unknown deck > MAC, recorded "off second stack behind Healy". 1st Gen cassettes kindly provided by Seaweed1010. Transfer: XLII-S > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. March 2013
gd1987-07-26.138248.sbd-aud.fying-M.flac1644
1987-07-26Anaheim Stadium
138248flac16; Set 3 Source: soundboard segment from a trade, no lineage is available; audience portion Source: 2 Sennheiser MKH404tu > Sony D6 w/ Dolby C; Transfer: Nakamichi CR3A w/ Dolby B > Audigy 4 pro @ 16-44 > NERO > EAC > WAVE > Adobe Audition (combine tracks and remove small gaps from SBE errors) iZotope RX4 advanced (fix dropouts, remove loud clapping, increase volume, reduced bass in places) > CD Wave > TLH (flac level 8)
gd1987-07-26.141759.sbd.miller.flac2496
1987-07-26Anaheim Stadium
141759flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1987-07-26.148616.mtx.tobin.flac16
1987-07-26Anaheim Stadium
148616flac16; Matrix 3 Source Mix - SBD (shnid = 141759) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 98214) (Set 1 Only) Modified Nak 700's omni w/D5 dbx nr FOB spread 6ft MAC>nakCR-3A>dbx>hd>Audacity>CDWave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler + AUD2 (shnid = 139993) (Set 2&3 Only) Source: (FOB) AKG C460 (omni) > PCM F1 > DAT (44k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017 - matrix mixing by Kevin Tobin
gd1987-07-26.148617.dts.tobin.flac16
1987-07-26Anaheim Stadium
148617DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141759) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 98214) (Set 1 Only) Modified Nak 700's omni w/D5 dbx nr FOB spread 6ft MAC>nakCR-3A>dbx>hd>Audacity>CDWave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler + AUD2 (shnid = 139993) (Set 2&3 Only) Source: (FOB) AKG C460 (omni) > PCM F1 > DAT (44k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017 - dts mixing by Kevin Tobin
gd1987-07-26.148618.5-1.tobin.flac1648
1987-07-26Anaheim Stadium
148618flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141759) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 98214) (Set 1 Only) Modified Nak 700's omni w/D5 dbx nr FOB spread 6ft MAC>nakCR-3A>dbx>hd>Audacity>CDWave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler + AUD2 (shnid = 139993) (Set 2&3 Only) Source: (FOB) AKG C460 (omni) > PCM F1 > DAT (44k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017 - surround mixing by Kevin Tobin
gd1987-07-26.141897.UltraMatrix.sbd.cm.miller.flac1644
1987-07-26Anaheim Stadium
141897flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1987-07-26.nak700.yamaguchi-poris.russjcan.98214.flac16
1987-07-26Anaheim Stadium
98214flac16; Modified Nak 700's omni w/D5 dbx nr FOB spread 6ft MAC>nakCR-3A>dbx>hd>Audacity>CDWave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler
gd1987-07-26.139993.s2-s3.FOB.akg-c460-omni.gastwirt.miller.sirmick.flac1644
1987-07-26Anaheim Stadium
139993flac16; Source: (FOB) AKG C460 (omni) > PCM F1 > DAT (44k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017
gd1987-07-26.sbd-set3.unknown.97495.shnf
1987-07-26Anaheim Stadium
97495Soundboard > ? > SHN (except unknown audience source for the last 3 tracks)
gd87-08-11.sbd.miller.14944.sbeok.shnf
1987-08-11Red Rocks Amphitheatre
14944SBD -> PCM -> CD -> EAC -> SHN (Grateful Dead Hour Pre-FM Discs) via Charlie Miller
gd1987-08-11.nakcm304.beckham.suraci.82033.sbeok.flac16
1987-08-11Red Rocks Amphitheater
82033flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci Transfer and upload by Tony Suraci aka nak700
