Identifiers for Grateful Dead
1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
Archive Identifier | |
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Date | Venue |
Source | |
gd93-01-24.sbd.seff.5610.sbeok.shnf | |
1993-01-24 | Oakland-Alameda County Coliseum |
5610 | SBD > DAT > C > DAT > CDR > TAE (overlap) > WAV > SHN; Ripped, SHNed, and seeded by Jon Seff; see info file for lineage notes |
gd1993-01-24.set2.fob.schoeps.unknown.swayne.85009.sbeok.flac16 | |
1993-01-24 | Oakland-Alameda County Coliseum Arena |
85009 | flac16; Set 2: FOB Schoeps MK4s > Panasonic sv255 > (clone) Teac DA-P20 > Tascam DA-30 > Diamond xTreme Sound Card >Cool Edit Pro > CDWave > Flac16 |
gd1993-01-24.138078.SchoepsMK4.FOB.Darroch.Ammons.t-flac16 | |
1993-01-24 | Oakland-Alameda County Coliseum |
138078 | flac16/48kHz; Rob Darroch recording [FOB DFC]: Schoeps MK4 Capsules in hat > Bill Reutelhuber PS > Panasonic SV250. Mics worn in hat by Rob Darroch; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48 |
gd1993-01-24.116031.NeumannKMF4.daweez.d5scott.flac16 | |
1993-01-24 | Oakland-Alameda County Coliseum |
116031 | flac16; source: 2 Neumann KMF4's up front-center> Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1993-01-24.141070.set2.cmc3-mk4.ebel.flac1644 | |
1993-01-24 | Oakland-Alameda County Coliseum |
141070 | flac16/44.1 set 2 only. Source Info: FOB Schoeps CMC3 Mk4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel |
gd1993-01-24.142854.sbd.miller.flac2496 | |
1993-01-24 | Oakland-Alameda County Coliseum |
142854 | flac24; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1993-01-24.142855.sbd.cm.miller.flac1644 | |
1993-01-24 | Oakland-Alameda County Coliseum |
142855 | flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Dat Clone (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1993-01-24.142856.sbd.miller.flac1644 | |
1993-01-24 | Oakland-Alameda County Coliseum |
142856 | flac16; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd93-01-25.sbd.ladner.9368.sbeok.shnf | |
1993-01-25 | Oakland-Alameda County Coliseum |
9368 | SBD>CM>DAT>CDR; via Rick M; neo_levo/candyman FTP |
gd1993-01-25.141064.cmc3-mk4.ebel.flac1644 | |
1993-01-25 | Oakland-Alameda County Coliseum |
141064 | flac16/44.1 Source Info: FOB Schoeps CMC3 Mk4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel |
gd1993-01-25.142994.set2.sbd.miller.flac1644 | |
1993-01-25 | Oakland-Alameda County Coliseum |
142994 | flac16; Set 2 Recording Info: SBD > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1993-01-25.142995.sbd.miller.flac2496 | |
1993-01-25 | Oakland-Alameda County Coliseum |
142995 | flac24; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1993-01-25.116032.NeumannKMF4.daweez.d5scott.flac16 | |
1993-01-25 | Oakland-Alameda County Coliseum |
116032 | flac16; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1993-01-25.143521.sbd.miller.flac1644 | |
1993-01-25 | Oakland-Alameda County Coliseum |
143521 | flac16; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16/44.1 |
gd93-01-26.aud.ladner.21493.sbeok.shnf | |
1993-01-26 | Oakland-Alameda County Coliseum |
21493 | Source: AUD > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff (jon@seff.net); d2t2, d2t3 fixed from /shninfo_detail.php?shnid=4083 |
gd1993-01-26.akg.swayne-carls.85933.flac16 | |
1993-01-26 | Oakland-Alameda County Coliseum Arena |
85933 | flac16; AKG 460/CK8's (2' spacing on custom T-Bar) > Marantz PMD-700 > (clone) DA-P20 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1kHz) > CDWave > FLAC (L8) |
gd1993-01-26.akg.swayne-carls.85934.flac1648 | |
1993-01-26 | Oakland-Alameda County Coliseum Arena |
85934 | flac16/48; AKG 460/CK8's (2' spacing on custom T-Bar) > Marantz PMD-700 > (clone) DA-P20 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) |
gd1993-01-26.141068.fob.cmc3-mk4.ebel.flac1644 | |
1993-01-26 | Oakland-Alameda County Coliseum |
141068 | flac16/44.1 Source Info: FOB Schoeps CMC3 Mk4-> DAT (Traded to me as so, but not so sure) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel |
gd1993-01-26.141744.FOB.s2.Schoeps.Darroch.Ammons.Noel.t-flac1648 | |
1993-01-26 | Oakland-Alameda County Coliseum |
141744 | flac16/48kHz; Set 2 Rob Darroch recording [FOB DFC]: Schoeps MK4 Capsules in hat > Bill Reutelhuber PS > Panasonic SV250. Mics worn in hat by Rob Darroch; John Ammons Transfer; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave |
gd1993-01-26.143219.sbd.cm.miller.flac1644 | |
1993-01-26 | Oakland-Alameda County Coliseum |
143219 | flac16; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 This file set is 16 bit @ 44.1 |
gd93-01-26.sbd.miller.26346.sbeok.shnf | |
1993-01-26 | Oakland-Alameda County Coliseum |
26346 | SBD> Dat> Cassette Master> Dat> CD> EAC> SHN; Converted To SHN By Charlie Miller |
gd1993-01-26.aud.seff.4083.shnf | |
1993-01-26 | Oakland-Alameda County Coliseum Arena |
4083 | AUD > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff |
gd1993-01-26.143161.sbd.miller.flac2496 | |
1993-01-26 | Oakland-Alameda County Coliseum |
143161 | flac24; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 |
gd93-02-10.rehearsal.Samaritano.17435.sbeok.shnf | |
1993-02-10 | Club Front |
17435 | Club Front Studio Rehearsal; DSBD->CD->EAC->SHN; CD->EAC->SHN by Joe Samaritano |
gd93-02-21.aud.seff.1055.sbeok.shnf | |
1993-02-21 | Oakland-Alameda County Coliseum |
1055 | FOB (mics unknown) > DAT @ 48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > downsampled to 44.1k/normalized to 98% > SHN (no extraction); Transferred, SHNed, and seeded by: Jon Seff; note tracked for 1x80, 1x74 |
gd1993-02-21.fob.copeland.evans.GEMS.86058.flac16 | |
1993-02-21 | Oakland-Alameda County Coliseum Arena |
86058 | flac16; Recording- Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer- DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav May 2006 Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3 type1 dither, Crystal SRC(ultra)> 44.1/16> Trac'ed cdwave,Flac'ed level 8 TLH |
gd1993-02-21.138697.sbd.miller.flac1644 | |
1993-02-21 | Oakland-Alameda County Coliseum |
138697 | flac16; Recording Info: SBD > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller |
gd1993-02-21.132376.sbd.flac16 | |
1993-02-21 | Oakland-Alameda County Coliseum |
132376 | flac16; SBD> DAT> Steve Block CAS master> DAT> CDR> Sequoia 11-> WAV |
gd93-02-22.dsbd.vernon.19238.sbeok.shnf | |
1993-02-22 | Oakland-Alameda County Coliseum |
19238 | DSBD: DAT > DAT > CD encoded by Matt Vernon |
gd1993-02-22.149125.PandP-aud.tobin.flac16 | |
1993-02-22 | Oakland-Alameda County Coliseum |
149125 | flac16; Patched & Pitch Corrected Audience AUD (original shnid = 116143) source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - pitch correction and patches by Kevin Tobin |
gd1993-02-22.149126.mtx.tobin.flac16 | |
1993-02-22 | Oakland-Alameda County Coliseum |
149126 | flac16; Matrix 2 Source Mix SBD (shnid = 19238) DSBD: DAT > DAT > CD encoded by Matt Vernon + AUD (shnid = 116143) source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files.- matrix mixing by Kevin Tobin |
gd1993-02-22.149127.dts.tobin.flac16 | |
1993-02-22 | Oakland-Alameda County Coliseum |
149127 | DTS-Audio-CD 5.1 Mix; SBD (shnid = 19238) DSBD: DAT > DAT > CD encoded by Matt Vernon + AUD (shnid = 116143) source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files.-dts mixing by Kevin Tobin |
gd1993-02-22.149128.5-1.tobin.flac1648 | |
1993-02-22 | Oakland-Alameda County Coliseum |
149128 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 19238) DSBD: DAT > DAT > CD encoded by Matt Vernon + AUD (shnid = 116143) source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files.-surround mixing by Kevin Tobin |
gd1993-02-22.138698.sbd.miller.flac1644 | |
1993-02-22 | Oakland-Alameda County Coliseum |
138698 | flac16; Recording Info: SBD > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller |
gd1993-02-22.116143.NeumannKMF4.daweez.d5scott.flac16 | |
1993-02-22 | Oakland-Alameda County Coliseum |
116143 | flac16; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1993-02-22.141178.fob.cmc5-mk4.ebel.flac1648 | |
1993-02-22 | Oakland-Alameda County Coliseum |
141178 | flac16/44.1 Source Info: FOB Schoeps CMC 5 MK 4-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel |
gd93-02-23.sbd.hall.1611.sbeok.shnf | |
1993-02-23 | Oakland-Alameda County Coliseum |
1611 | SBD> DAT> Sonic Solutions (for phase correction)> CD; via Mike Hall |
gd1993-02-23.138786.SchoepsMK4.FOB.Darroch.Ammons.t-flac1648 | |
1993-02-23 | Oakland-Alameda County Coliseum |
138786 | flac16/48kHz; Rob Darroch recording [FOB DFC]: Schoeps MK4 Capsules in hat > Bill Reutelhuber PS > Panasonic SV250. Mics worn in hat by Rob Darroch; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48 |
