Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd86-06-21.senn.eD.13063.sbeok.shnf
1986-06-21Greek Theatre, U. Of California
13063AUD>MC>DAT>CDR; Senn 441?s>Sony TC-D5; via the Poor Boy; seedeD
gd1986-06-21.139049.aud.lamarre.berger.flac16
1986-06-21Greek Theatre, U. Of California
139049flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
gd1986-06-21.151707.Mouth.AKG.Master.Cassette.JFK.Rogers.Noel.t-flac2496
1986-06-21Greek Theatre
151707flac24/96khz Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes. Location: 3rd, 4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96. Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 05, 2021.
gd1986-06-21.151951.Mouth.AKG.Master.Cassette.JFK.Rogers.Noel.t-flac16
1986-06-21Greek Theatre
151951flac16/44 Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 3rd/4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96 Recording by JFK Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 05, 2021 Patch info: - Schoeps CMC442, Oade supplies - s1t01 - s1t04; all - s2t01; start - 03:13 (crowd) - s2t07; 01:13 - 01:26 Notes: - Thanks to JFK for recording the show. - Thanks to Craig Rogers for providing the source & the transfer. - Thanks to everyone involved with the patch source. - This source has been pitch corrected. - This is an Uher Archive production. - uherarchive@live.com * Dedicated to Len Bias - Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021
gd1986-06-21.151978.Mouth.AKG.JFK.Rogers.Noel.fixed.151707.t-flac2496
1986-06-21Greek Theatre
151978flac24/96 This is a fixed version of shnid 151707. Original release had channels reversed. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 05, 2021.
gd1986-06-21.152060.fixed.151978.Mouth.AKG.JFK.Rogers.Noel.t-flac2496
1986-06-21Greek Theatre, University Of California
152060flac24/96 Fix Of 151978. Set 1 was saved as 1648 instead of 2496. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96 Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 05, 2021.
gd1986-06-21.152062.Mouth.AKG.Master.Cassette.JFK.Rogers.Noel.t-flac1648
1986-06-21Greek Theatre, University Of California
152062flac16/48 version of i.d. of 152060. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 05, 2021.
gd1986-06-21.156952.akgc422.davis-holbrook.flac1644
1986-06-21Greek Theatre, University Of California
156952flac1644 Source: 1GEN CA microphones: AKG c422 "omnioid" (X-Y at 90')|AKG B18 recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) location: approximately 40 feet from stage handheld original transfer: Sony TC-D5M > Sony TC-D5M digital transfer: Nakamichi CR-5A> Sonic AD2k @24/48 > Marantz PMD661|24/48 SD processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger recorded by: Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, John Hance, Aaron transferred: Kyle Holbrook
gd1986-06-21.156953.akgc422.davis-holbrook.flac2448
1986-06-21Greek Theatre, University Of California
156953flac2448 Source: 1GEN CA microphones: AKG c422 "omnioid" (X-Y at 90')|AKG B18 recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) location: approximately 40 feet from stage handheld original transfer: Sony TC-D5M > Sony TC-D5M digital transfer: Nakamichi CR-5A> Sonic AD2k @24/48 > Marantz PMD661|24/48 SD processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger recorded by: Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, John Hance, Aaron transferred: Kyle Holbrook
gd86-06-21.oade-schoeps.sacks.21924.sbeok.flacf
1986-06-21Greek Theatre, U. Of California
21924Jim Oade Recording -- 120 degree Schoeps CMC44 ->MOD PCM-1 Transfer: Master PCM>DAW (via Sekd card)> DSP by Doug Oade using Audacity (Linux) -- Downloaded, tracked (cdwave) and re-flac'ed by Darrin (dsacks@pcisys.net)
gd1986-06-21.fob.schoeps.grace-szvetecz.gems.98673.sbeok.flac16
1986-06-21Greek Theatre - University of California
98673flac16; Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8
gd1986-06-21.142016.5-1.tobin.flac1648
1986-06-21Greek Theatre, U. Of California
142016flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - surround mixing by Kevin Tobin
gd1986-06-21.Senn421sNak300CP4s.Darby.117828.Flac2448
1986-06-21Greek Theatre, U. Of California
117828flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's + Nakamichi CM300/CP4's (PAS/DFC/Last Row OTS/6 Feet High)> Sony MX-10>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
gd1986-06-21.Senn421sNak300CP4s.Darby.117829.Flac1644
1986-06-21Greek Theatre, U. Of California
117829flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's + Nakamichi CM300/CP4's (PAS/DFC/Last Row OTS/6 Feet High)> Sony MX-10>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
gd1986-06-21.141789.mtx.tobin.flac1644
1986-06-21Greek Theatre, U. Of California
141789flac16; Matrix 2 Source Mix - SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - matrix mixing by Kevin Tobin
gd1986-06-21.141790.dts.tobin.flac1644
1986-06-21Greek Theatre, U. Of California
141790DTS-Audio-CD 5.1 Mix; SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - dts mixing by Kevin Tobin
gd1986-06-21.141791.5-1.tobin.flac1648
1986-06-21Greek Theatre, U. Of California
141791flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - mixing by Kevin Tobin; Fixed version in circulation
gd1986-06-21.sbd-set1-pcm.miller.81011.flac16
1986-06-21Greek Theatre - University of California