gd1987-08-11.nak100.pasternak.81953.sbeok.flac16
1987-08-11Red Rocks Amphitheatre
81953flac16; AUD Source: Nakamichi CM-100's with CP-4 shotgun capsules > Marantz 420 cassette deck, with Dolby On. Set up in 15th row, stage left side of the soundboard. Taped by Jon Pasternak. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums and FLAC compression) > FLAC
gd1987-08-11.sbd.gans.miller.92056.sbeok.flac16
1987-08-11Red Rocks Amphitheatre
92056flac16; Recording Info:SBD -> PCM -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC Original Transfer and Mastering by David Gans; Additional Transfer and Mastering By Charlie Miller
gd1987-08-11.138303.FOB.Schoeps.Ammons.t-flac16
1987-08-11Red Rocks Amphitheatre
138303flac16; FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT
gd1987-08-11.138972.upg-aud.tobin.flac16
1987-08-11Red Rocks Amphitheatre
138972flac16; Patched/Pitch Corrected Audience (original shnid = 138303) FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT - pitch correction and patches by Kevin Tobin
gd1987-08-11.138973.mtx.tobin.flac16
1987-08-11Red Rocks Amphitheatre
138973flac16; Matrix 2 Source Mix - SBD (shnid = 92056) Recording Info:SBD -> PCM -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC Original Transfer and Mastering by David Gans; Additional Transfer and Mastering By Charlie Miller + AUD (shnid = 138303) FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT - matrix mixing by Kevin Tobin
gd1987-08-11.138974.dts.tobin.flac16
1987-08-11Red Rocks Amphitheatre
138974DTS-Audio-CD 5.1 Mix; SBD (shnid = 92056) Recording Info:SBD -> PCM -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC Original Transfer and Mastering by David Gans; Additional Transfer and Mastering By Charlie Miller + AUD (shnid = 138303) FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT - dts mixing by Kevin Tobin
gd1987-08-11.138975.5-1.tobin.flac1648
1987-08-11Red Rocks Amphitheatre
138975flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 92056) Recording Info:SBD -> PCM -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC Original Transfer and Mastering by David Gans; Additional Transfer and Mastering By Charlie Miller + AUD (shnid = 138303) FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT - surround mixing by Kevin Tobin
gd87-08-11.sbd.4951.5247.sbeok.shnf
1987-08-11Red Rocks Amphitheatre
4951set 2; SBD> PCM> Dat> Cass> Dat; Conversion: Sony M1> Oade Cable> Zoltrx Pro6> Soundforge(wav)> CDWav(split)> Shn V3 (no EAC); Conversion & Seed: Brian Cole; show stemming from John Craft and Jay Serafin; see info file for notes
gd1987-08-11.142088.fob.oade.schoeps.cmc3.mk41.jacobs.miller.clugston.flac1644
1987-08-11Red Rocks Amphitheatre
142088flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
gd87-08-12.nak.willy.14911.sbeok.shnf
1987-08-12Red Rocks Amphitheatre
14911Nak CM 100>MC>DAT>CD; via Paul B; Seeded to etree by Willy
gd1987-08-12.nakcm304.beckham.suraci.82054.sbeok.flac16
1987-08-12Red Rocks Amphitheater
82054flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci
gd1987-08-12.nak100.pasternak.81967.sbeok.flac16
1987-08-12Red Rocks Amphitheatre
81967AUD Source: Nakamichi CM-100's with CP-4 shotgun capsules > Marantz 420 cassette deck, with Dolby On. Set up in front row of taper's section. Taped by Jon Pasternak. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums and\ FLAC compression) > FLAC, January 2007.
