LCDB: Sources for Grateful Dead

Sources for Grateful Dead

unknown 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995

SHNID	Date	Venue	City	State
141357	1976-04-20	Mickey's Barn	Novato	CA
flac16; Source Info: Soundboard > ? > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
82947	1976-05-28	Orpheum Theatre	San Francisco	CA
flac16; Lineage R2 > D Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 by Jamie Waddell (compilation of material recorded on 5-28,29,30-76; See info file for details)
9769	1976-05-28	Orpheum Theatre	San Francisco	CA
Studio Rehersal Tapes; SBD>?>CD; Actually a compilation of material recorded on 5-28,29,30-76; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon
99910	1976-06-03	Paramount Theatre	Portland	OR
flac16; aud 1st gen reel; unknown equipment/taper; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac
7555	1976-06-03	Paramount Theatre	Portland	OR
last 2 songs missing; MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR; noted at gdlive
7719	1976-06-03	Paramount Theatre	Portland	OR
SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; reseed with encores also circulates; upgrade in circulation
14263	1976-06-03	Paramount Theatre	Portland	OR
AUDMC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on
86745	1976-06-03	Paramount Theatre	Portland	OR
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN Pitch correction of shn id 20004 by Hunter Seamons using Final Cut Pro (8/10/07)
91912	1976-06-03	Paramount Theatre	Portland	OR
MATRIX MIX: SBD/AUD (About 60%/40%): SBD: Bertha Remaster of the Master Reel Source and AUD: MC > DAT > WAV > SHN Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008
7825	1976-06-03	Paramount Theatre	Portland	OR
Complete; unknown aud > ? > DAT >; via Dale Shepherd; Matt Vernon. [Dolby decoded version added 7/2003]
17266	1976-06-03	Paramount Theatre	Portland	OR
Bertha Remaster of the Master Reel/Reel source. SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA - Sound A+ ; upgrade in circulation
20004	1976-06-03	Paramount Theatre	Portland	OR
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included.
123464	1976-06-03	Paramount Theatre	Portland	OR
flac16; Updated Recording Info: Sony ECM-280 -> Cassette Master -> FLAC; Mastering Info: FLAC -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Reinhardt Holwein; All Mastering By Charlie Miller
123607	1976-06-03	Paramount Theatre	Portland	OR
flac16; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
123608	1976-06-03	Paramount Theatre	Portland	OR
flac24; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
123898	1976-06-03	Paramount Theatre	Portland	OR
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 and FLAC16 > AIFF > Final Cut w/EQ > Soundtrack Pro for some click removal in AUD > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging)
139643	1976-06-03	Paramount Theatre	Portland	OR
flac16; Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Wav(16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; the original source had the channels swapped in "Samson & Delilah" thru "It Must Have Been the Roses", as well as "The Wheel"
148567	1976-06-03	Paramount Theatre	Portland	OR
flac16/48kHz; Source Info: Pat Lee's Master (FOB) Audience Cassettes; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120); Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
148568	1976-06-03	Paramount Theatre	Portland	OR
flac24; Source Info: Pat Lee's Master (FOB) Audience Cassettes ; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120); Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
153709	1976-06-04	Paramount Theatre	Portland	OR
flac16/48 Source Info: Mickey Hart's Master Soundboard Cassettes w/dolby B (Sony TC-152SD) > Steve Martin's 1st generation reels @ 3 3/4 ips Transfer Info: Master Cassettes (Sony TC-D5M) > 1st generation reels (Pioneer RT707 @ 3 3/4 ips); 1st generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
99872	1976-06-04	Paramount Theatre	Portland	OR
flac16; unknown equipment/taper; source: aud 1st gen reel; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac
9797	1976-06-04	Paramount Theatre	Portland	OR
SBD>MR>?>D>CD; With aud patches for several songs; See info file for details; via Jeff Cook, Jon Miller, Matt Vernon, & Raoul Duke; Seeded to etree by J. Cotsman
8034	1976-06-04	Paramount Theatre	Portland	OR
unknown aud > ? > DAT; via Dale Shepherd; Seeded to etree by Matt Vernon
157429	1976-06-04	Paramount Theatre	Portland	OR
flac1644Analog Audience Source: ECM 280 mics Front row Loge on 152SD Medium Stock Brands: MAC = Maxell UD c 120's Analog Sound Preservation: MAC > Nak Dragon -> Audio Techica ATM 400 Line Amp/ Mixer-> Korg at 5.6 mhz
143064	1976-06-04	Paramount Theatre	Portland	OR
flac24; Partial Show Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
143136	1976-06-04	Paramount Theatre	Portland	OR
flac16; Partial Show Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller this files is 16 bit @ 44.1
153710	1976-06-04	Paramount Theatre	Portland	OR
flac24/96 Source Info: Mickey Hart's Master Soundboard Cassettes w/dolby B (Sony TC-152SD) > Steve Martin's 1st generation reels @ 3 3/4 ips Transfer Info: Master Cassettes (Sony TC-D5M) > 1st generation reels (Pioneer RT707 @ 3 3/4 ips); 1st generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
152189	1976-06-09	Boston Music Hall	Boston	MA
flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK SD C90 & C120 (normal bias). Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2021
95399	1976-06-09	Boston Music Hall	Boston	MA
flac16; Recording Info: Set 1: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; Set 2: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
29323	1976-06-09	Boston Music Hall	Boston	MA
flac16; SBD/AUD Matrix of 3 previously circulated seeds (SBD I - SHN ID# 12382, SBD II - SHN ID# 5426, AUD - SHN ID #5982); prepared by Chris Chappell
99063	1976-06-09	Boston Music Hall	Boston	MA
flac24; source: aud 1st gen reel lineage: mac>reels @ 7.5 ips, dolby b set I on maxell 7" reel, set II on ampex 10.5" (baked), technics rs-1506>teac an-180>hd-p2 24/48>cd wave>flac; master taped by Steve Maizner; transferred & seeded by Rob Berger
99064	1976-06-09	Boston Music Hall	Boston	MA
flac16; source: aud 1st gen reel lineage: mac>reels @ 7.5 ips, dolby b set I on maxell 7" reel, set II on ampex 10.5" (baked), technics rs-1506>teac an-180>hd-p2 24/48>cd wave>flac; master taped by Steve Maizner; transferred & seeded by Rob Berger
5426	1976-06-09	Boston Music Hall	Boston	MA
set 2; SBD> MR> DAT> SS> CDR> EAC> SHN; via Tony Gardner, from Paul B. seed discs
12207	1976-06-09	Boston Music Hall	Boston	MA
set 2; SBD> RM> DAT> sonic solutions> CDR, with Beginning of "St. Stephen" spliced in from unknown audience source; Extracted with Toast Audio Extractor & Plexwriter 4/12 and converted to SHN; via Art Cohen
12382	1976-06-09	Boston Music Hall	Boston	MA
set 1 SBD>MR>R>D>CD>EAC>SHN with patches from AUD>MC>D>CD>EAC>SHN by J. Cotsman
5982	1976-06-09	Boston Music Hall	Boston	MA
FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes.
156991	1976-06-09	Boston Music Hall	Boston	MA
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 95399 & 99064.
84985	1976-06-10	Boston Music Hall	Boston	MA
flac16; Matrix 2 Source Mix - SBD (shnid 82891) + AUD (shnid 18425) by Kevin Tobin
85004	1976-06-10	Boston Music Hall	Boston	MA
DTS Audio 5.1; SBD (shnid 82891) SBD Master Reel -> PCM -> Dat (44.1k) + AUD shnid 18425 Recorded by Jerry Moore; AKG 200Es> Sony TC-153 - dts mixing by Kevin Tobin
82921	1976-06-10	Boston Music Hall	Boston	MA
flac16; Source Info: SBD Master Reel -> PCM -> Dat (44.1k) Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 and Ozone. Dithered L2 Type-1 Ultra by Jamie Waddell
237	1976-06-10	Boston Music Hall	Boston	MA
??? > CD > EAC > SHN; via S. Dunahee, W. Stube; known flaws: clicks removed with SF: d1 2:41.707, d2 43:50.421; cut 10 seconds of silence/weird static in d1t01 starting 7:36; d/o's d1t03 2:13-2:24, d1t07 9:38-9:46, d/o into staticky fade in d2t04 5:06-5:10; upgrade in circulation
14264	1976-06-10	Boston Music Hall	Boston	MA
SBD -> Rm -> PCM -> Dat -> Prodif Plus -> Samplitude v6.0 -> SHN via Charlie Miller
18425	1976-06-10	Boston Music Hall	Boston	MA
Recorded by Jerry Moore; AKG 200Es> Sony TC-153, close to stage in orchestra mics hand held. AUDMC > DAT by Mark Cohen. DAT > SHN by David Minches.