gd1993-02-23.149400.fob.schoepsmk4.darroch.ebel.flac1648 | |
1993-02-23 | Oakland-Alameda County Coliseum |
149400 | flac16/48kHz; Source Info: FOB Schoeps MK4->Reutelhuber P/S->Panasonic SV255-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) |
gd1993-02-23.123213.mtx.flac16 | |
1993-02-23 | Oakland-Alameda County Coliseum |
123213 | flac16; Matrix created with Audacity, Sbd +0 dB Gain, Aud -8 dB Gain, with slight variations to avoid clipping; soundboard source - gd93-02-23.sbd.unknown.14485.sbeok.shnf and aud source - gd1993-02-23.116152.NeumannKMF4.daweez.d5scott |
gd1993-02-23.141067.fob.cmc54.ebel.flac1644 | |
1993-02-23 | Oakland-Alameda County Coliseum |
141067 | fl1c6/44.1 Source Info: FOB Schoeps CMC 54-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel |
gd1993-02-23.141069.set1.fob.unknown-mics.ebel.flac1644 | |
1993-02-23 | Oakland-Alameda County Coliseum |
141069 | flac16/44.1 set 1 only. Source Info: FOB Mic's Unknown-> DAT Transfer Info: DAT (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel |
gd1993-02-23.116152.NeumannKMF4.daweez.d5scott.flac16 | |
1993-02-23 | Oakland-Alameda County Coliseum |
116152 | flac16; source: 2 Neumann KMF4 microphones-up front > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1993-02-23.142895.mtx.tobin.flac1644 | |
1993-02-23 | Oakland-Alameda County Coliseum |
142895 | flac16; Matrix 2 Source Mix - SBD (shnid = 1611) SBD> DAT> Sonic Solutions (for phase correction)> CD; via Mike Hall + AUD (shnid = 141067) fl1c6/44.1 Source Info: FOB Schoeps CMC 54-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel - matrix mixing by Kevin Tobin |
gd1993-02-23.142896.dts.tobin.flac1644 | |
1993-02-23 | Oakland-Alameda County Coliseum |
142896 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 1611) SBD> DAT> Sonic Solutions (for phase correction)> CD; via Mike Hall + AUD (shnid = 141067) fl1c6/44.1 Source Info: FOB Schoeps CMC 54-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel - dts mixing by Kevin Tobin |
gd1993-02-23.142897.5-1.tobin.flac1648 | |
1993-02-23 | Oakland-Alameda County Coliseum |
142897 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 1611) SBD> DAT> Sonic Solutions (for phase correction)> CD; via Mike Hall + AUD (shnid = 141067) fl1c6/44.1 Source Info: FOB Schoeps CMC 54-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel - surround mixing by Kevin Tobin |
gd93-03-09.akg.gardner.10084.sbeok.shnf | |
1993-03-09 | Rosemont Horizon |
10084 | AUD>DAT>CDR (AKG 460's); via Paul; Seeded to etree by Tony G |
gd1993-03-09.AKG451.Darby.119619.Flac2448 | |
1993-03-09 | Rosemont Horizon |
119619 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 49 Seat 1/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Maxell MX-S,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
gd1993-03-09.AKG451.Darby.119620.Flac1644 | |
1993-03-09 | Rosemont Horizon |
119620 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 49 Seat 1/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Maxell MX-S,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1993-03-09.sbd.miller.110510.flac16 | |
1993-03-09 | Rosemont Horizon |
110510 | flac16; Recording Info:SBD -> Master Dat (44.1k); Transfer Info:Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1993-03-09.sennME80.wklitz.96075.flac16 | |
1993-03-09 | Rosemont Horizon Arena |
96075 | flac16; Source: Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger |
gd1993-03-09.132702.cmc34.fob.vezzetti.deal.petty.flac16 | |
1993-03-09 | Rosemont Horizon |
132702 | flac16; Recording info: FOB/Schoeps CMC 34> Oade p/s> SV-255 by Vezzetti; DAT's provided by Lance Deal; Transfer: Fostex D-5 (optical)> M Audio USB Transit> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty |
gd93-03-10.sbd.ladner.2024.sbeok.shnf | |
1993-03-10 | Rosemont Horizon |
2024 | Sbd > DAT master > analog > DAT > CDR > EAC > SHN; via Doug Nawrocki, Chris Ladner; "no known flaws" reported by seeder |
gd1993-03-10.sbd.tetzeli-fix.35215.shnf | |
1993-03-10 | Rosemont Horizon Arena |
35215 | Sbd > DAT master > analog > DAT > CDR > EAC > SHN - Seamless fix of shn id 2024 |
gd1993-03-10.sennME80.wklitz.96436.flac16 | |
1993-03-10 | Rosemont Horizon Arena |
96436 | flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger |
gd1993-03-10.120543.sbd.miller.flac16 | |
1993-03-10 | Rosemont Horizon |
120543 | flac16; Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1993-03-10.AKG451.Darby.119634.Flac2448 | |
1993-03-10 | Rosemont Horizon |
119634 | flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 2 Row 49 Seat 5/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo |
gd1993-03-10.AKG451.Darby.119635.Flac1644 | |
1993-03-10 | Rosemont Horizon |
119635 | flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 2 Row 49 Seat 5/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd93-03-11.aud.gardner.10538.sbeok.shnf | |
1993-03-11 | Rosemont Horizon |
10538 | AUD>DAT>CDR (AKG 460's); via Paul; Seeded to etree by Tony G |
gd93-03-11.sbd.wharfrat.10383.sbeok.shnf | |
1993-03-11 | Rosemont Horizon |
10383 | SBD>CAS>DAT>CD; Seeded to etree by wharf_ratt |
gd1993-03-11.sennME80.wklitz.96384.flac16 | |
1993-03-11 | Rosemont Horizon Arena |
96384 | flac16; Source: Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger |
gd1993-03-11.mtx.seamons.120865.flac16 | |
1993-03-11 | Rosemont Horizon |
120865 | flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) |
gd93-03-14.aud-sbd.stephens.19782.sbeok.shnf | |
1993-03-14 | Richfield Coliseum |
19782 | Source: Set I: AUD, OTS, Sennheiser ME80's > Teac DA-P20 ; Set II: SBD, DSBD > ?C > DAT ; seeded to etree by Dan Stephens (dms@well.com) |
gd93-03-14.senn.jimbo67.14830.sbeok.shnf | |
1993-03-14 | Richfield Coliseum |
14830 | Source: Sennheiser ME80's (taper section)>Teac DA-P20 Transfer: Panasonic SV-3700>HHb CDR-800>EAC>Shn |
gd1993-03-14.fob.schoeps.evans.GEMS.83162.flac16 | |
1993-03-14 | Richfield Coliseum |
83162 | flac16; Recording Info: Schoeps Mk4 (cardiod) > Schoeps KC5 active Cable > Schoeps CMC 3 mic body > Monster M1000 Jumper cable > Panasonic sv255 DAT Recorder > DAT Master Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> M-Audio Firewire Solo Interface -> Soundforge 8.0 Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 using Ozone and L2 for dither Trac'ed Cdwave, Flac'ed level 8 TLH |
gd1993-03-14.sbd.miller.96305.sbeok.flac16 | |
1993-03-14 | Richfield Coliseum |
96305 | flac16; Recording Info: SBD -> Dat Master (44.1k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1993-03-14.JB.Nak300CP4.110491.flac16 | |
1993-03-14 | Richfield Coliseum |
110491 | flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell MX-s 90,100 Taper:JB Transfer By;Keo Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 32 Bit Float/96kHz Dithered with Korg Aqua to 16 Bit/44.1kHz |
gd1993-03-14.JB.Nak300CP4.110493.flac24 | |
1993-03-14 | Richfield Coliseum |
110493 | flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell MX-s 90,100 Taper:JB Transfer By;Keo Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 24 Bit/96kHz |
gd93-03-14.akg.brown.4703.sbeok.shnf | |
1993-03-14 | Richfield Coliseum |
4703 | AKG468 shotguns > DAT; Conversion: DAT (Panasonic SV-3800) > CD (HHB CDR-850) > EAC (Plextor PX-40TS, secure mode) > SHN; seed by Robert Brown to abgd |
gd1993-03-14.136407.Nak300CP4.Baker.Keo.Flac2496 | |
1993-03-14 | Richfield Coliseum |
136407 | flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1993-03-14.136408.Nak300CP4.Baker.Keo.Flac1644 | |
1993-03-14 | Richfield Coliseum |
136408 | flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd93-03-16.sbd.gardner.5442.sbeok.shnf | |
1993-03-16 | Capital Centre |
5442 | sbd> dat> c> dat> cdr; via Tony Gardner, from Paul B. seed discs |
gd1993-03-16.139672.fob.schoeps.wise.clugston.flac1648 | |
1993-03-16 | Capital Centre |
139672 | flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648 |
gd1993-03-16.140082.s2.FOB.Schoeps.Gastwirt.Miller.Noel.t-flac1648 | |
1993-03-16 | Capital Centre |
140082 | flac16/48kHz; Set 2 Rich Gastwirt recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT |
gd1993-03-16.sennme80.wklitz.97708.flac16 | |
1993-03-16 | Capital Centre |
97708 | flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC; Recorded By Keith Litzenberger |
gd1993-03-16.akg.swayne.85173.sbeok.flac16 | |
1993-03-16 | Capital Centre |
85173 | flac16; AKG 460/CK8's -> Panasonic SV-255 -> (clone) TEAC DA-P20 -> Tascam DA-30 (48k) --[coaxial S/PDIF]--> Diamond xTreme Sound Card (48k) |
gd1993-03-16.akg414.larson.28658.sbeok.shnf | |