gd1987-08-12.sbd.walker-scotton.miller.81677.sbeok.flac16
1987-08-12Red Rocks Amphitheatre
81677flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS) Transfer Info: Cassette (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1987-08-12.schoeps.gastwirt.gems.77164.sbeok.flac16
1987-08-12Red Rocks Amphitheatre
77164flac16; Schoeps CMC 44 cardiods, ORTF > Sony PCM F1, FOB > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 > shntool > FLAC (lvl8)
gd1987-08-12.142089.fob.oade.schoeps.cmc3.mk41.jacobs.miller.clugston.flac1644
1987-08-12Red Rocks Amphitheatre
142089flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
gd1987-08-12.aud.painoman.17354.sbeok.shnf
1987-08-12Red Rocks Amphitheatre
17354AUD (Nak CM-100s)>CASS>DAT>CDM; via Sir Peter Pendragon
gd87-08-13.sbd.larson.21348.sbeok.shnf
1987-08-13Red Rocks Amphitheatre
21348S:?>D>CD via Chris Larson
gd1987-08-13.nak100.pasternak.81988.sbeok.flac16
1987-08-13Red Rocks Amphitheatre
81988flac16; AUD Source: Nakamichi CM-100's with CP-4 shotgun capsules > Marantz 420 cassette deck, with Dolby On. Set up in front row of taper's section. Taped by Jon Pasternak. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums and FLAC compression) > FLAC
gd1987-08-13.nakcm304.beckham.suraci.82098.sbeok.flac16
1987-08-13Red Rocks Amphitheater
82098flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci Transfer and upload by Tony Suraci
gd1987-08-13.142090.fob.oade.schoeps.cmc3.mk41.jacobs.miller.clugston.flac1644
1987-08-13Red Rocks Amphitheatre
142090flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
gd87-08-15.aud.ladner.8324.sbeok.shnf
1987-08-15Town Park
8324FOB > PCM > DAT > CD; seeded to etree 5/2001 - neo_levo
gd87-08-15.prefm.leeds.17010.sbeok.shnf
1987-08-15Town Park
17010PreFM SBD(Healy Mix)>MC>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN (Seekable)
gd1987-08-15.nak300.pasternak.112718.flac2448
1987-08-15Town Park
112718flac24; Source: Nakamichi CM-300/CP-4 shotguns > Marantz PMD-420 > Maxell XLII-S 90's, taped from the OTS by Jon Pasternak. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448. Transfer by Andrew F. 04/2011
gd1987-08-15.nakcm304.beckham.suraci.82167.sbeok.flac16
1987-08-15Town Park
82167flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci Transfer and upload by Tony Suraci
gd1987-08-15.142153.fob.schoeps.cmc3.mk41.oade.jacobs.miller.clugston.flac1644
1987-08-15Town Park
142153flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
gd87-08-16.prefm.ladner.4170.sbeok.shnf
1987-08-16Town Park
4170PreFM > Rm > DAT > CDR > EAC > SHN; via C. Ladner; known flaws: d2t6:digipop@7:19, d2t7: song cuts @ 6:56
gd1987-08-16.sbd.walker-scotton.miller.81679.sbeok.flac16
1987-08-16Town Park
81679flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1987-08-16.142154.fob.cmc3.mk41.mk2.oade.jacobs.miller.clugston.flac1644
1987-08-16Town Park
142154flac16; Source Info: 1st Set - Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; 2nd Set - Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK2 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
gd1987-08-16.nakcm304.beckham.suraci.82200.sbeok.flac16
1987-08-16Town Park
82200flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci Transfer and upload by Tony Suraci
gd87-08-18.schoeps.paino.13102.sbeok.shnf
1987-08-18Compton Terrace Amphitheatre
13102Schoeps CMC 32s > DAT > CD; via Sephira Yesod; Seeded to etree by PainoMan
gd1987-08-18.140125.sbd.s1.miller.flac2496
1987-08-18Compton Terrace Amphitheatre
140125flac24; Set 1 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1987-08-18.138289.FOB.Schoeps.Ammons.t-flac16
1987-08-18Compton Terrace Amphitheatre
138289flac16; FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel Label, Pack & Seed; Checksum & tags created in xACT
gd1987-08-18.138304.FOB.Schoeps.Gastwirt.Miller.Noel.t-flac16
1987-08-18Compton Terrace Amphitheatre
138304flac16; Rich Gastwirt Recording: FOB Schoeps CMC 44 cardioids, ORTF > Sony PCM F1 > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT
gd1987-08-18.142155.fob.schoeps.cmc3.mk2.oade.jacobs.miller.clugston.flac1644
1987-08-18Compton Terrace Amphitheatre
142155flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK2 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