18426	1976-06-10	Boston Music Hall	Boston	MA
Recorded by Jimmy Warburton AKG 1000Es> Sony TC-152. Reel -> DAT conversion by Mark Cohen. DAT -> SHN conversion by David Minches.
23370	1976-06-10	Boston Music Hall	Boston	MA
Bertha Remaster of the Master Reel source. SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>WAV/SHN
5918	1976-06-10	Boston Music Hall	Boston	MA
FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min.
141690	1976-06-10	Boston Music Hall	Boston	MA
flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
143003	1976-06-10	Boston Music Hall	Boston	MA
flac24; Source: AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of log; Transfer: MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick August 2018
145134	1976-06-10	Boston Music Hall	Boston	MA
flac16; Source: AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of log; Transfer: MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick August 2018; This file set is 16 bit @ 44.1
238	1976-06-11	Boston Music Hall	Boston	MA
SBD> ?> liberated bootleg; via Alan McCarty
18387	1976-06-11	Boston Music Hall	Boston	MA
Recorded by Jerry Moore; AKG 200Es> Sony TC-153, mics split along front of loge. AUDMC > DAT conversion by Mark Cohen, DAT > SHN conversion by David Minches
22803	1976-06-11	Boston Music Hall	Boston	MA
SBD of unknown lineage, claims to be an A+ improvement over previous SBDs in circulation. Available at www.gdlive.com
5919	1976-06-11	Boston Music Hall	Boston	MA
FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades/sbd splice with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min.
7824	1976-06-11	Boston Music Hall	Boston	MA
MR>DAT>DAT Clone @ 44.1 kHz (Tascam DA20)>SBLive Platinum SPDIF In>WAV Edit (Sound Forge)>SHN (mkw audio compression tool)>CDR (HP 8200); via GDLive [Note: An sbe-fixed-by-set version also circulates]
118256	1976-06-11	Boston Music Hall	Boston	MA
flac16; Matrix of SBD (shnid=22803) and AUD (shnid=18387) by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
139552	1976-06-11	Boston Music Hall	Boston	MA
flac16/48kHz; Source Info: Betty's Master Soundboard Reels > PCM > DAT (16/48); Transfer Info: DAT (Sony R500 16/48)> Tascam DA-3000 16/48 > Adobe Audition> TLH flac1648; Transferred by Charlie Miller; Mastered by Scott Clugston
141702	1976-06-11	Boston Music Hall	Boston	MA
flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; the original version of this source had an error in Looks Like Rain (track 08); Fixed Version in circulation
141709	1976-06-11	Boston Music Hall	Boston	MA
flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; Fixed numerous flaws from previous source
100328	1976-06-12	Boston Music Hall	Boston	MA
flac16; Source: FM Reel Master taped by Jerry Moore Sony TC-755 reel/Teac AN-180 dolby unit Maxell UD 35-180 tape; lineage: WBCN simulcast>10.5" reels @ 7.5 ips, dolby b Technics RS1506>Teac AN-180>HD-P2 24/96>hd>cd wave 16/44>flac transferred & seeded by Rob Berger 7/27/09
5556	1976-06-12	Boston Music Hall	Boston	MA
SBD> FM(WBCN)> MR(7.5ips); Conversion: Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN; Taped by Peter Wrenn, Seeded by Stephen Wrenn; to etree via Doug Moog; Wheel from unknown AUD; see notes in info file
5983	1976-06-12	Boston Music Hall	Boston	MA
FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d3 tracked for 80 min.
110456	1976-06-12	Boston Music Hall	Boston	MA
flac16; aud 1st gen reel, akg d1000e's>sony tc-152, taped by Jimmy Warburton, transfer by Rob Berger
111783	1976-06-12	Boston Music Hall	Boston	MA
flac16; Recording Info: Stereo Microphone -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller
132933	1976-06-12	Boston Music Hall	Boston	MA
flac16; Matrix Mix of Shnid 100328 (FM) and Shnid 110456 (AUD)
143169	1976-06-12	Boston Music Hall	Boston	MA
flac24; FM Broadcast; Master Reel to Reel > Jim Warburton's 1st generation 7" reels @ 3 3/4 ips Transfer Info: 1st generation reels (baked) Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496
143166	1976-06-12	Boston Music Hall	Boston	MA
flac16/48kHz; Jim Warburton's (FOB)(1st row, center) Master Audience Cassettes; AKG D1000E mics > Sony TC-152 > 1st generation 7" reels @ 3 3/4 ips Transfer Info:1st generation reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
143167	1976-06-12	Boston Music Hall	Boston	MA
flac24; Jim Warburton's (FOB) (1st row, center) Master Audience Cassettes; AKG D1000E mics > Sony TC-152 > 1st generation 7" reels @ 3 3/4 ips Transfer Info:1st generation reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496
143168	1976-06-12	Boston Music Hall	Boston	MA
flac16/48kHz; FM Broadcast; Master Reel to Reel > Jim Warburton's 1st generation 7" reels @ 3 3/4 ips Transfer Info: 1st generation reels (baked)(Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
78433	1976-06-14	Beacon Theatre	New York	NY
flac16; Set 2 only - source: betty > pcm x 2 > dat conversion: - M-1 > 7-pin optical > Co2 > SB Live - CDwav Record and Index - FLAC - ShnTool
82308	1976-06-14	Beacon Theatre	New York	NY
flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell
240	1976-06-14	Beacon Theatre	New York	NY
SBD Reels> D> CD-R ; via Leigh Orf; caution: d2 t2,4 may be switched?; note md5s here were submitted 7/2001, not sure if originals- see pub comments; upgrade in circulation
22804	1976-06-14	Beacon Theatre	New York	NY
S:MR>PCM>DAT>CD>EAC>SHN Note: This shn set was modified by replacing the incomplete encore at end of disk 3 with the complete encore (previously on end of disk 2) and removing it from end disk 2
10917	1976-06-14	Beacon Theatre	New York	NY
Sony TC 153 Sony SCM 99A Mikes > Cassette x 2; See info file for transfer notes; via Dave Minor and Dale Shepherd; Seeded to etree by Matt Vernon
128772	1976-06-14	Beacon Theatre	New York	NY
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:82308) Betty Board MR > PCM > DAT; Transfer: SBD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect and Audience (shnid:10917) Source: Sony TC 153 Sony SCM 99A Mikes > Cassette x 2 > DAT > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw
143026	1976-06-14	Beacon Theatre	New York	NY
flac16; Source Info: Primary Source: Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM > Dat (16-bit/44.1k); Secondary Source: Betty's 7" two track Master Soundboard Reel @ 7 1/2 ips > PCM (16-bit/44.1k); Transfer Info: Primary Source: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/44.1k) > Adobe Audition 3.01 > TLH flac16; Secondary Source: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16
96088	1976-06-15	Beacon Theatre	New York	NY
flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz; Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac; Transfer and mastering by Bill Koucky
241	1976-06-15	Beacon Theatre	New York	NY
SBD > Master Reel > PCM > DAT; Transfer:? DAT > WAV (via TB Fiji S/PDIF) > SHN; via Andy Gustin, Jeff Kempka; see info file and pub comments for flaw notes
8323	1976-06-15	Beacon Theatre	New York	NY
SBD>DAT(s)>Tascam DA-20MKII>WaveTerminal 2596> CDWave>SHN; See txt file for details on splices; to abgd via BUG
8732	1976-06-15	Beacon Theatre	New York	NY
Jay Ashley (Bertha) remaster of original reel source; SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD
10307	1976-06-15	Beacon Theatre	New York	NY
Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; See info file for transfer details; via Dale Shepherd, Dave Minor; Seeded to etree by Matt Vernon
110148	1976-06-15	Beacon Theatre	New York	NY
flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
130335	1976-06-15	Beacon Theatre	New York	NY
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:110148) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC and Audience (shnid:10307) Source: Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; DAT clone > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw
143119	1976-06-15	Beacon Theatre	New York	NY
flac16; Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16
80739	1976-06-17	Capitol Theater	Passaic	NJ
flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
91861	1976-06-17	Capitol Theater	Passaic	NJ
MATRIX MIX: SBD/AUD (About 60%/40%) by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>SHN)
10178	1976-06-17	Capitol Theater	Passaic	NJ
Sony TC 153 Sony ECM 99A Mikes Master Cassette > Reel > DAT; via Dave Minor, Raoul Duke; Transfer by Dale Shepherd; Seeded to etree by Matt Vernon
123027	1976-06-17	Capitol Theater	Passaic	NJ
flac16; Partial 3 song Matrix by Hunter Seamons; Soundboard recording by Betty Cantor-Jackson; Audience recording transferred by Dale Shepherd; note: The seeder's comments indicate that this is a different transfer than his previous matrix source
163392	1976-06-17	Capitol Theater	Passaic	NJ
flac1648 Source Info: Master Audience Cassettes (unknown mics/deck); Bob Wagner's 1st generation cassettes Transfer Info: 1st generation cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
163393	1976-06-17	Capitol Theater	Passaic	NJ
flac2496 Source Info: Master Audience Cassettes (unknown mics/deck); Bob Wagner's 1st generation cassettes Transfer Info: 1st generation cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
92266	1976-06-18	Capitol Theater	Passaic	NJ
flac16; Recording Info: SBD -> Master Reel Transfer Info: Apogee AD500 -> DAT -> Samplitude -> CD -> FLAC; All Transfers and Mastering By Charlie Miller (Download Series outtakes)
9796	1976-06-18	Capitol Theater	Passaic	NJ
AUDCM>C>DAT>CDR; via Raoul Duke and Dave Minor; Seeded to etree by Matt Vernon; upgrade in circulation
13052	1976-06-18	Capitol Theater	Passaic	NJ
Aud3> CDR> EAC> Pristine Sounds NR> SHN; SHN'd and seeded by Seth Jackson to abgd
14449	1976-06-18	Capitol Theater	Passaic	NJ
Sony ECM 99's > Sony TC-152 MC > Teac 2300 @ 3.75 ips Reel > Reel played back on Akai GX-4000D > Teac AN-80 Dolby B Noise Reduction Unit > ART DI/O A/D Convertor > Hard Drive > CD. Taper: Jimmy Warburton,30-35 rows right center. A/D Transfer, editing and tracking by David Minches, shn encoding Matt Vernon
155902	1976-06-18	Capitol Theater	Passaic	NJ
flac2496 Recording Info: (FOB) Sony ECM-99 > Cassette Master (Sony TC-152) > Cassette (Maxell UDXLI-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
165169	1976-06-18	Capitol Theater	Passaic	NJ
flac1644 Recording Info: (FOB) Sony ECM-99 > Cassette Master (Sony TC-152) > Cassette (Maxell UDXLI-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 155902 2496 > 1644
143275	1976-06-19	Capitol Theater	Passaic	NJ
flac24; Source: WNEW FM > Teac A3300 7.5 ips Dolby > Master Reel (Scotch Classic 3600 10,5) > Teac A3300 > Reel 1 @3.75 ips (Maxell UD35-90) - Recorded by Barry Glassberg, Jimmy Warburton's copy; Transfer. Reel 1 > Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018
1859	1976-06-19	Capitol Theater	Passaic	NJ
FM > ? > DAT; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > SHN; via Jon Seff
10186	1976-06-19	Capitol Theater	Passaic	NJ
PRE-FM SBD master reel > DAT > CD (x2) > EAC (secure) > SHN (non seekable)
12077	1976-06-19	Capitol Theater	Passaic	NJ
PRE-FM; SBD master reel > DAT > CD (x2); Unknown seeder
23024	1976-06-19	Capitol Theater	Passaic	NJ
Source: FM>MC>DAT>WAV>SHN via Cousinit
111852	1976-06-19	Capitol Theater	Passaic	NJ
flac16; Recording Info:SBD -> Master Cassette (Nakamichi 550); Transfer Info:Master Cassette (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info:AIFF -> Samplitude Professional v10.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller
111875	1976-06-19	Capitol Theater	Passaic	NJ
flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller
121140	1976-06-19	Capitol Theater	Passaic	NJ
flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
143174	1976-06-19	Capitol Theater	Passaic	NJ
flac16; Source: Pre-FM Master Reel (WNEW) > PCM > DAT (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave >Flac 16; edited and mastered SIRMick September 2018
145155	1976-06-19	Capitol Theater	Passaic	NJ
flac16; Source: WNEW FM > Teac A3300 7.5 ips Dolby > Master Reel (Scotch Classic 3600 10,5) > Teac A3300 > Reel 1 @3.75 ips (Maxell UD35-90) - Recorded by Barry Glassberg, Jimmy Warburton's copy; Transfer. Reel 1 > Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018; This file set is 16 bit @ 44.1
6679	1976-06-21	The Tower Theatre	Upper Darby	PA
Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson
112162	1976-06-21	The Tower Theatre	Upper Darby	PA
flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller
112171	1976-06-21	The Tower Theatre	Upper Darby	PA
flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation
112191	1976-06-21	The Tower Theatre	Upper Darby	PA
flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation
121045	1976-06-21	The Tower Theatre	Upper Darby	PA
flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
124828	1976-06-21	The Tower Theatre	Upper Darby	PA
flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; This is a cleaned up version of source ID 112191
124864	1976-06-21	The Tower Theatre	Upper Darby	PA
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging). This is a cleaned up version of the previous matrix (shnid=121045), using Soundtrack Pro.
