Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1977-10-28.101243.dts.tobin.flac16
1977-10-28Soldiers & Sailors Memorial Hall
101243DTS-Audio-CD 5.1 Mix; SBD (shn id 96159) SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 96569) Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding - dts mixing by Kevin Tobin
gd77-10-29.maizner.vernon.8035.sbeok.shnf
1977-10-29Field House, Northern Illinois U
8035Sony ECM-990s>Sony TC-158>MAC>R>D>CD; Taped by Steve Maizner; via Jack Warner; Seeded to etree by Matt Vernon
gd77-10-29.sbd.kempa.280.sbeok.shnf
1977-10-29Field House, Northern Illinois U
280SBD > Reel > DAT > WAV (via TB Fiji S/PDIF) > SHN; via Jeff Kempka
gd1977-10-29.sbd.cribbs.28613.sbeok.flac16
1977-10-29Evans Field House, Northern Illinois University
28613flac16; MSR>PCM>DAT>CDx?>EAC>WAV>FLAC; patch source: shnid=8035; EAC extraction, editing, and FLAC encoding by Sean Cribbs 3/11/05
gd1977-10-29.sbd.miller.92085.sbeok.flac16
1977-10-29Evans Field House - Northern Illinois University
92085flac16 Recording Info:SBD -> Master Reel -> PCM -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1977-10-29.148908.betty-board.anon.noel.t-flac16
1977-10-29Evans Field House, Northern Illinois University
148908flac16; Source: Betty SBD > Reel Master > PCM > pcm clone; Transfer: PCM clone > Sony PCM601esd > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; the original source had a "nearly undetectable" flaw in d2t06 which had to be fixed for nearly undetectable reasons
gd1977-10-29.ecm990.maizner.miller.108010.flac16
1977-10-29Field House, Northern Illinois U
108010flac16; Recording Info: Sony ECM-990 -> Cassette Master (Sony TC-158) -> AIFF; Transfer Info: AIFF -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; Recorded By Steve Maizner; All Transfers and Mastering By Charlie Miller
gd1977-10-29.137373.mtx.dusborne.flac16
1977-10-29Field House, Northern Illinois U
137373flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:92085) Recording Info: SBD -> Master Reel -> PCM -> Dat -> CDTransfer Info:CD -> Samplitude Professional v10.02 -> FLAC, All Transfers and Mastering By Charlie Miller; Audience (shnid:108010), Recorded By Steve Maizner, Recording Info: Sony ECM-990 -> Cassette Master (Sony TC-158) -> AIFF, Transfer Info: AIFF -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
gd77-10-30.sbd.nawrocki.14946.sbeok.shnf
1977-10-30Assembly Hall, Ind
14946Source: SBD > MR > PCM > DAT > CDR > EAC > mkwACT EAC'd/SHN'd by Doug Nawrocki
gd1977-10-30.sbd.allred.7564.sbeok.shnf
1977-10-30Assembly Hall - Indiana University
7564sbd> mr> pcm> dat> cdr> eac >shn via mkwAct 0.97 beta 1; via Bob Allred GDH-Trading tree; see flaw notes in info file; upgrade in circulation
gd1977-10-30.aud.berger.99939.flac16
1977-10-30Assembly Hall - Indiana University
99939flac16; source: aud 1st gen reel taped by Steve Maizner sony ecm 990s>sony tc-158sd; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96> hd>cd wave>adobe 2.0 16/44>flac
gd1977-10-30.137374.mtx.dusborne.flac16
1977-10-30Assembly Hall, Ind
137374flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:99838), Recording Info: SBD -> Master Reel -> PCM -> Dat,Transfer Info:Dat -> Samplitude Professional v10.21 -> FLAC, All Transfers and Mastering By Charlie Miller,Audience (shnid:100165), Recorded by Steve Maizner,Sony ECM-990> Master Cassette; Transfer and FLAC encoding by David Minches:Master cassette> reel> FLAC; 1st generation reel played back on Akai Gx-4000D> ART DI/O > Digital Audio Labs Card Deluxe soundcard > Adobe Audition> flac encoding > FLAC
gd1977-10-30.sbd.miller.99765.sbeok.flac16
1977-10-30Assembly Hall - Indiana University
99765flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version now in circulation
gd1977-10-30.sonyecm990.maizner.minches.100165.flac16
1977-10-30Assembly Hall - Indiana University
100165flac16; Recorded by Steve Maizner Sony ECM-990> Master Cassette; Master cassette> reel> FLAC 1st generation reel played back on Akai Gx-4000D> ART DI/O > Digital Audio Labs Card Deluxe soundcard > Adobe Audition> flac encoding > FLAC Transfer and FLAC encoding by David Minches Pitch correction by Joe B. Jones
gd77-11-01.sbd.jeffm.2485.sbeok.shnf
1977-11-01Cobo Arena
2485SBD> Master (Betty Board) Reels> PCM> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.; includes US Blues encore; d1t05 cuts into friend of the devil (about 1st 20 seconds missing); upgrade in circulation
gd1977-11-01.sbd.miller.82574.sbeok.flac16
1977-11-01Cobo Arena
82574flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
gd1977-11-02.aud.zimmerman.minches.81012.sbeok.flac16
1977-11-02Field House - Seneca College
81012flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC
gd1977-11-02.mtx.chappell.sb23.86233.sbeok.flac16
1977-11-02Field House - Seneca College
86233flac 16; Sick Bits Vol. 23 - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=14743) + AUD (shnid=81012). Matrixed by Chris Chappell.