gd1987-08-18.140235.set1.UltraMatrix.sbd.cm.miller.flac1644
1987-08-18Compton Terrace Amphitheatre
140235flac16; Set 1 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1987-08-18.145600.nak300.in-house.fm.composite.hessberg.miller.clugston.flac2496
1987-08-18Compton Terrace Amphitheatre
145600flac24; 1st Set: Michael Hessberg's Master Audience Cassette; Nakamichi 300 mics > Sony D5M; 2nd Set: Michael Hessberg's Master In-House FM Cassette > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496
gd1987-08-18.145599.nak300.in-house.fm.composite.hessberg.miller.clugston.flac1648
1987-08-18Compton Terrace Amphitheatre
145599flac16/48kHz; 1st Set: Michael Hessberg's Master Audience Cassette; Nakamichi 300 mics > Sony D5M; 2nd Set: Michael Hessberg's Master In-House FM Cassette > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd87-08-20.aud.ladner.8373.sbeok.shnf
1987-08-20Park West Ski Resort
8373unk. mic's > DAT > CDR; Seeded to etree by Chris Ladner
gd1987-08-20.140126.sbd.miller.flac2496
1987-08-20Park West Ski Resort
140126flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1987-08-20.138285.FOB.Schoeps.Ammons.t-flac16
1987-08-20Park West Ski Resort
138285>b>flac16; FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Pack & Seed; Checksum & tags created in xACT
gd1987-08-20.unk.mjallen.106078.flac16
1987-08-20Park West Ski Resort
106078flac16: Set 2 only - Soundboard - Audience Matrix Mix. Taper: Unknown. Recording Gear: Unknown. Extra Processing BY mjallen FLAC -> TLH -> wAVE -> TLH (CHECK,REPAIR SBE) -> FlAC (level 8) Torrented at Dime-A-Dozen ~ 2/12/2010
gd1987-08-20.142156.fob.schoeps.cmc3.mk41.oade.jacobs.miller.clugston.flac1644
1987-08-20Park West Ski Resort
142156flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
gd1987-08-20.151080.fm.hessberg.miller.clugston.flac1648
1987-08-20Park West Ski Resort
151080flac16/48khz Source Info: Michael Hessberg's In-House FM master cassettes; unknown receiver > Sony D5M Transfer Info: Master cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1987-08-20.151082.fm.hessberg.miller.clugston.flac2496
1987-08-20Park West Ski Resort
151082flac24/96khz Source Info: Michael Hessberg's In-House FM master cassettes; unknown receiver > Sony D5M Transfer Info: Master cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1987-08-20.140236.UltraMatrix.sbd.cm.miller.flac1644
1987-08-20Park West Ski Resort
140236flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd87-08-22.sbd.barbella.4795.sbeok.shnf
1987-08-22Calaveras Co. Fairgrounds
4795updated source: SBD> Master PCM> DAT> CDR> EAC> first shn by Tony Gardner> misc flaw fixes by Steve Barbella (see info file)> reshn (nonseeking)
gd1987-08-22.151075.fob.senn.me80.hessberg.miller.clugston.flac1648
1987-08-22Calaveras County Fairgrounds
151075flac16/48khz Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1987-08-22.151076.fob.senn.me80.hessberg.miller.clugston.flac2496
1987-08-22Calaveras County Fairgrounds
151076flac24/96khz Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1987-08-22.142138.sbd.ultramatrix.betaHiFi.miller.flac2496
1987-08-22Calaveras Co. Fairgrounds
142138flac24; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd1987-08-22.sbd.miller.103628.flac16
1987-08-22Calaveras Co. Fairgrounds
103628flac16; Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1987-08-22.142139.sbd.ultramatrix.pcm.miller.flac1644
1987-08-22Calaveras Co. Fairgrounds
142139flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony Betamax/TDK HS); Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
gd1987-08-22.142146.UltraMatrix.sbd.bm.miller.flac1644
1987-08-22Calaveras Co. Fairgrounds
142146flac16; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
gd1987-08-22.sbd.gardner.4232.shnf
1987-08-22Calveras County Fairgrounds
4232updated source: SBD> Master PCM> DAT> CDR> EAC> shn; via Tony Gardner
gd1987-08-22.149781.aud.flac1644
1987-08-22Calaveras County Fairgrounds
149781flac16/44.1khz Taper: anon Location: right of center FOB; Gear: unknown stero mic (in hat) > Sony WMD6C (Maxell XLII); Transfer: Nakamichi BX-300 > xx cables > Waveterminal 2496 > Adobe Audition 3.0 in @ 16/48, downsample to 44.1; Tracking: CD Wave; FLAC encoding: TLH.