99093	1976-06-22	The Tower Theatre	Upper Darby	PA
flac16; Source: audience 1st generation reel; AKG D1000es>sony tc-152sd cassette Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips) Transfer by Rob Berger 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 Editing, downsampling and FLAC encoding by David Minches
6680	1976-06-22	The Tower Theatre	Upper Darby	PA
Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson
112218	1976-06-22	The Tower Theatre	Upper Darby	PA
flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
112789	1976-06-22	The Tower Theatre	Upper Darby	PA
flac16; Recording Info: Unknown Mics -> Master Cassette (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller
112900	1976-06-22	The Tower Theatre	Upper Darby	PA
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Soundtrack > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
95321	1976-06-23	The Tower Theatre	Upper Darby	PA
flac16; Recording Info: Unknown Mics -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
6681	1976-06-23	The Tower Theatre	Upper Darby	PA
Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min
15534	1976-06-23	The Tower Theatre	Upper Darby	PA
AudMC > HD > WAV > SHN Recorded by Jerry Moore from 1st row loge, w/ a pretty good spread on mikes with 2 hand held Sony ECM-33Ps > Sony TC-152 deck with Dolby B ON. Analog > Digital transfer David Minches, encoded by Matt Vernon
76286	1976-06-24	The Tower Theatre	Upper Darby	PA
DTS Audio 5.1 Mix; SBD:(Set 1)WMMR FM Broadcast > RTR > DAT > CD-R & (Set 2)SBD>MR>DAT>CDR; AUD:Shure mics> Sony TC-152 master cassette > dat's > cdr's ; mixed by ktobin
76290	1976-06-24	The Tower Theatre	Upper Darby	PA
flac16; Pitch corrected version of shn id 6682 - Shure mics> Sony TC-152 master cassette > dat's > cdr's; fixed by ktobin
87163	1976-06-24	The Tower Theatre	Upper Darby	PA
flac16; Matrix 3 Source Mix - SBD Set 1 (shn id 25478) WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN + SBD Set 2 (shn id 14498) SBD>MR>DAT>CDR>EAC + AUD (shn id 6682) [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC - matrix mixing by Kevin Tobin
11937	1976-06-24	The Tower Theatre	Upper Darby	PA
WMMR FM Broadcast > RTR > DAT > CD-R; via Jonathan Miller; Seeded to etree by Dave Backus
6682	1976-06-24	The Tower Theatre	Upper Darby	PA
Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min
14498	1976-06-24	The Tower Theatre	Upper Darby	PA
Set 2 only ; SBD>MR>DAT>CDR ; Via PT. ; Seeded to etree by T. Wiley
25478	1976-06-24	The Tower Theatre	Upper Darby	PA
Note: This is a remastered version of the 2 prior seeds by Dave Bachkus and Tim Wiley. Source one (Set 1 only) : WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN ; Source two (Set 2 only) : SBD>MR>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) ; Remastering : SHN>WAV>Steinberg Mastering Edition Enhanced>Nuendo2>SHN ; seeded by dudeman 08/25/2004
112290	1976-06-24	The Tower Theatre	Upper Darby	PA
flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; All Mastering By Charlie Miller
135606	1976-06-24	The Tower Theatre	Upper Darby	PA
flac16; 3 source matrix by Dusborne; Soundboard 1(Shnid:011937) set 1, WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN; Soundboard 2(Shnid:14498) set 2, Source: SBD>MR>DAT>CDR, Conversion/Edit/Seeded to Etree by T. Wiley 01/14/2003; Audience (Shnid:76290), Source: [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact,eac, Cool Edit's, shns done by mvernon54@attbi.com,- Mixed by kevtobin@yahoo.com
140031	1976-06-24	The Tower Theatre	Upper Darby	PA
flac16; Source: Soundboard > Nakamichi 350 > Cassette Master > Dat (44k); Transfer: Master Cassette > Nakamichi CR-7A > Apogee Ensemble > Peak > AIFF - Transferred By Digitalrbb; Lineage : AIFF > Samplitude Professional v10.1 > FLAC > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017
95306	1976-06-26	Auditorium Theatre	Chicago	IL
flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
95355	1976-06-26	Auditorium Theatre	Chicago	IL
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
7340	1976-06-26	Auditorium Theatre	Chicago	IL
Aud > ??? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); via Matt Vernon
112790	1976-06-26	Auditorium Theatre	Chicago	IL
flac16; Set 2, Recording Info: Unknown Mics -> Master Cassette (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller
147302	1976-06-26	Auditorium Theatre	Chicago	IL
flac16; 2nd set; Source: Lo-fi mono AUD of unknown lineage > ? > cassette. Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644
156062	1976-06-26	Auditorium Theatre	Chicago	IL
flac2448 Recording Info: AKG D200E > Cassette Master (Sony TC-153SD) > Cassette (TDK SA-C90/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24
165170	1976-06-26	Auditorium Theatre	Chicago	IL
flac1644 Recording Info: AKG D200E > Cassette Master (Sony TC-153SD) > Cassette (TDK SA-C90/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 156062 2448 > 1644
98796	1976-06-27	Auditorium Theatre	Chicago	IL
flac16; Source: audience 1st generation reel (Jerry Moore's reel) Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips) Transfer by Rob Berger 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 Editing, downsampling and FLAC encoding by David Minches Thanks to Joe B. Jones for pitch correction
7341	1976-06-27	Auditorium Theatre	Chicago	IL
aud > ?? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); via Matt Vernon
112295	1976-06-27	Auditorium Theatre	Chicago	IL
flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Mastering By Charlie Miller
123462	1976-06-27	Auditorium Theatre	Chicago	IL
flac16; 2 source matrix: Soundboard (shnid:112295) Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC and Audience (shnid:98796) Source: audience 1st generation reel (Jerry Moore's reel) Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips); 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48
18388	1976-06-28	Auditorium Theatre	Chicago	IL
Recorded with Shure 545s> Nak 550 via Bob Wagner. Lineage: AUDMC > Reel > WAV > SHN conversion by David Minches.
9776	1976-06-28	Auditorium Theatre	Chicago	IL
AUDMR > ? > DAT > SHN with patches from the Weiner seed; See info file for details; via Dale Shepherd; Seeded to etree by Matt Vernon
112296	1976-06-28	Auditorium Theatre	Chicago	IL
flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Mastering By Charlie Miller
112417	1976-06-28	Auditorium Theatre	Chicago	IL
flac16;Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; All Mastering By Charlie Miller
112676	1976-06-28	Auditorium Theatre	Chicago	IL
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
86216	1976-06-29	Auditorium Theatre	Chicago	IL
DVD VA; (Video format, audio only) SBD>>MR>>PCM(Analog)>>DAT>>CDA>>SHN>>DAW(Bertha)>>Audio DVD; Bertha remaster of the Master Reel Betty Board source shn id 1812; audio only, no video
1812	1976-06-29	Auditorium Theatre	Chicago	IL
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN; via Jeff Tiedrich, David Hollister, Mike (Dank Star) Parrillo, Andy Gustin; with interleaved reel splices for completeness
2594	1976-06-29	Auditorium Theatre	Chicago	IL
CD (Left In The Vaults Vol. 1) -> EAC-> SHN; liberated bootleg?; note all tracks are labelled as 10/29/77, but this date is 6/29/76, as marked within info file; noted 1/01 at gdlive
31144	1976-06-29	Auditorium Theatre	Chicago	IL
flac16; SBD>>MR > PCM(Analog) > DAT > CDA > SHN > DAW(Bertha) > Audio DVD files > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > wav > downsampled to 44.1 wav with Wave Lab v.5.00a > SBEs fixed with shntool v.2.0.3 > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2
112407	1976-06-29	Auditorium Theatre	Chicago	IL
flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; All Mastering By Charlie Miller
112458	1976-06-29	Auditorium Theatre	Chicago	IL
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
113556	1976-06-29	Auditorium Theatre	Chicago	IL
flac16; Set 2 Recording Info: SBD -> Cassette Master (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller
139633	1976-06-29	Auditorium Theatre	Chicago	IL
flac16; Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM > DAT; Transfer Info: DAT(Sony PCM-R500)-> Tascam DA-3000-> Adobe Audition-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston
149860	1976-06-29	Auditorium Theatre	Chicago	IL
flac16; Source: Betty Cantorâ€™s SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44
7771	1976-07-12	Orpheum Theatre	San Francisco	CA
Soundcheck - SBD-> Master VHS-> DAT-> CD; Set One - SBD-> RM-> Reel-> Reel-> Reel-> DAT-> CD; Set Two - SBD-> RM-> DAT-> Sonic Solutions-> CD; Tennessee Jed from Set One patched from Bob Menke's Aud Recording AUD->RM->DAT->CDCD->EAC (in secure mode)-> SHN conversion by AJ; with thanks to Charlie Miller, David Gans; shn branch of KPFA tree
10362	1976-07-12	Orpheum Theatre	San Francisco	CA
Includes Soundcheck; Soundcheck, SBD>VHS Master>DAT>CDR; Disc 1 SBD>MR>R>R>R>DAT>CDR; Disc 2 SBD>MR>DAT>Sonic Solutions>CDR; Disc 3 SBD>MR>DAT>Sonic Solutions>CDR;
18508	1976-07-12	Orpheum Theatre	San Francisco	CA
Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN. DAT > SHN conversion by David Minches.