81011flac16; Set 1 only: Recording Info: SBD -> PCM -> Dat -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> FLAC Converted By Charlie Miller
gd1986-06-21.sbd.miller.81518.flac16
1986-06-21Greek Theatre - University of California
81518flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
gd1986-06-21.139050.aud.lamarre.berger.flac24
1986-06-21Greek Theatre, U. Of California
139050flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
gd1986-06-21.148478.neumann.km84i.hecht.miller.clugston.flac1648
1986-06-21Greek Theatre, University Of California
148478flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1986-06-21.148479.neumann.km84i.hecht.miller.clugston.flac2496
1986-06-21Greek Theatre, University Of California
148479flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd86-06-22.neumann-fleck.unknown.7281.sbeok.shnf
1986-06-22Greek Theatre, U. Of California
7281Neumann kmi-84-> Neumann bs48i-2> pcmf1, at sbd; ; Taper Randy Fleck; PCM-> DAT: Sony pcm-601esd-> panasonic 3500; DAT->CD: fostex d5->marantz cdr615-> eac-> cdwav-> mkwact
gd86-06-22.beyerM88.connor.30865.sbeok.flacf
1986-06-22Greek Theatre, U. Of California
30865Primary Source: Recording Info: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Secondary Source: Neumann kmi-84->neumann bs48i-2>pcmf1,(at sbd)PCM->DAT shn id 7281 The secondary source covers patches in the last 26 seconds of d2t05(drums); the first 12 seconds of d3to1 (space) Recorded, digitally mastered and patched by Charlie Connor
gd1986-06-22.schoeps.grace-szvetecz.gems.100204.flac16
1986-06-22Greek Theatre - University of California
100204flac16; Recorded by Mike Grace and Annie Szvetecz; Lineage: Mike Grace Master PCM Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1 Recording Location: Official Tapers Section PCM to DAW Transfer by Mike Grace Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 wav
gd1986-06-22.140671.fob.schoeps.cmc4.mk2.oade.wise.miller.clugston.flac1644
1986-06-22Greek Theatre, U. Of California
140671flac16; Source Info: (FOB) Schoeps CMC4/MK2 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
gd1986-06-22.156954.pcmsenn.davis-holbrook.flac1644
1986-06-22Greek Theatre, University Of California
156954flac1644 2GEN AUDCA Microphones: Sennheiser 421's > Sony PCMF1 > Recorder: Sony SL-2000 Betarecorder Location: OTS Original transfer: 1] Sony SL-2000 Betarecorder> Sony TC-D5M Maxell MX90 no nr 2] Sony TC-D5M > Sony TC-D5M Maxell XLII 90 no nr Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, Tom Pinney, John Hance, Aaron Transferred & Processed by Kyle Holbrook
gd1986-06-22.156955.pcmsenn.davis-holbrook.flac2448
1986-06-22Greek Theatre, University Of California
156955flac2448 2GEN AUDCA Microphones: Sennheiser 421's > Sony PCMF1 > Recorder: Sony SL-2000 Betarecorder Location: OTS Original transfer: 1] Sony SL-2000 Betarecorder> Sony TC-D5M Maxell MX90 no nr 2] Sony TC-D5M > Sony TC-D5M Maxell XLII 90 no nr Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, Tom Pinney, John Hance, Aaron Transferred & Processed by Kyle Holbrook
gd1986-06-22.139290.aud.lamarre.berger.flac16
1986-06-22Greek Theatre, U. Of California
139290flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
gd1986-06-22.139291.aud.lamarre.berger.flac24
1986-06-22Greek Theatre, U. Of California
139291flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
gd1986-06-22.AKG460.Darby.117830.Flac2448
1986-06-22Greek Theatre, U. Of California
117830flac24; Master Audience Recorded By Mr. Darby; AKGC460B/A60/CK1's (PAS/DFC/First Row OTS/6 Feet High)> Uher340>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
gd1986-06-22.AKG460.Darby.117831.Flac1644
1986-06-22Greek Theatre, U. Of California
117831flac16; Master Audience Recorded By Mr. Darby; AKGC460B/A60/CK1's (PAS/DFC/First Row OTS/6 Feet High)> Uher340>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
gd86-06-22.sbd.lai.388.sbefail.shnf
1986-06-22Greek Theatre, U. Of California
388DSDB> DAT> CDr; via Mike Lai
gd1986-06-22.148480.neumann.km84i.hecht.miller.clugston.flac1648
1986-06-22Greek Theatre, University Of California
148480flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1986-06-22.148481.neumann.km84i.hecht.miller.clugston.flac2496
1986-06-22Greek Theatre, University Of California
148481flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1986-06-22.sbd.walker-scotton.miller.81646.flac16
1986-06-22Greek Theatre - University of California
81646flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1986-06-22.138856.akg.damico.flac1644
1986-06-22Greek Theatre, U. Of California
138856flac16 44.1khz Source: AKG 460 w/CK61 Caps > Uher 240. Transfer: Master Tapes > Nak Dragon > Korg Mr 1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper . Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon
gd1986-06-22.138857.akg.damico.flac2496
1986-06-22Greek Theatre, U. Of California
138857flac24 96khz Source: AKG 460 w/CK61 Caps > Uher 240. Transfer: Master Tapes > Nak Dragon > Korg Mr 1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper . Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon
gd86-06-26.sony-ecm.miller.25616.sbeok.shnf
1986-06-26Hubert H. Humphrey Metrodome
25616Recording Info: Sony ECM-939 -> Cassette Master -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller
gd1986-06-26.139268.partial.sbd.miller.flac24