gd1987-08-23.138758.FOB.Schoeps.Gastwirt.Miller.Noel.t-flac16
1987-08-23Calaveras County Fairgrounds
138758flac16/48kHz; unknown taper: Schoeps > spaced cardioids > pcm > dat (FOB); Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > flac 16/44; Checksum & tags created in xACT; (Admin note: the info file indocates that these files are 44.1kHz; they are actually 48kHz)
gd1987-08-23.142332.fob.schoeps.cmc3.mk41.oade.jacobs.miller.clugston.flac1644
1987-08-23Calaveras County Fairgrounds
142332flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
gd1987-08-23.152484.healy-fm-french-onemoreshot-flac2496
1987-08-23Calaveras County Fairgrounds
152484flac24/96 Dead Aire 100.1 FM master by Mike French "Moke" Lineage: Mostly Dead Aire 100.1 FM, but with a couple of patches from the sbd in set two to fix fm signal loss issues. Master: Portable FM radio (walkman type) headphone out-> Sony WM-D6C "b" n.r. Recorded live, from inside the concert venue. Lineage to 24/96 high resolution digital: master playback,... Sony TC-D5M "B" n.r. on, with Maxell MX90 master cassette -> *Grace Lunatec V3 +23dB gain analog out-> Sound Devices SD722 @ 24/96 *I needed additional +6dB of clean gain to run unity gain with the 722. then: SD722 digital files via firewire->Mac G4 (tiger 10.4) Processed via Sonic Studios 2.2.4 16/44.1 sbd patch-in samples, up-sampled to 24/96 via SS 2.2.4 Flac by xACT @ 7/8
gd1987-08-23.sbd.gardner.tetzeli.34422.sbeok.shnf
1987-08-23Calavaras County Fairgrounds
34422SBD>MC>DAT>CDR>EAC>shn - Seamless fix of shn id 4233
gd1987-08-23.151156.fob.senn.me80.hessberg.miller.clugston.flac1648
1987-08-23Calaveras County Fairgrounds
151156flac16/4khz Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1987-08-23.151157.fob.senn.me80.hessberg.miller.clugston.flac2496
1987-08-23Calaveras County Fairgrounds
151157flac24/96khz Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd87-08-23.sbd.gardner.4233.sbeok.shnf
1987-08-23Calaveras Co. Fairgrounds
4233SBD> MC> DAT> CDR> EAC> shn; via Tony Gardner; includes filler from 9/9/87 (see pub comments)
gd1987-08-23.fob.thompson.motb-0072.92277.flac16
1987-08-23Calavaras County Fairgrounds
92277flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXLIIs Analog Lineage: 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Danny Thompson Transfer By: Adam Egert Mastering By: Derek McCabe
gd1987-08-23.fob.thompson.motb-0072.92498.flac24
1987-08-23Calavaras County Fairgrounds
92498flac24; 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Danny Thompson Transfer By: Adam Egert Mastering By: Derek McCabe
gd1987-08-23.sbd.miller.103629.flac16
1987-08-23Calaveras Co. Fairgrounds
103629flac16; Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1987-08-23.142150.sbd.miller.flac2496
1987-08-23Calaveras County Fairgrounds
142150flac24; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1987-08-23.142151.sbd.pcm.miller.flac1644
1987-08-23Calaveras County Fairgrounds
142151flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony Betamax/TDK HS); Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
gd1987-08-23.142157.UltraMatrix.sbd.bm.miller.flac1644
1987-08-23Calaveras County Fairgrounds
142157flac16; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd87-09-07.aud-sonyecm220t.unknown.8596.sbeok.shnf
1987-09-07Providence Civic Center
8596Sony ECM220T mics from taper's section; via DNC vine
gd1987-09-07.151411.senn.me80.hessberg.miller.clugston.flac1648
1987-09-07Providence Civic Center
151411flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1987-09-07.151412.senn.me80.hessberg.miller.clugston.flac2496
1987-09-07Providence Civic Center
151412flac24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1987-09-07.nak300.andrewf.73861.sbeok.flac16
1987-09-07Providence Civic Center