113813	1976-07-12	Orpheum Theatre	San Francisco	CA
flac16; Sony ECM 270's => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
114455	1976-07-12	Orpheum Theatre	San Francisco	CA
flac16/44 AUD SOURCE: Analog Audience Source: Aud Master Cassettes (MAC) Analog Lineage: Sony ECM 270's => Sony TC-152SD >> MAC MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke SBD SOURCE: SHN # 10362 Matrix & Mastering By: Derek McCabe
123474	1976-07-12	Orpheum Theatre	San Francisco	CA
flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller
150572	1976-07-12	Orpheum Theatre	San Francisco	CA
flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell XLII/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC (24-bit/48k); except Soundcheck: SBD > VHS > DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC
150658	1976-07-12	Orpheum Theatre	San Francisco	CA
flac16; Recording Info: SBD > Cassette Master > Cassette (Maxell XLII/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC (24-bit/48k); except Soundcheck: SBD > VHS > DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC, This file set is 16 bit @ 44.1
9978	1976-07-13	Orpheum Theatre	San Francisco	CA
Jay Ashley (Bertha) Remaster of Multi-Gen Reel source; SBD>>MR>>Reel>>Reel>>Reel>>Dat>>CDA>>DAW(Bertha)>>CDA
18427	1976-07-13	Orpheum Theatre	San Francisco	CA
Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN. DAT > SHN conversion by David Minches.
18480	1976-07-13	Orpheum Theatre	San Francisco	CA
MSR>?(1st or 2nd gen.Cass.)> CDR with AUD Patch source: MAC w/ Sony ECM 270s>Reel>DAT>CDR via Andy Lemieux, encoded by Matt Vernon
123475	1976-07-13	Orpheum Theatre	San Francisco	CA
flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller
150753	1976-07-13	Orpheum Theatre	San Francisco	CA
flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; the original version has a dropout in s1t05
150754	1976-07-13	Orpheum Theatre	San Francisco	CA
flac16; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k), This file set is 16 bit @ 44.1; the original version has a dropout in s1t05
150847	1976-07-13	Orpheum Theatre	San Francisco	CA
flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; All Transfers and Mastering by Charlie Miller; This is from a different source tape than source ID 150753
150867	1976-07-13	Orpheum Theatre	San Francisco	CA
flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; This is a Dolby decoded version of source ID 150847
150948	1976-07-13	Orpheum Theatre	San Francisco	CA
flac24/48khz reMaster of shnid 150867 by Ray Ackerman & Joe Noel Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24
150958	1976-07-13	Orpheum Theatre	San Francisco	CA
flac16/44.1khz reMaster of shnid 150867 by Ray Ackerman & Joe Noel Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 (1 DVD FLAC) Patch Info: Sony ECM-270 > Cassette Master > DAT (shnid=123475) supplies: Crazy Fingers (13:44-14:07) The Music Never Stopped (0:19-1:07) Saint Stephen (9:02-9:43) Transfer & Mastering by Charlie Miller November 11, 2020 Notes: -- This is a Dolby decoded version of shnid=150847 -- Thanks to Dennis Koda for the cassettes -- Thanks to Bob Menke for the patch source -- Thanks to Joe B. Jones for the pitch correction settings - Dither info: WAV (24-bit/48k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Nov 27, 2020
152150	1976-07-13	Orpheum Theatre	San Francisco	CA
flac16/44 ; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; All Transfers and Mastering by Charlie Miller - 150847 24 -> 16 @ 44.1
152157	1976-07-13	Orpheum Theatre	San Francisco	CA
flac16/44 ; Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 - 150867 24 -> 16 @ 44.1
157454	1976-07-13	Orpheum Theatre	San Francisco	CA
flac1644 Analog Soundboard Source: gd76-07-13.18480.sbd.vernon.flac16 Analog Audience Source #1: ECM 280's 152 - center balcony Medium Stock Brands #1: MAC = TDK SA c90's Analog Audience Source #2: Sony 152 ECM 280's - fob floor Medium Stock Brands #2: MAC = Maxell UD C120 (2 of em) Analog Sound Preservation : MAC > Nak DR-1 > Korg at 5.6 mhz AUD Source #1 Taped By: Bob Menke AUD Source #2 Taped By: Reinhart Hohlwein Transfer By: Bob Menke Matrix & Mastering By: Derek McCabe
11938	1976-07-14	Orpheum Theatre	San Francisco	CA
SBD MR > ??? > CD-R; via Jonathan Miller; Seeded to etree by Dave Backus; upgrade in circulation
18159	1976-07-14	Orpheum Theatre	San Francisco	CA
MAR > Reels > DAT > CD recorded by Bob Menke with Sony ECM-280 mics into a Sony TC-152. Patch Source: SBD>MR>C>DAT>CDR. Thanks to David Minches for the disks and Jeff Cotsman for the pitch corrections. Encoding and patching by Matt Vernon.
18594	1976-07-14	Orpheum Theatre	San Francisco	CA
SBD>MR>C>DAT>CDR patched with the Bob Menke audience recording via Raoul Duke encoding/patching by Matt Vernon
123476	1976-07-14	Orpheum Theatre	San Francisco	CA
flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller
154388	1976-07-14	Orpheum Theatre	San Francisco	CA
flac1644; SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 - This is 153042 2448 > 1644
153042	1976-07-14	Orpheum Theatre	San Francisco	CA
SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24
30698	1976-07-16	Orpheum Theatre	San Francisco	CA
Set 2 DTS-Audio-CD 5.1 Mix via Dan
28042	1976-07-16	Orpheum Theatre	San Francisco	CA
flac16; SBD + AUD Matrix Mix (50% SBD/50% AUD), seeded by Dan
16943	1976-07-16	Orpheum Theatre	San Francisco	CA
Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony; MAC > DAT > CD, except U.S. Blues encore, which is MAC > R > DAT > CD (Menke could not locate his master recording of the encore when this new transfer was done). EAC> WAV> SHN by Sean Cribbs
23569	1976-07-16	Orpheum Theatre	San Francisco	CA
Set 1 Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152) -> Dat -> CD -> EAC -> SHN (Recorded by Bob Menke)Same md5's as prior seed; Set 2 Recording Info: SBD -> Master Reel -> Master Dat (44.1k)Transfer Info: Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Transferred and Patched By Charlie Miller; See txt file for patch detail
8666	1976-07-16	Orpheum Theatre	San Francisco	CA
AUD : MC (FOBalcony SonyECM-180 > SonyTC-152 -update: taped by Bob Menke using Rob Bertrando's mics) > R > DAT > DAW (Bertha by Jay Ashley) > CD
27488	1976-07-16	Orpheum Theatre	San Francisco	CA
Bertha remaster of Set 2 of Charlie Miller's seed; SBD> MR> DAT> SHN> DAW(Bertha)> CDA/SHN; note parens in filenames
10377	1976-07-16	Orpheum Theatre	San Francisco	CA
Sony ECM 280 Sony TC-152 Cm (update: taped by Bob Menke using Dr. Rob Bertrando's mics - Front of Balcony) > R > C > DAT; via Dave Minor, Dale Shepherd; Seeded to etree by Matt Vernon
123477	1976-07-16	Orpheum Theatre	San Francisco	CA
flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller
95734	1976-07-17	Orpheum Theatre	San Francisco	CA
flac16; Sick Bits Vol. 25 - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=34708) + AUD (shnid=18389). Matrixed by Chris Chappell.
243	1976-07-17	Orpheum Theatre	San Francisco	CA
SBD: Master Reel > DAT > CD (possible "new leak"?); Eyes has a 45-second AUD splice, and 2 sec repeat at 3:30 (is that the splice point?); via J. Fricker
18389	1976-07-17	Orpheum Theatre	San Francisco	CA
Recorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN via David Minches
34708	1976-07-17	Orpheum Theatre	San Francisco	CA
Fix of shn id 243 - patch in Eyes of the World smoothed out (MSR>DAT>CD>EAC>SHN)
91827	1976-07-17	Orpheum Theatre	San Francisco	CA
flac16; Matrix: SBD Source: shnid=34708; AUD Source: shnid=18389 : Matrix created by Chris Chappell. Final matrix seed discs provided by Rob Betrando. EAC > FLAC by Noah Weiner (May 2008)
141966	1976-07-17	Orpheum Theatre	San Francisco	CA
flac Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC (3 Discs Audio / 1 DVD FLAC) Recorded By Bob Menke All Transfers and Mastering By Charlie Miller
157427	1976-07-17	Orpheum Theatre	San Francisco	CA
flac1644 Analog Soundboard Source: gd76-07-17.sbd.34708 Analog Audience Source: ECM 280's 152 Medium Stock Brands: MAC = TDK SA c90's Analog Sound Preservation: MAC > Nak DR-1 > Korg at 5.6 mhz
244	1976-07-18	Orpheum Theatre	San Francisco	CA
SBD > ??? > CDR > CDR > SHN (via EAC and mkwACT); via M. Ferguson; no digiflaws, some amplifier hum, "dead air" spaces cut
14838	1976-07-18	Orpheum Theatre	San Francisco	CA
S : PreFM > MR > PCM > DAT > CDA > DAW (Bertha) > CDA - d1t01 and d3 S : FM > R > DAT > CDA > DAW (Bertha) > CDA - d1t02-d2t07 Bertha Remaster by jashley@deadacated.com Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool.