1993-03-16 | Capital Centre |
28658 | Source: Af: AKG 414's>D Transfer: D(48kHz)>Panasonic sv3700>ZA2(S/PDIF)>Wavelab 3.03.CDWav>.wav or .shn |
gd1993-03-16.akg451.dipietro.31958.sbeok.flac16 | |
1993-03-16 | Capital Centre |
31958 | flac16; record: akg 451's>b18's>D5proII ots transfer: Cassette Master>Aiwa F810>MAudio audiophile 24/96 @44.1>Wavelab 5>cdwav>flac record& transfer by cdipietro |
gd93-03-17.sbd.ladner.4979.sbeok.shnf | |
1993-03-17 | Capital Centre |
4979 | SBD > MC > DAT > CDR > WAV > SHN; see info file for notes; upload C. Ladner, from cm's seed |
gd1993-03-17.akg451.cdipietro.31957.flac16 | |
1993-03-17 | Capital Centre |
31957 | flac16; record: akg 451's>b18's>D5proII ots transfer: Cassette Master>Aiwa F810>MAudio audiophile 24/96 @44.1>Wavelab 5>cdwav>flac record& transfer by cdipietro |
gd1993-03-17.akg460.swayne-jones-joe.sbeok.85163.flac16 | |
1993-03-17 | Capital Centre |
85163 | flac 16; Source: AKG 460/CK8's -> Panasonic SV-255 -> (clone) TEAC DA-P20 ->Tascam DA-30 (48k) --[coaxial S/PDIF]--> Diamond xTreme Sound Card (48k) |
gd1993-03-17.dsbd.miller.79050.sbeok.flac16 | |
1993-03-17 | Capital Centre |
79050 | flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC |
gd1993-03-17.snchk.miller.34421.sbeok.flac16 | |
1993-03-17 | Capital Centre |
34421 | flac16; **SOUNDCHECK** Recording Info: Unknown Mics -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
gd1993-03-17.138877.AMS.ST-250.S2.Ammons.Noel.t-flac16 | |
1993-03-17 | Capital Centre |
138877 | flac16/48kHz; Set 2, Taped by Ron Keyser: AMS ST-250 Soundfield mic > Modified Sony D10Pro> DAT - FOB; John Ammons Transfer from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT |
gd1993-03-17.117743.naks.boedicker.flac16 | |
1993-03-17 | Capital Centre |
117743 | flac16; Source: Sony D6 Cassette master(Dolby B On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders little Helper. Taped By Dave Boedicker,Official Taper Section |
gd1993-03-17.nak300.mchugh.77788.sbeok.flac16 | |
1993-03-17 | Capital Centre |
77788 | flac16; NAK-300s > Sony D-5, using Dolby B. Two Maxwell MXS tapes recorded by Boyd McHugh from tapers' section Transfer: MC > standalone Philips 880 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks > EAC to extract to hard drive, CD Wave for splitting resulting .wav files, flac Fromtend to encode to flac. This is done by Bzl |
gd93-03-18.ST250.ladner.16814.sbeok.shnf | |
1993-03-18 | Capital Centre |
16814 | FOB (SoundField ST250)>DAT(playback on Panasonic SV-3800)>HHb CDR-850>CDR>WAV>SHN. CDR source via D.Duquette. SHN encoding/initial FTP propagation via C.Ladner/candyman FTP. |
gd1993-03-18.dsbd.miller.79070.sbeok.flac16 | |
1993-03-18 | Capital Centre |
79070 | flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC |
gd1993-03-18.fob.schoeps.unknown.larson.28659.shnf | |
1993-03-18 | Capital Centre |
28659 | Source: Af: Schoeps cmc5&mk21's>D 11th row, center Transfer: D(48kHz)>Panasonic sv3700>ZA2(S/PDIF)>Wavelab 3.03>CDWav>.wav>CD or .shn |
gd1993-03-18.139673.fob.schoeps.wise.clugston.flac1648 | |
1993-03-18 | Capital Centre |
139673 | flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648 |
gd1993-03-18.fob.schoeps.byron.dauria.106322.flac16 | |
1993-03-18 | Capital Centre |
106322 | flac16/48kHz; Source: Schoeps CMC5 MK4->Sonosax SX-M2->Sony D10 Pro; Transfer: Tascam DA20 MKII->Edirol R44->SD->PC->CD Wave Editor->Flac Frontend; Tapers Unknown ,Eliot Byron's Rig,Eliot Byron's tape marked Master. Transfer and upload by Frank D'Auria. |
gd1993-03-18.118320.naks.Boedicker.flac16 | |
1993-03-18 | Capital Centre |
118320 | flac16; Source:Sony D6 cassette Master(Dolby "B" On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker,Official Taper Section |
gd93-03-20.akg586.gardner.3385.sbeok.shnf | |
1993-03-20 | The Omni |
3385 | AKG 568 (shotguns)-> Sony D3; transferred the master DATs to CDR with a Panasonic SV3800 -> HHb CDR-850 via optical; CDR-> EAC-> SHN; via Tony Gardner |
gd1993-03-20.147585.nak300CP4.ebel.flac1648 | |
1993-03-20 | The Omni |
147585 | flac16/48kHz; Source Info: TS Nak 300-> Casio DA-7-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Taped & Transfers by Pete Ebel |
gd1993-03-20.151663.sbd.cm.miller.t.flac16 | |
1993-03-20 | The Omni |
151663 | flac16/44khz Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 151158 24 -> 16 @ 44.1 |
gd1993-03-20.151158.sbd.miller.flac2448 | |
1993-03-20 | The Omni |
151158 | flac24/48khz Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 |
gd1993-03-20.149271.fob.ams.ebel.flac16 | |
1993-03-20 | The Omni |
149271 | flac16; Source Info: FOB AMS ST-250-> Sony D10 Pro II-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) |
gd93-03-21.ST250.georges.7470.sbeok.shnf | |
1993-03-21 | The Omni |
7470 | FOB/DFC Soundfield ST-250 > Sony D10 Pro-II (48k) Master DAT Mastered live by James Young / Ron kaiser; via nick@nickspicks.com |
gd93-03-21.akg.gardner.3386.sbeok.shnf | |
1993-03-21 | The Omni |
3386 | AKG 568 (shotguns)-> Sony D3; transferred the master DATs to CDR with a Panasonic SV3800 -> HHb CDR-850 via optical; CDR-> EAC-> SHN; via Tony Gardner |
gd1993-03-21.132695.deal.petty.flac16 | |
1993-03-21 | The Omni |
132695 | flac16; Set One recording info on DAT: Neumann TLM-170/Oade (presumed Oade recording); Set Two recording info on DAT: B&K 4011 received from Jim Lyle; DAT's provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on by Will Petty |
gd1993-03-21.151664.sbd.cm.miller.t.flac16 | |
1993-03-21 | The Omni |
151664 | flac16/44khz Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 151159 24 -> 16 @ 44.1 |
gd1993-03-21.151159.sbd.miller.flac2448 | |
1993-03-21 | The Omni |
151159 | flac24/48khz Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 |
gd1993-03-21.111268.naks.DATBRAD.flac16 | |
1993-03-21 | The Omni |
111268 | flac16; 2 NAK300s/CP4s(PAS) + 1 NAK300/CP1(CTR)> NAK MX100>TC-D5m(line out)>TCD-D3(16/48); Digital transfer: (TCD-D8>PMD670>CF>HDD); MDAT>Wav>Wavelab-6(44.1)>CDWave(splits)>Flac Frontend(Level 6); (OTS/sec 128F-row PP-seat 14) |
gd93-03-22.akg.gardner.3388.sbeok.shnf | |
1993-03-22 | The Omni |
3388 | AKG 568 (shotguns)-> Sony D3; transferred the master DATs to CDR with a Panasonic SV3800 -> HHb CDR-850 via optical; CDR-> EAC with proper offset-> SHN; known flaw: glitch at 2:00 on d3t03; via Tony Gardner; note gaps from previous version are fixed in this copy |
gd1993-03-22.132696.tlm170.deal.petty.flac16 | |
1993-03-22 | The Omni |
132696 | flac16; Recording info on DAT: Neumann TLM 170/Oade (presumed Oade Brothers recording); DAT's provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on by Will Petty |
gd93-03-22.set1.sbd.miller.28430.sbeok.flacf | |
1993-03-22 | The Omni |
28430 | flac16; set1; SBD> Dat> Cassette Master> Dat> CD> EAC> SHN> WAV> Samplitude Professional v8.0> FLAC; Edited By Charlie Miller |
gd1993-03-22.141812.sbd.cm.miller.flac1644 | |
1993-03-22 | The Omni |
141812 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1993-03-22.141620.sbd.miller.flac2496 | |
1993-03-22 | The Omni |
141620 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1993-03-22.111269.naks.DATBRAD.flac16 | |
1993-03-22 | The Omni |
111269 | flac16; 2 NAK300s/CP4s(PAS) + 1 NAK300/CP1(CTR)> NAK MX100>TC-D5m(line out)>TCD-D3(16/48); Digital transfer: (TCD-D8>PMD670>CF>HDD); MDAT>Wav>Wavelab-6(44.1)>CDWave(splits)>Flac Frontend(Level 6); (OTS/sec 128F-row NN-seat 14) |
gd93-03-24.sbd.nawrocki.16885.sbeok.shnf | |
1993-03-24 | Dean Smith Center |
16885 | SBD > D10 proII transfered and encoded by Doug Nawrocki |
gd93-03-24.sbd.keyser.25664.sbeok.flacf | |
1993-03-24 | Dean Smith Center |
25664 | Source: Master SBD>DAT via Modified Sony D10 Pro II. Recorded By Ron Keyser (This is from the lead deck from the daisey chain feed to the taper section) Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC |
gd93-03-24.set2-AMS.keyser.25754.sbefail.flac16 | |
1993-03-24 | Dean Smith Center |
25754 | Set 2 Only: AMS ST250 FOB DFC> AMS Control Box (Blumlein Technique)> Modified Sony D10 Pro Cloned to another Mod. Sony D10 PRO (This clone was used for this transfer) Master recorded By James Young Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC |
gd1993-03-24.akg460.swayne.85794.flac16 | |
1993-03-24 | Dean Smith Center - University of North Carolina |
85794 | flac16; AKG 460/CK8's > Marantz PMD-700 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007 |
gd1993-03-24.akg460.swayne.85795.flac1648 | |
1993-03-24 | Dean Smith Center - University of North Carolina |
85795 | flac16/48; AKG 460/CK8's > Marantz PMD-700 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007 ** 48k version ** |
gd1993-03-24.sbd.unknown.100675.shnf | |