gd1977-11-02.mtx.sirmick.86546.sbeok.flac16
1977-11-02Field House - Seneca College
86546flac16; SBD/AUD Matrix by SIRMick; Soundboard Reel> CD> TC2000 EQ> Sonic Solutions (David Gans)> CD> EAC> SHN (shn id 14743) and Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Recorded by Alan Zimmerman (shn id 81012)
gd77-11-04.moore.jupile-weiner.15208.sbeok.shnf
1977-11-04Cotterrell Gym, Colgate U
15208MAC (Taped by Jerry Moore, Sony ECM 33Ps* [directly behind the soundboard] > Sony TC-158** [Dolby B, Maxell UDXLIIC90s]) > Tascam 112 MK-II playback > HHB 800 master CD > HP 9350i extraction (EAC v0.9 beta 4) > editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by John Steinthal, CD > SHN by Joe Jupille and Noah Weiner.
gd77-11-04.sbd.unknown.2595.sbeok.shnf
1977-11-04Cotterrell Gym, Colgate U
2595SBD:MR > DAT > CD-R; noted at gdlive (also to abgd?); upgrade in circulation
gd1977-11-04.141004.aud.boswell.smith.sirmick.flac2496
1977-11-04Cotterell Gym, Colgate University
141004flac24; Source: Audience Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick February 2018
gd1977-11-04.141005.aud.boswell.smith.sirmick.flac1644
1977-11-04Cotterell Gym, Colgate University
141005flac16; Source: Audience Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick February 2018
gd1977-11-04.aud.zimmerman.minches.81110.sbeok.flac16
1977-11-04Cotterell Gym - Colgate University
81110flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC
gd1977-11-04.mtx.chappell.SB5.29091.flac16
1977-11-04Cotterell Gym - Colgate University
29091flac 16; SBD/AUD Matrix of 2 previously circulated seeds (SBD - shn ID #2595 & AUD - shn ID #15208); prepared by Chris Chappell
gd1977-11-04.sbd.braverman.3739.shnf
1977-11-04Cotterell Gym - Colgate University
3739SBD:MR > DAT > CD-R; material from previous shn set, plus patched intro from AUD (see notes in info file); seeded by Peter Braverman
gd1977-11-04.sbd.matera.130927.flac16
1977-11-04Cotterell Gym, Colgate University
130927flac16; SBD Source ID 3739 Adjusted amplitudes and equalization with Cool Edit 2000; shn > wav > flac
gd1977-11-04.141833.sony.ecm33p.moore.dalton.miller.clugston.flac1644
1977-11-04Cotterell Gym, Colgate University
141833flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1977-11-04.139656.sbd.flac1644
1977-11-04Cotterell Gym, Colgate University
139656flac16; This source is a DAE of the GDLive material listed as source ID 2595; Source/Lineage: SBD Master > DAT > dl gd server > CD-R (15+ yrs) > xACT 2.41 (ffp’s, sector boundaries) > Flac 6
gd1977-11-04.142304.sbd.eac.flac1644
1977-11-04Cotterell Gym, Colgate University
gd77-11-05.aud.clugston-alternate.3293.sbeok.shnf
1977-11-05Community War Memorial Auditorium
3293Master Audience Cassette > possible analog gen> DAT > CDR; Mastered to disc> EAC> SHN by Scott Clugston. [Note: An alternate shn set differeing only in disks 2 and 3 also circulates. This might have an additional EAC generation.]