107833	1976-07-18	Orpheum Theatre	San Francisco	CA
flac24; source: Pre FM 7" 1/2 track reel @ 7.5 ips, no nr Michael Schuncke's DIR broadcast reels, transfer by Rob Berger
107832	1976-07-18	Orpheum Theatre	San Francisco	CA
flac16; source: Pre FM 7" 1/2 track reel @ 7.5 ips, no nr Michael Schuncke's DIR broadcast reels, transfer by Rob Berger
150187	1976-07-18	Orpheum Theatre	San Francisco	CA
flac16; Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
150770	1976-07-18	Orpheum Theatre	San Francisco	CA
flac16; Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; This is a remastered version of source ID 150187 (fixes previous issues)
150982	1976-07-18	Orpheum Theatre	San Francisco	CA
flac16/44.1khz --This is a Flying -M- remaster reducing the buzz and hum with iZotope RX8 advanced (Oct. 29, 2020) Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k) Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16 (3 Discs Audio / 1 DVD FLAC)
81456	1976-08-02	Colt Park	Hartford	CT
flac16; Source: Audience FOB Recording Media: Maxell UD-XL1 C90 Master Tapes Lineage: MAC? (we can't for sure indicate that this is a master cassette, this might be a 1st gen copy) > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak 24/96 wav > FLAC > WAV > See Editing notes Taped by: E. Singer Transfer by: Derek McCabe Mastered by: SIRMick
141900	1976-08-02	Colt Park	Hartford	CT
flac24; Source: Sony ECM 99A > Sony TC 152 > Cassette Master > reel - Recorded by Jimmy Warburton and provided by Pat Lee; Transfer: Baked reel > Technics 1506 > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; the original files were 16 bit/ 96kHz; please don't circulate those files
81971	1976-08-02	Colt Park	Hartford	CT
flac24/96; Taper: E. Singer Source: FOB (mics ??? either Senn441s or AKG ???) Uher CR-134 > Maxell UD-XL1 C90min. Lineage: Transfer: MAC > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak (24/96 WAV) by D.McCabe. Mastering: SIRMick
245	1976-08-02	Colt Park	Hartford	CT
K. Gatto's AUD (Sony tc-152 cassette> DAT> CD); seed via J. Wise, T. OConnell et al; EAC, shn, upload by A. Jerugim
132697	1976-08-02	Colt Park	Hartford	CT
flac16; Cassette Audience Master recorded By Keith Gatto; Shure SM 94 microphones-Sony TC 152sd Cassette Recorder; Analog to Digital:Cassette Masters played back on Sony TC 152sd-DAT; Transfer by Keith Gatto; DAT-CD JW; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6); CD-WAV-FLAC(dBpoweramp music converter)-Tagging(Tag & Re-name) by Jim Wise
145157	1976-08-02	Colt Park	Hartford	CT
flac16; Source: Sony ECM 99A > Sony TC 152 > Cassette Master > reel - Recorded by Jimmy Warburton and provided by Pat Lee; Transfer: Baked reel > Technics 1506 > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; 24 > 16 by Norm
152092	1976-08-02	Colt Park	Hartford	CT
flac2448 ; Source: Mono Sony hand-held recorder (model unknown) > Memorex MRX-2 C90's (normal bias). Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2021
35171	1976-08-04	Roosevelt Stadium	Jersey City	NJ
flac16; SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin
99698	1976-08-04	Roosevelt Stadium	Jersey City	NJ
flac16; source: sbd 2nd gen reel; lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe 16/44>flac
99697	1976-08-04	Roosevelt Stadium	Jersey City	NJ
flac24; source: sbd 2nd gen reel; lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe>flac
6677	1976-08-04	Roosevelt Stadium	Jersey City	NJ
MSR-> C-> DAT-> CDR-> EAC-> SHN V.3; via Dave of Terrapin Station FTP; see info file for flaw notes; upgrade in circulation
12830	1976-08-04	Roosevelt Stadium	Jersey City	NJ
SBD> MR> C> D> CD> EAC> SHN; with patches from AUD> MC> D> CD> EAC> SHN; see info file for details; Thanks to Chuck Gannon, Matt Vernon, and David Backus; edits/encoding by JCotsman
12078	1976-08-04	Roosevelt Stadium	Jersey City	NJ
Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon
120684	1976-08-04	Roosevelt Stadium	Jersey City	NJ
flac16; 2 source matrix: Soundboard (shnid=99697) lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe>flac transferred & seeded by Rob Berger 6/22/09 and Audience (shnid=12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore Transfer: CDR > EAC (secure) > Cool Edit (minor fixup) > mkwact(seekable) Patch Source (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN (Tape Flips Patched w/(FOB) Shure Mics>Cm>Dat>CD) (parts of set 1 patched from video soundtrack) from Charlie Miller via Patrick Clifford Matrix by dusborne using Sound Forge Pro 10.0 and Audacity 2.0 06-11-2012
127240	1976-08-04	Roosevelt Stadium	Jersey City	NJ
flac16; Matrix 3 Source Mix - SBD (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin + AUD1 (shn id 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon + VID (no shn id) used for patching and timing reference - matrix mixing by Kevin Tobin
127254	1976-08-04	Roosevelt Stadium	Jersey City	NJ
DTS-Audio-CD 5.1 Mix; Matrix 3 Source Mix - SBD (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin + AUD1 (shn id 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon + VID (no shn id) used for patching and timing reference - matrix mixing by Kevin Tobin
127248	1976-08-04	Roosevelt Stadium	Jersey City	NJ
flac16; (original shnid = 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon - pitch correction and patches by Kevin Tobin
127249	1976-08-04	Roosevelt Stadium	Jersey City	NJ
flac16; (original shn 35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford - pitch correction and patches by Kevin Tobin
145268	1976-08-04	Roosevelt Stadium	Jersey City	NJ
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin + AUD1 (shn id 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon + VID (no shn id) used for patching and timing reference - surround mixing by Kevin Tobin
152165	1976-08-04	Roosevelt Stadium	Jersey City	NJ
flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK-SD (normal bias) back-up tapes. Concert recording by Rich Petrunis. Transfer: 1st-gen > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2021
140933	1976-08-26	Club Front Studio	San Rafael	CA
flac16; source/lineage: studio reel -> ? -> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda -> Logic Pro -> wav -> xAct -> flac
14687	1976-09-23	Cameron Indoor Stadium, Duke University	Durham	NC
Primary source - SBD: Cm-> C-> Cx2-> DAT-> CDR->EAC->SHN Aud patch sources: AUD: Cm->?-> C-> DAT-> CDR. DAE and shn encoding done by D.Backus
117651	1976-09-23	Cameron Indoor Stadium, Duke University	Durham	NC
flac16; This is a restored version of shnid=14687. It did not involve an upgrade in the source material. A short portion contains a transfer from an open reel tape I received in trade in 1977 (unknown generations).