1993-03-24 | Dean Smith Center, UNC |
100675 | Updated lineage: SBD > ? > SHN (Had been marked Unknown Audience source) |
gd1993-03-24.140000.mtx.jeh253.flac1644 | |
1993-03-24 | Dean Smith Center |
140000 | flac16; Matrix of Source 1 (shnid 109210): Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; and Source 2 (shnid 85794): Recording info: AKG 460/CK8's > Marantz PMD-700; Transfer info: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) |
gd1993-03-24.sbd.parmer.4707.shnf | |
1993-03-24 | Dean Smith Center - University of North Carolina |
4707 | SBD > DAT > CDR > EAC > SHN; DAE and shn conversion by Jason Parmer |
gd1993-03-24.sbd.miller.109210.flac16 | |
1993-03-24 | Dean Smith Center |
109210 | flac16; Recording Info: SBD -> Dat Master (48k) Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller |
gd1993-03-24.139181.sbd.liff.lamarre.berger.flac1648 | |
1993-03-24 | Dean Smith Center |
139181 | flac16/48kHz; source: sbd dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; sony tcd-d10 pro; transferred & seeded by Rob Berger |
gd1993-03-25.sbd.delgado-nawrocki.3191.shnf | |
1993-03-25 | Dean Smith Center - University of North Carolina |
3191 | SBD> DAT, with first 2 songs patched in from AUD AMS ST-250>D10; SBD via Pete Delgado; Transfer by Doug Nawrocki: DA-P1> Montego II> CE2k> CDWav> MKWAct; some declicking (see notes in info file) |
gd93-03-25.sbd.braverman.10078.sbeok.shnf | |
1993-03-25 | Dean Smith Center |
10078 | SBD>DAT>CD (This lineage is probable but not confirmed.); via Donnie Loeffler; Seeded to etree by Peter Braverman |
gd93-03-25.sbd.nawrocki.16433.sbeok.shnf | |
1993-03-25 | Dean Smith Center |
16433 | SBD > D10proII; Transfer: DA-P1 > Montego II > CE2000 > CDWave > shn > CEP 2.0 (Slightly smoothed audience patch and boosted levels 3db on entire show) > shn; presumably an edit of previous shn set, by unIDed person |
gd93-03-25.msbd.keyser.25820.sbefail.flacf | |
1993-03-25 | Dean Smith Center |
25820 | flac16; SBD> Panasonic SV255 (Master DAT)> Modified Sony D10 Pro (Master DAT) Recorded By Ron Keyser. Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC Aud. Patch: AMS ST250 FOB DFC> AMS Control Box (Blumlein Technique)> Modified Sony D10 Pro Cloned to another Mod. Sony D10 PRO (This clone was used for this transfer) Master recorded By James Young |
gd1993-03-25.akg460.swayne.85829.flac16 | |
1993-03-25 | Dean Smith Center - University of North Carolina |
85829 | flac16; AKG 460/CK8's > Marantz PMD-700 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007 |
gd1993-03-25.akg460.swayne.85830.flac1648 | |
1993-03-25 | Dean Smith Center - University of North Carolina |
85830 | flac16/48; AKG 460/CK8's > Marantz PMD-700 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007 **48k version ** |
gd1993-03-25.139204.sbd.liff.lamarre.berger.flac1648 | |
1993-03-25 | Dean Smith Center |
139204 | flac16/48kHz; source: sbd dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; sony tcd-d10 pro; transferred & seeded by Rob Berger |
gd1993-03-25.sbd.miller.103176.flac16 | |
1993-03-25 | Dean Smith Center |
103176 | flac16; Recording Info:SBD -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd93-03-25.aud.stine.14831.sbeok.shnf | |
1993-03-25 | Dean Smith Center |
14831 | Nak 300's at 8'> sony d3; transfer: Dat> sblive> cdwave> mkw audio tools> SHN; Taped By Wally Stine, locn TS |
gd1993-03-25.set1-AMS.keyser.25805.sbeok.shnf | |
1993-03-25 | Dean Smith Center |
25805 | set 1 only; flac16; AMS ST250 FOB DFC> AMS Control Box (Blumlein Technique)> Modified Sony D10 Pro Cloned to another Mod. Sony D10 PRO; recorded By James Young; Transfer: Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF> Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC, by Ron Keyser |
gd93-03-27.ams-young.georges.6701.sbeok.shnf | |
1993-03-27 | Knickerbocker Arena |
6701 | FOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by James Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > Edirol UA-5 (s/pdif in, hardware resample from 48 > 44.1k, USB out > SF 5.0 > CDWave (tracking) > MKW-Act (SHN, seekable) DAT transfer/encoding by nick@nickspicks.com |
gd93-03-27.sbd.nawrocki.31956.sbeok.shnf | |
1993-03-27 | Knickerbocker Arena |
31956 | Source: SBD > DAT Transfer: D8 > 7 pin/digi coax > Montego II > CDWave > SHN by Doug Nawrocki with patched d2t03 |
gd1993-03-27.139670.fob.schoeps.wise.clugston.flac1648 | |
1993-03-27 | Knickerbocker Arena |
139670 | flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648 |
gd1993-03-27.140009.aud.lamarre.berger.flac1648 | |
1993-03-27 | Knickerbocker Arena |
140009 | flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger |
gd1993-03-27.152952.mtx.seamons.ht133.flac16 | |
1993-03-27 | Knickerbocker Arena |
152952 | flac16; Matrix by Hunter Seamons using Final Cut Pro for set 1 and Soundtrack Pro for set 2 (FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 92523 & 140009. |
gd1993-03-27.Nak100CP4.110576.flac16 | |
1993-03-27 | Knickerbocker Arena |
110576 | flac16; Master Audience Nakamichi CM100/CP4 Shotguns>Sony D5>Dolby On Tapes: Maxell Metal Capsule 100's Taper:Heaton Transfer By:Keo Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 32 Bit Float/96kHz,Dithered with Korg Aqua to 16/44 |
gd1993-03-27.Nak100CP4.110577.flac24 | |
1993-03-27 | Knickerbocker Arena |
110577 | flac24; Master Audience Nakamichi CM100/CP4 Shotguns>Sony D5>Dolby On Tapes: Maxell Metal Capsule 100's Taper:Heaton Transfer By:Keo Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 24 Bit/96kHz No Dithering on these files |
gd1993-03-27.136687.Nak300CP4.Fitzy.Keo.Flac2496 | |
1993-03-27 | Knickerbocker Arena |
136687 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1993-03-27.136688.Nak300CP4.Fitzy.Keo.Flac1644 | |
1993-03-27 | Knickerbocker Arena |
136688 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1993-03-27.sbd.samaritano-miller.92523.sbeok.flac16 | |
1993-03-27 | Knickerbocker Arena |
92523 | flac16; Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat Set 2: SBD -> Dat Transfer Info: Set 1: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> WAV Set 2: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude Professional v7.02 -> WAV Mastering Info: WAV -> Samplitude Professional v10.1 -> FLAC All Transfers By Charlie Miller and Joe Samaritano All Mastering By Charlie Miller |
gd1993-03-27.akg.andrewf.95957.flac1648 | |
1993-03-27 | Knickerbocker Arena |
95957 | flac16/48; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC; Taped & transferred by Andrew F. |
gd1993-03-27.akg.andrewf.95958.flac16 | |
1993-03-27 | Knickerbocker Arena |
95958 | flac16; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) TLH > FLAC; Taped & transferred by Andrew F. |
gd1993-03-27.sbd.nawrocki.555.sbeok.shnf | |
1993-03-27 | Knickerbocker Arena |
555 | SBD> DAT; via D. DiProsa; Transfer: D8> 7 pin/digi coax> Montego II digi I/O> CDWAV by D. Nawrocki |
gd1993-03-27.144223.akg460b.ck63.flac1648 | |
1993-03-27 | Knickerbocker Arena |
144223 | flac16/48kHz; Source: AKG CK63 > AKG 460B > Custom Pre > Teac DAP-20; Transfer: DAT(m) @48kHz > Sony PCM-R500 > Korg MR-2000S > Samplitude Pro X3 Suite > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger); Taped by Dave Flaschner; Provided by Dave Flaschner; Transfer & edits by Jeff Mitchell |
gd93-03-28.ST250.georges.5702.sbeok.shnf | |
1993-03-28 | Knickerbocker Arena |
5702 | FOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by Jamies Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > CO2 s/pdif format converter > Zoltrix Nightengale > CE2K (record, resample) > CDWAV (tracking > SHN (seekable) DAT transfer/encoding by nick@nickspicks.com |
gd93-03-28.sbd.nawrocki.16747.sbeok.shnf | |
1993-03-28 | Knickerbocker Arena |
16747 | SBD>DAT>C>DAT>CDR encoded by Dan Carr [note: a fix of a d/o on d1t05 also circulates] |
gd1993-03-28.139671.fob.schoeps.wise.clugston.flac1648 | |
1993-03-28 | Knickerbocker Arena |
139671 | flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648 |
gd1993-03-28.140016.aud.lamarre.berger.flac1648 | |
1993-03-28 | Knickerbocker Arena |
140016 | flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger |
gd1993-03-28.akg.andrewf.95961.flac1648 | |
1993-03-28 | Knickerbocker Arena |
95961 | flac16/48; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648. Taped/transfer Andrew F. |
gd1993-03-28.akg.andrewf.95962.flac16 | |
1993-03-28 | Knickerbocker Arena |
95962 | flac16; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC 1644. Taped/transfer Andrew F. |
gd1993-03-28.124513.crupi.flac16 | |
1993-03-28 | Knickerbocker Arena |