73861flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up in taper's section, mics on stand aprx 7-1/2 feet high. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC
gd1987-09-07.ecm220t.keshavan.miller.106821.flac16
1987-09-07Civic Center
106821flac16; Recording Info:Sony ECM-220T -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> Adobe Audition v3.0 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller
gd1987-09-07.nak300.damico.89984.sbeok.flac16
1987-09-07Providence Civic Center
89984flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
gd1987-09-07.156739.nak300.carpenter.flac1644
1987-09-07Providence Civic Center
156739flac1644 Lineage: Nak 300 w/ cp4 Shotguns -> Sony TDC5M ( no dolby )-> TDK-MA 90s -> Nakamichi CR3a -> M-Audio 192-6-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> R8brain (resampled to 16bit 44.1khz ) -> TLH -> analysis,SBE,flac,checksums. taped and transferred by Ted Carpenter
gd1987-09-07.aud.morris.106061.sbeok.flac16
1987-09-07Providence Civic Center
106061flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
gd1987-09-07.nakcm304.suraci.82277.sbeok.flac16
1987-09-07Providence Civic Center
82277flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci
gd87-09-08.sony.dnc.8597.sbeok.shnf
1987-09-08Providence Civic Center
8597Sony ECM220T mics from taper's section; via DNC vine
gd1987-09-08.151413.senn.me80.hessberg.miller.clugston.flac1648
1987-09-08Providence Civic Center
151413flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1987-09-08.151414.senn.me80.hessberg.miller.clugston.flac2496
1987-09-08Providence Civic Center
151414flac24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd87-09-08.sbd.miller.20994.sbeok.shnf
1987-09-08Providence Civic Center
20994SBD -> PCM -> Dat -> CD -> EAC -> SHN Converted To SHN by Charlie Miller
gd1987-09-08.nak300.andrewf.74162.sbeok.flac16
1987-09-08Providence Civic Center
74162flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up in taper's section, mics on stand aprx 7-1/2 feet high Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC
gd1987-09-08.ecm220t.keshavan.miller.106822.flac16
1987-09-08Civic Center
106822flac16; Recording Info:Sony ECM-220T -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> Adobe Audition v3.0 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller
gd1987-09-08.nak300.damico.89995.sbeok.flac16
1987-09-08Providence Civic Center
89995flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
gd1987-09-08.141882.ultramatrix.pcm.dalton.miller.clugston.flac1644
1987-09-08Providence Civic Center
141882flac16; Recording Info: Ultramatrix PCM > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1987-09-08.nak300.morris.crazyfingers.106592.flac16
1987-09-08Providence Civic Center
106592flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
gd1987-09-08.nak300.pasternak.mallick.102183.flac16
1987-09-08Providence Civic Center
102183flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
gd1987-09-08.nakcm304.suraci.82309.sbeok.flac16
1987-09-08Providence Civic Center
82309flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci
gd87-09-09.sbd.miller.21014.sbeok.shnf
1987-09-09Providence Civic Center
21014Recording Info: SBD -> Cassette Master -> Dat Transfer Info #1: Dat (Tascam DA-20mkII) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) Transfer Info #2: CD (Plextor 48/24/48A) -> EAC (v0.9 beta 4)-> Samplitude v7.02 Professional -> SHN All transfers and edits by Charlie Miller
gd87-09-09.sony.dnc.8598.sbeok.shnf
1987-09-09Providence Civic Center
8598Sony ECM220T mics from taper's section; via DNC vine
gd1987-09-09.nak300.andrewf.75532.sbeok.flac16
1987-09-09Providence Civic Center
75532flac16; AUD, Nakamichi CM-300\'s with CP-4 shotgun capsules >Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up in taper\'s section, mics on stand aprx 7-1/2 feet higH: Taped and Transferred by Andrew F.