gd77-11-05.moore.cribbs.16757.sbeok.shnf
1977-11-05Community War Memorial Auditorium
16757A:C:D:Cool Edit:CD recorded by Jerry Moore; Sony ECM-33Ps> Sony 158 via David Minches encoded by Sean Cribbs
gd77-11-05.sbd.clugston.6934.sbeok.shnf
1977-11-05Community War Memorial Auditorium
6934Master Soundboard Cassette > 1 Reel to Reel gen > DAT, with AUD patches (see info file); Patching, CD Mastering, EAC'ed, SHN'ed by Scott Clugston; to abgd
gd1977-11-05.152193.aud.warburton.smith.clugston.flac1648
1977-11-05Community War Memorial Auditorium
152193flac16/48 Source Info: Jimmy Warburton's Master Audience Cassettes; most likely AKG d1000e mics > unknown deck (dolby on); master cassettes (Nakamichi 550, dolby off) > 1st generation reel (Teac 3300, dolby off) @ 3.75 ips Transfer Info: 1st generation reels (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1977-11-05.152194.aud.warburton.smith.clugston.flac2496
1977-11-05Community War Memorial Auditorium
152194flac24/96 Source Info: Jimmy Warburton's Master Audience Cassettes; most likely AKG d1000e mics > unknown deck (dolby on); master cassettes (Nakamichi 550, dolby off) > 1st generation reel (Teac 3300, dolby off) @ 3.75 ips Transfer Info: 1st generation reels (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1977-11-05.aud.zimmerman.minches.81180.sbeok.flac16
1977-11-05Community War Memorial Auditorium
81180flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC
gd77-11-06.moore.cribbs.16758.sbeok.shnf
1977-11-06Broome County Arena
16758A:C:D:Cool Edit:CD recorded by Jerry Moore; Sony ECM-33Ps> Sony 158 via David Minches encoded by Sean Cribbs
gd77-11-06.sbd.nawrocki.283.sbeok.shnf
1977-11-06Broome County Arena
283Reel -> DAT -> CDR; Transfer: EAC -> SHN by D. Nawrocki
gd1977-11-06.148411.1st.set.fob.shure.sm57.sublette.miller.clugston.flac1648
1977-11-06Broome County Arena
148411flac1648 1st Set Recording Info:Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1977-11-06.148412.1st.set.fob.shure.sm57.sublette.miller.clugston.flac2496
1977-11-06Broome County Arena
148412flac24; 1st Set Recording Info:Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1977-11-06.mtx.seamons.92273.sbeok.flac16
1977-11-06Broome County Arena
92273flac16; MATRIX MIX: SBD/AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) June 13, 2008
gd1977-11-06.122296.sbd.flac16
1977-11-06Broome County Arena
122296flac16; MR>PCM>DAT>HD>CDR>EAC>Flac level 8 via TLH
gd1977-11-06.139055.SBD.Miller.Noel.t-flac16
1977-11-06Broome County Arena
139055flac16; Soundboard Master Reels > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44
gd77-12-27.sbd.cotsman.19288.sbeok.shnf
1977-12-27Winterland Arena
19288SBD>MR>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN (multigen); originally circulated by David Gans w/ thanks to S. Milewski for the patches
gd1977-12-27.sbd.ashley-bertha.24069.sbeok.shnf
1977-12-27Winterland Arena
24069Bertha Remaster of the Master Reel source. SBD>>MR>>SS>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN
gd1977-12-27.sbd.redbeard.2989.shnf
1977-12-27Winterland Arena
2989Master Reel > DAT > Sonic Solutions remastering > Gans CD-R; via redbeard to abgd; possibly different extraction relative to previous circulation?; "F*cker" in Wharf Rat was muted out during remastering; sonic glitch in Around is present on the master reel; missing Samson; upgrade in circulation
gd1977-12-27.137166.sbd.miller.flac16
1977-12-27Winterland Arena
137166flac16; Recording Info: SBD > Master Reel > Dat (44.1k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC; All Transfers and Mastering By Charlie Miller
gd77-12-29.dp10outtakes.backus.18675.sbeok.shnf
1977-12-29Winterland Arena
18675Dick's Picks 10 outtakes SBD>?>SHN via Terrapin Station
gd77-12-29.sbd.cousinit.20370.sbeok.shnf
1977-12-29Winterland Arena
20370Set I & Encore MSR>R>R>R>C>DAT>WAV>SHN Set II MSR>R>C>DAT>WAV>SHN C>SHN Conversions by Cousinit
gd1977-12-29.133041.aud.troy-smith.flac24
1977-12-29Winterland Arena
133041flac24; Recording Info: master recorded from the balcony on a Tandberg 10X reel to reel @ 7.5 ips. The reel is from Sandy Troy's collection; Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith
gd1977-12-29.137198.sbd.miller.flac1648
1977-12-29Winterland Arena
137198flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/48k; All Transfers and Mastering By Charlie Miller
gd1977-12-29.141740.sbd.pcm.dalton.miller.clugston.flac1644
1977-12-29Winterland Arena
141740flac16; Source Info: Analog Soundboard > Cassette > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1977-12-29.aud.92374.flac16
1977-12-29Winterland Arena
92374flac16; Partial set 2 only, unknown generation maxell cassette-> sb audigy-> audacity-> cd wav-> flac
gd1977-12-29.holwein.audience.jfishman.108432.flac16
1977-12-29Winterland Arena
108432flac16; Reinhardt Holwein Audience Reel > ???? > DAT > CDR > EAC Secure Mode > WAV > FLAC
gd1977-12-29.133042.aud.troy-smith.flac16
1977-12-29Winterland Arena
133042flac16; Recording Info: master recorded from the balcony on a Tandberg 10X reel to reel @ 7.5 ips. The reel is from Sandy Troy's collection; Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith
gd77-12-30.sbd.dp-leftovers.20009.sbeok.shnf
1977-12-30Winterland Arena
20009partial; SBD> MR> DAT> CD; via Candyman
gd1977-12-30.GEMS.Taback.partial.112745.flac16
1977-12-30Winterland Arena
112745flac16; Audience Recording by Gene Taback; One Casette Master Transferred by Jim Blackwood at 24bit 96 kHz Edited and Mastered by Jamie Waddell Weiss-Saracon for 16 bit 44.1 kHz TLH for FLAC8 Tag&Rename for MetaData
gd1977-12-30.132379.sbd.miller.flac16
1977-12-30Winterland Arena
132379flac16; Recording Info: SBD -> Master Reel -> Dat -> FLAC; Transfer Info: FLAC -> Samplitude Professional v11.2.1 -> FLAC; fixed version levels were increased approximately 14db; please do not circulate the original files; All Transfers and Mastering By Charlie Miller
gd1977-12-30.139536.sbd-patched.miller.flac1644
1977-12-30Winterland Arena
139536flac16; Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller; This is a patched version of shnid=132379
gd1977-12-30.142696.mtx.tobin.flac1644
1977-12-30Winterland Arena
142696flac16; Matrix 2 Source Mix - SBD (shnid = 139536) Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139533) Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 - matrix mixing by Kevin Tobin
gd1977-12-30.142697.dts.tobin.flac1644
1977-12-30Winterland Arena
142697DTS-Audio-CD 5.1 Mix; - SBD (shnid = 139536) Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139533) Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 - dts mixing by Kevin Tobin
gd1977-12-30.139533.aud.troy.miller.smith.sirmick.flac24
1977-12-30Winterland Arena
139533flac24; Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017
gd1977-12-30.142698.5-1.tobin.flac1648
1977-12-30Winterland Arena
142698flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 139536) Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139533) Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 - surround mixing by Kevin Tobin
gd1977-12-30.sbd.cribbs.30624.sbeok.shnf
1977-12-30Winterland Arena
30624SBDMR>DAT>Sonic Solutions>CD>EAC>SHN
gd1977-12-31.140951.akg.d224e.troy.smith.miller.clugston.flac1644
1977-12-31Winterland Arena
140951flac16; Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24 bit > 16 bit via dBpoweramp
gd1977-12-31.140952.akg.d224e.troy.smith.miller.clugston.flac2496
1977-12-31Winterland Arena
140952flac24; Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496
gd1977-12-31.141799.sbd.gurman.bershaw.sirmick.flac1644
1977-12-31Winterland Arena
141799flac16; Source: SBD > Umatic videotape masters (noted as "remote") - From Bob Gurman; Transfer: Umatic masters > Sony VO-2600 > Tascam CDRW-700 > CDR - Transfered by Alan Bershaw November 26, 2002; Lineage: CDR > wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and master SIRMick April 2018
gd1977-12-31.151250.sbd.bear.gems.flac1648
1977-12-31Winterland Arena
151250flac16/48khz Recording Info: Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones). Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Patched where needed (mostly between song tunings) using shnid=141799 + 20596 16 Bit 48 kHz FLAC Level 8 from 24 Bit 96 kHz source via Izotope RX8 with MBIT+ dither -- v2 This fixed version was created on December 30, 2020. The previous version (Source ID 151250) had the L&R channels reversed on tracks 1-15. Keith is now on the left side of the mix where he belongs ;-) 16 Bit 48 kHz FLAC Level 8 from 24 Bit 96 kHz source via Izotope RX8 with MBIT+ dither
gd1977-12-31.151251.sbd.bear.gems.flac2496
1977-12-31Winterland Arena
151251flac24/96khz Recording Info: Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones). Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Patched where needed (mostly between song tunings) using shnid=141799 + 20596 24 Bit 96 kHz FLAC Level 8 v2 - This fixed version was created on December 30, 2020. The previous version (Source ID 151251) had the L&R channels reversed on tracks 1-15. Keith is now on the left of the mix where he belongs ;-)
gd1977-12-31.141124.patch-sbd.tobin.flac1644
1977-12-31Winterland Arena
141124flac16; Patched/Pitch Corrected Soundboard (original shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy (dkonrad99@hotmail.com) - pitch correction and patches by Kevin Tobin
gd1977-12-31.141125.mtx.tobin.flac1644
1977-12-31Winterland Arena
141125flac16; Matrix 2 Source Mix - SBD (shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy + AUD (shnid = 140952) Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496 - matrix mixing by Kevin Tobin
gd1977-12-31.141126.dts.tobin.flac1644
1977-12-31Winterland Arena
141126DTS-Audio-CD 5.1 Mix; SBD (shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy + AUD (shnid = 140952) Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496 - dts mixing by Kevin Tobin
gd1977-12-31.141127.5-1.tobin.flac1648
1977-12-31Winterland Arena
141127flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy + AUD (shnid = 140952) Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496 - mixing by Kevin Tobin
gd1977-12-31.151332.sbd.bear.gems.V3.flac1648
1977-12-31Winterland Arena
151332flac1648 Recording Info: Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones). Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Patched where needed (mostly between song tunings) using shnid=141799 + 20596.
This updated "version three" was created on January 1, 2021.
...and you may ask yourself, how did we get here? Uncharacteristically, we did a couple fixes to make this show right. The original seed had one of the two tapes channels reversed by accident, so we fixed that. Upon listening, scholars let us know that while Keith was on the left side of the stage physically, the mix was done to put him in the right channel, therefore our second fix had the mix flipped channels wise. Though it represented the stage position of Keith, it had the drummers and band in the wrong locations. Thanks for understanding the process and our desire to present the most accurate possible version. This version three also includes a tiny adjustment to the speed. If you have the previous two versions (151250 + 151297), please don't continue to share them elsewhere. 16 Bit 48 kHz FLAC Level 8 from 24 Bit 96 kHz source via Izotope RX8 with MBIT+ dither
gd1977-12-31.151333.sbd.bear.gems.V3.flac2496
1977-12-31Winterland Arena
151333flac2496 Recording Info: Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones). Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Patched where needed (mostly between song tunings) using shnid=141799 + 20596
This updated "version three" was created on January 1, 2021.
...and you may ask yourself, how did we get here? Uncharacteristically, we did a couple fixes to make this show right. The original seed had one of the two tapes channels reversed by accident, so we fixed that. Upon listening, scholars let us know that while Keith was on the left side of the stage physically, the mix was done to put him in the right channel, therefore our second fix had the mix flipped channels wise. Though it represented the stage position of Keith, it had the drummers and band in the wrong locations. Thanks for understanding the process and our desire to present the most accurate possible version. This version three also includes a tiny adjustment to the speed. If you have the previous two versions (151251 + 151298), please don't continue to share them elsewhere. 24 Bit 96 kHz FLAC Level 8
gd1977-12-31.sbd.heath.20596.sbeok.shnf
1977-12-31Winterland Arena
20596Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy (dkonrad99@hotmail.com)
gd1977-12-31.sbd.purvis.tetzeli.fix-286.35291.sbeok.shnf
1977-12-31Winterland Arena
35291Seamless fix of shn id 286 - SBD > Master Reel > DAT > CDR > EAC > SHN