124513 | flac16; Source: OTS/Audix shotguns > Sony WM-D6 (Sony ES-IV analog master/NR: On); Transfer: Nakamichi BX300 (analog master/Set 1 NR: OFF/Set 2 NR: ON) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/48) > Edirol UA25 > Sonar4 LE > Sound Forge 9.0 (convert 16/44.1, tracking & fades) > TLH (flac@8/ffp); Recorded by Bob Crupi; Transferred and seeded by Bob Crupi |
gd1993-03-28.124514.crupi.flac24 | |
1993-03-28 | Knickerbocker Arena |
124514 | flac24; Source: OTS/Audix shotguns > Sony WM-D6 (Sony ES-IV analog master/NR: On); Transfer: Nakamichi BX300 (analog master/Set 1 NR: OFF/Set 2 NR: ON) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/48) > Edirol UA25 > Sonar v4LE >Sound Forge 9.0 (tracking & fades) > TLH (flac@8/ffp); Recorded by Bob Crupi; Transferred and seeded by Bob Crupi |
gd1993-03-28.119290.nak300.Boedicker.flac16 | |
1993-03-28 | Knickerbocker Arena |
119290 | flac16; Source: Sony D6 Cassette Master(Maxell MX-S Metal Cassettes, Dolby "B" ON>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker, Official Taper Section |
gd1993-03-28.154758.mtx.seamons.ht136.flac16 | |
1993-03-28 | Knickerbocker Arena |
154758 | Flac16; Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 96215 & 140016. |
gd1993-03-28.sbd.gans.miller.96215.sbeok.flac16 | |
1993-03-28 | Knickerbocker Arena |
96215 | flac16; Recording Info: SBD -> Master Dat -> soundBlade -> DVD (16bit/44.1k); Transfer Info:DVD -> Samplitude Professional v10.1 -> FLAC; Transferred and Mastered By David Gans; Additional Mastering By Charlie Miller |
gd1993-03-28.44224.akg460b.ck63.flac1648 | |
1993-03-28 | Knickerbocker Arena |
144224 | flac16/48kHz; Source: AKG CK63 > AKG 460B > Custom Pre > Teac DAP-20; Transfer: DAT(m) @48kHz > Sony PCM-R500 > Korg MR-2000S > Adobe Audition CS6 > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger); Taped by Dave Flaschner; Provided by Dave Flaschner; Transfer & edits by Jeff Mitchell |
gd1993-03-28.fob.schoeps.byron.dauria.106368.flac16 | |
1993-03-28 | Knickerbocker Arena |
106368 | flac16; Source:Schoeps CMC5 MK4->Sonosax SX-M2->Sony D10 Pro; Transfer:Tascam DA20 MKII->Edirol R44->SD->PC->CD Wave Editor->Flac Frontend Taped by Eliot Byron and others unknown. Taped from row 15 FOB,Up front in the hat |
gd1993-03-28.136699.Nak300CP4.Baker.Keo.Flac2496 | |
1993-03-28 | Knickerbocker Arena |
136699 | flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1993-03-28.136700.Nak300CP4.Baker.Keo.Flac1644 | |
1993-03-28 | Knickerbocker Arena |
136700 | flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd93-03-29.schoeps.raras.8376.sbeok.shnf | |
1993-03-29 | Knickerbocker Arena |
8376 | DAUD/OTS Schoeps mk4(ORTF); taped by Eliot Byron; transfer>upload by Jim Raras; QC courtesy Dankseeds |
gd1993-03-29.136708.Nak300CP4.Baker.Keo.Flac2496 | |
1993-03-29 | Knickerbocker Arena |
136708 | flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 100 + 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1993-03-29.139668.fob.schoeps.wise.clugston.flac1648 | |
1993-03-29 | Knickerbocker Arena |
139668 | flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648 |
gd1993-03-29.140019.aud.lamarre.berger.flac1648 | |
1993-03-29 | Knickerbocker Arena |
140019 | flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger |
gd1993-03-29.151665.sbd.cm.miller.t.flac16 | |
1993-03-29 | Knickerbocker Arena |
151665 | flac16/44khz Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 151342 24 -> 16 @ 44.1 |
gd93-03-29.sbd.wiley.13512.sbeok.shnf | |
1993-03-29 | Knickerbocker Arena |
13512 | SBD>DAT>Cass>DAT; via Chris Larson ; Seeded to etree by T. Wiley |
gd1993-03-29.136710.Nak300CP4.Baker.Keo.Flac1644 | |
1993-03-29 | Knickerbocker Arena |
136710 | flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 100 + 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1993-03-29.119472.nak300.Boedicker.flac16 | |
1993-03-29 | Knickerbocker Arena |
119472 | flac16; Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns(Maxell MX-s Metal Tapes,Dolby "B" ON)>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders little Helper.Taped By Dave Boedicker,Official Taper Section |
gd1993-03-29.akg.andrewf.96025.flac1648 | |
1993-03-29 | Knickerbocker Arena |
96025 | flac16/48; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648. Taped/transfer Andrew F. |
gd1993-03-29.akg.andrewf.96026.flac16 | |
1993-03-29 | Knickerbocker Arena |
96026 | flac16; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC 1644. Taped/transfer Andrew F. |
gd1993-03-29.144225.akg460b.ck63.flac1648 | |
1993-03-29 | Knickerbocker Arena |
144225 | flac16/48kHz; Source: AKG CK63 > AKG 460B > Custom Pre > Teac DAP-20; Transfer: DAT(m) @48kHz > Sony PCM-R500 > Korg MR-2000S > Adobe Audition CS6 > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger); Taped by Dave Flaschner; Provided by Dave Flaschner; Transfer & edits by Jeff Mitchell |
gd1993-03-29.151342.sbd.miller.flac2448 | |
1993-03-29 | Knickerbocker Arena |
151342 | flac24/48khz Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 |
gd93-03-31.sbd.miller.18750.sbeok.shnf | |
1993-03-31 | Nassau Coliseum |
18750 | Recording Info: SBD -> Dat -> Cm -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> CD -> EAC -> SHN All transfers done by Charlie Miller |
gd93-03-31.schoeps.wiley.8756.sbeok.shnf | |
1993-03-31 | Nassau Coliseum |
8756 | AUD(Schoeps CMC 541's)>DAT>CDR; Unknown Seeder |
gd1993-03-31.149967.sbd.miller.flac2496 | |
1993-03-31 | Nassau Coliseum |
149967 | flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
gd93-03-31.soundcheck.kenk-tmnsp.31000.sbeok.flacf | |
1993-03-31 | Nassau Coliseum |
31000 | Soundcheck ; *Note* this is a fixed copy of Ken K's original flac seed. Source: Unknown Generation cassette (a montior feed or an "AUD" tape made inside the venue?) ; Transfer & Encoding by Ken K. ; track renaming and sector error fix by one of the folks @ tmnsp.net |
gd1993-03-31.sbd.miller.114456.flac16 | |
1993-03-31 | Nassau Coliseum |
114456 | flac16; Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1993-03-31.150156.sbd.cm.miller.flac16 | |
1993-03-31 | Nassau Coliseum |
150156 | flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
gd1993-03-31.akg.andrewf.96099.flac1648 | |
1993-03-31 | Nassau Veterans Memorial Coliseum |
96099 | flac16/48; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648. Taped/transfer Andrew F. |
gd1993-03-31.akg.andrewf.96100.flac16 | |
1993-03-31 | Nassau Veterans Memorial Coliseum |
96100 | flac16; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC 1644. Taped/transfer Andrew F. |
gd1993-03-31.139689.fob.schoeps.wise.clugston.flac1648 | |
1993-03-31 | Nassau Coliseum |
139689 | flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Recorded & Transferred by Jim Wise; Mastered by Scott Clugston |
gd1993-03-31.139964.aud.lamarre.berger.flac1648 | |
1993-03-31 | Nassau Coliseum |
139964 | flac16/48kHz; source: aud dat master; taped by Doug Lamarre; sennheiser 441’s > denon dtr-80; taper section; transferred & seeded - Rob Berger |
gd1993-03-31.124440.crupi.flac16 | |
1993-03-31 | Nassau Coliseum |
124440 | flac16; Source: OTS/Audix shotguns > Sony WM-D6 (Sony ES-IV analog master/NR: On); Transfer: Nakamichi BX300 (analog master/NR: off) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/48) > Edirol UA25 > Sonar LE > Sound Forge 9.0 (convert 16/44.1, tracking, fades and normalize) > TLH (flac@8/ffp); Recorded by Bob Crupi; Transferred and seeded by Bob Crupi |
gd93-04-01.bk4011.blanchard.17682.sbeok.shnf | |
1993-04-01 | Nassau Coliseum |
17682 | B&K 4011 w/balls > HDS1@stacks front center of ts > CD; Conversion: CD > EAC > Cool Edit 2000 > CDWav > mkwACT 0.97 > shn by Steve Blanchard |
gd93-04-01.sbd.hinko.23822.sbeok.shnf | |
1993-04-01 | Nassau Coliseum |
23822 | DSBD > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko |
gd1993-04-01.akg.andrewf.96102.flac1648 | |
1993-04-01 | Nassau Veterans Memorial Coliseum |
96102 | flac16/48; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Sony DT-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648. Taped/transfer Andrew F. |
gd1993-04-01.akg.andrewf.96103.flac16 | |
1993-04-01 | Nassau Veterans Memorial Coliseum |
96103 | flac16; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Sony DT-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC 1644. Taped/transfer Andrew F. |
gd1993-04-01.149968.sbd.miller.flac2496 | |
1993-04-01 | Nassau Coliseum |
149968 | flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
gd1993-04-01.150157.sbd.cm.miller.flac16 | |
1993-04-01 | Nassau Coliseum |
150157 | flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
gd1993-04-01.139690.fob.schoeps.wise.clugston.flac1648 | |
1993-04-01 | Nassau Coliseum |