gd1987-09-09.ecm220t.keshavan.miller.106827.flac16
1987-09-09Civic Center
106827flac16; Recording Info:Sony ECM-220T -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1987-09-09.sbd.miller.106823.flac16
1987-09-09Civic Center
106823flac16; Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd87-09-09.naks.valis-under.6686.sbeok.shnf
1987-09-09Providence Civic Center
6686Nak 300's > Sony D5 Casette Master > Sound Forge (wav) > Shorten; via valis_under
gd1987-09-09.nak300.damico.90033.sbeok.flac16
1987-09-09Providence Civic Center
90033flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
gd1987-09-09.156740.nak300.carpenter.flac1644
1987-09-09Providence Civic Center
156740flac1644 Lineage: Nak 300 w/ cp4 Shotguns -> Sony TDC5M ( no dolby )-> TDK-MA 90s -> Nakamichi CR3a -> M-Audio 192-6-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> R8brain (resampled to 16bit 44.1khz ) -> TLH -> analysis,SBE,flac,checksums. taped and trasferred by Ted Carpenter
gd1987-09-09.139781.mtx.pcm.miller.flac1644
1987-09-09Providence Civic Center
139781flac16; Recording Info: UltraMatrix SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Matering by Charlie Miller
gd1987-09-09.nak300.morris.crazyfingers.106591.flac16
1987-09-09Providence Civic Center
106591flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded by Bob Morris
gd87-09-11.schoeps.dipietro.8906.sbeok.shnf
1987-09-11Capital Centre
8906FOB Schoeps> PCM> D> CDR> shn; via Chris Dipietro
gd1987-09-11.aud.bandrofcheck.82369.sbeok.flac16
1987-09-11Capital Centre
82369flac16; Source: Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs.
gd1987-09-11.140925.set2.sbd.dalton.miller.clugston.flac1644
1987-09-11Capital Centre
140925flac16; Set 2 Source Info: UltraMatrix Soundboard > unknown cassette generations > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1987-09-11.nak300.damico.90065.sbeok.flac16
1987-09-11Capital Centre
90065flac16; taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
gd87-09-12.schoeps.dipietro.8907.sbeok.shnf
1987-09-12Capital Centre
8907FOB Schoeps> pcm> dat> cdr> shn; via Chris Dipietro
gd87-09-12.sbd.unk.4702.sbeok.shnf
1987-09-12Capital Centre
4702CSBD?> DAT?; via chill and unIDed seeder; skipping in Black Muddy
gd1987-09-12.138221.5-1.tobin.flac1648
1987-09-12Capital Centre
138221flac16/48kHz; 5.1 LPCM Surround Sound (48k) SBD (shnid = 31018)Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. + AUD (shnid = 8907) FOB Schoeps> pcm> dat> cdr> shn; via Chris Dipietro - mixing by Kevin Tobin
gd87-09-12.sbd.ladner.31018.sbeok.flacf
1987-09-12Capital Centre
31018Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner.
gd1987-09-12.aud.vernieb.scottf.GEMS.108280.flac16
1987-09-12Capital Centre
108280flac16; Schoeps > Sony D5 master cassettes Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz. Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz MetaData with Tag and Rename TLH for FLAC Level 8 SBE FREE; Supplied by Vern B, Taped by Scott F.