1986-06-26Hubert H. Humphrey Metrodome
139268flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 >Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1986-06-26.139278.sbd.cm.miller.flac16
1986-06-26Hubert H. Humphrey Metrodome
139278flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 >Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 139268 24 bit -> 16 bit
gd1986-06-26.aud.sirmick.92713.sbeok.flac16
1986-06-26Hubert H. Humphrey Metrodome
92713flac16; source: aud > ??? > cass (low gen) transfer: cass > Nakamichi BX-125E > Creative Extigy > Wavelab > wav > flac transferred, edited and mastered SIRMick July 2008
gd1986-06-26.aud.Taggart.Naks.116647.flac16
1986-06-26Hubert H. Humphrey Metrodome
116647flac16; Source: Nakamichi CM-100 mics w/ CP-1 Caps > Sony D-6 (Maxell MX-90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Danny Taggart - Third Row, Mics Hand-held Transfers, edits, track/FLAC by Greg Holtz
gd86-06-28.aud.eD.13059.sbeok.shnf
1986-06-28Alpine Valley Music Theatre
13059AUD>MC>??>DAT>CDR; via Mary Shelly; seedeD
gd1986-06-28.139269.sbd.miller.flac24
1986-06-28Alpine Valley Music Theatre
139269flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1986-06-28.139279.sbd.cm.miller.flac16
1986-06-28Alpine Valley Music Theatre
139279flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 139269 24 bit -> 16 bit
gd1986-06-28.135534.me80.hessberg.miller.flac16
1986-06-28Alpine Valley Music Theatre
135534flac16; Recording Info: Sennheiser ME80 -> Cassette Master (Sony TC-DD5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Michael Hessberg
gd86-06-28.sbd.miller.21272.sbeok.shnf
1986-06-28Alpine Valley Music Theatre
21272Recording Info: SBD -> Cassette Master -> ? -> Dat -> CD Editing Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Patch Info: Looks Like Rain -> Don't Ease Me In Patched From AUD -> Cassette Master -> ? -> Dat -> CD Editing and Patch Done By Charlie Miller
gd1986-06-28.140312.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644
1986-06-28Alpine Valley Music Theatre
140312flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
gd1986-06-28.144609.FOB.AT-AKG-Blend.Ackerman.Noel.t-flac2496
1986-06-28Alpine Valley Music Theatre
144609flac24; Recording & Transfer by Ray Ackerman; Audio-Technica AT8035 + AKG D-12E blend > Sony D5 > Master Audience Cassettes (FOB); Transfer; Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; Edited & Mastered w/ Audacity by Joe Noel
gd1986-06-28.aud.Holtz-Taggart.Naks.116664.flac16
1986-06-28Alpine Valley Music Theatre
116664flac16; Recording: Nakamichi CM100/CP-4 > Sony TC-D5M - OTS - Front of Lawn; Transfer: MAC > Tascam 122 > Edirol UA-5 > PC > Audacity > TLH > FLAC; Recorded by Greg Holtz and Danny Taggart; Transfer by Greg Holtz
gd86-06-29.aud.eD.12969.sbeok.shnf
1986-06-29Alpine Valley Music Theatre
12969AUD> MC> ??> DAT> CDR; via Tom Thumb; seeded by eD
gd1986-06-29.138165.sbd.miller.sbeok.flac16
1986-06-29Alpine Valley Music Theatre
138165flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is shnid 138161 24 bit > 16
gd1986-06-29.138161.sbd.miller.flac24
1986-06-29Alpine Valley Music Theatre
138161flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1986-06-29.140313.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644
1986-06-29Alpine Valley Music Theatre
140313flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
gd1986-06-29.144610.FOB.AT-AKG-Blend.Ackerman.Noel.t-flac2496
1986-06-29Alpine Valley Music Theatre
144610flac24; Recording & Transfer by Ray Ackerman; Audio-Technica AT8035 + AKG D-12E blend > Sony D5 > Master Audience Cassettes (FOB); Transfer; Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; Edited & Mastered w/ Audacity Joe Noel
gd86-06-30.aud.eD.12935.sbeok.shnf
1986-06-30River Bend Music Center
12935Schoeps CMC4/MK4 -> Oade M118 -> PCM -> Dat -> CD; via the Captain; seedeD (updated source info)
gd1986-06-30.mk4.miller.87521.sbeok.flac16
1986-06-30River Bend Music Center
87521flac16; Recording Info: Schoeps CMC4/MK4 -> Oade M118 -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (This fileset fixes an error in d1t02 of shn id 87348.)
gd1986-06-30.139270.set2.sbd.miller.flac24
1986-06-30Riverbend Music Center
139270flac24; Set 2 Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1986-06-30.139282.set2.sbd.cm.miller.flac16
1986-06-30Riverbend Music Center
139282flac16; Set 2 Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139270 24 bit -> 16 bit
gd1986-06-30.132862.naks.datbrad-lynn.flac16
1986-06-30River Bend Music Center
132862flac16; OTS - In pavilion/section 800; 2 Nakamichi CM300s/cP4 shotguns(PAS)>Sony TCD5M>Fuji Metal; Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
gd1986-06-30.aud.Taggart-Holtz.116720.flac16
1986-06-30River Bend Music Center
116720flac16; Recording: Nakamichi CM100/CP-4 > Sony TC-D5M - OTS - Front of Lawn; Transfer: MAC > Tascam 122 > Edirol UA-5 > PC > Audacity > TLH > FLAC; Recorded by Greg Holtz and Danny Taggart; Transfer by Greg Holtz
gd86-07-02.aud.eD.12934.sbeok.shnf
1986-07-02Rubber Bowl, University of Akron
12934AUD>DAT>CDR; via the Doodah Man; seedeD
gd1986-07-02.nak100.cohen.105444.sbeok.flac16
1986-07-02Rubber Bowl, University of Akron
105444flac16; Recorded by David Cohen FOB Phil's side about 35 yards from stage chest high mic stand 2 Nakamichi CM100s/ CP1>Sony WMD6 Maxell XLII cassette masters. No Dolby was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