139690 | flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Recorded & Transferred by Jim Wise; Mastered by Scott Clugston |
gd1993-04-01.139965.aud.lamarre.berger.flac1648 | |
1993-04-01 | Nassau Coliseum |
139965 | flac16/48kHz; source: aud dat master; taped by Doug Lamarre; sennheiser 441’s > denon dtr-80; taper section; transferred & seeded - Rob Berger |
gd93-04-02.sbd.carr.13500.sbeok.shnf | |
1993-04-02 | Nassau Coliseum |
13500 | SBD>DAT>C>DAT>CDR>EAC>WAV>MKW>SHNv3 |
gd93-04-02.schoeps.vernon.18527.sbeok.shnf | |
1993-04-02 | Nassau Coliseum |
18527 | AUD(Schoeps CMC-541?s) > DAT > CDR via Raoul Duke encoded by Matt Vernon |
gd1993-04-02.149969.sbd.miller.flac2496 | |
1993-04-02 | Nassau Coliseum |
149969 | flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24 |
gd1993-04-02.150158.sbd.cm.miller.flac16 | |
1993-04-02 | Nassau Coliseum |
150158 | flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
gd1993-04-02.139691.set2.fob.schoeps.wise.clugston.flac1648 | |
1993-04-02 | Nassau Coliseum |
139691 | flac16/48kHz; Set 2 Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Recorded & Transferred by Jim Wise; Mastered by Scott Clugston |
gd1993-04-02.139966.aud.lamarre.berger.flac1648 | |
1993-04-02 | Nassau Coliseum |
139966 | flac16/48kHz; source: aud dat master; taped by Doug Lamarre; sennheiser 441’s > denon dtr-80; taper section; transferred & seeded - Rob Berger |
gd93-04-04.nak.ladner.18978.sbeok.shnf | |
1993-04-04 | Nassau Coliseum |
18978 | Source: Nak 300/CP4>CM>CDR>WAV>SHN. CDR source via O.Clark. SHN encoding/FTP via C.Ladner/candyman FTP. |
gd93-04-04.schoeps.vernon.18528.sbeok.shnf | |
1993-04-04 | Nassau Coliseum |
18528 | AUD(Schoeps CMC-541?s) > DAT > CDR via Raoul Duke encoded by Matt Vernon |
gd1993-04-04.akg460.swayne.85859.flac16 | |
1993-04-04 | Nassau Veterans Memorial Coliseum |
85859 | flac16; AKG 460/CK8's (2' apart on a custom T-Bar) -> Panasonic SV-255 -> Teac DA-P20 -> Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) |
gd1993-04-04.akg460.swayne.85860.flac1648 | |
1993-04-04 | Nassau Veterans Memorial Coliseum |
85860 | flac16/48; AKG 460/CK8's (2' apart on a custom T-Bar) -> Panasonic SV-255 -> Teac DA-P20 -> Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) **48k version** |
gd1993-04-04.149970.sbd.miller.flac2496 | |
1993-04-04 | Nassau Coliseum |
149970 | flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
gd1993-04-04.138482.nak300.flac16 | |
1993-04-04 | Nassau Coliseum |
138482 | flac16 Source - Lineage : OTS - Nak CM 300 > CP-4S > Sony TCD5 > Cassette Master > Transfer to CD > me > EAC > TLH level 8 > flac 16 > you > enjoy ! Tape and Transferred by Jon Pasternak |
gd1993-04-04.150159.sbd.cm.miller.flac16 | |
1993-04-04 | Nassau Coliseum |
150159 | flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
gd93-04-04.sbd.hinko.27976.sbeok.flacf | |
1993-04-04 | Nassau Coliseum |
27976 | flac16; SBD > DAT > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko |
gd1993-04-04.139692.set2.fob.schoeps.wise.clugston.flac1648 | |
1993-04-04 | Nassau Coliseum |
139692 | flac16/48kHz; Set 2 Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Recorded & Transferred by Jim Wise; Mastered by Scott Clugston |
gd93-04-05.mk21-fob-dnk.raras.8842.sbeok.shnf | |
1993-04-05 | Nassau Coliseum |
8842 | 1st set only; DAUD/FOB Schoeps mk21(ORTF); via Dankseeds |
gd93-04-05.sbd.gardner.12095.sbeok.shnf | |
1993-04-05 | Nassau Coliseum |
12095 | SBD>MC>DAT>CDR; via Raoul Duke; Seeded to etree by Tony G |
gd1993-04-05.149971.sbd.miller.flac2496 | |
1993-04-05 | Nassau Coliseum |
149971 | flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
gd1993-04-05.150160.sbd.cm.miller.flac16 | |
1993-04-05 | Nassau Coliseum |
150160 | flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
gd1993-04-05.139693.fob.schoeps.wise.clugston.flac1648 | |
1993-04-05 | Nassau Coliseum |
139693 | flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Recorded & Transferred by Jim Wise; Mastered by Scott Clugston |
gd93-05-14.aud.fink.17812.sbeok.shnf | |
1993-05-14 | Sam Boyd Silver Bowl, U.N.L.V. |
17812 | A : ? > DAT > CDR > EAC > SHN; CDR > EAC > CDWAV > SHN by Alan J Fink, with thanks to Paul B. |
gd1993-05-14.140129.sbd.miller.flac2496 | |
1993-05-14 | Sam Boyd Silver Bowl, U.N.L.V. |
140129 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1993-05-14.112085.schoepsMK41.flac16 | |
1993-05-14 | Sam Boyd Silver Bowl |
112085 | flac16; Recording Info: FOBH 30' center Schoeps Mk-41 3.5" @ 90* ( 1/2 O.R.T.F ) > Schoeps KC5 Actives > CMC 4 > Canare Star Quad > Koch Power Supply > Canare Star Quad > Koch Modified Panasonic SV-255; Transfer Info: DAT x 3 48k > Hosa ODL-276 > Nomad Jukebox 3 > USB > Dell Home Computer > R8t Brain 48K to 44.1k > CD Wave > Flac Frontend |
gd1993-05-14.sennME80.wklitz.94259.flac16 | |
1993-05-14 | Sam Boyd Silver Bowl |
94259 | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger |
gd1993-05-14.141491.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648 | |
1993-05-14 | Sam Boyd Silver Bowl, U.N.L.V. |
141491 | flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460/61 B18 > AKG B18 phantom power unit > Panasonic SV255 > DAT (OTS); Location: on the rail behind the soundboard dead center; Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 |
gd1993-05-14.137245.mk41.miller.flac1648 | |
1993-05-14 | Sam Boyd Silver Bowl, U.N.L.V. |
137245 | flac16/48kHz; Recording Info: (FOB) Schoeps MK41 -> Dat (Panasonic SV-255/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/48k; All Transfers and Mastering By Charlie Miller |
gd1993-05-14.140224.sbd.cm.miller.flac1644 | |
1993-05-14 | Sam Boyd Silver Bowl, U.N.L.V. |
140224 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd93-05-15.schoeps.fink.17955.sbeok.shnf | |
1993-05-15 | Sam Boyd Silver Bowl, U.N.L.V. |
17955 | A : Schoeps CMC 521's > DAT > CDR > EAC > CE Pro > SHN; CDR > EAC > CE Pro > SHN by Alan J Fink (aj.fink@verizon.net) |
gd1993-05-15.140130.sbd.miller.flac2496 | |
1993-05-15 | Sam Boyd Silver Bowl, U.N.L.V. |
140130 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1993-05-15.141493.OTS.s2.AKG.Ackerman.Miller.Noel.t-flac.1648 | |
1993-05-15 | Sam Boyd Silver Bowl, U.N.L.V. |
141493 | flac16/48kHz; Set 2 Master Audience Recording & Transfer by Ray Ackerman: AKG 460/61 B18 > AKG B18 phantom power unit > Panasonic SV255 > DAT (OTS); Location: on the rail behind the soundboard dead center; Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 |
gd1993-05-15.137246.mk41.miller.flac1648 | |
1993-05-15 | Sam Boyd Silver Bowl, U.N.L.V. |
137246 | flac16/48kHz; Recording Info: (FOB) Schoeps MK41 -> Dat (Panasonic SV-255/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/48k; All Transfers and Mastering By Charlie Miller |
gd1993-05-15.140225.sbd.cm.miller.flac1644 | |
1993-05-15 | Sam Boyd Silver Bowl, U.N.L.V. |
140225 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd93-05-16.sbd.herman.11934.sbeok.shnf | |
1993-05-16 | Sam Boyd Silver Bowl, U.N.L.V. |
11934 | SBD>DAT(48kHz); via Steve Herman; Seeded to etree by M. Walke |
gd1993-05-16.fm-sbd.larson.4183.shnf | |
1993-05-16 | Sam Boyd Silver Bowl |
4183 | Internal FM> DAT (48kHz); Transfer: DAT> ZA2 (S/PDIF)> Samplitude2496> shn; Conversion by Chris Larson, from Tom and Roger's tapes |
gd1993-05-16.sbd.miller.32348.sbeok.flac16 | |
1993-05-16 | Sam Boyd Silver Bowl |
32348 | flac16; Recording Info: SBD -> Master Dat -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> FLAC |
gd1993-05-16.135614.mk41.miller.flac16 | |
1993-05-16 | Sam Boyd Silver Bowl, U.N.L.V. |
135614 | flac16; Recording Info: Schoeps MK41 -> Dat (48k); Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller |
gd1993-05-16.140260.sbd.miller.flac2496 | |
1993-05-16 | Sam Boyd Silver Bowl, U.N.L.V. |
140260 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1993-05-16.140326.sbd.cm.miller.flac1644 | |
1993-05-16 | Sam Boyd Silver Bowl, U.N.L.V. |
140326 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1993-05-16.151684.sbd.cm.miller.t.flac16 | |
1993-05-16 | Sam Boyd Silver Bowl |
151684 | flac16/44khz Remastered Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Samplitude Pro X5 Suite > FLAC/24 151343 24 -> 16 @ 44.1 |
gd1993-05-16.sbd.miller.tetzeli.fix-32348.34826.reflac.flac16 | |
1993-05-16 | Sam Boyd Silver Bowl |
34826 | flac16; Seamless fix of shn id 32348 - SBD -> Master Dat -> Sonic Solutions -> CD -> EAC -> FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
gd1993-05-16.116301.NeumannKMF4.daweez.d5scott.flac16 | |
1993-05-16 | Sam Boyd Silver Bowl, U.N.L.V. |
116301 | flac16; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
gd1993-05-16.141494.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648 | |