gd1987-09-12.138218.upg-sbd.tobin.flac16
1987-09-12Capital Centre
138218flac16; (original shnid = 31018) Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. - pitch correction and patches by Kevin Tobin
gd1987-09-12.138219.mtx.tobin.flac16
1987-09-12Capital Centre
138219flac16; Matrix 2 Source Mix - SBD (shnid = 31018)Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. + AUD (shnid = 8907) FOB Schoeps> pcm> dat> cdr> shn; via Chris Dipietro - matrix mixing by Kevin Tobin
gd1987-09-12.138220.dts.tobin.flac16
1987-09-12Capital Centre
138220DTS-Audio-CD 5.1 Mix:SBD (shnid = 31018)Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. + AUD (shnid = 8907) FOB Schoeps> pcm> dat> cdr> shn; via Chris Dipietro - dts mixing by Kevin Tobin
gd1987-09-12.117967.naks.pasternak.mallick.flac16
1987-09-12Capital Centre
117967flac16; Master: Nakamichi CM100's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.13 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
gd1987-09-12.150673.UltraMatrix.sbd.cm.miller.flac16
1987-09-12Capital Centre
150673flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1
gd87-09-13.schoeps.dipietro.8908.sbeok.shnf
1987-09-13Capital Centre
8908FOB Schoeps> PCM> D> CDR> mkw> shn; missing encore; via Chris Dipietro
gd1987-09-13.aud.bandrofcheck.82399.sbeok.flac16
1987-09-13Capital Centre
82399flac16; Source: Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs
gd1987-09-13.138247.akg.414.flac16
1987-09-13Capital Centre
138247flac16; Source: AKG 414 > PCM > DAT (44.1 khz); Location: Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)> Firewire>Macbook>SoX v14.4.2(remove emphasis)>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
gd1987-09-13.nak300.damico.90082.sbeok.flac16
1987-09-13Capital Centre
90082flac16; taper : Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative soundcard extigy > cool edit pro > flac frontend
gd1987-09-13.117982.naks.pasternak.mallick.flac16
1987-09-13Capital Centre
117982flac16; Master: Nakamichi CM100's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.13 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
gd87-09-15.sbd.miller.21981.sbeok.shnf
1987-09-15Madison Square Garden
21981SBD -> Cassette Master -> Dat (48k) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN - Transfered and Edited By Charlie Miller
gd87-09-15.schoeps.willy.15388.sbeok.shnf
1987-09-15Madison Square Garden
15388AUD (Schoeps CMC 44's)>MC*>DAT>CD via Raoul Duke encoded by Willy
gd1987-09-15.154305.senn.me80.hessberg.miller.clugston.flac1648
1987-09-15Madison Square Garden
154305flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1987-09-15.154306.senn.me80.hessberg.miller.clugston.flac2496
1987-09-15Madison Square Garden
154306flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1987-09-15.sbd.miller.76347.sbeok.flac16
1987-09-15Madison Square Garden
76347flac16; Recording Info: SBD -> Cassette Master (Sony D6/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe -> Samplitude v7.02 Professional -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller
gd1987-09-15.sbd.unknown.20176.sbeok.shnf
1987-09-15Madison Square Garden
20176SBD:CM>DATs>CDRs
gd1987-09-15.125699.AT835.flac16
1987-09-15Madison Square Garden
125699Taper: M.Laurentus Taper Tection: Section H, Row 28, Seat 14 AT835B\'s -SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac
gd1987-09-15.nak300.damico.90103.sbeok.flac16
1987-09-15Madison Square Garden
90103flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro> flac frontend
gd87-09-16.ps2-sbd.willy.15409.sbeok.shnf
1987-09-16Madison Square Garden
15409Partial 2nd Set; SBD>MC>DAT>SS>CDR; See info file for details; via Paul B; Seeded to etree by Willy
gd1987-09-16.nak100.pasternak.mallick.105471.flac16
1987-09-16Madison Square Garden
105471flac16; Master: Nakamichi CM100's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD taper's section by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
gd1987-09-16.154307.senn.me80.hessberg.miller.clugston.flac1648
1987-09-16Madison Square Garden
154307flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496