16901	1976-09-24	College Of William & Mary Hall	Williamsburg	VA
AUD Reel > 48kDATs > midiman delta dio 2496 > cooledit2000 > wav >shn
147381	1976-09-24	College Of William & Mary Hall	Williamsburg	VA
flac16; Source: AUD of unknown lineage > lo-gen cassette via Richie & Rip. Transfer: BASF Pro-II Chrome (c.1977/78) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2019
246	1976-09-25	Capital Centre	Landover	MD
SBDMR> CASS/1> DAT> CD> EAC> SHN; via A. Jerugim; known flaws: 1 sec distortion d3t3 6:22; Sunshine Daydream cuts @0:27; 4/26 update- error in d1- reseeded ~4/27; this date later released as part of Dick's Picks 20
10511	1976-09-25	Capital Centre	Landover	MD
Dick's Picks 20 leftovers: 9/25/76 Its All Over Now, plus 9/28/76 Bertha; SBD > MR > ? > CDR> EAC (secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable); via Matt Vernon with thanks to Raoul Duke
147662	1976-09-25	Capital Centre	Landover	MD
flac16; AUD; Presumed source: Shure SM-57's > Sony TC-158SD, concert recording by Scott Jones, MAC > C > C (2nd Gen, c.1978) cassettes via Lee Maddex. Transfering: 2007; Maxell XLII-90's > JVC TD-W309 > Tascam CDRW-700 > CDR. 2019: CDR > EAC > Wavelab > CD-Wave > FLAC 1644 tagged.
148827	1976-09-25	Capital Centre	Landover	MD
flac24; Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2019 > TLH flac2496
148826	1976-09-25	Capital Centre	Landover	MD
flac16/48kHz; Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
87665	1976-09-27	Community War Memorial Auditorium	Rochester	NY
flac16; DTS-Audio-CD 5.1 Mix of SBD -> Master Reel -> Dat (48k) (shn id 87664 + AUD Sony ECM-33Ps>Sony TC-152 (Cass. master)>DAT>CDR>EAC>Sound Forge (no sound processing)>SHN (shn id 3821) - Mixed by Kevin Tobin
87661	1976-09-27	Community War Memorial Auditorium	Rochester	NY
flac16; Matrix 2 source mix - SBD (shn id 87664): SBD -> Master Reel -> Dat (48k) + AUD: (shn id 3821): Sony ECM-33Ps>Sony TC-152 (Cass. master)>DAT>CDR>EAC>Sound Forge (no sound processing)>SHN - matrix mixing by Kevin Tobin
87664	1976-09-27	Community War Memorial Auditorium	Rochester	NY
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
3821	1976-09-27	Community War Memorial Auditorium	Rochester	NY
Sony ECM-33Ps> Sony TC-152 (Cass. master)> DAT> CDR> EAC> Sound Forge (no sound processing)> SHN; via Mike "dankstar" Parrillo; to etree and abgd; update- not taped by Jerry Moore
163759	1976-09-27	Community War Memorial Auditorium	Rochester	NY
flac1644 Source Info: FOB Sony ECM-33Ps-> Sony TC-152-> Cassette-> DAT Unknown Taper Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/44.1)
100071	1976-09-28	Onongada County War Memorial	Syracuse	NY
flac16; Set 2 only Source: AUD of unknown lineage, Transfer: TDK SA-90 (c1979) > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.
10512	1976-09-28	Onongada County War Memorial	Syracuse	NY
Dick's Picks 20 leftovers: 9/25/76 Its All Over Now, plus 9/28/76 Bertha; SBD > MR > ? > CDR> EAC (secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable); via Matt Vernon with thanks to Raoul Duke
14355	1976-09-28	Onongada County War Memorial	Syracuse	NY
Source: SBD > ? > SHN > Cool Edit(see notes) > CDWAV > mkwact(seekable). shn encoding and patching (unkown FOB aud)by Matt Vernon
14356	1976-09-28	Onongada County War Memorial	Syracuse	NY
Source: Unknown aud (FOB) via Dave Minor patched with SBD. DAT > SHN transfer by Dale Shepherd, shn encoding, pitch correction and patching by Matt vernon
11939	1976-09-30	Mershon Auditorium, Ohio State University	Columbus	OH
FOB - AUD master cass > Cass > DAT > CD; Scarlet from: SBD master reel > PCM > cass > CD; See info file for details; via Jonathan Miller; Seeded to etree by Dave Backus
18107	1976-09-30	Mershon Auditorium, Ohio State University	Columbus	OH
Partial Set 1,2 SBD>Rm>Dat>Sonic Solutions>CD>EAC>SHN via Charlie Miller
30225	1976-09-30	Mershon Auditorium, Ohio State University	Columbus	OH
SBD>MR>DAT>CD; Disc 1&3; Disc 2 = SHNid=18107
137537	1976-09-30	Mershon Auditorium, Ohio State University	Columbus	OH
flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:030225+018107), Disc 1 & 3 lineage: (30225) SBD > MR > DAT > CD > EAC > SHN, Disc 2 Lineage:(18107) SBD > Rm > Dat > Sonic Solutions>CD > EAC > SHN; Audience (shnid:11939) FOB - AUD master cass > Cass > DAT > CD > EAC > SHN
84358	1976-10-01	Market Square Arena	Indianapolis	IN
flac16; Source: aud cassette master, Sony ecm-33p's>Sony 153, Maxell UD120's w/dolby b, mics on stand, fob taped by Jerry Moore Lineage: aud c.m.>sbm1>dat>cdr>eac>cd wave>flac Transfer by Rob Berger '99, tracking by John Tallmadge
14558	1976-10-01	Market Square Arena	Indianapolis	IN
AudMC > DAT > WAV > SHN -- Recorded by Jerry Moore about 20 rows from the stage on center axis with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON.
10151	1976-10-01	Market Square Arena	Indianapolis	IN
sony tc152 w/ 2 AKGD200e mics > 3C > DAT > CDWav; via Raoul Duke, Dave Minor; DAT Transfer by Marc Pujol; Seeded to etree by Matt Vernon
111819	1976-10-01	Market Square Arena	Indianapolis	IN
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; Transferred and Mastered by David Gans; Re-tracked and converted to FLAC By Charlie Miller
112800	1976-10-01	Market Square Arena	Indianapolis	IN
flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
113042	1976-10-01	Market Square Arena	Indianapolis	IN
DVD-VA; (Video Audio) SBD>>MR>>Dat>>CD>>FLAC>>Bertha>>Audio DVD; Bertha Remaster of the Master Reel Source; audio only, no video
118467	1976-10-01	Market Square Arena	Indianapolis	IN
flac24; SRC: Unknown AUD (likely FOB); Lineage: Nakamichi DR-1 > Tascam HD-P2 > 24 bit/96 khz WAV > FLAC
118468	1976-10-01	Market Square Arena	Indianapolis	IN
flac16; SRC: Unknown AUD (likely FOB) > C; Lineage: Nakamichi DR-1 > Tascam HD-P2 > 24 bit/96 khz WAV > minor editing (see below) > downsampling in r8brain Pro to 44.1 khz > dithered using Ozone 3 plugin (MBIT+) > exported to 16 bit in Samplitude 11 Producer > FLAC
137657	1976-10-01	Market Square Arena	Indianapolis	IN
flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:112800), Recording Info: SBD -> Master Reel -> Dat -> CD,Transfer Info:CD -> Samplitude Professional v11.2 -> FLAC, All Transfers and Mastering By Charlie Miller; Audience (shnid:118467), SRC: Unknown AUD (likely FOB),Lineage: Nakamichi DR-1 >Tascam HD-P2 > 24 bit/96 khz WAV > FLAC
14560	1976-10-02	Riverfront Coliseum	Cincinnati	OH
AudMC > DAT > WAV > SHN taped by Jerry Moore with 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON. A>D and shn encoding by Noah Weiner.
10152	1976-10-02	Riverfront Coliseum	Cincinnati	OH
ACM>??>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon
134416	1976-10-02	Riverfront Coliseum	Cincinnati	OH
flac16; restored version of source ID 14560: AudMC > DAT > WAV > SHN; Recorded by Jerry Moore on the left side, maybe a third of the way out from the stage and two thirds in front of center court, about 20 rows off the floor with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON;multi-filter with a paragraphic equalizer, three virtual valve amplifers, one dynamic noise filter in enhancer mode and a spectral filter for final equalization; see info file for details
248	1976-10-03	Cobo Arena	Detroit	MI
set 2 partial; FMSBD -> SBDCM -> DAT -> CD> EAC > SHN; via A. Jerugim; no known flaws; upgrade in circulation
12829	1976-10-03	Cobo Arena	Detroit	MI
set2; SBD> MR> C> DAT> CDR> WAV> SHN; EAC/SHN by jim; upgrade in circulation
12832	1976-10-03	Cobo Arena	Detroit	MI
complete; 1st set: AUD> ?> CD> EAC> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; with patches in second set from the audience recording as well as an FM SBD; Thanks to Jeff Cook, Doug Moog; edits/encoding by JCotsman
19415	1976-10-03	Cobo Arena	Detroit	MI
SET ONE: AUD > ? > CD > EAC > SHN edits/encoding by JCotsman. Taken from this version. SET TWO: AUD > ? > CASS > DAT > WAV > SHN A > D by Noah Weiner - August, 2003. Added to etree by Noah Weiner.
121945	1976-10-03	Cobo Arena	Detroit	MI
flac16; Set 2 Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascm SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
86437	1976-10-09	Oakland-Alameda County Coliseum	Oakland	CA
DTS Audio 5.1; Set 2 only: SBD: SBD > RM > Dat>Sonic Solutions > CD > EAC > SHN Converted to SHN By Charlie Miller (shn id 12519) and AUD: Unknown aud > ? > DAT Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit (rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn SHNtool used verify track boundaries prior to wav>shn Transfer by Marc Pujol (shn id 10179)
99003	1976-10-09	Oakland-Alameda County Coliseum	Oakland	CA
flac16; master taped by Louis Falanga on a sony tc-152sd lineage: MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 16/44>flac agfa reel baked/transferred/seeded by Rob Berger
99002	1976-10-09	Oakland-Alameda County Coliseum	Oakland	CA
flac24; master taped by Louis Falanga on a sony tc-152sd lineage: MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac agfa reel baked/transferred/seeded by Rob Berger
89544	1976-10-09	Oakland-Alameda County Coliseum	Oakland	CA
flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD): SBD > RM > Dat>Sonic Solutions > CD > EAC > SHN (shn id 12519) and Unknown aud > ? > DAT Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit(rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn (shn id 10179)
249	1976-10-09	Oakland-Alameda County Coliseum	Oakland	CA
partial; S:GDH PreFM DAT> ZA2> DartPro32 de-hiss w/ 2.7 gain> CD> EAC> SHN; No noise reduction on disc 2; via D. Hollister, J. Ayers; w/ 5/1/70 filler; etreed 3/24/00; 5/1/70 filler
12519	1976-10-09	Oakland-Alameda County Coliseum	Oakland	CA
Set 2; SBD>Rm>Dat>Sonic Solutions>CD; Seeded to etree by Charlie Miller
10179	1976-10-09	Oakland-Alameda County Coliseum	Oakland	CA
Unknown aud > ? > DAT; via Dave Minor; Transfer by Marc Pujol; Seeded to etree by Matt Vernon
83819	1976-10-09	Oakland-Alameda County Coliseum	Oakland	CA
flac16; Source: Unknown aud > ? > DAT; Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit(rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn Fix of shnid 10179 - tracks put back in phase and stretched to 103% by Bill Tetzeli
3381	1976-10-10	Oakland-Alameda County Coliseum	Oakland	CA
Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; tracked for 2x80
11670	1976-10-10	Oakland-Alameda County Coliseum	Oakland	CA
Reinhardt Hollwein Sony ECM-220 + Sony ECM-280>Sony TC-15; via JackySack; Seeded to etree by Matt Vernon
155765	1976-10-10	Oakland-Alameda County Coliseum	Oakland	CA
Recording Info: (FOB) Unknown Mics > Cassette Master (Uher Deck) Mastering Info: WAV (16-bit/44.1k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/16
155807	1976-10-10	Oakland-Alameda County Coliseum	Oakland	CA
flac16/44 Source: Sony ECM-220 + Sony ECM-280 > Sony TC-15 > Master Audio Casstte - Recorded by Reinhardt Hollwein Lineage: Master Audio Casstte > DAT > CD > EAC (secure) > Cool Edit (minor fixes) > mkwact (seekable) > shn Additional Lineage: Decoded SHN > Wav > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 16 edited and remastered SIRMick February 2022
12614	1976-10-14	Shrine Auditorium	Los Angeles	CA
composite and patched: AUD> MC> R> D> ?> D> CD> EAC> SHN (Bertrando recording) plus SBD> MR> D> CD> EAC> SHN; see notes; via Jeff Cotsman
12079	1976-10-14	Shrine Auditorium	Los Angeles	CA
Source: MAC>R>D > ? > D, Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152; via Dave Minor; Dat transfer by Marc Pujol; Seeded to etree by Matt Vernon
143276	1976-10-14	Shrine Auditorium	Los Angeles	CA
SBD MR > C1 > DAT
157426	1976-10-14	Shrine Auditorium	Los Angeles	CA
Flac16: Analog Audience Source: Sony ECM 270 Microphones -> Sony TC 152SD Medium Stock Brands: Nakamichi CRO-2 tapes X 3 Analog Sound Preservation: MAC -> CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg MR 2000 at 5.6 mhz Recorded by: Bob Menke, Transferred by: Bob Menke, Mastering by: Derek McCabe
168282	1976-10-14	Shrine Auditorium	Los Angeles	CA
flac2496 Sony ECM-280's on balcony ledge right center> Sony TC-152SD > Sony TC-755 @3.75 ips Playback on Technics 1506 > Tascam DA-3000 @24/96 > AA 3.01 (editing and mastering)
84260	1976-10-15	Shrine Auditorium	Los Angeles	CA
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
251	1976-10-15	Shrine Auditorium	Los Angeles	CA
MSR> DATs> CDRs> EAC> SHN; via D. Sacks; Flaws: Slight digi-static at beginning of Might as well; Mama Tried Cut at beginning; reel flip at @ 2:18 in Lazy Lightning; Splice @ 2:00 in Samson
32060	1976-10-15	Shrine Auditorium	Los Angeles	CA
MSR>DATs>CDRs>EAC>SHN Fixed SBE of shnid=251
11655	1976-10-15	Shrine Auditorium	Los Angeles	CA
Source: Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152 Lineage: MAC>D>CD; via JackySack; Seeded to etree by Matt Vernon
105824	1976-10-15	Shrine Auditorium	Los Angeles	CA
flac16; Sony ECM 270's >> Sony TC 152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
167995	1976-10-15	Shrine Auditorium	Los Angeles	CA
flac2496 Sony ECM-280 mics on balcony ledge next to SBD > Sony TC-152 (Sony chrome tape) > Sony TC-755 reel @ 3.75 ips playback on Technics RS-1506 > Tascam DA-3000 @24/96 > AA 3.01 (mastering) by Rob Bertrando
3863	1976-12-31	Cow Palace	Daly City	CA
FM-SB (KSAN-FM)> ? > CDA; 2 encores missing; via Aaron Farnsworth; noted at gdlive 5/01
15114	1976-12-31	Cow Palace	Daly City	CA
Lineage: FM MR>SBM-1>CD>Cool Edit Pro>CD Circulating on Furthur in Feb. 2003; upgrade in circulation
18524	1976-12-31	Cow Palace	Daly City	CA
PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) 2nd encores from MAR (unknown equipment) > Reel > Beta HiFi > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) [Note: A de-popped version created by Dave Winters for disk 3 also circulates. Check the .md5 for d3t03 to determine which version you have.]
20760	1976-12-31	Cow Palace	Daly City	CA
Lineage: PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) - Fixed (pops removed) version of disk 3 of Jack Warner's "prefm" shn via Dave Winters Check the .md5s for d3t03 to see whether you have this seed or #18524. May circulate as either disc 3 solo with a short "Note added 9/1/2003", or as three discs, which is a combination of Source # 18524 and d3 from this source
152247	1976-12-31	Cow Palace	Daly City	CA
flac2448; Source: Mono Sony hand-held recorder (model unknown) > 3x TDK SD C90's (normal bias). Concert recording by Rich Petrunis, standing center floor about 30 feet out from the stage. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2021

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