1993-05-16 | Sam Boyd Silver Bowl, U.N.L.V. |
141494 | flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460/61 B18 > AKG B18 phantom power unit > Panasonic SV255 > DAT (OTS); Location: on the rail behind the soundboard dead center; Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 |
gd1993-05-16.151343.sbd.miller.remastered.flac2496 | |
1993-05-16 | Sam Boyd Silver Bowl, U.N.L.V. |
151343 | flac24/96khz Remastered Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Samplitude Pro X5 Suite > FLAC/24 |
gd93-05-21.schoeps.gardner.9400.sbeok.shnf | |
1993-05-21 | Shoreline Amphitheatre |
9400 | AUD(Schoeps CMC 521?s)>DAT>CDR; Seeded to etree by Tony G |
gd1993-05-21.set2.sbd.miller.32499.sbeok.flac16 | |
1993-05-21 | Shoreline Amphitheatre |
32499 | flac16; Set 2 SBD -> Master Dat -> Sonic Solutions -> CD. Converted By Charlie Miller. |
gd1993-05-21.137252.mk41.miller.flac1648 | |
1993-05-21 | Shoreline Amphitheatre |
137252 | flac16/48kHz; Recording Info: (FOB) Schoeps MK41 > Dat Master (Panasonic SV-255/48k); Transfer Info: Dat Master (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller |
gd1993-05-21.140856.sbd.miller.flac2496 | |
1993-05-21 | Shoreline Amphitheatre |
140856 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1993-05-21.140870.sbd.cm.miller.flac1644 | |
1993-05-21 | Shoreline Amphitheatre |
140870 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
gd93-05-22.sbd.gardner.9401.sbeok.shnf | |
1993-05-22 | Shoreline Amphitheatre |
9401 | SBD>DAT>??>DAT>CDR; Seeded to etree by Tony G |
gd93-05-22.sbd.miller.11665.sbeok.shnf | |
1993-05-22 | Shoreline Amphitheatre |
11665 | SBD -> Dat -> Sonic Solutions -> CD; Seeded to etree by Charlie Miller |
gd1993-05-22.127320.nak300.bowen.flac16 | |
1993-05-22 | Shoreline Amphitheatre |
127320 | flac16; Source: Nakamichi CM-300 x 3; 2 CP-4’s + 1 CP-1 > Boss BX-4 Mixer > Sony TC-D5M XLIIS Cass Master; Transferred: TC-D5M (Original Record Deck) > HHb CDR 800 PRO via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS, SEC 202, Left; Recorded/Transferred By:Jeff Bowen |
gd1993-05-22.137254.mk41.miller.flac1648 | |
1993-05-22 | Shoreline Amphitheatre |
137254 | flac16/48kHz; Recording Info: (FOB) Schoeps MK41 > Dat Master (Panasonic SV-255/48k); Transfer Info: Dat Master (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller |
gd93-05-23.sbd.wiley.8707.sbeok.shnf | |
1993-05-23 | Shoreline Amphitheatre |
8707 | DSBD>DAT>CDR; Seeded to etree by Tim Wiley |
gd1993-05-23.neumann.wklitz.94352.flac16 | |
1993-05-23 | Shoreline Amphitheatre |
94352 | flac16; Neumann KM140's>Panasonic SV-250>Analog out>Technics SV-MD1(don't have preamp used written on my label) DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger |
gd1993-05-23.137255.mk41.miller.flac1648 | |
1993-05-23 | Shoreline Amphitheatre |
137255 | flac16/48kHz; Recording Info: (FOB) Schoeps MK41 > Dat Master (Panasonic SV-255/48k); Transfer Info: Dat Master (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller |
gd93-05-25.dsbd.vernon.19224.sbeok.shnf | |
1993-05-25 | Cal Expo |
19224 | DSBD: DAT > DAT > Sonic Solutions > CD > CD encoded by Matt Vernon |
gd93-05-25.schoeps.vernon.19223.sbeok.shnf | |
1993-05-25 | Cal Expo |
19223 | Schoeps > DAT > CDR via Tom Bellanca encoded by Matt Vernon |
gd1993-05-25.137257.mk41.miller.flac1648 | |
1993-05-25 | Cal Expo |
137257 | flac16/48kHz; Recording Info: (FOB) Schoeps MK41 > Dat Master (Panasonic SV-255/48k); Transfer Info: Dat Master (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller |
gd1993-05-25.fob.schoeps.mk2.GEMS.34853.flac1648 | |
1993-05-25 | Cal Expo Amphitheatre |
34853 | flac16/48; FOB Schoeps Mk2 Omni Capsule 7' spaced omnis in hat -> Schoeps Active Cables -> Schoeps CMC 5 Mic Body -> Monster M1000 Jumper -> Neumann Supply -> Canare Cable -> Panasonic sv255 Transfer: Transfer by Todd Evans May 2006 - todd@bluedakota.com DAT Clone > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav |
gd1993-05-25.schoeps.evans.florek.34849.sbeok.flac16 | |
1993-05-25 | Cal Expo Amphitheatre |
34849 | flac16; FOB Schoeps Mk2 Omni Capsule 7' spaced omnis in hat -> Schoeps Active Cables -> Schoeps CMC 5 Mic Body -> Monster M1000 Jumper -> Neumann Supply -> Canare Cable -> Panasonic sv255 Transfer: Transfer by Todd Evans May 2006 - todd@bluedakota.com DAT Clone > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav |
gd93-05-26.sbd.19132.sbeok.shnf | |
1993-05-26 | Cal Expo |
19132 | DSBD>CASS>DAT>CDx2 > EAC in secure mode > SHN |
gd93-05-26.sbd.georges.1958.sbeok.shnf | |
1993-05-26 | Cal Expo |
1958 | M:C> D> CD> EAC> SHN; via Nick Georges; CD insert available at www.nickspicks.com |
gd93-05-26.schoeps.georges.15384.sbeok.flacf | |
1993-05-26 | Cal Expo |
15384 | flac16; FOB Schoeps CMC3, 2-> OADE/PS-SV255; DAT>CD conversion, unknown; My audio discs > EAC (secure) > FLAC; ripped/FLAC'd/edits done by Nick Georges |
gd1993-05-26.fob.schoeps.evans.GEMS.84031.flac16 | |
1993-05-26 | Cal Expo Amphitheatre |
84031 | flac16; Recording Info: FOB Schoeps Mk2 Omni Capsule (omnis in hat) spaced 8 feet apart -> Schoeps Active Cables -> Schoeps CMC 5 Mic Body -> Monster M1000 Jumper -> Neumann Supply -> Canare Cable -> Panasonic sv255 DAT Clone > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 using Ozone and L2 for dither Tracked: Cdwave Flac'ed Level 8 Tlh |
gd1993-05-26.152130.mk41.miller.flac1648 | |
1993-05-26 | Cal Expo |
152130 | flac16/48 Recording Info: (FOB) Schoeps MK41 > DAT Master (Modified Panasonic SV-255/48k) Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k |
gd93-05-26.sbd.miller.27776.sbeok.flacf | |
1993-05-26 | Cal Expo |
27776 | flac16; SBD> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller |
gd1993-05-26.140311.s1.fob.Schoeps-MK41.miller.sirmick.flac1648 | |
1993-05-26 | Cal Expo |
140311 | flac16/48kHz; Set 1 Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017 |
gd1993-05-27.fob.neumann.fink-wkiltz.91374.flac16 | |
1993-05-27 | Cal Expo Amphitheatre |
91374 | flac16; Neumanns(model forgotten over the last 15 years, likely KM150's)>Technics SV-MD1 Recorded FOB By Steve Fink & Keith Litzenberger Transfer by Keith Litzenberger DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC |
gd93-05-27.sbd.georges.1932.sbeok.shnf | |
1993-05-27 | Cal Expo |
1932 | M:C> D> transfer via dap1>zoltrix nightengale> SHN; no noise reduction; via Nick Georges; may or may not have extra cass gen- see Nick's listening notes in info file |
gd93-05-27.sbd.miller.27777.sbeok.flac | |
1993-05-27 | Cal Expo |
27777 | flac16; SBD> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller |
gd1993-05-27.fob.schoeps.gems.100800.flac16 | |
1993-05-27 | Cal Expo Amphitheatre |
100800 | flac16; FOB Digital Audience Recording Lineage: Clone of Master DAT Recording Equipment: Schoeps Mk2 Omni Capsules in-hat human mic stands spaced 8' apart -> Schoeps Active Cables -> Schoeps CMC Mic Body -> Oade Mic Pre -> Panasonic sv255 Recorded By: Unknown; Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0; Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither TradersLilHelper for FLAC8 SBE FREE Tag & Rename for FLAC Meta-Tagging |
gd1993-05-27.137258.mk41.miller.flac1648 | |
1993-05-27 | Cal Expo |
137258 | flac16/48kHz; Recording Info: (FOB) Schoeps MK41 > Dat Master (Panasonic SV-255/48k); Transfer Info: Dat Master (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller |
gd1993-05-27.140499.ak40-foh-cal-expo.flac2496 | |
1993-05-27 | Cal Expo |
140499 | flac24/96 Source AK40's (in kangol hat)>lc3 cables>km100's>Neumann 48v. P.S.>(Oade Modifed) SV-250. Lineage DAT Master>SV-3700 (digital out)>Apogee Duet>Macbook Pro>Audacity>Audition>Flac24/48. Taped by Taper Troy. |
gd1993-05-27.109587.sankens.fob.bernstein.flac16 | |
1993-05-27 | Cal Expo |
109587 | flac16; Sankens COS1 FOB -> ? -> DAT (16 bit/48 khz); Transfer: Sony R500->Sound Devices 722; Mastered: Soundforge Pro 10.0b - *All file manipulation in Soundforge done at 24 bits*. Volume normalization, minor clap removal during some quiet parts of drums/space, sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter, then dithered back to 16 bits using using iZotope MBIT+ with Ultra noise shaping, High dither settings. Tracked in CDWav; Recorded By ?; Transfer, mastering, and tracking August 2010 by Scott Bernstein |
gd93-06-05.aud.wiley.8041.sbefail.shnf | |
1993-06-05 | Giants Stadium |
8041 | AUD>DAT>CDR; via Paul B.; Tim Wiley |
gd93-06-05.sbd.wiley.8328.sbeok.shnf | |
1993-06-05 | Giants Stadium |
8328 | DSDB master> DAT Clone> ?> CDR; Seeded to etree by Tim Wiley |
gd1993-06-05.149527.fob.sennheiserMKH40.ebel.flac1648 | |
1993-06-05 | Giants Stadium |