gd1986-07-02.139271.sbd.miller.flac24
1986-07-02Rubber Bowl, University of Akron
139271flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1986-07-02.139284.sbd.cm.miller.flac16
1986-07-02Rubber Bowl, University of Akron
139284flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139271 24 bit -> 16 bit
gd1986-07-02.141053.FOB.SennME80.Hessberg.Miller.Noel.t-flac.1644
1986-07-02Rubber Bowl, University of Akron
141053flac16; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd1986-07-02.139580.set1.FOB.Schoeps.Oade.Gastwirt.Miller.Noel.t-flac16
1986-07-02Rubber Bowl, University of Akron
139580flac16/48kHz; Oade Brothers Recording: Schoeps > spaced omnis > PCM > DAT (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel > flac 16/44; Checksum & tags created in xACT
gd1986-07-02.me80.hessberg.miller.124587.flac16
1986-07-02Rubber Bowl, University of Akron
124587flac16; Recording Info: Sennheiser ME80 -> Cassette Master (Sony TC-DD5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by: Michael Hessberg; All Transfers and Mastering By Charlie Miller
gd1986-07-02.135055.chasingwilma.flac24
1986-07-02Rubber Bowl, University of Akron
135055flac24; lineage: sennheiser 421 fob> tcd-d5> mc > c sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8
gd86-07-02.beyer160.walstib.22381.sbeok.shnf
1986-07-02Rubber Bowl, University of Akron
223812 Beyer M160 FOB> Sony TCD5M Master Cassette>shn
gd1986-07-02.139414.FOB.SennME80.Hessberg.Miller.Noel.t-flac.24
1986-07-02Rubber Bowl, University of Akron
139414flac24; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
gd86-07-04.senn-satellite.carman.13565.sbeok.shnf
1986-07-04Rich Stadium
13565CDR source: AUD > Sennheiser 441 > D5 > ? > HHB stand-alone burner > CDR Video source: AUD > Farm-Aid satellite feed > Hi-Fi VHS x ? ; includes uncut drums>space
gd86-07-04.senn.eD.12930.sbeok.shnf
1986-07-04Rich Stadium
12930FOB-AUD>MC>DAT>CDR; Senn 421?s>Sony TC-D5; via Uncle Sam; seeded by eD
gd1986-07-04.141054.FOB.SennME80.Hessberg.Miller.Noel.t-flac.1644
1986-07-04Rich Stadium
141054flac16; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd1986-07-04.143038.FOB.Senn441.Akerman.Noel.t-flac2496
1986-07-04Rich Stadium
143038flac24; Recording & Transfer by Ray Ackerman; Sennheiser 441 > Sony D5 > Master Audience Cassettes (FOB); Transfer; Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
gd1986-07-04.145496.fob.senn441.akerman.noel.t-flac16
1986-07-04Rich Stadium
145496flac16; Recording & Transfer by Ray Ackerman; Sennheiser 441 > Sony D5 > Master Audience Cassettes (FOB); Transfer; Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96, This file set is 16 bit @ 44.1
gd1986-07-04.111541.Nak300CP4.Floater.Keo.Flac2496
1986-07-04Rich Stadium
111541flac24; Master Audience Nakamichi CM300/CP4 Shotguns>DBX Reduction>Sony D5 Tapes:Maxell XLII-S 90,90 Taper:Floater,Transfer by Keo Transfer with Nakamichi MR-1>Korg MR-1000 @ 1 BIT/5.6MHz Tracking/Editing/sample Rate Conversion/Metadata tagging/Flacked with AudioGate Software to 24 Bit/96kHz
gd1986-07-04.sbd.miller.118659.flac16
1986-07-04Rich Stadium
118659flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1986-07-04.sbd.seaweed.117033.flac2448
1986-07-04Rich Stadium
117033flac24; Source: SBD 2nd Gen cassette (MSC > C > C) kindly provided by Seaweed1010. (*Last three songs in Set One from AUD.); Transfer: Maxell MXS-90 > Nakamichi CR-5A > Edirol FA-66 > WaveLab > TLH > FLAC 2448. Transfer by Andrew F. 11/2011
gd1986-07-04.139415.FOB.SennME80.Hessberg.Miller.Noel.t-flac.24
1986-07-04Rich Stadium
139415flac24; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
gd86-07-06.aud.eD.12928.sbeok.shnf
1986-07-06Robert F. Kennedy Stadium
12928FOB-AUD>MC>DAT>CDR; Senn 421?s>Sony TC-D5; via Frankenstein; seeded by eD
gd1986-07-06.157163.akgc422.davis-hance-holbrook.flac1644
1986-07-06Robert F. Kennedy Stadium
157163flac1644 1st GEN AUDCA Microphones: AKG c422|AKG B18 X-Y handheld Recorder: Sony TC-D5M| Maxell MX-90's Location: 75' from stage DFC 1st transfer: Sony TC-D5M to Sony TC-D5M (Maxell XLII 90 x2) no nr Digital Transfer: Nakamichi LX-5 > Benchmark Sonic AD2k > Marantz PMD-661 Recorded by: Mike Davis, Kenny Davis, Tom Pinney, Sean Murtha Transfer and process: Kyle Holbrook
gd1986-07-06.157164.akgc422.davis-hance-holbrook.flac2448
1986-07-06Robert F. Kennedy Stadium
157164flac2448 1st GEN AUDCA Microphones: AKG c422|AKG B18 X-Y handheld Recorder: Sony TC-D5M| Maxell MX-90's Location: 75' from stage DFC 1st transfer: Sony TC-D5M to Sony TC-D5M (Maxell XLII 90 x2) no nr Digital Transfer: Nakamichi LX-5 > Benchmark Sonic AD2k > Marantz PMD-661 Recorded by: Mike Davis, Kenny Davis, Tom Pinney, Sean Murtha Transfer: Kyle Holbrook Processing: John Hance
gd1986-07-06.135065.chasingwilma.flac24
1986-07-06Robert F. Kennedy Stadium
135065flac24; lineage: sennheiser 421 fob> tcd-d5> mc > c> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8
gd1986-07-06.fob-senn.adelman-koucky.86521.flac16
1986-07-06RFK Stadium
86521flac16; Source: FOB Sennheiser 441s > Sony D5 > MAC (TDK MA90s). Taped by B.Koucky, patched from S.Adelman. Transfer: MAC playback on Nakamich CR-7A, azimuth adjusted > Lunatec V3 > LynxTwo > PC (Wavelab 5) > HD @ 24 bit/96 KHz) > Ozone 3 > 16/44.1 FLAC by Chris L.
gd1986-07-06.139416.FOB.SennME80.Hessberg.Miller.Noel.t-flac.24
1986-07-06Robert F. Kennedy Stadium
139416flac24; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
gd1986-07-06.141037.FOB.SennME80.Hessberg.Miller.Noel.t-flac.1644
1986-07-06Robert F. Kennedy Stadium
141037flac16; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd86-07-07.schoeps.conner.7001.sbeok.shnf
1986-07-07Robert F. Kennedy Stadium
7001FOB Aud> Schoeps cmc3mk4> PCM> DAT> CD> EAC (Secure mode)> CDWave (Retracking only)> shnv3 (MKW ACT); with patches from second AUD (see info file); EAC/ Patched/ Retracked/ Shn'd by Charlie Connor; with thanks to Mike Lai and Jon Rianhard; Seeded to abgd by Trip Bates
gd1986-07-07.139830.AKG-C42ms.cm.DonPearson.miller.flac1644
1986-07-07Robert F. Kennedy Stadium
139830flac16; Recording Info: AKG C42 (m/s) > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1986-07-07.fm.miller.88176.flac16
1986-07-07RFK Stadium
88176flac16; In-House FM -> FM Receiver -> Cassette Master (Sony TC-D6C/Denon HD-M90) All Transfers and Mastering By Charlie Miller
gd1986-07-07.BeyerM160sSonyD5.D5scott.108262.flac16
1986-07-07Robert F. Kennedy Stadium
108262recorded and mastered to cdr by D5scott source: 2 Beyer M160 Microphones > Sony TC-D5M - analog master cassette - Maxell MX90's - 50 feet from stage-center - mic's on a stand @ 6 feet transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
gd1986-07-07.135066.chasingwilma.flac24
1986-07-07Robert F. Kennedy Stadium
135066flac24; lineage: sennheiser 421 fob> tcd-d5> mc > c> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8
gd86-07-07.sbd.ggjsk.30992.sbeok.flacf
1986-07-07Robert F. Kennedy Stadium
30992flac16; "Partial" SBD >multi gen cass> Sony TC-WE305 > Rotel 1090 > Rane ME60 analog processor > Tascam CD-RW 750 > CD > Eac (secure) > cdwav > CE pro 2.1 > flac16 (level 8)
gd1986-07-07.139718.akg.pearson.flac2496
1986-07-07Robert F. Kennedy Stadium
139718flac24; Recording Info: AKG C42 (m/s) > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1986-07-07.139417.FOB.SennME80.Hessberg.Miller.Noel.t-flac.24
1986-07-07Robert F. Kennedy Stadium
139417flac24; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
gd1986-07-07.141055.FOB.SennME80.Hessberg.Miller.Noel.t-flac.1644
1986-07-07Robert F. Kennedy Stadium
141055flac16; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd86-12-15.sbd.kpfa.19600.sbeok.shnf
1986-12-15Oakland-Alameda County Coliseum
19600Master Dolby B Cass>Sonic Solutions via TC2000 @ 24 bits>SBM2 CD>CD > EAC[secure] > SHN. [Note - this is apparently another version of the KPFA sbd source.]
gd1986-12-15.nak300.damico.88884.flac16
1986-12-15Oakland - Alameda County Coliseum
88884flac16; taper : Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
gd86-12-15.nakcm101-dwonk.25263.sbeok.flacf
1986-12-15Oakland-Alameda County Coliseum
25263Field: Nakamichi CM-101 > Nakamichi 550 > Sony WM-D6C (Master) Tapers: Adam Smith & Andy Liu (dwonk)
Location: DFC of Taper Section (actually FOB by about 30 feet), 10' spread between mics (AB Stereo, two channel)
Transfer: Nakamichi DR-3 (Master) > Oade adc24mod SONY SBM-1 > M-Audio AP2496 > Sound Forge XP4.5 > CDwave1.6 > FLAC
gd1986-12-15.141034.Senn.Hessberg.Miller.Noel.t-flac1644
1986-12-15Oakland-Alameda County Coliseum
141034flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd1986-12-15.sbd.kpfa.16330.shnf
1986-12-15Oakland Coliseum Arena
16330Master Dolby B Cass>Sonic Solutions via TC2000 @ 24 bits>SBM2 CD>CD > EAC[secure] > SHN
gd1986-12-15.aud.Holtz.Naks.114699.flac16
1986-12-15Oakland-Alameda County Coliseum
114699flac16; Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz
gd1986-12-15.137554.upg-aud.tobin.flac16
1986-12-15Oakland-Alameda County Coliseum
137554flac16; (original shnid = 88884) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin
gd1986-12-15.137555.mtx.tobin.flac16
1986-12-15Oakland-Alameda County Coliseum
137555flac16; Matrix 2 Source Mix - SBD (shnid = 99035) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 88884) taper: Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
gd1986-12-15.137558.dts.tobin.flac16
1986-12-15Oakland-Alameda County Coliseum
137558DTS-Audio-CD 5.1 Mix; SBD (shnid = 99035) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 88884) taper: Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
gd1986-12-15.137576.5-1.tobin.flac1648
1986-12-15Oakland-Alameda County Coliseum
137576flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 99035) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 88884) taper: Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - mixing by Kevin Tobin
gd1986-12-15.140293.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644
1986-12-15Oakland-Alameda County Coliseum
140293flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
gd1986-12-15.128689.mtx.nicksmix.flac16
1986-12-15Oakland-Alameda County Coliseum
128689flac16; 2 source matrix mix of AUD: shnid 80809 and SBD: shnid 99035
gd1986-12-15.132367.nak300.gidley.flac2448
1986-12-15Oakland-Alameda County Coliseum
132367flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's, with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2015
gd1986-12-15.132368.nak300.gidley.flac1644
1986-12-15Oakland-Alameda County Coliseum
132368flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's, with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2015
gd1986-12-15.nakcm304.beckham.suraci.sbeok.80809.flac16
1986-12-15Oakland - Alameda County Coliseum
80809flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci/nak700
gd1986-12-15.sbd.tetzeli.moore.8230.sbeok.shnf
1986-12-15Oakland-Alameda County Coliseum Stadium
8230SBD > ?? > Cassette > analog signal to ESS Maestro sound card >wav > CDR >wav >shn; seeded to abgd by Bill Tetzeli with Thanks to Thom Moore; Good lovin cut missing JBG encore.; upgrade in circulation
gd1986-12-15.139362.Senn.Hessberg.Miller.Noel.t-flac24
1986-12-15Oakland-Alameda County Coliseum
139362flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
gd86-12-16.sbd.tetzeli.8399.sbeok.shnf
1986-12-16Oakland-Alameda County Coliseum
8399Src: SBD > ?? > cassette > .wav > CDR > EACed to .wav > .shn; Seeded to abgd by Bill Tetzeli
gd86-12-16.set2-nak300-sewall.9115.sbeok.shnf
1986-12-16Oakland-Alameda County Coliseum
91152nd Set; FOB Nak 300s>AUD>MC>CDR; via Michael Sewall; Seeded to etree by Todd Norman
gd1986-12-16.nak300.damico.88891.flac16
1986-12-16Oakland-Alameda County Coliseum
88891flac16; taper : Joe D'Amico nak 300 mics > sony d-5 infront of the soundboard
gd1986-12-16.139726.sbd.miller.flac2496
1986-12-16Oakland-Alameda County Coliseum Arena
139726flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
gd1986-12-16.nak300.gidley.131396.flac2448
1986-12-16Oakland-Alameda County Coliseum
131396flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2014
gd1986-12-16.141035.Senn.Hessberg.Miller.Noel.t-flac1644
1986-12-16Oakland-Alameda County Coliseum Arena
141035flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd1986-12-16.137314.mtx.bhp.flac16
1986-12-16Oakland-Alameda County Coliseum
137314flac16; Matrix 2 Source Mix - SBD (shnid=99044) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 131396) flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2014 - matrix mixing by Kevin Tobin
gd1986-12-16.137316.5-1.tobin.flac1648
1986-12-16Oakland-Alameda County Coliseum
137316flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=99044) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 131396) flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2014 - mixing by Kevin Tobin
gd1986-12-16.140294.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644
1986-12-16Oakland-Alameda County Coliseum Arena
140294flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
gd1986-12-16.nak300.gidley.131397.flac1644
1986-12-16Oakland-Alameda County Coliseum
131397flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2014
gd1986-12-16.aud.Holtz.Nak-Senn.114700.flac16
1986-12-16Oakland-Alameda County Coliseum
114700flac16; Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps/Sennheiser 421's > Niles Audio Mixer > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz
gd1986-12-16.137315.dts.tobin.flac16
1986-12-16Oakland-Alameda County Coliseum
137315DTS-Audio-CD 5.1 Mix; SBD (shnid=99044) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 131396) flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2014 - matrix mixing by Kevin Tobin
gd1986-12-16.sbd.miller.77409.flac16
1986-12-16Oakland-Alameda County Coliseum Stadium
77409flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
gd1986-12-16.139363.Senn.Hessberg.Miller.Noel.t-flac24
1986-12-16Oakland-Alameda County Coliseum
139363flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
gd1986-12-16.139900.UltraMatrix.cm.miller.flac1644
1986-12-16Oakland-Alameda County Coliseum Arena
139900flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
gd1986-12-16.nakcm304.beckham.suraci.sbeok.80849.flac16
1986-12-16Oakland - Alameda County Coliseum
80849flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci/nak700
gd1986-12-16.set2.sbd.barr.janik.4094.shnf
1986-12-16Oakland Coliseum Arena
4094set 2; SBD> 2nd gen Analog Cassette> CD-R> EAC> WAV> SHN; Digitally remastered by Joel Barr; Seeded by Ben Janik; upgrade in circulation
gd86-12-17.aud.eD.14452.sbeok.shnf
1986-12-17Oakland-Alameda County Coliseum
14452AUD>DAT>CDR; Nak 300's; via Melinda; seedeD
gd1986-12-17.nak300.damico.88926.flac16
1986-12-17Oakland-Alameda County Coliseum
88926flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
gd1986-12-17.134890.upg-aud.tobin.flac16
1986-12-17Oakland-Alameda County Coliseum
134890flac16; (original shnid = 88926) AUD: taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin
gd1986-12-17.148870.neumann.km84i.hecht.miller.clugston.flac1648
1986-12-17Oakland-Alameda County Coliseum
148870flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1986-12-17.148871.neumann.km84i.hecht.miller.clugston.flac2496
1986-12-17Oakland-Alameda County Coliseum
148871flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1986-12-17.sbd.miller.77410.flac16
1986-12-17Oakland-Alameda County Coliseum Stadium
77410flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
gd1986-12-17.nak300.andrewf.131308.flac2448
1986-12-17Oakland-Alameda County Coliseum
131308flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Sony ES-Metal 90's, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 09/2014
gd1986-12-17.nak300.andrewf.131309.flac1644
1986-12-17Oakland-Alameda County Coliseum
131309flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Sony ES-Metal 90's, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 09/2014
gd1986-12-17.141036.Senn.Hessberg.Miller.Noel.t-flac1644
1986-12-17Oakland-Alameda County Coliseum
141036flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
gd1986-12-17.141745.mtx.tobin.flac2496
1986-12-17Oakland-Alameda County Coliseum
141745flac24; Matrix 2 Source Mix - SBD (shnid = 139727) Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 139364) Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT - matrix mixing by Kevin Tobin
gd1986-12-17.140295.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644
1986-12-17Oakland-Alameda County Coliseum
140295flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
gd1986-12-17.aud.Holtz.Nak-Senn.114701.flac16
1986-12-17Oakland-Alameda County Coliseum
114701flac16; Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps/Sennheiser 421's > Niles Audio Mixer > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz
gd1986-12-17.134891.mtx.tobin.flac16
1986-12-17Oakland-Alameda County Coliseum
134891flac16; Matrix 2 Source Mix - SBD (shnid=99048) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 88926)taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
gd1986-12-17.134892.dts.tobin.flac16
1986-12-17Oakland-Alameda County Coliseum
134892DTS-Audio-CD 5.1 Mix; SBD (shnid=99048) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 88926)taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
gd1986-12-17.134893.sur5-1.tobin.flac1648
1986-12-17Oakland-Alameda County Coliseum
134893flac16/48kHz; 5.1 LPCM Surround Sound Mix from SBD (shnid=99048) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 88926) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - mixing by Kevin Tobin
gd1986-12-17.nakcm304.beckham.suraci.sbeok.80996.flac16
1986-12-17Oakland - Alameda County Coliseum
80996flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham
gd1986-12-17.139364.Senn.Hessberg.Miller.Noel.t-flac24
1986-12-17Oakland-Alameda County Coliseum
139364flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
gd1986-12-17.139727.sbd.miller.flac2496
1986-12-17Oakland-Alameda County Coliseum
139727flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
gd1986-12-17.139728.sbd.ultra.miller.flac2496
1986-12-17Oakland-Alameda County Coliseum
139728flac24; Recording Info: Ultra Matrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
gd1986-12-17.139917.sbd.cm.miller.flac1644
1986-12-17Oakland-Alameda County Coliseum
139917flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
gd1986-12-17.139919.UltraMatrix.cm.miller.flac16
1986-12-17Oakland-Alameda County Coliseum
139919flac16; Recording Info: Ultra Matrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
gd86-12-27.sbd.candyman.9152.sbeok.shnf
1986-12-27Henry J. Kaiser Convention Center
9152Set 1: SBD > MC > ? > DAT > CDR> WAV > SHN Set 2: SBD > MC > DAT > CDR > WAV > SHN; Seeded to etree by Chris L
gd1986-12-27.sbd.miller.77443.flac16
1986-12-27Henry J. Kaiser Convention Center
77443flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
gd1986-12-27.nak300.damico.88965.flac16
1986-12-27Henry J. Kaiser Convention Center
88965flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
gd1986-12-27.139729.sbd.miller.flac2496
1986-12-27Henry J. Kaiser Convention Center
139729flac24; Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
gd1986-12-27.139730.ultra.mtx.miller.flac2496
1986-12-27Henry J. Kaiser Convention Center
139730flac24; Recording Info: Ultra Matrix SBD > Cassette Master (Tascam Deck/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1986-12-27.139994.sbd.cm.miller.flac1644
1986-12-27Henry J. Kaiser Convention Center
139994flac16; Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
gd1986-12-27.139998.UltraMatrix.cm.miller.flac1644
1986-12-27Henry J. Kaiser Convention Center
139998flac16; Recording Info: Ultra Matrix SBD > Cassette Master (Tascam Deck/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1986-12-27.142300.fob.schoeps.cmc4.mk41.oade.jacobs.miller.clugston.flac1644
1986-12-27Henry J. Kaiser Convention Center
gd1986-12-27.nakcm304.beckham.suraci.sbeok.81267.flac16
1986-12-27Kaiser Convention Center
81267flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci
gd1986-12-27.143870.mtx.tobin.flac1644
1986-12-27Henry J. Kaiser Convention Center
143870flac16; Matrix 2 Source Mix - SBD (shnid = 139729) Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 88965) Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
gd1986-12-27.143871.dts.tobin.flac1644
1986-12-27Henry J. Kaiser Convention Center
143871DTS-Audio-CD 5.1 Mix; - SBD (shnid = 139729) Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 88965) Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
gd1986-12-27.143872.5-1.tobin.flac1648
1986-12-27Henry J. Kaiser Convention Center
143872flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 139729) Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 88965) Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - surround mixing by Kevin Tobin
gd1986-12-27.128690.mtx.nicksmix.flac16
1986-12-27Henry J. Kaiser Convention Center
128690flac16; 2 Source matrix mix of shnid 81267(aud) and shnid 99050(sbd) with patches used from shnid 88965(aud)
gd1986-12-27.137441.AA-toak1.flac24
1986-12-27Henry J. Kaiser Convention Center
137441flac24; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Master Audience cassette: in OTS near the back of the venue balcony; Toa K1’s spaced 24” PATS (Pointed At The Stacks) > Sony WM-D6c; media: Maxell XLII c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking +Ozone 5: Dynamics + Maximizer normalize to -.5db remove DC offset > flac24; xACT Flac Fingerprints
gd1986-12-27.135200.beyers160.chasingwilma.flac24
1986-12-27Henry J. Kaiser Convention Center
135200flac24; lineage: beyers 160 fob> tcd-d5> tcd-d5> mc sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8
gd86-12-28.sbd-matrix.miller.11495.sbeok.shnf
1986-12-28Henry J. Kaiser Convention Center
11495Ultramatrix (SBD/AUD mix)> Master cassette> DAT> CD> SHN; via Charlie Miller; Seeded to etree by Peter Braverman
gd1986-12-28.nak300.damico.88967.flac16
1986-12-28Henry J. Kaiser Convention Center
88967flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
gd1986-12-28.142301.fob.schoeps.dalton.miller.clugston.flac1644
1986-12-28Henry J. Kaiser Convention Center
142301flac16; Source Info: Master (FOB) PCM; Unknown Schoeps mics > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1986-12-28.152495.senn421.shnf
1986-12-28Henry J. Kaiser Convention Center
152495Senn 421 > master cassette > cdr > trade cdrs > eac > wav > shn
gd1986-12-28.nakcm304.suraci.beckham.sbeok.81281.flac16
1986-12-28Kaiser Convention Center
81281flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci
gd1986-12-28.156031.5-1.upg.tobin.flac1648
1986-12-28Henry J. Kaiser Convention Center,
156031flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 155977) Recording Info: Ultramatrix SBD > Cassette Master (Tascam Deck/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24 + AUD (shnid = 155895) (original shnid = 138869) Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper - pitch correction and patches by Kevin Tobin - surround mixing by Kevin Tobin
gd1986-12-28.sbd.walker-scotton.miller.99637.sbeok.flac16
1986-12-28Henry J. Kaiser Convention Center
99637flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1986-12-28.117843.NeumannKMF4.daweez.d5scott.flac16
1986-12-28Henry J. Kaiser Convention Center
117843flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
gd1986-12-28.155895.PandP-aud.tobin.flac16
1986-12-28Henry J Kaiser Convention Center
155895flac16; Patched & Pitch Corrected Audience - (original shnid = 138869) Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper - pitch correction and patches by Kevin Tobin
gd1986-12-28.155896.mtx.tobin.flac16
1986-12-28Henry J Kaiser Convention Center
155896flac16; Matrix 2 Source Mix - SBD (shnid = 99637) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155895) (original shnid = 138869) Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper - pitch correction and patches by Kevin Tobin - matrix mixing by Kevin Tobin
gd1986-12-28.155897.dts.tobin.flac16
1986-12-28Henry J Kaiser Convention Center
155897DTS-Audio-CD 5.1 Mix; - SBD (shnid = 99637) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155895) (original shnid = 138869) Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper - pitch correction and patches by Kevin Tobin - dts mixing by Kevin Tobin
gd1986-12-28.155898.5-1.tobin.flac1648
1986-12-28Henry J Kaiser Convention Center
155898flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 99637) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155895) (original shnid = 138869) Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper - pitch correction and patches by Kevin Tobin - surround mixing by Kevin Tobin
gd1986-12-28.137444.AA-toaK1.flac24
1986-12-28Henry J. Kaiser Convention Center
137444flac24; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Master Audience cassette: in OTS near the back of the venue balcony; Toa K1’s spaced 24” PATS (Pointed At The Stacks) > Sony WM-D6c; media: Maxell XLII c90’s Dolby C on Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking +Ozone 5: Dynamics + Maximizer normalize to -.5db remove DC offset > flac24; xACT Flac Fingerprints
gd1986-12-28.138869.nak300.damico.flac1644
1986-12-28Henry J. Kaiser Convention Center
138869flac16 44.1khz Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper
gd1986-12-28.156498.UltraMatrix.sbd.cm.miller.t.flac1644
1986-12-28Henry J. Kaiser Convention Center
156498flac1644: Recording Info: Ultramatrix SBD > Cassette Master (Tascam Deck/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24 - This is 155977 2496 > 1644.1
gd1986-12-28.superscope.bowen.106450.flac16
1986-12-28Henry J. Kaiser Convention Center
106450flac16; Source: Superscope EC-7 Cardioids > Sony TC-153SD (Maxell XLIIS) Lineage: M-Cass > Sony TC-D5M > HHb CDR 800 Location: OTS, Balcony; Recorded/Transferred: Jeff Bowen; Extraction (CDR>EAC>WAV>FLAC): Brad Foster
gd1986-12-28.sbd.miller.77445.flac16
1986-12-28Henry J. Kaiser Convention Center
77445flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
gd86-12-30.sbd.barbella.6025.sbeok.shnf
1986-12-30Henry J. Kaiser Convention Center
6025SBD> Cm> DAT> CD> EAC> CDWAV editing > SHN (seekable); via Steve Barbella
gd1986-12-30.142302.fob.schoeps.cmc4.mk41.oade.jacobs.miller.clugston.flac1644
1986-12-30Henry J. Kaiser Convention Center
142302flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
gd1986-12-30.137978.sbd.miller.flac24
1986-12-30Henry J. Kaiser Convention Center
137978flac24; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
gd1986-12-30.sbd.walker-scotton.miller.99638.sbeok.flac16
1986-12-30Henry J. Kaiser Convention Center
99638flac16; Recording Info:SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1986-12-30.138007.sbd.miller.flac16
1986-12-30Henry J. Kaiser Convention Center
138007flac16; Recording Info: SBD > Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, this is the 137978 24bit->16bit
gd1986-12-30.138362.FOB.Schoeps.Ammons.t-flac16
1986-12-30Henry J. Kaiser Convention Center
138362flac16; Set 2 Unknown: FOB Schoeps CMC44 > Sony PCM-F1 > PCM master > DAT at 44.1 kHz; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 44 > Wave; Joe Noel Edits: T,F,P & P: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT
gd1986-12-30.128691.mtx.nicksmix.flac16
1986-12-30Henry J. Kaiser Convention Center
128691flac16; 2 source Matrix mix of Shnid 81308(aud) and shnid 99638(sdb) with patches used from shnid 88983(aud)
gd1986-12-30.nakcm304.suraci.beckham.sbeok.81308.flac16
1986-12-30Kaiser Convention Center
81308flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci
gd1986-12-30.137456.AA-toaK1.flac24
1986-12-30Henry J. Kaiser Convention Center
137456flac24; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Master Audience cassette: in OTS near the back of the venue balcony; Toa K1’s spaced 24” PATS (Pointed At The Stacks) > Sony WM-D6c; media: Maxell XLII c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking +Ozone 5: Dynamics + Maximizer normalize to -.5db remove DC offset > flac24; xACT Flac Fingerprints
gd1986-12-30.138870.nak300.damico.flac1644
1986-12-30Henry J. Kaiser Convention Center
138870flac16 44.1khz Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper
gd1986-12-30.nak100.holtz.lmpp.105203.flac16
1986-12-30Henry J. Kaiser Convention Center
105203flac16; Source: Audience > Nakamichi CM-100 mics with CP-4 shogtun caps > Sony TC-D5 > mac Lineage: mac > Tascam 122b > Tascam HD-P2 > wav 24/48 > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > CD Wave > Flac 16 Taped by Gregg Holtz, from OTS
gd1986-12-31.142303.fob.schoeps.composite.oade.jacobs.miller.clugston.flac1644
1986-12-31Henry J. Kaiser Convention Center
142303flac16; Source Info: 1st Set: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; 2nd Set: Oade's Master (FOB) Audience PCM; (2) Schoeps CMC4/MK41mics + (1) CMC4/MK4 center fill > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
gd1986-12-31.nakcm304.beckham.suraci.sbeok.81330.flac16
1986-12-31Kaiser Convention Center
81330flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci
gd1986-12-31.137263.sbd.GEMS.flac16
1986-12-31Henry J. Kaiser Convention Center
137263flac16; Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; Track, FLAC and Pack by Norm
gd86-12-31.prefm.candyman.4637.sbeok.shnf
1986-12-31Henry J. Kaiser Convention Center
4637Pre-FM SBD > PCM > CDR > WAV > SHNv3; DAE (EAC> shntools> ftp) by neo_levo
gd1986-12-31.137457.AA-toaK1.flac24
1986-12-31Henry J. Kaiser Convention Center
137457flac24; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Master Audience cassette: in OTS near the back of the venue balcony; Toa K1’s spaced 24” PATS (Pointed At The Stacks) > Sony WM-D6c; media: Maxell XLII c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking +Ozone 5: Dynamics + Maximizer normalize to -.5db remove DC offset > flac24; xACT Flac Fingerprints
gd1986-12-31.140822.ultramatrix.pcm.gans.miller.clugston.flac1644
1986-12-31Henry J. Kaiser Convention Center
140822flac16; Recording Info: Master UltraMatrix PCM; Transfer Info: PCM (Sony SLV-M20HF)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000(wav 16-bit/44.1k)> Adobe Audition > TLH flac16
gd1986-12-31.156532.UltraMatrix.sbd.cm.miller.t.flac1644
1986-12-31Henry J. Kaiser Convention Center
156532flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 155987 2496 > 1644.1