149527 | flac16/48kHz; Source Info: FOB Sennheiser MKH-40 (Wide-Angled Cardioid)-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) |
gd1993-06-05.136842.Nak300CP4.Baker.Keo.Flac2496 | |
1993-06-05 | Giants Stadium |
136842 | flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Dolby B On; Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Dolby B On > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename |
gd1993-06-05.136843.Nak300CP4.Baker.Keo.Flac1644 | |
1993-06-05 | Giants Stadium |
136843 | flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Dolby B On; Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Dolby B On > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1993-06-05.136843.Nak300CP4.Baker.Keo.Flac1644 | |
1993-06-05 | Giants Stadium |
136843 | flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Dolby B On; Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Dolby B On > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
gd1993-06-05.141595.set2.fob.nak700.wise.miller.clugston.flac1648 | |
1993-06-05 | Giants Stadium |
141595 | flac16/48kHz; Set 2 Source Info: Jim Wise's Master (FOB) Audience Dat; Modified Nakamichi 700 mics > Sony D10 (16-bit/48k); Transfer Info: Dat (16/48k)(Sony PCM-R500) > Tascam DA-3000 > .wav 16-bit/48k > Adobe Audition 3.0 > TLH flac1648 |
gd1993-06-05.nak300.carpenter.andrewf.104982.flac16 | |
1993-06-05 | Giants Stadium |
104982 | flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, set up back of floor. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 12/2009 |
gd93-06-06.sbd.wiley.8329.sbeok.shnf | |
1993-06-06 | Giants Stadium |
8329 | DSBD master> Dat Clone> ?> CDR; Seeded to etree by Tim Wiley |
gd1993-06-06.sbd.unknown.8246.sbeok.shnf | |
1993-06-06 | Giants Stadium |
8246 | DSBD> CDR> shn; via Andy Gustin with thanks to Kevin Kaye |
gd1993-06-06.149528.fob.sennheiserMKH40.ebel.flac1648 | |
1993-06-06 | Giants Stadium |
149528 | flac16/48kHz; Source Info: FOB Sennheiser MKH-40 (Wide-Angled Cardioid)-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); this is the same source as (#135170) minus the Cassette generation |
gd1993-06-06.fob.sonics.andrewf.105266.flac16 | |
1993-06-06 | Giants Stadium |
105266 | flac16; FOB AUD: Sonics Studios mics > Cassette > 1C. Transfer: 1st gen Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged |
gd1993-06-06.sbd.gustin.tetzeli.fix-34835.100023.flac16 | |
1993-06-06 | Giants Stadium |
100023 | flac16:; Replaygain and repeat-glitch fix of DSBD>CDR>shn>WAV>FLAC: SHNID 34835, which was in turn a seamless fix of SHNID 8246. |
gd93-06-08.sbd.stephens.6673.sbeok.shnf | |
1993-06-08 | The Palace |
6673 | DSBD > DAT (possibly DSBD > 1C > DAT); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE); upload by Scott Thompson |
gd1993-06-08.AudUnk.raygunner.Keo.116346.Flac1644 | |
1993-06-08 | The Palace |
116346 | flac16; First Generation Tapes Of Unknown Mics/Deck; Transfer By Keo; Tapes:Maxell XLII 90,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed with Traders Little Helper |
gd1993-06-08.150587.sbd.miller.flac1648 | |
1993-06-08 | The Palace |
150587 | flac16/48kHz; Recording Info: SBD > DAT Master (48k); Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller |
gd93-06-09.sbd.stephens.6674.sbeok.shnf | |
1993-06-09 | The Palace |
6674 | DSBD > 1C > DAT; DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE); upload by Scott Thompson |
gd1993-06-09.sbd.unknown.9457.shnf | |
1993-06-09 | The Palace |
9457 | S>D>C>D>CD; Unknown seeder |
gd93-06-09.sbd.miller.13601.sbeok.shnf | |
1993-06-09 | The Palace |
13601 | SBD>Dat>Cm>Dat>Samplitude>CD; Seeded to etree by Charlie Miller |
gd1993-06-09.sennME80.wklitz.94350.flac16 | |
1993-06-09 | The Palace |
94350 | flac16; Sennheiser ME-80\'s>Technics SV-MD1; DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger |
gd1993-06-09.150588.sbd.miller.flac1648 | |
1993-06-09 | The Palace |
150588 | flac16/48kHz; Recording Info: SBD > DAT Master (48k); Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller |
gd93-06-11.akg.nawrocki.3192.sbeok.shnf | |
1993-06-11 | Buckeye Lake Music Center |
3192 | AKG 451 hypercardioid (90 deg XY)> TCD-D3> Dio2448> CE2k (48>44.1)> WAV> SHN; via Doug Nawrocki. [Note added 8/27/2003: An sbe-fixed shn set also circulates] |
gd93-06-11.sbd.gans.19217.sbeok.shnf | |
1993-06-11 | Buckeye Lake Music Center |
19217 | Soundboard->DAT Master->Sonic Solutions->CD->EAC->SHN. CD seed provided by DG. EAC and SHN by Joe Samaritano. |
gd1993-06-11.fob.schoeps.evans.GEMS.34163.sbeok.flac16 | |
1993-06-11 | Buckeye Lake Music Center |
34163 | flac16; FOB DFC Digital Audience Recording Schoeps CMC32 (8' Split Omni's) -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav Tracked w CDWav ->verified SBEOK shntool-2.0.3 -> Soundforge 8.0 48/44.1 conversion -> FlacFrontend(level8) |
gd1993-06-11.157038.mtx.tobin.flac16 | |
1993-06-11 | Buckeye Lake Music Center |
157038 | flac16; Matrix 2 Source Mix - SBD (shnid = 34399) Soundboard->DAT Master->Sonic Solutions->CD->EAC->SHN. CD seed provided by DG. EAC and SHN by Joe Samaritano. + AUD (shnid = 34163) FOB DFC Digital Audience Recording Schoeps CMC32 (8' Split Omni's) -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav Tracked w CDWav ->verified SBEOK shntool-2.0.3 -> Soundforge 8.0 48/44.1 conversion -> FlacFrontend(level8) - matrix mixing by Kevin Tobin |
gd1993-06-11.157051.dts.tobin.flac16 | |
1993-06-11 | Buckeye Lake Music Center |
157051 | DTS-Audio-CD 5.1 Mix; - SBD (shnid = 34399) Soundboard->DAT Master->Sonic Solutions->CD->EAC->SHN. CD seed provided by DG. EAC and SHN by Joe Samaritano. + AUD (shnid = 34163) FOB DFC Digital Audience Recording Schoeps CMC32 (8' Split Omni's) -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav Tracked w CDWav ->verified SBEOK shntool-2.0.3 -> Soundforge 8.0 48/44.1 conversion -> FlacFrontend(level8) - matrix mixing by Kevin Tobin |
gd1993-06-11.157057.5-1.tobin.flac1648 | |
1993-06-11 | Buckeye Lake Music Center |
157057 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 34399) Soundboard->DAT Master->Sonic Solutions->CD->EAC->SHN. CD seed provided by DG. EAC and SHN by Joe Samaritano. + AUD (shnid = 34163) FOB DFC Digital Audience Recording Schoeps CMC32 (8' Split Omni's) -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav Tracked w CDWav ->verified SBEOK shntool-2.0.3 -> Soundforge 8.0 48/44.1 conversion -> FlacFrontend(level8) - surround mixing by Kevin Tobin |
gd1993-06-11.111293.nak300.Boeditaper.flac16 | |
1993-06-11 | Buckeye Lake Music Center |
111293 | flac16; Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony Tc We-325 Home Cassette Deck(PLayback)>Edirol R-09 HR>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper |
gd1993-06-11.149566.set1.beyer101.ebel.flac1648 | |
1993-06-11 | Buckeye Lake Music Center |
149566 | flac16/48kHz; Set 1 Source Info: Beyer CM 101-> Casio DA-7-> DAT; Transfer Info: Master DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel |
gd1993-06-11.mtx.unknown.100405.flac16 | |
1993-06-11 | Buckeye Lake Music Center |
100405 | flac16; 3-Source SBD/AUD Matrix: SBD: shnid=34399, AUD 1: shnid=34163, and AUD 2: shnid=3192 see info files for details |
gd1993-06-11.bk4011.schmit.109886.sbeok.flac16 | |
1993-06-11 | Buckeye Lake Music Center |
109886 | flac16; Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts |
gd93-06-13.schoeps.ladner.8584.sbeok.shnf | |
1993-06-13 | Rich Stadium |
8584 | FOB-AUD (Schoeps CMC-32?s)> DAT> CDR> WAV> SHN; DAE (EAC)> Boundary Check (SHNTOOL)> SHNv3 (MKWACT)> FTP via neo_levo |
gd1993-06-13.Nak300CP4.Floater.Keo.116900.Flac2496 | |
1993-06-13 | Rich Stadium |
116900 | flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Sony Metal SR-100,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz |
gd1993-06-13.Nak300CP4.Floater.Keo.116901.Flac1644 | |
1993-06-13 | Rich Stadium |
116901 | flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Sony Metal SR-100,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software |
gd1993-06-13.111953.aud.dak5245-pzm.orchardpark-ny.flac16 | |
1993-06-13 | Rich Stadium |
111953 | flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience cassette Transfer Date: 2011-02-15; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master cassette(TDK SA-X90)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section, on the floor, behind the soundboard |
gd1993-06-13.sbd.miller.105491.flac16 | |
1993-06-13 | Rich Stadium |
105491 | flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1993-06-13.136917.Nak300CP4.Baker.Keo.Flac2496 | |
1993-06-13 | Rich Stadium |
136917 | flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename |